From owner-glass Sat Aug  1 01:03:01 1998
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From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: Shakeel Abedi <shakeel@tm.net.my>
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Subject: Re: That  $%#!*? copper wire.
Date: Sat, 01 Aug 1998 14:12:51 +0800
Message-ID: <1998Aug1.221251.0>
References: <<1998Aug1.95037.0>>
Organization: Allcrafts Goods & Services
Precedence: bulk

Gidday Shakeel and Y'all - when I was in UK there was a stained glass
company (Hertfordshire area, maybe a bit further north??) who had some
videos on making lampshades, from memory.... this is the kind of thing
that would help, surely?? Anyone?
--Catcha!
Melanie Dunstan in Perth, Western Australia
----
Shakeel Abedi wrote:
<snip> 
> How is it done? The soldering of copper wire around a suncatcher or rims of
> a shade. How do you guys do it. ? Are there any techniques to it.
> 
------
Melanie Dunstan, in Perth, Australia
Allcrafts for Unusual Crafts  http://www.ozemail.com.au/~allcraft


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From owner-glass Sat Aug  1 03:09:07 1998
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From: "Shakeel Abedi" <shakeel@tm.net.my>
To: <allcrafts@p085.aone.net.au>
Content-Type: text/plain;
Subject: Re: That  $%#!*? copper wire.
Date: Sat, 1 Aug 1998 17:10:37 +0800
Message-ID: <1998Aug2.11037.0>
Precedence: bulk

About this I think, Elisabeth (& of course Toby) will be able to give more
details.

Shakeel

-----Original Message-----
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: Shakeel Abedi <shakeel@tm.net.my>
Cc: Bungi Group <glass@bungi.com>
Date: Saturday, August 01, 1998 3:30 PM
Subject: Re: That $%#!*? copper wire.


>Gidday Shakeel and Y'all - when I was in UK there was a stained glass
>company (Hertfordshire area, maybe a bit further north??) who had some
>videos on making lampshades, from memory.... this is the kind of thing
>that would help, surely?? Anyone?
>--Catcha!
>Melanie Dunstan in Perth, Western Australia
>----
>Shakeel Abedi wrote:
><snip>
>> How is it done? The soldering of copper wire around a suncatcher or rims
of
>> a shade. How do you guys do it. ? Are there any techniques to it.
>>
>------
>Melanie Dunstan, in Perth, Australia
>Allcrafts for Unusual Crafts  http://www.ozemail.com.au/~allcraft
>
>
>

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From owner-glass Sat Aug  1 08:49:34 1998
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From: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>
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Subject: re Oddjob
Date: Sat, 01 Aug 1998 09:44:41 -0500
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Did you receive the message to remove Oddjob from the list
for a week???  I tried to send this yesterday morning but
never saw it appear.  Oddjob (my mother) forgot to e-mail
the list to get removed (she's going out of town for a
week).  Her e-mail is oddjob@scc.net.  Thanks!!!

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From owner-glass Sat Aug  1 09:18:37 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: Goldpaws Boo-Boo
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 1 Aug 1998 16:44:57 +0000
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Bbb-Boo Paws 'n Patrick

This sure got a chuckle from ME...
However, Patrick; you're cruel !!
....waiting for a collection of Swedish jokes....? Poor thing will 
have to wait a loooooong time!! Never knew that there existed such a 
thing as Swedish humour....  :-<

Pssst! Heard the one about Patrick's  grandad??

There came an Irish man from Kenkeeling,
who travelled from Dublin to Ealing.
It said on the door,
"Please, don't spit on the floor",
So he carefully spat on the ceiling!

:->
Take care now!
Elisabeth 'n Toby


 
> My dear you suffer from an assortment of ailments beside your obvious lack
> of balance (one leg is temporarily heavier and whiter than the other side).
> My diagnosis is:
> 
> Wissmatch Withdrawal
> Spectrum Separation
> BullsEye Breakdown
> Yeogehmey (sp) Yearning
> * and others I am too tired to mention (my couch has cats on it)
> 
> Prognosis:
> 
> In a few weeks your leg will get lighter and change back to the normal
> color. However, the stress of being torn apart from your art will last until
> the first inside cut goes awry and the profanity that always follows
> relieves the pent up emotions.
> 
> Suggestions until you are cured:
> 
> Take 2 aspirins and a gallon of cheap wine and in the morning the hangover
> will make you forget the pain in your leg.
> 
> Don't try to waltz. Your partners life could be in danger and besides the
> cast won't match your dress. Although, you could mosaic it (Hmmmm, another
> topic of the week, casts of colors?)
> 
> Snap off orders to your significant other ....  that's always good for a
> laugh.
> 
> Braid your cats tail. He/she won't like it but like all art its an aesthetic
> thing open to criticism.
> 
> Collect and post Swedish jokes to the group (this will definitely get a rise
> out of you-know-who in the UK).
> 
> I could go on but your time is up. Pay the receptionist on the way out. All
> donations go to the SGAA Fund for Lowering the Cost of Reference and
> Technical Manual (SGAAFLCRTM).
> 

> PS Get better quick, So much glass.... so little time.
> 
 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sat Aug  1 10:18:25 1998
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From: Carolyn Noel <glasscat@infinet.com>
To: Shakeel Abedi <shakeel@tm.net.my>
Content-Type: text/plain; charset=us-ascii
Subject: Re: That  $%#!*? copper wire.
Date: Sat, 01 Aug 1998 12:57:31 -0400
Message-ID: <1998Aug1.85731.0>
References: <<1998Aug1.95037.0>>
Organization: The Stained Glass Place
Precedence: bulk

Hi Shakeel:
There is an alternative to wire reinforcement on lamps, suncatchers, and
what have you. I always use Worden's FlexBar. It's great and so easy to
use. It's like a tinned braid that you can curve around anything, and it
stays in place. You just lay it down on the edge and solder... makes a
nice finished edge. It's also used for reinforcement in panels. Alot of
people don't carry it for some reason, but I find it's indispensable for
alot of projects. (I used it for my workbench lamp--pool table
lamp--around the top and bottom edge.)
Carolyn
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From owner-glass Sat Aug  1 10:50:24 1998
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Subject: Mini-Table Saw
Date: Sat, 01 Aug 1998 13:11:23 -0400
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Hi Everyone:
Was wondering if I could get some opinions on Inland's Wet/Dry
Mini-Table Saw. I'll be using it to cut zinc for framing. I've heard
about the Gryphon saw, but hoping someone out there has used Inland's
and would pass on what they thought of it. 
Thanks in advance.
Carolyn
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From owner-glass Sat Aug  1 12:50:40 1998
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Subject: Re:  Goldpaws Boo-Boo
Date: Sat, 1 Aug 1998 15:26:59 EDT
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Patrick offers Goldpaws a few

<< Suggestions until you are cured: [snip]>>

Well, if glass weren't so *^#$@^##@! heavy, you could make a mosaic out of
your cast. It *would* be a conversation starter! Hey, how 'bout making a
mosaic "medallion," say 4-6" wide, on the outer side of the calf (or even on
your knee if the cast goes up that far and you wear a lot of shorts, which
everyone on the "top side" of the world is doing these days)? Lotsa bright
colors and even some mirror, and grout it in the regular way. Who needs
autographs?

In the mean time, keep yer chin up, sweetie. A cast is not forever, thank God!


Sparks
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From owner-glass Sat Aug  1 13:10:58 1998
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Subject: Re:  Molly's Cat
Date: Sat, 1 Aug 1998 15:26:51 EDT
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<<I had the pleasure of seeing Molly's cat project and the real thing. Both
were works of art. I'm sure see hated to part with the SG, but alas that is
way.

Patrick>>

Ah, but the "up" side of that is: All is not lost, she can make another one!
(Gee, I don't know anyone who's ever done that, do you? <g>)


Sparks
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From owner-glass Sat Aug  1 14:23:15 1998
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Date: Sat, 1 Aug 1998 17:04:53 EDT
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Please remove my e-mail address from your list
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From owner-glass Sat Aug  1 17:02:06 1998
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Content-Type: text/plain;
Subject: Bio #42 (I think)  Richard Callahan
Date: Sat, 1 Aug 1998 18:18:06 -0500
Message-ID: <1998Aug1.13186.0>
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Hello !

I was born 51 years ago in West Orange ,New Jersey. Left New Jersey in 1978.
I lived in central Penna 'till 1986, and have been here in California, since
1986.

I've been married to the same great lady since 1968, and we have three
daughters, one in the Coast Guard, one in the Navy, and the youngest just
got a commission in the Air Force, no, I was not in the military, nor was my
wife.

My training was first in Economics, and I worked for a few years as a
mortgage banker, and did some real estate development. Then, at 30, became a
licensed mortician, and together with my wife, operated a succession of
funeral homes in N.J., Penna.,and Calif. In 1996, after a terrible bout with
cancer, which my wife survived, we decided to sell our business to an
international consolidator.Selling was a good idea, staying to work with
them was not. Am now lawyering a corporate divorce (nasty), and am preparing
to open a glass supply /studio in my area. I also continue to do expert
court testimony on funeral service matters. (Too many lawyers in California
= too many lawsuits)

Began glass (self -taught, books and video) about five years ago. During all
of my wife's operations, and debilitating chemo, I turned to the glass to
keep my sanity.

I began getting requests for panels ,lamp shades, and candle surrounds from
friends, by word of mouth, built up a trade although part -time, which was
about all the volume I could handle. Some time ago, I began to get requests
for repair work, and find that I really enjoy it. (But not before I wound up
rebuilding several old windows which should have been simple repairs) Alas,
at least I don't make the same mistakes twice, but seemed to make all of
them
once.

Most of our lives were spent always being on call, 24/365. Glass has been an
incredibly liberating experience for me.

I have learned so much from the bungi group, that I can't even begin to say
thanks. Also, the warmth and artistic range of this group continue to be an
inspiration.


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From owner-glass Sat Aug  1 18:37:09 1998
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From: Molly Keys <MollysGlass@sprintmail.com>
To: WhispyBlu@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Running pliers
Date: Sat, 01 Aug 1998 19:54:37 -0500
Message-ID: <1998Aug1.145437.0>
References: <<1998Jul30.214659.0>>
Precedence: bulk

The dip it replaces the worn out coating on the pliers and keeps you from crushing
the glass.  You get the same effect as if they were new.  My pliers or not plastic
but metal with a screw in the top for adjusting to the thickness of the glass.  As
far as I know replacement pads cannot be bought for these.  They were probably
very cheap when I bought them.
Molly

WhispyBlu@aol.com wrote:

> In a message dated 7/30/98 1:54:47 PM Central Daylight Time,
> GreerStudios@compuserve.com writes:
>
> << I have some old gray running pliers that I love.  I buy this stuff
>  called "Dip It" (it's red) and i dip my pliers >>
>
> Hi Molly!
> What exactly does "Dip It" do for the running pliers or for accurate breaking?
>
> Lu Ann
> ----
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From owner-glass Sat Aug  1 18:51:28 1998
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From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
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Content-Type: multipart/alternative;
Subject: Confusion
Date: Sat, 1 Aug 1998 19:56:28 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0025_01BDBD86.78EB5D40
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I don't understand.  I was under the impression that we could read and =
contribute to others involved with stained glass.  Was I wrong ? =20

Arnold Schneider    Creekside Creations    Richfield, Pa.

------=_NextPart_000_0025_01BDBD86.78EB5D40
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>I don't understand.&nbsp; I was under the impression =
that we=20
could read and contribute to others involved with stained glass.&nbsp; =
Was I=20
wrong ?&nbsp; </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Arnold Schneider&nbsp;&nbsp;&nbsp; Creekside=20
Creations&nbsp;&nbsp;&nbsp; Richfield, Pa.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0025_01BDBD86.78EB5D40--

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From owner-glass Sat Aug  1 19:05:26 1998
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To: shakeel@tm.net.my, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: That  $%#!*? copper wire.
Date: Sat, 1 Aug 1998 21:27:18 EDT
Message-ID: <1998Aug2.12718.0>
Precedence: bulk

Shakeel,

Like you, I am self taught. Geography was not my problem, but I was in a
profession where I was on call always, and committment to a course was not
possible. Like you, I learned from books, a few videos, and ,asking a lot of
questions. Early on, I became very comfortable with the fact that the creation
of SG art is a process which is very forgiving. While it is frustrating to
have to do things over, at least you get the chance to do so. A piece doesn't
look right? Cut another, Don't like the solder bead, or the lead line? ok, do
it again. Knowing that I can if necessary, do that, makes a very imperfect
person such as I, comfortable with an art medium, which allows one a second,
or if necesary, multiple chances for satisfaction. At least that's how I see
it!

Or, the old Henny Youngman bromide " How to you get to Carnagie Hall?"
Practice, Practice, Practice.

Richard
Glassics Inc.
Valencia, California, USA
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From owner-glass Sat Aug  1 21:40:36 1998
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Subject: Re: Confusion
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>I don't understand.  I was under the impression that we could read and =
>contribute to others involved with stained glass.  Was I wrong ? =20

No, Arnold, you are not confused. You can both read and contribute. 
The contribution must be made in a "reply". It is E-mail, not chat.
Try replying to this note and see what happens!

Suzanne
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From owner-glass Sat Aug  1 23:11:57 1998
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Subject: subscribe
Date: Sun, 02 Aug 1998 00:41:56 -0500
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From owner-glass Sun Aug  2 03:23:56 1998
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Subject: English cutting (was To buy OR not to buy Pattern sheers)
Date: Sun, 2 Aug 1998 10:02:03 +0100
Message-ID: <1998Aug2.1123.0>
References: <<1998Jul30.95216.0@?>>
Precedence: bulk

In message <1998Jul30.95216.0@?>, "Michael J. Greer"
<GreerStudios@compuserve.com> writes
>I think lots of pros use English cutting
>alot of the time, but on certain patterns
>(for example, intricate florals) we do =
>
Dani,

What is the English cutting method?   I ask as a USAn working in
Scotland.
?????  = lots of head scratching!   :-)
Steve

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Aug  2 03:41:37 1998
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: LuvArtGlas@aol.com
Subject: Re: To buy OR not to buy Pattern sheers
Date: Sun, 2 Aug 1998 09:58:35 +0100
Message-ID: <1998Aug2.105835.0>
References: <<1998Jul30.16916.0@?>>
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In message <1998Jul30.16916.0@?>, LuvArtGlas@aol.com writes
>Does anyone have a pattern for a light box?
>
Find a suitable piece of plate glass and build the box around it.
Establish fittings in the bottom, include ventilation holes in the
sides, acid etch or sand blast the back of the glass to diffuse the
light.  
Another simple method is to support the glass on a few bricks (wrapped
in newspaper to avoid scratches) put a light source under the glass and
cut away.  This is cheap (if not free) and can be put away when not in
use.

>Just out of curiousity.... how were patterns
>transfered before electricity... Holding up to 
>window?  Of course clear glass wasnt always 
>available....

The other thing is that opalescent glass isn't all that old i think.
Most of the really dense stuff came into existence after electricity.
>
>Suzan
>----
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Aug  2 03:52:05 1998
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Shakeel Abedi <shakeel@tm.net.my>
Subject: Re: TOPIC - Reinforceing copper foil projects
Date: Sun, 2 Aug 1998 10:52:13 +0100
Message-ID: <1998Aug2.115213.0>
References: <<1998Aug1.9547.0@?>>
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In message <1998Aug1.9547.0@?>, Shakeel Abedi <shakeel@tm.net.my> writes
>Could I suggest the topic.
>
>The methods, techniques, dos and don'ts and the art of reinforching with
>copper wire.
>
>
OK  Shakeel, I'll bite.

First:
Why copper?  It is only marginally harder than lead.  Of course it has
flexibility and a little recoverability, and can be soldered.  

But brass wire can also be soldered, has more strength and
recoverability than copper.  

Bronze is even stronger (although I have not found any bronze wire of a
small enough diameter).

The second:
Why reinforce at all?  OK I know some reasons.  For example, I have
found that removable tops for terreria (or terriums?) need to have the
bottom rim reinforced, or the top separates under its own weight - the
adhesive not being strong enough to hold the whole together.  But a
copper wire around the bottom rim takes all this strain.  Brass wire
would so the same.

But on a lamp the stresses are different.  There is no force separating
the panels.  The forces would seem to be gravity, so wire around the rim
would not deal with the main force.  Wire *along* the panel joints from
the vase cap to the bottom rim would seem to be the required
reinforcement.

Of course, if the lamp is a formed unit without straight lines, the
stresses would be distributed through the glass, and not rely on the
adhesive as much as with panels.

Just my opinion of course.

Steve
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Aug  2 03:56:47 1998
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Shakeel Abedi <shakeel@tm.net.my>
Subject: That $%#!*? copper wire.
Date: Sun, 2 Aug 1998 10:38:37 +0100
Message-ID: <1998Aug2.113837.0>
References: <<1998Aug1.95037.0@?>>
Precedence: bulk

In message <1998Aug1.95037.0@?>, Shakeel Abedi <shakeel@tm.net.my>
writes

<snip>
>
>How is it done? The soldering of copper wire around a suncatcher or rims of
>a shade. How do you guys do it. ? Are there any techniques to it.
>
Shakeel

My method is to stretch the copper wire (like lead came) so you have a
length of unkinked wire  (sometimes i use twisted brass wire, where
stretching doesn't work wo well)
I start by tack soldering one end at an appropriate point. I then apply
solder, sweating it to the rim, every 4-5cm say.  When I get back to the
start, I cut the wire to but the end of the already soldered wire.
Using a pair of pliers to hold the wires together, I take a blob of
solder and apply it to the joint.  Then I go around the rim soldering
the "gaps" and forming any bead possible.

I hope this is clear and helps.
Steve
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Aug  2 08:32:32 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: English cutting (was To buy OR not to buy Pattern sheers)
Date: Sun, 02 Aug 1998 10:51:14 -0400
Message-ID: <1998Aug2.65114.0>
References: <<1998Aug2.1123.0>>
Precedence: bulk

Steve Richard wrote:
> 
> In message <1998Jul30.95216.0@?>, "Michael J. Greer"
> <GreerStudios@compuserve.com> writes
> >I think lots of pros use English cutting
> >alot of the time, but on certain patterns
> >(for example, intricate florals) we do =
> >
> Dani,
> 
> What is the English cutting method?   I ask as a USAn working in
> Scotland.
> ?????  = lots of head scratching!   :-)
> Steve
> 
> --
> Steve Richard
> Verrier Art Glass Ltd
> s.richard@verrier-scotland.demon.co.uk
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


as far as i remember the english method refers to tracing the pattern on
the glass. instead of cutting the pattern apart and tracing the pattern
with the cutter. 

the method is somewaht faster, and you don't loose the pattern pieces.
however due to the angle or opacity of the glass you may not be able to
easily see through the glass. but most of the time i can, when i can't i
usually trace the pattern over the glass with carbon paper. then i trace
the carbon paper lines with a white marker. a little extra work, but it
works for me.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Sun Aug  2 08:47:58 1998
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X-Path: wcnet.net!fibers
From: fibers@wcnet.net (fibers)
To: Carolyn Noel <glasscat@infinet.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Mini-Table Saw
Date: Sun, 02 Aug 1998 09:51:22 -0500
Message-ID: <1998Aug2.45122.0>
References: <<1998Aug1.91123.0>>
Precedence: bulk

Carolyn,
Just bought one last week. Give me a couple of days and I'll let you know
how I like it.
Nelda

Carolyn Noel wrote:

> Hi Everyone:
> Was wondering if I could get some opinions on Inland's Wet/Dry
> Mini-Table Saw. I'll be using it to cut zinc for framing. I've heard
> about the Gryphon saw, but hoping someone out there has used Inland's
> and would pass on what they thought of it.
> Thanks in advance.
> Carolyn
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass



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From owner-glass Sun Aug  2 11:36:59 1998
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From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Confusion
Date: Sun, 2 Aug 1998 13:42:38 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0025_01BDBE1B.69DC94A0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Suzanne   Thanks for clearing it up

Arnold Schneider    Creekside Creations    Richfield, Pa.

------=_NextPart_000_0025_01BDBE1B.69DC94A0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Suzanne&nbsp;&nbsp; Thanks for =
clearing it=20
up</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Arnold Schneider&nbsp;&nbsp;&nbsp; =
Creekside=20
Creations&nbsp;&nbsp;&nbsp; Richfield, Pa.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0025_01BDBE1B.69DC94A0--

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From owner-glass Sun Aug  2 12:39:19 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: A long and detailed bit on copper wire application
Date: Sun, 2 Aug 1998 11:44:02 -0700
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-----Original Message-----
From:	Steve Richard [SMTP:s.richard@verrier-scotland.demon.co.uk]
Sent:	Sunday, August 02, 1998 2:39 AM
To:	Shakeel Abedi
Subject:	That $%#!*? copper wire.

In message <1998Aug1.95037.0@?>, Shakeel Abedi <shakeel@tm.net.my>
writes

<snip>
>
>How is it done? The soldering of copper wire around a suncatcher or rims 
of
>a shade. How do you guys do it. ? Are there any techniques to it.
>
Shakeel


Steve  " My method is to stretch the copper wire (like lead came) so you 
have a
length of unkinked wire  (sometimes i use twisted brass wire, where
stretching doesn't work wo well) "


[*Glenn*]  To add to this, foiled projects need some treatment on the edge 
to bring the visual width to the same or more as the internal line width 
(wider because it has two foil edges added together whereas the outside 
edge is only one). One way would be, as I think it was Mike said, was to 
use a wider foil applied around the edge, this though provides little extra 
strength and is suitable for smaller projects and those that get their 
strength from their 3 D structure. Other ways would be to add a lead edge 
tinned or untinned (U or H of appropriate size for the project) which 
provides more strength, wired edge (single of different gauges or twisted 
using two or more wires of the same or different diameters), brass or other 
hard metal came (limited to straight or gently curved edges, which requires 
a came bender).

With respect to the wire edge, the size of the wire can be changed to 
change the width of the edge obtained. 2 or more wires  of different gauges 
can be combined to obtain a variety of visual effects. The wire can be 
twisted by taking equal lengths of wire, (somewhat longer than required as 
wire is twisted it becomes shorter and to compensate for trim at the ends), 
placing in a vise one end that has a few tight twists and is bent to lock 
the wires together, and taking the other end in a drill and at slow speed 
or in short bursts twisting the wire keeping the wires taut, too little and 
the wires will separate, too much and the wire will break. Practice and 
experimentation will achieve the effect you desire.

To remove kinks from your wire, run the wire, after it has been 
straightened as much as possible, around a hardwood or metal cylinder, 
(like an old table leg), so that the ends come back to the same point  and 
run it back and forth under pressure.

Steve
"I start by tack soldering one end at an appropriate point. I then apply
solder, sweating it to the rim, every 4-5cm say.  When I get back to the
start, I cut the wire to but the end of the already soldered wire.
Using a pair of pliers to hold the wires together, I take a blob of
solder and apply it to the joint.  Then I go around the rim soldering
the "gaps" and forming any bead possible."

To add to this, an appropriate staring point tack is always where an 
internal line comes to the outside of the piece. This is the anchor point. 
Then with the wire bent in a curve away from your project, roll it down 
onto the edge (this ensures that the wire stays tight to the edge), keeping 
it centred on the edge, and tacking ever inch and wherever the leadlines 
come to the edge as further anchor points (this prevents the wire from 
pulling the foil away from the edge). Don't forget to flux the wire before 
tacking. When you return to the starting point and are prepared to butt end 
it is important to tack the end a short distance from the starting tack, 
then use a wooden pencil or dowel end to hold the first tack in place while 
you tack the end wire (this is because the starting tack will tend to want 
to break free). The wood hold down will also likely be needed when doing 
the bead at this point.

The bead is applied a small amount at a time and not "floated" or "run" as 
is done on the seams. The glass should be held vertically by the left hand, 
which is also holding the solder, or between blocks (this depends on 
whether the piece is rectangular or curved) The solder should be enough to 
 give a bead on the "face" side of the foil without drooping. This does 
require practice as gravity works against you! The solder from each 
application should be allowed to gel before going on to the next 
application. If the solder drops off, you have applied too much, if the 
foil on the face is only tinned then you have added too little. It is very 
important to keep the glass as vertical as possible while doing the edge. 
On curved works it is important to only apply solder at the zenith or high 
point then let it gel before moving on otherwise gravity will take over and 
the bead will run.

Remember to keep hands and legs from under where you are soldering (or use 
protection) as the drops, if they fall, are rather hot!

With respect to hanging, there are a variety of choices other than wood 
framing on the smaller works. You can put loops in the wire as you are 
placing it (of course always at points where the internal solder lines come 
to the edge). This is appropriate for pieces up to about a foot in 
diameter. One to two foot dimension will need a piece of wire run through 
the loop and down either side for a distance in the seamline. Very small 
suncatchers may not require the wire edge (but a good edge bead) and only a 
loop into the seam for hanging.

Edge beading is difficult and requires practice and patience for a 
satisfactory result. Many use U lead came instead, this can be tinned if a 
copper finish is required.

Twisted wire can also be applied to seamlines, especially on 3D projects 
for added effect. There is also a technique for doing the meeting edges of 
boxes to get a perfect mating with no gaps. I will detail this if there are 
any interested parties.

I apologize for the length of this but I have found that this is one area 
where the books do little more than lip service to a somewhat difficult 
technique. Well, back to my closet hiding place.

Glenn Spicer,
The Studio Metamorphoses, BC, Canada

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From owner-glass Sun Aug  2 15:11:06 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: English cutting (was To buy OR not to buy Pattern sheers)
Date: Sun, 2 Aug 1998 17:28:43 -0400
Message-ID: <1998Aug2.132843.0>
Precedence: bulk

Hi Steve-

In English cutting, one places the =

pattern on a lightbox, places the glass
over the pattern, then cuts the glass (with
some distortion, of course, due to the =

thickness of the glass).  The European/
German method requires the tracing
of a second pattern, with carbon paper
or on a light box, the second pattern =

is then cut apart with pattern shears,
the individual pieces are traced onto =

the glass with a Sharpie or china marker,
then those pieces of glass are cut along
the inside edge of the mark.  A slightly
greater degree of accuracy is obtained
using this method, provided of course
the glazier can accurately cut glass!  It
also takes longer.  Hope this clarifies
things a bit!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sun Aug  2 16:13:52 1998
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: "M. Savad" <morn@nac.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Box Hinges
Date: Sun, 2 Aug 1998 15:40:20 -0700 (PDT)
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References: <<1998Jul31.63121.0>>
Precedence: bulk

Mike:  What do you use for a center pin on the type of box hinge you
described?  What keeps the pin from falling out?  Peggy

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From owner-glass Sun Aug  2 16:28:55 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: To buy OR not to buy a light box
Date: Sun, 2 Aug 1998 15:49:54 -0700 (PDT)
Message-ID: <1998Aug2.84954.0>
References: <<1998Jul31.104833.0>>
Precedence: bulk

Hi Everyone.  And in the same vein as the pattern shears, if you don't
have a light box you can always use a coffee table with a glass insert.
Put a lamp beneath it and you have a light box, or at least an interim
light box.  Peggy

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From owner-glass Sun Aug  2 16:45:48 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Science proves glass doesn't flow.
Date: Sun, 2 Aug 1998 16:01:18 -0700 (PDT)
Message-ID: <1998Aug2.9118.0>
References: <<199807312120.RAA03368@vger.vgernet.net>>
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Thanks Albert!  I have now included your information as part of the SGGA
Technical Manual. I also believe there is much more about the properties
of glass that we will discover in the future that explains the molecular
alighnment that permits us to score and break glass.  Peggy

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From owner-glass Sun Aug  2 18:22:09 1998
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From: <ANLGlass@aol.com>
To: glasscat@infinet.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Mini-Table Saw
Date: Sun, 2 Aug 1998 20:04:53 EDT
Message-ID: <1998Aug3.0453.0>
Precedence: bulk

I have the Inland saw and like it pretty well.  Biggest problem is that the
doohickey that you use for mitre-ing corners is hard to adjust precisely.
I usually have to cut the angles a few times and keep adjusting until I
get it close enough to look good on visible corners.  (But it only takes a
fraction of an inch each time, so there's not a lot of waste.)  I've used it
on zinc, brass, and copper -- I'm about to go buy a new blade for it
as my original one is now too dull to cut.

- Marilyn
A New Light
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From owner-glass Sun Aug  2 18:27:19 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: "Peggy W. Johnsen" <edupjohn@slonet.org>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Box Hinges
Date: Sun, 02 Aug 1998 20:09:49 -0400
Message-ID: <1998Aug2.16949.0>
References: <<Pine.GSO.3.95.980802153908.8981A-100000@oso.slonet.org>>
Precedence: bulk

Peggy W. Johnsen wrote:
> 
> Mike:  What do you use for a center pin on the type of box hinge you
> described?  What keeps the pin from falling out?  Peggy

you can use the regular inner tube. generally the pin is pretty tight.
it might help if you put a slight kink in the tubes for snugness. of
course the ultimate cure, is to not have a removable hinge pin, because
it's not really needed.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Mon Aug  3 03:46:55 1998
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From: <LuvArtGlas@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: UGGGGGGGGHHHHHHHHH!!!!!
Date: Mon, 3 Aug 1998 06:06:17 EDT
Message-ID: <1998Aug3.10617.0>
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Is it just me????

Or does everyone have trouble cutting Baroque glass?
Everytime I try to cut out my angel fish the glass breaks 
down a grain line....Its so frustrating HELP!

Suzan
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From owner-glass Mon Aug  3 06:21:20 1998
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X-Path: tricountyi.net!grannyandpawpaw
From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Re:   Ugggggghhhh
Date: Mon, 3 Aug 1998 08:27:05 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_001C_01BDBEB8.7F786B20
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

A few things that might help, although you probably tried =
them....Reverse pattern and cut on the smooth side of the glass....Wash =
the glass before you cut....Use a new cutter....All else fails, cut it =
with a saw, as I do.

Arnold    Creekside Creations    Richfield, Pa.

------=_NextPart_000_001C_01BDBEB8.7F786B20
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>A few things that might help, =
although you=20
probably tried them....Reverse pattern and cut on the smooth side of the =

glass....Wash the glass before you cut....Use a new cutter....All else =
fails,=20
cut it with a saw, as I do.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Arnold&nbsp;&nbsp;&nbsp; Creekside=20
Creations&nbsp;&nbsp;&nbsp; Richfield, Pa.</FONT></DIV></BODY></HTML>

------=_NextPart_000_001C_01BDBEB8.7F786B20--

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From owner-glass Mon Aug  3 07:25:54 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: LuvArtGlas@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: UGGGGGGGGHHHHHHHHH!!!!!
Date: Mon, 03 Aug 1998 09:33:41 -0400
Message-ID: <1998Aug3.53341.0>
References: <<1998Aug3.10617.0>>
Precedence: bulk

LuvArtGlas@aol.com wrote:
> 
> Is it just me????
> 
> Or does everyone have trouble cutting Baroque glass?
> Everytime I try to cut out my angel fish the glass breaks
> down a grain line....Its so frustrating HELP!
> 
> Suzan
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


if i had to guess from here on what's happening... i would have to sav
that as you pull or push the cutter, it's hitting a ridge and sliding a
little. causing a fracture to go down the wrong way. 

or that you not putting enough pressure on the cutter to make a good
score. 

or that the last time you broke the piece out it caused little tiny
fractures (maybe due to tapping too hard). and it's folling one of those
lines.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Mon Aug  3 07:33:23 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: Bungi Group <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Quick tip: That  $%#!*? copper wire.
Date: Mon, 3 Aug 1998 09:25:30 -0400
Message-ID: <1998Aug3.52530.0>
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Okay, you already know to put the project vertical where you are =
installing the wire. Here's a quick tip to get it to lay against the =
edge of the project.

This takes two hands so the project must be secured on it's own. The =
wire will conform to the shape of the edges of your project better if =
you curl it slightly in the opposite direction. That is if you are going =
around an external curve, gently curl the wire in the opposite way. You =
can then hold the wire further away from where you will solder and it =
will want to take on the shape of the curve as you guide it. Also you =
can pre-bend inside and outside points, gently curl the area with the =
inside and outside points and coax in into place while you dot with an =
iron full of solder. Hard to explain but easier to do.=20

Linda

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From owner-glass Mon Aug  3 08:29:47 1998
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X-Path: bc.sympatico.ca!tuka
From: tuka@bc.sympatico.ca
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Lead free solder and copper patina
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Mon, 3 Aug 1998 07:53:01 +0000
Message-ID: <199808031449.HAA22806@mail1.bctel.ca>
Precedence: bulk

I'm doing a commission for a large SG bowl that my client wants 
done with lead free solder and copper patina.  A lot of the glass in 
this bowl is clear waterglass (foiled with copper back foil), so if
there's no way to make the patina work, I have to tear the whole 
thing apart and refoil, which I don't want to do.

What IS the metal(s) in lead free solder?  It does NOT say on the 
roll.

I use purified water for all rinsing. 

I have NEVER before had trouble with copper patina so it must be
 	the solder causing this.

So far I have:

1	Cleaned the solder really well (like I always do)
	Applied patina and got a spotty black/copper mess
	Tried clean up with finishing compound
	Still a spotty mess

2	Cleaned again with vinegar and salt
	Applied patina and got a spotty black/copper mess
	Tried clean up with finishing compound
	Still a spotty mess

3	Used steel wool on all the solder
	Applied patina and got a spotty black/copper mess
 	Tried clean up with finishing compound
 	Still a spotty mess (but marginally better)
	
4	Ranted, raved, cursed, threatened the use the fruit bowl for a
	football.

Please can anybody help?

Shiela
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From owner-glass Mon Aug  3 10:30:19 1998
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From: "Michael Minchelli" <lsg@jerseycape.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Computer Question
Date: Mon, 3 Aug 1998 12:30:59 -0400
Message-ID: <1998Aug3.83059.0>
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Is there any way to down load all of your email in one shot, not 30 at a
time????



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From owner-glass Mon Aug  3 11:28:16 1998
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From: "Michael Minchelli" <lsg@jerseycape.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Avoid this virus!!!
Date: Mon, 3 Aug 1998 12:56:33 -0400
Message-ID: <1998Aug3.85633.0>
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----------
> From: beyerfl@juno.com
> To: Lsg
> Subject: <none>
> Date: Saturday, August 01, 1998 5:20 PM
> 
> 
>  >If you receive an email titled "WIN A HOLIDAY" DO NOT open it. 
> It
> >>     will erase
> >>     >everything on your drive.  Forward this letter out to as many
> people
> >>     as you
> >>     >can.  This is a new, very malicious virus and not many people
> know
> >>     about
> >>
> >>     it.
> >>     >This information was announced yesterday morning from Microsoft;
> >>     please share
> >>     >it with everyone that might access the Internet.  Once again,
> pass
> >>     this along
> >>     >to everyone in your address book so that this may be stopped... >
> >>
> >
> >
> 
> 
> --------- End forwarded message ----------
> 
> _____________________________________________________________________
> You don't need to buy Internet access to use free Internet e-mail.
> Get completely free e-mail from Juno at http://www.juno.com
> Or call Juno at (800) 654-JUNO [654-5866]


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From owner-glass Mon Aug  3 12:34:54 1998
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X-Path: vdot.net!shyguy
From: Dinosaur Bob <shyguy@vdot.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Computer Question
Date: Mon, 03 Aug 1998 14:30:55 -0400
Message-ID: <1998Aug3.103055.0>
References: <<1998Aug3.83059.0>>
Organization: Cox's Mower Service
Precedence: bulk

It depends - What software are you using to access email?

Michael Minchelli wrote:
> 
> Is there any way to down load all of your email in one shot, not 30 at a
> time????
> 
> ----
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-- 
Adults are obsolete children
		Theodore Geisel

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From owner-glass Mon Aug  3 12:42:54 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, LuvArtGlas@aol.com
Subject: Cutting Spectrum Baroque
Date: Mon,  3 Aug 1998 14:29:34, -0500
Message-ID: <199808031829.OAA12884@mime3.prodigy.com>
Precedence: bulk

>>Is it just me????

Or does everyone have trouble cutting Baroque glass?
Everytime I try to cut out my angel fish the glass breaks 
down a grain line....Its so frustrating HELP!

Suzan<<

I cut a lot of Spectrum Barogue and have generally good success. Some 
things I do when cutting this glass:
1. Cut on the smooth side. This applies to most all glasses,
2. Cut a rough textured glass like SB on a well padded surface to 
avoid creating high pressure contact points when cutting. A few 
layers of newspaper or a thin carpet will do,
3. Realize that some baroque color combinations are not truly 
compatible for COE and may provide less cutting success. Reducing the 
size of the piece with simple cuts before making final cuts may help,

4. Cut larger pieces first so if they are miscut they can be used for 
smaller pieces. This applies to all glass, and
5. Test your cutter on some scrap glass if not sure it is cutting 
well.

Hope this helps, Bob

Ps: Going to http://www.spectrumglass.com and presenting the problem 
to them may help.



____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Thanks, America.*
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From owner-glass Mon Aug  3 13:38:52 1998
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From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  Computer Question
Date: Mon, 3 Aug 1998 15:19:16 EDT
Message-ID: <1998Aug3.191916.0>
Precedence: bulk

Michael Minchelli's enquiring mind wants to know:

> Is there any way to down load all of your email in one
> shot, not 30 at a time????

Do you mean a daily digest? I wish! Given the choice, I always sign up for
"digest" mode when I join a list. It keeps the old inbox so much neater. What
say you, list owners? Can we have a daily digest mode? Or an "every time we
hit 500 lines" digest? Please?


Sparks
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From owner-glass Mon Aug  3 13:45:33 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Avoid this virus!!! (It's a hoax)
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 3 Aug 1998 15:42:48 +0000
Message-ID: <199808032135.RAA00951@vger.vgernet.net>
Precedence: bulk


> >  >If you receive an email titled "WIN A HOLIDAY" DO NOT open it. 

A new hoax is making its way around the Internet,
                   posing as a virus alert. This latest twist on the
                   "Join the Crew" hoax includes many of the hoax
                   heuristics you can read about in "Hypes and
                   Hoaxes". It claims to warn you of a "new, very
                   malicious virus" and asks you to spread the news to
                   as many people as you can. It references the
                   "RETURNED MAIL" hoax as well, claiming that it will
                   "attach itself to your computer components" and
                   "render them useless". Sources of authority are
                   quoted as well. 

                   This hoax claims "If you receive an e-mail titled
                   "WIN A HOLIDAY" DO NOT open it, it will erase
                   everything on your hard drive. Forward this letter
                   out to as many people as you can." 

                   This message is a hoax. There is no chance to win a
                   vacation; there is no such virus; and there is no
                   reason to pass this message on to as many people as
                   you can. As with all hoaxes, the best thing you can
                   do is to delete it and forget about it. 

Ref:
http://www.av.ibm.com/BreakingNews/HypeAlert/Holiday/

Albert
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From owner-glass Mon Aug  3 14:08:57 1998
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X-Path: aol.com!PDRUSS
From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: To buy OR not to buy a light box
Date: Mon, 3 Aug 1998 15:43:15 EDT
Message-ID: <1998Aug3.194315.0>
Precedence: bulk

In a message dated 98-08-02 19:30:15 EDT, you write:

<< 
 Hi Everyone.  And in the same vein as the pattern shears, if you don't
 have a light box you can always use a coffee table with a glass insert.
 Put a lamp beneath it and you have a light box, or at least an interim
 light box.  Peggy >>


Our light box is either a piece of plexyglass(sp?) set on the lap and braced
on the tabletop with a lamp set on the floor at the feet.  Or standing at the
window. Both ways work great and no storage problem.


Dianne 
Jacksonville, FL
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From owner-glass Mon Aug  3 15:35:56 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: English cutting (was To buy OR not to buy Pattern sheers)
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Mon, 3 Aug 1998 22:23:25 +0000
Message-ID: <199808032127.WAA07566@saturn.nildram.co.uk>
Precedence: bulk

Hi everybody,

The "English Method" is to draw a "master drawing", which is a kind 
of engineering drawing. That drawing  remains inviolate, doesn't get 
cut up or anything. You lay it onto a board and  place all your glass 
onto it and through the visible lead lines that you can see through 
the glass, you cut  inside the leadline - all the transparent glass. 
For the glass that is hard to see through, you place your drawing 
over a light-box; for the real opaque glass that even a light-box 
won't show through, you cut out a separate template of that piece 
only, place it over the glass and draw around template with a 
chinograph-pen.; cut it, then adujst and trim to the original piece 
as on your drawing. I hope I am explaining this sufficiently well, 
since it is the ONLY method I use and which I use daily 
professionally. 
Whatever you do, whatever method you chose,  your pieces STILL have 
to fit within a kind of master drawing. With pattern shears you have 
to make TWO drawings, one to cut up into little pieces and the other 
into which your pieces need to be fitted. 
Through the "English Method" you have eliminated a rather needless 
process; 
Why cut out bits of paper (the American Method) when you can see 
perfectly well what you are supposed to do through the glass itself. 
And if you can't see clearly through the drawing & glass, ILLUMINATE 
it. If you still cant see, make a separate template.
Once you have drawn your drawing, why cut it up into little pieces??.
And the very process of cutting it up leeds to cutting errors, slips 
and jagged bits. 
However, people prefer to use different methods because it's "right" 
for them. In the final analysis, however you cut, it STILL has to fit 
your "Master Drawing". Your master drawing has to be perfect.. Your 
drawing is the be all and end all of your creation and construction.
I have myself never quite understood the merits of using 
"pattern-shears" A needless extra element, that invites additional 
margins of errors.

In  Historic Times, when paper was not a cheap and cheerful 
commodity, "master drawings" were made on the sheet of wood onto 
which the glass wascut,  assembled and constructed. For dark or 
opalescent glass used, a paper tracing was made from the drawing, 
placed on top of a light source and thus cut. The traces of the 
drawing on the paper subsequently removed, so that the precious paper 
could be used again.

When European Master Craftsmen swapped and changed designs and 
drawings in "yesteryear" amongst each other, they exchanged sheets of 
wood. Paper was too expensive  That is the heritage of the "English 
Method".
It is actually a very eficcient and accurate method still today. The 
Brits are superb engineers, always have been. 

I encourage my students in Britain to also learn, 
play, and experiment with the "American Method", it still remains a 
mystery to them. They just cannot see the logic, rationale of adding 
a rather inaccurate and haphazard element into the process.
However, both methods exist and are practiced; they are a reality.
This is where the large quanitity of water will divide us.
Elisabeth 'n Toby in UK

> Steve Richard wrote:
> > 
> > In message <1998Jul30.95216.0@?>, "Michael J. Greer"
> > <GreerStudios@compuserve.com> writes
> > >I think lots of pros use English cutting
> > >alot of the time, but on certain patterns
> > >(for example, intricate florals) we do =
> > >
> > Dani,
> > 
> > What is the English cutting method?   I ask as a USAn working in
> > Scotland.
> > ?????  = lots of head scratching!   :-)
> > Steve
> > 
> > --
> > Steve Richard
> > Verrier Art Glass Ltd
> > s.richard@verrier-scotland.demon.co.uk
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> 
> 
> as far as i remember the english method refers to tracing the pattern on
> the glass. instead of cutting the pattern apart and tracing the pattern
> with the cutter. 
> 
> the method is somewaht faster, and you don't loose the pattern pieces.
> however due to the angle or opacity of the glass you may not be able to
> easily see through the glass. but most of the time i can, when i can't i
> usually trace the pattern over the glass with carbon paper. then i trace
> the carbon paper lines with a white marker. a little extra work, but it
> works for me.
> 
> ---Mike Savad
> 
> -- 
> Mike's Stained Glass - Tips Tricks Photos
> http://www.geocities.com/Paris/1141
> 6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
> Tip Pages
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 
> 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Aug  3 16:00:57 1998
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	for rglass-42; Mon, 3 Aug 1998 14:56:44 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Michael Minchelli <lsg@jerseycape.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Avoid this virus!!!
Date: Mon, 03 Aug 1998 17:54:51 -0400
Message-ID: <1998Aug3.135451.0>
References: <<1998Aug3.85633.0>>
Precedence: bulk

Michael Minchelli wrote:
> 
> ----------
> > From: beyerfl@juno.com
> > To: Lsg
> > Subject: <none>
> > Date: Saturday, August 01, 1998 5:20 PM
> >
> >
> >  >If you receive an email titled "WIN A HOLIDAY" DO NOT open it.
> > It
> > >>     will erase
> > >>     >everything on your drive.  Forward this letter out to as many
> > people
> > >>     as you
> > >>     >can.  This is a new, very malicious virus and not many people
> > know
> > >>     about
> > >>
> > >>     it.
> > >>     >This information was announced yesterday morning from Microsoft;
> > >>     please share
> > >>     >it with everyone that might access the Internet.  Once again,
> > pass
> > >>     this along
> > >>     >to everyone in your address book so that this may be stopped... >
> > >>
> > >
> > >
> >
> >
> > --------- End forwarded message ----------
> >
> > _____________________________________________________________________
> > You don't need to buy Internet access to use free Internet e-mail.
> > Get completely free e-mail from Juno at http://www.juno.com
> > Or call Juno at (800) 654-JUNO [654-5866]
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


just as a side note, it's spam. it's like an email chain letter.
ultimitly it's that letter that is the virus, as it clogs up the
systems. especially since they don't name the virus. there is at least 1
vires the HARE virus that's supposed to be bad. and the CIH virus, but
it only affects EXE files (though quite deadly)...


---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Mon Aug  3 16:27:10 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: mail2.nai.net!shad
From: Family Account <shad@mail2.nai.net>
To: Granny And PawPaw <grannyandpawpaw@tricountyi.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Ugggggghhhh
Date: Mon, 03 Aug 1998 18:04:02 -0400
Message-ID: <1998Aug3.1442.0>
References: <<1998Aug3.4275.0>>
Precedence: bulk

Actually, this is knd of interesting...I'm getting blank messages in my
mail (using the mail in Netscape), but if i save the messages as text,
then I can open them and read them.  Says they are
multipart/alternative.  One part says text/plain, the other part is in
HTML. I'm kind of wondering if my reply will show up with the message
attached.  Ah, well, at least now I know I can read them....  Ain't this
all so much fun?

Dorothy K

Oh, yeah, I've had very little trouble with barouque.  This is probably
famous last words.

Granny And PawPaw wrote:

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From owner-glass Mon Aug  3 16:31:29 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Michael Minchelli <lsg@jerseycape.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Computer Question
Date: Mon, 03 Aug 1998 17:51:12 -0400
Message-ID: <1998Aug3.135112.0>
References: <<1998Aug3.83059.0>>
Precedence: bulk

Michael Minchelli wrote:
> 
> Is there any way to down load all of your email in one shot, not 30 at a
> time????
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


if you wait a couple of days and have it pile up. all the messages come
in at seperate time, as far as i know.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Mon Aug  3 17:17:07 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: <Witchdoc3@aol.com>, glass@bungi.com
Subject: Re:  Computer Question
Date: Mon, 3 Aug 1998 16:45:48 PDT
Message-ID: <m0z3UIW-0000D6C@daver.bungi.com>
References: <<Witchdoc3@aol.com>>
Precedence: bulk

[In the message entitled "Re:  Computer Question" on Aug  3, 15:19, <Witchdoc3@aol.com> writes:]
> 
> > Is there any way to down load all of your email in one
> > shot, not 30 at a time????
> 
> Do you mean a daily digest? I wish! Given the choice, I always sign up for
> "digest" mode when I join a list. It keeps the old inbox so much neater. What
> say you, list owners? Can we have a daily digest mode? Or an "every time we
> hit 500 lines" digest? Please?


Sorry this list is not available in digest form


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Mon Aug  3 17:38:59 1998
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X-Path: aol.com!Klmxklm
From: <Klmxklm@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: A long and detailed bit on copper wire application.
Date: Mon, 3 Aug 1998 19:47:19 EDT
Message-ID: <1998Aug3.234719.0>
Precedence: bulk

Glenn:
Thanks for the copper wire info.  I, for one, would like to hear (see) your
wire applications to 3-D seamlines -- box edges, etc.  
"Mike" Mikolajczak
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From owner-glass Mon Aug  3 19:15:17 1998
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X-Path: hotmail.com!scottjf55
From: "scott floyd" <scottjf55@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: red pen
Date: Mon, 03 Aug 1998 18:29:13 PDT
Message-ID: <1998Aug4.12913.0>
Precedence: bulk

  I have recently stumbled across a new pen for writing on black glass.  
Well it might be all that new to someone out there, but for those of you 
still trying to "mess" with those white or gold paint pens, there is a 
better way.  The Staedtler, those small fine tips that are good for 
tracing for foil also has a red pen.  The cap is red 
so it'd easy to find.  It shows up as a flourescent green color on black 
and dark colored glass.  It still isn't vivsible for some people but for 
people who do small foil peices it is great!  There is also a Staedtler 
Superfine pen.  Great for even more accuracy in foil projects.  I use 
the fine tip for the mylar pattern, then the superfine for the tracing 
of the mylar onto the glass.  Next I'll want a superfine red pen, 
heheheh.  Well If any of you out there know a supplier of the Staedtler 
refils, yes they are reffilable!, please fill me in...*sm*...

  Scott  

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From owner-glass Tue Aug  4 01:23:18 1998
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	for rglass-42; Tue, 4 Aug 1998 00:53:49 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: signature on emails
Date: Tue, 4 Aug 1998 01:12:02 +1000
Message-ID: <1998Aug4.11122.0>
Precedence: bulk

to leestat7
i think you asked about the signature at the bottom of emails ???
i am using outlook express so it would be different with other software but
here is the menus..
Tools/Stationery/Signature
there you can write your own (including address) or even include a whole
file. Have fun! (sorry if i got your question wrong)
Harlequin
www.surf.to/harlquin

                                                         ^ 
                                                        /^\     .
                                                   /\   "V"
                                                  /__\   I      O  o
                                                 //..\\  I     .
                                                 \].`[/  I
                                                 /l\/j\ (]|    .  O
                                                /. ~~ ,\/I          .
                                                \\L__j^\/I       o
                                                 \/--v}  I     o   .
                                                 |    |  I   _________
                                                 |    |  I c(`       ')o
                                                 |    l  I   \.     ,/
                                               _/j  L l\_!  _//^---^\\_
    >:<    gandalf@rivendel.com      >:<     gandalf@lorien.umd.edu    >:<


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From owner-glass Tue Aug  4 01:46:22 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Avoid this virus!!! (It's a hoax)
Date: Tue, 4 Aug 1998 17:58:54 +1000
Message-ID: <1998Aug5.35854.0>
Precedence: bulk

from http://www.mirabilis.com/temp/notice.html
"Virii (or virusses) CAN be sent through email. But they cannot be plain
text. Here are known ways to send virii through email: 1. With an attached
executable. This can only hurt you if you execute it. Names will be
disguised like Windows96up.exe or Freestuff.exe. 2. As an HTML mail-message,
linking to a gif/jpeg file, which has a virus in it. Text-only mail-readers
will not be hurt by this. 3. Mail with an attached Word/Excel file. This can
only hurt you, if you open it in the corresponding program. It will have a
macro in it, that actually has a virus. Protection against this is
common-sense." - Mercurio
Harlequin
www.surf.to/harlquin
                                                         ^
              /^\     .
                                                   /\   "V"
                                                  /__\   I      O  o
                                                 //..\\  I     .
                                                 \].`[/  I
                                                 /l\/j\ (]|    .  O
                                                /. ~~ ,\/I          .
                                                \\L__j^\/I       o
                                                 \/--v}  I     o   .
                                                 |    |  I   _________
                                                 |    |  I c(`       ')o
                                                 |    l  I   \.     ,/
                                               _/j  L l\_!  _//^---^\\_
    >:<    gandalf@rivendel.com      >:<     gandalf@lorien.umd.edu    >:<

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From owner-glass Tue Aug  4 03:26:01 1998
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From: <Yegnim@aol.com>
To: glass@bungi.com
Content-Type: multipart/mixed;
Subject: Fwd: A long and detailed bit on copper wire application.
Date: Tue, 4 Aug 1998 05:59:05 EDT
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This is a multi-part message in MIME format.

--part0_902224746_boundary
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Glenn,
Ditto for me!
Lenore

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Subject: Re: A long and detailed bit on copper wire application.
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Glenn:
Thanks for the copper wire info.  I, for one, would like to hear (see) your
wire applications to 3-D seamlines -- box edges, etc.  
"Mike" Mikolajczak
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From owner-glass Tue Aug  4 03:51:54 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Avoid this virus!!!
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 4 Aug 1998 06:04:13 +0000
Message-ID: <199808041157.HAA07525@vger.vgernet.net>
Precedence: bulk


> there's the new scare of the cih virus which could effect the flash
> bios... i was wondering when they were going to make that type of 
virus.

"Scare" being the operative word, for the most part, when it comes to 
virus alerts.  There's some really good information at
http://www.qadas.com/qadas/iso/iso-hm/0315.html
which I suggest for anyone concerned about viruses.

Now there *are real viruses, but there is *real danger of being hit 
by lightning, too, although the odds of that happening are lower than 
hitting the PowerBall. If anyone here is really concerned about virus 
attack of their computer, you should get McAfee Virus Scan or a 
similar product and install it. It automatically checks for and 
deletes them and, as new ones are developed (yes, there are people 
who actually *build these things and send them out) McAfee and the 
other firms publish updates that are automatically loaded into your 
computer to continue your protection.

Personally, that's what I've done. And I also lock the doors at 
night when I go to bed. I sleep easier that way. <s>

Albert
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From owner-glass Tue Aug  4 04:27:28 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Computer Question
Date: Tue, 4 Aug 1998 06:15:02 -0400
Message-ID: <1998Aug4.2152.0>
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I kind of like little bits of glass info coming in throughout the day. If it comes up, I'd vote no.

Linda

----------
From: 	Glenna Rand[SMTP:gjr@bungi.com]
Sorry this list is not available in digest form



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From owner-glass Tue Aug  4 06:27:13 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: RE: Computer Question
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 4 Aug 1998 08:17:58 +0000
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> Sorry this list is not available in digest form

Personally, I don't think there are so many messages that a digest is 
called for. It seems to me that I get 3-23 messages, very rarely more 
than that, although time was it could be 60-70. That seems to be a 
thing of the past, though, now that we're more polite. <s>

Albert
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From owner-glass Tue Aug  4 06:47:04 1998
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From: "Michael Minchelli" <lsg@jerseycape.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Computer Questions:  Thanks worked it out.
Date: Tue, 4 Aug 1998 08:31:09 -0400
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Had to have my account changed from a ".com" to a ".net"
My address will stay the same but all of my mail will be forwarded to the
net acct.
Any way... Thanks for your input.
Michael
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From owner-glass Tue Aug  4 08:08:21 1998
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X-Path: mars.ark.com!wmunro
From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More Tools...Mosaic Cutters
Date: Tue, 4 Aug 1998 07:32:03 -0700
Message-ID: <199808041432.HAA22649@ark.com>
Precedence: bulk

>To: Beadnik2@webtv.net (Joan)
>From: wmunro@mars.ark.com (Wayne Munro)
>Subject: Re: More Tools...Mosaic Cutters
>Cc: 
>Bcc: 
>X-Attachments: 
>
>Joan...There is actually an "allen wrench" that should of come with your
cutters. If it did not, then take to a small hand tool outlet and they can
sell you one. They are cheap and usually come in packages of different
sizes. (The same wrench that you would use for the screw on your grinder
bit, only bigger)---same idea. These wheels come loose quite frequently, so
you will definetly (sp) need one.
>Another tip is to mark the wheels with a small dot of paint from paint pen
and when they start to 'dull', you can loosen the wheels and turn them
slightly, giving you a new set of cutters.
>.........Wayne
>
>
>>This is another tool I use daily, because I frequently cut very small
>>pieces off skinny strips of glass.  I recently noticed that one of the
>>wheels has started to "wiggle" very badly, making the tool difficult to
>>use.  There does not seem a slot for any type of screw driver.  Does
>>anyone know what I can use (if anything) to tighten this up again? 
>>
>>Thanks!     Joan
>>
>>----
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>>
>>
>


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

ICQ # 2762376
Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

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From owner-glass Tue Aug  4 09:12:47 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Avoid this virus!!!
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 4 Aug 1998 11:11:11 +0000
Message-ID: <199808041704.NAA19317@vger.vgernet.net>
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> well, i've been a big proponent of this view too, but alas, have found that we  
> have been overtaken by technology. it IS possible to receive a virus if you  
> use certain mail readers on certain hardware types. see  
> 
http://cnn.com/TECH/computing/9807/28/internet.security.reut/index.html

Thanks for passing that along, Charlie. I read the piece and it says, 
"The flaw, discovered by computer security experts in Finland, affects
two Microsoft Corp. e-mail programs -- Outlook Express and Outlook 98 
-- as well as Netscape Communications Corp.'s Web browser."

I don't use any of those personally, but for email I use Pegasus 
Mail, which is freeware and can be found at
http://www.download.com/
Just type "Pegasus" into the search tool that appears and download 
and install either the 16-bit or 32-bit version.

Eudora for email is also highly recommended (not by me, 'cause I 
don't know/use it, but I'm sure it's fine).

The most important points the article you referenced echo those 
that I've already made: that any danger lies in the attachments ... 
executable files and so on. The trick to avoiding problems is to not 
open or run stuff from people you don't know.

On the other hand, I download software All The Time from the web, 
trusting not only in the ethics of reputable firms but also in the 
on-the-fly protection offered by McAfee's Virus Shield, which runs in 
the background, watches everything, and kills those bugs dead if/when 
it finds anything. Personally, I've only ever encountered the FORMA 
virus (which causes your keyboard to make funny clicking sounds on 
the 18th of the month ... harmless? yes. annoying? also yes). McAfee 
has detected it in the past and immediately stops the computer, tells 
you it's encountered the virus, and asks me what it should do.

Of course, I tell it to squash the critter, which it does. <s>

VirusScan's available at
http://www.mcafee.com/products/virusscan/virusscan.asp
where it's described this way: "VirusScan provides complete desktop 
protection with an array of scanning features that keep your system 
clean, mean and virus-free. Using only the latest technology, 
VirusScan detects 100% of viruses including floppy disks, Internet 
downloads, e-mail attachments, Intranets, shared files, CD-ROM and 
online services (even inside the most popular compressed file 
types)."

I paid $69.95 for it; I see it's on sale today for $39.95 (wouldn't 
you know!?) 

On the other hand, you can download and Evaluate it for FREE. Just 
click on Evaluate, fill out the form (it's required), and download 
it. McAfee's famous for allowing you to try the full-blown version of 
their software for a period of time before you decide to buy it. It's 
30-45 days, I don't remember, but plenty of time to see that it 
works. I doubt that you'll encounter a virus in that time, to be 
honest. I haven't seen anything since FORMA and that was years ago 
... 2-3 years at least.

Of course, McAfee's not the only game in town. Norton makes one, too:
http://www.symantec.com/ 

By the way, I don't own stock in any of these (actually, I don't own 
*any stock, to be honest), so these are just suggestions as to how I 
sleep best at night. <s>

Albert
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From owner-glass Tue Aug  4 09:21:21 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Avoid this virus!!!
Date: Tue,  4 Aug 98 07:24:02 -0700
Message-ID: <m0z3i0R-000LkTC@why.az.stratus.com>
References: <<199808041157.HAA07525@vger.vgernet.net>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
> there's the new scare of the cih virus which could effect the flash
> bios... i was wondering when they were going to make that type of
> virus.
>
> "Scare" being the operative word, for the most part, when it comes to
> virus alerts.  There's some really good information at
> <http://www.qadas.com/qadas/iso/iso-hm/0315.html
> which I suggest for anyone concerned about viruses.
>
> Now there *are real viruses, but there is *real danger of being hit
> by lightning, too, although the odds of that happening are lower than
> hitting the PowerBall. If anyone here is really concerned about virus
> attack of their computer, you should get McAfee Virus Scan or a
> similar product and install it. It automatically checks for and
> deletes them and, as new ones are developed (yes, there are people
> who actually *build these things and send them out) McAfee and the
> other firms publish updates that are automatically loaded into your
> computer to continue your protection.
>
> Personally, that's what I've done. And I also lock the doors at
> night when I go to bed. I sleep easier that way. <s>
>
> Albert
> ----
well, i've been a big proponent of this view too, but alas, have found that we  
have been overtaken by technology. it IS possible to receive a virus if you  
use certain mail readers on certain hardware types. see  
<http://cnn.com/TECH/computing/9807/28/internet.security.reut/index.html

regards,
charlie
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Tue Aug  4 09:41:19 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: lightening strikes
Date: Tue, 4 Aug 1998 08:11:38 -0700 (PDT)
Message-ID: <199808041511.IAA13985@baby.vphos.net>
Precedence: bulk


Hi Albert,
My server says I was recently hit by lightening....modem fried on one side:(
Connects sometimes and not other.
Had BC tel come by and check the outside line.... they have lightening
protectors on the house actually....surge protection. And at the pole.
Smiles, Cindy

 

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From owner-glass Tue Aug  4 10:07:43 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Final post on Lead free solder and copper patina
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Tue, 4 Aug 1998 08:28:25 +0000
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Talked to my client this morning and she decided that it was more 
important to have the lead free solder than it was to have the copper 
colour, so will be totally disassembling the bowl, refoiling and 
resoldering.

Thanks everyone for your suggestions.

Shiela
 


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From owner-glass Tue Aug  4 10:43:53 1998
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X-Path: mars.ark.com!wmunro
From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Ringstar pliers
Date: Tue, 4 Aug 1998 07:32:05 -0700
Message-ID: <199808041432.HAA22657@ark.com>
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Howdy gang....Does anyone know where I can get replacement pads for these
pliers. They are great and the pads will come out east, but have never seen
them in catalogs. I have used them so much, they are starting to 'wear out'.
Thanks....Wayne


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

ICQ # 2762376
Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

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From owner-glass Tue Aug  4 13:24:24 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: red pen
Date: Tue, 4 Aug 1998 08:10:56 -0700 (PDT)
Message-ID: <199808041510.IAA06041@baby.vphos.net>
Precedence: bulk

>Hi Scott,
I use staedtlers and love them....tend to be harder to use in the winter.
Get my supply from the "mill office", but you can ask for refills at the
business supply store, may be able to help.
Smiles, Cindy
PS...home for aday and now off to Bella Coola...talk to ya soon guys:):)



>

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From owner-glass Tue Aug  4 13:36:55 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Non-glass - Virus Protection
Date: Tue, 4 Aug 1998 12:46:24 EDT
Message-ID: <1998Aug4.164624.0>
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In a message dated 98-08-04 12:14:19 EDT, you write:

<< On the other hand, you can download and Evaluate it for FREE. Just 
 click on Evaluate, fill out the form (it's required), and download 
 it. McAfee's famous for allowing you to try the full-blown version of 
 their software for a period of time before you decide to buy it. It's 
 30-45 days, I don't remember, but plenty of time to see that it 
 works. >>

I just bought Windows 98 and got the McAfee VirusScan software for free.  The
McAfee was $29.99 at Office Depot and if you bought Windows 98 with it, there
was a rebate for $30.00.

Brenda
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From owner-glass Tue Aug  4 13:58:58 1998
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X-Path: aol.com!Witchdoc3
From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  red pen
Date: Tue, 4 Aug 1998 15:43:02 EDT
Message-ID: <1998Aug4.19432.0>
Precedence: bulk

scott floyd sez:

> still trying to "mess" with those white or gold paint pens

Mess is right! They leak like the dickens. Every paint pen I own is wrapped in
2" wide clear tape to keep the paint off my hands. Thanks for the hot tip (no
pun intended) re the Staedtler pens! (And I had completely forgotten about the
"Chinagraph" markers used by our friends on the other side of the pond.)

Off to the local art supply store...


Sparks
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From owner-glass Tue Aug  4 14:41:20 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Digest (getting off topic, sorry!) was Re:  Computer Question
Date: Tue, 4 Aug 1998 15:42:55 EDT
Message-ID: <1998Aug4.194255.0>
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Glenna says:

> Sorry this list is not available in digest form

But my question is:

*Do you have the capability* to make it into a digest? And if so, why not
offer that option? Most listserver programs do have that feature.

(Note to Linda C et al: The default option is to keep getting the individual
messages. Anyone who wanted the digest would have to deliberately *choose*
that option.)

The fact that you're already compiling monthly archives (which have now become
so large as to be difficult, if not impossible, to download - I've tried, and
the longer ones in particular always seem to "hang") indicates that it should
be possible. AFAIK, it's a matter of setup. And it would be *so* much easier
for a lot of us subscribers (especially those of us who only get to the
computer a couple of times a day and have a lot of other correspondence going
including other businesses), since the list is so busy (and so are we all
<g>)!

In short, I'm asking (and I think Michael M was too) that the digest option be
made available if possible. In the mean time, thanks much to our list owners
for your hard work and dedication!

Having said my piece, I will now upshut. :-) Back to glass!


Sparks
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From owner-glass Tue Aug  4 16:21:55 1998
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X-Path: aol.com!LuvArtGlas
From: <LuvArtGlas@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: RE: RED PEN
Date: Tue, 4 Aug 1998 18:30:33 EDT
Message-ID: <1998Aug4.223033.0>
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ChinaGragh markers?    
Are these the wax based china marrkers that Berol makes?

LuvArtGlas
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From owner-glass Tue Aug  4 16:41:58 1998
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X-Path: aol.com!Klmxklm
From: <Klmxklm@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Non-Glass, sort of
Date: Tue, 4 Aug 1998 18:33:17 EDT
Message-ID: <1998Aug4.223317.0>
Precedence: bulk

Does anyone here know if there are any nice screensavers available that
incorporate, preferably, a stained glass motif or secondly, a kaleidoscopic
effect?  I think it would be quite neat, but in somewhat limited searching I
have not turned up anything.  Would appreciate any input.  Thanks.
"Mike" Mikolajczak
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From owner-glass Tue Aug  4 16:51:15 1998
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From: <Klmxklm@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Solder on zinc came.
Date: Tue, 4 Aug 1998 18:25:13 EDT
Message-ID: <1998Aug4.222513.0>
Precedence: bulk

Hi Bungians:
When soldering the edges of foiled panels (windows) to 1/4" zinc came borders,
I often end up with a very rough surface where the solder joins the zinc.  It
just doesn't want to adhere well or if it does, the solder surface is like it
contains very fine grains of sand.  I have cleaned the came thoroughly,
thinking there might be oily material on it, but it's not much better.  Any
ideas?  Thanks.
"Mike" Mikolajczak
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From owner-glass Tue Aug  4 17:53:23 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Klmxklm@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Solder on zinc came.
Date: Tue, 04 Aug 1998 20:08:29 -0400
Message-ID: <1998Aug4.16829.0>
References: <<1998Aug4.222513.0>>
Precedence: bulk

Klmxklm@aol.com wrote:
> 
> Hi Bungians:
> When soldering the edges of foiled panels (windows) to 1/4" zinc came borders,
> I often end up with a very rough surface where the solder joins the zinc.  It
> just doesn't want to adhere well or if it does, the solder surface is like it
> contains very fine grains of sand.  I have cleaned the came thoroughly,
> thinking there might be oily material on it, but it's not much better.  Any
> ideas?  Thanks.
> "Mike" Mikolajczak
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


it sounds like the zinc is acting like a heat sink and absorbing all the
heat for the solder. after touching the iron to the join, let the iron
rest on the zinc for a little longer. keep an eye on the solder going
onto the zinc, you should see it spread a little. that should be enough,
the solder should look a little like water on the surface when the iron
leaves.

---Mike Savad

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6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Tue Aug  4 18:25:51 1998
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From: fibers@wcnet.net (fibers)
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: solder as you go
Date: Tue, 04 Aug 1998 19:26:54 -0500
Message-ID: <1998Aug4.142654.0>
Precedence: bulk

Is there a good reason not to tack solder a leaded panel.? I'm about
half way through a 200 piece project and would like to tack a few of the
first pieces put in place.
Nelda

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From owner-glass Tue Aug  4 19:04:19 1998
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From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Solder Problems
Date: Tue, 4 Aug 1998 20:41:49 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0010_01BDBFE8.4DE96060
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I don't have that problem [have lots of others, but not that one]  Flux =
lightly, use a good quality 60/40 solder, like Canfield or Fry.  Very =
often "bargain" solders are made with reclaimed metals.  These contain =
impurities that can really screw up a beautiful piece of art.

Arnold Schneider    Creekside Creations    Richfield, Pa.

------=_NextPart_000_0010_01BDBFE8.4DE96060
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I don't have that problem [have lots =
of others,=20
but not that one]&nbsp; Flux lightly, use a good quality 60/40 solder, =
like=20
Canfield or Fry.&nbsp; Very often &quot;bargain&quot; solders are made =
with=20
reclaimed metals.&nbsp; These contain impurities that can really screw =
up a=20
beautiful piece of art.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Arnold Schneider&nbsp;&nbsp;&nbsp; =
Creekside=20
Creations&nbsp;&nbsp;&nbsp; Richfield, Pa.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0010_01BDBFE8.4DE96060--

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From owner-glass Tue Aug  4 19:27:33 1998
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From: "M. Savad" <morn@nac.net>
To: fibers <fibers@wcnet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: solder as you go
Date: Tue, 04 Aug 1998 21:40:44 -0400
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Precedence: bulk

fibers wrote:
> 
> Is there a good reason not to tack solder a leaded panel.? I'm about
> half way through a 200 piece project and would like to tack a few of the
> first pieces put in place.
> Nelda
> 
> ----
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the only reason why you would'nt is in case you need to adjust something
later. like a background piece or the like. also if you need to patina
or do touch ups, the corrosion on the solder may prevent that.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Tue Aug  4 19:29:18 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Solder on zinc came.
Date: Tue, 4 Aug 1998 21:10:52 -0400
Message-ID: <1998Aug4.171052.0>
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Hi Mike-

That's one of the drawbacks to using
zinc - the solder DOESN't like to adhere
and it's a weaker solder joint than when
using lead.  And, also there's the problem
of the zinc reacting with the solder and
raising the melting point of the solder -
often the iron is just not beefy enough
to supply the resultant heat demand.
We avoid using zinc whenever possible-
it may be more rigid than lead, but it
ain't necessarily better!

Best regards,

Dani Greer
Greer Gallery & STudios
http://www.bungi.com/glass/igga/greer/  =

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From owner-glass Tue Aug  4 21:04:49 1998
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From: "scott floyd" <scottjf55@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re:tack solder as you go?
Date: Tue, 04 Aug 1998 20:11:08 PDT
Message-ID: <1998Aug5.3118.0>
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  Do not tack solder as you go on a leaded panel.  Why would you do that 
anyway???  The nails hold everything in place.  The lead lines need to 
be a little giving for the whole piece to come together.  If a straight 
lead line is cut by a perpendicular line then the two 
starights(independently ) have to be able to be straightened when it is 
all leaded.  I have never seen anyone tack solder a leaded panel as they 
build.  The only tack soldering I do is, tacking the straight lines 
after the piece is done, to make sure that they will stay lined up when 
all of them are soldered.  I am very curious about this now. 
...more replies on this........... Scott *sm* 

______________________________________________________
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From owner-glass Tue Aug  4 22:12:22 1998
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To: Klmxklm@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Solder on zinc came.
Date: Wed, 05 Aug 1998 00:01:43 -0400
Message-ID: <1998Aug4.20143.0>
References: <<1998Aug4.222513.0>>
Organization: @Home Network
Precedence: bulk

Use fine (400-600 grit) sandpaper on the zinc (or brass) came first,
right before soldering, then clean with industrial Acetone (not nail
polish remover)right ahead of the soldering iron.  Also what Mike said
about the 'heat sink' is true for the larger 1/2" zinc.  Need a higher
or hotter iron.  Just enough flux to make solder 'run' good.



Klmxklm@aol.com wrote:
> 
> Hi Bungians:
> When soldering the edges of foiled panels (windows) to 1/4" zinc came borders,
> I often end up with a very rough surface where the solder joins the zinc.  It
> just doesn't want to adhere well or if it does, the solder surface is like it
> contains very fine grains of sand.  I have cleaned the came thoroughly,
> thinking there might be oily material on it, but it's not much better.  Any
> ideas?  Thanks.
> "Mike" Mikolajczak
> ----
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From owner-glass Tue Aug  4 22:43:45 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, fibers@wcnet.net
Subject: solder as you go
Date: Wed,  5 Aug 1998 00:08:24, -0500
Message-ID: <199808050408.AAA14878@mime3.prodigy.com>
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>>Is there a good reason not to tack solder a leaded panel.? I'm 
about
half way through a 200 piece project and would like to tack a few of 
the
first pieces put in place.
Nelda<<

If you want to tack your leaded panel go right ahead. I would 
recommend that you use a small amount of flux that is not likely to 
run through through to the other side of the joint and complete each 
joint that you choose to solder. Also wipe up any excess flux after 
soldering.

Excess flux seeping through will increase your need to wire brush the 
other side of a joint, delayed completion of a joint increases the 
cleanup for resoldering and flux left on for different amounts of 
time will make it harder to brush up a nice uniform patina in the 
final cleanup.

Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Thanks, America.*
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From owner-glass Tue Aug  4 23:23:41 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, wmunro@mars.ark.com
Subject: Ringstar pliers
Date: Wed,  5 Aug 1998 00:56:13, -0500
Message-ID: <199808050456.AAA07510@mime3.prodigy.com>
Precedence: bulk

>>Howdy gang....Does anyone know where I can get replacement pads for 
these
pliers. They are great and the pads will come out east, but have 
never seen
them in catalogs. I have used them so much, they are starting to 
'wear out'.
Thanks....Wayne<<

I know that replacement pads are sold for the Ringstar running pliar 
by Mad Dog Stained Glass in Van Nuys, CA. They are wholesale only. 
Whoever sold you the Ringstar in the first place would be the one to 
contact if you must go retail. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Thanks, America.*
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From owner-glass Wed Aug  5 01:52:05 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, seaspray@mail.island.net
Subject: Re: Cutting Spectrum Baroque
Date: Wed,  5 Aug 1998 03:27:40, -0500
Message-ID: <199808050727.DAA16128@mime3.prodigy.com>
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>>>>>3. Realize that some baroque color combinations are not truly 
>compatible for COE and may provide less cutting success. Reducing 
the 
>size of the piece with simple cuts before making final cuts may help,


Bob...I'm wondering which ones you find more difficult.  I've used 3 
or 4
and have only had problems with my favorite...the cinnamon baroque. 

It would be useful information if you could share which you've found 
to be
most difficult.

Carol Swann
Synergy Glass & Creative
Carol Swann<<

Funny you should ask. Yesterday I went to the Spectrum site and they 
have a discussion on the slight incompatibility that SOME of their 
baroque glasses may have. None were defined by color combinations.

I would guess that any of their two colors on clear would be the most 
like to have a minor problem. I can name no baroque that has very 
poor cutting success. I have not found incompatibility with the 
spectrometer test.

In the past three months I have reduced sixteen 4' X 8' sheets of 
cinnamon baroque to several hundred circles from 6 to 8"s in diameter.
 Perhaps only about eight were bad breaks with about half of these 
being due to carelessness. On a padded turntable, I used a circle 
cutter on the smooth side, ran the score all around by hand pressure 
and made a couple of relief cuts to get the circle out clean. The 
glass was first strip cut about one inch wider than the circles to be 
cut. I would rate the cinnamon baroque I received as requiring care 
but still excellent in cutability. I believe all my sheets came from 
the same lot. Your sheets likely were from a different lot.

The above job was done for a business that has a contract to install 
the circles in fancy ironwork for a new golf course in Las Vegas, NV.


Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Thanks, America.*
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From owner-glass Wed Aug  5 02:11:42 1998
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X-Path: tm.net.my!shakeel
From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Albert Lewis" <alewis@vgernet.net>,
Content-Type: text/plain;
Subject: Once upon a time ............
Date: Wed, 5 Aug 1998 16:06:28 +0800
Message-ID: <1998Aug6.0628.0>
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Albert

Been hanging on to this group quite some time now. And I began to wonder.

Joined the IGGA and the first issue satisfied the curiosity of how it had
all began. But the origin and birth of Bungi is still very much in the dark.
How did it all begin? Its infancy?

Could you (or anyone else) shed light on this matter? I am curious, and
guess there may many who would be too.

Regards.

Shakeel Abedi
Rainbow Stained Glass
104, Jalan Mersing
86000 Kluang
Malaysia
Tel: +607-7722212, 7729489  Fax: +607-7733313

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From owner-glass Wed Aug  5 03:03:34 1998
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: Klmxklm@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Non-Glass, sort of
Date: Wed, 05 Aug 1998 12:56:38 +0800
Message-ID: <1998Aug5.205638.0>
References: <<1998Aug4.223317.0>>
Organization: Allcrafts Goods & Services
Precedence: bulk

Gidday Y'all - yep, Mike, I've got one. It's brilliant. Part of a suite
of screen savers called 'After Dark' it's called 'Stained Glass' and 
you have the option to set a couple of different parameters on it, it's
superbly symmetrical and you can stare mesmerised at it for simply
hours..... it has a built in randomiser, so I'm told, so you don't get
exact repeats, but there are 'types' of patterns that repeat. I've been
in love with it ever since 1990, when it got me out of a deeep,
S.A.D.-type depression with complications. Yep, it gives you plenty of
scope for creative ideas. Promise. The details of the screen saver:

Stained Glass by Jean Tantra and Wes Boyd (C) Berkeley Systems Inc

Good luck with finding something that suits you!
Catcha
Melanie Dunstan in Perth, Western Australia
------

Klmxklm@aol.com wrote:
> 
> Does anyone here know if there are any nice screensavers available that
> incorporate, preferably, a stained glass motif or secondly, a kaleidoscopic
> effect?  I think it would be quite neat, but in somewhat limited searching I
> have not turned up anything.  Would appreciate any input.  Thanks.
> "Mike" Mikolajczak
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

-- 
Melanie Dunstan, in Perth, Australia


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From owner-glass Wed Aug  5 05:36:51 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: fusing jewelry
Date: Wed, 5 Aug 1998 07:48:56 EDT
Message-ID: <1998Aug5.114856.0>
Precedence: bulk


Hi everyone,

i am working on a project and needed a little help if any here have done work
similiar.  i am going to be fusing some cross necklaces and need to know what
kind and gauge of wire is best to use in fusing. copper, sterling? does it
discolor after fusing? will it discolor my glass? i need to make loops or
hooks at the tops for hanging on cords and would like to get it right the
first time, if poosible. 

drinking ice tea in texas :)
kim
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From owner-glass Wed Aug  5 06:03:40 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: stained glass screensavers
Date: Wed, 5 Aug 1998 08:01:05 EDT
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Precedence: bulk

In a message dated 8/5/98 5:05:10 AM Central Daylight Time,
allcrafts@p085.aone.net.au writes:

<< . Part of a suite
 of screen savers called 'After Dark' it's called 'Stained Glass' and 
 you have the option to set a couple of different parameters on it, i >>

I went to a web site "After Dark" and it said it was no longer in existance.
I would appreciate more information/details if anyone has it.

Thanks!
Lu Ann
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From owner-glass Wed Aug  5 06:29:01 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: cutters mate
Date: Wed, 5 Aug 1998 08:13:46 EDT
Message-ID: <1998Aug5.121346.0>
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Hi Bungians
Have a question concerning the cutters mate. Does anyone have an opinion as to
the usefullness versus cost. I have several friends with mobility problems due
to arthiritus (sp) & have seen the cutter in a catalog. I'ts pricey so
hesitate to get as an unknown. What say you??
Thanks
Nan
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From owner-glass Wed Aug  5 07:34:06 1998
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Subject: Testing.
Date: Tue, 4 Aug 1998 16:44:40 -0400
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<<< No Message Collected >>>
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From: "Steve Matthies" <SteveM@tillamook.k12.or.us>
To: Klmxklm@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Non-Glass, sort of
Date: Wed, 05 Aug 1998 06:42:16 -0700
Message-ID: <s5c7fedb.041@tillamook.k12.or.us>
Precedence: bulk

Yes there is. On one of my old machines I have loaded a program called =
After Dark Screensaver, stained glass is one, the sizes and complexity are =
adjustable. The kaleidoscope is there too. Make sure you buy the right =
format...dos or windows. This is a neat program with many screens =
available to pick from.

>>> <Klmxklm@aol.com> 08/04 3:33 PM >>>
Does anyone here know if there are any nice screensavers available that
incorporate, preferably, a stained glass motif or secondly, a kaleidoscopic=

effect?  I think it would be quite neat, but in somewhat limited searching =
I
have not turned up anything.  Would appreciate any input.  Thanks.
"Mike" Mikolajczak
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From owner-glass Wed Aug  5 08:34:28 1998
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From: "Vic LaGreca" <vlg@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Sand Carving/Etching
Date: Wed, 5 Aug 1998 10:24:34 -0400
Message-ID: <19980805142101.VPGJ1092@vic>
Precedence: bulk

Lurker needs advice.

I am a short time stained glass hobbiest that has put together a full glass
studio in my basement, including kilns and most recently blasting cabinets
and tank.

I have purchased and have watched Norm Dobbins four videos on etching,
carving, shading & designing to get started.

My question is, Can safety/tempered glass be deep carved?  If so, are there
any special requirements or procedures that need to be followed?  If not,
how and what do you use where carving is needed but zoning requires safety
glass?

Ciao

Vic

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From owner-glass Wed Aug  5 09:36:18 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:Stained Glass Screen Savers
Date: Wed, 05 Aug 1998 08:35:00 -0700
Message-ID: <1998Aug5.1350.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Hi Everyone,

If this site doesn't have one then I think they will be able to point
you in the right direction. This site has screen savers, desk top themes
and cursors.
http://www.freethemes.com/whatsnew.htm

This is a listing of people in a theme web ring, alot of them do screen
savers here too.

http://www.webring.org/cgi-bin/webring?ring=plusthemes;list


There are also programs which you can download to make your own screen
savers I believe. So if you have some stained glass pictures then you
could use your own for a screen saver.

See  you,

Pam *sm*

--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Wed Aug  5 10:07:08 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Vic LaGreca" <vlg@worldnet.att.net>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Sand Carving/Etching
Date: Wed, 5 Aug 1998 12:08:53 -0400
Message-ID: <1998Aug5.8853.0>
Precedence: bulk

Safety glass can be deep-carved,
just make sure you don't carve down
to the membrane because is will =

leave a really ugly spot.  Tempered
glass should not be blasted - do =

your sand carving first, THEN have
the glass tempered. (The glass company
may not want to take the risk of doing
this on a finished piece of art glass.)

Hope that helps!

Best regards,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/    =

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From owner-glass Wed Aug  5 10:30:03 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re:tack solder as you go?
Date: Wed, 5 Aug 1998 12:09:06 -0400
Message-ID: <1998Aug5.896.0>
Precedence: bulk

Well said, Scott, and it bears
repeating:  "Do Not tack solder
a leaded window as you build"!

Best regards,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/  =

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From owner-glass Wed Aug  5 10:40:48 1998
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X-Path: webtv.net!Beadnik2
From: Beadnik2@webtv.net (Joan)
To: Kcotcher@aol.com
Content-Type: Text/Plain; Charset=US-ASCII
Subject: Re: fusing jewelry
Date: Wed, 5 Aug 1998 12:18:16 -0400 (EDT)
Message-ID: <1998Aug5.81816.0>
Precedence: bulk

Kim wrote:

>i am working on a project and needed a little
>help if any here have done work similiar. i am
>going to be fusing some cross necklaces and
>need to know what kind and gauge of wire is
>best to use in fusing. copper, sterling? does it
>discolor after fusing? will it discolor my glass? i
>need to make loops or hooks at the tops for
>hanging on cords and would like to get it right
>the first time, if poosible.

Copper wire works, and, although it will discolor during the fusing
process it can be easily shined up again with a little steel wool.  The
other alternative would be Fine Silver (.999).  This should not oxidize
in fusing.  I would suggest about 20 ga. wire for your application.

Hope this is helpful.

Joan

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From owner-glass Wed Aug  5 11:13:17 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Co-op advice please
Date: Wed, 05 Aug 1998 09:53:37 -0700
Message-ID: <1998Aug5.25337.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Hi everyone!

Hope I find everyone in good health and good spirits today.
Now I'm running the risk of tweaking the nerves of  retail supply store
owners with this question but here goes!

An associate and I are interested in creating a co-op for Oregon and
Washington stained glassers. The co-op would not be a store front
business. It would be run from our homes, so the members would not have
to work at the co-op.

The idea is to buy stained glass supplies in bulk at wholesale prices
and distribute these products to the individuals of the co-op. Say I
bought 3 sheets of spectrum blah and Joe wanted a 1/2 sheet of the same.
I would cut the 1/2 sheet for Joe, he would pick it up from me at the
lower price. There would be no profit in this for me or my associate. We
would take into consideration shipping charges (if any) taxes and
expenses.

Or another way we could go is a trade/buy list:

 As an example: My sister-in-law owns a soap business. She is on what
they call a soap list. On this list are people who have excess products
such as 200 soap dishes. They either trade or buy with the other people
on the list  whose product they need at the time. Each individual is
responsible for shipping and so forth.

Now there are two different examples above in regard's to group cost
saving. I would appreciate thoughts, analysis and observations from you
on this please. Keep in mind, I am a retailer too, I can see both points
of view here. The main goal is to cut costs for members of the group.

Thanks,

Pam *sm*
--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Wed Aug  5 11:19:37 1998
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X-Path: infinet.com!glasscat
From: Carolyn Noel <glasscat@infinet.com>
To: Witchdoc3@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: red pen
Date: Wed, 05 Aug 1998 13:30:55 -0400
Message-ID: <1998Aug5.93055.0>
References: <<1998Aug4.19432.0>>
Organization: The Stained Glass Place
Precedence: bulk

The EZ Trace White pens are nice, too. They don't leak, and you can draw
a nice consistent line, albeit, a little thicker than the fine points.
You just have to get the hang of squeezing and pressing at the same
time.  
Carolyn
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From owner-glass Wed Aug  5 12:59:36 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Pamela Burns-Tappan" <ptap@pacifier.com>,
Content-Type: text/plain;
Subject: quickie/coop
Date: Wed, 5 Aug 1998 12:25:48 -0700
Message-ID: <1998Aug5.52548.0>
Precedence: bulk

Not all buyers are created equal!

A million years or so when I first started, I asked a few other local
"glassers" about splitting a solder order...300 pounds would have been
shipped for free. Great idea, I was told and one person would even take 3#
at my cost! WOW, I only had 297# left.

Logistics of handling, paper work, inventory, freight and communication will
probably cost more  than what you can save by volume buying!

Who will store it, run to ship it, or hang around for a pickup, collect
money and of course the dreaded tax person.

I have nothing against a LARGE purchase to be divided, but it needs to be a
staple......20 or cases of came, 100's# solder (choice of 3 or 4 kinds and
HOW many brands)....NOT any easy chore!

more if the posts warrant it...enjoy, H

weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Wed Aug  5 14:23:30 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass Promotion
Date: Wed, 5 Aug 1998 16:25:13 -0400
Message-ID: <1998Aug5.122513.0>
Precedence: bulk

Hi All-

Today my architect neighbor stopped
by with a copy of a publication entitled
"Traditional Building"  - July/August 1998
edition.  In that issue was a special =

report on art glass windows in which
the editors contacted 303 companies
providing various kinds of art glass
(including stained glass overlay - yeccchh!)
and chose 68 firms for their SourceList
(including two overlay firms - gaaaagg!!)
Some well-known standards were on
the list including Cummings Studios,
but also some un-heard-ofs and even
the relative newcomer, Robert Oddy.

Two questions:  How did the editors know
who to contact?  and did they use IGGA
(International Guild of Glass Artists of =

which many of us are members) as a =

resource for information?  These =

questions were prompted by my architect
friends question, "Howcum you're not on
this list <grin>?"   =


Any responses?

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Wed Aug  5 14:53:09 1998
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X-Path: mail2.nai.net!shad
From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: cutters mate
Date: Wed, 05 Aug 1998 16:29:16 -0400
Message-ID: <1998Aug5.122916.0>
References: <<1998Aug5.121346.0>>
Precedence: bulk

I'm not sure what you mean by a cutter's mate.  I did recently talk to someone who
does have problems with her hands and can't stand for long periods of time.  She
uses the Score 1 Glass cutting Tool and swears by it.  She says she never has
trouble scoring accurately and perfectly.  (You can probably find a picture in a
catalog).  I can see that pice size will be limited by the throat of the cutter
and I don't know how well it would cut with some of the more irregular glasses
(she seemed to be using a lot of Spectrum type glasses.)

Dorothy K

Glassmstr@aol.com wrote:

> Hi Bungians
> Have a question concerning the cutters mate. Does anyone have an opinion as to
> the usefullness versus cost. I have several friends with mobility problems due
> to arthiritus (sp) & have seen the cutter in a catalog. I'ts pricey so
> hesitate to get as an unknown. What say you??
> Thanks
> Nan
> ----
>



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From owner-glass Wed Aug  5 15:14:09 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, weaver51@teleport.com
Subject: quickie/coop
Date: Wed,  5 Aug 1998 17:00:47, -0500
Message-ID: <199808052100.RAA18154@mime3.prodigy.com>
Precedence: bulk

>>A million years or so when I first started, I asked a few other 
local
"glassers" about splitting a solder order...300 pounds would have 
been
shipped for free. Great idea, I was told and one person would even 
take 3#
at my cost! WOW, I only had 297# left.

Logistics of handling, paper work, inventory, freight and 
communication will
probably cost more  than what you can save by volume buying!

Who will store it, run to ship it, or hang around for a pickup, 
collect
money and of course the dreaded tax person.<< > Snip<<

Good subject Howard. Few have been the times that I have been able to 
the volume buy and divide thing. The practical answer seems to volume 
buy for myself and sell at retail small quantities. Of course I do 
offer small volume discounts such as six for the price of five. 
Beyond this it can cost me money to make someone else happy.

Sometimes when, say, a customer wants three rolls of solder I suggest 
they buy five and get one free. It is not unusual for these people to 
turn my offer off cold. I wonder if these same people buy their 
toilet paper one or two rolls at a time! Or perhaps they skipped math 
and economics in school.

I offer 20% off on the purchase of a full manufactures sheet of glass 
of, say, six square feet. Someone comes in and wants four square feet 
of common gluechip and I suggest they take the full sheet at 20% off. 
Only about half are takers. Many can not or will not do the math and 
find out how little that extra glass costs.

I know you are fully aware of the above but many others are not.

Bob

 


____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Thanks, America.*
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From owner-glass Wed Aug  5 16:22:02 1998
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X-Path: aol.com!Astarzia
From: <Astarzia@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: more newbie questions....
Date: Wed, 5 Aug 1998 18:39:10 EDT
Message-ID: <1998Aug5.223910.0>
Precedence: bulk


Hello Again....

I have a couple more questions for the group since I have 
received such marvelous responses to my previous questions.
(You guys are great!)

First, after cutting the pieces that I need for my projects, I am
left with a lot of "scrap" glass.  How much of the scrap glass 
should I save?  Is there a certain size that is recommended for
keeping for other projects?  I've never done any mosaics, but it
seems as though the pieces for the mosaics are rather small so
I've been keeping almost every little piece of glass that I have 
left over.....should I?

Second, how do you store the scrap glass pieces?

Thanks in advance!

*Astarzia*
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From owner-glass Wed Aug  5 16:40:46 1998
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Soleic/Oleic Acid problem
Date: Wed, 5 Aug 1998 18:45:04 -0400
Message-ID: <1998Aug5.14454.0>
Precedence: bulk

Hey there folks.  I ran into a problem yesterday.  I inherited
a bottle of Canfield Solder-Mate Soleic (Oleic Acid) when I
purchased a bunch of supplies/stained glass from an older
lady.  This stuff was her departed husband's hobby stuff, so
she couldn't tell me how old it was.

Anyway, I ran out of my usual Fluxomatic stuff and tried this
Soleic Acid as flux.  Yuck!  The smell (reminds me of
burnt butter) is not great, but that's not my complaint.

1) It leaves my soldering iron full of black junk which is very
difficult to clean off.
2) It is near impossible to fully clean off after soldering.  I had
to double scrub it with a green scrubby pad and Joy dish-
washing liquid, then another green scrubby pad with Emoliant.

It was terrible.  The black patina didn't want to stick.  I had to
scrub various parts of the solder lines yet a 3rd time before I
could get a decent patina.

Anyone out there have similar experiences?  Is there a better
way to clean up this mess?  Should I just throw away the bottle
of stuff?

Christie A. Wood
Art Glass Ensembles
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From owner-glass Wed Aug  5 16:52:58 1998
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Co-op advice please
Date: Wed, 5 Aug 1998 19:05:37 -0400
Message-ID: <1998Aug5.15537.0>
Precedence: bulk

Message text written by Pamela Burns-Tappan
>I would appreciate thoughts, analysis and observations from you
on this please.<

Just my $.02 worth, but most wholesale stained glass companies
here in the East will not accept you as a wholesale account unless
you have a store front, a Yellow Pages ad, a sales tax ID, etc.  So
unless your Co-Op is willing to do all that, you probably could not
do as you suggest.

Christie A. Wood
Art Glass Ensembles
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From owner-glass Wed Aug  5 17:17:16 1998
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To: <glass@bungi.com>
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Subject: Digest ???
Date: Wed, 5 Aug 1998 18:54:55 -0400
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Michael Minchelli here. I hope that this message finds you all well!  I
think that I stepped into this "digest" discussion with out realizing it. I
honestly don't know what you folks are talking about. 
My problem with the downloading of email has been resolved by my internet
provider, it was something that, according to them, software would not have
been able to help.
Sparks, I believe that I do understand what you are saying in that your
request really won't affect those who don't want to participate, so if this
will benefit you and it will not take much effort on someone else's part
then it's okay with me. Of course if it does take effort maybe you could
offer to help in some way.
I would like to ask you computer geniuses another question though.
When Sparks wrote the email it was a response to anothers mail. He took a
portion , just a portion, of that other email and started his/her (don't
mean to assume your sex) note with it. How???

In response you could email me directly at lsg.jerseycape.com or through
the list if you feel this information would benefit the group.

Thank You all very much and have a great day!!!
Michael from LSG.
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From owner-glass Wed Aug  5 17:26:05 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: more about more
Date: Wed, 5 Aug 1998 16:19:30 -0700
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It is to whose advantage to buy in large quantities?

Not for me if I have to break it down, offer it "cheap" and be responsible
as well.

I too, offer "incentives"....broad rule, people will spend a LOT to get
something for "free".

I offer a discount for factory sheets (or half sheets) if I do NO cutting.

Want to coop......how about grinders, only about 10 choices........from 2
companies...what would you order in volume, low end, high end, or mid-range
and which brand?If you have 6 on the shelf and run out of one specific
priced one can you get another one at the same large purchase price?...IMHO,
if you are wholesaler (or hooked up to one) why cut into your business and
sell for less.Will the volume make up for the time?

just thoughts and rambles. enjoy, H



weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Wed Aug  5 17:43:43 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: " BOB   DUCHESNEAU" <YWAH36A@prodigy.com>
Content-Type: text/plain;
Subject: Re: quickie/coop/human nature
Date: Wed, 5 Aug 1998 16:29:57 -0700
Message-ID: <1998Aug5.92957.0>
Precedence: bulk

Most people have no concept of volume and or discounts.......just look at
soda pop packing...usually 12 packs are on sale cheaper than 6 packs and yet
a LOT of 6 packs go to the checkouts....It has a long shelf life so spoilage
on the other 6 is not a problem.
another cute one is 10cents each or 8 for a dollar.............8 sound
better.

I do the math when I shop, sometimes 2 smaller ones are cheaper than an
economy size....we are sheep, being lead by the "corporate
brains"........Alleve is a good example the 200 are more per pill than the
150 packing. (if I remember right) My wife uses a Diet mix drink supplement
and the large one is more per # than the smaller ones and the cans for the
smaller ones are bigger than the larger volume one,,,,we (consumers) are
TARGETS....would you buy a "used" lamp from this guy <g>.

I prefer bakers dozen when selling (only a 8.5% discount) one free with 10
is a 10% discount and 1 on 12 seems better or is more recognized.
inside secrets........

as an aside, any backgammon players out there?
weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Wed Aug  5 18:02:51 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Astarzia@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: more newbie questions....
Date: Wed, 05 Aug 1998 19:39:41 -0400
Message-ID: <1998Aug5.153941.0>
References: <<1998Aug5.223910.0>>
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Astarzia@aol.com wrote:
> 
> Hello Again....
> 
> I have a couple more questions for the group since I have
> received such marvelous responses to my previous questions.
> (You guys are great!)
> 
> First, after cutting the pieces that I need for my projects, I am
> left with a lot of "scrap" glass.  How much of the scrap glass
> should I save?  Is there a certain size that is recommended for
> keeping for other projects?  I've never done any mosaics, but it
> seems as though the pieces for the mosaics are rather small so
> I've been keeping almost every little piece of glass that I have
> left over.....should I?
> 
> Second, how do you store the scrap glass pieces?
> 
> Thanks in advance!
> 
> *Astarzia*
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


it depends how large the scrap is, and what you make. and of course how
much space you have to save it. i used to save very little pieces of
glass, but ran out of space. generally i throw out pieces that are less
then a inch large. 

my shop page explains i store my glass. smaller pieces are usually put
in plastic boxes, (people sometimes put shoes in that kind of box).

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Aug  5 18:16:48 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Glass Promotion
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 5 Aug 1998 20:28:34 +0000
Message-ID: <199808060212.WAA15181@vger.vgernet.net>
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> report on art glass windows in which
> the editors contacted 303 companies

Yes, I have a copy of it here. I don't know what list they used, 
although they've been publishing that special issue for several 
years, I think. Other issues focus on other building specialties.

They didn't use the IGGA list. Nope. Although the list of members is 
online, that's too recent an addition to the site for it to have been 
useful to them.

There are a number of mailing list houses that have lists of studios, 
though. Maybe that or maybe the Stained Glass Assocation of America?

Albert

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Wed Aug  5 18:28:55 1998
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From: "M. Savad" <morn@nac.net>
To: "Christie A. Wood" <Ensembles@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Soleic/Oleic Acid problem
Date: Wed, 05 Aug 1998 19:58:56 -0400
Message-ID: <1998Aug5.155856.0>
References: <<1998Aug5.14454.0>>
Precedence: bulk

Christie A. Wood wrote:
> 
> Hey there folks.  I ran into a problem yesterday.  I inherited
> a bottle of Canfield Solder-Mate Soleic (Oleic Acid) when I
> purchased a bunch of supplies/stained glass from an older
> lady.  This stuff was her departed husband's hobby stuff, so
> she couldn't tell me how old it was.
> 
> Anyway, I ran out of my usual Fluxomatic stuff and tried this
> Soleic Acid as flux.  Yuck!  The smell (reminds me of
> burnt butter) is not great, but that's not my complaint.
> 
> 1) It leaves my soldering iron full of black junk which is very
> difficult to clean off.
> 2) It is near impossible to fully clean off after soldering.  I had
> to double scrub it with a green scrubby pad and Joy dish-
> washing liquid, then another green scrubby pad with Emoliant.
> 
> It was terrible.  The black patina didn't want to stick.  I had to
> scrub various parts of the solder lines yet a 3rd time before I
> could get a decent patina.
> 
> Anyone out there have similar experiences?  Is there a better
> way to clean up this mess?  Should I just throw away the bottle
> of stuff?
> 
> Christie A. Wood
> Art Glass Ensembles
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


that stuff is'nt used much anymore. you can clean the tip with a tinning
block. and the gunk should come off with denatured alchohol, or laquer
thinner. i think it used to be for lead pieces, but i'm not sure. i have
some of my own, but never used it.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Aug  5 18:45:54 1998
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X-Path: waterw.com!artglass
From: artglass@waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Glass Promotion
Date: Wed, 5 Aug 1998 20:23:15 -0400 (EDT)
Message-ID: <199808060023.UAA00154@water.waterw.com>
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Hi Dani,

The reason you are not on this list is.....you didn't pay to advertise in
the publication.
We have run ads with them numerous times.  And we didn't get listed.  
Never got any business from it either. So go figure.


my best,
pj


>Hi All-
>
>Today my architect neighbor stopped
>by with a copy of a publication entitled
>"Traditional Building"  - July/August 1998
>edition.  In that issue was a special =
>
>report on art glass windows in which
>the editors contacted 303 companies
>providing various kinds of art glass
>(including stained glass overlay - yeccchh!)
>and chose 68 firms for their SourceList
>(including two overlay firms - gaaaagg!!)
>Some well-known standards were on
>the list including Cummings Studios,
>but also some un-heard-ofs and even
>the relative newcomer, Robert Oddy.
>
>Two questions:  How did the editors know
>who to contact?  and did they use IGGA
>(International Guild of Glass Artists of =
>
>which many of us are members) as a =
>
>resource for information?  These =
>
>questions were prompted by my architect
>friends question, "Howcum you're not on
>this list <grin>?"   =
>
>
>Any responses?
>
>Best regards,
>
>Dani Greer
>Greer Gallery & Studios
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Wed Aug  5 18:57:53 1998
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X-Path: aol.com!WhispyBlu
From: <WhispyBlu@aol.com>
To: Astarzia@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: more newbie questions....
Date: Wed, 5 Aug 1998 20:40:33 EDT
Message-ID: <1998Aug6.04033.0>
Precedence: bulk

I think probably most everyone tried to keep all scrap glass, but you will
find that it will take over your work space.  If you are going to do mosaics
you might want to keep quarter size pieces.  You can store these in empty
peanut butter jars or get a clear plastic shoe box and put the pieces in
there.  Eventually you will need to separate into colors.  As time goes on you
will find that you will probably use certain colors alot, which means there
will always be ample supply of those colors so don't save anything smaller
than fifty cent piece size.....IF you are going to do mosaic/stepping stones.
Certain colors and types of glass are more expensive so you might keep more
scrap of those.  No matter how small a piece of dichroic is don't throw it
away......very expensive glass and little pieces are great for eyes,
kaleidescopes, etc....  As time goes on you will figure out what is beneficial
for you to keep and the size.

As far as storing larger pieces of glass you can buy Morton Glass Caddys or go
to an office supply place and get metal or plastic file holders with several
slots.  

Hope some of this was helpful.

Lu Ann <Whispy Blu@aol.com>
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From owner-glass Wed Aug  5 19:19:05 1998
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X-Path: aol.com!LuvArtGlas
From: <LuvArtGlas@aol.com>
To: lsg@jerseycape.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Digest ???
Date: Wed, 5 Aug 1998 21:19:11 EDT
Message-ID: <1998Aug6.11911.0>
Precedence: bulk

Copy and paste feature   copy = CTRL C   Paste = CTRL V   
make sure you hightlight first....

>^..^<
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From owner-glass Wed Aug  5 19:28:19 1998
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X-Path: aol.com!Witchdoc3
From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  Soleic/Oleic Acid problem
Date: Wed, 5 Aug 1998 21:24:57 EDT
Message-ID: <1998Aug6.12457.0>
Precedence: bulk

In a message dated 8/5/98 11:53:16 PM, Ensembles@compuserve.com wrote:

> [...] I ran out of my usual Fluxomatic stuff and tried this
>Soleic Acid as flux.  Yuck! [...]
>
>1) It leaves my soldering iron full of black junk which is very
>difficult to clean off. [...]

I'm not surprised at either the smell or the yucky residue. Oleic acid is a
nasty artery-clogging saturated fatty acid found in lots of animal fats
(including butter, I'd guess). It's a long-chain hydrocarbon, C(17) H(33)COOH
(the COOH stuck on one end makes it a fatty acid).

When you hit that with a hot soldering iron, exactly the same thing happens as
when you forget to turn off the burner under your skillet after you fry up
your eggs - you get a dark brown to black gummy coating that doesn't want to
come off with anything less than oven cleaner!

I'm certainly not recommending oven cleaner to get the crud off, although if
this happened to an ancient on-its-last-legs iron that didn't owe me anything,
I might be tempted.

The only advantage I could see to using oleic acid as flux is that it's
biodegradable. I've seen a couple of British SG how-to books that refer to
oleic acid flux. Maybe our friends across the pond could enlighten us further.

> Should I just throw away the bottle of stuff?

Sounds like a plan - beats the hell out of buying stock in ScotchBrite(R)!

p.s. Now don't tell me you're going to make me scrub it off when I come to
work tomorrow, huh boss?! <gd&r>


Dr. Sparks, Witch Doctor and Former Chemist
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From owner-glass Wed Aug  5 20:05:52 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Re: fusing jewelry
Date: Wed, 5 Aug 1998 20:03:02 -0400
Message-ID: <1998Aug5.1632.0>
References: <<1998Aug5.81816.0>>
Precedence: bulk

Not to be disagreeable, but I tried using copper wire once, and not only
did it discolor (the glass I was fusing was clear, so the wire was a
lovely green down in the glass), but it turned very brittle and on two of
the four pieces I did, the copper wire broke after very slight handling. 
Since then, I've only used nichrome, but I haven't done jewelry, so I
don't know anything about using silver.  I'd like to hear anyone else's
comments.

Jerri

>Copper wire works, and, although it will discolor during the fusing
>process it can be easily shined up again with a little steel wool.  
>The
>other alternative would be Fine Silver (.999).  This should not 
>oxidize
>in fusing.  I would suggest about 20 ga. wire for your application.
>
>Hope this is helpful.
>
>Joan

_____________________________________________________________________
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From owner-glass Wed Aug  5 20:30:28 1998
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X-Path: hamlet.ucs.indiana.edu!dfdavis
From: Donald Davis <dfdavis@hamlet.ucs.indiana.edu>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Is no one sending anything????
Date: Wed, 05 Aug 1998 21:06:51 -0500
Message-ID: <1998Aug5.16651.0>
Organization: Indiana University
Precedence: bulk

Hello???? is anyone sending anything???  My email is working ok again
but I am getting nothing.  Please note my new email address....
dfdavis@hamlet.ucs.indiana.edu

--
Don Davis Jr.  WB9HZX


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From owner-glass Wed Aug  5 22:32:35 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: GreerStudios@compuserve.com
Subject: Re: Glass Promotion
Date: Thu, 6 Aug 1998 00:14:21 -0400
Message-ID: <1998Aug5.201421.0>
References: <<1998Aug5.122513.0>>
Precedence: bulk

Dani,

Seems that what they do is include studios that they locate by means
unknown, then solicit them to sell advertising in the magazine.  If you
don't bite after a time or two they drop you from the list.  We never
took the ad and never got any calls from the free listing while it was
there either.

Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

On Wed, 5 Aug 1998 16:25:13 -0400 "Michael J. Greer"
<GreerStudios@compuserve.com> writes:
>Hi All-
>
>Today my architect neighbor stopped
>by with a copy of a publication entitled
>"Traditional Building"  - July/August 1998
>edition.  In that issue was a special =
>
>report on art glass windows in which
>the editors contacted 303 companies
>providing various kinds of art glass
>(including stained glass overlay - yeccchh!)
>and chose 68 firms for their SourceList
>(including two overlay firms - gaaaagg!!)
>Some well-known standards were on
>the list including Cummings Studios,
>but also some un-heard-ofs and even
>the relative newcomer, Robert Oddy.
>
>Two questions:  How did the editors know
>who to contact?  and did they use IGGA
>(International Guild of Glass Artists of =
>
>which many of us are members) as a =
>
>resource for information?  These =
>
>questions were prompted by my architect
>friends question, "Howcum you're not on
>this list <grin>?"   =
>
>
>Any responses?
>
>Best regards,
>
>Dani Greer
>Greer Gallery & Studios

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
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From owner-glass Thu Aug  6 05:21:47 1998
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Subject: Re: Soleic/Oleic Acid problem
Date: Thu, 6 Aug 1998 07:35:29 EDT
Message-ID: <1998Aug6.113529.0>
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Hi Witchdoctor:
Oleic acid is not a hydrocarbon, nor a saturated fatty acid. It is as you say,
a fatty acid, but it is monounsaturated -- meaning that it contains one double
bond.  True, it is found in animal fat, and almost all other natural fats, but
it is also a primary constituent of our old friend, olive oil.  The merits of
ingesting this or not are constantly and still open to discussion.  However, I
would not use it as a fluxing agent, expecially when we have others that are
more efficient, considerably less smelly and cleaner, in general, to work
with.  They are certainly easier to clean up after.
"Mike" Mikolajczak  (Retired former chemist)
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From owner-glass Thu Aug  6 05:51:36 1998
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Subject: Re: Soleic/Oleic Acid problem
Date: Thu, 6 Aug 1998 07:53:09 EDT
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"Mike" Mikolajczak (Retired former chemist) sets the record straight:

>Oleic acid is not a hydrocarbon

Sorry, didn't mean to say it was (she said sheepishly, going back and reading
her other posting). I meant to say that most of the structure of it consists
of a long hydrocarbon chain (which most non-chemists can get a mental picture
of and therefore relate to) with a COOH at the end.

> nor a saturated fatty acid. It is as you say,
> a fatty acid, but it is monounsaturated [...] it is also a primary
> constituent of our old friend, olive oil.

Oops, you're right, I stand corrected. Just shows to go ya, I shouldn't try to
answer technical questions when I'm brain-fried from spending 2 days acquiring
and assembling computer systems.

We now return you to your regularly scheduled program already in progress.


Sparks
(now typing away happily on a brand-new *LOADED* 266mhz PowerMac G3 - That 21"
color screen looks good enough to eat - YUM!)
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From owner-glass Thu Aug  6 06:52:36 1998
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From: <Yegnim@aol.com>
To: shakeel@tm.net.my, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Once upon a time ............
Date: Thu, 6 Aug 1998 09:07:33 EDT
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In a message dated 8/5/98 4:14:35 AM US Eastern Standard Time,
shakeel@tm.net.my writes:

<< But the origin and birth of Bungi is still very much in the dark.
 How did it all begin? Its infancy?
 >>
Shakeel,
You posted the above request to Albert.  This should be posted to the Rands,
the originators and owners of the bungi line.  Don't know why everyone keeps
thinking Albert is in charge around here. <G>  Why not address your post to
Glenna Rand directly via the regular bungi address?  I wouldn't mind knowing a
little more background info also.

Lenore

Lenore
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From owner-glass Thu Aug  6 07:20:14 1998
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Subject: cuttersmate
Date: Thu, 6 Aug 1998 09:14:10 EDT
Message-ID: <1998Aug6.131410.0>
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Help
I have a catalog with an item (cutters mate) that I would like to know if any
of you have experience with. It is an extendable,16" cutting arm with a
weighted cutting wheel. According to the information, you can cut & break with
almost no effort.
If anyone has ever seen or used, Please let me know if & how it works.

Thanks
Nan
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From owner-glass Thu Aug  6 07:27:12 1998
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Subject: RE: cutter's mate
Date: Thu, 6 Aug 1998 09:34:52 EDT
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I'm not sure what a cutters mate is, either, however, I have arthritis in both
hands and I find I am able to cut for long periods with the pistol grip
cutter.  The key is to  listen to my body and take a break occasionally.   Of
course, it took me quite a few years of living to learn how to listen to my
body. . . . . . .  .  good luck.  Kathi P. 
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From owner-glass Thu Aug  6 08:01:58 1998
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Subject: Re: more newbie questions....
Date: Thu, 06 Aug 1998 10:08:55 -0400
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WhispyBlu@aol.com wrote:
> 
> I think probably most everyone tried to keep all scrap glass, but you will
> find that it will take over your work space.  If you are going to do mosaics
> you might want to keep quarter size pieces.  You can store these in empty
> peanut butter jars or get a clear plastic shoe box and put the pieces in
> there.  Eventually you will need to separate into colors.  As time goes on you
> will find that you will probably use certain colors alot, which means there
> will always be ample supply of those colors so don't save anything smaller
> than fifty cent piece size.....IF you are going to do mosaic/stepping stones.
> Certain colors and types of glass are more expensive so you might keep more
> scrap of those.  No matter how small a piece of dichroic is don't throw it
> away......very expensive glass and little pieces are great for eyes,
> kaleidescopes, etc....  As time goes on you will figure out what is beneficial
> for you to keep and the size.
> 
> As far as storing larger pieces of glass you can buy Morton Glass Caddys or go
> to an office supply place and get metal or plastic file holders with several
> slots.
> 
> Hope some of this was helpful.
> 
> Lu Ann <Whispy Blu@aol.com>
> ----
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i personally also keep all sizes of art glass, especially fusing
compatible. if anything some of the glasses are compatible with itself.
you can make dragonflies, etc.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Thu Aug  6 08:26:56 1998
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From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: more newbie questions....
Date: Thu, 6 Aug 1998 09:30:10 CST 6CDT
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Astarzia--

I may not be typical, but I don't throw out anything larger than half 
an inch square!  Larger scraps I sort into color groups (blues, reds, 
greens, etc) and store on some old shelving in my basement "glass 
corner," but I've heard others use shoe boxes, old record racks, etc. 
 
I make a lot of what I call my "scrap circles" for gifts.  These are 
roughly dinner-plate size round panels (oversize sun-catchers?).  
They can be simple scenes, geometrics (inspired by quilt patterns), 
florals, etc.  They use up lots of odds and ends and people seem to 
like receiving them.

Smaller pieces are cut into squares or triangles for mosaics and 
sorted by color into one of those divided plastic boxes (at hardware 
and craft stores).  I recently made a stepping stone that looks like 
a cross-section of a watermelon.  The "rind" I cut in alternating 
pieces of light and dark green (with a narrow band of white inside) 
the center of the watermelon was a mosaic of small red squares with 
the occasional black seed.  I think it's kinda cute.

Scraps too tiny for mosaics I put into a small box on my workbench.  
When it's full I label it "glass" and put it out with my regular 
trash.

Hope this helps--

Kaye

  

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From owner-glass Thu Aug  6 08:55:51 1998
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Subject: Re: cuttersmate
Date: Thu, 6 Aug 1998 11:08:53 EDT
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The only experience I've had with the Cutter's Mate was at my local SG store.
They have one set up for people to try and I was interested since I have a
spine disorder that makes it difficult for me to stand for long periods or to
exert much pressure on the glass cutter.  So I tried it and it was amazing.
It cut the glass very easily.  And the weighted cutter required no pressure
downward at all.  You just have to guide it where you want to cut.  

I decided against it for right now, solely because of the price.  But I also
recognize that I frequently have to stop working because of pain in my back as
I'm standing to cut so one of these days, I may just decide to pick one up.

Susie
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From owner-glass Thu Aug  6 09:03:39 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Once upon a time ............
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 6 Aug 1998 10:59:15 +0000
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> Don't know why everyone keeps
> thinking Albert is in charge around here. <G>  

Me, neither, although I often point out that I'm hardly in charge 
even at home, where the roost seems to be ruled by the resident 
16-year-old. <g>

Or so he thinks!

Albert
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From owner-glass Thu Aug  6 10:00:37 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Christie A. Wood" <Ensembles@compuserve.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Soleic/Oleic Acid problem
Date: Thu, 6 Aug 1998 12:13:47 -0400
Message-ID: <1998Aug6.81347.0>
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Hi Christie-

It smells bad because it's
old.  The residue is always
a problem with oleic acid -
Michael says they used Tide
laundry detergent and scrub
brushes in the old days to =

clean the stuff up.

I vote for "throw it away"! =


Best,

Dani Greer
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From owner-glass Thu Aug  6 13:07:14 1998
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Subject: Re: Soleic/Oleic Acid problem
Date: Thu, 6 Aug 1998 15:26:25 -0400
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Dear Chemists,

Well, that's darn-near interesting!
;-)  The things we learn on bungi!

Best,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Aug  6 15:01:48 1998
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Subject: Once upon a time
Date: Thu, 06 Aug 1998 17:09:31 -0400
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Ya'll just burst my bubble, I thought Albert was in charge.

C T

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From owner-glass Thu Aug  6 15:34:10 1998
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Subject: Re: cuttersmate
Date: Thu, 6 Aug 1998 18:00:04 EDT
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In a message dated 8/6/98 9:20:55 AM Central Daylight Time, Glassmstr@aol.com
writes:

Actually it is a wonderful, but expensive "gizmo" and there are two sizes.
The glass shop near my home has one on display and the customers are welcome
to try it out.  Of course I did (G).  It cut the glass like butter.  Without
using any pressure on the instrument you glide it where you want to score.
VOILA!  Glass is scored and breaks perfectly.  I will admit I used only scrap
Spectrum, Wissmach, Armstrong, and Kokomo to try it out with.  I was able to
score rather significant curves and broke without any problems.  How well will
it work on small pieces?  I'm not sure.  Would I buy it?  It will be in the
top ten list of things to buy when I hit the lottery.  I consider it a luxury.
I certainly didn't test it to really challenge its abilities/capabilities.

Lu Ann <Whispy Blu@aol.com>
<< Help
 I have a catalog with an item (cutters mate) that I would like to know if any
 of you have experience with. It is an extendable,16" cutting arm with a
 weighted cutting wheel. According to the information, you can cut & break
with
 almost no effort.
 If anyone has ever seen or used, Please let me know if & how it works. >>
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From owner-glass Thu Aug  6 20:17:37 1998
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From: <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Solder on zinc came.
Date: Thu, 6 Aug 1998 22:33:37 EDT
Message-ID: <1998Aug7.23337.0>
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I use a dremel tool to cut my zinc border. I also use the dremel to "rough up"
the zinc in the spots I will need to solder to a copperfoil seam. This works
great. I get a nice bond using this method.

Susan
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From owner-glass Thu Aug  6 20:49:36 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: cuttersmate
Date: Thu, 6 Aug 1998 22:44:10 EDT
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Gee, I've never heard of this thing. How much is it going for?

Susan
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From owner-glass Fri Aug  7 02:03:35 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, shakeel@tm.net.my
Subject: Glass Beveling by Vincent L. Fox
Date: Fri,  7 Aug 1998 04:30:14, -0500
Message-ID: <199808070830.EAA19134@mime3.prodigy.com>
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>>The book has opened up so many ideas and views, its effects, I am 
sure, will
last me for decades. There was no e-mail address in the book or I 
would have
sent Mr Fox a note. Is he on the Net?, If not I will send by snail 
mail.<<

I have never encountered Mr. Fox on the Net. If he is still with us 
he would be close to 75 years old. Not likely that he would still be 
beveling.

>>In the chapter on Pattern Cutting, he writes about the article by T.
 A.
Insolio called "The Cutting of Glass". Have you read it? I checked 
the
Fletcher-Terry site but could't finf it Have sent them a e--mail and 
am
waiting fora reply.<<

I have tried to get a copy of "The Cutting of Glass* which I believe 
I read years ago. Think it names the inventor of the wheeled cutter- 
a Black American. Good luck on getting Fletcher-Terry to cough up a 
copy. One would think that it would be on their Web site.

The most amazing thing, to me, in *Glass beveling* is the discussion 
on page 80 in regard to final polishing with cerium-oxide. That it is 
a micro-grinding process is fairly well known. That it is also a 
hydrolytic-chemical process is far less well known. This would seem 
to account for the desirability of generating a bit of heat when 
final polishing. Sure makes a difference- just do not generate so 
much heat that the almost done bevel develops a crack.

Bob
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From owner-glass Fri Aug  7 03:03:56 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: <glass@bungi.com>
Subject: First Big Fair
Date: Fri, 7 Aug 1998 02:32:15 -0700
Message-ID: <1998Aug6.193215.0>
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    Hi everyone,

This weekend will be my first big fair in almost twenty years.  I have been
doing glass off and on as a hobby up until this last year.  I have things in
a few stores and finally decided to try my hand in arts and craft fair.
Bothell Arts and Crafts Fair in Bothell Washington

Any words of wisdom before I depart.  I am a little nervous.

Cheryl




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From owner-glass Fri Aug  7 03:34:54 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Glass Beveling by Vincent L. Fox
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 7 Aug 1998 05:53:25 +0000
Message-ID: <199808071139.HAA11105@vger.vgernet.net>
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> I have never encountered Mr. Fox on the Net. If he is still with us 
> he would be close to 75 years old. Not likely that he would still be 
> beveling.

Vincent died several years ago. 10? 15? He left behind two 
daughters, I think it is, who were running the studio last I knew.

Albert
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From owner-glass Fri Aug  7 05:35:39 1998
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From: <WhispyBlu@aol.com>
To: CWWSLW@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: cuttersmate
Date: Fri, 7 Aug 1998 07:40:39 EDT
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In a message dated 8/6/98 10:50:35 PM Central Daylight Time, CWWSLW@aol.com
writes:

<< Gee, I've never heard of this thing. How much is it going for? >>

If I remember correctly the Cutter's Mate is in the $300's.

Lu Ann
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From owner-glass Fri Aug  7 06:36:55 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Glass Beveling by Vincent L. Fox
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Date: Fri, 7 Aug 1998 08:50:46 +0000
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> I tend to believe Vincent Fox is still alive and very well ... I talked to him
> about a year and a half ago on the phone 

Oh! Really? It could be that I confused "retirement" with something 
else. If he's still with us, great. My biff.

Albert
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From owner-glass Fri Aug  7 07:43:47 1998
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: First Big Fair
Date: Fri, 7 Aug 1998 09:57:30 -0400
Message-ID: <1998Aug7.55730.0>
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Message text written by "Cheryl Parrott"
>Any words of wisdom before I depart.  I am a little nervous.<

Sit down & make a list of all the items you need to take/have
at the show.  Then go through the list as you pack, checking off
items as they get placed into the car/truck/van.  Don't forget
items such as extra business cards, pens, sales receipt blanks,
sunscreen, pliers, scizzors, etc.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
PA
1944-0903
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From owner-glass Fri Aug  7 08:14:52 1998
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From: <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Solder on zinc came.
Date: Fri, 7 Aug 1998 10:36:45 EDT
Message-ID: <1998Aug7.143645.0>
Precedence: bulk

In a message dated 98-08-06 23:19:08 EDT, you write:

> I use a dremel tool to cut my zinc border. I also use the dremel to "rough 
> up"
>  the zinc in the spots I will need to solder to a copperfoil seam. This
works
>  great. I get a nice bond using this method.
>  
>  Susan
Just curious, everyone keeps saying they use their dremel which is ok to start
with but more importantly is what tips do you use for each application.  I
have the cut-off wheel #409 and used it for the first time (cutting lead to
redo a panel) the other day.... must say you better wear goggles and long
pants as the wheels break easily and fly at great speeds in all directions
when they do.
deb
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From owner-glass Fri Aug  7 09:20:55 1998
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X-Path: webtv.net!Beadnik2
From: Beadnik2@webtv.net (Joan)
To: glass@bungi.com
Content-Type: Text/Plain; Charset=US-ASCII
Subject: Re: First Big Fair
Date: Fri, 7 Aug 1998 11:15:59 -0400 (EDT)
Message-ID: <1998Aug7.71559.0>
Precedence: bulk

Christie wrote:

>Don't forget items such as extra business cards,
>pens, sales receipt blanks, sunscreen, pliers,
>scizzors, etc.

... and duct tape!!!!!

Once you're set up, relax, enjoy people watching, and talk to folks when
they come into your booth.  Tell them about your work, stories about
what inspired you... anything to make it personal!  I often ask people
to show me purchases they've made elsewhere in the show... if they are
visible.  
Good luck!

Joan

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From owner-glass Fri Aug  7 09:46:39 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: DMR74@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Solder on zinc came.
Date: Fri, 07 Aug 1998 11:34:49 -0400
Message-ID: <1998Aug7.73449.0>
References: <<1998Aug7.143645.0>>
Precedence: bulk

DMR74@aol.com wrote:
> 
> In a message dated 98-08-06 23:19:08 EDT, you write:
> 
> > I use a dremel tool to cut my zinc border. I also use the dremel to "rough
> > up"
> >  the zinc in the spots I will need to solder to a copperfoil seam. This
> works
> >  great. I get a nice bond using this method.
> >
> >  Susan
> Just curious, everyone keeps saying they use their dremel which is ok to start
> with but more importantly is what tips do you use for each application.  I
> have the cut-off wheel #409 and used it for the first time (cutting lead to
> redo a panel) the other day.... must say you better wear goggles and long
> pants as the wheels break easily and fly at great speeds in all directions
> when they do.
> deb
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


the best blade is the fiberglass inlaced blade. they are more expensive
and it only has 5 blades in it. they last a pretty long time. and they
don't explode like the other ones do. basically the other's don't bend,
you have to be perfectly straight. which is hard to do with a dremel,
because the body of the machine get's in the path of what your cutter,
causing an angle...

the other blade which is a little cheap (plus you get 20 pcs), is the
thick cut off wheel. they don't shatter as easily.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Fri Aug  7 10:52:17 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:First Big Fair & wood question
Date: Fri, 07 Aug 1998 09:22:01 -0700
Message-ID: <1998Aug7.2221.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Hi all, howdy Cheryl,

Words of wisdom, for Cheryl, a woman who creates beautiful artwork, is
knowledgeable and allows her personality to shine through. Humm, I would
bring your smile and a celebratory bottle of wine to share with Doug
after the event is over. You will be a smash!

Good luck and my best wishes!!

Have a great weekend everyone, I am hoping to at least have my door
restoration half-way finished.

P.S. Any one out there know about wood working, arggg. Have a doosy of a
question for you if you want to help.
Some of the wood on the bottom half of the door is water damaged. Would
you suggest I replace the whole wood panel that is damaged, and if so,
how would I go about doing that without affecting the integrity
(strength) of the door. The wood is oak, the door is 50 years old and
the water damage on a scale is a 10. The wood has lifted 1/4 inch.
Thanks for any help on this!

Pam *sm*



--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Fri Aug  7 12:55:13 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, ptap@pacifier.com
Subject: Wood question
Date: Fri,  7 Aug 1998 14:51:07, -0500
Message-ID: <199808071851.OAA15470@mime3.prodigy.com>
Precedence: bulk

>>P.S. Any one out there know about wood working, arggg. Have a doosy 
of a
question for you if you want to help.
Some of the wood on the bottom half of the door is water damaged. 
Would
you suggest I replace the whole wood panel that is damaged, and if so,

how would I go about doing that without affecting the integrity
(strength) of the door. The wood is oak, the door is 50 years old 
and
the water damage on a scale is a 10. The wood has lifted 1/4 inch.
Thanks for any help on this!

Pam *sm*<<

Most wood door panels are trapped into groves in the stiles and rails 
of a door when it is assembled. One way to replace a panel is to cut 
out the molding that holds the panel in place. This is normally done 
on the inside only. Replace the panel and install removable molding 
such as often seen when a glass panel is installed in a door. 

Unless you are handy with wood this is a job best left to your local 
woodworking shop. If you are lucky the job should cost less than $100.
00 plus the cost of re finishing the door. Bob


____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
**So what's a nice wench like you doing around a monastery like this?
* Danish monk about 1100 CE*
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From owner-glass Fri Aug  7 14:59:37 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com
Subject: Vince Fox- dead or alive?
Date: Fri,  7 Aug 1998 17:01:06, -0500
Message-ID: <199808072101.RAA13004@mime3.prodigy.com>
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> I tend to believe Vincent Fox is still alive and very well ... I 
talked to him
> about a year and a half ago on the phone 

Whoever posted the above please post to bungi. It did not make it to 
me or the bungi archives. Thanks, Bob
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From owner-glass Fri Aug  7 15:40:57 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Pamela Burns-Tappan <ptap@pacifier.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: First Big Fair & wood question
Date: Fri, 07 Aug 1998 17:44:18 -0400
Message-ID: <1998Aug7.134418.0>
References: <<1998Aug7.2221.0>>
Precedence: bulk

Pamela Burns-Tappan wrote:
> 
> Hi all, howdy Cheryl,
> 
> Words of wisdom, for Cheryl, a woman who creates beautiful artwork, is
> knowledgeable and allows her personality to shine through. Humm, I would
> bring your smile and a celebratory bottle of wine to share with Doug
> after the event is over. You will be a smash!
> 
> Good luck and my best wishes!!
> 
> Have a great weekend everyone, I am hoping to at least have my door
> restoration half-way finished.
> 
> P.S. Any one out there know about wood working, arggg. Have a doosy of a
> question for you if you want to help.
> Some of the wood on the bottom half of the door is water damaged. Would
> you suggest I replace the whole wood panel that is damaged, and if so,
> how would I go about doing that without affecting the integrity
> (strength) of the door. The wood is oak, the door is 50 years old and
> the water damage on a scale is a 10. The wood has lifted 1/4 inch.
> Thanks for any help on this!
> 
> Pam *sm*
> 
> --
> *********************************
> Moswood Mountain Limited
> Pamela Burns-Tappan
> President
> http://www.pacifier.com/~ptap/index.html
> 
> Stained Glass Artists
> http://www.pacifier.com/~ptap/artists.html
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


if the wood lifted it sounds like a veneer. this could be glued back
down, providing it did'nt crack or warp any in the process. if there is
a visual stain, you may be able to bleach it out, using a bleach kit.
hydrogen peroxide may work, or even bleach (but test it somewhere not
obvious like on the very bottom of the door. 

you can probably also find the info on the net somewhere. i really never
examined this site http://www.bhglive.com/homeimp/docs/index.htm but it
looks like it could help out.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Fri Aug  7 16:09:48 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Albert Lewis" <alewis@vgernet.net>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Glass Beveling by Vincent L. Fox
Date: Fri, 7 Aug 1998 17:48:20 -0400
Message-ID: <1998Aug7.134820.0>
Precedence: bulk

I would be most interested in =

knowing the name of the black
American who invented the wheel
cutter.  Anyone know?

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Aug  7 16:30:56 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Doug Parrott" <bird_cage@email.msn.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: First Big Fair
Date: Fri, 7 Aug 1998 17:48:27 -0400
Message-ID: <1998Aug7.134827.0>
Precedence: bulk

Hi Cheryl-

There's a great bunch of info
in the archives from a recent
discussion including a list of
things to take with you compliments
of Christie Wood.  Maybe Christie
would be kind enough to repost
that message for our benefit.

Good luck.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Aug  7 17:19:10 1998
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From: <Beveler4@aol.com>
To: Glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Fox alive I hope!!
Date: Fri, 7 Aug 1998 19:01:06 EDT
Message-ID: <1998Aug7.2316.0>
Precedence: bulk

Yes I would tend to believe that Vince is still alive I haven't talked to him
for about a year but at that time time he was very much involved in AA He was
on a lecture circuit for them I believe.No he does not bevel any more and Yes
he did turn the shop over to his daughters. They were very capable and the
shop was doing well last time I visited . I will make it a point to go their
and find out the truth , as I am very interested myself It's been a long time
since I had coffee with Vince would enjoy his company again. Beveler4 (Stan)
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From owner-glass Fri Aug  7 19:42:18 1998
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X-Path: eatumup.com!byronw
From: byronw@eatumup.com (Byron Wells)
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Co-op advice please
Date: Fri, 7 Aug 1998 20:45:18 -0500
Message-ID: <1998Aug7.154518.0>
Precedence: bulk

Every wholsaler I've ever bought from or wanted a catalog from requires a
tax permit,yellow pages ad,business checking account,business cards etc as
proof you are really in business... Most also require a minimum $600 1st
order....THis all may seem strict but they HAVE to protect thier main
customers such as retailers,studios etc....Most that I've dealt with wont
risk loosing legitamate glass business folks who buy thousands of dollars
worth each year to sell to a group of individuals who may buy only a few
hundred dollars worth a year...Most REAL wholesalers also dont fool with
sales tax thats why you have to have the permit....

I know that myself personally would get real upset if my suppliers started
selling to individuals when I have spent thousands with them stocking my
studio with tools and supplies only to have every Tom,Dick and Harry be able
to buy at my price a little here and there....

Just my 2 cents worth.. . I'm in no way slamming you or yer idea...If you
just dont want to pay full retail places like Warner and such offer some
better prices...

Byron...
Wells Glassworks

-----Original Message-----
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: glass@bungi.com <glass@bungi.com>
Date: Wednesday, August 05, 1998 5:24 AM
Subject: Co-op advice please


>Hi everyone!
>
>Hope I find everyone in good health and good spirits today.
>Now I'm running the risk of tweaking the nerves of  retail supply store
>owners with this question but here goes!
>
>An associate and I are interested in creating a co-op for Oregon and
>Washington stained glassers. The co-op would not be a store front
>business. It would be run from our homes, so the members would not have
>to work at the co-op.
>
>The idea is to buy stained glass supplies in bulk at wholesale prices
>and distribute these products to the individuals of the co-op. Say I
>bought 3 sheets of spectrum blah and Joe wanted a 1/2 sheet of the same.
>I would cut the 1/2 sheet for Joe, he would pick it up from me at the
>lower price. There would be no profit in this for me or my associate. We
>would take into consideration shipping charges (if any) taxes and
>expenses.
>
>Or another way we could go is a trade/buy list:
>
> As an example: My sister-in-law owns a soap business. She is on what
>they call a soap list. On this list are people who have excess products
>such as 200 soap dishes. They either trade or buy with the other people
>on the list  whose product they need at the time. Each individual is
>responsible for shipping and so forth.
>
>Now there are two different examples above in regard's to group cost
>saving. I would appreciate thoughts, analysis and observations from you
>on this please. Keep in mind, I am a retailer too, I can see both points
>of view here. The main goal is to cut costs for members of the group.
>
>Thanks,
>
>Pam *sm*
>--
>*********************************
>Moswood Mountain Limited
>Pamela Burns-Tappan
>President
>http://www.pacifier.com/~ptap/index.html
>
>Stained Glass Artists
>http://www.pacifier.com/~ptap/artists.html
>
>
>----
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>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

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From owner-glass Fri Aug  7 20:09:21 1998
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X-Path: eatumup.com!byronw
From: byronw@eatumup.com (Byron Wells)
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: more newbie questions....
Date: Fri, 7 Aug 1998 20:57:16 -0500
Message-ID: <1998Aug7.155716.0>
Precedence: bulk

I keep pieces all the way down to about 2 inches square... Anything smaller
goes into the recycle boxes....The best thing I've found to store the
smaller pieces are those plastic shoe boxes you can get at Walmart etc for
about $1.....

Whenever I'm starting a new panel that uses smaller pieces I go though the
appropriate boxes 1st before going onto the larger pieces and
sheets......Sometimes I also do 'freebie' panels for friends,relatives etc
and try to make them entirely out of scrapbox material....This way you can
make something nice for someone and use up some of the ever expanding piles
of scrap....

Byron..
Wells Glassworks

-----Original Message-----
From: Astarzia@aol.com <Astarzia@aol.com>
To: glass@bungi.com <glass@bungi.com>
Date: Wednesday, August 05, 1998 10:30 AM
Subject: more newbie questions....


>
>Hello Again....
>
>I have a couple more questions for the group since I have
>received such marvelous responses to my previous questions.
>(You guys are great!)
>
>First, after cutting the pieces that I need for my projects, I am
>left with a lot of "scrap" glass.  How much of the scrap glass
>should I save?  Is there a certain size that is recommended for
>keeping for other projects?  I've never done any mosaics, but it
>seems as though the pieces for the mosaics are rather small so
>I've been keeping almost every little piece of glass that I have
>left over.....should I?
>
>Second, how do you store the scrap glass pieces?
>
>Thanks in advance!
>
>*Astarzia*
>----
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From owner-glass Fri Aug  7 21:54:38 1998
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X-Path: voicenet.com!lydia
From: "Lydia Heise" <lydia@voicenet.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Stained Glass Computer Backgrounds
Date: Sat, 8 Aug 1998 00:01:27 -0400
Message-ID: <1998Aug7.20127.0>
Precedence: bulk

Someone on the list ( sorry I don't remember who) wanted to know if there
was any stained glass backgrounds or at least Kaleidoscopes I found some on
this web site and I thought they were pretty good she's got alot of them all
free for a link :). http://www.the.enchantress.net There is another sit that
I believe has groups of buttons and backgrounds and they are called stained
glass ..she is also very good. http://toadstool.2u.to/

Love, Light, and Laughter to you always,
Lydia
lydia@voicenet.com
http://www.voicenet.com/~lydia

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From owner-glass Fri Aug  7 22:48:42 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: <Glass@bungi.com>
Subject: First Big Fair
Date: Fri, 7 Aug 1998 21:55:42 -0700
Message-ID: <1998Aug7.145542.0>
Precedence: bulk

   Thank you all so much for your input and support.   We set the tent up
tonight and we'll get up early and I mean early tomorrow to set up the
inventory.   I saw a lot of people set their booth up including inventory
and then leave it.   Do any of you do that?

I packed our radio so we could listen to the Mariners game.  Weather should
be great.  I made my list and included everything you all suggested.

And I will take you up and sleep.  I haven't had much of that lately so I
will get that well needed sleep tonight in preperation for tomorrow.

Thanks again and I'll tell you all how it goes.  Oh by the way... the theme
I am doing is Stained Glass garden art.  It has been a lot of fun.

Thanks,

Cheryl.... time for bed.




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From owner-glass Sat Aug  8 06:41:25 1998
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From: <WhispyBlu@aol.com>
To: lydia@voicenet.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Stained Glass Computer Backgrounds
Date: Sat, 8 Aug 1998 08:05:10 EDT
Message-ID: <1998Aug8.12510.0>
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BIG Thanks!!!!  These sites are fun.

Lu Ann

<<Someone on the list ( sorry I don't remember who) wanted to know if there
was any stained glass backgrounds or at least Kaleidoscopes I found some on
this web site and I thought they were pretty good she's got alot of them all
free for a link :). http://www.the.enchantress.net There is another sit that
I believe has groups of buttons and backgrounds and they are called stained
glass ..she is also very good. http://toadstool.2u.to/>>
----
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From owner-glass Sat Aug  8 07:05:38 1998
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X-Path: worldnet.att.net!vlg
From: "Vic LaGreca" <vlg@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: sand blasting/carving
Date: Sat, 8 Aug 1998 07:46:54 -0400
Message-ID: <19980808114331.LIWT986@vic>
Precedence: bulk

Sorry for the delay in getting back to you.  As usual it was a whirlwind
week.

I want to thank you all for the comments posted in this regard. 

My question was pretty much rhetorical but I was hoping that I was wrong. 
There was a comment in the tapes that I saw on etching/blasting, but it was
not elaborated on.

The areas in question exist in two 36" doors with full glass panels, in
wood frames, and a side light approximately 12" x 60" +/-.

I am still in the process of setting up "the shop" and I am expecting to be
able to begin working this week.  The only item left is the electrical
outlet for the compressor  (to be done by electrician since my respect and
fear of electricity dictates that I don't play with it).

Ciao

Vic LaGreca, SIOR, CCIM
Vice President
Feist & Feist Realty Corp.
Work: 973-226-5000 - Hm: 973-328-4272
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From owner-glass Sat Aug  8 08:11:33 1998
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: multipart/mixed; boundary="b3758749-2eb7-11d2-9aab-00805fbe1e57"
Subject: Things to take to fairs
Date: Sat, 8 Aug 1998 10:11:32 -0400
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This is a MIME-encapsulated message

--b3758749-2eb7-11d2-9aab-00805fbe1e57
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

The attached .txt file is my list of stuff to take to fairs.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
PA
1944-0903

--b3758749-2eb7-11d2-9aab-00805fbe1e57
Content-Type: text/plain; charset=ISO-8859-1; name="showprep.txt"
Content-Transfer-Encoding: quoted-printable
Content-Disposition: attachment; filename="showprep.txt"

Artwork:	panels, suncatchers, mirrors, boxes, lamps, lampbases, mosaics=0D=

misc.:	suction hooks, display stands, wrought iron bases=0D
=0D
Supplies=0D
legal papers, signage, business cards, sales/order book, MC/VISA stuff, p=
hoto book, pattern books (opt.), gift certificates,  newspaper reprints, =
calculator, $$$ & change, black & red pens & paper,  pricing stickers, ba=
gs & bubble wrap, 409 glass cleaner & cloth, camera & film (no tripod), c=
andy for dish=0D
Comforts=0D
water, diet Coke, cooler, lunch, snacks, boombox & CDs (if allowed)=0D
change of clothes=0D
Outdoors: umbrella, sunglasses & sunscreen=0D
=0D
Setup=0D
oak display unit, furniture polish & cloth, folding chair, table cloth fo=
r hiding wrapping supplies & bags, chain, (2) needle-nose pliers, regular=
 pliers, rubber mallet, fishing line, scissors, hanging hooks, re-inforce=
d tape=0D
Indoor setup: track lights, (6) 50 watt bulbs, track lighting hardware, e=
xtension chords, (2) switches, power strip, uplights, curtains=0D
=0D

--b3758749-2eb7-11d2-9aab-00805fbe1e57--
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From owner-glass Sat Aug  8 08:27:27 1998
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From: <Klmxklm@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Stained Glass Screensavers
Date: Sat, 8 Aug 1998 10:26:02 EDT
Message-ID: <1998Aug8.14262.0>
Precedence: bulk

Hi:
Melanie at allcrafts@p085.aone.net.au said she had a great stained glass
screensaver that was part of a suite called "After Dark".  For anyone
interested, I have located this group of programs at http://www.berksys.com/
and some additional addon modules at:
http://pages.prodigy.com/begany/afterdark.htm.  Thanks to all of you who
responded to my original request.
"Mike" Mikolajczak
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From owner-glass Sat Aug  8 08:44:29 1998
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From: <Astarzia@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Store Search
Date: Sat, 8 Aug 1998 11:08:22 EDT
Message-ID: <1998Aug8.15822.0>
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Good Morning Everyone (morning for me, anyway:)

At one time, I located a web site that included a city and state
search and find of stained glass stores.

We are traveling to Madison, Wisconsin today for the express
purpose of going to some stained glass stores and to eat some
hummus, and wouldn't you know it I lost the link to find the 
stores.  Luckily I know where to get good hummus in Madison. >grin<

If anyone knows this search site and could email the address to me....
or if the person who lives in Madison from this list could quickly 
email the names of the stores with the phone numbers or addresses...
it would be greatly appreciated!

Thanks again!

*Astarzia*
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From owner-glass Sat Aug  8 09:13:39 1998
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From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Solder on zinc came.
Date: Sat, 8 Aug 1998 11:18:24 EDT
Message-ID: <1998Aug8.151824.0>
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In a message dated 8/7/98 4:16:40 PM, DMR74@aol.com wrote:

>better wear goggles and long
>pants as the wheels break easily and fly at great speeds in all directions
>when they do.
>deb

Dremel does make metal circular-saw blade bits. Seems to me you should be
using those rather than the grinding/polishing wheels for actual cutting.

Mike Savad adds:

> the body of the machine get's in the path of what your cutter,
> causing an angle...

Can you get a "flex-shaft" for your Dremel? If so, that takes care of that
problem. I'm sure getting one for mine (got my set picked out, top of the
line, and am going to buy it as soon as I get paid, heh heh heh). you can also
get all sorts of mounts for the tool itself for more accurate cutting and
drilling - turn it into an itty bitty drill press, table saw, etc. <slobber
slobber>

In any case, goggles and long pants aren't such a bad idea as a general
practice. (Can you tell that my chemical-plant-rat days thoroughly brainwashed
me? <vbg> Summers in east Texas are no fun when you have to wear heavy jeans,
long-sleeved denim shirts, and occasionally heavy coveralls as well!)

Or you can easily make a guard screen out of plexiglas, especially for
summertime when you're running around in shorts but you'd really rather be
working butt-naked (Elisabeth, I am so envious of your "garden of Eden"
setup!)!


Dr. Sparks, Barenaked Witch Doctor
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From owner-glass Sat Aug  8 09:48:43 1998
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X-Path: webtv.net!Beadnik2
From: Beadnik2@webtv.net (Joan)
To: bird_cage@email.msn.com (Doug Parrott)
Content-Type: Text/Plain; Charset=ISO-8859-1
Subject: Re: First Big Fair
Date: Sat, 8 Aug 1998 11:39:44 -0400 (EDT)
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Cheryl wrote:


>I saw a lot of people set their booth up including
>inventory and then leave it. =A0 Do any of you do
>that?

Yup.... I do it all the time.  My canopy can be totally enclosed by zip
up sides.  I also cover the inventory with old sheets inside.  So far,
I've never had a problem.  I'm not an early morning type person and it
just makes it so much more relaxing to just come in, roll up the sides,
and I'm ready for business!  

Hope you're having a great day!

Joan

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From owner-glass Sat Aug  8 10:15:10 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Store Search
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sat, 8 Aug 1998 12:27:57 +0000
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> At one time, I located a web site that included a city and state
> search and find of stained glass stores.

It's at
http://www.thestorefinder.com/storesearch/storefinder.html
courtesy of Inland Craft Products.

Albert
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From owner-glass Sat Aug  8 10:44:48 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, WhispyBlu@aol.com
Subject: Re: Stained Glass Computer Backgrounds
Date: Sat,  8 Aug 1998 12:52:56, -0500
Message-ID: <199808081652.MAA07426@mime3.prodigy.com>
Precedence: bulk

>>Lu Ann

<<Someone on the list ( sorry I don't remember who) wanted to know if 
there
was any stained glass backgrounds or at least Kaleidoscopes I found 
some on
this web site and I thought they were pretty good she's got alot of 
them all
free for a link :). http://www.the.enchantress.net There is another 
sit that
I believe has groups of buttons and backgrounds and they are called 
stained
glass ..she is also very good. http://toadstool.2u.to/>><<

I haven't done this in a while but I think you can create your oun 
screen saver if you have W95. Go to acessories and select paint. 
Import an image such as a kaleidoscope  pattern. Modify it as you 
desire and then from the paint file menu select *select as wallpaper*.
 You now have the wallpaper you selected. Let us know if this works 
for you.

Bob
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From owner-glass Sat Aug  8 10:58:47 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, HUSKYGATOR@aol.com
Subject: Glass Beveling by Vincent L. Fox
Date: Sat,  8 Aug 1998 13:01:33, -0500
Message-ID: <199808081701.NAA15564@mime3.prodigy.com>
Precedence: bulk

>>Bob, What is the name of the beveling book that you are referring 
too?  Can it
be ordered?  It sounds very interesting.  Thanks in advance for any
information that you can give me.  I am always looking to find new 
books to
read on glass.  Linda<<

The subject line of this message gives the title and author. I know 
it to be currently available at Hollander in Los Angeles and suspect 
it is available at their several other locations. The book has also 
been reprinted by the Denver Glass Machinery Company. Hollander is 
wholsale only but Denver may send you a copy. Your SG retailer should 
be able to obtain from either source.

Bob
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From owner-glass Sat Aug  8 12:55:59 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: First Big Fair
Date: Sat, 8 Aug 1998 15:01:37 -0400
Message-ID: <1998Aug8.11137.0>
Precedence: bulk

I agree with Joan re:  leaving
your inventory in  a closed tent,
especially if the fair hires a guard
to walk the grounds at night.  The
only folks I know who pack up
their inventory every evening are
the jewelers, and that's just common
sense.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Aug  8 13:17:08 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Store Search
Date: Sat, 8 Aug 1998 15:01:44 -0400
Message-ID: <1998Aug8.11144.0>
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There are eight studios listed
in the Sources Guide that you
can access on the International
Guild of Glass ARtists web site -
don't know which are stores =

and/or private studios but it's =

a start.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Aug  8 13:28:39 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
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Subject: First Big Fair
Date: Sat, 8 Aug 1998 15:01:51 -0400
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Hi Doug-

I'd think twice about that radio.
I don't even stop at booths/tents
that have a radio going (gawd =

forbid when there are multiple
radios close together!) because
I can't concentrate on the display
or the conversation.  And I get
the impression that the proprietor
is just sort of half there and not
really giving customers his full
attention.  Just an old-fashioned
thought from someone over 40!
;-)

Best,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Aug  8 14:59:45 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Stained Glass Wallpaper
Date: Sat, 8 Aug 1998 16:13:01 -0500
Message-ID: <1998Aug8.11131.0>
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KoKoMo homepage has a site with all of their glass samples on screen. If you
like just the sheets of glass -
Using Netscape go to the KoKoMo Homepage
view the samples
click on the  one you like ( it will give you a bigger view)

RIGHT MOUSE CLICK on the sample and save it as wallpaper.

You can change the wallpaper as often as you change you underwear if you
like. They have hundreds of different samples.

I'm experimenting right now with filling in graphics in CorelDraw8 with the
sample files (Jpegs). I'll keep everyone informed.

I'll be surfing the other glass links (bear with me - the glass slivers are
hard to keep out from between my toes)

Patrick
Roses and Rainbows

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From owner-glass Sat Aug  8 20:09:34 1998
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From: gjr@bungi.com (Glenna Rand)
To: <Yegnim@aol.com>, shakeel@tm.net.my, glass@bungi.com
Subject: Re: Once upon a time ............
Date: Sat, 8 Aug 1998 19:25:43 PDT
Message-ID: <m0z5LB2-0000IHC@daver.bungi.com>
References: <<Yegnim@aol.com>>
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[In the message entitled "Re: Once upon a time ............" on Aug  6,  9:07, <Yegnim@aol.com> writes:]
> In a message dated 8/5/98 4:14:35 AM US Eastern Standard Time,
> shakeel@tm.net.my writes:
> 
> << But the origin and birth of Bungi is still very much in the dark.
>  How did it all begin? Its infancy?


Bungi is just our domain name.

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sat Aug  8 22:40:08 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: On the road again
Date: Sat, 8 Aug 1998 23:33:21 -0500
Message-ID: <1998Aug8.183321.0>
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I'll be in Arlington, Virginia Aug 10-14. Anybody in that area from the
group?  I'd like to meet them. Unfortunately, its in conjunction with my day
job and I'll be limited to the evening hours, except maybe Friday.

Looking forward to meeting some of you.

Patrick
Roses and Rainbows

PS I'll put on my best manners.

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From owner-glass Sun Aug  9 10:23:44 1998
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From: <Astarzia@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Repair work
Date: Sun, 9 Aug 1998 12:24:00 EDT
Message-ID: <1998Aug9.16240.0>
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Just a note to thank everyone for the information on searching
for stained glass stores in Madison.  We postponed our
trip until next weekend because the stores close early on 
Saturdays and aren't open on Sundays.  >sigh<

Now, I have yet another question.  The first project I ever completed
(which wasn't too long ago), and one of my favorite projects fell from
its perch last night and several pieces of the glass broke.  There was
some type of explosion sound that shook the house and knocked it
down.  The police say it was fireworks, but it sounded like a cannon
to me!

Anyway...it is a rectangle panel done with copper foil and with a zinc
came border. How do I fix it?  I am heartbroken.

*Astarzia*
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From owner-glass Sun Aug  9 12:23:16 1998
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X-Path: aol.com!PDRUSS
From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Stained Glass Screensavers
Date: Sun, 9 Aug 1998 14:20:39 EDT
Message-ID: <1998Aug9.182039.0>
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In a message dated 98-08-08 11:28:08 EDT, you write:

<< 
 Hi:
 Melanie at allcrafts@p085.aone.net.au said she had a great stained glass
 screensaver that was part of a suite called "After Dark".  For anyone
 interested, I have located this group of programs at http://www.berksys.com/
 and some additional addon modules at:
 http://pages.prodigy.com/begany/afterdark.htm.  Thanks to all of you who
 responded to my original request.
 "Mike" Mikolajczak >>


I didn't find any glass savers at the first URL and the second one did
something funky to my computer. I ended up having to reboot the whole thing.


Dianne
Jacksonville, FL
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From owner-glass Sun Aug  9 13:53:36 1998
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X-Path: yahoo.com!sheila_oh
From: Sheila <sheila_oh@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: subscribe
Date: Sun, 9 Aug 1998 12:59:40 -0700 (PDT)
Message-ID: <1998Aug9.55940.0>
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Well hello everyone!  This lurker is back to reclaim her lurker seat.
I certainly hope I never have to go through those type of withdrawals
again!!  OK OK so I can't have my front row lurker seat back...but I
do intend to work my way back to that front seat.

Sheila
Ohio




_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From owner-glass Sun Aug  9 18:57:03 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio # 42 Linda Campbell
Date: Sun, 9 Aug 1998 19:55:02 -0500
Message-ID: <1998Aug9.14552.0>
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I have really enjoyed the bios. The personal touch is like sitting on my
back porch and getting to know someone. I should warn you though. I expect
you to make yourself to home. Here's your first cup of coffee or soda. Now
that you have been to my house you can wait on yourself. The kitchen is to
your right and the bathroom is down the hall. If you want something, get it.
I treat you like family.

I was born in Jacksonville, Florida but was raised in Southeast Virginia. I
hate to hear myself on tape because I sound like such a country bumpkin. My
mother and father were total opposites, she was fast and furious with
everything she did. I can remember her sewing my clothes, putting finishing
touches on them as I was getting dressed to go out the door. Dad was more
methodical. An optician, he had very little education but a very
mathematical mind. He always had a plan. Dad was the sort who replaced all
the batteries in the house on New Year's day (just because) and kept a
record of all the maintenance that was ever done to his vehicle. I have one
of his pairs of optical needle nose pliers. He used to put a notch in the
handle each time he broke a lens with a that tool. This pair of pliers has
three notches in the handle. I have them because I bent the tips working on
a piece of jewelry as a teenager. They were not longer any good to him so I
got to keep them. Being German silver, the flux and patinas of glass working
seem to just roll off them.

I guess I inherited a little from both of them. I very often start projects
without any idea how they are going to turn out but I do keep all of my
stuff organized. I have to. I collect "stuff". Tools, ideas, supplies, books
things I'm gonna do one day. I have note books filled with ideas of future
projects.

The technical side of me earns a living as a project engineer for a small
shipyard doing primarily navy work. My specialty, if I have one is,
drydocking, procedures, arrangements, calculations of ships stability and
distribution of the weight of the ship on the dock and such. I kind of fell
into this field. Never knew that women just weren't doing this in the 60's
when I got out of high school. Took the apprenticeship test at the naval
shipyard, passed and started out as the yard's first female apprentice in
the Navy's 200 year history. Much ado was made about nothing and I've just
been trying to learn all I can ever since. Now that I'm fifty, I take things
a lot lighter. No longer tote the women's banner, just want to be left alone
to do my job.

I have always been involved in some handcraft or another, sewing, drawing,
jewelry, woodworking, needlework. I have written for the newspaper, tried
fiction but didn't get too far. I think it was just cathartic. I have always
felt that my stronger suit was the technique of a craft rather than the
artistic influence I added to it. I think some of my left brain adds to the
glass though. Something about the balance and color that I couldn't seem to
achieve with drawing and painting shows up in the glass. I started this
about 18 months ago. A friend got me interested. Before I saw what she had
done, I thought glass was something that I would never do. I didn't know it
would be so easy. She insisted I start with a small suncatcher. I wanted to
do something more complicated. I pacified her with a 4 piece peach and then
designed my dreamcatcher that is in the bungi archives. I learned from it.
My second or third project was a prairie lampshade for a friend ( the one
that was on the cover of Delphi's catalog). The geometric cuts fit my style
(draftsman/engineer). But when it came time to put the four sides together,
I was most struck by the fact that glass has no ease like fabric where I
could make things fit. This was going to be a most interesting hobby. :) I'd
have to use Dad's personality. Mom's mode of "hammer-fit" it just wouldn't
do.

I like three dimensional glass objects. I have given all my family members
airplanes, outhouse, or kaleidoscopes. My current obsession is decorating my
new house. My husband of 2 years and I have built on 5 acres abutting the
Great Dismal Swamp Wildlife Refuge. I have seen numerous deer, a bear in the
backyard, as many as forty hummingbirds at the front porch feeders and a
4-1/2 foot rattle snake in the yard.  I want to bring some of those images
to the inside of my house. I have plans for a hummer window over the tub
enclosure, deer and bear corner brackets between the living and dining room
and I'm tinkering with an idea for a glass portrait of he and I (sort of
like the Grant Wood of the farmer and his wife) for the front windows. Like
I said, I don't always have I idea of the limitations of my medium so I just
adjust as I go along. The more glass that I do, the more my preferences
change. I use patterns for ideas only. Most of what I do is my own creation.
I like it that way. I save the patterns but find that once I have done
something, I have no desire to do another like it. A pity, because I'm
usually working out the bugs as I go along. I'm an INTP if anyone is
interested.

The person who has most influenced my life is my paternal grandmother, Nany.
Dad's mom came to live with me when she was 94. Up until then she had been
living alone in Alabama. She taught me to garden, preserve and to be frugal.
I'm using all of that in the country now. She also taught me to keep on
trucking, no matter what. She was active till the day she died at the age of
98. She said that she had a heart attack at some time in her life and that
she had cracked a disk in her back. I asked her when. She said, "Oh the
heart attack must have been that time I was faint in the strawberry field
and I must have broken that disk the time I fell off the ladder." I asked
when that was and she said it must have been when she was around 70 or so.
I'm trying to imagine this 70 year old woman on a ladder  cleaning out he
gutters..

I've picked up and discarded many pastime in my life. I think glass is one
that will endure. I have so many ideas, I can't keep up. And there's always
the possibility that I'll get into hot glass. That intrigues me. I like the
feel of glass. Always have. Even as a kid I can remember picking things up
in the dimestore just to "feel" them. I like the weight and substance of
glass. I like that it will last longer than I will. I try to make every
piece worth the lasting. Okay, so now you know I'm certifiable. Oh, you knew
that, we INTPs are a rare breed, hard to know but worth the effort. Loyal
always.

Keep those bios coming. It's good getting to know you too.

Linda Campbell




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From owner-glass Sun Aug  9 19:26:18 1998
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X-Path: aol.com!Klmxklm
From: <Klmxklm@aol.com>
To: PDRUSS@aol.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re Stained Glass Screensavers
Date: Sun, 9 Aug 1998 21:04:39 EDT
Message-ID: <1998Aug10.1439.0>
Precedence: bulk

Hi Dianne:
Sorry about your problems with the URLs I supplied.  Http://www.berksys.com/
is just the first page -- you must continue:  Press "dark toast" (sounds
screwy, but it's correct) on first page; press "products" button on 2nd page,
and press "after dark" on page 3.  Or if you wish, the complete URL for this
particular page is:  http://www.berksys.com/products/index.html.

I can't explain why you had to reboot with the second URL.  I get it just fine
-- it does have animation and sound, maybe that has a bearing.  But it does
contain addons as stated.

Nice to hear from someone near my part of the country -- SC.  Hope this helps.

"Mike" Mikolajczak
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From owner-glass Sun Aug  9 19:35:36 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: <Astarzia@aol.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Repair work
Date: Sun, 9 Aug 98 21:00:51 -0400
Message-ID: <199808100104.VAA00786@uz.ComCAT.COM>
Precedence: bulk

Astarzia wrote:
>
>Now, I have yet another question.  The first project I ever completed
>(which wasn't too long ago), and one of my favorite projects fell from
>its perch last night and several pieces of the glass broke.  There was
>some type of explosion sound that shook the house and knocked it
>down.  The police say it was fireworks, but it sounded like a cannon
>to me!

Sorry Astarzia, you had the experience sooner rather than later. Happens 
to us all.

You need to take your glass cutter and score over each broken piece, 
several times until it cracks through and you can pull each little shard 
out, carefully, with pliers so as not to disturb the unbroken pieces 
around it. If you haven't kept your pattern, trace through the hole and 
make yourself another pattern for that piece of glass. Cut the new glass, 
refoil it and carefully work it back into the space.

Be sure to wear safety glasses when cutting/breaking the glass, it flies 
all over! I usually balance the whole thing on top of the trash can when 
doing this dirty work.

Re-solder, and re-patina if necessary. Usually my solder lines are a bit 
thicker. Good practice for you for when people start bringing you their 
broken windows and begging for repair!

Suzanne
 

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From owner-glass Sun Aug  9 19:51:58 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: bio # 43 Jeanne Pay
Date: Sun, 9 Aug 1998 20:12:44 -0500
Message-ID: <1998Aug9.151244.0>
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Let's see I was born in Philadelphia, Pa. (seem to keep erasing) hummm 
? grew up with a large family. ?I am married to William, with a great 
daughter (Shannon),she's 16.
We live near a deep lake , so I started to scuba dive. had a great time 
learning and finding all kinds of good junk glass bottles anyone?  
:)good drift wood too :)my buddy says not to bring any more up from 
deep murky lake. The shelves are full .Found a wagon and a starter gun. 
(got huge eyes when I first saw that!)

I took a SG  lesson from a lady I'd heard of from my mom. (good old mom)
:)We made a 4 pc butterfly on a stick for my first piece. 
So I've muddled along ever since.I've learned quite a bit in the couple 
of years I've been drooling over glass . I'm not a professional 
just a wanna be, that will keep on practicing and reading all I can get.  

I do read all of the posts,I've learned so much from reading the bungi 
group that I  do want to thank everybody at this time especially the 
Rands  for making it possible for the group it self ! 


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From owner-glass Sun Aug  9 22:53:00 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Looking for a person who e-mailed me
Date: Sun, 09 Aug 1998 21:59:50 -0700
Message-ID: <1998Aug9.145950.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Hi everybody!

Well this weekend my fingers were deleting like a mad woman. I have lost
the personal e-mail regarding the co-op from a retailer in Seattle. The
mail wasn't signed so I don't know your name but would like for you to
contact me again please.

Message for lost retailer*
*******************
If you are still interested in forming a glass group in the Seattle area
then let me know, I do have someone else who would like to participate
in a group. Thanks
--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Sun Aug  9 23:24:16 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:Bios #42 Linda-#43 Jeanne
Date: Sun, 09 Aug 1998 22:19:13 -0700
Message-ID: <1998Aug9.151913.0>
Organization: Moswood Mountain Limited
Precedence: bulk

I must say two very versatile woman this week, with lot's of interesting
reading. I ate my popcorn, drank my glass of wine as usual, and enjoyed
them both very much.

Thanks Linda and Jeanne and you too Pat!

See you,

Pam *sm*

--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Mon Aug 10 07:57:06 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: totally non-S.G.
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Mon, 10 Aug 1998 14:21:43 +0000
Message-ID: <199808101325.OAA25291@saturn.nildram.co.uk>
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Dear Bunginians,

My snail-mail post-box is  beginning to be filled with extra ordinary 
little mail items, bearing postmarks from USA;
- funny cards to keep me laughing
- lovely cards to keep my s.g. spirits up
-  small tweezers (for-the-removal-of-splinters-in-bums-with! What a 
demonstration of Faith in my abilities as a garden hammock 
constructor!!! Gee Thanks!)
- Little packets of plasters to use at midnight soldering sessions in 
the garden ....  ;->
- "belly-button protectors" (for same said sessions!!)
- Little miniature irons with which to do my mountains of ironing
  (Large or small - ANY usage of irons NOT recommended for Viking 
blood in  this current heat-wave we have here in UK!! That's MY 
excuse - and I'm sticking to it!! However,  How COME    people know I 
abhor ironing???!   ;->  )
-  .....and treats for Toby (who  is now sitting and positively 
STARING at the Letter Box.!)

Am now contemplating suitable "revenge" towards the "perpetrators"...
Just need to finish off my individual  e-mail replies to now a 
smaller hand-ful of those wonderful people.

Since my return from Sweden, friends here in UK have not allowed me 
to  hide in my little corner; I have been dragged out for BBQs, 
dog-shows, gardening-shows, exhibitions, picknics and days by the 
sea-side. Spent an idyllic 14 hours on the coast of Suffolk last 
Saturday (Aldeburgh, where Benjamin Britten lived and where now the 
Aldeburgh Festival takes place annually.). There is a wonderful 
commemorative stained glass panel in the church in Aldeburgh where 
Britten is buried by John Piper.
 I am as red as a lobster. On return back home in glorious sunset  - 
being driven and cossetted ALL day -we passed the former US Base 
Mildenhall. There are at least 2 of you out there in Bungi who have 
recounted to me fond memories of your time there. It's about an hours 
drive from where I live. A little further down south -, in 
Cambridgeshire - we passed Duxford, and the erstwhile home of the US 
Air Force "Mighty 8" - where I myself have a little contribution to 
make. A few years ago, on the occasion of the %&* ?? Anniversary 
(5oth???) of the "Mighty 8th's Presence in UK, I was asked to design 
and make a stained glass insignia of the emblem of the Mighty 8, 
which was then exhibited at the Duxford Air Museum during the entire 
Anniversary Year. Afterwards I donated the circular panel to be sold 
for a related charity. All I have left is a very gracious letter from 
the Museum Curator.

Anyhow, 'nuff said.
"Perpetrators" WATCH OUT !!
With Big Grins ... and a LARGE slobbery tongue
Elisabeth 'n Toby in UK

P.S. C'mon over and do my ironing for me, and  you'll be sure to have 
bed and food for as long as the ironing takes.....    ;->
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Mon Aug 10 08:32:11 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Astarzia@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Repair work
Date: Mon, 10 Aug 1998 09:45:45 -0400
Message-ID: <1998Aug10.54545.0>
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Astarzia@aol.com wrote:
> 
> Just a note to thank everyone for the information on searching
> for stained glass stores in Madison.  We postponed our
> trip until next weekend because the stores close early on
> Saturdays and aren't open on Sundays.  >sigh<
> 
> Now, I have yet another question.  The first project I ever completed
> (which wasn't too long ago), and one of my favorite projects fell from
> its perch last night and several pieces of the glass broke.  There was
> some type of explosion sound that shook the house and knocked it
> down.  The police say it was fireworks, but it sounded like a cannon
> to me!
> 
> Anyway...it is a rectangle panel done with copper foil and with a zinc
> came border. How do I fix it?  I am heartbroken.
> 
> *Astarzia*
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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on my page i explained the entire process of what to do. (this way i
don't have to repeat myself). the only hard part will be removing the
zinc came. you may have to carefully cut the solder lines off with a
dremel or the like.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Mon Aug 10 10:15:09 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: First Big Fair & wood question
Date: Mon, 10 Aug 98 08:30:40 -0700
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References: <<1998Aug7.2221.0>>
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Pamela Burns-Tappan wrote:
> P.S. Any one out there know about wood working, arggg. Have a doosy of a
> question for you if you want to help.
> Some of the wood on the bottom half of the door is water damaged. Would
> you suggest I replace the whole wood panel that is damaged, and if so,
> how would I go about doing that without affecting the integrity
> (strength) of the door. The wood is oak, the door is 50 years old and
> the water damage on a scale is a 10. The wood has lifted 1/4 inch.
> Thanks for any help on this!

if this is a solid door, it's pretty easy to fix.

take out the glass.

look up woodworkers in the phone book. a place that sells lots of different  
kinds of wood and tools, not the hardware store type place. they should either  
have, or know of a place that has, a 36" or 48" belt sander. it should cost you  
about $50 to have it run through to make it level again. don't let them put it  
through a planer, as that will ruin it. a planer will only work when it is run  
with the grain in the direction of travel; if you go across the grain it will  
destroy the wood.

charlie
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Mon Aug 10 15:20:42 1998
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From: Donald Davis <dfdavis@hamlet.ucs.indiana.edu>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: My mail and new email addtess.
Date: Mon, 10 Aug 1998 16:49:29 -0500
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Pleas note the new additions to my email address.  Please keep me as a
subcriber..
Thanks!!!!
Don Davis Jr.  WB9HZX


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From owner-glass Mon Aug 10 16:16:47 1998
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Subject: Non-Glass (Maine)
Date: Mon, 10 Aug 1998 18:48:33 EDT
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Hi Bungians:
Does anyone live in the very northern tip of Maine?  Such as Fort Kent or
Madawaska, or Edmunston, NB or nearby?  Will be driving up through Eastport
and Calais and visiting in the area through the end of Aug.
"Mike" Mikolajczak																									
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From owner-glass Mon Aug 10 20:51:10 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: <glass@bungi.com>
Subject: Re: First big fair.... SUCCESS!!!!
Date: Mon, 10 Aug 1998 17:52:19 -0700
Message-ID: <1998Aug10.105219.0>
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-----Original Message-----
From: Doug Parrott <bird_cage@email.msn.com>
To: bungi@glass.com <bungi@glass.com>
Date: Monday, August 10, 1998 9:50 AM
Subject: First big fair.... SUCCESS!!!!


>Hi everyone  I'm back,
>
>The fair was a blast.  The weather was great, the people were a hoot, and
>the money ain't bad!
>
>Everything went well.  The booth looked great.  I was the only one with
S.G.
>garden art.   There were two other folks with stepping stones but my stones
>had a different look.  One gal actually poured her stones the night before
>and was doing the finishing grouting at the fair.  Her prices were so low.
>I am sure she took some of my stepping stone business because of the price.
>But let me tell you, ya get what ya pay for.   There were other garden art
>booths but because my line was so different I really didn't have to worry
>the other booths.  I just admired their work. It really was nice.  Lots of
>metal work.
>
>We received lots of wonderful comments about the booth and how attractive
it
>was and about the quality of my work.  (I'll always take strokes as I tend
>to get a bit low on self esteem pretty often)  We even had someone stand
>outside of the booth taking a picture of the whole booth.  I smiled big and
>waved just so he knew I saw him in case he was trying to copy my work.
>
>I even met a fellow bungi person.  Terry Oakes from Jax Stained Glass in
>Bellevue WA.  Terry came out to see the booth because he saw my post and
all
>the great feedback on Bungi.  Hi Terry,  it was nice meeting you and thanks
>for your support.  You made my day!
>
>I brought everything to the fair that you all suggested.  Didn't need the
>radio,  there was a band going all day.  My husband thought he would
listen
>to the Mariners game, but the band was too loud.
>
>We did about $1200 worth of sale.  Considering this is SeaFair weekend in
>the Seattle area (for all you non northwesterns, this is a big two
>celebration in the Seattle area that ends with the Hydroplane races.)  In
>addition to the races, there were other Seafair events going  on throughout
>the area.   So I think we did really well.
>
>I only had one problem.   My wonderful and I really do mean wonderful
>husband, Doug, kept standing in the middle of the booth with his arms
>folded.  I think he may have scared a few people off.  I finally very
>politely asked him to sit down or at least stand behind the counter.  I
>really hated to say anything cause Doug has been very very very supportive
>with my S.G. endeavors.   He sat down but a little later he was back up
>standing in the middle of the booth again with his arms folded.  Oh Well!!
>
>Thank you all again.  I really do like this group.  I think I have learned
>more from you all in the last couple months than I have learned in the last
>15 years.   One of the problems when you buy wholesale and don't go into
the
>retail stores very often is you loose the support and the constructive
>feedback rom fellow SG people.
>
>Well, this is looking like a book.  Can you tell I am stoked about the
great
>experience I had.  I'm ready for more fairs.
>
>Thanks again
>
>Cheryl Parrott
>bird_cage@msn.com
>The Glass Parrott
>
>
>
>




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From owner-glass Tue Aug 11 05:05:07 1998
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Subject: Re: First big fair.... SUCCESS!!!!
Date: Tue, 11 Aug 1998 07:23:43 EDT
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Hi Cheryl,

Congratulations!!!  You are such a success!  $1200 for your FIRST fair is
outstanding!

Lenore
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From owner-glass Tue Aug 11 05:38:36 1998
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Subject: RE: First craft fair
Date: Tue, 11 Aug 1998 08:11:08 EDT
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Congratulations on a successful fair, Cheryl.  You've passed that first big
hurdle - now there will be no stopping you!!!  Pat yourself on the back.  It
took alot of work and planning but you enjoyed yourself and made some $$.  I
had to chuckle at your comments about Doug.  I have one whose name is Hal and
he thinks EVERYONE should have a piece of my wonderful glass art.   Kathi P.
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From owner-glass Tue Aug 11 10:08:09 1998
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From: "Alex Gacic" <agacic@hotmail.com>
To: Glass@bungi.com
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Subject: Stepping stone opinion
Date: Tue, 11 Aug 1998 09:44:35 PDT
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Hi everyone,

As always this is a great discussion group.  I am learning so much.

I just recently completed and shipped an oval stepping stone to a cousin 
of mine, who owns a bed and breakfast.  I did the bed and breakfast name 
in glass and added some wild rose glass patterns. I thought it turned 
out well, no sinking glass or bad concrete areas. She emailed me a thank 
you note and asked if my kids made it!  Now my two daughters are 8 and 5 
years old. Was this a good or bad comment? I decided to take it as a 
good one.  I guess I put alot of the kid inside me when I made it.  
Which is good, it should be fun.

Anyone else get any unusual comments about their work?

Alex Gacic
The struggling hobbyist

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From owner-glass Tue Aug 11 12:33:24 1998
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From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Stepping stone opinion
Date: Tue, 11 Aug 1998 14:04:58 CST 6CDT
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Alex--

I gotta admire your positive attitude (gave me another reason I'm 
glad I don't have kids!).  Knowing how much work goes into making a 
stone, I can understand your being taken aback.  Guess I'd just chalk 
it up to your cousin's ignorance of the art.

I'm curious, though, about how you shipped the sucker.  They're so 
darn heavy...must have cost a small fortune!

Kaye

  
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From owner-glass Tue Aug 11 12:55:17 1998
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From: Nancy Bean <nancyclayb@erols.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Panels
Date: Tue, 11 Aug 1998 14:26:41 -0700
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Hi everyone.  I have several panels the size of about 9"  x 12".  They 
vary from 30 to 40 pieces each.  Can someone give me a price range that 
should be placed on these.  Right now I don't have a clue and want to 
take them to a craft fair.

Appreciate your help and suggestions.  Thanks, Nance
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From owner-glass Tue Aug 11 13:34:53 1998
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From: fibers@wcnet.net (fibers)
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: It's finished!!! & a question
Date: Tue, 11 Aug 1998 15:10:08 -0500
Message-ID: <1998Aug11.10108.0>
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My koi and lilly pad panel is complete. After all the procrastation it
turned out very well. I'll put up a photo as soon as the film gets back.

Now for my question: can I mix two sizes of lead came in one panel? The
major problem I had with the koi was the fact that I had a tough time
bending the came around some of the very small pieces. My next panel has
two 2" borders and I need to use a heavy came there in order to hold it
very streight. The interior design has a lot of small glass pieces. Can
I use a small came for the design area?

Next question: The total panel size is 22X36 and will be framed in 2"
oak. Do I need any reinforcing? I use zinc for the outside.
Than you so much for all your advice.
Nelda

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From owner-glass Tue Aug 11 14:32:21 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Alex Gacic" <agacic@hotmail.com>, "glass bungi line" <Glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Stepping stone opinion
Date: Tue, 11 Aug 98 16:57:29 -0400
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Precedence: bulk

Alex wrote:
>
>I just recently completed and shipped an oval stepping stone to a cousin 
>of mine, who owns a bed and breakfast.  I did the bed and breakfast name 
>in glass and added some wild rose glass patterns. I thought it turned 
>out well, no sinking glass or bad concrete areas. She emailed me a thank 
>you note and asked if my kids made it!  Now my two daughters are 8 and 5 
>years old. Was this a good or bad comment? I decided to take it as a 
>good one.  I guess I put alot of the kid inside me when I made it.  
>Which is good, it should be fun.
>
>Anyone else get any unusual comments about their work?

Yeah, of my own creations: "Well, *that's* interesting!"
That means they don't know what else to say.

Suzanne

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From owner-glass Tue Aug 11 15:03:53 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: fibers <fibers@wcnet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: It's finished!!! & a question
Date: Tue, 11 Aug 1998 17:22:51 -0400
Message-ID: <1998Aug11.132251.0>
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Precedence: bulk

fibers wrote:
> 
> My koi and lilly pad panel is complete. After all the procrastation it
> turned out very well. I'll put up a photo as soon as the film gets back.
> 
> Now for my question: can I mix two sizes of lead came in one panel? The
> major problem I had with the koi was the fact that I had a tough time
> bending the came around some of the very small pieces. My next panel has
> two 2" borders and I need to use a heavy came there in order to hold it
> very streight. The interior design has a lot of small glass pieces. Can
> I use a small came for the design area?
> 
> Next question: The total panel size is 22X36 and will be framed in 2"
> oak. Do I need any reinforcing? I use zinc for the outside.
> Than you so much for all your advice.
> Nelda
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i don't do lead myself, but alomst any frank lloyd wright design has a
bunch of different lead sizes. it gives it a little more of a dramatical
look to it.

the other questions would probably be better from someone who does
panels...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
----
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From owner-glass Tue Aug 11 15:30:24 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, fibers@wcnet.net
Subject: It's finished!!! & a question
Date: Tue, 11 Aug 1998 17:50:00, -0500
Message-ID: <199808112150.RAA18524@mime3.prodigy.com>
Precedence: bulk

>>Now for my question: can I mix two sizes of lead came in one panel?
<<

Of course you can. You can have as many sizes of lead as the panel 
seems to call for.

The lead lines are a major design element of the panel and should be 
given careful consideration. For a panel of flowers I am likely to 
use 1/4", 3/16" and 1/8" lead with the smaller lead likely to be used 
for detail like the center of a flower.

For a full bevel panel I like the monotony of same sized lead.

>>Next question: The total panel size is 22X36 and will be framed in 
2"
oak. Do I need any reinforcing? I use zinc for the outside.
Than you so much for all your advice.
Nelda<<

This panel is a good candidate for the use of brass heart lead in 
some of the longer runs to guard against bowing. Just a bit of 
insurance should the window someday be installed against the weather. 
You could run a piece of steel or brass rebar but I would not unless 
the design made it super convient. The 2" oak if 1" thick  and groved 
for stained glass will ensure that it remains a rectangle.

Congrats on your koi window.

Bob
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From owner-glass Tue Aug 11 16:03:36 1998
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X-Path: aol.com!CncptThnkr
From: <CncptThnkr@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: stepping stones and lead sizes
Date: Tue, 11 Aug 1998 18:48:44 EDT
Message-ID: <1998Aug11.224844.0>
Precedence: bulk

Hey guys,

Ignore the stepping stone comment, it sounds like it came out perfect.
However I also would love to know how you shipped it and the approximate cost.
What was the size of the stone?   What carrier did you use....details
please.....I made one for a bud in California and it was carry on luggage
(never admitted hauling cement when they asked people to get off the plane
because it was too heavy!!) carrying it, a six pack of beer and other assorted
items through the airports was a great way to build muscles.   My friend's cat
died and I made a stepping stone/grave marker.   On the surface I glued glass
globs to resemble a cat's paw, it came out fantastic.   

Lead sizes can be mixed in the same panel.   There is a book of Franklin Lloyd
Wright inspired designs and many windows have the different sizes mixed.
Also have a pattern with lead and copper foil mixed together in the same
panel. Have not tried it yet, but it also looks doable.   

You guys are great, thanks for the information and  the autobiorgraphies, it
is always great to get the postings.

Pat
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From owner-glass Tue Aug 11 16:32:37 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: It's finished!!! & a question
Date: Tue, 11 Aug 1998 19:13:36 -0400
Message-ID: <1998Aug11.151336.0>
Precedence: bulk

Hi Nelda-

We often use different sizes of =

lead in a panel and actually work
the lead lines into the pattern so
they are an integral part of the =

design... not just something that
holds the glass together.  You
can get some stunning effects.
Use your imagination, but don't
go too overboard at first.  We =

also sometimes trim wider leads
to a taper to create a graceful,
lyrical line.  That can also be
very effective in pictorial and
abstract windows.  Glad the
window went well.  I always have
two goals in life.  To start.  And to
finish. <sigh>  Oh, and I =

wouldn't bother with reinforcing
on an oak-framed window
of that size - you'll just end up
with an over-built window.

Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Tue Aug 11 16:51:31 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Panels
Date: Tue, 11 Aug 1998 19:13:44 -0400
Message-ID: <1998Aug11.151344.0>
Precedence: bulk

It depends on design and all
around quality of the panels.
As a benchmark, we never sell
anything for less than $100
square foot.  There are some
really good "formulas" from =

a number of professionals on
bungi in the archives... might
be worth checking.

Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Tue Aug 11 17:05:29 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Alex Gacic" <agacic@hotmail.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Unusual comments
Date: Tue, 11 Aug 1998 19:13:53 -0400
Message-ID: <1998Aug11.151353.0>
Precedence: bulk

After Michael finished up his
"Young King Arthur" leaded =

and painted window for our =

recent show, we had it in the
shop window for a day or so
before it went over to the =

college gallery.  Some =

customers from the antique
store next door came in to
ooohh and aahhh over the
piece.  One man asked how
old the window was - Michael
answered "About a week old,
it's for a show that opens in
a few days."  The man reacted
with a look of disgust and the
whole group left without =

another word!  I guess no =

matter how good it is, it's
no good unless it's 150 years
old!  Our new motto:  We will
sell no window before its time!"
Good grief.   =


Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Tue Aug 11 17:32:25 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Alex Gacic" <agacic@hotmail.com>,
Content-Type: text/plain;
Subject: Stepping stone opinion/more
Date: Tue, 11 Aug 1998 17:20:10 -0700
Message-ID: <1998Aug11.102010.0>
Precedence: bulk

I repeat my observations of human nature!

NEVER give away a "work of art" of YOUR own..........If the recipient gets
it for "free", it has no value and open for any and all criticisms.......if
they "pay" for it, their judgement is good and they got what they paid for.

I have given way (few) relatively expensive items that I HAVE traded my work
for. I have not GIVEN my shades away in many many years. This was learned
the hard way....lamps left behind when relatives moved, put in boxes and
ignored, and offered at garage sales. I DO KNOW I have no claim on them
after they leave me, but>>>>>>>>>>>>>>>>>>

enjoy, H

weaver51@teleport.com
http://www.teleport.com/~cbs/howard   best lamps on the "net"
enmeshed in the internet
trapped in the world wide web


----
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From owner-glass Tue Aug 11 18:02:25 1998
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From: Susan Reitmann <oddjob@scc.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Subscribe
Date: Tue, 11 Aug 1998 19:47:31 -0500
Message-ID: <1998Aug11.144731.0>
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Back from vacation, time to get caught up!
Sue
----
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From owner-glass Tue Aug 11 18:33:57 1998
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From: <Olies1@aol.com>
To: Glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: A question for the pros
Date: Tue, 11 Aug 1998 20:58:54 EDT
Message-ID: <1998Aug12.05854.0>
Precedence: bulk

I just found out about this list when I was at a glass shop the other day and
they told me that someone here may have the answer to my question. I want to
do some carving on some thick plate glass and I am having a devil of a time
getting it cut to size. I am trying to cut some 3/8 in" thick glass and it
just won't break along the score line that I make. Any suggestions?????? Any
and all help is really appreciated.
Christine
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From owner-glass Tue Aug 11 18:53:34 1998
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X-Path: bdos.com!caroline
From: Caroline Lindner <caroline@bdos.com>
To: "Albert Lewis" <alewis@vgernet.net>, glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Store Search
Date: Tue, 11 Aug 1998 21:03:42 -0400
Message-ID: <3.0.32.19980811210338.006b1a6c@mail.bdos.com>
Precedence: bulk

Hi,
Try Art Glass World-Art Glass World's retail stores
http://www.artglass.com
Caroline

At 12:27 PM 8/8/98 +0000, Albert Lewis wrote:
>
>> At one time, I located a web site that included a city and state
>> search and find of stained glass stores.
>
>It's at
>http://www.thestorefinder.com/storesearch/storefinder.html
>courtesy of Inland Craft Products.
>
>Albert
>----
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>
>
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From owner-glass Tue Aug 11 19:00:45 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: grozing produces irregular shell breaks??
Date: Tue, 11 Aug 1998 18:22:13 -0700
Message-ID: <199808120122.SAA05594@norm.island.net>
Precedence: bulk

Hi.  Due to the recent grozing discussion, I've been trying to get better at
using my grozers...however when trying to get that last little bit I often
end up with a shell like irregular break on the bottom side of the glass.
This happens most often on an inside curve, and often extends into the piece
itself beyond the cutting line, and I end up having to recut the whole
piece.  When this happens grozing is definitely NOT LABOUR saving!!!

Since I'm largely self-taught I have to wonder if I'm doing something wrong
with my technique, are my pliers worn out or what?  Any suggestions?

Thanks

Carol Swann
Synergy Glass & Creative
Carol Swann
Synergy Glass & Creative

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From owner-glass Tue Aug 11 19:31:52 1998
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X-Path: webtv.net!Beadnik2
From: Beadnik2@webtv.net (Joan)
To: bird_cage@email.msn.com (Doug Parrott)
Content-Type: Text/Plain; Charset=ISO-8859-1
Subject: Re: First big fair.... SUCCESS!!!!
Date: Tue, 11 Aug 1998 22:10:25 -0400 (EDT)
Message-ID: <1998Aug11.181025.0>
Precedence: bulk

Cheryl....

Congratulations on your very successful first fair.  That's great!

>I only had one problem. =A0 My wonderful and I
>really do mean wonderful husband, Doug, kept
>standing in the middle of the booth with his
>arms folded. I think he may have scared a few
>people off. I finally very politely asked him to sit
>down or at least stand behind the counter. I
>really hated to say anything cause Doug has
>been very very very supportive with my S.G.
>endeavors. =A0 He sat down but a little later he
>was back up standing in the middle of the booth
>again with his arms folded.

At your next show, if Doug seems to feel more comfortable standing in
the booth, ask him to look like a customer admring your work.... kind of
creates interest when there are other people in the booth!  He could
"straighten" them out.... whatever!

Joan

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From owner-glass Tue Aug 11 19:47:26 1998
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X-Path: usanet.com.US!717-002
From: 717-002@usanet.com.US
To: 717-002@usanet.com.US
Subject: RESEARCH OF DISTRIBUTORS FOR MILLIN
Date: Wed, 12 Aug 1998 04:17:33 +0200
Message-ID: <199808120217.EAA18756@ue3000.iigb.na.cnr.it>
Precedence: bulk

IMS is a manufacturer of HIGH PRECISION TOOLHOLDERS AND
PULL STUD FOR MILLING MACHINES that work on steel, wood, 
marble, and glass.

WE ARE INTERESTED TO FIND DISTRIBUTORS IN YOUR OWN
COUNTRY.WE PRODUCE TOOLHOLDERS FOR THE FOLLOWING
FORMS AND SIZES:

HSK SHANKS IN THE FORMS A,B,C,D,E,F AND SIZES 32,40,50,
63,80,100
DIN 2080 ISO 30,40,45,50,60.
V FLANGED DIN 69871 ISO 30, 40, 45, 50.
V FLANGED BT JAPANESE STANDARD ISO 30, 35, 40, 45, 50.

SPECIAL UPON REQUEST PULL STUD 
Our standard product is made in 16NCD4 steel carbon added and
heat treated.All contact surfaces are ground with white bright finish;
he other surfaces are black.

Upon request we can supply full black oxide finish or yellow nicke
l chemical deposition anty rust.We usually produce metric measures
but we can do inch measures upon request.We also manufacture
pull studs.

You may place your order directly with IMS via e-mail.If you are 
interested in selling this product in your country,we will agree upon
special prices according to your sales capacity.You can view our 
products at our website:

HTTP://WWW.SISCO.IT/IMS
For questions or additional information:       
E-mail:  ims@sisco.it
Fax: ++ 39-172-54014        
Tephone: ++ 39-172-54015
Address: IMS SRL
VIA VITTORIO E. 103
12048 SOMMARIVA BOSCO CN ITALY

 
Best Regards,
GIUSEPPE APRA'


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From owner-glass Tue Aug 11 20:01:19 1998
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From: <WhispyBlu@aol.com>
To: seaspray@mail.island.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: grozing produces irregular shell breaks??
Date: Tue, 11 Aug 1998 22:16:47 EDT
Message-ID: <1998Aug12.21647.0>
Precedence: bulk

I was taught, and have found it to be very successful,  if you start breaking
from the inside curves or the most fragile/difficult parts.  

<<This happens most often on an inside curve, and often extends into the piece
itself beyond the cutting line, and I end up having to recut the whole
piece.  When this happens grozing is definitely NOT LABOUR saving!!!

Since I'm largely self-taught I have to wonder if I'm doing something wrong
with my technique, are my pliers worn out or what?  Any suggestions?>>
----
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From owner-glass Tue Aug 11 20:24:08 1998
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X-Path: pobox.com!Northernlights
From: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>
To: Susan Reitmann <oddjob@scc.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Subscribe
Date: Tue, 11 Aug 1998 21:49:16 -0500
Message-ID: <1998Aug11.164916.0>
References: <<1998Aug11.144731.0>>
Precedence: bulk

Welcome back...and thanks for the glass souveniers...I'm dying to see
what you picked out!

Susan Reitmann wrote:

> Back from vacation, time to get caught up!
> Sue
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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----
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From owner-glass Tue Aug 11 21:10:49 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:Stepping stone opinion/more
Date: Tue, 11 Aug 1998 20:30:21 -0700
Message-ID: <1998Aug11.133021.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Howard wrote:

I repeat my observations of human nature!

NEVER give away a "work of art" of YOUR own..........If the recipient
gets
it for "free", it has no value and open for any and all
criticisms.......if
they "pay" for it, their judgement is good and they got what they paid
for.

I have given way (few) relatively expensive items that I HAVE traded my
work
for. I have not GIVEN my shades away in many many years. This was
learned
the hard way....lamps left behind when relatives moved, put in boxes and

ignored, and offered at garage sales. I DO KNOW I have no claim on them
after they leave me, but>>>>>>>>>>>>>>>>>>

enjoy, H


Howard, I disagree with you in a sense on this one. I have been the
recipient of 2 beautiful stained glass fairys from a dear friend of mine
recently. They were given freely from the heart. And I appreciated them
very much. Alex sent this stepping stone he made to his cousin, which
I'm sure he felt would appreciate it.

The recipient in this case yes received the gift of artwork for "free",
but it definitely had value, the human nature value we call giving. I
always give my family and friends my artwork, heck they are the first
ones I try new ideas on! And do they love receiving gifts, you bet!

See you,

Pam *sm*



--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Tue Aug 11 22:07:14 1998
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From: <Witchdoc3@aol.com>
To: Glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  A question for the pros, etc.
Date: Wed, 12 Aug 1998 00:31:06 EDT
Message-ID: <1998Aug12.4316.0>
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In a message dated 8/12/98 2:36:22 AM, Olies1@aol.com wrote:

>I am trying to cut some 3/8 in" thick glass and it
>just won't break along the score line that I make. Any suggestions??????

My other half and fellow "Trekker," looking over my shoulder, says in his best
Klingon voice:

"PHASER."

But seriously: Glass saw... Or as a last resort, take it to a commercial
glazier...

BTW, I spent a very enjoyable day today working with Lenore on a good-sized
pair of leaded glass geometric transom panels. This in addition to 2 days a
week at Christie's as needed. "Employment" is sneaking up on me

The little voice in the back of my head says maybe I should hang out a shingle
saying something like:

STAINED-GLASS ARTISAN FOR HIRE
HAVE TOOLS, WILL TRAVEL

(Hey Shakeel, EliZabeth, Elisabeth 'n' Toby, et al., need any help? reasonable
rates, plus expenses, of course <gd&r>)

What the hey. It's close to midnight local time and I went straight to a
rehearsal from work (for that matter, so did Christie......) I think I've been
silly enough for one posting!


Dr, Sparks, travelin' Witch Doctor with Great Big Tool Box
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From owner-glass Tue Aug 11 22:22:45 1998
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Subject: Re:  grozing produces irregular shell breaks??
Date: Wed, 12 Aug 1998 00:31:07 EDT
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In a message dated 8/12/98 3:09:55 AM, seaspray@mail.island.net wrote:

>when trying to get that last little bit I often
>end up with a shell like irregular break on the bottom side of the glass.

Are you pulling down on your grozers when you do your breaks? That puts a
"shear force" on your glass that will indeed in effect pull shell-like chips
off the "back side" of the glass.

Instead of "pulling down" on your grozer handles, think of the lower jaw of
the tool as a fulcrum and lever the handles in such a way that the lower jaw
pushes *up*. (Or, put another way, think of it as "bending the outer edges of
the glass in," exerting the force UP and slightly IN from the bottom instead
of straight down from the top.)

The upward pressure of the lower jaw breaks the glass, the same as with
running pliers (where the convex "peak" or ridge in the lower jaw does the
same thing) or the Morton Safety Break thang, where the little button under
the score line presses up.

Hope this attempt at an explanation makes sense. (It would be a whole lot
easier to just draw a picture, but what the hey.) Seems to work for me (if I
remember to do it, which I don't always...).


Sparks
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From owner-glass Tue Aug 11 22:34:59 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re:Stepping stone opinion/more
Date: Wed, 12 Aug 1998 00:37:35 -0400
Message-ID: <1998Aug11.203735.0>
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I tend to agree with Howard.  I
don't give my artwork to friends
and family anymore either - they
appreciate it a lot more when =

they have to buy it.  Of course, I
make 100% of my living from art.
I wouldn't expect my friends who
are doctors, lawyers, dentists, etc.
to provide their services for free
either.  Trading is always a possiblity
on a moderate scale.

On the other hand, I do garden as
a hobby and have been known
to give away a bouquet of flowers
or a basket of vegetables.

Best regards,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/   =

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From owner-glass Tue Aug 11 22:37:35 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "INTERNET:Olies1@aol.com" <Olies1@aol.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: A question for the pros
Date: Wed, 12 Aug 1998 00:37:27 -0400
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Hi Christine-

Well, I ran this by my husband
who has 25 years of glass experience.
His reply is he's never had much
luck cutting glass that thick.  It's
just too hard to get even leverage
for a good score.  Have your glass
supplier cut to size or think about
an irregular free edge and have
a monument company blast that for
a moderate fee.  Just a suggestion.

Good luck.

Best regards,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/  =

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From owner-glass Wed Aug 12 00:08:05 1998
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From: "Doug Parrott" <bird_cage@email.msn.com>
To: <MISGLAS@aol.com>
Subject: regrouping after first fair....help,  I'm dying!!!!
Date: Tue, 11 Aug 1998 23:31:55 -0700
Message-ID: <1998Aug11.163155.0>
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Thanks for the strokes,


I sure like this group.

I do have a question for all you folks who do craft fairs on a regular
basis.  What do you do with your inventory between fairs.  Do you keep it
boxed up?   What have you found to be the most successful way to organize
your inventory?   Do any of you keep a box full of "fair" supplies ready to
go; and if so,  what do you put in it.

I am trying hard to get reorganized and ready for the next fair without
totally destroying my home.    In the past I would take my weekly inventory
to the stores so I rarely had more than a weeks worth of work on hand.
Our house got pretty crowded before the fair I just did.  I don't want to go
through all that again.   I am a person who does best when things are
organized although I am not great at keeping things organized while I work.
I tend to drive my husband nuts.  He hates it when I cook cause the kitchen
is a mess.  Of course we don't have that problem very often cause I hardly
ever cook.  I think the last time was oh maybe two months ago!   I am pretty
spoiled I do have to admit.

Cheryl Parrott
The Glass Parrott
-



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From owner-glass Wed Aug 12 00:25:04 1998
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From: "Doug Parrott" <bird_cage@email.msn.com>
To: "Pamela Burns-Tappan" <ptap@pacifier.com>
Subject: Re: Re:Stepping stone opinion/more
Date: Tue, 11 Aug 1998 23:33:42 -0700
Message-ID: <1998Aug11.163342.0>
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-----Original Message-----
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: glass@bungi.com <glass@bungi.com>
Date: Tuesday, August 11, 1998 9:15 PM
Subject: Re:Stepping stone opinion/more


>
>
>Howard, I disagree with you in a sense on this one. I have been the
>recipient of 2 beautiful stained glass fairys from a dear friend of mine
>recently. They were given freely from the heart. And I appreciated them
>very much. Alex sent this stepping stone he made to his cousin, which
>I'm sure he felt would appreciate it.
>
>The recipient in this case yes received the gift of artwork for "free",
>but it definitely had value, the human nature value we call giving. I
>always give my family and friends my artwork, heck they are the first
>ones I try new ideas on! And do they love receiving gifts, you bet!
>
>See you,
>
>Pam *sm*


Not only that,  I give gifts to friends and family and most times I end up
with a lot of orders from them for gifts they need for others.
I find gift giving of my glass has an additional reward...... advertising.

Cheryl Parrott
The Glass Parrott





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From owner-glass Wed Aug 12 01:08:10 1998
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From: Beadnik2@webtv.net (Joan)
To: glass@bungi.com
Content-Type: Text/Plain; Charset=ISO-8859-1
Subject: Re: regrouping after first fair....help,  I'm dying!!!!
Date: Wed, 12 Aug 1998 03:34:56 -0400 (EDT)
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Cheryl wrote:

>I do have a question for all you folks who do
>craft fairs on a regular basis. What do you do
>with your inventory between fairs. Do you keep
>it boxed up? =A0 What have you found to be the
>most successful way to organize your
>inventory?

I do fused glass jewelry, so it's small and easier to manage.  Yes, I do
keep things ready to go for the next show.  About 1 hr. before the show
is over I check everything and re-stock my display panels so they are
ready for the next show.  If I make something new that I want to
display, I put it in a separate bag and hang it up right at the next
show.

>Do any of you keep a box full of
>"fair" supplies ready to go; and if so, what do
>you put in it.

Absolutely.  I have one of those big Rubbermaid "tubs" with a lid that
has everything I need in it... tablecloths, booth drapes, covers for my
display racks, "wet ones", "Glass-wipes", and the always useful duct
tape.  I also have an attache case that has my receipt books, resale tax
cert., change box, calculator, tax tables, bank deposit slips (I fill
those out as I get checks, right at the show), mailing list form,
inventory sheets. business cards, etc.  I even have a special wallet
that I keep stocked with paper money "change"... i.e. singles, fives,
tens, etc

Hope this is helpful,

Joan

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From owner-glass Wed Aug 12 06:06:43 1998
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To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: A question for the pros
Date: Wed, 12 Aug 1998 08:48:13 -0400 (EDT)
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Christine,

You will save yourself alot of aggravation if you just make a phone call to
a local glass and mirror shop and ask if they would cut it for you.  And
while you are there
tell them what you do and if you are looking for clients ...............ask
them if they 
ever get a request for etching would they refer them to you.  Or if they
have the
need for it themselves you could help them out.  Good way to start a
relationship
and learn alot more about the types of glass out there.


my best,
pj

>I just found out about this list when I was at a glass shop the other day and
>they told me that someone here may have the answer to my question. I want to
>do some carving on some thick plate glass and I am having a devil of a time
>getting it cut to size. I am trying to cut some 3/8 in" thick glass and it
>just won't break along the score line that I make. Any suggestions?????? Any
>and all help is really appreciated.
>Christine
>----
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>
>

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From owner-glass Wed Aug 12 06:36:49 1998
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To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re:Stepping stone opinion/more
Date: Wed, 12 Aug 1998 09:13:40 -0400 (EDT)
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Well I half agree with Howard and Dani,


We also make 100 % of our living from art.
And we don't give away our work anymore to friends or relatives. The have
more than enough.
We do sometimes give special pieces to exceptional clients
We give pieces to auctions, charities and fundraisers for causes that are
important to us.
And for those special architects.................certificates to a wonderful
restaurant


What ever you do give away does come back to you!!  And more.

my best,
pj









>I tend to agree with Howard.  I
>don't give my artwork to friends
>and family anymore either - they
>appreciate it a lot more when =
>
>they have to buy it.  Of course, I
>make 100% of my living from art.
>I wouldn't expect my friends who
>are doctors, lawyers, dentists, etc.
>to provide their services for free
>either.  Trading is always a possiblity
>on a moderate scale.
>
>On the other hand, I do garden as
>a hobby and have been known
>to give away a bouquet of flowers
>or a basket of vegetables.
>
>Best regards,
>
>Dani Greer
>Greer Gallery & Studios
>http://www.bungi.com/glass/igga/greer/   =
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Wed Aug 12 07:06:53 1998
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Subject: Re:  regrouping after first fair....help,  I'm dying!!!!
Date: Wed, 12 Aug 1998 09:26:01 EDT
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In a message dated 8/12/98 8:16:48 AM, bird_cage@email.msn.com wrote:

>I do have a question for all you folks who do craft fairs on a regular
>basis.  What do you do with your inventory between fairs.  Do you keep it
>boxed up?

While I can't speak directly to the issue of craft fairs, experience from my
"other career" as a freelance pro choral singer and administrator of a
professional chorus may apply (assuming you're going to be hitting the road
regularly).

In a nutshell:

KEEP YOUR BAGS PACKED!

and try as much as possible to leave your "store" inventory where it is.

I have "gig bags" for each of my regular gigs (church and 2 others) as well as
a couple of other gig bags of recording equipment, and they stay packed and
ready all the time and stacked up neatly (I hope) in an out-of-the-way-but-
easily-accessible corner.

In the same way, you can keep a gig bag packed for the general
"administrative" supplies you'll need for a show. Thrift/consignment/resale
shops are a great place to get tote bags, softside luggage, etc.... not to
mention old glassware and other "raw materials" :-)

If possible, invest some of your profits from the show in several collapsible
crates for transporting your inventory. There are several styles (including
some with lids), and the best place to get them is a big office supply like
Staples, OfficeMax, et al.

While you're there, pick up a monster box of bubble wrap :-)

If your inventory includes a bunch of suncatchers or other small flat items,
pick up several of those 30-pocket accordian-file things too. They usually fit
inside a collapsible crate. Then fold a piece of bubble wrap around each item
and slip it into a file pocket.

When you set up, you can collapse the crates and pocket files and stash them
under a table (and of course, the stack of empties is really easy to carry
once you've sold your $1200 worth of goodies!).

Joan's suggestion of Rubbermaid bins with lids is a good one too - watch your
local K-Mart for their Rubbermaid sales!

If you go with regular cardboard boxes, check with the folks at a local print
shop who are usually glad to give away all those boxes-with-lids that reams of
paper come in. They're durable and stackable and you can't beat the price (but
the empties aren't as neat and tidy to deal with, oh well).

Speaking of durable... when I "cleaned out" the 75-cents-a-pound glass at the
local supplier's "moving sale" a few months ago, she also gave me 3 of the
wooden crates that "rack packs" of one-off glass come in, and one 2-by-2-foot-
by-8" crate. Set them up on heavy-duty wheels from the local hardware store,
and now I have some terrific rolling bins for supplies (the 2 by 2 foot bin
rolls out from under one of my workbenches and holds half-sheets of glass).

I think I've rambled enough. Gotta go to work anyway...


Dr. Sparks, Witch Doctor and Perpetual Roadie
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From: "M. Savad" <morn@nac.net>
To: Carol Swann <seaspray@mail.island.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: grozing produces irregular shell breaks??
Date: Wed, 12 Aug 1998 10:28:18 -0400
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Carol Swann wrote:
> 
> Hi.  Due to the recent grozing discussion, I've been trying to get better at
> using my grozers...however when trying to get that last little bit I often
> end up with a shell like irregular break on the bottom side of the glass.
> This happens most often on an inside curve, and often extends into the piece
> itself beyond the cutting line, and I end up having to recut the whole
> piece.  When this happens grozing is definitely NOT LABOUR saving!!!
> 
> Since I'm largely self-taught I have to wonder if I'm doing something wrong
> with my technique, are my pliers worn out or what?  Any suggestions?
> 
> Thanks
> 
> Carol Swann
> Synergy Glass & Creative
> Carol Swann
> Synergy Glass & Creative
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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that's why i kept recommending the grinder, because grozing tends to do
that. grozing is'nt meant for finer detail, it's mainly meant for
general chunks... i'll still always prefer the grinder.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
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6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Unusual comments about work
Date: Wed, 12 Aug 1998 10:45:47 -0400
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Message text written by "Alex Gacic"
>Anyone else get any unusual comments about their work?
<

I really, really hate the "Is this real glass or is it plastic?" comment.=

It's usually some Spectrum glass they are looking at.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
PA
1944-0903
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From owner-glass Wed Aug 12 08:38:51 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Stepping stone opinion/more
Date: Wed, 12 Aug 1998 10:44:24 -0400
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Michael J. Greer wrote:
> 
> I tend to agree with Howard.  I
> don't give my artwork to friends
> and family anymore either - they
> appreciate it a lot more when =
> 
> they have to buy it.  Of course, I
> make 100% of my living from art.
> I wouldn't expect my friends who
> are doctors, lawyers, dentists, etc.
> to provide their services for free
> either.  Trading is always a possiblity
> on a moderate scale.
> 
> On the other hand, I do garden as
> a hobby and have been known
> to give away a bouquet of flowers
> or a basket of vegetables.
> 
> Best regards,
> 
> Dani Greer
> Greer Gallery & Studios
> http://www.bungi.com/glass/igga/greer/   =
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


however i've found that giving out some for free can promote sales.
sometimes they'll buy some stuff from you, using their gift as a free
sample of sorts. however this technique sometimes backfires when they
stunned about the price. 

the other day my grandmother said she was in teh electrical store and
saw some glass lamps. she was shocked at the price $300! but they were
imported so it was ok. i guess the public is more impressed when someone
says imported and compares it to a wine. but we here know what imported
lamps means...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Aug 12 08:47:45 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: A question for the pros
Date: Wed, 12 Aug 98 07:50:52 -0700
Message-ID: <m0z6cEm-000LkTC@why.az.stratus.com>
References: <<1998Aug12.05854.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

Olies1@aol.com wrote:
> I just found out about this list when I was at a glass shop the other day and
> they told me that someone here may have the answer to my question. I want to
> do some carving on some thick plate glass and I am having a devil of a time
> getting it cut to size. I am trying to cut some 3/8 in" thick glass and it
> just won't break along the score line that I make. Any suggestions?????? Any
> and all help is really appreciated.
> Christine
> ----

i heard an interesting way to cut thick glass on the rec.crafts.glass  
newsgroup. it was for 1.5" glass, so would have to be adjusted a little bit for  
3/8" glass.

run a score like normal. take a hammer and chisel. lightly tap on the top of  
the score with the chisel whilst someone else uses a propane torch underneath  
to heat up the glass in the very local area of the score (only a few seconds at  
most). the crack ran right through the glass.

regards,
charlie
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Wed Aug 12 09:01:46 1998
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X-Path: hotmail.com!scottjf55
From: "scott floyd" <scottjf55@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re:Re:stepping stone opinion
Date: Wed, 12 Aug 1998 07:50:29 PDT
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   I am very shocked by rhe lack of knowledge of true human nature.  
When you give something you do not look for reward, you look into your 
self and give that gift from your heart, to recieve something in return 
is only a bonus.  If you are truly giving it, than you will always 
recieve much much more than you think the gift was worth.  Giving fuels 
the gift in ourselves for creation, and that power to create is given 
back to you many times over.  When I come up with something new, I give 
it to someone special, if they love it, then I will make more and sell 
them, if not than I don't get mad, I just make something new.  So I get 
back honest and true critisism of my work.  This can sometimes be my 
gift in return.  Heck what would this world be like if the simple 
innocent act of giving was not possible.  I really think that ideas, and 
the passion for creation would diminish. 

  I have to agree with Pam on this one.  Maybe I am just too young to 
have been burned by the practice of giving, but so far I have recieved 
much more than ever intended from the simple act of giving, from my 
heart.  If I need to sell things, then I will just be careful not to 
give too many things away...(I need to learn this,hehe)...but I will 
never believe that someone is not going to respect my work because they 
recieved it from the pure act of selflessness and friendship.  This has 
really hit me in the head this morning and I had to spout here so 
anyway, I am off to work.

See you,
Scott *sm* 

______________________________________________________
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From owner-glass Wed Aug 12 09:12:23 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: grozing produces irregular shell breaks??
Date: Wed, 12 Aug 98 08:19:35 -0700
Message-ID: <m0z6cga-000LkTC@why.az.stratus.com>
References: <<1998Aug12.62818.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

Carol Swann wrote:
> Hi.  Due to the recent grozing discussion, I've been trying to get better at
> using my grozers...however when trying to get that last little bit I often
> end up with a shell like irregular break on the bottom side of the glass.
> This happens most often on an inside curve, and often extends into the piece
> itself beyond the cutting line, and I end up having to recut the whole
> piece.  When this happens grozing is definitely NOT LABOUR saving!!!
>
> Since I'm largely self-taught I have to wonder if I'm doing something wrong
> with my technique, are my pliers worn out or what?  Any suggestions?

actually, i think you're trying too hard and taking too large a chunk off at  
once. try grozing off smaller pieces. think of it as crushing the very edge and  
not pulling off pieces. most of what you want to see on your workbench is  
large granules, almost dust.

like almost everything else, it takes lots of practice to do correctly.

regards,
charlie
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Wed Aug 12 10:12:34 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: give-aways/to:
Date: Wed, 12 Aug 1998 08:29:45 -0700
Message-ID: <1998Aug12.12945.0>
Precedence: bulk

Over the last 5 or 6 years I only have done larger shades. My dangling a
$3,000.00 and higher shade as a hook to get "relatives" or  friends to order
one is a VERY long shot!

Giving small items away is a lot more effective and probably affordable,
both in time and material.

I of course will give stuff away for free (gifts) just not my glass work. I
do not believe that everything from a to z needs to be rewarded with a gift,
so a "gift" from me may even STILL mean something for at least an HOUR after
it has been received. (cynical ain't I?)

One of my hobbies/advocation/mind-expanding/and income source is the
stockmarket....Currently studying options/calls
I have "helped" friends with NON-PAYING/FREE advice as how I would invest,
were I they. (PS...IMHO, the downward trend of the last few weeks is a GOOD
time to buy). This advice does take time and does my time have any
value....order a lamp and find out! I have given away time, perhaps the most
valuable commodity there is.

enjoy, H



weaver51@teleport.com
http://www.teleport.com/~cbs/howard   best lamps on the "net"
enmeshed in the internet
trapped in the world wide web


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From owner-glass Wed Aug 12 10:44:29 1998
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X-Path: GSA-ORSP.CROWN.NWU.EDU!kaye
From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Gifts
Date: Wed, 12 Aug 1998 12:05:53 CST 6CDT
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There are gifts and there are *GIFTS*!  I think most of us who do 
glass primarily as a hobby have given away lots of relatively small 
stuff to friends and family.  But when you make your living at 
it-especially making large panels and exquisite lamps (Howard), it's 
another matter.

I made a large panel as a gift for my brother's 25th wedding 
anniversary, but I made sure he knew what it was worth  Told him how 
I asked the owner of the studio (where I hang out every Thursday 
evening) how he'd price it if he was to offer it for sale in his 
shop--and how stunned I was by his response!  Sure got that point 
across....

Although it never crossed my mind beforehand, the little gift items 
(mostly made from scraps) have generated some orders.  Great!  

On the subject of ignorant comments, my mother asked me to make a 
little something for a fund-raising auction for their local 
(volunteer) fire department.  I made a 9" (+/-) round panel of a 
goldfish with some left-over bullseye scraps and sent it to her.  A 
couple of weeks later I asked how the auction went.  "Oh, fine" 
she said evasively.  Took a little persistence on my part but I 
finally pried the story out of her.  When nobody bid on it, she 
thought she'd start things going by bidding $10....and she took it 
back home for $10.  She was too embarrassed to tell me.  My sister 
saw it and HAD to have it, so she gave Mom $10 and took it home. So 
the fire dept. got $10 and my sister got a bargain.  (I told mom next 
time forget the glass--I'll just send the fire dept. $10!)  Live and 
learn--I thought it was all kind of amusing.   

Kaye

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From owner-glass Wed Aug 12 11:07:39 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: cutting thick glass
Date: Wed, 12 Aug 1998 10:08:55 -0700 (PDT)
Message-ID: <199808121708.KAA17401@baby.vphos.net>
Precedence: bulk

Hi Christine,
Thick glass can be a bear to cut!!!!!
Some folks use a dry cut for thick glass, with a steel wheel cutter.
I still use my metal runners for up to 1/2" glass and then I go to a
crossbow style "thing" for 3/4" glass. A good glazing supply company will
carry it, but it's pricey! Had mine made in a mill. If you want me to look
it up, please email me.
Smiles, Cindy
PS...Hi guys, just got back from holidays....broke 2 fishing rods in less
than one week:):)....salmon as big as boats, chuckle!!!
>

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From owner-glass Wed Aug 12 11:15:57 1998
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: calling Kathi Poyneer
Date: Wed, 12 Aug 1998 18:35:01 +0100
Message-ID: <1998Aug12.19351.0>
Precedence: bulk

Please excuse me using bungi rather than emailing Kathi individually, but
when she gave us her new website address at
http://members.aol.com/misglas/index.htm  a while ago I bookmarked it to
look at later and didn't keep her original message with her email address.
Kathi - your site is  well laid out and interesting and well worth a visit.  
However I noticed that each time I moved to a new page my computer tried to
access my floppy disc drive.  I discovered it was looking for a gif file -
A:\emailcat.gif - which showed up on the last page as a missing picture.
If you check the html for the last page you should be able to change the
reference to wherever this file is stored.
Elizabeth Law (Bournemouth Stained Glass)
http://www.stainedglass.co.uk

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From owner-glass Wed Aug 12 11:48:22 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "bungi group" <glass@bungi.com>
Subject: Non glass Fw: Why it is great to be a guy
Date: Wed, 12 Aug 1998 10:41:45 -0700
Message-ID: <1998Aug12.34145.0>
Precedence: bulk

Thought this was a kick and wanted to share it
Hope I don't offend any of you guys...... just thought this was funny

Cheryl Parrott
The Glass Parrott
bird_cage@msn.com

>>
>>Subject: FW: Men


>>>> So true so true.
>>>>
>>>> Why It's Great To Be a Guy
>>>>
>>>> Phone conversations last 30 seconds
>>>>
>>>> You know useful stuff about tanks and airplanes
>>>>
>>>> A 5-day vacation requires only one suitcase
>>>>
>>>> Bathroom lines are 80% shorter
>>>>
>>>> You can open all your own jars
>>>>
>>>> Old friends don't give you crap if you've lost or gained
>>>> weight
>>>>
>>>> When clicking thru the channels you don't have to stop
>>>> on every shot of someone crying
>>>>
>>>> You don't have to lug a bag of "necessary" items with
>>>> you everywhere you go
>>>>
>>>> You can go to the bathroom alone
>>>>
>>>> Your last name stays put
>>>>
>>>> You can leave a hotel room bed unmade
>>>>
>>>> You can kill your own food
>>>>
>>>> The garage is all yours
>>>>
>>>> You get extra credit for the slightest act of
>>>> thoughtfulness
>>>>
>>>> You see the humor in "Terms of Endearment"
>>>>
>>>> You never have to clean the toilet
>>>>
>>>> You can be showered and ready in 10 minutes
>>>>
>>>> Wedding plans take care of themselves
>>>>
>>>> If someone forgets to invite you to something, they can
>>>> still be your friend
>>>>
>>>> Your underwear costs $7.50 for a pack of 3
>>>>
>>>> None of your co-workers have the power to make you cry
>>>>
>>>> You don't have to shave below your neck
>>>>
>>>> You don't have to curl up next to some big, hairy guy
>>>> every night
>>>>
>>>> If you're 34 and single, no one notices
>>>>
>>>> Chocolate is just another snack
>>>>
>>>> You can quietly enjoy a car ride from the passenger seat
>>>>
>>>> Flowers fix everything
>>>>
>>>> You never have to worry about other's feelings
>>>>
>>>> Three pair of shoes are more than enough
>>>>
>>>> You can say anything and not worry about what people
>>>> think
>>>>
>>>> You can whip your shirt off on a hot day
>>>>
>>>> Car mechanics tell you the truth
>>>>
>>>> You don't give a flip if someone doesn't notice your new
>>>> haircut
>>>>
>>>> You can watch a game in silence for hours without your
>>>> buddy thinking "he must be mad at me"
>>>>
>>>> One mood, all the time
>>>>
>>>> You can admire Clint Eastwood without having to starve
>>>> yourself to look like him
>>>>
>>>> Same work........more pay
>>>>
>>>> Gray hair and wrinkles add character
>>>>
>>>> Wedding dress $2000, Tux rental 100 bucks
>>>>
>>>> You don't care if someone is talking behind your back
>>>>
>>>> You don't pass on the desert and then mooch off someone
>>>> else's
>>>>
>>>> If you retain water, it is in a canteen
>>>>
>>>> The remote is yours and yours alone
>>>>
>>>> You need not pretend you're "freshening up" when you go
>>>> to the bathroom
>>>>
>>>> If you don't call your buddy when you said you would, he
>>>> won't tell your friends you've changed
>>>>
>>>> If another guy shows up at the party in the same outfit,
>>>> you might become lifelong buddies
>>>>
>>>> The occasional well-rendered belch is practically
>>>> expected
>>>>
>>>> If something mechanical didn't work, you can bash it with
>>>> a hammer and throw it across the room
>>>>
>>>> New shoes don't cut, blister, or mangle your feet
>>>>
>>>> You think the idea of punting that small, ankle-biting
>>>> dog is funny
>>>>
>>Lauri
>>(253)752.5011 voice
>>(253)756.7963 fax
>>
>



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From owner-glass Wed Aug 12 12:46:16 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re:Stepping stone opinion/more
Date: Wed, 12 Aug 1998 15:20:14 -0400
Message-ID: <1998Aug12.112014.0>
Precedence: bulk

Well, pj, you're right about the
giving.  You know we see eye
to eye on donations for worthy
charities - but, the stuff to families
and friends we've stopped doing.
There's something about seeing
an oil painting you gave to your
sister-in-law for Christmas being
used as a door barrier to keep
the new puppy in the back bedroom...
well, maybe I'll use that time and
energy to make a saleable item... and
then sell it and use the proceeds for
a gift that the recepient might like more.
Like a gift certificate from Wal-Mart. (Who
SAID that?!!!  Shame on me.) Okay, but
I didn't use the quote about casting
pearls before swine!

Best regards,

Dani Greer
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From owner-glass Wed Aug 12 13:13:00 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: give-aways/to:
Date: Wed, 12 Aug 1998 15:20:07 -0400
Message-ID: <1998Aug12.11207.0>
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Howard-

I think you've hit it right on the head - is
what you're giving away your life's work
or your hobby?  I give lots of big glass
things to charities that I support, but that's =

as much advertising cost as donation.  I
rarely give art of any kind (my own) as a
gift.  I may buy another artist's art to give
as a gift.  When I made my living as a
public accountant, I didn't do free tax
returns either.  I would suspect most of
us feel about the same way.  If it's a =

hobby it's pretty easy to give away, if
it's our work (whatever that might be)
we expect to get paid for it.  The very best
thing, of course, is getting paid to do =

what you love!

Best,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/  =

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From owner-glass Wed Aug 12 15:48:05 1998
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Pamela Burns-Tappan <ptap@pacifier.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Howard's Give Away SG Opinion
Date: Wed, 12 Aug 1998 14:54:13 -0700 (PDT)
Message-ID: <1998Aug12.75413.0>
References: <<1998Aug11.133021.0>>
Precedence: bulk

Hi Everyone:  I pretty much believe as Howard does about giving away
stained glass gifts.  There are times when you know someone is
appreciative but there are other times when you are unsure.  To me one of
the saddest things is to see a piece of stained glass at a garage sale
with a $1 or less value to something a person spent hours working on.
When I see these I am tempted to buy them just because.  

I worked with a woman who knew I did stained glass and she frequently
brought broken panels to me for repair.  One she had paid $3 for it.  It
had some large red faceted jewels in it that one pays $5 each to buy.  It
was only after I charged her the "real cost of repair" that she quit going
to thrift stores.

I recently bought a panel lamp at a thrift store...the lamp was broken but
the base was a steal at $10.  

I rarely give stained glass as gifts...to some I know will appreciate it
yet, but these are few.  
Peggy

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From owner-glass Wed Aug 12 16:19:48 1998
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: regrouping after first fair....help,  I'm dying!!!!
Date: Wed, 12 Aug 1998 18:38:47 -0400
Message-ID: <1998Aug12.143847.0>
References: <<1998Aug11.163155.0>>
Precedence: bulk



Doug Parrott wrote:

> Thanks for the strokes,
>
> I sure like this group.
>
> I do have a question for all you folks who do craft fairs on a regular
> basis.  What do you do with your inventory between fairs.  Do you keep it
> boxed up?   What have you found to be the most successful way to organize
> your inventory?   Do any of you keep a box full of "fair" supplies ready to
> go; and if so,  what do you put in it.
>

The way we box it up after one fair is the way we keep it between shows.  I have
some large plastic cases and lots of bubble pack.  i do keep things
together...i.e., all frames are packed together, etc.  The boxes and set up are
in the garage (used to keep it in the basement, but it's easier to pack the car
this way)  The stopping stones are in a rack behind the garage.  Yes, my
supplies are all in a box, too, and kept with the glass.  I really only have
things hanging in my windows when I'm making new stuff for the next
show...(pretty sad, eh?)  But at least I never get tired of the stained glass in
my windows as it rotates.

i expect to start making new stuff after I get back from Warner-Criv, since I
expect to have lots of new glass and maybe new toys!

Dorothy K

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From owner-glass Wed Aug 12 16:52:36 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Gifts
Date: Wed, 12 Aug 1998 19:13:14 -0400
Message-ID: <1998Aug12.151314.0>
Precedence: bulk

Hi Kaye-

Boy, do I know how you feel about
those auction prices!  The "Carmen"
window on our web site was a donated
piece to the Opera Guild when
they presented "Carmen" last summer.
It went for $170!!  I was just sick after
we spent over a week on the thing!
Now I give $500 Gift Certificates for
custom glass - that way I get to meet
the customer, they know how much my
work is worth, and I have the chance of
maybe selling them some more glass.
It works much better.  And it's a whole
lot easier on the ego!;-)

Best,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/  =

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From owner-glass Wed Aug 12 17:49:37 1998
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X-Path: juno.com!jbenner
From: jbenner@juno.com
To: glass@bungi.com
Subject: UNappreciated gifts
Date: Wed, 12 Aug 1998 19:51:50 -0400
Message-ID: <1998Aug12.155150.0>
Precedence: bulk

HI,

  I'm a lurker for my hubby. He does the glass work and I do fiber stuff.
This discussion is the same as we had on the fibernet list. Ungrateful
people. Ignorant people. I spin my own wool direct from sheep fleece. Pay
a pretty penny for the fleece, then wash it, dye it, card it and spin it.
Then need to knit it into something. SIL wanted a large afghan. I used
Kmart yarn cause she doesn't take care of stuff. Next year I found the
afghan being used as a dogs bed. This year I made her a bedjacket from
real good wool that was storebought. I'm an idiot what can I say? It too
has been discarded, yet, she continually asks me for a handspun handknit
full length coat for when they move to Florida! Yeah, don't hold your
breath. Same SIL, my DH's sister, now wants a stained glass hanging lamp
for her kitchen down there. I don't think she'll appreciate it and have
doubts if it will make it the two years till they move or end up as you
say at a yard sale. The only people we ever give anything to now are
other artists. I have a friend who makes beautiful quilts. She has gifted
me with several wall hangings. In return we gave her hanging butterflies
which she loves, and for Christmas this year dh intends to make her one
of those panels that are quilt block designs. SHE will appreciate it and
she isn't even family! At least we all understand each other!!!

Judy Benner
jbenner@juno.com 

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
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From owner-glass Wed Aug 12 18:05:30 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: Howard's Give Away SG Opinion
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 13 Aug 1998 01:14:42 +0000
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Well, Peggy
Trust you.....!

I am probably a living proof of your statement.
One of my proudest glass gifts is the blue oval you  yourself made 
and set in gold and brought to me as a present. You searched high and 
low.... I searched high and low for a suitable chain for it.
Well... I found one.. eventually.
Initially, I just couldn't be parted from it; now I wear it when I 
feel good about everything around me.
I should probably have said this to you off-Bungi... I am still 
working on my mail to you.

Creating, making and giving  a gift is a very special thing; it's not 
trivial, it's not cheap. Design, create , make and give it ONLY when 
making it is really quite special and.... receiving it is even more 
special STILL. Money, promotion, advertising is one thing.
Donating something for charity, or for an auction in aid of a charity 
is another thing.
Making something as a GIFT is a different ball-game.
Unless every single dimension of the gift thus made and given is 
totally appreciated and valued by the recipient, you are better 
advised to go out and purchase an object made by another Craftsman.
Expertise probably just the same, value just as much, time spent also 
probably just as much,
but your emotions poured into the item made , a little bit more 
detached, just that little bit less fragile and vulnerable and 
commercially you have paid the price in green notes for a fair 
exchange for something someone else has made.

Hobbyists, newbies and tender new professionals; please don't  rely 
on promotion obtained for giving "freebies" Your time, sweat, 
energies and tears are a brutal commodity in the battle of getting 
something for nothing. You deserve better!!
Elisabeth 'n Toby in UK

Peggy Johnsen wrote  (snip)
> 
> I rarely give stained glass as gifts...to some I know will appreciate it
> yet, but these are few.  
> 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Wed Aug 12 18:20:00 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Howard's Give Away SG Opinion
Date: Wed, 12 Aug 1998 20:11:35 -0400
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Peggy W. Johnsen wrote:
> 
> Hi Everyone:  I pretty much believe as Howard does about giving away
> stained glass gifts.  There are times when you know someone is
> appreciative but there are other times when you are unsure.  To me one of
> the saddest things is to see a piece of stained glass at a garage sale
> with a $1 or less value to something a person spent hours working on.
> When I see these I am tempted to buy them just because.
> 
> I worked with a woman who knew I did stained glass and she frequently
> brought broken panels to me for repair.  One she had paid $3 for it.  It
> had some large red faceted jewels in it that one pays $5 each to buy.  It
> was only after I charged her the "real cost of repair" that she quit going
> to thrift stores.
> 
> I recently bought a panel lamp at a thrift store...the lamp was broken but
> the base was a steal at $10.
> 
> I rarely give stained glass as gifts...to some I know will appreciate it
> yet, but these are few.
> Peggy
> 
> ----
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> Archives available at http://www.bungi.com/glass

when i give a gift, it's always simple.  a basic box, a suncatcher,
nothing that takes any more then 2 hours to make. nothing that i have to
buy special glass, a base, jewels, etc. i'll use shells, and rocks
though. i generally give when i feel like it, and when i have the time.
they would have to be really, really special to get something very
complex. 

but then agian if you go back in time and read about some of tiffany's
gifts, they were very complex. some of them i can't believe that he gave
it away...

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Aug 12 19:33:04 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: UNappreciated gifts
Date: Wed, 12 Aug 1998 21:56:17 -0400
Message-ID: <1998Aug12.175617.0>
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jbenner@juno.com wrote:
> 
> HI,
> 
>   I'm a lurker for my hubby. He does the glass work and I do fiber stuff.
> This discussion is the same as we had on the fibernet list. Ungrateful
> people. Ignorant people. I spin my own wool direct from sheep fleece. Pay
> a pretty penny for the fleece, then wash it, dye it, card it and spin it.
> Then need to knit it into something. SIL wanted a large afghan. I used
> Kmart yarn cause she doesn't take care of stuff. Next year I found the
> afghan being used as a dogs bed. This year I made her a bedjacket from
> real good wool that was storebought. I'm an idiot what can I say? It too
> has been discarded, yet, she continually asks me for a handspun handknit
> full length coat for when they move to Florida! Yeah, don't hold your
> breath. Same SIL, my DH's sister, now wants a stained glass hanging lamp
> for her kitchen down there. I don't think she'll appreciate it and have
> doubts if it will make it the two years till they move or end up as you
> say at a yard sale. The only people we ever give anything to now are
> other artists. I have a friend who makes beautiful quilts. She has gifted
> me with several wall hangings. In return we gave her hanging butterflies
> which she loves, and for Christmas this year dh intends to make her one
> of those panels that are quilt block designs. SHE will appreciate it and
> she isn't even family! At least we all understand each other!!!
> 
> Judy Benner
> jbenner@juno.com
> 
> _____________________________________________________________________
> You don't need to buy Internet access to use free Internet e-mail.
> Get completely free e-mail from Juno at http://www.juno.com
> Or call Juno at (800) 654-JUNO [654-5866]
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


for the lamp, or even the jacket, i'd charge her for the materials. tell
her it's getting expensive or the like. then we'll see how serios it is.
my mother paints, acrylic, oil, etc. shen once gave a painting to my
aunt. my aunt wanted to know if she could change the coloring so it
would match her daughters room! and in another instance she wanted her
to make a painting for her sister in law, so the sister in law would
have a house warming present for her friend... 

it's like they think you enjoy making the stuff for them, and that their
doing you a favor...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Aug 12 19:58:55 1998
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From: jones-Robert <rejones@netrax.net>
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Gifts
Date: Wed, 12 Aug 1998 22:00:02 -0400 (EDT)
Message-ID: <1998Aug12.1802.0>
References: <<1998Aug12.112014.0>>
Precedence: bulk

I have found a novel way to get relatives to appreciate my glass work
more.  When they ask for a piece I design something I think they will
like, but that is also something I would do even if it wasn't for them.
Then I get their approval/interest.  Then I drag their ass to the glass
store and they pay for the glass, solder and a new cutter.  Then everytime
they ask when they are going to get their piece I tell them I am still
working on it.  After about 4 months I tell them it is almost ready.  This
holds em off for about 2 more months.  Now they think I have been working
on it for 6 months.  When I finally give it to them, they know how much
the materials cost and think I have put in a tremendous amount of time.
Actually it was done two weeks after we bought the glass.  If they thought
it was easy, all I would do is make piese for my family.  My glass is a
hobby, but I like it in MY house, not theirs.

Bob


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From owner-glass Wed Aug 12 20:20:51 1998
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X-Path: wcnet.net!fibers
From: fibers@wcnet.net (fibers)
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Price formula
Date: Wed, 12 Aug 1998 21:32:34 -0500
Message-ID: <1998Aug12.163234.0>
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Somewhere I think I saw a formula for pricing stained glass. Had
something to do with the size, number of pieces and cost of materials
and time required. We are trying to determine how to price the panels in
our cabinet doors. Since we are still fairly new at this our time is
much greater than, hopefully, it will be when we have more practice.
As a woodworker, my husband is very good at cutting correct angles on
came and glass. I, on the other hand like cutting curves making pretty
pictures. A bit like Jack Sprat and wife.   :-}   We are nearing
retairment age and if we can make this stained glass fly, we can turn
the cabinet doors over to the boys and concentrate on the eaiser glass
work.
Nelda from Texas

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From owner-glass Wed Aug 12 21:45:50 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "fibers" <fibers@wcnet.net>, "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Price formula
Date: Wed, 12 Aug 98 23:31:54 -0400
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Precedence: bulk

Nelda writes:

>Somewhere I think I saw a formula for pricing stained glass. Had
>something to do with the size, number of pieces and cost of materials
>and time required.

Nelda, here's what you saw in the archives. 

As for your doubts about pricing, Art Glass World gives the following
specifications on their Web site:
$1.25 - $1.50 USD per piece
   depending upon the difficulty
   of the cuts/size of the pieces
PLUS
$50-$70 USD per square foot
   depending upon the type/expense
   for the glass being used

So a simple all straight-cut, 12" square, 10-piece panel made of
something like Spectrum cathedral or plain glue-chip would be priced
very simply at $62.50 USD retail (no tax added yet)
$1.25       $50.00
  X10 pcs      X 1 sf
-----       ------
12.50   +    50.00   = $62.50

Alternately, the same panel using all tightly curved cuts, 20 pcs., and
Lambert's reproduction glass would run about $100.00 instead -
$1.50       $70.00
  X20          X 1
-----       ------
 30.00  +    70.00  = $100.00  

This runs pretty close to the national average for pricing from what I
have heard, but you have to also take into account your
rural/metropolitan area, per capita income, marketability. etc. It's
juast about what is charged for quality work in my area too.

Hope this helps you out some, and please don't think that I'm getting on
you or anything-I just want to see my fellow glassaholics do well and
succeed! <GRIN>

V T Phelps
Shoreline Glassworks, Ltd.
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From owner-glass Wed Aug 12 22:00:38 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "jones-Robert" <rejones@netrax.net>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Gifts
Date: Wed, 12 Aug 98 23:24:24 -0400
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Precedence: bulk

Bob wrote:

>I have found a novel way to get relatives to appreciate my glass work
>more.  When they ask for a piece I design something I think they will
>like, but that is also something I would do even if it wasn't for them.
>Then I get their approval/interest.  Then I drag their ass to the glass
>store and they pay for the glass, solder and a new cutter.  Then everytime
>they ask when they are going to get their piece I tell them I am still
>working on it.  After about 4 months I tell them it is almost ready.  This
>holds em off for about 2 more months.  Now they think I have been working
>on it for 6 months.  When I finally give it to them, they know how much
>the materials cost and think I have put in a tremendous amount of time.
>Actually it was done two weeks after we bought the glass.  If they thought
>it was easy, all I would do is make piese for my family.  My glass is a
>hobby, but I like it in MY house, not theirs.


I like that a lot, Bob, particularly the part about the new cutter!
Suzanne
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From owner-glass Wed Aug 12 22:41:40 1998
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From: <HiimLaura@aol.com>
To: LuvArtGlas@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: RE:  glass chat reminder list
Date: Thu, 13 Aug 1998 00:38:03 EDT
Message-ID: <1998Aug13.4383.0>
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Kindly remove my name from the "stained glass chat reminder list" and keep my
name on bungi only. Thank You.

Laura
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From owner-glass Thu Aug 13 04:16:54 1998
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From: <LuvArtGlas@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Price formula
Date: Thu, 13 Aug 1998 06:25:42 EDT
Message-ID: <1998Aug13.102542.0>
Precedence: bulk

Do many of you round up ?

$80.00 vs $79.95

Suzan 

PS. Learning a great deal :)
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From owner-glass Thu Aug 13 04:53:03 1998
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From: <Yegnim@aol.com>
To: fibers@wcnet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Price formula
Date: Thu, 13 Aug 1998 07:18:30 EDT
Message-ID: <1998Aug13.111830.0>
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Hi Nelda,

I have heard of just 1 basic price for kitchen cabinet glass inserts:  $75 per
piece.  Don't know why, but that is the figure I have heard from a few trusted
people.  I believe that too would be the price I would charge.  Hope this
helps.  Lenore from PA.  Good luck!
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From owner-glass Thu Aug 13 05:25:35 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re pricing
Date: Thu, 13 Aug 1998 21:52:29 +1000
Message-ID: <1998Aug14.75229.0>
Precedence: bulk

our formula for pricing windows and doors panels is as follows:
Variable $150 to 250 per sq metre (depends on number of curves, therefore
difficulty and waste)
plus $1.50 to $2.00 per piece to cut
plus %10 of the above total for design
Note those prices are in Australian dollars
I got the formula from an old hand when i first got infected with the glass
bug and it served us well ever since.
Harlequin
www.surf.to/harlquin
                                                         ^
              /^\     .
                                                   /\   "V"
                                                  /__\   I      O  o
                                                 //..\\  I     .
                                                 \].`[/  I
                                                 /l\/j\ (]|    .  O
                                                /. ~~ ,\/I          .
                                                \\L__j^\/I       o
                                                 \/--v}  I     o   .
                                                 |    |  I   _________
                                                 |    |  I c(`       ')o
                                                 |    l  I   \.     ,/
                                               _/j  L l\_!  _//^---^\\_
    >:<    gandalf@rivendel.com      >:<     gandalf@lorien.umd.edu    >:<

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From owner-glass Thu Aug 13 06:56:32 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: <LuvArtGlas@aol.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Price formula
Date: Thu, 13 Aug 98 08:18:15 -0400
Message-ID: <199808131221.IAA23541@uz.ComCAT.COM>
Precedence: bulk

>Do many of you round up ?
>
>$80.00 vs $79.95
>
>Suzan 
>

Yes, absolutely!
Suzanne

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From owner-glass Thu Aug 13 07:57:52 1998
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X-Path: erols.com!nadinesfolly
From: Nadine Beth Schneider <nadinesfolly@erols.com>
To: Gerard <harlquin@mpx.com.au>
Content-Type: multipart/mixed; boundary="------------48B40421CEB087987C0D948F"
Subject: Re: re pricing
Date: Thu, 13 Aug 1998 10:19:27 -0400
Message-ID: <1998Aug13.61927.0>
References: <<1998Aug14.75229.0>>
Organization: Custom Art Glass Studio
Precedence: bulk

This is a multi-part message in MIME format.
--------------48B40421CEB087987C0D948F
Content-Type: text/plain; charset=us-ascii
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Gerard. . .
Do you really mean square metre? That's 10.5 square feet  and even at
$250 it amounts to less
than $25 a square foot.  But I don't know the value of Australian
dollars, so maybe this is not
so low.
              Nadine

> our formula for pricing windows and doors panels is as follows:
> Variable $150 to 250 per sq metre (depends on number of curves,
> therefore
> difficulty and waste)
> plus $1.50 to $2.00 per piece to cut
> plus %10 of the above total for design
> Note those prices are in Australian dollars
> I got the formula from an old hand when i first got infected with the
> glass
> bug and it served us well ever since.
> Harlequin
> www.surf.to/harlquin
>                                                          ^
>               /^\     .
>                                                    /\   "V"
>                                                   /__\   I      O  o
>                                                  //..\\  I     .
>                                                  \].`[/  I
>                                                  /l\/j\ (]|    .  O
>                                                 /. ~~ ,\/I          .
>                                                 \\L__j^\/I       o
>                                                  \/--v}  I     o   .
>                                                  |    |  I   _________
>
>                                                  |    |  I c(`
> ')o
>                                                  |    l  I   \.     ,/
>
>                                                _/j  L l\_!
> _//^---^\\_
>     >:<    gandalf@rivendel.com      >:<     gandalf@lorien.umd.edu
> >:<
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



--------------48B40421CEB087987C0D948F
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begin:          vcard
fn:             Nadine Beth Schneider
n:              Schneider;Nadine Beth
org:            Nadine's Folly Art Glass Studio
email;internet: nadinesfolly@erols.com
title:          www.nadinesfolly.com
x-mozilla-cpt:  ;0
x-mozilla-html: FALSE
end:            vcard


--------------48B40421CEB087987C0D948F--

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From owner-glass Thu Aug 13 08:22:47 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "bungi group" <glass@bungi.com>
Subject: Re: Howard's Give Away SG Opinion
Date: Thu, 13 Aug 1998 07:55:13 -0700
Message-ID: <1998Aug13.05513.0>
Precedence: bulk

My 23 year old daughter is involved in the Vista Program (Similar to the
Peace Corp but domestic instead of abroad).  Rob, one of the fellows that
has worked with her for this past year came by our booth and was admiring a
special wishing wand that I make.  (It's a specialty item that really is
quite original and that I am very proud of.)   It was obvious that he
appreciated all the time and imagination that goes into it.   I also am very
proud of the people my daughter works with.   The caliber of young people
involved in the program is wonderful.  Well, to make a long story short as a
going away present for Rob I reached over and grabbed one of the wands and
handed it to him.  I said it was a special gift for him to remember his
friends here in Seattle.   He was absolutely speechless.  I have never, ever
had anyone appreciate a gift more.  After he walked away I actually cried.
Later he told my daughter that I made his day and that he was very touched
to receive a gift from someone who valued and loved their work as much as I
do.    (I may be a professional newbie but I value my time just as much as
the next guy.   When I give something to someone it is from my heart and I
can't think of anything better to give than something that is part of me.
If they don't appreciate it, it is their loss not mine.   Just yesterday I
was taking sometime off from my work when  my neighbors 10 year old
granddaughter asked if she could come over to see how I make S.G.  She was
absolutely enthralled with the craft.   She drew up a pattern and I made it
in glass.    I wrote on the tag  "designed by Chantel Anderson"  She was
thrilled as well as her grandparents and mother.   It was a great bonding
time. I really loved having the opportunity to share my passion with someone
who had a million questions.   I have received so many wonderful and
appreciative thank you's from friends and relatives that receive my gifts.
I pick and choose who I give it too.  If they don't seem to appreciate it,
then next time they don't get a gift of my heart from me.   Just that
simple.   I feel that God blessed me with this talent and I want to share it
with others.  Can't think of a better way.


And heck,....... if I get orders from it all the better.







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From owner-glass Thu Aug 13 09:27:21 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "'Doug Parrott'" <bird_cage@email.msn.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Howard's Give Away SG Opinion
Date: Thu, 13 Aug 1998 11:52:26 -0400
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Nice story and I'm sure you were touched. Please tell us what a wishing =
wand looks like. Thanks for sharing.

Linda



has worked with her for this past year came by our booth and was =
admiring a special wishing wand that I make.  (It's a specialty item =
that really is
quite original and that I am very proud of.)  
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From owner-glass Thu Aug 13 09:53:39 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "Doug Parrott" <bird_cage@email.msn.com>,
Subject: Re: Howard's Give Away SG Opinion
Date: Thu, 13 Aug 1998 08:44:08 -0700
Message-ID: <1998Aug13.1448.0>
Precedence: bulk

Forgot to sign this......  Sorry if I stepped on toes..... but this subject
is a passion of mine as well..... I guess I have always been someone who
gives away my time and energy be it from working full time in special
education and taking my free time to help with kids including bringing them
into my home .... to working in the insurance industry and giving up a
Saturday morning (I love to sleep in) to open the office so I can write up
an application for someone who couldn't get in any other time.  (I don't get
overtime and it's not my company so there is no financial gain for me)

Forgive me if I don't entirely understand how all of you feel about giving
away part of you.......I am just the type of person who likes to give if I
can.

I've done the auction bit too and it is usually not appreciated so, if I'm
asked to donate something it will be something that doesn't take a lot of
time and energy.   I've learned my lessons over the past 20 years!

Cheryl  (the professional newbie)
The Glass Parrott

-----Original Message-----
From: Doug Parrott <bird_cage@email.msn.com>
To: bungi group <glass@bungi.com>
Date: Thursday, August 13, 1998 7:55 AM
Subject: Re: Howard's Give Away SG Opinion


>My 23 year old daughter is involved in the Vista Program (Similar to the
>Peace Corp but domestic instead of abroad).  Rob, one of the fellows that
>has worked with her for this past year came by our booth and was admiring a
>special wishing wand that I make.  (It's a specialty item that really is
>quite original and that I am very proud of.)   It was obvious that he
>appreciated all the time and imagination that goes into it.   I also am
very
>proud of the people my daughter works with.   The caliber of young people
>involved in the program is wonderful.  Well, to make a long story short as
a
>going away present for Rob I reached over and grabbed one of the wands and
>handed it to him.  I said it was a special gift for him to remember his
>friends here in Seattle.   He was absolutely speechless.  I have never,
ever
>had anyone appreciate a gift more.  After he walked away I actually cried.
>Later he told my daughter that I made his day and that he was very touched
>to receive a gift from someone who valued and loved their work as much as I
>do.    (I may be a professional newbie but I value my time just as much as
>the next guy.   When I give something to someone it is from my heart and I
>can't think of anything better to give than something that is part of me.
>If they don't appreciate it, it is their loss not mine.   Just yesterday I
>was taking sometime off from my work when  my neighbors 10 year old
>granddaughter asked if she could come over to see how I make S.G.  She was
>absolutely enthralled with the craft.   She drew up a pattern and I made it
>in glass.    I wrote on the tag  "designed by Chantel Anderson"  She was
>thrilled as well as her grandparents and mother.   It was a great bonding
>time. I really loved having the opportunity to share my passion with
someone
>who had a million questions.   I have received so many wonderful and
>appreciative thank you's from friends and relatives that receive my gifts.
>I pick and choose who I give it too.  If they don't seem to appreciate it,
>then next time they don't get a gift of my heart from me.   Just that
>simple.   I feel that God blessed me with this talent and I want to share
it
>with others.  Can't think of a better way.
>
>
>And heck,....... if I get orders from it all the better.
>
>
>
>
>
>



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From owner-glass Thu Aug 13 09:57:58 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: UNappreciated gifts
Date: Thu, 13 Aug 1998 09:08:01 -0700 (PDT)
Message-ID: <199808131608.JAA10059@baby.vphos.net>
Precedence: bulk

Hi all,

Recently I sandblasted a wizard mirror for a friends wife, and what she has
done with it has me ill.
I left the resist on the backside as my friend had wanted to paint the
blasted areas. Well it's framed and hanging on the wall with the backside
showing, with the resist still on. It looks just terrible. And she tells me
that it's her mirror and she can do whatever she wants with it!
Sadly I never even got any money for it, as they were down on their luck and
I wanted to give it as a gift.
Talk about a double kick in the butt.
Is she ungrateful, ignorant or just plain stupid? This has me really upset
and wondering if maybe I'm too thin skinned.
Trying to smile on this subject.
Cindy

 


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From owner-glass Thu Aug 13 11:02:01 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: UNappreciated gifts
Date: Thu, 13 Aug 98 10:10:38 -0700
Message-ID: <m0z70tc-000LkTC@why.az.stratus.com>
References: <<199808131608.JAA10059@baby.vphos.net>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

Cindy Pesonen wrote:
> I wanted to give it as a gift.
> Talk about a double kick in the butt.
> Is she ungrateful, ignorant or just plain stupid? This has me really upset
> and wondering if maybe I'm too thin skinned.
> Trying to smile on this subject.

once you give it or sell it, it is no longer yours to do what you want with  
it. if someone wants to hang it in the dog house upside down and backwards,  
then it's their right to do so. did you give a gift to get something back,  
besides perhaps a thank you? if so, it wasn't a gift.

however, the motto 'live and learn' comes into play, and if it were me, that  
person wouldn't see anything else from me.

regards,
charlie
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Thu Aug 13 11:25:22 1998
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X-Path: bc.sympatico.ca!tuka
From: tuka@bc.sympatico.ca
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: UNappreciated gifts
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Thu, 13 Aug 1998 10:18:20 +0000
Message-ID: <199808131714.KAA06960@mail1.bctel.ca>
Precedence: bulk

My two (Canadian) cents worth on this subject:

If we choose to GIVE something away it is NO LONGER ours
and what the recipient does with it isn't really any of our business.

I've learned that there are people and organizations that I no longer 
give "parts of myself" to and those that I will continue to give to 
forever.

The trick for me has been to learn which is which.

Hopefully then no one will say "Too soon old, too late smart" about 
me.

Shiela

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From owner-glass Thu Aug 13 11:33:00 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Price formula
Date: Thu, 13 Aug 1998 13:42:15 -0400
Message-ID: <1998Aug13.94215.0>
Precedence: bulk

We have a job right now that =

includes kitchen cabinet doors
at $300 each.  There is no standard
price for doors any more than
there is a standard price for a
window..... unless you offer one
standard door design.  But, you
really have to look at labor and
materials, too, otherwise you're
shootin' yourself in the foot price-
wise.  And, if you're doing custom
designs the price goes way up.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Aug 13 11:49:47 1998
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X-Path: aol.com!LuvArtGlas
From: <LuvArtGlas@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Pricing
Date: Thu, 13 Aug 1998 13:45:08 EDT
Message-ID: <1998Aug13.17458.0>
Precedence: bulk

Ok lets say you have a nice design but its not square.
Do you measure from the two wides points, and price 
it as if it were square? Or do we do the math and figure out 
actual square inches?  Also lets say I want to add bevels 
that Ive had to order.. What would the mark up be on those???
And are they included in the per inch measurement?

Thanks in advance
Suzan 


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From owner-glass Thu Aug 13 12:35:20 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:UN appreciated gifts
Date: Thu, 13 Aug 1998 11:37:02 -0700
Message-ID: <1998Aug13.4372.0>
Organization: Moswood Mountain Limited
Precedence: bulk

I have found this tread very interesting. As you can see by Howard's
initial comment about giving that the whole can of worms has been
opened. Very interesting.

Cindy, now don't get me wrong here *s*. If you were to give truly from
your heart, the compensation or reward materialistically or emotionally
from the recipient wouldn't be an issue here. If you had an agreement
say, for your labor, expenses and so forth regarding your friend and
they didn't compensate you then you would definitely have an issue. And
we all know how I let a "friend" affect my life. (Re:Nightmare)*LOL*

But you say "Sadly I never even got any money for it, as they were down
on their luck and
I wanted to give it as a gift.". This leads me to believe that you
wanted to give it as a gift and didn't want compensation for it.

You go on to say "Is she ungrateful, ignorant or just plain stupid"? Now
about the art the way it hangs, well maybe but it is hers now. You gave
freely from your heart, right? So if you truly give from your heart you
shouldn't let her ignorance of the art bother you. She may be ignorant
about what you gave her in art work, but alot of people are if they
aren't in our profession. Alot of people including myself, are ignorant
about the unknown in life in general. That's the way I want it, that's
what keeps me growing.

Maybe the way it hangs, she loves it. It's hers, she can love it like
that. Geez, my husband loves deer hunting, I can't stand it. But what
hangs in our family room? A rack he acquired by hunting last season.
That is art to him and a whole lot more. My older sister who lives in
Santa Barbara. Can I afford to buy her gifts that her husband buys her?
Nope, sorry I don't shop at Tiffanys in New York. The gifts I give her
from my heart does she appreciate just as much, Yes!  Gifts have no
conditions put on them if they are from the heart.

You have given me great advice since I have been here at bungi. But my
advice to you would be when you want to give then give freely, openly
and with honesty or don't give at all. You will just end up resenting
what you have done.

See you,

Pam *sm*


*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Thu Aug 13 13:03:27 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Charles Spitzer <charlie@az.stratus.com>
Subject: Re: A question for the pros
Date: Thu, 13 Aug 1998 19:58:42 +0100
Message-ID: <1998Aug13.205842.0>
References: <<m0z6cEm-000LkTC@why.az.stratus.com>>
Precedence: bulk

In message <m0z6cEm-000LkTC@why.az.stratus.com>, Charles Spitzer
<charlie@az.stratus.com> writes
>Olies1@aol.com wrote:
>> I just found out about this list when I was at a glass shop the other day and
>> they told me that someone here may have the answer to my question. I want to
>> do some carving on some thick plate glass and I am having a devil of a time
>> getting it cut to size. I am trying to cut some 3/8 in" thick glass and it
>> just won't break along the score line that I make. Any suggestions?????? Any
>> and all help is really appreciated.
>> Christine
>> ----
>
>i heard an interesting way to cut thick glass on the rec.crafts.glass  
>newsgroup. it was for 1.5" glass, so would have to be adjusted a little bit for  
>3/8" glass.
>
>run a score like normal. take a hammer and chisel. lightly tap on the top of  
>the score with the chisel whilst someone else uses a propane torch underneath  
>to heat up the glass in the very local area of the score (only a few seconds at  
>most). the crack ran right through the glass.
>

>regards,
>charlie
>---
Another variation I saw in a glaziers was to run the score, then put a
thin line of alcohol spirit along the line and light it!!
It does work for them.
Steve
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Thu Aug 13 13:22:51 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Charles Spitzer <charlie@az.stratus.com>
Subject: Re: grozing produces irregular shell breaks??
Date: Thu, 13 Aug 1998 19:59:58 +0100
Message-ID: <1998Aug13.205958.0>
References: <<m0z6cga-000LkTC@why.az.stratus.com>>
Precedence: bulk

In message <m0z6cga-000LkTC@why.az.stratus.com>, Charles Spitzer
<charlie@az.stratus.com> writes
>Carol Swann wrote:
>> Hi.  Due to the recent grozing discussion, I've been trying to get better at
>> using my grozers...however when trying to get that last little bit I often
>> end up with a shell like irregular break on the bottom side of the glass.
>> This happens most often on an inside curve, and often extends into the piece
>> itself beyond the cutting line, and I end up having to recut the whole
>> piece.  When this happens grozing is definitely NOT LABOUR saving!!!
>>
>> Since I'm largely self-taught I have to wonder if I'm doing something wrong
>> with my technique, are my pliers worn out or what?  Any suggestions?
>
>actually, i think you're trying too hard and taking too large a chunk off at  
>once. try grozing off smaller pieces. think of it as crushing the very edge and  
>not pulling off pieces. most of what you want to see on your workbench is  
>large granules, almost dust.
>
>like almost everything else, it takes lots of practice to do correctly.
>
>regards,
>charlie
>---
Hear, Hear!  this is exactly right (I wish I could have expressed it as
well)
Steve

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Thu Aug 13 13:34:32 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Carol Swann <seaspray@mail.island.net>
Subject: Re: grozing produces irregular shell breaks??
Date: Thu, 13 Aug 1998 19:52:25 +0100
Message-ID: <1998Aug13.205225.0>
References: <<199808120122.SAA05594@norm.island.net>>
Precedence: bulk

In message <199808120122.SAA05594@norm.island.net>, Carol Swann
<seaspray@mail.island.net> writes
>Hi.  Due to the recent grozing discussion, I've been trying to get better at
>using my grozers...however when trying to get that last little bit I often
>end up with a shell like irregular break on the bottom side of the glass.
>This happens most often on an inside curve, and often extends into the piece
>itself beyond the cutting line, and I end up having to recut the whole
>piece.  When this happens grozing is definitely NOT LABOUR saving!!!
>
One question.  Are you crushing the glass when trying to groze?  Grozing
is a gentle action which should remove little bits of glass at a time.
If you grip the glass too tightly, you will break a lot of glass
uncontrollably, rather than a little controllably.  Grozing might be
thought of as a gentle rasping of the edges of the glass whether from
above or below.

Steve
>Since I'm largely self-taught I have to wonder if I'm doing something wrong
>with my technique, are my pliers worn out or what?  Any suggestions?
>
>Thanks
>
>Carol Swann
>Synergy Glass & Creative
>Carol Swann
>Synergy Glass & Creative
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Thu Aug 13 14:05:57 1998
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From: <CBH861@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: AIDS ribbon
Date: Thu, 13 Aug 1998 16:14:10 EDT
Message-ID: <1998Aug13.201410.0>
Precedence: bulk

While searching the many web pages on stained glass, I found a pattern for the
AIDS ribbon.  Unfornunately I did not bookmark the web site.  Does anyone know
where I can find the pattern?

Thank you,
Claire
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From owner-glass Thu Aug 13 14:36:44 1998
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X-Path: tricountyi.net!grannyandpawpaw
From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: "bungi" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Cabinet Panels
Date: Thu, 13 Aug 1998 16:23:13 -0400
Message-ID: <1998Aug13.122313.0>
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This is a multi-part message in MIME format.

------=_NextPart_000_0030_01BDC6D6.AB1AC040
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

A very large cabinet manufacturer's list price for leaded glass panels =
in their cabinet doors is $700.00 per door.  This is generally =
discounted by the dealer at time of sale to the end customer; but it =
will give you an idea of pricing in the industry.  It is of excellant =
quality; but not designed for the customer.

Arnold

------=_NextPart_000_0030_01BDC6D6.AB1AC040
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>A very large cabinet manufacturer's =
list price=20
for leaded glass panels in their cabinet doors is $700.00 per =
door.&nbsp; This=20
is generally discounted by the dealer at time of sale to the end =
customer; but=20
it will give you an idea of pricing in the industry.&nbsp; It is of =
excellant=20
quality; but not designed for the customer.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Arnold</FONT></DIV></BODY></HTML>

------=_NextPart_000_0030_01BDC6D6.AB1AC040--

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From owner-glass Thu Aug 13 14:53:37 1998
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To: Glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Thanks for all of the help!
Date: Thu, 13 Aug 1998 16:57:47 EDT
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Thank you one and all for all of the suggestions on how to cut the 3/8" thick
glass. I am going to try some of the methods that you suggested and will let
you know the outcome. I have some extra glass to play with so it won't cost me
anything but some of my time. Thanks again. 
Christine 
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From owner-glass Thu Aug 13 15:10:15 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: pricing
Date: Thu, 13 Aug 1998 13:58:35 -0700
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I do VERY few windows, so my desire to price them competitively (with what?)
tends to be on the high side.
I do not ENJOY doing the art work, either.
I have a large ego when it comes to the quality of my work.
I have done some IMPRESSIVE windows with color and weaving of glass into
ribbons and curves and shadowing, too.  Some pieces were smaller than a
pencil eraser (remember those) and still had light showing. Not having to
work cheap allows me to go "all out".
Some of my shades may use 6 to 7 sq./ft. of glass and retail for $7,000 and
up..how is that for a sq./ft. price.

I start window pricing without having the exact size and pieces and art work
handed to me at $300.00 PER SQUARE FOOT!!!!!!!! If it turns out to be a
simple one (and why would I want that anyway) I can offer to reduce the
price a bit.

Of course you need to consider shipping/delivery/pickup/handling/
installation/art work and changes and glitches that often do come up.

enjoy (cynically yours) H


weaver51@teleport.com
http://www.teleport.com/~cbs/howard   best lamps on the "net"
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Aug 13 15:10:34 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: groziers not available
Date: Thu, 13 Aug 1998 14:02:38 -0700
Message-ID: <1998Aug13.7238.0>
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The specific groziers, IMHO DO make a difference.

I have been trying to find a very specific style of pliers that were around
for a while and are no longer available.
Perhaps they worked too well. They are called "fishlips" and of course
IMPORTED!

I am (selfishly) keeping the 6 I have for my self, but if they do turn up, I
will apprise all of you. YES, I do sell stuff over the net.

enjoy, H

weaver51@teleport.com
http://www.teleport.com/~cbs/howard   best lamps on the "net"
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Aug 13 15:32:04 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: UNappreciated gifts
Date: Thu, 13 Aug 1998 17:43:24 -0400
Message-ID: <1998Aug13.134324.0>
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Charles Spitzer wrote:
> 
> Cindy Pesonen wrote:
> > I wanted to give it as a gift.
> > Talk about a double kick in the butt.
> > Is she ungrateful, ignorant or just plain stupid? This has me really upset
> > and wondering if maybe I'm too thin skinned.
> > Trying to smile on this subject.
> 
> once you give it or sell it, it is no longer yours to do what you want with
> it. if someone wants to hang it in the dog house upside down and backwards,
> then it's their right to do so. did you give a gift to get something back,
> besides perhaps a thank you? if so, it wasn't a gift.
> 
> however, the motto 'live and learn' comes into play, and if it were me, that
> person wouldn't see anything else from me.
> 
> regards,
> charlie
> ---
> Charles Spitzer
> charlie@az.stratus.com
> Phoenix, AZ
> ----
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i've always felt that if they don't display it the way it was designed
too, then they really don't care about it. i've made things for people,
never to see them again. and of course they never saw anything from me
again. they don't have to hang it over the mantle, or whip it out when
they come. it can be on display somewhere and be cherished. 

i mentioned it before at another time. but i gave my aunt a gift for a
baby type gift. it was meant to be as a keepsake, or as a gift when the
child became old enough to know that it's fragile and to take care of
it. well, the child used it to store her stick on earings, at about age
3-4. and it dropped on the floor. showing me that it's not a cherished
type gift, just a play thing. 

when i came over, my aunt told be about the broken box, stating that
it's a little broken and if i could fix it for her. i was imagining a
broken hinge a chain, etc. she brought it out, the lid (both of them),
broken, the back and one of the sides also broken. 

i gave her a price of at least $10.00 for the glass. she was shocked, to
think she had to pay me to repair a gift that i made for her. as if it
had some kind of lifetime warranty on it. that i would fix it for free,
if she was clumsy enough to drop it or something. she finally gave in,
and "snuck" me the money, as if it was a secret gift or something. 

i'm just glad that i was able to guess the price of the glass that was
used. i used all of it. and it took about 7 hours to repair the box. 

hopefully now she has it on a higher shelf, and is treating it more like
a treasure, instead of an egg beater, or the like...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Thu Aug 13 17:10:06 1998
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X-Path: mail.island.net!seaspray
From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: grozzing replies
Date: Thu, 13 Aug 1998 15:13:14 -0700
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Thanks to you all who replied to my requests re: grozing or grousing as it
may also be spelled.  It appears that I am running into trouble by trying to
break off the bits that occasionally hang out when a cut line doesn't break
evenly, which it turns out is not grozzing. 

Real grozzing as it's been described to me by various members of the
group...the nibbling away of fine bits of glass has always had as much
appeal to me as the sound of fingernails on blackboards.... Never realized
that's what grozzing really is (yes I remember someone demonstrating it to
me once now)...and it's no wonder I never learned it!!!

Thanks again for all the replies.

Carol Swann
Synergy Glass & Creative
Carol Swann
Synergy Glass & Creative

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From owner-glass Thu Aug 13 17:32:25 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: UNappreciated gifts
Date: Thu, 13 Aug 1998 16:37:59 -0700 (PDT)
Message-ID: <199808132337.QAA20314@baby.vphos.net>
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Thanks for the advise guys!
I realize as a gift it's no longer mine and didn't mean to sound like I had
wanted money.( I had spent alot of time on it...silly me)
And it just hurts to think she'd do that. Like she didn't like what I had
done, looked better backwards.
But I realize now that "this thing" sits in the kitchen proudly!
Much to my distaste...and can no longer look at.
So I'll just have to keep shaking my head and I won't be giving any more
gifts...
Smiles, Cindy
And thanks again!

>

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From owner-glass Thu Aug 13 18:12:48 1998
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From: fibers@wcnet.net (fibers)
To: Granny And PawPaw <grannyandpawpaw@tricountyi.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Cabinet Panels
Date: Thu, 13 Aug 1998 19:34:39 -0500
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Why do I keep seeing this heading but never any mesage?

Granny And PawPaw wrote:

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From owner-glass Thu Aug 13 18:25:05 1998
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From: crclark@swbell.net
To: Granny And PawPaw <grannyandpawpaw@tricountyi.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Cabinet Panels
Date: Thu, 13 Aug 1998 18:36:14 -0700
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Organization: BOY KOW KA KA
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Granny And PawPaw wrote:
I jus luv yer stuf..........soooooo brief!!!
Thx,
C.

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From owner-glass Thu Aug 13 19:16:06 1998
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From: "scott floyd" <scottjf55@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Gatewayed mail message
Date: Thu, 13 Aug 1998 18:18:13 PDT
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>So I'll just have to keep shaking my head and I won't be giving any 
>more
>gifts...


     You know Cindy, I feel sorry for you , that you have been turned 
off by the gift of being able to give someone something.  Maybe you 
should really analyze your next gift.  If the person isn't gonna like 
it, then don't give it to them.  This was mentioned before and I think 
it is absolutely necessary to know what the gift reciever likes.  If you 
pay close attention and feel from your heart than you will never go 
wrong.  I am very saddened by all of the comments about UNappreciated 
gifts that ended in, "well I am not gonna give anything away anymore."  
Do you think you will be happier?  I bet not.  The minute you stop 
giving is the second you stop recieving.  I was very happy to hear from 
people that are still giving and they will give forever I believe.  I 
also value everyones opinion though, even when I disagree.*s*  I feel 
that the gift from all of you is the time you take to post these 
messages.  I love this place!

See you!!,
Scott *sm*

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From owner-glass Thu Aug 13 19:44:22 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "Linda Campbell" <lcbell@memach.com>
Subject: Re: Howard's Give Away SG Opinion
Date: Thu, 13 Aug 1998 18:53:30 -0700
Message-ID: <1998Aug13.115330.0>
Precedence: bulk

Linda,

The wishing wand is an unusual piece of art that just kinda happened.  Here
in Seattle there a business owned & operated by women (just thought I'd
throw that in.  No I am not a feminist!)  Any way they make glass pieces
from recycled glass and from recycled blown glass from local glass blowing
studios.  They have some very colorful hearts and stars.  I wire wrap the
hearts or stars to a copper tubing and solder on glass beaded work.  The
barrel usually has wire work along with glass nuggets.  Also I attach some
ribbons and a special poem.   They seem to be a hit and are selling for
about $50.   Kinda fun to make and definetly one of a kind.  It's nice to do
when I need a break from S.G.

Cheryl


-----Original Message-----
From: Linda Campbell <lcbell@memach.com>
To: 'Doug Parrott' <bird_cage@email.msn.com>
Cc: 'glass@bungi.com' <glass@bungi.com>
Date: Thursday, August 13, 1998 8:48 AM
Subject: RE: Howard's Give Away SG Opinion


Nice story and I'm sure you were touched. Please tell us what a wishing wand
looks like. Thanks for sharing.

Linda



has worked with her for this past year came by our booth and was admiring a
special wishing wand that I make.  (It's a specialty item that really is
quite original and that I am very proud of.)



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From owner-glass Thu Aug 13 20:16:38 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: <LuvArtGlas@aol.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Pricing
Date: Thu, 13 Aug 98 22:33:45 -0400
Message-ID: <199808140237.WAA08325@uz.ComCAT.COM>
Precedence: bulk

>Ok lets say you have a nice design but its not square.
>Do you measure from the two wides points, and price 
>it as if it were square? Or do we do the math and figure out 
>actual square inches?  Also lets say I want to add bevels 
>that Ive had to order.. What would the mark up be on those???
>And are they included in the per inch measurement?

I think you can safely measure from the two widest points, since a piece 
"not square" is probably more work than a square one.

Bevels - I'd mark them up 100%. And yes, I'd include them in the per inch 
measurement. You still have to grind, foil and solder them. 

Just my humble 2 cents of course! Anybody out there disagree, I'd like to 
know.

Suzanne
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From owner-glass Thu Aug 13 21:38:30 1998
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X-Path: cornell.edu!bjs10
From: Barbara <bjs10@cornell.edu>
To: cpesonen@bcinternet.net (Cindy Pesonen), glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: UNappreciated gifts
Date: Thu, 13 Aug 1998 23:32:02 -0400
Message-ID: <3.0.3.32.19980813233202.006a656c@postoffice.mail.cornell.edu>
References: <<199808132337.QAA20314@baby.vphos.net>>
Precedence: bulk

	That is a shame, and I really believe that you should rethink that
decision.......  I do what I want to do.  When I give a gift I do it for me
as much as for the recipient.  Of course I have given gifts, stained glass
pieces that cost me a lot of money and time as well as other things, that
were not recieved as well as I thought they sould be.  Having said that, I
will continue to give gifts because I want to.  And those that do not like
or appreciate them will not influence me in a way that will deprive me of
the pleasure of giving...........  
	Don't let that happen to you either.  Give when you want to, don't when
you don't..........

Barbara

At 04:37 PM 8/13/98 -0700, Cindy Pesonen wrote:
>Thanks for the advise guys!
>I realize as a gift it's no longer mine and didn't mean to sound like I had
>wanted money.( I had spent alot of time on it...silly me)
>And it just hurts to think she'd do that. Like she didn't like what I had
>done, looked better backwards.
>But I realize now that "this thing" sits in the kitchen proudly!
>Much to my distaste...and can no longer look at.
>So I'll just have to keep shaking my head and I won't be giving any more
>gifts...
>Smiles, Cindy
>And thanks again!
>
>>
>
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From owner-glass Thu Aug 13 23:10:27 1998
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: Granny And PawPaw <grannyandpawpaw@tricountyi.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Cabinet Panels
Date: Fri, 14 Aug 1998 00:14:39 -0400
Message-ID: <1998Aug13.201439.0>
References: <<1998Aug13.122313.0>>
Organization: @Home Network
Precedence: bulk

All I get is blanks from this sender(s) also!  Wonder what is
happening??

Lee

Granny And PawPaw wrote:
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From owner-glass Thu Aug 13 23:28:15 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "bungi group" <glass@bungi.com>
Subject: Wishing wands
Date: Thu, 13 Aug 1998 19:01:46 -0700
Message-ID: <1998Aug13.12146.0>
Precedence: bulk

I just went through my e-mail and was surprised to see that others asked
about the wishing wands as well.

The company is Bedrock Industries.   No Fred and Wilma don't hang out
there...... however as I told Pam,  Maria, the owner does have rather hairy
legs.

Bedrock makes hearts, stars, icsicles, gorgeous glass paper weights, lots
and lots of things.  It is a rather fascinating place to visit.   They also
make mobiles from their pieces.   I have taken some of my pieces in for them
to see and they have put them into a gallery they have.   From this exposure
I picked up a wholesale client from a rather exclusive gift store in
Seattle.  They saw the wands and asked to buy them, in fact they ordered
some of my mobiles site unseen.

Really perked me up.

Thanks for asking
Cheryl

The Glass Parrott
Bird_cage@msn.com




>Linda,
>
>The wishing wand is an unusual piece of art that just kinda happened.  Here
>in Seattle there a business owned & operated by women (just thought I'd
>throw that in.  No I am not a feminist!)  Any way they make glass pieces
>from recycled glass and from recycled blown glass from local glass blowing
>studios.  They have some very colorful hearts and stars.  I wire wrap the
>hearts or stars to a copper tubing and solder on glass beaded work.  The
>barrel usually has wire work along with glass nuggets.  Also I attach some
>ribbons and a special poem.   They seem to be a hit and are selling for
>about $50.   Kinda fun to make and definetly one of a kind.  It's nice to
do
>when I need a break from S.G.
>
>Cheryl
>
>
>-----Original Message-----
>From: Linda Campbell <lcbell@memach.com>
>To: 'Doug Parrott' <bird_cage@email.msn.com>
>Cc: 'glass@bungi.com' <glass@bungi.com>
>Date: Thursday, August 13, 1998 8:48 AM
>Subject: RE: Howard's Give Away SG Opinion
>
>
>Nice story and I'm sure you were touched. Please tell us what a wishing
wand
>looks like. Thanks for sharing.
>
>Linda
>
>
>
>has worked with her for this past year came by our booth and was admiring a
>special wishing wand that I make.  (It's a specialty item that really is
>quite original and that I am very proud of.)
>
>




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From owner-glass Thu Aug 13 23:38:21 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "bungi group" <glass@bungi.com>
Subject: Re: UNappreciated gifts
Date: Thu, 13 Aug 1998 22:20:47 -0700
Message-ID: <1998Aug13.152047.0>
Precedence: bulk

Barbara,

Well said!

Cheryl
The Glass Parrott



> That is a shame, and I really believe that you should rethink that
>decision.......  I do what I want to do.  When I give a gift I do it for me
>as much as for the recipient.  Of course I have given gifts, stained glass
>pieces that cost me a lot of money and time as well as other things, that
>were not recieved as well as I thought they sould be.  Having said that, I
>will continue to give gifts because I want to.  And those that do not like
>or appreciate them will not influence me in a way that will deprive me of
>the pleasure of giving...........
> Don't let that happen to you either.  Give when you want to, don't when
>you don't..........
>
>Barbara
>




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From owner-glass Fri Aug 14 04:33:26 1998
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X-Path: aol.com!Yegnim
From: <Yegnim@aol.com>
To: cpesonen@bcinternet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: UNappreciated gifts
Date: Fri, 14 Aug 1998 06:38:06 EDT
Message-ID: <1998Aug14.10386.0>
Precedence: bulk

Cindy,
I would like to address the question you asked: >Is she ignorant, stupid,
etc.?  I believe that the person is ignorant.  Yes, it was a gift and the
recipient has the right to do with it whatever they want.  However, when
turning the backside to the frontside, they should discuss the reasoning
behind it (no pun intended<G>) with you, the artist.  Also, NO, you are not
too thin skinned at all.  You made a piece with pride and to see it displayed
in such a way can certainly be taken as an insult.  If it were I involved, I
would have a discussion with the person and try to determine her reasoning
behind the hanging.  Perhaps she doesn't like mirrors.(?)  The back of the
mirror goes rather well with her kitchen colors?  Etc., etc.  I would probably
put off the discussion for quite awhile though, until you have had the chance
to detach yourself emotionally a bit. 

The fact that you gave is what is important.  If she wants to look at
something you call ugly is her problem, not yours.  If she is happy with what
she sees, then in the end, that is really all that is important.  She did
frame and prominently display it.  Hence, she does appreciate the gift!  Sorry
to use this trite expression, but, "Beauty is in the eye of the beholder".

Lenore
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From owner-glass Fri Aug 14 05:03:30 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re pricing (aussie style)
Date: Fri, 14 Aug 1998 20:57:50 +1000
Message-ID: <1998Aug15.65750.0>
Precedence: bulk

last time i looked the $250 a square metre would be 148.90 US dollars or
91.38 British pounds and even that low we aare very much struggling to get
customers.
And here is a very handy free service if you want to convert currencies
http://www.xe.net/currency/
"Experience is not what happens to a man; it is what a man does with what
happens to him."
- Aldous Huxley, _Texts_and_Pretexts_
Harlequin
www.surf.to/harlquin
                                                         ^
              /^\     .
                                                   /\   "V"
                                                  /__\   I      O  o
                                                 //..\\  I     .
                                                 \].`[/  I
                                                 /l\/j\ (]|    .  O
                                                /. ~~ ,\/I          .
                                                \\L__j^\/I       o
                                                 \/--v}  I     o   .
                                                 |    |  I   _________
                                                 |    |  I c(`       ')o
                                                 |    l  I   \.     ,/
                                               _/j  L l\_!  _//^---^\\_
    >:<    gandalf@rivendel.com      >:<     gandalf@lorien.umd.edu    >:<

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From owner-glass Fri Aug 14 08:04:29 1998
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X-Path: rrnet.com!gleason
From: "Gleason Sackman" <gleason@rrnet.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: 'brassing' lead came
Date: Fri, 14 Aug 1998 09:11:39 -0500
Message-ID: <1998Aug14.41139.0>
Precedence: bulk

I am rather new in glass working and have a quick question:

Since brass is rather difficult to bend, I am wondering if it possible
to 'make' lead came look like brass.

Possabilites could be a gold marking pen, brass patena, plating, or ??

Appreciate any and all suggetions.

Thanks.

<Gleason>
Fargo, ND
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From owner-glass Fri Aug 14 08:33:39 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: UNappreciated gifts
Date: Fri, 14 Aug 1998 10:52:40 -0400
Message-ID: <1998Aug14.65240.0>
References: <<199808132337.QAA20314@baby.vphos.net>>
Precedence: bulk

Cindy Pesonen wrote:
> 
> Thanks for the advise guys!
> I realize as a gift it's no longer mine and didn't mean to sound like I had
> wanted money.( I had spent alot of time on it...silly me)
> And it just hurts to think she'd do that. Like she didn't like what I had
> done, looked better backwards.
> But I realize now that "this thing" sits in the kitchen proudly!
> Much to my distaste...and can no longer look at.
> So I'll just have to keep shaking my head and I won't be giving any more
> gifts...
> Smiles, Cindy
> And thanks again!
> 
> >
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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i suppose what you could do is to make a nother one (smaller), for your
self. and reverse paint it like it's supposed to be, and hang it on your
wall. maybe your friend wil see it and find out what it's supposed to
look like...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Fri Aug 14 09:07:57 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Cabinet Panels
Date: Fri, 14 Aug 1998 00:39:11 -0700
Message-ID: <1998Aug13.173911.0>
Precedence: bulk

could be because they are sending in MIME format

-----Original Message-----
From:	leestat7 [SMTP:leestat7@home.com]
Sent:	Thursday, August 13, 1998 9:15 PM
To:	Granny And PawPaw
Subject:	Re: Cabinet Panels

All I get is blanks from this sender(s) also!  Wonder what is
happening??

Lee

Granny And PawPaw wrote:


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From owner-glass Fri Aug 14 09:35:43 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Gatewayed mail message
Date: Fri, 14 Aug 1998 10:56:46 -0400
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scott floyd wrote:
> 
> >So I'll just have to keep shaking my head and I won't be giving any
> >more
> >gifts...
> 
>      You know Cindy, I feel sorry for you , that you have been turned
> off by the gift of being able to give someone something.  Maybe you
> should really analyze your next gift.  If the person isn't gonna like
> it, then don't give it to them.  This was mentioned before and I think
> it is absolutely necessary to know what the gift reciever likes.  If you
> pay close attention and feel from your heart than you will never go
> wrong.  I am very saddened by all of the comments about UNappreciated
> gifts that ended in, "well I am not gonna give anything away anymore."
> Do you think you will be happier?  I bet not.  The minute you stop
> giving is the second you stop recieving.  I was very happy to hear from
> people that are still giving and they will give forever I believe.  I
> also value everyones opinion though, even when I disagree.*s*  I feel
> that the gift from all of you is the time you take to post these
> messages.  I love this place!
> 
> See you!!,
> Scott *sm*
> 
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
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> .


though, i've always felt: if their not going to use or like the present,
then your wasting your time, energy and materials. if your going to give
them a glass present that can sit on a dresser or in a window, and all
they do is stuff it in a box with the others, what's the point?

it's not like anyone has to give gifts out, your not getting points...
:)

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Fri Aug 14 10:07:33 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Thank you again
Date: Fri, 14 Aug 1998 08:29:41 -0700 (PDT)
Message-ID: <199808141529.IAA16572@baby.vphos.net>
Precedence: bulk

Well guys it's been very nice to read all your messages.
Just a little update on the issue.
Althou the hurt I feel won't go away...I'll still give gifts:)
Infact I have 3 dozen corn for these people that I picked up for their
BBque, and sat here thinking that I won't bother collecting money spent.
No hard feelings just hurt.
And if asked for more glass work...I'll just have to tell her how it
bothered me to see my piece displayed that way. It wasn't meant to be shown
that way.

I am the type of person that gives alot...if someone "close" sees a piece in
my window and says they like it, I'll usually give it to them.
Giving is better than recieving (and yes I don't make much $$)

I have enjoyed all your comments! It's nice to know that I have made friends
out there that will tell me what to do, chuckle!
God Bless you all and have a great day!
Smiles, Cindy

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From owner-glass Fri Aug 14 10:09:25 1998
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From: "Norman & Claudette Jaramillo" <cpjaram@7cities.net>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Gift giving
Date: Thu, 13 Aug 1998 21:09:05 -0600
Message-ID: <1998Aug13.1595.0>
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The old saying, "The gift of giving...." is based on the wisdom that the
giver in fact does receive.  So I think it is natural to want to receive
"warm fuzzies" when giving.  I think the feelings of disappointment are
quite real and raw when after giving a gift, you are robbed of those
intrinsic rewards by the actions or attitude of the recipient.  It is the
reason we have rules of ettiquette.  Nobody seeks "whole-heartedly"
ungratefulness.  Yet, the reality is, not all gifts are fully appreciated.
I know I have been guilty on occasion of not giving full attention to the
giver...and not the gift.  I just pray that my own faux pas, do not prevent
someone from wanting to share their gifts with me.

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From owner-glass Fri Aug 14 10:26:35 1998
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From: "M. Savad" <morn@nac.net>
To: Gleason Sackman <gleason@rrnet.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: 'brassing' lead came
Date: Fri, 14 Aug 1998 11:49:02 -0400
Message-ID: <1998Aug14.7492.0>
References: <<1998Aug14.41139.0>>
Precedence: bulk

Gleason Sackman wrote:
> 
> I am rather new in glass working and have a quick question:
> 
> Since brass is rather difficult to bend, I am wondering if it possible
> to 'make' lead came look like brass.
> 
> Possabilites could be a gold marking pen, brass patena, plating, or ??
> 
> Appreciate any and all suggetions.
> 
> Thanks.
> 
> <Gleason>
> Fargo, ND
> ----
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they make brass capped lead came...

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
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Tip Pages
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From owner-glass Fri Aug 14 10:30:34 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, gleason@rrnet.com
Subject: 'brassing' lead came
Date: Fri, 14 Aug 1998 12:29:56, -0500
Message-ID: <199808141629.MAA13552@mime3.prodigy.com>
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>>Since brass is rather difficult to bend, I am wondering if it 
possible
to 'make' lead came look like brass.

Possabilites could be a gold marking pen, brass patena, plating, or ??


Appreciate any and all suggetions.

Thanks.

<Gleason>
Fargo, ND<<

Brass plating works great. Make sure soldering is very neat for 
sloppyness will really show with brass plating. Inland makes a brass 
patina for solder and lead. I have not had great success with it.
Think the so called gold pens are a fraud when used on SG because 
they do not last past a cleaning or two. 

Bob
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From owner-glass Fri Aug 14 11:15:48 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Carol Swann <seaspray@mail.island.net>
Subject: Re: grozzing replies
Date: Fri, 14 Aug 1998 18:07:05 +0100
Message-ID: <1998Aug14.1975.0>
References: <<199808132213.PAA19319@norm.island.net>>
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In message <199808132213.PAA19319@norm.island.net>, Carol Swann
<seaspray@mail.island.net> writes
>Thanks to you all who replied to my requests re: grozing or grousing as it
>may also be spelled.  It appears that I am running into trouble by trying to
>break off the bits that occasionally hang out when a cut line doesn't break
>evenly, which it turns out is not grozzing. 
>
Yes, Carol, I groze the ledges off the glass.  I call it grozing, but
then I'm not a purist.

Steve


>Real grozzing as it's been described to me by various members of the
>group...the nibbling away of fine bits of glass has always had as much
>appeal to me as the sound of fingernails on blackboards.... Never realized
>that's what grozzing really is (yes I remember someone demonstrating it to
>me once now)...and it's no wonder I never learned it!!!
>
>Thanks again for all the replies.
>
>Carol Swann
>Synergy Glass & Creative
>Carol Swann
>Synergy Glass & Creative
>
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Aug 14 14:22:14 1998
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From: <LuvArtGlas@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Religous Colors
Date: Fri, 14 Aug 1998 16:54:51 EDT
Message-ID: <1998Aug14.205451.0>
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Not long ago I found a site that told the religous significance
of differant colors of glass... I seemed to have lost it <drat, 
I hate it when i do that>. Has anyone come across this site?

Thankyou in advance
Suzan
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From owner-glass Fri Aug 14 15:20:15 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: <LuvArtGlas@aol.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Religous Colors
Date: Fri, 14 Aug 98 17:35:52 -0400
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>Not long ago I found a site that told the religous significance
>of differant colors of glass... I seemed to have lost it <drat, 
>I hate it when i do that>. Has anyone come across this site?
>
>Thankyou in advance
>Suzan

No site, but it's in the front of a pattern book called Religious Stained 
Glass, by Bill Hillman. If you can't easily find it I'll copy that part 
and send it to you.
Suzanne

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From owner-glass Fri Aug 14 15:41:06 1998
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From: "M. Savad" <morn@nac.net>
To: LuvArtGlas@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Religous Colors
Date: Fri, 14 Aug 1998 17:39:16 -0400
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LuvArtGlas@aol.com wrote:
> 
> Not long ago I found a site that told the religous significance
> of differant colors of glass... I seemed to have lost it <drat,
> I hate it when i do that>. Has anyone come across this site?
> 
> Thankyou in advance
> Suzan
> ----
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no but i think yellow represents god.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Fri Aug 14 16:00:07 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: grozzing replies
Date: Fri, 14 Aug 1998 18:27:58 -0400
Message-ID: <1998Aug14.142758.0>
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Okay, I hate to be a grouse =

about this, but it's correctly
spelled "grozing" and bears =

no relationship to grousing
at least not in my dictionary.
Hope the school teacher in
me hasn't offended anyone
and have a grouse day!  (That
last one's new to me, too.);-)

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Aug 14 17:21:26 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: grozzing replies, non glass
Date: Fri, 14 Aug 1998 16:24:54 -0700 (PDT)
Message-ID: <199808142324.QAA16117@baby.vphos.net>
Precedence: bulk

Ah, yes....grouse....thought it was a bird, atleast around my neck I wear
one in silver (native,chuckle) and very good eating I might add.
Think my friend Carol might have some over there on the island!

What I didn't know was it also means to complain or grumble.
Thank you Dani. As I fumble thru my dictionary to see how the heck to spell
grouse:):)
Smiles, Cindy
PS my dictionary confirms it also:)


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From owner-glass Fri Aug 14 17:51:49 1998
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X-Path: juno.com!jbenner
From: jbenner@juno.com
To: glass@bungi.com
Subject: Unappreciated gifts
Date: Fri, 14 Aug 1998 07:27:53 -0400
Message-ID: <1998Aug14.32753.0>
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HI Scott, (and all),

  I think we are getting away from our true feelings on this. IMHO, and
I've been thinking about this alot in the past few days (after all,
Christmas is coming!), I wonder if it's not the gift but the feeling
that's the problem. When someone spends their money on something, which
we have to work to earn too, and then takes precious time to create
something, which obviously we hope the recipient will like (who makes
something knowing it's trashy and ugly?) and THEN it is seemingly
rejected.....  How do I say this right??/ We speak of the gift and time
and cost, but underneath it all, aren't we all feeling the same? They
reject the gift therefore they reject us. They treat the gift shabbily,
then they disrespect us, and our time and our efforts. A rejection
follows, which seems to be about the gift, when actually it is in our
hearts a rejection of us. "It must be made wrong, poorly, or they just
don't like ME, or they would have taken better care of it." I dunno,
could be just me, but when I think of my SIL this is what deep down comes
to mind. She ASKED for the afghan, and she picked out the colors and
pattern herself. IN all gifts to her she has asked for them and recieved
exactly what she asked for down to details. I must also include in this
instance that she prepares Christmas gift lists and hands them out that
"this is what we want and no deviation from the list will occur". She
doesn't respect any craft we in her family do. She hates when I spin or
knit in her presence, and thinks there was something "wrong" with my dh
when he made miniature houses and such. She herself has no patience nor
hobbies. She cleans her house, watches tv, and shops. So, I guess I'm
rambling that *I* feel more personally rejected when a gift is discarded
or broken so from now on, a Walmart gift certificate will be in her
stocking. (G) Alas, that will be wrong too, because that isn't a
"personal" gift. ARRGGHHH!!!!


Judy Benner

PS> Mike I went to your website and was particuarly enamoured of your
Victorian chest of drawers. Absolutely beautiful! You can be in my family
anytime. I'll trade you for a sister in law and throw in a brother in law
too!!!

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
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From owner-glass Fri Aug 14 19:09:01 1998
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From: "Vic LaGreca" <vlg@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass desk
Date: Fri, 14 Aug 1998 21:21:22 -0400
Message-ID: <19980815011756.WCT6137@vic>
Precedence: bulk

I would like to make a glass desk for a friend and I need some advice on
how to adhere two pieces of heavy glass to each other at right angles or on
a miter edge to form a "V" for the support(s).  I would like to use an
adhesive/epoxy that would be as clear as is possible. I am about to do the
research to determine the spans possible for glass at various thickness and
dimensions so I have not decided on the final size as yet.

Also, I intend to etch/carve a design on the supports and the top.  Is
there a source to determine the effect of blasting on the strength of
glass?  For example, if you deep carve areas on half-inch glass how much
and how deep can you go before the integrity of the glass suffers? Also,
how much of the vertical and horizontal plane must be undisturbed to
maintain sufficient strength for vertical support and "spans"? Do the same
principals apply to glass as they do to wood and steel?  I know that much
of the "web" in steel and wood can be removed and the strength of the
joist, beam, or column will not be undermined.

Any help will be greatly appreciated.

Ciao

Vic

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From owner-glass Fri Aug 14 19:22:33 1998
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X-Path: aol.com!Romajoco
From: <Romajoco@aol.com>
To: jbenner@JUNO.COM, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Unappreciated gifts
Date: Fri, 14 Aug 1998 21:15:18 EDT
Message-ID: <1998Aug15.11518.0>
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In a message dated 8/14/98 7:53:00 PM Central Daylight Time, jbenner@juno.com
writes:

<< when I think of my SIL this is what deep down comes
 to mind. She ASKED for the afghan, and she picked out the colors and
 pattern herself. IN all gifts to her she has asked for them and recieved
 exactly what she asked for down to details. I must also include in this
 instance that she prepares Christmas gift lists and hands them out that
 "this is what we want and no deviation from the list will occur". She
 doesn't respect any craft we in her family do. She hates when I spin or
 knit in her presence, and thinks there was something "wrong" with my dh
 when he made miniature houses and such. She herself has no patience nor
 hobbies.  >>
Sounds like your SIL has a serious problem.  Personnally I would not
appreciate someone giving me a list and saying no deviation.  Also if she were
to come to my house and I was spinning or knitting and she hated it.....I
think I would tell her that this is my house not hers and if she didn't like
it she could go back home. Personnally what I do at my house is what I WANT TO
DO  and not someone else.
That is just my humble opinion. 

When I have given gifts of glass....mainly to my sister, cousin and mother
they have all been well appreciated.  I made a box for my cousin.  She keeps
pictures of her late husband in it along with some of his personal things.
She said that his her "sentimental box".  I took that has a compliment. My
sister has displayed all the items that I have given her even the "early"
(just learning) ones.  
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From owner-glass Fri Aug 14 19:27:16 1998
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From: <Romajoco@aol.com>
To: jbenner@juno.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Unappreciated gifts
Date: Fri, 14 Aug 1998 21:22:07 EDT
Message-ID: <1998Aug15.1227.0>
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I sent the last message and realized I didn't sign.  Sorry about that.  I
don't want you to think it was anonymous.

Margie
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From owner-glass Fri Aug 14 20:23:56 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Unappreciated gifts
Date: Fri, 14 Aug 1998 19:43:16 -0700 (PDT)
Message-ID: <199808150243.TAA18786@baby.vphos.net>
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Hi Judy,
Alot of what you say hits home, I think we have lost alot of the true
meaning of gift giving... as you have mentioned Christmas:)
When I think of Christmas I want to shutter in fear, what to give, is it
enough, will it be liked and so on.
When I give a gift, my first thoughts are would I want it, chuckle. And is
it suitable and of course can I afford it.
I would never give a gift I didn't want. (And sometimes hard to part with.)
My glass use to be that way too!
Other than this little matter with my friend, luckily I haven't had this
feeling before! And if I did receive more negative feelings with gift giving
thru the family I'd be sending cheques, certificates also. Aleast none have
mention to me that it hasn't been well received.
Wow I really feel bad about your afghan...my sister made both myself and
husband one. They sit on our couch and we use them alot in the winter!! One
is kinda with a hole in it but never the less still loved and used:)
I give alot of glass for Xmas!!! Kinda wonder if folks on the other end are
tired of it, but when I go to visit, pieces may change for the seasons but
they are still there to be seen...thankfully. (my mother in laws home may
now have more pieces of glass in it than mine!)
Smiles, Cindy


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From owner-glass Fri Aug 14 20:42:10 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Michael J. Greer" <GreerStudios@compuserve.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Religous Colors
Date: Fri, 14 Aug 98 22:10:55 -0400
Message-ID: <199808150214.WAA20518@uz.ComCAT.COM>
Precedence: bulk

>Hi Suzanne-
>
>Could you post the info about
>the color symbology to the group?
>I think quite a number of people
>might be interested.  Thanks!
>
>Best,
>Dani

Sure, this is from "Religious Stained Glass for Today," by Bill Hillman, 
CKE Publications.
It's a good book to have, anyway.

The Traditional Full Color Rule
"The primary colors, red, yellow and blue, represent the Trinity: Father 
(blue), Son (yellow), and Holy Ghist (red). Their use together in a 
window shows the presence of the Trinity in all things. Combine them into 
one and they show the three separate natures of God contained in white 
light, the hue of God.

The medieval stained glass artist tried whenever possible to use shades 
of red, yellow and blue together in their windows in order to stimulate 
the entire eye. The use of full color can dramatically snap a design into 
three dimensions.

While the full color rule requires you to include hues of red, yellow and 
blue, it does not exclude the use of the other colors. The very best 
windows distinguish themselves through the use of color variety. Use the 
color chart to select additional colors beyond the primaries."

Contemporary Color
"Contemporary designs tend to vary from the full color rule, preferring 
to focus on a more limited color palette. Some common color combinations 
for religious windows include purple and white, white and clear, blue and 
green and gold and white.  These combinations can create a "clean and 
pure" stained glass environment.

Sometimes there will be an inclination to match the existing colors in 
the building as part of a coordinated color scheme. Since stained glass 
usually outlasts carpet and wallpaper, it is best to steer away from 
trendy color combinations and opt for full color or neutrals that will 
complement any color scheme.

All of the colors have very specific meanings in Christian symbolism and 
it is important to use the correct colors with the ideas you are trying 
to convey.

Red - The symbol of charity and martrydom for faith, it signifies the 
blood of Christ. A reminder of the suffering and sacrifice of the Son of 
Man.

Yellow & Gold - Represents power and glory. The hue of the aura or halo 
of saints, the Gates of Heaven.

Blue - Signifies hope, the love of Divine works, sincerity and piety. It 
was the color assigned to the Virgin Mary.

Pale Blue - Symbolic of peace, serene conscience, Christian prudence; the 
love of good works.

Green - Symbolizes faith, immortality and contemplation; spring; triumph 
of life over death.

Pale Green - the hue of Baptism.

Violet - Love, truth, passion, suffering.

Purple - Royalty; God the Father. Emblematic of suffering and endurance. 
Christ was believed to have worn purple garments before his crucifixion.

White - Represents chastity, innocence and purity, the hue of God.

Gray - An Emblem of Christ risen; a blend of the Divine Light of Creation 
and the darkness of sin and death.

Black - Represents death and regeneration. The Black Rose was a symbol of 
silence among Christian initiates."

Sorry, the book addresses Christian symbols only. Maybe some of our 
Jewish and/or friends of other persuasions would contribute more of their 
symbology.

Suzanne

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From owner-glass Sat Aug 15 02:14:23 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: Olies1@aol.com
Subject: Re: Thanks for all of the help!
Date: Sat, 15 Aug 1998 00:08:51 -0400
Message-ID: <1998Aug14.20851.0>
References: <<1998Aug13.205747.0>>
Precedence: bulk

For cutting thick glass you should have a glass cutter with a very flat
hone angle designed specifically for thick glass.  Of course you should
avoid trying to take any very thin strips off it, but the easiest way to
break it is to place a pencil or a dowel rod beneath the score line and
press on both sides of the line from above.  You can even step on both
sides of the line if you can't get enough pressure on it.


Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

On Thu, 13 Aug 1998 16:57:47 EDT <Olies1@aol.com> writes:
>Thank you one and all for all of the suggestions on how to cut the 
>3/8" thick
>glass. I am going to try some of the methods that you suggested and 
>will let
>you know the outcome. I have some extra glass to play with so it won't 
>cost me
>anything but some of my time. Thanks again. 
>Christine 
>----
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>

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From owner-glass Sat Aug 15 07:50:04 1998
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From: Johnny West <johnnyc@mercury.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Odyssey forms
Date: Sat, 15 Aug 1998 10:12:42 -0400
Message-ID: <1998Aug15.61242.0>
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I enjoy bungi very much and have picked up a great number of helpful
ideas. Maybe some day I will get around to my bio.

I don't do lamps but ran across a bargain the other day of  4 Odyssey
forms that might be of interest to someone that does. The party can be
contacted at, jcampbell@mfi.net for more info.

Back to lurking and cutting, keep up the good work.      Johnny

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From owner-glass Sat Aug 15 08:26:46 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio #44 Lynn Alchin
Date: Sat, 15 Aug 1998 09:58:33 -0500
Message-ID: <1998Aug15.45833.0>
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Hi!
Okay, I'm not exactly sure what all you want in here- but here goes...
I was born in Lansing, Michigan Aug. 1963. I have lived all over the
country, but mostly in Pennsylvania and Arizona. I have been doing
stained-glass for about 11 years (on for 4, off for 3, on for 4)
I have always loved the look and the feel of glass, and I got an
insurance settlement and decided that it was time to invest.
My best friend Judy had started about 6 mos. prior and it was time. I
bought a stained glass manual, and taught myself, and thank the good lord
for this e-mail group because I have learned more in the last 6 months than
I had ever even thought I could.

I mostly sit in the background & read, but every now & again, I need to ask
a question, or give someone a lift, and there it is.
I've mostly done copperfoil panels, and have recently gotten into larger
leaded windows, and starting to do a area in my friends coffee shop of gift
items. (prefer the larger stuff myself)
I am hooked, and never plan on stopping this wonderful and beautiful
expression of art and talent.


Thank-you all for being there!



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From owner-glass Sat Aug 15 09:00:27 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: bio #45  Tony & Barbara Reagan
Date: Sat, 15 Aug 1998 10:04:05 -0500
Message-ID: <1998Aug15.545.0>
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This is a shortish bio for any interested bungi's !!!

I live in Cornwall [ about 20 miles from Land's End ] in a large Victorian
house overlooking the estuary. The area, although close to the town, is a
bird sanctuary, which even has a
black swan this year.

I have a construction business with two other partners. By co-incidence they
are two brothers also named Regan, and in 1980 when we moved to Cornwall
from London our families were the only Regan's in the phonebook in West
Cornwall. When Barbara & I got married in 1982,  the pub where the reception
was being held [ The Smugglers ! ] happened to be on the circuit that day
for my two partners,who were surprised to find so many "Regans" in one
place. We met and eventually agreed to throw our lot in with each other, and
formed a construction business which today employs some 70 people. As befits
our somewhat crazy & hectic life, we had the children, then got married, and
finally got engaged about 5 years ago!

Barbara, by contrast, has always been in the caring professions as nurse,
midwife, and health visitor, but now teaches part time at Cornwall College.
She is the artistic one, although we both enjoy stained glass I tend to do a
lot in the "technical " department  as artists labourer!
She took time out for a couple of years to do an arts foundation course at
Falmouth College of Art & Design after too many years in the nursing
profession. The light in Cornwall is fantastic, and glass goes well with
that.

We have 3 children -

Nick [age 26 ]- who is in London, with his girl friend, working as an
Engineer with a large Building Contractor.   [ I hope he comes back after a
few years to take
over the business , so that I can spend ALL my time in the workshop or the
pub.

Andy [ age 19 ] - who is studying for his A levels and hoping to go to
Cardiff University in Sept taking Earth Sciences. He loves rugby, and has
had a trial
for Cornwall, but is currently 'resting' after two concussions.

Zoe [ age 17 ] - who is taking an 2 year Art & Design course at Cornwall
College she also dances and plays piano, has joined the
Operatic Society, frequents disco's and chases boys.



We are both fascinated with art deco, and in particular Mackintosh, and this
tends to influence some of our work.

We make large mirrors, illuminated tables & lamps { not Tiffany}  and
panels, mostly by commission, jewellery sculptures, and other decorative
objects which defy description.

Last summer we had a piece [ Madonna & Child ] in the" Festival of Light"
summer exhibition organized by the Tate Gallery in St.Ives. This is a 3
dimensional illuminated piece and was our first proper exhibition after some
4 years of stained glass projects. This summer we will be going to Brittany
with our glass to the Tall Ships Maritime Festival, and are busy looking at
"sea" themes.

Sorry this is a bit rambling - and if anyone gets this far they must have a
low threshold of boredom, or anticipate something to come - which doesn't!!

Thanks to Elisabeth for introductions.

Are there any Bungi's in Cornwall? Or Devon ? The South West? The South?

Regards

Tony & Barbara Regan


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From owner-glass Sat Aug 15 09:27:30 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: bio #  46  Laurean Clover
Date: Sat, 15 Aug 1998 10:08:17 -0500
Message-ID: <1998Aug15.5817.0>
Precedence: bulk

Hi Patrick!  Thanks for taking on this task!
My bio isn't as impressive as the rest of them!

I am 30 years old.  Was born in Hartford CT.
Lived there for the first 10 years of my life,
then lived in Hershey, Pa., Flintstone, Md.,
Arroyo Grande, CA., St. Petersburg, FL., 
Jacksonville, FL., And Finally Ashton, IA.

I met my husband through my former fiance'.
My husband was supposed to be best man at the
wedding. We have four children, 2 dogs, and 1
cat.  Soon to be some goats, chickens, sheep,
and rabbits.  4-H projects for the fair.

How I came to love glass is in a round about way.
My husband grew up in Hinton, IA.  Which is about
50 miles south of here.  He knows Nick Bogenreif, 
and was introduced to glass (not hands on) through
Nick. A note about my questions re. Nick.... My 
stepmother is one who always has to be one up on 
someone else, so that is why I asked about the 
Bogenreifs fame.

My husbands big dream is to move to Alaska and build
windows in the winter, and pan for gold in the summer.
He took glass classes with me, but doesn't do glass
now, so I was technically left holding the ball.  

I never thought I would even remotely be involved
with it.  I always thought glass was for churches,
and the people doing it, had to have a college 
degree.

At one time I had dreamed of owning a studio, and 
doing glass full time for a living.  But now I realize
I have just scratched the surface, and that there is 
no shame in being a beginner!

I find that this is an all consuming passion with me,
and I eat, sleep and drink glass.  My only regret was
not having anyone to talk to about it. I have learned 
alot just from joining bungi, and love that I now
can talk glass!

That's about it, told you it wasn't that interesting!
If you think I need to add more, please let me know.

Laurean Clover


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From owner-glass Sat Aug 15 09:34:30 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: bio# 47  Steve Richard
Date: Sat, 15 Aug 1998 10:11:23 -0500
Message-ID: <1998Aug15.51123.0>
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O K - here goes

Currently I am attempting to establish a second career - this time in
Glass!

I came to this in a round about (a British road invention) way.  I was
born in Junction City, Kansas, USA (that's near Fort Riley - those of
you in the USA will know what that means) in 1943.  Raised largely by my
Lutheran minister and wife grandparents in a little town of 90 people
including me and my sister.  

After the usual range of schools I went to the University of Kansas in
Lawrence, starting out in chemistry and maths, but finishing with
history and anthropology.  The draft board in 1965 was pressing me to
get on with my education or join the army.  US library schools were not
forthcoming with offers, so I applied to a number of British ones. I
selected one of the offers and left.

I married in Scotland, and found employment, so I stayed on.  Eleven
years at Edinburgh University Library, 10 years at the Bodleian Library,
Oxford, and 8 years at Glasgow University Library.  At the latter place,
management styles began to diverge, so it was decided that my departure
would be good for the library.  I got a reasonable package which enabled
me to indulge my interest in architectural glass.

I have always been interested in ecclesiastical glass, but upon moving
to Glasgow and seeing all the domestic glass changed my hobby
directions.  Suddenly there was no longer time for archery, only for
glass.  I received my initial training on a weekend course from Paul San
Casciani at West Dean College.  This was augmented by a variety of
evening classes and finally topped off by a part time course in
decorative glass at the Glasgow College of Building and Printing, so I
am now the holder of a HNC in decorative glass.

I set up a part time business in 1989, which became full time in 1994 as
"Verrier".  It is a general decorative glass business with my main
interests being in window commissions.  However I do a range of things
to keep money coming in - suncatchers, leaded panels, light shades (not
Tiffany style - panel or fused and slumped), vases, boxes, and most
interesting for me are the evening classes that I offer. I also find
that there is a lot of work in restoration of 19th century windows that
have survived to this time.

My studio is located in a building with about 80 other artists in
various disciplines.  The studio I work in is a collaborative one where
seven of us work in the same open plan space sharing rent, equipment,
and helping one another when needed.  The intention is to expand the
range of equipment which none of us could afford alone, but can in
conjunction with one another.  

The largest commercial commission to date has been for an Italian dele.
where almost 5 square metres of fused glass was installed in two arched
internal windows and a long run of shelf display decoration.  The most
recent large domestic installation has been a 3 metre high half-landing
window for a house built in 1853.  I have sold some items through
galleries and attend a number of craft fairs to sell smaller items and
make contacts ( some of which turn into commissioned work).

I also do work for a large double glazing supplier repairing work they
come across and adapting existing windows for double glazing.  I also
have a continuing contract to supply panels for front doors.

If any of the above requires clarification, let me know and I will try.
-- 
Steve Richard
Verrier Ltd
s.richard@verrier-scotland.demon.co.uk


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From owner-glass Sat Aug 15 09:46:42 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: 4 Bios this week
Date: Sat, 15 Aug 1998 10:27:04 -0500
Message-ID: <1998Aug15.5274.0>
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Before I get deluged with comments especially from (my dear friend and
antagonist, the Swede from the UK) I sent out 4 bios today on purpose. I
will be in Alexandria, Virginia all next week and away from my computer
(withdrawal symptoms already appearing).

The purpose of the travel is to coordinate Worldwide Desktop Video
Teleconferencing. This technology would be great for this group. We could
view each other's techniques and projects. I think the first installation
should be in Elizabeth's backyard so we could see her soldering in the buff
and dropping hot solder on her lap. I wonder if she does this more than
once? She must be practicing for a Viking funeral the hard way.

Anyway, after tomorrow I will be "out of the loop" for a week, so if
Elizabeth has any comments it better be quick.

TaTa

Patrick
Roses and Rainbows



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From owner-glass Sat Aug 15 10:37:19 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Religous Colors/Symbols
Date: Sat, 15 Aug 1998 12:59:43 -0400
Message-ID: <1998Aug15.85943.0>
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Suzanne-

Thank you for sharing the =

color symbology with us - of
course, much of the Christian
symbology is rooted in the
older pagan religions.  And
there are many symbols in
religion beyond color which
are still used even though
literacy has banished the need
for them.  This would make
kind of an interesting little
discussion - I don't think we've
tackled this topic on bungi in
a few years.  Topic of the Week
maybe?  with a subject line
"Symbols" for those who care to
delete?  Would love to read =

what others know.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Aug 15 11:02:39 1998
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X-Path: ior.com!glshorse
From: Elizabeth Arakelian <glshorse@ior.com>
To: glass@bungi.com, "suzy@comcat.com" <suzy@ComCAT.COM>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Religous Colors
Date: Sun, 16 Aug 1998 09:23:10 -0700
Message-ID: <1998Aug16.22310.0>
References: <<199808150214.WAA20518@uz.ComCAT.COM>>
Organization: Elizabeth Arakelian
Precedence: bulk

suzy@comcat.com wrote:
> 
> >Hi Suzanne-
> >
> >Could you post the info about
> >the color symbology to the group?
> >I think quite a number of people
> >might be interested.  Thanks!
> >
> >Best,
> >Dani
> 
> Sure, this is from "Religious Stained Glass for Today," by Bill Hillman,
> CKE Publications.
> It's a good book to have, anyway.
> 
> The Traditional Full Color Rule
> "The primary colors, red, yellow and blue, represent the Trinity: Father
> (blue), Son (yellow), and Holy Ghist (red). Their use together in a
> window shows the presence of the Trinity in all things. Combine them into
> one and they show the three separate natures of God contained in white
> light, the hue of God.
> 
> The medieval stained glass artist tried whenever possible to use shades
> of red, yellow and blue together in their windows in order to stimulate
> the entire eye. The use of full color can dramatically snap a design into
> three dimensions.
> 
> While the full color rule requires you to include hues of red, yellow and
> blue, it does not exclude the use of the other colors. The very best
> windows distinguish themselves through the use of color variety. Use the
> color chart to select additional colors beyond the primaries."
> 
> Contemporary Color
> "Contemporary designs tend to vary from the full color rule, preferring
> to focus on a more limited color palette. Some common color combinations
> for religious windows include purple and white, white and clear, blue and
> green and gold and white.  These combinations can create a "clean and
> pure" stained glass environment.
> 
> Sometimes there will be an inclination to match the existing colors in
> the building as part of a coordinated color scheme. Since stained glass
> usually outlasts carpet and wallpaper, it is best to steer away from
> trendy color combinations and opt for full color or neutrals that will
> complement any color scheme.
> 
> All of the colors have very specific meanings in Christian symbolism and
> it is important to use the correct colors with the ideas you are trying
> to convey.
> 
> Red - The symbol of charity and martrydom for faith, it signifies the
> blood of Christ. A reminder of the suffering and sacrifice of the Son of
> Man.
> 
> Yellow & Gold - Represents power and glory. The hue of the aura or halo
> of saints, the Gates of Heaven.
> 
> Blue - Signifies hope, the love of Divine works, sincerity and piety. It
> was the color assigned to the Virgin Mary.
> 
> Pale Blue - Symbolic of peace, serene conscience, Christian prudence; the
> love of good works.
> 
> Green - Symbolizes faith, immortality and contemplation; spring; triumph
> of life over death.
> 
> Pale Green - the hue of Baptism.
> 
> Violet - Love, truth, passion, suffering.
> 
> Purple - Royalty; God the Father. Emblematic of suffering and endurance.
> Christ was believed to have worn purple garments before his crucifixion.
> 
> White - Represents chastity, innocence and purity, the hue of God.
> 
> Gray - An Emblem of Christ risen; a blend of the Divine Light of Creation
> and the darkness of sin and death.
> 
> Black - Represents death and regeneration. The Black Rose was a symbol of
> silence among Christian initiates."
> 
> Sorry, the book addresses Christian symbols only. Maybe some of our
> Jewish and/or friends of other persuasions would contribute more of their
> symbology.
> 
> Suzanne
> 
> ----
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> Archives available at http://www.bungi.com/glass


wow, you learn something new every day!!! In addition to doing stained
glass I know quite a bit about byzantine iconography and church
history..I never knew this...I would be interested to find out if this
color thing developed solely in the west or came from the east as
well....
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From owner-glass Sat Aug 15 11:11:28 1998
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From: Elizabeth Arakelian <glshorse@ior.com>
To: glass@bungi.com, "M. Savad" <morn@nac.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Gatewayed mail message
Date: Sun, 16 Aug 1998 09:37:08 -0700
Message-ID: <1998Aug16.2378.0>
References: <<1998Aug14.65646.0>>
Organization: Elizabeth Arakelian
Precedence: bulk

M. Savad wrote:
> 
> scott floyd wrote:
> >
> > >So I'll just have to keep shaking my head and I won't be giving any
> > >more
> > >gifts...
> >
> >      You know Cindy, I feel sorry for you , that you have been turned
> > off by the gift of being able to give someone something.  Maybe you
> > should really analyze your next gift.  If the person isn't gonna like
> > it, then don't give it to them.  This was mentioned before and I think
> > it is absolutely necessary to know what the gift reciever likes.  If you
> > pay close attention and feel from your heart than you will never go
> > wrong.  I am very saddened by all of the comments about UNappreciated
> > gifts that ended in, "well I am not gonna give anything away anymore."
> > Do you think you will be happier?  I bet not.  The minute you stop
> > giving is the second you stop recieving.  I was very happy to hear from
> > people that are still giving and they will give forever I believe.  I
> > also value everyones opinion though, even when I disagree.*s*  I feel
> > that the gift from all of you is the time you take to post these
> > messages.  I love this place!
> >
> > See you!!,
> > Scott *sm*
> >
> > ______________________________________________________
> > Get Your Private, Free Email at http://www.hotmail.com
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> > .
> 
> though, i've always felt: if their not going to use or like the present,
> then your wasting your time, energy and materials. if your going to give
> them a glass present that can sit on a dresser or in a window, and all
> they do is stuff it in a box with the others, what's the point?
> 
> it's not like anyone has to give gifts out, your not getting points...
> :)
> 
> ---Mike Savad
> 
> --
> Mike's Stained Glass - Tips Tricks Photos
> http://www.geocities.com/Paris/1141
> 6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
> Tip Pages
> ----
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re:gifts...there is NO shame in gift certificates...my husbands
grandmother will ALWAYS say to people "oh, dont waste your money" or
"this is not what I like"...my SIL was reduced to tears one Christmas
because she figured for an elderly person how could you go wrong with a
warm "old people" style sweater..she hated the color, thought it pulled
too much over her shoulders too...I would never DREAM of making this
woman a handmade gift...furthermore I wont even waste good pictures of
my daughter as I do for other famiy members...I figure a wallet size is
enough... as for actual gifts...we now buy her a grocery gift
certificate because she WILL use it...seriously I once nearly bought the
woman a case of toilet paper because at least she'd use it...probably
wouldnt be th4 right brand though and she'd complain..some people are
just like this....
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From: jones-Robert <rejones@netrax.net>
To: jbenner@juno.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Unappreciated gifts
Date: Sat, 15 Aug 1998 13:30:33 -0400 (EDT)
Message-ID: <1998Aug15.93033.0>
References: <<1998Aug14.32753.0>>
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On Fri, 14 Aug 1998 jbenner@juno.com wrote:

>   I think we are getting away from our true feelings on this. IMHO, and
> I've been thinking about this alot in the past few days (after all,
> Christmas is coming!), I wonder if it's not the gift but the feeling
> that's the problem. When someone spends their money on something, which
> we have to work to earn too, and then takes precious time to create
> something, which obviously we hope the recipient will like (who makes
> something knowing it's trashy and ugly?) and THEN it is seemingly
> rejected.....  How do I say this right??/ We speak of the gift and time
> and cost, but underneath it all, aren't we all feeling the same? They
> reject the gift therefore they reject us. They treat the gift shabbily,
> then they disrespect us, and our time and our efforts. A rejection
> follows, which seems to be about the gift, when actually it is in our
> hearts a rejection of us. "It must be made wrong, poorly, or they just
> don't like ME, or they would have taken better care of it." I dunno,
> could be just me, but when I think of my SIL this is what deep down comes
> to mind. She ASKED for the afghan, and she picked out the colors and
> pattern herself. IN all gifts to her she has asked for them and recieved
> exactly what she asked for down to details. I must also include in this
> instance that she prepares Christmas gift lists and hands them out that
> "this is what we want and no deviation from the list will occur". She
> doesn't respect any craft we in her family do. She hates when I spin or
> knit in her presence, and thinks there was something "wrong" with my dh
> when he made miniature houses and such. She herself has no patience nor
> hobbies. She cleans her house, watches tv, and shops. So, I guess I'm
> rambling that *I* feel more personally rejected when a gift is discarded
> or broken so from now on, a Walmart gift certificate will be in her
> stocking. (G) Alas, that will be wrong too, because that isn't a
> "personal" gift. ARRGGHHH!!!!
> 
> Judy Benner

Judy,

It's not the gift giving I have a problem with.  It's friends and family
who have no concept of the value of what they are asking for.  It's them
asking for something for free or even at cost.  My family after several
years finally understands the value of the materials.  I will do the work
for free, but I can't afford to give them a door insert that has $500.00
worth of materials in it for free.  If they buy the materials that I say
they need, I will gladly make the piece.

I often give glass pieces for gifts.  I only hope that they like the
piece.  Its value is in their eyes.  But when they ask for something not
as a gift at X-mas or their b-day, but as something I can do for them;
that's when I have a problem.

I hope you don't think of me poorly.  I just have to draw a line as to
what I can afford to give away.

Bob
 

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From owner-glass Sat Aug 15 13:01:37 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
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Subject: color energy & symbolism (Re: Religous Colors)
Date: Sat, 15 Aug 1998 12:22:20 -0700
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>wow, you learn something new every day!!! In addition to doing stained
>glass I know quite a bit about byzantine iconography and church
>history..I never knew this...I would be interested to find out if this
>color thing developed solely in the west or came from the east as
>well....

Well, now we're onto one of my favourite things...using colour in a
spiritual or symbolic way.  Early on when I was still a glass hobbyist I
became interested in people's reactions to glass, and therefore to colour.
This started with my own love for some colours of glass, and a resistance to
working with colours.

So I spent a couple of years studying everything I could get my hands on
about colour symbolism, colour energies, healing with colour, the language
of colour, etc. etc.

This is a HUGE HUGE field, and I now facilitate workshops combining colour
and symbolism with creativity.  (Any organizers of the major glass shows on
this newsgroup??)

There are several main interpretations of colour that I've come across and
work with regularly.

The first is the mainstream religious interpretation that's already been listed.

Secondly is the Chinese interpretation of five colours corresponding to the
five elements...wood (green and blue); fire (reds); earth (yellow and earth
tone); metal (white and light pastels); and water (black and dark tone
spectrum..charcoal and midnight blue, for instance).  This is also one of
the considerations in the application of feng shui (Dani...you may have run
across this in your feng shui window).

Thirdly would be the Native American system of colour significance.  This is
quite complex and is related to the medicine wheel used by plains Indians.
It includes the spirit keepers, the moons and totems and spirit paths.  Each
of these items in their medicine wheel spiritual system has certain
attributes including plant and animal symbols, colour and gemstone which are
representative of that part of their spiritual system.

Fourthly would be the colour system associated with the 7 chakras or areas
of energy within the body as defined in far eastern cultures.  Again, this
is a system with each chakra or area of body energy corresponding to certain
physical, spiritual and emotional issues which an individual may be dealing
with in their life.  From my work in creating intuitive talismans, I find
that in many cases this system has application to my clients and what they
are describing to me, even when they've never heard of it.

>From here it is a short leap into the new age systems of healing with
gemstones (which of course have colour) and colour energies.  Although I
work more with the mind than with the body around complementary healing
systems, my background as a scientist tells me there may indeed be something
more to the colour healing thing than traditional medicine is willing to
acknowledge.

After all, we glass artists work within the visible light system which is
bounded on one side by ultraviolet light and on the other by infrared light.
So the logical scientist within me asks "why does the entire wavelength
system have properties which have been harnessed by science EXCEPT the very
narrow band of visible light (made up of the 7 rainbow colours).  Logically
this doesn't make sense and leaves enough doubt in my mind to acknowledge
that there may be something to colour healing.  Without a doubt, I know that
colours can have a strong (and sometimes subconscious) effect on our moods.

Without writing a book with a chapter on each system, that's a VERY BRIEF
overview of some other colour systems that I work with in my window designs.
It'll be interesting to see what kind of responses this brings up on bungi.

Carol
Carol Swann
Synergy Glass & Creative

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From owner-glass Sat Aug 15 13:58:40 1998
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From: "Doug Parrott" <bird_cage@email.msn.com>
To: "jones-Robert" <rejones@netrax.net>
Subject: Re: Unappreciated gifts
Date: Sat, 15 Aug 1998 12:51:14 -0700
Message-ID: <1998Aug15.55114.0>
Precedence: bulk

Bob,

I certainly agree with you on that one.  I too have a friend that is
constantly hinting and sometimes coming out and asking me to make her things
for nothing.  I won't.   She works at a company I used to work for.  Every
few months I'm asked to come in for lunch and bring glass items for people
to buy.   It took over a year for my friend to buy something.  I think she
finally realized that was the only way she'ld get it.    For gifts I would
buy her things I purchased just cause I was stubborn and I felt like I was
being used.   I think she understands that now, so for her next birthday
I'll make her something special.

It is awful to feel used and unappreciated.  Just remember there are others
out there who do appreciate.  Ya just have to find them.

Cheryl

>Judy,
>
>It's not the gift giving I have a problem with.  It's friends and family
>who have no concept of the value of what they are asking for.  It's them
>asking for something for free or even at cost.  My family after several
>years finally understands the value of the materials.  I will do the work
>for free, but I can't afford to give them a door insert that has $500.00
>worth of materials in it for free.  If they buy the materials that I say
>they need, I will gladly make the piece.
>
>I often give glass pieces for gifts.  I only hope that they like the
>piece.  Its value is in their eyes.  But when they ask for something not
>as a gift at X-mas or their b-day, but as something I can do for them;
>that's when I have a problem.
>
>I hope you don't think of me poorly.  I just have to draw a line as to
>what I can afford to give away.
>
>Bob
>
>
>----
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>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass



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From owner-glass Sat Aug 15 14:19:18 1998
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From: "Doug Parrott" <bird_cage@email.msn.com>
To: "Elizabeth Arakelian" <glshorse@ior.com>
Subject: Re: Gatewayed mail message
Date: Sat, 15 Aug 1998 12:55:06 -0700
Message-ID: <1998Aug15.5556.0>
Precedence: bulk

Elizabeth,

Your post cracked me up.   Toilet paper!   What a novel idea.   Sounds like
you have a good sense of humor regarding the subject.  I will have to
remember that one.  I have someone in mind too!

Cheryl




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From owner-glass Sat Aug 15 16:31:31 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: bio #45  Tony & Barbara Reagan
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Date: Sat, 15 Aug 1998 23:36:13 +0000
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Well.....,
Tony and Barbara,
I have been very much looking forward to hearing a bit more about 
you.
Thank you for your Bio. Please  rest assured that I will include you 
in  other projects I have in mind.
Interesting that you should be particularly interested in Art Deco.
I am STILL planning a "proper" stained glass excursion to Glasgow to 
have a real "gawp" at MacIntosh glass. Involving and drawing on all 
the luminaries and experts we can muster - through official channels 
or pure cheek. It would be great if we could involve Steve as well 
into the project. His Bio - to me - is just as fascinating. The whole 
thing is, there are also several people in Bungi USA with Scottish 
connections who also are angling with me for this trip to Glasgow.. 
So I am torn in timing it to a purely UK get-together, or a 
get-together with our American friends.

Anyhow, I am planning to visit some old friends on the South Coast 
shortly and will want to make a detour to Bournemouth.
I also want to visit Colin Stokes in Somerset in the not too distant 
future.  He helped me enormously many years ago overcoming my fear of 
drawing, designing and adding paint onto glass, so - at least I was 
prepared to experiment and learn about it.

 You mention Paul. Yes, I have met him a number of times.... seen his 
work..... he is quite a Showman. I don't particularly agree with him, 
his style and feel slightly uneasy at his marketing tactics. Sure, he 
makes money, but  I am not entirely convinced about the enduring 
quality of the work he himself produces. I have received quite a 
number of his mystified, inquisitive "fall-out" students over the 
years. He does have some profile in UK (in particular around 
Oxford) , I just hope he will pass on the real knowledge and "hunger" 
of more knowledge about stained glass. He himself will attend Craft 
Fairs and strings a circular 3 colour fused glass abstract object up 
on a simple  wrought iron stand - the total perhaps 10 inches 
diameter. The price tag attached asks for UK.Sterling 3.500. 
Somewhat breathtaking!! His approach to the public is about as 
arrogant. No wonder one sees the same object strung up  Craft Show 
after Craft Show - unsold. He is a Fellow of  B.S.M.G.P. - on what 
merit I do not know.. Please forgive me, if I sound dismissive. 
Absolutely NOT intentional!! He just puzzles me tremendeously. I do 
so hope his teaching is different from the examples of the work  he 
is displaying as his own. My students can't work him out either.
I have occasionally  harboured a desire to see him in a discussion/ 
debate with Malcolm Miller.....

As regards UK Bungi representation;  With a 
little time.... there WILL be more people in UK at Bungi...... don't 
forget I was a very, very lonely voice to start with.... now some 
years ago.
Every single day there is another stained glass artist in UK hooked 
up to the Net; they JUST haven't found us yet. They WILL.....

Nothing could please me more, if I have played a small part in 
introducing you a bunch of rather nice people working in stained 
glass. We'll meet up, we'll work on it.  But Thank You!!
Cannot tell you how pleased I am , that you are there.
Only wish you would "holler" more loudly - now and then
Elisabeth 'n Toby in UK

>We  are both fascinated with art deco, and in particular Mackintosh, 
and this
> tends to influence some of our work.
> 
> We make large mirrors, illuminated tables & lamps { not Tiffany}  and
> panels, mostly by commission, jewellery sculptures, and other decorative
> objects which defy description.
> 
> Last summer we had a piece [ Madonna & Child ] in the" Festival of Light"
> summer exhibition organized by the Tate Gallery in St.Ives. This is a 3
> dimensional illuminated piece and was our first proper exhibition after some
> 4 years of stained glass projects. This summer we will be going to Brittany
> with our glass to the Tall Ships Maritime Festival, and are busy looking at
> "sea" themes.
> 
> Sorry this is a bit rambling - and if anyone gets this far they must have a
> low threshold of boredom, or anticipate something to come - which doesn't!!
> 
> Thanks to Elisabeth for introductions.
> 
> Are there any Bungi's in Cornwall? Or Devon ? The South West? The South?
> 
> Regards
> 
> Tony & Barbara Regan
> 
> 
> ----
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> Archives available at http://www.bungi.com/glass
> 
> 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Sat Aug 15 17:00:35 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: 4 Bios this week
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You CHEEKY Irishman!!!

You BET I got something to say!!
...And get your SPELLING   R I G H T before you get deluged by 
protests from Bournemouth in UK, where the OTHER EliZabeth reigns!!
This EliSabeth, the VIKING one,  is EliSabeth.
Honestly!!
One just cannot get the STAFF these days!!!!
Shocking, my dear! Simply Shocking!
I just don't know what the world is coming to!!!

Get back Quick!!
Have a good trip!
Elisabeth 'n Toby in UK


Patrick wrote:
> Before I get deluged with comments especially from (my dear friend and
> antagonist, the Swede from the UK) I sent out 4 bios today on purpose. I
> will be in Alexandria, Virginia all next week and away from my computer
> (withdrawal symptoms already appearing).
> 
> The purpose of the travel is to coordinate Worldwide Desktop Video
> Teleconferencing. This technology would be great for this group. We could
> view each other's techniques and projects. I think the first installation
> should be in Elizabeth's backyard so we could see her soldering in the buff
> and dropping hot solder on her lap. I wonder if she does this more than
> once? She must be practicing for a Viking funeral the hard way.
> 
> Anyway, after tomorrow I will be "out of the loop" for a week, so if
> Elizabeth has any comments it better be quick.
> 
 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Sat Aug 15 17:01:26 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Michael J. Greer" <GreerStudios@compuserve.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Religous Colors/Symbols
Date: Sat, 15 Aug 98 18:41:22 -0400
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>Suzanne-
>
>Thank you for sharing the =
>
>color symbology with us - of
>course, much of the Christian
>symbology is rooted in the
>older pagan religions.  And
>there are many symbols in
>religion beyond color which
>are still used even though
>literacy has banished the need
>for them.  This would make
>kind of an interesting little
>discussion - I don't think we've
>tackled this topic on bungi in
>a few years.  Topic of the Week
>maybe?  with a subject line
>"Symbols" for those who care to
>delete?  Would love to read =
>
>what others know.

OK, Dani, here goes, also from Religious Stained Glass for Today (it's a 
great book, too bad I can't send the pictures):

Alpha and Omega - The first and last letters of the Greek alphabet, 
symbolizing the completeness of the Bible and that God is the beginning 
and the end of all things.

Anchor - Stability in troubled seas. A secret symbol for the cross from 
the days of St. Peter.

Apple - Original sin, temptation. Represents fruit from the Garden of 
Eden.

Bible - the Word of God.

The Bible and the Sword - Conversion to Christianity. Represents the 
persuasiveness of the Bible. The emblem of St. Paul.

Blood - Redemption, the blood of Christ sacrificed for the Church. 
Represented by wine at Communion.

Bread - The Eucharist, Communion. Represents the broken body of Christ.

The Burning Bush - Reminiscent of the experience of Moses, it is a symbol 
of God's presence and call. It is the chief symbol of the Church of 
Scotland.

Butterfly - Journey of the soul. Grub stage represents life on earth, 
cocoon stage represents death, emergence of beautiful butterfly 
symbolizes the glory of eternal life.

Candle - Light itself, the Light of God.

Chalice - The Lord's Supper, Communion. Also an early symbol of Christian 
Fellowship.

Chalice with Waves of Water - Symbolizes Holy Communion and the water 
symbolizes Baptism.

Chi Ro - The first two letters of the Greek word for Christ, the 
Anointed, XPISTOS.

Circle - Without beginning and end, represents eternity and completeness. 
A triangle enclosed in a circle represents the Holy Trinity.

Interwoven Circles - The unity of the Trinity: Father, Son, and Holy 
Spirit.

Comet - A sign of turmoil in the heavens, an evil omen.

The Shepherd's Crook - Illustrates the ministry and the supervision of 
its flock.

Cross - The sacrifice of Christ.

Crown - God's authority and rule.

The Crown with Cross - Symbolizes the death and victory of Christ as he 
reconciles the world.

Crown of Thorns - Crucifixion of Christ.

Dog - Faithfulness and fidelity.

Donkey - Humility and simplicity, a frequent element of nativity scenes.

Dove - The Holy Spirit, peace. The olive branch symbolizes peace.

Descending Dove - The Holy Spirit coming to earth from heaven.

Dragon - Satan, evil.

Eagle - Triumphant faith, an attribute of St. John.

All-Seeing Eye - A symbol of the Triune God's providence and omnipotence. 
The dominant symbol of Westminster Cathedral, London, England.

Fire - The Holy Spirit and conversely, hell.

Fish - Jesus Christ. The earliest Christians used the fish as a primary 
symbol of their faith. It is derived from the Greek initials for the 
phrase "Jesus Christ, Son of God, Saviour." 

Fleur de Lys - Holy Trinity. A derivation from the Madonna Lily, 
therefore also represents the Virgin Mary.

Fountain - Eternal life and salvation.

Grapes (Grapevine) - Represents wine, a classic symbol of the Last 
Supper, representing the blood of Christ and ongoing Communion with God.

Hand Reaching Down - God the Father; traditionally the only 
representation of God.

Four Hands of Different Colors and Hands Clasped - White, black, yellow 
and red hands show the reconciled world and the harmony of mankind.

Heart - The sign of Christian charity. Hand holding a flaming heart is 
the symbol of John Calvin, father of Swiss Presbyterianism.

Iris - Sometimes substituted for the Lily in the Early Church.

Keys - The Emblem of St. Peter.

Lamb - Jesus Christ, or a sinner being rescued by Jesus. When a lamb 
holds a white flag with a red cross, it represents Christ's victory over 
death.

The Lamp - Represents knowldge, discipline, and enlightenment.

Lily - The transfiguration of Christ, symbol of Easter. Also represents 
innocence and the Virgin Mary.

Lion - Dignity, strength. Also represents resurrection; a personal sign 
of St. Mark.

Nails - Christ's passion, Crucifixion.

Oak - Faith and endurance.

Owl - Mourning; evil.

Ox - Patience, strength; a sign of St. Luke.

Palm - Triumph of true faith; it was thought that a cut palm would grow 
back. Also, a sign of royalty.

Peacock - Rebirth; the Resurrection.

Rainbow - The pure color of the rainbow, appearing after a storm, 
signifies the end of the great flood and God's covenant with man.

Rock - Christ, resolute faith, strength.

Scalloped Shell - A sign of pilgrimage and the emblem of St. John.

Ship - A symbol of the Church, also the emblem of St. Jude.

Snake - Temptation, Satan, from the Garden of Eden. Also a symbol for 
wisdom.

Stag - Steadfast faith, a virtuous soul.

Sun - The Light of God.

Sword - Divine authority and power.

Tablets of the Ten Commandments - A symbol of redemption.

Tree - A symbol of the cross; life.

Unicorn - Purity and chastity, the Virgin Mary.

Wheat - Represents bread, symbol of Communion and the Last Super.

Wine - Communion, the blood of Christ.


Whew!
Suzanne
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From owner-glass Sat Aug 15 17:21:44 1998
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X-Path: aol.com!StndGlass1
From: <StndGlass1@aol.com>
To: glshorse@ior.com, glass@bungi.com, morn@nac.net
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Gatewayed mail message
Date: Sat, 15 Aug 1998 19:17:56 EDT
Message-ID: <1998Aug15.231756.0>
Precedence: bulk

I know exactly what you mean.  My husband's grandmother is the same way.  She
put a toilet bowl brush on her christmas list one year.  I refused to buy
that, so we got her a beautiful silver locket with room for pics of each of
her grandkids.  4 months later we got a thank you note which  read "It wasn't
what I asked for, but it was nice anyway..."

Jenna Meredith-Sanders

In a message dated 8/15/98 2:14:07 PM Eastern Daylight Time, glshorse@ior.com
writes:

<< re:gifts...there is NO shame in gift certificates...my husbands
 grandmother will ALWAYS say to people "oh, dont waste your money" or
 "this is not what I like"...my SIL was reduced to tears one Christmas
 because she figured for an elderly person how could you go wrong with a
 warm "old people" style sweater..she hated the color, thought it pulled
 too much over her shoulders too...I would never DREAM of making this
 woman a handmade gift...furthermore I wont even waste good pictures of
 my daughter as I do for other famiy members...I figure a wallet size is
 enough... as for actual gifts...we now buy her a grocery gift
 certificate because she WILL use it...seriously I once nearly bought the
 woman a case of toilet paper because at least she'd use it...probably
 wouldnt be th4 right brand though and she'd complain..some people are
 just like this.... >>
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From owner-glass Sat Aug 15 18:06:19 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: jbenner@juno.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Unappreciated gifts
Date: Sat, 15 Aug 1998 17:16:27 -0700 (PDT)
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Hi Judy:  Sounds like your SIL likes the idea of wanting.  Also sounds
like it is time for the two of you to have a heart-to-heart next time she
asks for something that she wants you to make..."You know it really takes
a lot of time to make these items and when I see the dog sleeping on the
afghan it took me months to knit, I hesitate to spend that much time on
something I make for you.  I can buy one and give it to you and that
doesn't make me upset about what you do with my gift.  Or something of the
same nature.  

Peggy

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From owner-glass Sun Aug 16 05:47:32 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Carol Swann <seaspray@mail.island.net>
Subject: Re: color energy & symbolism (Re: Religous Colors)
Date: Sun, 16 Aug 1998 12:18:41 +0100
Message-ID: <1998Aug16.131841.0>
References: <<199808151922.MAA08921@norm.island.net>>
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Thanks Carol for opening a range of colour symbolism.

One question I have about "colour energy" which may not be anything to
to with energy.

I find when I look as strong reds associated with strong blues, that the
red "floats" on the blue, giving an appearance of two planes about a
centimetre different.  This effect happens with other colours too, but
not to the same extent.

Does this happen to other viewers of coloured glass too.  I wonder how
common an effect this is, as I have experimented with colours in an
attempt to produce visual 3-D effects on 2-D surfaces.  Will it convince
others than me?  I have found a few other people who claim to see the
different planes after I have explained the effect on my visual
perception.  Maybe they are just being kind to an odd ball.

Steve

-- 
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s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Aug 16 06:51:42 1998
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X-Path: InfoAve.Net!ctombro
From: Carol Tombro <ctombro@InfoAve.Net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: unappreciated gifts
Date: Sun, 16 Aug 1998 08:36:45 -0400
Message-ID: <1998Aug16.43645.0>
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Precedence: bulk

One of my first projects was panel of a shar pei dog for a friend of
mine who breeds them. But, first I asked her if she would like it and
even asked for pictures of some of her dogs in order to try and
replicate the coloring as much as possible.  She was so excited about
it, knowing I was really just starting out and all those wrinkles in the
dog's face were a challenge at that time for me.  It is still in her
window, displayed prominently, even when she knows I'm not coming to
visit.  That's the kind of person I don't mind giving stained glass as
presents.

I've been burnt, as it seems everyone has, by seeing something that I've
enjoyed making end up in a garage sale.  Asking for it back, of course,
would be out of the question, but I'd entertain the idea of buying it
back.  Now I'm about to make a dollhouse - yes, I make dollhouses too -
for my daughter who is about to move to Italy.  I was going to do a
pottery studio, have the kiln and other accessories, but now how do I
get it there in one piece.  Fly to Italy with it on my lap?  Sounds good
to me.  At any rate, this is something I know she'll appreciate.

When I make something to give away or someone asks me to do a certain
piece and fully expects to pay for at least the materials, I do charge
for the materials if I'm in the mood.  Depends on how much they ooh and
aah over it I guess and if I really loved that glass and hated to part
with it.  I guess if we give something we put a part of ourselves into,
it means more to us than it does to the person who receives the gift,
but I'm not going to stop giving, mainly because it gives me pleasure
when someone really loves what I've done.

Carol T

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From owner-glass Sun Aug 16 07:16:02 1998
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From: <CBH861@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Patterns
Date: Sun, 16 Aug 1998 09:03:48 EDT
Message-ID: <1998Aug16.13348.0>
Precedence: bulk

I would like to get a pattern of a panther.  My daughters cheerleading group
is trying to raise money for a trip to be in the Orange Bowl half time show.
Their school mascot is a panther and I am hoping to donate a couple of small
stained glass pieces for them to sell but I can't find a pattern anywhere.
Any ideas?

Also, I am looking for a pattern of the Dallas Cowboys and Denver Broncos
logos to make for personal use.  Big fans of both teams live in my home.

Thanks for your help.
Claire
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From owner-glass Sun Aug 16 08:54:41 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: color energy & symbolism (Re: Religous Colors)
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 16 Aug 1998 11:02:01 +0000
Message-ID: <199808161659.MAA22379@vger.vgernet.net>
Precedence: bulk

> I find when I look as strong reds associated with strong blues, that the
> red "floats" on the blue, giving an appearance of two planes about a
> centimetre different.  This effect happens with other colours too, but
> not to the same extent.

There's been quite a bit of research done on this, Steve.  Josef 
Albers in particular went deeply into color theory and if you do an 
Alta-Vista search for halation +color +theory
you'll turn up, among others
http://umbc7.umbc.edu/~sbradley/color.html
which gives quite a bit of information on "halation," which is the 
effect you're talking about, one color seeming to "come forward" or 
"float" away from the others, even though they're in the same plane.

Lots of different definitions of what colors mean, too.

Albert
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From owner-glass Sun Aug 16 10:29:43 1998
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From: "AHOY MATE!!!!!" <otrbanks@erols.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Prairie lamp shade pattern
Date: Sun, 16 Aug 1998 12:07:33 -0400
Message-ID: <1998Aug16.8733.0>
Precedence: bulk

Hello, I have a request for you all. I recently received in the mail my
September issue of "Better Homes and Gardens" and it has a Prairie style
lamp on pages 222-225 (it is the same shade at different angles) I
really LOVE this shade and want to make myself one but I have no idea
where to find the pattern. My "local" stained glass store is 2 hours
away so it is helpful to know what I want when I get there, so if anyone
knows where I can find this pattern I would love to know. I guess I just
need to name of the book.
Thanks
Tammy

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From owner-glass Sun Aug 16 11:05:14 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: color energy & symbolism (Re: Religous Colors)
Date: Sun, 16 Aug 1998 13:07:53 -0400
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Hi Richard-

Actually halation is "the phenomenon
of light flooding around a solid object
and producing a blurred effect."  (I quote
Lawrence Lee from the book Stained
Glass".)

What you are talking about is Irradiation -
"the optical effects of transmitted light =

through translucent colours, and the fact
that this irradiation is unequal according to =

the colour - some colours recede, and others
advance, or spread.  19th century French
art historian Eugene Viollet-le-Duc wrote
extensively on the phenomenon... American
historian James Rosser Johnson bebunked
the theory.  Lee spends about a half page
on the subject in *Stained Glass - see page 18
under Painting with Light.

Hope that helps a bit!

Best,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sun Aug 16 12:05:33 1998
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From: <WhispyBlu@aol.com>
To: CBH861@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Patterns
Date: Sun, 16 Aug 1998 13:46:02 EDT
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In a message dated 8/16/98 9:17:03 AM Central Daylight Time, CBH861@aol.com
writes:

<< Also, I am looking for a pattern of the Dallas Cowboys and Denver Broncos
 logos to make for personal use.  Big fans of both teams live in my home. >>

I was able to find some good pics of the Dallas Cowboys on the web by going to
sports and following the "path" to the professional football teams.  It was
quite easy to adapt the football helmet of the Dallas Cowboys, so I think the
same would be true of the Broncos.
Same would appear to be true for finding a pic of a panther.  Hopes this
helps.

Lu Ann <Whispy Blu@aol.com>
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From owner-glass Sun Aug 16 15:29:46 1998
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Carol Swann <seaspray@mail.island.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: color and energy
Date: Sun, 16 Aug 1998 14:18:11 -0700 (PDT)
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References: <<199808151922.MAA08921@norm.island.net>>
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Hi Carol:  I definitely agree with you regarding color and its placement
in the electromagnetic spectrum having to do with health and energy
properties.  I recently did some research on light looking at the
ultraviolet and infrared properties of the light spectrum.  We know that
exposure to ultraviolet light can lead to depression, rapid skin aging and
cancern.  Exposure to infrared light waves can lead to deterioration of
the retina and damage to the eye's ability to distinguish color.

I found it interesting that the color spectrum was on a continum of the
electromagnetic spectrum starting with alpha, beta, and gamma radiation,
x-rays, ultraviolet, infrared, microwave and radio frequencies which are
the longest wavelengths.  The fact that light generates heat and heat is
energy makes it entirely plausible for color to play a part in healing as
well as the flip side of causing health problems.

However, art glass is composed of color pigments which are not part of the
light and electromagnetic spectrum.  In other words the colors reflected
by art glass do not provide the same energy as the rainbow of colors we
see as prismatic colors.

Peggy

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From owner-glass Sun Aug 16 15:52:27 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re:  Halation
Date: Sun, 16 Aug 1998 14:32:17 -0700 (PDT)
Message-ID: <1998Aug16.73217.0>
References: <<199808161659.MAA22379@vger.vgernet.net>>
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According to Hillman, Halation is a technique of surjrounding each glass
piece with a wide black outline, creating the effect called halation
between adjacent colors.  Halation is the spilling out and overlapping of
projected light, which adds a three-dimentsional look to the window.  The
Judson Studios in Los Angeles uses this technique for making church
windows.  Peggy

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From owner-glass Sun Aug 16 17:06:04 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re:  Halation
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Date: Sun, 16 Aug 1998 18:25:19 +0000
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> Judson Studios in Los Angeles uses this technique for making church
> windows. 

Well, inadvertently or not, all makers of stained glass use it, 
whether they're aware of it or not, since different colors do, as you 
say, affect one's perception of light differently.

Albert
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From owner-glass Sun Aug 16 17:28:58 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Prairie lamp shade pattern
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 16 Aug 1998 18:25:19 +0000
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> really LOVE this shade and want to make myself one but I have no idea
> where to find the pattern.

How about Prairie Designs of California, Box 886, Brisbane CA 94005-0886.
                      Phone: (415) 468-5319. Fax: (415) 468-6634. 

                           "Prairie style" patterns based on art glass
                           designed by Frank Lloyd Wright. Window
                           patterns are full size "as installed
                           originally" or reduced in size. Lamp
                           patterns are full size or reduced in size.
                           Reduced lamp patterns are also modified to
                           simplify the design. Window patterns
                           contain came style numbers. Lamp patterns
                           contain suggested glass stock numbers. Lamp
                           patterns contain complete bill of
                           materials, lampbase and shade patterns.
                           Completed wooden lampbases are also
                           available. Bases are available in walnut
                           and white oak. Two pattern books are
                           available that contain scale drawings of
                           original windows with an explanation of the
                           unique came design.

from
http://www.bungi.com/glass/igga/guidep.htm
the Guild's online Sources Guide.

Albert

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From owner-glass Sun Aug 16 17:36:28 1998
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From: <LByrne21@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Glass Visions Volunteers
Date: Sun, 16 Aug 1998 18:34:06 EDT
Message-ID: <1998Aug16.22346.0>
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Apologies are in order:  Several weeks ago I "put out a call" for volunteers
for the IGGA table at Warner-Crivellaro's "Glass Vision".  Immediately, my
computer went into withdrawal (for reasons of its' own) and between changing,
upgrading, and heaven knows what that goes on behind computer-chip-doors, I
lost my e-mail.  So here we go again.  Would appreciate hearing from anyone
who will be at this most enjoyable event, and, who would like to volunteer
some time, any time, attending the IGGA table.
          Also, all Bungians are invited to stop by the IGGA table and I will
have Bungi name tags for you, so we'll get to meet one another.  Perhaps it
might be best if you e-mail me direct, if you are interested in any of the
above, in order that we don't "clog" this list.
          Just like to add, that having attended this event last year, and
having had enjoyed great prices, along with interesting events....this year
will be, even better.  Improvements have been made to eliminate long check-out
lines, expanded browsing areas have been added, and, in general, just being
better organized.  (Got this information from a "drop-in" visit, last week to
W-C)....
          Looking forward to hearing from any and all.....Lavergne
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From owner-glass Sun Aug 16 17:44:40 1998
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From: <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: glass colors
Date: Sun, 16 Aug 1998 18:35:12 EDT
Message-ID: <1998Aug16.223512.0>
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Hey all.
    I've enjoyed reading on the meanings of colors.  I thought yall might get
a kick out of something I did.
   This first stained glass panel I did was one about 20" square.  It was out
of a victorians pattern book.  I used all cathedral glass.  It was beautiful.
Purples and pinks in the border, and it had 3 red tulips in the center.  I
placed it inside one of the front windows in my house.  Well, the next morning
when I got up, I of course stopped to admire it again, with the morning sun
pouring through it.  But then my attention was diverted to a big "stain" on
the carpet.  I was mad.  I was thinking the ol' husband must have spilled
grape juice or something on the carpet.  I stormed off to get the carpet
cleaner and I came back and sprayed it down....only to realize it wasn't a
stain after all, but the color coming through my stained glass window !!!

Susan
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Date: Sun, 16 Aug 1998 20:50:37 EDT
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please remove me from the list..... for now
deb
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please remove me from the list ...for now too! 
thanks, Doug
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From owner-glass Mon Aug 17 08:32:45 1998
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Subject: Re: color and energy
Date: Mon, 17 Aug 1998 10:09:14 EDT
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In a message dated 8/16/98 11:33:22 PM, edupjohn@slonet.org wrote:

>However, art glass is composed of color pigments which are not part of the
>light and electromagnetic spectrum.  In other words the colors reflected
>by art glass do not provide the same energy as the rainbow of colors we
>see as prismatic colors.

Point of clarification: The pigments used in coloring glass, fiber, or
anything else may not look like anything we recognize on the color wheel, but
the light they transmit or reflect, like all light, *is* made of a combination
(either additive or subtractive) of wavelengths from the electromagnetic
spectrum interfering with each other. The colors we see in a rainbow look
brighter and more energizing to us because each individual color is a pure
wavelength rather than a mixture.

Other than that (and I hope you'll excuse me if I'm saying something you
already know), there are two ways to produce a given color.

Mixing pigments produces a color by a subtractive process, cancelling out and
effectively "taking away" certain wavelengths. You can see this effect when
you mix paints or look though two sheet of glass placed behind another. The
color printing process (most commonly CMYK, for Cyan-Magenta-Yellow-blacK)
does this too, but more accurately than the red-yellow-blue scheme we all grew
up with from the time we were old enough not to chew on crayons.

On the other hand, with transmitted light, it's possible to produce a color by
an additive process. I'm sure we've all seen the demonstration where someone
takes 3 spotlights, one each with Red, Green, and Blue gels (hence RGB), and
shines them on the same spot, and the result is a patch of white light (or
something close to it) as the color spectrum recombines. TVs and computer
monitors produce additive color via RGB as well. (While it's possible to get a
good approximation of the CMYK result on a computer monitor, and sophisticated
devices are available for more accurate on-screen color calibration, we still
usually have to do a test print to make sure how it will look on paper.)

I ran across a book recently in the local library that demonstrated the
difference between colored dyes mixed from CMY(K) and from red-yellow-blue.
The CMY(K) colors were far more vibrant, but then RYB is something of a
simplification. (I think the book is called *Color and Fiber.* Gotta look it
up again. The book dealt specifically with color mixing for yarn dyeing, but
color is color and the principles of light are the same.)

And yes, I do sometimes see one color "jump out" from the others. Seems it's
more likely to happen when the color in question is close to a pure spectral
hue. Another thing that happens when you put two pure spectral hues next to
each other is the "vibration" effect, a visual "blurring" of the boundary
between the two.

We now return you to your regularly scheduled program already in progress. Cue
the peacock!


Sparks
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From: "Doug Scale" <proffire@ebtech.net>
To: "Doug Parrott" <bird_cage@email.msn.com>, "bungi group" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Non glass Fw: Why it is great to be a guy
Date: Mon, 17 Aug 1998 18:05:48 -0400
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Subject: Non glass Fw: Why it is great to be a guy


>Thought this was a kick and wanted to share it
>Hope I don't offend any of you guys...... just thought this was funny
>
Cheryl

Why would it offend us,, it's all true!!

Doug Scale



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From owner-glass Mon Aug 17 20:42:21 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Unusual comments
Date: Mon, 17 Aug 1998 19:18:21 -0700
Message-ID: <1998Aug17.121821.0>
References: <<1998Aug11.151353.0>>
Organization: Maiden Concepts
Precedence: bulk

I was at a show this weekend.  My 72 year old(WWII war bride) mother
came to see how I was doing.  This customer asked her where she was from
orginially, because she recognised her  English accent.  The customer's
(about) 8 year old daughter, then asked my mother, "Did it take you a
long time to learn to talk that way?"  A question she has never been
asked in the 53 years she has been here!
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From owner-glass Mon Aug 17 23:38:45 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: stained glass software
Date: Tue, 18 Aug 1998 16:24:00 +1000
Message-ID: <1998Aug19.2240.0>
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I just found this link with free software and texture for stained glass
effects.
http://www.apmagic.com/stg/stg.htm


Harlequin
www.surf.to/harlquin


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From owner-glass Tue Aug 18 02:18:22 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Religous Colors/Symbols
Date: Tue, 18 Aug 1998 01:33:51 -0700
Message-ID: <1998Aug17.183351.0>
References: <<1998Aug15.85943.0>>
Organization: Maiden Concepts
Precedence: bulk

This is very Timely discussion.  I just got a phone call from a customer
wanting a stepping stone as a wedding gift.  We were discussing the
possiblilities, when we thought about doing something symbolic. 
Something to signify a good marriage, a good life, etc.  The only thing
I am aware of is the southwest indian symbols.  Made my brother and his
wife a Navajo Angel(not glass)holding a hide with a bear symbol on it. 
The bear represented a harmonious household.  It was appropriate, since
it was a house warming gift.
The couple that are getting married have scandinavian heritage. 
Elisabeth and Toby, anyone, have any ideas?

Michael J. Greer wrote:
> 
> Suzanne-
> 
> Thank you for sharing the =
> 
> color symbology with us - of
> course, much of the Christian
> symbology is rooted in the
> older pagan religions.  And
> there are many symbols in
> religion beyond color which
> are still used even though
> literacy has banished the need
> for them.  This would make
> kind of an interesting little
> discussion - I don't think we've
> tackled this topic on bungi in
> a few years.  Topic of the Week
> maybe?  with a subject line
> "Symbols" for those who care to
> delete?  Would love to read =
> 
> what others know.
> 
> Best regards,
> 
> Dani Greer
> Greer Gallery & Studios
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From owner-glass Tue Aug 18 08:04:37 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: SG software
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Tue, 18 Aug 1998 07:28:11 +0000
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> 
> > I just found this link with free software and texture for stained glass
> > effects.
> > http://www.apmagic.com/stg/stg.htm
> > 
> > 
> > Harlequin
> > www.surf.to/harlquin
> 
> This is going to be very helpful.  Thanks
> 
> Shiela
> 
> 
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From owner-glass Tue Aug 18 14:43:41 1998
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X-Path: globalnet.co.uk!aareg
From: "Tony Regan" <aareg@globalnet.co.uk>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Bio Tony and Barbara Regan
Date: Tue, 18 Aug 1998 22:05:41 +0100
Message-ID: <1998Aug18.23541.0>
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This is a multi-part message in MIME format.

------=_NextPart_000_0040_01BDCAF4.56F6FCA0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

    Thank you Patrick for publishing our Bio

I had forgotten that you had one from us.

By the way our name is REGAN - the other spelling belongs to the black =
sheep of the family - Strangely topical this week with Monica & Bill =
hitting the headlines!!

Elizabeth tells me not to lurk too much, but I always read and digest =
the mail daily.

Kind regards to all

Tony Regan



------=_NextPart_000_0040_01BDCAF4.56F6FCA0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.1712.3"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT color=3D#000000 size=3D2>&nbsp;&nbsp;&nbsp; Thank you Patrick =
for=20
publishing our Bio</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>I had forgotten that you had one =
from=20
us.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>By the way our name is REGAN - the other spelling =
belongs to=20
the black sheep of the family - Strangely topical this week with Monica =
&amp;=20
Bill hitting the headlines!!</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Elizabeth tells me not to lurk too =
much, but I=20
always read and digest the mail daily.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Kind regards to all</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Tony Regan</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0040_01BDCAF4.56F6FCA0--

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From owner-glass Tue Aug 18 18:16:14 1998
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Symbols & Colors in different cultures/belief systems
Date: Tue, 18 Aug 1998 18:41:54 -0400
Message-ID: <1998Aug18.144154.0>
Organization: @Home Network
Precedence: bulk

HI
I ment to add any one have knowlege of different colors for diverse
groups/cultures/belief systems/religions also.  They may differ from the
Christian ones.

Lee Boe
Rain-Boe's Creations
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From owner-glass Tue Aug 18 18:28:44 1998
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From: leestat7 <leestat7@home.com>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Religous Colors/Symbols
Date: Tue, 18 Aug 1998 17:34:10 -0400
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References: <<1998Aug15.85943.0>>
Organization: @Home Network
Precedence: bulk

hi Dani,

I too would like to hear more on this, particularly different symbolism.
Like old viking, celtic, arabic, chinese, etc.

Lee Boe
Rain-Boe's Creations

Michael J. Greer wrote:
> 
> Suzanne-
> 
> Thank you for sharing the =
> 
> color symbology with us - of
> course, much of the Christian
> symbology is rooted in the
> older pagan religions.  And
> there are many symbols in
> religion beyond color which
> are still used even though
> literacy has banished the need
> for them.  This would make
> kind of an interesting little
> discussion - I don't think we've
> tackled this topic on bungi in
> a few years.  Topic of the Week
> maybe?  with a subject line
> "Symbols" for those who care to
> delete?  Would love to read =
> 
> what others know.
> 
> Best regards,
> 
> Dani Greer
> Greer Gallery & Studios
> ----
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> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
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From owner-glass Tue Aug 18 18:48:03 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Diamondcrete
Date: Tue, 18 Aug 1998 17:30:42 -0700
Message-ID: <1998Aug18.103042.0>
Organization: Maiden Concepts
Precedence: bulk

I just got this unsolited blurb.
Anyone have any comments about this stuff?Hello,



 We manufacture a cementious product we call Diamond-crete. We have the
exclusive rights to this name, in fact the name "Diamond-crete" is
trademarked. The makers of Diamond-crete  (that is used in the stained
glass industry) contacted us and asked us not to enter the stained glass
market. At the time, I had no idea what the size of the market was.
Since we have had many requests for the product we have conducted tests
comparing our Diamond-crete product with the other Diamond-crete product
as  manufactured by Rayner INC. We list below the features and benefits
of our Diamond-crete product. You will notice very quickly, after using
our product, how much easier our product is to use. Our product is not
only better but it is less costly. Our product sells for 80 cents per
pound compared to a $1.60/lb. For our competitors product. The following
are other features:

1. our product bonds to glass
2. does NOT absorb water therefore will not freeze and crack
3. it is somewhat flexible (1585 p.s.i.)
4. it is very strong as strong as concrete footings for commercial and
residential buildings. (5800 p.s.i. plus)
5. it is environmentally safe.
6. Can be used as an adhesive
7. Can be poured as thick as you want (1/4 in. to any thickness)
8. Salt will not affect this product
9. Is NOT affected by freeze/thaw or extreme heat
10. Unaffected by u.v. rays therefore color will maintain


  Other uses other than stepping stones are using for thin pours such as
coasters, ashtrays, tabletops etc.

  We offer a 5 gallon bucket which is approximately 60 lbs. Of product
for $50.00 plus shipping or up to a 50% discount and beyond for repeated
orders.



             Thank you and we hope to hear from you soon.



Todd Binkley     (410) 526-4018 (home)
                            1-877-346-4742 (toll free fax line)
                            info@diamondcrete.com
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From owner-glass Wed Aug 19 02:11:28 1998
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X-Path: globalnet.co.uk!aareg
From: "Tony Regan" <aareg@globalnet.co.uk>
To: <Glass@bungi.com>
Content-Type: text/plain;
Subject: Re: bio #45  Tony & Barbara Reagan
Date: Wed, 19 Aug 1998 09:19:03 +0100
Message-ID: <1998Aug19.10193.0>
Precedence: bulk

Dear Elizabeth,

Thanks for your kind words.

I do monitor the bungi e.mails every day, and find it most interesting.
BUT - I WILL "HOLLER" A LITTLE LOUDER IN FUTURE!!!!

I love to read your banter, especially with Patrick !!

Its been an especially busy summer so far and will try to contribute more.
especially when the dark evenings come.

Our kind regards

Tony & Barbara

"A minute depends on which side of the bathroom door you are"
-----Original Message-----
From: Toby <toby@northlights.co.uk>
To: glass@bungi.com <glass@bungi.com>
Date: 16 August 1998 00:48
Subject: Re: bio #45 Tony & Barbara Reagan


>Well.....,
>Tony and Barbara,
>I have been very much looking forward to hearing a bit more about
>you.
>Thank you for your Bio. Please  rest assured that I will include you
>in  other projects I have in mind.
>Interesting that you should be particularly interested in Art Deco.
>I am STILL planning a "proper" stained glass excursion to Glasgow to
>have a real "gawp" at MacIntosh glass. Involving and drawing on all
>the luminaries and experts we can muster - through official channels
>or pure cheek. It would be great if we could involve Steve as well
>into the project. His Bio - to me - is just as fascinating. The whole
>thing is, there are also several people in Bungi USA with Scottish
>connections who also are angling with me for this trip to Glasgow..
>So I am torn in timing it to a purely UK get-together, or a
>get-together with our American friends.
>
>Anyhow, I am planning to visit some old friends on the South Coast
>shortly and will want to make a detour to Bournemouth.
>I also want to visit Colin Stokes in Somerset in the not too distant
>future.  He helped me enormously many years ago overcoming my fear of
>drawing, designing and adding paint onto glass, so - at least I was
>prepared to experiment and learn about it.
>
> You mention Paul. Yes, I have met him a number of times.... seen his
>work..... he is quite a Showman. I don't particularly agree with him,
>his style and feel slightly uneasy at his marketing tactics. Sure, he
>makes money, but  I am not entirely convinced about the enduring
>quality of the work he himself produces. I have received quite a
>number of his mystified, inquisitive "fall-out" students over the
>years. He does have some profile in UK (in particular around
>Oxford) , I just hope he will pass on the real knowledge and "hunger"
>of more knowledge about stained glass. He himself will attend Craft
>Fairs and strings a circular 3 colour fused glass abstract object up
>on a simple  wrought iron stand - the total perhaps 10 inches
>diameter. The price tag attached asks for UK.Sterling 3.500.
>Somewhat breathtaking!! His approach to the public is about as
>arrogant. No wonder one sees the same object strung up  Craft Show
>after Craft Show - unsold. He is a Fellow of  B.S.M.G.P. - on what
>merit I do not know.. Please forgive me, if I sound dismissive.
>Absolutely NOT intentional!! He just puzzles me tremendeously. I do
>so hope his teaching is different from the examples of the work  he
>is displaying as his own. My students can't work him out either.
>I have occasionally  harboured a desire to see him in a discussion/
>debate with Malcolm Miller.....
>
>As regards UK Bungi representation;  With a
>little time.... there WILL be more people in UK at Bungi...... don't
>forget I was a very, very lonely voice to start with.... now some
>years ago.
>Every single day there is another stained glass artist in UK hooked
>up to the Net; they JUST haven't found us yet. They WILL.....
>
>Nothing could please me more, if I have played a small part in
>introducing you a bunch of rather nice people working in stained
>glass. We'll meet up, we'll work on it.  But Thank You!!
>Cannot tell you how pleased I am , that you are there.
>Only wish you would "holler" more loudly - now and then
>Elisabeth 'n Toby in UK
>
>>We  are both fascinated with art deco, and in particular Mackintosh,
>and this
>> tends to influence some of our work.
>>
>> We make large mirrors, illuminated tables & lamps { not Tiffany}  and
>> panels, mostly by commission, jewellery sculptures, and other decorative
>> objects which defy description.
>>
>> Last summer we had a piece [ Madonna & Child ] in the" Festival of Light"
>> summer exhibition organized by the Tate Gallery in St.Ives. This is a 3
>> dimensional illuminated piece and was our first proper exhibition after
some
>> 4 years of stained glass projects. This summer we will be going to
Brittany
>> with our glass to the Tall Ships Maritime Festival, and are busy looking
at
>> "sea" themes.
>>
>> Sorry this is a bit rambling - and if anyone gets this far they must have
a
>> low threshold of boredom, or anticipate something to come - which
doesn't!!
>>
>> Thanks to Elisabeth for introductions.
>>
>> Are there any Bungi's in Cornwall? Or Devon ? The South West? The South?
>>
>> Regards
>>
>> Tony & Barbara Regan
>>
>>
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>>
>>
>----
>As my grandmother said "...there is only nobility of mind"
>North Lights Stained Glass - homepage
>http://www.netlink.co.uk/users/kris/northlights/index.htm
>----
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>



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Hi All,

It's quite extraordinary how "things fall into place" - far and near.
I have followed the exchange between Dani & Suzanne with great 
interest. I happen to have the same book that Suzanne quoted from. 
Not only that, but I remember many, many years ago studying light and 
colours as it affects emotional well-being,  industrial environment, 
office environment and hospital environment. Of course, light and 
colours are the ONE important factor in Scandinavia,  where half the 
year you are plunged into black darkness and the other half the sun 
hardly goes down.  This then some years later, was emphasized, 
reinforced and extended through my studies in the metaphysical 
spheres.

Last Sunday - as every Sunday - I went to get my "fat" Sunday Times, 
with all the world news, UK news, money bits, financial bits and so 
on. In the Colour Supplement, the feature Article (pages and pages ), 
what should I find???
An article entitled "Medicine switches on to the 
extraordinary healing power of light".

It recounts an international  conference in UK at Reading University 
last month attended by scientists, medics, laser specialists, colour 
specialists; alternative practicants, and so on.....

The secondary head-lines read:
"It can cure cancer, TB, hepatitis, pneumonia, as well as a range of 
of viral diseases and psychological disorders...."
I am going to make a copy of the article for myself, and as regards 
the original.... anyone interested..,.. and to disseminate it for the 
rest of us...?

Isn't it funny, what the ancient glass masters, alchemists & the 
Church knew 100's and 100's of years ago as regards colours and 
light, is now treated as if it was a brand new discovery.
What goes around, comes around...:->

Elisabeth 'n Toby in UK


Shirley wrote:
> This is very Timely discussion.  I just got a phone call from a customer
> wanting a stepping stone as a wedding gift.  We were discussing the
> possiblilities, when we thought about doing something symbolic. 
> Something to signify a good marriage, a good life, etc.  The only thing
> I am aware of is the southwest indian symbols.  Made my brother and his
> wife a Navajo Angel(not glass)holding a hide with a bear symbol on it. 
> The bear represented a harmonious household.  It was appropriate, since
> it was a house warming gift.
> The couple that are getting married have scandinavian heritage. 
> Elisabeth and Toby, anyone, have any ideas?
> 
> Michael J. Greer wrote:
> > 
> > Suzanne-
> > 
> > Thank you for sharing the =
> > 
> > color symbology with us - of
> > course,
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Wed Aug 19 05:48:28 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Diamondcrete
Date: Wed, 19 Aug 1998 08:02:37 -0400
Message-ID: <1998Aug19.4237.0>
Precedence: bulk

I found this looking for diamondcrete.com.=20

http://www.diamondcrete.com/pi/pi.html

Sounds good to me. I wouldn't mind buying it and trying it out but I'd =
hate to pay shipping on 50 lbs. Wonder why they would even let another =
company use the same name for their product?

Linda

----------
From: 	Shirley Balloch[SMTP:balloch@netbridge.net]
I just got this unsolited blurb.
Anyone have any comments about this stuff?

Hello,



 We manufacture a cementious product we call Diamond-crete. We have the
exclusive rights to this name, in fact the name "Diamond-crete" is
trademarked. The makers of Diamond-crete  (that is used in the stained
glass industry) contacted us and asked us not to enter the stained glass
market. At the time, I had no idea what the size of the market was.
Since we have had many requests for the product we have conducted tests
comparing our Diamond-crete product with the other Diamond-crete product
as  manufactured by Rayner INC. We list below the features and benefits
of our Diamond-crete product. You will notice very quickly, after using
our product, how much easier our product is to use. Our product is not
only better but it is less costly. Our product sells for 80 cents per
pound compared to a $1.60/lb. For our competitors product. The following
are other features:

1. our product bonds to glass
2. does NOT absorb water therefore will not freeze and crack
3. it is somewhat flexible (1585 p.s.i.)
4. it is very strong as strong as concrete footings for commercial and
residential buildings. (5800 p.s.i. plus)
5. it is environmentally safe.
6. Can be used as an adhesive
7. Can be poured as thick as you want (1/4 in. to any thickness)
8. Salt will not affect this product
9. Is NOT affected by freeze/thaw or extreme heat
10. Unaffected by u.v. rays therefore color will maintain


  Other uses other than stepping stones are using for thin pours such as
coasters, ashtrays, tabletops etc.

  We offer a 5 gallon bucket which is approximately 60 lbs. Of product
for $50.00 plus shipping or up to a 50% discount and beyond for repeated
orders.



             Thank you and we hope to hear from you soon.



Todd Binkley     (410) 526-4018 (home)
                            1-877-346-4742 (toll free fax line)
                            info@diamondcrete.com

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From owner-glass Wed Aug 19 07:27:44 1998
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From: <LuvArtGlas@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Diamondcrete
Date: Wed, 19 Aug 1998 09:25:05 EDT
Message-ID: <1998Aug19.13255.0>
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Has anyone tried this new product????

Suzan
LuvArtGlas@aol.com
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From owner-glass Wed Aug 19 07:51:17 1998
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Subject: Re: Religous Colors/Symbols
Date: Wed, 19 Aug 1998 09:38:46 EDT
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I for one, would love to see what the " Times" had to say about color...:)

Suzan
LuvArtGlas@aol.com
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From owner-glass Wed Aug 19 08:00:06 1998
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Content-Type: text/plain; charset="US-ASCII"
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EliSabeth wrote:

>An article entitled "Medicine switches on to the 
>extraordinary healing power of light".
>
>It recounts an international  conference in UK at Reading University 
>last month attended by scientists, medics, laser specialists, colour 
>specialists; alternative practicants, and so on.....
>
>The secondary head-lines read:
>"It can cure cancer, TB, hepatitis, pneumonia, as well as a range of 
>of viral diseases and psychological disorders...."
>I am going to make a copy of the article for myself, and as regards 
>the original.... anyone interested..,.. and to disseminate it for the 
>rest of us...?

Yes, Yes, Yes, Elisabeth!
If you will mail me the article I will copy it onto Bungi for the rest of 
us.
Thanks!

Suzanne

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From owner-glass Wed Aug 19 11:05:46 1998
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From: Carol Tombro <ctombro@InfoAve.Net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: nonglass - Medicine switches/power of light
Date: Wed, 19 Aug 1998 12:01:26 -0400
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Elisabeth,

I would like to see that article on the healing power of light.  As a
cancer survivor, I'm most interested in reading it.  If you would e mail
it to me personally, or perhaps everyone else would like to read it
also, I'd appreciate it very much.

Carol T

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From owner-glass Wed Aug 19 13:11:33 1998
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From: glasschic <joyce@mail.bright.net>
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Subject: Re: Diamondcrete
Date: Wed, 19 Aug 1998 15:09:29 -0400 (EDT)
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At 09:25 AM 8/19/98 EDT, LuvArtGlas@aol.com wrote:
>Has anyone tried this new product????
>
>Suzan

Yes I got some of it just last week....and it seems to be very good.
Relatively easy recipe for mixing....and the colors!! Nice!  I will just
have to take their word for the extra durability until the stones have been
around a while but I liked it very much.

Garden of Glass
Joyce Moran
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From owner-glass Wed Aug 19 13:32:00 1998
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From: "Doug Parrott" <bird_cage@email.msn.com>
To: "Shirley Balloch" <balloch@netbridge.net>
Subject: Re: Diamondcrete
Date: Wed, 19 Aug 1998 09:16:32 -0700
Message-ID: <1998Aug19.21632.0>
Precedence: bulk

Shirley,

just found this on the Art Glass World Bulletinborad:

www.colebrothers.com/stainedglass

you might want to check it out.   A company has duplicated the diamondcrete
formula.   This  may be worth checking out.  For a $10 fee, they will pass
the formula on to you.  It is supposed to cost about .50 a lb to make
yourself.

Cheryl
-----Original Message-----
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com <glass@bungi.com>
Date: Tuesday, August 18, 1998 7:02 PM
Subject: Diamondcrete


>I just got this unsolited blurb.
>Anyone have any comments about this stuff?Hello,
>
>
>
> We manufacture a cementious product we call Diamond-crete. We have the
>exclusive rights to this name, in fact the name "Diamond-crete" is
>trademarked. The makers of Diamond-crete  (that is used in the stained
>glass industry) contacted us and asked us not to enter the stained glass
>market. At the time, I had no idea what the size of the market was.
>Since we have had many requests for the product we have conducted tests
>comparing our Diamond-crete product with the other Diamond-crete product
>as  manufactured by Rayner INC. We list below the features and benefits
>of our Diamond-crete product. You will notice very quickly, after using
>our product, how much easier our product is to use. Our product is not
>only better but it is less costly. Our product sells for 80 cents per
>pound compared to a $1.60/lb. For our competitors product. The following
>are other features:
>
>1. our product bonds to glass
>2. does NOT absorb water therefore will not freeze and crack
>3. it is somewhat flexible (1585 p.s.i.)
>4. it is very strong as strong as concrete footings for commercial and
>residential buildings. (5800 p.s.i. plus)
>5. it is environmentally safe.
>6. Can be used as an adhesive
>7. Can be poured as thick as you want (1/4 in. to any thickness)
>8. Salt will not affect this product
>9. Is NOT affected by freeze/thaw or extreme heat
>10. Unaffected by u.v. rays therefore color will maintain
>
>
>  Other uses other than stepping stones are using for thin pours such as
>coasters, ashtrays, tabletops etc.
>
>  We offer a 5 gallon bucket which is approximately 60 lbs. Of product
>for $50.00 plus shipping or up to a 50% discount and beyond for repeated
>orders.
>
>
>
>             Thank you and we hope to hear from you soon.
>
>
>
>Todd Binkley     (410) 526-4018 (home)
>                            1-877-346-4742 (toll free fax line)
>                            info@diamondcrete.com
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass




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From owner-glass Wed Aug 19 14:42:13 1998
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From: <StndGlass1@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Diamond-crete e-mail
Date: Wed, 19 Aug 1998 16:35:34 EDT
Message-ID: <1998Aug19.203534.0>
Precedence: bulk

Just a note for those that were discussing the Diamond-crete e-mail that was
sent out.  I talked with the manufacturer of DiamondCRETE this morning, and he
let me know that this has been a major source of confusion.  The e-mail that
was sent out is from a company that is using the same name (looks like they
had it first, too) and selling an epoxy-based floor tile cement.  While it
will work for mosaic floor applications and stuff of the like, IT WILL NOT
WORK for garden stepping stones.   The manufacturer of the DiamondCRETE for
stepping stones has asked me to forward this information on to you.

Jenna Meredith-Sanders
Meredith Stained Glass
http://www.meredithglass.com
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From owner-glass Wed Aug 19 16:48:14 1998
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From: <WhispyBlu@aol.com>
To: StndGlass1@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Diamond-crete e-mail
Date: Wed, 19 Aug 1998 18:39:23 EDT
Message-ID: <1998Aug19.223923.0>
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This really does make things confusing huh?  One company says it will work and
the other says it won't.  Which one to believe....hmmmm!!!?????

Thanks for putting the effort into calling Jenna, I do appreciate the effort
to clear things up even if I'm not sure what or who to believe between the two
companies.

Lu Ann
<Whispy Blu@aol.com>
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From owner-glass Wed Aug 19 17:50:38 1998
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From: "Toby" <toby@northlights.co.uk>
To: "suzy@comcat.com" <suzy@ComCAT.COM>
Content-Type: text/plain; charset=US-ASCII
Subject: UK Sunday Times Artcile of Lights/Colours
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 20 Aug 1998 00:52:41 +0000
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Phew!!!

Goodness me! That was quite a postbag I got.....

There is no way I am going to play "Solomon" here... there are just 
too many heart-rendering stories.
I am not yet very good at scanning and pasting.

So what I will do is the following;
I will post the original entire Magazine to Suzanne Albright (as I am 
preparing a parcel for her anyway...).  I will rely on her wisdom and 
sensitivity to disseminate and forward on the information further to 
you in USA. I am going to make photo-copies for myself and a few 
extra for close "buddies". (Suzanne - I will give you off-group 
particular details....).

The article is The Feature Article in the Sunday Times Colour 
Supplement of last Sunday; as such it occupies about 6-7 pages and 
colour photographs. It is written by a journalist (Peter Martin) who 
does have a few lines of "flippancy" and throw-away lines.. 
Nevertheless, the article does also contain  names of people, 
institutions and references to particular research areas & fields.
It might hopefully be a "trigger" to anyone who has touched on 
metaphysical, "alternatives", alchemy studies or at all been involved 
in further teachings by the ancient mystical schools.

It's strange and wonderful in some ways; that this discussion has 
come back  to very old historical purposes of what stained glas was 
all about; to tell a story, to transmit colours & light and to 
transmit healing.

One of the main reasons I have fallen victim to stained glass is 
presicely because I myself am a victim to light and colours. My 
life-cycle is virtually ruled by it, by the very nature of WHERE I 
was born. Rather than fighting it, denying it, I have given in to it, 
 tried to learn about its nature, its seasons, it effects and how I 
can use it to my own advantage, how I can "ride" it. 
I live in a low-slung old English cottage with beams 'n things. 
Anyone taller than 5'10" has to duck. The windows are small Georgian 
panes. Over the years I have changed the dark interior, initially 
decorated with strong wild,, imposing and dark (almost threatening) 
flower-patterns into a simple, unpatterned,  white and pale yellow.. 
My Kitchen door opens out directly into an enclosed patio, which is 
virtually my Summer living-room. I have pale flag-stones, white 
painted rendered walls and 2 flowerbeds which Toby and I fight over.
HE wants WHITE Bone Sculptures growing tall, I want red, orange and 
yellow flowers growing. I occasionally WIN....
The garden "proper" I have fought for and over for almost 20 years. 
That too I have visions of red, orange and yellow; intermingled with 
blue, purple and white.
In stained glass too, a particular colour will so very often chose 
its own design for me - not the other way round. . When I take on a 
commission, I always go myself and look, test and feel the light in 
situ, I discuss colours, I discuss interior decoration, before I 
develop the design itself. Having once come up with the design to 
match the light and colours I carry in my minds vision, more often 
than not my customers / patrons will  -by themselves - chose the 
decor around  what I see and feel.  Spanish designer terracotta tiles 
will be ordered to match MY stained glass, designer wall-paper will 
be ordered or even hand-made to match my visions of the colours, and 
in - at least 2 cases - entire buildings have been rearranged to 
match  my vision of colours and light. Quite a compliment!! A Roman 
Catholic Chuirch once changed an Annexe to become a Lady Chapel on 
the strength of the stained glass I designed created and made for 
them.....

I still have sooooo much to learn about techniques, new ideas and 
even OLD techniques. I don't paint and fire on glass (but I Do want 
to learn MORE.....); I only do copper-foil for 3-D objects; but I 
have never yet been faulted on my "EYE" for colour or light..... nor 
in deed about my "structural engineering" That I have entirely my 
"Heritage" to thank for. It is interesting - however - that this very 
heritage should come back in so many forms - not least in the 
"healing" capacity. My own exposure to so many cultures, countries, 
landscapes, mentalities and philosophies just makes me realize so 
very often -just how much there is to learn in terms of Human
Experiences and about the History of Mankind.

Light and Colours, being one of these things.......

Take Care!
Elisabeth 'n Toby in UK


> EliSabeth wrote:
> 
> >An article entitled "Medicine switches on to the 
> >extraordinary healing power of light".
> >
> >It recounts an international  conference in UK at Reading University 
> >last month attended by scientists, medics, laser specialists, colour 
> >specialists; alternative practicants, and so on.....
> >
> >The secondary head-lines read:
> >"It can cure cancer, TB, hepatitis, pneumonia, as well as a range of 
> >of viral diseases and psychological disorders...."
> >I am going to make a copy of the article for myself, and as regards 
> >the original.... anyone interested..,.. and to disseminate it for the 
> >rest of us...?
> 
> Yes, Yes, Yes, Elisabeth!
> If you will mail me the article I will copy it onto Bungi for the rest of 
> us.
> Thanks!
> 

> 
----
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North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Wed Aug 19 19:29:48 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Diamondcrete
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 19 Aug 1998 21:16:34 +0000
Message-ID: <199808200318.XAA26818@vger.vgernet.net>
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> A company has duplicated the diamondcrete
> formula.   This  may be worth checking out.  For a $10 fee, they will pass
> the formula on to you. 

Hmm.  They also offer
HOW TO START AND OPERATE A GIFT BASKET COMPANY 
HOW TO START A PHOTOGRAPHY BUSINESS 
HOW TO START AND OPERATE AN ASPHALT REPAIR COMPANY
HOW TO START AND OPERATE A SEALCOATING COMPANY 
HOW TO START AND OPERATE A STRIPING COMPANY and
HOW TO FORM A SUB CHAPTER S CORPORATION

Does it make you wonder as much as it makes *me wonder? And what *is 
a "striping company"? Do they do that pinstriping on cars? Sounds to 
me like they're in the business of xeroxing low-end info sets and 
making big bucks. (Too bad they can just xerox the money.) <g>

Perhaps one of the bungi denizens should offer to test the "formula," 
assuming it's not patented (since the Diamondcrete name was 
trademarked, I suspect they did their other legal chores, too).

Just call me grouchy and suspicious ... or you can call me

Albert <s>
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From owner-glass Wed Aug 19 19:52:37 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Diamond-crete e-mail
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 19 Aug 1998 21:16:34 +0000
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> was sent out is from a company that is using the same name (looks like they
> had it first, too)

Using it first won't count in this case, since the other company 
trademarked it. Sounds like some lawyers are going to get rich.

Albert
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From owner-glass Thu Aug 20 00:20:20 1998
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X-Path: aol.com!LuvArtGlas
From: <LuvArtGlas@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Diamondcrete
Date: Thu, 20 Aug 1998 02:15:53 EDT
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Mr Cole sent this to me a few days ago....

<< Subj:	 Re: Publishing
 Date:	98-08-16 22:44:47 EDT
 From:	scole@cheney.net (Steven Cole)
 To:	LuvArtGlas@aol.com
 
 We don't publish any patterns.  We borrow them, draw them, trace them,
 get them out of coloring books etc..  I publish some business startup
 guides and my wife and I make stained glass stepping stones as a side
 business.  I developed the mix for our stones because diamondcrete was
 too expensive and I thought I would just add the formula to the stained
 glass booklet.  I just poured a nice light pink cement  with green,
 yellow and deep purple glass and I am looking forward to popping it out
 in the morning.  That is the best part.  Do you make stepping stones and
 stained glass?  My wife got into it a while back and she really loves
 it.  Now shes got me hooked too.
 
 Talk to you later,
 
 Steven Cole >>

Suzan
LuvArtGlas@aol.com

PS. Albert, "STRIPING" refers to parking lot stripes....someones gotta do it
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Subject: Patterns
Date: Thu, 20 Aug 1998 02:22:34 EDT
Message-ID: <1998Aug20.62234.0>
Precedence: bulk

Has anyone seen a pattern for a Ferret????
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From owner-glass Thu Aug 20 01:25:54 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Diamond-crete e-mail
Date: Thu, 20 Aug 1998 01:57:18 -0400
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Well, Albert, some lawyers may get
rich on this one, but first some company
is going to get rich on over-priced and
cleverly marketed cement!!  Those of
us who know a little about cement
casting are shaking our heads and
saying "Well, I'll be jiggered, wish I'd
thought of that first!"  Then again, we
probably wouldn't have had the guts
to take advantage of someone that way!

Best regards,

Dani Greer
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From owner-glass Thu Aug 20 04:45:05 1998
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From: "Vic LaGreca" <vlg@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass carving/blasting set up
Date: Thu, 20 Aug 1998 06:36:58 -0400
Message-ID: <19980820103330.ETC19638@vic>
Precedence: bulk

Desperate for assistance/recommendations 

For my birthday, my wife gave me an 80 gallon 6.5 HP, two stage compressor,
a blasting tank, blasting cabinets, and the makings for 4 blasting stations
(for hobby room, garage's etc.) including water filters, regulators, and
coalescing filters and best of all a PLUMBER to install it all.

Here is my problem.  Although this plumber has done work for me for the
past twenty years from furnace conversions, new baths, remodels of old
baths, gas line installation and a million other projects, all without a
problem, this set up is leaking like a sieve. 

We are using 1/2-inch steel "black pipe" with various type connections,
sealed with "dope", for the installation.  Is there a special type of
sealer for airlines under pressure (175 psi from the tank)?  Since the air
is not an environmental or health problem, I am not too concerned but would
prefer a tight system.  The plumber is returning today to re-do the leaks,
but I would like to know what my expectations should be with this type of
system.  For example, is there an acceptable tolerance which one has to
accept or is a completely tight system possible?

Ciao

Vic LaGreca, SIOR, CCIM

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From owner-glass Thu Aug 20 08:49:06 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Glass carving/blasting set up
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 20 Aug 1998 10:48:09 +0000
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> problem, this set up is leaking like a sieve. 

Vic,

For my money, the reigning expert in abrasive blasting is

Norm Dobbins
Professional Glass Consultants
2442 Cerrillos Road, Suite 350
Santa Fe NM 87505 - 3262

Phone: ( 505 ) 473 - 9203
Fax: (505) 473-9218


I think if you'd give him a call, he'd be glad to advise you.

Albert
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From owner-glass Thu Aug 20 09:10:57 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Patterns
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 20 Aug 1998 10:48:09 +0000
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> Has anyone seen a pattern for a Ferret????

There's a black-and-white trilogy of them at
http://www.petloves.com/images/art/a-ferrets2.jpg

and a line drawing of the upper half of one standing up at
http://ascc.artsci.wustl.edu/~kjmcelha/simple.gif 
and a real cute one at
http://w3.one.net/~ferret/images/join.gif

There's also a profile of the whole animal at
http://ferretcentral.org/gifs/icons/central-logo.gif and
http://members.aol.com/dcanals/ferret.gif
although you'd have to get rid of some type, as well as at
http://pw1.netcom.com/~lobo123/Images/ferret.gif

There's a nice standing ferret in three-quarter profile at
http://ftp1.rad.kumc.edu/pics/nature/ferret.gif 
It seems very suitable to an attractive design and one at
http://userdata.acd.net/ferret/img/sablehob2.gif an another at
http://www.acorn-embroidery.com/IMAGES/ferret.JPG

There's another with a butterfly and foliage at
http://userdata.acd.net/ferret/img/a7.gif

A ferret kit's at
http://userdata.acd.net/ferret/img/kit.gif

There's what looks like the basis for nice ferret stationery at
http://userdata.acd.net/ferret/img/kitrun.gif 
which has two (count 'em, two!) ferret kits

There's one in a hammock ( ! ) at
http://userdata.acd.net/ferret/img/naptime2.gif

There's an animated GIF of two of 'em (eeeuuuw!) at
http://vqinc.com/images/feretgf.gif

There one in Puss-in-Boots attire at
http://www.bga.com/~pixel/Fur/jerone1.gif
although you should allow some download time - it's BIG!

and there are lots of photos here and there. A plethora of ferrets! 
Watch out for copyright, though.


Albert
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From owner-glass Thu Aug 20 09:19:44 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Diamond-crete e-mail
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 20 Aug 1998 10:48:09 +0000
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> Well, Albert, some lawyers may get
> rich on this one, but first some company
> is going to get rich on over-priced and
> cleverly marketed cement!!  

But Dani, we're talking about the stained glass world, in which 
overpriced, inessential items are flogged like mad, right? <g>

Truly resourceful "Amurrican" artisans have always found ways to 
create their own tools and and find alternative routes to the 
supplies they need. That said, I expect to get the usual brickbats 
and hate mail, but heck, I was trained as a potter, old-style, with 
the expectation that I'd build my own kilns, formulate my own glazes 
from scratch, and so on, an attitude I carried through into glass as 
well.

You can't expect the re-packagers to shoot themselves in the foot by 
telling their customers that there are less expensive sources (the 
ones *they use), nor that all they're doing is buying and bottling or 
bagging larger quantities down into hobby sizes any more than you'd 
expect them to comply with MSDS regulations (which many of them 
don't either), would you? <s>

I suspect in the case of DiamondCrete that whoever's selling it to 
the glass world isn't buying it from the company that trademarked the 
name; it's probably not that involved or complicated a process to 
produce it, which we won't know until someone here actually orders 
the instructions. But in the final analysis we have only the two 
claimants' charges and countercharges, no proof of the veracity of 
either's claims, and even when someone buys the instructions they can 
only comment on them, not republish them here, 'cause that'd be 
violation of copyright, unless it can be shown that the information 
is already in the public domain, which wouldn't actually surprise me, 
since many vendors of information are merely selling information 
that's already available elsewhere if you do the research.

My 2c worth,

Albert
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From owner-glass Thu Aug 20 09:43:27 1998
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Subject: Re: Diamondcrete
Date: Thu, 20 Aug 1998 11:20:50 EDT
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In a message dated 8/20/98 8:21:50 AM, LuvArtGlas@aol.com wrote:

>Mr Cole sent this to me a few days ago....
>
>[...]
> 
> We don't publish any patterns.  We borrow them, draw them, trace them,
> get them out of coloring books etc. [...]

Hmmmmmmmmmmmm......... sounds an awful lot like a brazen admission of
infringement of copyright to me! Dear "grouchy and suspicious" Albert, I think
I agree with you!

Of course, one can avoid the "Diamondcrete vs. Diamondcrete" confusion
altogether by getting hold of some Rapidset(R) mix. That's what Christie and I
are using. Expensive as all get-out (don't know exactly how expensive, sorry!)
but 2 hours after you pour it, it's almost rock-solid. Once you unmold it,
you've got about 20 minutes to clean off the top before it's too hard to work.


Sparks
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From owner-glass Thu Aug 20 11:38:41 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Patterns-Coloring book pics
Date: Thu, 20 Aug 1998 12:45:15 -0400
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A good ref for adaptable pics is: (no ferrets but everything else)

http://www.bconnex.net/~mbuchana/realms/page7/

Check out the color by numbers glass blower at the bottom of the page

Linda

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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Albert Lewis" <alewis@vgernet.net>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Diamond-crete e-mail
Date: Thu, 20 Aug 1998 13:26:19 -0400
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Very well said Albert!  Except you
forgot to add:

America.  Ain't it a great country!

;-)

Best,

Dani
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From owner-glass Thu Aug 20 12:23:23 1998
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To: "INTERNET:Witchdoc3@aol.com" <Witchdoc3@aol.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Diamondcrete
Date: Thu, 20 Aug 1998 13:26:12 -0400
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Okay, now you've really got my =

curiosity up, Sparks.  Having a
a teeny bit of knowledge about
cement (Michael does cement
sculptures) I know that the strength
and consequent longevity of a =

cement product depends upon
proper curing of the cement.
Traditionally, that takes time
and water.  This two hour curing
process makes me a little =

suspicious.  How old are some
of those stepping stones made
with Diamoncrete?  Any customers
coming back with complaints
because the stones are cracking?
I imagine we'll get some answers
in the next few years.  I'd sure be
interested in feedback from the
cement experts if we have any.  Is
Glenn Spicer still with us?  Maybe
he would care to comment?

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Aug 20 12:43:07 1998
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Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass carving/blasting set up
Date: Thu, 20 Aug 1998 17:01:20 -0400
Message-ID: <1998Aug20.13120.0>
References: <<19980820103330.ETC19638@vic>>
Organization: Cox's Mower Service
Precedence: bulk

Are you using liquid pipe dope? That a plumber would use for water and
soil pipes? 
If you, are try teflon pipe thread tape. It comes on a roll like first
aid tape. It gets wrapped against the direction of the thread, so it
doesn't come off as you thread the fittings together. My brother runs a
construction equipment rental company, and they rent/sell/service air
compressors up to 1600CFM. All the permanant fittings use teflon tape.
I have been using it in automotive applications for 20+ years.     

Vic LaGreca wrote:
> 
> Desperate for assistance/recommendations
> 
> 
> sealed with "dope", for the installation.  Is there a special type of
> sealer for airlines under pressure (175 psi from the tank)?
Adults are obsolete children
		Theodore Geisel

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From owner-glass Thu Aug 20 12:52:08 1998
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Subject: Re:Diamond-crete 
Date: Thu, 20 Aug 1998 11:36:42 -0700
Message-ID: <1998Aug20.43642.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Hi All,

Well Shirley you and I and probably alot of other "stoners" <s> received
the same e-mail although mine was from a guy named Sean. So Todd and
Sean must be buddies working the net for potential customers. (shock)

Probably found us through a search engine, or may be lurking here at
bungi (naughty boys!). I suppose if I needed an epoxy-based floor tile
cement I could always ask my trusty man at my supply store. I would much
rather see him anyway, he's gorgeous! Gives me a great excuse to talk to
him. Do I use adhesives, yes, am I satisfied with my adhesive brand,
yes. I don't need the e-mail invasion thank you very much!

You sounded irritated Shirley about the mail and I was too. I suppose we
could offer a product trade with these guys somehow, let's see what
could we trade. How about them doing our glass mosaic pieces, all of our
glass mosaic pieces for a year.

Maybe lugging concrete for us for a year, back and forth, picking up the
stones, cutting, cleaning, polishing, humm, what else. Sean could do my
housework, clean my 2 year olds nose after he has been playing in the
dirt, listen to my 12 year old complain, oh that one is well worth a
trade for products to me. He would quit and leave screaming.

In regard to Cheryl's find at Art Glass World, the Cole Brothers will,
for $10.00, give you a duplicated diamondcrete formula. Let's do it
Cheryl and then sell the formula for $20.00 to Todd and Sean, that will
give us enough money to buy a glass of wine at the local bar or invest
that extra money into the Cole Brothers "How to start an asphalt repair
company".

Personally I would much rather use the Rapidset mix as referenced to by
Sparks today. I do appreciate it when someone mentions a product and
then checks it out. My thanks go to Albert and Jenna. This all goes to
show that some on the net will go to extreme lengths just to make a
buck. Whether it's illegal or not they just don't care. I leave all of
you with money in my pocket where it will stay, sorry Sean. Ready for
that glass of wine Cheryl? *s*

See you,

Pam*sm*

--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Thu Aug 20 13:49:22 1998
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From: <Romajoco@aol.com>
To: alewis@vgernet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Diamond-crete e-mail
Date: Thu, 20 Aug 1998 15:58:15 EDT
Message-ID: <1998Aug20.195815.0>
Precedence: bulk

In a message dated 8/20/98 11:20:45 AM Central Daylight Time,
alewis@vgernet.net writes:

<< I suspect in the case of DiamondCrete that whoever's selling it to 
 the glass world isn't buying it from the company that trademarked the 
 name; it's probably not that involved or complicated a process to  >>

Hi everyone....is this happening to your bungi mail also.  What could be
causing the problem.  I find it very annoying when I am trying to read it.  It
only seems to be happening on my bungi mail.

Margie
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From owner-glass Thu Aug 20 14:23:16 1998
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X-Path: tricountyi.net!grannyandpawpaw
From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: "bungi" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Pictures
Date: Thu, 20 Aug 1998 15:44:30 -0400
Message-ID: <1998Aug20.114430.0>
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This is a multi-part message in MIME format.

------=_NextPart_000_0032_01BDCC51.6BD3C5A0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Thank you Linda.  Wonderful pictures.  My 4 1/2 granddaughters thank you =
too.

Arnold

------=_NextPart_000_0032_01BDCC51.6BD3C5A0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Thank you Linda.&nbsp; Wonderful =
pictures.&nbsp;=20
My 4 1/2 granddaughters thank you too.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Arnold</FONT></DIV></BODY></HTML>

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From owner-glass Thu Aug 20 15:20:09 1998
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From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Re:Diamond-crete
Date: Thu, 20 Aug 1998 17:00:10 -0400
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Pam....If you're buying, I'll meet you there with Cheryl...O.K. ????

Arnold

-----Original Message-----
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: glass@bungi.com <glass@bungi.com>
Date: Thursday, August 20, 1998 4:08 PM
Subject: Re:Diamond-crete


>Hi All,
>
>Well Shirley you and I and probably alot of other "stoners" <s> received
>the same e-mail although mine was from a guy named Sean. So Todd and
>Sean must be buddies working the net for potential customers. (shock)
>
>Probably found us through a search engine, or may be lurking here at
>bungi (naughty boys!). I suppose if I needed an epoxy-based floor tile
>cement I could always ask my trusty man at my supply store. I would much
>rather see him anyway, he's gorgeous! Gives me a great excuse to talk to
>him. Do I use adhesives, yes, am I satisfied with my adhesive brand,
>yes. I don't need the e-mail invasion thank you very much!
>
>You sounded irritated Shirley about the mail and I was too. I suppose we
>could offer a product trade with these guys somehow, let's see what
>could we trade. How about them doing our glass mosaic pieces, all of our
>glass mosaic pieces for a year.
>
>Maybe lugging concrete for us for a year, back and forth, picking up the
>stones, cutting, cleaning, polishing, humm, what else. Sean could do my
>housework, clean my 2 year olds nose after he has been playing in the
>dirt, listen to my 12 year old complain, oh that one is well worth a
>trade for products to me. He would quit and leave screaming.
>
>In regard to Cheryl's find at Art Glass World, the Cole Brothers will,
>for $10.00, give you a duplicated diamondcrete formula. Let's do it
>Cheryl and then sell the formula for $20.00 to Todd and Sean, that will
>give us enough money to buy a glass of wine at the local bar or invest
>that extra money into the Cole Brothers "How to start an asphalt repair
>company".
>
>Personally I would much rather use the Rapidset mix as referenced to by
>Sparks today. I do appreciate it when someone mentions a product and
>then checks it out. My thanks go to Albert and Jenna. This all goes to
>show that some on the net will go to extreme lengths just to make a
>buck. Whether it's illegal or not they just don't care. I leave all of
>you with money in my pocket where it will stay, sorry Sean. Ready for
>that glass of wine Cheryl? *s*
>
>See you,
>
>Pam*sm*
>
>--
>*********************************
>Moswood Mountain Limited
>Pamela Burns-Tappan
>President
>http://www.pacifier.com/~ptap/index.html
>
>Stained Glass Artists
>http://www.pacifier.com/~ptap/artists.html
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

----
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From owner-glass Thu Aug 20 15:58:29 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re:Diamond-crete 
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 20 Aug 1998 17:42:43 +0000
Message-ID: <199808202345.TAA24199@vger.vgernet.net>
Precedence: bulk


> This all goes to
> show that some on the net will go to extreme lengths just to make a
> buck. Whether it's illegal or not they just don't care.

Oh, it's legal, I guess, to charge people for publicly available 
information (not that I know for sure that the Diamondcrete formula 
is publicly available), since it's Old News in the back of most 
magazines. Check out the ads in publications like those that have 
"earn $1,000 week stuffing envelopes" kind of ads. <s>

Albert
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From owner-glass Thu Aug 20 16:19:30 1998
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X-Path: juno.com!eldondo1
From: eldondo1@juno.com
To: glass@bungi.com
Subject: Re: subscribe
Date: Thu, 20 Aug 1998 17:43:48 -0500
Message-ID: <1998Aug20.124348.0>
References: <<19980813.175516.14686.0.eldondo1@juno.com>>
Precedence: bulk

May I please subcribe again????
Don <eldondo1@juno.com>

On Thu, 13 Aug 1998 17:55:15 -0500 eldondo1 writes:
>Thanks P.J. I would like to subscribe again please.(and a thanks for 
>your service)
>Don <eldondo1@juno.com>

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
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From owner-glass Thu Aug 20 16:50:03 1998
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From: crclark@swbell.net
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Pictures
Date: Thu, 20 Aug 1998 16:55:36 -0700
Message-ID: <1998Aug20.95536.0>
References: <<1998Aug20.114430.0>>
Organization: BOY KOW KA KA
Precedence: bulk

Granny And PawPaw wrote:
You're shootin' blanks guys

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From owner-glass Thu Aug 20 17:49:06 1998
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From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Topic-Color symbolism
Date: Thu, 20 Aug 1998 16:17:00 -0400
Message-ID: <1998Aug20.12170.0>
Organization: @Home Network
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Hi all,

Was in the hospital this morning for facet nerve blocks, so while I'm
waiting to get sleepy enough to crash the rest of the day, surfing for
color theory.  Here is some of the info I've come up with, for anyone
who is interested.  (Yessss, there are a lot of other stuff I should be
doing, but doctors orders, sleep as much as I can the rest of the day,
an night) So---here goes.

I'm chosing only fast loading sites, that should be ok with slower
modems.

Lee Boe
Rain-Boe's Creations
http://www.bungi.com/glass/igga/rainboe/

http://www.insteam.com/LauraFunderburk/mycolor.htm

http://www.andrew.cmu.edu/user/dw4e/color/

http://exchange.coa.edu/HEJourney/polcom/colort.html

http://www.fadu.uba.ar/sicyt/color/ecd.htm

http://www.bway.net/~jscruggs/index3.html

http://felix.scvnet.com/~weber/

http://www.phoenix.net/~jacobson/rgb.html


Oh boy thats enough for now========
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From owner-glass Thu Aug 20 18:21:38 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "Pamela Burns-Tappan" <ptap@pacifier.com>
Subject: Re: Re:Diamond-crete 
Date: Thu, 20 Aug 1998 17:20:15 -0700
Message-ID: <1998Aug20.102015.0>
Precedence: bulk

Pam,

Sounds good to me.

The only problem is it will just put me to sleep.  Can't get any work done
that way.

You bet I am going to check out that Rapidset Mix.  Let me know how it goes,
Pam.

Got to go.  Due in Seattle by 6:00, yikes it is Mariners night to.  I'll
never make it.

Should just stay home and start marketing the new mix....   What should we
name it?


Cheryl

>In regard to Cheryl's find at Art Glass World, the Cole Brothers will,
>for $10.00, give you a duplicated diamondcrete formula. Let's do it
>Cheryl and then sell the formula for $20.00 to Todd and Sean, that will
>give us enough money to buy a glass of wine at the local bar or invest
>that extra money into the Cole Brothers "How to start an asphalt repair
>company".
>
>Personally I would much rather use the Rapidset mix as referenced to by
>Sparks today. I do appreciate it when someone mentions a product and
>then checks it out. My thanks go to Albert and Jenna. This all goes to
>show that some on the net will go to extreme lengths just to make a
>buck. Whether it's illegal or not they just don't care. I leave all of
>you with money in my pocket where it will stay, sorry Sean. Ready for
>that glass of wine Cheryl? *s*
>
>See you,
>
>Pam*sm*
>
>--
>*********************************
>Moswood Mountain Limited
>Pamela Burns-Tappan
>President
>http://www.pacifier.com/~ptap/index.html
>
>Stained Glass Artists
>http://www.pacifier.com/~ptap/artists.html
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass



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From owner-glass Thu Aug 20 18:24:28 1998
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: 'brassing' lead came
Date: Thu, 20 Aug 1998 20:04:26 -0400
Message-ID: <1998Aug20.16426.0>
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Message text written by "Gleason Sackman"
>Since brass is rather difficult to bend, I am wondering if it possible
to 'make' lead came look like brass.<

Why not use the brass-plated lead came?  It is regular lead came with
a thin brass coating on the outside edges.  When finished, only the
brass shows.  Yet, since it is made mostly of lead, it bends nicely.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
PA
1944-0903
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From owner-glass Thu Aug 20 19:28:53 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: TAMPA HOME SHOW
Date: Thu, 20 Aug 1998 21:18:22 EDT
Message-ID: <1998Aug21.11822.0>
Precedence: bulk

Hi everyone!

I'm planning to go to Tampa over Labor Day weekend to visit my mother and I
see that there is a Home Show there that is mentioned at Art Glass World.  I
think I read somewhere that they have glass-related workshops or classes or
something.   Has anyone ever attended this show or does anyone know  what they
might be featuring in the stained glass area?

Thanks for any info.
Brenda Marhon
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From owner-glass Thu Aug 20 22:20:24 1998
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From: "Vic LaGreca" <vlg@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass Carving/blasting set up/ Mia Culpa
Date: Thu, 20 Aug 1998 22:10:45 -0400
Message-ID: <19980821020813.EQQI123@vic>
Precedence: bulk

He (my plumber) came, he fixed, and he left with a smile on his face but
not until he put some heat on me.

His connections, the ones with Teflon tape and a sealer called "Meg-Lock"
were fine, mine, the ones done with "Dope" I purchased in Home Depot, were
the leakers.

Thank you all for the time you took to respond and for the sound advice.

Also, to Albert Lewis, I agree with you about Norm Dobbins.  The only
education I have in etching/carving to date has been from his four tapes
which I feel were well worth the investment.  His delivery of information
and technique were clear, concise and easy to follow. I hope to take his
courses when my time allows.

Ciao

Vic
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From owner-glass Thu Aug 20 22:39:01 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Diamondcrete
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 20 Aug 1998 23:27:47 +0000
Message-ID: <199808210531.BAA11643@vger.vgernet.net>
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> In this neck of the woods, stripping is when you dunk furniture 
etc,

Yeah, I know, Shirley ... but the site I was quoting spelled it 
"striping." <s>

(I think I'm right about that, although I could've misread it ... 
stripping I know all about, since my wife and I are stripping a 
gazillion linear feet of molding and doors in our new home ... it's 
all quarter-sawn oak, it turns out: absolutely beautiful doors with 
three coats o' paint on 'em.)

Albert
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From owner-glass Thu Aug 20 22:39:20 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Re:Diamond-crete 
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 20 Aug 1998 23:27:47 +0000
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> Should just stay home and start marketing the new mix....   What should we
> name it?

bungicrete?

A
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From owner-glass Thu Aug 20 23:00:05 1998
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From: <Beveler4@aol.com>
To: Glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Vince
Date: Fri, 21 Aug 1998 00:21:00 EDT
Message-ID: <1998Aug21.4210.0>
Precedence: bulk

Hi all just thought you would want to know that Vince is alive and well!!  I
visited with him this week and he is doing great!!  He has just finished
writing a book and starting to write another one!  We had a wonderful time, it
was good to see him again!!!

I will be away this weekend to WC!  I will be back on Sunday evening!  Talk to
you all then.

Beveler4 (Stan)
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From owner-glass Thu Aug 20 23:01:55 1998
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From: crclark@swbell.net
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Subject: Re: 'brassing' lead came
Date: Thu, 20 Aug 1998 21:02:06 -0700
Message-ID: <1998Aug20.1426.0>
References: <<1998Aug20.16426.0>>
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Oh I do agree with you Betty. Please tell me when you'r e finished and
I'll help.
Thx
C.

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From owner-glass Thu Aug 20 23:17:15 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: <GLAss@bungi.com>
Subject: Flux problems.
Date: Thu, 20 Aug 1998 22:49:44 -0700
Message-ID: <1998Aug20.154944.0>
Precedence: bulk

I picked up a couple bottles of flux last week at the wholesaler.  It is
Super-Gel Flux by Inland.  Usually I use Glasstar Glasflux but grabbed the
Inland Flux by mistake.   I am trying to do some decorative soldering.
Nothing fancy just small beads.  The flux smells awful.  The beads are flat
instead of a nice rounded bead.  I can't seem to get any control over the
solder.  I've played around with the temperature control and that doesn't
seem to help at all. The tip is 1/8".  I've even changed to a Weller solder
Iron my husband brought home from work that has a built in rheostat where
you can actually set the temperature- and this tip is really tiny.  I
haven't had this problem before.  I think it is the flux.   Oh, I am using
60/40.    I am not sure if the flux is really old or if it is the brand.
Has anyone else had this problem.  My daughter is doing her first glass
project.  She is framing a wedding invitation for a wedding  gift.   She is
experiencing the trial and error method of glass work.  I am so frustrated I
want to scream.  We've put it aside until tomorrow.  Any suggestions?

Thanks,

frustrated Mom
Cheryl Parrott
The Glass Parrott



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From owner-glass Fri Aug 21 02:03:01 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:bungicrete
Date: Fri, 21 Aug 1998 01:19:10 -0700
Message-ID: <1998Aug20.181910.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Should just stay home and start marketing the new mix....   What should
we
> name it?

bungicrete?

A

O.k. Albert now that we have stolen the name bungicrete from you and of
course glenna won't mind. I think Cheryl and I can agree to sell the
formula (once we figure out one) to you for oh $25.00. Now I know the
price went up but see now we have a name.

But for you Albert I think we can give you a $2.50 discount, that's a
steal! Think quick because I'm to meet Arnold ( pawpaw) for celebratory
drinks at the bar, sorry granny.

Yeah, it's friday and it's been a very long week for me, so thanks for
the laugh Albert and I hope everyone has a great weekend! A weekend
without the bios, darnit I should have saved two!

See  you,

Pam *sm*
--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Fri Aug 21 04:35:20 1998
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X-Path: InfoAve.Net!ctombro
From: Carol Tombro <ctombro@InfoAve.Net>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Diamond-crete
Date: Fri, 21 Aug 1998 07:07:17 -0400
Message-ID: <1998Aug21.3717.0>
References: <<199808210531.BAA11638@vger.vgernet.net>>
Organization: Home
Precedence: bulk

Brilliant Albert.  Why didn't I think of that.

CT

Albert Lewis wrote:

> > Should just stay home and start marketing the new mix....   What should we
> > name it?
>
> bungicrete?
>
> A
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From owner-glass Fri Aug 21 06:06:43 1998
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From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Cross-outs, was Re:Diamond-crete
Date: Fri, 21 Aug 1998 08:27:07 EDT
Message-ID: <1998Aug21.12277.0>
Precedence: bulk

Is anyone else getting partly crossed-out messages? The one I got from Pamela
B-T was almost entirely crossed out, and a few partly crossed-out things have
come from Albert too.

(I presume this is also what Margie is referring to, but the cross-out
phenomenon didn't seem to copy into her reply.)


Sparks
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From owner-glass Fri Aug 21 06:21:34 1998
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From: <Witchdoc3@aol.com>
To: GLASS@BUNGI.COM
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  Re: Diamondcrete
Date: Fri, 21 Aug 1998 08:27:12 EDT
Message-ID: <1998Aug21.122712.0>
Precedence: bulk


In a message dated 8/20/98 6:26:46 PM, GreerStudios@compuserve.com wrote:

>Okay, now you've really got my curiosity up, Sparks.  Having a
>teeny bit of knowledge about cement (Michael does cement
>sculptures) I know that the strength and consequent longevity of a 
>cement product depends upon proper curing of the cement.
>Traditionally, that takes time and water.

I don't know all the details about this Rapidset mix. We get it by way of a
local SG supplier's hubby who's a paving contractor. They use this stuff to
patch airport runways, highways, etc. where rapid curing and hardness are
essential. The stuff sets up so fast that once you get the first layer of
"sanded grout" in, you barely have time to mix up the second layer (3/8"
gravel) mixed up and poured. You have to use more water than with traditional
concrete mixes, and it generates so much heat that 20 minutes after you pour
it you have to pour a puddle of water over the surface or it just might boil.
(With regular cement, covering it with wet burlap is usually enough.) I
suspect the proportion of Portland cement (the lime-based stuff that bonds to
the water and holds everything together) in the stuff is way higher than in
regular mixes.

The way we try to work it is to pour the thing and get it cleaned up, let it
set for another 24 hours, then waterproof it and let that sit for several days
to a week (as much to let the smell of the waterproofing sealer dissipate as
anything) before calling the customer and letting them know it's ready.

Next time I see Jack, I'll try to remember to ask him if he's got any
technical data on the stuff.

Hey mon! Gotta go to work!


Sparks
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From owner-glass Fri Aug 21 08:32:30 1998
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X-Path: aol.com!Witchdoc3
From: <Witchdoc3@aol.com>
To: GLASS@BUNGI.COM
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  Re: Diamondcrete
Date: Fri, 21 Aug 1998 08:27:12 EDT
Message-ID: <1998Aug21.122712.0>
Precedence: bulk


In a message dated 8/20/98 6:26:46 PM, GreerStudios@compuserve.com wrote:

>Okay, now you've really got my curiosity up, Sparks.  Having a
>teeny bit of knowledge about cement (Michael does cement
>sculptures) I know that the strength and consequent longevity of a 
>cement product depends upon proper curing of the cement.
>Traditionally, that takes time and water.

I don't know all the details about this Rapidset mix. We get it by way of a
local SG supplier's hubby who's a paving contractor. They use this stuff to
patch airport runways, highways, etc. where rapid curing and hardness are
essential. The stuff sets up so fast that once you get the first layer of
"sanded grout" in, you barely have time to mix up the second layer (3/8"
gravel) mixed up and poured. You have to use more water than with traditional
concrete mixes, and it generates so much heat that 20 minutes after you pour
it you have to pour a puddle of water over the surface or it just might boil.
(With regular cement, covering it with wet burlap is usually enough.) I
suspect the proportion of Portland cement (the lime-based stuff that bonds to
the water and holds everything together) in the stuff is way higher than in
regular mixes.

The way we try to work it is to pour the thing and get it cleaned up, let it
set for another 24 hours, then waterproof it and let that sit for several days
to a week (as much to let the smell of the waterproofing sealer dissipate as
anything) before calling the customer and letting them know it's ready.

Next time I see Jack, I'll try to remember to ask him if he's got any
technical data on the stuff.

Hey mon! Gotta go to work!


Sparks
----
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From owner-glass Fri Aug 21 08:40:48 1998
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X-Path: IBMMAIL.COM!USFMDMUA
From: "jgirao                               PORTUGAL(UTC +01:00)" <USFMDMUA@IBMMAIL.COM>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Glass Burner
Date: Fri, 21 Aug 1998 09:29:19 EDT
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Precedence: bulk



Fellow artists, I know this list is dedicated to glass art, I do not            
signed it, but in my quest I bumped in to your amazing info site. So I          
decided to call for help on this one. Any of you know a site were I could       
see a inside view of a glass burner commonly used to bead and small glass       
figures making? I already had the chance to see a cut view of a oxi/acet        
torch, but I am wondering if this burners have the same interior design,        
usually a simple mixing chamber connected to the through a single tube to the   
nozzle. Thanking in advance for your helpmy email is usfmdmua@ibmmail.com, but  
you can also sent this info to your digest I will pick it later...              
Best Regards,                                                                   
Jose Girao here in Portugal                                                     

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From owner-glass Fri Aug 21 08:45:48 1998
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From: tuka@bc.sympatico.ca
To: glass@bungi.com, leestat7 <leestat7@home.com>
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Topic-Color symbolism
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Fri, 21 Aug 1998 07:58:02 +0000
Message-ID: <199808211454.HAA06081@mail1.bctel.ca>
Precedence: bulk

There's a LOT of really good information in these sites.  Thanks Lee.

Shiela



> Rain-Boe's Creations
> http://www.bungi.com/glass/igga/rainboe/
> 
> http://www.insteam.com/LauraFunderburk/mycolor.htm
> 
> http://www.andrew.cmu.edu/user/dw4e/color/
> 
> http://exchange.coa.edu/HEJourney/polcom/colort.html
> 
> http://www.fadu.uba.ar/sicyt/color/ecd.htm
> 
> http://www.bway.net/~jscruggs/index3.html
> 
> http://felix.scvnet.com/~weber/
> 
> http://www.phoenix.net/~jacobson/rgb.html
> 
> 
> Oh boy thats enough for now========
> ----
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> 
> 
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From owner-glass Fri Aug 21 09:08:08 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Cross-outs, was Re:Diamond-crete
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 21 Aug 1998 09:57:47 +0000
Message-ID: <199808211601.MAA01430@vger.vgernet.net>
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> Is anyone else getting partly crossed-out messages?

It's a byproduct of AOL's software, Sparks. It happens only with AOL 
readers, although I don't know why.

Albert
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From owner-glass Fri Aug 21 09:10:21 1998
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Diamondcrete
Date: Fri, 21 Aug 1998 10:39:00 -0400
Message-ID: <1998Aug21.6390.0>
Precedence: bulk

Message text written by "Michael J. Greer"
>This two hour curing
process makes me a little =

suspicious.  How old are some
of those stepping stones made
with Diamoncrete?  Any customers
coming back with complaints
because the stones are cracking?
I imagine we'll get some answers
in the next few years.<

Christie stepping in here (no pun intended).  I used to use Quick-Crete
(that stuff you can purchase for home use at Home Depot or the like).
That stuff just could not stand up to the winters here in Pennsylvania.
Got a lot of customer complaints from stepping stones I had made
using it.

So, I switched to Diamoncrete when it first hit the market.  I liked
it, but it was oh, so expensive.  But no customer complaints.

But then I was introduced to Rapidset.  It's so wonderful.  It truely doe=
s
set up in 2 hours, but you have to keep it very wet during the cure time
since it generates tremendous amounts of heat.  What I really like about
it is its smooth consistency when it cures.  So far it has weathered very=
,
very well outside my store for the last 6 months.  And no complaints
from customers - in fact, the opposite.  I do plan on leaving a couple of=

stepping stones outside all winter, just to test it fully.  But I do expe=
ct
it
to hold up very, very well, since this concrete was manufactured
for repairing airport runways.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
PA
1944-0903
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From owner-glass Fri Aug 21 09:15:18 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Doug Parrott" <bird_cage@email.msn.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Flux problems.
Date: Fri, 21 Aug 98 10:46:03 -0400
Message-ID: <199808211449.KAA17092@uz.ComCAT.COM>
Precedence: bulk

>I picked up a couple bottles of flux last week at the wholesaler.  It is
>Super-Gel Flux by Inland.  Usually I use Glasstar Glasflux but grabbed the
>Inland Flux by mistake.   I am trying to do some decorative soldering.
>Nothing fancy just small beads.  The flux smells awful.  The beads are flat
>instead of a nice rounded bead.  I can't seem to get any control over the
>solder.  I've played around with the temperature control and that doesn't
>seem to help at all. The tip is 1/8".  I've even changed to a Weller solder
>Iron my husband brought home from work that has a built in rheostat where
>you can actually set the temperature- and this tip is really tiny.  I
>haven't had this problem before.  I think it is the flux.   Oh, I am using
>60/40.    I am not sure if the flux is really old or if it is the brand.
>Has anyone else had this problem.

Hi Frustrated Mom,

I don't do a lot of decorative soldering but am very happy using 
Flux-O-Matic. It has a more syrupy texture, is supposed to be safe for 
mirrors (?). It just feels better to me than the watery fluxes. Of course 
it costs more.

Suzanne
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From owner-glass Fri Aug 21 09:44:23 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: "Albert Lewis" <alewis@vgernet.net>, glass@bungi.com
Subject: Re: Re:Diamond-crete
Date: Fri, 21 Aug 1998 08:39:07 PDT
Message-ID: <m0z9tHR-00010PC@daver.bungi.com>
Precedence: bulk

[In the message entitled "Re: Re:Diamond-crete" on Aug 20, 23:27, "Albert Lewis" writes:]
> 
> > Should just stay home and start marketing the new mix....   What should we
> > name it?
> 
> bungicrete?
> 

Ha,...now, now...don't mix us up with the imposter...


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Fri Aug 21 11:18:30 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "GLASS@BUNGI.COM" <GLASS@BUNGI.COM>
Content-Type: text/plain; charset="us-ascii"
Subject: Rapidset; was: Diamondcrete
Date: Fri, 21 Aug 1998 12:51:55 -0400
Message-ID: <1998Aug21.85155.0>
Precedence: bulk

http://www.rapidset.com/

This is just one of may brand of quick setting cement

Linda


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From owner-glass Fri Aug 21 11:49:45 1998
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X-Path: mail.wittenberg.edu!rcutler
From: "Robert S. Cutler" <rcutler@wittenberg.EDU>
To: "Christie A. Wood" <Ensembles@compuserve.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Diamondcrete
Date: Fri, 21 Aug 1998 13:05:18 -0400 (EDT)
Message-ID: <1998Aug21.9518.0>
References: <<1998Aug21.6390.0>>
Precedence: bulk

I really meant to keep quiet but I couldn't resist adding a couple of
pennies worth.  Can anybody make a round patio stone for $1.23 - the
current price of a 12"ready-made stone at my local Lowe's in Springfield,
OH?
To that basic price add the cost of a cup/and/a/half of "Thin-Set" and
several ounces of latex additive.  Probably another 30 cents total. 
I have been making stones this way for a year. They handled a (mild)
winter with no problem. No glass has broken or fallen off.  AND I have
much more control over the grouting process.  For those who don't want the
hassle of making the whole stone, I recommend this method. 
Bob Cutler
On Fri, 21 Aug 1998, Christie A. Wood wrote:

> Message text written by "Michael J. Greer"
> >This two hour curing
> process makes me a little =
> 
> suspicious.  How old are some
> of those stepping stones made
> with Diamoncrete?  Any customers
> coming back with complaints
> because the stones are cracking?
> I imagine we'll get some answers
> in the next few years.<
> 
> Christie stepping in here (no pun intended).  I used to use Quick-Crete
> (that stuff you can purchase for home use at Home Depot or the like).
> That stuff just could not stand up to the winters here in Pennsylvania.
> Got a lot of customer complaints from stepping stones I had made
> using it.
> 
> So, I switched to Diamoncrete when it first hit the market.  I liked
> it, but it was oh, so expensive.  But no customer complaints.
> 
> But then I was introduced to Rapidset.  It's so wonderful.  It truely doe=
> s
> set up in 2 hours, but you have to keep it very wet during the cure time
> since it generates tremendous amounts of heat.  What I really like about
> it is its smooth consistency when it cures.  So far it has weathered very=
> ,
> very well outside my store for the last 6 months.  And no complaints
> from customers - in fact, the opposite.  I do plan on leaving a couple of=
> 
> stepping stones outside all winter, just to test it fully.  But I do expe=
> ct
> it
> to hold up very, very well, since this concrete was manufactured
> for repairing airport runways.
> 
> Christie A. Wood
> Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
> PA
> 1944-0903
> ----
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> 

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From owner-glass Fri Aug 21 11:50:45 1998
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: "Christie A. Wood" <Ensembles@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Diamondcrete
Date: Fri, 21 Aug 1998 14:25:29 -0400
Message-ID: <1998Aug21.102529.0>
References: <<1998Aug21.6390.0>>
Organization: @Home Network
Precedence: bulk

Hi Christie,

What do you use to color the Rapidset with??  Or do you use it white
(sort of) with your stones??  I haven't gotten into making stones yet,
but interest in trying some small ones with scrap glass, sort of mosaic
type with small pieces.  It should look real good if I can also color
the mix.  

Thanks 

Lee Boe
Who still feels like a mule kicked me in the back with the shots I had
yesterday.  Thanks for all the kind words everyone, will answer when I
can sit longer.

Christie A. Wood wrote:
 <<<snips>>>>

> But then I was introduced to Rapidset.  It's so wonderful.  It truely doe=
> s
> set up in 2 hours, but you have to keep it very wet during the cure time
> since it generates tremendous amounts of heat.  What I really like about
> it is its smooth consistency when it cures.  So far it has weathered very=
> ,
> very well outside my store for the last 6 months.  And no complaints
> from customers - in fact, the opposite.  I do plan on leaving a couple of=
> 
> stepping stones outside all winter, just to test it fully.  But I do expe=
> ct
> it
> to hold up very, very well, since this concrete was manufactured
> for repairing airport runways.
> 
> Christie A. Wood
> Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
> PA
> 1944-0903
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From owner-glass Fri Aug 21 13:00:25 1998
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X-Path: aol.com!Romajoco
From: <Romajoco@aol.com>
To: Witchdoc3@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Cross-outs, was Re:Diamond-crete
Date: Fri, 21 Aug 1998 15:28:40 EDT
Message-ID: <1998Aug21.192840.0>
Precedence: bulk

In a message dated 8/21/98 8:07:30 AM Central Daylight Time, Witchdoc3@aol.com
writes:

<< Is anyone else getting partly crossed-out messages? The one I got from
Pamela
 B-T was almost entirely crossed out, and a few partly crossed-out things have
 come from Albert too.
 
 (I presume this is also what Margie is referring to, but the cross-out
 phenomenon didn't seem to copy into her reply.)
  >>
 Yes Sparks that was what I was referring to.  It seems to happen sometimes
and other times it doesn't.  Makes it very hard to read some of the
letters...when you have bad eyes anyway.

margie
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From owner-glass Fri Aug 21 15:58:51 1998
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From: <WhispyBlu@aol.com>
To: Witchdoc3@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Cross-outs, was Re:Diamond-crete
Date: Fri, 21 Aug 1998 18:40:50 EDT
Message-ID: <1998Aug21.224050.0>
Precedence: bulk

Yep - this has happen before......it was "fixed" several months ago but now
it's happening again.  Just be sure to read the crossed out info.

Lu Ann 

<< yone else getting partly crossed-out messages? The one I got from Pamela
 B-T was almost entirely crossed out, and a few partly crossed-out things have
 come from Albert too.
 
 (I presume this is also what Margie is referring to, but the cross-out
 phenomenon didn't seem to copy into her reply.) >>
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From owner-glass Fri Aug 21 19:02:17 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: message board
Date: Sat, 22 Aug 1998 11:42:04 +1000
Message-ID: <1998Aug22.21424.0>
Precedence: bulk

I have setup a new message board for the stained glass/leadlight interest
groups
Please visit and leave your comments at
http://www.insidetheweb.com/messageboard/mbs.cgi?acct=mb131394


Harlequin
www.surf.to/harlquin


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From owner-glass Fri Aug 21 20:37:22 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Glass site
Date: Sat, 22 Aug 1998 13:07:32 +1000
Message-ID: <1998Aug22.23732.0>
Precedence: bulk

I found a web site with excellent pictures of windows
http://www.glasspainter.com/



Harlequin
www.surf.to/harlquin


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From owner-glass Sat Aug 22 07:11:13 1998
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X-Path: aol.com!Leslye2
From: <Leslye2@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: TAMPA HOME SHOW
Date: Sat, 22 Aug 1998 09:42:37 EDT
Message-ID: <1998Aug22.134237.0>
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In a message dated 98-08-20 22:29:43 EDT, BMarhon@aol.com writes:

<< I'm planning to go to Tampa over Labor Day weekend to visit my mother and I
 see that there is a Home Show there that is mentioned at Art Glass World.  I
 think I read somewhere that they have glass-related workshops or classes or
 something.    >>

I *think* I know what you are talking about.  It is Art Glass America.  Held
on Sept 4-7 in the Tampa (FL) Convention Center.  It looks to be very large
and the classes cover just about every aspect of glass, hot and cold.  Class
prices range from $100.00 to $265.00 (a few lectures under $100.00).  They say
that after Aug 25th you must register by phone or fax.  The phone numbers are:
Toll free 1-877-322-7255
Phone 813-932-7240
Fax 813-932-4220

Hope this is what you are looking for,
Leslye
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From owner-glass Sat Aug 22 07:41:15 1998
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From: <Leslye2@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: TAMPA HOME SHOW
Date: Sat, 22 Aug 1998 09:42:32 EDT
Message-ID: <1998Aug22.134232.0>
Precedence: bulk

In a message dated 98-08-20 22:29:43 EDT, BMarhon@aol.com writes:

<< I'm planning to go to Tampa over Labor Day weekend to visit my mother and I
 see that there is a Home Show there that is mentioned at Art Glass World.  I
 think I read somewhere that they have glass-related workshops or classes or
 something.    >>

I *think* I know what you are talking about.  It is Art Glass America.  Held
on Sept 4-7 in the Tampa (FL) Convention Center.  It looks to be very large
and the classes cover just about every aspect of glass, hot and cold.  Class
prices range from $100.00 to $265.00 (a few lectures under $100.00).  They say
that after Aug 25th you must register by phone or fax.  The phone numbers are:
Toll free 1-877-322-7255
Phone 813-932-7240
Fax 813-932-4220

Hope this is what you are looking for,
Leslye
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From owner-glass Sat Aug 22 07:45:37 1998
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X-Path: swbell.net!crclark
From: crclark@swbell.net
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Diamond-crete
Date: Sat, 22 Aug 1998 07:50:40 -0700
Message-ID: <1998Aug22.05040.0>
References: <<1998Aug21.3717.0>>
Organization: Gran Drivel
Precedence: bulk

Carol Tombro wrote:
> 
> Brilliant Albert.  Why didn't I think of that.
> 
> CT
> 
> Albert Lewis wrote:
> 
> > > Should just stay home and start marketing the new mix....   What should we
> > > name it?
> >
> > bungicrete?
> >
Hi all,
Me too!!!
Thx,
C.

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From owner-glass Sat Aug 22 07:55:00 1998
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Technical info on Rapid Set concrete
Date: Sat, 22 Aug 1998 10:23:47 -0400
Message-ID: <1998Aug22.62347.0>
Precedence: bulk

Here's the technical info on Rapid Set (R) concrete mix, as supplied
by the manufacturer:

Description: A unique dry package blend of hydraulic cement, sand,
and gravel (nominal 3/8").  No Chlorides are added.  When mixed with
water, it produces a quality concrete which attains 2000 psi compressive
strength in 1 hour.  Ready for traffic use 1 hour after replacement. =

Similar
in color to portland cement concrete.  Has almost zero shrinkage.

Applications: Structural repairs & seismic upgrades of bridge locks,
pavements, runways, parking structures, loading docks, industrial
floors, balconies.  Form & pour footings, columns, walls, curbs &
gutters, sidewalks.

Availability: Through distributors in 60 lb. polyethylene lines bags.

Admixtures: Working time is about 20 minutes at 70 degrees F and
is longer at lower temperatures, shorter at higher temperatures.  It is
important that the placement operation be organized with the time limits.=

After setting, Rapid Set (R) will gain strength quickly, and finishing
operations may be difficult.  Working time may be extended by using
cold materials and/or Rapid Set (R) Set Control.  In cold weather,
warm materials and/or Rapid Set (R) Accelerator may be used to
hasten the set and strength development.

Curing: Water curing is required.  Begin curing with a fine mist spray
immediately after finishing the concrete.  Avoid washing the concrete
paste from the surface.  Continue water curing until the concrete
reaches 1000 psi (about 1 hour after final set).

Durability: In geographic areas subject to freeze/thaw conditions,
Rapid Set (R) products contain an admixture which produces
about 6% air entrainment in the mix.

Freeze/Thaw Durability Test Data:
        Number of cycles        Relative modulus        Remarks
        72              97.9            slight scale
        180             89.1            loss of surface fines
        252             84.1            increased loss
        300             82.4            moderate scaling

Typical Test Data:      Compressive strength, psi (ASTM C 109)
        55 lb. bag              3/4 gal. water
        1 hour          4800
        3 hours         5000
        1 day           5200
        7 days          8200
        28 days         11,200
        time of set: ASTM C 191 25 minutes

Cautions: Rapid Set (R) Non-Shrink Multipurpose Cement contains
cementious materials and free silica.  Prolonged exposure to dust
may cause delayed lung disease.  Eliminate exposure to dust.  Use
NIOSH approved mask for silica dust.  Freshly mixed materials may
cause skin irritation.  Avoid direct contact where possibly and wash
exposed skin areas promptly in water.  If any cementitious material
gets into the eyes, rinse immediately and repeatedly with water and
get prompt medical attention.

Warranty: Rapid Set (R) Products Company warrants its materials
to be of good quality and, at its option, within 1 year from date of sale=

it will replace material proven defective or refund purchase price
thereof.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B, P.O. Box 903, Skippack, =
PA
1944-0903
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From owner-glass Sat Aug 22 08:08:07 1998
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X-Path: oxford.net!tmr
From: Teresa Ross <tmr@oxford.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: making jewelry
Date: Sun, 21 Jun 1998 22:29:07 -0700
Message-ID: <1998Jun21.15297.0>
Precedence: bulk

Hello everyone,

I want to thank people for all the help and advice. I'm the one who, =
among other things asked for tips on cutting straight. I am selling my =
stained glass in a local craft market where I have a small 2' by 2' =
booth. It's amazing how much you can put into this small space. I'm =
actually selling my pieces quite steadily.

I'm interested in making jewelry and wondered if anyone could suggest a =
good "how to" book.

thanks again for all the help.

teresa ross
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From owner-glass Sat Aug 22 09:14:24 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Robert S. Cutler" <rcutler@wittenberg.EDU>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Diamondcrete
Date: Sat, 22 Aug 1998 11:49:59 -0400
Message-ID: <1998Aug22.74959.0>
Precedence: bulk

Hi Bob-

Mike asked me if anyone had mentioned
trying portland cement with latex paint to
make the stepping stones.  Sounds close
to what you are doing.  The advantage of
paint is that you can color the cement in
the same step.  I don't make stepping
stones, but I would be curious to see if
this cheap alternative works as well as
Diamoncrete.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Aug 22 15:52:29 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: making jewelry
Date: Sat, 22 Aug 1998 18:31:15 EDT
Message-ID: <1998Aug22.223115.0>
Precedence: bulk

In a message dated 8/22/98 11:08:44 AM Eastern Daylight Time, tmr@oxford.net
writes:

<< I'm interested in making jewelry and wondered if anyone could suggest a =
 good "how to" book. >>

If you mean stained glass jewelry, I just got the pattern book Baubles,
Dangles & Beads by Kay Bain Weiner.  Has loads of designs and instructions for
pins, necklaces, earrings, hair combs, etc.  Haven't tried anything yet, but
they don't look too hard, some only have one piece but decorative soldering
looks like a must to dress it up.  Also lead free solder should be used for
pieces worn near the skin.  Probably very salable - call it wearable art!
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From owner-glass Sat Aug 22 16:52:22 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Diamondcrete
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sun, 23 Aug 1998 00:00:59 +0000
Message-ID: <199808222313.AAA23097@saturn.nildram.co.uk>
Precedence: bulk

Hi All,

As regards using paints with  Diamondcrete (or Bungicrete...   :->  
), over here in UK there is a particular cement paint in pwoder form 
that one mixes up with the cement mix. Have used it frequently enough 
for creating particular concrete shapes that could not be bought in 
the right shape & size  (when we were transforming an old bake-house 
into a residence). A company called "Febmix" manufactures it. It also 
manufactures retarders for slowing down setting of concrete, speeding 
agents (for use in cold weather) and frost inhibitors forconcrete 
mixtures.
Haven't made an awful lot of stepping stones myself, but am 
experimenting with them for use in my own garden, and have made a 
dozen or so as Birthday presents... I wouldn't dream of using 
anything other that ordinary cement, aggregate, sand and - if 
necessary - a re-inforcement mesh. So WHAT if it needs 12 hours to 
set! What's the hurry?? Total cost of 25 kg of all these ingredients 
(excl. the mesh) about US Dollars 5 and I know exactly what I am 
dealing with.
 Elisabeth 'n Toby in UK

Dani wrote:
> Hi Bob-
> 
> Mike asked me if anyone had mentioned
> trying portland cement with latex paint to
> make the stepping stones.  Sounds close
> to what you are doing.  The advantage of
> paint is that you can color the cement in
> the same step.  I don't make stepping
> stones, but I would be curious to see if
> this cheap alternative works as well as
> Diamoncrete.
> 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sat Aug 22 17:53:44 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Toby" <toby@northlights.co.uk>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Diamondcrete
Date: Sat, 22 Aug 1998 20:25:46 -0400
Message-ID: <1998Aug22.162546.0>
Precedence: bulk

Hi Elisabeth-

We use cement colors, too, which
are also purchased in powder form
over here.  However, I read about
using the latex paint and thought
to myself "What a clever idea....liquid,
colorant, and sealant (and that's =

the primary reason for using the
latex) all in one can!"  And relatively
cheap to boot, at least compared =

to certain pre-mix kits available out
there. Haven't tried it , so have no idea
if it works.  The only stepping stones =

we have look like cow pies with New
Grange designs carved into them -
leftovers from the bottom of the
cement mixer when Michael casts a
sculpture!  They're not even remotely
attractive or charming. ;-)

Best,

Dani
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From owner-glass Sun Aug 23 01:00:16 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject:  Re: Bios
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sun, 23 Aug 1998 08:24:30 +0000
Message-ID: <199808230728.IAA00175@saturn.nildram.co.uk>
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Dear Bungi people,

In Patrick's absence and in order to amuse, prevent bio-addicts from 
serious withdrawal ailments, the following is offered in a very 
frivolous mood;

 B - as in Braybark

Sirname/Familyname:     Braybark
First Name:                Toby Tobias
DOB:                         1994
Training:                    Well... sort of. Known to have the"gift  
                                   of the Gab"(Or-as the Irish say:   
                                   "Kissed the Blarney Stone")   
Occupation:              Sleeping partner of North Lights             
                                  Stained Glass, UK (i.e. The BOSS!)
Current Job:               Keep the hosuehold SANE & SAFE 
Description:               HAIRY, Front & back, 1 rump, 1 head,       
                                 4 legs, 2 floppy ears, 1 black nose, 
                                 2 blue eyes (very  appealing!)
Size:                         7 stone
Sex                           Male: 
Hobbies:                   Walking, American Football, "gardening"  
                                 entertaining American visitors; 
Pet Hates:                glass in feet, being told OFF, being
                                 left alone, Ed Sibbett Jr., baths  
Favourite Music:       The words FOOD, Bisquits, Walks, ball
Vices:                        Digging, demolishing tissues, licking  
                                 ears                                 
Favourite Food:        Whatever I am not allowed to eat   
My Dreams:               Lots of OES puppies to bring up, lots of 
                                 stained glass work coming in, house 
                                full of  fun and laughter; and - -    
                                please - may  I sleep on the brand 
                                new yellow  rugs!

That's me! Braybark Toby Tobias!!  

Have a good Sunday everybody!
Elisabeth 'n Toby in UK
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Sun Aug 23 07:31:46 1998
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From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Toby's bio
Date: Sun, 23 Aug 1998 09:47:22 EDT
Message-ID: <1998Aug23.134722.0>
Precedence: bulk


In a message dated 8/23/98 9:07:44 AM, toby@northlights.co.uk wrote:

>In Patrick's absence and in order to amuse, prevent bio-addicts from 
>serious withdrawal ailments, the following is offered in a very 
>frivolous mood;
>
> B - as in Braybark [...]

HAHAHAHAHAHAHAAAAA!!!!!!

Elisabeth, have you ever given any thought to ghostwriting *people's* bios? I
shudder to think what you'd come up with for me! (Oops, I hope I haven't
"asked for it." What the hey...)

So tell me, Toby Tobias Braybark, have you had the honor of having your
portrait done in glass by your Distinguished Artist Roomie?


Sparks
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From owner-glass Sun Aug 23 09:00:40 1998
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X-Path: erols.com!nadinesfolly
From: Nadine Beth Schneider <nadinesfolly@erols.com>
To: Toby <toby@northlights.co.uk>
Content-Type: multipart/mixed; boundary="------------2303CA996A059C58B53A4864"
Subject: Re: Bios
Date: Sun, 23 Aug 1998 10:38:08 -0400
Message-ID: <1998Aug23.6388.0>
References: <<199808230728.IAA00175@saturn.nildram.co.uk>>
Organization: Custom Art Glass Studio
Precedence: bulk

This is a multi-part message in MIME format.
--------------2303CA996A059C58B53A4864
Content-Type: text/plain; charset=us-ascii
Content-Type: text/plain; charset=us-ascii
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Content-Transfer-Encoding: 7bit

Toby. . .

Loved your life story. . .reading it kept me from
bio withdrawal.  Have a wonderful Sunday!

                    Nadine

> Dear Bungi people,
>
> In Patrick's absence and in order to amuse, prevent bio-addicts from
> serious withdrawal ailments, the following is offered in a very
> frivolous mood;
>
>  B - as in Braybark
>
> Sirname/Familyname:     Braybark
> First Name:                Toby Tobias
> DOB:                         1994
> Training:                    Well... sort of. Known to have the"gift
>                                    of the Gab"(Or-as the Irish say:
>                                    "Kissed the Blarney Stone")
> Occupation:              Sleeping partner of North Lights
>                                   Stained Glass, UK (i.e. The BOSS!)
> Current Job:               Keep the hosuehold SANE & SAFE
> Description:               HAIRY, Front & back, 1 rump, 1 head,
>                                  4 legs, 2 floppy ears, 1 black nose,
>                                  2 blue eyes (very  appealing!)
> Size:                         7 stone
> Sex                           Male:
> Hobbies:                   Walking, American Football, "gardening"
>                                  entertaining American visitors;
> Pet Hates:                glass in feet, being told OFF, being
>                                  left alone, Ed Sibbett Jr., baths
> Favourite Music:       The words FOOD, Bisquits, Walks, ball
> Vices:                        Digging, demolishing tissues, licking
>                                  ears
> Favourite Food:        Whatever I am not allowed to eat
> My Dreams:               Lots of OES puppies to bring up, lots of
>                                  stained glass work coming in, house
>                                 full of  fun and laughter; and - -
>                                 please - may  I sleep on the brand
>                                 new yellow  rugs!
>
> That's me! Braybark Toby Tobias!!
>
> Have a good Sunday everybody!
> Elisabeth 'n Toby in UK
> ----
> As my grandmother said "...there is only nobility of mind"
> North Lights Stained Glass - homepage
> http://www.netlink.co.uk/users/kris/northlights/index.htm
> ----
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



--------------2303CA996A059C58B53A4864
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Content-Transfer-Encoding: 7bit
Content-Description: Card for Nadine Beth Schneider
Content-Disposition: attachment; filename="vcard.vcf"

begin:          vcard
fn:             Nadine Beth Schneider
n:              Schneider;Nadine Beth
org:            Nadine's Folly Art Glass Studio
email;internet: nadinesfolly@erols.com
title:          www.nadinesfolly.com
x-mozilla-cpt:  ;0
x-mozilla-html: FALSE
end:            vcard


--------------2303CA996A059C58B53A4864--

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From owner-glass Sun Aug 23 17:42:10 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Toby" <toby@northlights.co.uk>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Bios
Date: Sun, 23 Aug 98 20:13:12 -0400
Message-ID: <199808240016.UAA19715@uz.ComCAT.COM>
Precedence: bulk

Since we always have *two* bios on the weekend, here's the rest. Besides, 
we can't let *dogs* rule the Animal Bio section, can we now, Elisabeth?

>Sirname/Family name:  Albright
>First Name:                 (Sweet) Charity
>DOB:                          1986
>Training:                     Slayer of mice; fierce Guardian of the S.G. 
Studio
>Occupation:                 Sleeping partner and chief groomer of Mystic, my 
African-American pal; and Suzanne & Jim (our people), who squeeze onto 
the bed wherever they can find space.
>Current Job:              Keep the household from becoming too serious. Chief 
Inspector/Supervisor. 
>Description:               Sleek, Bluepoint Siamese, very dainty and delicate 
looking, but my appearance is deceiving. Wound tight as a spring. Can 
jump many times my height, on a dime. 
>Size:                          About 9 pounds (3/4 stone?)
>Sex                           Female
>Hobbies:                    Catching mice in basement and bringing them to 
second floor bathroom, gently dropping them into the bathtub, getting 
into bathtub with them and watching them trying to get out. When they 
don't move fast enough, giving them a little pat with my delicate paw. 
Walking across the living room beams, particularly when "new" people come 
to visit so they can admire my prowess. Sitting like the Sphynx washing 
myself on said beams. Sleeping curled up outside S.G. Studio, waiting for 
my person to stop doing silly glass stuff.
>Pet Hates:                  Water, vacuum cleaner
>Vices:                       Nibbling on my person's nose between 5-7 AM just 
in case she forgets I'm hungry in the morning
>Favourite Food:         Butter left on kitchen counter, bacon (brought by 
Lenore from Friendly's), turkey, lobster, shrimp, cheese
>My Dreams:              Lots of catnip, people to give me attention, 
adoration & massages (on MY time schedule only please), some chumps to 
leave the door open so I can get outside & run like the wind.

So there, Mister Toby Tobias!
Love From Your Pen-Pal,
Charity Albright


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From owner-glass Sun Aug 23 18:50:22 1998
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From: "Hilary A. Bobker" <hilary@voicenet.com>
To: glass@bungi.com
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Subject: Subscribe
Date: Sun, 23 Aug 1998 21:05:33 -0400
Message-ID: <1998Aug23.17533.0>
Organization: HABit Fashion Services
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If I got cut off in a recent service provider fiasco, please put me back
on.

Thanks.
Hilary
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From owner-glass Sun Aug 23 21:08:51 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: He's Baaaaack
Date: Mon, 24 Aug 1998 22:04:09 -0500
Message-ID: <1998Aug24.1749.0>
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Be very careful the Irishman is back home and gunning for that crazed Swede.
She ( and others) posted illegal, improper (Clinton's words), and probably
fattening bios in my absence. I, for one, know that Toby has terrible form
when it comes to cutting glass (he's all paws, and a dew claw). His hair is
always in his eyes, and the aroma when he comes in from the rain .... oh
well you can imagine. And besides he has to sneak up on a mirror or he'll
break it with his reflection. And as for that puddy cat .... suffering
succotash.


I'm back from the dreaded mass of humanity that we Yankees call the capital
of the United States. My knuckles are still white from driving in that
traffic. Wow.

Visited Meredith Stained Glass (thanks Jenna). I was like a kid in a candy
store with one exception: I couldn't take advantage of the specials they
offered or the plane wouldn't be able to take off. I highly recommend
visiting their place if you are anywhere near Laurel, Maryland. They are
great people and fine artists (any donations for this advertisement should
be sent to " The Patrick Kelly Home for Unwed Fathers"). Also visited with
Nadine and Larry Schnieder. She is doing extraordinary work and her studio
is a dream (thanks for your hospitality Nadine and Larry).


Have to go now .... my nose keeps hitting the space bar on the keyboard (jet
lag).

Its great to be home.

Patrick
Roses and Rainbows


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From owner-glass Mon Aug 24 07:53:59 1998
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X-Path: vdot.net!shyguy
From: Dinosaur Bob <shyguy@vdot.net>
To: Pat Kelly <pkelly@n-link.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: He's Baaaaack
Date: Mon, 24 Aug 1998 13:18:01 -0400
Message-ID: <1998Aug24.9181.0>
References: <<1998Aug24.1749.0>>
Organization: Cox's Mower Service
Precedence: bulk

OK, for the geographically disadvantaged, and too lazy to go to Yahoo to
find it, where is Laurel, MD? I'm taking a jaunt from NY to DC to drop
the younger and most of what he owns off @ Georgetown this weekend, and
am taking some time to visit friends in DC and MD. I'm driving a
Suburban, so my credit card can fill faster than my car.

Pat Kelly wrote:
 
> Visited Meredith Stained Glass (thanks Jenna). I was like a kid in a candy
> store with one exception: I couldn't take advantage of the specials they
> offered or the plane wouldn't be able to take off. I highly recommend
> visiting their place if you are anywhere near Laurel, Maryland.
-- 
Adults are obsolete children
		Theodore Geisel

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From owner-glass Mon Aug 24 09:06:09 1998
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X-Path: tir.com!jazzykid
From: "Jazzykid" <jazzykid@tir.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Youghiogheny and WC weekend
Date: Mon, 24 Aug 1998 11:09:23 -0500
Message-ID: <1998Aug24.6923.0>
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Hi All,

I was lucky enough to spend time...revelling in glass this weekend.  I
stopped at the Youghiogheny Station in Connellville,PA on Friday.  John was
great and showed me around and showed me the glassblowing and finishing
processes.  Awe-inspiring!!!  Of course, I had to wrestle to get a few
T-shirts from him..before he absconded with them to W.C.(Warner-Crivellaro)
I found some great Youckie glass there, and the Unclassified was
heaven...yes, I, probably spent to much, but what the heck...Ya only live
once.  Thanks John.

    I spent 2 days at W.C. and had a great time!!  Tommy G., Joe Porcelli
and the other guy(forgot his name) were fun and informative for all.  W.C.
did a great job, lots of friendly volunteers and helpful hands on displays
and Great Glass representatives.  Robert Oddy was there and his work is like
a sunset, colorful and uniquely designed that changes from every angle.
A must see for someone who has never seen it.

Unfortuately, only bad part of wkend was ROAD CONTRUCTION!!!
but made it home with everything and not one piece of glass broken.  A first
I think..LOL.

Jill Medlyn
jazzykid@tir.com






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From owner-glass Mon Aug 24 12:36:08 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: Stained Glass Artists <moswood@listbot.com>,
Content-Type: text/plain; charset=us-ascii
Subject: Birds, bird baths and glass
Date: Mon, 24 Aug 1998 11:47:23 -0700
Message-ID: <1998Aug24.44723.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Calling all bird watchers!

Well here is the question for the day if anyone can answer this for me I
would be grateful!
I am doing a stone bird bath/fountain for my mother and adding stained
glass to the inside of the bath itself. Now her question to me was "If
you put glass in the bath part won't that scare the birds away"?

Well I have never had anyone ask me this question before. I've done 10
million bird baths and the question just has to be asked by my mom, good
grief! I told her I would ask around and maybe a knowledgeable person
with glass and bird experience could tell me.

So the question is: Do certain colors of glass or shapes tend to scare
the birds away? The pattern on the bath section is a hummingbird with
floral accents.
The birds that live in our area are Robins, Blue Jays, Sparrows, Finch,
Pigeon etc., if that helps any.

Thanks!

Pam *sm*


--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html


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From owner-glass Mon Aug 24 14:42:16 1998
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From: ctronsoft.com!vmodiano
To: glass@bungi.com
Content-Type: text/plain;
Subject: ???
Date: Mon Aug 24 14:15:05 1998
Message-ID: <1998Aug25.11515.0>
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I saw the sign at talked to a couple of your members at Glass Visions
'98.
I am not sure what I am getting into but .....

Vic Modiano
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From owner-glass Mon Aug 24 15:43:42 1998
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Date: Mon, 24 Aug 1998 18:04:16 EDT
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From: Yegnim@aol.com
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To: ptap@pacifier.com
Subject: Re: Birds, bird baths and glass
Date: Mon, 24 Aug 1998 17:59:53 EDT
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Hi Pam,

Not much experience here with attracting birds, however, I know that mirrors
are put into bird cages so the birds can see another bird in their cage.
Also, I have seen bird baths with little cement birds sitting on the edge of
them.  With the image of a bird inside of the fountain, I cannot imagine it
scaring a bird away.  You did say hummer, not owl, right?

Sounds as if you made the birdbath from scratch, although I could
misunderstood you.   If you did make the actual birdbath, could you give
details?

Lenore

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From owner-glass Mon Aug 24 16:32:31 1998
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From: Yegnim@aol.com
Return-path: <Yegnim@aol.com>
To: ptap@pacifier.com
Subject: Re: Birds, bird baths and glass
Date: Mon, 24 Aug 1998 17:59:53 EDT
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Hi Pam,

Not much experience here with attracting birds, however, I know that mirrors
are put into bird cages so the birds can see another bird in their cage.
Also, I have seen bird baths with little cement birds sitting on the edge of
them.  With the image of a bird inside of the fountain, I cannot imagine it
scaring a bird away.  You did say hummer, not owl, right?

Sounds as if you made the birdbath from scratch, although I could
misunderstood you.   If you did make the actual birdbath, could you give
details?

Lenore

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From owner-glass Mon Aug 24 16:49:48 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: ???
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Date: Mon, 24 Aug 1998 18:26:09 +0000
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> I saw the sign at talked to a couple of your members at Glass Visions
> '98.
> I am not sure what I am getting into but .....

Hi, Vic. You would have known a lot more if I hadn't messed up on 
sending the boxes of stuff to arrive in time for the show. I was 
packing boxes to ship *while *the *show *was *going *on ... duh.

One thing, though, just so you know: glass@bungi.com is a glass news 
group on which many members of the Guild participate, but it's not 
owned or run by the Guild. Somehow I had the impression that you had 
thought that when you said, you "talked to a couple of [our] members 
at Glass Visions."

Lavergne and the others did a great job with scratch paper, pencils 
and sheer enthusiasm, obviously, overcoming my Xtreme loss of brain 
cells in getting the date wrong.

Albert

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
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From owner-glass Mon Aug 24 18:54:52 1998
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From: Kathy Hupp <khupp@citynet.net>
To: glass@bungi.com
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Subject: tempered glass
Date: Mon, 24 Aug 1998 21:14:12 -0400
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I think we may have coverd this recently, but I'm either wrong or wasn't
paying attention. (Knowing full well that I would never try to cut
tempered glass.)

A friend salvaged glass from sliding glass doors and asked my husband to
cut it for him. My husband scored it, and no matter what the pressure,
even with a pencil under it, could not get it to break. He actually
knelt on it with his knees.

My brother gave me a window sized piece of glass. As soon AS I TRIED to
score it, it shattered into a zillion pieces. And I'm the actual glass
worker in the family. 

What on earth did he get hold of? I told him not to try, it would
shatter. Made a fool out of me. He couldn't even break it at all.

He asked that I ask you guys. I told him that you would say take it to
a glass shop or hardware store that is capable of cutting it. I think
they  can, or so I have heard. What do you say?

Thanks, Kathy
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From owner-glass Mon Aug 24 20:00:25 1998
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Subject: Tempered Glass
Date: Mon, 24 Aug 1998 22:23:20 -0400
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Years ago, and I guess that it still exists, there was a glass used for
solid glass doors called Herculite.  You couldn't break it with a hammer,
but if you hit it with an ice pick it would fall into beads.  That might be
the glass you had.  It was used for entry doors in retail stores.

Arnold    Creekside Creations

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From owner-glass Mon Aug 24 20:33:30 1998
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From: "Gerard" <harlquin@mpx.com.au>
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Subject: re tempered glass
Date: Tue, 25 Aug 1998 12:40:10 +1000
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i think tempered glass is made by quickly cooling the surface of the glass
to create a sort of hardened "skin" with extreme tension inside. A bit like
tempered steel (so the name). I makes sense that when you score the surface
you then release those tensions and shatter the glass. I even heard that you
can't even etch it. (would be nice for custom windscreen in cars!). there is
a discussion started on the discussion board at
http://www.insidetheweb.com/mbs.cgi/mb131394
How about posting a few comments there.

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From owner-glass Tue Aug 25 01:57:14 1998
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From: Shirley Balloch <balloch@netbridge.net>
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Subject: Bird  Bathes
Date: Tue, 25 Aug 1998 01:24:25 -0700
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I did not see the letter part of the message response from Yegnim.
I to have thought about this questions and would like to know the answer
for the future, when I have figured out how to do bird baths.
Thanks 
Shirley B
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From owner-glass Tue Aug 25 03:59:51 1998
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< Shirley states that she did not see the content of the letter from yegnim.

Shirley and others:  the content is there, just scroll down past the
jibberish.  Sorry my computer skills are not up-to-par YET!  So much to learn,
so little time.  Sigh........  Lenore
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From owner-glass Tue Aug 25 06:04:01 1998
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Subject: Re: re tempered glass
Date: Tue, 25 Aug 1998 08:15:13 -0400 (EDT)
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On Tue, 25 Aug 1998, Gerard wrote:

> i think tempered glass is made by quickly cooling the surface of the glass
> to create a sort of hardened "skin" with extreme tension inside. A bit like
> tempered steel (so the name). I makes sense that when you score the surface
> you then release those tensions and shatter the glass. I even heard that you
> can't even etch it. (would be nice for custom windscreen in cars!). there is
> a discussion started on the discussion board at
> http://www.insidetheweb.com/mbs.cgi/mb131394
> How about posting a few comments there.
> 

Here are my comments, which will demonstrate a bit of ignorance of several
subjects on my part. 

Attention motorheads, this is where you will have definitive info. Is the
glass in the "stationary vent" windows in US cars the same kind as in the
windshield?

Next question: haven't I seen more than one low rider with the Virgin of
Guadalupe etched in those vent windows? The one I remember examining
closely did not have a sandwich of safety glass around standard. It was a
street rod licensed to cruise by the state of Arizona.

So there are the questions: can safe-lite really not be etched? Is the
glass the same all around the car, as I'd always assumed? Are safety
standards not the same in all states?

Curiously yours,

Mary


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From owner-glass Tue Aug 25 07:02:14 1998
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Birds, bird baths and glass
Date: Tue, 25 Aug 1998 09:25:03 -0400
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Message text written by Pamela Burns-Tappan
>I am doing a stone bird bath/fountain for my mother and adding stained
glass to the inside of the bath itself. Now her question to me was "If
you put glass in the bath part won't that scare the birds away"?<

The blue-jays in my area love the birdbath that features bright
red & yellow sun on a light blue background.  They avoid the
ivy green on beige/white background patterned one sitting next
to the sun birdbath.  Go figure.  The insects (bumblebees, wasps,
honeybees) like the abstract shorter birdbath (closer to the ground)
which features iridescent white, iridescent black, red, and green
colors.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B,
P.O. Box 903, Skippack, PA 19474-0903
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From owner-glass Tue Aug 25 07:41:53 1998
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From: "Christie A. Wood" <Ensembles@compuserve.com>
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Subject: Mosaic'ed Birdbaths
Date: Tue, 25 Aug 1998 09:25:06 -0400
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How to do mosaic'ed birdbaths:

1.) Purchase birdbath of your choice from garden center
  of your choice
2.) Draw design inside bowl of birdbath
3.) Glue (GE Silicon II) stained glass pieces inside bowl
  of birdbath
4.) Grout (Polyblend non-sanded tile grout in color of
  your choice) bowl of birdbath
5.) Leave until ALMOST dry, then wipe off excess grout
  using paper towels, damp sponge, whatever
6.) Let dry (overnight or at least 2 hours)
7.) Do final excess grout clean-up using dull knife
8.) File off any sharp edges using diamond file
9.) Thourally remove dust
10.) Seal up bowl using a water sealant for cement
  (Thompson WaterSealer)
11.) Wipe off excess sealant from glass
12.) Let dry
13.) Optional - polish

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B,
P.O. Box 903, Skippack, PA 19474-0903
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From owner-glass Tue Aug 25 08:15:15 1998
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From: fibers@wcnet.net (fibers)
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Need some ideas
Date: Tue, 25 Aug 1998 08:16:19 -0500
Message-ID: <1998Aug25.31619.0>
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Good Morning All,

I asked for 'backbone" once,and was richly rewarded. Now I need some
ideas.

Someone gave me about one half dozen old wooden window sashs. Thw wood
is in good shape and so is the glass for that matter. I've been toying
with the idea of replacing the existing glass, each about 6 1/2" x 8", 6
per sash, with stained glass. The brass locks and lifts are still in
place. I've considered just putting in  pretty pieces of glass and
hanging it with a brass chain over an existing window.
The glass pieces are almost too small to do any kind of picture, I
think.
How about some feed back?
We were lucky here on this section of the Texas coast. The tropical
depression, Charlie, dropped a LOT of rain west of us causing many
deaths and much destruction. .We may get it on the next storm but we
missed it this time.
Nelda

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From owner-glass Tue Aug 25 09:02:58 1998
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From: "M. Savad" <morn@nac.net>
To: Kathy Hupp <khupp@citynet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: tempered glass
Date: Tue, 25 Aug 1998 10:21:16 -0400
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Kathy Hupp wrote:
> 
> I think we may have coverd this recently, but I'm either wrong or wasn't
> paying attention. (Knowing full well that I would never try to cut
> tempered glass.)
> 
> A friend salvaged glass from sliding glass doors and asked my husband to
> cut it for him. My husband scored it, and no matter what the pressure,
> even with a pencil under it, could not get it to break. He actually
> knelt on it with his knees.
> 
> My brother gave me a window sized piece of glass. As soon AS I TRIED to
> score it, it shattered into a zillion pieces. And I'm the actual glass
> worker in the family.
> 
> What on earth did he get hold of? I told him not to try, it would
> shatter. Made a fool out of me. He couldn't even break it at all.
> 
> He asked that I ask you guys. I told him that you would say take it to
> a glass shop or hardware store that is capable of cutting it. I think
> they  can, or so I have heard. What do you say?
> 
> Thanks, Kathy
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


nothing that i know of, tempered glass has to be cut when it's still
untemepered. then it can be tempered. right now it's under alot of
stress.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Tue Aug 25 09:52:32 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: re tempered glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 25 Aug 1998 10:30:33 +0000
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> Attention motorheads, this is where you will have definitive info. Is the
> glass in the "stationary vent" windows in US cars the same kind as in the
> windshield?

Nope. The windshield's laminated, the windwings and windows are 
tempered.

> Next question: haven't I seen more than one low rider with the Virgin of
> Guadalupe etched in those vent windows?

It *is possible to abrasive etch tempered glass and laminated glass, 
but it's tricky. Get in touch with the illlustrious Dan Fenton and 
Kathy Bradford at one of their many round-the-country workshops and 
ask 'em. On the other hand, Penelope Comfort Starr wrote an article 
in the March 1987 issue of Professional Stained Glass: "Sandblasting 
Laminated, Tempered and Bent Glass."

> So there are the questions: can safe-lite really not be etched? Is the
> glass the same all around the car, as I'd always assumed? Are safety
> standards not the same in all states?

Automobile safety standards are federally mandated. You're right.

By the way, here's a very interesting (and possibly helpful) table 
showing the strength of glass, whether it's regular single strength, 
annealed, tempered, sandblasted, etc.
http://regionalweb.texoma.net/Codes/Building/tb2405-3.htm

Albert
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From owner-glass Tue Aug 25 10:25:33 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: re tempered glass
Date: Tue, 25 Aug 98 07:23:16 -0700
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References: <<1998Aug25.41513.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
> Attention motorheads, this is where you will have definitive info. Is the
> glass in the "stationary vent" windows in US cars the same kind as in the
> windshield?
>
> Next question: haven't I seen more than one low rider with the Virgin of
> Guadalupe etched in those vent windows? The one I remember examining
> closely did not have a sandwich of safety glass around standard. It was a
> street rod licensed to cruise by the state of Arizona.
>
> So there are the questions: can safe-lite really not be etched? Is the
> glass the same all around the car, as I'd always assumed? Are safety
> standards not the same in all states?
>
> Curiously yours,
>
> Mary

glass in car windows is not tempered. it is a laminate (2 pieces of glass with  
a plastic layer between them). thus, it can be etched safely.

regards,
charlie
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Tue Aug 25 10:48:26 1998
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Date: Tue, 25 Aug 1998 14:29:09 +0000
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Oh drat!

I thought we were going to have some peace & quiet for a little 
while!!!    ;-)
> Be very careful the Irishman is back home and gunning for that crazed Swede.


I hear a menacing low growl behind me.... and a hot snort in my ear 
telling me that that Crazy Irish will soon become leg-less (and it 
won't be from the double-malted variety either... I'm told). Toby 
tells me that he has finished his last bone, plus the hoof that 
arrived all the way from USA and he could do with  a nice Irish 
couple of legs; in fact he would be quite happy to allow me to help 
himself......
Being the gentleman that he is, he is quite prepared to await my 
say-so first....
He also wish to remind of the old saying: "Pigs pong, horses sweat, 
gentlemen perspire and ladies only glow a little". This Irish 
character, says Toby, is obviously neither a lady nor a gentleman.... 
 
>I, for one, know that Toby has terrible form
> when it comes to cutting glass (he's all paws, and a dew claw). His hair is
> always in his eyes, and the aroma when he comes in from the rain .... oh
> well you can imagine. And besides he has to sneak up on a mirror or he'll
> break it with his reflection.

Charity!!! Prime your claws!!!
> And as for that puddy cat .... suffering
> succotash.
 
Oh, well!! One learns something every day!!!
There was me thinking that Washington D.C.  was a sleepy little 
suburb to N.Y....  All I know about it is,  that folks there 
obviously sleep around a lot ....   :->
> I'm back from the dreaded mass of humanity that we Yankees call the capital
> of the United States. My knuckles are still white from driving in that
> traffic. Wow.
> 

It's the double-malted stuff again!! 
> Have to go now .... my nose keeps hitting the space bar on the keyboard

As regards the article on Colours and Light in the S.T.M. I did my 
sums and realized that making coloured  and b/w photocopies would 
cost me a fortune. So back to the scanner!! The magazine format is 
larger than A4 (almost A3) and has 3 columns per page, plus pics. I 
spent Sunday and all day Monday in scanning the pages (and YES! Mary! 
- you're dead right!! Everything to avoid doing what I really SHOULD 
be doing!!), and had a long conversation with Lee about scanning and 
use of OCR (I'm a total novice!). So I am busy scanning, learning and 
"knitting" the text together and am half-way there. Bear with me...

As regards the question of having made a stained glass panel of an 
Old English Sheepdog, the answer is Yes, I have.
Many years ago (I think about 20), as a demonstration to students 
that one can draw and design almost anything in stained glass and 
that if  kept simple, it can often be more effective. What could be 
more difficult to draw and design than a woolly mess in white and 
grey. I still have a photograph of the 12" x 12" panel (but gave the 
panel itself away later, as a present.....).
Anyone interested? I'll be happy to scan it and send it to you,.... 
seeing that I'm currently in scanning mode anyway.
I must also knuckle down to respond to my off-group mail..... oh, 
yes! -, and the tax-man wants his quarterly pound of flesh again.....
Let go Toby!!!  It's Irish!!!   BAD for you!!! Give it to the Tax Man 
instead!!!  Let GO I said!!!    NOW!!!

Teehee
from
Elisabeth 'n Toby in UK

----
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http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
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Subject: re safety glass
Date: Tue, 25 Aug 1998 23:59:57 +1000
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i probably opened a can of worms there.
safety glass ain't safety glass!
if you call it a windshield it's probably made by sandwich of plastic sheet
between 2 sheets of glass.
if it's called a windscreen it must be a different kind of glass like
tempered glass (the one that shatters in small squares instead of cracking
in a star pattern)
And i believe that safety standard ARE different in various parts of the
world.
You should see the way things are done around here.
Harlequin
www.surf.to/harlquin
discussion board at
http://www.insidetheweb.com/mbs.cgi/mb131394

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Subject: Re: Need some ideas
Date: Tue, 25 Aug 1998 12:55:23 -0400
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References: <<1998Aug25.31619.0>>
Organization: Cox's Mower Service
Precedence: bulk

I have seen:
1) take the panes of glass out, replace with mirror.
2) same as above, add a shelf to bottom, put plants or curios on shelf 
3) do a landscape scene, mount behind 'window', hang on wall. Gives
appearance of a real window (good for somebody's office, or cubicle

fibers wrote:
> 
> Good Morning All,
> > Someone gave me about one half dozen old wooden window sashs. Thw wood
> is in good shape and so is the glass for that matter. I've been toying
> with the idea of replacing the existing glass, each about 6 1/2" x 8", 6
> per sash, with stained glass. The brass locks and lifts are still in
> place. I've considered just putting in  pretty pieces of glass and
> hanging it with a brass chain over an existing window.
> The glass pieces are almost too small to do any kind of picture, I
> think.
> How about some feed back?

Adults are obsolete children
		Theodore Geisel

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From owner-glass Tue Aug 25 11:32:21 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: tempered glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 25 Aug 1998 13:24:51 +0000
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> > He asked that I ask you guys. I told him that you would say take it to
> > a glass shop or hardware store that is capable of cutting it. I think
> > they  can, or so I have heard. What do you say?

> nothing that i know of, tempered glass has to be cut when it's still
> untemepered. then it can be tempered. right now it's under alot of
> stress.

Quite true, Mike. As I understand the process, glass has to be first 
cut to size, *then tempered. Glass that is already tempered can't be 
cut ... well, it *can, but then you end up with a gazillion tiny 
pieces, which isn't what's being sought here. <s>

Albert
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From owner-glass Tue Aug 25 13:06:34 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: tempered glass
Date: Tue, 25 Aug 1998 09:55:25 -0700 (PDT)
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Hi Kathy,
>From what I understand tempered glass is made in different degrees of
tempering, but there are standards.
Once visited a large manufactoring shop that also made bullet proof glass.
Rather interesting since they actually have a shooting room to try out the
glass.
Tempered glass can be scary as it doesn't need to shatter as soon as you try
to sandblast it. Friend of mine had his blow up hours later.
As far as trying to score and cut tempered glass that's a no no.
The pressure on the glass if it's the right amount will cause it to shatter.
Windshield glass must have a strong tempering as they can be in real bad
shape but not shatter.
Hope this gives some more light and it's just my opinion.
Cindy 

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Subject: Re: He's Baaaaack (gulp!)
Date: Tue, 25 Aug 1998 14:14:11 EDT
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In a message dated 8/25/98 1:59:21 PM Eastern Daylight Time,
toby@northlights.co.uk writes:

<< Oh, well!! One learns something every day!!!
 There was me thinking that Washington D.C.  was a sleepy little 
 suburb to N.Y....  All I know about it is,  that folks there 
 obviously sleep around a lot ....   :-> >>

hey now!  Don't let him bring all of us down!!!

Jenna Meredith-Sanders
non-sleeping around resident of Wash, DC suburbs....
Meredith Stained Glass
www.meredithglass.com
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From owner-glass Tue Aug 25 13:43:59 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Birds, bird baths and glass
Date: Tue, 25 Aug 1998 11:01:29 -0700
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>Message text written by Pamela Burns-Tappan
>>I am doing a stone bird bath/fountain for my mother and adding stained
>glass to the inside of the bath itself. Now her question to me was "If
>you put glass in the bath part won't that scare the birds away"?<

Took this question to my tenant who's a park naturalist and an avid birder
to boot...his reply was inconclusive.  He thought that birds with what he
calls personality (what I call noisy, raucous thugs) such as blue jays and
crows would be attracted to bright shiny colours.  He couldn't comment on
the smaller birds, finches, robins, chickadees, etc. but came up with the
following suggestions for investigation:

tape some coloured square of plastic to the bottom of a bird bath and watch
for changes in bird behaviour.

scatter coloured glass nuggets (gee I guess he's been paying attention when
he's visited the studio...he knew their correct name.  At shows I usually
hear things like "those glass thingies") in the bottom of a bird bath and
again watch for changes in bird behaviour.

He thought very little research has been done on the subject of birds and
color recognition...attraction or avoidance.

Carol Swann
Synergy Glass & Creative
www.bungi.com/glass/igga/synergy

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From owner-glass Tue Aug 25 14:28:46 1998
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From: "Albert Lewis" <alewis@vgernet.net>
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Subject: Re: re tempered glass
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> glass in car windows is not tempered. it is a laminate (2 pieces of glass with  
> a plastic layer between them). thus, it can be etched safely.

Charles, is that true? I've broken out windwings (since I've locked 
myself out) and they shatter all over the place, which would indicate 
to me that they're not laminated. In that case, they'd just break and 
bend, rather than explode into the car's interior as my experience 
shows.

Albert
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From owner-glass Tue Aug 25 14:31:45 1998
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From: Carolyn Noel <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: jewelery
Date: Sun, 23 Aug 1998 12:54:22 -0400
Message-ID: <1998Aug23.85422.0>
Organization: The Stained Glass Place
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Hi Everyone:
Someone was inquiring about a book on making jewelry. I'm also
interested, but would like a book describing "wire-wrapping" glass (for
jewelry, suncatchers, etc.). 
Thanks in advance....this is a great question and answer group!!
Carolyn
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From owner-glass Tue Aug 25 14:32:39 1998
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Subject: tiffany lamps
Date: Tue, 25 Aug 1998 12:58:47 -0700
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Hello to all.
I like to know if some of you had made a tiffany lamp and what line of
glass have you used.
and if you can give me some tips so I make no mistakes

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From owner-glass Tue Aug 25 14:33:05 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
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Subject: Re:tempered glass and laminated
Date: Tue, 25 Aug 1998 12:30:54 -0700 (PDT)
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Hi guys,
Yep, windshields are laminated...
My mistake on the subject:):)
Hence when they shatter they'd shatter all over you if they were not.
Did not know this until now, chuckle.
Had to call up a buddy in the auto glass business..big smile.
Laminated glass can be blasted, but not to the half way mark as it will lose
it's strength of the glass...this I know, chuckle.
Signing out, Cindy
>> 
>
> 
>
>> 

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From owner-glass Tue Aug 25 15:27:30 1998
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From: "M. Savad" <morn@nac.net>
To: fibers <fibers@wcnet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Need some ideas
Date: Tue, 25 Aug 1998 17:58:56 -0400
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fibers wrote:
> 
> Good Morning All,
> 
> I asked for 'backbone" once,and was richly rewarded. Now I need some
> ideas.
> 
> Someone gave me about one half dozen old wooden window sashs. Thw wood
> is in good shape and so is the glass for that matter. I've been toying
> with the idea of replacing the existing glass, each about 6 1/2" x 8", 6
> per sash, with stained glass. The brass locks and lifts are still in
> place. I've considered just putting in  pretty pieces of glass and
> hanging it with a brass chain over an existing window.
> The glass pieces are almost too small to do any kind of picture, I
> think.
> How about some feed back?
> We were lucky here on this section of the Texas coast. The tropical
> depression, Charlie, dropped a LOT of rain west of us causing many
> deaths and much destruction. .We may get it on the next storm but we
> missed it this time.
> Nelda
> 
> ----
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the most popular thing i've seen with this to replace the glass with
mirror, and hang it on the wall. keep the finish and hardware attached.
just add a chain or hooks. 

another idea is to use the stained glass approach. make it look like
your looking outside: blue sky, birds, trees, etc. it might be neat to
hang it on a blank wall. i've seen this idea as a faux window painted on
the wall. but with real curtains, kinda neat.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Tue Aug 25 16:34:30 1998
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From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Tiffany Lamps
Date: Tue, 25 Aug 1998 18:19:57 -0400
Message-ID: <1998Aug25.141957.0>
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Your best bet would be for you to run, don't walk, to your friendly stained
glass retailer.  You will find them to be friendly and most helpful.  It is
to their interest for you be pleased with your efforts.  They'll work with
you, sell you only what you need, and train you to express yourself in this
medium.

The reason is simple...If you aren't happy with your project when finished,
they've lost you as a customer.  When your friends and family "can't believe
that you made that", you're "sucked in", and the've got you.....

Your little ol" retailer,

Arnold        Creekside Creations    Richfield, Pa.

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From owner-glass Tue Aug 25 16:45:53 1998
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From: "Granny And PawPaw" <grannyandpawpaw@tricountyi.net>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Jewelry
Date: Tue, 25 Aug 1998 18:31:36 -0400
Message-ID: <1998Aug25.143136.0>
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Carolyn,

A couple of books that might help are:

Hot and Wired by John Smith &Linda Abbott
Hot Glass Jewelry by Nellann Roberts
Baubles, Bangles & Beads Stained Glass Jewelry by Kay Weiner

Hope this helps

Arnold

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From owner-glass Tue Aug 25 17:01:41 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Mosaic'ed Birdbaths
Date: Tue, 25 Aug 1998 19:26:23 EDT
Message-ID: <1998Aug25.232623.0>
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Thanks Christie - you make it sound so easy I just might try one!
Brenda

In a message dated 8/25/98 10:42:46 AM Eastern Daylight Time,
Ensembles@compuserve.com writes:

 How to do mosaic'ed birdbaths:
 
 1.) Purchase birdbath of your choice from garden center
   of your choice
 2.) Draw design inside bowl of birdbath
 3.) Glue (GE Silicon II) stained glass pieces inside bowl
   of birdbath
 4.) Grout (Polyblend non-sanded tile grout in color of
   your choice) bowl of birdbath
 5.) Leave until ALMOST dry, then wipe off excess grout
   using paper towels, damp sponge, whatever
 6.) Let dry (overnight or at least 2 hours)
 7.) Do final excess grout clean-up using dull knife
 8.) File off any sharp edges using diamond file
 9.) Thourally remove dust
 10.) Seal up bowl using a water sealant for cement
   (Thompson WaterSealer)
 11.) Wipe off excess sealant from glass
 12.) Let dry
 13.) Optional - polish
 
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From owner-glass Tue Aug 25 18:44:29 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Need some ideas
Date: Tue, 25 Aug 1998 19:35:27 EDT
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In a message dated 8/25/98 11:25:16 AM Eastern Daylight Time, fibers@wcnet.net
writes:
 
 Someone gave me about one half dozen old wooden window sashs. Thw wood
 is in good shape and so is the glass for that matter. I've been toying
 with the idea of replacing the existing glass, each about 6 1/2" x 8", 6
 per sash, with stained glass. The brass locks and lifts are still in
 place. I've considered just putting in  pretty pieces of glass and
 hanging it with a brass chain over an existing window.
 The glass pieces are almost too small to do any kind of picture, I
 think.
 How about some feed back? >>

How about treating the six panes as one large one and having the design flow
from one into the other?

Or geometric designs, maybe incorporating small bevels or jewels.

Sounds like a fun project that you could do a pane at a time when nothing else
is in the works.

Brenda
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Mosaic'ed Birdbaths
Date: Tue, 25 Aug 1998 19:26:23 EDT
Message-ID: <1998Aug25.232623.0>
Precedence: bulk

Thanks Christie - you make it sound so easy I just might try one!
Brenda

In a message dated 8/25/98 10:42:46 AM Eastern Daylight Time,
Ensembles@compuserve.com writes:

 How to do mosaic'ed birdbaths:
 
 1.) Purchase birdbath of your choice from garden center
   of your choice
 2.) Draw design inside bowl of birdbath
 3.) Glue (GE Silicon II) stained glass pieces inside bowl
   of birdbath
 4.) Grout (Polyblend non-sanded tile grout in color of
   your choice) bowl of birdbath
 5.) Leave until ALMOST dry, then wipe off excess grout
   using paper towels, damp sponge, whatever
 6.) Let dry (overnight or at least 2 hours)
 7.) Do final excess grout clean-up using dull knife
 8.) File off any sharp edges using diamond file
 9.) Thourally remove dust
 10.) Seal up bowl using a water sealant for cement
   (Thompson WaterSealer)
 11.) Wipe off excess sealant from glass
 12.) Let dry
 13.) Optional - polish
 
----
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From owner-glass Tue Aug 25 19:51:06 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: jewelery
Date: Tue, 25 Aug 1998 20:48:36 -0400
Message-ID: <1998Aug25.164836.0>
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And speaking of wire-wrapping
jewelry, I know there is a book =

available that deals with wire-work
including little jig set-ups for whipping
up  scroll-like embellishments
for jewelry.  Anyone know the =

name of the book or the author =

and who might sell it?  Thanks!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Tue Aug 25 20:13:04 1998
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Subject: Re: re tempered glass
Date: Tue, 25 Aug 1998 22:21:01 EDT
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My son drove (past tense...its parked in my garage)  a circa 70s chevy nova,
until a road rage incident directed at him resulted in everyone of his windows
broken out into a gazillion little bits.....  not a piece of glass
remaining....only millions....and then he used the shop vac to clean it
up....I didn't realize the kid didn't empty it and tried to roll it out of the
garage.   Almost, very almost, ended up on my butt.

Maureen
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From owner-glass Tue Aug 25 20:54:03 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Need some ideas
Date: Tue, 25 Aug 1998 22:15:53 -0500
Message-ID: <1998Aug25.171553.0>
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Recently I changed jobs. My new position came with a office with two large
windows. As office politics would have it one of my (window less)co-workers
really wanted this office with the windows. He made up excuses why he
absolutely needed it. I really didn't care because most of the time I keep
the glare off my monitor by closing the blinds (which enrages him). The boss
made a management decision that I would have the office and of course the
co-worker pouted for weeks.

You all seem to know my sense of humor and can appreciate what follows. I
made a window frame with mirror in place of the glass complete with sill and
when he was on vacation hung it on his wall ( I am such a nice guy). When
the rest of the staff saw it they all jumped on the bandwagon. By the time
he came back, there was real curtains and rod with tie backs, a long stemmed
silk rosebud with vase, a glass blue bird, white-out spots simulating pigeon
leavings, empty sunflower shells glued to the sill, grass clippings, and
more.  Some of the other workers actually had a countdown calendar waiting
for him to return.

Finally the day arrived. He walked into his office, noticed the window and
got to laughing so hard he could hardly stand-up. He was so impressed he
called his wife and all of his friends to view his new custom made window.
Now it is a ritual when he come to work he opens the faux window and
breathes deeply. What a hoot.

I guess the point is you could make faux windows and hang them anywhere.

Patrick
Roses and Rainbows

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From owner-glass Tue Aug 25 21:49:51 1998
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From: Carolyn Duncan <chick@cyberg8t.com>
To: newsgroup <glass@bungi.com>
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Subject: wire work jig
Date: Tue, 25 Aug 1998 21:05:12 -0700
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A Wig-Jig  forms wire designs for jewelry.  Rings and things sells them
and they may also sell books.  http://www.rings-things.com   I hope this
helps.  Carolyn
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From: Beadnik2@webtv.net (Joan)
To: glass@bungi.com
Content-Type: Text/Plain; Charset=US-ASCII
Subject: Chem-o-lene???
Date: Tue, 25 Aug 1998 21:52:17 -0400 (EDT)
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I have read that Chem-o-lene is a cheaper, cleaner alternative gas for
lampworking.  Does anyone know if it can be used as a single fuel
source, i.e. a substitute for MAPP gas, with a Hothead torch, or must it
be combined with oxygen?  Any other info on this gas???

Thanks!...... Joan......

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From owner-glass Tue Aug 25 22:29:36 1998
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Subject: Re: Need some ideas
Date: Wed, 26 Aug 1998 00:49:58 EDT
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i saw a movie once where a women used old windows as a room divider... she
lift in a giant loft and i loved the effect.. 

LuvArtGlas
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From owner-glass Tue Aug 25 23:01:40 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re: tiffany lamps
Date: Wed, 26 Aug 1998 11:47:21 +1000
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Gabriela
we do make tiffany lamps and we try to use the best available
glass.(Uroboros or Bullseye) some of the early model we made with cheaper
glass but the effect is not as good for a very small reduction of cost. The
cheap asian imports are made with cheap glass and that's the edge we have
over them. you might be able to see some of our lamps at
www.freeyellow.com/members2/ondaderthad/index.html
Harlequin
www.surf.to/harlquin
discussion board at
http://www.insidetheweb.com/mbs.cgi/mb131394

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From owner-glass Wed Aug 26 01:18:05 1998
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Subject: Where are you?
Date: Wed, 26 Aug 1998 08:38:28 GMT
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Glenna, can you check as to if I'm still on the list, as I don't 
appear to have recieved any mail for 2 weeks. Sorry for waiting so 
long but we thought there was a problem at this end initially, 
however your mailing list appears to be the only one I don't appear 
to be receiving.

Many thanks
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From owner-glass Wed Aug 26 03:29:47 1998
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From: "Albert Lewis" <alewis@vgernet.net>
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Subject: Re: Chem-o-lene???
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Date: Wed, 26 Aug 1998 05:43:32 +0000
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> I have read that Chem-o-lene is a cheaper, cleaner alternative gas for
> lampworking.  

If you don't get an answer here, Joan, try the bulletin board at
http://www.hotglass.com/

Albert
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From owner-glass Wed Aug 26 06:07:33 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: Birds, bird baths and glass
Date: Wed, 26 Aug 1998 08:24:10 EDT
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In a message dated 8/25/98 9:46:40 PM, seaspray@mail.island.net wrote:

>Took this question to my tenant who's a park naturalist and an avid birder
>to boot...his reply was inconclusive. [...] but came up with the
>following suggestions for investigation:
>
>tape some coloured square of plastic to the bottom of a bird bath and watch
>for changes in bird behaviour.
>
>[...]
>
>He thought very little research has been done on the subject of birds and
>color recognition...attraction or avoidance.

Birds do see in color (otherwise what would be the use of all those peacock
feathers, besides giving all those Nouveau artists something to do?), and some
of them do have strong preferences for one color or another.

Down Under in the Land of Oz there's a group of birds called "bower-birds"
that don't bother with growing fancy feathers. Instead, the males build arched
shelters ("bowers") in the underbrush, go out and collect scraps of glass,
paper, plastic, pottery, anything they can find in a particular color, and
cover the entire floor of the shelter with them to attract the ladies. One
species is crazy about red, another goes for blue.


Sparks
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From owner-glass Wed Aug 26 06:31:17 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: re tempered glass
Date: Wed, 26 Aug 1998 08:33:31 EDT
Message-ID: <1998Aug26.123331.0>
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In a message dated 8/25/98 10:32:59 PM, alewis@vgernet.net wrote:

>> glass in car windows is not tempered. it is a laminate (2 pieces of glass
with
> 
>> a plastic layer between them). thus, it can be etched safely.
>
>Charles, is that true? I've broken out windwings (since I've locked 
>myself out) and they shatter all over the place, which would indicate 
>to me that they're not laminated. In that case, they'd just break and 
>bend, rather than explode into the car's interior as my experience 
>shows.

The laminated glass is a relatively new thing. Last 30-35 years? I remember
all the publicity when it came out. "Herculite K" - the glass that crumbles -
came out around the same time, I think. AFAIK, laminated glass is generally
only used for windshields, and the other windows of a car are made of
"crumbly" glass (at least that's true of cars you see in the USofA).

Some plate-glass windows are made of crumbly glass too. Several years ago one
of the front windows of a local art gallery was shot out, and an artist
collected up a bunch of the glass crumbs and made an abstract mosaic piece
(using cast resin as the "grout") that now hangs in the main entryway of the
gallery.


Sparks
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: tiffany lamps
Date: Wed, 26 Aug 1998 09:30:45 -0400
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Message text written by gabriela martinez
>I like to know if some of you had made a tiffany lamp and what line of
glass have you used.<

I like to use Youghiogheny glass for lampshades.  Armstrong is nice
also.  I try to avoid Spectrum, as most customers think it's plastic.

Christie A. Wood
Art Glass Ensembles, 4013 Skippack Pike, Bldg B,
P.O. Box 903, Skippack, PA 19474-0903
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From owner-glass Wed Aug 26 08:05:48 1998
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Subject: New Question: Backround display color choice
Date: Wed, 26 Aug 1998 10:22:38 EDT
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Hello all:

It was nice to finally meet a few fellow bungians at Glass Visions! I had a
good time (aside from the humidity) and learned some new things (as well as
getting to take home some great bargains!). Now here is my question:

First real craft show coming up, and I haven't purchased table coverings yet -
due to my total confusion, or I guess I should say indecision, as to what
color (or lack there of) to use for background : white or black. I seem to
find myself leaning toward white - to be able to display those beautiful
colors - yet, I've seen many glass people who use black. I am now thoroughly
confused. This will be for things on tables - not hanging items. I'm
interested in hearing others' prefrences, and will be waiting in eager
anticipation for some expert opinions and advice!
Thanks to all!

Laura
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From owner-glass Wed Aug 26 09:17:33 1998
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From: "M. Savad" <morn@nac.net>
To: HiimLaura@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: New Question: Backround display color choice
Date: Wed, 26 Aug 1998 11:27:29 -0400
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HiimLaura@aol.com wrote:
> 
> Hello all:
> 
> It was nice to finally meet a few fellow bungians at Glass Visions! I had a
> good time (aside from the humidity) and learned some new things (as well as
> getting to take home some great bargains!). Now here is my question:
> 
> First real craft show coming up, and I haven't purchased table coverings yet -
> due to my total confusion, or I guess I should say indecision, as to what
> color (or lack there of) to use for background : white or black. I seem to
> find myself leaning toward white - to be able to display those beautiful
> colors - yet, I've seen many glass people who use black. I am now thoroughly
> confused. This will be for things on tables - not hanging items. I'm
> interested in hearing others' prefrences, and will be waiting in eager
> anticipation for some expert opinions and advice!
> Thanks to all!
> 
> Laura
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i would choose something in the creme family. black absorbs all the
light, and all clear colors will look black. white, works nicely but it
will be blinding in the sun (if you don't use a tent of some kind). i
woud'nt use a pattern, because it's distracting. 

so i guess a light creme color should be best...

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Aug 26 13:53:23 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Birds, bird baths and glass
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Wed, 26 Aug 1998 16:37:37 +0000
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Hi all,

...How absolutely fascinating.....!
In which case this really begs the question of what colours to use in 
order to attract what type of bird.... (Subject of the week??)
After all, what's the point in mixing colours that frightens the poor 
little creatures away....?
Bird-watchers unite! More please!
Elisabeth 'n Toby in UK


thread:
> >tape some coloured square of plastic to the bottom of a bird bath and watch
> >for changes in bird behaviour.
> >
> >[...]
> >
> >He thought very little research has been done on the subject of birds and
> >color recognition...attraction or avoidance.

to which Sparks replied:
> Birds do see in color (otherwise what would be the use of all those peacock
> feathers, besides giving all those Nouveau artists something to do?), and some
> of them do have strong preferences for one color or another.
> 
> Down Under in the Land of Oz there's a group of birds called "bower-birds"
> that don't bother with growing fancy feathers. Instead, the males build arched
> shelters ("bowers") in the underbrush, go out and collect scraps of glass,
> paper, plastic, pottery, anything they can find in a particular color, and
> cover the entire floor of the shelter with them to attract the ladies. One
> species is crazy about red, another goes for blue.
 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: jewelery
Date: Wed, 26 Aug 1998 13:37:38 -0400
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---------- Forwarded Message ----------

From:	Boatwright, Walter, INTERNET:tcn@net-magic.net
TO:	"Michael J. Greer", GreerStudios
DATE:	8/26/98 8:38 AM

RE:	Re: jewelery

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To: "Michael J. Greer" <GreerStudios@compuserve.com>
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Hi Mike....The name of the book is The Wonder of Wire..working with the
WigJig.  by Marjorie Helwig..
Helwig Industries
PO Box 5306
Arlington, Virginia 22205
1-800-579-Wire
or maybe your local retailer will have it...
It is a great book...
Walter

Michael J. Greer wrote:

> And speaking of wire-wrapping
> jewelry, I know there is a book =3D
>
> available that deals with wire-work
> including little jig set-ups for whipping
> up  scroll-like embellishments
> for jewelry.  Anyone know the =3D
>
> name of the book or the author =3D
>
> and who might sell it?  Thanks!
>
> Best regards,
>
> Dani Greer
> Greer Gallery & Studios
> ----
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From owner-glass Wed Aug 26 13:54:31 1998
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From: TWLARRY@cybersol.com (Nordhoff, Larry)
To: Joan <Beadnik2@webtv.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Chem-o-lene???
Date: Wed, 26 Aug 1998 12:30:53 -0400
Message-ID: <1998Aug26.83053.0>
References: <<1998Aug25.175217.0>>
Organization: Trade Winds
Precedence: bulk

\I have a freind that tried that.  It turned his torch into a flame
thrower.  He put a regulator on it and it works fine.  MPO, if you are
serious about glass go for a better torch and oxigen & propane.  The hot
head is a good way to see if you like it but far to slow for any kind of
production work.

TWLARRY


Joan wrote:
> 
> I have read that Chem-o-lene is a cheaper, cleaner alternative gas for
> lampworking.  Does anyone know if it can be used as a single fuel
> source, i.e. a substitute for MAPP gas, with a Hothead torch, or must it
> be combined with oxygen?  Any other info on this gas???
> 
> Thanks!...... Joan......
> 
> ----
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Birds, bird baths and glass
Date: Wed, 26 Aug 1998 11:49:25 -0700 (PDT)
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>Bird-watchers unite! More please!
>Elisabeth 'n Toby in UK
>
Standing at the sink one day I watched a blue jay hop along our log rail
(connects to our log house) checking out each and every stained glass
windchime I had hanging (counting to 5). I was amused to no end and thought
it was a omen of big sales on these things. Seems the colors were attractive
to my feather friend. I had hopes that my windchimes would distract the
rather larger whiskey jacks (also birds) that tend to eat Spooky doucks and
Oscar's food (my 2 cats, mother and daughter act) when I'm away. But being
that they also eat dog food nibbles they truely see past my chimes...could
be color blind?
Smiles, Cindy

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From owner-glass Wed Aug 26 15:34:36 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
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Subject: New Question: Backround display color choice
Date: Wed, 26 Aug 1998 14:43:36 -0700 (PDT)
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Hi Laura,
My table covering is black... As I lean towards the colors Black and Red for
my booth and 4 display podiums (their cedar boxes built at different sizes) 
Basically I thought that was a better color to work with and I like it.
Althou I do have alot of clear sandblasted glass to display, it also works
very well with colored stained glass.
Will you have any lighting setup pointing to that area, as is it inside?
I also use cedar standup shelves and run track lighting.
Lighting seems to be my worst problem. (which items to focus on)
I would play around with it.
Usually I spend one month setting up my display in the house (and working on
glass) because of the theme of different shows. Hope that helps.
Cindy




Message from Laura;
>Hello all:
>
>It was nice to finally meet a few fellow bungians at Glass Visions! I had a
>good time (aside from the humidity) and learned some new things (as well as
>getting to take home some great bargains!). Now here is my question:
>
>First real craft show coming up, and I haven't purchased table coverings yet -
>due to my total confusion, or I guess I should say indecision, as to what
>color (or lack there of) to use for background : white or black. I seem to
>find myself leaning toward white - to be able to display those beautiful
>colors - yet, I've seen many glass people who use black. I am now thoroughly
>confused. This will be for things on tables - not hanging items. I'm
>interested in hearing others' prefrences, and will be waiting in eager
>anticipation for some expert opinions and advice!
>Thanks to all!
>
>Laura
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>
>

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From owner-glass Wed Aug 26 15:53:17 1998
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Subject: Re: New Question: Backround display color choice
Date: Wed, 26 Aug 1998 17:51:20 -0400
Message-ID: <1998Aug26.135120.0>
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Why not try putting some of your pieces on some black and white (and even other
colors) construction paper and see how it looks.  I tend to go for light colors,
myself.

Dorothy K



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From owner-glass Wed Aug 26 16:14:47 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: glass@bungi.com
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Subject: Animals and Color
Date: Wed, 26 Aug 1998 15:27:56 -0700 (PDT)
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In a recent research on color I came across the following:

Cats and dogs are color blind but insects do react to color.  For example,
mosquitoes avoid orange but approach red, black and blue.  Beekeepers wear
white to avoid being stung--it has been found if they wear dark colors
they will be besieged.  

Also, we know if you place a sheet of black construction paper, chiggers
will swarm on to it.  I used to put out mirrored-type hangers to chase the
birds away (bluejays and robins) but it never worked.  They still came
after the figs.

Peggy

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From owner-glass Wed Aug 26 16:28:34 1998
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From: leestat7 <leestat7@home.com>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: jewelery
Date: Wed, 26 Aug 1998 17:51:03 -0400
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Hi All,

Haven't caught up with all my e-mail yet, but I am feeling much better,
the cortizone shots do seem to ease things up a bit for a few months.

Re: the below message,

You can usually pick up the 'Wig Jig' at bead shops, thats where I got
mine.  They have several different sizes, and I also use a 18" length of
2 x 4 lumber (it was scrap, but smooth) and pounded in finishing nails
where I needed them.  Finishing nails have small heads, so easy to get
the wire up and over the home made jig.  I like the 2 x 4 better
actually, as it is more versitle.

Lee Boe
Rain-Boe's Creations


> 
> Hi Mike....The name of the book is The Wonder of Wire..working with the
> WigJig.  by Marjorie Helwig..
> Helwig Industries
> PO Box 5306
> Arlington, Virginia 22205
> 1-800-579-Wire
> or maybe your local retailer will have it...
> It is a great book...
> Walter
 <<<snips>>>
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From owner-glass Wed Aug 26 18:32:55 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: jewelery
Date: Wed, 26 Aug 1998 21:08:11 -0400
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Hi Lee-

I've tried the home-made jig - exactly
like your set-up - but, I hate it!  I thought
maybe the real McCoy would be a little
more comfortable and efficient.  I don't
know, maybe what I'm doing is as good
as it gets, but I sure hope not!!

Glad you're a little better! ;-)

Best,

Dani Greer
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From owner-glass Wed Aug 26 19:41:37 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Animals, insects and Color
Date: Wed, 26 Aug 1998 17:42:33 -0700 (PDT)
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Hi Peggy,
I'd just like to add that insects (not sure if all) do not see the color yellow.
Hubby read that recently, and that's why the bug light color is yellow.

I've heard dogs are color blind, but one question... 
I wonder are birds also??? And just what did that blue jay see in my
windchimes?? Chuckle.
Well, speaking of birds just heard this little squeak from downstairs,...
from junior cat... so proud to show me...of her catch. Yeeck!
Interesting that you speak of insects and dark color, one of our horses was
a palomino in color and the other was chestnut...it's was always the
chestnut (darker color) who was badly bitten by deer fly and horse fly (and
needed the most attending with bug dope and finger scratching).Grin.
Cindy

>
>

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From owner-glass Wed Aug 26 21:32:45 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Bird Baths
Date: Wed, 26 Aug 1998 20:45:22 -0700
Message-ID: <1998Aug26.134522.0>
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I went looking on the net.   And found this site.  True they are selling
stuff, but there is a migeon of info there.
http://search.excite.com/search.gw?search=Birds&tsug=-1&csug=10&sorig=rpage
>From what I got from this:  If you want to attract birds to your bird
bath you want moving water.  If you notice the bird baths are green and
blue.
On the other hand,  if you want a variety of birds then multiple colors.
And of course red for hummingbirds.
I will keep looking,
Shirley B
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From owner-glass Wed Aug 26 21:47:12 1998
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Content-Type: text/plain;
Subject: re Animals and colours
Date: Thu, 27 Aug 1998 13:42:14 +1000
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I noticed when i was living in the tropical north Queensland rainforest,
that mosquitoes where attracted by Blue Jeans more than any other clothing
(nothing to do with glass ???)
Harlequin
www.surf.to/harlquin
discussion board at
http://www.insidetheweb.com/mbs.cgi/mb131394

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From owner-glass Thu Aug 27 04:01:16 1998
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From: "Vic LaGreca" <vlg@worldnet.att.net>
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Subject: Animals insects & Colors
Date: Thu, 27 Aug 1998 06:41:46 -0400
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I am surely no expert, but it seems to me that if insects and animals are
color blind, God spent a lot of time for naught designing camouflage,
plumage to attract mates, various color berries (poison opposed to eatable)
and most of all, red capes for matadors

From owner-glass Thu Aug 27 05:02:08 1998
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Subject: Color; Was: Birds, bird baths and glass
Date: Thu, 27 Aug 1998 07:47:08 -0400
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I can only comment on yellow (gold) finches and hunning birds.=20

The hummingbirds are attracted to anything red. One even landed on my =
husbands back while we were fishing because he had a red design on the =
back. And if I'm wearing red when I go to hang the feeders, they are =
more interested in me than the feeder.

Gold finches are attracted to yellow (the same color as themselves). I =
had a black feeder filled with thistle seed that they would not come =
near. They would only go to the yellow feeder with the same seed in it. =
Oddly, the house finches didn't seem to care but I wanted to attract the =
gold finches. I spray painted the perches of the feeder yellow and now =
they are eating from it equally as well.

Birds must be attracted to color or else God wouldn't have made so many =
pretty flowers. Notice the almost absence of blue in the flower world. =
Birds must not be attracted to blue or God would have made more of it.

Linda Campbell, a hobbyist birdwatcher
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From owner-glass Thu Aug 27 05:29:56 1998
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To: "Vic LaGreca" <vlg@worldnet.att.net>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Animals insects & Colors
Date: Thu, 27 Aug 98 08:06:30 -0400
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Vic said,
>I am surely no expert, but it seems to me that if insects and animals are
>color blind, God spent a lot of time for naught designing camouflage,
>plumage to attract mates, various color berries (poison opposed to eatable)
>and most of all, red capes for matadors

Now, doesn't that make a lot of sense? Thanks, Vic!
In medicine, psychiatry and science I think we are still in the "dark 
ages."
Suzanne

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From: "M. Savad" <morn@nac.net>
To: Cindy Pesonen <cpesonen@bcinternet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Animals, insects and Color
Date: Thu, 27 Aug 1998 09:59:13 -0400
Message-ID: <1998Aug27.55913.0>
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Precedence: bulk

Cindy Pesonen wrote:
> 
> Hi Peggy,
> I'd just like to add that insects (not sure if all) do not see the color yellow.
> Hubby read that recently, and that's why the bug light color is yellow.
> 
> I've heard dogs are color blind, but one question...
> I wonder are birds also??? And just what did that blue jay see in my
> windchimes?? Chuckle.
> Well, speaking of birds just heard this little squeak from downstairs,...
> from junior cat... so proud to show me...of her catch. Yeeck!
> Interesting that you speak of insects and dark color, one of our horses was
> a palomino in color and the other was chestnut...it's was always the
> chestnut (darker color) who was badly bitten by deer fly and horse fly (and
> needed the most attending with bug dope and finger scratching).Grin.
> Cindy
> 
> >
> >
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i don't think my cocketiel is, since she likes yellows, and stuff. and
alot of bird toys are real colorful, unlike dog toys which are pretty
blah.

---Mike Savad

-- 
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6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Color; Was: Birds, bird baths and glass
Date: Thu, 27 Aug 1998 08:59:55 -0700 (PDT)
Message-ID: <199808271559.IAA10270@ns2.vphos.net>
Precedence: bulk

Hi Linda,
I agree totally with red and hummers. 
Please be careful, chuckle. As I can see those little guys checking you out,
while filling the feeder!! I don't use a feeder cos of my cats...even got 2
bird feeders empty (feel too mean if I supply natural food for Oscar and
Spooks) and after last night the little cat bringing me a treat, they don't
need help!
Will hummers drink from non colored sugar water?

I have lots of blue flowers...delphiniums (sp), sometimes I'll just sit and
watch who comes to visit...lots of bees, butterflies and hummers.
And come to think about it, the hummers even check out the stained glass in
my windows, that I truely feel sorry for.
Birds seem to just hit the window not bothering to check things out, but I
do believe they see colors.
Cindy
>
>

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From owner-glass Thu Aug 27 10:09:01 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re wire jewelry books
Date: Wed, 26 Aug 1998 23:39:56 +1000
Message-ID: <1998Aug27.93956.0>
Precedence: bulk

a search on "wire jewelry" at www.amazon.com returned a list of 14 books on
the subject. Amazon is always a good place to look for books.
Harlequin
www.surf.to/harlquin
discussion board at
http://www.insidetheweb.com/mbs.cgi/mb131394

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From owner-glass Thu Aug 27 10:09:42 1998
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X-Path: bc.sympatico.ca!tuka
From: tuka@bc.sympatico.ca
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Animals, insects and Color
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Thu, 27 Aug 1998 09:37:51 +0000
Message-ID: <199808271634.JAA28110@mail1.bctel.ca>
Precedence: bulk

Dogs, for sure are colour blind, but everything I've read has 
indicated that CATS are not.  Apparently they have colour receptor 
cones in their eyes, so DO see colour.

Shiela

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From owner-glass Thu Aug 27 10:30:45 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>,
Content-Type: text/plain; charset=us-ascii
Subject: Re:Birds, bird baths and glass-functionality
Date: Thu, 27 Aug 1998 09:51:12 -0700
Message-ID: <1998Aug27.25112.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Just wanted to say a big thank you to all who continued this interesting
thread. I have decided to keep that hummer and floral accents in the
bath section itself. Here are some other points to think about from a
personal reply I received.

"Why does she want the inside done.  If it gets any amount of sun the
grout
will discolor with algae and the glass itself will constantly need
cleaning.  It will be overly susceptible to the freeze thaw cycle.  It
will have to come in at first frost and can't go back out till last
frost."

A logical question about functionality. I keep my bird bath pretty clean
and bring my ceramics or breakables in when we start our winter season
here in Washington. The grout on mine has faded a bit, but to me that
has added a new dimension to the "look" of the bath. As far as selling
points regarding the above factors, any comments. To be honest I didn't
take these into consideration. I feel the bath itself is not only
functional but pretty too. I believe the concrete baths have to be
cleaned as well throughout the season.

Does anyone have a comment regarding consumer attitudes on the
functionality issue?

I really appreciated this reply, sorry I haven't gotten back with you
personally R *s*. It was a comment that really got me to thinking in a
new perspective regarding consumer attitude's. Thanks!

O.k. so any comments on this from all of you?

I'm off to the bird bath!

Pam



--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html

Proud Member of:
The International Guild of Glass Artists
Stained Glass Artists


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From owner-glass Thu Aug 27 11:09:18 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Animals, insects and Color
Date: Thu, 27 Aug 1998 09:00:12 -0700 (PDT)
Message-ID: <199808271600.JAA10551@ns2.vphos.net>
Precedence: bulk

Hi Mike,
That makes alot of sense.
Wonder why it is?
The bird's brain is so small compared to the dogs!
Darn I should have finished school, must be in a science class or something!!
All I remember is taking a frog apart and that did me in!!!
Cindy

Mike says:
>i don't think my cocketiel is, since she likes yellows, and stuff. and
>alot of bird toys are real colorful, unlike dog toys which are pretty
>blah.
>
>---Mike Savad
>
>-- 
>Mike's Stained Glass - Tips Tricks Photos
>http://www.geocities.com/Paris/1141
>6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
>Tip Pages
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>

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From owner-glass Thu Aug 27 11:33:16 1998
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X-Path: socent.org!atf
From: "K. See" <atf@socent.org>
To: Cindy Pesonen <cpesonen@bcinternet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Color; Was: Birds, bird baths and glass
Date: Thu, 27 Aug 1998 13:47:47 -0400
Message-ID: <1998Aug27.94747.0>
References: <<199808271559.IAA10270@ns2.vphos.net>>
Organization: SOC Enterprises
Precedence: bulk

Cindy:
It is best to feed hummers only clear water formula 4 to 1. Forget the mixes. I
use 4 cups boiling water, 1 cup sugar. Change feeders every 3-4 days. If we
don't sterilize our feeders (dishwasher ok) they are just picking up bacteria
which can kill them. Since I don't know where my 4 nest I don't want to feel
that I could hurt them & never know the out come.
K. See

Cindy Pesonen wrote:

> Hi Linda,
> I agree totally with red and hummers.
> Please be careful, chuckle. As I can see those little guys checking you out,
> while filling the feeder!! I don't use a feeder cos of my cats...even got 2
> bird feeders empty (feel too mean if I supply natural food for Oscar and
> Spooks) and after last night the little cat bringing me a treat, they don't
> need help!
> Will hummers drink from non colored sugar water?
>
> I have lots of blue flowers...delphiniums (sp), sometimes I'll just sit and
> watch who comes to visit...lots of bees, butterflies and hummers.
> And come to think about it, the hummers even check out the stained glass in
> my windows, that I truely feel sorry for.
> Birds seem to just hit the window not bothering to check things out, but I
> do believe they see colors.
> Cindy
> >
> >
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Thu Aug 27 11:39:41 1998
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	for rglass-42; Thu, 27 Aug 1998 10:59:12 -0700 (PDT)
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:Bird Bath Construction
Date: Thu, 27 Aug 1998 10:54:30 -0700
Message-ID: <1998Aug27.35430.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Well Lenore thought I would just give every body the details, hehe. So
I'm not ignoring you just way late on replies! The bird bath is made
exactly as Christie stated to the group. The problem I ran into at my
home store was the lack of bird baths!

So I bought 2 very large terra cotta pots and a large terra cotta dish.
I also use marine grade adhesive.

Invert one pot, so the open end is on the ground.
Apply adhesive to the bottom of the pot, which is facing up.
Take the other pot, put the closed end on top of the adhesive. (For lack
of better words here, they are now end to end)

Grab your terra cotta dish the same size or larger than the opening of
the top pot.
Apply adhesive and place that on the very top of the pot.
Apply your grout, glass and whatever else you want to add.

The grout should be applied evenly where the individual pieces meet.
That will give you a cleaner line. I have done this with concrete
planters as well. It's a little more cost effective and just as durable
as the higher end bird baths. You can easily add a fountain, just make
sure the dish is at least 1 1/2 inches deep.

Hope this makes sense. If you want to see one then go to the visual.html
below. The picture is terrible, but I'm working on my skills in that
area. *s*. The one on this page was one of the first I have done. I now
do them with designs and am just getting into ceramics. My first ceramic
project will be done in Raku which will then become a table top
fountain. So I'm very excited about that.

http://www.pacifier.com/~ptap/visual.html

See ya,

Pam *sm*

--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
President
http://www.pacifier.com/~ptap/index.html

Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html

Proud Member of:
The International Guild of Glass Artists
Stained Glass Artists


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From owner-glass Thu Aug 27 12:10:42 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: re wire jewelry books
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 27 Aug 1998 14:49:15 +0000
Message-ID: <199808272101.RAA29555@vger.vgernet.net>
Precedence: bulk


> a search on "wire jewelry" at www.amazon.com returned a list of 14 books on
> the subject. Amazon is always a good place to look for books.

Agreed. And if you start your search from the Guild's home page at
http://www.bungi.com/glass/igga/
you'll help the Guild, because a percentage of anything you buy will 
go to the Guild.

Sorry about the shameless plug! <s>

Albert

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.igga.org/
Membership    http://www.igga.org/benefits.htm
Members' work http://igga.org/links.htm
Sources Guide http://www.igga.org/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Thu Aug 27 12:43:26 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re:Birds, bird baths and glass-functionality
Date: Thu, 27 Aug 1998 11:50:52 -0700 (PDT)
Message-ID: <199808271850.LAA32434@ns2.vphos.net>
Precedence: bulk

Hi Pam,

Does sound like a hassle, but if she wants it that way it will make her
happy. Just tell her of the things to be concerned with.

Actually if it does discolor and grow algae it won't look that bad. What do
they call those Japanese pools with beautiful koi fish...that must have algae.
And I don't think the birds would mind as I see them having a bath in mud
puddles quite often.

And take it from me, once it's built and given, it's not yours anymore:):)
So who cares...I'm learning not to.
Smiles, Cindy


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From owner-glass Thu Aug 27 13:03:51 1998
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X-Path: ctronsoft.com!vmodiano
From: ctronsoft.com!vmodiano
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Consumers and glass-functionality
Date: Thu Aug 27 12:06:58 1998
Message-ID: <1998Aug28.94258.0>
Precedence: bulk

It has been my experience that in general most consumers know almost
nothing about quality and even less about functionality.  Their attitude
seems to be if it looks good and the price is right buy it. And most
manufacturers seem to follow that opinion. 

I am now getting on my soapbox. Feel free to ignore the rest of this. 

If any of you were at Glass Visions and tried Weller's new soldering gun
you have seen a perfect example of "tell them what they want" marketing.
The gun was awkward to hold, at least to my hand. It also irritated the
web of my hand. And experience tells me that the slightly textured
pistol grip would become increasingly awkward to work with as a
soldering session wore on. When I mentioned this to the "demonstrator"
he gave me a "what are you talking about" look.

Most people don't know how to judge glass work, or most other kinds, and
have no interest in learning. A long time ago I made some long stem
stained glass roses (sun catchers). There was no nice way to keep the
stem and bud attached. The number of people who insist on having one,
even after an explanation of why and how it will fall apart, is
frightening.

The cardinal rule for everything  I sell is that I am proud of the work
and I have confidence in it's quality. Where appropriate, care
instructions are provided and they have sometimes cost a sale. It is
interesting to note that my longtime customers have taken the time to
learn about what they are buying. Several of them have even learned to
do it themselves. 

		-----Original Message-----
		From:	Pamela Burns-Tappan [mailto:ptap@pacifier.com]
		Sent:	Thursday, August 27, 1998 12:51 PM
		To:	glass@bungi.com
		Subject:	Re:Birds, bird baths and
glass-functionality

		Just wanted to say a big thank you to all who continued
this interesting
		thread. I have decided to keep that hummer and floral
accents in the
		bath section itself. Here are some other points to think
about from a
		personal reply I received.

		"Why does she want the inside done.  If it gets any
amount of sun the
		grout
		will discolor with algae and the glass itself will
constantly need
		cleaning.  It will be overly susceptible to the freeze
thaw cycle.  It
		will have to come in at first frost and can't go back
out till last
		frost."

		A logical question about functionality. I keep my bird
bath pretty clean
		and bring my ceramics or breakables in when we start our
winter season
		here in Washington. The grout on mine has faded a bit,
but to me that
		has added a new dimension to the "look" of the bath. As
far as selling
		points regarding the above factors, any comments. To be
honest I didn't
		take these into consideration. I feel the bath itself is
not only
		functional but pretty too. I believe the concrete baths
have to be
		cleaned as well throughout the season.

		Does anyone have a comment regarding consumer attitudes
on the
		functionality issue?

		I really appreciated this reply, sorry I haven't gotten
back with you
		personally R *s*. It was a comment that really got me to
thinking in a
		new perspective regarding consumer attitude's. Thanks!

		O.k. so any comments on this from all of you?

		I'm off to the bird bath!

		Pam



		--
		*********************************
		Moswood Mountain Limited
		Pamela Burns-Tappan
		President
		http://www.pacifier.com/~ptap/index.html

		Stained Glass Artists
		http://www.pacifier.com/~ptap/artists.html

		Proud Member of:
		The International Guild of Glass Artists
		Stained Glass Artists


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From owner-glass Thu Aug 27 13:12:09 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Peggy W. Johnsen" <edupjohn@slonet.org>
Subject: Re: Animals and Color
Date: Thu, 27 Aug 1998 08:09:26 +0100
Message-ID: <1998Aug27.9926.0>
References: <<1998Aug26.82756.0@?>>
Precedence: bulk

In message <1998Aug26.82756.0@?>, "Peggy W. Johnsen"
<edupjohn@slonet.org> writes
>In a recent research on color I came across the following:
>
>Cats and dogs are color blind but insects do react to color.  For example,
>mosquitoes avoid orange but approach red, black and blue.  Beekeepers wear
>white to avoid being stung--it has been found if they wear dark colors
>they will be besieged.  
>
Peggy,
although a number of beings react to colour, not all react to our colour
range.  For example, bees see in ultraviolet, so they see different
colours than we do.  This may be true of other animals and insects.
STeve

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Thu Aug 27 14:18:08 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Wire Bending Jigs
Date: Thu, 27 Aug 1998 13:33:56 -0700 (PDT)
Message-ID: <1998Aug27.63356.0>
References: <<1998Aug26.82756.0>>
Precedence: bulk


Someone mentioned the wire bending jigs...I made my own.  I have a 12"
round disc with different recessed screw holes.  I have different sized
wooden discs that can be screwed into the basic round disc to form multip
shapes and forms.  I use the jig for making such things a angel halos,
decorative trip, scrolls to use in wrapped suncatchers, etc.  The wooden
discs I use range from 1/4" to 4" in diameter.  As I need a new size, I
make one and add it to my collection.  It really comes in handy when I
want to bend wire.  Peggy

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From owner-glass Thu Aug 27 15:14:23 1998
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X-Path: aol.com!PDRUSS
From: PDRUSS@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: o/t   Animals, insects and Color
Date: Thu, 27 Aug 1998 17:36:36 EDT
Message-ID: <1998Aug27.213636.0>
Precedence: bulk

In a message dated 98-08-27 13:11:21 EDT, you write:

<< 
 Dogs, for sure are colour blind, but everything I've read has 
 indicated that CATS are not.  Apparently they have colour receptor 
 cones in their eyes, so DO see colour.
 
 Shiela >>


Hi, 

I saw a show the other day that said dogs see certain shades of blue and
green.  
Don't really know myself. I'm a cat person.


Dianne >^..^< 
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From owner-glass Thu Aug 27 15:48:34 1998
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From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: gargoyle or celtic patterns
Date: Thu, 27 Aug 1998 12:42:47 -0400
Message-ID: <1998Aug27.84247.0>
Precedence: bulk

Ok, I know someone's mentioned celtic knots before.  I wanted to maybe
make a garden stone for a friend's birthday.  Both of these things are
things I'm not too familiar with, but my first choice would be a gargoyle
pattern.  Has anyone seen any?  Can anyone direct me to any sites that
might have gargoyles.  What about celtic knot sites?  I know someone
posted about them before I didn't save the address.  I'm really rushing,
as I'll need it in a few days, so I may have to come up with something
else.

Thanks,
Jerri  

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From owner-glass Thu Aug 27 16:04:11 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Animals insects & Colors
Date: Thu, 27 Aug 1998 10:00:32 -0700
Message-ID: <1998Aug27.3032.0>
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Seems like this colour discussion is still going on, so I'm finally going 
to put my two cents (which of course is only worth about 1 cent U.S.A.). 
the colors on the bird bath aren't an important factor as far as scaring 
birds away though if one places a bird image in the bath, that could cause 
some territorial behaviour. Birds can see color, as some have mentioned, 
and use it in mating, feeding, and territory. So if you want to attract a 
certain kind of bird I don't recommend using the image or colours that even 
resemble that bird or its predators. Insects aren't coloured for each other 
but to protect them from predators either to blend in to their 
surroundings, frighten, or warn. Insects are attracted to flowers more by 
shape and scent. As far as matador capes go, they were originally white, 
but the washer woman got tired of trying to get the blood stains from the 
gored matador out, so she just dyed the entire cape red, and it caught on. 
And God does nothing for naught, though we do tend to blame a lot of things 
on Him.
Glenn Spicer, B.Sc. in biology hat on
The Studio Metamorphoses, BC, Canada
 P.S. it helps the birds to see the water if there is something to disturb 
the surface or on it.
 P.P.S. Carol said of her friend the park naturalist "He thought very 
little research has been done on the subject of birds and
color recognition...attraction or avoidance." There has been a fair amount 
of research on bird colour recognition, especially wrt mating, territory, 
and feeding. Many naturalists are more concerned with identification than 
research papers.

-----Original Message-----
From:	Vic LaGreca [SMTP:vlg@worldnet.att.net]
Sent:	Thursday, August 27, 1998 3:42 AM
To:	glass@bungi.com
Subject:	Animals insects & Colors

I am surely no expert, but it seems to me that if insects and animals are
color blind, God spent a lot of time for naught designing camouflage,
plumage to attract mates, various color berries (poison opposed to eatable)
and most of all, red capes for matadors


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From owner-glass Thu Aug 27 16:50:29 1998
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From: "M. Savad" <morn@nac.net>
To: jerri m Roey <jroey@juno.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: gargoyle or celtic patterns
Date: Thu, 27 Aug 1998 19:12:43 -0400
Message-ID: <1998Aug27.151243.0>
References: <<1998Aug27.84247.0>>
Precedence: bulk

jerri m Roey wrote:
> 
> Ok, I know someone's mentioned celtic knots before.  I wanted to maybe
> make a garden stone for a friend's birthday.  Both of these things are
> things I'm not too familiar with, but my first choice would be a gargoyle
> pattern.  Has anyone seen any?  Can anyone direct me to any sites that
> might have gargoyles.  What about celtic knot sites?  I know someone
> posted about them before I didn't save the address.  I'm really rushing,
> as I'll need it in a few days, so I may have to come up with something
> else.
> 
> Thanks,
> Jerri
> 
> _____________________________________________________________________
> You don't need to buy Internet access to use free Internet e-mail.
> Get completely free e-mail from Juno at http://www.juno.com
> Or call Juno at (800) 654-JUNO [654-5866]
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


actually i do, and it will soon be a new addtion on my links page:

celtic knots:

http://bc1.com/users/alastair/Celtic.htm

http://wwar.world-arts-resources.com/data/glass3.html

http://www.advinc.com/~tmd/sewing.html#knots


i hav'nt checked recently if they still work.

---Mike Savad

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From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: On the lighter side :)
Date: Thu, 27 Aug 1998 21:18:35 -0400
Message-ID: <1998Aug27.171835.0>
Precedence: bulk

	This afternoon, my 4 yr. old was coloring one of those "color by
number" pictures where the picture's broken up into about 100 pieces,
each with a number in the middle, and you use a color chart:  1=red,
2=blue, 3=green.......  Well, this was the first time she'd done one of
these things, and she really got the hang of reading the chart, coloring
all the ones, then all the twos.......  When she was finished, I
complimented her on her "picture", and she said, "Oh, no mommy, it's not
a picture.  It's a glass pattern.  Now let's go make it." 

	Do you think maybe she's been a little overexposed to glass?

Jerri


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From owner-glass Thu Aug 27 19:45:49 1998
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From: Mosfunland@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Color; Was: Birds, bird baths and glass
Date: Thu, 27 Aug 1998 21:54:26 EDT
Message-ID: <1998Aug28.15426.0>
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Well I have an african gray parot, that will pulls the red pen out of my
pocket first, she'll have a jolly time with it.  Of course my silver hemostats
amuse her too, but the red pen is her choice.  Hey its a great color, whether
in a window detail, a flower or those red high heels that are gathering
dust.......sigh.

I love red glass, it just is a wonder to me.....but then so were the red high
heels once.

Take care.
Maureen
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From owner-glass Thu Aug 27 20:29:54 1998
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From: PDRUSS@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: gargoyle or celtic patterns
Date: Thu, 27 Aug 1998 22:49:43 EDT
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In a message dated 98-08-27 19:53:13 EDT, you write:

<< 
 actually i do, and it will soon be a new addtion on my links page:
 
 celtic knots:
 
 http://bc1.com/users/alastair/Celtic.htm
 
 http://wwar.world-arts-resources.com/data/glass3.html
 
 http://www.advinc.com/~tmd/sewing.html#knots
 
  >>



Hi, 

Could someone send the direct URLs for the SG knot work? I've been to each of
the above pages and found mega tons of links but none that say "Stained glass
knob work".

While I love to look at glass and craft pages, I just don't have the time at
this time to go through them all. 


Dianne
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From owner-glass Thu Aug 27 20:50:28 1998
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X-Path: juno.com!kdeck
From: kdeck@juno.com (k a s)
To: glass@bungi.com
Subject: Re: gargoyle or celtic patterns
Date: Thu, 27 Aug 1998 22:27:51 EDT
Message-ID: <1998Aug28.22751.0>
References: <<1998Aug27.84247.0>>
Precedence: bulk

Jerri,
  Ran across a neat book at the library devoted to celtic knots cross
stitch patterns that would be easy to adapt to s.g..  Of course, can't
remember the title but can only tell you it was listed under cross
stitching.
Karen 

>Ok, I know someone's mentioned celtic knots before.  I wanted to maybe
>make a garden stone for a friend's birthday.  Both of these things are
>things I'm not too familiar with, but my first choice would be a 
>gargoyle pattern. 

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From owner-glass Thu Aug 27 20:59:12 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re: celtic knots
Date: Fri, 28 Aug 1998 13:21:24 +1000
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I have a book called "The celtic art source book" by Courtney Davis
isbn 0-7137-2144-8 
this book should be available from amazon.com too
Harlequin
www.surf.to/harlquin
discussion board at
http://www.insidetheweb.com/mbs.cgi/mb131394

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From owner-glass Thu Aug 27 22:28:57 1998
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From: HiimLaura@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Animals, Insects & Colors
Date: Fri, 28 Aug 1998 01:06:07 EDT
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   "If you were to watch insects visiting flowers, you would quickly discover
that the visits are not random. Instead, insects are attracted by particular
flowers. Insects recognize a particular color pattern and odor and search for
flowers that look similar. Insects and plants have co-evolved so that certain
insects specialize in visiting particular kinds of flowers. As a result, a
particular insect carries pollen from one individual to another of the same
species, which is the key to successful pollination... 

Of all insect polinators, the most numerous are bees. Bees evolved soon after
flowering plants, some 100 million years ago. Today there are over 200,000
species. Bees locate sources of nectar largely by odor at first ( that is why
flowers smell sweet) and then focus in on the flower's color and shape. Bee-
polinated flowers are usually yellow or blue, and frequently they have guiding
stripes or lines of dots to indicate the position in the flower of the nectar
(usually in the throat of the flower.)  ... Butterflies tend to visit flowers
like philox that have "landing platforms" on which they can perch. ..Moths ,
which visit flowers a tnight, are attracted to white or very pale-colored
flowers, often heavily scented, that are easy to locate in dim light...

Red flowers, interestingly, are not typically visited by insects, most of
which cannot "see" red as a distinct color. Who polinates these flowers?
Hummingbirds and sunbirds. To these birds, red is a very conspicuous color,
just as it is to us. Birds do not have a well developed sense of smell, and do
not orient  to odor, which is why red flowers often do not smell strongly..."
pg 281, The Living World by George B. Johnson, 1997, Wm. C Brown publishers.

Laura
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  gargoyle or celtic patterns
Date: Fri, 28 Aug 1998 08:10:50 EDT
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In a message dated 8/27/98 11:50:26 PM, jroey@juno.com wrote:

>Can anyone direct me to any sites that
>might have gargoyles.  What about celtic knot sites?

Haven't gone looking for gargoyles, but a good place to start surfing for
Celtic knots is "Every Celtic Thing on the Web":

http://www.celt.net/og/index.html

I also have a 2-color round Celtic knot pattern if you're interested.


Sparks
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From: Witchdoc3@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Animals, insects and Color
Date: Fri, 28 Aug 1998 08:10:54 EDT
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>Cindy Pesonen wrote:
>> 
>> Hi Peggy,
>> I'd just like to add that insects (not sure if all) do not see the color
yellow.
>> Hubby read that recently, and that's why the bug light color is yellow.

I remember seeing side-by-side photos of several flowers, one as human eyes
would see it, and the other taken under UV light as if through an insect's
eyes and color-shifted so we could see it. Many flowers that look pale and
unremarkable to us (or seem like the "wrong" color for insects who supposedly
"can't see that color") show brilliant "colors" in the near-UV. A bee might
not see the bright yellow in a black-eyed susan, but she does see a blaze of
UV in it.

>Dogs, for sure are colour blind, but everything I've read has 
>indicated that CATS are not.  Apparently they have colour receptor 
>cones in their eyes, so DO see colour.
>
>Shiela

Cat vision is also odd in that they have "motion detector" receptors as well.
The better to see that mouse or bird trying to sneak away!


Sparks
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Subject: Re:  On the lighter side :)
Date: Fri, 28 Aug 1998 08:10:52 EDT
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In a message dated 8/28/98 3:28:28 AM, jroey@juno.com wrote:

>"Oh, no mommy, it's not
>a picture.  It's a glass pattern.  Now let's go make it." 
>
>	Do you think maybe she's been a little overexposed to glass?

Overexposed? Naah. No way! And I hope you *will* consider making it if it's
feasible. Nothing like having a kid who shares your passion for an art!


Sparks
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From: Kath8284@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: gargoyle or celtic patterns
Date: Fri, 28 Aug 1998 09:10:44 EDT
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    Stained Glass News had a pattern of a Celtic Knot in one of last years
editions.  It is a fairly easy pattern to do.  It is like a "+" or an "x" in
shape and can be lengthened to make it a cross.  I have the pattern and will
be happy to scan and send if anyone is interested.

Kathy
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Date: Fri, 28 Aug 1998 10:58:21 -0400
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sorry for the post but i'm trying to see if I'm getting mail today

Linda Campbell

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Content-Type: text/plain; charset="us-ascii"
Subject: Re: Animals, insects and Color
Date: Fri, 28 Aug 1998 11:23:52 -0400
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References: <<199808271634.JAA28110@mail1.bctel.ca>>
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Out of lurk-mode to join in on the discussion.  Since I am a bunny lover,
here is what I can add from one of our bunny discussions:

In general, vertebrates have two different  types of photoreceptor cells in
their retinas:  rods and cones.  Cones confer high resolution, and, if more
than one cone type is present, they also confer the ability to perceive
various wavelengths of light 
as distinct colors.  For example, we humans have three different categories 
of cone--their maximum sensitivities in the red, blue and green regions of 
the spectrum.  The differing sensitivities of each cone type enable
us to perceive different (visible) wavelengths of light as the colors of 
the rainbow. 
	Behavioral studies published in the early 1970's indicate that rabbits 
do have a limited ability to discriminate between some wavelengths of light, 
perceiving them as different colors.  Evidently, they can discriminate
between 
the wavelengths we call "green" and "blue."  Although rabbits may not perceive
green and blue the way we do, they *can* tell them apart.  This means they
have limited color vision, probably conferred by two different categories of
cone cells (blue and green).
----
	Part of an article written by Dana Krempels who earned her Ph.D. in visual
ecophysiology in 1989 and is Lecturer and Director of Undergraduate Studies
in the University  of Miami Biology Department. 


Carolyn

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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: insects and glass presentations
Date: Fri, 28 Aug 1998 08:34:52 -0700 (PDT)
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Dear Sheila and all,
Okay here goes Cindy's dumb question. grin.
Remember the movie the FLY...scared me for months:)
All bugs see like that or did they just put it in a movie??? Chuckle.

Other question...more serious,
When showing a customer your glass presentation do any of you show the
design with color?
Cindy



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Subject: Glass eduction
Date: Fri, 28 Aug 1998 22:22:39 +0530
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Hi all,

I'm a post-graduate student from India. Ive recently become very
involved in glass painting and would like to take my career in that
direction. Would any of you be able to advice me as to which colleges in
your states and counties offer academic instructions in glass. 

I'll really appreciate your responses.

Thanks in advance.

Deepshikha
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From owner-glass Fri Aug 28 10:53:26 1998
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Subject: Saturday Sept 5 in Tampa
Date: Fri, 28 Aug 1998 12:49:09 -0400
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Hi All,

Just decided to run up to Tampa for a class at Art Glass America- this
is in conjunction to the Tampa Home Show (Open to the public- all of it)
over the labor day weekend.  I'm just going up Sat 5th, and not staying
over.  Tampa is about 1 hour north of me (Lead foot Lee) from Sarasota. 
I've forgotten who all else said they are going.  Maybe we can all meet
there somewhere (Suggest the HotGlass Area) and wear bungi wrist bands. 
I'm in the "Discover Beadmaking" w/Jeff Eckes 11 am to 1 pm short
class.  Then, get to see the aprox. 30-35 glass companies booths in the
trade show.  Talked to a lady by the name of Geneva yesterday.  Class
Crafters will be there with an exhibit also, I think she said.

Anyone else planing on going???

Lee Boe
Rain-Boe's Creations
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From owner-glass Fri Aug 28 11:14:02 1998
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Subject: glass presentations
Date: Fri, 28 Aug 1998 10:03:14 -0700 (PDT)
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I have gotten that impression myself from customers...difficulities in the
visual.
Thanks.
Usually I do not color, having only a black and white laser printer and my
crayons get lost from kids coming to the house...actually felts too.
I try to show them from my color samples of glass and my "photo" book.
And when I'm working on a deal:) sometimes I send them home with samples of
glass...to live with for a short while as I tell them "stained glass is an
investment" and want them to feel comfortable with their chooses.
Another thing I do (which could be a big no, no!)
Is that I won't take their 50% deposit until I've pleased them with my art
work and have worked out all the wrinkles. I do make a point of telling them
that special feature:)

Any comments:)
Cindy

>From Sheila:
>I almost always do a "quick" colour using crayons or pencil crayons.  
>Most of my customers to date seem to be able to visualize the 
>finished piece better that way.
>
>Shiela
>
>

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From: "Albert Lewis" <alewis@vgernet.net>
To: AVP Arora <avparora@del2.vsnl.net.in>
Subject: Re: Glass eduction
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Date: Fri, 28 Aug 1998 14:09:06 +0000
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> direction. Would any of you be able to advice me as to which colleges in
> your states and counties offer academic instructions in glass.

Sorry, Deepshikha. There's no school in the U.S. that offers academic 
approaches or degree programs in glass painting. Such schools *do 
exist in Wales, Germany and Switzerland, though.

Albert
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Subject: Re: On the lighter side :)
Date: Fri, 28 Aug 1998 14:00:28 -0400
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    Maybe she has been a "little" overexposed but the big question is-- Are
you going to make it for her??
    My kids are a little older than 4 (all grown up)  but they still find
pretty pictures to make in glass for them.  Well at least they appreciate my
work.  Everytime they come home I have to count my suncatcher and coasters.
They like to liberate them so I'll have more room to make more.
        Becky

jerri m Roey wrote:

>         This afternoon, my 4 yr. old was coloring one of those "color by
> number" pictures where the picture's broken up into about 100 pieces,
> each with a number in the middle, and you use a color chart:  1=red,
> 2=blue, 3=green.......  Well, this was the first time she'd done one of
> these things, and she really got the hang of reading the chart, coloring
> all the ones, then all the twos.......  When she was finished, I
> complimented her on her "picture", and she said, "Oh, no mommy, it's not
> a picture.  It's a glass pattern.  Now let's go make it."
>
>         Do you think maybe she's been a little overexposed to glass?
>
> Jerri
>
> _____________________________________________________________________
> You don't need to buy Internet access to use free Internet e-mail.
> Get completely free e-mail from Juno at http://www.juno.com
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From: "Lynn Alchin" <crzylynna@email.msn.com>
To: "Fellow Artists" <Glass@bungi.com>
Subject: Fair treatment
Date: Fri, 28 Aug 1998 10:56:48 -0700
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Hi All!
I have a question.
I do all my work for clients out of my house, either by word of mouth,
or from the sign I have in the front window. Anyway, when I go to do a
consultation, I take my pattern books, and my portfolio, and just ask
them questions concerning the kinds of colors they are thinking about. I
pick the colors/texture that I want to use , and I don't ask them if
they prefer another texture over another. Is this the correct way to go
about this?
Also, I don't charge a fee to go out & give an estimate, or to look at
patterns, but I do ask for a 75.00 deposit  to start the design, which
is not refundable if they change they're minds about getting the window.
I do, of course make sure that they approve of the design, and will do
all the changes etc..., for that 75.00.  I then ask for 1/2 the total of
the estimate down before I start getting the materials, & then the rest
upon installation.
Again, what do you guys think of this? Am I going about all of this
properly?

Thanks!
Enjoy all of you immensely!!
Lynn





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From owner-glass Fri Aug 28 13:33:29 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Glass eduction
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>   But are there other schools in the US that offer degree/classes in Stained
> Glass/Hotglass? preferably on the east coast.

Hot glass, yes. Stained glass, nope. 

For hot glass, see
http://www.bungi.com/glass/igga/guide27.htm
the "Schools" section of the online Sources Guide.

Albert
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From owner-glass Fri Aug 28 14:31:00 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: re: celtic knots
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Date: Fri, 28 Aug 1998 21:50:56 +0000
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Hi all,

It's true that the book is excellent for Celtic knots, but 
unfortunatel;y, it doesn't contain any gargoyles.
Suggest you browse through ecclesistical architectural  books to 
obtain those.
Elisabeth 'n Toby in UK

Gerard wrote:
> I have a book called "The celtic art source book" by Courtney Davis
> isbn 0-7137-2144-8 
> this book should be available from amazon.com too
> Harlequin
> www.surf.to/harlquin
> discussion board at
> http://www.insidetheweb.com/mbs.cgi/mb131394
----
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North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Fri Aug 28 16:59:53 1998
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Subject: Re: Glass eduction
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Hi Albert-

What glass school is in Wales?

Best,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Aug 28 17:14:11 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
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Subject: Celtic knot
Date: Fri, 28 Aug 1998 18:59:01, -0500
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 AT    http://www.aion.demon.co.uk/ug/library/celtic1.htm    there is 
a nice Celtic knot that is downloadable as a zip file. It is suitable 
for a stepping stone.

Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026
Interested in talking glass? Subscribe to       glass@intrastar.net
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On Fri, 28 Aug 1998, Toby wrote:

> Hi all,
> 
> It's true that the book is excellent for Celtic knots, but 
> unfortunatel;y, it doesn't contain any gargoyles.
> Suggest you browse through ecclesistical architectural  books to 
> obtain those.
> Elisabeth 'n Toby in UK
> 

Design Toscano is a US based company which reproduces all manner of
gargoyles. Their catalgue is delightful to browse and would certainly
offer inspiration for someone who was good at drawing complicated
patterns.

Mary


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From owner-glass Fri Aug 28 20:18:47 1998
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From: Molly Keys <MollysGlass@sprintmail.com>
To: Lynn Alchin <crzylynna@email.msn.com>
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Subject: Re: Fair treatment
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Lynn,
This is pretty much the same way I handle custom work and it works for me.
If you give the customer  to many choices you will confuse them and perhaps
not get the job.
Molly
Lynn Alchin wrote:

> Hi All!
> I have a question.
> I do all my work for clients out of my house, either by word of mouth,
> or from the sign I have in the front window. Anyway, when I go to do a
> consultation, I take my pattern books, and my portfolio, and just ask
> them questions concerning the kinds of colors they are thinking about. I
> pick the colors/texture that I want to use , and I don't ask them if
> they prefer another texture over another. Is this the correct way to go
> about this?
> Also, I don't charge a fee to go out & give an estimate, or to look at
> patterns, but I do ask for a 75.00 deposit  to start the design, which
> is not refundable if they change they're minds about getting the window.
> I do, of course make sure that they approve of the design, and will do
> all the changes etc..., for that 75.00.  I then ask for 1/2 the total of
> the estimate down before I start getting the materials, & then the rest
> upon installation.
> Again, what do you guys think of this? Am I going about all of this
> properly?
>
> Thanks!
> Enjoy all of you immensely!!
> Lynn
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Fri Aug 28 21:17:34 1998
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To: "Lynn Alchin" <crzylynna@email.msn.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Fair treatment
Date: Fri, 28 Aug 98 23:33:12 -0400
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. Anyway, when I go to do a
>consultation, I take my pattern books, and my portfolio, and just ask
>them questions concerning the kinds of colors they are thinking about. I
>pick the colors/texture that I want to use , and I don't ask them if
>they prefer another texture over another. Is this the correct way to go
>about this?
>Also, I don't charge a fee to go out & give an estimate, or to look at
>patterns, but I do ask for a 75.00 deposit  to start the design, which
>is not refundable if they change they're minds about getting the window.
>I do, of course make sure that they approve of the design, and will do
>all the changes etc..., for that 75.00.  I then ask for 1/2 the total of
>the estimate down before I start getting the materials, & then the rest
>upon installation.
>Again, what do you guys think of this? Am I going about all of this
>properly?

Hi Lynn,

What you are doing sounds fair to me.

It depend on who I'm doing it for and how they feel. Usually I go out the 
first time, portfolio in hand and ask if anything they see strikes their 
fancy. I ask them what colors they had envisioned, and whether they want 
to be able to see through it or not.

Once I have a firm idea of what they want - for instance, last year I was 
hired to do a kitchen cabinet door, they wanted "apples" and they wanted 
to match their kitchen wallpaper colors. I went home, drew up a full-size 
design of apples, and went back to them with the design and several 
pieces of glass and asked them to choose the one they liked. I don't 
usually get into all the details, such as the color of green for the 
leaves, but then pick that to match their choice of apple color. You can 
pretty much tell how much they want to leave up to you, or whether they 
want to control every facet of the job. The best is when they say, "be 
creative and do what you want." Some do, some don't.

At this point I give them a price for the work, and ask for 50% up front 
to cover materials, etc., and let them know I expect the balance on 
completion. Sounds as if you and I work pretty much the same.

Suzanne

P.S. Cindy, sometimes I do color in the design, other times just show 
them the glass.
People that I really like, and feel comfortable with, I will let come 
into my home and pick their own glass. I will give suggestions but 
ultimately then go with their choices, as they will be the ones to look 
at it for the rest of their lives (hopefully!).
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From owner-glass Sat Aug 29 00:53:54 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Subject: Re: Glass eduction
Date: Sat, 29 Aug 1998 08:10:51 +0100
Message-ID: <1998Aug29.91051.0>
References: <<1998Aug28.15112.0@?>>
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In message <1998Aug28.15112.0@?>, "Michael J. Greer"
<GreerStudios@compuserve.com> writes
>Hi Albert-
>
>What glass school is in Wales?
>
Hello Dani,

Just to add to Albert's comment on places which do degrees in glass.

Swansea Art College/School, associated with Swansea University.  A
number of respected glass artists have been educated there.  There are
others of course in the UK, namely: 
St.Martins Art School, London;
Wolverhampton University (mostly hot glass) near Birmingham;
Sunderland University (again mostly hot glass) in Sunderland, north east
england
Edinburgh College of Art, associated with Herriot Watt University,
Edinburgh, Scotland.

Possibly someone will point out others that I don't know.  Also a number
of further education colleges are running sub-degree courses in various
aspects of stained glass with the emphasis on practical skills.

Steve
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sat Aug 29 03:25:08 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Glass eduction
Date: Sat, 29 Aug 1998 10:54:01 +0100
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Some other contacts for courses I have are 
London
Chelsea College of Art & Design Phone: 0181 749 3236 
City Literary Institute Phone: 0171 242 9872 
Wales
Swansea Institute Phone: 01792 481000 
Bristol
Filton College Phone: 01179 312121 
Elizabeth Law (Bournemouth Stained Glass)
http://www.stainedglass.co.uk

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From owner-glass Sat Aug 29 03:40:20 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Glass eduction
Date: Sat, 29 Aug 1998 10:44:21 +0100
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At 19:01 28/08/98 -0400, Dani wrote:

>What glass school is in Wales?

Swansea College run a HND in Architectural glass that includes glass painting.

Details of other nationally available courses are most readily found if you
contact the Secretary of the British Society of Master Glass Painters at
<bsmgp@dircon.co.uk> who is usually very helpful.

Regards
Elizabeth Law (Bournemouth Stained Glass)
http://www.stainedglass.co.uk

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From owner-glass Sat Aug 29 03:56:39 1998
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X-Path: aol.com!LuvArtGlas
From: LuvArtGlas@aol.com
To: glass@bungi.com
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Subject: RE: Real Test Question
Date: Sat, 29 Aug 1998 06:15:07 EDT
Message-ID: <1998Aug29.10157.0>
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Thank-you everyone for ferret pattern info...

Now for the real test question.. 

Can anyone tell me if at any point in the History (of Stained Glass) the
photographic process was used in combination with stained glass???  I am
currently taking an Art course The History of Graphic Design & Photography.. 

Our final project:  " Book as Art, Create a book on any subject. Must be
unique in materials and printing process. No computer printing or composition.
The books will be exhibited at the student art show at the end of the
semester."

I want to create this project in stained glass. I feel in order to do this I
must somehow tie stained glass to the graphic arts and or Photography. Any
suggestions..  

My teacher is not willing to let me fire glass paints in her kiln... So, how
perminate are low fire deka paints after they have been fired in a tradition
household oven?

Thankyou again in advance,

Suzan 
LuvArtGlas@aol.com
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From owner-glass Sat Aug 29 09:07:04 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Glass education
Date: Sat, 29 Aug 1998 16:41:50 +0100
Message-ID: <1998Aug29.174150.0>
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There seems to be a lot of interest recently on all the message boards from
people looking to find certificated courses in stained glass, which appear
to be few and far between.
But it has got me wondering whether the "qualifications" that are awarded by
the various colleges etc are actually worth getting.
We have had several stained glass artists buy from our shop who have
completed stained glass courses and have their Higher National Diploma, City
and Guilds Diploma, or NVQ of various levels who don't seem to know much
about the craft.  
Although they may be knowledgeable about the history and development of
stained glass, or know all about using light and colour to "paint with
light", they dont seem to have been taught how to design and construct a
traditional leaded window which can survive in all weathers without cracking
or bowing.
One current customer (graduate from the 3 year Swansea course) came in
recently to buy materials for a commission she had obtained on the strength
of her end-of-course exhibition and was not even aware that there are more
than two profiles of lead came.  She is intending to make a large (3 foot by
5 foot) commemorative window using only 1/4 (6 mm) lead with 5/16 (8 mm) U
lead edging and absolutely no thought about the need of structural
re-inforcement.
What are they (not) teaching on these courses?
And a new customer has just moved into the area from London who has
completed a full year (3 days a week) City and Guilds Stained Glass Diploma
with Distinction without having been shown how to install a window, or told
that there are many different widths of lead that can be used in a leaded
panel - he had only ever seen 1/4 (6 mm) round and 1/2 (12 mm) flat lead
came and thought that only those two profiles were in general use.
So enrolling on a certificated stained glass course is not always a
guarantee of being taught the professionals way of making windows.  Often
seeking out someone who has been making windows commercially and asking them
to teach you may be a better way to get started if you want to end up making
your career in stained glass.
And the companies we know in the UK who take on employees are usually more
keen to see what quality of work you are capable of, and if you work in the
traditional manner and can fit in with their regime, rather than take a
certificate from a college as a recommendation.
So any of you out there who are trying to get "qualifications" to help get a
job in a stained glass studio need not despair if you cannot find a
recognised course - anyone interested in hiring a stained glass worker will
not be put off by a lack of paper qualifications if you can show an aptitude
for the craft and evidence of your skills.
And of course in the meantime you can always ask your pals on bungi for
advice ;-)
Have a happy weekend


Elizabeth Law (Bournemouth Stained Glass)
http://www.stainedglass.co.uk

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From owner-glass Sat Aug 29 11:13:50 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re:Bird Bath Construction
Date: Sat, 29 Aug 1998 09:18:24 -0700 (PDT)
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>Hi Pam,
>Just visited your site and it was a great visit, very nice stuff.
>Bird baths are so cute...I could see some in my yard one day.
>Did you paint them? As they don't look terra cotta any more.
>And do you have to glue the bath part to the base?
>Just wondering cos if it was heavy enough to stay there, it would be easier
to bring in and store for the winter.
>Do you cement the glass pieces and then grout?
>Sorry for all the questions.
>I've never done a stone even.
>Cindy
>
>

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From owner-glass Sat Aug 29 11:42:46 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Booth display
Date: Sat, 29 Aug 1998 11:01:34 -0700 (PDT)
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For any one interested here's some info I've gathered: 

1) Average customer spends appox. 30 seconds looking at your booth
2) Make the most of your creativity and design, it's important that you
create the selling enviroment.
3) Bring a clipboard, learn to do most of your sales standing up. Try to go
without any chairs...
4) Remember your booth is an extentsion of your craft...feel free to display
your work in whatever way makes your pieces shine.
5) Props that add the finishing touch, to make your booth more interesting,
display photographs showing the process and techniques. Properly placed prop
can really add polish.
6) Build your display at home...don't wait until the show to see if it works
7) Prepare a checklist and check it twice

Try to create a consistent image, including booth layout, signage,
brochere's, and business cards.
Expect to be formally dressed, your clothing should set you apart from your
customers, even if it's only a pin with your logo on it.
Speak clearly and slowly, show floors are noisy.
Stay alert, at the edge of the aisle, giving the attendees an impression of
your willingness to help.
Do remain profeesional and businesslike. Exhibits are not for the shy, but
then at the same time the huckster's appproach will not work.
Never eat or drink at the booth.
Never read a book or sit staring into a corner, hoping no one will talk to you.
Never carry on prolonged conversation with staff when you are on duty.
Do have fun!!!!
Cindy




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From owner-glass Sat Aug 29 11:43:24 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Help!!!!! 
Date: Sat, 29 Aug 1998 13:12:07 -0500
Message-ID: <1998Aug29.8127.0>
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I inadvertently deleted the folder with the unposted bios in it. I am in
desperate need of anyone who hasn't sent in a bio to do so. Quick, send me
your bio.

I am expecting to suffer slings and arrows from an unknown source (me thinks
a crazed Swede with a grumpy canine companion) for this error. She's
probably sitting in her hammock right now sharpening the arrowheads and
contemplating the trajectory, wind speed and direction, to Texas from the
UK. Where is a decent hurricane when I need one?

Please hurry.

Patrick
Roses and Rainbows

PS email them to me pkelly@n-link.com
PPS Pssssst if anyone sees Elisabeth don't tell her about this request maybe
she'll miss it.

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From owner-glass Sat Aug 29 13:14:05 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Glass eduction
Date: Sat, 29 Aug 1998 15:56:22 -0400
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Hi Steve-

Yes, we have many colleges, too,
that might include some stained glass
in their curricula.  One of our =

community colleges has an Artisans
program that includes stained glass
in its offereings.  Not very comprehensive,
though, and certainly no formal =

disciplines that require drawing, art
history, etc.  And definitely not a =

degree program.  What does Pilchuck
offer?  I don't think they're accredited,
but I may be wrong.  =


Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Aug 29 13:35:00 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: pkelly@n-link.com
Subject: Re: Help!!!!! 
Date: Sat, 29 Aug 1998 15:56:13 -0400
Message-ID: <1998Aug29.115613.0>
References: <<1998Aug29.8127.0>>
Precedence: bulk

Thank you Patrick, but you didn't have to do that just to make me feel
better.

	After listening to my husband, for months, try to talk me into
switching my e-mail from Juno to mindsppring, so that I'd be able to
receive attachments and all the other bells and whistles, I finally gave
in, but only on the condition that I'd keep Juno until I was comfortable
with the new mail program.  I left the important stuff (like Bungi) on
Juno.  Well, guess what?  Yesterday I deleted my entire "In Box". 
Whenever Hubby thinks something is so simple that even I can't mess it
up, I just have to prove him wrong.  Not something I try to do, just
seems to be a natural biorythm of being married a while or something.  I
did remove the sledge hammer from the computer before he got home, and he
did put me in a new "In box", but of course, everything I had in there is
gone forever.

	I think, even Elisabeth, has had her share of computer problems!

Jerri




	
On Sat, 29 Aug 1998 13:12:07 -0500 "Pat Kelly" <pkelly@n-link.com>
writes:
>I inadvertently deleted the folder with the unposted bios in it. I am 
>in
>desperate need of anyone who hasn't sent in a bio to do so. Quick, 
>send me
>your bio.
>
>I am expecting to suffer slings and arrows from an unknown source (me 
>thinks
>a crazed Swede with a grumpy canine companion) for this error. She's
>probably sitting in her hammock right now sharpening the arrowheads 
>and
>contemplating the trajectory, wind speed and direction, to Texas from 
>the
>UK. Where is a decent hurricane when I need one?
>

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
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From owner-glass Sat Aug 29 14:14:36 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re:Bird Bath Construction & Help!!
Date: Sat, 29 Aug 1998 13:02:19 -0700
Message-ID: <1998Aug29.6219.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Cindy said:

Hi Pam,
Just visited your site and it was a great visit, very nice stuff.
Bird baths are so cute...I could see some in my yard one day.
Did you paint them? As they don't look terra cotta any more.
And do you have to glue the bath part to the base?
Just wondering cos if it was heavy enough to stay there, it would be
easier
to bring in and store for the winter.
Do you cement the glass pieces and then grout?
Sorry for all the questions.
I've never done a stone even.
Cindy


The procedure regarding the bird bath is to put the planters together,
butt to butt, with adhesive in between the two to hold them together.
The bath (or dish) is also coated with adhesive to adhere it to the top
planter. Let the adhesive dry for at least 24 hours.

The next step would be to decide your color of grout. Then apply the
grout to the whole project, let dry for 24 hours. Then apply your glass
to the bath part or wherever you choose using adhesive. Then regrout the
whole project again. Make sure when you apply your second grout
application that it is even. I water seal everything but the bath
itself.

Some other idea's:

Paint a design on the bath using acrylic paint. You could do an ivy
design or "antique" finish as well.

The bath is light, light enough to pick up easily and move indoors come
winter. I have had clients use them for plant stands or indoor tables
too.


Oh Patrick! Someone please bail him out! I need an excuse to eat my
buttered popcorn and drink wine! Humm, maybe I will try out my new
Inland arrowhead grinder tonight.

See ya,

Pam


--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
http://www.pacifier.com/~ptap/index.html

Proud Member Of:

The Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html

The International Guild of Glass Artists
http://www.bungi.com/glass/igga/


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From owner-glass Sat Aug 29 16:33:35 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Help!!!!! 
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 29 Aug 1998 23:37:39 +0000
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Precedence: bulk

What do you mean, E V E N    Elisabeth?!
I am the greatest computer "nerd" alive!!
P.S. Is the sledge hammer OK???
Elisabeth 'n Toby in UK

Jerri wrote :
<snip>
> 	I think, even Elisabeth, has had her share of computer problems!
 
 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Sat Aug 29 17:03:44 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Help!!!!! 
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 29 Aug 1998 23:37:39 +0000
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Well,
What do you expect!!
TOOOooo much of the Irish double-malt , says I!!
Toby does not deign to comment.... HE doesn't MISS  ANYTHING!!!!
Really, one simply can't get the staff these days!!
Elisabeth 'n Toby in UK

Some weird Irishman wrote:
> I inadvertently deleted the folder with the unposted bios in it. I am in
> desperate need of anyone who hasn't sent in a bio to do so. Quick, send me
> your bio.
> 
> I am expecting to suffer slings and arrows from an unknown source (me thinks
> a crazed Swede with a grumpy canine companion) for this error. She's
> probably sitting in her hammock right now sharpening the arrowheads and
> contemplating the trajectory, wind speed and direction, to Texas from the
> UK. Where is a decent hurricane when I need one?
 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Sat Aug 29 17:27:07 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Help!!!!! 
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 29 Aug 1998 23:37:39 +0000
Message-ID: <199808292310.AAA02998@saturn.nildram.co.uk>
Precedence: bulk

Well,
What do you expect!!
TOOOooo much of the Irish double-malt , says I!!
Toby does not deign to comment.... HE doesn't MISS  ANYTHING!!!!
Really, one simply can't get the staff these days!!
Elisabeth 'n Toby in UK

Some weird Irishman wrote:
> I inadvertently deleted the folder with the unposted bios in it. I am in
> desperate need of anyone who hasn't sent in a bio to do so. Quick, send me
> your bio.
> 
> I am expecting to suffer slings and arrows from an unknown source (me thinks
> a crazed Swede with a grumpy canine companion) for this error. She's
> probably sitting in her hammock right now sharpening the arrowheads and
> contemplating the trajectory, wind speed and direction, to Texas from the
> UK. Where is a decent hurricane when I need one?
 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sat Aug 29 17:40:38 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: Glass education
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 29 Aug 1998 23:37:39 +0000
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THREE CHEERS for EliZabeth in Bournemouth!!!!

You have got greater courage than I have!!

The Swansea course is basically 2 years, with an extra "Foundation 
Year" for those who  believe that van Gogh is a "pop group".
NVQ is a new-fangled qualification which nobody believes in 
(especially Industry). You can manage a "Pass" in Level 1 if you can 
demonstrate that you can read and write; (I myself went through an 
NVQ course in IT and computer studies to Level 3. This was 2 years 
ago and I still have not collected my guilt-edged Certificate...);  
City & Guild....hmmm... a bit out of touch.
I have been to several "Finalists' Exhibitions" at Swansea and 
various Colleges in/around London/Midlands/Sout-East.
Hence, I could not agree with you more!!
You have these so called graduates who roll along, wanting to "keep 
their hand in" -- or to pick your brain. They "know it all", but as 
you say, they have not the faintest idea of lead, and when you 
present them with 90 degree angle leads, that totally blows their 
minds...

I mentioned that I have sent students to these Degree Courses. That's 
true, What I didn't mention was that I have also received students 
who have "dropped out" from these courses, totally disillusioned, 
since they didn't learn what THEY wanted to learn, namely  down to 
earth leaded stained glass.
I am seriously working on creating a special feature on my WEB-page 
of the work of my students. It hasn't happened yet, bu I am slowly 
getting the negatives and photos together. Some of their work I am 
really very proud of.  Remind me to tell you the story of Leannda, 
some time I am taking her through her second year this coming 
September. I have great hopes for her.
But enough for now!
Elisabeth 'n Toby in UK

 
EliZabethg in Bournemouth wrote:
<snip>
> But it has got me wondering whether the "qualifications" that are awarded by
> the various colleges etc are actually worth getting.
> We have had several stained glass artists buy from our shop who have
> completed stained glass courses and have their Higher National Diploma, City
> and Guilds Diploma, or NVQ of various levels who don't seem to know much
> about the craft.  
> Although they may be knowledgeable about the history and development of
> stained glass, or know all about using light and colour to "paint with
> light", they dont seem to have been taught how to design and construct a
> traditional leaded window which can survive in all weathers without cracking
> or bowing.
> One current customer (graduate from the 3 year Swansea course) came in
> recently to buy materials for a commission she had obtained on the strength
> of her end-of-course exhibition and was not even aware that there are more
> than two profiles of lead came.  She is intending to make a large (3 foot by
> 5 foot) commemorative window using only 1/4 (6 mm) lead with 5/16 (8 mm) U
> lead edging and absolutely no thought about the need of structural
> re-inforcement.
> What are they (not) teaching on these courses?
<snip>
> And a new customer has just moved into the area from London who has
> completed a full year (3 days a week) City and Guilds Stained Glass Diploma
> with Distinction without having been shown how to install a window, or told
> that there are many different widths of lead that can be used in a leaded
> panel -
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sat Aug 29 19:28:37 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Help!!
Date: Sat, 29 Aug 1998 16:34:22 -0700 (PDT)
Message-ID: <199808292334.QAA12451@ns2.vphos.net>
Precedence: bulk


>>>>Oh Patrick! Someone please bail him out!<<< 

Yep...I see Patrick really worried:):)
And Pam, thanks...I shall loook forward to a bird bath or 2,
Cindy

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From owner-glass Sat Aug 29 19:42:13 1998
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X-Path: pdq.net!larsonrw
From: "Ron and Wendy Larson" <larsonrw@pdq.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: 3d lighthouses/Taurus II saw questions
Date: Sat, 29 Aug 1998 20:54:40 -0500
Message-ID: <1998Aug29.155440.0>
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This is a multi-part message in MIME format.

------=_NextPart_000_0014_01BDD38F.3DCF9400
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Does anyone know of any pattern books that have beginner to intermediate =
level 3d stained glass designs of lighthouses? I want to make these in =
varying sizes and have the ability to put lights in them as well. I have =
done flat pieces but never something that would have to stand up by =
itself. My main question is what kind of lead to use to join each of the =
sides - regular lead u channel does not seem to work for that kind of =
support. And where would I get that lead?

Also, does anyone have any comments from using the Gemini Taurus II saw? =
I am thinking seriously of going to it but am concerned about not having =
the speed controls? Is there any special type glass where I would really =
need speed control?=20

Thanks. Love all the new things I have learned here...

Wendy in Alvin, TX=20

------=_NextPart_000_0014_01BDD38F.3DCF9400
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Does anyone know of any pattern =
books that have=20
beginner to intermediate level 3d stained glass designs of lighthouses? =
I want=20
to make these in varying sizes and have the ability to put lights in =
them as=20
well. I have done flat pieces but never something that would have to =
stand up by=20
itself. My main question is what kind of lead to use to join each of the =
sides -=20
regular lead u channel does not seem to work for that kind of support. =
And where=20
would I get that lead?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Also, does anyone have any comments from using the =
Gemini=20
Taurus II saw? I am thinking seriously of going to it but am concerned =
about not=20
having the speed controls? Is there any special type glass where I would =
really=20
need speed control? </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Thanks. Love all the new things I have learned=20
here...</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Wendy in Alvin, TX </FONT></DIV></BODY></HTML>

------=_NextPart_000_0014_01BDD38F.3DCF9400--

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From owner-glass Sat Aug 29 20:32:01 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio #48 Glenn Spicer
Date: Sat, 29 Aug 1998 21:46:03 -0500
Message-ID: <1998Aug29.16463.0>
Precedence: bulk

This bio is from my portfolio and may be a little more conservative, but if
it fits your bill then here it is.

I was born 1947 in Toronto, Ontario, Canada. After graduating in Biology at
the University of Guelph I worked there as a scientific illustrator, then as
a scientific sculptor for the construction of the new Dinosaur Gallery of
the Royal Ontario Museum. After working for a time as a Keeper at the
Metropolitan Toronto Zoological Park, I moved to Vancouver, BC in 1976 where
received my Professional Teachers Certification in Fine Arts and Biology. I
then studied at the Emily Carr College of Art and Design under the
accomplished sculptors Mark Prent, George Ramel, and George Norris. I
was hired by the Vancouver as their Senior Display Artist for the duration
of the construction of the award winning Graham Amazon Gallery. In 1984 I
moved to Maple Bay on Vancouver Island, where I was commissioned to do a
number of public sculptures and art glass windows.  I have recently designed
and built a house and studio by the ocean where I pursue my artistic nature
through sculpture, drawing, music, and writing.

My sculptures are cast, carved, and\or constructed in bronze, copper,
fiberglass, reinforced concrete, glass, stone, and mixed media. My stained
glass work is often detailed using sandblasting, etching, and carving on a
variety of flat rolled and hand blown coloured glass and has similar style
ranges as my sculpture.
I draw upon my rich and varied background  experience to create
  expressive realism in figurative and wildlife renditions and carefully
executed stylized and abstracted forms.  These may be integrated with both
ancient and modern cultural energies to reflect our anthropological roots in
modern terms.

Much of my research is an exploration into the forms and spirits of nature
and delves into the mind and soul of man. There is an age old disturbance in
the fabric of life between these two when they are supposed to be as one.

Our complex society, awash with technology and competition, has a tendency
to render submissive our inner spiritual being and its ties to the organic
and spiritual world. Symbols are one of the vessels wherein we find an
anchor to deal with the "logarithmic" growth of stimulus around us. It is
one of the artist's roles, I feel, to link this growing library of symbols
and forms into patterns that can be instinctively grasped in a primitive
and/or an intellectual  a manner that encourages us to evolve.

My work tends towards perfection of form, line and mass, yet I see a place
in this for randomness, apparent irrelevancies, and incompletions. This is
the balance to which I look, dynamic equilibrium, where there is a place for
divergence and convergence in balance like the equilateral triangle or the
circle.
I find that the application of light and colour to my work through
reflection, transmission, and/or illumination brings a different awareness
to my work, creating, as it were, that fourth corner of the elemental
tetrahedron.

The true dance is found by the spirit on the razor's edge, between total
abstraction of the subconscious mind and realism of the human experience.
This is where I strive to be in my work. If I can manage to bring this to my
work, then there is satisfaction and progress.


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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Having pity on Patrick
Date: Sat, 29 Aug 1998 22:02:52 -0500
Message-ID: <1998Aug29.17252.0>
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One kind and generous soul has saved me from the savage attack of an
anti-social sheepdog named Toby. If you listen closely you can hear him
growling .... bios ..... bios ...... bios. While he is at bay temporarily he
is still  agitated since the UK taxes the TV and he can't watch re-runs of
Lassie. If I don't get bios to post soon my leg will be a snack.

Glenn Spicer saved my day by sending in a bio. Now for the rest of you who
haven't. Please do quickly.

Patrick
Roses and Rainbows

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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Threats from the group
Date: Sat, 29 Aug 1998 22:14:32 -0500
Message-ID: <1998Aug29.171432.0>
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I am now getting these kinds of veiled threats. So all of you lurkers out
there get busy with the bios. I would say that I'm about to get scalped, but
they are too late (I shave my head totally bald).

<<Oh Patrick! Someone please bail him out! I need an excuse to eat my
buttered popcorn and drink wine! Humm, maybe I will try out my new Inland
arrowhead grinder tonight.>>

Gulp! Inland arrowhead grinder?  Popcorn withdrawal is a terrible thing to
watch ... hurry before they break the birdbaths apart and start sharpening
the pieces. I'm  sure they won't have the decency to use KoKoMo spears or
Spectrum arrowheads .... just terra cota (what an earthy way to go).

Patrick
Roses and Rainbows

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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Stained Glass in Sedona Arizona?
Date: Sat, 29 Aug 1998 20:21:05 -0700
Message-ID: <1998Aug29.13215.0>
Organization: Moswood Mountain Limited
Precedence: bulk

Hi everyone!

Is there anyone who lives in Sedona Arizona who is looking for a
part-time employee? A friend of one of the artist members is considering
a move and is interested in part time employment in the stained glass
field.

Now I know this may not be the place to ask but I figured if any one
would know it would be you all.  You may e-mail me personally and I will
then forward the information on to the inquiring party.

Thanks!

Pam

--
*********************************
Moswood Mountain Limited
Pamela Burns-Tappan
http://www.pacifier.com/~ptap/index.html

Proud Member Of:

The Stained Glass Artists
http://www.pacifier.com/~ptap/artists.html

The International Guild of Glass Artists
http://www.bungi.com/glass/igga/


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From: CncptThnkr@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: lighthouses
Date: Sat, 29 Aug 1998 23:41:49 EDT
Message-ID: <1998Aug30.34149.0>
Precedence: bulk

My main question is what kind of lead to use to join each of the =
sides - regular lead u channel does not seem to work for that kind of =
support. And where would I get that lead?

Hey Wendy,

Personally have never done a 3d in lead, always used copper foil.   Alta
Pacific, Mini-Mansions by Carolyn & Gordon Otsen has 3d lighthouses in it.   

Pat

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From owner-glass Sat Aug 29 23:07:41 1998
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From: "scott floyd" <scottjf55@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re:Re:Bird Bath Construction & Help!!
Date: Sat, 29 Aug 1998 22:35:24 PDT
Message-ID: <1998Aug30.53524.0>
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  Hi Pam,

  Lemme know what you think of the inland arrowhead.

 Thanx,
 Scott *sm!*

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From owner-glass Sat Aug 29 23:16:59 1998
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From: AVP Arora <avparora@del2.vsnl.net.in>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass eduction
Date: Sun, 30 Aug 1998 11:13:30 +0530
Message-ID: <35E8E682.5FF7@del2.vsnl.net.in>
References: <<199808282124.RAA02639@vger.vgernet.net>>
Precedence: bulk

Thanks everyone for replying to my query. I think i have got enough
information for now to think on and investigate upon. Im going to chek
out all the colleges and courses that you all have mentioned. As for
doing an apprenticeship under an artist, I agree that would be the ideal
way to learn but unfortunately I do not know of any glass artists in New
Delhi, where i stay. I'll keey y'all posted on my progress.

Thanks again

Deepshikha
> 
>
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From owner-glass Sun Aug 30 02:16:52 1998
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To: larsonrw@pdq.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: 3d lighthouses/Taurus II saw questions
Date: Sun, 30 Aug 1998 04:34:23 EDT
Message-ID: <1998Aug30.83423.0>
Precedence: bulk

Hi Wendy,the pattern book called mini mansions has two really neat light house
patterns..for threed construction,that are also lit up. I have made both
patterns using the copper foil technique with great success. As far as the
taurus, i don't own one myself but have operated one at two glass expos and
really enjoyed working with it.
                                            Good Luck with the
lighthouses,Judy
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From owner-glass Sun Aug 30 08:26:52 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio #  48 Tracy Reitmann
Date: Sun, 30 Aug 1998 09:46:45 -0500
Message-ID: <1998Aug30.44645.0>
Precedence: bulk

Okay, Lurker Bio time I guess=85.we wouldn't want Patrick's leg becoming =
an
afternoon snack for one named Toby!!  Let's see=85where to start=85okay, =
I'm 37,
a
desktop publisher who has (and has had) a wide variety of hobbies.  I'm f=
rom
Minnesota, that's what I tell people when they ask, but I've actually onl=
y
spent about half my life there.  I started out in Dallas, Texas, then
Oklahoma City, then to Minnesota (which is where my family is from).  Fro=
m
there I left once to live in Las Vegas (didn't last a year there though),
returned to Minnesota, then off again to San Francisco for 8 years, then
back again to Minnesota (but I find
I get quite homesick for San Francisco at times).

As one can imagine, I adapt pretty easily to new situations.  I'm also no=
t
afraid of trying new things.  My main occupation started out being a lega=
l
secretary/assistant but when computers came out I was hooked, and when th=
e
Internet started I was in heaven.  I've
written a few web pages, teaching myself HTML from looking at how other w=
eb
pages were written, and started dabbling in desktop publishing, which is
what I do now full time (although breaking off from working for lawyers w=
as
similar to trying to shoo bees away from you out in the garden in late
summer).

My lack of fear of trying new things allowed me to do all sorts of things=
 --
in San Francisco, I kept busy with things like freelance photography, sta=
ge
managing Shakespeare, learning to play pool (and managing to win a few
trophies in tournaments while I was at it), doing freelance word processi=
ng,
and being a pet food sales rep (which is where I came across my pal, Jack=
,
who is an 8 year-old
part Husky and constant companion -- I should say constant "vocal" compan=
ion
as his Husky blood makes him quite the talker).

I was exposed to stained glass when one of my folks, Sue (or Oddjob as sh=
e's
known here in Bungi-land), started doing it when they were living in Tucs=
on,
Arizona.  Right away I wanted to know how it was done and I remember her
showing me some of the basics  when I would visit them.  After that I
started to notice
it more and more in San Francisco and I remember seeing some awesome piec=
es
around the City.  My folks and I moved back to Minnesota at around the sa=
me
time (about 4 years ago) and then I was able to see her projects being ma=
de.

Finally, about a year ago I decided it was time, I had to learn for mysel=
f
how to do it and asked if she would help me -- she had been perfecting he=
r
skill over the last several years and was creating some really outstandin=
g
pieces.  I also felt it was something important enough to keep in the
family=85kind of like a
carpenter teaching his son, who teaches his son, etc.  I feel pretty
fortunate that I have her as my teacher.

Lampshades seem to be my main interest, which explains why I haven't
ventured into leaded pieces yet.  But, living where we do, I figure this
winter there will be plenty of time for that -- winters in Minnesota are
rather long (about 6
months) and people around here usually have a list of "winter projects" a
mile long.  And since I won't be able to spend time in the flower gardens=
 I
have going (which is another hobby that pretty well consumes a lot of my
free time) I may as well get my feet wet in that area.  (Plus I just boug=
ht
my first house and there are a few windows that need dressing up.)  A hug=
e
interest of mine is learning about the Anishinaabe (Native Americans),
ranging from their lives, to
religion to even learning how to speak Ojibwe (one of the tribes from thi=
s
part of the country) and I find I'm designing quite a bit of southwestern
style pieces (okay, I'll admit, I think only one piece so far "isn't"
southwestern-style).  I find the design part the trickiest for me.  I spe=
nd
I don't know how much time sketching different designs then go over some =
of
them with Sue to see what will work and why, and what won't work and why.

Another problem I have is to finally decide what colors of glass I want t=
o
use for a piece -- there's just too many possibilities!!!  It's great!
(Unless you're with me in the glass shop where I can spend literally hour=
s
deciding what I want to use!)

Well, I hope this kept Toby off of Patrick for at least another week or s=
o.
I've enjoyed reading (and learning from) all the posts on Bungi and also
meeting some of the people out there (at least in cyber-space).  That's
about it for me everyone=85I'm now going to see if I can find where I lef=
t my
lurker seat and resume my post there!


Tracy

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From owner-glass Sun Aug 30 09:30:00 1998
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X-Path: bc.sympatico.ca!tuka
From: tuka@bc.sympatico.ca
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Help!!!!! 
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Sun, 30 Aug 1998 08:47:29 +0000
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Patrick, you've made me feel better about my occasional computer boo 
boos.  If you do it.................well, it's not so bad if I do 
too.

Shiela


> Well,
> What do you expect!!
> TOOOooo much of the Irish double-malt , says I!!
> Toby does not deign to comment.... HE doesn't MISS  ANYTHING!!!!
> Really, one simply can't get the staff these days!!
> Elisabeth 'n Toby in UK
> 
> Some weird Irishman wrote:
> > I inadvertently deleted the folder with the unposted bios in it. I am in
> > desperate need of anyone who hasn't sent in a bio to do so. Quick, send me
> > your bio.
> > 
> > I am expecting to suffer slings and arrows from an unknown source (me thinks
> > a crazed Swede with a grumpy canine companion) for this error. She's
> > probably sitting in her hammock right now sharpening the arrowheads and
> > contemplating the trajectory, wind speed and direction, to Texas from the
> > UK. Where is a decent hurricane when I need one?
>  
> ----
> As my grandmother said "...there is only nobility of mind"
> North Lights Stained Glass - homepage
> http://www.netlink.co.uk/users/kris/northlights/index.htm 
> ----
> ----
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> 
> 
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From owner-glass Sun Aug 30 09:42:10 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: Help!!
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Date: Sun, 30 Aug 1998 13:52:43 +0000
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Gggrruummmphhhh!
Hhhumphh!
ONE bio - TWO Irish legs!!
Toby
( - not quite placated, and still lusting after at least ONE 
leg!!- especially after the "mess" that Irishman made of Elisabeth's 
beautiful garden swing!)
> 
> >>>>Oh Patrick! Someone please bail him out!<<< 
> 
> Yep...I see Patrick really worried:):)
> And Pam, thanks...I shall loook forward to a bird bath or 2,
> Cindy
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Sun Aug 30 09:55:29 1998
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From: "Toby" <toby@northlights.co.uk>
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Date: Sun, 30 Aug 1998 13:52:43 +0000
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Gggrruummmphhhh!
Hhhumphh!
ONE bio - TWO Irish legs!!
Toby
( - not quite placated, and still lusting after at least ONE 
leg!!- especially after the "mess" that Irishman made of Elisabeth's 
beautiful garden swing!)
> 
> >>>>Oh Patrick! Someone please bail him out!<<< 
> 
> Yep...I see Patrick really worried:):)
> And Pam, thanks...I shall loook forward to a bird bath or 2,
> Cindy
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sun Aug 30 11:08:42 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
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Subject: Bio #48 Glenn Spicer
Date: Sun, 30 Aug 1998 08:55:37 -0700 (PDT)
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>Great bio from fellow Canadain...I knew Glenn was a smart man:)and I for
one love to hear the artistic side of men.

My hubby is artistic, only takes him 5 years to finish a piece, chuckle.
Also many thanks I'm sure for bailing out Patrick....guess Patrick won't be
doing that again. chuckle, grin and LOL
Cindy
>
>

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From owner-glass Sun Aug 30 11:39:39 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Toby <toby@northlights.co.uk>
Subject: Re: Glass education
Date: Sun, 30 Aug 1998 18:57:42 +0100
Message-ID: <1998Aug30.195742.0>
References: <<199808292310.AAA03001@saturn.nildram.co.uk>>
Precedence: bulk

In message <199808292310.AAA03001@saturn.nildram.co.uk>, Toby
<toby@northlights.co.uk> writes
>THREE CHEERS for EliZabeth in Bournemouth!!!!
>
>You have got greater courage than I have!!
>
>The Swansea course is basically 2 years, with an extra "Foundation 
>Year" for those who  believe that van Gogh is a "pop group".
>NVQ is a new-fangled qualification which nobody believes in 
>(especially Industry). You can manage a "Pass" in Level 1 if you can 
>demonstrate that you can read and write; (I myself went through an 
>NVQ course in IT and computer studies to Level 3. This was 2 years 
>ago and I still have not collected my guilt-edged Certificate...);  
>City & Guild....hmmm... a bit out of touch.
>I have been to several "Finalists' Exhibitions" at Swansea and 
>various Colleges in/around London/Midlands/Sout-East.
>Hence, I could not agree with you more!!
>You have these so called graduates who roll along, wanting to "keep 
>their hand in" -- or to pick your brain. They "know it all", but as 
>you say, they have not the faintest idea of lead, and when you 
>present them with 90 degree angle leads, that totally blows their 
>minds...
>
I don't think any college would claim to produce graduates who know the
whole field.  The student's time a college enables them to experiment
with the materials and within the limitation of the college/course
materials and expertise.  They do not have to demonstrate the craft
abilities of those long experienced in producing stained glass.

  Many of the respected artists in the field do not do their own
assembly of windows.  Some design and paint/etch the windows, but employ
a studio to construct and install the resulting windows.  This is not
necessarilly bad.  It is just outside the arts and crafts movement
principles of Morris.  (Perhaps we need to leave Morris behind not only
in stained glass, but also in a number of areas where arts and crafts
intermingle).

  I would have thought that the people like you and Elizabeth (and
others) who have spent so long acquiring your skills, would not expect
that a student of three years (who has many subjects to encompass in
addition to stained glass) would be sympathetic to the neophyte
designer, also attempting to become a craftsperson.  

As it is very difficult to find employment in studios, the educational
route must be the one many choose to get an introduction to the craft
(and art).  I know from another area of work, that education cannot give
all the practical elements required, but it does provide a (relatively)
uncluttered perspective on the work/profession/craft.  The advantage of
education over apprenticeship is one of independence of thought and
better perspective on particular work practices.  The disadvantage, of
course, is a lack of detailed knowledge and practiced skills.

Just my little bit of attempted defence of education over
apprenticeship.

Steve

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Aug 30 14:14:14 1998
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From: Leslye2@aol.com
To: glass@bungi.com
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Subject: putty/cement recipe
Date: Sun, 30 Aug 1998 16:35:01 EDT
Message-ID: <1998Aug30.20351.0>
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After a 4 year sabatical to start my family I am happily back creating stained
glass.  I have forgotten the recipe for putty (cement) for lead work.  I
bought some premade Inland and was not happy with it.  Can anyone remind me of
the ingredients and ratios?  
Thanks,
Leslye
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From owner-glass Sun Aug 30 15:52:10 1998
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From: LByrne21@aol.com
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Subject: Glass Visions
Date: Sun, 30 Aug 1998 18:07:09 EDT
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Have finally unpacked my glass "goodies" from Warner-Crivillaro's "Glass
Visions" last week, and will finally get the opportunity to work with them.
          Judging from talking with quite a few  people who attended this
affair, they found it exhausting, exhilarating, worth the trip, a learning
experience, and, fun.
           Exhausting:   Because there was a lot to see, with all the vendors
displaying their wares, and anxious to show whatever they had, and how it
worked.  The weather was "on the hot side", but, W-C had put up two giant-
sized  tents on the outside for the complimentary lunch, they offered, and,
for the seminars that were conducted, along with oscillating fans to help
keep,what little breeze there was, moving.
           Exhilarating:   Any trip to W-C is inspiring, with beautiful
samples of stained glass works, including the ones found in the catalog, with
many others, to fire the imagination.  John Triggs,  from Youghiogheny Glass
was there (thank heavens)....I had bought Youghiogheny glass from his factory
while on the trip up there with W-C, and then did the unpardonable sin of
starting a project and not having enough glass to finish it. (A total NO-NO).
To compound this error, it was un-numbered glass, but John Triggs took time
from his busy table to point me in the right direction in getting the right
glass, or the closest to it. 
           Worth the trip:  Because, your money went a good deal further than
it ordinarily goes, as witnessed by the baskets and baskets of overflowing
products being pushed, pulled, and,  purchased by glazed-eyes, glass
enthusiasts.
           A Learning Experience:  Because, wherever one falls on the scale of
stained-glass enthusiast, whether a really, really, new-newbie, or, been-
around-a-long-time-pro, there was something for everyone in the seminars.  Joe
Porcelli, from Glass Craftsman, did a seminar on Patinas.  He covered
everything you wanted to know about 'em; things you never thought of, about
'em; things you thought you'd never really want to know, about 'em; and, if
you couldn't attend his seminar, you'll probably have to buy his book,  to
learn, about 'em.
           Tommy "G" from S.A. Bendheim & Co., did a great bit on the various
types of glass available to us.  You think you knew it all, until you hear
him, and you realize, even tho you've been doing glass for awhile, and you've
learn by "hit or miss" on the characteristics of glass, you realize, there is
a logical explanation of why a certain glass re-acts a certain way, instead
of, well, that's a piece of "inferior" glass.
           Stuart Goldman had the seminar on bevels (which was a, hands-on-
experience).  And, again, judging from the reaction of his audience, the
experience was a much-needed one, for people to look at bevels from a
different perspective.  He had pre-packaged, bevel clusters, which he took
apart, and encouraged individuals from the audience, to come up and experiment
with re-arranging these bevels on graft paper, to get totally new
designs....... gotten.... from their imaginations.  The oohs and aahs from
participants was really gratifying.
           Fun:   Because you had a full day (or two) to be surrounded by
"glass folk", whom, you all know, are delightful folk.  It was great seeing
faces from the "Bungi" group and to connect them to their imagined e-mail
image.  The seminars were great fun because the three "gents" (Joe Porcelli,
Tommy "G" and Stuart Goldman) peppered their presentations with so much humour
and such tremendous enthusiasm, that it was made, doubly enjoyable.
           Warner-Crivillaro deserves many kudos for hosting this event.  The
skeptics might say, well sure, they make great sales from this kind of  thing.
Certainly, they do...but that's only one of the deserving aspects of it.
They, also, put on this kind of event, to make it easier for us, to see, feel,
touch and talk, with each supplier, under one roof......(your gonna' need to
buy your supplies anyway)......(The crowds always around the Morton table made
me chuckle, as people pushed in and about either to buy something from the
system, or try to figure out how to work with what they had already bought,
from the system.)  The amount of work and co-ordination needed to sponsor this
kind of Trade Show for our industry, was tremendous, and Warner-Crivellaro
needs to be congratulated.   Congratualtions Warner-Crivellaro!
                                                                              
Lavergne 
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From owner-glass Sun Aug 30 16:25:28 1998
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From: "Joe Lagana" <jlagana@fast.net>
To: <glass@bungi.com>
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Subject: Eastern Pennsylvania Area
Date: Sun, 30 Aug 1998 17:23:06 -0400
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Is anyone from Eastern Pennsylvania?

Joe

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From owner-glass Sun Aug 30 18:03:02 1998
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From: jbenner@juno.com
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Subject: WC Glass Visions
Date: Sun, 30 Aug 1998 20:18:05 -0400
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HI Lavernge,

  That was a wonderful show wasn't it. I don't do the glass in the family
but went along for moral support and to help shop. That's a wifes duty
isn't it? (G) We both had a wonderful time, even in line. As someone
behind us in line said "I don't know which is sicker, that you wait in
line for 3 hours, or that we are all laughing about it". We made alot of
friends in line. Discussed projects and how toos, inspected any and all
items that were on our checkout path and purchased more stuff during our
checkout path. We found ourselves "needing" things we didn't know existed
and "selling" things to each other also. i think we all easily doubled
the amounts we started in our baskets by the time we checked out. Next
year they need drinks along the checkout lines. A nice lady did come
around with cookies, but boy, chocolate makes you even thirstier. (G)

  I didn't think I'd find anything for myself there, but I did get in on
a demo of the glass paints and made a beautiful (If I do say so myself)
glittery teal, green, and purple nugget> of course then had to buy the
book and 35.00 worth of paint. So I had a great time. We didn't go back
Sunday, but then we live 2 miles away, so is no big deal to run over
anytime. Great job W-C!

Judy Benner
jbenner@juno.com

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From owner-glass Sun Aug 30 18:19:01 1998
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Subject: W/C
Date: Sun, 30 Aug 1998 20:19:43 EDT
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I have to agree with you Lavergne the trip to W/C for me was a long one and
not without its incidents (one broken fuel pump) but well worth it to me. I
really enjoyed meeting all of my " glass" friends and spending the weekend
with them at such a great place. The Warners deserve all of the Kudos for
putting on such an event, and if they made some sales along the way more power
to them that is the whole idea to promote glass to one and all. I look forward
to next years event with enthusiasm. In my case it is more of a social event
and a great way to meet people and exchange ideas and some great stories. Keep
up the good work Charles. And maybe next year TommyG. won't forget to tell Joe
where the real party is going on HAHAHA. Beveler4(Stan)
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From owner-glass Sun Aug 30 19:06:38 1998
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From: Family Account <shad@mail2.nai.net>
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Subject: MORE vacation
Date: Sun, 30 Aug 1998 21:19:00 -0400
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I keep going away...this past weekend I went to Saratoga Springs to see
the Travers (and if you saw it on ESPN, you know how exciting it was!).
While walking through downtown (Broadway, Rte 9), we went into the
Symmetry Gallery, which has a lot of hot glass work, and it is well
worth the viewing (for those of you heading up the Northway).  I was
particularly taken by the work of a man named Milton Townsend.  He does
incredible dancing flameworked human figures, colored, some with etched
dichroic draperies.  According to the gallery owner, he had been working
only with clear glass until a couple of years ago.  Looking at his work,
I think he's found his muse.  There is a lightness and joy to his work,
as well as being just plain lovely.
Craft fair season starts up again for me next weekend, so I won't have
much tine for field trips.
(PS, and if you're in that area, you might want to go over to
Williamstown MA and visit the art museum there.  It has an extraordinary
collection of paintings.)

Foiling to do,still unpacking glass from my PA trip.

Dorothy

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From owner-glass Sun Aug 30 20:04:35 1998
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From: "scott floyd" <scottjf55@hotmail.com>
To: glass@bungi.com
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Date: Sun, 30 Aug 1998 16:28:34 PDT
Message-ID: <1998Aug30.232834.0>
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    HI!

  Ok here is the I use from work.

  Add 2 parts boiled linseed oil to 8 parts paint thinner.  Add 1/2 cup 
of this oil mixture to one can of dap 1012.  Mix with power drill and 
mixing attachment until consistency of pancake batter.  Do not add 
linseed to thin, add paint thinner one tablspoon at a time.  Have 
fun!!!!!!!!

 Scott*sm*

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From owner-glass Sun Aug 30 20:15:16 1998
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From: Mosfunland@aol.com
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Subject: Re: Glass Visions
Date: Sun, 30 Aug 1998 22:05:28 EDT
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In a message dated 98-08-30 18:54:39 EDT, LByrne21@aol.com writes:

<<  The amount of work and co-ordination needed to sponsor this
 kind of Trade Show for our industry, was tremendous, and Warner-Crivellaro
 needs to be congratulated.   Congratualtions Warner-Crivellaro! >>


yep....what she said....
   There were so many things going on in and out of the showroom, even the
wait in line was a social occasion,  my significant other occupied himself by
holding the "stopsign", a ironwork stopsign frame which holds a (not yet)
finished panel, and the scrolls beneath it can hold plants....or the
significant other....   At any rate, he occupied himself by saying "stop" /
"go".....we were in line quite a while, he did pretty good actually being he
has no clue about glass.   I met quite a few bungians, Lenore, Lavernge, Stan,
Hilary, Nancy and "Shyguy". Charles and Marianne were the best of hosts, they
even had someone offering to get beverages for the folks in line.  She was a
lifesaver!   I sat in for Joe Porcelli's lecture, a wealth of information in
the time he talked. 

  Thanks to Bungi, I met alot of great people, and some wonderful folks up in
Allentown.  

Maureen
mosfunland
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From owner-glass Sun Aug 30 20:47:27 1998
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From: "scott floyd" <scottjf55@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re:  Putty recipe
Date: Sun, 30 Aug 1998 20:19:41 PDT
Message-ID: <1998Aug31.31941.0>
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  Add 2 parts boiled linseed oil to 8 parts paint thinner.  Add 1/2 cup 
of this oil mixture to one can of dap 1012.  Mix with power drill and 
mixing attachment until consistency of pancake batter.  Do not add 
linseed to thin, add paint thinner one tablspoon at a time.  Have 
fun!!!!!!!!

 Scott*sm*

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From owner-glass Mon Aug 31 04:30:25 1998
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X-Path: magnet.mt!frank.g.mizzi
From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
To: scott floyd <scottjf55@hotmail.com>, "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=US-ASCII
Subject: RE:Re:  Putty recipe
Date: Mon Aug 31 03:29:24 1998
Message-ID: <98Aug31.124316gmt+0100.19598-2@michelle.magnet.mt>
References: <<1998Aug31.31941.0>>
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scott floyd:
>
>
>
>  Add 2 parts boiled linseed oil to 8 parts paint thinner.  Add 1/2 cup 
>of this oil mixture to one can of dap 1012.

WHAT IS DAP 1012??  Is there not something else that can be used?? 
I mean, you may as well buy the putty if you are going to buy DAP

  
>mixing attachment until consistency of pancake batter. 


Is this not TOO runny?? How will it stay put at least for a little while??

 Do not add 
>linseed to thin, add paint thinner one tablspoon at a time.  Have 
>fun!!!!!!!!
>

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From owner-glass Mon Aug 31 05:38:48 1998
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From: "Hilary A. Bobker" <hilary@voicenet.com>
To: Joe Lagana <jlagana@fast.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Eastern Pennsylvania Area
Date: Mon, 31 Aug 1998 07:34:43 -0400
Message-ID: <1998Aug31.33443.0>
References: <<1998Aug30.13236.0>>
Organization: HABit Fashion Services
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> Is anyone from Eastern Pennsylvania?

There are a bunch of us around Eastern PA. What part?

Hilary
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From owner-glass Mon Aug 31 08:37:43 1998
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From: Christine Orowitz <glasshack@earthlink.net>
To: glass@bungi.com
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Subject: Need color help
Date: Mon, 31 Aug 1998 09:20:43 -0400
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Hi all,

Usually I'm just a "lurker" to the list but need to ask for your help.
I need to make a panel of an Irish Setter Dog.  Please, what color glass
do you think would match the dogs color.  I have been looking and just
can't seem to come up with something that is realistic looking.
Thanks,
Chris Orowitz
glasshack@earthlink.net

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From owner-glass Mon Aug 31 12:09:14 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Christine Orowitz <glasshack@earthlink.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Need color help
Date: Mon, 31 Aug 1998 10:06:34 -0700 (PDT)
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Hi Chris:  You asked for color help for an Irish setter?  How about a
rust color.  I have had this color and seems to me it is Wissmach.  It is
a reddish brown, rather glossy on one side.  I am sure there are other
glass manufacturers who have rust colored glass.  Now having said this, I
assume the Irish setter is the red one as opposed to the back lab?  Peggy

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From owner-glass Mon Aug 31 14:50:42 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: glass@bungi.com
Subject: picking up kiln wash on projects
Date: Mon, 31 Aug 1998 22:16:47 +0100
Message-ID: <1998Aug31.231647.0>
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Hi all!


I've had a problem with my kiln wash for some time now.

The kiln wash sticks to the back of my projects often.  It is worst with
Spectrum (and especially with their opals).  The standard batt wash used
in ceramics is picked up much more easily than the Hi-Line product.

I paint the wash on to the shelf "up" and "down" and diagonally left to
right and right to left.  Fire shelf to about 260 C, hold for 10mins
with kiln vented.  Then smooth surface with hand or cloth (after it has
cooled, of course).  This works fine for slumping, but almost always in
fusing the Spectrum picks up some or all of the wash underneath it.

Any suggestions on how to avoid this?

Steve
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Aug 31 15:21:58 1998
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: scott floyd <scottjf55@hotmail.com>
Subject: Re: Putty recipe
Date: Mon, 31 Aug 1998 22:21:18 +0100
Message-ID: <1998Aug31.232118.0>
References: <<1998Aug31.31941.0@?>>
Precedence: bulk

Over here (U K) we would add the oil mixture to whiting powder or
calcium carbonate powder.  The thinner we would use is what is called
white spirit (it is a very thin clear oily substance which is sometimes
used as paint thinner).  To make it black, we add carbon black to the
powder before the oil mixture.

I don't know what DAP1012 might be either.

Steve


In message <1998Aug31.31941.0@?>, scott floyd <scottjf55@hotmail.com>
writes
>
>
>
>  Add 2 parts boiled linseed oil to 8 parts paint thinner.  Add 1/2 cup 
>of this oil mixture to one can of dap 1012.  Mix with power drill and 
>mixing attachment until consistency of pancake batter.  Do not add 
>linseed to thin, add paint thinner one tablspoon at a time.  Have 
>fun!!!!!!!!
>
> Scott*sm*
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Aug 31 15:21:59 1998
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Content-Type: text/plain; charset=us-ascii
Subject: Re: W/C
Date: Mon, 31 Aug 1998 17:42:15 -0400
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But there were still those lines...maybe next year I'll do my socializing and
learning on Saturday and shop on Sunday!  There was more than enough left to buy
on Sunday, too.  (And my car held up just fine.  Since we're at over 170 thousand
miles, that's good!)

Dorothy

Beveler4@aol.com wrote:

> I have to agree with you Lavergne the trip to W/C for me was a long one and
> not without its incidents (one broken fuel pump) but well worth it to me. I
> really enjoyed meeting all of my " glass" friends and spending the weekend
> with them at such a great place. The Warners deserve all of the Kudos for
> putting on such an event, ...,<snip>

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From owner-glass Mon Aug 31 16:04:40 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: RE:Re:  Putty recipe/Warning/Tip
Date: Mon, 31 Aug 1998 18:10:11 -0400
Message-ID: <1998Aug31.141011.0>
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The cement recipe from =

Peter Mollica's book:

4 parts whiting
2 parts Plaster of Paris* NOT
1 1/2 parts Turpentine
1 part boiled linseed oil
1 part Portland cement**NOT!!
Lampblack to color

The consistency should be like
oil sludge.

**DO NOT use Portland cement -
this is a recent change - replace =

these amounts with more whiting.

*Julie Sloan suggests not using
to avoid lime bloom, however =

after trying her suggestions, we
have gone back to including it
in the formula because 1.  It
helps the cement set-up more
quickly and 2.  lime bloom is =

not an issue in our dry climate.

For any of you doing repairs on old
cemented windows, particularly ones
that have bowed, we forego the water
bath method and spray the windows
lightly with WD40.  This seems to =

soften the cement, even those with
Portland, and allows for flattening of the
panel, as well as removing the lead
without breaking glass.  I would be =

curious to know if other studios have
experienced the same good luck with
this technique that we have.

Best regards,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/  =

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From owner-glass Mon Aug 31 17:52:55 1998
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From: "carol mcdaniel" <crmcdaniel@erols.com>
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Date: Mon, 31 Aug 1998 20:23:59 -0400
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Please remove my name from the mailing list.
crmcdaniel@erols.com


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From owner-glass Mon Aug 31 18:58:02 1998
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Content-Type: text/plain; charset=us-ascii
Subject: Tampa Art Glass Show, Labor Day Weekend
Date: Mon, 31 Aug 1998 19:26:12 -0400
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Does anyone else going want to try to meet up at the show??? I'll wear a
bungi cord wrist band for ID, and a Badge (I'll Make it in my computer) 
I'll be in the Hot Glass area most of the time only on Saturday, can
spare just the one Day.  Look forward to seeing who ever can come this
weekend.

Lee boe
Rain-Boe's Creations
http://www.bungi.com/glass/igga/rainboe/

Almost got my web site up for public viewing on home.com, will let you
know when I get all the links fixed.
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From owner-glass Mon Aug 31 19:26:48 1998
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From: BMarhon@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Need color help
Date: Mon, 31 Aug 1998 21:49:26 EDT
Message-ID: <1998Sep1.14926.0>
Precedence: bulk

In a message dated 8/31/98 11:39:08 AM Eastern Daylight Time,
glasshack@earthlink.net writes:

 << I need to make a panel of an Irish Setter Dog.  Please, what color glass
 do you think would match the dogs color.  I have been looking and just
 can't seem to come up with something that is realistic looking.>>

Hi Chris - Know just what you mean because I have a cat with a similar odd
color.  Also once had an irish setter named Brandy, and she was a very deep
reddish brown.  Spectrum has an opalescent #818-725 rosy brown that might be a
good color.  A few years ago, when I first started, I had a sheet of "root
beer" but don't recall who the manufacturer was.  It cut really easy so could
be Spectrum also.

Good Luck.
Brenda M.
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From owner-glass Mon Aug 31 20:29:40 1998
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Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Help with Discussion Group
Date: Mon, 31 Aug 1998 22:41:22 -0500
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Hi Folks:

At recent Warner-Crivello shindig, I was told that to get in touch with
a glass-crafter-artist e-mail discussion group, I should contact this
address.  Please get me instructions on the how and what for same.  I'd
be most appreciative.

Yours in glass,

  --Russ

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From owner-glass Mon Aug 31 20:55:54 1998
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From: "Lydia Heise" <lydia@voicenet.com>
To: "Joe Lagana" <jlagana@fast.net>,
Content-Type: text/plain;
Subject: Re: Eastern Pennsylvania Area
Date: Mon, 31 Aug 1998 22:43:33 -0400
Message-ID: <1998Aug31.184333.0>
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Hi Joe, 
I'm from Warminster (Bucks County PA), Where are you?

-----Original Message-----
From: Joe Lagana <jlagana@fast.net>
To: glass@bungi.com <glass@bungi.com>
Date: Sunday, August 30, 1998 7:33 PM
Subject: Eastern Pennsylvania Area


>Is anyone from Eastern Pennsylvania?
>
>Joe
>
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>

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From owner-glass Mon Aug 31 20:59:23 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Birds, bird baths and glass-functionality
Date: Mon, 31 Aug 1998 20:29:01 -0700
Message-ID: <1998Aug31.13291.0>
References: <<1998Aug27.25112.0>>
Organization: Maiden Concepts
Precedence: bulk

It has been my experience with stepping stones, that a customer either
falls in love with it or not.  And if they have fallen in love with it,
then nothing seems to deter them from buying it.
Besides, in the colder area, you can always fill the bath with mulch and
then wrap in burlap.  That should give it some protection.
Good luck with it.  Man my stones are heavy enough.  Can't imagine
dragging around a bird bath to the shows.
Talk to you later,
Shirley BPamela Burns-Tappan wrote:
> 
> Just wanted to say a big thank you to all who continued this interesting
> thread. I have decided to keep that hummer and floral accents in the
> bath section itself. Here are some other points to think about from a
> personal reply I received.
> 
> "Why does she want the inside done.  If it gets any amount of sun the
> grout
> will discolor with algae and the glass itself will constantly need
> cleaning.  It will be overly susceptible to the freeze thaw cycle.  It
> will have to come in at first frost and can't go back out till last
> frost."
> 
> A logical question about functionality. I keep my bird bath pretty clean
> and bring my ceramics or breakables in when we start our winter season
> here in Washington. The grout on mine has faded a bit, but to me that
> has added a new dimension to the "look" of the bath. As far as selling
> points regarding the above factors, any comments. To be honest I didn't
> take these into consideration. I feel the bath itself is not only
> functional but pretty too. I believe the concrete baths have to be
> cleaned as well throughout the season.
> 
> Does anyone have a comment regarding consumer attitudes on the
> functionality issue?
> 
> I really appreciated this reply, sorry I haven't gotten back with you
> personally R *s*. It was a comment that really got me to thinking in a
> new perspective regarding consumer attitude's. Thanks!
> 
> O.k. so any comments on this from all of you?
> 
> I'm off to the bird bath!
> 
> Pam
> 
> --
> *********************************
> Moswood Mountain Limited
> Pamela Burns-Tappan
> President
> http://www.pacifier.com/~ptap/index.html
> 
> Stained Glass Artists
> http://www.pacifier.com/~ptap/artists.html
> 
> Proud Member of:
> The International Guild of Glass Artists
> Stained Glass Artists
> 
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