From owner-glass Mon Jun  1 01:02:07 1998
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From: leestat7 <leestat7@home.com>
To: glass@bungi.com
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Subject: Re: schaechter as an artist?
Date: Mon, 01 Jun 1998 00:20:06 -0400
Message-ID: <1998May31.20206.0>
References: <<199805301903.PAA01044@water.waterw.com>>
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oH, My,

I must be the wrong generation-  I find the work-

			GROSS-

But the technique and painting are obviously well studied and executed. 
Each to his own taste.

And yes, a certain amount of art buyers are certainly going to latch
onto this. This artist could certainly render moving images of the
Holocost, in Germany.  Think of the images of the concentration camps. 

Lee Boe
Rain-Boe's Creations
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From owner-glass Mon Jun  1 01:19:00 1998
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Subject: Bio #24 Gerard Gouault
Date: Mon, 1 Jun 1998 00:20:28 -0500
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Name:  Gerard Gouault
Born:  Le Mans, France in June 1945
I lived in Australia since 1971
Started doing stained glass about 7-8 years ago after loosing all hope of
finding work and my partner got redundant (what a concept !!) we built up a
small business in Hobart Tasmania first selling at markets then we had a
small shop on the harbour. We also were giving classes and selling glass and
supplies.

We moved to the Sunshine coast Queensland about a year ago chasing  more
tourists as customers. We are having a hard time rebuilding the business
from scratch. I have about 20 years experience in computers too so we are
now turning to the Internet to try and increase our sales, especially our
Tiffany lampshades. We do not have too many original designs because we do
not see ourselves as "artists" but we have developed some sort of style as
"craftpeople" We hope to retail our lamps and a full assortment of books,
tools and supplies on the net. I am designing a new site complete with
online buying.


Harlequin Leadlight Home page


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From owner-glass Mon Jun  1 01:24:32 1998
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Subject: Bio #25  Kay Allen
Date: Mon, 1 Jun 1998 00:23:20 -0500
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Name:  Kay Allen (fullspec@sunset.net)

Age:  Born in August of 1944.  A thoroughly modern Leo.

Location:  Chico, Butte Co., California ( 1 1/2 hrs. by car north of
Sacramento where one goes to pick up California lotto winnings.....still
waiting!)

Occupation:  Retired from a profession chosen early in life.  High school
career testing back in the 1960's indicated I had equal interests in arts
and medical-technical.  I chose a medical-technical career, lured by a way
to support myself.  I did, with the help of several husbands.

Present marital status:  Married to a very wonderful man, Bill.  Just had
11th anniversary on Feb. 14th.

Children:  None, but I planned it that way. (However, see Pets)

Pets:  3 cats (What else for a Leo).  One ten year old Himalayan male named
Cervantes de la Mancha, one eleven year old Siamese-mix female named
Esmeralda de Barcelona (yes, we traveled throughout Spain for 8 months in
1985 and I was enamored by it's history and everything else Spanish) and one
seven year old Abby female named, Cleo Allen, AKA "Squeakers". All of the
above can easily fend for themselves when Bill and I want to leave for a
week or so doing whatever.......

Background:  Born in Houston, TX.  Second of seven children.  Went to
parochial school until 10th grade.  Parents divorced.  Attended four
different high schools before I graduated in 1962 in Stamford, CT. (Thanks
to aunts, cousins, etc.).

Higher education (in Medical Technology):
Centenary College, Shreveport, LA, Northwestern State University,
Natchitoches, LA, Louisiana State University, Baton Rouge, LA.  Left higher
education before obtaining a degree and kicked myself hard every time I
would get a paycheck.  Worked in the medical laboratory field full time for
thirty years.

Past and Present Interests:  Photography, Classical and Folk Guitar,
Calligraphy, Graphology, Travel (especially cruises), Needlepoint, Gourmet
Cooking, Gardening, Learning how to use the Computer, Karaoke, Genealogy,
and, of course, Stained Glass.

How I got interested in Stained Glass:  A few years ago, Bill and I went to
Tijuana, Mexico to buy a small round stained glass insert for a bedroom
window in our Los Angeles home.  It fit just perfectly and only cost $60.
Later, when a friend viewed the window, he said, "Why don't we learn how to
do that?"  So I found the only local teacher and we took a few classes. Made
the ubiquitous "beginner" Tulip 10" x 12" sun catcher that took six weeks to
complete.  The teacher had only been doing stained glass for three years but
had his own store front and studio.  He did excellent lead work
and seemed to always have a large commission in progress.  The person I took
classes with soon wanted to set up a work shop in my garage, so we bought
all the necessary tools, and made two 4' x 8' work benches.  Our second
project was making two identical sidelight panels for my kitchen eating area
window ( we chose a fairly simple pattern but it was still a big step up
from the two little sun catchers we first made).  Over the next few years we
made panels for almost every window in my house.  The contemporary design of
the house offered us almost every shape window to
work with.  The projects became  increasingly more complex and our skills
grew.  Since we lived in a subdivision of 72 houses with 3 similar floor
plans, our neighbors began asking us to do windows for their homes.  Our
house was like a showroom for them.  When it came time to sell our house, we
sold every window we had made to either the buyer or neighbors.  I also made
small gift items to sell at holiday craft shows which did quite well.

Since moving to Chico, CA, we have almost completed the new studio in the
garage.  I'm waiting for the weather to warm a bit, then I will get started
again.

How bungi.com has helped me:  Gave me inspiration to learn design (still
scary and frustrating), answered technical questions, gave advice about
setting up a studio,  gave advice about going into business, informed me of
glass shows and exhibitions, referred me to other glass related web pages,
and introduced me to the most interesting and helpful group of artisans I
ever hope to meet.







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From owner-glass Mon Jun  1 01:32:28 1998
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X-Path: tir.com!jazzykid
From: "jazzykid" <jazzykid@tir.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: art funding
Date: Mon, 1 Jun 1998 01:58:34 -0400
Message-ID: <1998May31.215834.0>
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I did alittle online research...

http://theory.rockefeller.edu/~giannak/NEA.html     (3/9/96)
(copied and edited from above)
GIVEN THAT:
The NEA represents the arts in the United States:  the symphonies, the
theatres, the ballet, the opera and the visual arts;
For every $1 the NEA awards, $11 is generated from local arts agencies,
foundations, corporations, state agencies and individuals;
NEA funding stimulates the local economies: the arts attract tourist
dollars, attract business development, create jobs, and improve the
overall quality of life in our communities;
The NEA sponsors important participation of arts organizations and
artists in the curriculum of our schools,and that NEA-sponsored art
education
programs enhance the creativity and positive development of the future
generations of this country;
The NEA has supported over 100,000 arts organizations, public radio and
television, museums and projects,improving the quality of life for millions
of Americans;

By the way, also, found time to day to go to
http://arts.endow.gov/NEAText/Guide/Facts/Contents.html
excellent site.  I was happy to find that most of the grants go to such a
diverse  groups. I,also, like the fact, that most presentations are either
taped for later viewing or that they are on tour around the country.   I
might not enjoy some of the things that are supported but, hey, differences
of opinions and interests make the world go around....and maybe later in
life I might find that I have grow to like one or two of them...some things
are an aquired taste....like Spinach.
Have a good week all,
Jill Medlyn

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From owner-glass Mon Jun  1 01:38:44 1998
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From: leestat7 <leestat7@home.com>
To: Toby <toby@northlights.co.uk>
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Subject: Re: polishing question
Date: Mon, 01 Jun 1998 00:27:41 -0400
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I use a soft (baby) toothbrush.  They are small, and designed to teach a
young child how to brush their teeth without doing damage to their
mouths.  Perfect for this.  

I just finished a show, will answer your note soon, Elisabeth-never
fear.

Lee Boe
Rain-Boe's Creations

Toby wrote:
> 
> Try using a very soft natural bristle baby brush. You might find this
> just as effective and cutting short the Q-tip work...
> Elisabeth 'n Toby in UK
> 
> Cindy asked:
> Hi everyone,
> When working out the polish (kempro) in the edges of the glass to the foil I
> use a qtip. Just wondering what you all use? It's a long job with qtips.
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From owner-glass Mon Jun  1 01:56:35 1998
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From: "jazzykid" <jazzykid@tir.com>
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Content-Type: text/plain;
Subject: Cynical Art funding website...YOU MUST HAVE A GOOD SENSE OF HUMOR...can be offensive....
Date: Mon, 1 Jun 1998 02:11:46 -0400
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Please don't flame me...but, if you enjoy it drop me a line.


http://weber.u.washington.edu/~hodin/NEAArmy/

Jill Medlyn
jazzykid@tir.com



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From owner-glass Mon Jun  1 05:37:14 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: RE: yo guys
Date: Mon, 1 Jun 1998 06:16:59 -0400
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I don't feel I must <say> anything on the subject but I sure am enjoying <listening>

Linda
----------
From: 	Cindy Pesonen[SMTP:cpesonen@bcinternet.net]
Sent: 	Friday, May 29, 1998 5:08 PM
To: 	glass@bungi.com
Subject: 	yo guys

The bonding of giant minds is all that is coming across,
smaller folk feel somewhat at a lose of what to say.
Could you maybe now go private?
Peabrain

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From owner-glass Mon Jun  1 06:37:51 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: repair work
Date: Mon, 1 Jun 1998 07:40:02 -0400
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Jerri,

Once before here somone said to be sure to trace the shape of the broken =
pieces before taking it apart.

I don't know it this is common knowledge or not but I don't use the =
soulder braid to remove solder. I get off as much as I can using the =
iron, break away the pieces by scoring an X in the middle and then I use =
thin strips of aluminum cut from soda cans to get the remaining foil and =
lead. I cut the strips about 3/8" wide and the height of the can. =
Working them between the foil behind the hot iron, keeps the solder from =
fusing back together, making removal easy. I forget where I heard this =
but it works like a charm. I have broken several pieces of my own work, =
polishing them. :)

Linda
----------
From: 	jerri m Roey[SMTP:jroey@juno.com]
Sent: 	Sunday, May 31, 1998 11:18 PM
To: 	glass@bungi.com
Subject: 	repair work

=09
can't imagine taking a *whole* panel apart.  Is there an easy way to do
it?




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From owner-glass Mon Jun  1 08:21:30 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 20:58:24 +0000
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> What IS the percentage of NEA
> funding to the states?  And how is
> it determined?  Even more interesting,
> how much do various states contribute
> from the state level?  You know, the
> more we've discussed this, the more
> I realize I don't know enough FACTS.

The facts are available from 
http://arts.endow.gov/

"The NEA links local, state and regional organizations in a
                  cooperative system of arts support. 
                  Before the NEA, only five states had state-funded
                  arts councils. Today, all 50 states do. The NEA
                  devotes 40% of its budget to partnerships with state
                  and regional arts agencies. "

From:
http://arts.endow.gov/Guide/Facts/DidYa2.html

Albert
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From owner-glass Mon Jun  1 08:42:40 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
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Date: Mon, 1 Jun 1998 20:58:24 +0000
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> I think the point is not what 40 cents means to me, but rather how all
> those 200 million 40 cents"es" could be better spent to help those in
> real need.

You know, I was thinking this weekend about how amazing it is that 
some people involved in the arts are actually against support for the 
arts. Rather than cut death-dealing programs, though, some people in 
the arts seem to be more in favor of cutting life-enhancing programs.

I find that singularly odd.

Albert
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From owner-glass Mon Jun  1 08:49:32 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Cynical Art funding website...YOU MUST HAVE A GOOD SENSE OF
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 20:58:24 +0000
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> Please don't flame me...but, if you enjoy it drop me a line.
> http://weber.u.washington.edu/~hodin/NEAArmy/

Jill, it's hysterical! I love it! I don't think it's cynical at all. 
I think they're serious.

Albert
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From owner-glass Mon Jun  1 09:05:17 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
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Date: Mon, 1 Jun 1998 20:58:24 +0000
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> money is wasted on the NEA.  How many of my dollars actually make it to
> the artist? 

On http://arts.endow.gov/ one reads that on May 22 (week before last) 
they announced nearly $60 million in new grants for 1998, which are 
only the *new grants. I'm still looking for info on the NEA's 
efficiency, that is to say, the amount given to them by Congress and 
the amount distributed. Of course, the total has been dramatically 
reduced over the past couple of years:

FY97 $ 99.5 million
FY96 $ 99.5 million
FY95 $162.3 million

I did, however, find the comparison of what's being "stolen" out of 
taxpayers' pockets, as you put it, compared with what's being spent 
on the arts in other countries:

"This year's $99.5 million appropriation reduced each American's
federal contribution to 38 cents,
     less than the cost of a candy bar. Even when state and local
     public funding is factored in, the contribution to the arts only
     amounts to approximately $3.00 per person. Compare that to what
     other countries contribute. The Federal Republic of Germany
     spends nearly $40 per capita on the arts, and France about $35.
     The United Kingdom, which has a dedicated national lottery to
     subsidize the arts, spends about $17 per capita each year, and
     Canada spends nearly $30. If you include everything the United
     States government spends on both Endowments, the Institute for
     Museum Services, the Smithsonian, National Gallery, and other
     cultural institutions, we still spend less than $5 per person
     each year. While I am mindful of the tradition of private giving
     to the arts that America has enjoyed in the past, private givers
     follow the lead of public support. The combination of the two
     still does not equal the support that the arts enjoy in many
     other developed nations."

That from Jane Alexander's statement to the the United States Senate
 Appropriations Committee, Washington, D.C., May 8, 1996.

That's what I was saying the other day, that the U.S. trails the rest 
of the world dramatically in its support for the arts. To recap and 
make the point I was making the other day:

$40.00 - Germany
$35.00 - France
$30.00 - Canada
$17.00 - UK
$00.38 - US (ouch!)




Albert
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From owner-glass Mon Jun  1 09:12:07 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Glass Magazines /New and Old
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> I guess there is not a whole lot of money in the mag
> business.  Otherwise we would see more than three or four
> magazines dedicated to stained glass. 

The problem wasn't with the readers/subscribers, but with advertisers 
who didn't/wouldn't pay what they'd agreed to for their ads. I was 
amazed that even signed contracts could be denied. "Oh, he doesn't 
have authority to contract for advertising," said one major supplier. 
Nevermind that that same person had signed the contract 5 years 
running and they'd paid *those invoices. <sigh> Politics, I'm afraid.

Albert
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From owner-glass Mon Jun  1 09:16:53 1998
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Subject: Glass Enamels
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Message text written by pj friend
>I was wondering those who use enamels.  How long do you let
the enamels dry before firing?
Or do you pop them right into the kiln.<

I let 'em dry thoroughly prior to poppin' 'em in the kiln.
This usually only takes an hour or so.  Depends on the
medium you use in mixing the paints.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Mon Jun  1 09:30:44 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: Lambert glass
Date: Mon, 1 Jun 1998 09:17:47 -0400
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Message text written by Pamela Burns-Tappan
>I am also wondering if anyone has worked with Glasuette Lamberts glass, =
if
so please let me know. Would like to hear some feedback on the glass
itself.<

Ooooo, Lambert glass!  I've only worked with one sheet
of very fabulous minty green (very strangely translucent but
not totally transparent) with these elongated spots of white
mixed in.  Totally AWSOME glass.  It was much thicker than
standard stained glass sheets.  Consequently, had to be careful
to make it fit into the other glass.  Getting it to break required
more strength than with normal glass.  But ooooooh how
lovely!  Cost an arm & a leg too.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Mon Jun  1 09:39:39 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: polishing question
Date: Mon, 1 Jun 1998 09:17:50 -0400
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Message text written by Cindy Pesonen
>When working out the polish (kempro) in the edges of the glass to the fo=
il
I
use a qtip. Just wondering what you all use? It's a long job with qtips.<=


You know, I never did understand this use of the q-tip
for polishing.  Here's what I do:

Grab a clean rag (old socks are my favorite).  Shake up the
Kem-O-Pro real well and dribble some on the glass.  Spread
it all around the glass & solder lines with the old sock.
Let stand 5 minutes or more.  Grab another clean old
sock.  Buff Kem-O-Pro off.  Use my fingernails (covered
by the old sock) to get into the corners & right up to the
solder lines.  Looks great.  No q-tips needed.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Mon Jun  1 09:54:24 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: polishing question
Date: Mon, 01 Jun 1998 09:53:22 -0400
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Cindy Pesonen wrote:
> 
> Hi everyone,
> When working out the polish (kempro) in the edges of the glass to the foil I
> use a qtip. Just wondering what you all use? It's a long job with qtips.
> Smiles,Cindy
> 
> ----
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primarily a q-tip. a small nylon brush in a dremel works pretty well. a
tooth pick and a rag sometimes work. mostly i found it's best to wait
util it's good and dry. sometimes it takes a day or more. then it comes
off real easy.

---Mike Savad

-- 
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2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Jun  1 10:05:05 1998
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: Re: lamp heat
Date: Mon, 1 Jun 1998 09:54:43 -0400
Message-ID: <199806011352.JAA09988@ll.mit.edu>
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> Anyone out there know the surface temperature of an incandescent bulb?

The temperature of any electrical appliance will rise until the amount of heat
going in (from the electricity) is equal to the amount of heat going out (by
dissipating into the air). 

So, the answer is, it depends. If you put the light bulb in a box of ceramic
insulation, for example, it will rise until the glass melts or the filiment
burns out, for example.

A glass shade with no ventilation holes, and a narrow bottom, could
conceivably get hot enough to melt the solder. But even before this happens,
the wiring insulation going to the fixture could melt and short out. Needless
to say this would be bad.

To be safe, test it: Get a digital thermometer from Radio Shack (for example)
with a thin flexible probe, and measure the temperature right at the
socket. This should be within the rated limits (stated on the socket). If not,
increase ventilation or reduce the wattage.

(Safe does not necessarily imply legal to sell, of course.)


-- DavidC
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From owner-glass Mon Jun  1 10:18:40 1998
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From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: RE: repair work
Date: Mon, 1 Jun 1998 10:00:34 EDT
Message-ID: <1998Jun1.14034.0>
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Linda sez:

> I use thin strips of aluminum cut from soda cans to get
> the remaining foil and lead. [...] Working them between
> the foil behind the hot iron, keeps the solder from
> fusing back together [...]

I ran across that one in a book recently. Don't remember exactly where, but I
can also say from experience that it does work.

Do I guess right from the narrowness of the strips that you're working the
strips into the joints long-ways, so that by the time you're done, the
unsoldered piece looks like it's partly "wrapped" in aluminum?

The book suggested using a piece about an inch wide and the height of the can
and wrapping several layers of masking tape around one end to keep from
burning your fingers, holding it vertically and moving it along behind the
iron.

I've also used a dull knife and managed to get things apart with the foil
intact, but the aluminum is thinner and works into the joints more easily. I
sanded the edges lightly to dull them and rounded the corners so they wouldn't
snag the foil (having found that trying to refoil things in place - i.e. the
panel you took the broken pieces out of - is a real pain in the drain...).

And of course, silly me threw the damned thing out when I was done using it...
the next one I make goes in the tool box forever!


Sparks
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From owner-glass Mon Jun  1 10:27:02 1998
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From: "M. Savad" <morn@nac.net>
To: jerri m Roey <jroey@juno.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: repair work
Date: Mon, 01 Jun 1998 10:06:45 -0400
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jerri m Roey wrote:
> 
>         I've only done some minor repair work and hated it.  Recently a
> friend showed me a panel (copper foil) that she had that was badly
> broken after being knocked out of a window.  Out of mabye 30 pieces, I'd
> say about half were broken.  From my experience, I thought it'd be easier
> to re-do the whole thing than to repair it.  (I said, "NO WAY!"  btw.)
> This got me thinking though, is there an easy way to completely take
> apart a panel?  Could you soak the panel in something to make the foil
> easy to remove?  What I've done to take something apart  was with the
> desoldering braid, and it was quite time consuming just for one piece.  I
> can't imagine taking a *whole* panel apart.  Is there an easy way to do
> it?
> 
>         I've also enjoyed the "Arts Funding" thread.  Definitely gave me
> some things to think about.  I haven't quite finished reading because
> I've been out of town and have to catch up on my mail, but it's been
> interesting.
> 
> Thanks,
> Jerri
> 
> 
> 
> _____________________________________________________________________
> You don't need to buy Internet access to use free Internet e-mail.
> Get completely free e-mail from Juno at http://www.juno.com
> Or call Juno at (800) 654-JUNO [654-5866]
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for a foiled window, you don't want to take the whole thing apart, just
the affected pieces. and regardless of the break, it's always going to
be a pain to fix. that's why repairing a project can cost more then
building a new one.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Jun  1 10:35:50 1998
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Please remove me temporarily
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From owner-glass Mon Jun  1 10:58:24 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: lamp heat/fish
Date: Mon,  1 Jun 98 08:02:05 -0700
Message-ID: <m0ygW6B-000LgNC@why.az.stratus.com>
References: <<1998May30.191254.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
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what about a very small computer fan? they use almost no power, and some are  
very quiet.

you'd want to either get an ac 120v fan which are larger, or if you have an  
old transformer from something (old portable radio or phone) that puts out the  
proper dc voltage, you could even use a cpu fan, which are only about 1"  
square.

charlie
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Mon Jun  1 12:28:39 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: repair work
Date: Mon, 1 Jun 1998 08:37:58 -0700
Message-ID: <199806011537.IAA06377@norm.island.net>
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Hi Jerri

There is more money in repairs than in doing some other glasswork.  I charge
by the hour, and find people are willing to pay what I think is exhorbitant
repair costs since they have a sentimental attachment to the piece.  I've
also had people ask me to repair a special piece and make one identical for
a friend.

First, put a piece of paper over the panel and do a rubbing...like you did
with pennies as a kid. This is will give you the basis for a pattern.  Go
over it with a sharpie to better define each piece.

Next score each broken piece several times, knock it with the end of your
cutter to shatter the broken piece further and remove with pliers.
Sometimes you'll get lucky and can remove a whole section of broken pieces
together.

Then grip one end of the foil which remains soldered to the good pieces and
melt the solder, pulling gently on the foil to remove it.  Melt all
remaining excess solder back to the foil of the good piece. Recut and foil
all replacement pieces then solder the panel back together.  I try and match
the texture of the original soldering so it doesn't look "repaired".  

Repairs are a pain in the @#$%%, but they do generate good money.  I usually
put a few away in a corner until I have enough to make an afternoon of it
when I'm not feeling creative.  By doing repair work respectfully and
carefully, mindful of the piece's significance to the owner, I've picked up
a couple of commissions from these people.

Like anything else, they get easier the more you do.

Good luck,

Carol Swann
Synergy Glass & Creative


>	I've only done some minor repair work and hated it.  Recently a
>friend showed me a panel (copper foil) that she had that was badly 
>broken after being knocked out of a window.  Out of mabye 30 pieces, I'd
>say about half were broken.  From my experience, I thought it'd be easier
>to re-do the whole thing than to repair it.  (I said, "NO WAY!"  btw.) 
>This got me thinking though, is there an easy way to completely take
>apart a panel?  

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From owner-glass Mon Jun  1 12:28:42 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: lamp heat/fish
Date: Mon,  1 Jun 98 08:02:05 -0700
Message-ID: <m0ygW6B-000LgNC@why.az.stratus.com>
References: <<1998May30.191254.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

what about a very small computer fan? they use almost no power, and some are  
very quiet.

you'd want to either get an ac 120v fan which are larger, or if you have an  
old transformer from something (old portable radio or phone) that puts out the  
proper dc voltage, you could even use a cpu fan, which are only about 1"  
square.

charlie
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Mon Jun  1 12:50:04 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: All new IGGA issues are up
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 23:45:39 +0000
Message-ID: <199806011619.MAA25504@vger.vgernet.net>
Precedence: bulk

What'd I do today? I finished uploading the most recent four issues of 
Common Ground: Glass. The 16th issue's up ... Spring'98 ... at:

http://www.bungi.com/glass/igga/cindex16.htm

if you're interested.

Albert
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From owner-glass Mon Jun  1 12:54:33 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Arts funding
Date: Mon,  1 Jun 98 08:17:31 -0700
Message-ID: <m0ygWL5-000Lh7C@why.az.stratus.com>
References: <<199805311309.JAA25070@vger.vgernet.net>>
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Precedence: bulk

Albert wrote:
> <snip>
> Note that gas
> for our cars is heavily subsidized; in Europe, for example, it's
> usually more than $5/gallon. Two weeks ago in Scotland it cost more
> than $50 to fill a small car's tank.
>
> Besides, that 40 cents/year is for the most part returned to local
> regional uses.

subsidized? by whom? what corporation or government organization is being so  
beneficial to gas users in the US?

and exactly how much of that $5/gallon in scotland went to the government in  
taxes rather than the producers? what is the real cost to the producers to  
supply that gallon of gas to the pump, and where is the extra money going? it  
may even be cheaper to produce a gallon of gas in scotland than for the US,  
taking into account the massive amounts of oil being pumped in the North Sea.

having lived in Sweden for a while, I know that the price of gas is kept  
artifically high in europe by the governments in order to convince people to  
not drive, but to use other means of transportation (public or mechanical).

regards,
charlie
---
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charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Mon Jun  1 12:55:56 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: Arts funding
Date: Mon, 01 Jun 1998 12:13:54 -0700
Message-ID: <1998Jun1.51354.0>
References: <<199806011329.JAA18922@vger.vgernet.net>>
Organization: Maiden Concepts
Precedence: bulk

But Albert,
What effect does the population make?  How many more taxpayers do we
have in this country as opposed to France?  Maybe our 38 cents which
adds up to 99.5 million is more than their $35 dollars add up.  And is
their dollar the same value as ours?  And what do they do with their art
money as opposed to what we do with ours?
I had no idea of any of this, before the discussion started. I didn't
even know what NEA stood for let alone what they did.
Our country is founded on freedom, ie little censorship.  How can you
censor the arts? I was watching Bob Viola(is that right)and he was being
taken on a tour of some beautiful home in another country. Sorry I was
only half watching it, but it got my interest when she invited him to
visit the grosteque room.  And sure enough, it was a room full of
beautufully made preverted art. Painting and statues.  It had to be a
couple of hundred years old.  And now it is a well gaurded museum!
I think trying to decide what can be censored, is like asking, "Where is
the end of the universe, and when we find it, what is on  the other
side?"
This discusssion had done one thing for me.  I now know this country is
actively involved in supporting the arts, and I am very impressed with
what the NEA has done with very little money. I like the fact that it is
helping to keep ballet and symponys(sorry to lazy to look it up) alive.
It has just made me prouder to be an American.


Albert Lewis wrote:
> 
> > money is wasted on the NEA.  How many of my dollars actually make it to
> > the artist?
> 
> On http://arts.endow.gov/ one reads that on May 22 (week before last)
> they announced nearly $60 million in new grants for 1998, which are
> only the *new grants. I'm still looking for info on the NEA's
> efficiency, that is to say, the amount given to them by Congress and
> the amount distributed. Of course, the total has been dramatically
> reduced over the past couple of years:
> 
> FY97 $ 99.5 million
> FY96 $ 99.5 million
> FY95 $162.3 million
> 
> I did, however, find the comparison of what's being "stolen" out of
> taxpayers' pockets, as you put it, compared with what's being spent
> on the arts in other countries:
> 
> "This year's $99.5 million appropriation reduced each American's
> federal contribution to 38 cents,
>      less than the cost of a candy bar. Even when state and local
>      public funding is factored in, the contribution to the arts only
>      amounts to approximately $3.00 per person. Compare that to what
>      other countries contribute. The Federal Republic of Germany
>      spends nearly $40 per capita on the arts, and France about $35.
>      The United Kingdom, which has a dedicated national lottery to
>      subsidize the arts, spends about $17 per capita each year, and
>      Canada spends nearly $30. If you include everything the United
>      States government spends on both Endowments, the Institute for
>      Museum Services, the Smithsonian, National Gallery, and other
>      cultural institutions, we still spend less than $5 per person
>      each year. While I am mindful of the tradition of private giving
>      to the arts that America has enjoyed in the past, private givers
>      follow the lead of public support. The combination of the two
>      still does not equal the support that the arts enjoy in many
>      other developed nations."
> 
> That from Jane Alexander's statement to the the United States Senate
>  Appropriations Committee, Washington, D.C., May 8, 1996.
> 
> That's what I was saying the other day, that the U.S. trails the rest
> of the world dramatically in its support for the arts. To recap and
> make the point I was making the other day:
> 
> $40.00 - Germany
> $35.00 - France
> $30.00 - Canada
> $17.00 - UK
> $00.38 - US (ouch!)
> 
> Albert
> ----
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From owner-glass Mon Jun  1 13:09:35 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: polishing question
Date: Mon,  1 Jun 98 08:21:01 -0700
Message-ID: <m0ygWOU-000LgNC@why.az.stratus.com>
References: <<199805311602.JAA07595@ns2.vphos.net>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
> Hi everyone,
> When working out the polish (kempro) in the edges of the glass to the foil I
> use a qtip. Just wondering what you all use? It's a long job with qtips.
> Smiles,Cindy

the last time i went to the dentist, i asked him to save me a couple of his  
picks that he was throwing out. they work really well.
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Mon Jun  1 13:14:10 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Arts funding
Date: Mon,  1 Jun 98 08:17:29 -0700
Message-ID: <m0ygWL4-000LgNC@why.az.stratus.com>
References: <<1998May30.195047.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
<snip>
> Gov't protects itself because it has become a corporation.  Otherwise,
> our senators/congressmen/presidents wouldn't campaign so hard for
> re-election.  It is criminal to have a monopoly in this county, yet that
> is what our gov't is.
<snip>

it is NOT a crime in the US to have a monopoly. it is a crime to use that  
monoply to force other companies to do things (prices, go out of business,  
etc).

ask intel or microsoft.

regards,
charlie
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Mon Jun  1 13:17:42 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Lambert glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 2 Jun 1998 01:11:17 +0000
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> to make it fit into the other glass.  Getting it to break required
> more strength than with normal glass.  But ooooooh how
> lovely!  Cost an arm & a leg too.

Speaking of arms and legs and costs, I'm thinking of offering diamond 
glass cutters in the U.S., since I ran across a source in Europe. 
They're really expensive, but never, ever have to be replaced. They 
make cutting glass like Lamberts easy ... any other glass, as well 
... since only a very little pressure causes the diamond to score the 
glass. Cummings Studios tried out the sample cutter I have and were 
enthusiastic. At $250 each, though, they'll have to be 10th 
anniversary gifts, no?

One fellow I know has been using his for more than 40 years and it's 
as good as new. No dipping in kerosene or other lubricants, no wheels 
to wear out, no oil-feeds ... just cut, and cut, and cut.

Albert
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From owner-glass Mon Jun  1 13:28:13 1998
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X-Path: bc.sympatico.ca!tuka
From: tuka@bc.sympatico.ca
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: polishing question
Summary: Authenticated sender is <a1a84211@mail.bctel.ca>
Date: Mon, 1 Jun 1998 10:27:05 +0000
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Precedence: bulk

Lee Valley Tools (Canadian company) sells really soft bristle plastic 
brushes, cheap, that work well.  I've also used old soft 
toothbrushes.

Shiela


> Try using a very soft natural bristle baby brush. You might find this 
> just as effective and cutting short the Q-tip work...
> Elisabeth 'n Toby in UK
> 
> Cindy asked:
> Hi everyone,
> When working out the polish (kempro) in the edges of the glass to the foil I
> use a qtip. Just wondering what you all use? It's a long job with qtips.
> ----
> As my grandmother said "...there is only nobility of mind"
> North Lights Stained Glass - homepage
> http://www.netlink.co.uk/users/kris/northlights/index.htm 
> ----
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> 
> 
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From owner-glass Mon Jun  1 13:28:45 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: repair work
Date: Mon, 1 Jun 1998 14:02:29 -0400
Message-ID: <1998Jun1.10229.0>
Precedence: bulk

No, I use the strips in the joints shortwise. I don't leave the strips =
of aluminum in the joints. As the solder re-solidifies around the strip =
I melt the solder and move the strip along. What ever has become =
separated behind the strip stays that way. Some pieces are so tight that =
there would be no room to leave the strips in.=20

Linda


Linda sez:

> I use thin strips of aluminum cut from soda cans to get
> the remaining foil and lead. [...] Working them between
> the foil behind the hot iron, keeps the solder from
> fusing back together [...]

sparks asks:

I ran across that one in a book recently. Don't remember exactly where, =
but I
can also say from experience that it does work.

Do I guess right from the narrowness of the strips that you're working =
the
strips into the joints long-ways, so that by the time you're done, the
unsoldered piece looks like it's partly "wrapped" in aluminum?


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From owner-glass Mon Jun  1 14:00:33 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: repair work
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 2 Jun 1998 04:17:30 +0000
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> There is more money in repairs than in doing some other glasswork.  I charge
> by the hour, and find people are willing to pay what I think is exhorbitant
> repair costs since they have a sentimental attachment to the piece. 

If you don't mind my two cents worth, the price isn't exhorbitant if 
the client is willing to pay it, but more so if you take your time 
and expertise into account. Restoration/repair are indeed very 
lucrative, especially if you're as caring and thoughtful as you say, 
Carol. But you shouldn't feel guilty about charging what it's worth, 
since there's at least twice as much work involved: first you have to 
take it apart, then you have to put it back together. <s>

> First, put a piece of paper over the panel and do a rubbing

In restoration, this is not just standard operating procedure, it's 
really necessary, since the rubbing serves as your "road map" to 
getting the panel back together. You should also take photos of the 
panel front and back in both transmitted and reflected light. I've 
seen windows that have had the wrong sections installed or some 
sections installed backwards. Photos would have solved the "now where 
does *this go?" problem.

> Next score each broken piece several times, knock it with the end of your
> cutter to shatter the broken piece further and remove with pliers.
> Sometimes you'll get lucky and can remove a whole section of broken pieces
> together.

Ideally, restorers should never discard original glass. It'll take 
more work (and add to the cost of the job, yes) to remove a broken 
piece, edge glue it with Hxtal or equivalent, and replace it, but the 
fact that it's original to the work is also important.  In line with 
that, you should never groze away edges of original glass if you've 
mis-built the window and it's "grown." Best to re-build it correctly 
or avoid "growth" by rebuilding very carefully.

> By doing repair work respectfully and
> carefully, mindful of the piece's significance to the owner, I've picked up
> a couple of commissions from these people.

Not only the piece's significance to the owner, but respect for the 
original artist's intentions and work are also something to keep in 
mind. I applaud your attitude and warmly second your advice.

Albert
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From owner-glass Mon Jun  1 14:27:02 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Supplier for Marbles
Date: Mon, 1 Jun 1998 16:22:35 -0400
Message-ID: <1998Jun1.122235.0>
Precedence: bulk

Hi all.

I need a good, reliable wholesale supply of
various sizes of marbles.  These do not have
to be hand-made art glass marbles; just
nice marbles of various sizes.  I see that
Warner-Crivellaro offers 25mm marbles in
various beautiful shades.  But I would like
to also have some larger and some smaller
sizes to choose from.

Anyone have any suggestions?

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Mon Jun  1 14:45:49 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
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Content-Type: text/plain; charset=ISO-8859-1
Subject: I made it into Wholesale!
Date: Mon, 1 Jun 1998 16:22:39 -0400
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For those who wanted to be kept informed,
I just got word that I got juried into the
June 13-15 Market Square Traditional Wholesale
Show in Valley Forge, PA.  Now comes the
fun part...prep for the show!  Yikes!

I'll keep bungi posted on how my first
wholesale show goes.  Life sure is interesting!

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Mon Jun  1 14:58:36 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 04:59:44 +0000
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> What effect does the population make? 

None, really, since what's being compared is the amount each citizen 
is asked to contribute toward support of the arts. 

> How many more taxpayers do we
> have in this country as opposed to France?  Maybe our 38 cents which
> adds up to 99.5 million is more than their $35 dollars add up. 

Yes, I think our population is larger ... and the total spent in the 
U.S. on the arts may at 38 cents apiece per year be more than the 
total spent in France, for example. It's still embarrassing to me 
that the U.S. values the arts so little in comparison with other 
developed nations, if the per-capita contribution is so little.

> And is
> their dollar the same value as ours? 

The comparisons are being made dollar for dollar. Naturally, the 
French are taxed and pay their bills (and support the arts) in 
Francs, not dollars.

> And what do they do with their art
> money as opposed to what we do with ours?

Pretty much the same, except the French are very nationalistic and so 
I suspect nothing that includes English language in the artwork would 
be supported. <s>

> I had no idea of any of this, before the discussion started. I didn't
> even know what NEA stood for let alone what they did.

Yes, I'm learning things, too.


> This discusssion had done one thing for me.  I now know this country is
> actively involved in supporting the arts, and I am very impressed with
> what the NEA has done with very little money.

I agree they've done a fantastic job, but imagine what could happen 
for all of us (and how much more interesting and alive this country 
would be) if the NEA didn't have to spend so much of its time 
defending itself for doing what they've been asked to do, apart from 
what I would agree have been a couple of mistakes. Heck, we *all make 
mistakes. Let's let them know what we're unhappy with and encourage 
them in the ways each of us would like to see them go, then stand 
back and let them do it. <s>

Albert
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From owner-glass Mon Jun  1 15:10:23 1998
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: Re: Lambert glass
Date: Mon, 1 Jun 1998 16:41:42 -0400
Message-ID: <199806012039.QAA15763@ll.mit.edu>
Precedence: bulk

> glass. Cummings Studios tried out the sample cutter I have and were 
> enthusiastic. At $250 each, though, they'll have to be 10th 
> anniversary gifts, no?

Is it a wheel? Pure diamond, or coated steel? Or is it a scribe?

Sounds interesting. But $250 is a lot of money. And of course it would
probably still break if dropped. Diamond is hard but brittle.


-- DavidC
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From owner-glass Mon Jun  1 15:27:44 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 04:59:44 +0000
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> subsidized? by whom? what corporation or government organization is being so  
> beneficial to gas users in the US?

Your tax dollars at work, keeping the oil companies healthy, I guess:

"Low oil prices and rising oil imports have caused growing
         concern about U.S. vulnerability to oil-supply shocks. Mine
         K. Yucel and Carol Dahl devise a measure of vulnerability and
         use it to compare three policies that have been proposed to
         reduce U.S. vulnerability to oil-supply disruptions: a
         25-percent oil-import tariff, a $5-per-barrel subsidy to
         domestic oil producers, and an increase in the gasoline tax
         from 9 cents to 25 cents per gallon."
Excerpted from 
http://www.dallasfed.org/publications/er/ertext/er9005.html
for example.

> and exactly how much of that $5/gallon in scotland went to the government in  
> taxes rather than the producers? Etc.

Charles, you can look this stuff up as easily as I can. Try
http://www.altavista.digital.com/
and use as your search phrase:
+gasoline +subsidy +"United States"

> having lived in Sweden for a while, I know that the price of gas is kept  
> artifically high in europe by the governments in order to convince people to  
> not drive, but to use other means of transportation (public or mechanical).

I'm sure that that's part of the reason for the higher prices, but 
Swedes (and Germans and apparently Scots, too) aren't attached to 
their automobiles by umbilical cords like most Americans.

As you say, and you're right, we threw away most of our interurban 
and long line transportation systems in favor of the automobile a few 
years ago. Personally, as one of the last uniformed brakemen on the 
El Cap and Superchief between Albuquerque and Needles years ago (and 
as someone who remembers the streetcars in Bakersfield, CA), I wish 
we had'em back.

Albert
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From owner-glass Mon Jun  1 15:46:29 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 05:08:33 +0000
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> ask intel or microsoft.

Ask them what? Were they found guilty of something and I missed it? 
Charges have been made (by the government) and politicians have 
spouted off, a court date has been set, if I remember rightly, but so 
far as I know nobody's been convicted of anything.

Albert
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From owner-glass Mon Jun  1 16:01:46 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
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Date: Mon, 1 Jun 1998 05:08:33 +0000
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> it is NOT a crime in the US to have a monopoly. it is a crime to use that  
> monoply to force other companies to do things (prices, go out of business,  
> etc).

Charles, if it's not illegal to have a monopoly (and it is - see 
below), and you did have one, how could you help but force other 
companies to do things? It'd be impossible to avoid it, unless you 
just kept all of whatever you're monopolizing in a warehouse and 
never, ever sold it.

The Sherman Antitrust Act: 
US Code, Title 15, Ch. 1, Sections 1 - 7

Section 2 - "Monopolizing trade a felony; penalty" 
"Every person who shall monopolize, or attempt to monopolize, or
combine or conspire with any other person or persons, to monopolize
any part of the trade or commerce among the several States, or with
foreign nations, shall be deemed guilty of a felony ..."

Albert
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From owner-glass Mon Jun  1 16:05:41 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: lamp heat/fish
Date: Mon, 01 Jun 1998 17:32:42 -0400
Message-ID: <1998Jun1.133242.0>
References: <<m0ygW6B-000LgNC@why.az.stratus.com>>
Precedence: bulk

Charles Spitzer wrote:
> 
> what about a very small computer fan? they use almost no power, and some are
> very quiet.
> 
> you'd want to either get an ac 120v fan which are larger, or if you have an
> old transformer from something (old portable radio or phone) that puts out the
> proper dc voltage, you could even use a cpu fan, which are only about 1"
> square.
> 
> charlie
> ---
> Charles Spitzer
> charlie@az.stratus.com
> Customer Assistance Center
> Stratus Computer, Inc.
> Phoenix, AZ
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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hmmm, that's an idea i'll look into, i wonder how much of a shadow it'll
bring. since one of the bulbs would probably be below it. also i wonder
how the touch switch would effect it. i'm pretty sure that a plain
dimmer works on them. but a touch switch...hmmm...

---Mike Savad

-- 
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From owner-glass Mon Jun  1 16:21:43 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Lambert glass
Date: Mon, 01 Jun 1998 17:36:27 -0400
Message-ID: <1998Jun1.133627.0>
References: <<199806011742.NAA29546@vger.vgernet.net>>
Precedence: bulk

Albert Lewis wrote:
> 
> > to make it fit into the other glass.  Getting it to break required
> > more strength than with normal glass.  But ooooooh how
> > lovely!  Cost an arm & a leg too.
> 
> Speaking of arms and legs and costs, I'm thinking of offering diamond
> glass cutters in the U.S., since I ran across a source in Europe.
> They're really expensive, but never, ever have to be replaced. They
> make cutting glass like Lamberts easy ... any other glass, as well
> ... since only a very little pressure causes the diamond to score the
> glass. Cummings Studios tried out the sample cutter I have and were
> enthusiastic. At $250 each, though, they'll have to be 10th
> anniversary gifts, no?
> 
> One fellow I know has been using his for more than 40 years and it's
> as good as new. No dipping in kerosene or other lubricants, no wheels
> to wear out, no oil-feeds ... just cut, and cut, and cut.
> 
> Albert
> ----
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problem with diamond cutter's is that if you drop them, they never work
right again. also you can't see the diaomd head, whcih makes it harder
to see what your cutting. but for that kind of money i hope they fixed
that.

---Mike Savad

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From owner-glass Mon Jun  1 16:26:16 1998
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From: "M. Savad" <morn@nac.net>
To: Christie Wood & George D'Ascenzo <Ensembles@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Supplier for Marbles
Date: Mon, 01 Jun 1998 17:45:48 -0400
Message-ID: <1998Jun1.134548.0>
References: <<1998Jun1.122235.0>>
Precedence: bulk

Christie Wood & George D'Ascenzo wrote:
> 
> Hi all.
> 
> I need a good, reliable wholesale supply of
> various sizes of marbles.  These do not have
> to be hand-made art glass marbles; just
> nice marbles of various sizes.  I see that
> Warner-Crivellaro offers 25mm marbles in
> various beautiful shades.  But I would like
> to also have some larger and some smaller
> sizes to choose from.
> 
> Anyone have any suggestions?
> 
> Christie A. Wood, Art Glass Ensembles
> 4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
> ----
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i don't know of a company, but maybe a few leads:

plant stores use them as a fill sometimes, but there not very round, but
they do come in random odd sizes.

ans maybe a game store would have them. there are after all, marbles.
also look under chinese checkers, that's where i get my marble supply
from, from street vendor people at fairs...

---Mike Savad

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From owner-glass Mon Jun  1 16:27:34 1998
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From: <Stnglsgrn@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Arts funding
Date: Mon, 1 Jun 1998 18:45:18 EDT
Message-ID: <1998Jun1.224518.0>
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In a message dated 98-05-31 20:35:05 EDT, you write:

<< What IS the percentage of NEA
 funding to the states?  And how is
 it determined?  Even more interesting,
 how much do various states contribute
 from the state level?  You know, the
 more we've discussed this, the more
 I realize I don't know enough FACTS.
 When we started this debate, per capita
 NEA spending was $1.21.  Our friend =
 
 from Scotland informs us that we're
 down to forty cents!  Well, that's a mighty
 big drop.  Let's aim for some some
 truth here.  And, then look at the picture.
 Might give us a third view. >>

Sorry about the double post hit the wrong button
As of now the NEA only gives grants to Non-Profit and state groups.
No more individual grants

Don
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From owner-glass Mon Jun  1 16:59:37 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Arts funding
Date: Mon,  1 Jun 98 16:10:41 -0700
Message-ID: <m0ygdj0-000Lh7C@why.az.stratus.com>
References: <<199806012140.RAA10867@vger.vgernet.net>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
> it is NOT a crime in the US to have a monopoly. it is a crime to use that
> monoply to force other companies to do things (prices, go out of business,
> etc).
>
> Charles, if it's not illegal to have a monopoly (and it is - see
> below), and you did have one, how could you help but force other
> companies to do things? It'd be impossible to avoid it, unless you
> just kept all of whatever you're monopolizing in a warehouse and
> never, ever sold it.
>
> The Sherman Antitrust Act:
> US Code, Title 15, Ch. 1, Sections 1 - 7
>
> Section 2 - "Monopolizing trade a felony; penalty"
> "Every person who shall monopolize, or attempt to monopolize, or
> combine or conspire with any other person or persons, to monopolize
> any part of the trade or commerce among the several States, or with
> foreign nations, shall be deemed guilty of a felony ..."
>

how many power companies do you have in your area that you can chose to  
service your house? how about water? how about garbage collectors?

legal monopolies?

---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Mon Jun  1 17:12:14 1998
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X-Path: iname.com!alpas
From: "-" <alpas@iname.com>
To: "Stained Glass list" <glass@bungi.com>
Content-Type: text/plain;
Subject: re: Polymer Tech
Date: Mon, 1 Jun 1998 23:29:03 +0100
Message-ID: <1998Jun2.0293.0>
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No, that is not what I called polymer technique.

Probably it is acrylic. It is possible to make nice works that way (it
almost fooled you, didnt it?) but it seems very plastic. I specialy like
some works I saw that have twisted wire inside the acrylic, making the
design.
However it is easily scratched, and the colors beguin to fade after 1
year or so. The transparent acrylic becomes yellow with age, the
pigments only survive if there is no sun at all, but even the air
oxidation affects it.

The method I use is different. It is not acrylic. It might be some
cousin of Araldix glue, u know? those 2 tubes that u must mix together,
then become hard like steel ?
It is liquid so I can only make flat designs, no espherical surfaces
allowed. Also there must be a base. The final product has the base and
the colored layer over it sticked so hardly that even if the glass base
breaks, it will not fall down.

The base can be acrylic or other plastic, polycarbonate, glass, etc
I only use glass, usually hammered... sorry I dont know the name in
English.. we call it "hammered" - one of the faces has a 3D pattern.
Sometimes I use frosted glass, when there are lamps behind to be
softned.
I also use wired, laminated or annealed glass, single or double.
Nice effects can be obtained with mirror or semi-mirror bases.

Polycarbonate is expensive but very strong, unbrakeable, cristaline,
light weight. It is good for ceilings to avoid damage to people bellow,
in case of accident.


Luis Sousa
alpas@iname.com
UIN 3410031


Gerard said:
when i went shopping last friday i saw a "Tiffany" lampshade in a shop
and i
nearly died of shock when i saw the price tag. $AU30.00
(that's $18 US dollars) including the base.
we pay that much wholesale for the base alone.
So i had a closer look and it almost fooled me. it looks very much like
stained glass (almost like Kokomo wispy) and it's only after tapping on
the
panel that i realized it is made of plastic !!! separate pieces with a
black
line in between. The whole seems cast on a form, the colours are inside
the
plastic sheet. i think that's what you would refer to as polymer
technology.
not like some other shades i have seen made of window glass, foiled and
soldered then painted inside to look like art glass.


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From owner-glass Mon Jun  1 17:25:05 1998
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Subject: Re: Christie and wholesale
Date: Mon, 01 Jun 1998 15:52:44 -0700
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This is a multi-part message in MIME format.
--------------00CCB0146F06DEF4C8754742
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Great, Super, Fabulous! Enjoy the experience and have fun! I just put
some of my stepping stones in a gallery on the Pacific Coast and for me
just the thought of details, details, details was such fun. Nerve
racking, but fun none the less. And by the way to everyone, thanks for
the info on Lamberts glass. This will be my quest for the week, getting
my hands on some before I have a break down of sorts! Far be it for me
to ignore good advice. You all have given me the "who cares how much it
is" mindset, thank you very much. And Albert, I'm sorry but I really had
to laugh when I read the feedback on Sing Sing convicts. I thought it
was great that they do have something constructive to do and you most
graciously sent them a book. But after the Judith conversation I just
felt that it was so appropriate that the issue of Sing Sing would come
up. Set my mind a rolling with the what if's.

--------------00CCB0146F06DEF4C8754742
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From owner-glass Mon Jun  1 17:25:30 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: gov't subsidies
Date: Mon,  1 Jun 98 15:52:04 -0700
Message-ID: <m0ygdQz-000Lh7C@why.az.stratus.com>
References: <<199806012131.RAA10530@vger.vgernet.net>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
>> subsidized? by whom? what corporation or government organization is being so
>> beneficial to gas users in the US?
>
> Your tax dollars at work, keeping the oil companies healthy, I guess:
>
> "Low oil prices and rising oil imports have caused growing
> concern about U.S. vulnerability to oil-supply shocks. Mine
> K. Yucel and Carol Dahl devise a measure of vulnerability and
> use it to compare three policies that have been proposed to
> reduce U.S. vulnerability to oil-supply disruptions: a
> 25-percent oil-import tariff, a $5-per-barrel subsidy to
> domestic oil producers, and an increase in the gasoline tax
> from 9 cents to 25 cents per gallon."
> Excerpted from
> <http://www.dallasfed.org/publications/er/ertext/er9005.html
> for example.

specious argument. it says proposed, not enacted. how about  
http://www.oerb.com/Pg139-149.html, which states that gov't subsidy would be  
required to be enacted in order to promote alternative fuels, otherwise people  
would purchase cheap gas instead. this implies there is no direct subsidy, or  
it is too low (in the author's view).

>> and exactly how much of that $5/gallon in scotland went to the government in  
>> taxes rather than the producers? Etc.

> Charles, you can look this stuff up as easily as I can. Try
> <http://www.altavista.digital.com/
> and use as your search phrase:
> +gasoline +subsidy +"United States"

in scotland.

> I'm sure that that's part of the reason for the higher prices, but
> Swedes (and Germans and apparently Scots, too) aren't attached to
> their automobiles by umbilical cords like most Americans.

while true, what has that got to do with subsidies, gov't or otherwise?

if their gov'ts decreased their taxes on petroleum products, would they then  
become attached? or are they forced into not using as much by their gov't  
policies rather than free market principles?

i'll grant that the us oil industry does get benefits from the us gov't, what  
with oil leases, exploration tax deductions, lower taxes than other businesses,  
etc, that could be seen as a subsidy. however, most other, especially  
european, oil companies, if not directly owned by their national governments,  
are also subsidized to no small degree. however, i the us, tax code is a  
political tool rather than having to be fair, and it would be hard to name some  
industries that are completely free of this type of subsidy.

regards,
charlie

'lies, more lies, and damned statistics' mark twain (i believe)
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From owner-glass Mon Jun  1 17:42:48 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "INTERNET:tuka@bc.sympatico.ca" <tuka@bc.sympatico.ca>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Lee Valley/Arts/Lurking
Date: Mon, 1 Jun 1998 19:37:36 -0400
Message-ID: <1998Jun1.153736.0>
Precedence: bulk

Lee Valley Tools is a great company,
and I noticed recently that they sell =

molds for stepping stones for I think
$6.95 - how does that compare to the
molds for glass mosaic stones?

Now, if I could only get them to ship me
earth magnets.... sigh.

Best regards,

Dani Greer (who is fast going into lurker
mode but will watch the NEA debate closely,
because the jury's still out with this gal.  I'm
not so old and jaded that I don't think minds
can be changed.... including mine.  Be ye
kind to one another!)
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From owner-glass Mon Jun  1 17:55:26 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: alewis@vgernet.net
Subject: Re: Arts funding
Date: Mon, 1 Jun 1998 19:04:35 -0400
Message-ID: <1998Jun1.15435.0>
References: <<199806011329.JAA18912@vger.vgernet.net>>
Precedence: bulk

Albert,

It's all in how you look at it.  I don't think the government should be
involved in probably 90% of the stuff they poke their noses into.  Even
causes that I would otherwise consider worthy, if for no other reason
than that they are bound to be so wasteful in their execution as to
render the effort counter-productive.  

There are surely  a few important functions that government must perform.
 They must defend our shores so that we are free to pursue our art, or
whatever  (which I am sure could be done much more efficiently,  { I
don't think government EVER does things efficiently},  but how do you
farm this kind of work out?) ....Beyond that I'm not sure what we need
them for.  Even interstate  highways could be built  as toll roads,
probably more cost efficiently than the gov't does it.  

It's not just art funding, and it's not so odd.

Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

On Mon, 1 Jun 1998 20:58:24 +0000 "Albert Lewis" <alewis@vgernet.net>
writes:
>
>> I think the point is not what 40 cents means to me, but rather how 
all those 200 million 40 cents"es" could be better spent to help those in
real need.
>
>You know, I was thinking this weekend about how amazing it is that 
>some people involved in the arts are actually against support for the 
>arts. Rather than cut death-dealing programs, though, some people in 
>the arts seem to be more in favor of cutting life-enhancing programs.
>
>I find that singularly odd.
>
>Albert

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From owner-glass Mon Jun  1 18:10:34 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: I made it into Wholesale!
Date: Mon, 1 Jun 98 20:18:04 -0400
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>For those who wanted to be kept informed,
>I just got word that I got juried into the
>June 13-15 Market Square Traditional Wholesale
>Show in Valley Forge, PA.  Now comes the
>fun part...prep for the show!  Yikes!

Congrats, Christie!
Where is it in Valley Forge? I'll try to get over.

Suzanne
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From owner-glass Mon Jun  1 18:25:29 1998
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From: "Douglas R Terry" <dterry@oregontrail.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: article
Date: Mon, 1 Jun 1998 17:42:47 -0700
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I nearly fell off my chair when I saw my article "on the web", wow thanks.
Doug Terry
(From the Alps of Oregon)

What'd I do today? I finished uploading the most recent four issues of 
Common Ground: Glass. The 16th issue's up ... Spring'98 ... at:

http://www.bungi.com/glass/igga/cindex16.htm

if you're interested.

Albert

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From owner-glass Mon Jun  1 19:00:02 1998
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Subject: Re: yo guys
Date: Mon, 01 Jun 1998 21:20:31 -0500
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Organization: Signature Glass Company
Precedence: bulk

Maybe we need an NEPI (National Endowment for the Plumbing Impaired). 
Hey Dani, I will apply with you if you think we can funded.

Zane



Michael J. Greer wrote:
> 
> Just remember, gang, within every
> giant mind is a pea-brain!  Right now
> I'm trying to replace the blasted flapper
> in my toilet tank.  So much for inspiration
> and brilliant ideas! ;-0 I've come to the
> conclusion that the inside of an old
> toilet tank is more disgusting even
> than... well, some art I've seen.  =
> 
> Best,
> 
> Dani Greer
> ----
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From owner-glass Mon Jun  1 19:16:20 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Hammered Colbalt blue glass
Date: Mon, 01 Jun 1998 17:58:11 -0700
Message-ID: <1998Jun1.105811.0>
Organization: Maiden Concepts
Precedence: bulk

It needs to be on the dark side of colbalt blue.  And the hammering(?)
needs to be small.  I want to makes wings with it.
Does anyone know of a company that manufactures something like this?
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From owner-glass Mon Jun  1 19:28:46 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Schaechter perversions
Date: Mon, 1 Jun 1998 18:45:12 -0700
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[*Glenn*]  sorry if you got this twice Albert
[*Glenn*]
> These are some of the quotes from Judith Schaechter
>  "I don't have too many worthy and profound ideas.............. I 
certainly
> have never heard a philosophy or intellectual concept so compelling that 
it
> merited illustration........... My main interests are sex and death, with 
> romance and violence the obvious runners up"

Albert
Sounds modest and, ahem, patently American to me as far as her
interests go, if the tabloids at the supermarket checkout are any
guide to the American psyche. She sounds both brave and honest.

[*Glenn*]  That sounds somewhat frightening Albert, this person is obsessed 
with the combination of sex and violence and you say that this person is * 
patently (obviously) American*. Not just tolerance but support and 
accolades. (pj said "She would have the audience in tears from laughter.) I 
don't really care how funny Hitler could be about his death camps and life 
experiences, I certainly would not give him any recognition for it, he 
didn't/doesn't  deserve any recognition nor do I feel does she, they are 
both twisted, the only difference is that Hitler acted on his perversions. 
(pj said "She found a gimmick and it worked for her.......And her work 
sells like hotcakes.)  So recognizing art has been reduced to gimmicks and 
sales, that makes me sad. I doubt whether Piccaso, whose Geurnica portrayed 
his own distaste at the horrors of wars and not his intrigue and 
fascination with it,  would find her beliefs worthy. (pj said "So talk 
about being at the right place at the right time.")   So was Hitler (or any 
number of other twisted people), but that does not make it right.  I have a 
great appreciation for a very wide range of art and don't have to like it 
to appreciate that it has value to society but I wonder why anyone would 
want to endorse this *artist* despite any technical ability she may 
possess. Her entire artist statement is full of banalities, negativity's, 
superficialities, indifference, and disrespect for humanity, and I find her 
"I think I'm a fairly normal human specimen." to be an affront to all that 
is normal and human, and I am astounded that all this can be put aside to 
say (Pamela said "I felt her work was fabulous. I think it's in a matter of 
how each individual responds to
certain works. Her work is controversial but eye catching and stimulating 
to me. Maybe it's not for everyone but my visual response to her work was 
positive.")  .

Glenn Spicer,
The Studio Metamorphoses, BC, Canada


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From owner-glass Mon Jun  1 19:57:01 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Lambert glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 10:13:32 +0000
Message-ID: <199806020245.WAA26224@vger.vgernet.net>
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> Is it a wheel? Pure diamond, or coated steel? Or is it a scribe?
> 
> Sounds interesting. But $250 is a lot of money. And of course it would
> probably still break if dropped. Diamond is hard but brittle.

Pure diamond set in a steel head. I've put a picture up on the web at 

http://www.aiap.com/cutter.htm
 
The "eyes" you see are merely markers. If you're right-handed, 
they're to face you when you're cutting so the diamond's properly 
aligned.

But yes, if you drop it, there's a chance you'd break it if it falls 
on the diamond. A slim chance, but certainly a chance. Don't do that, 
as Rodney Dangerfield's doctor advised him. <s>

Albert
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From owner-glass Mon Jun  1 20:13:20 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Lambert glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 10:13:32 +0000
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> problem with diamond cutter's is that if you drop them, they never work
> right again. also you can't see the diaomd head, whcih makes it harder
> to see what your cutting. but for that kind of money i hope they fixed
> that.

Yes, I had the same problem with my watch. I dropped it and it's 
never worked the same again. The cutter, though, comes with a nice 
little pouch to keep it safe. In practice and use, one would probably 
put a pencil clip on it so it clips to one's pocket.

The diamond head's quite readily visible, though. It juts up about 
1/16" inch.

A
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From owner-glass Mon Jun  1 20:24:50 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
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Date: Mon, 1 Jun 1998 10:13:32 +0000
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> It's all in how you look at it.  I don't think the government should be
> involved in probably 90% of the stuff they poke their noses into. 

Oh, I thought it was just the arts you were against. If it's the 
entire government and the nation's infrastructure you want to 
disassemble, that's a whole 'nuther ball o' yarn.

Albert
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From owner-glass Mon Jun  1 20:30:07 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
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Date: Mon, 1 Jun 1998 10:13:32 +0000
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> how many power companies do you have in your area that you can chose to  
> service your house? how about water? how about garbage collectors?

Charles,

Actually, we can choose from several power companies. Water is 
city-supplied, although I guess we could drill a well. Not worth the 
expense and bother; the water's very, very good here. Garbage? Well, 
we could choose from several haulers, although I just take ours to 
the dump.

Albert
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From owner-glass Mon Jun  1 21:27:58 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: nettiquete
Date: Tue, 2 Jun 1998 13:20:46 +1000
Message-ID: <1998Jun2.232046.0>
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is it acceptable to send pictures to bungi list ?
Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html

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From owner-glass Mon Jun  1 21:39:15 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re: Polishing
Date: Tue, 2 Jun 1998 13:03:06 +1000
Message-ID: <1998Jun2.2336.0>
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There used to be a polishing brush in our catalogue but it's no longer
available due to cost. it fits into a normal electric drill. see you local
hardware store.
when polishing window panels i use a floor polisher (very old second hand
job from salvation army) it has 2 rotating brushes.
i sprinkle whitting on the panel and run the polisher on it, moving it
around. it's a bit messy and dusty but does the job perfectly.
i then rub some black stove polish on the lead and run the polisher again
with the softer set of brushes to get that very dark black finish. then you
can see yourself in the lead.
Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html

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From owner-glass Mon Jun  1 22:30:34 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: repair work
Date: Mon, 1 Jun 1998 20:32:20 -0700
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Good idea to photograph the piece if it's significant.  Albert, thanks for
the tip.  And yes, I would agree that destroying glass in an old piece isn't
a good idea...and I wouldn't do it.  However, what I mostly get is small to
medium size repairs, not restorations.  Pieces that have been dropped, or
cracked in moving, etc. etc. and I'm replacing glass with glass that is
still in production.  

These pieces are important to the owner for sentimental reasons, and by
listening to the owner tell about the piece's history (even if it is just a
parrot with a busted tail and wing) I get a real feel for the owner and for
the piece.  For me this makes all the difference between a boring
distasteful task and something that's adding value to the client's life.

By the way, for the Aussies in the group, what type of solder do you
typically use.  Above said parrot was made in Australia and migrated to
Canada in a suitcase years ago.  I was trying to mimic the original artist's
solder technique and I couldn't get any of the solder I had to co-operate
(tried 3 brands of 60/40 and also some 50/50).

Cheers

Carol

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From owner-glass Mon Jun  1 22:59:42 1998
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Subject: Re: nettiquete
Date: Tue, 2 Jun 1998 00:57:37 EDT
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In a message dated 98-06-02 00:28:36 EDT, harlquin@mpx.com.au writes:

<< 
 is it acceptable to send pictures to bungi list ?
 Harlequin Leadlight Home page >>

Please, no, no, no, no no!!!

It will not arrive as photos.  Comes out as total gibberish and you will tick
off innumerable people since it takes forever to download onto some systems!!!
And I do believe it has frozen up a few systems as well.  You definitely won't
win friends here by doing that and it's pointless since we can't see them
anyway.

And thank you very much for asking first!  If you'd like, you could always
offer to send it as a file attachment to those who might be interested in
seeing them.  And those who want to receive them will email you for them.  I,
for one, would like to see them, so feel free to email them to me if you feel
like doing so!

Susie  :-)
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From owner-glass Mon Jun  1 23:28:34 1998
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From: <PUZZYKATZ@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Fluke or Fact?
Date: Tue, 2 Jun 1998 01:24:50 EDT
Message-ID: <1998Jun2.52450.0>
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Dear group

I was wandering if anyone had ever had a piece of glass burst into pieces from
the heat of the sun.. Sometimes I set glass in the morning sun windows during
the early stages of the creative process.. This particle square was an
iradecant sky blue with a cloud like effect ( one I had such plans for ) and
at around 11am (80* outside) it burst into pieces right in front of my eyes as
i was admiring it...
Has this ever happenend to anyone else and could it happen in a finshed panel
<fear> 

Sincerely 

Suzan White >^,,^<
PuzzyKatz@aol.com
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From owner-glass Tue Jun  2 00:29:28 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Toby <toby@northlights.co.uk>
Subject: Re: Arts funding
Date: Sun, 31 May 1998 23:11:38 +0100
Message-ID: <1998Jun1.01138.0>
References: <<199805311151.MAA12593@saturn.nildram.co.uk>>
Precedence: bulk

In message <199805311151.MAA12593@saturn.nildram.co.uk>, Toby
<toby@northlights.co.uk> writes
...........
.........
......
> In the football scenario, the "fans" are expected to go on a rampage 
>and international police resources are employed at great (tax-payers' 
>expense) to monitor and control the situation. Maybe it's time for 
>the "Arts Fan" to become more vociferous. We know all about 
>beer-swilling football "yobs" Over Here. The rebel in me is beginning 
>to become "tickled" by the idea of "wine-swilling Arts Yobs" (yeah! 
>home-brew too! I'm not fussy!!) going on a rampage to draw more 
>attention to the Arts, perhaps to engage and employ a little bit more 
>funding and attention.International Police Forces out in strength,  
>MI5, Interpol, FBI ... here we come!!! Chain me to the railings!
>
Great idea!
Where shall we congregate?  Time and place?


-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Jun  2 00:59:23 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: balloch@netbridge.net, glass@bungi.com
Subject: Hammered Colbalt blue glass
Date: Tue,  2 Jun 1998 03:20:15, -0500
Message-ID: <199806020720.DAA14006@mime3.prodigy.com>
Precedence: bulk

Shirley B. writes:
>>It needs to be on the dark side of colbalt blue.  And the 
hammering(?)
needs to be small.  I want to makes wings with it.
Does anyone know of a company that manufactures something like this?
<<

Yes, I do but I do not ship. So I will share the knowledge of how to 
make your own with you. Please keep this a secret. :-)

Every once in a while I am in need of a certain color in a certain 
texture often times for a repair. For a one off I take a glass with 
the desired texture, spray the textured side with a release agent 
like Pam and impress in wet whiting paste on the kiln shelf. When dry 
I simply place a piece of the colored glass I want textured on the 
whiting mold and bring the kiln to about 1400'F. When cool out comes 
the desired piece. 

The above is good for one time use only but is cheap and easy to make.
 Bob

Ps: Do not let the NEA get wind of this or I may be in receipt of 
undesirable money. ;-( You can guess who I will forward it to. :-)

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*She has a mind like a steel trap- with a broken spring.* Mrs. L.
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From owner-glass Tue Jun  2 01:59:47 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, PUZZYKATZ@aol.com
Subject: Re: Fluke or Fact?
Date: Tue,  2 Jun 1998 04:17:35, -0500
Message-ID: <199806020817.EAA17112@mime3.prodigy.com>
Precedence: bulk

>>I was wandering if anyone had ever had a piece of glass burst into 
pieces from
the heat of the sun.. Sometimes I set glass in the morning sun 
windows during
the early stages of the creative process.. This particle square was 
an
iradecant sky blue with a cloud like effect ( one I had such plans 
for ) and
at around 11am (80* outside) it burst into pieces right in front of 
my eyes as
i was admiring it...
Has this ever happenend to anyone else and could it happen in a 
finshed panel
<fear> 

Sincerely 

Suzan White >^,,^<  <<

Have had it happen to a piece(s) of glass that had not been properly 
annealed. If this is the case you can perform a post mortum to prove 
it. Carefully reassemble the glass pieces. If there is the slightest 
misalignment of the pieces then the glass was not properly annealed. 
By misalignment I mean that the two pieces of a long crack do not 
perfectly close. One end of the crack may be *open* by a mm or so. 
This is my proof of annealing stress that has been relieved by 
cracking.

I have received several sheets of antique glass from a European 
manufacturer that  zipped when trying to cut them. There was a 
pinging sound and about 3mm of opening across a full sheet. Most 
antique glass is well annealed and cuts very well. Bob

Ps: I have heard that some irradiscent glass is coated with a 
slightly incompatible coating. Forget the manufacturer but it was not 
Spectrum who makes a glass such as you describe.






____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*She has a mind like a steel trap- with a broken spring.* Mrs. L.
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From owner-glass Tue Jun  2 03:59:48 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Fluke or Fact?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 1 Jun 1998 18:08:00 +0000
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> Have had it happen to a piece(s) of glass that had not been properly 
> annealed. If this is the case you can perform a post mortum to prove 
> it. Carefully reassemble the glass pieces. If there is the slightest 
> misalignment of the pieces then the glass was not properly 
annealed.

One might also look very carefully to see if there's a "stone," a 
tiny fleck of material along the break somewhere. That'll do the same 
thing.

Albert
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From owner-glass Tue Jun  2 04:14:59 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: repair work
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> From:          seaspray@mail.island.net (Carol Swann)
> To:            glass@bungi.com
> Subject:       Re: repair work
> Date:          Mon, 1 Jun 1998 20:32:20 -0700

> Good idea to photograph the piece if it's significant.  Albert, thanks for
> the tip.  And yes, I would agree that destroying glass in an old piece isn't
> a good idea...and I wouldn't do it.  

Even fussy old me will admit that there's insignificant existing work, 
as well as significant. But it's a dangerous decision to make, 
since in the 50s, for example, Tiffany was considered insignificant. 
Lamps were being tossed on trash heaps ... which doesn't mean we'll 
always be able to convince our clients that their glass is/might be 
significant. <s>

> These pieces are important to the owner for sentimental reasons, 
> ... For me this makes all the difference between a boring
> distasteful task and something that's adding value to the client's life.

Absolutely. I've certainly seen churches with perfectly dreadful 
windows, no saving grace at all, if you excuse the pun. But the 
congregations love them and the windows have personal meaning to 
them, so the windows should be treated with as much respect and given 
as much further longevity as possible, IMHO.

Albert
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From owner-glass Tue Jun  2 05:10:12 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <tuka@bc.sympatico.ca>
Content-Type: text/plain;
Subject: Re: webring?
Date: Tue, 2 Jun 1998 19:43:26 +1000
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-----Original Message-----
From: tuka@bc.sympatico.ca <tuka@bc.sympatico.ca>
To: Gerard <harlquin@mpx.com.au>
Date: Tuesday, 2 June 1998 03:24
Subject: Re: icq members ?
What's a webring?
Shiela
hi Shiela
a Webring is the electronic equivalent of a shopping arcade.
if you have a web page you put a little panel on it with the ring
name/contacts etc.. and it has buttons for the next/previous sites in the
ring
www.webring.org has 1000's of rings on every subject some with 100's of
sites registered.
i just started one today it's called the Leadlight Ring (of course) and if
you have a web page you can join at
www.geocities.com/PicketFence/3530/webring-join.htlm
if you don't have a page yet why not start one today !
it's free for life. it's fun ! it's available from
www.freeyellow.com  they offer 5 pages free and up to 2Mb of pictures etc..
they have also an html editor for beginner if you don't feel too confident.

Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html


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From owner-glass Tue Jun  2 05:24:05 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: leadlight webring
Date: Tue, 2 Jun 1998 21:17:20 +1000
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the leadlight webring is now operational (i hope)
let me know if you find any problem
registration at
http://www.geocities.com/PicketFence/3530/submit.html
remember you need to have a web page before you join
for more info about webring see
www.webring.org

Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html

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From owner-glass Tue Jun  2 07:25:52 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: article
Date: Tue, 2 Jun 1998 09:49:52 -0400
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Doug,=20

I felt the same way when I saw my article on the web - same page. Albert =
does a nice job. The photo of my scope looks much better than when I =
sent it to him. I like your article about stressmeters. I often check =
out Science and Surplus but never know what some of the stuff can be =
used for. Thanks.

Linda
On the perimeter of the Great Dismal Swamp

----------
Douglas R Terry[SMTP:dterry@oregontrail.net] said:

I nearly fell off my chair when I saw my article "on the web", wow =
thanks.
Doug Terry
(From the Alps of Oregon)

What'd I do today? I finished uploading the most recent four issues of=20
Common Ground: Glass. The 16th issue's up ... Spring'98 ... at:

http://www.bungi.com/glass/igga/cindex16.htm

if you're interested.

Albert


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From owner-glass Tue Jun  2 07:54:47 1998
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From: Linda Campbell <lcbell@memach.com>
To: Bungi <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Supplier for Marbles
Date: Tue, 2 Jun 1998 10:01:37 -0400
Message-ID: <1998Jun2.6137.0>
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Around here, Everything is $1.00 and DollarTrees carry marbles most of =
the time. And of course they are only $1.00 a bag.

I disremember seeing a suppier of assorted sized marbles on the web =
somewhere but you had to buy large numbers of one color to get a price =
break. sorry I din't save the address.


And then there's..... for more serious marbles:

http://www.anaserve.com/~marbles/jfineL.htm
http://www.runningrabbit.com/contemp.html
http://www.runningrabbit.com/contemp.html

Linda

I need a good, reliable wholesale supply of
various sizes of marbles.  These do not have
to be hand-made art glass marbles; just
nice marbles of various sizes.  I see that
Warner-Crivellaro offers 25mm marbles in
various beautiful shades.  But I would like
to also have some larger and some smaller
sizes to choose from.

Anyone have any suggestions?


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From owner-glass Tue Jun  2 08:14:17 1998
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From: Linda Campbell <lcbell@memach.com>
To: Bungi <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Supplier for Marbles
Date: Tue, 2 Jun 1998 10:14:03 -0400
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Opps, I found the wholesale source:

http://www.bungi.com/glass/igga/guidev.htm

And you can see price and pics at:

http://www.igateway.com/mall/pets/wenzel/aquar01/bcov005.htm



Linda

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From owner-glass Tue Jun  2 08:23:07 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
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> > Actually, we can choose from several power companies.
> Where do you live Albert?

Western Massachusetts, Glenna. The multiplicity of power companies is 
a relatively new development, I might note.

Albert
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From owner-glass Tue Jun  2 08:40:42 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: RE: article
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Linda and Doug, it's you two to whom all of us should be grateful for 
sharing your ideas, discoveries and thoughts. I'm merely a 
facilitator, if you will, spreading the info as widely and as 
accessibly as I can. Thanks go to you and the other contributors.

Albert
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From owner-glass Tue Jun  2 08:55:19 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Shirley Balloch <balloch@netbridge.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Hammered Colbalt blue glass
Date: Tue, 02 Jun 1998 11:05:24 -0400
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Shirley Balloch wrote:
> 
> It needs to be on the dark side of colbalt blue.  And the hammering(?)
> needs to be small.  I want to makes wings with it.
> Does anyone know of a company that manufactures something like this?
> ----
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wissmach or armstrong hammered, pops into mind, i think they make a
small version of their hammered.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Jun  2 09:14:20 1998
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From: "M. Savad" <morn@nac.net>
To: Gerard <harlquin@mpx.com.au>
Content-Type: text/plain; charset=us-ascii
Subject: Re: nettiquete
Date: Tue, 02 Jun 1998 11:08:50 -0400
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Gerard wrote:
> 
> is it acceptable to send pictures to bungi list ?
> Harlequin Leadlight Home page
> http://www.geocities.com/PicketFence/3530/index.html
> http://www.freeyellow.com/members2/ondaderthad/index.html
> 
> ----
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as far as i know it is not. in fact it's usally stripped off. and if it
is'nt it may be ruined... in either case you'll be flamed...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Jun  2 09:18:58 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Fluke or Fact?
Date: Tue, 02 Jun 1998 11:13:36 -0400
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PUZZYKATZ@aol.com wrote:
> 
> Dear group
> 
> I was wandering if anyone had ever had a piece of glass burst into pieces from
> the heat of the sun.. Sometimes I set glass in the morning sun windows during
> the early stages of the creative process.. This particle square was an
> iradecant sky blue with a cloud like effect ( one I had such plans for ) and
> at around 11am (80* outside) it burst into pieces right in front of my eyes as
> i was admiring it...
> Has this ever happenend to anyone else and could it happen in a finshed panel
> <fear>
> 
> Sincerely
> 
> Suzan White >^,,^<
> PuzzyKatz@aol.com
> ----
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who makes the glass?  

most likly it was a fluke. did it break anywhere, or did it mainly break
where the colors met? if it broke where the colors met, then it was one
color expanding faster then the other. it's just as well it broke while
still in sheet form. it could have broke after building the project.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Jun  2 09:34:03 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Supplier for Marbles
Date: Tue, 2 Jun 1998 08:20:12 -0700 (PDT)
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References: <<1998Jun1.122235.0>>
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Hi Christie:  Marbles should be relatively easy to get at Pier Import
stores or Walmart stores.  I have seen them at both.  In Walmart, the
marbles are with the dried flowers and vases section.  Peggy

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From owner-glass Tue Jun  2 09:36:13 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Re: Webrings
Date: Tue, 02 Jun 1998 08:40:10 -0700
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This is a multi-part message in MIME format.
--------------4EE411E87BABC4C11E60B607
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Hi Gerard, just read your webring info. I'll join yours if you join
mine, how's that? Mine is at

http://www.pacifier.com/~ptap/artists.html

Have had some recent joiners and if you get 5 your advertised in
ringworld, that's the best. It's a good deal because it is free
advertising and I sure need that. I like your webring logo, good job.
HTML is hard at first but once you get the hang of it it's kinda fun.
Also about your pictures that you wanted to send by e-mail, you can send
them my way too if you want. I'm always interested.
Sincerely
Pam

--------------4EE411E87BABC4C11E60B607
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Content-Description: Card for Pamela Burns-Tappan~ President~
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begin:          vcard
fn:             Pamela Burns-Tappan~ President~
n:              President~;Pamela Burns-Tappan~
org:            http://www.pacifier.com/~ptap/index.html
email;internet: ptap@pacifier.com
title:          Moswood Mountain Limited
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--------------4EE411E87BABC4C11E60B607--

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From owner-glass Tue Jun  2 09:52:28 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Hammered Colbalt blue glass
Date: Tue, 2 Jun 1998 08:47:40 -0700 (PDT)
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>Gee, Bob,
I sure like that idea!
Secret is safe with me.
Cindy

>Every once in a while I am in need of a certain color in a certain 
>texture often times for a repair. For a one off I take a glass with 
>the desired texture, spray the textured side with a release agent 
>like Pam and impress in wet whiting paste on the kiln shelf. When dry 
>I simply place a piece of the colored glass I want textured on the 
>whiting mold and bring the kiln to about 1400'F. When cool out comes 
>the desired piece. 
>
>The above is good for one time use only but is cheap and easy to make.
> Bob
>
>Ps: Do not let the NEA get wind of this or I may be in receipt of 
>undesirable money. ;-( You can guess who I will forward it to. :-)
>
>____
>Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
>*She has a mind like a steel trap- with a broken spring.* Mrs. L.
>----
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>
>

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From owner-glass Tue Jun  2 10:32:36 1998
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Subject: Subscription Cancellation
Date: Tue, 02 Jun 1998 09:43:46 -0700
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Please remove us from your list...

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From: "Candice McCall" <cmccall@DEAN.MED.UFL.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Thistles
Date: Tue, 2 Jun 1998 13:46:11 EST5EDT
Message-ID: <1970Jan1.000.0>
Organization: Dean's Office, College of Medicine
Precedence: bulk

I was wondering if someone could help me with a 
thistle pattern. Perhaps one of our Scottish 
members... I used to live in Scotland in the 
early 80's and have collected thistle pottery and 
the like since then. It was a lovely place to 
live and I have many fond memories from there...

I'd like to use the pattern for a stepping stone 
and possibly for a suncatcher later. 

I'd be very appreciative if someone could help.

Thanks in advance,
Candice McCall
Gainesville, Florida
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From owner-glass Tue Jun  2 11:59:08 1998
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From: <PUZZYKATZ@aol.com>
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: Fluke or Fact?
Date: Tue, 2 Jun 1998 14:00:02 EDT
Message-ID: <1998Jun2.1802.0>
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Kokomo 

How strange, after fitting the pieces back together, they dont fit quite
right. The center seems to be at what looked to be a small air pocket. During
the process of making glass is there some sort of combustable gas that could
have been trapped inside? The glass is all the same thickness..

Suzan >^,,^<
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From owner-glass Tue Jun  2 12:57:48 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Arts funding
Date: Tue, 2 Jun 1998 15:19:59 -0400
Message-ID: <1998Jun2.111959.0>
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The NEA has made more than a couple =

of mistakes.  If I had pulled a few stunts
like they have, I'd have been out of business
a long time ago.  I've heard that argument
from hundreds of NEA supporters.  It doesn't
impress me. It's a weak argument..  It just
serves to polarize the camps - intelligent
people who could be pooling their brain-
power to objectively look at the problems
and solve them.  In short, to come up with
a better plan.  To tell me I don't support
the arts because I don't support the NEA is
a lie.  I support the arts by having the guts =

to make a living at it twelve hours a day
seven days a week.  I support the arts by
donating about $20,000 a year in work
to other non-profit fundraisers who rely
on auctions to fund their functions.  About
20% of that dollar amount is out-of-pocker
material cost, the rest a labor estimate =

based on what another studio would charge
to replace it.  I support the arts by giving =

every bit of knowledge and understanding
I have about it to anyone who asks at any
moment in the hopes that one other =

person will have the courage to make
a career out of art.  I support the arts by
buying it from my fellow artists at least
once a month and sometimes more =

depending on how many birthdays or
holidays that month!  I also support the arts
by creating it.  And now, I must go do that
because I only have one more month
to produce another twenty pieces for our
July show.  A word of unsolicited advice-
this is a meaningful discussion.  Don't
throw away the potential NEW ideas by
throwing worn-out accusations at each other.
No matter how old you are (!), try to look
at the situation with a fresh eye.  I am doing
that, and am re-thinking my position.  My
question for the day is:  "Do I object to
government spending for the arts, the NEA
specifically, or HOW monies have been
spent?"  =


Best regards,

Dani Greer
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From owner-glass Tue Jun  2 13:20:22 1998
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From: "jazzykid" <jazzykid@tir.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: webring?
Date: Tue, 2 Jun 1998 15:07:19 -0400
Message-ID: <1998Jun2.11719.0>
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>Sounds like a "new" and "improved" chain letters (group) for SPAM !!!!
>
>
>-----Original Message-----
>From: Gerard <harlquin@mpx.com.au>
>To: tuka@bc.sympatico.ca <tuka@bc.sympatico.ca>
>Date: Tuesday, June 02, 1998 8:23 AM
>Subject: Re: webring?
>
>
>>
>>-----Original Message-----
>>From: tuka@bc.sympatico.ca <tuka@bc.sympatico.ca>
>>To: Gerard <harlquin@mpx.com.au>
>>Date: Tuesday, 2 June 1998 03:24
>>Subject: Re: icq members ?
>>What's a webring?
>>Shiela
>>hi Shiela
>>a Webring is the electronic equivalent of a shopping arcade.
>>if you have a web page you put a little panel on it with the ring
>>name/contacts etc.. and it has buttons for the next/previous sites in the
>>ring
>>www.webring.org has 1000's of rings on every subject some with 100's of
>>sites registered.
>>i just started one today it's called the Leadlight Ring (of course) and if
>>you have a web page you can join at
>>www.geocities.com/PicketFence/3530/webring-join.htlm
>>if you don't have a page yet why not start one today !
>>it's free for life. it's fun ! it's available from
>>www.freeyellow.com  they offer 5 pages free and up to 2Mb of pictures
etc..
>>they have also an html editor for beginner if you don't feel too
confident.
>>
>>Harlequin Leadlight Home page
>>http://www.geocities.com/PicketFence/3530/index.html
>>http://www.freeyellow.com/members2/ondaderthad/index.html
>>
>>
>>----
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>>
>

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From owner-glass Tue Jun  2 13:32:23 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Thistles
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 3 Jun 1998 03:22:13 +0000
Message-ID: <199806021955.PAA02842@vger.vgernet.net>
Precedence: bulk

> I was wondering if someone could help me with a 
> thistle pattern. 

Have you checked HotBot? I searched for "thistle" in the U.S. within 
the last year that included graphics and got

Web Results 15698 matches.   
Breakdown:
                   thistle 33108 
                   Within: 365 days
                   GeoPlace: North America (all)
                   Features: image

Surely there'll be one you can modify of 33,108 available. <s>
Go to
http://www.hotbot.com/

Albert
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From owner-glass Tue Jun  2 14:57:57 1998
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X-Path: aol.com!PDRUSS
From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: webring?
Date: Tue, 2 Jun 1998 17:08:27 EDT
Message-ID: <1998Jun2.21827.0>
Precedence: bulk

In a message dated 98-06-02 16:21:11 EDT, you write:

<< 
 
 >Sounds like a "new" and "improved" chain letters (group) for SPAM !!!!
 >
 
 >>What's a webring?
 >>Shiela
 >>hi Shiela
 >>a Webring is the electronic equivalent of a shopping arcade.
 >>if you have a web page you put a little panel on it with the ring
 >>name/contacts etc.. and it has buttons for the next/previous sites in the
 >>ring >>



A webring is a collection of web sites about a certain subject (like stained
glass, football, knitting, etc ) that are connected together. Usually, there
are navigation buttons at the bottom of the main page (of each site) which
will take you to the next site of the collection, eventually begining you back
to the first one, thus it's called a ring. It's a great way to get more
visitors to your site. 

If you are starting your own ring there is lots more to know, but to just view
a site or "ring", the above covers it. 

My web site is on the "Beauty And The Beast" webring. When I update my site
(soon) I hope to be on a few others. 


Dianne::::::who loves traveling through 'rings.
<A HREF="http://members.aol.com/pdruss/index.html">
http://members.aol.com/pdruss</A>    sorry no glass yet
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From owner-glass Tue Jun  2 15:32:17 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Subject: Re: Arts funding
Date: Tue, 2 Jun 1998 21:46:49 +0100
Message-ID: <1998Jun2.224649.0>
References: <<1998May31.13144.0@?>>
Precedence: bulk

Dani,
to indicate to you my "fact".
I took the latest financial report of the NEA for money to be
distributed (not the total amount NEA received) 89 million dollars and
divided by 200 million people  (yes, I know that's not exactly 40 cents
& and that there are more than 200 million people in the USA).
So that "fact" is disputable.  What is not disputable is that there has
been a very large drop in the amount of money available for distribution
since 1992.

I'm not aware of the source for the figure of 1.21 dollars per person.
In any case, I'm not concerned about the total spend by the NEA, but its
spend on art - i.e. that for distribution.

Steve

In message <1998May31.13144.0@?>, "Michael J. Greer"
<GreerStudios@compuserve.com> writes
>What IS the percentage of NEA
>funding to the states?  And how is
>it determined?  Even more interesting,
>how much do various states contribute
>from the state level?  You know, the
>more we've discussed this, the more
>I realize I don't know enough FACTS.
>When we started this debate, per capita
>NEA spending was $1.21.  Our friend =
>
>from Scotland informs us that we're
>down to forty cents!  Well, that's a mighty
>big drop.  Let's aim for some some
>truth here.  And, then look at the picture.
>Might give us a third view.
>
>Best regards,
>
>Dani Greer  =
>
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Jun  2 15:51:57 1998
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Shirley Balloch <balloch@netbridge.net>
Subject: Re: Hammered Colbalt blue glass
Date: Tue, 2 Jun 1998 22:45:36 +0100
Message-ID: <1998Jun2.234536.0>
References: <<1998Jun1.105811.0@?>>
Precedence: bulk

Shirley,
there is a dark blue sahara glass   -  made by Vegla in Germany - so I
don't know if it is avaliable in the USA. 

Otherwise, Bob's way is best.    Also if you don't need a special
pattern, or a kind of stipple will do, sprinkle whiting on the kiln
shelf with a flour seive and put the glass on top.  take up to slumping
temperatures and you will have a lightly (and randomly) stippled, not
hammered texture.

Steve

In message <1998Jun1.105811.0@?>, Shirley Balloch
<balloch@netbridge.net> writes
>It needs to be on the dark side of colbalt blue.  And the hammering(?)
>needs to be small.  I want to makes wings with it.
>Does anyone know of a company that manufactures something like this?
>----
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Jun  2 16:07:14 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Charles Spitzer <charlie@az.stratus.com>
Subject: Arts funding (side bar - oil revenue)
Date: Tue, 2 Jun 1998 22:16:54 +0100
Message-ID: <1998Jun2.231654.0>
References: <<m0ygWL5-000Lh7C@why.az.stratus.com>>
Precedence: bulk

Charles,  

I don't really want to get into a discussion on oil and gas, but...

Gas (petrol in the UK) is heavily taxed in the UK.  But the tax toes to
the UK not to Scotland, so the revenue is not accountablly applied to
Scottish things.  Many Scots believe they are subsidising the UK  (for
UK in this context read English).  They don't like it.  But like
expenditure on art, the revenue from oil is spread around the whole
country for the benefit of the the WHOLE of the UK.  If there is no
cross subsidisation of unprofitable, but worthy activities, by
profitable activities, there is no community of interest.  No community
of interest, no nation.  Which seems, as an outsider, what some USAns
want.  States rights appears to be a "my rights" issue.

"Rights" as an issue so often avoids the reciprocal "responsibilities" 

But this is a little off Arts funding, isn't it?

Steve


In message <m0ygWL5-000Lh7C@why.az.stratus.com>, Charles Spitzer
<charlie@az.stratus.com> writes
>Albert wrote:
>> <snip>
>> Note that gas
>> for our cars is heavily subsidized; in Europe, for example, it's
>> usually more than $5/gallon. Two weeks ago in Scotland it cost more
>> than $50 to fill a small car's tank.
>>
>> Besides, that 40 cents/year is for the most part returned to local
>> regional uses.
>
>subsidized? by whom? what corporation or government organization is being so  
>beneficial to gas users in the US?
>
>and exactly how much of that $5/gallon in scotland went to the government in  
>taxes rather than the producers? what is the real cost to the producers to  
>supply that gallon of gas to the pump, and where is the extra money going? it  
>may even be cheaper to produce a gallon of gas in scotland than for the US,  
>taking into account the massive amounts of oil being pumped in the North Sea.
>
>having lived in Sweden for a while, I know that the price of gas is kept  
>artifically high in europe by the governments in order to convince people to  
>not drive, but to use other means of transportation (public or mechanical).
>
>regards,
>charlie
>---
>Charles Spitzer
>charlie@az.stratus.com
>Customer Assistance Center
>Stratus Computer, Inc.
>Phoenix, AZ
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Jun  2 16:30:48 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 2 Jun 1998 18:11:13 +0000
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> question for the day is:  "Do I object to
> government spending for the arts, the NEA
> specifically, or HOW monies have been
> spent?" 

"How" in a few cases, but not in the overwhelming majority of them. I 
think I've made more mistakes in my life, percentage-wise, than the 
NEA has.

Albert
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From owner-glass Tue Jun  2 16:41:31 1998
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Please remove us from your list.
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From owner-glass Tue Jun  2 18:10:49 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 2 Jun 1998 20:19:06 +0000
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> "Rights" as an issue so often avoids the reciprocal 
"responsibilities"

Well, yes, Steve. I've noticed that, too. Mainly, it seems, those who 
don't want the "government" involved in their lives don't want anyone 
else/thing involved, either. Hereabouts, for instance, those who are 
most avidly anti-government also vote down local bond issues, whether 
for education or roads. Basically, it's an "I've got mine and you 
should just get outta town" attitude.

Albert
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From owner-glass Tue Jun  2 18:30:08 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 2 Jun 1998 20:19:06 +0000
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> So that "fact" is disputable.  What is not disputable is that there has
> been a very large drop in the amount of money available for distribution
> since 1992.

The NEA contradicts itself, too (there must be humans involved in the 
organization somewhere). On the one hand they say 38 cents per capita 
per annum, on the other (or on another page) they say 36 cents. As 
for funding dropping, that's a direct result of anti-art and anti-NEA 
actions in the Congress here, Steve.

Nevermind, the contrast between 36/38 cents and $35-40 per person per 
year is so great as to make the 2c worth ( ! ) immaterial. <s>

> I'm not aware of the source for the figure of 1.21 dollars per person.
> In any case, I'm not concerned about the total spend by the NEA, but its
> spend on art - i.e. that for distribution.

I don't have the source for the $1.21 figure, either, alas, since I 
delete what I've answered and daren't keep. (Shoot, I have 5,000+ 
must-save messages already at this point; I try to keep it down.) I 
looked for a figure on percentage spent on overhead/staffing. Didn't 
find it, but the total expenditure came so close to the total 
authorized that the margin seemed pointless to pursue. I'll keep 
looking though.

Albert
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From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Thistles
Date: Tue, 2 Jun 1998 20:53:46 -0700
Message-ID: <199806030353.UAA11011@ark.com>
Precedence: bulk

>To: "Candice McCall" <cmccall@DEAN.MED.UFL.EDU>
>From: wmunro@mars.ark.com (Wayne Munro)
>Subject: Re: Thistles
>Cc: 
>Bcc: 
>X-Attachments: 
>
>Yes, I would be interested in something like that too. My father in law is
from 
>scotland and we have a family reunion in July---might be something there I
can make for them to remember the reunion etc.
>Thanks.....Wayne
>
>
>>I was wondering if someone could help me with a 
>>thistle pattern. Perhaps one of our Scottish 
>>members... I used to live in Scotland in the 
>>early 80's and have collected thistle pottery and 
>>the like since then. It was a lovely place to 
>>live and I have many fond memories from there...
>>
>>I'd like to use the pattern for a stepping stone 
>>and possibly for a suncatcher later. 
>>
>>I'd be very appreciative if someone could help.
>>
>>Thanks in advance,
>>Candice McCall
>>Gainesville, Florida
>>----
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>>
>>
>


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

ICQ # 2762376
Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

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From owner-glass Tue Jun  2 22:13:06 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com
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Subject: Re: Arts funding
Date: Tue, 02 Jun 1998 21:26:30 PDT
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In reply to today's question, yes, I object to funding the arts through 
government spending.  Art is a natural extension of a person and will be 
created with or without government intervention.

We need less government and more responsibility in our lives.

An artist will create, regardless of government handouts.  It is just 
another welfare package wrapped up in a sugar-coated package.  Bleech.

>From owner-glass@daver.bungi.com Tue Jun  2 13:06:19 1998
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>X-Path: compuserve.com!GreerStudios
>From: "Michael J. Greer" <GreerStudios@compuserve.com>
>To: glass@bungi.com
>Content-Type: text/plain; charset=ISO-8859-1
>Subject: Re: Arts funding
>Date: Tue, 2 Jun 1998 15:19:59 -0400
>Message-ID: <1998Jun2.111959.0>
>Precedence: bulk
>
>The NEA has made more than a couple =
>
>of mistakes.  If I had pulled a few stunts
>like they have, I'd have been out of business
>a long time ago.  I've heard that argument
>from hundreds of NEA supporters.  It doesn't
>impress me. It's a weak argument..  It just
>serves to polarize the camps - intelligent
>people who could be pooling their brain-
>power to objectively look at the problems
>and solve them.  In short, to come up with
>a better plan.  To tell me I don't support
>the arts because I don't support the NEA is
>a lie.  I support the arts by having the guts =
>
>to make a living at it twelve hours a day
>seven days a week.  I support the arts by
>donating about $20,000 a year in work
>to other non-profit fundraisers who rely
>on auctions to fund their functions.  About
>20% of that dollar amount is out-of-pocker
>material cost, the rest a labor estimate =
>
>based on what another studio would charge
>to replace it.  I support the arts by giving =
>
>every bit of knowledge and understanding
>I have about it to anyone who asks at any
>moment in the hopes that one other =
>
>person will have the courage to make
>a career out of art.  I support the arts by
>buying it from my fellow artists at least
>once a month and sometimes more =
>
>depending on how many birthdays or
>holidays that month!  I also support the arts
>by creating it.  And now, I must go do that
>because I only have one more month
>to produce another twenty pieces for our
>July show.  A word of unsolicited advice-
>this is a meaningful discussion.  Don't
>throw away the potential NEW ideas by
>throwing worn-out accusations at each other.
>No matter how old you are (!), try to look
>at the situation with a fresh eye.  I am doing
>that, and am re-thinking my position.  My
>question for the day is:  "Do I object to
>government spending for the arts, the NEA
>specifically, or HOW monies have been
>spent?"  =
>
>
>Best regards,
>
>Dani Greer
>----
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>Archives available at http://www.bungi.com/glass
>


______________________________________________________
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From owner-glass Tue Jun  2 22:48:12 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: alewis@vgernet.net
Subject: Re: Arts funding
Date: Wed, 3 Jun 1998 00:35:38 -0400
Message-ID: <1998Jun2.203538.0>
References: <<199806020245.WAA26229@vger.vgernet.net>>
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>
>> It's all in how you look at it.  I don't think the government should 
>be
>> involved in probably 90% of the stuff they poke their noses into. 
>
>Oh, I thought it was just the arts you were against. If it's the 
>entire government and the nation's infrastructure you want to 
>disassemble, that's a whole 'nuther ball o' yarn.
>
>Albert

Albert,

No I don't want to disassemble the whole infrastructure, and the highway
example was merely to say that it could probably be done much more cost
effectively by anyone  but the gov't.  Too many hands in the till, too
many special interests, too many Senators and Congressmen only interested
in how much funding they can bring home to show they're looking out for
their own so they can get re-elected.

I simply feel that the government should limit its' role to looking out
for the welfare of the citizenry in terms of necessities and let everyone
decidefor themselves  how to use the freedoms that they thusly provide. 
(If for no other reason than that government has proven that it can't
adequately control its own activities.)  

I don't want to  elect anyone to tell me what I should like or how I
should live.

As far as the arts specifically, I don't feel that anyone has the right
to look into a crystal ball and give the fast track to whatever forms of
art they feel will endure.  This has the potential to slant  and
influence artistic creation in an unnatural way.  I think these funds are
likely to go to "promoter artists" if you will.  It takes a different
mindset to go through all of the gov't paperwork and bureaucracy to get
the funding than it does just to create art.  I tend to think that the
most worthy artists are the least likely to jump through all those hoops.

Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com



_____________________________________________________________________
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From owner-glass Wed Jun  3 01:46:28 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com
Subject: Art Funding
Date: Wed,  3 Jun 1998 03:57:37, -0500
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I have read every post on this subject with interest. Many, many 
interesting facts, misstatements and plain twisting of facts and 
others ideas have been presented. 

Were this a verbal debate I suspect the twisters would win due to the 
projection of superiority that they seem to command. When the written 
word is examined the other side seems to make a better case. No 
matter, I feel confident in sticking to my original position that the 
government does not belong in the business of funding art.

To my way of thinking, art is something created by a person that goes 
beyond the basic idea of food, clothing and shelter. It is the icing 
on the cake which many would say is an art form. And a good one too. 
A well decorated cake is far superior in my mind to one that has a 
plain coat of icing. It can please me and bring a smile to my face, 
causing me to express my appreciation to the artist or more often to 
the mere provider. That's art.

I have been through a few museums across the US and some in Europe. 
Within 100 miles of where I live is a worthwhile percentage of the 
worlds art. Perhaps there is more art per square mile than in any 
other place in the world (read Getty, Hunington-Hartford, etc.).  
What treasures that I hope and trust will be added to as time 
progresses. Most of these places are publicly or privately funded and 
there is no mandatory admission fee. Such it should be. I know that 
is a socialist idea but in this case I will go for it.

I get to vote for five people that go to Washington and no more. Read 
one Representive, two Senators, Vice President and President. I 
expect them to represent me and carry out the Constitution through 
the enactment and enforcement of laws. No more and no less. None of 
the five people would even suggest that they should influence my 
appreciation of art.

I do not recall the reasons behind the creation of the NEA but I 
expect it was the result of a trade off, perhaps a few votes for some 
other pork barrel projects. This is a time of reining in the federal 
government and reducing funding for pork barrel projects. I would not 
expect the NEA to make it into the next century.

Please do not call me anti art. Think of me as one that loves art for 
arts sake. I make sacrifices for art and from time to time have 
brought happiness and wonder to others. They pay me in coin of the 
realm so that I may continue to exist and do my thing. Money is 
important to art. Where it comes from is of concern to me.

Bob

Ps: Next week lets talk about ????????

Pss: My donation to create a custom stained glass window for the Boys 
& Girls Club auction of a value of $600.00 WENT FOR $800.00 THIS YEAR.




____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*She has a mind like a steel trap- with a broken spring.* Mrs. L.
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From owner-glass Wed Jun  3 03:21:05 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Art Funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 3 Jun 1998 05:33:02 +0000
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> To my way of thinking, art is something created by a person that goes 
> beyond the basic idea of food, clothing and shelter.

I guess that's where we differ, Bob. I think art is an integral part 
of life, an important part, and for everyone. Even those who can't 
afford it.

> progresses. Most of these places are publicly or privately funded and 
> there is no mandatory admission fee. Such it should be. I know that 
> is a socialist idea but in this case I will go for it.

But "publicly funded" means they're supported by the government, the 
public's representative. Not socialist at all.

> I get to vote for five people that go to Washington and no more. Read 
> one Representive, two Senators, Vice President and President.

All from California? <s> Since there are 50 states, your formula 
would mean that we'd be right back where we already are. And since 
this is such a large and complex country, they'd need help, so they'd 
hire people to help them. If they weren't allowed to, nobody would 
take the assignments.

> I do not recall the reasons behind the creation of the NEA but I 
> expect it was the result of a trade off, perhaps a few votes for some 
> other pork barrel projects.

It was a direct outgrowth of WPA during the 30s. At the time, after 
the crash of '29, 40% of the nation's workers were out of jobs, 
people were starving ... literally. WPA and other similar programs 
put them back to work doing jobs that benefitted the country as a 
whole -- building roads, digging waterworks, putting up public 
buildings ... and decorating those buildings, which is where the 
artists came in.

> Please do not call me anti art. 

I don't think anyone here thinks that, Bob. You've made it clear that 
you think the artist-client relationship should be a straight 
personal-dollars-for-personal-art thing, which is your right. That's 
fine. Others of us have other opinions, obviously, which is our 
right, too. That's what makes this country great. <s>

I think the national support for the arts, as well as federal 
encouragement of them, will continue. The majority of people in the 
US support that, even though they've had reservations about some of 
the decisions that have been made. It's part of the dynamic of a 
democracy, that's all.

Albert
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From owner-glass Wed Jun  3 06:41:44 1998
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From: Nancy Bean <nancyclayb@erols.com>
To: glass@bungi.com
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Subject: Cancellation
Date: Wed, 03 Jun 1998 07:46:07 -0700
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Please remove me from the list for now.  Thanks.  Nancy
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From owner-glass Wed Jun  3 07:14:21 1998
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Art Funding
Date: Wed, 3 Jun 1998 09:17:38 -0400 (EDT)
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Out of my lurk mode and quickly.................

Well Bob.................
The problem with going beyond the basics is that art is at the very basics.

Most of what is in your life everyday has to do with art.
Someone designed all those packages for that food.
Someone designed and made those clothes that are on your back.
And someone definitely designed that house you are living in.

edited.....

>> To my way of thinking, art is something created by a person that goes 
>> beyond the basic idea of food, clothing and shelter.
>
> I get to vote for five people that go to Washington and no more. Read 
> one Representive, two Senators, Vice President and President.>>

Gee...I get to vote for a ton of people here............respresentatives,
freeholders, committee people the mayor, the governor.  And all those folks
have a voice in the government..
And if those who I have put in office aren't speaking my words.....I make
sure they
know about it.

I happen to know what non funding can do to local arts organizations.
When the funding gets cut.  Programs don't happen.  Programs that benifit
inner city children.  Children whose only connection to any type of art come
from
these programs. And whose only way out of the inner city is through these
programs.
People with disabilities.........theres another one.  Some of these will be
non existented
without those monies.  The majority of these programs are directed by artist
in art centers and where does the money come to maintain these centers.  Not 
always from the communities.  

The money from our personal taxes goe to more than we are all aware of...it
is pennies.  Maybe I am not always happy with the messenger.  But I have yet
to hear another message that sounds better.  If I do maybe I too can change.

my best,
pj (who wonders if the big picture is ever clear without being in it)


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From owner-glass Wed Jun  3 09:16:36 1998
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From: "Michael Minchelli" <lsg@jerseycape.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: ARTS ISSUE REQUEST
Date: Wed, 3 Jun 1998 10:31:47 -0400
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I for one have read enough. I am almost always amazed to see how
differently people can feel about different issues.
I RESPECT YOUR DESIRE TO CONTINUE ON WITH THIS THREAD AS LONG AS YOU LIKE
!!!! Is that clear. 
My request is rather simple I believe. If you all would start you subject
line with "NEA:" it would make it easier for me and maybe a few others to
delete all messages.
I don't believe this is an unreasonable request. Many of us like the bungi
line but are limited on time.
Thank you for entertaining my request.
Michael from LSG.


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From owner-glass Wed Jun  3 13:17:32 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Next week's topic
Date: Wed, 3 Jun 1998 15:16:55 -0400
Message-ID: <1998Jun3.111655.0>
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I think Bob's suggestion (hint ;-) about
next week's topic has potential.  Why =

not present a "topic of the week" that's =

a bit more esoteric?  Some history,
reviews of contemporary artists, etc.
We could handle it the way Pat Kelly
is handling the bios.  Someone can =

keep a list of ideas and pick one for
the following week, maybe announce
the subject on Friday.  I really look
forward to the bios every week.  Maybe
Bob could be in charge ;-) !  Brilliant
idea!  What does everyone else
think?

Best,

Dani Greer
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From owner-glass Wed Jun  3 13:49:17 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: BOB DUCHESNEAU <YWAH36A@prodigy.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Art Funding/Donations
Date: Wed, 3 Jun 1998 15:17:02 -0400
Message-ID: <1998Jun3.11172.0>
Precedence: bulk

There's putting your money where
your mouth is, Bob.  Wish I had =

some of your buyers out my way.  =

The "Carmen" window on our web
site that we created for the Opera
Festival last year auctioned for =

$170 !!  I now give gift certificates,
usually in $500 denominations so
that I at least have the pleasure of
working with the buyer and designing
something just for them. (And perhaps
doing a bit of educating as to the
cost and value of original art!)

Best regards,

Dani Greer
http://www.bungi.com/glass/igga/greer/     =

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From owner-glass Wed Jun  3 13:55:49 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Frits and Powders
Date: Wed, 3 Jun 1998 15:29:51 -0400
Message-ID: <1998Jun3.112951.0>
Precedence: bulk

Hi all-

I'm getting more and more intrigued =

with the idea of using frits and powders-
has anyone tried using them?  For what
purpose or effect?  Do you like the end
result?  Has anyone written a "how-to"
book on the subject?  I also heard that
templates for lettering were available to
use with frits - has anyone tried them
with successful results?  Any info is =

most appreciated.  And, now, back to
the drawing board (I'm going to be
in serious trouble if I don't keep my nose
to the grindstone!)

Best regards,

Dani Greer
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From owner-glass Wed Jun  3 14:19:20 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Copy of: Art Funding/Donations
Date: Wed, 3 Jun 1998 15:29:58 -0400
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---------- Forwarded Message ----------

From:   Michael J. Greer, 105715,1412
TO:      BOB   DUCHESNEAU, INTERNET:YWAH36A@prodigy.com
CC:     All, INTERNET:GLASS@BUNGI.COM
DATE:   6/3/98 12:53 PM

RE:     Copy of: Art Funding/Donations

There's putting your money where
your mouth is, Bob.  Wish I had =

some of your buyers out my way.  =

The "Carmen" window on our web
site that we created for the Opera
Festival last year auctioned for =

$170 !!  I now give gift certificates,
usually in $500 denominations so
that I at least have the pleasure of
working with the buyer and designing
something just for them. (And perhaps
doing a bit of educating as to the
cost and value of original art!)

Best regards,

Dani Greer
http://www.bungi.com/glass/igga/greer/     =

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From owner-glass Wed Jun  3 16:25:20 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, GreerStudios@compuserve.com
Subject: Frits and Powders
Date: Wed,  3 Jun 1998 18:24:03, -0500
Message-ID: <199806032224.SAA17986@mime3.prodigy.com>
Precedence: bulk

>>Hi all

I'm getting more and more intrigued 
with the idea of using frits and powders-
has anyone tried using them?  For what
purpose or effect?  Do you like the end
result?  Has anyone written a "how-to"
book on the subject?  I also heard that
templates for lettering were available to
use with frits - has anyone tried them
with successful results?  Any info is 
most appreciated.  And, now, back to
the drawing board (I'm going to be
in serious trouble if I don't keep my nose
to the grindstone!)

Best regards,

Dani Greer<<

Frits and powders are my favorite way to add color and texture to a 
piece of glass. Hardly ever use the conventional glass paints 
designed for firing as I feel frit is a better way to go. Bullseye 
makes a wide range of frits with a COE of 90. I am to cheap to buy 
any so I make my own from scrap glass. Just make sure that the glass 
is compatible with the base glass to be used. 

Recently was asked to fuse up pettles for speckled lilies. The 
picture presented of the desired lily had a streak of purple with 
outlaying speckles of color. Simply used my hammer to break up two 
shades of purple and very carefully sprinkled the graded powder on. 
Used a common kitchen strainer to screen out the coarser particles of 
glass. No need to use an adhesive in this case. Fused at 1420'F for a 
nice relief effect.

Used Spectrum glass for the above project. Avoided divitrification by 
running the kiln at max advance above the strain point 1000'F to fuse 
and then crash cool to 1000'F. Did not want to use anti divit spray 
due to loose frit. Good result.

For designs like letters you can paint on an adhesive like Reusche 
mineral spirits, squeegee oil or even thinned Elmers Glue All. Then 
sprinkle on the graded frit and blow off the excess frit. A few trial 
runs will provide all the necessary answers as to what size and how 
much frit to use and what temperature is best for the effect desired. 


Great things can be done- for a hummingbirds eye one piece of frit is 
necessary. From 1/8" black glass cut a right angle triangle -3/16" at 
the base with the other two legs 1/8" long. Place on the base with 
the right angle up. Fuses at about 1400'F to an oval eye that adds 
relief and realism. Bob ( who frits but frets not)



____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*She has a mind like a steel trap- with a broken spring.* Mrs. L.
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From owner-glass Thu Jun  4 00:34:11 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, GreerStudios@compuserve.com
Subject: Frits and Powders
Date: Wed,  3 Jun 1998 23:15:52, -0500
Message-ID: <199806040315.XAA20902@mime3.prodigy.com>
Precedence: bulk

>>Thanks for the good feedback - of
course, we'll never stop glass painting
because I don't think you can get the
detail with frits and powders that we
would want for portrait work (faces and
hands on biblical figures, etc.) and
coats - of- arms, for example.  But, as
you mentioned, and Jerri Roey, on
some things like landscapes and 
florals, I think the effect might be better
with frits/powders.<<

I fully agree that frits are for more generalised things. They are no 
substitute for portrait work.
My previous statement should have made this distinction. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*She has a mind like a steel trap- with a broken spring.* Mrs. L.
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From owner-glass Thu Jun  4 00:59:23 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Frits and Powders
Date: Wed, 3 Jun 1998 21:10:26 -0700 (PDT)
Message-ID: <199806040410.VAA21418@ns2.vphos.net>
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>To: "Michael J. Greer" <GreerStudios@compuserve.com>
>From: cpesonen@bcinternet.net (Cindy Pesonen)
>Subject: Re: Frits and Powders
>
>>
>AH,HA!
>Frits and powders... up my alley.
>Make your own, COE the best!
>Templates, how dare you.
>Make your own, easy as pie and for me pie can be snarcy!! (Cindy word)
>Love of it all,
>have we done the art funding yet????
>Best, Cindy
>>
>>I'm getting more and more intrigued =
>>
>>with the idea of using frits and powders-
>>has anyone tried using them?  For what
>>purpose or effect?  Do you like the end
>>result?  Has anyone written a "how-to"
>>book on the subject?  I also heard that
>>templates for lettering were available to
>>use with frits - has anyone tried them
>>with successful results?  Any info is =
>>
>>most appreciated.  And, now, back to
>>the drawing board (I'm going to be
>>in serious trouble if I don't keep my nose
>>to the grindstone!)
>>
>>Best regards,
>>
>>Dani Greer
>>----
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>>To send to the list,      please mail to: glass@bungi.com
>>Archives available at http://www.bungi.com/glass
>>
>>
>

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From owner-glass Thu Jun  4 01:12:08 1998
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From: "Hilary A. Bobker" <hilary@voicenet.com>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Next week's topic
Date: Wed, 03 Jun 1998 21:33:29 -0400
Message-ID: <1998Jun3.173329.0>
References: <<1998Jun3.111655.0>>
Organization: HABit Fashion Services
Precedence: bulk

> I think Bob's suggestion (hint ;-) about
> next week's topic has potential.  Why 
> not present a "topic of the week" that's
> a bit more esoteric?  Some history,
> reviews of contemporary artists, etc.
> ...What does everyone else think?

I think it is a great idea. I love the bios, too, tho' I have been
negligent about actually writing one.<sigh>

I would love to hear about what kind of process people go through when
they are designing. What kind of dialogue they set up with a customer to
find out what will really suit them. And most of all, when and how they
figure out when the design is as good as it can be...or in my case, as
good as I can get it.

Hilary
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From owner-glass Thu Jun  4 04:29:39 1998
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From: <Yegnim@aol.com>
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Subject: Re: Polymer technology
Date: Thu, 4 Jun 1998 06:42:43 EDT
Message-ID: <1998Jun4.104243.0>
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pj-did you ever find a source for the lead tape that people who do glass
overlay use? (think you asked for it back in May sometime.  If you didn't find
any, let me know and I will dig my pile of catalogs out and get you the info
on purchasing.  Sorry for the delay, Lenore
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From owner-glass Thu Jun  4 05:58:52 1998
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From: Nadine Beth Schneider <nadinesfolly@erols.com>
To: Yegnim@aol.com, Glass Enthusiasts <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Polymer technology
Date: Thu, 04 Jun 1998 08:17:40 -0400
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References: <<1998Jun4.104243.0>>
Precedence: bulk

Yegnim@aol.com wrote:

> pj-did you ever find a source for the lead tape that people who do
> glass
> overlay use? (think you asked for it back in May sometime.  If you
> didn't find
> any, let me know and I will dig my pile of catalogs out and get you
> the info
> on purchasing.  Sorry for the delay, Lenore
> ----
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> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Thu Jun  4 09:23:59 1998
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Please remove us from your list
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From owner-glass Thu Jun  4 09:41:19 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
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Date: Thu, 4 Jun 1998 08:44:45 -0700
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I very sincerely apologize for being thoughtless and insensitive, and hope I
have not offended anyone.
I never took into account those of you who do not believe in copper foil. I
neglected to qualify my remarks as not trying to denigrate the group who use
lead came and like products such as brass coated, zinc and so forth. Note, I
have not touched on solder as that would lead to MANY more posts, and we
would not want that, now would we?
Look at the glass related dialog I have opened up and the MANY varied areas
that one could comment upon.
As an aside, has anyone had their mind changed, after wading through the
myriad of communications on "arts funding" and the thread DRAGGED out from
it?
Back to my 14" dragonfly (note: this the diameter of the shade and not the
nose to tail measurement of the "fly")
Enjoy, H

weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Jun  4 10:03:12 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: Gatewayed mail message
Date: Thu, 4 Jun 1998 08:43:59 -0700
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I think Bob's suggestion (hint ;-) about
next week's topic has potential.  Why =
not present a "topic of the week" that's =
a bit more esoteric?  Some history,
reviews of contemporary artists, etc.
We could handle it the way Pat Kelly
is handling the bios.  Someone can =
keep a list of ideas and pick one for
the following week, maybe announce
the subject on Friday.  I really look
forward to the bios every week.  Maybe
Bob could be in charge ;-) !  Brilliant
idea!  What does everyone else
think?
Best,
Dani Greer
 Taken from her post...
I may humbly add, PERHAPS even a mention of something (even remotely)
related to glass just so we/I remember that this list at one point( tiny)
did indeed have a modicum of posts that sometime did have the word glass in
it.
I would like to see the lead in or subject stay consistent so I can have my
"inbox" assistant sort it for me.
Perhaps I will "read" the first 200 posts (a few may be slightly repetitious
and or redundant) but after those, I will probably just consign any more of
them to the trash without any perusal!
"sticky side down when foiling"...a good topic to expand on, and it does
indeed relate to glass (I think). Is down correct, or should it read against
the glass???We can delve in great depth into, thickness, face width,  why
does it come in decorative edging, black back, silver back, non treated back
and which part is exactly the back as to its relationship to the front and
so forth.  Sheet foil 12"x12" why is it not another size, who chose that
size, and so forth? We may even be able to work in the "industry" itself,
and any possibility subsidies and so forth, which may include but not
limited to copper mining, treatment of workers, and distribution, which may
get the subject back on track as to subsidies but that is another topic
(possibly). To the best of my knowledge, there are only two manufacturers of
foil, is this a  bi/opoly , and is there federal assistance to any other
company who may try to break into this field....Just a few ideas and musing
from me, who has until now absorbed all this information with little no
additional comment.
Acerbically yours, Howard and awaiting a host of posts........
weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Jun  4 10:11:57 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: my opinion
Date: Thu, 4 Jun 1998 08:38:35 -0700
Message-ID: <1998Jun4.13835.0>
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If we (list) want to discuss philosophy, art and the like, how about taking
it to a newsgroup!
Lost and lots of communication there and a much broader base to continue a
thread on and on and on, even after it has been beat to death.
I for one would like to see these posts more glass (craft) related.

I also posted another observation, but it seems to not have made the list,
so I will re-post it (bet you can hardly wait), with a few modifications.

If worse comes to worse(r)...how about agreeing to a "SUBJECT" title for
non-glass observations and adhering to it, so those of us (spoil sports) can
delete them.

enjoy, H (it is only [used to be] glass)

weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Jun  4 10:24:58 1998
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X-Path: vdot.net!shyguy
From: Dinosaur Bob <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Subjects was ARTS ISSUE REQUEST
Date: Thu, 04 Jun 1998 12:05:32 -0400
Message-ID: <1998Jun4.8532.0>
References: <<1998Jun3.63147.0>>
Organization: Cox's Mower Service
Precedence: bulk

I have been through this type of issue b-4 on other ML's, and what helps is to
have a group of qualifiers for subjects i.e. 'Gear' for Equipment, 'EVNT' for
events, NGC for No glass content, or LGC for Little Glass Content. Those
member with the ability to 'filter; or 'killfile' posts, then can dump the
posts without ever seeing them. This, of course depends on voluntary
cooperation.
also keeping the subject accurate can help.

Michael Minchelli wrote:

> I for one have read enough. I am almost always amazed to see how
> differently people can feel about different issues.
> I RESPECT YOUR DESIRE TO CONTINUE ON WITH THIS THREAD AS LONG AS YOU LIKE
> !!!! Is that clear.
> My request is rather simple I believe. If you all would start you subject
> line with "NEA:" it would make it easier for me and maybe a few others to
> delete all messages.
> I don't believe this is an unreasonable request. Many of us like the bungi
> line but are limited on time.
> Thank you for entertaining my request.
> Michael from LSG.
>
> ----
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From owner-glass Thu Jun  4 11:54:30 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Art Funding
Date: Thu, 04 Jun 1998 10:31:07 PDT
Message-ID: <1998Jun4.17317.0>
Precedence: bulk


How come whenever someone wants to make their point they try use an 
emotional argument and drag "the children" into it.  Let's stick to the 
basics.  Art has never been "squashed" throughout the ages because of or 
lack of intervention by the government.  Government should have no role 
in what is deemed "correct" or "incorrect" art - Bob is right about 
this.

As for the children, where do they get most of their art instruction?  
In the instances I have observed, it is not at school, but at home where 
they are encouraged to use crayons in the coloring book, play-doh, 
chalkboards, fingerpaints, even colored building blocks.

Even the welfare children I have been involved with have crayons or 
pens/pencils at their disposal.



>From owner-glass@daver.bungi.com Wed Jun  3 07:23:03 1998
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>	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
>X-Path: water.waterw.com!artglass
>From: artglass@water.waterw.com (pj friend)
>To: glass@bungi.com
>Content-Type: text/plain; charset="us-ascii"
>Subject: Re: Art Funding
>Date: Wed, 3 Jun 1998 09:17:38 -0400 (EDT)
>Message-ID: <199806031317.JAA07018@water.waterw.com>
>Precedence: bulk
>
>Out of my lurk mode and quickly.................
>
>Well Bob.................
>The problem with going beyond the basics is that art is at the very 
basics.
>
>Most of what is in your life everyday has to do with art.
>Someone designed all those packages for that food.
>Someone designed and made those clothes that are on your back.
>And someone definitely designed that house you are living in.
>
>edited.....
>
>>> To my way of thinking, art is something created by a person that 
goes 
>>> beyond the basic idea of food, clothing and shelter.
>>
>> I get to vote for five people that go to Washington and no more. Read 
>> one Representive, two Senators, Vice President and President.>>
>
>Gee...I get to vote for a ton of people 
here............respresentatives,
>freeholders, committee people the mayor, the governor.  And all those 
folks
>have a voice in the government..
>And if those who I have put in office aren't speaking my words.....I 
make
>sure they
>know about it.
>
>I happen to know what non funding can do to local arts organizations.
>When the funding gets cut.  Programs don't happen.  Programs that 
benifit
>inner city children.  Children whose only connection to any type of art 
come
>from
>these programs. And whose only way out of the inner city is through 
these
>programs.
>People with disabilities.........theres another one.  Some of these 
will be
>non existented
>without those monies.  The majority of these programs are directed by 
artist
>in art centers and where does the money come to maintain these centers.  
Not 
>always from the communities.  
>
>The money from our personal taxes goe to more than we are all aware 
of...it
>is pennies.  Maybe I am not always happy with the messenger.  But I 
have yet
>to hear another message that sounds better.  If I do maybe I too can 
change.
>
>my best,
>pj (who wonders if the big picture is ever clear without being in it)
>
>
>----
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>


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From owner-glass Thu Jun  4 12:13:11 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: repeat post
Date: Thu, 4 Jun 1998 14:18:03 -0400
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Hi Howard-

Must have missed some of your
posts (??), but  as far as the
arts funding question - Yes, I am
re-thinking my position on that.  I'll =

probably come out of this discussion
a little less extreme than when I =

went into it.  =


Best regards,

Dani Greer (who realizes that not ALL
conversations are going to entertain
her ALL the time... and thinks that's
perfectly alright and usually doesn't
feel the need to comment on it!) ;-)
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From owner-glass Thu Jun  4 12:40:33 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Topics
Date: Thu, 4 Jun 1998 14:17:56 -0400
Message-ID: <1998Jun4.101756.0>
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Remember, everyone, just =

because a dozen folks are having
a discussion about something you
are not interested in (like arts funding),
doesn't mean you can't inititiate =

another conversation about something
you find more interesting.  We can
have six conversations going at a =

time.  All you have to do is take the
intiative and initiate a conversation...
and participate a little so it goes on =

for a while.  Works that way in real
life, too! ;-)

Best,

Dani Greer
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From owner-glass Thu Jun  4 12:56:02 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: apologies
Date: Wed, 3 Jun 1998 15:09:37 -0700
Message-ID: <1998Jun3.8937.0>
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I very sincerely apologize for being thoughtless and insensitive, and hope I
have not offended anyone.

I never took into account those of you who do not believe in copper foil. I
neglected to qualify my remarks as not trying to denigrate the group who use
lead came and like products such as brass coated, zinc and so forth. Note, I
have not touched on solder as that would lead to MANY more posts, and we
would not want that, now would we?

Look at the glass related dialog I have opened up and the MANY varied areas
that one could comment upon.

As an aside, has anyone had their mind changed, after wading through the
myriad of communications on "arts funding" and the thread DRAGGED out from
it?

Back to my 14" dragonfly (note: this the diameter of the shade and not the
nose to tail measurement of the "fly")

Enjoy, H

weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Jun  4 13:27:37 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: YWAH36A@prodigy.com
Subject: Re: Frits and Powders
Date: Wed, 3 Jun 1998 20:26:33 -0400
Message-ID: <1998Jun3.162633.0>
References: <<199806032224.SAA17986@mime3.prodigy.com>>
Precedence: bulk

Bob,

I don't understand what you did here.


>Used Spectrum glass for the above project. Avoided divitrification by 
>running the kiln at max advance above the strain point 1000'F to fuse 
>and then crash cool to 1000'F. Did not want to use anti divit spray 
>due to loose frit. Good result.


Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com




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From owner-glass Thu Jun  4 13:59:18 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Antique lead melting pot&ladle for sale
Date: Thu, 4 Jun 1998 15:01:58 -0400
Message-ID: <1998Jun4.11158.0>
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Hello all.  I am posting this message for a non-INTERNET
aquaintance.  He owns an antique lead melting pot & ladle
set, which he would like to sell.  He used it for lead castings.

If you are interested, please send me a private email
(please don't post to the bungi group).  Thanks.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Thu Jun  4 14:09:03 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: still, yet even more!
Date: Thu, 4 Jun 1998 08:51:17 -0700
Message-ID: <1998Jun4.15117.0>
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I have no qualms with the discussion(s) on how to improve your GLASS, work,
marketing, design, techniques, and the like....Why shucks, I have over the
years even made suggestions as to marketing, efficiency, design and so on,
as for the NEA (oops) diatribe and deep thinking, I think you have not MADE
a whit of a difference in anyone's thinking and opinion of how the
allocations and monies were used and or abused.
Back to my "fly".........14" dragon that is!
enjoy, H

weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Jun  4 14:17:08 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------86B61D69148C35FF90B9F387"
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Date: Thu, 04 Jun 1998 12:18:31 -0700
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I for one, am very curious about the contributing artists here. As a new
topic, I would like to hear from some of you who are working on a
current project. Dimensions, new techniques learned for this project,
glass colors and any exciting details regarding your current project.
I'm always amazed at how talented people are and just wonder if any one
would like to share some info in regards to that  here. Off of that
subject onto this one: Does anyone use Laticrete products? If you do
what do you use to strengthen your grout with? I talked to the regional
sales manager from Laticrete and he could have sold me his house, but
didn't offer much in the way of what product to use, if you can believe
that! Sooo, I'm asking all of you. And no Howard, my opinion has not
changed about the NEA. I will have to say this because it has really
been on my mind. I believe, and I'm sure I'll be corrected if I'm wrong,
that the subject of art funding started with pj's subtle mention of
Juditih and the NEA. I can't remember who the post was from, because I
was rather upset at the time, but I hit the delete key after my name was
mentioned along with pj in a basic slam regarding Hitler and the like. I
did not appreciate that post at all. You may not agree with my opinions
but to slam them like that was uncalled for. What if my background had
included jewish decent? Could have struck a cord with me I'm sure. I'm
glad we are moving onto something else none the less.

Pam

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From owner-glass Thu Jun  4 14:54:45 1998
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Art Funding/children's programs re:Roger
Date: Thu, 4 Jun 1998 16:33:02 -0400 (EDT)
Message-ID: <199806042033.QAA22203@water.waterw.com>
Precedence: bulk

Well Roger its because thats the way things really are.
Welcome to the real world.
The NEA and state arts organization fund programs for children in inner cities.
That is about as basic as it gets.

>How come whenever someone wants to make their point they try use an 
>emotional argument and drag "the children" into it.  >>

No one getting emotional or arguing here.....this is just a discussion.
Please don't make more of it than it really is.

>
>As for the children, where do they get most of their art instruction?  
>In the instances I have observed, it is not at school, but at home where 
>they are encouraged to use crayons in the coloring book, play-doh, 
>chalkboards, fingerpaints, even colored building blocks.

Most children in inner cities are lucky they even make it to school.  And as
for crayons etc.  This just aint' happening.  

>
>Even the welfare children I have been involved with have crayons or 
>pens/pencils at their disposa>>

Then you are quite a lucky person to witness that.

my best,
pj/


>
>
>
>>From owner-glass@daver.bungi.com Wed Jun  3 07:23:03 1998
>>Received: by daver.bungi.com
>>	via smail with stdio
>>	id <m0yhDRI-0000Tea@daver.bungi.com>
>>	for rglass-42; Wed, 3 Jun 1998 06:18:48 -0700 (PDT)
>>	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
>>X-Path: water.waterw.com!artglass
>>From: artglass@water.waterw.com (pj friend)
>>To: glass@bungi.com
>>Content-Type: text/plain; charset="us-ascii"
>>Subject: Re: Art Funding
>>Date: Wed, 3 Jun 1998 09:17:38 -0400 (EDT)
>>Message-ID: <199806031317.JAA07018@water.waterw.com>
>>Precedence: bulk
>>
>>Out of my lurk mode and quickly.................
>>
>>Well Bob.................
>>The problem with going beyond the basics is that art is at the very 
>basics.
>>
>>Most of what is in your life everyday has to do with art.
>>Someone designed all those packages for that food.
>>Someone designed and made those clothes that are on your back.
>>And someone definitely designed that house you are living in.
>>
>>edited.....
>>
>>>> To my way of thinking, art is something created by a person that 
>goes 
>>>> beyond the basic idea of food, clothing and shelter.
>>>
>>> I get to vote for five people that go to Washington and no more. Read 
>>> one Representive, two Senators, Vice President and President.>>
>>
>>Gee...I get to vote for a ton of people 
>here............respresentatives,
>>freeholders, committee people the mayor, the governor.  And all those 
>folks
>>have a voice in the government..
>>And if those who I have put in office aren't speaking my words.....I 
>make
>>sure they
>>know about it.
>>
>>I happen to know what non funding can do to local arts organizations.
>>When the funding gets cut.  Programs don't happen.  Programs that 
>benifit
>>inner city children.  Children whose only connection to any type of art 
>come
>>from
>>these programs. And whose only way out of the inner city is through 
>these
>>programs.
>>People with disabilities.........theres another one.  Some of these 
>will be
>>non existented
>>without those monies.  The majority of these programs are directed by 
>artist
>>in art centers and where does the money come to maintain these centers.  
>Not 
>>always from the communities.  
>>
>>The money from our personal taxes goe to more than we are all aware 
>of...it
>>is pennies.  Maybe I am not always happy with the messenger.  But I 
>have yet
>>to hear another message that sounds better.  If I do maybe I too can 
>change.
>>
>>my best,
>>pj (who wonders if the big picture is ever clear without being in it)
>>
>>
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>>
>
>
>______________________________________________________
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>

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From owner-glass Thu Jun  4 15:23:17 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: apologies
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 4 Jun 1998 16:43:47 +0000
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> As an aside, has anyone had their mind changed, after wading through the
> myriad of communications on "arts funding" and the thread DRAGGED out from
> it?

Not that *I have noticed, Howard. But then I'm not sure that means 
it's not worth discussing.

Albert
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From owner-glass Thu Jun  4 15:48:59 1998
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X-Path: digital.com!Kevin.Longshore
From: Kevin Longshore <Kevin.Longshore@digital.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Suggestions for next weeks topic
Date: Thu, 4 Jun 1998 16:47:54 -0400 
Message-ID: <1998Jun4.124754.0>
Precedence: bulk

I'll delurk for a moment. After reading some of the debates on government
funding for art, I got to thinking about some of the points brought up. From
that, here are my suggestions for a new topic, most of which can be related
to glass, or selling, in some manner. Be aware, I worded these in an effort
to start (friendly) debate.

Is it a true statement/assumption that the general public doesn't care about
or buy art?
Why is football ALWAYS better funded than art? Whenever a school tax levy
comes up, the schools threaten that if it doesn't pass, the football/sports
programs will have to be cut. If it doesn't pass, art and music are cut.

Why doesn't the general public buy original art?
Is it that they are idiots/hacks/tasteless fools?
Is it that art to many people is a canvas that some fool artist splattered
paint on in an attempt to avoid getting a real job?
Many people think art is always personal and deep and meaningful, but in
some cases, is this stereotype accurate?

Do people not buy art because to many people is unbelievably expensive?
Is it really too expensive for the work put into it? Or do most people not
have any idea how much work goes into it?
How do we show people (the general public as a whole, not just a few people
who come into the shop) how difficult/time consuming it is?

Is there still space for a skilled craftsman in this world?
Will there still be space in 10 or 20 years?
Is there any way to make MORE space for the skilled work, rather than just
the mass produced cheaper work?
Etc, etc, etc.

I'll start with an example. A man I know, a very 'practical' person (he
doesn't dislike art, he just doesn't think it has anything to do with his
life), was impressed by a plant which manufactured globes for lamps. He
thought it was wonderful how efficient they were when they hand painted
flowers onto some of the globes. There were about 6 people in a line, and,
as the globes came past them on the conveyer, each person painted one or two
strokes on the globe. The same strokes on each globe. By the end of the 6
people, the whole flower scene had been painted. Because they used people
instead of a machine to make the strokes, they can sell the globes as hand
painted.
To him, this was a wonderfully efficient system. If he sees glass painted in
this manner, and other glass that a single person put his/her creativity and
skill into, he would buy the mass produced one because it is significantly
cheaper, and the extra skill doesn't mean anything to him. 
Most people, in my opinion, are like this man. Good people, they just don't
understand. 
How do we make them understand?


Kevin


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From owner-glass Thu Jun  4 16:17:16 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: A great idea or what????
Date: Wed, 3 Jun 1998 14:27:35 -0700
Message-ID: <1998Jun3.72735.0>
Precedence: bulk

I think Bob's suggestion (hint ;-) about
next week's topic has potential.  Why =
not present a "topic of the week" that's =
a bit more esoteric?  Some history,
reviews of contemporary artists, etc.
We could handle it the way Pat Kelly
is handling the bios.  Someone can =
keep a list of ideas and pick one for
the following week, maybe announce
the subject on Friday.  I really look
forward to the bios every week.  Maybe
Bob could be in charge ;-) !  Brilliant
idea!  What does everyone else
think?
Best,
Dani Greer
Taken from her post...
I may humbly add, PERHAPS even a mention of something (even remotely)
related to glass just so we/I remember that this list at one point( tiny)
did indeed have a modicum of posts that sometime did have the word glass in
it.

I would like to see the lead in or subject stay consistent so I can have my
"inbox" assistant sort it for me.
Perhaps I will "read" the first 200 posts (a few may be slightly repetitious
and or redundant) but after those, I will probably just consign any more of
them to the trash without any perusal!

"sticky side down when foiling"...a good topic to expand on, and it does
indeed relate to glass (I think). Is down correct, or should it read against
the glass???We can delve in great depth into, thickness, face width,  why
does it come in decorative edging, black back, silver back, non treated back
and which part is exactly the back as to its relationship to the front and
so forth.  Sheet foil 12"x12" why is it not another size, who chose that
size, and so forth? We may even be able to work in the "industry" itself,
and any possibility subsidies and so forth, which may include but not
limited to copper mining, treatment of workers, and distribution, which may
get the subject back on track as to subsidies but that is another topic
(possibly). To the best of my knowledge, there are only two manufacturers of
foil, is this a  bi/opoly , and is there federal assistance to any other
company who may try to break into this field....Just a few ideas and musing
from me, who has until now absorbed all this information with little no
additional comment.

Acerbically yours, Howard and awaiting a host of posts........


weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Thu Jun  4 16:21:00 1998
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To: glass@bungi.com
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
Date: Wed,  3 Jun 1998 23:07:25, -0500
To: BobDuc@prodigy.net, dodgestudio@juno.com
Subject: Re: Frits and Powders

>>I don't understand what you did here.<<

Spectrum glass tends to divitrify at fusing temperatures. It grows 
crystals on the surface that dull the normally glossy surface. Dirty 
glass can accellerate divit. The usual solution is to spray the glass 
to be fused with a costing of finely divided glass that tends to 
resist divitrification. Spray A is popular. Of course if there is 
loose frit on the glass it can not be sprayed.

Divitification is a function of time and temperature above about 
1100'F. So if the time is reduced the divit is less likely. The 
strain point of Spectrum is something over 900'F. The anealing point 
is 950'F. Above the strain point you can not crack the glass no 
matter how fast you advance. So.....

>Used Spectrum glass for the above project. Avoided divitrification 
by 
>running the kiln at max advance above the strain point 1000'F to 
fuse 
>and then crash cool to 1000'F. Did not want to use anti divit spray 

>due to loose frit. Good result.

If this is not clear please let me know, Bob


____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*She has a mind like a steel trap- with a broken spring.* Mrs. L.

--------------2EAD22F8419D--

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From owner-glass Thu Jun  4 16:56:27 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: still, yet even more!
Date: Thu, 4 Jun 1998 18:18:57 -0400 (EDT)
Message-ID: <199806042218.SAA26681@water.waterw.com>
Precedence: bulk

Hi Howard,

The point of the NEA thread was not to make a difference or change anyone's
opinion.  It was to stimulate some intelligent conversation on thought
provoking issues.
Which have to do with the life of an artist.  

my best,
pj 

I have no qualms with the discussion(s) on how to improve your GLASS, work,
>marketing, design, techniques, and the like....Why shucks, I have over the
>years even made suggestions as to marketing, efficiency, design and so on,
>as for the NEA (oops) diatribe and deep thinking, I think you have not MADE
>a whit of a difference in anyone's thinking and opinion of how the
>allocations and monies were used and or abused.
>Back to my "fly".........14" dragon that is!
>enjoy, H
>
>weaver51@teleport.com
>http://www.teleport.com/~cbs/howard
>enmeshed in the internet
>trapped in the world wide web
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Thu Jun  4 17:09:03 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Pricing Question
Date: Thu, 4 Jun 1998 18:53:48 -0400
Message-ID: <1998Jun4.145348.0>
Precedence: bulk

Hi all-

I'm finding myself in a possible
wholesale sales situation, and
debating whether I ought to think
about farming out some labor.  I
don't want employees on site, but
wonder about having someone do
leading, assembling, and that sort of
thing out of their homes.  What =

would be a good per piece price?  =

Let me give you a
specific example:

There seems to be a demand for
my crosses.  If I gave you cut pieces
of glass (four pieces for each)), you
would have to wrap them in U90
lead channel, same with one glob
for each cross.  Each piece would
then have to be soldered.  Then
the five pieces would be soldered
together in the form of a cross.  Then
you give those assembled crosses
back to me and get paid __(?)___
per cross. How many could you do
in one hour?  Keep in mind that =

wrapping with u-channel and soldering
lead takes a lot less time than foil.
Foil is not an option because after the
crosses are assembled I do extensive
wirework on them and the lead looks
and holds up better. However, if you =

have experience with this scenario using
foiled pieces, that per piece price might
be helpful.  Thanks for the feedback!

Best regards,

Dani Greer (who's waiting for more news
from Christie before making any major =

wholesale decisions!!) =

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From owner-glass Thu Jun  4 17:29:00 1998
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X-Path: mail2.nai.net!shad
From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Thistles
Date: Thu, 04 Jun 1998 18:57:07 -0400
Message-ID: <1998Jun4.14577.0>
References: <<199806030353.UAA11011@ark.com>>
Precedence: bulk

I once tried to design a thistle...I could not come up with a pattern small
enough or economical enough for the woman who asked.  just toooo much small
stuff in thistles.  I certainly could not get it to work as a suncatcher.
Dorothy

>



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From owner-glass Thu Jun  4 17:43:12 1998
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	for rglass-42; Thu, 4 Jun 1998 16:16:24 -0700 (PDT)
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Art Funding/children's programs re:Roger
Date: Thu, 04 Jun 1998 16:16:18 -0700
Message-ID: <1998Jun4.91618.0>
References: <<199806042033.QAA22203@water.waterw.com>>
Organization: Maiden Concepts
Precedence: bulk

I was thinking along this line this am.
I think some art forms like the ballet and symphony are akin to
endangered species.
I would not buy tickets for either, I would not use tickets for either
if they were given to me and I would have a hard time finding someone
else to give them too.
But, I want ballet and symphony around for my children and grandchildren
and great-grandchildren.  Who knows, it may be the most popular form of
dance and music in future generations.
I don't get upset with the government trying to save endangered
species(I live in Oregon, I know all about the spotted owl.  So please
don't start up).  Again we can argue how the government goes about this.
But I hope I am right in thinking that most of you do not want a species
to die out.
Therefore why would you want an art form to die out.
Sorry I am busy and this is not said well.
Hope you, if you care, get the gist of my meaning.
----
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From owner-glass Thu Jun  4 18:02:18 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Why people don't buy art
Date: Thu, 04 Jun 1998 16:27:13 -0700
Message-ID: <1998Jun4.92713.0>
References: <<22003824404398@netbridge.net>>
Organization: Maiden Concepts
Precedence: bulk

Speaking as a person from a lower middle income class.
We can't afford it.
If we admire it, and we can, we do it ourself. Or go without.
The majority of people do not recognize the work that goes into it.
People like myself do know, but could never spend the money.  House
bills, food, car and the kids come first and there is never enough money
at the end of the month.
Of course we go to Wal=mart and settle for 32ndth best.
I don't know if it is true, but we are now suppose to be a nation mainly
populated by the poor.  Middleclass is a minority.  Or maybe middleclass
equilvalent of my youth, which was some time ago.
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From owner-glass Thu Jun  4 21:51:34 1998
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From: <AlexG2@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: kiln recommendations
Date: Thu, 4 Jun 1998 23:21:17 EDT
Message-ID: <1998Jun5.32117.0>
Precedence: bulk

Hi, everyone

For a glass enthusiast interested in learning to fuse glass, what type of kiln
would you recommend?  Manufacturer? Model? Cost?

Thanks
Alex Gacic
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From owner-glass Thu Jun  4 23:28:28 1998
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From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Why people don't buy art
Date: Fri, 5 Jun 1998 01:35:40 EDT
Message-ID: <1998Jun5.53540.0>
Precedence: bulk

In a message dated 98-06-04 21:03:41 EDT, you write:

<< 
 Speaking as a person from a lower middle income class.
 We can't afford it.
 If we admire it, and we can, we do it ourself. Or go without.
 The majority of people do not recognize the work that goes into it.
 People like myself do know, but could never spend the money.  House
 bills, food, car and the kids come first and there is never enough money
 at the end of the month.
 Of course we go to Wal=mart and settle for 32ndth best.
...... >>


It's the same with us. We live payday to payday. It's not that we don't kow to
save money or that we don't want to save. But after paying all the bills and
buying food there is very little left over. Many times we don't make it to the
next paycheck. 

We just moved back to our house that we had been renting due to Navy moves.
The renters have done a fine job in destroying it. All our extra money goes to
fixing it up.

A movie once in a while and a little glass to make gifts for birthdays and
Christmas is about our only fun things.  My husband retires from the Navy in a
few weeks, and is looking for a better paying job. 

I see lots of things I would love to buy but "art" is at the end of the list.
And I don't even know anyone who can afford "fine art". 

Dianne
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From owner-glass Thu Jun  4 23:54:30 1998
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	for rglass-42; Thu, 4 Jun 1998 23:08:41 -0700 (PDT)
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X-Path: hotmail.com!midwich_cuckoo
From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: GLASS@BUNGI.COM, GreerStudios@compuserve.com
Content-Type: text/plain
Subject: Re: Pricing Question
Date: Thu, 04 Jun 1998 23:00:10 PDT
Message-ID: <1998Jun5.6010.0>
Precedence: bulk


The bigger issue is your liability - is this a relative you trust to 
never sue you over lead poisoning?  What if they or their kids get cut.  
It is a lawsuit-crazy world out there.

>From owner-glass@daver.bungi.com Thu Jun  4 17:13:16 1998
>Received: by daver.bungi.com
>	via smail with stdio
>	id <m0yhivO-00018Ga@daver.bungi.com>
>	for rglass-42; Thu, 4 Jun 1998 15:55:58 -0700 (PDT)
>	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
>X-Path: compuserve.com!GreerStudios
>From: "Michael J. Greer" <GreerStudios@compuserve.com>
>To: All <GLASS@BUNGI.COM>
>Content-Type: text/plain; charset=ISO-8859-1
>Subject: Pricing Question
>Date: Thu, 4 Jun 1998 18:53:48 -0400
>Message-ID: <1998Jun4.145348.0>
>Precedence: bulk
>
>Hi all-
>
>I'm finding myself in a possible
>wholesale sales situation, and
>debating whether I ought to think
>about farming out some labor.  I
>don't want employees on site, but
>wonder about having someone do
>leading, assembling, and that sort of
>thing out of their homes.  What =
>
>would be a good per piece price?  =
>
>Let me give you a
>specific example:
>
>There seems to be a demand for
>my crosses.  If I gave you cut pieces
>of glass (four pieces for each)), you
>would have to wrap them in U90
>lead channel, same with one glob
>for each cross.  Each piece would
>then have to be soldered.  Then
>the five pieces would be soldered
>together in the form of a cross.  Then
>you give those assembled crosses
>back to me and get paid __(?)___
>per cross. How many could you do
>in one hour?  Keep in mind that =
>
>wrapping with u-channel and soldering
>lead takes a lot less time than foil.
>Foil is not an option because after the
>crosses are assembled I do extensive
>wirework on them and the lead looks
>and holds up better. However, if you =
>
>have experience with this scenario using
>foiled pieces, that per piece price might
>be helpful.  Thanks for the feedback!
>
>Best regards,
>
>Dani Greer (who's waiting for more news
>from Christie before making any major =
>
>wholesale decisions!!) =
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>


______________________________________________________
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From owner-glass Fri Jun  5 00:12:56 1998
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X-Path: hotmail.com!midwich_cuckoo
From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com, weaver51@teleport.com
Content-Type: text/plain
Subject: Re: still, yet even more!
Date: Thu, 04 Jun 1998 22:52:01 PDT
Message-ID: <1998Jun5.5521.0>
Precedence: bulk


Odyssey or Worden?


>From owner-glass@daver.bungi.com Thu Jun  4 14:17:12 1998
>Received: by daver.bungi.com
>	via smail with stdio
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>	for rglass-42; Thu, 4 Jun 1998 12:36:11 -0700 (PDT)
>	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
>X-Path: teleport.com!weaver51
>From: "Howard and Elaine Rubin" <weaver51@teleport.com>
>To: "glass@ bungie.com" <glass@bungi.com>
>Content-Type: text/plain;
>Subject: still, yet even more!
>Date: Thu, 4 Jun 1998 08:51:17 -0700
>Message-ID: <1998Jun4.15117.0>
>Precedence: bulk
>
>I have no qualms with the discussion(s) on how to improve your GLASS, 
work,
>marketing, design, techniques, and the like....Why shucks, I have over 
the
>years even made suggestions as to marketing, efficiency, design and so 
on,
>as for the NEA (oops) diatribe and deep thinking, I think you have not 
MADE
>a whit of a difference in anyone's thinking and opinion of how the
>allocations and monies were used and or abused.
>Back to my "fly".........14" dragon that is!
>enjoy, H
>
>weaver51@teleport.com
>http://www.teleport.com/~cbs/howard
>enmeshed in the internet
>trapped in the world wide web
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>


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From owner-glass Fri Jun  5 00:17:55 1998
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X-Path: hotmail.com!midwich_cuckoo
From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com, cmccall@dean.med.ufl.edu
Content-Type: text/plain
Subject: Re: Thistles
Date: Thu, 04 Jun 1998 23:11:10 PDT
Message-ID: <1998Jun5.61110.0>
Precedence: bulk


The book is Stained Glass Basics and it is on page 50.  The way they do 
the thistle is to use Spectrum green (the teal, not the medium green) 
for the leaves (make the edges kind of raggedy), then come up to the 
flower.  Make the bottom 1/2 out of the green and then for the thistle 
part, use Uroboros pale purple reeded glass (striated lines).

Looks real sharp.  Check it out if you get the chance - this is a best 
seller book (comes in both hard and soft and is kind of pricey in the 
hardbound edition).

>From cmccall@dean.med.ufl.edu Tue Jun  2 13:35:43 1998
>Received: from dean.med.ufl.edu (dean.med.ufl.edu [128.227.59.70])
>	by smtp.ufl.edu (8.8.7/8.8.7/1.5.1) with ESMTP id PAA26494
>	for <midwich_cuckoo@hotmail.com>; Tue, 2 Jun 1998 15:56:10 -0400
>Received: from DOCOM/SpoolDir by dean.med.ufl.edu (Mercury 1.21);
>    2 Jun 98 15:56:09 EST
>Received: from SpoolDir by DOCOM (Mercury 1.21); 2 Jun 98 15:56:01 EST
>From: "Candice McCall" <cmccall@dean.med.ufl.edu>
>Organization: Dean's Office, College of Medicine
>To: "Roger Thornhill" <midwich_cuckoo@HOTMAIL.COM>
>Date: Tue, 2 Jun 1998 15:55:54 EST5EDT
>MIME-Version: 1.0
>Content-type: text/plain; charset=US-ASCII
>Content-transfer-encoding: 7BIT
>Subject: Re: Thistles
>Priority: normal
>In-reply-to: <19980602195336.24535.qmail@hotmail.com>
>Message-ID: <D30D347B81@dean.med.ufl.edu>
>
>Yes, thanks very much. I would greatly appreciate 
>it.
>
>Candice
>


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From owner-glass Fri Jun  5 00:47:45 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------985D710C3EF222C8CFF97DD9"
Subject: O.K. Patrick-Pam's Bio
Date: Fri, 05 Jun 1998 00:06:11 -0700
Message-ID: <1998Jun4.17611.0>
Organization: Moswood Mountain Limited
Precedence: bulk

This is a multi-part message in MIME format.
--------------985D710C3EF222C8CFF97DD9
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Well I must say I don't believe I am old enough for a bio, but will give
it a shot. Lived a John and Yoko reckless, wild and fun adolescence that
at times continues today. Modeled and Married at 21 a dysfunctional
revert and had a wonderful daughter out of the deal. She is 12, well
almost 12 going on 25. Divorced the dysfunctional revert (we are best of
friends now) when I caught the 7 year itch and married my current spouse
who was my high school sweetheart.

Decided that I should develop my inner self and express some positive
creativity, well that's what my therapist said I should do anyway. So I
started designing jewelry using sterling silver and gemstones, ahhh
gemstones, good therapeutic advise. Although my current husband would
call it an excuse to spend money. The dewalt tools will tell that story
anyway, in the meantime I ran another business, a daycare for kids from
0 to 5 years of age and became pregnant with my second child he is 2
today. Decided that I will not have another child for fear my mental
health bills will be too high. My obsession, passion, love and joy is
stained glass oh yeah, and my kids too. My favorite stained glass
projects involve stepping stones. I don't like to do what everyone else
has done so I keep my stones very unique. I'm still involved in
designing jewelry, glass painting, beaded lampshades using Swarovski
Austrian crystals mostly and interior design. The project I have on my
work table at the moment is a stained glass low voltage yard light.
Drawback to this: Now all of my neighbors want them for their place, my
sister in Santa Barbara wants them for her place, my other sister is too
busy swimming with the dolphins in the bahamas to care. So I will be
working on this for the rest of the summer season I believe.  I was
fortunate to find and appreciate art later in life than none at all. My
most difficult hurdle to overcome had nothing whatsoever to do with art
but what I'm typing on at this very moment, my friend and yours the
computer. Bought one without even the slightest clue on how to turn it
on let alone run programs. Learned this in 2 months and had my web page
up and running. Went back into therapy after that. Have found the
diversity among artists here to be highly entertaining, enriching and
thought provoking. So I leave you all with this little thought for the
day.
Regards~Pamela
Art is a higher type of knowledge than experience~ Aristotle

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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Re: Why people don't buy art
Date: Fri, 05 Jun 1998 01:20:46 -0700
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***Why is football ALWAYS better funded than art? Whenever a school tax
levy
***comes up, the schools threaten that if it doesn't pass, the
football/sports
***programs will have to be cut. If it doesn't pass, art and music are
cut.

In regards to this question in our school district football means money
therefore it will always be of more importance. In our state football
means money, I live in the let Paul Allen buy a team, tear down the
Kingdome and heck put up a new and multi-million dollar improved one
State known as Washington. And of course we all know the Seahawk records
throughout the years have been soooo money making.

***Many people think art is always personal and deep and meaningful, but
in
***some cases, is this stereotype accurate?

In regards to Kevins out of text question~
I buy art that is deep and meaningful to me. I have purchased beautiful
paintings from a local artist whose main focus is our coastal region.
All of the paintings are of well known area's that I have been to as a
child and adult. So every time I glance at her painting it brings back a
flood of memories for me. Her technique is mostly done with a knife and
very little brush. The paintings are very lifelike and beautiful.
Expensive yes, worth a mint in the future for investment sake, don't
know, don't care really. They are worth every penny to me.
Regards~Pam

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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: New site, very nice
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Date: Fri, 5 Jun 1998 05:24:29 +0000
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If you're interested, there's some nice glass at
http://www.derix.com/

Albert
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From owner-glass Fri Jun  5 03:33:13 1998
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From: Rick Lasita <pebble@fuse.net>
To: Pamela Burns-Tappan <ptap@pacifier.com>
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Subject: Re: Why people don't buy art
Date: Fri, 05 Jun 1998 05:40:56 -0400
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Pamela Burns-Tappan so accurately wrote:
> 
> ***Why is football ALWAYS better funded than art? 

The same is true here in Cincinnati. The voters in this county got
dupped into a sales tax increase to fund a stadium for the Bengals, Mike
Brown couldn't get his way, threated to leave town, and the city bent
over backwards. The public school system in Cincinnti, and the State of
Ohio for that matter sucks, but we have football, or what claims to be
football. We do have The Fine Arts Fund in Cincinnati, sort of the
United Way for the arts. Most of the larger corporations contribute,
along with a tax deductible contribution from the employees. What I find
intrsting is that the same person that contributes to the Fund, will
bitch about a levy for schools. My two cents, or is it a nickel now?

Rick Lasita
http://home.fuse.net/crafts
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Kevin Longshore <Kevin.Longshore@digital.com>
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Subject: Re: Suggestions for next weeks topic
Date: Fri, 5 Jun 1998 08:10:16 -0700 (PDT)
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Hi Kevin:  Your topic seems to be one we all grapple with at one time or
another...how to price your products and still make a living.  You
described an assembly line activity.  Most manufacturers do this because
it is more efficient.  One person who specializes and repeatedly turns out
quality work for their area of speciality.  In stained glass, we each try
to do it all...being good in one area and not so good in another.  If you
look at the work people have for sell in stained glass booths at art and
craft fairs you can find excellent work or poor quality.  For the average
person, they only know it is stained glass.  Some of my students get
enthusiastic and report their sales of items they make...some of it is
pretty bady but they still command excessively high prices. 

Because the man liked the handpainted lamp shades doesn't really take away
from the beauty of the lamp, the producers have just invented a way to
handpaint and still make the profit we wish we could make.

As a stained glass artist, I would never appreciate that type of lamp, but
then maybe we don't do enough marketing of our products??  Peggy

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Subject: [Fwd: New site, very nice]
Date: Fri, 05 Jun 1998 08:23:38 -0700
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Oh Albert what a great site, your right. Loved the Rosh Chodesh~New Moon
on page 5. Wow!
Thanks, Pam

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If you're interested, there's some nice glass at
http://www.derix.com/

Albert
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From owner-glass Fri Jun  5 10:13:16 1998
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To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Why people don't buy art...sure they do!
Date: Fri, 5 Jun 1998 08:53:23 -0700
Message-ID: <1998Jun5.15323.0>
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People DO buy art, there seems to a minor glitch as to just what is art!
We seem to evaluate art as to the price tag on it.
Short case in point, a very busy, and high pressure gallery had a limited
edition of "fine art" for sale. He talked his original "investors" into
buying it solely for re-sale, and even heard him making sales over the phone
to people who had not even seen it.
It was being shown to "select" buyers touting the re-sale market for it. I
USED to show there (and yes he pushed my and sold my shades, too). Looked at
a bunch of lines and squiggles on paper, the "art" seemed to be viewable
from any of the 4 standard positions and none of them seemed "wrong". Owner,
after selling the original edition, called on his list of patrons to
re-purchase them on the secondary market for more money than the original
cost and increased the price as well. It seemed the more the cost and
demand, the higher the sales and turnover went. Marketing seems to play a
stronger part than the content. I also took part in this investment!!!! Got
off the train with a profit.

Anyone familiar with the limited "Doolittles", a sad fact of ONLY 60,000 or
so prints.
"                                              "  John Nieto's, a fine fact
of only 195 serigraphs

The value seems to be set by the marketing, rather than the content.
Anything is WORTH what someone will pay for it.

I HAVE some original oils, (valuable) a few of serigraphs some hot glass,
and more than 50 art/craft decorative items I have traded my shades for.
That translates to OTHER artists/craftspeople having and showing my shades
as well. I have also traded for custom art (murals, furniture painting,
hand-made tiles,and other useful applications).
I get what appeals to me, and also look to a possible re-sale in the future,
as there are no pockets in a shroud and I have never seen a hearse with a
u-haul attached!

enjoy, H




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From owner-glass Fri Jun  5 10:32:19 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
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Subject: Re: Why people don't buy art
Date: Fri, 5 Jun 1998 07:27:52 -0700 (PDT)
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>Hi all,
A couple years back I was able to take courses 1 & 2  called "Your Art is
your business". Which is annually in Wells, BC and very informative and lots
of fun.
The speaker  I was interested in meeting on the 2nd course (2nd yr.) was 
Gary David Markovich, (successful etching artist) and his topics were;
Marketing on the Net
Pricing
Artist guide to personal and professional success.

He had worked out a formula of sales in art as he saw it.
95% of all art sold is under 200.00
95% ....2,2375,500.00 under 200.00
3.5%.... in the 200.00 - 750.00 range
1%.... in the 750.00 - 1500.00 range
.05%... in the 1500.00 to 5,000.00, 5,000.00 to 10,000.00 and 10000.00 and up
 
He had said, (which I beleive is true), is that people no longer buy "as
much" art now a days as they use to because they're are buying more home
entertainment ie; computers, stereo's and that sort of thing instead of
putting things on their walls and such.

A friend of mine is a rock carver and I watch his sales:)
He does sell on the high end, but it appears he sells alot more on the lower
end.
Smiles,Cindy



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>
>

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Date: Fri, 5 Jun 1998 12:10:40 EDT
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In a message dated 98-06-05 05:18:39 EDT, you write:

<< 
 ***Why is football ALWAYS better funded than art? Whenever a school tax
 levy
 ***comes up, the schools threaten that if it doesn't pass, the
 football/sports
 ***programs will have to be cut. If it doesn't pass, art and music are
 cut.
  >>




I hate to say this, I have always thought of football and other rough sports
as a substitute for war. It appeals to that killer instinct. All you have to
do, is just listen to a sports fan as they talk back to the TV. My father was
the worst. And he never understood my need for doing arty things.

I thank God every day my husband is also an arty person. He painting the
library right now in a decorative texture. 


Dianne
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From owner-glass Fri Jun  5 10:48:03 1998
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Subject: Re: Why people don't buy art
Date: Fri, 5 Jun 1998 12:30:28 EDT
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In a message dated 98-06-05 06:36:23 EDT, you write:

<<  
 > ***Why is football ALWAYS better funded than art? 
 
 The same is true here in Cincinnati. The voters in this county got
 dupped into a sales tax increase to fund a stadium for the Bengals,..... >>


I live in Jacksonville, FL and you can't go anywhere without being hit over
the head with Jaguar this and Jaguar that. Downtown has giant paw prints
painted on the streets leading you to the stadium. And several buildings have
Jaguars painted on them (does this constitute art?)

I really don't have anything against sports. But my street hasn't been paved
in 15 years ( a big sore spot with me) and the garage collection here is
terrible. 

But by God, we have a brand new multi-million dollar stadium, paid for with my
tax dollars.

Dianne
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From: leestat7 <leestat7@home.com>
To: Albert Lewis <alewis@vgernet.net>
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Subject: Re: New site, very nice
Date: Fri, 05 Jun 1998 12:14:10 -0400
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Yes Goodness ,

Some of the installations challenge the technical aspect (I wonder how
they did this one)
http://www.derix.com/gallery13.html
It rotates too!!!

Beautiful.

Some of the list members had a thread of suspended ceilings in stained
glass, several of the gallery images show this type of installations.

Lee Boe
Rain-Boe's Creations

Albert Lewis wrote:
> 
> If you're interested, there's some nice glass at
> http://www.derix.com/
> 
> Albert
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> Some of the installations challenge the technical aspect (I wonder how
> they did this one)
> http://www.derix.com/gallery13.html
> It rotates too!!!

I can't even begin to imagine what its cost might have been. The 
scale is enormous - 32 feet in the longest dimension! - and the 
engineering needed to rotate it kinda boggles the mind.

Albert
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From owner-glass Fri Jun  5 11:40:23 1998
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Subject: Busy, busy
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Date: Fri, 5 Jun 1998 13:41:46 +0000
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Yesterday I had a request from a gallery owner for members of the 
Guild doing glass in Virginia, DC, North and South Carolina, and 
Tennessee.  I'd been meaning to build that page for months and now I 
have finished and uploaded it.

http://www.bungi.com/glass/igga/guildlis.htm

Next: create banners to scatter all over the web inviting everyone to 
find a studio or glass artist near them. Now that the means is 
available for them to look it up, I might as well do that, too.

Albert
 
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: New site, very nice
Date: Fri, 5 Jun 1998 13:08:15 -0400 (EDT)
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Interesting concept the studio has.
Really enjoyed it...thanks.

my best,
pj

>If you're interested, there's some nice glass at
>http://www.derix.com/
>
>Albert
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>

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From owner-glass Fri Jun  5 12:03:36 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Ahh Football
Date: Fri, 05 Jun 1998 10:38:41 -0700
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This is a multi-part message in MIME format.
--------------5BF5A27358C73D43FF59B95A
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Well Rick couldn't agree with you more. Although I have no room to
complain Mr. Allen has quite a substantial amount of excess cash (he
also owns the Portland Trailblazers lest we forget Nike). He also
acquired his money by hard work, sort of rags to riches. Served in
Vietnam and started his Nike bus. with combat buddies. He is also a
major contributor to many different organizations all around the world.
Washington State did not increase the sales tax, close to half of the
new stadium is funded by Paul Allen. How much revenue does the State of
Washington receive due to the Seahawks, well none of the voters could
get a figure on that. Mr. Allen also sent each voter in this state a
letter explaining his goals and future for the team if you can imagine
that! I have always loved the Bengals but you sure can have your
increased sales tax. Maybe Cincinnati should buy more Nike....
Regards~Pam the football fan

--------------5BF5A27358C73D43FF59B95A
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n:              President~;Pamela Burns-Tappan~
org:            http://www.pacifier.com/~ptap/index.html
email;internet: ptap@pacifier.com
title:          Moswood Mountain Limited
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From owner-glass Fri Jun  5 12:27:02 1998
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From: <MD6868@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Door panel repair,brass came
Date: Fri, 5 Jun 1998 14:30:20 EDT
Message-ID: <1998Jun5.183020.0>
Precedence: bulk

While I;ve done many repairs of copper foil, lead came, and even zinc camed
pieces, I'm currently facing the repalacemet of a cracked piece at the lower
left corner of a door panel that is about 52" high, 24" wide, which is done in
brass came. I've never worked with brass came.

The piece to be replaced is rectangular, about 6"x10", and has only one
rounded corner.The panel is held in the door with 1/4 round.

Can I replace this without taking the panel out(is there any give in the brass
came?)
Or should I just figure on opening and re-soldering the joints.
I know thaat this will have to be puttied, etc, but I was hoping that I might
just be able to slip this in, and properly reglaze that  section.

Thanks in advance

Richard Callahan
Glassics, Inc.
Valencia, Ca.
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From owner-glass Fri Jun  5 12:43:17 1998
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X-Path: ppp36.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: RE: Hope this is not offensive
Date: Fri, 5 Jun 1998 14:38:20 -0400
Message-ID: <199806051838.OAA00328@ppp36.uwaterloo.ca>
References: <<1998May27.15506.0>>
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Robert E Jones twists the bytes to say:

 Robert> On Wed, 27 May 1998, Glenn Spicer wrote:

 >> >From the sounds of this thread perhaps we should eliminate art galleries, theaters, and the Olympics while we are at it.
 >> Glenn Spicer, 
 >> The Studio Metamorphoses, BC, Canada

 Robert> No one said nor implied that!  If art can't support itself, then it isn't 
 Robert> something that people want to look at or don't enjoy.  Why then should 
 Robert> taxpayers be ask to support it.  IF a gangster rapper asked for money so 
 Robert> that he/she could make another albums to promote the killing of 
 Robert> policeman, should we also give them money?

Ahhh, the eternal feeling that the taxpayer knows best where to spend
the money, so pervasive south of Canada and north of Mexico. Let the
politicians decide, and if you don't like their choices, then don't
reelect them --or run for office, that another choice. Taxes pay many,
many things that people would never accept to pay if ask to, and they
make our world better.



--
Daniel M. German                  "Science can be esoteric
    The Economist ->               technology has to be pragmatic"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Fri Jun  5 12:53:42 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re:Where is Daniel when we need him? was: Okay, I call your bluff
Date: Fri, 5 Jun 1998 15:01:13 -0400
Message-ID: <199806051901.PAA00346@ppp36.uwaterloo.ca>
References: <<1998May28.115927.0>>
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I am certainly way behind this thread, but I'd like to express my voice.

 >> Albert,
 >> 
 >> Please supply your resources from which you determined that "Most
 >> developed countries throughout the world proudly and thoroughly support
 >> the arts."
 >> 
 >> 
 >> Give me the statistics so I will shut my mouth - but I think there are
 >> no statistics to back the statement that we (the U.S.) are way behind -
 >> we spend more per capita on the arts (all arts) than most developed
 >> countries.  Certainly I don't expect to see the former Soviet Union,
 >> China, Ireland, Poland, Mexico, Egypt or Scotland making the list.  In
 >> fact, the only ones I can think may even fall on this list would be
 >> Canada, England, France and maybe Germany - hardly "most".  And of those
 >> 4, I don't know that we are "way behind".  Please, enlighten me.

Albert, you miss an important point. The US is the country with the
largest GDP of the world, in other words, the richest. Its GDP is
around 100 times the one from Mexico with 4 times its population. No
wonder you can spent more money in arts per capita and total than we
(Mexicans)  can.

Let me draw an analogy. Lets assume we have two families: one in upper
rich Silicon Valley and another in the Bronx. THe former has a
combined income of 1 million and the latter one of 10,000. The former
has decided to buy 5 highly sophisticated, nicely printed coffee-table
painters books. Total cost $1000. The latter expends 20 dollars in the
subway and tickets to go to a NY museum. Who has spent more? THe rich
family spent 1 thousandth of their income in "art", while the poor
family spent a five-hundredth. I would argue that for the poor it was
a biggest strain and most likely a better, more educative experience
(they saw the originals) while the rich family can praise for their
good taste in books with their neighbors and potentially never even
browse them.

The point is how we spent our money to maximize our gain. That is the
question that politicians have to answer. We, as a society --at least
the part in which I live-- value art as an integral part of us and we
expect the government to continue to fund galleries, museums and
national monuments and potentially new artists. 



--
Daniel M. German                  "There is no democracy in physics.
                                   We can't say that some second-rate
                                   guy has as much right to opinion.
   Luiz Alvarez ->                 as Fermi"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Fri Jun  5 12:57:53 1998
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X-Path: aol.com!PDRUSS
From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Why people don't buy ar
Date: Fri, 5 Jun 1998 14:46:58 EDT
Message-ID: <1998Jun5.184658.0>
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In a message dated 98-06-05 14:40:21 EDT, you write:

<< 
   I can top that. Baltimore is getting ready to open a brand new stadium for
 the Ravens this year. A stadium paid for not by the owner, but by tax $$$.
But
 yet the owner gets to sell the naming rights to some corporation for millions
 of $$ .  >>


That's what they did here. 

Alltel Stadium---named for the phone company.

Doesn't matter, no one calls it that. Everyone still called it the Gator Bowl.

Dianne
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From owner-glass Fri Jun  5 13:10:32 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re:Ahh Football
Date: Fri, 5 Jun 1998 15:21:13 -0400
Message-ID: <199806051921.PAA00363@ppp36.uwaterloo.ca>
References: <<1998Jun5.33841.0>>
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Pamela Burns-Tappan twists the bytes to say:

 Pamela> This is a multi-part message in MIME format.
 Pamela> --------------5BF5A27358C73D43FF59B95A
 Pamela> Content-Type: text/plain; charset=us-ascii
 Pamela> Content-Transfer-Encoding: 7bit

 Pamela> Well Rick couldn't agree with you more. Although I have no room to
 Pamela> complain Mr. Allen has quite a substantial amount of excess cash (he
 Pamela> also owns the Portland Trailblazers lest we forget Nike). He also
 Pamela> acquired his money by hard work, sort of rags to riches. Served in
 Pamela> Vietnam and started his Nike bus. with combat buddies. He is also a
 Pamela> major contributor to many different organizations all around the world.

Pamela, I think you got the names wrong. Mr. Allen is a child of the
technology revolution. The buddy of Billy Gates, he made most of his
fortune out of Microsoft, he certainly worked hard, but not too
hard. In his own words, "it was fun". He was at the right time at the
right moment. He was the technical brain of Microsoft when it was a
two persons company. I remember his stock in Microsoft rose in 3
months --before the vote-- enough to pay for the new stadium. They are
businessmen, not dumb. The ones who appear dumb are the citizens of
those cities who are sooo loyal to their teams that are willing to get
screwed by them in an effort to keep them in their cities. 

The CEO of Nike --whose name I don't recall now-- was the one selling
shoes from the trunk of his car.

 Pamela> Washington State did not increase the sales tax, close to half of the
 Pamela> new stadium is funded by Paul Allen. How much revenue does the State of
 Pamela> Washington receive due to the Seahawks, well none of the voters could
 Pamela> get a figure on that. Mr. Allen also sent each voter in this state a
 Pamela> letter explaining his goals and future for the team if you can imagine
 Pamela> that! I have always loved the Bengals but you sure can have your
 Pamela> increased sales tax. Maybe Cincinnati should buy more Nike....
 Pamela> Regards~Pam the football fan



--
Daniel M. German                  "The energy of the world is constant.
   Rudolf Clausius ->              Its entropy tends to a maximum."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Fri Jun  5 14:56:41 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------C4D810E4A6E6D188ED7F5CD3"
Subject: Re: Football
Date: Fri, 05 Jun 1998 13:50:53 -0700
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This is a multi-part message in MIME format.
--------------C4D810E4A6E6D188ED7F5CD3
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Yes Daniel I'm out of my purple haze for the day. Phil Knight own's
Nike, shame on me.

Regards~Pam

--------------C4D810E4A6E6D188ED7F5CD3
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begin:          vcard
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org:            http://www.pacifier.com/~ptap/index.html
email;internet: ptap@pacifier.com
title:          Moswood Mountain Limited
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From owner-glass Fri Jun  5 15:12:36 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Arts funding
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 5 Jun 1998 16:46:09 +0000
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> Albert, you miss an important point. The US is the country with the
> largest GDP of the world, in other words, the richest. Its GDP is
> around 100 times the one from Mexico with 4 times its population. No
> wonder you can spent more money in arts per capita and total than we
> (Mexicans)  can.

Oh, I'm always missing points. <s> But I note that, for example, 
Germany with its 80 million population at $40/year per cap average 
spends $3,240,000,000 while the U.S. with its 267.6 million 
population (7/97) at $.38 spends $101,690,000. In other words, 
Germans outspend Americans in the funding of the arts by a factor of 
32:1. Embarrassing.

What you say about rich families (countries) spending less 
percentage-wise assuming they're spending the same amount is true. 
Comparing American and German economies is pretty much apples to 
apples, though. The Mexican economy isn't nearly what those two are.

> The point is how we spent our money to maximize our gain. That is the
> question that politicians have to answer. We, as a society --at least
> the part in which I live-- value art as an integral part of us and we
> expect the government to continue to fund galleries, museums and
> national monuments and potentially new artists. 

Well said and I agree absolutely. Not everyone who participated in 
this now mostly moribund conversation agreed, though, even though 
they themselves were active in the arts.

Albert
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From owner-glass Fri Jun  5 15:27:42 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re:Ahh Football
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> fortune out of Microsoft, he certainly worked hard, but not too
> hard. In his own words, "it was fun". He was at the right time at the
> right moment. He was the technical brain of Microsoft when it was a
> two persons company.

Well, some of us think working 16 hours a day is fun, myself included 
and, I suspect, Mr. Allen. For other people, four hours a day is far 
too much and not fun at all. I'm not sure how much serendipity was 
involved in making Mr. Allen rich. Microsoft makes good products that 
"do the job." For that, any businessperson or, for that matter, 
artist/craftsperson, should be well rewarded.

Albert
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From owner-glass Fri Jun  5 15:43:57 1998
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From: Louise Maheux <lmayhew1@maine.rr.com>
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Date: Fri, 05 Jun 1998 17:46:19 -0400
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Please take me of your list to receive all the emails.
Thank you,
Louise Maheux
address
lmayhew1@maine.rr.com


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From owner-glass Fri Jun  5 16:32:17 1998
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Date: Fri, 5 Jun 1998 18:30:14 EDT
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In a message dated 98-06-05 15:44:26 EDT, you write:

<< 
 Ahhh, the eternal feeling that the taxpayer knows best where to spend
 the money, so pervasive south of Canada and north of Mexico. Let the
 politicians decide, and if you don't like their choices, then don't
 reelect them --or run for office, that another choice. Taxes pay many,
 many things that people would never accept to pay if ask to, and they
 make our world better.
  >>


I don't want to start a fight. But I have a hard time when it comes to
spending my tax dollars for a huge new stadium for the sole reason of drawing
tourist to the city. When the city fathers won't spend even a small fraction
of that "multi million dollars" to fix the streets of the taxpayers who live
here, who are the ones who provide the tax money in the first place.   We are
talking 1/4 to 1/2 of all the streets in the city. Can't drive anywhere on the
Westside or Southside and not hit a pothole. 

And they really need to train the garage collecters better. Two months ago I
moved to this house, went out & bought a brand new extra large trash can on
wheels, because I have a bad back. The second week I put out the trash the
collectors threw the can in the middle of the street and danaged the wheels.
It doesn't roll anymore. I called the garage collectors number in the city
government pages of the phonebook, and got lied to about how a supervisor
would come out and check it out. He never showed up. Now I have to *drag* the
can to the street (can't afford a new one) and spend half the day laying on
the heat pad. Last week they only emptied half the can and I had 2 week old
garage hanging around in the lovely hot Florida weather. 

Next time they miss my garage I'm taking it down to the stadium and dumping it
at the front gate.

Bitter??  Noooo  * I'm* not bitter.  :(


Dianne:::::::::who can't wait to leave this city, been trying to talk my
husband into it for over a year.

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From owner-glass Fri Jun  5 17:39:19 1998
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From: Tperri@tcsb.net
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Subject: test
Date: 5 Jun 1998 20:00:06 EDT
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This is a test

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From owner-glass Fri Jun  5 17:54:14 1998
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X-Path: tcsb.net!Tperri
From: Tperri@tcsb.net
To: glass@bungi.com
Subject: surgeon pattern
Date: 5 Jun 1998 19:55:04 EDT
Message-ID: <m0yi6QW-00004BC@daver.bungi.com>
Precedence: bulk

I am looking to make a panel for a surgeon friend of mine. I would
appreciate any leads on patterns of doctors or any idea of what type of
panel to make.


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From owner-glass Fri Jun  5 18:43:53 1998
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From: "M. Savad" <morn@nac.net>
To: Tperri@tcsb.net
Content-Type: text/plain; charset=us-ascii
Subject: Re: surgeon pattern
Date: Fri, 05 Jun 1998 21:05:24 -0400
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Tperri@tcsb.net wrote:
> 
> I am looking to make a panel for a surgeon friend of mine. I would
> appreciate any leads on patterns of doctors or any idea of what type of
> panel to make.
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


there's a book just on medical stuff, it's about $20.00 but... i forget
the name, or who makes it. i'm sure someone on the list can remember.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sat Jun  6 05:52:37 1998
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From: <Beveler4@aol.com>
To: Glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Door panel repair,brass came
Date: Sat, 6 Jun 1998 08:13:54 EDT
Message-ID: <1998Jun6.121354.0>
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Unfortunately Brass came is very unforgiving in my experience you will have to
pull it out and take it apart. I use a gold paint pen to touch up the solder
joints. It usually comes pretty close to a match. Good Luck!!  Beveler4 (Stan)
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From owner-glass Sat Jun  6 06:24:13 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: surgeon pattern
Date: Sat, 6 Jun 1998 05:36:39 -0700 (PDT)
Message-ID: <199806061236.FAA09841@ns2.vphos.net>
Precedence: bulk

>I was looking thru some clipart in the medical and think that the medical
symbol would look nice. And if you could incorporate the person's name and
title in a sandblasting or acid cream etching that would really personalize it.
Cindy
>
>Tperri@tcsb.net wrote:
>> 
>> I am looking to make a panel for a surgeon friend of mine. I would
>> appreciate any leads on patterns of doctors or any idea of what type of
>> panel to make.
>> 
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>
>
>
>
>-- 

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>
>

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From owner-glass Sat Jun  6 07:24:07 1998
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Date: Sat, 6 Jun 1998 10:01:09 EDT
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I don't want all these messages no more.
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From owner-glass Sat Jun  6 09:20:25 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: bio # 26 Pamela Burns-Tappan
Date: Sat, 6 Jun 1998 09:37:25 -0500
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Well I must say I don't believe I am old enough for a bio, but will give
it a shot.

 Lived a John and Yoko reckless, wild and fun adolescence that
at times continues today. Modeled and Married at 21 a dysfunctional
revert and had a wonderful daughter out of the deal. She is 12, well
almost 12 going on 25. Divorced the dysfunctional revert (we are best of
friends now) when I caught the 7 year itch and married my current spouse who
was my high school sweetheart.

Decided that I should develop my inner self and express some positive
creativity, well that's what my therapist said I should do anyway. So I
started designing jewelry using sterling silver and gemstones, ahhh
gemstones, good therapeutic advise. Although my current husband would call
it an excuse to spend money. The dewalt tools will tell that story anyway,
in the meantime I ran another business, a daycare for kids from 0 to 5 years
of age and became pregnant with my second child he is 2 today. Decided that
I will not have another child for fear my mental health bills will be too
high.

My obsession, passion, love and joy is stained glass oh yeah, and my kids
too. My favorite stained glass projects involve stepping stones. I don't
like to do what everyone else has done so I keep my stones very unique.

I'm still involved in designing jewelry, glass painting, beaded lampshades
using Swarovski Austrian crystals mostly and interior design.

The project I have on my work table at the moment is a stained glass low
voltage yard light. Drawback to this: Now all of my neighbors want them for
their place, my sister in Santa Barbara wants them for her place, my other
sister is too busy swimming with the dolphins in the Bahamas to care. So I
will be working on this for the rest of the summer season I believe.

I was fortunate to find and appreciate art later in life than none at all.
My most difficult hurdle to overcome had nothing whatsoever to do with art
but what I'm typing on at this very moment, my friend and yours the
computer. Bought one without even the slightest clue on how to turn it on
let alone run programs. Learned this in 2 months and had my web page up and
running. Went back into therapy after that.

Have found the diversity among artists here to be highly entertaining,
enriching and thought provoking.

So I leave you all with this little thought for the day.

Art is a higher type of knowledge than experience~ Aristotle

Regards~Pamela

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From owner-glass Sat Jun  6 09:34:09 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: bio # 26 Mike Hiester
Date: Sat, 6 Jun 1998 09:45:09 -0500
Message-ID: <1998Jun6.4459.0>
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Born: April 24, 1952

Currently living in Charleston , SC  with my wife , Jan, and two daughters
(aged 19 and 13, both occasionally work with glass).

I moved to Charleston after receiving a BA from Wake Forest University to
complete a masters degree in Marine Science.  That was twenty years ago and
a lot happened along the way.  The masters degree never got finished.

I did food service for ten years, and finally fell into a situation that
would lead to glass.

I am presently employed by Tricia Studios, a small frame shop that carries
supplies for glass hobbyists.  About six years ago we decided to enter the
retail field when it became difficult to find supplies for my own work.

 I was largely self-taught in copper foil, wanted to move on to lead, didn't
know what was available, and was basically lost.  After taking an
introductory class with Bruce Henning (amazing what you can learn from an
instructor) it was obvious the Charleston needed a supplier at the hobby
level.

Being a retail supplier is a lot more than just order it and sell it.  I
subscribed to the Stained Glass Association of America Quarterly ,  Glass
Art, Glass Pattern Quarterly, and joined the Art Glass Suppliers
Association,  in an effort to learn as much as possible.  The interesting
thing was that the more I learned, the more interested I became in the
various aspects of glass.

I have also been instructing through the Community Education Program for the
past three years.

My own work consist primarily of an occasional commission (I love doors and
transoms) and small panels that showcase either new glass of different
techniques.  Perhaps the greatest plus to my work is the relationship I
still enjoy with Charleston Stained Glass (a large, full service studio on
the other side of town).  On occasion I have sub-contracted work for them,
and they are always available for consultations.  We also make referrals in
both directions. And it's always fun to go up and drool over the tables when
they are working
on a large window or restoration.

As far as other distractions (a father of two teenage girls really doesn't
need many :)) I enjoy gardening, woodworking, sailing, and pottery.

Clay is lots of fun and you can really get your hands in it.  The
discussions of art vs. craft that are continually expounded upon in Ceramics
Monthly are surprisingly similar to those in the glass groups.  Refreshing
and sometimes dogmatic, but worth pondering.  In some ways pottery has
helped to develop my glass expressions
more than actually playing with glass, but oh how I love to play with glass.

Enough of that.  I'm hoping to exhibit a piece in Houston during the annual
SGAA meeting.  I believe the exhibit is "Celebrate the Magic of Light".  Not
sure of the title, the entry form is out in the garage.

Thanks,

Mike Hiester









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From owner-glass Sat Jun  6 09:48:48 1998
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X-Path: city-net.com!dany
From: "Daniela Birkelbach" <dany@city-net.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: surgeon pattern
Date: Sat, 6 Jun 1998 12:09:39 -0400
Message-ID: <199806061601.MAA19460@dns.city-net.com>
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I found some really great books with clip art (copyright-free designs) by
Dover Books.  There was one just devoted to medical images.  They are
wonderful to pull into GlassEye as a background and then you can do your
design on top of the image.
Cost: US$5.95 per book, 500-600 black/white illustrations.

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
Many new pictures up on my Stained Glass Pages.
Please come and visit!

> Tperri@tcsb.net wrote:
> > 
> > I am looking to make a panel for a surgeon friend of mine. I would
> > appreciate any leads on patterns of doctors or any idea of what type of
> > panel to make.
> > 
----
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From owner-glass Sat Jun  6 10:19:14 1998
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On Sat, 6 Jun 1998 Eiore@aol.com wrote:

> I don't want all these messages no more.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 

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From owner-glass Sat Jun  6 11:21:12 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Door panel repair,brass came
Date: Sat, 6 Jun 1998 13:28:41 -0400
Message-ID: <1998Jun6.92841.0>
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Hi Stan-

Rather than a gold paint pen to
touch up the solder joints, we use
a product called Rub n Buf that =

you can buy at art supply stores.
Artists have long used it to touch
up gilt frames, and we like the look
of it a little better.  Comes in Antique
gold and regular.

Best,

Dani Greer
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From owner-glass Sat Jun  6 15:24:11 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
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Subject: Re:Nike (was Ahh Football)
Date: Fri, 05 Jun 1998 22:41:24 +0100
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References: <<1998Jun5.33841.0>>
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I am sure that the sports gear orientated members will correct me if I am
wrong - but I am sure recently on our TV I saw a programme about Nike,
showing us the UK family firm that set it up and I think still owns it. A
surprise to me as I'd always thought it was a South African company.
Of course I was foiling up a heap of glass pieces at the time, so I may
have misunderstood :-)
Elizabeth Law
Bournemouth Stained Glass
htp://www.stainedglass.co.uk
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From owner-glass Sat Jun  6 16:21:56 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Not Offensive.....
Date: Sat, 6 Jun 1998 18:36:51 EDT
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Wow!   What a passionate, animated, controversial, contenscious, unsettling,
informative, enlightening, humorous (& sometimes, not so humerous), thought-
provoking, discussion.

I shall never again think passive thoughts about the NEA.  ( am still reading
messages from 5/29, with still a lot more to go).....Should have printed them
all out and assembled  them into a booklet titled Pros and Cons of NEA,
Compiled  From People Who CARE  With What's Going On In The World Around
Them.........then mailed it to the New York Times for publication on
provocative themes.  Or, better yet, "To Whom It May Concern" in the US
government.

In any event, you're all fantastic!

                                                  Lavergne.
 



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From owner-glass Sat Jun  6 17:53:52 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: To make it official...
Date: Sat, 6 Jun 1998 20:04:20 -0400
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You can submit images again for the gallery. Remember, check the
instructions before you do so.



--
Daniel M. German                  "One reason that life
                                   is complex is that
                                   it has a real part and
   Andrew Koenig ->                an imaginary part."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Sat Jun  6 20:25:18 1998
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This is a multi-part message in MIME format.

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Please remove my name from the list
Thank you

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From owner-glass Sat Jun  6 21:24:10 1998
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X-Path: pobox.com!Northernlights
From: "Northernlights (a/k/a Tracy)" <Northernlights@pobox.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: support question
Date: Sat, 06 Jun 1998 22:42:54 -0500
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Lurker Tracy here....that's me standing up waving my hands
in the section by third base, well actually way over by the
outfield, and I've got a question to pose (keep in mind I'm
still fairly new at stained glass)...I want to build a long,
narrow panel, approximately 6"-7" wide and 54" long...it
will be hung horizontally.  I haven't started the design yet
(hehehe...learning  to ask a question or two first before
spending time on a design only to have to re-design it...
:>).  I want to foil it, and besides finishing it in
probably zinc, where (assuming need be) does there have to
be support throughout the piece?  If so, is there a
particular design/style that would make this easy to
incorporate?  I'm visualizing something geometric so it's
mostly going to be straight lines.  It's going to hang in
front of a light above a kitchen sink, in between two
cabinets.  Thanks for any help!!!  Gotta sit down
now...looks like the bases are loaded in the Bungi game and
want to keep up with what else is going on (besides, the guy
selling peanuts is coming back around).  ;>

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From owner-glass Sat Jun  6 22:31:14 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Northernlights (a/k/a Tracy)" <Northernlights@pobox.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: support question
Date: Sun, 7 Jun 98 00:44:57 -0400
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Precedence: bulk

I want to build a long,
>narrow panel, approximately 6"-7" wide and 54" long...it
>will be hung horizontally.  I haven't started the design yet
>(hehehe...learning  to ask a question or two first before
>spending time on a design only to have to re-design it...
>:>).  I want to foil it, and besides finishing it in
>probably zinc, where (assuming need be) does there have to
>be support throughout the piece?

Hi Tracy,

I would make it in two or three pieces, kind of equal in width, and 
separate with round h-came (I think it comes in zinc) which will be 
virtually indistinguishable from your solder lines, if you keep them 
silver.

If you use geometric shapes, it should be easy to design so you have room 
for one or two straight vertical lines going from top to bottom. You make 
your two or three different parts, designed to match up, and slide them 
into the H-came then support the whole thing with a zinc u-came all 
around. I've done this twice and both times it worked like a charm. Good 
luck!

Suzanne
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From owner-glass Sat Jun  6 23:01:59 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
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Subject: Re: Ahh Football Again
Date: Sat, 06 Jun 1998 22:24:06 -0700
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Well Elizabeth, Phil Knight is CEO of Nike here's his story. Ya Hoo!

http://info.nike.com/story_nj.html

And I stand corrected,  Paul Allen owns the Portland Trailblazers and
Seattle Seahawks here's the low down on him. Does anyone care, oh
probably not but what the heck.

http://www.paulallen.com/press/mtext/articles_book.html
Sincerely,
Pam

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From owner-glass Sun Jun  7 00:31:07 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, Northernlights@pobox.com
Subject: support question
Date: Sun,  7 Jun 1998 02:47:16, -0500
Message-ID: <199806070647.CAA19896@mime3.prodigy.com>
Precedence: bulk

Lurker Tracy wrote:
>>.I want to build a long,
narrow panel, approximately 6"-7" wide and 54" long...it
will be hung horizontally.  I haven't started the design yet
(hehehe...learning  to ask a question or two first before
spending time on a design only to have to re-design it...
:>).  I want to foil it, and besides finishing it in
probably zinc, where (assuming need be) does there have to
be support throughout the piece?  If so, is there a
particular design/style that would make this easy to
incorporate?  I'm visualizing something geometric so it's
mostly going to be straight lines.  It's going to hang in
front of a light above a kitchen sink, in between two
cabinets.  Thanks for any help!!!<<

I like the idea of framing this panel in 1" X 1 3/4" oak frame stock. 
This is a standard size that is available in 72" lengths. There is a 
54" unsupported span that the metal framing commonly available is not 
up to without risk of sagging. If you choose the oak, 1/2" flat H 
lead will be plenty good for the border and fit nicely into the grove 
in the standard frame stock. No other special reinforcement should be 
necessary. You might consider mounting the side pieces of the oak 
frame to the cabinets and adjust the width of the panel accordingly. 
Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 *I 
am not a control freak, just do it my way.*
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From owner-glass Sun Jun  7 03:00:34 1998
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X-Path: mail2.cal.shaw.wave.ca!klmok
From: "Kelvin Mok" <klmok@mail2.cal.shaw.wave.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Homebuilt Kilns
Date: Sun, 7 Jun 1998 03:10:38 +0000
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Hi,

I was given your email address to seek information about homebuilt 
kilns for metal and jewelry working.  What I have in mind is a kiln 
about the size of a large microwave oven. Any information you can 
provide will be much appreciated.

Thank you.
-----
Kelvin Mok (klmok@shaw.wave.ca)

Home:  (403) 463-4099 | Home FAX:  (403) 430-7120
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From owner-glass Sun Jun  7 06:37:13 1998
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From: "AHOY MATE!!!!!" <otrbanks@erols.com>
To: glass@bungi.com
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Subject: subscribe
Date: Sun, 07 Jun 1998 09:04:33 -0400
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I have tried this once but have never gotten anything. Please tell me
what I am doing wrong! I have followed the directions given.
Thank You,
T. Jennings
otrbanks@erols.com

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From owner-glass Sun Jun  7 11:09:45 1998
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X-Path: ezl.com!stepsue
From: Sue Prullage <stepsue@ezl.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: kiln
Date: Sun, 07 Jun 1998 12:13:47 -0600
Message-ID: <1998Jun7.61347.0>
Precedence: bulk

Hello, I was waiting for someone to reply to the kiln question that was
asked on Friday.  I to want to buy a kiln, but am unsure of which kiln
to buy.  I have heard Evenheat, then Jen-kiln and also Paragon are
good.  I want to be able to slump lamp shades as well as make plates. 
Please help.  Thanks Sue
----
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From owner-glass Sun Jun  7 11:25:02 1998
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Subject: [Fwd: Pam's low voltage]
Date: Sun, 07 Jun 1998 10:26:49 -0700
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This is a multi-part message in MIME format.
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Sent this to Lenore this morning, if anyone wants a craft project,
here's one

--------------F312D90B719A38E154F2E9CE
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Message-ID: <357ACCC5.EF7F3460@pacifier.com>
Date: Sun, 07 Jun 1998 10:24:21 -0700
From: Pamela Burns-Tappan <ptap@pacifier.com>
Organization: Moswood Mountain Limited
X-Mailer: Mozilla 4.04 [en] (Win95; I)
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To: Lenore <Yegnim@aol.com>
Subject: Pam's low voltage
Content-Type: multipart/mixed; boundary="------------4E3F69335CBCD319F639FE8B"

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Good morning Lenore,
Well I buy the low voltage outdoor lights at my local Home Base building
supply store. I used to buy the Malibu carriage style, but have found
they are discontinued (Darn it, these were the best). So I usually buy
the style that has the most clear plastic on it.

Then I assemble the light according to manufacturer directions. Then I
take "Goop" brand marine grade glue, and I mosaic my stained glass
pieces on the clear plastic and on the top cap of the light, this is
plastic as well,  kind of finishes off the top of the light if you do
this. I might add, I use this kind of Goop because it allows expansion
and contraction, I really don't want my glass to fall apart and break so
this works great if you use this adhesive.

Next, I grout everything but the yard stake and cylindrical piece of the
light. Meaning: You have the light itself, then the round, long piece
which the stake slides into. Grout everything but that, it won't last
long if you grout that piece. Pick out your favorite color of grout. My
sister in Santa Barbara is going for a more goldish color, beautiful. I
use Polyblend products. There are a few you have to special order,
because they are awesome colors so they charge an arm and a leg for
these, but pretty none the less.

You finish by wiping off the grout to get your lines and glass pieces
smooth and of course so the glass show's though!
If you need tips on grouting these let me know and I would be more than
happy to tell you how to do it.
I seal them with Thompsons patio lustre after they have dried for a
couple of days. The one problem I have had is strengthening the grout.
This is the drawback to this technique. I have found the grout stays on
the clear plastic really well, but think I need to use a grout additive
to be extra sure the grout stays on the top, either that, or keep the
kids from hitting them with the basketball. I've had the lights out in
freezing weather and major hot spells and no problems. Prettiest glass
to use in the yard lights, iridescent or heck any color of clear
actually.

Best of all, CHEAP, luxury! These are absolutly beautiful in the yard
and you don't pay and arm and a leg for beauty. And nobody but nobody
has these in their yard unless you make them yourself. I will work on
sending you a pic, but I don't have one at the moment. That will be my
project for the day, promise! I'll get you one this week. And the price
for you to make them would be $8.00 per light, add the glue, glass and
grout, per light oh about maybe $12.00. I sell them for $25.00 a piece,
but not to my family, they usually get them for free! I'm too nice. And
of course you need the wiring and low voltage box that the manufacturer
sells too. Another suggestion, get some long PVC piping, sand it, primer
it, spray paint it and insert your yard light on top. So your yard light
would be high. One of my neighbors did this around her hot tub, really
pretty.

I have also put up a cedar planter on the outside of my house in between
2 large windows. Planted flowers in it, bought some really long ivy at
the craft store and inserted a stained glass yard light in there. OOOOOH
MY, very pretty!

And the beads, I go through the best place. Fire Mountain Gems here's
there addy:
http://www.firemtn.com/

I think you can order a catalog online from them. They are the cheapest
place I've found for Swarovski crystals. And yes the beads are
beautiful, I just die every time I get an order of them. An example of
prices would be: 4mm-Aqua-order 1-3 packages for $6.13 each. The price
gets lower after that. I haven't found anyone else so cheap, and they
have lot's of other beautiful and inexpensive products too. Their
Dichroic beads, well of course they are real expensive. I don't buy much
in that area. Oh 100 beads come in the packages for crystals.

Can you do the outdoor light project yourself, oh yeah, very easy!!
Let me know if I can help in any way, be more than happy too!

Have a good one~
Pam

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From owner-glass Sun Jun  7 11:38:52 1998
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Sent this to Lenore this morning, if anyone wants a craft project,
here's one
Regards~Pam

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Message-ID: <357ACCC5.EF7F3460@pacifier.com>
Date: Sun, 07 Jun 1998 10:24:21 -0700
From: Pamela Burns-Tappan <ptap@pacifier.com>
Organization: Moswood Mountain Limited
X-Mailer: Mozilla 4.04 [en] (Win95; I)
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To: Lenore <Yegnim@aol.com>
Subject: Pam's low voltage
Content-Type: multipart/mixed; boundary="------------4E3F69335CBCD319F639FE8B"

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Good morning Lenore,
Well I buy the low voltage outdoor lights at my local Home Base building
supply store. I used to buy the Malibu carriage style, but have found
they are discontinued (Darn it, these were the best). So I usually buy
the style that has the most clear plastic on it.

Then I assemble the light according to manufacturer directions. Then I
take "Goop" brand marine grade glue, and I mosaic my stained glass
pieces on the clear plastic and on the top cap of the light, this is
plastic as well,  kind of finishes off the top of the light if you do
this. I might add, I use this kind of Goop because it allows expansion
and contraction, I really don't want my glass to fall apart and break so
this works great if you use this adhesive.

Next, I grout everything but the yard stake and cylindrical piece of the
light. Meaning: You have the light itself, then the round, long piece
which the stake slides into. Grout everything but that, it won't last
long if you grout that piece. Pick out your favorite color of grout. My
sister in Santa Barbara is going for a more goldish color, beautiful. I
use Polyblend products. There are a few you have to special order,
because they are awesome colors so they charge an arm and a leg for
these, but pretty none the less.

You finish by wiping off the grout to get your lines and glass pieces
smooth and of course so the glass show's though!
If you need tips on grouting these let me know and I would be more than
happy to tell you how to do it.
I seal them with Thompsons patio lustre after they have dried for a
couple of days. The one problem I have had is strengthening the grout.
This is the drawback to this technique. I have found the grout stays on
the clear plastic really well, but think I need to use a grout additive
to be extra sure the grout stays on the top, either that, or keep the
kids from hitting them with the basketball. I've had the lights out in
freezing weather and major hot spells and no problems. Prettiest glass
to use in the yard lights, iridescent or heck any color of clear
actually.

Best of all, CHEAP, luxury! These are absolutly beautiful in the yard
and you don't pay and arm and a leg for beauty. And nobody but nobody
has these in their yard unless you make them yourself. I will work on
sending you a pic, but I don't have one at the moment. That will be my
project for the day, promise! I'll get you one this week. And the price
for you to make them would be $8.00 per light, add the glue, glass and
grout, per light oh about maybe $12.00. I sell them for $25.00 a piece,
but not to my family, they usually get them for free! I'm too nice. And
of course you need the wiring and low voltage box that the manufacturer
sells too. Another suggestion, get some long PVC piping, sand it, primer
it, spray paint it and insert your yard light on top. So your yard light
would be high. One of my neighbors did this around her hot tub, really
pretty.

I have also put up a cedar planter on the outside of my house in between
2 large windows. Planted flowers in it, bought some really long ivy at
the craft store and inserted a stained glass yard light in there. OOOOOH
MY, very pretty!

And the beads, I go through the best place. Fire Mountain Gems here's
there addy:
http://www.firemtn.com/

I think you can order a catalog online from them. They are the cheapest
place I've found for Swarovski crystals. And yes the beads are
beautiful, I just die every time I get an order of them. An example of
prices would be: 4mm-Aqua-order 1-3 packages for $6.13 each. The price
gets lower after that. I haven't found anyone else so cheap, and they
have lot's of other beautiful and inexpensive products too. Their
Dichroic beads, well of course they are real expensive. I don't buy much
in that area. Oh 100 beads come in the packages for crystals.

Can you do the outdoor light project yourself, oh yeah, very easy!!
Let me know if I can help in any way, be more than happy too!

Have a good one~
Pam

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From owner-glass Sun Jun  7 11:40:43 1998
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re:Nike (was Ahh Football)
Date: Sun, 07 Jun 1998 18:35:40 +0100
Message-ID: <1998Jun7.193540.0>
Precedence: bulk

At 19:20 06/06/98 -0400, you wrote:
>
>Are you sure it was Nike and not Reebok? The former is -I am
>positive-- American. THe latter is British.
>
>
Yes, Daniel, on looking at Nike's website they are definitely american - it
must have been Reebok they were talking about - and this would also explain
why I had thought they were South African.

Pamela, thanks also for your input - I checked out the site you gave me.

As you can probably tell I am not a sports-type person.

Elizabeth

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From owner-glass Sun Jun  7 20:23:59 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Argh.  Restrip question
Date: Sun, 7 Jun 1998 22:20:50 -0400
Message-ID: <1998Jun7.182050.0>
Precedence: bulk

	Any advice on using restrip?  I should have asked before I tried
this on my own.  I wanted to add strength to a project.  Remember the
poppy that was in SGN?  Well, I enlarged it, incorporated some fusing,
and since the zinc border doesn't go all the way around, I was going to
put the restrip  around it.  Just figured out that that wasn't necessary,
and my dear husband is up there trying to remove the restrip.  He got a
little concerned when I was hunting for razor blades.

	Well, the first time I tried it, the restrip pulled the foil off
the poppy.  I thought this was because I'd used the silver back foil (now
in the trash, and I will **never** buy silver again).  The whole project
came apart quite easily (kind of frightening) with very little
de-soldering.  I re-did the whole thing with some brand new black back
foil.  Much better adhesive.  In two very tiny places, the foil pulled
away again.  Nothing like with the silver though.  I'm hoping I can take
off the restrip and salvage the project and that it's not a big mess.  
After studying it again, and how it will hang, I realized that the
restrip isn't necessary the way I thought, but I'd still like to know how
to use the darn stuff.  My retailer has never used it, and his only
advice was to tin it first.  

	On top of this, my retailer had lent me a demo iron to try, a
Hexacon (?) Phenix.   Really nice, fast iron.  I really liked it except
the tip kept getting cruddy.  I know he'd lent it to someone else before
giving it to me.  Like I said, I really liked it...........until it
snapped when I was rubbing the tip on the tinning block.  I don't look
forward to explaing that one.

	Any advice on using restrip would be greatly appreciated before I
ever try it again.  Now I understand what the string on the Morton thingy
is for that everyone was talking about earlier.  
                ____
               /       |
Jerri    O/        |
            |          |
            ^         ~~

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From owner-glass Sun Jun  7 20:59:15 1998
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X-Path: snet.net!tbyrnes
From: Tim Byrnes <tbyrnes@snet.net>
To: "'Glass Group'" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="---- =_NextPart_000_01BD9269.5437B400"
Subject: Fremont Glass  & Ficher  Glass
Date: Sun, 7 Jun 1998 23:09:22 -0400
Message-ID: <1998Jun7.19922.0>
Precedence: bulk


------ =_NextPart_000_01BD9269.5437B400
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

  Hi Folks,

   Has anybody heard of Fremont  and Ficher glass.  If so who =
manufactures it and where can one purchase this kind of Glass.  A friend =
of mine who lives in PA, asked me help her find a source.  She is about =
2 1/2 hours south east of Buffalo NY.  In our phone convercation today, =
she throught maybe the manufactures might be in either  Calif.  or =
Canada.

   An help will be appreciated.

  Thanks in advance,

     Tim Byrnes
------ =_NextPart_000_01BD9269.5437B400
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From owner-glass Sun Jun  7 21:28:37 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "jerri m Roey" <jroey@juno.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Argh.  Restrip question
Date: Sun, 7 Jun 98 23:45:08 -0400
Message-ID: <199806080343.XAA22151@uz.ComCAT.COM>
Precedence: bulk

>	Any advice on using restrip? 

Hi Jerri,

The restrip is used to go down in between the copper foil pieces, after 
you foil and before you solder. It should be used from edge to edge, 
that's what gives your panel added strength. If your piece is horizontal, 
then do a couple of them from side to side, and if it's vertical go from 
top to bottom. I was told to make an "X" (compromise?), of course at the 
center you'd have to fudge a bit.

Yes, I remember the poppy and have it on my list of to-do's. Since you're 
putting zinc around most of it and just leaving the poppy, probably 
nothing more is needed than a good bead on the poppy part, or if you 
wish, soldering some wire around the edge of the poppy would give it some 
more strength. Good luck, let me know how it came out!

Suzanne
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From owner-glass Sun Jun  7 21:51:26 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: kiln
Date: Sun, 7 Jun 1998 13:16:30 -0700 (PDT)
Message-ID: <199806072016.NAA00148@ns2.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Sun Jun  7 11:12:31 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: ezl.com!stepsue
>From: Sue Prullage <stepsue@ezl.com>
>To: glass@bungi.com
>Subject: kiln
>Date: Sun, 07 Jun 1998 12:13:47 -0600
>Precedence: bulk


>Hi Sue,
I'm not a kiln authority,.... but I own an Olympic glass kiln. I bought it,
because it was close at hand. And one reason that I can see in deciding, is
inside size, mine is 20 x 30 x 9. I believe they all work the same,...
people's tastes may differ, but I've found mine to work very well.
I slump alot of plates and find I can do 2 at a time with my size of kiln.
Also for fusing flat I can put in a second shelf. Deciding on features to
add like programble kiln sitter maybe the question to ask. (Lets one not to
have to baby sit, but one still has to flash vent, darn.)
Cindy


>Hello, I was waiting for someone to reply to the kiln question that was
>asked on Friday.  I to want to buy a kiln, but am unsure of which kiln
>to buy.  I have heard Evenheat, then Jen-kiln and also Paragon are
>good.  I want to be able to slump lamp shades as well as make plates. 
>Please help.  Thanks Sue
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>
>

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From owner-glass Sun Jun  7 21:58:40 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Thistles
Date: Sun, 07 Jun 1998 17:12:32 PDT
Message-ID: <1998Jun8.01232.0>
Precedence: bulk



Regarding the thistle pattern I posted about.

It is NOT in the Stained Glass Basics book.  It is in a book called 
Stained Glass Patterns and Projects.  Page 50.

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From owner-glass Sun Jun  7 22:12:21 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com
Subject: Argh.  Restrip question
Date: Mon,  8 Jun 1998 00:12:51, -0500
Message-ID: <199806080412.AAA13762@mime3.prodigy.com>
Precedence: bulk

Jerri wrote:
>>On top of this, my retailer had lent me a demo iron to try, a
Hexacon (?) Phenix.   Really nice, fast iron.  I really liked it 
except
the tip kept getting cruddy.  I know he'd lent it to someone else 
before
giving it to me.  Like I said, I really liked it...........until it
snapped when I was rubbing the tip on the tinning block.  I don't 
look
forward to explaing that one.

	Any advice on using restrip would be greatly appreciated before I
ever try it again.<<

Never had an iron snap (in two, or otherwise). If it is just the tip 
that is broken it is no great loss. To my way of thinking tips are 
consumable items. Perhaps the cladding on the tip was eaten through 
and this defect caused it to crud up and snap.

I use restrip in brass or hardened copper or copper plated steel in 
about 1/3rd of a project. when necessary. Select well spaced long 
runs and obvious weak points. Do not like to use it around the border 
of a project because it is hard to hide. Often use twisted copper 
wire for this purpose. IMO there is no need to tin restrip. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnamt? Bob, "No! HE is not!".*
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From owner-glass Sun Jun  7 22:32:01 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, stepsue@ezl.com
Subject: kiln
Date: Mon,  8 Jun 1998 00:25:16, -0500
Message-ID: <199806080425.AAA10266@mime3.prodigy.com>
Precedence: bulk

>>Hello, I was waiting for someone to reply to the kiln question that 
was
asked on Friday.  I to want to buy a kiln, but am unsure of which 
kiln
to buy.  I have heard Evenheat, then Jen-kiln and also Paragon are
good.  I want to be able to slump lamp shades as well as make plates. 

Please help.  Thanks Sue<<

Go to     http://www.paragonweb.com     for a rather good description 
of glass kilns and controllers. I have their 28" diameter glass kiln 
with a Digital Temperature Controller and can not say enough good 
about it. 

Believe the other two kiln companies can be found on the web also. I 
was waiting to respond because not all the links on the Paragon site 
seemed to be working. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnamt? Bob, "No! HE is not!".*
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From owner-glass Sun Jun  7 22:45:46 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, tbyrnes@snet.net
Subject: Fremont Glass  & Ficher  Glass
Date: Mon,  8 Jun 1998 00:52:16, -0500
Message-ID: <199806080452.AAA17500@mime3.prodigy.com>
Precedence: bulk

>>  Has anybody heard of Fremont  and Ficher glass.  If so who =
manufactures it and where can one purchase this kind of Glass.  A 
friend =
of mine who lives in PA, asked me help her find a source.  She is 
about =
2 1/2 hours south east of Buffalo NY.  In our phone convercation 
today, =
she throught maybe the manufactures might be in either  Calif.  or =
Canada.

  Any help will be appreciated. Thanks in advance, Tim Byrnes<<

Fremont is made in the USA and available at S. A. Benheim in Passaic, 
NJ (800 221-7379).
A. C. Fisher is German and is available at Hollander Glass East in 
Glendale, NY (800 221-6207).

Fremont glass is nice but the A. C. Fisher line is far more extensive.
 Either way expect exceptionaly beautiful glass that cuts like butter.
 Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnamt? Bob, "No! HE is not!".*
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From owner-glass Mon Jun  8 05:09:49 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Fremont Glass  & Fischer  Glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 9 Jun 1998 07:19:39 +0000
Message-ID: <199806081200.IAA12073@vger.vgernet.net>
Precedence: bulk


> >>  Has anybody heard of Fremont  and Ficher glass.  If so who =
> manufactures it and where can one purchase this kind of Glass. 

Fremont and Fischer are both "full antique" glasses, that is to say 
they're mouth-blown, as is Lamberts, another German glass.

To see how the glass is manufactured, take a look at
http://www.lamberts.de/efertigu.htm

Fremont is manufactured in Seattle, Washington and their glass is 
carried by most if not all wholesalers.
Fremont Antique Glass, 3614 2nd Avenue N.W., Seattle WA
                      98107. Phone: (206) 633-2253.

Fischer is manufactured in Germany by C&R Loo, carried by C&R Loo in 
California  and their glass is carried by most if not all wholesalers.

C&R Loo, Inc., 1085 Essex Avenue, Richmond CA 94801.
                      Phone: (510) 232-0276. (800) 227-1780 US &
                      Canada. Fax: (510) 232-7810. Web site:
                      http://www.crloo.com 

To find answers to questions like this, we maintain the Sources Guide 
online and update it almost daily:
http://www.bungi.com/glass/igga/guide.htm

Albert

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
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Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Mon Jun  8 05:36:46 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: kiln
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 9 Jun 1998 07:19:39 +0000
Message-ID: <199806081200.IAA12066@vger.vgernet.net>
Precedence: bulk


> to buy.  I have heard Evenheat, then Jen-kiln and also Paragon are
> good.  I want to be able to slump lamp shades as well as make 
plates. 

Sue, if you decide on a Jen-Ken, you can get a 20% discount on Jen-Ken kilns
both glass & ceramic; all new elec. furnace from
  Centre De Verre, 18 Bartlett Street, Allenstown NH 03275. Phone:
  (603) 485-8749. Fax: (603) 485-8344.

They offer that discounts to members of the Guild. And there are 
several other discounts in the kiln and kiln controllers area listed 
among the other 50-some companies that offer them at
http://www.bungi.com/glass/igga/suppsupp.htm

Albert

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From owner-glass Mon Jun  8 05:38:22 1998
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X-Path: city-net.com!dany
From: "Daniela Birkelbach" <dany@city-net.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: sunflower panel
Date: Mon, 8 Jun 1998 07:32:24 -0400
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Precedence: bulk

----------
> From: HILLHD1@aol.com
> To: dany@city-net.com
> Subject: sunflower panel
> Date: Saturday, June 06, 1998 5:32 PM
> 
> I love sunflowers & slowly decorating my kitchen with them. Where did you
get
> the pattern? or your original  design?  Karlene Hill glass hobbiest &
bungi
> member.

Sorry, I can't claim ownership of this pattern - glad you like it.  It's
from "A Touch of Tiffany" by Patrice Lampton. CKE Publications.   It's a
book filled with beautiful patterns.

Enjoy!

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
Many new pictures up on my Stained Glass Pages.
Please come and visit!


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From owner-glass Mon Jun  8 07:50:12 1998
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X-Path: aol.com!AlexG2
From: <AlexG2@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Selling stuff and business requirements
Date: Mon, 8 Jun 1998 10:04:42 EDT
Message-ID: <1998Jun8.14442.0>
Precedence: bulk

Hi, everyone

I've got another question.  I would like to sell some of my projects to pay
for my glass habit a little, but would I have to setup a business with a sales
tax ID and pay all the fees and applications to do it?

We live in a resort area, and I would like to approach some of the gift shops.

Any ideas, comments or suggestions would be appreciated.

Thanks
Alex Gacic

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From owner-glass Mon Jun  8 09:04:23 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Fremont Glass  & Fischer  Glass
Date: Mon, 8 Jun 1998 07:48:32 -0700 (PDT)
Message-ID: <199806081448.HAA17372@ns2.vphos.net>
Precedence: bulk

>Hi all,
Just visited Lamberts...wow.
Just love it, why cut it?
I'd put it in a window just as it is!
Thanks, Albert for the info!
I'm taking a trip next week to buy some Lamberts flashed black on clear.
Sure hope I can find some more. My eye caught s243, s13, s19 or s20 as very,
very nice!
>
>
>
>To see how the glass is manufactured, take a look at
>http://www.lamberts.de/efertigu.htm
>
>
>
>
>To find answers to questions like this, we maintain the Sources Guide 
>online and update it almost daily:
>http://www.bungi.com/glass/igga/guide.htm
>
>Albert
>
>Albert Lewis, Executive Director
>International Guild of Glass Artists, Inc.
>A 501(c)(6) not-for-profit association
>54 Cherry St., PO Box 1809, North Adams MA 01247-1809
>(413) 663-5512  Fax: (413) 663-7167
>_____________________________________________
>Home page     http://www.bungi.com/glass/igga/
>Membership    http://www.bungi.com/glass/igga/benefits.htm
>Members' work http://www.bungi.com/glass/igga/links.htm
>Sources Guide http://www.bungi.com/glass/igga/guide.htm
>Guild Library http://www.aiap.com/amazon/
>
>
>
>----
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>
>

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From owner-glass Mon Jun  8 10:48:22 1998
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From: <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Selling stuff and business requirements
Date: Mon, 8 Jun 1998 12:47:28 EDT
Message-ID: <1998Jun8.164728.0>
Precedence: bulk

its fairly easy to do, just call your state sales tax office and ask for a tax
id # they will set you up to pay sales tax, and depending how much you sell
will then send you forms every month, quarter or year to fill out.  If you are
going to sell to a shop that is going to resell then you have to have them
fill out a resale certificate and you don't charge tax on that.  Now also keep
in mind once you have a tax # you can't claim it as a hobby any more and your
2 free garage sales aren't free anymore you will then have to charge tax on
EVERYTHING you sell.  keep a separate folder for all you sales and supplies
for the end of the year cause now you will be a sole proprieter.
deb
In a message dated 98-06-08 10:51:14 EDT, you write:

> I've got another question.  I would like to sell some of my projects to pay
>  for my glass habit a little, but would I have to setup a business with a 
> sales
>  tax ID and pay all the fees and applications to do it?
>  
>  We live in a resort area, and I would like to approach some of the gift 
> shops.
>  
>  Any ideas, comments or suggestions would be appreciated.
>  
>  Thanks
>  Alex Gacic
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From owner-glass Mon Jun  8 12:16:22 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Selling stuff and business requirements
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 8 Jun 1998 14:24:00 +0000
Message-ID: <199806081904.PAA01119@vger.vgernet.net>
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> I've got another question.  I would like to sell some of my projects to pay
> for my glass habit a little, but would I have to setup a business with a sales
> tax ID and pay all the fees and applications to do it?

Alex, whether you have to actually set up a business depends on your 
local requirements. Alex Lastname doing business as (dba) Fine Arts 
Gallery, for instance, might not need a license, since you're 
operating as an individual, but using a fictitious name ("Fine Arts 
Gallery"). Check with your local zoning board, too, to see if you're 
allowed to operate out of your home.

Tax ID? Not necessary unless you sell retail. Then you're usually 
required to collect sales taxes on your sales and remit the money to 
your state. Do you get paid for collecting and sending in their tax? 
No.

Albert
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From owner-glass Mon Jun  8 14:19:13 1998
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Selling stuff and business requirements
Date: Mon, 08 Jun 1998 16:33:31 -0400
Message-ID: <1998Jun8.123331.0>
References: <<1998Jun8.14442.0>>
Precedence: bulk

Alex,
What you have to do probably depends on your state.  In Connecticut, it costs very
little to get a sales tax license (it was $20 when I got mine years ago.  It is
renewed every two years for free.)  I also have to send in the sales tax I've
collected, but since I am so small, I only have to do that yearly not quarterly).
If I sold for re-sale, I'd have to have a re-sale certificate from everyone I sold
to, and I have to show those sales as no sales tax.  The good thing is that I
don't have to pay sales tax on my supplies (glass and foil and solder and night
lights, etc., are all bought for re-sale!)

check with your state tax department about specifics for your area.

Good luck.
Dorothy K

AlexG2@aol.com wrote:

> .  I would like to sell some of my projects to pay
> for my glass habit a little, but would I have to setup a business with a sales
> tax ID and pay all the fees and applications to do it?
>
> We live in a resort area, and I would like to approach some of the gift shops.
> ...



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From owner-glass Mon Jun  8 15:18:17 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: nice work website
Date: Mon,  8 Jun 98 14:34:00 -0700
Message-ID: <m0yj9YH-000LgNC@why.az.stratus.com>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

http://www.diac.com/~stine/gallery.html

---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Mon Jun  8 15:50:46 1998
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X-Path: cybersol.com!TWLARRY
From: TWLARRY@cybersol.com (Nordhoff, Larry)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: COE
Date: Mon, 08 Jun 1998 16:08:36 -0400
Message-ID: <1998Jun8.12836.0>
Organization: Trade Winds
Precedence: bulk

I have a problem that someone may be able to help me with.  I was able
to pick up a sample pack of glass all marked by manufacture.  I have had
no problem using the busleye to fuse with spectrum but don't have a clue
as to the other manufactures COE specks.  Do any of you have approxament
specks for various manufactures?  I am aware that just the name does not
mean they are compatable with one another.  

I am making cabs with 90 coe dicroic inbetween.  It can get expensive to
experment.  I also do lampwork with stained glass.

Best Regards,
Larry Nordhoff
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From owner-glass Mon Jun  8 16:51:36 1998
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From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: application/x-nextmail
Subject: Re: nice work website
Date: Mon,  8 Jun 98 15:54:42 -0700
Message-ID: <m0yjAoP-000LgNC@why.az.stratus.com>
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begin 600 .tar.726.Re__nice_work_websit.attach
M'YV0+EX`&$BPH,&#"!,J7,BPH4.$(&C`N'&C!@@`(&+8F%&#QD40($'"^!BR
MI$B0-FK,N`$CI0T;,D#&@#'3!L8:#W/JW,FS)X`Z<^B$D0,2P!@T0]FD*>/3
MX!TT9<JP:4JUJM6K6+-J?9C&#9DR>%S(H6-FJ]FS`&:VM.$1HT:.;4V.Q&@R
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M1!HZ)^:`0$.'#AP=+U[<6>V"3)HP8UR,>=/FA9^@7<N\.!.&#9LRFUV0;J-`
M@9`R9[J",)/YSM"O9$"T*3-G3I@S9704EU*&3ATY;EI`"4,'C0X0/)QD+@_<
MC=(SI.<`@?-&S)NPL]OX4$"$?'803;SA1F<PX`""$G6XD5$..1@8PPTZ2*2#
M1B"T`$,-,,"@@!%RT':>".J-!15X[\4'`@I4R`%;'B!P]UD;8;CA1@HBH!<B
M>R2F`1\=\M%G'WZT[<<='&SDT0(5;YQWXXCNZ1C??/7=)QMM"B!YWA!(R?&;
M:%/`\9D>P*&WF)9+`1&&'BX$I:)W<TRIGP)3U"&&&F6,0<=YW)WG1AICE`'"
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MPQ!'+/'$%%=L\<489ZSQQAQW[/''((<L\L@DEVSRR2BGK/+*++?L\LLPQRSS
MS#37;//-..>L\\X\]^SSST`'+?301!=M]-%()ZWTTDPW[?334$<M]=145VWU
-U5AGK?767'?M]=</`>SS
`
end
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From owner-glass Mon Jun  8 17:19:44 1998
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X-Path: intel.com!lynice.spangler
From: "Spangler, Lynice" <lynice.spangler@intel.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: kiln
Date: Mon, 8 Jun 1998 16:26:16 -0700 
Message-ID: <1998Jun8.92616.0>
Precedence: bulk

I have a Skutt octagon (http://www.skutt.com).  They make both top-firing
and side-firing.  I've been very happy with it. 

L. Spangler

On Sunday, June 07, 1998 11:14 AM, Sue Prullage [SMTP:stepsue@ezl.com]
wrote:
> Hello, I was waiting for someone to reply to the kiln question that was
> asked on Friday.  I to want to buy a kiln, but am unsure of which kiln
> to buy.  I have heard Evenheat, then Jen-kiln and also Paragon are
> good.  I want to be able to slump lamp shades as well as make plates. 
> Please help.  Thanks Sue
> ----
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From owner-glass Mon Jun  8 17:39:00 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: business requirements
Date: Mon, 8 Jun 1998 16:31:38 -0700
Message-ID: <1998Jun8.93138.0>
Precedence: bulk

A fine idea to "start" a business to help pay for your hobby/habit.

Keep  volumes of careful  records.  When in doubt, create more
paperwork....Should you EVER be audited, mountains of redundancy are
impressive and shows you know what you have. My auto parts business was
scrutinized (in New Jersey) and the thing that saved me was hundreds of
papers organized and presented one at a time until the auditor had enough.
An extra bonus is to "run a business at a loss" for a few years as well.
Uncle is not expecting you to show a profit the first year you start.

Here in Oregon,we have  no sales tax, so no extra bookkeeping for that. It
is also fun to try to explain to wholesalers that I have no "re-sale#
"because...................... "

enjoy, H




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From owner-glass Mon Jun  8 17:53:02 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: nice work website
Date: Mon,  8 Jun 98 16:57:19 -0700
Message-ID: <m0yjBmx-000LgNC@why.az.stratus.com>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

this is what i meant to say, in a less-mime equivalent fashion. hope this goes ok.

> sorry, it's http://www.diac.com/~stine/gallery.htm

Begin forwarded message:

Return-Path: <Northernlights@pobox.com>
Date: Mon, 08 Jun 1998 17:40:16 -0500
From: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>
Reply-To: Northernlights@pobox.com
To: Charles Spitzer <charlie@az.stratus.com>
Subject: Re: nice work website

tried the link but it didn't work.....is something supposed to be
capitalized that's not???  Want to check it out.  Thanks!

Charles Spitzer wrote:

> http://www.diac.com/~stine/gallery.html
>
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From owner-glass Mon Jun  8 19:21:48 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Restrip
Date: Mon, 8 Jun 1998 21:40:29 -0400
Message-ID: <1998Jun8.174029.0>
Precedence: bulk

	Thanks everyone for all the responses about restrip.  I've
learned a hard lesson.  A friend did a large (32") angel and put restrip
around the whole thing for strength.  It looked great, so I thought I'd
try it.  I was concerned about connecting the zinc to the foil on the
poppy since the zinc doesn't go all the way around.  (And besides, it
doesn't even say on the darn package how to use the restrip :} )  After
all this frustration, my husband looked at the panel and pointed out that
the place I was worried about isn't going to take the most stress anyway.
 I will grudgingly admit that I was so into the glass and fusing part of
the project that I wasn't thinking as much about mechanics until I
started putting it together.  Next time I will have it planned out before
I cut the first piece of glass.  I'll also ask before I just try
something next time!

	Funny how I was so thrilled with the way the project was turning
out, and now I just want to finish and get rid of it!

	As for the iron, my husband's done some work with electronics and
said it's a really cheaply made iron.  Explains why it was so light.  It
broke right where the iron and the plastic handle meet.  It was a new
iron and had only been used a couple of times.  My weller seems much
sturdier.

	I'll let you all know when I get the poppy up on my page. 
Hopefully I won't still be hating it by then.  This has been so
frustrating.  Anyone for margaritas?  

Jerri

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
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From owner-glass Mon Jun  8 20:22:40 1998
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X-Path: oregontrail.net!dterry
From: "Douglas R Terry" <dterry@oregontrail.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Selling stuff and business requirements
Date: Mon, 8 Jun 1998 19:28:52 -0700
Message-ID: <1998Jun8.122852.0>
Precedence: bulk

Or you could just move to Oregon (no sales Tax)



>its fairly easy to do, just call your state sales tax office and ask for a
tax
>id # they will set you up to pay sales tax, and depending how much you sell
>will then send you forms every month, quarter or year to fill out.  If you
are
>going to sell to a shop that is going to resell then you have to have them
>fill out a resale certificate and you don't charge tax on that.  Now also
keep
>in mind once you have a tax # you can't claim it as a hobby any more and
your
>2 free garage sales aren't free anymore you will then have to charge tax on
>EVERYTHING you sell.  keep a separate folder for all you sales and supplies
>for the end of the year cause now you will be a sole proprieter.
>deb
>In a message dated 98-06-08 10:51:14 EDT, you write:
>
>> I've got another question.  I would like to sell some of my projects to
pay
>>  for my glass habit a little, but would I have to setup a business with a
>> sales
>>  tax ID and pay all the fees and applications to do it?


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From owner-glass Tue Jun  9 00:02:29 1998
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X-Path: lasercom.net!jean
From: "Jean" <jean@lasercom.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Selling stuff and business requirements
Date: Mon, 8 Jun 1998 21:00:43 -0700
Message-ID: <199806090350.UAA19516@intergate.lasercom.net>
Precedence: bulk


OR ALASKA -- also NO sales tax!

----------------
>
> 
> Or you could just move to Oregon (no sales Tax

--------------------------
> 
> >its fairly easy to do, just call your state sales tax office and ask for
a
> tax
> >id # they will set you up to pay sales tax, and depending how much you
sell
> >will then send you forms every month, quarter or year to fill out.  If
you
> are
> >going to sell to a shop that is going to resell then you have to have
them
> >fill out a resale certificate and you don't charge tax on that.  Now
also
> keep
> >in mind once you have a tax # you can't claim it as a hobby any more and
> your
> >2 free garage sales aren't free anymore you will then have to charge tax
on
> >EVERYTHING you sell.  keep a separate folder for all you sales and
supplies
> >for the end of the year cause now you will be a sole proprieter.
> >deb
> >In a message dated 98-06-08 10:51:14 EDT, you write:
> >
> >> I've got another question.  I would like to sell some of my projects
to
> pay
> >>  for my glass habit a little, but would I have to setup a business
with a
> >> sales
> >>  tax ID and pay all the fees and applications to do it?

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From owner-glass Tue Jun  9 01:59:02 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------69BBE017D7CE0EA00E2D5E86"
Subject: Re: nice work web site
Date: Mon, 08 Jun 1998 22:58:16 -0700
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Hi everyone,

Thanks Charles for dinking with the addy of that site. I've seen it
before I believe in the wwar directory. You know what I really liked
about the artist? The selling points he made and he also has his work
list priced. I like to see how much something is before I buy it!

Regards~
Pam

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From owner-glass Tue Jun  9 06:12:04 1998
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Subject: Re: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 07:15:21 EDT
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To my knowledge, if you place items in a store they will collect sales tax and
make the necessary payments to the state.  So, that aspect is out of your
hands and you are not responsible for any sales tax.  Unless you want to go
"big time" and sell at other venues, why bother with any government nonsense?
You will only be responsible for claiming your additional income from the
shops on your regular tax statements, both to the feds and state once a year.
Why not try it out first by placing some things in a shop and see how it goes
and if you like it?  If you decide that you would like to expand to other
areas, then you will be forced to get your business credentials.  Good Luck!
Lenore
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From owner-glass Tue Jun  9 06:38:30 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Selling stuff and business requirements
Date: Tue, 09 Jun 1998 04:14:29 PDT
Message-ID: <1998Jun9.111429.0>
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For those who are telling you it is "easy" to get a tax I.D. no., let me 
warn you that maybe in some states it is true, but in others, it 
requires up to a 30 page document decipherable by a student of law at 
the very least, and up to a 3 month wait.



______________________________________________________
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From owner-glass Tue Jun  9 08:22:33 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 09:17:27 -0400
Message-ID: <1998Jun9.51727.0>
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Message text written by INTERNET:AlexG2@aol.com
>I would like to sell some of my projects to pay
for my glass habit a little, but would I have to setup a business with a
sales
tax ID and pay all the fees and applications to do it?

We live in a resort area, and I would like to approach some of the gift
shops.

Any ideas, comments or suggestions would be appreciated.<

You can offer your works on a consignment basis to the
gift shop owners.  This does not require you to have a state
re-sale tax id, since the gift shop is the one collecting and
reporting the taxes.  What you do is place your works in
their store, and when it sells, they get a percentage of the
sale and you get a percentage.  They handle the paperwork.
You are basically paying them for the location (i.e. rent),
utilities, insurance, advertising, packaging and administration.
I pay my consignees 60% of the retail price.  I keep 40%.  This
is the prior-to-tax price.  I let my consignees assign the retail
price unless I think the price is too high or too low for my
location.  I have a standard consignment contract detailing
out who is responsible for what, what the item is, what it's
retail price it, what it's wholesale price is (in case of damage)
and what my payment schedule is (at the end of the month
when the item sells).  I would not work with a store that
does not have a written contract.

BTW, I also consign some of my stuff to other galleries.
So I'm on both sides of the fence.  This 60/40 split is good
for both parties.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Tue Jun  9 10:40:15 1998
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From: <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 11:51:53 EDT
Message-ID: <1998Jun9.155153.0>
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In a message dated 98-06-09 09:39:07 EDT, you write:

> For those who are telling you it is "easy" to get a tax I.D. no., let me 
>  warn you that maybe in some states it is true, but in others, it 
>  requires up to a 30 page document decipherable by a student of law at 
>  the very least, and up to a 3 month wait.
>  
>  
Hmm sorry I said that it was easy, I guess in TEXAS they want it to be easy so
that more people will be honest.  They tried one year to charge us $25 to have
the opportunity to do all their paperwork and collect their money, but that
didn't go over too well.  I must say that in Texas the comptroller is a very
friendly office and they have always been very helpful.  My biggest problem
was when we incorporated and had a whole new list of taxes and forms to fill
out.  But again the sales tax was the easiest part of it.  The only real
problem is keeping up with the changes that are made everyso often.  We have
had no tax on labour , tax on labour now we have tax on labor unless it is
motor vehicle labor.  
   Our office, comptroller, also has small free seminars, you might check to
see if your state has them too.  
deb
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From owner-glass Tue Jun  9 11:23:56 1998
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From: <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 11:36:13 EDT
Message-ID: <1998Jun9.153613.0>
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In a message dated 98-06-09 09:13:12 EDT, you write:

> To my knowledge, if you place items in a store they will collect sales tax 
> and
>  make the necessary payments to the state.  So, that aspect is out of your
>  hands and you are not responsible for any sales tax.  Unless you want to go
>  "big time" and sell at other venues, why bother with any government
nonsense?
> 
>  You will only be responsible for claiming your additional income from the
>  shops on your regular tax statements, both to the feds and state once a
year.
> 
>  Why not try it out first by placing some things in a shop and see how it 
> goes
>  and if you like it?  If you decide that you would like to expand to other
>  areas, then you will be forced to get your business credentials.  Good
Luck!
>  Lenor
WHY BOTHER WITH GOVERNMENT NONSENSE????? are you asking for trouble!!! If you
want to sell to businesses you HAVE to bother with it.  I know its more paper
work but when Uncle Sam (in the US) comes a knocking on your door you won't be
thinking its nonsense then.  Legally you HAVE to report ALL income whether it
be small or large, you decide how much of a chance you want to take.
Penalties and back taxes , sales or income, could be a lot more than you can
swallow.
deb
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From owner-glass Tue Jun  9 12:18:31 1998
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From: "Douglas R Terry" <dterry@oregontrail.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Color melt Furnace, will this work?
Date: Tue, 9 Jun 1998 08:34:08 -0700
Message-ID: <1998Jun9.1348.0>
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I have two round 30 inch outside 24 inch inside electric kiln rings, 2300
degree capacity, no top or bottom.  I plan to open the bands, put in one
inch frax on the outside, build a base of 3 inch soft brick bottom with one
inch frax under that on a metal roll around frame.  The top will be
approximately the same as the bottom only hinged of course.  I'm hoping to
put in three 25-pound color pots with a cover on the top of the furnace at
the top of the pot level to contain the heat when the lid is open of either
kiln shelf material or some high temperature hard board.  What do you think?
Will this work?  Suggestions, comments, experiences???  Thanks.
Douglas Terry
(from the Alps of Oregon)


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From owner-glass Tue Jun  9 14:52:30 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Consignment sales
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> I would not work with a store that
> does not have a written contract.
> 
> BTW, I also consign some of my stuff to other galleries.
> So I'm on both sides of the fence.  This 60/40 split is good
> for both parties.

A contract is always a good idea, Christie. Do you have any "horror 
stories" of shop owners who failed to pay or who disappeared with 
your work or money?

Albert
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From owner-glass Tue Jun  9 15:20:51 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>,
Content-Type: text/plain;
Subject: Re: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 09:28:38 -0700
Message-ID: <1998Jun9.22838.0>
Precedence: bulk

A drawback to the consignment and not getting a re-sale number is as was
questioned earlier.

NO BUYING WHOLESALE due to the lack of the ########

I think you still go through the process of registering a business, making
the minimum purchase requirements to be a re-seller, AND THEN look into
consignment. You need to be able to buy right before you can
re-sell/consign. I got my start by consigning shades to a local gallery, and
from there it got as big as I wanted it to.

Register a name, get a number, research wholesalers, and then look for
places to consign, and do not over look making a deal for a store to BUY
OUTRIGHT to get you some working capital. IMHO, and store who is owner
operated and funded by the same will WORK HARDER to sell the stuff they own,
than consignments. I used to drop into a gallery I felt was an asset to sell
my work, ask questions of the help about the stuff they had, custom order
possibilities, over all display, and general demeanor. By being critical
before I offered the owner a shot at my work, I had a pretty good idea of
how they would be selling my work. Most galleries who only have consignments
would be selling ??????? if the artists/artisans did NOT consign....
It is a two street, and expenses and profits from both sides.

For me the "chase" is more fun than the filling of orders, and I used to
have more ambition, go around with MANY shades (small) in the car and
"hustle" them....Some earlier I sold a few hundred shades a year, but for
the last 5 or so years have concentrated on large shades only....Overall
more money in a $3,000 sale (net) of a "Tiffany" than the comparable sales
to equal the same dollars in small panel shades, both from the equation
expenses and time and non-production costs such as delivery, packing,
bookkeeping, inventory.

Run it like a business and know what things cost and time involved!

enjoy, H

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From owner-glass Tue Jun  9 16:38:46 1998
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From: <ANLGlass@aol.com>
To: AlexG2@aol.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 14:52:14 EDT
Message-ID: <1998Jun9.185214.0>
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In case you decide to do shows as well, often a show coordinator will get
a tax license for the show so you don't need your own.  You collect the
tax from purchasers, pay the tax to the show coordinator at the end of the
show, and they remit it to the state.  

- Marilyn
A New Light
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From owner-glass Tue Jun  9 16:47:05 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Pittsburgh and the Youghiogheny Factory
Date: Tue, 9 Jun 1998 16:11:41 -0400
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Hi Everybody,

I am going to Pittsburgh at the end of this month.  I know there are
several interesting places in the city with regard to their glass, but
does somebody know which ones are the most important to visit? I don't
think I'll have much free time. I'd love to see an original Tiffany
window, for instance.

On the other hand, I was looking at the map and noticed that the
Youghiogheny factory is relatively close. Does anybody know if there
is any way to get from Pittsburgh to Connelsville? I am trying to find
my drivers licence but I seem to have misplaced it so I might have to
take Greyhound or something similar. Any help will be appreciated.

Thanks a lot.


--
Daniel M. German                  "What is the matter? --Never mind
   Anonymous ->                    What is mind? --It does not matter."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Tue Jun  9 16:57:50 1998
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To: DMR74@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 16:28:38 EDT
Message-ID: <1998Jun9.202838.0>
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Although we are now in the brocess of doing the paperework for our glass
business, I can personally assure you after having been in other businesses
for 30 years, DO NOT, I repeat, do not screw with the state and fed tax
people. We survived fed audits of our businesses, but it cost us thousands of
dollars to do so. When we ran our last business where we outsourced much of
the work, we had to pay an attorney serious $'s to get these people off our
backs. Especially in a state like CA, where the Board of Equalization (how's
that for an oxymoron?) reigns supreme, get the tax number, put up with the
B.S., and do the forms. They'll make your life miserable, if you don't.

Also, if asked how much your sales are expected to be, estimate low as they'll
take, because in some states, a deposit is required to get a number. By all
means however, pay yourself for putting up with this BS by deducting
everything humanly possible as a business expense. As previously said, uncle
will allow you to lose $'s for years, if you can prove you are at least making
an attempt to be profitable!!

R.T. Callahan
Glassics, Inc.
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From owner-glass Tue Jun  9 16:58:23 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Color melt Furnace, will this work?
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Date: Tue, 9 Jun 1998 16:19:51 +0000
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> I have two round 30 inch outside 24 inch inside electric kiln rings, 2300
> degree capacity, no top or bottom. 

Sounds like a winner to me, Doug, but it's been a few years since I 
ran my own hot shop. Why not lob the same question at the hot glass 
discussion group on hotglass.com?  I think you'll get some good 
advice over there.

http://cgi.exo.com/~jht/forum/index.cgi

Albert
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From owner-glass Tue Jun  9 17:09:30 1998
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X-Path: InfoAve.Net!ctombro
From: Carol Tombro <ctombro@InfoAve.Net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Selling stuff & business requirements
Date: Tue, 09 Jun 1998 17:45:10 -0400
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Just a thought on the above, if you intend to go into business, either
selling a little or selling on a larger scale, wouldn't it be more
practical to consult your accountant rather than take a chance on not
knowing what local, State, and Federal taxes requirements might be.

Your accountant should be the most knowledgeable person to go to rather
than asking others what they do as far as payment of any tax.  Better to
pay now than pay later.

Carol T

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From owner-glass Tue Jun  9 17:39:21 1998
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From: dodgestudio@juno.com
To: midwich_cuckoo@hotmail.com
Subject: Re: Selling stuff and business requirements
Date: Tue, 9 Jun 1998 19:20:10 -0400
Message-ID: <1998Jun9.152010.0>
References: <<1998Jun9.111429.0>>
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Hi,

This just made me think of something that you might be interested
in.......A while back we were going to do a trade show in New Jersey and
planned to sell our patterns there at retail as well, so we got a N.J.
tax number just for the event.  Getting a N.J. tax number was no trouble
at all, and cost us nothing.  
Getting rid of a N.J. tax number turned out to be quite another matter. 
Dragged on for a couple of years before we found a helpful public servant
to help out.  The number now seems to be gone for good.............I
hope.

Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

On Tue, 09 Jun 1998 04:14:29 PDT "Roger Thornhill"
<midwich_cuckoo@hotmail.com> writes:
>
>For those who are telling you it is "easy" to get a tax I.D. no., let 
>me 
>warn you that maybe in some states it is true, but in others, it 
>requires up to a 30 page document decipherable by a student of law at 
>the very least, and up to a 3 month wait.
>
>
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>----
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>

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From owner-glass Tue Jun  9 18:36:40 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Consignment sales/gallery horro story
Date: Tue, 9 Jun 1998 19:56:13 -0400 (EDT)
Message-ID: <199806092356.TAA12134@water.waterw.com>
Precedence: bulk

memememe me I do!!!!!!!!!!!!(she says waving her hands in the back row)!!

You want a horror story??? I got a good one.
Contract and all. to some folks means nothing.

The very main reason I do not do consignment is because I got
really really burned.
A gallery I had been consigning work to in a very large nearby city.
(I will keep this vague as I do have a lawsuit pending).

We had a very good relationship.............I would drop the work off
..........they would mail
the checks.........this went on for a few years.  Had a few shows there and sold
quite a number of pieces.  And I had a really good relationship with both the
owners.  And then.....................
all of a sudden.............
I kept delivering work they asked for and wasn't  receiving any checks for
awhile.
Thinking that my work had just been there to long.  So i called and asked to
pick up some of my work.  Well to make a really long expensive lesson short,
the didn't have the work.........then the weren't answering my calls, my
faxes or
my attorney's letters asking for the return of my work. And the only
recourse you
have is to hire an attorney.  

So I don't do  any consignment..............not now ..............and not
ever ever ever again..  Even when you think you know your gallery
owner..........and have a contract.................its not worth the paper
you printed it on unless you are willing to fight for what is yours.  

BTW, these folks are still in business and someday if I don't get paid I
think I would like to go to one of their openings. 

Personally my take on galleries who do  consignment on low price items is that
they don't have any money.  And not really who I want to do business with.
Just a personal opinion from an ex-gallery owner.  And yes I always paid my
artists.  :)


my best,
pj 


 

>
>A contract is always a good idea, Christie. Do you have any "horror 
>stories" of shop owners who failed to pay or who disappeared with 
>your work or money?
>
>Albert
>----
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>
>

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From owner-glass Tue Jun  9 18:49:31 1998
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Art shows and sales tax
Date: Tue, 9 Jun 1998 20:26:52 -0400 (EDT)
Message-ID: <199806100026.UAA13564@water.waterw.com>
Precedence: bulk

For all of you out there that are doing the show curcuit for the first time
this year
beware.  

The sales tax people are out in force at these shows.  

I personally help coordinate a show in Haddonfield, New Jersey.
Last year the tax people were out in full force.  Even shut down a few
craftspeople who owed money .  They confiscate your booth and your inventory
if you don't have the money owed to pay them on the spot.  

So make sure you have your tax id number handy.  These people play for real
and don't want to hear any sob stories either.

my best,
pj (who has her federal id number tattooed somewhere??)


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From owner-glass Tue Jun  9 19:19:10 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Pittsburgh and the Youghiogheny Factory
Date: Tue, 9 Jun 1998 20:29:32 -0400 (EDT)
Message-ID: <199806100029.UAA13690@water.waterw.com>
Precedence: bulk

If you happened to like Andy Warhol's work............there is a great
Warhol Musem in Pittsburgh.  


my best,
pj 
>
>Hi Everybody,
>
>I am going to Pittsburgh at the end of this month.  I know there are
>several interesting places in the city with regard to their glass, but
>does somebody know which ones are the most important to visit? I don't
>think I'll have much free time. I'd love to see an original Tiffany
>window, for instance.
>
>On the other hand, I was looking at the map and noticed that the
>Youghiogheny factory is relatively close. Does anybody know if there
>is any way to get from Pittsburgh to Connelsville? I am trying to find
>my drivers licence but I seem to have misplaced it so I might have to
>take Greyhound or something similar. Any help will be appreciated.
>
>Thanks a lot.
>
>
>--
>Daniel M. German                  "What is the matter? --Never mind
>   Anonymous ->                    What is mind? --It does not matter."
>http://csgwww.uwaterloo.ca/~dmg/home.html
>dmg@csg.uwaterloo.ca
>
> 
>----
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>
>

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From: Tiffany-Glas@t-online.de (Herbert Luidolt)
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Fremont Glass  & Ficher  Glass
Date: Wed, 10 Jun 1998 02:44:54 +0200
Message-ID: <m0yjZ0Y-0004VbC@fwd01.btx.dtag.de>
References: <<199806080452.AAA17500@mime3.prodigy.com>>
Precedence: bulk


BOB   DUCHESNEAU schrieb:

>  A. C. Fisher line is far more extensive.
>  Either way expect exceptionaly beautiful glass that cuts like butter.

C&R Loo have maybe fisher glass on time. But fisher not produce.
Fisher are broke (now  about 3 years). Unfortunately (fine glass)
and good (because there sale to all People and our shop are
only 50 km from Bramsche (Fisher is in Bramsche near Osnabrueck).
But Lambert purchases the prescription from fisher. A other Manufacturer
from the same glass are in France (St. Gobian). For make this glass
fisher need 35 People. All other are not lucratively.

hello from germany,
herbert

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From owner-glass Tue Jun  9 19:54:06 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Invitationals?
Date: Tue, 9 Jun 1998 20:21:16 -0400 (EDT)
Message-ID: <199806100021.UAA13288@water.waterw.com>
Precedence: bulk

I was just wondering.............and that means trouble.

How do most artists feel about invitationals?

For those who aren't familiar............it goes like this.

A project committee sends you an application. for a project they have upcoming.
The comittee selects three or four (or whatever number they chose) artists to
design the project from the applications they receive.
They then pay the artists they have selected a stipend for the designing the
work.  Then from all the work designed they chose the artist whose work the
want to use. Thats it.


Food for thought.

my best,
pj (who can write an application in her sleep)

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From owner-glass Tue Jun  9 19:57:52 1998
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X-Path: infinet.com!glasscat
From: Carolyn Noel <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Custom bevels
Date: Tue, 09 Jun 1998 20:59:41 -0400
Message-ID: <1998Jun9.165941.0>
Organization: The Stained Glass Place
Precedence: bulk

Hi everyone:
Awhile back someone mentioned a fella that did excellent custom beveling
work. My regular beveler isn't taking any more orders due to a backlog,
and I have a customer that needs several bevels replaced. These bevels
are part of a cluster which appear to be from the Prism series, although
I can't be sure. Houston carries that line, but I can't find this
particular cluster. Can anyone help? 
Thanks in advance.
Carolyn
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From owner-glass Tue Jun  9 20:16:27 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Albert Lewis" <alewis@vgernet.net>
Content-Type: text/plain;
Subject: Re: Consignment sales
Date: Tue, 9 Jun 1998 17:01:50 -0700
Message-ID: <1998Jun9.10150.0>
Precedence: bulk

The contract is only as good as it can be inforced!

So the gallery split with your money and some art work....now what! By the
time any monies filter down to you, the lawyers, the system and of course
(if bankruptcy was filed) you rarely get anything but satisfaction and it
will cost you time and grief to get that as well.

Look for an established gallery, preferably one who is owned by a displaying
artist, and KEEP an eye on your work. Keep an eye on the way it is displayed
and check out your state's consignment laws. A contract is certainly to be
expected, but keep in mind it is only a piece of paper. Also find out how
the gallery will handle referrals and if they will give out your name freely
for work they do not have on display.
Non payment (usually by the 10th) is cause for concern....

Any gallery that books a custom shade from me for a client PAYS up front, if
the client reneges for whatever reason, I am not stuck with someone else's
idea of the colors. That usually prompts the galleries to send me the client
and I will deal with communications of colors and style and so forth and
offer them a SMALL referral fee. A few $100 for my phone number is still a
good deal for the gallery.

Set up production items, try not to get too creative and keep a standard
price structure. The more you can produce and get out for sale, the better
the stuff sells. Hard to sell from an empty shelf!

enjoy, H



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From owner-glass Tue Jun  9 21:22:09 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Art shows and sales tax
Date: Tue, 9 Jun 1998 22:49:01 -0400 (EDT)
Message-ID: <199806100249.WAA19828@water.waterw.com>
Precedence: bulk


>
>no scam mike......these people call the cops ahead of time and arrange it all.
>
>and they are definitely not kidding about getting their money.
>
>pj
>
>>pj friend wrote:
>>> 
>>> For all of you out there that are doing the show curcuit for the first time
>>> this year
>>> beware.
>>> 
>>> The sales tax people are out in force at these shows.
>>> 
>>> I personally help coordinate a show in Haddonfield, New Jersey.
>>> Last year the tax people were out in full force.  Even shut down a few
>>> craftspeople who owed money .  They confiscate your booth and your inventory
>>> if you don't have the money owed to pay them on the spot.
>>> 
>>> So make sure you have your tax id number handy.  These people play for real
>>> and don't want to hear any sob stories either.
>>> 
>>> my best,
>>> pj (who has her federal id number tattooed somewhere??)
>>> 
>>> ----
>>> For subscription changes, please mail to: glass-request@bungi.com
>>> To send to the list,      please mail to: glass@bungi.com
>>> Archives available at http://www.bungi.com/glass
>>
>>
>>personally that sounds scam like to me. i would never let some stranger
>>take my stuff. i don't care what they flash at me. i would call the
>>cops...
>>
>>---Mike Savad
>>
>>-- 
>>Mike's Stained Glass
>>http://www.geocities.com/Paris/1141
>>2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
>>and My Updated Shop Photo's
>>
>>
>

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From owner-glass Tue Jun  9 21:51:03 1998
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X-Path: aol.com!PDRUSS
From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Consignment sales
Date: Tue, 9 Jun 1998 23:41:40 EDT
Message-ID: <1998Jun10.34140.0>
Precedence: bulk

In a message dated 98-06-09 17:55:20 EDT, you write:

<< 
 A contract is always a good idea, Christie. Do you have any "horror 
 stories" of shop owners who failed to pay or who disappeared with 
 your work or money?
 
 Albert
 ---- >>


My friend had done business with one store for several years. Then  one day it
was just closed down and she never heard from the owner or saw her stuff
again. 

Dianne
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From owner-glass Tue Jun  9 22:33:39 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, glasscat@infinet.com
Subject: Custom bevels
Date: Wed, 10 Jun 1998 00:11:28, -0500
Message-ID: <199806100411.AAA12054@mime3.prodigy.com>
Precedence: bulk

Gary Dodge or some other regular contributer commented on excellent 
service about six weeks ago (check archives?).

I the reason I write is to suggest that you provide the broken bevels 
to the beveler. This is most important to allow the beveler to match 
the run off lines, etc.. Otherwise complex bevels by different 
bevelers are apt to stand out like sore thumbs. Both may be beautiful 
but poor side by side matches. It is the regularity of a bevel 
cluster that makes it capture the mind. One discontinunity and the 
effect os lost.

That is one reason why I do not ship bevels.

I for one would welcome a very long thread on bevels. Making, using, 
ideas, general knowledge, etc. would be fun. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnant? Bob, "No! HE is not!".*
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From owner-glass Tue Jun  9 23:05:56 1998
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: PDRUSS@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: DIGITAL CAMERA
Date: Tue, 09 Jun 1998 22:58:56 -0400
Message-ID: <1998Jun9.185856.0>
References: <<1998Jun5.223014.0>>
Organization: @Home Network
Precedence: bulk

Just ran onto a page for reconditioned Kodak digital cameras, you can
buy on line if you want, as low as $79.00 to $99.00

Seem to remember someone asking about digital cameras awhile back

Lee

http://webs.kodak.com/US/en/store/?path=Category/163
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From owner-glass Wed Jun 10 04:21:50 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Fremont Glass  & Ficher  Glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 10 Jun 1998 06:30:02 +0000
Message-ID: <199806101113.HAA15458@vger.vgernet.net>
Precedence: bulk


> C&R Loo have maybe fisher glass on time. But fisher not produce.
> Fisher are broke (now  about 3 years). Unfortunately (fine glass)
> and good (because there sale to all People and our shop are
> only 50 km from Bramsche (Fisher is in Bramsche near Osnabrueck).
> But Lambert purchases the prescription from fisher. A other Manufacturer
> from the same glass are in France (St. Gobian). 

Ah, thank you, Herbert, for the clarification! I'd heard that Fischer 
had stopped producing, but that now the glass is available again and 
just assumed that they'd gotten on their feet again. Sold the glass 
formulas to Lamberts, did they? Well, the people at Lamberts are fine 
manufacturers, too, as their own glass demonstrates.

Albert
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From owner-glass Wed Jun 10 06:33:27 1998
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X-Path: pobox.com!Northernlights
From: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>
To: BOB DUCHESNEAU <YWAH36A@prodigy.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: support question
Date: Wed, 10 Jun 1998 07:26:32 -0500
Message-ID: <1998Jun10.22632.0>
References: <<199806070647.CAA19896@mime3.prodigy.com>>
Precedence: bulk

Thanks for the tips on my support question....I like the idea of framing
it in oak since there's so much wood going on in the kitchen already
(it'll blend really nice and won't break up the "line" of the cabinets),
plus in general I have a thing for wood.  I also like the idea of doing
three pieces and putting them together, which will cause absolutely no
problems flipping it.  I don't know if I'll make all three the same
length....but then they don't really have to be.  Looks like it's time
for the drawing board for this one...wish me luck on the design!!!
Thanks again!!!

BOB DUCHESNEAU wrote:

> Lurker Tracy wrote:
> >>.I want to build a long,
> narrow panel, approximately 6"-7" wide and 54" long...it
> will be hung horizontally.  I haven't started the design yet
> (hehehe...learning  to ask a question or two first before
> spending time on a design only to have to re-design it...
> :>).  I want to foil it, and besides finishing it in
> probably zinc, where (assuming need be) does there have to
> be support throughout the piece?  If so, is there a
> particular design/style that would make this easy to
> incorporate?  I'm visualizing something geometric so it's
> mostly going to be straight lines.  It's going to hang in
> front of a light above a kitchen sink, in between two
> cabinets.  Thanks for any help!!!<<
>
> I like the idea of framing this panel in 1" X 1 3/4" oak frame stock.
> This is a standard size that is available in 72" lengths. There is a
> 54" unsupported span that the metal framing commonly available is not
> up to without risk of sagging. If you choose the oak, 1/2" flat H
> lead will be plenty good for the border and fit nicely into the grove
> in the standard frame stock. No other special reinforcement should be
> necessary. You might consider mounting the side pieces of the oak
> frame to the cabinets and adjust the width of the panel accordingly.
> Bob
>
> ____
> Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 *I
> am not a control freak, just do it my way.*
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Wed Jun 10 07:06:05 1998
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X-Path: tm.net.my!shakeel
From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi Group" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Make my cement and grout. Help!
Date: Wed, 10 Jun 1998 20:46:14 +0800
Message-ID: <1998Jun11.44614.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_000E_01BD94B0.CFDF1320
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Friends and Fellow Bungians

Lend me your ears. And time. And fingertips.=20

I have been into glass for almost two years now. And I find the going =
really tough.

Reasons is, I live in Malaysia, and in all of the two years I have not =
found a single stain glass retailer.(I might as well be living in Leh or =
Ladakh.  I made my early purchases of tools from mail order dealers like =
Delphi and Glass Crafters. You can imagine the cost of glass including =
shipping?!! Anyway I found a dealer in nearby Singapore, but his prices =
too are terrifying.

Anyway to make a short story shorter, I would like to experiment by =
making some things myself. And here is where I need your help.

1.Could some one tell me a way of making my own cement for mosaic =
stepping stones myself. ?=20

2. How to make grout?

Well, I will not put all the questions in one basket. Please help out =
with the above two questions.=20

Any takers? Mr Albert Lewis, Mr Mike Savad, Ms Shirley Balloch. Anyone?=20
Thanks a million.

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my

------=_NextPart_000_000E_01BD94B0.CFDF1320
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.1712.3"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Friends and Fellow =
Bungians</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Lend me your ears. And time. And fingertips. =
</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>I have been into glass for almost =
two years now.=20
And I find the going really tough.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Reasons is, I live in Malaysia, and in all of the =
two years I=20
have not found a single stain glass retailer.(I might as well be living =
in Leh=20
or Ladakh.&nbsp; I made my early purchases of tools from mail order =
dealers like=20
Delphi and Glass Crafters. You can imagine the cost of glass including=20
shipping?!! Anyway I found a dealer in nearby Singapore, but his prices =
too are=20
terrifying.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Anyway to make a short story shorter, I would like =
to=20
experiment by making some things myself. And here is where I need your=20
help.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>1.Could some one tell me a way of making my own =
cement for=20
mosaic stepping stones myself. ? </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>2. How to make grout?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Well, I will not put all the questions in one =
basket. Please=20
help out with the above two questions. </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Any takers? Mr Albert Lewis, Mr Mike Savad, Ms =
Shirley=20
Balloch. Anyone? </FONT></DIV>
<DIV><FONT size=3D2>Thanks a million.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Shakeel Abedi<BR>104, Jalan =
Mersing<BR>86000=20
Kluang<BR>Johor<BR>Malaysia<BR>Tel: + 607-7722212 Fax +607-7733313<BR><A =

href=3D"mailto:shakeel@tm.net.my">shakeel@tm.net.my</A></FONT></DIV></BOD=
Y></HTML>

------=_NextPart_000_000E_01BD94B0.CFDF1320--

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From owner-glass Wed Jun 10 07:55:30 1998
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	for rglass-42; Wed, 10 Jun 1998 06:03:37 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Consignment sales
Date: Wed, 10 Jun 1998 09:01:03 -0400
Message-ID: <1998Jun10.513.0>
Precedence: bulk

Message text written by "Albert Lewis"
>A contract is always a good idea, Christie. Do you have any "horror =

stories" of shop owners who failed to pay or who disappeared with =

your work or money?<

Yes, as I am sure most other artists have run into these types
of problems as well.  Here's a couple of examples of problems
when you don't have a contract:

Example A:  Let's call it Gallery ABC.  No formal contract.
I had a few small 3-D items there such as business card holders,
plus one major work in the front window.  Gallery ABC experienced
some shop lifting of my small 3-D items (2 of them).  We set up
a sting operation with the help of the local police, and caught
the thief red-handed as she was leaving the store.  She confessed
and the police recovered one of my 2 missing pieces, but not
the other.  Since I had no contract with Gallery ABC, I was not
compensated for the loss.  I no longer display my works at
Gallery ABC.  Their too-loose management style is too risky for me.

Example B:  Let's call it Gallery DEF.  It was a small craft mall
type of place.  I did not have a booth, but had my works displayed
in the front window available for consignment sales.  I did have
a receipt for all works.  Didn't hear from Gallery DEF for a couple
of months.  I decided to call them up and see if they wanted to
change out the window, etc.  Come to find out, they were going
out of business and closing up the store in four days, and "Oh,
by the way, you might want to come pick up your work before
we lock the doors."  They had not tried to contact me at all.  So
I dropped what I was doing right then and there and went over
and retrieved my items before the store went belly-up, taking my
artwork with it.

Moral of the story?
1. Check out the store before you place your work in it.
2. Get a formal written contract detailing your rights and
the gallery's rights.
3. Make sure the contract covers things like theft, vandalism
and destruction of the artwork.
4. Do regularly scheduled follow-up phone calls with all your
galleries just to keep in touch with them, to see if they are
having trouble, and to rotate stock if necessary.  Be proactive.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Wed Jun 10 08:01:14 1998
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X-Path: city-net.com!dany
From: "Daniela Birkelbach" <dany@city-net.com>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>, <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Pittsburgh and the Youghiogheny Factory
Date: Wed, 10 Jun 1998 07:43:42 -0400
Message-ID: <199806101135.HAA14286@dns.city-net.com>
Precedence: bulk

What a great choice for a visit! Pittsburgh is such a wonderful city... (I
live here).  

Besides Youghiogheny factory Nemacolin Woodlands is worth a visit I hear. 
They have a couple of Tiffany items on display: http://www.nwlr.com/  just
follow the Art link, there is a picture of a Tiffany panel and a Poinsetta
lamp.

Nemacolin Woodlands is about 30 minutes from Connelsville.  I will find out
today if there are any buses going to Connelsville.

Also Fallingwater, the showcase home designed by Frank Lloyd Wright for the
Kaufmann family is about 30 minutes from Connelsville.  You need to call to
make reservations for a tour at Fallingwater.  I don't remember if they
have any Tiffany items in the house, (last time I was there was before I
got into Stained Glass) but the house is absolutely unique and beautiful.

When will you be here?  

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
Many new pictures up on my Stained Glass Pages.
Please come and visit!

----------
> From: Daniel M. German <dmg@csg.uwaterloo.ca>
> To: glass@bungi.com
> Subject: Pittsburgh and the Youghiogheny Factory
> Date: Tuesday, June 09, 1998 4:11 PM
> 
> 
> Hi Everybody,
> 
> I am going to Pittsburgh at the end of this month.  I know there are
> several interesting places in the city with regard to their glass, but
> does somebody know which ones are the most important to visit? I don't
> think I'll have much free time. I'd love to see an original Tiffany
> window, for instance.
> 
> On the other hand, I was looking at the map and noticed that the
> Youghiogheny factory is relatively close. Does anybody know if there
> is any way to get from Pittsburgh to Connelsville? I am trying to find
> my drivers licence but I seem to have misplaced it so I might have to
> take Greyhound or something similar. Any help will be appreciated.
> 
> Thanks a lot.
> 
> 
> --
> Daniel M. German                  "What is the matter? --Never mind
>    Anonymous ->                    What is mind? --It does not matter."
> http://csgwww.uwaterloo.ca/~dmg/home.html
> dmg@csg.uwaterloo.ca
> 
>  
> ----
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> Archives available at http://www.bungi.com/glass
----
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From owner-glass Wed Jun 10 09:04:32 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Kitchen Panels (support question)
Date: Wed, 10 Jun 1998 10:24:26 -0400
Message-ID: <1998Jun10.62426.0>
Precedence: bulk

Just picked up on this thread and have to comment. I am planning a =
similar project. There is a space between my cabinets over the sink =
about 4 feet wide. I am planning to make three panels about 11" high and =
mount them in oak 2" x 1". The 2" x 1" matches the corner framing of my =
cabinets.=20

My plan is to rout out slots in the oak that will hold the three glass =
panels. The oak will not be like a picture frame (attached) to the glass =
panels but will be mounted separately. I intend to start with the lower =
4' piece and attach it in the opening at either side using L-brackets =
from behind. Then I will mount a vertical 11" piece on each side. Two =
separater pieces will be routed on both sides will go in the middle, =
followed by an inverted 4' piece on top attached to the cabinets with th =
L-brackets like the bottom piece. This means that the only screws will =
be in the L-brackets and I can remove the top piece and, slip out the =
panels change them  when ever I tire of them. Each panel will be 11" x =
16" and I don't plan to use any reinforcing since they will not be in a =
place that they can be bumped and the oak is pretty sturdy.

My designs so far for the panels are for a wire egg basket (forming the =
basket and attaching it 3-D on top of the panel), a bowl off fruit and =
an old timely coffee pot with coffee cup. If any one wants I can sketch =
up the framing design and send as an attachment but i think it's pretty =
straight forward.

Linda Campbel
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From owner-glass Wed Jun 10 10:06:20 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Make my cement and grout. Help!
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 10 Jun 1998 11:41:32 +0000
Message-ID: <199806101624.MAA28365@vger.vgernet.net>
Precedence: bulk


> 1.Could some one tell me a way of making my own cement for mosaic =
> stepping stones myself. ?=20

You could do it, Shakeel, but I think it may be too complicated and 
certainly more expensive than buying it, even given the shipping 
costs you're having to pay.  Take a look at
http://www.ppc.co.za/partners/cement/making.htm
for an idea of just how complicated it is.

> 2. How to make grout?

I couldn't find anything on making your own grout, but I suspect the 
problems and costs will be as prohibitive as making cement. There is
http://www.stonedoctor.com/articles/grout.htm
which suggests some different types of grout that might be helpful to 
you (and anyone else here), so you might give that a looksee.

Albert
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From owner-glass Wed Jun 10 11:38:49 1998
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X-Path: tm.net.my!shakeel
From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi Group" <glass@bungi.com>
Content-Type: text/plain;
Subject: Help in making the mosaic cement myself.
Date: Thu, 11 Jun 1998 01:34:56 +0800
Message-ID: <1998Jun11.93456.0>
Precedence: bulk

To very Bungian. I sent this post earlier and being the dumb that I am did
not notice that it was in MIME format and not in plain text.

My sincere apologies to every one of you who had problem because of this.)


Friends and Fellow Bungians

Lend me your ears. And time. And fingertips.

I have been into glass for almost two years now. And I find the going really
tough.
Reasons is, I live in Malaysia, and in all of the two years I have not found
a single stain glass retailer.(I might as well be living in Leh or Ladakh.
I made my early purchases of tools from mail order dealers like Delphi and
Glass Crafters. You can imagine the cost of glass including shipping?!!
Anyway I found a dealer in nearby Singapore, but his prices too are
terrifying.
Anyway to make a short story shorter, I would like to experiment by  making
some things myself. And here is where I need your help.

1.Could some one tell me a way of making my own cement for mosaic stepping
stones.

2. How to make grout? And colorful at that?

Well, I will not put all the questions in one basket. Please help out with
the above two questions.

Any takers? Mr Albert Lewis, Mr Mike Savad, Ms Shirley Balloch. Anyone?
Thanks a million.

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my

----
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From owner-glass Wed Jun 10 12:08:18 1998
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X-Path: tm.net.my!shakeel
From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi Group" <glass@bungi.com>
Content-Type: text/plain;
Subject: Help in making my own cement and grout
Date: Thu, 11 Jun 1998 01:25:46 +0800
Message-ID: <1998Jun11.92546.0>
Precedence: bulk


(To very Bungian. I sent this post earlier and being the dumb that I am did
not
notice that it was in MIME format and not in plain text.

My sincere apologies to every one of you who had problem because of this.)


Friends and Fellow Bungians

Lend me your ears. And time. And fingertips.=20

I have been into glass for almost two years now. And I find the going
really tough.

Reasons is, I live in Malaysia, and in all of the two years I have not
found a single stain glass retailer.(I might as well be living in Leh
or Ladakh.  I made my early purchases of tools from mail order dealers
like Delphi and Glass Crafters. You can imagine the cost of glass including
shipping?!! Anyway I found a dealer in nearby Singapore, but his prices
too are terrifying.

Anyway to make a short story shorter, I would like to experiment by =
making some things myself. And here is where I need your help.

1.Could some one tell me a way of making my own cement for mosaic =
stepping stones myself. ?=20

2. How to make grout?

Well, I will not put all the questions in one basket. Please help out =
with the above two questions.=20

Any takers? Mr Albert Lewis, Mr Mike Savad, Ms Shirley Balloch.
Anyone?

Thanks a million.

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my


----
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From owner-glass Wed Jun 10 13:08:12 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: alewis@vgernet.net, glass@bungi.com
Subject: Re: Make my cement and grout. Help!
Date: Wed, 10 Jun 1998 15:00:52, -0500
Message-ID: <199806101900.PAA20982@mime3.prodigy.com>
Precedence: bulk

> 1.Could some one tell me a way of making my own cement for mosaic 
=
> stepping stones myself. ?

Why not find out what tile setters use in your country? I suspect 
that bathroom floors and courtyards use plenty of tile. Use the 
cement they use. For grout sift the cement and use the finer sifting 
for your first poor over the glass. For outside use grout need be 
nothing more. Use what is left for the remainder of the stone.

When cement is poured and worked, such as for a sidewalk, it naturaly 
grades out this way leaving a smooth surface. You want to have the 
smooth side at the bottom (which will become the top of your stone). 
That is the reason for the above sifting.

This need not be an expensive project employing space age materials. 
The idea is to get a durable stepping stone that looks good. I think 
some of us would like to know what special inported supplies cost in 
US$ in your country. I'll guess up to $40.00 for a 12" round stepping 
stone. In the US we pay $3.00 to $10.00 depending on material 
selection. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnant? Bob, "No! HE is not!".*
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From owner-glass Wed Jun 10 17:14:07 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Making Glass Scratches Less Obvious
Date: Wed, 10 Jun 98 18:49:48 -0400
Message-ID: <199806102247.SAA20787@uz.ComCAT.COM>
Precedence: bulk

Hi Guys,

This was in today's newspaper, thought it might be worth a try:

To make glass scratches less obvious, put a coat of clear nail polish 
over the scratch. When the polish dries, put a little nail-polish remover 
on a clean white cloth and rub the scratch only enough to remove the 
excess polish. Clean with glass cleaner and the scratch will, hopefully, 
disappear.

Suzanne
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From owner-glass Wed Jun 10 18:46:43 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Dragon patterns?
Date: Wed, 10 Jun 1998 20:39:36 -0400
Message-ID: <1998Jun10.163936.0>
Precedence: bulk

	I'm looking for a dragon pattern for a friend.  She wants
something along the lines of "Puff".  I think she wants something cute,
Disney-ish, if you know what I mean.  I have a dragon I got off
Spectrum's site which is not what she wants at all.  Any suggestions? 
Between the two of us, we might be able to draw what she wants, but I
need to look at some dragons first.  I'm going to look at the library
tomorrow.

Thanks!
Jerri

_____________________________________________________________________
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From owner-glass Wed Jun 10 19:52:23 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Help in making my own cement and grout
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 11 Jun 1998 02:24:05 +0000
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Dear Shakeel,

It was when you mentioned Singapore, that my mind clicked into gear.
There may be an "oblique" solution to your cement and grout dilemma, 
and - possibly a number of other glass related questions where you 
live.
Your dilemma reminded me of similar "problem-solving" brainstorms I 
myself experienced when I was living/working in Aden, Hadramout and 
Hong-Kong many years ago. (... no, please don't ask  :-)     ) Who 
uses concrete, cement, grout and so on in large quanities (other than 
builders).
The P.W.D. (Public Works Department) I found that through befriending 
people in PWD, I could get hold of all sorts of "free samples" 
cement, putty, paving stones, wood, even glass and 
tiles and lots of free "lessons" how to use. .. And... if I asked 
very prettily, "samples" would even be delivered to my doorstep.
When eventually I settled to live in UK,  I made use of the ideas I 
learnt out in the Middle and Far East. Instead of buying paving 
stones for my patio from the local garden centre, I approached the 
local government council and asked them. Ok, I didn't get a "free 
sample", but for the equivalent of approx. 16 USD, I bought 3 tons of 
paving stones which they delivered to me. Practice glass for my 
students I collect from the main council glass supplier for nothing, 
as much as I want.
Try approaching the problem from this aspect.
I.e. ask yourself, who else uses cement & grout for OTHER purposes 
where you are.

When you say "making" your own cement, I assume that you mean "mixing 
your own....?
Bob Duchenau is very close to answering your question.
The basic ingredients is - in essence- just the same as making paving 
stones in concrete. The concrete is a mixture of cement, water and 
sand of various grit (fine or coarse) and - of course the glass as 
the "final topping". The trick of the trade is simply getting the 
grit of sand right and the right proportion of cement, sand and water 
mixed. It's not at all complicated and any decent builder worth his 
salt should be able to tell you that Mix A is right for "mortar" 
building a house, Mix B right for  building a garden wall and Mix C 
right for concrete mix for floors and Mix D right for paving slabs. 
You will see a lot of trade names being bandied about and offered as 
being the "bees' knees" for making stepping stones in Bungi. In all 
honesty, you don't need them.  Go back to basics and find out how 
your local government make concrete street paving slabs That should 
be your starting point.

Same for grout. Tiles are used in Malasyia as everywhere else in the 
world. If not on a local level then on a national or tourist level 
(Hotel bathrooms!!). In the absolute extreme, ask an architect who 
has built a hotel, to put you on to the builder that employed the 
contractor that hired the workmen that tiled the bathrooms. I BET you 
that the grout was made locally!! THAT route you will not have to pay 
an arm and a leg!!

 As for glass see/explore if a ordinary local 
glazier (or government dept or contractor) could not help you. Try 
and befriend one or two. For them to slip in a few samples of 
coloured glass into their   import consignments is as considerable as 
the sneeze of a flea. Again, thinking of  where you are, I would have 
thought that your strongest trade links are  more with Australia ??? 
Australia has a quietly flourishing stained glass "industry". They 
are producing their own glass (although I am not yet sure to what 
extent), writing and publishing their own stained glass pattern 
books. Might it be cheaper to import from Australia rather than from 
USA and/or UK & Europe???? Melanie Dunstan, the new shining light of 
IGGA is spending 36 hours of every 24 breathing light into stained 
glass (and other crafts) from Australia. And, in deed, how many other 
types of contractors & government contractors are there in Malaysia 
from Australia??? It's a question of going back to basics, examining 
the basic materials and supplies that you are looking for and explore 
from where else/ who else (using them for other purposes) you might 
succeed to obtain them. These are just thoughts going through my mind 
as I consider your dilemma. Have I given you something to think about 
and "spin" on (though I realize that nothing will be easy....) ?? 
With my Best Wishes Elisabeth 'n Toby in UK


Shakeel wrote:
I have been into glass for almost two years now. And I find the going
really tough.

Reasons is, I live in Malaysia, and in all of the two years I have not
found a single stain glass retailer.(I might as well be living in Leh
or Ladakh.  I made my early purchases of tools from mail order dealers
like Delphi and Glass Crafters. You can imagine the cost of glass including
shipping?!! Anyway I found a dealer in nearby Singapore, but his prices
too are terrifying.

Anyway to make a short story shorter, I would like to experiment by =
making some things myself. And here is where I need your help.

1.Could some one tell me a way of making my own cement for mosaic =
stepping stones myself. ?=20

2. How to make grout?

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Wed Jun 10 20:00:17 1998
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From: "M. Savad" <morn@nac.net>
To: jerri m Roey <jroey@juno.com>
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Subject: Re: Dragon patterns?
Date: Wed, 10 Jun 1998 22:04:06 -0400
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jerri m Roey wrote:
> 
>         I'm looking for a dragon pattern for a friend.  She wants
> something along the lines of "Puff".  I think she wants something cute,
> Disney-ish, if you know what I mean.  I have a dragon I got off
> Spectrum's site which is not what she wants at all.  Any suggestions?
> Between the two of us, we might be able to draw what she wants, but I
> need to look at some dragons first.  I'm going to look at the library
> tomorrow.
> 
> Thanks!
> Jerri
> 
> _____________________________________________________________________
> You don't need to buy Internet access to use free Internet e-mail.
> Get completely free e-mail from Juno at http://www.juno.com
> Or call Juno at (800) 654-JUNO [654-5866]
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there may be some dragons here: http://www.draconian.com/

---Mike Savad

-- 
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2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Wed Jun 10 23:11:47 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
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Subject: Re: Dragon patterns?
Date: Wed, 10 Jun 1998 21:11:00 -0700
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>	I'm looking for a dragon pattern for a friend.  She wants
>something along the lines of "Puff".  I think she wants something cute,
>Disney-ish, if you know what I mean.  I have a dragon I got off
>Spectrum's site which is not what she wants at all.  Any suggestions? 
>Between the two of us, we might be able to draw what she wants, but I
>need to look at some dragons first.  I'm going to look at the library
>tomorrow.

HI Jerri,

The library's a great place to look for stained glass design inspirations,
particularly the kids section.  I used to feel uncomfortable in there since
I don't have kids but have learned to love those skinny books as a wonderful
source of inspiration.

Carol Swann
Synergy Glass & Creative

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From owner-glass Thu Jun 11 04:31:25 1998
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Subject: Re: Dragon patterns?
Date: Thu, 11 Jun 1998 06:45:29 EDT
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Jerri,
Why not try your local toy store or large cut-rate store (e.g. Walmart, K-
Mart, etc.) for coloring books?  They are quite inexpensive and easy to work
with when transforming the lines for glass scoring.   Lenore
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From owner-glass Thu Jun 11 07:36:14 1998
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Subject: irridized glass
Date: Thu, 11 Jun 1998 09:48:46 EDT
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I am trying to fuse some irriized glass and poof the pretty coating
disappeared. i covered the top with a clear piece of glas. does anyone know
what the top temp. is not to burn off the irridized top coating?

Kim Cotcher
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From owner-glass Thu Jun 11 09:13:56 1998
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Subject: Re: irridized glass
Date: Thu, 11 Jun 1998 11:28:02 -0400
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Kcotcher@aol.com wrote:
> 
> I am trying to fuse some irriized glass and poof the pretty coating
> disappeared. i covered the top with a clear piece of glas. does anyone know
> what the top temp. is not to burn off the irridized top coating?
> 
> Kim Cotcher
> ----
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it was probably spectrum. spectrum's irr. burns off too easily, i
personally hav'nt found a good temperature that will keep the irr., and
still be able to do anything with it. so far the best kiln irr. is
bullseye.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Thu Jun 11 10:17:41 1998
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From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: electric glory holes?
Date: Thu, 11 Jun 1998 11:35:55 -0400
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Hello glass fans!

Has anyone built an electric powered glory hole? I am thinking of a table top
sized unit; maybe 4" opening max. I would prefer electric because of safety
concerns. 

If so, any estimates as to the average and maximum power required? I imagine
it would be quite substantial!

-- DavidC
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From owner-glass Thu Jun 11 10:40:41 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: irridized glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 11 Jun 1998 12:37:14 +0000
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> I am trying to fuse some irriized glass and poof the pretty coating
> disappeared. i covered the top with a clear piece of glas. does anyone know
> what the top temp. is not to burn off the irridized top coating?

Kim, the iridized effect results from tiny flakes of metal that have 
been "grown" on the surface of the glass in a highly technical and 
expensive process (hence the higher price of iridized glass). I'm 
sure others are going to give you more feedback on this, but if you 
fuse a piece of clear to the iridized surface, you mash all those 
little flakes down, keep them from catching the light and reflecting 
in the way you'd really hoped they would.

On the other hand, taking the temp too high, even when top glass 
isn't fused to the iridized surface, will burn off the coating, I'm 
sure. Others here will jump in and correct/addto this inept and badly 
explained thoughts of mine on the subject, so check back. <s>

Albert
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From owner-glass Thu Jun 11 11:46:22 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
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Subject: Re: Help in making my own cement and grout
Date: Thu, 11 Jun 1998 13:10:16 -0400
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EXCELLENT reply, Elisabeth!  Thank =

you for taking the time... I would have
myself if I weren't up to the ears in =

this show.  Whenever I see those
expensive stepping stone mixtures at
the suppliers,  I have to roll my eyes and
wonder what we'll be selling next... the
Emperor's clothes??!!  ;0   Back to the
drawing board!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Jun 11 12:46:21 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: electric glory holes?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 11 Jun 1998 14:42:06 +0000
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> Has anyone built an electric powered glory hole? I am thinking of a table top
> sized unit; maybe 4" opening max. I would prefer electric because of safety
> concerns. 

Gas is actually quite safe, since you'd be installing a "fire-eye," a 
device that watches the flame. if and when the flame disappears, the 
fire-eye automatically shuts off the gas. Electricity would be 
phenomenally expensive to run in a glory hole, since the bulk of the 
generated heat would simply blow off, meaning the elements would be 
running on high *all the time.

But don't take my word for it (if it's worth anything a'tall), get 
Henry Halem's book on hot glass studio construction. It's Glass Notes: 
A reference  guide for the glass artist  [Halem, Henry: 1996. 304 pages, 3rd 
edition] from Franklin Mills Press, PO Box 906, Kent OH 44240. Phone:
 (330) 673-8632. Fax: (330) 677-2488. 
 E-mail: hhalem@glassnotes.com 
 Web site: http://www.glassnotes.com

They give Guild members a discount on the book, by the way. See 
suppsupp.htm below.

Albert

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
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Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Thu Jun 11 13:15:17 1998
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From: David Cogen <cogen@ll.mit.edu>
To: alewis@vgernet.net
Subject: Re: electric glory holes?
Date: Thu, 11 Jun 1998 14:52:43 -0400
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> Gas is actually quite safe, since you'd be installing a "fire-eye," a 
> device that watches the flame. if and when the flame disappears, the 
> fire-eye automatically shuts off the gas. Electricity would be 

No, actually I would not be installing a "fire-eye"; hence my concerns. I am
talking really small-scale; low budget. I believe some company makes something
similar to what I envision: a coffee can or slightly larger sized insulated
box heated by a Hot-Head torch or Minor Burner. I forget where I saw it
though; no fire-eye there either.

But I have fears of the flame going out for some reason -- why? perhaps I
sneeze on it, or whatever -- then filling and reigniting inside the hot box,
and blowing the 2300 degree cover off into my face. Not pleasant.

> phenomenally expensive to run in a glory hole, since the bulk of the 
> generated heat would simply blow off, meaning the elements would be 
> running on high *all the time.

Well, true they would be on most/all the time, but if I could heat this small
a space with 18 amps at 110 V? That's only about 20 cents per hour, running
continuously, at my local electric rates. I could afford that, even 3 times
that. Even my Minor Burner uses something like $1 per hour of oxygen (the
propane, of course, being negligible cost compared to compressed oxygen).


-- DavidC
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From owner-glass Thu Jun 11 13:45:13 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
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Subject: Doing a Credit Check
Date: Thu, 11 Jun 1998 14:31:26 -0400
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Hi all.  Here's a question for the wholesale business owners.
How do you go about doing a credit check for a
client that requests a Net 30 or Net anything account?
Any suggestions for how to do a credit check would be
most appreciated.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Thu Jun 11 14:46:09 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: electric glory holes?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 11 Jun 1998 16:45:18 +0000
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> No, actually I would not be installing a "fire-eye"; hence my concerns. I am
> talking really small-scale; low budget. I believe some company makes something
> similar to what I envision: a coffee can or slightly larger sized insulated
> box heated by a Hot-Head torch or Minor Burner. I forget where I saw it
> though; no fire-eye there either.

Oh, I remember what you might have seen ... I think if you check with 
Gil Reynolds at 

                      Fusion Headquarters, Inc., 15500 NE Kincaid
                      Road, Newberg OR 97132. Phone: (503) 538-5281.
                      Fax: (503) 538-6527. E-mail:
                      glaswiz@teleport.com Web site:
                      http://www.teleport.com/~glaswiz

 he'll be able to point you in the right direction. Other than that, 
there's always Henry Halem's book for some highly recommended advice 
and input if you're working with hot glass.

> But I have fears of the flame going out for some reason -- why? perhaps I
> sneeze on it, or whatever -- then filling and reigniting inside the hot box,
> and blowing the 2300 degree cover off into my face. Not pleasant.

Yes, I understand your concern. The thing is, though, if the furnace 
is at 2300 degrees, the gas can't go out with a mere sneeze. If it 
did, it'd pop right back on anyway because the glory hole itself 
would be hot enough to reignite it. If you were called away to the 
phone, though, and the gas went off long enough for the device to 
cool down below the gas flash point, it wouldn't reignite when the 
gas came back on, so okay ... if you're not going to use a fire-eye, 
you're probably right to err on the side of safety.

> Well, true they would be on most/all the time, but if I could heat this small
> a space with 18 amps at 110 V? That's only about 20 cents per hour, running
> continuously, at my local electric rates. I could afford that, even 3 times
> that. Even my Minor Burner uses something like $1 per hour of oxygen (the
> propane, of course, being negligible cost compared to compressed 
oxygen).

Yeah, I was visualizing a *big glory hole, one like furnace workers 
use. The small device you're planning would run a lot cheaper. Hope 
you find what you're looking for.

Albert
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Kcotcher@aol.com
Subject: Re: irridized glass
Date: Thu, 11 Jun 1998 23:04:45 +0100
Message-ID: <1998Jun12.0445.0>
References: <<1998Jun11.134846.0@?>>
Precedence: bulk

Kim
  I don't know the temperature at which the Irridised coating burns off,
but I have found that fusing the whole upside down (i.e. irridised
coating down on the shelf) retains the irridesence, although with some
marking from the shelf, or mould.

Steve

In message <1998Jun11.134846.0@?>, Kcotcher@aol.com writes
>I am trying to fuse some irriized glass and poof the pretty coating
>disappeared. i covered the top with a clear piece of glas. does anyone know
>what the top temp. is not to burn off the irridized top coating?
>
>Kim Cotcher
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Thu Jun 11 17:32:14 1998
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Inspiration
Date: Thu, 11 Jun 1998 19:41:41 -0400
Message-ID: <1998Jun11.154141.0>
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I was at the local glass store and a woman came in with a small panel
she had made.  What an incredible piece of work.  It was perhaps 12-15
inches long, 8-10 inches high, with an elaborate border of circles and
pinwheeles and a complicated picture of a South American village. It was
gift for the woman she had depicted in the window.  The detail was
incredible!  She does these things for her own pleasure.
You know, you don't always have to go to a museum to see extraordinary
work.  Sometimes you just have to be in the right place at the right
time.
Now I must relinquish the computer to my daughter so whe can type up a
paper.

Dorothy K


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From owner-glass Thu Jun 11 18:51:35 1998
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X-Path: aol.com!HiimLaura
From: <HiimLaura@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Tax ID numbers, consignments, yadda yadda yadda
Date: Thu, 11 Jun 1998 20:46:02 EDT
Message-ID: <1998Jun12.0462.0>
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Hi all:

Just wanted to add this: the craft mall-type shop where I sell my glass
provides all artists/crafters with small electronic security stickers (you
have to buy them  - about 10cents each - and they are optional). Well worth it
at 10 cents pop. Look for established and reputable places which offer
"services", or  options such as this. They are showing that they cover all
bases for you - and some places do!  

PS - I'm in PA, and my shop recieves 6% of all sales - no taxes that I have to
deal with, except maybe a local tax, and that depends on the city or township
the shop is in. Now, to go into a craft show, that is another story - have to
call the fiscal office and do all the paperwork and apply for the ID #. Only
need to go through the federal forms if there is bank account in the business
name or if you have employees. That is all that I know. (it helps to have a
brother who is a fine woodworker with a degree in accounting!)

think big thoughts, relish small pleasures.

Laura
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From owner-glass Thu Jun 11 19:17:18 1998
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From: Carolyn Noel <glasscat@infinet.com>
To: jerri m Roey <jroey@juno.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Dragon patterns?
Date: Thu, 11 Jun 1998 21:25:19 -0400
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Hi Jerri:
There's a "cute" dragon in the book SUNSHINES by Donna Schulze. Might be
just what you're looking for. 
Carolyn
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From owner-glass Thu Jun 11 19:48:57 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------260B6615DA9753881EF49DEB"
Subject: Nothing to do with glass
Date: Thu, 11 Jun 1998 18:43:24 -0700
Message-ID: <1998Jun11.114324.0>
Organization: Moswood Mountain Limited
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This is a multi-part message in MIME format.
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Well I hope I haven't overstepped my bounds here. But thought some of
you would like some humor
in your friday, I certainly did.
Regards~

Pam

Subject: MICROSOFT TESTS NUCLEAR DEVICE AT SECRET HANFORD FACILITY

REDMOND (BNN)--World leaders reacted with stunned silence as Microsoft
Corp. (MSFT) conducted an underground nuclear test at a secret facility
in
eastern Washington state. The device, exploded at 9:22 am PDT (1622
GMT/12:22 pm EDT) today, was timed to coincide with talks between
Microsoft and the US Department of Justice over possible antitrust
action.

"Microsoft is going to defend its right to market its products by any
and
all necessary means," said Microsoft CEO Bill Gates. "Not that I'm
anti-government" he continued, "but there would be few tears shed in the

computer industry if Washington were engulfed in a bath of nuclear
fire."

Scientists pegged the explosion at around 100 kilotons. "I nearly
dropped
my latte when I saw the seismometer" explained University of Washington
geophysicist Dr. Whoops Blammover, "At first I thought it was Mt.
Rainier,
and I was thinking, damn, there goes the mountain bike vacation."

In Washington, President Clinton announced the US Government would
boycott
all Microsoft products indefinitely. Minutes later, the President
reversed
his decision. "We've tried sanctions since lunchtime, and they don't
work," said the President. Instead, the administration will initiate a
policy
of
"constructive engagement" with Microsoft.

Microsoft's Chief Technology Officer Nathan Myrhvold said the test
justified Microsoft's recent acquisition of the Hanford Nuclear
Reservation from the US Government. Not only did Microsoft acquire
"kilograms
of weapons grade plutonium" in the deal, said Myrhvold, "but we've
finally
found a place to dump those millions of unsold copies of Microsoft Bob."

Myrhvold warned users not to replace Microsoft NT products with rival
operating systems. "I can neither confirm nor deny the existence of a
radioisotope thermoelectric generator inside of every Pentium II
microprocessor," said Myrhvold, "but anyone who installs an OS written
by
a bunch of long-hairs on the Internet is going to get what they
deserve."

The existence of an RTG in each Pentium II microprocessor would explain
why the microprocessors, made by the Intel Corporation, run so hot. The
Intel
chips "put out more heat than they draw in electrical power" said Prof.
E.
E. Thymes of MIT. "This should finally dispell those stories about cold
fusion."

Rumors suggest a second weapons development project is underway in
California, headed by Microsoft rival Sun Microsystems. "They're doing
all
of the development work in Java," said one source close to the project.
The development of a delivery system is said to be holding up progress.
"Write once, bomb anywhere is still a dream at the moment."

Meanwhile, in Cupertino, California, Apple interim-CEO Steve Jobs was
rumored to be in discussion with Oracle CEO Larry Ellison about
deploying
Apple's Newton technology against Microsoft. "Newton was the biggest
bomb
the Valley has developed in years," said one hardware engineer. "I'd
hate
to be around when they drop that product a second time."

posted on 14 May 1998
Copyright 1998 by the Bogus News Network.

**************************



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email;internet: ptap@pacifier.com
title:          Moswood Mountain Limited
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From owner-glass Thu Jun 11 21:45:51 1998
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From: leestat7 <leestat7@home.com>
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Subject: Re: Nothing to do with glass
Date: Thu, 11 Jun 1998 23:39:17 -0400
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Thanks Pam, great chuckle, needed that.

Lee Boe
Rain-Boe's Creations

Pamela Burns-Tappan wrote:
> 
> Well I hope I haven't overstepped my bounds here. But thought some of
> you would like some humor
> in your friday, I certainly did.
> Regards~
> 
> Pam
> 
> Subject: MICROSOFT TESTS NUCLEAR DEVICE AT SECRET HANFORD FACILITY
> 
> REDMOND (BNN)--World leaders reacted with stunned silence as Microsoft
> Corp. (MSFT) conducted an underground nuclear test at a secret facility
> in
> eastern Washington state. The device, exploded at 9:22 am PDT (1622
> GMT/12:22 pm EDT) today, was timed to coincide with talks between
> Microsoft and the US Department of Justice over possible antitrust
> action.
> <<<<big snip>>>>>
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From owner-glass Fri Jun 12 05:00:01 1998
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From: "Drag, Gloria J." <draggj@westinghouse.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain
Subject: Pittsburgh Glass and Youghigheny
Date: Fri, 12 Jun 1998 06:52:58 -0400
Message-ID: <1998Jun12.25258.0>
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Daniel,
There is a beautiful Tiffany window in a church on the North side  of
Pittsburgh..  I had found it completely by accident.. There was a flea
market at that church on Saturday afternoon.. After looking over the sale
items, I wandered in the main part of the church and nearly had heart
failure, there it was, 3 great panels.. At one time this church had been in
the most precious part  of Pgh., but like many parts of an inner city, the
area has declined..  Also, not to sound morbid, when I lived in Squirrel
Hill part of Pgh., there was a Victorian Cemetery, Homewood Cemetery  that
had many mosoliums done in stained glass.. When walking my dogs, ( this
place as many Victorian era cemeteries were to be park like, plus, the
caretakers liked the dog group, kept the vandalism  down) I was awed by all
the beautiful windows. 
If you need any help with directions e mail me back.. I hope by this weekend
to have the PC at home working.. Actually will be buying a new one
tomorrow.. The brown out we had last Sunday fried it.. 

There is also the Mellon home built by Frank Lloyd Wright that might have
some of his glass designs, do not know for sure (Fallingwaters).. 

If I can help any further leave me know.
Please mail to my home address:

3hounds@usaor.net

Thanks
Gloria
    
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From owner-glass Fri Jun 12 06:48:47 1998
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From: Carol Tombro <ctombro@InfoAve.Net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Fallingwater
Date: Fri, 12 Jun 1998 08:57:11 -0400
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If anyone is within traveling distance of Bear Run, PA, Frank Lloyd
Wright's Fallingwater is a must see.  I don't remember stained glass in
the house, there was so much to wonder about in this beautiful
structure.  Unfortunately, the house is deteriorating due to weather,
materials, and other factors.  There is a debate whether this house
should be preserved at a large cost or let it deteriorate.  If the
decision is made to let the house deteriorate, then I would say by all
means go an see a beautiful architectural structure now, regardless if
there is stained glass in the house or not.  It is an experience.

Carol T

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From owner-glass Fri Jun 12 07:20:35 1998
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X-Path: hotmail.com!marycooper
From: "Mary Cooper" <marycooper@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Sandblasting
Date: Fri, 12 Jun 1998 06:39:46 PDT
Message-ID: <1998Jun12.133946.0>
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I need to set up blasting equipment, (a cabinet & air compressor...) and 
would like suggestions/recommendations/advice.
We are running the gamut here, considering everything from a homemade 
cabinet to a professionally made one.
Thnks!


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From owner-glass Fri Jun 12 07:50:42 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: lamp transfer
Date: Fri, 12 Jun 1998 10:04:36 -0400
Message-ID: <1998Jun12.6436.0>
Precedence: bulk

i don't know if this question will make any sense, but... i'm up to the
rounded part of my lamp. it's 13" in diameter, and roughly half of that
height. i need to make the pattern on the globe, and on paper, as a
pattern. but i can't figure out the best way to "cut?" the paper so it
fits comfortably on the dome. 

i've thought of ways of using saran wrap, but that's going to be in
effiecient. there must be some mathamatical way...


btw i'm up to about 2100 pieces now, and there's still designing left to
do...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Fri Jun 12 08:19:54 1998
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From: Dinosaur Bob <shyguy@vdot.net>
To: "iguanas@echonyc.com" <iguanas@echonyc.com>,
Content-Type: text/plain; charset=us-ascii
Subject: FYI - ICQ
Date: Fri, 12 Jun 1998 10:34:35 -0400
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Organization: Cox's Mower Service
Precedence: bulk

for those that seek -
http://www.wired.com/news/news/email/other/business/story/12896.html

rumor has been that Mirabilis was planning to start charging for ICQ,
now who knows?


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From owner-glass Fri Jun 12 08:57:39 1998
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Subject: Re: Fallingwater
Date: Fri, 12 Jun 1998 10:45:56 -0400
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References: <<1998Jun12.45711.0>>
Organization: Cox's Mower Service
Precedence: bulk

As my fading memory serves, there is a Tiffany 'Lotus' desk lamp in one of
the bedrooms, and some small pieces in the guest house. Unfortunatly, I had
film problems ( I use a mail away lab, shot 3 rolls on the Yough trip,
one's gone missing, one came back blank, the good one only has about 8
pictures about glass- AAARRRGG.)

aside to Melanie - do you still want the article, - I don't have many
photos, none from the glassworks. I've not responded due to many hours on
the phone trying to find my film.

Carol Tombro wrote:

>  I don't remember stained glass in
> the house, there was so much to wonder about in this beautiful
> structure.


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From owner-glass Fri Jun 12 09:37:04 1998
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X-Path: westinghouse.com!draggj
From: "Drag, Gloria J." <draggj@westinghouse.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain
Subject: Pittsburgh church and than some
Date: Fri, 12 Jun 1998 11:46:03 -0400
Message-ID: <1998Jun12.7463.0>
Precedence: bulk

Daniela and Daniel, here is the address to the church that has the Tiffany
on the Northside:

	Calvary United Methodist Church
	Allegheny and Beech Avenues
	Pittsburgh, PA  15233

	Office Tel. 412-231-2007

At a more general level, perhaps you all are already up on the stuff, but if
you wanted, I suspect that Pittsburgh History and Landmarks Foundation could
actually arrange a tour for you of various architectures using beveled,
etched and stained glasses from differing periods.  ( this was offered by
the person who I asked the address of the church of, he is a resident of the
area)
Might be interesting.


Gloria

3hounds@usaor.net 
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From owner-glass Fri Jun 12 13:04:32 1998
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From: <AlexG2@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Something for Friday, fun with tele-marketers
Date: Fri, 12 Jun 1998 15:26:18 EDT
Message-ID: <1998Jun12.192618.0>
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Hi, everyone

I just recently had success in dealing with pushy tele-marketers. When they
call you its usually at the wrong time (if anytime is right).

This is what you do.

Once you get a chance to interrupt them, politely mention that you are right
in the middle of something, and could they give you their home number so you
could call them back at a more convenient time, like maybe during their
dinner.

The last tele-marketer hung up immediately, how rude.

Alex Gacic
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From owner-glass Fri Jun 12 14:04:31 1998
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To: marycooper@hotmail.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Sandblasting
Date: Fri, 12 Jun 1998 16:24:33 EDT
Message-ID: <1998Jun12.202433.0>
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Mary, 

Years ago my husband made me a homemade sandblasting cabinet.  It worked
great.  We used plexiglass in the area where you would be looking through.
Also we used the strong (yellow) rubber gloves and siliconed them in for you
to work with. It worked great!!  I am not using it now and haven't for several
years but it was a lot better than spending big money to get one already made.
Anyone with any type of carpentry skills should be able to make one fairly
easy.

Margie
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From owner-glass Fri Jun 12 17:45:19 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: t-online.de!Tiffany-Glas
From: Tiffany-Glas@t-online.de (Herbert Luidolt)
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Fremont Glass & Ficher Glass
Date: Sat, 13 Jun 1998 01:57:36 +0200
Message-ID: <m0ykdhQ-0003OsC@fwd15.btx.dtag.de>
References: <<e7TjTJAqgif1Ew0e@verrier-scotland.demon.co.uk>>
Precedence: bulk

Steve Richard schrieb:
> Thanks Herbert for this information on Fisher.  I had heard that Fisher
> was no longer producing, so this confirmation is welcome, but very sad.
>
> I have heard a rumor that Desag has stopped producing art glass too.  Is
> this correct?  Auf wiederseen.

Yes, Desag end (stop) at end of 1998. But only Colorescent, Opalescent
and Danziger (Danziger = mouth blow glass). Maybe other too, but i am 
not sure.

Also "auf wiedersehen".

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From owner-glass Fri Jun 12 19:20:11 1998
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X-Path: aol.com!LByrne21
From: <LByrne21@aol.com>
To: glass@bungi.com (Bungi)
Content-Type: text/plain; charset=US-ASCII
Subject: Please Re-instate Me On List
Date: Fri, 12 Jun 1998 21:15:20 EDT
Message-ID: <1998Jun13.11520.0>
Precedence: bulk

Apparently I've been "bumped" from Bungi......haven't had mail for a
week...and I KNOW that can't happen.  Besides, I'm experiencing withdrawal
systems...so PLEASE take me back?
                                             Lavergne
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From owner-glass Fri Jun 12 22:13:16 1998
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X-Path: aol.com!PDRUSS
From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Something for Friday, fun with tele-marketers
Date: Sat, 13 Jun 1998 00:19:15 EDT
Message-ID: <1998Jun13.41915.0>
Precedence: bulk

In a message dated 98-06-12 16:05:56 EDT, you write:

<< 
  Once you get a chance to interrupt them, politely mention that you are right
 in the middle of something, and could they give you their home number so you
 could call them back at a more convenient time, like maybe during their
 dinner.
 
 The last tele-marketer hung up immediately, how rude.
 
 Alex Gacic
  >>

I get these IMs from people trying to get me interested in their "Home Based
Businesses"  (rip-offs). Yesterday I got one that started "Are you a real go-
getter? Are you looking for ways to make more money?" 

I wrote back that I was lazy and had all the money I needed. (not true but it
worked).

We also get phone calls from the local newspaper wanting to sell us a
subscription. My husband told them "I can't read".  They didn't know what to
say.

Dianne

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From owner-glass Sat Jun 13 02:19:52 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: stainedglass.co.uk!shop
From: "shop@stainedglass.co.uk" <shop@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: glass
Date: Sat, 13 Jun 1998 09:23:20 +0100
Message-ID: <1998Jun13.102320.0>
Precedence: bulk

I received this odd email this morning.
Can anyone enlighten me as to what the writer is trying to say?
I dont know if it is an insult or a compliment, but cannot for the life of
me work out what it is about.
Is it a bit of North American humour that has not travelled well or what?
I am forwarding this to bungi because I recognise the name from the other
postings
EliZabeth
Bournemouth Stained Glass
http://www.stainedglass.co.uk

>Date: Fri, 12 Jun 1998 18:46:48 -0700
>From: Cindy Pesonen <cpesonen@bcinternet.net>
>To: shop@stainedglass.co.uk
>Subject: glass
>
>Yo right!!
>You give begining to the word,.... dumb.
>Many lean on learning.
>You have not.
>

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From owner-glass Sat Jun 13 02:44:22 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: hotmail.com!sglass1
From: "jean pay" <sglass1@hotmail.com>
To: glass@bungi.com, AlexG2@aol.com
Content-Type: text/plain
Subject: Re: Something for Friday, fun with tele-marketers
Date: Fri, 12 Jun 1998 18:31:15 PDT
Message-ID: <1998Jun13.13115.0>
Precedence: bulk

here my 2 cents, just say please do not solicite, take my name off your 
lists!(get the name of company) If they dont cease you can have legal 
action taken against them. jean

>From owner-glass@daver.bungi.com Fri Jun 12 13:10:50 1998
>Received: by daver.bungi.com
>	via smail with stdio
>	id <m0ykZVN-0000UFa@daver.bungi.com>
>	for rglass-42; Fri, 12 Jun 1998 12:28:53 -0700 (PDT)
>	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
>X-Path: aol.com!AlexG2
>From: <AlexG2@aol.com>
>To: glass@bungi.com
>Content-Type: text/plain; charset=US-ASCII
>Subject: Something for Friday, fun with tele-marketers
>Date: Fri, 12 Jun 1998 15:26:18 EDT
>Message-ID: <1998Jun12.192618.0>
>Precedence: bulk
>
>Hi, everyone
>
>I just recently had success in dealing with pushy tele-marketers. When 
they
>call you its usually at the wrong time (if anytime is right).
>
>This is what you do.
>
>Once you get a chance to interrupt them, politely mention that you are 
right
>in the middle of something, and could they give you their home number 
so you
>could call them back at a more convenient time, like maybe during their
>dinner.
>
>The last tele-marketer hung up immediately, how rude.
>
>Alex Gacic
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
----
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From owner-glass Sat Jun 13 03:02:19 1998
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re : glass
Date: Sat, 13 Jun 1998 09:30:26 +0100
Message-ID: <1998Jun13.103026.0>
Precedence: bulk

I received this odd email this morning.
Can anyone enlighten me as to what the writer is trying to say?
I dont know if it is an insult or a compliment, but cannot for the life of
me work out what it is about.
Is it a bit of North American humour that has not travelled well or what?
I am forwarding this to bungi because I recognise the name from the other
postings
EliZabeth
Bournemouth Stained Glass
http://www.stainedglass.co.uk

>Date: Fri, 12 Jun 1998 18:46:48 -0700
>From: Cindy Pesonen <cpesonen@bcinternet.net>
>To: shop@stainedglass.co.uk
>Subject: glass
>
>Yo right!!
>You give begining to the word,.... dumb.
>Many lean on learning.
>You have not.
>

----
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From owner-glass Sat Jun 13 03:40:21 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, marycooper@hotmail.com
Subject: Sandblasting
Date: Sat, 13 Jun 1998 05:39:40, -0500
Message-ID: <199806130939.FAA19400@mime3.prodigy.com>
Precedence: bulk

>>I need to set up blasting equipment, (a cabinet & air compressor...
) and 
would like suggestions/recommendations/advice.<<

I recommend you build your own. I have a name brand cabinet that cost 
$1400.00 and could have been built for about $60.00. Use some of the 
money saved to buy a good pressure pot system. The cheap syphon 
systems are for cheap work IMO. Make basic cabinet about 36" wide by 
24" high from 1/2" or thicker plywood and cover back wall of blast 
area with sheet rubber. Seal joints with silicone. Mount to wall or 
make legs from 2 X4s. Design a pass through and the size of a flat 
piece that can be blasted is doubled. You can make wooden stops that 
close the pass through when not in use. A sealed beam floodlight can 
be mounted inside. Wire it to come on from a convient switch mounted 
on the outside. Have the vacuum wired to come on when the light is on.


You made no reference to a vacuum for removing air and blast dust 
form the cabinet. Very important for your health. Scatt has one for 
about $275.00.

Someone else suggested a piece of plexy glass or something like that 
for the window. Good idea. Another idea is to ALSO place a piece of 
ordinary 1/8" glass on the blast side of the plexy. Can be cheaply 
replaced. Otherwise you will be replacing the plexy often as the grit 
rebounds and quickly pits the window area.

Locate your compressor away from the cabinet so the noise in the work 
area is reduced. I also have my vacuum outside (of course I have a 
new hole in my wall) for sound reduction and the fact that its 
exhaust is best vented outside. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnant? Bob, "No! HE is not!".*
----
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From owner-glass Sat Jun 13 06:31:57 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: glass
Date: Sat, 13 Jun 1998 09:04:51 -0400
Message-ID: <v01530501b1a828bd9d6f@[206.186.242.150]>
Precedence: bulk

Elizabeth,

It appears to be some kind of Haiku.
There is nothing in it that shows any special signs of North American
culture except maybe the "yo". Maybe the writer will enlighten us.

Sarah

>I received this odd email this morning.
>Can anyone enlighten me as to what the writer is trying to say?
>I dont know if it is an insult or a compliment, but cannot for the life of
>me work out what it is about.
>Is it a bit of North American humour that has not travelled well or what?
>I am forwarding this to bungi because I recognise the name from the other
>postings
>EliZabeth
>Bournemouth Stained Glass
>http://www.stainedglass.co.uk
>
>>Date: Fri, 12 Jun 1998 18:46:48 -0700
>>From: Cindy Pesonen <cpesonen@bcinternet.net>
>>To: shop@stainedglass.co.uk
>>Subject: glass
>>
>>Yo right!!
>>You give begining to the word,.... dumb.
>>Many lean on learning.
>>You have not.
>>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass


----
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From owner-glass Sat Jun 13 08:04:55 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: eatumup.com!byronw
From: byronw@eatumup.com (Byron Wells)
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Sandblasting
Date: Sat, 13 Jun 1998 09:14:16 -0500
Message-ID: <1998Jun13.41416.0>
Precedence: bulk

Hi Mary...

I am making my own cabinet with 3/4 inch plywood... I bought a set of do it
yourself plans and some of the hardware from a place called Tip Tools... If
I remember right they are at http://www.tiptools.com and will send you a
free catalog.

I bought the plans,a set of long gloves with flanges,a multiple piece window
and a few other items and it was like $75....Spend your money on a good
pressure pot blaster. You can build yer own cabinet pretty cheap...

Byron...
Wells Glassworks

-----Original Message-----
From: Mary Cooper <marycooper@hotmail.com>
To: glass@bungi.com <glass@bungi.com>
Date: Friday, June 12, 1998 1:29 AM
Subject: Sandblasting


>I need to set up blasting equipment, (a cabinet & air compressor...) and
>would like suggestions/recommendations/advice.
>We are running the gamut here, considering everything from a homemade
>cabinet to a professionally made one.
>Thnks!
>
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

----
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From owner-glass Sat Jun 13 09:39:11 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: pdq.net!wendyl
From: "Wendy Larson PDQ" <wendyl@pdq.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: new to list and s.g.
Date: Fri, 13 Jun 1986 10:57:55 -0500
Message-ID: <1986Jun13.55755.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0041_01B0228C.F5C07500
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I am new to stained glass, taking lessons the last month and have =
finished 4 pieces and 1 window. Any suggestions on the best sights on =
net, best "step by step books" and especially patterns for begginers. My =
biggest problem is leding the outer edges on "suncatchers" if they have =
alot of sharp angle sections....Looking for any advice. By the way I do =
all my cutting on an Inland Wet Dry saw. Never like the hand cutting =
tools. The saw makes such nice easy and smooth cuts and intricate =
shapes.

------=_NextPart_000_0041_01B0228C.F5C07500
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I am new to stained glass, taking =
lessons the=20
last month and have finished 4 pieces and 1 window. Any suggestions on =
the best=20
sights on net, best &quot;step by step books&quot; and especially =
patterns for=20
begginers. My biggest problem is leding the outer edges on=20
&quot;suncatchers&quot; if they have alot of sharp angle =
sections....Looking for=20
any advice. By the way I do all my cutting on an Inland Wet Dry saw. =
Never like=20
the hand cutting tools. The saw makes such nice easy and smooth cuts and =

intricate shapes.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0041_01B0228C.F5C07500--

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From owner-glass Sat Jun 13 10:08:23 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Gatewayed mail message
Date: Sat, 13 Jun 1998 09:07:41 -0700 (PDT)
Message-ID: <199806131607.JAA18067@ns2.vphos.net>
Precedence: bulk

Please accept my apoloizes for my rudeness.
And take me off the list.

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From owner-glass Sat Jun 13 10:24:38 1998
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	for rglass-42; Sat, 13 Jun 1998 09:22:26 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Something for Friday, fun with tele-marketers
Date: Sat, 13 Jun 98 12:18:42 -0400
Message-ID: <199806131616.MAA14350@uz.ComCAT.COM>
Precedence: bulk


>  Once you get a chance to interrupt them, politely mention that you are 
>right
> in the middle of something, and could they give you their home number so you
> could call them back at a more convenient time, like maybe during their
> dinner.
> 
> The last tele-marketer hung up immediately, how rude.
> 
> Alex Gacic
>  >>
>
>I get these IMs from people trying to get me interested in their "Home Based
>Businesses"  (rip-offs). Yesterday I got one that started "Are you a real go-
>getter? Are you looking for ways to make more money?" 
>
>I wrote back that I was lazy and had all the money I needed. (not true but it
>worked).
>
>We also get phone calls from the local newspaper wanting to sell us a
>subscription. My husband told them "I can't read".  They didn't know what to
>say.
>
>Dianne

That's a good one!
We get calls from people trying to sell us their lawn services.
My husband says "we have one square foot of grass and we're trying to 
kill that."

Suzanne

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From owner-glass Sat Jun 13 12:06:13 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Something for Friday, fun with tele-marketers
Date: Sat, 13 Jun 1998 13:26:45 -0500
Message-ID: <1998Jun13.82645.0>
Precedence: bulk

What is really annoying is when they have a computer call you at supper time
and you hang up only to call you back immediately because the timer didn't
expire.

My solution was to wait and jot down the toll-free number, then go to my
computer and have it call the toll-free every five minutes. After about 2
hours (24 calls that they have to pay for). I call them and ask if they have
been getting a lot of hang-ups. When they say yes ... I tell them that I'll
make a deal " You take my number off your list and I'll take your number of
my list. If not, my computer will call you every 3 minutes 24 hrs a day for
a week."

Technology works both ways.

Patrick
Roses and Rainbows

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From owner-glass Sat Jun 13 12:36:56 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Input.... Input .... Input
Date: Sat, 13 Jun 1998 14:01:59 -0500
Message-ID: <1998Jun13.9159.0>
Precedence: bulk

OK everybody I am quickly running out of bios. Everyone on this list is
equally interesting. All of the personal feedback I'm getting is positive.

How about some biographies from our friends in Europe, UK, Asia, Down-Under.
I know you are there ... I can hear you breathing!

Don't worry about your command of English (especially those in the UK (8-) )
If I need help, I have friends and students who speak different languages
(including Swahili).

Come on all of you lurkers submit your bios to me pkelly@n-link.com


Patrick
Roses and Rainbows

PS Elisabeth is going to hurt me real bad for the "UK" comment so please
hurry while I can still type.

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From owner-glass Sat Jun 13 12:54:39 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio#  27 Susan Walden
Date: Sat, 13 Jun 1998 13:44:47 -0500
Message-ID: <1998Jun13.84447.0>
Precedence: bulk

Susan Walden
Alabama
hobbyist

      Well, okay. I had already posted my little bio, but for those of you
who were lucky enough to have missed it...

I am a 32 yr. old from North Alabama. I started doing stained glass about 8
years ago.  I had always loved looking at the old Victorian windows, so one
day I decided I would learn this wonderful craft.
Well, as luck would have it, there wasn't a stained glass shop around
this area. The closest one was in Birmingham. Thats about a 90 min. drive.
Checked out every book available in the library. I read and re-read. Then we
made the trip to Birmingham for supplies. The store owners there were very
helpful, answering any questions I had. I bought glass, foil, and all the
tools, went home and started working.

      First, I did alot of cheesey suncatchers. Then I ventured upon my
first window. I think it had 10 pieces!! I was hooked. Now I do the scopes,
cheesey suncatchers, windows and mosaics. A LOT of
mosaics. ( A good way to use up scraps from cheesey  suncatchers!)

My latest endeavor is the much talked about giraffe window that is to be
recessed in a ceiling. I will continue asking for your advice on this as it
progresses.       I work full time as a framer in an art gallery. I would
love to do glass full time, but I haven't got the guts, or the self-
discipline I believe it would take to work at home. I admire those of you
who do.

I'm married, 10 yrs. Have 12 horses, 2 cats. Live in the country on a
little 20 acre spread with a few possums.( NO, we don't eat possum, we
aren't THAT red-necked)

Nice to meet y'all,
Susan


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From owner-glass Sat Jun 13 13:08:42 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio # 28  Kaye Sodt
Date: Sat, 13 Jun 1998 13:50:22 -0500
Message-ID: <1998Jun13.85022.0>
Precedence: bulk

Although I seldom make my presence on bungi known, I've been out here for
quite some time and have greatly enjoyed "meeting" so many wonderful folks
from whom I've learned a great deal.  I'm definitely among the "boring bio"
crowd, but here goes....

My name is Kaye Sodt (rhymes with "goat").  I'm a baby-boomer born, raised,
and schooled in the Seattle area but currently trapped in the Midwest
(Chicago) by my husband's profession.

My day job is Registrar (and mother hen) for a couple hundred graduate
students at Northwestern University's satellite campus.

I got involved in stained glass because of an ugly square of opaque
plastic in my front door.  Although it served its purpose (preventing
people on the porch from staring into my living room), it was
definitely lacking in aesthetics.  The local community college
offered a class in stained glass so I signed up for six weeks
(nine years ago).

After the course was over, the studio owner/instructor offered
extensions, and I've been spending almost every Thursday evening
there ever since.  A lot of people have come and gone from the group (at
nine years I'm the "senior" member) but there is always an
interesting group who gather with their projects and offer advice,
good-natured criticism, and constant camaraderie The owner is there to teach
the newbies and provide expert assistance/guidance to us all.

At a friend's insistence I did one art fair.  Sold only enough to
break even on my expenses, but I learned alot about what I'd do
differently if I ever considered doing it again (highly doubtful).
I've done a few small commissions, have sold some stuff on
consignment through the studio, and am soon to teach a workshop (my first)
on making stepping stones. (But most of my stuff seems to
go for gifts.)

I enjoy glass as a creative hobby and wish I had more time to devote to it,
but I entertain no grand ambition to own my own studio and/or
make a living at it.


Kaye Sodt

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From owner-glass Sat Jun 13 17:05:17 1998
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X-Path: aol.com!BMarhon
From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: new to list and s.g.
Date: Sat, 13 Jun 1998 19:08:20 EDT
Message-ID: <1998Jun13.23820.0>
Precedence: bulk

I too am new to the list so I hope I am doing this right.

I found the Wardell book Introduction to Stained Glass to be a terrific
beginner book.  Not only does it have instructions on nearly every facet of
stained glass, but it has full-size patterns for 17 projects including
suncatchers, dresser box, several small windows, flowerpots and a lamp.

For patterns, the Spectrum Glass web site has a great selection that you can
either print or download.  They even come with glass color suggestions.

As for beading the outside edge, I had the same problem.  You have to keep the
part you are beading as horizontal as you can, turning the work as you go to
keep the part you are soldering horizontal.  Also, tin the foil all the way
around first with a thin coat of solder.  Then go back and dab small amounts
of solder at a time so that the bead stands up.  You don't need more flux when
you go back over it.  I find the less flux I use, the better the solder beads
up.

You're lucky to have the saw.  Although I love to cut by hand, I just finished
cutting out a window using some Uroboros glass and wish I had had a saw.  I've
got half a case of tendonitis, a big blister and will have a heck of a lot of
grinding to do.  It may be beautiful glass (it is!), but it's a bugger to cut.
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From owner-glass Sat Jun 13 19:04:27 1998
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X-Path: aol.com!MD6868
From: <MD6868@aol.com>
To: Ensembles@compuserve.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Doing a Credit Check
Date: Sat, 13 Jun 1998 21:27:26 EDT
Message-ID: <1998Jun14.12726.0>
Precedence: bulk

Two simple, basic steps:

Bank Reference:
1.Get the name and branch location of the bank where the business banks, AND
if at all possible, the name of the person who handles the account (such as a
bank officer)..Most sizable or long standing companies have a need to borrow
at one time or another, and usually that will cause the commercial bank where
they go to assign an officer, or manager. That person usually knows your
customer best.

2. Ask for several (at least three) trade references, perhaps other artists,
but in all cases, people with whom they have a track record.

In both cases, call and ask questions like, how long have you known this
company?
what are your usual terms with them(30,60, etc.) Do they handle the account as
agreed? and so on. If your customer doesn't want to give you this info, don't
give them credit. If the references are reluctant to talk to you, explain that
you need this to consider extending credit. If you can't get this info, dont
give them credit. 

The major credit bureau for business, is Dunn & Bradstreet. Unless things have
changed, you have to be a member to get reports from them. Usually not worth
it, as most times, they develop profiles on companies, by reporting back,
EXACTALLY the info they are given , when they call your prospective customer.

I remember once my wife and I were reluctant to get on people who owed us
money, for fear they's be offended, and stop dealing with us!!! Think about
that!! You don't want or need business ever, from those who don't pay, or pay
on time!!
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From owner-glass Sat Jun 13 20:39:37 1998
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X-Path: banet.net!gmanning
From: Goldpaws <gmanning@banet.net>
To: jean pay <sglass1@hotmail.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Something for Friday, fun with tele-marketers
Date: Sat, 13 Jun 1998 23:00:17 -0400
Message-ID: <1998Jun13.19017.0>
References: <<1998Jun13.13115.0>>
Precedence: bulk

Jean I agree with you.
I just say put me on the DO NOT   call list.
It has cut down on annoyance calls by 90% over the last couple on months.
Goldpaws

jean pay wrote:

> here my 2 cents, just say please do not solicite, take my name off your
> lists!(get the name of company) If they dont cease you can have legal
> action taken against them. jean
>
> >From owner-glass@daver.bungi.com Fri Jun 12 13:10:50 1998
> >Received: by daver.bungi.com
> >       via smail with stdio
> >       id <m0ykZVN-0000UFa@daver.bungi.com>
> >       for rglass-42; Fri, 12 Jun 1998 12:28:53 -0700 (PDT)
> >       (Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
> >X-Path: aol.com!AlexG2
> >From: <AlexG2@aol.com>
> >To: glass@bungi.com
> >Content-Type: text/plain; charset=US-ASCII
> >Subject: Something for Friday, fun with tele-marketers
> >Date: Fri, 12 Jun 1998 15:26:18 EDT
> >Message-ID: <1998Jun12.192618.0>
> >Precedence: bulk
> >
> >Hi, everyone
> >
> >I just recently had success in dealing with pushy tele-marketers. When
> they
> >call you its usually at the wrong time (if anytime is right).
> >
> >This is what you do.
> >
> >Once you get a chance to interrupt them, politely mention that you are
> right
> >in the middle of something, and could they give you their home number
> so you
> >could call them back at a more convenient time, like maybe during their
> >dinner.
> >
> >The last tele-marketer hung up immediately, how rude.
> >
> >Alex Gacic
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
> >
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
> ----
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From owner-glass Sun Jun 14 00:38:37 1998
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X-Path: hotmail.com!midwich_cuckoo
From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Something for Friday, fun with tele-marketers
Date: Sat, 13 Jun 1998 23:55:28 PDT
Message-ID: <1998Jun14.65528.0>
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When a telemarketer calls, my favorite response is to interrupt right in 
the middle of their spiel and ask them what they are wearing.  They 
usually get real quite and I ask "Are you wearing your boots?  Go get 
your boots on".

They get freaked out and hang up.  Itsa hoot.

______________________________________________________
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From owner-glass Sun Jun 14 07:37:46 1998
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X-Path: aol.com!Kcotcher
From: <Kcotcher@aol.com>
To: glass@bungi.com (glass bungi line)
Content-Type: text/plain; charset=US-ASCII
Subject: bio #29 Kim Cotcher
Date: Sun, 14 Jun 1998 09:59:06 EDT
Message-ID: <1998Jun14.13596.0>
Precedence: bulk

                                                                              
Hi My name is Kim Cotcher. I live in a tiny place in the Texas hill country
called Pipe Creek.  I live on 11 acres with my husband George and my two
daughters Kelly and Kate.We have 1 emu, Laura and one dog ,Lady a great
perinese and two lop earred rabbits named Freckles and Critter.  I have been
married to George for 15 years and he likes to paint, play electric guitar and
work on an old 1947 dodge.

I have a studio on the property that used to be the old ranch house 40 years
ago. It is really cool with knotty pine cielings and walls (george thinks it
is like a coffin:)  ).
I have been in the jewelry biz for 10 years and picked up stained glass last
year when I was trying to figure out how to make jewelry from broken china.  I
now work on some scopes and do mostly fused glass. I was at a show this
weekend and saw some of the best fused dichoic cabachons ever by a lady in ca.
I am hoping to do more with stained glass but in I am in transition with the
biz and  just don't have as much time for it as i would like. I am hoping to
open my studio up to the public for retail sales as well as classes in stained
glass.  I love to teach hands on work
such as quilting and glass work. 
                                                                              
I am going to buy my ring saw on monday and i am so excited about using it.  I
have seen so many great things to do with the different shapes it can cut out.
I do a lot of shows and am planning to start doing more art shows next year.
I had such a good response to my jewelry that it will be a good of my biz.
                                                                              
I am going to the big convention in Houston on July 10-11 and am looking
forward to learning so much more about fused glass.  So far just I bought a
book and just started out working.  i have found a lot of help over the net
and appreciate all of it. I have not found anybody in San Antonio who fuses
glass.

Well that is the short of it. This is a good group and i am enjoying the info.
By the way did anyone save all the bios?  I guess i really got in on them late
because I only have #27 and #28.  If so please email me.

God Bless,
Kim
 
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From owner-glass Sun Jun 14 09:40:58 1998
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X-Path: aol.com!BMarhon
From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Doing a Credit Check
Date: Sun, 14 Jun 1998 11:46:11 EDT
Message-ID: <1998Jun14.154611.0>
Precedence: bulk

I am the controller of a medium size mail order hobby supply company who also
sells wholesale to hobby stores on open account.

Most banks will not give information over the phone these days -- they want a
signed authorization from the account holder to give information.  They will
usually do it by fax if you have that authorization.

Your best bet is to type up a credit application with the information you
want, such as type of business (corporation, proprietorship, etc.) and when
they started.  I personally never give credit to someone who has been in
business less than a year, but we are real cautious because some of our
products are quite expensive.  You also need at least five credit references
because usually a few don't reply.  Many don't reply by phone but will reply
by fax.

When you call the references find out what dollar volume they are doing with
the applicant and how long they have been doing business.  Also how well they
handle whatever dollar volume they are dealing at.  It's easier to meet terms
on a $50 bill than a $5000 bill.  Also ask if they have had any returned
checks and if they did whether it was made good quickly.  Any more than one
bounced check is a sign that the company can't manage it's money (anyone can
bounce one check but they should make it good immediately).

As far as collection, if you don't have your payment within 3-4 days of when
it was due, call.  I also handle the other side of our business, accounts
payable.  When we run short of money, it's the people who call me to find out
where the check is that get paid.  That's just the way it is -- the squeaky
wheel gets the grease (i.e., money).  You don't have to get mean about it,
just something like "Hi, just checking to see if you mailed my check yet."  If
they haven't yet, say "Well the terms were net 30.  I'd appreciate your
sending the check right."  It's hard the first couple of times, but it gets
easier.  Just keep in mind it's your money!

  
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From owner-glass Sun Jun 14 10:10:57 1998
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X-Path: mail2.nai.net!shad
From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Just blowing off steam...
Date: Sun, 14 Jun 1998 12:36:43 -0400
Message-ID: <1998Jun14.83643.0>
Precedence: bulk

...and I'm wet enough to creat LOTS of steam.  For those of you craft
fair minded people, we've done four outdoors spring shows.  It's rained
during three of them, and was ovecast and windy at the fourth (the rain
started tenminutes after the fair ended!  Yesterday's was a light
drizzle until 1:00 when the skies opened up and the thunder and
lightning started!

So...what could have been great shows become merely adequate shows.
It's the chance you take.  By the way, most of my sales yesterday were
stepping stones, which looked quite lovely out in the rain.

If the rain ever stops, I have a canopy and a tarp and a bunch of table
cloths to dry out!

(And I have all this lovely glass that hasn't seen sunshine all spring!)

Ok, guys, I feel better now.

Dorothy K

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From owner-glass Sun Jun 14 11:39:51 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: humblely wishes to come back
Date: Sun, 14 Jun 1998 09:07:39 -0700 (PDT)
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Precedence: bulk

>To: glass-request@bungi.com
>From: cpesonen@bcinternet.net (Cindy Pesonen)
>Subject: humblely wishes to come back
>
>Thank you guys for your personal emails, I promise to be a better person.
>I've had some health problems and so sorry for lashing out.
>Please forgive me, Cindy
>

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From owner-glass Sun Jun 14 12:38:59 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Doing a Credit Check
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 14 Jun 1998 14:56:29 +0000
Message-ID: <199806141945.PAA23527@vger.vgernet.net>
Precedence: bulk


> Your best bet is to type up a credit application with the information you
> want, such as type of business (corporation, proprietorship, etc.) and when
> they started. 

For an example of someone else's credit application, see
http://www.sanitarysupplyco.com/credit.htm

I went to
http://www.altavista.digital.com/
and searched on
+credit +application
to find over 500,000 references.

Albert
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From owner-glass Sun Jun 14 15:09:18 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Something for Friday, fun with tele-marketers
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sun, 14 Jun 1998 22:30:36 +0000
Message-ID: <199806142132.WAA17469@saturn.nildram.co.uk>
Precedence: bulk

MMmmmm!
Like it!
For one thing; as a "private individual" I am ex-directory, so I 
rarely get this problem.
I get the odd "stray cat"; then I launch myself into a "lonely, 
looney foreigner" routine, trying to convert them to Old Viking 
religion. I wax lyrical over (imaginary) Viking recipes that calls 
for juniper-smoked  boy-steaks.... I am more pestered with the 
door-to-door knockers, selling goodness knows what. I was lambasted 
and harrassed by the tv licence people for the last 6 months by 
letters (which I tore up). Their official who came knocking on my 
door ended up apologizing to me for harrassment (... and would I give 
her my phone number, so that the licence authority could contact me 
and apologize in person...? Not bl*&$%  likely!!, said I
 KILL, Toby!     K I L L !!   GGggghrrrrrrr!

Elisabeth 'n Toby in UK! (who also dutifully posted his Bio with 
Patrick....!)


Patrick wrote:
What is really annoying is when they have a computer call you at supper time
and you hang up only to call you back immediately because the timer didn't
expire.

My solution was to wait and jot down the toll-free number, then go to my
computer and have it call the toll-free every five minutes. After about 2
hours (24 calls that they have to pay for). I call them and ask if they have
been getting a lot of hang-ups. When they say yes ... I tell them that I'll
make a deal " You take my number off your list and I'll take your number of
my list. If not, my computer will call you every 3 minutes 24 hrs a day for
a week."


----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Sun Jun 14 16:40:19 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Just blowing off steam...
Date: Sun, 14 Jun 1998 18:47:55 -0400
Message-ID: <1998Jun14.144755.0>
References: <<1998Jun14.83643.0>>
Precedence: bulk

Family Account wrote:
> 
> ...and I'm wet enough to creat LOTS of steam.  For those of you craft
> fair minded people, we've done four outdoors spring shows.  It's rained
> during three of them, and was ovecast and windy at the fourth (the rain
> started tenminutes after the fair ended!  Yesterday's was a light
> drizzle until 1:00 when the skies opened up and the thunder and
> lightning started!
> 
> So...what could have been great shows become merely adequate shows.
> It's the chance you take.  By the way, most of my sales yesterday were
> stepping stones, which looked quite lovely out in the rain.
> 
> If the rain ever stops, I have a canopy and a tarp and a bunch of table
> cloths to dry out!
> 
> (And I have all this lovely glass that hasn't seen sunshine all spring!)
> 
> Ok, guys, I feel better now.
> 
> Dorothy K
> 
> ----
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ahh the rain, yesterday i was doing a town garage sale. the drizzle i
could stand. the quick sun shower i could stand. i even tolorated the
rumble of thunder. i was at one house getting a bunch of tools. i
noticed the sky turning dark. i decided that was my limit, it got darker
and darker. and then it just poured. if you can imagine a mountain bike,
with a pannier on the back, with some jerk riding in the rain... and
imagine all of that, with that guy holding a bag about the size of a
piano bench. by the time i was home i was dripping wet. 

i later found out that the belt bag i had on my bed turned a part of the
sheet blue. apparently a pen i once had exploded, and water is it's
solvent. this morning i found out my leg was blue. at first i thought it
was a trick of light. now i realized i put the shorts i was wearing in
the wash, i hope everything is'nt blue....

---Mike Savad

-- 
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2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
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From owner-glass Sun Jun 14 16:58:23 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Grout Question
Date: Sun, 14 Jun 98 18:50:10 -0000
Message-ID: <199806142248.SAA24514@uz.ComCAT.COM>
Precedence: bulk

Good evening fellow Bungians,

Could anyone point me in the right direction to either buy and/or make my 
own indigo grout?

We had a try at it - mixed indigo acrylic into white grout, the color was 
too light. Dumped another tube of acrylic and it was still too light. 
Then we tried food coloring and Rit dye (!!) and it became rather muddy. 
Afraid that all we had was a big tub of acrylic & food coloring, we then 
dumped in some black grout, which made it close to our color, but we were 
afraid the mixture didn't have enough grout in it, so we dumped it and 
are hoping we can find some already made, or some suggestions from 
somebody who knows more than I about grout. Home Depot doesn't have any.

Thanks!

Suzanne
 
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From owner-glass Sun Jun 14 17:11:46 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Sandblast cabinet
Date: Sun, 14 Jun 1998 18:58:34 -0400
Message-ID: <1998Jun14.145834.0>
Precedence: bulk

yesterday i bought a sand blast cabinet at a garage sale. it's a harbour
freight type, bench-top made by central pnuematic. got it for $30 with
sand, regulator and guage - they wanted $40. 

anyway, it's designed for removing rust, which i'll probably use it for.
a few questions:

i don't know what kind of sand it uses yet (hav'nt looked at it real
good yet). does anyone know if this will blast or carve glass? it has a
place for the sand. it has a place for a vaccuum. it should be able to
etch the glass...

also does anyone know the type of compressor used for this? best ype,
size, psi, whatever else? is there a particular air pressure used for
this purpose?

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sun Jun 14 18:11:19 1998
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Precedence: bulk



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From owner-glass Sun Jun 14 20:06:23 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: leadlight webring
Date: Mon, 15 Jun 1998 12:03:11 +1000
Message-ID: <1998Jun15.22311.0>
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it looks like my email is working again.
i'd like to let you know that i have a leadlight webring for those of you
who have a web site. You can join at
http://www.geocities.com/PicketFence/3530/submit.html
or for more info about webrings see www.webring.org

Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html

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From owner-glass Mon Jun 15 08:02:49 1998
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From: fibers@wcnet.net (fibers)
To: "suzy@comcat.com" <suzy@ComCAT.COM>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Grout Question
Date: Mon, 15 Jun 1998 07:17:00 -0500
Message-ID: <1998Jun15.2170.0>
References: <<199806142248.SAA24514@uz.ComCAT.COM>>
Precedence: bulk

Don't have a clue about your location, but here in Texas we buy colored grout
at a ceramic tile store, Color Tile, to name only one source. My son installs
tile and I checked his grout sample and ther is a very dark blue. I spin and
weave and use natural dyes in most of my projects. Wonder what the natural
dye Indigo would do for your grout? If you decide to try it, I'd be very
interested in the results.
Nelda

suzy@comcat.com wrote:

> Good evening fellow Bungians,
>
> Could anyone point me in the right direction to either buy and/or make my
> own indigo grout?
>
> We had a try at it - mixed indigo acrylic into white grout, the color was
> too light. Dumped another tube of acrylic and it was still too light.
> Then we tried food coloring and Rit dye (!!) and it became rather muddy.
> Afraid that all we had was a big tub of acrylic & food coloring, we then
> dumped in some black grout, which made it close to our color, but we were
> afraid the mixture didn't have enough grout in it, so we dumped it and
> are hoping we can find some already made, or some suggestions from
> somebody who knows more than I about grout. Home Depot doesn't have any.
>
> Thanks!
>
> Suzanne
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Mon Jun 15 08:25:01 1998
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To: glass@bungi.com
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Subject: Re: Sandblast cabinet
Date: Mon, 15 Jun 1998 08:49:31 EDT
Message-ID: <1998Jun15.124931.0>
Precedence: bulk

Mike
Check out www.tiptool.com get there catalog it gives good information on
setting up an air system. Generely a vacuum system needs a much larger air
compresser than a pressure pot. My Tip model 70 is run off a Campbell Hausfeld
4.5 hp compressor and it runs (compressor) continully (at 40 psi) while I'm
etching.  The pot holds enough abrasive to allow me to etch for about 40 mins.
While I'm refilling the pot the compressor has time to cool down. If I had the
bucks I would have bought a larger compressor. Sand is usually not used
Aluminum Oxide or Silcon Carbide is the abrasive of choice. Hope this helps.
Don
 
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From owner-glass Mon Jun 15 08:58:35 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: Sandblast cabinet
Date: Mon, 15 Jun 1998 09:17:38 EDT
Message-ID: <1998Jun15.131738.0>
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Hi Mike, Just about any sand will etch glass ,however regular sand will wear
out very fast and turn to dust,lots of dust. The best amaterial to etch and
carve glass with is either Aluminun Oxide, or in my opinion the best being
silicon carbide, a little more expensive but lasts much longer and when you
blast you will get a light effect when it hits the glass like an extra light
in your box (flash effect).It also sharpens itself eeverytime it breaks that
is why it lasts so much longer, other abrasives actually are getting duller as
you work Silicon Carbide doesn't. Compressors depend pretty much on what you
plan to do with your blaster. You want the largest that you can afford and the
biggest tank that you can afford , because without fail you will get hooked
and want to try bigger and better things with your system. Also try to get a
pressure pot system they are much more effecient than a siphon system. The
pressure that you use can vary greatly anywhere from 5lbs for light etch to 30
even 40 lbs for deep carving, thats with a pressure system ,a siphon system
requires much more pressure than that. Beveler4(Stan)
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From owner-glass Mon Jun 15 10:21:36 1998
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X-Path: hotmail.com!marycooper
From: "Mary Cooper" <marycooper@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Sandblast Cabinet
Date: Mon, 15 Jun 1998 07:28:20 PDT
Message-ID: <1998Jun15.142820.0>
Precedence: bulk

What  a great find! I've been looking for a cabinet for some time, with 
no luck. It has enabled me to become the World's newest expert on 
sandblasters and air compressor compatibility, tho.
Sandblasters are air pigs. They require great deals of CFM (Cubic air 
volume, in meteres.) and PSI (pressure per square inch.) You can sand 
blast effectively at a very low PSI-say, 20-30 PSI, but your 
requirements of CFM could still be around a range of 5-10. (I'm 
guessing, of course)
Imagine the air picking the sand up, against gravity, moving it through 
the hoses, and shooting it out of the nozzle hard enough to etch the 
glass. This is why they need so much air.
Shop around for air compressors, and be sure to tell them you plan to 
sandblast. A small Craftsman-type might get you by, but if your 
particular cabinet has a high CFM rating, then your air compressor will: 
1) Be running all the time, never able to keep up with the air 
requirements-which is noisy/obnoxious
2) Wear out much faster it should, due to plain and simple overheating.

Good luck to you!
Mary


>yesterday i bought a sand blast cabinet at a garage sale. it's a 
harbour
>freight type, bench-top made by central pnuematic. got it for $30 with
>sand, regulator and guage - they wanted $40. 
>
>anyway, it's designed for removing rust, which i'll probably use it 
for.
>a few questions:
>
>i don't know what kind of sand it uses yet (hav'nt looked at it real
>good yet). does anyone know if this will blast or carve glass? it has a
>place for the sand. it has a place for a vaccuum. it should be able to
>etch the glass...
>
>also does anyone know the type of compressor used for this? best ype,
>size, psi, whatever else? is there a particular air pressure used for
>this purpose?
>
>---Mike Savad
>
>-- 
>Mike's Stained Glass
>http://www.geocities.com/Paris/1141
>2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects 
Added
>and My Updated Shop Photo's
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>


______________________________________________________
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From owner-glass Mon Jun 15 17:24:18 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Beveler4@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sandblast cabinet
Date: Mon, 15 Jun 1998 17:25:12 -0400
Message-ID: <1998Jun15.132512.0>
References: <<1998Jun15.131738.0>>
Precedence: bulk

Beveler4@aol.com wrote:
> 
> Hi Mike, Just about any sand will etch glass ,however regular sand will wear
> out very fast and turn to dust,lots of dust. The best amaterial to etch and
> carve glass with is either Aluminun Oxide, or in my opinion the best being
> silicon carbide, a little more expensive but lasts much longer and when you
> blast you will get a light effect when it hits the glass like an extra light
> in your box (flash effect).It also sharpens itself eeverytime it breaks that
> is why it lasts so much longer, other abrasives actually are getting duller as
> you work Silicon Carbide doesn't. Compressors depend pretty much on what you
> plan to do with your blaster. You want the largest that you can afford and the
> biggest tank that you can afford , because without fail you will get hooked
> and want to try bigger and better things with your system. Also try to get a
> pressure pot system they are much more effecient than a siphon system. The
> pressure that you use can vary greatly anywhere from 5lbs for light etch to 30
> even 40 lbs for deep carving, thats with a pressure system ,a siphon system
> requires much more pressure than that. Beveler4(Stan)
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


what would a pressure pot system look like? my guess is that my system
is a syphon feed (which is ok, because i dont' have space for a larger
one). though i guess it's ok, i can at least practice with that, one,
and at the very least get my tools shiney. 

now i just need to figure out a good sized tank. i need something on
wheels, so i can use it with my other air tools. and of course a good
make. i figure i'll probably wind up dropping about $150-$300. i know
there are more expensive ones then that... but...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Jun 15 17:42:54 1998
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Something for Friday, fun with tele-marketers
Date: Mon, 15 Jun 1998 17:09:45 -0400
Message-ID: <1998Jun15.13945.0>
References: <<199806142132.WAA17469@saturn.nildram.co.uk>>
Precedence: bulk

OK, Elisabeth...I vaguely comprehend ex-directory but what's a tv licence?

BTW, my dog Sassy likes to terrify Pizza delivery people.  She sounds
terrifying, although she's really saying, "Pet me, pet me!"

And try as i might, I can't make this glass related....But I'm sure us state
siders all want to know.

Dorothy K



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From owner-glass Mon Jun 15 17:51:39 1998
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From: "Spangler, Lynice" <lynice.spangler@intel.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Sandblasting
Date: Mon, 15 Jun 1998 14:57:39 -0700
Message-ID: <1998Jun15.75739.0>
Precedence: bulk

We use an old shop vac for this purpose, shooting the exhaust through a hose
out a window or door.


> 
> You made no reference to a vacuum for removing air and blast dust 
> form the cabinet. Very important for your health. Scatt has one for 
> about $275.00.
> 
>
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From owner-glass Mon Jun 15 19:40:33 1998
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From: <Beveler4@aol.com>
To: morn@nac.net
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Sandblast cabinet
Date: Mon, 15 Jun 1998 19:58:17 EDT
Message-ID: <1998Jun15.235817.0>
Precedence: bulk

Hi again Mike, 
You can actually make a pressure system with a small propane tank. I have one
that I use for small jobs all of the time. You have to weld a pipe fitting to
the top 11/2 to 2 inch wide with a screw on cap to put the sand into the
tank.Now you weld a small pipe fitting(T-valve) to one side of the tank for
the air intake and your hosehookup with a pressure gauge doesn't have to be a
real expensive gauge. Mine has a screw type valve to let the pressure into the
tank and you adjust it by the amount that you screw it in or out. In this line
I also have a hand pressure relief valve that I have wired to a foot pedal so
that I can turn the screw for pressure but it isn't actually going anywhere
until I step on thefoot valve.. At the bottom of the tank which is actually
the top (use the handles as feet)You have a hose that runs from the pressure
side of the hose on top(the bottom of the T-valve) down into another T-valve
which is screwed into the opening that is already there. Out of the other side
of the T-valve is the hose that the sand will be blown thru you can use a
heavy clear plastic or rubber hose, and for small work this set up will work
fine it holds about 5lbs of abrasive enough for most small jobs. When its
empty shut it off and recycle the abrasive by sifting it thru a fine screen
back into the top of your tank.You also need to put a moisture trap in line to
keep water and oil from mixing with the sand ,this will stop you cold.,this
goes anywhere in the line coming from the compressor usually the closer to the
final destination the better.And finally call Tip Tools 1-800-321-9260 and
order one of their catalogs .Glastar is another more dedicated to the  glass
industry that you can try1-800-423-5635.Now you got all that there will be a
test tomorrow!!!!LOL!!!Beveler4(Stan)
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From owner-glass Mon Jun 15 20:05:50 1998
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From: <Beveler4@aol.com>
To: morn@nac.net
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Sandblast cabinet
Date: Mon, 15 Jun 1998 20:04:01 EDT
Message-ID: <1998Jun16.041.0>
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Mike I forgot to tell you about the size of the compressor anything from 3hp
on up is fine the smaller the system the harder it has to work though. Usually
a 5hp with as large an air tank that you can get is sufficient.The air tank
size is important the system won't have to work as hard with a large tank. A
standard 20gallon tank will be fine for most jobs though.Beveler4(Stan)
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From owner-glass Mon Jun 15 21:39:31 1998
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From: "Toby" <toby@northlights.co.uk>
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Date: Tue, 16 Jun 1998 02:45:22 +0000
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Hi Dorothy (et al),

Ok, Ok,
Some quaint  British rules & regulations....
Here in UK BBC used to be the sole supplier of tv viewing (many moons 
ago). BBC is - in part - a government creation.
So the government in its wisdom devised yet another TAX to get 
revenue, namely in order to view tv (of any kind), you need to pay 
government tv licence tax. (There used to be one for radio as well, 
but this was scrapped at the advent of transistor radios....). 
Commercial tv was born, YET the government demanded its pound of 
flesh (i.e. licence) 3rd, 4th and satellite tv made its entrance into 
thew British scene, YET the government STILL wanted its lkicence fee 
(under the guise of BBC). So you buy a tv set and our name gets 
forwarded to the tv licencing authority  and - hey presto -  Big 
Brother sends you a demand by mail for the tv licence fee. It is a 
criminal offence NOT to have a tv licence, Little unmarried girls 
with six demanding children, all living off state benefits have been 
sent to prison for not having a tv licence. Detector vans are being 
sent round the width and breadth of UK to  unearth all the criminals 
who do not possess a tv licence. Officials are sent knocking on doors 
to demand to see  a receipted paid up tv licence. The government 
appears not to recognize that citizens might not CHOOSE to have a tv 
and watch the deterioating cr....p that purports to be television..

So if you make a stand to chose NOT to have tv, therefore NOT to pay 
a tv licence, you are doubly harrassed (because you are guilty before 
proven innoscent!!  [sp?] )
We ALL have to conform to a particular mould.
My husband has worked for the BBC for almost 40 years, he doesn't 
watch tv, he too hasn't got a tv set.
I as a free-spirited Swede will be damned if I will allow myself to 
get sucked into the  system or become harrassed by it. I haven't got 
a tv set either and I will do anything I can to throw the spanners in 
the works - good and proper!!
Juniper-fire - HERE i COME!! Boy-steak??? Yuammmmmmmmies!!!
Elisabeth 'n Toby in (foreign) UK

PIZZA!!? I am drooling for a deep really CHEESY one!!!! Spicy 
pepparoni, with lots of hot chilli sauce, please!!!
Sluuurrrrp.....!
E 'n T


Dorothy wrote:
OK, Elisabeth...I vaguely comprehend ex-directory but what's a tv 
licence?

BTW, my dog Sassy likes to terrify Pizza delivery people.  She sounds
terrifying, although she's really saying, "Pet me, pet me!"

And try as i might, I can't make this glass related....But I'm sure us state
siders all want to know.






----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Tue Jun 16 04:17:40 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Sandblasting
Date: Tue, 16 Jun 1998 09:23:10 +0100
Message-ID: <1998Jun16.102310.0>
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For your protection and that of anyone passing near the exhaust, we would
strongly suggest that the vacuum system uses the best filtration possible.
Otherwise you will be exhausting particles of grit along with the air. We
get "hospital quality" filters to use in ours to avoid this problem.
Elizabeth and Sam
Bournemouth Stained Glass

At 14:57 15/06/98 -0700, you wrote:
>We use an old shop vac for this purpose, shooting the exhaust through a hose
>out a window or door.
>
>
>> 
>> You made no reference to a vacuum for removing air and blast dust 
>> form the cabinet. Very important for your health. Scatt has one for 
>> about $275.00.
>> 
>>
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>

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From owner-glass Tue Jun 16 07:20:35 1998
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From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi Group" <glass@bungi.com>
Content-Type: text/plain;
Subject: Home made kilns
Date: Tue, 16 Jun 1998 15:47:12 +0800
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Thanks evryone for the advise on my previous questions.

Here is another.

Is it possible to make our own kiln?

I know that the best way is to buy one, and the prices over here are more or
less the same. And you get a well made and flaw free product.

But I was thinking of a permanent kiln of the size around 3 feet by 3 feet.
With such a size I could create a full size fused glass window. Anyway, the
answers may at least increase our knowledge.

Mike (Savad) you did not respond to the earlier help, how about now? And
Toby, I certainly expect to hear from you. And from Albert (Lewis)

Thanks,

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my

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From owner-glass Tue Jun 16 07:21:34 1998
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From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi Group" <glass@bungi.com>,
Content-Type: text/plain;
Subject: Re: Help in making my own cement and grout
Date: Tue, 16 Jun 1998 15:39:28 +0800
Message-ID: <1998Jun16.233928.0>
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-----Original Message-----
From: Toby <toby@northlights.co.uk>
To: glass@bungi.com <glass@bungi.com>
Date: Thursday, June 11, 1998 11:23 AM
Subject: Re: Help in making my own cement and grout


>Dear Shakeel,
>
>It was when you mentioned Singapore, that my mind clicked into gear.
( rest of the original message removed)

Thanks Toby, and every one who responded to my plea for help. Makes one
proud to see such solidarity and spirit of generosity among the glass
artists. And proud to be a Bungian.

(And since the thought just occured to me I will ask a question.) Is it all
right to address you all by your first names or nicknames?)

I made myself a set of six coasters. Used the cement they use for tiles.
It's called Tile Cement here. Though not completely dry yet, they seem to be
strong enough for the purpose. My next try will be to see if the cement can
hold the stepping weight.  The cement is pretty cheap too, I got a 12 kg bag
for about US$ 4.00, and I did not use any sand.

Thanks a lot.

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my


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From owner-glass Tue Jun 16 07:43:28 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
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Subject: re webring
Date: Tue, 16 Jun 1998 21:35:15 +1000
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there was a couple of broken links which i fixed (i hope)
and the html code is missing but i will send it to interested people after
they add their site to the queue.
We have now 5 sites registered in the ring. not bad for the first week.
so it should get officially registered in their directory. keep checking for
it at www.webring.org the ring name is "leadlight"
you can see the panel at my home page.
Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html

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From owner-glass Tue Jun 16 09:14:52 1998
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X-Path: hotmail.com!marycooper
From: "Mary Cooper" <marycooper@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: More on sandblasting/Cabinets
Date: Tue, 16 Jun 1998 06:39:03 PDT
Message-ID: <1998Jun16.13393.0>
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Thanks for everyone's input:; Thanks to Bob for clearing up what CFM 
REALLY is...I claim to be the worlds newest expert, but believe me: that 
is strictly a Tounge-in- Cheek claim. I cant be held responsible for all 
the things that come out of my mouth! (or off the keyboard!)
Many references were made to a "pressure Pot"-- (What is a pressure pot, 
BTW..Is it the same  as the vaccum? I've not encoutered this term in my 
searches before) I understand the need for a vaccum to remove the dust 
and offending particles--Little nasties you don't want to breathe-The 
info on some manufactured cabinets suggest a Shop Vac is sufficient. Why 
or why not?
I definetely will go with a home-made cabinet, but am concerned about 
these issues of vaccum. If it is too difficult to achieve with the 
homemade cabinet MAYBE I will buy a premade one.... 
Also, in a homemade situation, how do you reclaim the Blast media? 
Gravity and a bucket? or is THIS the pressure pot?

ooowww My Brain hurts from all this THINKING! 
By God I just want to sandblast! and soon!
Thanks again--

-Mary 
AKA "The Caffine Princess"
AKA " The Torturer of All Things Glass"



______________________________________________________
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From owner-glass Tue Jun 16 09:36:51 1998
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From: "M. Savad" <morn@nac.net>
To: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sandblasting
Date: Tue, 16 Jun 1998 09:56:35 -0400
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studio@stainedglass.co.uk wrote:
> 
> For your protection and that of anyone passing near the exhaust, we would
> strongly suggest that the vacuum system uses the best filtration possible.
> Otherwise you will be exhausting particles of grit along with the air. We
> get "hospital quality" filters to use in ours to avoid this problem.
> Elizabeth and Sam
> Bournemouth Stained Glass
> 
> At 14:57 15/06/98 -0700, you wrote:
> >We use an old shop vac for this purpose, shooting the exhaust through a hose
> >out a window or door.
> >
> >
> >>
> >> You made no reference to a vacuum for removing air and blast dust
> >> form the cabinet. Very important for your health. Scatt has one for
> >> about $275.00.
> >>
> >>
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
> >
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


how about a regular shop vac with it's paper filter? or should i put
some sort of pillow case over the exhaust?


also what is the proper size of the nozzle to sandblast glass? the
nozzle on my unit is about 3/8".

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Jun 16 10:49:54 1998
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From: "M. Savad" <morn@nac.net>
To: Shakeel Abedi <shakeel@tm.net.my>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Home made kilns
Date: Tue, 16 Jun 1998 10:44:03 -0400
Message-ID: <1998Jun16.6443.0>
References: <<1998Jun16.234712.0>>
Precedence: bulk

Shakeel Abedi wrote:
> 
> Thanks evryone for the advise on my previous questions.
> 
> Here is another.
> 
> Is it possible to make our own kiln?
> 
> I know that the best way is to buy one, and the prices over here are more or
> less the same. And you get a well made and flaw free product.
> 
> But I was thinking of a permanent kiln of the size around 3 feet by 3 feet.
> With such a size I could create a full size fused glass window. Anyway, the
> answers may at least increase our knowledge.
> 
> Mike (Savad) you did not respond to the earlier help, how about now? And
> Toby, I certainly expect to hear from you. And from Albert (Lewis)
> 
> Thanks,
> 
> Shakeel Abedi
> 104, Jalan Mersing
> 86000 Kluang
> Johor
> Malaysia
> Tel: + 607-7722212 Fax +607-7733313
> shakeel@tm.net.my
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i personally no nothing about kilns. the best i have is a marshmellow
kiln. a quickfire 6... thats all...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Jun 16 11:19:45 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Home made kilns
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 16 Jun 1998 11:43:21 +0000
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> Is it possible to make our own kiln?

Thank you, Shakeel, for thinking (rightly) that I'd rise to your 
complimentary evocation of my name and so-called expertise. <g> I've 
built my own kilns, sure, although I'm not sure I'd be brave enough 
to say they'd be capable of fusing an entire window in one swell 
foop.

The kilns I built were primarily ceramic kilns, but the principles 
are the same: firebrick, burners, draft. Get a copy of Henry Halem's 
"Glass Notes: A Reference for the Glass Artist" published this year 
(or last) to get the latest edition. What he describes there as 
"annealing ovens" will work well as slumping kilns.

You can get it from Franklin Mills Press, PO Box 906, Kent OH 44240.
                      Phone: (330) 673-8632. Fax: (330) 677-2488.
                      E-mail: hhalem@glassnotes.com
 Web site:       http://www.glassnotes.com/

I saw a terrific slumping/fusing kiln in Switzerland last month: you 
could have fused a Volkswagen in it! Cool.

Albert
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From owner-glass Tue Jun 16 11:49:21 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Stained Glass Artist webring
Date: Tue, 16 Jun 1998 08:19:59 -0700
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Organization: Moswood Mountain Limited
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This is a multi-part message in MIME format.
--------------4CCF5CBF7752F9A723C181D2
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Howdy all!

You can also check out this webring if you are interested.
http://www.pacifier.com/~ptap/artists.html

Sorry Gerard but I had to include mine too. Hope your not upset with me!
Webrings, are beneficial to your site. It may seem like a strange system
to some people, but if it's marketed and managed effectively you will
see your site get
more hits per day.

If your looking for the hits then this might be for you! As far as I
know the leadlight webring and the stained
glass artist webring are really the only rings that focus on stained
glass. As Gerard has indicated, you do have to
add and edit some html in your webpage, but it's very easy to do.

Glad to see your getting some signers Gerard! Good job.

Bye All,

Pam

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n:              President~;Pamela Burns-Tappan~
org:            http://www.pacifier.com/~ptap/index.html
email;internet: ptap@pacifier.com
title:          Moswood Mountain Limited
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From owner-glass Tue Jun 16 12:10:11 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Sandblast cabinet
Date: Tue, 16 Jun 1998 11:50:08 EDT
Message-ID: <1998Jun16.15508.0>
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This very important piece of Stan's advice to Mike was buried in the middle of
his message:

> You also need to put a moisture trap in line to keep
> water and oil from mixing with the sand

Absolutely a must, even if you live in a very dry climate!

I apologize if this sounds like "just another yeah-what-he-said," but this one
truly bears repeating lest it be missed. Cleaning out clogged lines is a Major
Pain in the Drain.


Sparks

from the soggy jungles of southeastern Pennsylvania, where right now the air
is thick enough to drink...
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From owner-glass Tue Jun 16 12:18:43 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Sandblasting
Date: Tue, 16 Jun 1998 16:53:14 +0100
Message-ID: <1998Jun16.175314.0>
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At 09:56 16/06/98 -0400, Mike wrote:

>
>how about a regular shop vac with it's paper filter? or should i put
>some sort of pillow case over the exhaust?
>
Not sure how good this would be, as we have always used special filters
obtained from janitorial supplies companies and recommended for hospital
use.  Probably Monona Rossol may be able to advise on actual type of filters
available in USA 

>also what is the proper size of the nozzle to sandblast glass? the
>nozzle on my unit is about 3/8".
>
All the nozzles we use are tungsten carbide ones with 3/32" diameter hole
and are used initially for fine work. They gradually open out as the grit
wears them out and are used for different effects/sizes of grit etc. At 3/8"
we usually throw them away, or pass them on to someone who just wants to
blast rust off metal.  Ours come from our stained glass importer and are
made by Sanblast, 7075 Route 446, Canfield, OH 44406.
Maybe someone on bungi can get a phone # for you.
EliZabeth
Bournemouth Stained Glass
http://www.stainedglass.co.uk


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From owner-glass Tue Jun 16 12:42:05 1998
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: shakeel@tm.net.my
Subject: Re: Home made kilns
Date: Tue, 16 Jun 1998 12:38:35 -0400
Message-ID: <199806161635.MAA25974@ll.mit.edu>
Precedence: bulk

> Is it possible to make our own kiln?

I did, and it works. Very briefly:

IFB (insulated fire brick, 2200 degree F) arranged in a rectanglar shape, over
1/2 inch ceramic insulating board, over 2 inch concrete slab.

Kanthal heating element ordered from Duralite (18 amps @ 110V, coiled, length
to fit perimeter of interior (it is side heating). They advised me on whether
the amperage would be sufficient. I dedicated 1 20 amp circuit for this, and
chose 18 amps to give a little margin of safety. Groove cut with table saw
into bricks before assembly to accommodate element, held in with short U
shaped lengths of same wire pushed into bricks, angled down.

Outside covered with 1/2 inch ceramic insulating board, held with refractory
mortar.

electrical connections made inside standard home construction type electrical
junction box, to metal jacketed 2 conductor wire.

Lid is also brick, held together by pressure applied by L shaped steel
extruded brackets, tightened with long threaded rods, with ceramic board
between the brackets and the brick to cushion and even out the pressure. Lid
is topped with ceramic board. Handle is wood dowel, attached with threaded rod
through the lid, with oversize washers inside as backing plates.

There is also a 2" high opening on the bottom front, for small objects (most
of our work is beads and marbles). This is closed by inserting IFB blocks
sized to fit the opening.


Observations:

It is very fragile. Not meant to be moved around much. Refractory mortar is
not glue, as I discovered! It needs to be tightened up with steel bands around
the outside, and the numerous voids filled with a refractory caulking. This
should improve the heat retention considerably.

The lid is too heavy. Next time I would use a lightweight castable I think.

For my workstyle, I think I would prefer a side opening kiln, instead of top
opening. One big door to open the entire front, and a smaller door within the
door along the bottom to insert small objects without losing as much heat.

Use a regulated controller with at least one ramp/soak. Initial cooldown is
very rapid. This may be improved by filling the voids, but probably not
enough.

The junction box gets too hot at fusing temps, but seems OK at annealing
temps. This would presumably be improved with additional ceramic board
underneath. My connections were made with standard plastic electrical
nuts. Not the best choice of course. They melted into most surrealistic
stalactite formations! But since the wires were arranged so as not to touch
eachother or the box itself, this has not yet been a high priority issue to
fix. Everything is inside the grounded box, so, being protected by the line
circuit breakers there is no real danger here. (Any tips, anybody, on a high
temperature wire nut, or substitute?)

Use a GFCI (ground fault circuit interrupter). The danger of touching live
electrical connections is very high, and should not be ignored. Especially
with bead making, with beads inserted still attached to steel mandrels. (To
minimize this danger I made the kiln taller than necessary, and located the
opening at the bottom and the coils at the top.)


Feel free to ask for additional details. (On the list OK? Maybe others
interested in this?)


-- DavidC
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From owner-glass Tue Jun 16 12:44:16 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com, toby@northlights.co.uk
Content-Type: text/plain
Subject: Re: Something for Friday, fun with tele-marketers
Date: Tue, 16 Jun 1998 09:52:45 PDT
Message-ID: <1998Jun16.165245.0>
Precedence: bulk



Gee, I thought the NEA was bad - to me, the TV license is really 
criminal.  Good for you taking a stand.  


>Some quaint  British rules & regulations....
>Here in UK BBC used to be the sole supplier of tv viewing (many moons 
>ago). BBC is - in part - a government creation.
>So the government in its wisdom devised yet another TAX to get 
>revenue, namely in order to view tv (of any kind), you need to pay 
>government tv licence tax. 

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From owner-glass Tue Jun 16 13:09:37 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: More on sandblasting/Cabinets
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Date: Tue, 16 Jun 1998 13:39:58 +0000
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------- Forwarded Message Follows -------
From:          Self <Single-user mode>
To:            glass@bungi.com
Subject:       Re: More on sandblasting/Cabinets
Date:          Tue, 16 Jun 1998 12:53:23


> Many references were made to a "pressure Pot"-- (What is a pressure pot, 
> BTW..Is it the same  as the vaccum?

I turned up about 400 references to it in
http://www.altavista.digital.com/
using "pressure pot" as the search key. Probably the best person to 
answer this is Norm Dobbins at  Professional Glass Consultants, 2442 Cerrillos
                      Road, Suite 350, Santa Fe NM 87505-3262. Phone:
                      (505) 473-9203. Fax: (505) 473-9218. 

I don't have an email address for him, but he gives workshops all 
*over the country (the US, that is).
 
 I've not encoutered this term in my 
> searches before) I understand the need for a vaccum to remove the dust 
> and offending particles--Little nasties you don't want to breathe-The 
> info on some manufactured cabinets suggest a Shop Vac is sufficient. Why 
> or why not?

I think the vacuum referred to is the one that sucks the abrasive up 
from its storage bin and transfers it to the nozzle spraying it onto 
the glass. Obviously (perhaps), I'm not a sandblaster, but Norm and 
any number of other people will be able to clarify that. In fact, 
Norm has a number of videos out that might be helpful to you, 
including GLASS ETCHING II: CARVING TECHNIQUES & DESIGNS by Norm 
Dobbins & Debbie Oxley. Second release from this wel  known team. Covers the
challenging technique of  multi-stage carving. $18.95

 GLASS ETCHING: SURFACE TECHNIQUES AND DESIGNS
by Norm Dobbins & Debbie Oxley. The authors
walk you through the process of design,
preparation, tools, equipment, safety, and
more. Designs are included. Illustrated. $18.95

Both available on 
http://www.artglassworld.com/supply/library/select.html

Albert

(sorry about the duplicated - sort of - message ... I had a computer 
"glitch")

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From owner-glass Tue Jun 16 13:10:52 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: BobDuc@prodigy.net, glass@bungi.com, marycooper@hotmail.com
Subject: Pressure pot sandblasters explained
Date: Tue, 16 Jun 1998 13:12:40, -0500
Message-ID: <199806161712.NAA12120@mime3.prodigy.com>
Precedence: bulk

>>Many references were made to a "pressure Pot"-- (What is a pressure 
pot, <<

Their are two basic types of setups for sandblasting. The best is a 
pressure pot system (PPS) costing from $100.00 to $600.00. The 
typical PPS holds 50 to 100 pounds of blasting grit in a pressure 
vessel made of steel. There is a sealable hole at the top for loading 
the grit and an outlet for the grit at the bottom. Air pressure is 
admitted at the top of the pot to force the grit out the bottom where 
there is an adjustable metering valve to control the flow of grit. At 
the outlet of the metering valve the main source of blast air is 
charged with grit and this mixture flows through a hose to the nozzle 
and out to blast the work.

The blast hose is typicaly several feet long permitting all the grit 
to get up to air speed prior to reaching the nozzle. This is a major 
difference between the PPS and a suction system where the grit is 
only subject to air flow for a couple of inches in the nozzle. The 
result is that a PPS will accomplish work at a much lower pressure, 
consume far less air, permit the use of thinner, cheaper and easier 
to cut resists. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnant? Bob, "No! HE is not!".*
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From owner-glass Tue Jun 16 13:13:20 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, marycooper@hotmail.com
Subject: Vacuums for cabinet sandblasters
Date: Tue, 16 Jun 1998 13:45:59, -0500
Message-ID: <199806161745.NAA15596@mime3.prodigy.com>
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>> I understand the need for a vaccum to remove the dust 
and offending particles--Little nasties you don't want to breathe-The 

info on some manufactured cabinets suggest a Shop Vac is sufficient. 
Why 
or why not?<<

Cabinet sandblasters receive a charge of air and blast media to 
accomplish the work of blasting. They must be relieved of the air, 
blasting debris and broken blast media. A vacuum accomplishes this. 
Will an ordinary home vacuum accomplish this task? The answer is a 
highly qualified yes that really adds up to no way. Why? Because the 
blast debris and broken media is to fine to be filtered out by the 
home vacuum and will destroy the vacuum bearings, short out the motor 
, quickly clog the filter and pump lung destroying glass particles 
and media into the breathing space. 

Will a shop vacuum work? Not really! You can buy a better quality 
filter for it for about $8.00 but they quickly clog up and reduce 
vacuum efficiency. The use of a shop vacuum may be stated by a 
company but they IMHO are WRONG. Even if they specify the use of 
large grit (like 60 grit) the blast debris is much finer.

Commercial vacuums are available for use with sandblasters from about 
$250.00 to $1,500.00 and up. They are expensive because it is hard to 
provide sustainable vacuum in systems that are subject to fine 
particles. A good vacuum system maintains a negative pressure in the 
cabinet  even with open handholes. There should be zero discharge of 
lung destroying dust into the work space. 

If you can not afford decent sandblasting equipment I recommend 
finding a shop that will rent the on site use of theirs. If you have 
any worthwhile talent it will not be long before the profits from 
your work permit investment in safe and efficient equipment of your 
own. Once equipment is obtained, the profit from sandblasting is 
about 90% of income. Well worth the investment. Bob


 





____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnant? Bob, "No! HE is not!".*
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From owner-glass Tue Jun 16 13:14:50 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: More on sandblasting/Cabinets
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Date: Tue, 16 Jun 1998 13:35:21 +0000
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> Many references were made to a "pressure Pot"-- (What is a pressure pot, 
> BTW..Is it the same  as the vaccum?

I turned up about 400 references to it in

using "pressure pot" as the search key. Probably the best person to 
answer this is Norm Dobbins at  Professional Glass Consultants, 2442 Cerrillos
                      Road, Suite 350, Santa Fe NM 87505-3262. Phone:
                      (505) 473-9203. Fax: (505) 473-9218. 

I don't have an email address for him, but he gives workshops all 
*over the country (the US, that is).
 
 I've not encoutered this term in my 
> searches before) I understand the need for a vaccum to remove the dust 
> and offending particles--Little nasties you don't want to breathe-The 
> info on some manufactured cabinets suggest a Shop Vac is sufficient. Why 
> or why not?

I think the vacuum referred to is the one that sucks the abrasive up 
from its storage bin and transfers it to the nozzle spraying it onto 
the glass. Obviously (perhaps), I'm not a sandblaster, but Norm and 
any number of other people will be able to clarify that. In fact, 
Norm has a number of videos out that might be helpful to you
----
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From owner-glass Tue Jun 16 13:31:38 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Sandblasting
Date: Tue, 16 Jun 1998 12:45:54 -0700 (PDT)
Message-ID: <199806161945.MAA24872@ns2.vphos.net>
Precedence: bulk




Mike,
If you are using any sort of sand: brown sand or white sand, both contain
free silica and are a serious health hazard. Aluminium oxide and silicone
carbide do not contain free silica and are considered only nuisance dusts.
But if you are venting out into the street there are bylaws concerning waste
material.
My cabinet system vents into the blasting room when not in use. And I
wouldn't vent at all into the work area. And if you're using sand I wonder
about using a shop vac. Most systems use reinforced cloth bags, single or
double. Also the sharper the abrasive the quicker your paper filter will
become torn up.

Nozzles come in alot of sizes, but your 3/8's is large.
Glastar's nozzles are 1/16, 3/32, and 1/8.
As the hole enlarges the system needs more air and the compressor may run
constantly to try to put out the required amount of air.

Cindy

>how about a regular shop vac with it's paper filter? or should i put
>some sort of pillow case over the exhaust?
>
>
>also what is the proper size of the nozzle to sandblast glass? the
>nozzle on my unit is about 3/8".
>
>---Mike Savad
>
>-- 
>Mike's Stained Glass
>http://www.geocities.com/Paris/1141
>2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
>and My Updated Shop Photo's
>----
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>
>

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From owner-glass Tue Jun 16 14:07:21 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Sandblast cabinet
Date: Tue, 16 Jun 1998 12:54:30 -0700 (PDT)
Message-ID: <199806161954.MAA30854@ns2.vphos.net>
Precedence: bulk

>I agree!! It's very important and actually there should be two drainages
going on. One under the compressor...it's a little petcock or value that can
be turned on. (mine now runs off a switch, so I don't have to bend down and
turn it). That way your compressor doesn't rust inside from moisture.  Also
one on the air line, prior to the blasting pot. That will keep the moisture
out of your abrasive.
Cindy
>
>This very important piece of Stan's advice to Mike was buried in the middle of
>his message:
>
>> You also need to put a moisture trap in line to keep
>> water and oil from mixing with the sand
>
>Absolutely a must, even if you live in a very dry climate!
>
>I apologize if this sounds like "just another yeah-what-he-said," but this one
>truly bears repeating lest it be missed. Cleaning out clogged lines is a Major
>Pain in the Drain.
>
>
>Sparks
>
>from the soggy jungles of southeastern Pennsylvania, where right now the air
>is thick enough to drink...
>----
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>

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From owner-glass Tue Jun 16 14:34:24 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Unique Paints
Date: Tue, 16 Jun 1998 16:33:41 -0400
Message-ID: <1998Jun16.123341.0>
Precedence: bulk

Anyone out there have any experience with Unique Paints?  I'd like to
know what you think of them.

Jerri

_____________________________________________________________________
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From owner-glass Tue Jun 16 14:59:21 1998
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From: Goldpaws <gmanning@banet.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: First Odyssey Lamp
Date: Tue, 16 Jun 1998 16:40:50 -0400
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Hello all,
I am excited!!
I just unpacked my first Odyssey lamp form ( 24"Rose Bush). My friend
and I both bought one  and we will switch later.
I have done 2 Worden lamps and they came out very well, if I do say so.
After reading the directions it seems straight forward enough, but any
advice would be greatly appreciated.
Just a couple Questions
1. Why can't I just do the lines on the form with permanent marker?
2. Where do you cut on the pattern lines? Yes, I read the manual, but
just wondering where the experts cut theirs.
Thanks
Goldpaws

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From owner-glass Tue Jun 16 15:32:50 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, marycooper@hotmail.com
Subject: More on sandblasting/Cabinets
Date: Tue, 16 Jun 1998 17:28:39, -0500
Message-ID: <199806162128.RAA20856@mime3.prodigy.com>
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Mary writes:
big snip>>I definitely will go with a homemade cabinet, but am 
concerned about 
these issues of vacuum. If it is too difficult to achieve with the 
homemade cabinet MAYBE I will buy a pre made one.... 
Also, in a homemade situation, how do you reclaim the Blast media? 
Gravity and a bucket? or is THIS the pressure pot?

ooowww My Brain hurts from all this THINKING! 
By God I just want to sandblast! and soon!
Thanks again--<<

OK, my previous post cleared up what a vacuum is for. There should be 
little difference between a well made home made cabinet and a 
purchased one. On fact the one I bought needed sealing to improve 
vacuum and reduce dust in the work space. Simple to do with a calking 
gun.

The standard set up has a cabinet with a sloping bottom that collects 
the spent blast media. Typically a spring loaded trap door allows 
emptying into a bucket for recharging the pressure pot. Suction 
blasters just dangle the pickup hose in the spent media. Once you see 
one this will all become elementry.

Repeating previous posters- use a moisture trap on the inlet line and 
drain it often to prevent clogging of the media. Also be sure to 
strain all media before reloading in pressure pot. I use a square of 
standard plastic window screen. Any debris including small pieces of 
resist and even dead flies can start a clog. Bob

Ps: Some general info: the typical four horsepower compressor will 
not maintain more than about 20 pounds of blast pressure on a 
continuous basis when used with a 1/8" nozzle. Larger nozzles will 
require larger compressors. Tungsten carbide nozzles cost about $30.
00. Ceramic nozzles cost about $1.50. TCs outlast Cs by about 40 to 1.
 Which is cheaper? Test to follow- someday.

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*Little girl, "Is your cat pregnant? Bob, "No! HE is not!".*
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From owner-glass Tue Jun 16 15:50:02 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: more on vacuum motors
Date: Tue, 16 Jun 1998 14:40:13 -0700 (PDT)
Message-ID: <199806162140.OAA11828@ns2.vphos.net>
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My "Skatt blast" dust collector uses a standard house hold motor, to my
surprize. Once I ordered a new motor from California (glastar) and once I
had it worked on at a vac repair shop.
I soon learnt I could replace the bearing inside myself, but once the
brushes go it's really not worth replacing.
It's a lower end dust collector... price wise and depending on the hours
used the bearing last between 3 months or longer.
Hey these bearings are cheap, they run about $3.00:):) I also bought a
better quality motor that seems to keep the dust out of the motor housing
alot more. I believe I'm pushing over a year on this one.
Cindy

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From owner-glass Tue Jun 16 16:02:39 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
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Subject: Re: More on sandblasting/Cabinets
Date: Tue, 16 Jun 1998 15:08:55 -0700 (PDT)
Message-ID: <199806162208.PAA32307@ns2.vphos.net>
Precedence: bulk



The siphon blaster runs 2 separate lines, one is an air hose from the
compressor and the other feeds from an open pot or hopper at the bottom of
your cabinet. There's no vacuum needed to run this, it's gravity fed and
pulls it's air from the compressor.

(One still uses a vacuum uptop to clear the air inside the cabinet.)

The pressure pot works together compressing the air and abrasive, first air
is let into the pot which is gauged for the air pressure of the pot. There's
a mixing value at the bottom which allows the abrasive to drop still under
pressure and it runs thru one hose into the cabinet.

Interesting article written by Kathy Bradford for the sandcarving quarterly
states advantages of the siphon feed is control with use of dead man device,
with it's "instant" off not moments later. Which she also highly praises
when using the siphon system as an airbrush. Which for shading is a good
thing in my opinion, (one doesn't want much pressure). What I found a
nuisance in the dead man was the alumimium block shut off and the wearing
out of it. Also I switched over to a narrower sandhose and smaller tips, I
found the dead man very heavy especially when working pieces for hours and
hours. But I also believe the siphon system has it's place in sandblasting.
Cindy

>
>I think the vacuum referred to is the one that sucks the abrasive up 
>from its storage bin and transfers it to the nozzle spraying it onto 
>the glass. Obviously (perhaps), I'm not a sandblaster, but Norm and 
>any number of other people will be able to clarify that. In fact, 
>Norm has a number of videos out that might be helpful to you
>----
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>

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From owner-glass Tue Jun 16 16:33:52 1998
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From: Karen Schroeder <karens@apple.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: First Odyssey Lamp
Date: Tue, 16 Jun 1998 15:32:23 -0700
Message-ID: <199806162232.PAA26944@scv2.apple.com>
Precedence: bulk

Hi Goldpaws,

>1. Why can't I just do the lines on the form with permanent marker?

I used a permanent marker on my Odyssey form. The only problem that I ran 
into was my wobbly hand. Sometimes I wandered off the lines. But I was 
easily able to compensate when using the form.

>2. Where do you cut on the pattern lines? 

As far as cutting the pattern lines goes - I used foil pattern shears 
when I made the lamp (several years ago now). Now I cut glass using a 
light box. The only time that I cut pattern pieces anymore is when the 
glass is too dark to see the pattern through. In that case I cut off the 
line and trace around the piece on the glass. Then when I cut the piece I 
cut away the drawn line. Hope that made sense.

In retrospect I would not use the tacky wax again. Instead I would use 
the sticky rubber stuff that is sold for hanging posters (sorry I don't 
remember the name) to stick the pieces to the form while 
cutting/grinding/foiling. Then when soldering I wouldn't use anything. 
Soldering the first row to the ring will hold them in place and each 
successive row will be held by the solder to the previous row. No heating 
the form to release the lamp and no cleanup afterwards.

Good luck. I am looking forward to my next Odyssey lamp - a 16" Peony.

Karen Schroeder
Hummingbird Designs


Being a Mac user is like being a Navy SEAL: a small, elite group of
people with access to the most sophisticated technology in the world, who
everyone calls on to get the really tough jobs done quickly and
efficiently.

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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: More on sandblasting/Cabinets
Date: Tue, 16 Jun 1998 16:41:20 -0700 (PDT)
Message-ID: <199806162341.QAA29057@ns2.vphos.net>
Precedence: bulk

Dead Flies!!! Oh No!
Screening is very important.
I have to agree with home made cabinets, (alot of bike shops have them).
Wooden ones won't last forever, thou.
And the time in building a metal cabinet, may out way the cost.
The cost of sandblasting equipment has sky rocketed since I bought mine.
Industry tool supply seems to be the best way to go. 
I was talking to Rayzist a  short while ago and could not believe the new
prices.
Mary, my heart goes out to you.
I'd be only wishing that I was already there too.
Cindy
PS... a little story. My hubby set me up in the beginning and then had to
leave for his work (he works out of town). Well, I was blasting my heart
away and wanted to quit, but had forgotten how to shut off my equipment.
Needless to say I had Norm Dobbins phone # and we talked awhile.
How embrassing!
>
>Mary writes:
>big snip>>I definitely will go with a homemade cabinet, but am 
>concerned about 
>these issues of vacuum. If it is too difficult to achieve with the 
>homemade cabinet MAYBE I will buy a pre made one.... 
>Also, in a homemade situation, how do you reclaim the Blast media? 
>Gravity and a bucket? or is THIS the pressure pot?
>
>ooowww My Brain hurts from all this THINKING! 
>By God I just want to sandblast! and soon!
>Thanks again--<<
>
>OK, my previous post cleared up what a vacuum is for. There should be 
>little difference between a well made home made cabinet and a 
>purchased one. On fact the one I bought needed sealing to improve 
>vacuum and reduce dust in the work space. Simple to do with a calking 
>gun.
>
>The standard set up has a cabinet with a sloping bottom that collects 
>the spent blast media. Typically a spring loaded trap door allows 
>emptying into a bucket for recharging the pressure pot. Suction 
>blasters just dangle the pickup hose in the spent media. Once you see 
>one this will all become elementry.
>
>Repeating previous posters- use a moisture trap on the inlet line and 
>drain it often to prevent clogging of the media. Also be sure to 
>strain all media before reloading in pressure pot. I use a square of 
>standard plastic window screen. Any debris including small pieces of 
>resist and even dead flies can start a clog. Bob
>
>Ps: Some general info: the typical four horsepower compressor will 
>not maintain more than about 20 pounds of blast pressure on a 
>continuous basis when used with a 1/8" nozzle. Larger nozzles will 
>require larger compressors. Tungsten carbide nozzles cost about $30.
>00. Ceramic nozzles cost about $1.50. TCs outlast Cs by about 40 to 1.
> Which is cheaper? Test to follow- someday.
>
>____
>Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
>*Little girl, "Is your cat pregnant? Bob, "No! HE is not!".*
>----
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>
>

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From owner-glass Tue Jun 16 18:38:28 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: Something for Friday, fun with tele-marketers
Date: Tue, 16 Jun 1998 20:25:08 -0400
Message-ID: <199806170025.UAA00309@csgrs6k4.uwaterloo.ca>
References: <<1998Jun16.165245.0>>
Precedence: bulk


 Roger Thornhill twists the bytes to say:


 Roger> Gee, I thought the NEA was bad - to me, the TV license is really 
 Roger> criminal.  Good for you taking a stand.  


Evil might be, but the world has benefited from it plenty. BBC News is
arguably the best international news service in the world --I'd choose
it over CNN-- and it is partially subsidized by this tax.  

There  was an article in the Globe and Mail some time ago about the
excuses given to the TV police. Some are totally hilarious: "The TV is
warm because the cat was sleeping over it", for instance.

By the way, Elisabeth, do you know --or somebody else-- how much is
the license for a color TV and how much for the B&W one? 


 >> Some quaint  British rules & regulations....
 >> Here in UK BBC used to be the sole supplier of tv viewing (many moons 
 >> ago). BBC is - in part - a government creation.
 >> So the government in its wisdom devised yet another TAX to get 
 >> revenue, namely in order to view tv (of any kind), you need to pay 
 >> government tv licence tax. 



--
Daniel M. German                  "The first man of science was he who
                                   looked into a thing, not to learn
                                   whether it furnished him with food, or
                                   shelter, or weapons, or tools, or
                                   armaments, or playwiths; but who sought
                                   to know it for the gratification of
   Samuel Taylor Coleridge ->      knowing."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Tue Jun 16 19:18:23 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Mike's Stained Glass - UPDATED
Date: Tue, 16 Jun 1998 21:02:49 -0400
Message-ID: <1998Jun16.17249.0>
References: <<1998Jun15.22311.0>>
Precedence: bulk

i finally updated my page. the page should be a little faster, after
some tweaking (think i got all the code right). i added 44 new links,
with new sections: stained glass schools, free patterns (links to them). 

i also have 5 new tip pages:

how to sign your work
repairing a copper foil window
getting started in stained glass
making your own challange project
descriptions of sample sets (the ones i have currently)

Mike's Stained Glass
http://www.geocities.com/Paris/1141/


---Mike Savad

-- 
Mike's Stained Glass - Tip's Tricks Photo's
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip's Pages
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From owner-glass Tue Jun 16 19:40:26 1998
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Subject: Grout
Date: Tue, 16 Jun 1998 20:55:51 EDT
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I can't help you with getting a blue grout, but I'll tell you this.. I did
 some stepping stones with a terra-cotta grout. Looked good till the sun faded
 them out to a light pink color. Is there anyway to minimize fading?
 Susan
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From owner-glass Tue Jun 16 20:40:44 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More on sandblasting/Cabinets
Date: Tue, 16 Jun 1998 19:23:07 -0700 (PDT)
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Ha,ha,ha!  Jerri!
Chuckle begins within you, thank you!
If it weren't for you and my OTHER GUYS, I'd still feel bad enough to hide
within my rock!
Thanks honeypies!!!
 Always you're friend, humbley the piece of do-do
signed, Cindy:)




To: jroey@juno.com (jerri m Roey)
>From: cpesonen@bcinternet.net (Cindy Pesonen)
>Subject: Re: More on sandblasting/Cabinets
>
>>Great story!  What a hoot!
>>
>>Jerri
>>
>>>PS... a little story. My hubby set me up in the beginning and then had 
>>>to
>>>leave for his work (he works out of town). Well, I was blasting my 
>>>heart
>>>away and wanted to quit, but had forgotten how to shut off my 
>>>equipment.
>>>Needless to say I had Norm Dobbins phone # and we talked awhile.
>>>How embrassing!
>>>>
>>>
>>
>>_____________________________________________________________________
>>You don't need to buy Internet access to use free Internet e-mail.
>>Get completely free e-mail from Juno at http://www.juno.com
>>Or call Juno at (800) 654-JUNO [654-5866]
>>
>>

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From owner-glass Tue Jun 16 21:09:52 1998
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Subject: Re: Home made kilns
Date: Tue, 16 Jun 1998 22:43:04 -0400
Message-ID: <1998Jun16.18434.0>
References: <<199806161635.MAA25974@ll.mit.edu>>
Organization: Cox's Mower Service
Precedence: bulk

Yes -there are ceramic wire nuts available -try your local appliance PARTs store.
The are made for replacing the socket that the stove elements plug into on an
electric range
David Cogen wrote:

>  My connections were made with standard plastic electrical
> nuts. Not the best choice of course. They melted into most surrealistic
> stalactite formations! But since the wires were arranged so as not to touch
> eachother or the box itself, this has not yet been a high priority issue to
> fix. Everything is inside the grounded box, so, being protected by the line
> circuit breakers there is no real danger here. (Any tips, anybody, on a high
> temperature wire nut, or substitute?)
>

--
'Every (person) must decide whether to walk in the light of creative
altruism or the darkness of selfishness. This is the judgement. Life's
most persistent and urgent question is "What are you doing for
others?' "Rev. Dr. Martin Luther King Jr.


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From owner-glass Tue Jun 16 22:39:05 1998
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From: <SusieHUs@aol.com>
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Content-Type: text/plain; charset=US-ASCII
Subject: donuts?
Date: Wed, 17 Jun 1998 00:51:19 EDT
Message-ID: <1998Jun17.45119.0>
Precedence: bulk

I have a question for everyone.  

I am working on a piece where I need to cut a sheet of glass into a donut.
You know, circular on the outside with a hole cut out of the very center.  I
need to be able to do this without cutting through the donut itself, ie, can't
cut it in half, remove the half circles and then stick it back together.  The
donut of glass really needs to remain in one single piece.  It's not for a
panel, it's for a sculpture I'm working on.

Any takers?

Please?  :-)  .........PRETTY PLEASE???  This newbie needs to know.......

Thanks,
Susie
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From owner-glass Wed Jun 17 03:07:19 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
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Subject: Re: Something for Friday, fun with tele-marketers
Date: Wed, 17 Jun 1998 09:50:03 +0100
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At 20:25 16/06/98 -0400, Daniel M. German wrote:

>
>By the way, Elisabeth, do you know --or somebody else-- how much is
>the license for a color TV and how much for the B&W one? 

Just got my new colour TV licence today, costs UK pounds 97.50 per year
(plus 5.00 if you pay in quarterly instalments via the bank like we do).  I
think there is a reduction for the blind or deaf of about 10.00 to make up
for what they are missing ;-> 
Don't know how much a black/white licence is.
Elizabeth
Bournemouth Stained Glass

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From owner-glass Wed Jun 17 04:09:00 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: donuts?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 17 Jun 1998 06:14:11 +0000
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> I am working on a piece where I need to cut a sheet of glass into a 
donut.

Cut out the circle, mask off everything you want to keep, leaving the 
hole-to-be exposed, sandblast the hole out.

My 2c

Albert
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From owner-glass Wed Jun 17 06:37:22 1998
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From: David Cogen <cogen@ll.mit.edu>
To: studio@stainedglass.co.uk
Subject: Re: Something for Friday, fun with tele-marketers
Date: Wed, 17 Jun 1998 08:49:19 -0400
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> Just got my new colour TV licence today, costs UK pounds 97.50 per year

That's absolutely shocking!

Do you realize in this country (USA) one could buy a brand new color TV
(low-end model, on sale) for what you pay annually for a license!!!!!

-- DavidC
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From owner-glass Wed Jun 17 07:38:09 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com
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Subject: Re: First Odyssey Lamp
Date: Wed, 17 Jun 1998 06:24:44 PDT
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It is just so much quicker to rub a little dark grout into the surface - 
should take maybe 10 minutes from the time you open up the jar to the 
time you finish cleaning off the surface.  The marker is going to take 
you all day.

Cut the pattern pieces on the outside edge (don't cut the dark lines).

Use the tacky wax system but just use a little bit of wax.  Melt in the 
oven to remove most of it and then use that Soy Release or whatever it 
is called to remove the remainder of the tacky wax.

A final note - if you are making that much of an investment of time to 
do such a nice lamp, please use lots of art glass (Uroboros, Bullseye, 
Yough) in your lamp.  Nothing is more displeasing to the eye than a 
beautifully constructed form lamp made out of dull glass.


______________________________________________________
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From owner-glass Wed Jun 17 08:10:41 1998
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From: "M. Savad" <morn@nac.net>
To: SusieHUs@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: donuts?
Date: Wed, 17 Jun 1998 10:06:21 -0400
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Precedence: bulk

SusieHUs@aol.com wrote:
> 
> I have a question for everyone.
> 
> I am working on a piece where I need to cut a sheet of glass into a donut.
> You know, circular on the outside with a hole cut out of the very center.  I
> need to be able to do this without cutting through the donut itself, ie, can't
> cut it in half, remove the half circles and then stick it back together.  The
> donut of glass really needs to remain in one single piece.  It's not for a
> panel, it's for a sculpture I'm working on.
> 
> Any takers?
> 
> Please?  :-)  .........PRETTY PLEASE???  This newbie needs to know.......
> 
> Thanks,
> Susie
> ----
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there's a few ways that i can think of:

1. cut the outside first, then grind out the center.
2. or cut relief points, score the center and tap.
3. or get a diamond hole saw. but that's an expensive way to go for one
project.
4. cut it in fourth's lay it on a piece of clear (with matching
sections), and cook it in a kiln. make sure the seams on both layers
don't line up.
5. if you have a sandblaster you might be able to etch the center away. 

---Mike Savad

-- 
Mike's Stained Glass - Tip's Tricks Photo's
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Jun 17 08:39:34 1998
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From: "Heather Newman" <newman@det-freepress.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Making your own kiln -- electrical note!
Date: Wed, 17 Jun 1998 10:31:15 +0000
Message-ID: <1998Jun17.103115.0>
Organization: Detroit Free Press
Precedence: bulk

Recently posted by a successful home kiln maker:

>>Kanthal heating element ordered from Duralite (18 amps @ 110V, coiled,
length to fit perimeter of interior (it is side heating). They advised
me on whether the amperage would be sufficient. I dedicated 1 20 amp
circuit for this, and chose 18 amps to give a little margin of 
safety. <<

While it was an excellent idea to dedicate a circuit just for the 
kiln -- and is advisable for any appliance of this size -- 20 amps is 
not sufficient for an 18 amp draw, despite the fact that it appears 
to be on the face of it.  Electrical circuits are designed under a 
national code, and one of the things it requires is that circuits be 
designed so that the expected (non-motor) load draws no more than 80% 
of the maximum power.  (Motors get special treatment, and since 
we don't use major motors often, I won't go into it here.)  That 
safety margin would actually have to be 4 amps, or 16 amps for the 
kiln, to meet national safety standards.

Now, no one is going to come into your home and shut down your kiln, 
and you probably won't experience any problems with this in your 
lifetime. But for the rest of the folks out there thinking about 
adding circuits for their own kilns, you might want to bump to a 
30amp circuit if you're going to use a 17-amp or above heating 
element.  I know, it takes up two slots in the breaker box and 
requires fatter -- and therefore more expensive -- wire than the 
standard 12-gauge used in a 20amp appliance circuit.  But when it 
comes to electricity, mucking around with the code usually ends up 
being a) inconvenient when the breaker keeps snapping or b) 
dangerous.

Just my unprofessional $.02, which is worth about what you pay for 
it.

Cheers,

Heather
----------------------------------------
Heather Newman, Detroit Free Press
newman@det-freepress.com
313-223-3336
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From owner-glass Wed Jun 17 09:10:36 1998
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X-Path: juno.com!eldondo1
From: eldondo1@juno.com
To: alewis@vgernet.net
Subject: Re: donuts?
Date: Wed, 17 Jun 1998 09:30:21 -0500
Message-ID: <1998Jun17.43021.0>
References: <<199806171106.HAA05131@vger.vgernet.net>>
Precedence: bulk

I deleted the original request knowing there would be more answers,sorry,
but I use either my 1/8 grinder bit or 1/4 bit and press (before making
the outside cuts )with plenty of water until I have made a small hole I
then enlarge with the largest bit that will fit in the hole until I reach
the proper size,then use that circle to measure to the outside diameter
and cut away. Good luck
Don <eldondo1@juno.com>

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From owner-glass Wed Jun 17 09:21:37 1998
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From: leestat7 <leestat7@home.com>
To: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
Content-Type: text/plain; charset=us-ascii
Subject: UK TV license
Date: Wed, 17 Jun 1998 11:08:09 -0400
Message-ID: <1998Jun17.789.0>
References: <<1998Jun17.10503.0>>
Organization: @Home Network
Precedence: bulk

I just fell out of my chair when I read the cost of a "TV License" 
Never heard of such a thing.  There seems to be a great deal of
difference in costs, taxes, and everything else in the UK.  We have our
share of outlandish and protested taxes, fees, etc. here but nothing
like there in the UK.  Sounds like you all across the pond need your own
"Tea Party".  ( For non history buffs-the Boston "tea party" that led to
the rebellion of the original Colonies in America)

Lee Boe
Rain-Boe's Creations

studio@stainedglass.co.uk wrote:
> 
> At 20:25 16/06/98 -0400, Daniel M. German wrote:
> 
> >
> >By the way, Elisabeth, do you know --or somebody else-- how much is
> >the license for a color TV and how much for the B&W one?
> 
> Just got my new colour TV licence today, costs UK pounds 97.50 per year
> (plus 5.00 if you pay in quarterly instalments via the bank like we do).  I
> think there is a reduction for the blind or deaf of about 10.00 to make up
> for what they are missing ;->
> Don't know how much a black/white licence is.
> Elizabeth
> Bournemouth Stained Glass
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From owner-glass Wed Jun 17 10:20:51 1998
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From: "AHOY MATE!!!!!" <otrbanks@erols.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: metal to glass glue
Date: Wed, 17 Jun 1998 12:17:59 -0400
Message-ID: <1998Jun17.81759.0>
Precedence: bulk

Hi all,
I have a questions to all you experts! My Husband is in the US Coast
Guard and we have a very good friend retiring and I want to give him a
stained glass gift. My idea is to make a panel with the Coast Guard
stripes and a white opaque background. I then want to glue on the right
side (where there is more white showing) the metal rank pins and at the
top a small metal plate with his name and enlistment date and retirement
date. So, my question is what kind of glue should I use and I would
entertain any other ideas!
Thanks so very much,
Tammy

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From owner-glass Wed Jun 17 11:22:20 1998
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From: Dinosaur Bob <shyguy@vdot.net>
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Content-Type: text/plain; charset=us-ascii
Subject: Re: UK TV license
Date: Wed, 17 Jun 1998 13:01:19 -0400
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Organization: Cox's Mower Service
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The interesting part is that they make it hard to 'cheat'. From what I hear from
the UK people that work(ed) for me, there are 'enforcers' that ride around in a
van with electronic detection equipment that can tell, from outside your home,
that you have your Tele on, evidently from the electronic emissions. If you don't
have a current license, then they knock on your door.
You really want to see a reaction, just ask about the VAT.
leestat7 wrote:

> I just fell out of my chair when I read the cost of a "TV License"
> Never heard of such a thing.  There seems to be a great deal of
> difference in costs, taxes, and everything else in the UK.  We have our
> share of outlandish and protested taxes, fees, etc. here but nothing
> like there in the UK.  Sounds like you all across the pond need your own
> "Tea Party".  ( For non history buffs-the Boston "tea party" that led to
> the rebellion of the original Colonies in America)




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From owner-glass Wed Jun 17 11:58:11 1998
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X-Path: csgrs6k4.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Lamp model was: First Odyssey Lamp
Date: Wed, 17 Jun 1998 13:13:22 -0400
Message-ID: <199806171713.NAA00218@csgrs6k4.uwaterloo.ca>
References: <<1998Jun17.132444.0>>
Precedence: bulk


Now that people are talking about the Odyssey lamp I'll share my
experiences making my own.

I got this Styrofoam ball, 20 cms. in diameter. The largest I could
find. I got a hollow half sphere bigger though.

I cut it in halves. I had read from Mike's web site that the flux will
eat it, so I cover it with three layers of masking tape. 

Then I proceeded to make my own design. I divided the half sphere in
16 parts (sort of like an orange) and started to draw on top. It was
difficult. After I disliked it, I covered it again, and tried
again. Same thing. I did not like the result. I lacked inspiration.

I thought that it was sufficiently challenging to make my first round
lamp; so I decided that I was going to copy a design from somewhere
else. I felt like Toby's Australians trying to make everything at the
same time --I have only made one lamp before; a total of 5
projects, all small. 

I had a catalog. I noticed that some of the designs where for
spherical surfaces. I used the photocopier to enlarge it exactly to
the size I needed (from 3 cm. in the original).

The design was simple but pretty --in my eyes, at least: geometrically
arranged tulips.

It is 8 repeats and it asks for 3 colours (I never knew what the
colours were, as it was just the sample in the catalog :) I chose
green, blue and red.

Pattern making: I made 16 copies of the pattern. I glued 8 of them to
the ball. The other 8 had an interesting story. The top of the lamp
had "squares" all around (3 layers of 16 identical pieces each). I cut
the glass for this first and when I wanted to put the 48 pieces
together... they were too small :) the gaps would had been too big, so
I had to put it "higher" around the sphere than it should had been
(the higher, the smaller the diameter of the perimeter). I had to
adjust my patterns for this modification.

First repeat. I did not have pattern scissors, so I had to cut the cut
line with two passes. I got some slightly irregular pieces. Remember,
my pattern was enlarged from a tiny copy, and I think that added to
the distortion. Then I proceeded to glue the pieces to the glass and
cut and grind. I tried to used double sided tape, but it was too
thick that the diameter of the resulting mold made the pieces too
small. 

So I resorted to hold one piece at a time while soldering it. It
works, but the resulting repeat was bigger than expected. In the
second, third and fourth repeat I was more careful, soldering the most
critical parts first; I ended with some that need extra grinding. This
method was not the best, as some pieces did not optimally follow the
roundness of the sphere.

I took two decisions that made my work easier: I bought pattern
scissors and tacky-wax. I became far faster and more productive, and
pieces were fitting better.

The problem was to remove the wax. I washed it, and washed it and
washed it and I believe it still has a small layer. Then I made
another mistake: I used car wax to polish it. Being the pieces soo
small (it has a little over 200 pieces) it was very difficult to
remove the wax from many places. I still haven't finished cleaning
it. I'll buy liquid one next time, even though it is more expensive
(any alternate suggestions of what works for some)?

>From the beginning I decided that this was going to be a learning
experience and I was willing to "waste" my work so to speak in order
to be "better" for the next time. It certainly was. The lamp is pretty
when off and just ok when on. The copper patina works very nicely with
the green and blue Wissmach glass (iridescent) that I used. I still
have to find it a perfect base/harp.

I also learned that the foil for this kind of work should be narrower.
I was using 7/16 (I believe) and the seems look too thick. I'll use
one just slightly thicker than the glass next time.

One more important factor is to use a lightbox. I did not use one. The
result, as I explained, is that my lamp looks better off than on.

In retrospective, my biggest mistake was not to use Yougho or
something equivalent. The scrap is almost none and this size of lamp
requires a mere 1 ft^2 of glass. 

I am happy with the experience and I am sure the next one will be far
superior. I am still scared of trying the big one (around 60cms) that
I have. I want to "practice" again with this size and a different
pattern --my own, if I can find the inspiration.

My Porcelli book arrived after I had finished. I learned some things
the hard way, though. 

Roger, can you explain the oven trick  to remove the wax? 

Finally, now I have a lot of respect for lampmakers. I know what it
takes to turn a nice piece of work.

I hope this message can start some threads related to some of the
issues that I faced.

--
Daniel M. German                  "In science, read, by preference, 
                                   the newest works; in literature,
   Georges Leclerc Buffon ->       the oldest."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Wed Jun 17 12:12:29 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, otrbanks@erols.com
Subject: metal to glass glue
Date: Wed, 17 Jun 1998 14:05:36, -0500
Message-ID: <199806171805.OAA07496@mime3.prodigy.com>
Precedence: bulk

snip>> My idea is to make a panel with the Coast Guard
stripes and a white opaque background. I then want to glue on the 
right
side (where there is more white showing) the metal rank pins and at 
the
top a small metal plate with his name and enlistment date and 
retirement
date. So, my question is what kind of glue should I use and I would
entertain any other ideas!
Thanks so very much,
Tammy<<

I would use clear GE Silicone II marked for Window $ Door. Buy at 
better hardware stores everywhere. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*What does this new pill have to do with me investing in design 
changes in the coffin industry?*
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From owner-glass Wed Jun 17 12:38:27 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>, "'CWWSLW@aol.com'"
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Grout
Date: Wed, 17 Jun 1998 14:16:44 -0400
Message-ID: <1998Jun17.101644.0>
Precedence: bulk

It has been my experience that reddish colors fade in the sun worse than 
any other color. Red fabric, red plastic, red everything fades. Something 
to do with the UV and the color spectrum, I think. No sealer that you 
put on top is going to stop it.

Just MHO.

Linda Campbell




Susan said:

I can't help you with getting a blue grout, but I'll tell you this.. I did
 some stepping stones with a terra-cotta grout. Looked good till the sun faded
 them out to a light pink color. Is there anyway to minimize fading?
 Susan


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From owner-glass Wed Jun 17 12:43:45 1998
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: newman@det-freepress.com
Subject: Re: Making your own kiln -- electrical note!
Date: Wed, 17 Jun 1998 13:57:40 -0400
Message-ID: <199806171754.NAA02348@ll.mit.edu>
Precedence: bulk

> kiln -- and is advisable for any appliance of this size -- 20 amps is 
> not sufficient for an 18 amp draw, despite the fact that it appears 
> to be on the face of it.  Electrical circuits are designed under a 

Good point. Plus, I am told that the current draw of heaters increases as they
age, so I may run into problems in the future. But so far, so good.

Since the current heaters are more than adequate for my kiln, I would probably
replace them with slightly lower power heaters if/when the current ones burn
out eventually.

-- DavidC
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From owner-glass Wed Jun 17 13:11:52 1998
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From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: Re: UK TV license
Date: Wed, 17 Jun 1998 14:49:43 -0400
Message-ID: <199806171847.OAA08844@ll.mit.edu>
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> The interesting part is that they make it hard to 'cheat'. From what I hear from
> the UK people that work(ed) for me, there are 'enforcers' that ride around in a

I wonder what they'll do once the Internet is fast enough to transmit realtime
video, and much of our "television programming" comes via the Internet. This
will happen; it's only a matter of time.

Or do they already tax that in England?

-- DavidC


(Ooops; seem to have wondered from the topic of glass.)


To cut the donut glass shape: Might this work:

1 Cut and break the outer circle.

2 Drill or grind a small hole in the center using either a diamond drill bit
or a grinder bit.

3 Score the inner circle.

4 Using the grinder, widen the inner hole until grozing pliers can be used.

5 Use grozing pliers to break off chips until the inner circle is approached.

6 Use the grinder to finish where the grozing left off.


(I think that the grinder would take a long time and wear out the bit if the
inner hole is large. Using the grozing pliers might save some of this. Note I
haven't tried this however.)


-- DavidC

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From owner-glass Wed Jun 17 13:19:31 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, shyguy@vdot.net
Subject: Re: UK TV license
Date: Wed, 17 Jun 1998 15:21:15, -0500
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snip>> there are 'enforcers' that ride around in a
van with electronic detection equipment that can tell, from outside 
your home,
that you have your Tele on, evidently from the electronic emissions. 
If you don't
have a current license, then they knock on your door.<<

I don't welcome the competition in the stained glass bis but you need 
to come over here. My people came for lessor reasons. Look up what is 
lettered on the base of the Statue of Liberty. Think you qualify. 
Thank God I do not look to the old countries to find out how I should 
act and like. Bob

Ps: Lets not talk about taxes supporting a news broadcast. Could 
fragment the group!

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*What does this new pill have to do with me investing in design 
changes in the coffin industry?*
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From owner-glass Wed Jun 17 14:19:49 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Lamp model was: First Odyssey Lamp
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 17 Jun 1998 16:04:50 +0000
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> Now that people are talking about the Odyssey lamp I'll share my
> experiences making my own.

I think you were inventive, ingenious and very clever to figure out 
so many things, come up with a pattern and try it out. Congrats! 
One thing I *don't understand, though, is why it's even necessary to 
wax the finished work.

Albert
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From owner-glass Wed Jun 17 14:46:01 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: UK TV license
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 17 Jun 1998 16:04:50 +0000
Message-ID: <199806172057.QAA04945@vger.vgernet.net>
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> The interesting part is that they make it hard to 'cheat'. From what I hear from
> the UK people that work(ed) for me, there are 'enforcers' that ride around in a
> van with electronic detection equipment that can tell, from outside 
your home

The same thing's true (or *was true when I lived there) in Germany, 
but also for radios. And telephones were installed by the Post 
Office. Different strokes and different ways of accomplishing things.

Albert
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From owner-glass Wed Jun 17 14:48:43 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, cogen@ll.mit.edu
Subject: Internet Message 
Date: Wed, 17 Jun 1998 16:42:34, -0500
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>>Good point. Plus, I am told that the current draw of heaters 
increases as they
age, so I may run into problems in the future. But so far, so good<<

You are in luck here. Your kiln elements increase in resistance as 
they age and the current is LOWER. The kiln at full power will slow 
down after only a few cycles due to this.

Anyone who is rewiring for a kiln might well consider going to 220 
volts for electric service and kiln. Bob
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From owner-glass Wed Jun 17 15:19:56 1998
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From: "M. Savad" <morn@nac.net>
To: "AHOY MATE!!!!!" <otrbanks@erols.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: metal to glass glue
Date: Wed, 17 Jun 1998 17:24:03 -0400
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AHOY MATE!!!!! wrote:
> 
> Hi all,
> I have a questions to all you experts! My Husband is in the US Coast
> Guard and we have a very good friend retiring and I want to give him a
> stained glass gift. My idea is to make a panel with the Coast Guard
> stripes and a white opaque background. I then want to glue on the right
> side (where there is more white showing) the metal rank pins and at the
> top a small metal plate with his name and enlistment date and retirement
> date. So, my question is what kind of glue should I use and I would
> entertain any other ideas!
> Thanks so very much,
> Tammy
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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the best glues that i know of would be epoxy, though a small time limit. 
E6000 works pretty well, but the smell could kill you. and there's a new
product, it's a polyurethane glue (it might be polyethelene (sp?) glue.
it's new, and a little pricey, but it's supposed to be able to fill gaps
and stick to everything. i still want to find a bottle for myself...

---Mike Savad

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6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
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From owner-glass Wed Jun 17 15:50:45 1998
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From: Carol Tombro <ctombro@InfoAve.Net>
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Subject: [Fwd: donuts?]
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I also deleted the request, sorry.  I had to put a rather large sun in a
rather large sky. Did it by using my grinder with the l/8 bit until I
could use a larger bit and used a lot of water while doing it.  Turned
out fine.  Grinder still ok.
Carol T

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Date: Wed, 17 Jun 1998 09:30:21 -0500
From: eldondo1@juno.com
Subject: Re: donuts?
To: alewis@vgernet.net
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I deleted the original request knowing there would be more answers,sorry,
but I use either my 1/8 grinder bit or 1/4 bit and press (before making
the outside cuts )with plenty of water until I have made a small hole I
then enlarge with the largest bit that will fit in the hole until I reach
the proper size,then use that circle to measure to the outside diameter
and cut away. Good luck
Don <eldondo1@juno.com>

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From owner-glass Wed Jun 17 15:54:46 1998
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From: "M. Savad" <morn@nac.net>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Lamp model was: First Odyssey Lamp
Date: Wed, 17 Jun 1998 17:26:45 -0400
Message-ID: <1998Jun17.132645.0>
References: <<199806171713.NAA00218@csgrs6k4.uwaterloo.ca>>
Precedence: bulk

Daniel M. German wrote:
> 
> Now that people are talking about the Odyssey lamp I'll share my
> experiences making my own.
> 
> I got this Styrofoam ball, 20 cms. in diameter. The largest I could
> find. I got a hollow half sphere bigger though.
> 
> I cut it in halves. I had read from Mike's web site that the flux will
> eat it, so I cover it with three layers of masking tape.
> 
> Then I proceeded to make my own design. I divided the half sphere in
> 16 parts (sort of like an orange) and started to draw on top. It was
> difficult. After I disliked it, I covered it again, and tried
> again. Same thing. I did not like the result. I lacked inspiration.
> 
> I thought that it was sufficiently challenging to make my first round
> lamp; so I decided that I was going to copy a design from somewhere
> else. I felt like Toby's Australians trying to make everything at the
> same time --I have only made one lamp before; a total of 5
> projects, all small.
> 
> I had a catalog. I noticed that some of the designs where for
> spherical surfaces. I used the photocopier to enlarge it exactly to
> the size I needed (from 3 cm. in the original).
> 
> The design was simple but pretty --in my eyes, at least: geometrically
> arranged tulips.
> 
> It is 8 repeats and it asks for 3 colours (I never knew what the
> colours were, as it was just the sample in the catalog :) I chose
> green, blue and red.
> 
> Pattern making: I made 16 copies of the pattern. I glued 8 of them to
> the ball. The other 8 had an interesting story. The top of the lamp
> had "squares" all around (3 layers of 16 identical pieces each). I cut
> the glass for this first and when I wanted to put the 48 pieces
> together... they were too small :) the gaps would had been too big, so
> I had to put it "higher" around the sphere than it should had been
> (the higher, the smaller the diameter of the perimeter). I had to
> adjust my patterns for this modification.
> 
> First repeat. I did not have pattern scissors, so I had to cut the cut
> line with two passes. I got some slightly irregular pieces. Remember,
> my pattern was enlarged from a tiny copy, and I think that added to
> the distortion. Then I proceeded to glue the pieces to the glass and
> cut and grind. I tried to used double sided tape, but it was too
> thick that the diameter of the resulting mold made the pieces too
> small.
> 
> So I resorted to hold one piece at a time while soldering it. It
> works, but the resulting repeat was bigger than expected. In the
> second, third and fourth repeat I was more careful, soldering the most
> critical parts first; I ended with some that need extra grinding. This
> method was not the best, as some pieces did not optimally follow the
> roundness of the sphere.
> 
> I took two decisions that made my work easier: I bought pattern
> scissors and tacky-wax. I became far faster and more productive, and
> pieces were fitting better.
> 
> The problem was to remove the wax. I washed it, and washed it and
> washed it and I believe it still has a small layer. Then I made
> another mistake: I used car wax to polish it. Being the pieces soo
> small (it has a little over 200 pieces) it was very difficult to
> remove the wax from many places. I still haven't finished cleaning
> it. I'll buy liquid one next time, even though it is more expensive
> (any alternate suggestions of what works for some)?
> 
> >>From the beginning I decided that this was going to be a learning
> experience and I was willing to "waste" my work so to speak in order
> to be "better" for the next time. It certainly was. The lamp is pretty
> when off and just ok when on. The copper patina works very nicely with
> the green and blue Wissmach glass (iridescent) that I used. I still
> have to find it a perfect base/harp.
> 
> I also learned that the foil for this kind of work should be narrower.
> I was using 7/16 (I believe) and the seems look too thick. I'll use
> one just slightly thicker than the glass next time.
> 
> One more important factor is to use a lightbox. I did not use one. The
> result, as I explained, is that my lamp looks better off than on.
> 
> In retrospective, my biggest mistake was not to use Yougho or
> something equivalent. The scrap is almost none and this size of lamp
> requires a mere 1 ft^2 of glass.
> 
> I am happy with the experience and I am sure the next one will be far
> superior. I am still scared of trying the big one (around 60cms) that
> I have. I want to "practice" again with this size and a different
> pattern --my own, if I can find the inspiration.
> 
> My Porcelli book arrived after I had finished. I learned some things
> the hard way, though.
> 
> Roger, can you explain the oven trick  to remove the wax?
> 
> Finally, now I have a lot of respect for lampmakers. I know what it
> takes to turn a nice piece of work.
> 
> I hope this message can start some threads related to some of the
> issues that I faced.
> 
> --
> Daniel M. German                  "In science, read, by preference,
>                                    the newest works; in literature,
>    Georges Leclerc Buffon ->       the oldest."
> http://csgwww.uwaterloo.ca/~dmg/home.html
> dmg@csg.uwaterloo.ca
> 
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


as a side note, the flux does'nt hurt the styrofoam, spray paint does...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Wed Jun 17 16:17:39 1998
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From: "M. Savad" <morn@nac.net>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Lamp model was: First Odyssey Lamp
Date: Wed, 17 Jun 1998 17:36:13 -0400
Message-ID: <1998Jun17.133613.0>
References: <<199806171713.NAA00218@csgrs6k4.uwaterloo.ca>>
Precedence: bulk

Daniel M. German wrote:
> 
> Now that people are talking about the Odyssey lamp I'll share my
> experiences making my own.
> 
> I got this Styrofoam ball, 20 cms. in diameter. The largest I could
> find. I got a hollow half sphere bigger though.
> 
> I cut it in halves. I had read from Mike's web site that the flux will
> eat it, so I cover it with three layers of masking tape.
> 
> Then I proceeded to make my own design. I divided the half sphere in
> 16 parts (sort of like an orange) and started to draw on top. It was
> difficult. After I disliked it, I covered it again, and tried
> again. Same thing. I did not like the result. I lacked inspiration.
> 
> I thought that it was sufficiently challenging to make my first round
> lamp; so I decided that I was going to copy a design from somewhere
> else. I felt like Toby's Australians trying to make everything at the
> same time --I have only made one lamp before; a total of 5
> projects, all small.
> 
> I had a catalog. I noticed that some of the designs where for
> spherical surfaces. I used the photocopier to enlarge it exactly to
> the size I needed (from 3 cm. in the original).
> 
> The design was simple but pretty --in my eyes, at least: geometrically
> arranged tulips.
> 
> It is 8 repeats and it asks for 3 colours (I never knew what the
> colours were, as it was just the sample in the catalog :) I chose
> green, blue and red.
> 
> Pattern making: I made 16 copies of the pattern. I glued 8 of them to
> the ball. The other 8 had an interesting story. The top of the lamp
> had "squares" all around (3 layers of 16 identical pieces each). I cut
> the glass for this first and when I wanted to put the 48 pieces
> together... they were too small :) the gaps would had been too big, so
> I had to put it "higher" around the sphere than it should had been
> (the higher, the smaller the diameter of the perimeter). I had to
> adjust my patterns for this modification.
> 
> First repeat. I did not have pattern scissors, so I had to cut the cut
> line with two passes. I got some slightly irregular pieces. Remember,
> my pattern was enlarged from a tiny copy, and I think that added to
> the distortion. Then I proceeded to glue the pieces to the glass and
> cut and grind. I tried to used double sided tape, but it was too
> thick that the diameter of the resulting mold made the pieces too
> small.
> 
> So I resorted to hold one piece at a time while soldering it. It
> works, but the resulting repeat was bigger than expected. In the
> second, third and fourth repeat I was more careful, soldering the most
> critical parts first; I ended with some that need extra grinding. This
> method was not the best, as some pieces did not optimally follow the
> roundness of the sphere.
> 
> I took two decisions that made my work easier: I bought pattern
> scissors and tacky-wax. I became far faster and more productive, and
> pieces were fitting better.
> 
> The problem was to remove the wax. I washed it, and washed it and
> washed it and I believe it still has a small layer. Then I made
> another mistake: I used car wax to polish it. Being the pieces soo
> small (it has a little over 200 pieces) it was very difficult to
> remove the wax from many places. I still haven't finished cleaning
> it. I'll buy liquid one next time, even though it is more expensive
> (any alternate suggestions of what works for some)?
> 
> >>From the beginning I decided that this was going to be a learning
> experience and I was willing to "waste" my work so to speak in order
> to be "better" for the next time. It certainly was. The lamp is pretty
> when off and just ok when on. The copper patina works very nicely with
> the green and blue Wissmach glass (iridescent) that I used. I still
> have to find it a perfect base/harp.
> 
> I also learned that the foil for this kind of work should be narrower.
> I was using 7/16 (I believe) and the seems look too thick. I'll use
> one just slightly thicker than the glass next time.
> 
> One more important factor is to use a lightbox. I did not use one. The
> result, as I explained, is that my lamp looks better off than on.
> 
> In retrospective, my biggest mistake was not to use Yougho or
> something equivalent. The scrap is almost none and this size of lamp
> requires a mere 1 ft^2 of glass.
> 
> I am happy with the experience and I am sure the next one will be far
> superior. I am still scared of trying the big one (around 60cms) that
> I have. I want to "practice" again with this size and a different
> pattern --my own, if I can find the inspiration.
> 
> My Porcelli book arrived after I had finished. I learned some things
> the hard way, though.
> 
> Roger, can you explain the oven trick  to remove the wax?
> 
> Finally, now I have a lot of respect for lampmakers. I know what it
> takes to turn a nice piece of work.
> 
> I hope this message can start some threads related to some of the
> issues that I faced.
> 
> --
> Daniel M. German                  "In science, read, by preference,
>                                    the newest works; in literature,
>    Georges Leclerc Buffon ->       the oldest."
> http://csgwww.uwaterloo.ca/~dmg/home.html
> dmg@csg.uwaterloo.ca
> 
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i did'nt read the whole thing through....

a few things that should probably have changed. the pieces most likely
grew because the pieces did'nt butt together. instead a gap/space was
formed when the bottom corners met. to fix this a lamp bit should be
used, (though i never used one myself). this will put a slight chamfer
on the glass so the top edges meet, instead of the bottom ones. this
will also make your seams thinner. 

i use Kem-O-Pro wax, it works pretty darn well. another good wax: Pledge
original furniture spray. spray it on wipe it off, it will make
everything clean and shiney. but it won't polish the solder much.... i
still have to figure out the best wax for the lamp i'm building. it's
going to have way too many corners and open spaces.

and of course to use a light bulb to choose where your going to cut the
glass. a flourescent light in a light box, does'nt give the right color.
there's a new true color bulb out. i forget it's name, Mott? something
like that...maybe.. i think it was advertised in one of the SG
professionals.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
----
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From owner-glass Wed Jun 17 16:19:31 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: UK TV license
Date: Wed, 17 Jun 1998 17:39:53 -0400
Message-ID: <1998Jun17.133953.0>
References: <<199806171847.OAA08844@ll.mit.edu>>
Precedence: bulk

David Cogen wrote:
> 
> > The interesting part is that they make it hard to 'cheat'. From what I hear from
> > the UK people that work(ed) for me, there are 'enforcers' that ride around in a
> 
> I wonder what they'll do once the Internet is fast enough to transmit realtime
> video, and much of our "television programming" comes via the Internet. This
> will happen; it's only a matter of time.
> 
> Or do they already tax that in England?
> 
> -- DavidC
> 
> (Ooops; seem to have wondered from the topic of glass.)
> 
> To cut the donut glass shape: Might this work:
> 
> 1 Cut and break the outer circle.
> 
> 2 Drill or grind a small hole in the center using either a diamond drill bit
> or a grinder bit.
> 
> 3 Score the inner circle.
> 
> 4 Using the grinder, widen the inner hole until grozing pliers can be used.
> 
> 5 Use grozing pliers to break off chips until the inner circle is approached.
> 
> 6 Use the grinder to finish where the grozing left off.
> 
> (I think that the grinder would take a long time and wear out the bit if the
> inner hole is large. Using the grozing pliers might save some of this. Note I
> haven't tried this however.)
> 
> -- DavidC
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


what about using a tv card for your computer. a computer and a tv gives
off different frequencies. and besides they'd never know it's on because
you could be surfing the net.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
----
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From owner-glass Wed Jun 17 16:44:47 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: Lamp model was: First Odyssey Lamp
Date: Wed, 17 Jun 1998 17:57:13 -0400
Message-ID: <199806172157.RAA00304@csgrs6k4.uwaterloo.ca>
References: <<1998Jun17.132444.0>>
Precedence: bulk


Mike Savad twists the bytes to say:

 Mike> Daniel M. German wrote:

 >> I cut it in halves. I had read from Mike's web site that the flux will
 >> eat it, so I cover it with three layers of masking tape.
 >> 


 Mike> as a side note, the flux does'nt hurt the styrofoam, spray paint does...

 Mike> ---Mike Savad

THanks Mike. I misread your experiences on mold making. Nonetheless
the tape converts it into a nicer and stronger surface, in which you
can draw; and there are no little chips of Styrofoam everywhere.

 Mike> a few things that should probably have changed. the pieces most likely
 Mike> grew because the pieces did'nt butt together. instead a gap/space was
 Mike> formed when the bottom corners met. to fix this a lamp bit should be
 Mike> used, (though i never used one myself). this will put a slight chamfer
 Mike> on the glass so the top edges meet, instead of the bottom ones. this
 Mike> will also make your seams thinner. 

I thought about the bit, but it was rather expensive (around Can$40)
so I decided to do it "by hand", by holding the pieces at an angle. It
kind of worked. I also realized that the angle has to change depending
on the shape of the piece and the radius of the sphere, so the bit has
some limitations. But as long as the angle is bigger than required,
solder in the back can make up for the lack of a perfect match between
the two pieces of glass. 

Something I forgot to mentioned is that I learned that acetate --the
one used for transparencies or slides-- is a superior material for the
pattern pieces. It does not disintegrate with water and does not
damage the grinder bit. And it is useful to drive the cutter
wheel. And photocopier can imprint the pattern in the acetate,
obviously.

--------------------

and Albert Lewis twists the bytes to say:


 Albert> I think you were inventive, ingenious and very clever to figure out 
 Albert> so many things, come up with a pattern and try it out. Congrats! 

Thanks! 

 Albert> One thing I *don't understand, though, is why it's even necessary to 
 Albert> wax the finished work.

The silicone in the car wax improves the appearance of the solder
lines. They shine nicely.

But I swear I'm not going to use it again.

Albert, I got the magazine this week! Thanks a lot.


--
Daniel M. German                  "In science, read, by preference, 
                                   the newest works; in literature,
   Georges Leclerc Buffon ->       the oldest."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Wed Jun 17 16:49:51 1998
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X-Path: sprintmail.com!MollysGlass
From: Molly Keys <MollysGlass@sprintmail.com>
To: Cindy Pesonen <cpesonen@bcinternet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: More on sandblasting/Cabinets
Date: Wed, 17 Jun 1998 17:11:48 -0500
Message-ID: <1998Jun17.121148.0>
References: <<199806170223.TAA21246@ns2.vphos.net>>
Precedence: bulk

Hi,
I am a lurker who has come out of the closet.  I did send Pat a bio this week.

Your discussion on sandblasting and cabinets has been very interesting.  This
is my two cents for what it's worth.  I have a SKAT BLAST  system which I
bought from Glastar quite a few years ago.  It even went to Italy with me.  I
didn't hook it up for fear of blowing the electricity in the small village
where we lived.  When we returned to the states my husband made a few
modifications for me (he changed the hand held trigger gun to a footswitch
which saves the hand from cramping allowing for longer blasting).  I then
received a commission to do two large glass door panels and they would not fit
my system.  We contacted SKAT BLAST 1-330-533-3384 ext. 55 and ordered the
blueprints for making your own.  My husband made it out of 1" plyboard and
siliconed the inside for tightness.  We were able to make a larger system at
quite a savings over purchasing the Glasspasser from Glastar.  You can
purchase the everything from SB to put it together.  They have a catalog and I
have ordered nozzles and other items for my existing cabinet at a big savings.

Hope this helps someone.
Happy blasting,
Molly Keys



Cindy Pesonen wrote:

> Ha,ha,ha!  Jerri!
> Chuckle begins within you, thank you!
> If it weren't for you and my OTHER GUYS, I'd still feel bad enough to hide
> within my rock!
> Thanks honeypies!!!
>  Always you're friend, humbley the piece of do-do
> signed, Cindy:)
>
> To: jroey@juno.com (jerri m Roey)
> >From: cpesonen@bcinternet.net (Cindy Pesonen)
> >Subject: Re: More on sandblasting/Cabinets
> >
> >>Great story!  What a hoot!
> >>
> >>Jerri
> >>
> >>>PS... a little story. My hubby set me up in the beginning and then had
> >>>to
> >>>leave for his work (he works out of town). Well, I was blasting my
> >>>heart
> >>>away and wanted to quit, but had forgotten how to shut off my
> >>>equipment.
> >>>Needless to say I had Norm Dobbins phone # and we talked awhile.
> >>>How embrassing!
> >>>>
> >>>
> >>
> >>_____________________________________________________________________
> >>You don't need to buy Internet access to use free Internet e-mail.
> >>Get completely free e-mail from Juno at http://www.juno.com
> >>Or call Juno at (800) 654-JUNO [654-5866]
> >>
> >>
>
> ----
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> Archives available at http://www.bungi.com/glass



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From owner-glass Wed Jun 17 19:24:31 1998
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From: leestat7 <leestat7@home.com>
To: "M. Savad" <morn@nac.net>
Content-Type: text/plain; charset=us-ascii
Subject: TV Tuner Card
Date: Wed, 17 Jun 1998 21:22:25 -0400
Message-ID: <1998Jun17.172225.0>
References: <<1998Jun17.133953.0>>
Organization: @Home Network
Precedence: bulk

I just installed a tuner card, a Hauppage Win TV.  Now I can watch TV in
a window (or whole screen) while I work on something else in the
computer.  You probably need at least a 166mhz Pentium, 32 or better
ram, and a large hard drive to run the thing fast enough.  Win98 will
have TV support (if you add a tuner card) The card depending on the
maker uses a standard ISA slot or a PCI slot.  Great fun, and under $150
US.

Now when I am working on a design for glass on the computer, I can watch
my favorite program. 

Lee Boe
Rain-Boe's Creations
> 
> what about using a tv card for your computer. a computer and a tv gives
> off different frequencies. and besides they'd never know it's on because
> you could be surfing the net.
> 
> ---Mike Savad
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From owner-glass Wed Jun 17 19:52:47 1998
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From: "Norman & Claudette Jaramillo" <cpjaram@7cities.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: blast cabinet
Date: Wed, 17 Jun 1998 08:05:58 -0600
Message-ID: <1998Jun17.2558.0>
Precedence: bulk

I didn't want to bother with building a cabinet, I bought ours from Harbor
Frieght Tools.  It is made by Central Pneumatic.  Its deminsions are 25 1/2
w x 22 h x 17 1/4  inches depth.  This is large enough for my work.  If I
have something larger I just blast with sand outside.   The cost was $89.00,
you have to set up your own vacuum cleaner and light.  Their number is
1-800-423-2567.

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From owner-glass Wed Jun 17 20:50:41 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Help in making my own cement and grout
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 18 Jun 1998 03:49:21 +0000
Message-ID: <199806180251.DAA07942@saturn.nildram.co.uk>
Precedence: bulk

Hi Shakeel,

I am Elisabeth ( with an eSS), ; Toby is my "sleeping partner", my 
guardian and protector ( he sleeps a lot!!) You ( and other Newbies) 
can meet him on my WEB-page....
....Ask him nicely.... and he will even say "hello" to you.
My "real" name and "nick-name" is Elisabeth.
Because I come from the cold North, I've got horns on and bite 
ferociously. .... I eat little girls & boys for breakfast (especially 
if they knock on my door trying to sell me things I don't need or 
don't want...)
I have been involved with glass - in one form or another - for 40 
years, created stained glass for about 20 and have been teaching it 
for the last 10 years..... I am bolshy, argumentative and.... Patrick 
tells me... I am passionate......
Take your pick.
People call me all sorts of things.... ;->
I am so glad if any of my suggestions gave you a little bit of a 
"spark".
NEVER be afraid to ask!! But THINK before you do. So very often, you 
yourself have the answer within you!
 ....NOW...., what do I do with my 2 Australians..... (sigh!!)

As regards kilns, I myself don't paint & fire on glass - if I can 
help it. I have 1 large kiln (which gave up the ghost about 18 
months ago) and 1 small tiny kiln that  Dani & Michael have helped me 
to identify & sort out to use mainly for teaching purposes. I am 
almost as new to this as you are, but I am following the thread with 
great interest.....

Elisabeth 'n Toby in UK (with a bit of tongue-in-cheek...)


Shakeel wrote:
Thanks Toby, and every one who responded to my plea for help. Makes one
proud to see such solidarity and spirit of generosity among the glass
artists. And proud to be a Bungian.

(And since the thought just occured to me I will ask a question.) Is it all
right to address you all by your first names or nicknames?)

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Wed Jun 17 21:12:20 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: Re: Something for Friday, fun with tele-marketers
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 18 Jun 1998 03:49:21 +0000
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Ah..
Daniel, my bare-foot companion......

BBC World Service (says I as a NEUTRAL Swede).. is without question 
historically truly a quality Service to the World. I used to listen 
to it in shortwave form during my trials and tribulations in Eastern 
Europe, in the Middle East ... and in the Far East.... many moons 
ago. Pity..... that it has to be caught up in commercialism.... That 
is a tragedy of  Today. EliZabeth of Bournemouth prempted me in the 
cost of the (colour) licence fee. B/W fee is approx. UK Sterling 60 
per annum. .....As far as I know.... there are NO concessions if you 
happen to be colour-blind.... ;->
BBC have also created wonderful Art documentories, including a 
wonderful 6-part series of historical  stained glass and  the 
restoration of Windsor Castle (of which there was a lively discussion 
in Bungi 9- 10 months ago....), which included the new stained glass 
prompted  and sort-of-partly-designed by the Duke of Edinburgh, 
Prince Philip of the  Fire Brigade Rescue Service.... in action.
(Idea & thought "nice" and appropriate; design somewhat naive and  
amateurish - nevertheless.... "worthy"....).  Programmes like these 
are a rare treat these days, very rare.... Instead we dished up with 
"Soaps" from all over the world, which are trashy, cheap and cheerful 
with absolutely no artistic, human or even social value - a kind of a 
"mind anastethics" (sp?)
Elisabeth 'n Toby in UK


 Roger> Gee, I thought the NEA was bad - to me, the TV license is really 
 Roger> criminal.  Good for you taking a stand.  

Daniel wrote:
Evil might be, but the world has benefited from it plenty. BBC News is
arguably the best international news service in the world --I'd choose
it over CNN-- and it is partially subsidized by this tax.  

There  was an article in the Globe and Mail some time ago about the
excuses given to the TV police. Some are totally hilarious: "The TV is
warm because the cat was sleeping over it", for instance.

By the way, Elisabeth, do you know --or somebody else-- how much is
the license for a color TV and how much for the B&W one? 



----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Wed Jun 17 21:24:47 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: UK TV license
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 18 Jun 1998 03:49:21 +0000
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Aaayyehhh my friend,
taxing it...?
Sure I pay!!
 I DO pay 17.5 per cent tax on  subscribing to the Internet itself
....and.... of course.... 17.5 per cent tax (in addition) to my local 
Internet/ e-mail service provider...... (why do you think I EDIT to 
bare bones...?)
 Elisabeth 'n Toby in UK

David wrote
> The interesting part is that they make it hard to 'cheat'. From what I hear from
> the UK people that work(ed) for me, there are 'enforcers' that ride around in a

I wonder what they'll do once the Internet is fast enough to transmit realtime
video, and much of our "television programming" comes via the Internet. This
will happen; it's only a matter of time.

Or do they already tax that in England?

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Wed Jun 17 23:02:13 1998
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X-Path: lasercom.net!jean
From: "jean" <jean@lasercom.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Tax TV in UK
Date: Wed, 17 Jun 1998 21:40:28 -0700
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Elisabeth,

 Is TV still commercial free in the UK? Isn't it the license fee that
supports TV? Or has all that changed too? You mention 'commercial TV' so
I'm not sure if you now have commercials every couple minutes like we do
here in the states? I'd sure be willing to pay for commercial free TV. If
you do now have commercial TV (which includes frequent commercials) do you
also have a 'public broadcasting system' with NO commercials?  Ahh, stained
glass related... could stained glass classes be demonstrated on such a
program for 'public education'? (How's that for making this 'glass'
related?)

Jean

----------
> From: Toby <toby@northlights.co.uk>
> To: glass@bungi.com
> Subject: Re: Something for Friday, fun with tele-marketers
> Date: Monday, June 15, 1998 7:45 PM
> 
> Hi Dorothy (et al),
> 
> Ok, Ok,
> Some quaint  British rules & regulations....
> Here in UK BBC used to be the sole supplier of tv viewing (many moons 
> ago). BBC is - in part - a government creation.
> So the government in its wisdom devised yet another TAX to get 
> revenue, namely in order to view tv (of any kind), you need to pay 
> government tv licence tax. (There used to be one for radio as well, 
> but this was scrapped at the advent of transistor radios....). 
> Commercial tv was born, YET the government demanded its pound of 
> flesh (i.e. licence) 3rd, 4th and satellite tv made its entrance into 
> thew British scene, YET the government STILL wanted its lkicence fee 
> (under the guise of BBC). So you buy a tv set and our name gets 
> forwarded to the tv licencing authority  and - hey presto -  Big 
> Brother sends you a demand by mail for the tv licence fee. It is a 
> criminal offence NOT to have a tv licence, Little unmarried girls 
> with six demanding children, all living off state benefits have been 
> sent to prison for not having a tv licence. Detector vans are being 
> sent round the width and breadth of UK to  unearth all the criminals 
> who do not possess a tv licence. Officials are sent knocking on doors 
> to demand to see  a receipted paid up tv licence. The government 
> appears not to recognize that citizens might not CHOOSE to have a tv 
> and watch the deterioating cr....p that purports to be television..
> 
> So if you make a stand to chose NOT to have tv, therefore NOT to pay 
> a tv licence, you are doubly harrassed (because you are guilty before 
> proven innoscent!!  [sp?] )
> We ALL have to conform to a particular mould.
> My husband has worked for the BBC for almost 40 years, he doesn't 
> watch tv, he too hasn't got a tv set.
> I as a free-spirited Swede will be damned if I will allow myself to 
> get sucked into the  system or become harrassed by it. I haven't got 
> a tv set either and I will do anything I can to throw the spanners in 
> the works - good and proper!!
> Juniper-fire - HERE i COME!! Boy-steak??? Yuammmmmmmmies!!!
> Elisabeth 'n Toby in (foreign) UK
> 
>
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From owner-glass Thu Jun 18 01:03:31 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com, dmg@csg.uwaterloo.ca
Content-Type: text/plain
Subject: Tacky Wax oven trick
Date: Wed, 17 Jun 1998 23:44:52 PDT
Message-ID: <1998Jun18.64452.0>
Precedence: bulk


Put your lamp in your oven and turn it on set at 200 degrees - make sure 
you set the lamp on top of a pan.  The wax will melt and run out and 
loosen the lamp from the mold.  If you don't have a working oven, just 
set it outside in the bright sunlight.

Oven time is about 50 minutes, not sure about sunlight - I would guess 2 
hours.

Most important thing to remember is read the instructions regarding 
whether your form is the type where you can completely solder the entire 
lamp first, or is your lamp pattern the type which requires you to leave 
the lampshade in 2 sections to be soldered later (the two section lamps 
curve inward at the bottom, hence the need to remove the lamp from the 
form at a sidways angle since the form won't just slip out the bottom)



______________________________________________________
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From owner-glass Thu Jun 18 03:01:06 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Tacky Wax
Date: Thu, 18 Jun 1998 18:50:32 +1000
Message-ID: <1998Jun19.45032.0>
Precedence: bulk

can anyone explain how you use the tacky wax. how do you keep it soft etc..
Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html

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From owner-glass Thu Jun 18 03:29:27 1998
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From: Rick Lasita <pebble@fuse.net>
To: Roger Thornhill <midwich_cuckoo@hotmail.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: First Odyssey Lamp
Date: Thu, 18 Jun 1998 05:31:40 -0400
Message-ID: <1998Jun18.13140.0>
References: <<1998Jun17.132444.0>>
Organization: Window Art GLass Studio
Precedence: bulk

Another thing that works well is shoe polish. Just rub it on lightly,
and rub it off right away. 

Rick
http://home.fuse.net/crafts

Roger Thornhill wrote:
> 
> It is just so much quicker to rub a little dark grout into the surface -
>
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From owner-glass Thu Jun 18 03:45:53 1998
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From: Rick Lasita <pebble@fuse.net>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Grout
Date: Thu, 18 Jun 1998 05:38:00 -0400
Message-ID: <1998Jun18.1380.0>
References: <<1998Jun17.101644.0>>
Organization: Window Art GLass Studio
Precedence: bulk

Linda Campbell so correctly wrote:
> 
> It has been my experience that reddish colors fade in the sun worse than
> any other color. 

So true Linda. Red does react to UV light sources. Though my work in the
printing industry this is a wellknow fact. There are inks that will slow
the process, but not eliminate it. Just look a a four color process
printed poster in a stroe window that been there a while, the red will
be gone, but the black, blue and yellow will be there. And i agree, i
don't think there is a sealer in the world that would prevent grout from
fading.

Rick
http://home.fuse.net/crafts
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From owner-glass Thu Jun 18 04:36:16 1998
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From: Rick Lasita <pebble@fuse.net>
To: Gerard <harlquin@mpx.com.au>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tacky Wax
Date: Thu, 18 Jun 1998 06:26:30 -0400
Message-ID: <1998Jun18.22630.0>
References: <<1998Jun19.45032.0>>
Organization: Window Art GLass Studio
Precedence: bulk

Hi Gerard, I simply keep mine in a zip-loc baggy. Work well for me. 
Rick
http://home.fuse.net/crafts


Gerard wrote:
> 
> can anyone explain how you use the tacky wax. how do you keep it soft etc..
> Harlequin Leadlight Home page
> http://www.geocities.com/PicketFence/3530/index.html
> http://www.freeyellow.com/members2/ondaderthad/index.html
> 
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From owner-glass Thu Jun 18 09:42:33 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Kitchen Panels (support question)
Date: Thu, 18 Jun 98 08:21:12 -0700
Message-ID: <m0ymgUz-000LgNC@why.az.stratus.com>
References: <<1998Jun10.62426.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

Linda Campbell <lcbell@memach.com> wrote:
> Just picked up on this thread and have to comment. I am planning a =
> similar project. There is a space between my cabinets over the sink =
> about 4 feet wide. I am planning to make three panels about 11" high and =
> mount them in oak 2" x 1". The 2" x 1" matches the corner framing of my =
> cabinets.=20
>
> My plan is to rout out slots in the oak that will hold the three glass =
> panels. The oak will not be like a picture frame (attached) to the glass =
> panels but will be mounted separately. I intend to start with the lower =
> 4' piece and attach it in the opening at either side using L-brackets =
> from behind. Then I will mount a vertical 11" piece on each side. Two =
> separater pieces will be routed on both sides will go in the middle, =
> followed by an inverted 4' piece on top attached to the cabinets with th =
> L-brackets like the bottom piece. This means that the only screws will =
> be in the L-brackets and I can remove the top piece and, slip out the =
> panels change them  when ever I tire of them. Each panel will be 11" x =
> 16" and I don't plan to use any reinforcing since they will not be in a =
> place that they can be bumped and the oak is pretty sturdy.

there was an article in the last glass craftsman magazine that described this  
almost exactly.

regards,
charlie
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Thu Jun 18 10:13:26 1998
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X-Path: bham.ac.uk!b.s.jones
From: "B. S. Jones" <b.s.jones@bham.ac.uk>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: UK TV license
Date: Thu, 18 Jun 1998 17:00:04 +0100
Message-ID: <1998Jun18.1804.0>
Precedence: bulk

Mike Savad said...

what about using a tv card for your computer. a computer and a tv gives
off different frequencies. and besides they'd never know it's on because
you could be surfing the net.

---Mike Savad

There always has to be a tv tuner involved somewhere and it is the local
oscillator in the tuner that they detect.
The main thing missed out in this is that in UK the BBC does not
transmit
adverts and that is why we have to pay a fee. All other channels have to
finance themselves that way. This is wonderful TV and this is one of the
reasons why we tolerate the archaic rules as previously mentioned.
In five years the license will be scrapped when we go digital, in ten
years
all transmissions will be digital and all sets in the uk will be
obsolete.
Digital means encrypted means pay for card or no tv or become a computer
hacking expert for digital encryption cards as people do now on sat tv.

Sorry about lengthening this non glass discussion.

Brandon S. jones

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From owner-glass Thu Jun 18 11:15:35 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: What a nightmare!
Date: Thu, 18 Jun 1998 09:55:34 -0700
Message-ID: <1998Jun18.25534.0>
Organization: Moswood Mountain Limited
Precedence: bulk

This is a multi-part message in MIME format.
--------------CEFFF8C467421D883976D3D1
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Howdy All,

Well I'm going to let off some pent up anger and also get some good
advice from you guy's. Here's my situation:

First off, I usually do not do consignment. I have been lucky and have
stayed away from it because I really don't want to mess around with it.
Well a friend of mine opened up a business down at the beach. She wanted
some of my stones, but because she was short on cash flow offered me the
consignment. She just "Had To" have my stones in her shop.

O.k. I said, signed the contracts, blah, blah. Well come to find out the
woman is only open on the weekends! So 8 days out of the month she is
selling inventory! Good Grief! You know that feeling you get in the pit
of your stomach when something just isn't right? Well I've got it and
Rolaids is not taking this one away. I have been in other businesses,
and I believe that I am correct in assuming that to make money you need
to devote 10 to 12 hour days and be accessible to the public 5 to 7 days
a week. Seems logical to me.  So, I'm asking the experienced, wonderful
friends at bungi to give me some straight advice here.

Should I pull out of this situation or leave a limited amount of
inventory in her shop? I think Elisabeth said it all yesterday when she
said that "you yourself have the answer within you". So true and I guess
I'm procrastinating because she is a friend. I know never go into a
business venture with a friend! I would have a glass of wine to calm
down but it's only 9:42 a.m. my time. Why couldn't it be noon! Better
call my therapist too.

P.S. Elisabeth-Thanks for the laugh yesterday! For the newbies, like me,
I thought for the longest time that Toby was your spouse. I nearly fell
off my chair when I went to your site and saw who Toby was, very, very
funny! Thanks!
See Toby at:
http://www.netlink.co.uk/users/kris/northlights/index.htm

Awaiting the bold responses,

Pam

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n:              President~;Pamela Burns-Tappan~
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email;internet: ptap@pacifier.com
title:          Moswood Mountain Limited
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From owner-glass Thu Jun 18 11:40:42 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Kitchen Panels (support question)
Date: Thu, 18 Jun 1998 13:08:32 -0400
Message-ID: <1998Jun18.9832.0>
Precedence: bulk

Dag, I'm good, didn't see the magazine. Just thought it up on my own....Or it came from the collective subconscience.

Linda

charles said:

there was an article in the last glass craftsman magazine that described this  
almost exactly.

regards,
charlie

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From owner-glass Thu Jun 18 12:44:10 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: What a nightmare!
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 18 Jun 1998 14:45:40 +0000
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>  I would have a glass of wine to calm
> down but it's only 9:42 a.m. my time.

Oh, well. It's 5:42 p.m. *somewhere. <sigh> I think you have to 
follow your heart on this one. If you're not happy about it, pull the 
work.

Albert
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From owner-glass Thu Jun 18 13:12:44 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Something for Friday, fun with tele-marketers
Date: Thu, 18 Jun 98 11:28:34 -0700
Message-ID: <m0ymjQJ-000LgNC@why.az.stratus.com>
References: <<1998Jun13.82645.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

"Pat Kelly" <pkelly@n-link.com> wrote:
> What is really annoying is when they have a computer call you at supper time
> and you hang up only to call you back immediately because the timer didn't
> expire.
>
> My solution was to wait and jot down the toll-free number, then go to my
> computer and have it call the toll-free every five minutes. After about 2
> hours (24 calls that they have to pay for). I call them and ask if they have
> been getting a lot of hang-ups. When they say yes ... I tell them that I'll
> make a deal " You take my number off your list and I'll take your number of
> my list. If not, my computer will call you every 3 minutes 24 hrs a day for
> a week."

technically, this is illegal and you can be prosecuted for it. it happened  
that someone programmed a set of dialers to call a televangilist (falwell i  
think) constantly. they were sent to jail for multiple years.
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Thu Jun 18 13:19:31 1998
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Stained Glass to visit in NY state and Canada
Date: Thu, 18 Jun 1998 20:06:05 +0100
Message-ID: <1998Jun18.2165.0>
Precedence: bulk

One of my students is shortly travelling across the pond to stay with
relatives for a couple of months and has asked me if I can find out any
interesting stained glass for her to visit.
Her itinerary will include Watertown (NY state), Toronto and Ontario.
Can any of you bunginians think of any "not to miss" windows, museums etc?
She leaves in a weeks time.
Thanks in advance
EliZabeth
Bournemouth Stained Glass
Elizabeth & Sam Law (Bournemouth Stained Glass)
790 Wimborne Road Bournemouth Dorset BH9 2DX England
Tel : 01202 514734   Fax : 01202 250239
http://www.stainedglass.co.uk

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From owner-glass Thu Jun 18 13:44:14 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
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Content-Type: text/plain; charset="us-ascii"
Subject: Correction - Stained Glass to visit in NY state and Canada
Date: Thu, 18 Jun 1998 20:08:36 +0100
Message-ID: <1998Jun18.21836.0>
Precedence: bulk

One of my students is shortly travelling across the pond to stay with
relatives for a couple of months and has asked me if I can find out any
interesting stained glass for her to visit.
Her itinerary will include Watertown (NY state), Michigan and Toronto.
Can any of you bunginians think of any "not to miss" windows, museums etc?
She leaves in a weeks time.
Thanks in advance
EliZabeth
Bournemouth Stained Glass
Elizabeth & Sam Law (Bournemouth Stained Glass)
790 Wimborne Road Bournemouth Dorset BH9 2DX England
Tel : 01202 514734   Fax : 01202 250239
http://www.stainedglass.co.uk

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From owner-glass Thu Jun 18 14:18:03 1998
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From: <HiimLaura@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: dichrocs
Date: Thu, 18 Jun 1998 15:59:06 EDT
Message-ID: <1998Jun18.19596.0>
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Did someone ask ablut dichroics? Click on this link:   
<A HREF="http://www.kroma.com/">Kroma Glass Studio</A>

Laura 
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From owner-glass Thu Jun 18 14:51:43 1998
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 16:19:24 -0400
Message-ID: <199806182016.QAA21374@ll.mit.edu>
Precedence: bulk

What is the split?

For sake of argument, say it's 50/50 for a store open 60 hours per week.

If the store is open 20 hours per week, I would think that the split should
be 3 times better in your favor. I.e., instead of getting half of the sales,
you should get five/sixths.

What your friend is asking of you is highly unreasonable, I think.

-- DavidC
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From owner-glass Thu Jun 18 14:58:30 1998
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X-Path: aries17.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Glass in Toronto
Date: Thu, 18 Jun 1998 16:31:11 -0400
Message-ID: <199806182031.QAA02059@aries17.uwaterloo.ca>
Precedence: bulk


There are two churches that are very impressive for its SG work.
Both in downtown.

One is St. James Cathedral and the other is St. Paul Cathedral. 
They have beatiful windows from the turn of the century.

St. Paul is supposed to have a Tiffany but I have not been able to
"discover" which one it is.

And in particular Waterloo has the "Canadian Clay and Glass Gallery",
a small museum dedicated to both arts.


--
Daniel M. German                  "One thing I have learned in a long life:
                                   that all our science, measured against
                                   reality, is primivite and childlike
                                   --and yet it is the most precious thing
   Albert Einstein ->              we have. "
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Thu Jun 18 15:11:57 1998
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X-Path: erols.com!nadinesfolly
From: Nadine Beth Schneider <nadinesfolly@erols.com>
To: Pamela Burns-Tappan <ptap@pacifier.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 16:46:46 -0400
Message-ID: <1998Jun18.124646.0>
References: <<1998Jun18.25534.0>>
Precedence: bulk

Hi Pam!
If your friend's shop is in a tourist/resort area and most of the
traffic is on weekends, it is understandable why she's only open then.
I had a shoppe that was only open on weekends-- and only open eight
weekends at that!--and it was lucrative enough to keep me going eight
months without a care.  So...it depends.  I'd try it for a while and see
what happens.  Good luck!
                                               Nadine

> Howdy All,
>
> Well I'm going to let off some pent up anger and also get some good
> advice from you guy's. Here's my situation:
>
> First off, I usually do not do consignment. I have been lucky and have
>
> stayed away from it because I really don't want to mess around with
> it.
> Well a friend of mine opened up a business down at the beach. She
> wanted
> some of my stones, but because she was short on cash flow offered me
> the
> consignment. She just "Had To" have my stones in her shop.
>
> O.k. I said, signed the contracts, blah, blah. Well come to find out
> the
> woman is only open on the weekends! So 8 days out of the month she is
> selling inventory! Good Grief! You know that feeling you get in the
> pit
> of your stomach when something just isn't right? Well I've got it and
> Rolaids is not taking this one away. I have been in other businesses,
> and I believe that I am correct in assuming that to make money you
> need
> to devote 10 to 12 hour days and be accessible to the public 5 to 7
> days
> a week. Seems logical to me.  So, I'm asking the experienced,
> wonderful
> friends at bungi to give me some straight advice here.
>
>
>
> -------------------------------------------------------------------------------------------------------------
>
>   Pamela Burns-Tappan~ President~ <ptap@pacifier.com>
>   Moswood Mountain Limited
>   http://www.pacifier.com/~ptap/index.html
>
>   Pamela Burns-Tappan~ President~
>   Moswood Mountain Limited                  <ptap@pacifier.com>
>   http://www.pacifier.com/~ptap/index.html
>                                             Netscape Conference
> Address
>                                             Netscape Conference DLS
> Server
>   Additional Information:
>   Last Name President~
>   First NamePamela Burns-Tappan~
>   Version   2.1



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From owner-glass Thu Jun 18 15:43:09 1998
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X-Path: hotmail.com!midwich_cuckoo
From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com, ptap@pacifier.com
Content-Type: text/plain
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 14:51:06 PDT
Message-ID: <1998Jun18.21516.0>
Precedence: bulk


How long has she had the stones?  If she has just had them a very short 
while but has been successful selling them, then I would leave the 
stones there.

However, remember - who in their right mind goes to the beach and buys a 
25 lb. piece of concrete to lug around.



______________________________________________________
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From owner-glass Thu Jun 18 16:13:33 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 98 14:54:59 -0700
Message-ID: <m0ymme4-000LgNC@why.az.stratus.com>
References: <<1998Jun18.25534.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
> Should I pull out of this situation or leave a limited amount of
> inventory in her shop? I think Elisabeth said it all yesterday when she
> said that "you yourself have the answer within you". So true and I guess
> I'm procrastinating because she is a friend. I know never go into a
> business venture with a friend! I would have a glass of wine to calm
> down but it's only 9:42 a.m. my time. Why couldn't it be noon! Better
> call my therapist too.

well, i've been in a lot of resorts, and lots of them are deserted during the  
week. your answer depends: do they sell enough on the weekends (i would include  
friday in a weekend in a resort) to sell enough of your stuff to make it  
worthwhile to you? if so, then would staying open 5-7 days sell more? without  
data, you can't make that decision.
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Thu Jun 18 16:35:59 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
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Subject: Adventures in Wholesale Land
Date: Thu, 18 Jun 1998 18:01:40 -0400
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OK, I know some of you have been waiting to hear
about my recent (i.e. last weekend) adventures into
the strange world of wholesale.  This is a condensed
version, to be sure.  The usual caveats apply...your
milage may vary...void where prohibited...etc.

The wholesale show: Market Square Traditional Show
at Valley Forge Convention Center & the Ft. Washington
Expo Convention Center in the suburbs of Philadelphia, PA USA.
Number of exhibitors =3D about 2000 spread out between these
two major convention centers.  My booth was located at
the Valley Forge site, on the lower level back along the
far right wall near the bathrooms.  Believe me, this makes
a difference.  Being near the bathroom is GOOD.  Also being
on the far right aisle is GOOD, since quite a few people start
there on a big show in order to not loose their way in all the
crowds.

Setup Thursday 8-8 and Friday 8-8.  Very, very, very
nice setup!  The management had hired college students
to help with the unloading of trucks, schlepping of stuff
over to your booth site, setting up of booth and un-
packing of stuff.  Well worth the tips I gave them.  Setup
only took 2 hours.  Since I had done plenty of indoor and
outdoor retail shows I was ready for all the activity and =

controlled chaos of setup.  I added curtains around the
outside walls of my booth this year and liked the look.

Show dates: Saturday 9-6, Sunday 9-6, Monday 9-5.
The only people allowed in were qualified store owners
or buyers who had 4 forms of business ID including a
photo id.  It's nice to only have people coming through
looking at your stuff who are fully qualified to buy it!

These people represent small stores, large craft stores,
other wholesale shows, craft malls, garden centers, etc.
but mostly small craft stores.  Most of them come in
armed with their credit reference sheets, VISA cards
and knowledge of what will/won't sell in their store.

Since this show was a traditional craft show I did not
bring any of my contemporary stained glass items.  I
limited my product line to only items I knew would be
a good cross-over into the "country" and "traditional"
stores.  My product list basically was 5 items in various
sizes and color combinations.

Foot traffic through a wholesale show is much lighter
than a retail or open-to-the-public fine arts & craft show.
But those that are there are there to buy stuff.  I took my
first order within 15 minutes of the show's opening.  My
first order was from a store listed in the top 10 American
craft retail stores as listed by Niche magazine.  They placed
one order for delivery in October, and another order for
delivery in May 1999.  I did about what I expected in terms
of volume and sales $$, based on the fact that a summer
show always generates less sales than a show in Jan/Feb.

You are on your feet from 9-6 for 3 days, along with setup
and tear-down.  If you are not used to that, it can be hard
on your back and legs.  But I'm used to it, so no problem.
You make friends with the other booth owners and take
turns watching each other's booths when you need to take
a bathroom or food break.  Show management was good,
in fact, much better than any other arts & craft show I've
done.  They had a free buffet dinner on Saturday and Sunday
nights for all the buyers and vendors.

I knew that I had the option of selling my samples there at
the show after it was over, since unlike other vendors, I was
not immediately going on to another wholesale show.  So I
sold most of my samples to other vendors.  Some wanted to
work out a swap of my goods for theirs.  Some just wanted
to purchase outright.  I did both.  It was nice to not have to
pack up and transport most of my stock after the show.

Things I did well:
- Had my assistant there for the last hour of the last day,
  when all heck broke loose with other vendors wanting to
  purchase my samples.
- Opted to come back for tear-down on Tuesday morning
  instead of waiting in a lottery fashion for getting the car
  in/out of the underground tear-down area on Monday night.
- Had my credit card zip-zap machine there for order processing.
- Had a booth that could be put up/taken down in 10 minutes.
- Didn't loose my temper at one know-it-all vendor - he ended
  up purchasing about $50 worth of samples at the end of the
  show.

Things I could have done better:
- Have a full-color brochure made of my items
- Find out earlier if open flames are allowed (for my candles)
  (they were - but I didn't find out until 4:00 on Saturday)
- Found out about the free dinner receptions (I missed out)

If anyone has any questions, ask away.  It took me 5 hours
to process the orders & generate my work schedule, but I'm
through that and am back into the bungi swing of things.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Thu Jun 18 16:44:08 1998
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Subject: What a nightmare!
Date: Thu, 18 Jun 1998 18:01:33 -0400
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Message text written by Pamela Burns-Tappan
>Should I pull out of this situation or leave a limited amount of
inventory in her shop?<

Sounds to me like she's not serious about being a retail store
owner, if she's only open on weekends.  I would not have my
stuff in her shop if you have better places for them to be.  But
if they're only going to be taking up space totally out of the
public's eye, then I say it's better to have them in the public's
eye only part of the time rather than none of the time.

Just my $ .02 worth.  Hope the wine was good.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Thu Jun 18 16:58:16 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Copy of: Re: What a nightmare!
Date: Thu, 18 Jun 1998 18:03:45 -0400
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---------- Forwarded Message ----------

From:   Michael J. Greer, 105715,1412
TO:     "Albert Lewis", INTERNET:alewis@vgernet.net
DATE:   6/18/98 3:49 PM

RE:     Copy of: Re: What a nightmare!

Why get all bent out of shape until
you have some real experience =

with the situation?  Your friend may
sell more of those stones in the next
four weekends than you sell anywhere
else all year.  It's all about location and
hers may be a good one.  Give the =

situation a fair chance... and your friend.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Jun 18 17:03:12 1998
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From: "M. Savad" <morn@nac.net>
To: Pamela Burns-Tappan <ptap@pacifier.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 18:21:37 -0400
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Pamela Burns-Tappan wrote:
> 
> Howdy All,
> 
> Well I'm going to let off some pent up anger and also get some good
> advice from you guy's. Here's my situation:
> 
> First off, I usually do not do consignment. I have been lucky and have
> stayed away from it because I really don't want to mess around with it.
> Well a friend of mine opened up a business down at the beach. She wanted
> some of my stones, but because she was short on cash flow offered me the
> consignment. She just "Had To" have my stones in her shop.
> 
> O.k. I said, signed the contracts, blah, blah. Well come to find out the
> woman is only open on the weekends! So 8 days out of the month she is
> selling inventory! Good Grief! You know that feeling you get in the pit
> of your stomach when something just isn't right? Well I've got it and
> Rolaids is not taking this one away. I have been in other businesses,
> and I believe that I am correct in assuming that to make money you need
> to devote 10 to 12 hour days and be accessible to the public 5 to 7 days
> a week. Seems logical to me.  So, I'm asking the experienced, wonderful
> friends at bungi to give me some straight advice here.
> 
> Should I pull out of this situation or leave a limited amount of
> inventory in her shop? I think Elisabeth said it all yesterday when she
> said that "you yourself have the answer within you". So true and I guess
> I'm procrastinating because she is a friend. I know never go into a
> business venture with a friend! I would have a glass of wine to calm
> down but it's only 9:42 a.m. my time. Why couldn't it be noon! Better
> call my therapist too.
> 
> P.S. Elisabeth-Thanks for the laugh yesterday! For the newbies, like me,
> I thought for the longest time that Toby was your spouse. I nearly fell
> off my chair when I went to your site and saw who Toby was, very, very
> funny! Thanks!
> See Toby at:
> http://www.netlink.co.uk/users/kris/northlights/index.htm
> 
> Awaiting the bold responses,
> 
> Pam
> 
>     ---------------------------------------------------------------
> 
>                       Name: vcard.vcf
>     Part 1.2          Type: text/x-vcard
>                   Encoding: 7bit
>                Description: Card for Pamela Burns-Tappan~ President~


i guess the good thing about the weekends is that most people shop on
the weekends. if it's free to be in it, i would pull out some of the
stones if you need them.. if anything maybe it'll work out. it could be
in the right area where the stones may actually sell better then if in a
normal hour store.

---Mike Savad
-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Thu Jun 18 17:11:27 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 18:22:19 -0400
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David Cogen wrote:
> 
> What is the split?
> 
> For sake of argument, say it's 50/50 for a store open 60 hours per week.
> 
> If the store is open 20 hours per week, I would think that the split should
> be 3 times better in your favor. I.e., instead of getting half of the sales,
> you should get five/sixths.
> 
> What your friend is asking of you is highly unreasonable, I think.
> 
> -- DavidC
> ----
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i guess the good thing about the weekends is that most people shop on
the weekends. if it's free to be in it, i would pull out some of the
stones if you need them.. if anything maybe it'll work out. it could be
in the right area where the stones may actually sell better then if in a
normal hour store.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Thu Jun 18 17:46:03 1998
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Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 19:33:14 EDT
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In a message dated 98-06-18 15:39:08 EDT, ptap@pacifier.com writes:

<< You know that feeling you get in the pit
 of your stomach when something just isn't right? Well I've got it and
 Rolaids is not taking this one away. >>

I really believe that this says it all.  If it's making you physically ill,
get out of it.

But consider this: are you this upset because of her hours and she's tying up
your inventory or are you this upset because you feel like she pulled a fast
one on you by not mentioning her short hours of availablilty?  If this really
is about having your stones to sell yourself, get them back.  If it's really
about your feeling betrayed, then have a frank discussion first.  If she's
really such a good friend, you'll both know what's best to do to keep that
friendship.  It could be that she really just doesn't have a clue and would be
mortified to know how this has made you feel.

You know, it's only the people I really care about that have the ability to
bug me enough to make me want to drink!!!

Susie
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From owner-glass Thu Jun 18 18:41:40 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
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Date: Thu, 18 Jun 1998 17:32:23 -0700
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Roger wrote:

How long has she had the stones?  If she has just had them a very short
while but has been successful selling them, then I would leave the
stones there.

However, remember - who in their right mind goes to the beach and buys a

25 lb. piece of concrete to lug around.

____________________________

Well Roger, my stones weigh 28 pounds a piece and I would gladly haul
one home, but when we go camping I bring rocks home too so I may be
crazy! The store owner hasn't had them for more than 4 weeks. But the
limited communication (i.e. none), not returning phone calls, etc.etc.
has really bothered me. I'm not used to non communication, in business
it is very important to keep those lines open and answer questions I
might have about my inventory in her store.

It's the trust factor at play here. To be successful in business you
have to be trusted by your clients, customers, dealers etc. Now if I was
important enough to her she would return phone calls. How successful
would all of us be if we didn't at least give the customer a return
call, our dealer etc.

Which all boils down to if she wants to be successful  in business she
needs to be accessible in my opinion.  I might add that in order to have
your products in her store you had to have specifically designed
displays made out of blue pine. Not a problem for me in the display
department but she had specifics and so do all of us that are in her
shop. I don't mean to go on here, but the point is, why open a shop,
spend all of the time and money fixing up the shop and treat the vendors
in this way.

I gave up a lucrative business in order to do what I really wanted to
do, my stones and learning the ropes of glass, relaxing a little in life
and enjoying what I do. My last business, communication was my best
point and I was always accessible to clients. They trusted me. Is the
art of treating the customer etc., with a "your always right" attitude
dead? I wonder, I hope not. Just something to ponder.

And for all of your outstanding points made, advice and caring attitude
today I thank you. This group should have had a disclaimer attached:

Beware the bungi group can and will be highly addictive, fun and
heartwarming, join at your own risk!

Sincerely

Pam, who can now have that glass of wine, ya hoo!



--------------E6F9DC08AFF1BC219D8DB190
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From owner-glass Thu Jun 18 20:13:40 1998
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Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 22:15:12 EDT
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 >>> I have been in other businesses,and I believe that I am correct in
assuming that to make money you need to devote 10 to 12 hour days and be
accessible to the public 5 to 7 days a week. Seems logical to me.  So, I'm
asking the experienced, wonderful
friends at bungi to give me some straight advice here.<<<


  Hhmm, Well, first off, would you be selling your stones somewhere else if
they weren't in her shop? Then also, if it is beach front store, I can see why
she might only be open on the weekends. I'd imagine thats the only really busy
time at a beach. She would probably lose money by being open all week long.
   Also, if you're concerned about leaving a large amount of inventory there,
you might consider just leaving one or two..along with a small photo album of
other pieces you do. People need to have a sample of your work there so they
can see for themselves the craftmanship that justifies your price.

Thats my 2 cents,
Susan
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From owner-glass Thu Jun 18 20:32:20 1998
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Content-Type: text/plain; charset=us-ascii
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 22:02:29 -0400
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Pamela Burns-Tappan wrote:
> 
> Roger wrote:
> 
> How long has she had the stones?  If she has just had them a very short
> while but has been successful selling them, then I would leave the
> stones there.
> 
> However, remember - who in their right mind goes to the beach and buys a
> 
> 25 lb. piece of concrete to lug around.
> 
> ____________________________
> 
> Well Roger, my stones weigh 28 pounds a piece and I would gladly haul
> one home, but when we go camping I bring rocks home too so I may be
> crazy! The store owner hasn't had them for more than 4 weeks. But the
> limited communication (i.e. none), not returning phone calls, etc.etc.
> has really bothered me. I'm not used to non communication, in business
> it is very important to keep those lines open and answer questions I
> might have about my inventory in her store.
> 
> It's the trust factor at play here. To be successful in business you
> have to be trusted by your clients, customers, dealers etc. Now if I was
> important enough to her she would return phone calls. How successful
> would all of us be if we didn't at least give the customer a return
> call, our dealer etc.
> 
> Which all boils down to if she wants to be successful  in business she
> needs to be accessible in my opinion.  I might add that in order to have
> your products in her store you had to have specifically designed
> displays made out of blue pine. Not a problem for me in the display
> department but she had specifics and so do all of us that are in her
> shop. I don't mean to go on here, but the point is, why open a shop,
> spend all of the time and money fixing up the shop and treat the vendors
> in this way.
> 
> I gave up a lucrative business in order to do what I really wanted to
> do, my stones and learning the ropes of glass, relaxing a little in life
> and enjoying what I do. My last business, communication was my best
> point and I was always accessible to clients. They trusted me. Is the
> art of treating the customer etc., with a "your always right" attitude
> dead? I wonder, I hope not. Just something to ponder.
> 
> And for all of your outstanding points made, advice and caring attitude
> today I thank you. This group should have had a disclaimer attached:
> 
> Beware the bungi group can and will be highly addictive, fun and
> heartwarming, join at your own risk!
> 
> Sincerely
> 
> Pam, who can now have that glass of wine, ya hoo!
> 
>     ---------------------------------------------------------------
> 
>                             Name: vcard.vcf
>           Part 1.2          Type: text/x-vcard
>                         Encoding: 7bit
>                      Description: Card for Pamela Burns-Tappan


would it be possible to drop by, and see what the shop looks like on a
weekend? i would want to see what kind of traffic is there, or even if
it is there. 

i was in a consignment type store for about a year. i barely broke even
with the rent. mainly the lady there did'nt care about the people she's
renting to. there was a little kid (hers), always running around.
apparently a few things (about 20) were stolen. she said that the
thieves liked the stained glass... but of course she told no one. 

she once broke a box of mine. i gave her a repair cost of about half of
the cost of selling it (her terms). apparently the terms changes if a
piece were to actually break. she did her own estimate. she went into a
stained glass store and asked them how much a 4" x 4" piece of glass
would cost. they said 50 cents, and because she was so generous, she
gave me a whole stinkin buck! instead of the $20.00 i put down.... 

the stolen pieces she gave me a 1/4 of the 1/2 of the selling price. 

i pulled out of there at just the right time. the store was shrinking,
the cubbies were being moved around. the projects were covered in
drywall dust, and other's were broken becuase she moved the booths with
out removing the items. i'm not sure when she moved out, but i think it
was about 1-2 months later, and the store was gone.


it was one of those types of stores that was ran like a hobby. not
looking at the merchandise, and so on...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Thu Jun 18 21:43:21 1998
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X-Path: banet.net!gmanning
From: Goldpaws <gmanning@banet.net>
To: Pamela Burns-Tappan <ptap@pacifier.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: What a nightmare!
Date: Thu, 18 Jun 1998 23:30:01 -0400
Message-ID: <1998Jun18.19301.0>
References: <<1998Jun18.25534.0>>
Precedence: bulk

Could you talk your friend into displaying some of your stones in the shop
window with your name and phone number to contact, when the shop is closed.
We were on vacation and saw watercolor of a Golden Retriever  puppies and
their was a contact number as the shop was closed. Yes, we proudly own the
painting!!
It worked for that artist! Maybe it can for you too.
Good Luck
Goldpaws

Pamela Burns-Tappan wrote:

> Howdy All,
>
> Well I'm going to let off some pent up anger and also get some good
> advice from you guy's. Here's my situation:
>
> First off, I usually do not do consignment. I have been lucky and have
> stayed away from it because I really don't want to mess around with it.
> Well a friend of mine opened up a business down at the beach. She wanted
> some of my stones, but because she was short on cash flow offered me the
> consignment. She just "Had To" have my stones in her shop.
>
> O.k. I said, signed the contracts, blah, blah. Well come to find out the
> woman is only open on the weekends! So 8 days out of the month she is
> selling inventory! Good Grief! You know that feeling you get in the pit
> of your stomach when something just isn't right? Well I've got it and
> Rolaids is not taking this one away. I have been in other businesses,
> and I believe that I am correct in assuming that to make money you need
> to devote 10 to 12 hour days and be accessible to the public 5 to 7 days
> a week. Seems logical to me.  So, I'm asking the experienced, wonderful
> friends at bungi to give me some straight advice here.
>
> Should I pull out of this situation or leave a limited amount of
> inventory in her shop? I think Elisabeth said it all yesterday when she
> said that "you yourself have the answer within you". So true and I guess
> I'm procrastinating because she is a friend. I know never go into a
> business venture with a friend! I would have a glass of wine to calm
> down but it's only 9:42 a.m. my time. Why couldn't it be noon! Better
> call my therapist too.
>
> P.S. Elisabeth-Thanks for the laugh yesterday! For the newbies, like me,
> I thought for the longest time that Toby was your spouse. I nearly fell
> off my chair when I went to your site and saw who Toby was, very, very
> funny! Thanks!
> See Toby at:
> http://www.netlink.co.uk/users/kris/northlights/index.htm
>
> Awaiting the bold responses,
>
> Pam
>
>   ------------------------------------------------------------------------
>
>   Pamela Burns-Tappan~ President~ <ptap@pacifier.com>
>   Moswood Mountain Limited
>   http://www.pacifier.com/~ptap/index.html
>
>   Pamela Burns-Tappan~ President~
>   Moswood Mountain Limited                  <ptap@pacifier.com>
>   http://www.pacifier.com/~ptap/index.html
>                                             Netscape Conference Address
>                                             Netscape Conference DLS Server
>   Additional Information:
>   Last Name President~
>   First NamePamela Burns-Tappan~
>   Version   2.1



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From owner-glass Thu Jun 18 22:13:30 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: glass@bungi.com
Subject: Donuts
Date: Fri, 19 Jun 1998 00:22:15 -0400
Message-ID: <1998Jun18.202215.0>
Precedence: bulk

Hi all,

Hope nobody already suggested this one.  I missed a couple of days and
might have missed it trying to catch up.

When I worked in a stained glass lamp  factory way back when, we used to
do this as a recreational activity during breaks.

Start by scoring the inner circle.  Pry on the score line all around the
circle to open the score line up.  Be careful not to exert too much
pressure or the score line might run out through your donut.
Next cut some arc shaped scores inside of the inner circle, sort of
parallel to  the inner circle.  These scores should be just like the ones
you would use to work your way into a deep cut.

Now score a cross hatch pattern all back and forth across the rest of the
donut hole.
With the ball end of a glass cutter tap on the cross hatched lines in the
very center of the donut hole until the pieces start to fall out.  Now
start to use the teeth of the cutter to bend downward on the cross
hatched pieces to remove them.  After all the cross hatched pieces have
been pried out you'll have the arc shaped cuts to pry out to bring you to
the edge of the donut hole.
Now of course you need to cut the outside circle of the donut, but that's
the easy part.

Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

_____________________________________________________________________
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From owner-glass Thu Jun 18 23:42:17 1998
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Subject: Nothing to do with glass~MIT 
Date: Thu, 18 Jun 1998 22:42:30 -0700
Message-ID: <1998Jun18.154230.0>
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Hi all,
Thought some of you might enjoy Kurt Vonnegut's commencement speech for
the class of 97, as a something to think about for friday.

This was Kurt Vonnegut's commencement address at MIT.
>> > -----------------------------------------------------------------
>> > Ladies and gentlemen of the class of '97:
>> >
>> > Wear sunscreen.
>> >
>> > If I could offer you only one tip for the future, sunscreen
>> > would be it. The long-term benefits of sunscreen have been
>> > proved by scientists, whereas the rest of my advice has no
>> > basis more reliable than my own meandering experience. I will
>> > dispense this advice now.
>> >
>> > Enjoy the power and beauty of your youth. Oh, never mind.
>> > You will not understand the power and beauty of your youth
>> > until they've faded. But trust me, in 20 years, you'll look
>> > back at photos of yourself and recall in a way you can't grasp
>> > now how much possibility lay before you and how fabulous you
>> > really looked. You are not as fat as you imagine.
>> >
>> > Don't worry about the future. Or worry, but know that worrying
>> > is as effective as trying to solve an algebra equation by chewing
>> > bubble gum. The real troubles in your life are apt to be things
that
>> > never crossed your worried mind, the kind that blindside you at 4
pm
>> > on some idle Tuesday.
>> >
>> > Do one thing every day that scares you.
>> >
>> > Sing.
>> >
>> > Don't be reckless with other people's hearts. Don't put up with
>> > people who are reckless with yours.
>> >
>> > Floss..
>> >
>> > Don't waste your time on jealousy. Sometimes you're ahead,
>> > sometimes you're behind. The race is long and, in the end,
>> > it's only with yourself.
>> >
>> > Remember compliments you receive. Forget the insults. If you
>> > succeed in doing this, tell me how.
>> >
>> > Keep your old love letters. Throw away your old bank statements.
>> >
>> > Stretch.
>> >
>> > Don't feel guilty if you don't know what you want to do with
>> > your life. The most interesting people I know didn't know at
>> > 22 what they wanted to do with their lives. Some of the most
>> > interesting 40-year-olds I know still don't.
>> >
>> > Get plenty of calcium. Be kind to your knees. You'll miss them
>> > when they're gone.
>> >
>> > Maybe you'll marry, maybe you won't. Maybe you'll have children,
>> > maybe you won't. Maybe you'll divorce at 40, maybe you'll dance
>> > the funky chicken on your 75th wedding anniversary. Whatever you
>> > do, don't congratulate yourself too much, or berate yourself
>> >
>> >
>> >
>> > either. Your choices are half chance. So are everybody else's.
>> >
>> > Enjoy your body. Use it every way you can. Don't be afraid of
>> > it or of what other people think of it. It's the greatest
>> > instrument you'll ever own.
>> >
>> > Dance, even if you have nowhere to do it but your living room.
>> >
>> > Read the directions, even if you don't follow them.
>> >
>> > Do not read beauty magazines. They will only make you feel ugly.
>> >
>> > Get to know your parents. You never know when they'll be gone
>> > for good. Be nice to your siblings. They're your best link to
>> > your past and the people most likely to stick with you in the
>> > future.
>> >
>> > Understand that friends come and go, but with a precious few
>> > you should hold on. Work hard to bridge the gaps in geography
>> > and lifestyle, because the older you get, the more you need
>> > the people who knew you when you were young.
>> >
>> > Live in New York City once, but leave before it makes you hard.
>> > Live in Northern California once, but leave before it makes you
>> > soft. Travel.
>> >
>> > Accept certain inalienable truths: Prices will rise. Politicians
>> > will philander. You, too, will get old. And when you do, you'll
>> > fantasize that when you were young, prices were reasonable,
>> > politicians were noble, and children respected their elders.
>> >
>> > Respect your elders.
>> >
>> > Don't expect anyone else to support you. Maybe you have a trust
>> > fund. Maybe you'll have a wealthy spouse. But you never know when
>> > either one might run out.
>> >
>> > Don't mess too much with your hair or by the time you're 40 it
>> > will look 85.
>> >
>> > Be careful whose advice you buy, but be patient with those who
>> > supply it. Advice is a form of nostalgia. Dispensing it is a way
>> > of fishing the past from the disposal, wiping it off, painting
>> > over the ugly parts and recycling it for more than it's worth.
>> >
>> > But trust me on the sunscreen.
>> >

See ya..

Pam

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From owner-glass Fri Jun 19 01:41:15 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re: lamp form
Date: Fri, 19 Jun 1998 17:02:33 +1000
Message-ID: <1998Jun20.3233.0>
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for those interested in lampmaking in general but also how to make your own
moulds out of balsa wood check the itashiro web site.
beside having an impressive collection of leadlight he has 3 technical pages
worth looking at. The lampshade making is
http://www.tcp-ip.or.jp/~itashiro/html-data/tpage2.html
but the main page is
http://www.tcp-ip.or.jp/~itashiro/index.html
He even has picture of work with pieces of glass the size of grains of rice.
he calls it showoff.
True!! see it at
http://www.tcp-ip.or.jp/~itashiro/tech-data/showoff.jpg
Harlequin Leadlight Home page
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html


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From owner-glass Fri Jun 19 04:11:39 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Donuts
Date: Fri, 19 Jun 1998 06:11:14 -0400
Message-ID: <1998Jun19.21114.0>
Precedence: bulk


Gary, How small of an inside circle could you cut out in this fashion. =
sounds fascinating and I'll try it on some cheap glass. I t may come in =
handy someday.

Linda



Gary said:

Hi all,

Hope nobody already suggested this one.  I missed a couple of days and
might have missed it trying to catch up.

When I worked in a stained glass lamp  factory way back when, we used to
do this as a recreational activity during breaks.

Start by scoring the inner circle.  Pry on the score line all around the
circle to open the score line up.  Be careful not to exert too much
pressure or the score line might run out through your donut.
Next cut some arc shaped scores inside of the inner circle, sort of
parallel to  the inner circle.  These scores should be just like the =
ones
you would use to work your way into a deep cut.

Now score a cross hatch pattern all back and forth across the rest of =
the
donut hole.
With the ball end of a glass cutter tap on the cross hatched lines in =
the
very center of the donut hole until the pieces start to fall out.  Now
start to use the teeth of the cutter to bend downward on the cross
hatched pieces to remove them.  After all the cross hatched pieces have
been pried out you'll have the arc shaped cuts to pry out to bring you =
to
the edge of the donut hole.
Now of course you need to cut the outside circle of the donut, but =
that's
the easy part.

Gary Dodge              
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From owner-glass Fri Jun 19 06:47:34 1998
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From: "McLaughlin, J. COL  DENTAC" <yj3673@exmail.usma.army.mil>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain
Subject: Remove
Date: Mon, 1 Jun 1998 13:52:13 -0400
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Please remove me from the list for now.  Thanks
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From owner-glass Fri Jun 19 07:50:21 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Kurt Vonnegut's commencement address 
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 19 Jun 1998 10:06:02 +0000
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> This was Kurt Vonnegut's commencement address at MIT.

Vonnegut's so-called commencement address was a hoax. He never gave 
it, never said it.  A Chicago Tribune writer called him:

                         I did, however, finally track down Mr.
                         Vonnegut. He picked up his own phone. He'd
                         heard about the sunscreen speech from his
                         lawyer, from friends, from a women's magazine
                         that wanted to reprint it until he denied he
                         wrote it.

                         "It was very witty, but it wasn't my
                         wittiness," he generously said.

Be sure to read "the truth" at the very end of
http://milpitas.miningco.com/library/humor/bljoke09.htm

'Nuf said.

Albert
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From owner-glass Fri Jun 19 08:16:45 1998
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From: "Norman & Claudette Jaramillo" <cpjaram@7cities.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Tacky Wax
Date: Thu, 18 Jun 1998 20:09:47 -0600
Message-ID: <1998Jun18.14947.0>
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As Rick said, the old zip-lick bag. I keep a box handy for everything from
foil, band-aids, glass globs, reinforcement, pre-tinned wire... I wonder if
we could decide what is the one inventions like zip-lock bags that we could
absolutely not live without.  Some women in class were attempting there
first mosaics yesterday, and the instructor was explaining the use of
vaseline as a releasing agent.  One of the ladies piped up....yet another
use for vaseline.  God love the stuff!  We are a fortunate generation with
so many products that have so many glass applications.

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From owner-glass Fri Jun 19 08:24:48 1998
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From: "Norman & Claudette Jaramillo" <cpjaram@7cities.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re: lamp form
Date: Thu, 18 Jun 1998 20:31:30 -0600
Message-ID: <1998Jun18.143130.0>
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Itashiro's work is wonderful.  Also, he answers his email quickly if you
have technical questions.  Although, I have not tried making my own
filigrees...I have more curiosity than time.

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From owner-glass Fri Jun 19 11:00:02 1998
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Subject: Re: What a nightmare!
Date: Fri, 19 Jun 1998 13:06:58 EDT
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With respect to the glass of wine when needed, I always follow the rule of the
late, great Harry S. Truman, when it comes to the proper time for a
drink...Harry used to say "Well, it must be five o'clock somewhere"

>From a business standpoint, I would limit the inventory, but depending where
she is on the beach, she could possibly get as much traffic on  a week - end
as other shops could get 5-7 days. Like you, I've been is businesses where a
daily exposure 
of 8-12 hrs. was mandatory, and like you, I guess I;m not comfortable with
someone who is not giving that amount of energy. Perhaps you should give it a
little time.
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Subject: Vonnegut and MIT
Date: Fri, 19 Jun 1998 09:50:52 -0700
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Hi everyone,

Excuse the misrepresentation but I had no idea it was not an original
speech.

I promptly went to the cupboard where I keep my pine tar applied a
liberal amount, plucked the chickens, attached a sign to my back reading
"Hit me, I'm a Vonnegut rumor monger". Was immediately hit by 2 cars and
a transit bus. Maybe I better take the day off.

P.S. Would love to have a trivia game with you Albert! You would beat
the pants off me!

Have a good weekend all!

Pam

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From: Carol Tombro <ctombro@InfoAve.Net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: What a nightmare!
Date: Fri, 19 Jun 1998 14:45:19 -0400
Message-ID: <1998Jun19.104519.0>
Organization: Home
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If your friend's business is a seasonal one, she may only be open
weekends at this time, but in July and August may be open on a full time
basis.  What would concern me, however, is not having your phone calls
returned.  If this was to be a part-time business or strictly a fulltime
seasonal only business, this should have been made clear up front,
eliminating any confusion on your part and possibly wrecking a
friendship.

Carol T

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From owner-glass Fri Jun 19 13:30:23 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Tacky Wax
Date: Fri, 19 Jun 1998 15:40:42 -0400
Message-ID: <1998Jun19.114042.0>
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Here's a trick that might work for
your stepping stones.  We can't use
Vaseline as a mold release for =

cement sculptures because it destroys
the rubber back-up mold.  We use =

Downy fabric softener and that works
great - goes a long way and easy
clean-up.

Best regards,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/   =

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From owner-glass Fri Jun 19 14:01:16 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: SGB Featured Artist
Date: Fri, 19 Jun 1998 12:51:06 -0700
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This is a multi-part message in MIME format.
--------------967DBCFDC054D4627292473D
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Howdy All,

Rick Lasita is the Work of the Week artist over at SGB and has a
beautiful panel on display.
http://www.stainedglassworld.com/index1.html

Here is Rick and Kathy's Window Art Glass Studio page featuring several
different and beautiful panels.
http://home.fuse.net/crafts/

Enjoy,

Pam


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From owner-glass Fri Jun 19 14:26:23 1998
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From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Vonnegut and MIT
Date: Fri, 19 Jun 1998 15:58:17 EDT
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In a message dated 98-06-19 14:25:32 EDT, you write:

<< 
 I promptly went to the cupboard where I keep my pine tar applied a
 liberal amount, plucked the chickens, attached a sign to my back reading
 "Hit me, I'm a Vonnegut rumor monger". Was immediately hit by 2 cars and
 a transit bus. Maybe I better take the day off.
 
 P.S. Would love to have a trivia game with you Albert! You would beat
 the pants off me!
 
 Have a good weekend all!
 
 Pam >>


No, Kurt didn't write it but I still enjoyed reading it again.


Dianne
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From owner-glass Fri Jun 19 16:10:46 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Pamela Burns-Tappan" <ptap@pacifier.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Nothing to do with glass~MIT 
Date: Fri, 19 Jun 98 17:43:51 -0000
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Pam,

Thanks for sending it anyway. It was fun reading no matter who wrote it.

And Albert, thanks for sending URL of the article by the "real" author - 
great!!

Suzanne
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From owner-glass Fri Jun 19 18:14:55 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: SGB Featured Artist
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 19 Jun 1998 19:37:18 +0000
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> Rick Lasita is the Work of the Week artist over at SGB 

I keep meaning to mention that dozens of fusing and kilnworking 
courses were added to the Events calendar on SGB in the last few 
days, too. Check out July98 through May99.

Albert
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From owner-glass Fri Jun 19 19:16:45 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "Charles Spitzer" <charlie@az.stratus.com>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Something for Friday, fun with tele-marketers
Date: Fri, 19 Jun 1998 20:02:35 -0500
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< technically, this is illegal and you can be prosecuted for it. it happened
that someone programmed a set of dialers to call a televangilist (falwell i
think) constantly. they were sent to jail for multiple years.>

<snip>

Did some research and didn't find any evidence of anyone being prosecuted
for a like action.

If it did happen I guess Fallwell isn't as forgiving when it comes to
collecting money as he profess to be about forgiving sin.

If it is "technically" illegal, I "technically" was a victim of " temporary
insanity" due to my ravenous hunger and being disturbed. I have but one rule
when attacked ... respond with overwhelming force (it has served me well in
my former and latter professions).

Patrick
Roses and Rainbows

PS. Last word on this thread (from me) ... Technically legal or not, I
haven't be bothered by telemarketers since. (8-)

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From owner-glass Fri Jun 19 19:30:54 1998
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From: "Norman & Claudette Jaramillo" <cpjaram@7cities.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Request for Shirley Ballock
Date: Fri, 19 Jun 1998 07:15:53 -0600
Message-ID: <1998Jun19.11553.0>
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Could you send copy of instruction sheet that you give your customers for
the care of stepping stones?   I would like to give copies to some beginning
glass-addicts, that just made their first mosaic yesterday.  This way they
will know how to take care of them too.  I have never done any, so I don't
have a clue what to tell them as to how to take care of them.  I printed a
copy of your article from Common Glass, I am sure they will love it.  You
were very generous in sharing your experience and enthusiasm. thanks cj

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From owner-glass Fri Jun 19 21:14:59 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Vonnegut and MIT
Date: Fri, 19 Jun 1998 20:16:57 -0500
Message-ID: <1998Jun19.151657.0>
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>I promptly went to the cupboard where I keep my pine tar applied a
liberal amount, plucked the chickens, attached a sign to my back reading
"Hit me, I'm a Vonnegut rumor monger". > Hhhhhmmmm this sounds like a great
idea for a stained glass pattern. I'd have to do something with the feathers
though... too much detail.

Patrick
Roses and Rainbows

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From owner-glass Sat Jun 20 06:01:57 1998
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X-Path: fuse.net!pebble
From: Rick Lasita <pebble@fuse.net>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tacky Wax
Date: Sat, 20 Jun 1998 07:29:21 -0400
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References: <<1998Jun19.114042.0>>
Organization: Window Art GLass Studio
Precedence: bulk

And another trick that worked for me is , believe it or not, WD-40.
Works very well. Rick
http://home.fuse.net/crafts


Michael J. Greer wrote:
> 
> Here's a trick that might work for
> your stepping stones.  We can't use
> Vaseline as a mold release for =
> 
> cement sculptures because it destroys
> the rubber back-up mold.  We use =
> 
> Downy fabric softener and that works
> great - goes a long way and easy
> clean-up.
> 
> Best regards,
> 
> Dani Greer
> Greer Gallery & Studios
> http://www.bungi.com/glass/igga/greer/   =
> 
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From owner-glass Sat Jun 20 06:33:09 1998
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From: Rick Lasita <pebble@fuse.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Custom Bevel
Date: Sat, 20 Jun 1998 07:44:48 -0400
Message-ID: <1998Jun20.34448.0>
Organization: Window Art GLass Studio
Precedence: bulk

Need some help here. I have a potential client who wants a beveled
sidelight and transom done. They would like to have the first inital of
their last name above the door. The letter is a "P". anyone do, or kno
who to contact, to get a price on this? I'm figuring the letter to be
about 7 to 9" tall and perhaps 4" wide.  

Thanks,
Rick
http://home.fuse.net/crafts
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From owner-glass Sat Jun 20 08:09:42 1998
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From: <HiimLaura@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: What a nightmare!
Date: Sat, 20 Jun 1998 09:43:40 EDT
Message-ID: <1998Jun20.134340.0>
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Here is what I would do:

This whole thing seems to really be bothering you. I think you would be
happiest getting your stones back, since it is not just one facet of this
situation that has you concerned, but many. Find out where the store is. Go
there - when your friend is there, and say that you were stopping in to see
how things were going. I'd be friendly, and not make it look like there is a
problem (avoiding any friction to the friendship). Next, I would go to the
stones (with her), and say, something like, "oh, the stones haven't sold yet?
- I have someone who wants me to make them 4 or 6 of them" (or whatever) next
I would just tell her flat out that you are taking them so that you can fill
the customer's rush order, and you promised to replace them very soon - say,
in a week or so. See how she reacts. You will probably know by now whether you
have made the right decision (from seeing her reaction to you showing up,
etc.)  - to take the stones back. If she is cool about the situation and
doesn't give you any static, then you might consider REALLY replacing the ones
you are taking back. But, at least #1 you'd have your property back, and #2
you'd have the option of continuing this endeavor with her. But, all in all,
if it bothers you that much, which it does, it's no use sitting around and
waiting for her to call you (she obviously isn't going to), and worring
yourself sick about where your stones are and what is going on with the whole
situation. Just my opinion!! Good luck!!

Laura
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From owner-glass Sat Jun 20 10:22:40 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: fellow Bungians from Scotland
Date: Sat, 20 Jun 1998 08:46:50 -0700 (PDT)
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Hi there,
I've been talking to a woman here in BC, Canada, (108 Mile), who had bought
3 or 4 panels, (sidelights) from an Artist in Scotland. (She mentioned he
has done a pub there)
One of them has been broken in transit (airlines mistake) and is looking for
recourse. Which the airlines said they would.
I know this is a shot in the dark, but am curious..are you a fellow bungian?
We are in the first stages of conversation, and I have mentioned that I may
have troubles matching the broken glass.
I also mentioned that since it was the fault of the airlines that maybe they
should pay for a new one to be built and if the Artist would send over
replacement glass also, I could repair the broken one... and she would have 2.
Sounds fair to me!
Just curious,
Cindy

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From owner-glass Sat Jun 20 12:13:55 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>, Melanie <ALLCRAFTS@P085.AONE.NET.AU>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Adventures in Wholesale Land
Date: Sat, 20 Jun 1998 13:50:09 -0400
Message-ID: <1998Jun20.9509.0>
Precedence: bulk

Message text written by "Peggy W. Johnsen"
>It sounds like you had a really good experience.  I am wanting to branch=

out beyond consignments and custom orders.  The thing I don't know is wha=
t
will sell.  I think I asked you before what type of items you have for
sell. <

I selected certain items to turn into my wholesale items based
on some business criteria.  I'm sure the same guidelines will work
for just about anyone with just about any product.

- What are my best-selling items?
- Do they sell consistently year-round or are they seasonal?  Both
  types are OK, but this dictates production schedule and also
  which shows you should aim for.
- How much is my retail price on them?
- How much does it cost me to make them?  Include materials,
  labor, overhead, etc.
- Cut the retail price in half.  Is this 'wholesale price' more than
  the price to make them?  If so, then it's not a candidate for
  wholesale unless you raise the retail price.
- Are you willing to make lots and lots of them exactly the same?
  If you are not willing to do production work, don't attempt to
  do wholesale.
- If you get into a bid, can you hire someone else to make them
  for you for a lesser price than what you can do?
- Are you good at paperwork?  Wholesaling requires careful tracking
  of orders, production schedules, shipping schedules, material
  ordering, etc.

Hope this helps you select a product line.
Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Sat Jun 20 15:43:35 1998
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From: fibers@wcnet.net (fibers)
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: GRace Under fire
Date: Sat, 20 Jun 1998 15:57:45 -0500
Message-ID: <1998Jun20.105745.0>
Precedence: bulk

My son has asked me to make a piece of stained glass for his bathroom
window. Sounds easy, right?
Surprise, surprise! He wants a same pattern as the front door on the TV
show, Grace Under Fire. He taped the show but there no way I'm smart
enough to draw my own pattern. Does anyone have any suggestions?. He's
been talking about this door ever since the show first aired.
Nelda

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From owner-glass Sat Jun 20 16:15:16 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: HELP - GRINDER HEAD STUCK
Date: Sat, 20 Jun 1998 17:51:44 EDT
Message-ID: <1998Jun20.215144.0>
Precedence: bulk

Does anyone have any tricks for getting the grinder bit off when it seems to
be rusted to the shaft?  I read somewhere about something seize but can't
remember what it was or whether it was something you could buy at a hardware
store or if it was strictly stained glass related.

Right how I'm "stuck" until I can get this head off.

Thanks!
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From owner-glass Sat Jun 20 18:48:26 1998
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From: "M. Savad" <morn@nac.net>
To: BMarhon@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Sat, 20 Jun 1998 20:27:57 -0400
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References: <<1998Jun20.215144.0>>
Precedence: bulk

BMarhon@aol.com wrote:
> 
> Does anyone have any tricks for getting the grinder bit off when it seems to
> be rusted to the shaft?  I read somewhere about something seize but can't
> remember what it was or whether it was something you could buy at a hardware
> store or if it was strictly stained glass related.
> 
> Right how I'm "stuck" until I can get this head off.
> 
> Thanks!
> ----
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> Archives available at http://www.bungi.com/glass


try liquid wrench, this stuff will unstick almost anything. put a little
on the top, let it soak, and do it again. then carefully remove it by
pulling, or lightly prying it. after it's removed, then clean off the
oxidation on the shaft and the inside of the bit. then apply the
antiseize for the new bit (or the old one). 

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Sat Jun 20 19:20:28 1998
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From: "Pat Kelly" <pkelly@n-link.com>
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Content-Type: text/plain;
Subject: bio #28  Molly Keys
Date: Sat, 20 Jun 1998 19:43:20 -0500
Message-ID: <1998Jun20.144320.0>
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Warm greetings from Texas.

My name is Molly Keys and I have been an avid stained glass artist for 21
years.  As a young child growing up in the Baptist Church I would sit in
amazement on Sunday mornings and study our windows with wonder how they were
created.  I counted all the blocks and knew where all the cracks were.   I
still find them amazing.

Anyway, I'm a native Texan growing up in a small town (Coolidge) in
rural Texas.  By the way I'm 47.  I graduated from high school in 1968 and
went to a junior college not far from where I lived with the
intentions of being a librarian or p.e. teacher.

On November 22, 1968 I married Jerry Keys, the love of my life.  We had been
dating for two years.  Jerry was a junior at Texas A&M, majoring in
electrical engineering.  During his senior year Uncle Sam issued an
invitation to him (the draft lottery), to join his company.   This began
"our" service to our country for the next 25 years.  During this time we had
two daughters, Laura Anne who is 28 and lives in College Station, TX with
her husband and daughter. Anthony teaches philosophy at Blinn College and
Laura teaches theater arts at St. Michael's Academy. They are "Aggies"
through and through.

Our youngest daughter Suzi is a senior at Stephen F. Austin in Nacoghoches,
Texas, majoring in Horticulture Therapy, who thinks a job at Club Med would
be really great.

I began my glass obsessiveness three months after Suzi was born.  We were
stationed at Ft. Bragg, N.C. and I was given a suncatcher for Christmas.  In
the spring we came to Texas to show off our new baby and my sister had been
given a beautiful dogwood window.  I knew I could do that.

We returned home and I began classes at Fayette Tech.  The gentleman I took
from was self taught. He was doing arts and crafts shows and making a
"bunch" of money.  I knew I could do this!

We soon moved to Ft. Hood, Texas and I started my own business in our
carport storeroom.  Over the next few years I did many arts and craft shows.
My children did not realize this was a Texas history and geography lesson
every weekend as we packed our van to go somewhere in Texas to do a show.
In 1981 we began to do the Renaissance Faires ( Scaraborough and Texas).  We
did these for 13 years, 7 weekends in the spring and 7 in the fall.  During
this time I was also involved in the wholesale market, doing four major
market centers a year.  During this time my husband took two short tours
overseas.  This gave me the opportunity to grow my business and to allow our
daughters to attend the same school until graduation.

 In 1989 my husband fell from a ladder and  shattered his ankle (he was
putting a new ceiling in my Renaissance booth).  It took many operations and
months of hospital stays to save his foot. During this time Desert Storm was
going on and he missed it.  When the
war was over and he was well, he received orders for Vicenza, Italy.

I closed my business and packed my stuff and the kid and we went to Italy
for two years.  The tour was a wonderful history lesson unto itself.  I
marvelled again at the stained glass windows as I visited church after
church.

When we came home.Copperas Cove, Texas, in 1994 I didn't know if I would
begin my business again or not.  The word began to spread that I was back
and before the household goods were delivered I had orders for 14 windows.
Then it hit me I had no choice.  Mom's glass had put the first kid through
college and it would the second one.  So here we go again.

Most of my work is original.  I tend to do alot of Texas Wildflower
pieces, to include flat panels and slumped flower windows.  The
Bluebonnet or Lupine is our state flower and I never tire of making
these.  I am constantly working on my design and making changes  to make the
perfect "Bluebonnet".

I have truly been blessed by the Lord.  I do two major art shows in
Texas;  The Texas State Arts and Crafts Show held at Kerrville during the
Memorial Day weekend in May and The Salado Art Fair held the first weekend
in August and usually our hottest weekend of the summer.  The rest of the
time I stay busy doing commission windows.  I have been asked by my church
members to design and fabricate 8 stained glass windows for our new
sanctuary First Baptist Church, Copperas Cove.  Pray for me that these
windows will be to His honor and glory.

I know this is lengthy, but in closing I hope that you can feel the love
I have for glass art and  the warm glow we extend to others through our art.


Molly Keys


* Personal Note. One of my first stained glass purchases was a Molly Keys
original (1987). I still have it in my window.

Patrick


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From owner-glass Sat Jun 20 19:39:09 1998
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Subject: Ooops Re: Molly Keys Bio
Date: Sat, 20 Jun 1998 19:45:43 -0500
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Sorry,

Molly Keys bio should be #29 not 28. Must have been my fat fingers.

Patrick
Roses and Rainbows



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From owner-glass Sat Jun 20 20:21:39 1998
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Content-Type: text/plain;
Subject: Bio# 30 Len Alcamo
Date: Sat, 20 Jun 1998 20:38:09 -0500
Message-ID: <1998Jun20.15389.0>
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I grew up in Brooklyn NY.... my stepfather was a sadist. I ran away from
home alot and quit school when I was 16.  Joined the army at 17. Spent a
couple of great years in the German Alps.I was stationed in Oberammergau and
I was a dental assistant with a light schedule. The dentist I worked with
was a skier  and so was I. We ski bummed all over Europe.

Came home a budding counter-culture type. Friend and I took off for S.F. on
motorcycles in the *summer of love*. Got to Wisconsin and  we crashed into
each other after riding all night. He was all broken up and was in traction
for 3 months..........I scraped my knee. .....  I immediately fell in love
with the Mississippi River Valley met some people, found out that I could go
to the local State College on the
GI bill  (already had my GED) and still have money left over. Nine bucks a
credit !!!.

Met my wife ( a local girl ) been married 29 years 2 sons 17 and 26 live in
a little  1400 sg ft ...100 years old house just a good 8 iron shot from the
river in a town of 900.   After I quit glass ( psoriac arthritis)  I tried
some different stuff and decided on a new business........ die cut ,shot
run, custom image products for the advertising specialties, educational and
souvenir markets......  Always wanted to run a factory ( why I'll never
know) and will soon be on line.

One summer while I was off from attending college, I applied at a local
church studio that was looking for repair roadies. I got hired.  It was a
great experience for me since I loved to travel and I did plenty of it. It
wasn't long before I was hooked. I left school and went to work there full
time. This was a very traditional studio and I did a full apprenticeship.
Started out sweeping the floor and unloading glass crates, moved into the
mud room, worked up to production cutting and glazing. Then some glass
picking and a bit of cartooning. I also spent some time on job sites.

After a few  years, a position opened up for a new window installer I took
it and spent the next five  years on the road hanging off very tall ladders
and walking around on scaffolding. I was the boss.

When our second child was born I wanted to get off the road and go back into
the studio but it was not to be. I quit and opened up a studio with two
friends with plenty of glass experience... we were just starting to make a
go of it when the biz was destroyed by fire ...we were not properly insured
and never re-opened I went back on the road.......... this time as an
independent troubleshooter, restorer and installer. I could control my
schedule this way and make more money.

A few years go by. I ran into this guy that loved glass and wanted to start
a glass factory to make sheet art glass and other glass stuff . We made
dalles and blown and cast pieces as well. I jumped on it. I invested as a
partner... we made some really neat glass for a few years. I won't bore you
with the details but we went elfoldo and I took a financial beating.

During this period I had begun to do a little window designing and became
fixated  with the creative process. I am self taught. I studied
everything I could get my hands on about SG . Read tons of design and color
theory stuff. Studied the works of the masters. Read Albert's magazines :-)
Made hundreds of sketches.

So about 10 years ago I became an independent designer- fabricator  working
out of a home studio. I knew lots of folks in big church studios and they
referred clients to me on a regular bases to do commissions they were not
interested in. I had no sign, and  did no advertising. It was all word of
mouth and referrals

Anyway I  did a few major commissions locally....  attracted the attention
of  some architects and such,  did a few more what I thought were
significant pieces but I never quite made the
big time. We thought briefly about about moving out to the west coast to try
and * make it* I never regretted not going  though.....we are very happy
with our lifestyle.... just a couple of small town folk. I don't even know
where the key is to lock the house.  Its the kind of peace of mind you can't
buy.

So I just continued on with mostly residential stuff in high buck homes
until I quit business in '97 . I loved every minute of it.
Well thats more then enough.. I did not really bare my soul...  lucky for
you all... that would take a bottle of  good Merlot in a smoky room late at
night.


Len

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From owner-glass Sat Jun 20 20:37:07 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: volleyball pattern
Date: Sat, 20 Jun 1998 21:50:41 -0400
Message-ID: <1998Jun20.175041.0>
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Hi all,
	A friend who doesn't have access to a computer is looking for a
volleyball pattern, maybe someone spiking a ball, not too big, more like
a sun cather.  She's very talented and I know can draw what she wants,
but I told her I'd see if anyone knew of any.

Thanks,
Jerri

_____________________________________________________________________
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From owner-glass Sat Jun 20 20:48:31 1998
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From: mschatee@juno.com
To: studio@stainedglass.co.uk
Subject: Re: Stained Glass to visit in NY state and Canada
Date: Sat, 20 Jun 1998 21:54:01 EDT
Message-ID: <1998Jun21.1541.0>
References: <<1998Jun18.2165.0>>
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Finally something I can respond to!
I live in Upstate NY, about 2 hours from Watertown.  THere is a company
called Meyda Stained Glass, Tiffany style glass, in Utica, NY.  It may be
of some interest.  I am not sure if they have a website.    Corning Glass
Works isn't too far either (at least not after crossing the pond).  That
would definately be worth the trip.  Other than that Upstate NY is not
exactly a haven for stained glass enthusiasts.

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From owner-glass Sat Jun 20 21:02:39 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: lcbell@memach.com
Subject: Re: Donuts
Date: Sat, 20 Jun 1998 22:40:49 -0400
Message-ID: <1998Jun20.184049.0>
References: <<01BD9B49.10DD5320@mmc043.memach.com>>
Precedence: bulk

Hi Linda,

About the smallest I've ever succeeded with was an inch and a half or so,
but obviously the larger the easier.  As the circle gets tighter it takes
more failed attempts for each successful one.

Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

On Fri, 19 Jun 1998 06:11:14 -0400 Linda Campbell <lcbell@memach.com>
writes:
>
>Gary, How small of an inside circle could you cut out in this fashion. 
>=
>sounds fascinating and I'll try it on some cheap glass. I t may come 
>in =
>handy someday.
>
>Linda
>
>
>
>Gary said:
>
>Hi all,
>
>Hope nobody already suggested this one.  I missed a couple of days and
>might have missed it trying to catch up.
>
>When I worked in a stained glass lamp  factory way back when, we used 
>to
>do this as a recreational activity during breaks.
>
>Start by scoring the inner circle.  Pry on the score line all around 
>the
>circle to open the score line up.  Be careful not to exert too much
>pressure or the score line might run out through your donut.
>Next cut some arc shaped scores inside of the inner circle, sort of
>parallel to  the inner circle.  These scores should be just like the =
>ones
>you would use to work your way into a deep cut.
>
>Now score a cross hatch pattern all back and forth across the rest of 
>=
>the
>donut hole.
>With the ball end of a glass cutter tap on the cross hatched lines in 
>=
>the
>very center of the donut hole until the pieces start to fall out.  Now
>start to use the teeth of the cutter to bend downward on the cross
>hatched pieces to remove them.  After all the cross hatched pieces 
>have
>been pried out you'll have the arc shaped cuts to pry out to bring you 
>=
>to
>the edge of the donut hole.
>Now of course you need to cut the outside circle of the donut, but =
>that's
>the easy part.
>
>Gary Dodge              
>
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From owner-glass Sat Jun 20 21:45:03 1998
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From: <SusieHUs@aol.com>
To: cpesonen@bcinternet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: donut
Date: Sat, 20 Jun 1998 23:46:19 EDT
Message-ID: <1998Jun21.34619.0>
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I'd just like to thank everyone who took the time to answer my question about
cutting a donut out of a sheet of glass.  I'm going to study this a bit more
before I decide which technique to use but I appreciate having a variety of
ways to try it!

I'm going to attempt it on a smaller scale before I try the big one!

Thanks so much!

Susie
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From owner-glass Sun Jun 21 00:06:55 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------0519572EDF1D6F0DDFD2B5D8"
Subject: Re: Molly and Len
Date: Sat, 20 Jun 1998 22:34:53 -0700
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This is a multi-part message in MIME format.
--------------0519572EDF1D6F0DDFD2B5D8
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Howdy All,

And especially Molly and Len!

Fabulous and fascinating you two are, how wonderful for you to share!
Enjoyed every minute of your bio's whilst I devoured my Saturday night
popcorn.

Would you both like to share your web site addresses with us all? I'm
sure I'm not alone in wanting to view the art behind the bio. Please,
Please!

Thank you

Pam

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From owner-glass Sun Jun 21 02:07:44 1998
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From: glasschic <joyce@mail.bright.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Sun, 21 Jun 1998 03:56:58 -0400
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Precedence: bulk

At 05:51 PM 6/20/98 EDT, BMarhon@aol.com wrote:
>Does anyone have any tricks for getting the grinder bit off when it seems to
>be rusted to the shaft?  I read somewhere about something seize but can't
>remember what it was or whether it was something you could buy at a hardware
>store or if it was strictly stained glass related.
>
>Right how I'm "stuck" until I can get this head off.

I have one grinder that must have the wrong size shaft, and makes it almost
impossible to move the grinding head up or down easily.  I have slathered
that thing with vaseline before I put each new grinding head on, but still
have to get out the claw end of the hammer (after I have emptied the water
reservoir of course - didn't do that once and the resulting mess was
memorable!) and pry it up gently and sometimes not so gently!  Lucky for
me, the grinding head has always come off the shaft eventually, but I
always swear, I will never ever use that grinder again, until my memory
lapses a little again, and I find that particular one handy!

Good luck removing the grinding head.  You'll need it!

Joyce Moran
Garden of Glass
Ohio

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From owner-glass Sun Jun 21 04:42:27 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Sun, 21 Jun 1998 06:25:19 EDT
Message-ID: <1998Jun21.102519.0>
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One time I screwed the grinder head into the round part of the shaft instead
of the flat side of the shaft.  I took some fine sand paper and held it on the
exposed area of the shaft while the grinder was turning.  Then I pushed the
grinder down to the bottom (with great difficulty) and then did the same thing
(used sandpaper) to the newly exposed part of the shaft.  The grinder head did
come off and the whole procedure only took about 5 minutes.  The sand paper
seemed to have no impact on future uses of the grinder shaft.  Hope this helps
anyone out there who makes the same boo-boo in the future.  Lenore
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From owner-glass Sun Jun 21 05:15:48 1998
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From: <Yegnim@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Scotland Bungi
Date: Sun, 21 Jun 1998 06:57:17 EDT
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Cindy, if you do not get a response from the artist in Scotland, could you get
the info on the artist from the Pub in Scotland, if the client remembers its
name?  Great idea to purchase the glass via original artist instead of going
crazy trying to match it with the glass available in your location.  In order
for the insurance to cover the repair/replacement of the panel, you will have
to submit a repair estimate for them.  In fact, the client may have to submit
more than 1 repair estimate, depending on the insurance company.  If the panel
can be repaired for less money than to be replaced, the client will have to go
for the repair.  Be sure to give yourself plenty of markup (money) for the
job, as you never know what problems you may encounter either way.  Good luck!
Lenore
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From owner-glass Sun Jun 21 07:50:27 1998
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Subject: Exhibit (long)
Date: Sun, 21 Jun 1998 09:36:39 -0400
Message-ID: <1998Jun21.53639.0>
Precedence: bulk

Another Saturday, and although I did not have a craft fair, there I was,
out in a downpour.  Just so you know my record of getting soaking wet on
the weekend remains intact.
We drove down to the Guilford Hancraft Center in Guilford CT to view the
exhibit "North American Glass  5th Guilford Biennial."  There appears to
have been very little publicity about this show beyond the CT
shoreline.  I only knew about it because someone posted the call for
entries last year on rec.crafts.glass and I kept a little note taped to
my computer with the dates.
There are 41 pieces in the show.  Only one is stained glass, titled
"Gray Matter" by Chris Rifkin described as 3 horizontal panels with
chains ($2,300)  It's done in clear and shades of gray (cathedral type)
Each panel is about 24" by 12" (and I'm not that good at estimating
size! ) and chains connect them with a couple of inches clearance.  Each
piece sort of fits into the one above...i.e., irregular borders.  There
are some bits of lead overlay (Little pointy pieces that stick out.).
There was one small piece framed in wood that appeared to painted clear
glass that had pieces foiled together.  it hung agains the wall.
Two examples of necklaces made of glass beads.
One installation of leaves fued between plate glass (by Laura kramer).
That left some black ash in the shape of leaves where the leaf started
out to be (oh, what awkward sentance construction)
There was some fused and blown glass (a lot) that I truely loved.
Extraordinary bowls with wonderful shapes and colors.  I dont' remember
the names of all of them but there was Dichroic Spiral platter by Carmen
D'Aquila and Northern Lights by James Thibeuax and Blue New Mexico
platter #3 by josh Simpson.  Also blown glass was a hanging installation
of sea creatures, all in white, by Rachel White called Primordial Sea.
Fused panels included migration by Newy Fagan (a triptych of dichroic
figures) and a nicely evocative Birch by Roger Thomas.
There was intesting flamework construction, looked sort of like a cone a
chicken wire turned into a dress.  Rather delicate, called Queen by Tina
Detz.
The first prize winner was a blown glass piece by jonathan Stokes called
Untitled II.  it's sculptural, kind of funGreen and black spirals built
into constuctions that look sort of like the bouncing plantets on "3rd
Rock"  Balancing it must have been ...well, fun.  Transporting it must
have been hell.
There were two items accepted for the show that broke before they made
it!

Show runs until July 18  M-Sat 10-5, 12-4on Sunday,  Up Rte 77 north of
Rte 1 in Guilford CT .  suggested donation of $3, but noone standing
there watching.

Gulford, by the way, in one of those lovely picture perfect tourist
shoreline towns, with a big green and quiant old buildings holding
expensive shops (there's a wonderful bakery on the green).(I live in an
old NE Factory town, the kind that has often been described as
decaying....it's coming back, but is not picturesque and charming.  But
on the other hand, housing is affordable here)

We drove through showers to get there, but as we got out of the car, the
skies opend up and we were drenched running from car to door.

Afterwards we went to the factory outlet stores in Clinton to browse the
Book Warehouse store.

All in all, a good day.  Wet or not.

Not I must go pour stepping stones.

Dorothy K

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From owner-glass Sun Jun 21 09:22:35 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Sun, 21 Jun 1998 07:46:36 -0700 (PDT)
Message-ID: <199806211446.HAA22827@ns2.vphos.net>
Precedence: bulk

I've had this problem before too.
I used a hammer, to break loose the grinder head from the shaft.
Little taps should do it, I think it's just the glass paste getting inside
and seizing it up.
Smiles, Cindy



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From owner-glass Sun Jun 21 09:35:57 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Scotland Bungi
Date: Sun, 21 Jun 1998 07:46:15 -0700 (PDT)
Message-ID: <199806211446.HAA11443@ns2.vphos.net>
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Thanks, Lenore.

This woman does know the fellow. 
Seems the airlines has at (the moment) no problem with replacing the window.
I asked if it was insured, since Art is very hard to insure. And was told it
doesn't seem to be a problem (it's comparable to luggage replacement), and
it would fall under that catagory (kinda wierd).

She was told she could also claim it under household insurance, but since
there's a deductable on household insurance, I feel that's not the way to go.

Do you think I'm wrong in saying she should get a new complete window?
(if part of a shippment gets damaged I get a whole new shippment, send and
paid for) also I get to keep the orginal shippment.
I feel since it was no fault on the Artist's crating or this woman, she
should be compensated with a new piece of work. And not have to send the
broken one back and wait. (I could be wrong on this, but it's worth the try)
Sometimes people get badgered by insurance agents (and the like) and are
offered 2nd best, unless they know their rights:)
Airlines also have many compensation packages when things go wrong, but the
unknowing public aren't aware and the airlines DON'T say unless you ask.
(saw that on tv)
Also I mention she should take a picture of the damage, since it would be a
5 hour trip for her to return to Vancouver.

I'm dying to see this work from Scotland! I've told her that, so I shall pop
over to have a look at it. Also it would be extremely neat to talk to this
fellow, if he were a bungian.
Thanks, again!
Smiles, Cindy




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From owner-glass Sun Jun 21 09:51:23 1998
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From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Angel pattern
Date: Mon, 22 Jun 1998 01:09:26 +1000
Message-ID: <1998Jun22.11926.0>
Precedence: bulk

I had a request for some angels
is there any pattern available out there ?
you could send me a picture directly to
harlquin@mpx.com.au
Harlequin Leadlight
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html
Join the leadlight webring
http://www.geocities.com/PicketFence/3530/webring.html

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From owner-glass Sun Jun 21 10:01:36 1998
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From: "Norman & Claudette Jaramillo" <cpjaram@7cities.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Prehistoric question
Date: Sat, 20 Jun 1998 04:27:17 -0600
Message-ID: <1998Jun19.222717.0>
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I read that the way the old timers got the copper foil to stick to the
glass, before adhesive back ribbon/tape was with wax.   There are cases when
the adhesive backed ribbon works poorly.  If I used the melted wax  instead,
would that increase the stickiness on a rough or difficult surface?  I can
see where switching to adhesive certainly speeds things up under normal
circumstances, but what if I need a lot of tackiness...is wax better?

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From owner-glass Sun Jun 21 10:36:55 1998
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From: Beadnik2@webtv.net (Joan)
To: shad@mail2.nai.net (Family Account)
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Subject: Re: Exhibit
Date: Sun, 21 Jun 1998 12:12:55 -0400
Message-ID: <199806211612.JAA21541@mailtod-142.iap.bryant.webtv.net>
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Dorothy,

Thanks so much for the wonderful review of the glass exhibit at the
Guilford Handcraft Center.  I'm planning to go there on Tues.
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From owner-glass Sun Jun 21 11:06:41 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Family Account" <shad@mail2.nai.net>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Exhibit (long)
Date: Sun, 21 Jun 98 13:04:22 -0000
Message-ID: <199806211702.NAA27735@uz.ComCAT.COM>
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Dorothy,

Thanks for your great reporting job on craft show! I enjoyed reading 
about what's out there - your wonderful descriptions -  what sells, 
pricing, etc. 

Try to stay dry next time!

Suzanne
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From owner-glass Sun Jun 21 12:54:39 1998
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From: "M. Savad" <morn@nac.net>
To: glasschic <joyce@mail.bright.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Sun, 21 Jun 1998 14:27:25 -0400
Message-ID: <1998Jun21.102725.0>
References: <<3.0.32.19980621035657.006e9f60@mail.bright.net>>
Precedence: bulk

glasschic wrote:
> 
> At 05:51 PM 6/20/98 EDT, BMarhon@aol.com wrote:
> >Does anyone have any tricks for getting the grinder bit off when it seems to
> >be rusted to the shaft?  I read somewhere about something seize but can't
> >remember what it was or whether it was something you could buy at a hardware
> >store or if it was strictly stained glass related.
> >
> >Right how I'm "stuck" until I can get this head off.
> 
> I have one grinder that must have the wrong size shaft, and makes it almost
> impossible to move the grinding head up or down easily.  I have slathered
> that thing with vaseline before I put each new grinding head on, but still
> have to get out the claw end of the hammer (after I have emptied the water
> reservoir of course - didn't do that once and the resulting mess was
> memorable!) and pry it up gently and sometimes not so gently!  Lucky for
> me, the grinding head has always come off the shaft eventually, but I
> always swear, I will never ever use that grinder again, until my memory
> lapses a little again, and I find that particular one handy!
> 
> Good luck removing the grinding head.  You'll need it!
> 
> Joyce Moran
> Garden of Glass
> Ohio
> 
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the shaft probably has a burr on it somewhere, probably from an earlier
removal attempt. you'll want to file those down before putting the head
back on. it could have also developed the burr if the set screw was put
in the wrong place...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Sun Jun 21 14:33:57 1998
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X-Path: sprintmail.com!MollysGlass
From: Molly Keys <MollysGlass@sprintmail.com>
To: Pamela Burns-Tappan <ptap@pacifier.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Molly and Len
Date: Sun, 21 Jun 1998 15:20:09 -0500
Message-ID: <1998Jun21.10209.0>
References: <<1998Jun20.153453.0>>
Precedence: bulk

I would be happy to share my web address with you if I had one.  This is one
of those things my husband is working on.  It make take a while to complete
but I can guarantee when it is done he will have done a wonderful job.  I'm
trying to have patience.
Molly

Pamela Burns-Tappan wrote:

> Howdy All,
>
> And especially Molly and Len!
>
> Fabulous and fascinating you two are, how wonderful for you to share!
> Enjoyed every minute of your bio's whilst I devoured my Saturday night
> popcorn.
>
> Would you both like to share your web site addresses with us all? I'm
> sure I'm not alone in wanting to view the art behind the bio. Please,
> Please!
>
> Thank you
>
> Pam
>
>   ------------------------------------------------------------------------
>
>   Pamela Burns-Tappan <ptap@pacifier.com>
>
>   Pamela Burns-Tappan
>     <ptap@pacifier.com>
>     Netscape Conference Address
>     Netscape Conference DLS Server
>   Additional Information:
>   Last Name
>   First NamePamela Burns-Tappan
>   Version   2.1



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From owner-glass Sun Jun 21 14:54:15 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Scotland Bungi
Date: Sun, 21 Jun 1998 16:14:27 -0400
Message-ID: <1998Jun21.121427.0>
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The fact that you are questioning the ethics =

of your customer ending up with two windows
for the price of one, tells me you already know
the true and honest answer.  Here is what I
would do.  Refer the customer to the original
artist for repair or replacement.  Or fix the window
for the cost of the repair.  Don't try to manipulate
the situation to get something for nothing.  Karma
is karma.  Somebody will end up paying the =

price somewhere along the line.  May sound real
mystical, but really it's pretty down-to-earth.

Best regards,

Dani Greer
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From owner-glass Sun Jun 21 15:11:48 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Molly and Len
Date: Sun, 21 Jun 1998 16:14:40 -0400
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Didn't Len drop out some months
back??  If he's back, he's certainly
unusually quiet!  And speaking of =

quiet, I'll answer everyone's mail =

after July 10th... am now down to =

the wire on work for our show.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sun Jun 21 15:32:28 1998
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From: Molly Keys <MollysGlass@sprintmail.com>
To: BMarhon@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Sun, 21 Jun 1998 15:35:37 -0500
Message-ID: <1998Jun21.103537.0>
References: <<1998Jun20.215144.0>>
Precedence: bulk

Having a grinder head stick in the middle of a project is one of the most
frustrating things to me.  I have used the anti-seezes, wd-40, and you name
without any success of getting that thing off.  So this method seems to work
well for me and I bypass all of the anxiety this problem can cause.   I dump the
water from the reservoir and then place it on the floor.  I put my foot on top
(take off the grid) and I put a pair of pliers over the bit and pull with all my
might.  This has proven to work everytime.  The problem can also be that the
grinder bit itself was not bore out enough for sliding up and down.  I have
called Glastar on several occasions and with their approval sent the grinder
back to them for adjustments.  It generally is the cost of shipping that you
will pay.  They are always curteous and very helpful.
I hope this helps you.   Molly Keys

> Does anyone have any tricks for getting the grinder bit off when it seems to
> be rusted to the shaft?  I read somewhere about something seize but can't
> remember what it was or whether it was something you could buy at a hardware
> store or if it was strictly stained glass related.
>
> Right how I'm "stuck" until I can get this head off.
>
> Thanks!
> ----
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> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Sun Jun 21 17:29:03 1998
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From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Cleaning Gold pens
Date: Sun, 21 Jun 1998 17:36:31 -0400
Message-ID: <1998Jun21.133631.0>
Precedence: bulk

Hi all,

	I don't presently have one, but I recently used a gold pen with
the little tiny bottle of gold that you write on glass with, then fire
on.  Well,  I wasn't happy with what I did, so I just wiped off the glass
with paint thinner.  I was wondering what you clean the pens with.  My
retailer told me you're suppose to use something called "Essence", but
they didn't have any, and they had the pens soaking in something else
till they get some.

	I was wondering what is "Essence"?   Also if anyone out there's
done this sort of thing, what do you use to clean your pen?  Can you use
paint thinner or something like that?

Thanks,
Jerri

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From owner-glass Sun Jun 21 18:10:10 1998
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From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Powers Crossroads Show
Date: Sun, 21 Jun 1998 19:49:32 -0400
Message-ID: <1998Jun21.154932.0>
Precedence: bulk

	I just wondered if any bungians were going to be at the big
Powers Crossroads Arts and Crafts show in Newnan Ga. over Labor Day
weekend.  The Atlanta Art Glass Guild will be there, and I'm going just
to see it.  The president of the guild told me it's a really big show, so
if any of you folks were there, I was going to stop and say hello.

Jerri

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From owner-glass Sun Jun 21 18:33:55 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
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Subject: Re: Scotland Bungi
Date: Sun, 21 Jun 1998 17:04:15 -0700 (PDT)
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>
>Manipulate the situation?
>How do you see that?
>If the sweet woman does get a new one, she has told me she wants me to
fixed the broke one.
>It is not my discision but hers.
>
>It has nothing to do with Karma.
>It is with in the world of business.
>The only Karma I see is that I might have the chance to help her out.
>And she should be compensated for her loss and her loss of sleep.
>
>The fact being that I get a full shippment replacement was taught to me by
many in the business world and again that's not Karma.
>
>The laws of Karma deal with when someone hurts someone!
>This is dealing with goods not feelings or people.
>
>Cindy
>
>
>>The fact that you are questioning the ethics =
>>
>>of your customer ending up with two windows
>>for the price of one, tells me you already know
>>the true and honest answer.  Here is what I
>>would do.  Refer the customer to the original
>>artist for repair or replacement.  Or fix the window
>>for the cost of the repair.  Don't try to manipulate
>>the situation to get something for nothing.  Karma
>>is karma.  Somebody will end up paying the =
>>
>>price somewhere along the line.  May sound real
>>mystical, but really it's pretty down-to-earth.
>>
>>Best regards,
>>
>>Dani Greer
>>----
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>>Archives available at http://www.bungi.com/glass
>>
>>
>

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From owner-glass Mon Jun 22 07:58:00 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Mon, 22 Jun 1998 10:09:16 -0400
Message-ID: <1998Jun22.6916.0>
References: <<1998Jun21.103537.0>>
Precedence: bulk

Molly Keys wrote:
> 
> Having a grinder head stick in the middle of a project is one of the most
> frustrating things to me.  I have used the anti-seezes, wd-40, and you name
> without any success of getting that thing off.  So this method seems to work
> well for me and I bypass all of the anxiety this problem can cause.   I dump the
> water from the reservoir and then place it on the floor.  I put my foot on top
> (take off the grid) and I put a pair of pliers over the bit and pull with all my
> might.  This has proven to work everytime.  The problem can also be that the
> grinder bit itself was not bore out enough for sliding up and down.  I have
> called Glastar on several occasions and with their approval sent the grinder
> back to them for adjustments.  It generally is the cost of shipping that you
> will pay.  They are always curteous and very helpful.
> I hope this helps you.   Molly Keys
> 
> > Does anyone have any tricks for getting the grinder bit off when it seems to
> > be rusted to the shaft?  I read somewhere about something seize but can't
> > remember what it was or whether it was something you could buy at a hardware
> > store or if it was strictly stained glass related.
> >
> > Right how I'm "stuck" until I can get this head off.
> >
> > Thanks!
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> 
> ----
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> Archives available at http://www.bungi.com/glass


another idea you can try is to use a small gear puller. it grips on the
bottom edge, and a center point pushes on the shaft. it should remove it
part of the way.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Mon Jun 22 09:58:50 1998
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X-Path: DEAN.MED.UFL.EDU!cmccall
From: "Candice McCall" <cmccall@DEAN.MED.UFL.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Invisible Shield
Date: Mon, 22 Jun 1998 11:30:10 EST5EDT
Message-ID: <1970Jan1.000.0>
Organization: Dean's Office, College of Medicine
Precedence: bulk

I made some butterfly garden stakes over the 
weekend. The owner of our local stained glass 
supply shop says to use a product called 
Invisible Shield on them to better protect them 
for outside use. I live in North Central Florida 
where the heat and humidity are oppressive and 
the sun merciless. This product is $9.50 in her 
shop. I am wondering if this product can be found 
in other stores or if someone on this list 
recommends something else. I usually use 
finishing compound on my stained glass projects.  
But, she said that the Invisible Shield gives a 
polymer finish and is better. Would any product 
giving a polymer finish do the job??

What do the experts on Bungi say?? 

Thanks in advance,
Candice
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From owner-glass Mon Jun 22 10:11:39 1998
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From: <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: What a nightmare!
Date: Mon, 22 Jun 1998 10:17:59 EDT
Message-ID: <1998Jun22.141759.0>
Precedence: bulk

In a message dated 98-06-18 19:14:45 EDT, you write:

<< well, i've been in a lot of resorts, and lots of them are deserted during
the  
 week. your answer depends: do they sell enough on the weekends (i would
include  
 friday in a weekend in a resort) to sell enough of your stuff to make it  
 worthwhile to you? if so, then would staying open 5-7 days sell more? without
 data, you can't make that decision.
 --- >>
another thought is how is your own inventory minus what you have there?  Would
you be selling these stones on your own. Don't keep everything you have in
inventory there, and maybe make some stones that would sell better at a
resort, like patterns with shells and fish.   We have beach resorts here in TX
that really only get visited by tourists,  your friend must know the times to
be open or she wouldn't be wasting her own time and money in inventory.  But
then your other train of thought is if your not happy with the situation get
out, no reason to let it get to you.
deb
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From owner-glass Mon Jun 22 10:20:45 1998
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X-Path: vdot.net!shyguy
From: Dinosaur Bob <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Mon, 22 Jun 1998 12:02:37 -0400
Message-ID: <1998Jun22.8237.0>
References: <<3.0.32.19980621035657.006e9f60@mail.bright.net>>
Organization: Cox's Mower Service
Precedence: bulk

The head should be able to slide on the arbor fairly easily -but not so that it
is a sloppy fit. You may have a burr on the arbor.
the next time you remove the grinder head, and the new one doesn't fit, turn the
motor on, (without the grinder head) and CAREFULLY hold a piece of wet/dry FINE
sandpaper or emery cloth against the shaft. Don't press too hard, or try to take
off too much. Turn the motor OFF, clean the arbor, and the head. Try to assemble.
If still too tight, try the paper again. It is going to be strange, as most
arbors have a flat spot, so it may be hard to hold the paper to the spinning
shaft. If you can't get it to work with the motor on, you can just run the paper
up and down the arbor. But try to not take metal off all in the same spot.
Once you have a nice fit (the head shouldn't just 'fall on'), then you apply the
anti-seize.
If you have too sploppy a fit, the grinder head may spin 'out of round', which
will make control of what you are doing a lot harder, if not impossible.

glasschic wrote:

> I have one grinder that must have the wrong size shaft, and makes it almost
> impossible to move the grinding head up or down easily.  I have slathered
> that thing with vaseline before I put each new grinding head on, but still
> have to get out the claw end of the hammer (after I have emptied the water
> reservoir of course - didn't do that once and the resulting mess was
> memorable!) and pry it up gently and sometimes not so gently!




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From owner-glass Mon Jun 22 18:33:20 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Candice McCall <cmccall@DEAN.MED.UFL.EDU>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Invisible Shield
Date: Mon, 22 Jun 1998 20:06:35 -0400
Message-ID: <1998Jun22.16635.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Candice McCall wrote:
> 
> I made some butterfly garden stakes over the
> weekend. The owner of our local stained glass
> supply shop says to use a product called
> Invisible Shield on them to better protect them
> for outside use. I live in North Central Florida
> where the heat and humidity are oppressive and
> the sun merciless. This product is $9.50 in her
> shop. I am wondering if this product can be found
> in other stores or if someone on this list
> recommends something else. I usually use
> finishing compound on my stained glass projects.
> But, she said that the Invisible Shield gives a
> polymer finish and is better. Would any product
> giving a polymer finish do the job??
> 
> What do the experts on Bungi say??
> 
> Thanks in advance,
> Candice
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i can't imagine how much better that can be then nothing at all. the
only invisible shield that i know is that liquid glove stuff. i guess it
depends on what you want it to do for you...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Mon Jun 22 18:42:15 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Cleaning Gold pens
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Tue, 23 Jun 1998 01:08:11 +0000
Message-ID: <199806230010.BAA14908@saturn.nildram.co.uk>
Precedence: bulk

Hi Jerri, et al,

Am not quite sure what your application is. My comment refers only to 
"language"
Suggest you go back to the retailer and ask him (or her) Essence of 
WHAT??
Essence is - in a way-  synnonymous with extract/concentrate (.... of 
something...).
Wish I could help more....   :-<
Elisabeth 'n Toby in UK


Jerri wrote:
 My
retailer told me you're suppose to use something called "Essence", but
they didn't have any, and they had the pens soaking in something else
till they get some.

	I was wondering what is "Essence"?   Also if anyone out there's
done this sort of thing, what do you use to clean your pen?  Can you use
paint thinner or something like that?


----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Mon Jun 22 18:51:04 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Molly and Len
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Tue, 23 Jun 1998 01:08:11 +0000
Message-ID: <199806230010.BAA14905@saturn.nildram.co.uk>
Precedence: bulk

Hi All,

I too did a double take when Len's name appeared.....
I hold him in considerable respect and was not only delighted in 
thinking he is back, but also in reading his bio (some of which I 
knew before).

Len? Are you really THERE??

Am on a "Stained Glass Downer" at the moment - can't get motivated 
..., whatever I do....
Cure? Anyone?
Elisabeth 'n Toby in UK


Dani wrote:
 Didn't Len drop out some months back??  If he's back, 
he's certainly unusually quiet! 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Jun 22 20:06:45 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: lead  poisoning again
Date: Mon, 22 Jun 1998 18:49:00 -0700
Message-ID: <1998Jun22.11490.0>
Organization: Maiden Concepts
Precedence: bulk

Just read this and thought I would pass it on.

Vitamins, iron intake affect lead levels

(Reuters) - Low dietary intake of vitamin C and iron may increase
lead levels in blood, and a low vitamin D intake can be linked to
lead accumulation in bones, according to a new report.
Researchers at the Harvard School of Public Health in Boston,
Massachusetts, believe these nutrients have separate "effects on
distinctly different aspects of lead metabolism."

For details, go to ...
http://www.intelihealth.com/news?190433&r=EMIHC000
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From owner-glass Mon Jun 22 20:32:50 1998
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From: <CWWSLW@aol.com>
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Content-Type: text/plain; charset=US-ASCII
Subject: Stained Glass Downer
Date: Mon, 22 Jun 1998 22:19:48 EDT
Message-ID: <1998Jun23.21948.0>
Precedence: bulk

<<<<<   Am on a "Stained Glass Downer" at the moment - can't get motivated 
..., whatever I do....
Cure? Anyone?>>>>>


 When I get uninspired, I just put on some classical music and thumb through
all my pattern books. Sooner or later something strikes me and I get back with
it. But if you're just really not in the mood. Leave it for a while. Don't end
up hating to even look at the stuff. Go for a walk, read a book. Get your mind
off it till you feel creative again.

Susan
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From owner-glass Mon Jun 22 22:11:15 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Stained Glass Downer
Date: Mon, 22 Jun 1998 22:19:48 EDT
Message-ID: <1998Jun23.21948.0>
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<<<<<   Am on a "Stained Glass Downer" at the moment - can't get motivated 
..., whatever I do....
Cure? Anyone?>>>>>


 When I get uninspired, I just put on some classical music and thumb through
all my pattern books. Sooner or later something strikes me and I get back with
it. But if you're just really not in the mood. Leave it for a while. Don't end
up hating to even look at the stuff. Go for a walk, read a book. Get your mind
off it till you feel creative again.

Susan
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From owner-glass Mon Jun 22 22:16:39 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Cleaning Gold pens
Date: Mon, 22 Jun 1998 19:41:38 -0700 (PDT)
Message-ID: <199806230241.TAA29502@ns2.vphos.net>
Precedence: bulk

Essence of Gold, Gold Essence is from what I understand to be is a thinner.
Cermichrome lusters produces;  Gold Essence, also Bright Gold.
Duncan Lusters produces; Bright Gold, White Gold and Gold Essence.
Hanovia Metallic Lusters also produce Gold Essence.
There is a brush cleaner.
Gold eraser.
Gold Off.
I use a liquid gold myself, and also Hanovia Luster Essence as a thinner.
If you can not get exact advice from your dealer go to your pottery shop,
they should handle all these products.
A very good book to get would be Metallics and Lusters by Giese,
I haven't had alot of time to play, but I've use my pen. One that doesn't
need cleaning, very good for gold dots.
I'd love to really get into my fine brush, but the price of gold has left me
still waiting, chuckle, one doesn't want to waste...2gr.=$24.75 
Smiles, Cindy
PS The book I have mentioned is for glass and ceramics... 
Lusters and Metallics fire on glass at cone 022-016, maybe 1100'F to 1443'F
>
>
>Jerri wrote:
> My
>retailer told me you're suppose to use something called "Essence", but
>they didn't have any, and they had the pens soaking in something else
>till they get some.
>
>	I was wondering what is "Essence"?   Also if anyone out there's
>done this sort of thing, what do you use to clean your pen?  Can you use
>paint thinner or something like that?
>
>
>----
>As my grandmother said "...there is only nobility of mind"
>North Lights Stained Glass - homepage
>http://www.netlink.co.uk/users/kris/northlights/index.htm 
>----
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Mon Jun 22 22:35:41 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Toby" <toby@northlights.co.uk>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Molly and Len
Date: Mon, 22 Jun 98 22:56:45 -0000
Message-ID: <199806230254.WAA14991@uz.ComCAT.COM>
Precedence: bulk

Elisabeth wrote:
>
>Am on a "Stained Glass Downer" at the moment - can't get motivated 
>..., whatever I do....
>Cure? Anyone?

Elisabeth, try this:

Make something for yourself. Something you've always wanted to do but 
never had time.
How about replacing some of those curtains that always need ironing with 
some S.G.

My best,
Suzanne

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From owner-glass Mon Jun 22 22:40:48 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Invisible Shield
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 22 Jun 1998 23:09:48 +0000
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> > I made some butterfly garden stakes over the
> > weekend. The owner of our local stained glass
> > supply shop says to use a product called
> > Invisible Shield on them to better protect them

Yes, I agree with Mike ... what's needed is nothing at all. Your 
local supplier is trying to sell you something unnecessary.

Albert
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From owner-glass Mon Jun 22 23:31:15 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Len's Bio
Date: Mon, 22 Jun 1998 23:41:50 -0500
Message-ID: <1998Jun22.184150.0>
Precedence: bulk

Sorry to get everybody's hopes up, but I posted Len's bio on Saturday
because it was on my list to post.

Am I going to suffer the "slings and arrows"? If so ...  dock my pay.


Patrick
Roses and Rainbows

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From owner-glass Mon Jun 22 23:41:07 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Stained Glass Downer
Date: Mon, 22 Jun 1998 21:39:57 -0700 (PDT)
Message-ID: <199806230439.VAA10451@ns2.vphos.net>
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>
 Hi Susan,
Great ideas!
What I find helpful is Nature... I live in it, but sometimes lose it.
All I have to do is get out side and look around a feel what it is I see.
Experiences of good things and bad infleunce (sp) us deeply. Bad doesn't
have to be bad cos it can mean, sometimes a cross road to learning another
road ahead, and if we learn from it can that be bad?
Hope this helps, Elizabeth
Smilin', snarcy, Cindarooni.... Suzy made me do it and thanks!



>Great ideas from Susan:
> When I get uninspired, I just put on some classical music and thumb through
>all my pattern books. Sooner or later something strikes me and I get back with
>it. But if you're just really not in the mood. Leave it for a while. Don't end
>up hating to even look at the stuff. Go for a walk, read a book. Get your mind
>off it till you feel creative again.
>
>Susan
>----
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>
>

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From owner-glass Tue Jun 23 04:34:18 1998
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From: "Drag, Gloria J." <draggj@westinghouse.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain
Subject: Re: Invisible Shield
Date: Tue, 23 Jun 1998 06:16:21 -0400
Message-ID: <1998Jun23.21621.0>
Precedence: bulk

Hi Candice, 
Just read your request for an invisible shield.. I know as a pastel charcoal
artist that many of our projects were sprayed with Kryon, a clear spray
paint product.. This I believe it under $5.00 per can..  When I started
Stain Glass I also used it on finished pieces, but I have not used it
recently.. 
Gloria
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From owner-glass Tue Jun 23 05:52:16 1998
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From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
To: Bungi Glass list <glass@bungi.com>
Content-Type: text/plain; charset=US-ASCII
Subject: Brass came
Date: Tue Jun 23 03:42:40 1998
Message-ID: <98Jun23.130309gmt+0100.19589-2@michelle.magnet.mt>
Precedence: bulk

Hi there,

I am about to embark on my first project using brass came.

Any pointers??

How do you cut it?  How do you solder it?  How do you make the joints look brass 
agian i.e. cover the lead solder up??

Thanks
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From owner-glass Tue Jun 23 07:07:35 1998
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X-Path: worldnet.att.net!ElsieTurqman
From: Elsie Turqman <ElsieTurqman@worldnet.att.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: not glass - FLORIDA ON FIRE
Date: Tue, 23 Jun 1998 11:52:45 +0000
Message-ID: <19980623115245.HEUE21757@LOCALNAME>
Precedence: bulk

I am forwarding this request for Prayers for Rain received from a good
friend.  Read or delete, but if you can add your Prayers to ours.

Thanks      Elsie  in wet New Jersey


>FOLKS, IN CASE YOU HAVEN'T HEARD, THE STATE OF FLORIDA, PRIMARILY
>THE NORTHEAST COUNTIES, IS UNDER SIEGE FROM HUNDREDS OF FOREST FIRES,
>MOST RUNNING OUT OF CONTROL.   WE HAVEN'T HAD ANY RAIN (NOT A DROP) IN
>ALMOST THREE MONTHS AND OUR FIRE FIGHTERS ARE EXHAUSTED.
>CURRENTLY WE HAVE 47 FIRES IN VOLUSIA COUNTY ALONE.
>
>WE NEED ALL YOUR PRAYERS FOR A LOOOOONNNNG AND EXTENSIVE RAIN.
>
>LOCALLY HERE IN DAYTONA, I95 AND I4 ARE CLOSED IN BOTH DIRECTIONS DUE
>TO HEAVY SMOKE.   WE MUST GO WITHOUT HOUSE A/C MOST OF THE DAY BECAUSE IT
>SENDS THE OUTSIDE SMOKE INSIDE THRU THE VENTS AND THIS
>IN 95 - 102 HEAT EACH AND EVERY DAY FOR THE LAST TWO WEEKS.   THANK
>GOD BY MOST LATE AFTERNOONS THE SEA BREEZES MANAGE TO COME ASHORE AND
>ALLOW US TO TURN ON THE A/C FOR A FEW HOURS RESPITE.
>WE HAVEN'T BEEN FORCED TO EVACUATE YET BUT WILLIAMSON BLVD. (OUR 
>EXIT TO THE REST OF THE WORLD) IS CLOSED BOTH NORTH AND SOUTH JUST
>2 MILES NORTH  AND US 40 FROM ORMOND BEACH AND US 92 (INTERNATIONAL
>SPEEDWAY BLVD.) ARE BOTH CLOSED WEST OF I95.  NOW A NEW FIRE HAS JUST
>ERUPTED TO THE EAST IN HOLLY HILL (THE TOWN BETWEEN ORMOND BEACH AND
>DAYTONA).  JUST WHAT WE DON'T NEED IS SMOKE FROM THE EAST AS WELL.
>
>WE NEED ALL YOUR PRAYERS FOR AN EVEN LONGER RAIN.
>
>ALL THE LOCAL CHURCH BILLBOARDS HAVE BEEN CHANGED TO READ "PRAY FOR RAIN"
> PLEASE, LETS GET AS MANY FOLKS PRAYING FOR RAIN FOR US AS POSSIBLE SO
>FORWARD THIS MESSAGE TO YOUR CONTACTS.   IF THIS
>MESSAGE REACHS OUR NATIVE AMERICANS, WE WOULD APPRECIATE ANY 
>AND ALL RAIN DANCES. 
>
>TO DICK G. AND BILL H. IN NY - LARGE PORTIONS OFNSB (WEST OF 95 
>SO FAR) ARE BURNING ALSO.
>
>RAIN RAIN RAIN RAIN RAIN RAIN RAIN RAIN RAIN RAIN RAIN RAIN RAIN RAIN
>RAIN
>
>FRED AND EFFIE (COUGH COUGH COUGH) AND PLEASE NO PHONE CALLS
>BECAUSE WE WANT TO KEEP THE LINES OPEN TO ADVISE OUR FAMILIES SHOULD THE
>EVACUTION ORDER COME.   
>
>RAIN RAIN 
>

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From owner-glass Tue Jun 23 07:42:50 1998
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X-Path: tm.net.my!shakeel
From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi Group" <glass@bungi.com>
Content-Type: text/plain;
Subject: Second Hand Magazines - Anyone?
Date: Tue, 23 Jun 1998 19:58:38 +0800
Message-ID: <1998Jun24.35838.0>
Precedence: bulk

Hi Foks

This is a off track request for any one willing to help me out. Here is
Malaysia I have a hard time getting good Stained Glass reading material. I
subscribe to Glass Patterns Quarterly. I have just joined the IGGA so I get
the copy of Common Ground :Glass. I onece got a few copies of Stained Glass
News. I found it to be very informative and helpful. But the folks at SGN do
not accept individual subscriptions.

Could some post me a copy of the new issues of Stained Glass News? I am
willing to pay for the postage. If you let me know how much and I will send
a check. I don't ask you to send it before you get the check. Please wait
for the check and send the magazine after you receive payment. Anyone there?

Also I am looking for old copies of Glass Craftsmen and Glass Patterns
Quarterly. Any one out there who wants to sell ? Or any books.

Honestly new ones are too costly for me.


Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my

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From owner-glass Tue Jun 23 08:13:55 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Re: Stained Glass Downer
Date: Tue, 23 Jun 1998 07:52:00 -0400
Message-ID: <1998Jun23.3520.0>
References: <<1998Jun23.21948.0>>
Precedence: bulk

	I don't have a lot of time to look at websites, but I have a list
of ones I want to get to, so if I don't know what project I want to
start, I might take time to check out some websites.  This almost always
perks up my creative lull.  Of course, looking at real glass inspires me
even more, but I live in a rural area and don't get much chance. 
Fortunately, I have a glass buddy in another town, though not too far,
and her skills and artistry are better than mine, so I find myself always
inspired and challanged when we get together.  It's great to have someone
to discuss ideas and stuff with.

Jerri

><<<<<   Am on a "Stained Glass Downer" at the moment - can't get 
>motivated 
>..., whatever I do....
>Cure? Anyone?>>>>>
>
>
> When I get uninspired, I just put on some classical music and thumb 
>through
>all my pattern books. Sooner or later something strikes me and I get 
>back with
>it. But if you're just really not in the mood. Leave it for a while. 
>Don't end
>up hating to even look at the stuff. Go for a walk, read a book. Get 
>your mind
>off it till you feel creative again.
>
>Susan
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

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From owner-glass Tue Jun 23 08:41:47 1998
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From: <Yegnim@aol.com>
To: glass@bungi.com, toby@northlights.co.uk
Content-Type: text/plain; charset=US-ASCII
Subject: Re:  A Glass Downer
Date: Tue, 23 Jun 1998 08:33:28 EDT
Message-ID: <1998Jun23.123328.0>
Precedence: bulk

Elizabeth,  (Little Ms. Homemaker)
Sounds to me as if your batteries need charging before working with glass
again.  Why not take advantage of this time for taking a temporary vacation
from glass.  Give yourself permission and do something that is fun and not
glass related for a bit of time.  Then, why not follow Suzanne's advice and
make something for yourself, like the window to replace the curtains that need
ironing.  BTW, I am sure they STILL need ironing, as you have probably never
ironed them at all. <BG>  
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From owner-glass Tue Jun 23 08:48:09 1998
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X-Path: hotmail.com!marycooper
From: "Mary Cooper" <marycooper@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Lampworking questions!
Date: Tue, 23 Jun 1998 07:01:24 PDT
Message-ID: <1998Jun23.14124.0>
Precedence: bulk

For those of you using a 2-fuel system, IE: o2 & propane, whats the cost 
to keep this system up?
-Original setup (regulators, hoses and   full tanks..)
-refill/replacment costs?
-on 20-30 hrs/week usage, how often do you refill?

We use a single fuel, have purchased a Minor Burner, and NOW we want to 
know what the related costs are.....(!)

Also, whats your favorite supplier for lampworking needs? Glass, tools, 
cool tidbits like metal leaf...

And, lastly, please recommend an acid solution for etching. (Armour Etch 
does not give us desired results....)

Thanks--I really appriciate those of you sharing your knowledge and 
expertise!

-Mary






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From owner-glass Tue Jun 23 10:42:41 1998
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From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi Group" <glass@bungi.com>
Content-Type: text/plain;
Subject: How to get Bios 1 to 26?
Date: Tue, 23 Jun 1998 20:32:50 +0800
Message-ID: <1998Jun24.43250.0>
Precedence: bulk

Where can find the bios numbered 1 to 26 ? Are they archived anywhere? How
can request for them?

Thanks in advance, Pat, I know you are the one that going to answer my
question.


Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my

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From owner-glass Tue Jun 23 11:04:27 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Local suppliers in Mediterranean area?
Date: Tue, 23 Jun 1998 17:12:02 +0100
Message-ID: <1998Jun23.18122.0>
Precedence: bulk

Hello Frank, have you now found a local source (in Malta) for stained glass
supplies?
As we get so many requests from the world over looking for local suppliers I
am slowly collating a list so I can point people in the right direction, and
would appreciate input from your part of the world.
Regards
Elizabeth
Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Tue Jun 23 11:31:34 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: not glass - FLORIDA ON FIRE
Date: Tue, 23 Jun 1998 12:52:54 EDT
Message-ID: <1998Jun23.165254.0>
Precedence: bulk

In a message dated 98-06-23 10:08:37 EDT, you write:

<< 
 >FOLKS, IN CASE YOU HAVEN'T HEARD, THE STATE OF FLORIDA, PRIMARILY
 >THE NORTHEAST COUNTIES, IS UNDER SIEGE FROM HUNDREDS OF FOREST FIRES,
 >MOST RUNNING OUT OF CONTROL.   WE HAVEN'T HAD ANY RAIN (NOT A DROP) IN
 >ALMOST THREE MONTHS AND OUR FIRE FIGHTERS ARE EXHAUSTED. >>



I live in Jacksonville FL. The drought is pretty bad here. My grass, grapes,
azaleas and fruit trees are dying in spite of our watering almost every day.
For over a week the smoke from the local fires made everything hazy. For
several days there was ash on our cars in the mornings. 

We got a small rain and a tornado a few days ago. 

>From today's newspaper:
Duval fires contained, others rage on It was another day of battling
wildfires, breathing smoke and trying to stay cool. With the fires in Duval
County under control, officials prepared to send crews to neighboring counties
to help fight blazes. 

But we still need more rain. 

Dianne Russell   
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From owner-glass Tue Jun 23 12:05:27 1998
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X-Path: mfi.net!jcampbell
From: "jcampbell" <jcampbell@mfi.net>
To: "Elsie Turqman" <ElsieTurqman@worldnet.att.net>, glass@bungi.com
Content-Type: text/plain; charset="ISO-8859-1"; X-MAPIextension=".TXT"
Subject: Re: not glass - FLORIDA ON FIRE
Date: Tue, 23 Jun 98 13:22:21 PDT
Message-ID: <1998Jun23.202221.0>
References: <<19980623115245.HEUE21757@LOCALNAME>>
Precedence: bulk

Yes, Florida is in much need of rain. I live in the Ocala National Forest
just off of St. Rd40 and we are having a lot of smoke and haze.  You can
hardly breathe outside.  We look out our living room sliding door at the
forest lining our lake and enjoy nature every day.  Here lately I have
thanked God every day to be able to enjoy this site.  Yes, prayere are
needed for rain and for those who have lost their homes , but most of all
those fire fighters who put their lives on the line for all of us.

Judy Campbell
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From owner-glass Tue Jun 23 14:33:53 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Adventures in Wholesale Land
Date: Tue, 23 Jun 1998 16:22:38 -0400
Message-ID: <1998Jun23.122238.0>
Precedence: bulk

Message text written by "Mary Cooper"
>Good for you! I loved your very inspiring post!
Sounds like a great time, with lots of orders on the way.
How do you plan to handle the production?
Do you have many employees/apprentices?
Will you do another WS show?
How did it compare to a retail art/craft show, overall?
And lastly, because I'm not familiar, what is your product -your =

speciality?<

How to handle production?  As I was taking orders I was mentally
tallying up how long it was going to take me to fill the order.  If
the timeframe requested was outside of the timeframe I knew I
would need, I mentally asked myself:
1.) Can I hire someone to help me do this order & still make the
deadline?  If "Yes", then take the order.  If not then...
2.) Negotiate a new order deadline with the customer.  If customer
is unwilling to change the delivery date, then...
3.) Don't take the order.

BTW, I never had to go past step 2.  Every store owner understands
the limitations of a small shop, as long as you are up-front with them
at the time of order negotiation.  Remember, an order is not just
one-sided.  You also have the right to negotiate points on the order,
or to not take the order if you feel you cannot meet its obligations.
It's better to walk away from a deal rather than to agree to it and
then not be able to fulfill the order obligations.  I know, as I've been
on both sides of the order process.  I've also been unable to fulfill
an order in the past, and learned my lesson the hard way.

Do I have any employees/apprentices?  No employees.  One person
(Sparks, who is a fellow-bungian) who works with me on large
projects and who has agreed to do some work on this project.
She is hired as an "Outside Service", providing me with finished
goods which I purchase.  This way I avoid having an employee.

Will I do another wholesale show?  Yes!  But not any more this
year.  I have two fine arts shows (one in August, one in November)
to do, as well as meeting my commissions, and do not think it a
good idea to over-extend myself.  I've had four other wholesale
shows contact me asking me to apply to their shows.  I am considering
a couple in January/February 1999.

How did it compare to a retail arts/crafts show overall?  Less stressful
for me since I didn't have to have all the packing materials there
in case of a sale.  This was an order taking show.  I did end up selling
off a lot of my samples after the show was officially over, but this is
nothing like trying to pack up a large free-form panel in the middle
of a show with 20 people in and around your booth.  Show management
is also a lot more professional.  Sales - better overall than the average=

retail craft show.  The buyers are better qualified.

What is my product specialty?  For my first wholesale show I limited
my product line to those products which would fit into the store
profiles for this type of show...Traditional Crafts (more towards the
country/folk theme).  So, my product line consisted of candle
chimneys in a variety of sizes & colors, angel suncatchers, garden
whimsies, mosaics (tables & birdbaths), and one lamp.  Took orders
or sold all, with the exception of a contemporary design candle chimney
which I knew was not appropriate for this audience, but brought
anyway to show that I did have another line of contemporary products.
I didn't even bother to price that item.  Only had one inquiry about
it.  Know who your audience is and what they expect, and you'll
have a better chance of making a sale.

Enough for now!
Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Tue Jun 23 15:03:58 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Invisible Shield
Date: Tue, 23 Jun 1998 16:22:44 -0400
Message-ID: <1998Jun23.122244.0>
Precedence: bulk

Message text written by "Drag, Gloria J."
>I know as a pastel charcoal
artist that many of our projects were sprayed with Kryon, a clear spray
paint product.. This I believe it under $5.00 per can..  When I started
Stain Glass I also used it on finished pieces, but I have not used it
recently.. <

I also like using Kryon Clear for finishing off my mosaic 3-D pieces.
Shines up the glass and fills in any scratches.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Tue Jun 23 15:04:13 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Brass came
Date: Tue, 23 Jun 1998 16:22:46 -0400
Message-ID: <1998Jun23.122246.0>
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Message text written by "Mizzi Frank at MITTS"
>How do you cut it?  How do you solder it?  How do you make the joints lo=
ok
brass =

agian i.e. cover the lead solder up??<

I cut mine with a Gryphon metal chop saw.  I once did a repair job where
I cut brass came by hand using lead nippers.  I ran SCREAMING out to
my local stained glass supplier for an electric chop saw.  They cost big =
$$
but are worth it!

You solder it just like you solder any other came - at the joints.  I use=

a gold pen to paint over the joint.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Tue Jun 23 15:20:36 1998
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From: <HiimLaura@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Craft Malls
Date: Tue, 23 Jun 1998 15:58:29 EDT
Message-ID: <1998Jun23.195829.0>
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Hello all:

I am basically new to stained glass (under 2 years), and have recently become
interested in the larger-type craft malls. Would anyone be willing to share
their expierences (good and bad, of course!) in this type of market? I'd
really appreciate the input!
Thanks

Laura
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From owner-glass Tue Jun 23 15:46:54 1998
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From: leestat7 <leestat7@home.com>
To: jcampbell <jcampbell@mfi.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: not glass - FLORIDA ON FIRE
Date: Tue, 23 Jun 1998 17:27:30 -0400
Message-ID: <1998Jun23.132730.0>
References: <<1998Jun23.202221.0>>
Organization: @Home Network
Precedence: bulk

Sarasota, just south of Tampa, on the  west coast reporting in, so far
no major fires here, but the smoke is apparent from those to the north
and east. Heat index (feels like temps) in the 104-110 F range.  I'm
hiding in the A/C.  

Yes, Pray for rain, and all the forest creatures, including people who
are in danger.  We do need 2-4 inches to just settle the dust.  I've
never seen it so dry.  Please, no one use fireworks on or near the 4th
of July, unless you are out on the ocean.

Lee Boe
Rain-Boe's Creations

jcampbell wrote:
> 
> Yes, Florida is in much need of rain. I live in the Ocala National Forest
> just off of St. Rd40 and we are having a lot of smoke and haze.  You can
> hardly breathe outside.  We look out our living room sliding door at the
> forest lining our lake and enjoy nature every day.  Here lately I have
> thanked God every day to be able to enjoy this site.  Yes, prayere are
> needed for rain and for those who have lost their homes , but most of all
> those fire fighters who put their lives on the line for all of us.
> 
> Judy Campbell
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From owner-glass Tue Jun 23 17:07:40 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Second Hand Magazines - Anyone?
Date: Tue, 23 Jun 1998 18:42:05 EDT
Message-ID: <1998Jun23.22425.0>
Precedence: bulk

Hi Shakeel - I don't get the Glass Patterns Quarterly but there is a supplier
in the U.S. that offers various old issues going back to 1986.  You can pick
your own issues from their list for $5 each or order a package which contains
the current issue along with 4 back issues of their choice for $12.  Of
course, shipping is extra.  They are Hudson Glass Co. and as far as I can tell
they have no internet access yet.

Tomorrow I will fax you the list of issues they have along with an order form
that gives their complete address and phone numbers.

Hope this helps you.
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From owner-glass Tue Jun 23 17:23:04 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: not glass - FLORIDA ON FIRE
Date: Tue, 23 Jun 1998 18:42:14 EDT
Message-ID: <1998Jun23.224214.0>
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Ditto for South Florida.  We have no fires yet, but everything is dying.
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From owner-glass Tue Jun 23 17:40:40 1998
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Date: Tue, 23 Jun 1998 17:42:20 EDT
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This is a test, Haven't gotten any mail for 2 days and was wondering what
happened!!!
Beveler4(Stan)
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From owner-glass Tue Jun 23 17:41:32 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: HELP - GRINDER HEAD STUCK
Date: Tue, 23 Jun 1998 18:42:09 EDT
Message-ID: <1998Jun23.22429.0>
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Hi Don - I live in South Florida, so I know just what you mean about the rust
(and mildew).  Unfortunately, this grinder head got stuck while I was still
living in Penna. so I have no excuse but I just kept on using it until now
when I needed a smaller head.  My "shop" just got moved into the house - it's
been 95-105 for the past two weeks.  I am now working in, believe it or not, a
closet.  Fixing to get the electrician in to put in outlets, lights and a vent
fan and then putting up a 6' bathroom vanity counter top (exactly the right
width for the closet) and I'll be all set.  I thought it would be
claustrophobic but I get so into what I'm doing I don't even notice I'm in the
closet!  I envy anyone with a real workshop.

BTW, the grinder head is now unstuck and yes I used Liquid Wrench, as
originally suggest by Mike.  Thank you all for the suggestions.  It just
happened that I had Liquid Wrench in the garage, so I used it.  It took two
soakings and then I still had to wrestle it off.  However, knowing myself as I
do, I won't say it won't get stuck again.
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From owner-glass Tue Jun 23 17:53:29 1998
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To: HiimLaura@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Craft Malls
Date: Tue, 23 Jun 1998 18:56:52 EDT
Message-ID: <1998Jun23.225652.0>
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I had a couple of glass friends rent booth space at a craft "mall".  They made
enough to pay for their space, but in the end they lost money due to
shoplifting and breakage.  The "mall" owners take no responsibility for those
two situations.  I have been contacted by 3 craft "malls" and have refused
their "offer".  I explained why I wouldn't participate in that "opportunity"
and I was responded to in a rather negative manner.  The bottom line is they
want your product to pull in the customers and to line their own pockets
without any regard to the risks and losses you will take.  As much of a hassle
as the craft shows are as far as setting up and tearing down, the risk is much
less for losing your product due to breakage and theft.  The craft shows in
the spring and fall have kept me very busy with custom orders.  Both of my
friends regretted participating in the craft malls.  They had to make regular
trips to the mall to check on their inventory and to keep it organized.  Hope
this helps a little.

Lu Ann <Whispy Blu>
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From owner-glass Tue Jun 23 18:40:23 1998
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X-Path: one.net!kleeman
From: one.net!kleeman
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Brass came
Date: Tue Jun 23 17:01:40 1998
Message-ID: <19980624000037Z14297-6204+677@mail2.one.net>
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mizzi
i own a stained glass studio in cincinnati
if you have a came saw, i recommend you use a corburendum (?spelling)
blade, the regular blade will cut it, but it dulls it real quick--i found a
gold paint pen to be the easiest and longest lasting way to cover the
joints
thanx
debbie taylor

----------
> From: Mizzi Frank at MITTS <frank.g.mizzi@magnet.mt>
> To: Bungi Glass list <glass@bungi.com>
> Subject: Brass came
> Date: Monday, June 22, 1998 11:42 PM
> 
> Hi there,
> 
> I am about to embark on my first project using brass came.
> 
> Any pointers??
> 
> How do you cut it?  How do you solder it?  How do you make the joints
look brass 
> agian i.e. cover the lead solder up??
> 
> Thanks
> ----
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From owner-glass Tue Jun 23 19:11:30 1998
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X-Path: Citadel.edu!HILLEKER
From: HILLEKER@Citadel.edu
To: glass@bungi.com
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Subject: source of enamel and glass paint
Date: Tue, 23 Jun 1998 20:45:34 -0400 (EDT)
Message-ID: <1998Jun23.164534.0>
Precedence: bulk

Does anyone know of a source of inexpensive firable enamel
and glass paint?

For that matter, is it possible to make your own glass paint?

Russ Hilleke
hilleker@citadel.edu
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From owner-glass Tue Jun 23 19:38:23 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Hunter Green
Date: Tue, 23 Jun 1998 21:09:01 EDT
Message-ID: <1998Jun24.191.0>
Precedence: bulk

Just received this from Spectrum about their new hunter green glass:

<< Subj:=09 Spectrum Glass -- New Products
 Date:=096/23/98 7:51:32 PM Eastern Daylight Time
 From:=09artglass@SpectrumGlass.com
 To:=09artglass@SpectrumGlass.com
 
 Dear Friends:
 
 This has been one of the most prolific "New Product" years ever at Spect=
rum
 Glass.  Since January we've added THIRTEEN new items to our standard col=
or
 line.  The most recent are on their way to suppliers now:
 
 HUNTER GREENS
 
 Finally! Deep, rich designer greens that are simply not available anywhe=
re
 else.  Available in both Waterglass=AE and Wispy, these glasses are a fu=
ll
 three shades darker and three steps bluer than our popular Emerald Green
 series, matching one of the most popular interior colors of our day and
 widening your choices for floral and landscape designs.  Images are
 available at:
 
 http://www.spectrumglass.com/GlassDocs/82398s.html
 
 http://www.spectrumglass.com/GlassDocs/5238W.html >>

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From owner-glass Tue Jun 23 19:52:47 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: <glass@bungi.com>
Subject: re:craft malls
Date: Tue, 23 Jun 1998 18:17:22 -0700
Message-ID: <1998Jun23.111722.0>
Precedence: bulk

I haven't been in a craft mall, but my sister has.  She barely made enough
for rent.

I am in some small consignment stores and one small  retail store which is
taking my pieces on consignment.  I am doing okay.   One of the stores is an
artist co-op and I have to pay a $30. monthly fee plus work the store and a
25% consignment rate.  I have made a decision not to go into anymore stores
which I have to pay a monthly fee or have to work.

Presently I am getting inventory ready for a fair this summer and one this
fall.  I am pretty nervous about getting enough stock.

I have run into a barrier though.  Seems that I need insurance.  I have had
three quotes.   $475 a year, $375 for a one time event and $250 a year.  Do
any of you know of a company that is cheaper?

Cheryl



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From owner-glass Tue Jun 23 20:38:22 1998
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From: <MISGLAS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: re; Craft Malls
Date: Tue, 23 Jun 1998 22:11:55 EDT
Message-ID: <1998Jun24.21155.0>
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I have been in a craft mall for almost a year and have been disappointed in my
sales.  This month I'm taking my things out.  I think people come to craft
malls looking for "country cute" things, not quality stained glass art.  I do
much better at craft fairs.
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From owner-glass Tue Jun 23 21:12:31 1998
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From: "gustav bertolli" <gbertolli@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: subscribe
Date: Tue, 23 Jun 1998 19:41:04 PDT
Message-ID: <1998Jun24.2414.0>
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Please add to list...thanx

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From owner-glass Tue Jun 23 21:16:05 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Len's Bio/Patrick
Date: Tue, 23 Jun 1998 20:01:33 -0700 (PDT)
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Dear Patrick,
I can only thank you for your humor, on many occassions that you have sent me.
Also I can only thank you for the special thing that you are doing for us!
I can only thank you for all it is that you do.
Your deepest friend,
Smilin' snarcy, Cindarooni
  
>
>Sorry to get everybody's hopes up, but I posted Len's bio on Saturday
>because it was on my list to post.
>
>Am I going to suffer the "slings and arrows"? If so ...  dock my pay.
>
>
>Patrick
>Roses and Rainbows
>
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>
>

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From owner-glass Tue Jun 23 21:23:40 1998
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X-Path: pobox.com!Northernlights
From: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>
To: glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: missing giraffe...SOS
Date: Tue, 23 Jun 1998 21:39:28 -0500
Message-ID: <1998Jun23.163928.0>
Precedence: bulk

Lurker alert...I seemed to have lost the url for the picture
of the wonderful giraffe that was done last fall (winter?).
I'm designing a lamp for my new livingroom (just bought and
moved into a townhose) and my mother (fellow lurker Oddjob,
a/k/a Susan Reitmann) reminded me about the colors in the
giraffe, however neither one of us kept the bookmark for the
web page it was pictured on (she thought it might've been
Daniel Germain's).  Anyone still know where the giraffe is
hiding in cyberspace???  Thanks!

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From owner-glass Tue Jun 23 21:29:55 1998
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From: <Beveler4@aol.com>
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Date: Tue, 23 Jun 1998 21:45:35 EDT
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Just got your mail Bob the only one in two days.Maybe I got dropped from the
list somehow or maybe something wrong from my servers end. Thanks for
replying, Beveler4 (Stan)
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From owner-glass Tue Jun 23 21:45:29 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: <HiimLaura@aol.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Craft Malls
Date: Tue, 23 Jun 98 21:39:38 -0000
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Laura wrote:
>I am basically new to stained glass (under 2 years), and have recently become
>interested in the larger-type craft malls. Would anyone be willing to share
>their expierences (good and bad, of course!) in this type of market? I'd
>really appreciate the input!

Hi Laura,

I've had my stuff in a very small craft store here in Pennsylvania for 
about 3 years. It's by no stretch of the imagination a "craft mall." It's 
family-owned and usually a family member is there.

There has been one breakage, which the owners made good, one nightlight 
shoplifted, which the owners also made good, and one missing item, which 
the owners found behind the lattice! They are honest people and do what 
they can to encourage sales. I have had a few good commissions from it.

In the beginning I couldn't pay much attention to it and lost money more 
months than not; but starting this year I've made it a point to make a 
larger variety of inexpensive items, get there every two or three weeks 
and replenish inventory, straighten up, see what's going & what's not, 
etc. I've made a few extra dollars every month since then. Is it worth 
it? Financially, probably not, but I enjoy it, get the exposure, and have 
an outlet for my work. I put in one big panel and rotate that every few 
months so anybody interested knows I can do more than just candleholders, 
picture frames, mirrors and suncatchers. Hope this helps you with your 
decision.

Suzanne
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From owner-glass Wed Jun 24 03:17:41 1998
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X-Path: fuse.net!pebble
From: Rick Lasita <pebble@fuse.net>
To: daver!one.net!kleeman@fuse.net
Content-Type: text/plain; charset=us-ascii
Subject: Re: Brass came
Date: Wed, 24 Jun 1998 05:30:50 -0400
Message-ID: <1998Jun24.13050.0>
References: <<19980624000037Z14297-6204+677@mail2.one.net>>
Organization: Window Art GLass Studio
Precedence: bulk

daver!one.net!kleeman@fuse.net wrote:
> 
> mizzi
> i own a stained glass studio in cincinnati
> if you have a came saw, i recommend you use a corburendum (?spelling)
> blade, the regular blade will cut it, but it dulls it real quick--i found a
> gold paint pen to be the easiest and longest lasting way to cover the
> joints
> thanx
> debbie taylor
> 
> ----------
> > From: Mizzi Frank at MITTS <frank.g.mizzi@magnet.mt>
> > To: Bungi Glass list <glass@bungi.com>
> > Subject: Brass came
> > Date: Monday, June 22, 1998 11:42 PM
> >
> > Hi there,
> >
> > I am about to embark on my first project using brass came.
> >
> > Any pointers??
> >
> > How do you cut it?  How do you solder it?  How do you make the joints
> look brass
> > agian i.e. cover the lead solder up??
> >
> > Thanks
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
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> > Archives available at http://www.bungi.com/glass
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



What is the name of your studio in Cincinnati Debbie?
Rick
http://home.fuse.net/crafts
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From owner-glass Wed Jun 24 05:45:24 1998
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From: <Yegnim@aol.com>
To: shakeel@tm.net.my, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Second Hand Magazines - Anyone?
Date: Wed, 24 Jun 1998 07:17:34 EDT
Message-ID: <1998Jun24.111734.0>
Precedence: bulk

Shakeel,
I have a couple of extra copies of Stained Glass News that I can send you.  I
believe they are from this time period as well as the last one or maybe 2 time
periods.  Please don't worry about the postage, just enjoy them.  
Lenore
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From owner-glass Wed Jun 24 05:47:07 1998
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please take me off the list
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From owner-glass Wed Jun 24 07:48:16 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Craft Malls
Date: Wed, 24 Jun 1998 09:31:47 -0400
Message-ID: <1998Jun24.53147.0>
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Message text written by INTERNET:HiimLaura@aol.com
>I am basically new to stained glass (under 2 years), and have recently
become
interested in the larger-type craft malls. Would anyone be willing to sha=
re
their expierences (good and bad, of course!) in this type of market? I'd
really appreciate the input!<

My experience with craft malls has been 100% bad, sorry to say.
In my area when you say the word "craft" (as in craft mall), the
public thinks wooden or fabric country knickknacks.  Not fine
arts & crafts such as stained glass and hand-thrown pottery.

Consequently, having stained glass in a craft mall around here
(Pennsylvania) means it will be placed next to a booth selling
fabric dolls or distressed primitive furniture, or the infamous
crows-on-a-stick type of country craft.  Invariably, this reduces
the "sex appeal" of your glass, resulting in fewer sales and lower
price points.

There were several months when I didn't even make the booth
rent.  I ended up pulling out, and going instead with local
art and craft galleries.  Research your locations well.  If the store
features other crafts which will compliment your stained glass
wares, then it's a good fit.  If the store features primitives,
folk, or country crafts, then stained glass items usually do not
do well.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
----
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From owner-glass Wed Jun 24 08:08:24 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: insurance
Date: Wed, 24 Jun 1998 09:31:54 -0400
Message-ID: <1998Jun24.53154.0>
Precedence: bulk

Message text written by Cheryl:
>I have run into a barrier though.  Seems that I need insurance.  I have
had
three quotes.   $475 a year, $375 for a one time event and $250 a year.  =
Do
any of you know of a company that is cheaper?<

Have you tried contacting your home owners insurance company
and getting extra coverage for these events?  I got my store coverage
through my home owners insurance company.  It's for $350 a year.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Wed Jun 24 08:17:59 1998
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X-Path: jerseycape.com!lsg
From: "Michael Minchelli" <lsg@jerseycape.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Custom Bevels...Rick
Date: Wed, 24 Jun 1998 09:58:22 -0400
Message-ID: <1998Jun24.55822.0>
Precedence: bulk

Hey Rick my name is Michael and I am from LSG Creations and we can take
care of your custom bevel needs. There are some stock bevel clusters for
initials available through different wholesalers and retailers but you will
be limited to the one or two styles of type and the size which is usually
on the smaller side. You have probably already looked there so custom may
be your only route. For the most part, standard 1/2'' bevels on standard
thickness glass would cost $1 per running inch. I am sure that you will
find this price quite reasonable if you shop around. You can contact me by
email at lsg@jerseycape.com or by telephone at 609-263-2043.
Michael from LSG


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From owner-glass Wed Jun 24 09:19:08 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Test - no reply needed
Date: Wed, 24 Jun 1998 15:57:59 +0100
Message-ID: <1998Jun24.165759.0>
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Recent messages I have sent have not surfaced at bungi, so I am sending this
test mesage to see if it arrives safely.
No need for anyone to reply - if it doesnt appear I shall know I have problems
Elizabeth

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From owner-glass Wed Jun 24 11:18:13 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Craft Malls
Date: Wed, 24 Jun 1998 10:18:37 -0700 (PDT)
Message-ID: <199806241718.KAA09320@ns2.vphos.net>
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>To: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
>From: cpesonen@bcinternet.net (Cindy Pesonen)
>Subject: Re: Craft Malls
>
>Hi Laura,
>I do agree with Christie.
>I haven't done a craft mall thing, but was asked to and felt it wouldn't be
fun at all. (They wanted me there for 7 days! Yeeck.). In my opinion, alot
people shopping in the mall have a tunnel vision on what they want to spend
their money on. A show is different, cos you know people have come to see
new and exciting things that catch their eyes.
>
>I have done a show where tables are $400.00 and up (to me I feel that's too
much, but there are some alot more) And the topic heard was keeping the
"knickknacks" (like soap making...sorry to offend) out of the arena of "real
art" of paintings and scupltures and so on.
>
>The Canadain Federation of Artists shows are the same thing, and you know
what people were there for... I like the wine and cheese,too! (table is
free, and small commission)
>
>Once in awhile I think it would be "fun" just to do a little flea market or
farmer's market in our area now and again. 
>But I would suggest looking into different "shows" to get out there (be
known and be seen).
>Smiles, Cindy
>
>>----
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>>
>>
>

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From owner-glass Wed Jun 24 12:53:17 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: flea markets
Date: Wed, 24 Jun 1998 11:55:11 -0700
Message-ID: <1998Jun24.45511.0>
References: <<199806241718.KAA09320@ns2.vphos.net>>
Organization: Maiden Concepts
Precedence: bulk

> >Once in awhile I think it would be "fun" just to do a little flea market or
> farmer's market in our area now and again.

This has been my experience.  Never Never Never do a flea market or a
fair with a carnival.  The public has come to get a bargain.  Not pay
for a fine craft!!!!!!  Don't even do it thinking you can get rid of old
stock.  Have your own garage sale for that!
Sorry Cindy, but we don't want to send any fellow bungians down that
road.
Good luck to you all this summer and I am praying that Florida gets
rain!!!!!
Shirley B
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From owner-glass Wed Jun 24 15:33:16 1998
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: flea markets (and other places to sell glass)
Date: Wed, 24 Jun 1998 17:19:03 -0400
Message-ID: <1998Jun24.13193.0>
References: <<1998Jun24.45511.0>>
Precedence: bulk

I always figure that if there's a Tilt-a-Whirl, I don't want to try selling my
glass there.  Who is going to buy a piece of stained glass and get on a carnival
ride?  However, craft fairs along with "Taste of..."shows work just fine.  Hmm,
food and stained glass....

Although one of the best shows I did last year was a new one at a town festival.
But I knew the town and knew that the festival would be sedate.  (Octoberfest in
W. Hartford, for those who know Connecticut)  looking forward to it this fall.

Thunderstorms forcast for Saturday, I want you to know....

Dorothy K

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From owner-glass Wed Jun 24 15:56:44 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: flea markets
Date: Wed, 24 Jun 1998 17:30:28 -0400
Message-ID: <1998Jun24.133028.0>
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Message text written by Shirley Balloch
>This has been my experience.  Never Never Never do a flea market or a
fair with a carnival.  The public has come to get a bargain.  Not pay
for a fine craft!!!!!!  Don't even do it thinking you can get rid of old
stock.  Have your own garage sale for that!
Sorry Cindy, but we don't want to send any fellow bungians down that
road.<

I must add my 'amen' to that, Shirley.  Never, never reduce your
stained glass to a flea market item.  It really hurts not only your
subsequent sales, but it hurts the rest of us glass artists.  Stand up
for your art and ask for what it is worth.  In my store I never, ever
have a sale.  Never.  I also do not bargain on the price.  Of course,
I am also prepared to have an item not sell for a year or two.  But
the right buyer is out there somewhere.  No flea markets for me,
ever.

Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Wed Jun 24 16:57:07 1998
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X-Path: aol.com!Beveler4
From: <Beveler4@aol.com>
To: leestat7@home.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: No Mail
Date: Wed, 24 Jun 1998 18:31:18 EDT
Message-ID: <1998Jun24.223118.0>
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Hi Lee,
Thanks for the reply,I have had a couple of pieces of mail from bungi today
still not many but at least I know it is working again what ever was wrong in
the first place. I hope that you get that badly needed rain in Fla. It is so
ironic, here we have had nothing but rain for the last few weeks. We've had
34inches so far in June normal for the entire month is about 20inches,and they
are talking about more storms this weekend.We have been battling floods, just
the opposite problems.Beveler4(Stan)
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From owner-glass Wed Jun 24 18:02:03 1998
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X-Path: sympatico.ca!KMunday
From: KMunday <KMunday@sympatico.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: The Big Book of Stained Glass Supplies
Date: Wed, 24 Jun 1998 19:34:05 -0400
Message-ID: <1998Jun24.15345.0>
Precedence: bulk

Hi, I have heard of this book many times, but can't find out any info
about it on the internet.  Where do you find this book?  To have all of
the glass supplies listed in one book sounds wonderful.  I'm in Ontario,
Canada, is this why I can't find it? Please help a novice (2.5 years
experience and loving every moment).  
Also, I find bungi a GREAT big help, thank you all for your time and
advice.
Kim
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From owner-glass Wed Jun 24 18:34:54 1998
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X-Path: pdq.net!wendyl
From: "Wendy Larson PDQ" <wendyl@pdq.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: patterns for small lighthouses (3D)
Date: Tue, 24 Jun 1986 18:53:13 -0500
Message-ID: <1986Jun24.135313.0>
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This is a multi-part message in MIME format.

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I am looking for any patterns for easy (beginner level) 3D stained glass =
lighthouses. My husband likes lighthouses and I thought this might be a =
good way to use some of my scraps of glass from other projects. Any =
suggestions ?=20

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<DIV><FONT color=3D#000000 size=3D2>I am looking for any patterns for =
easy (beginner=20
level) 3D stained glass lighthouses. My husband likes lighthouses and I =
thought=20
this might be a good way to use some of my scraps of glass from other =
projects.=20
Any suggestions ? </FONT></DIV></BODY></HTML>

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From owner-glass Wed Jun 24 20:06:38 1998
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From: "gustav bertolli" <gbertolli@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Zinc Came
Date: Wed, 24 Jun 1998 16:55:51 PDT
Message-ID: <1998Jun24.235551.0>
Precedence: bulk

Pictures of some zinc came in catalog look like it meant to be 
adjustable.    ???????

Is that so?......When do you adjust?   is it better for beginner.

______________________________________________________
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From owner-glass Wed Jun 24 20:35:09 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Posted Bios
Date: Wed, 24 Jun 1998 21:34:48 -0500
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I have recently been requested to send all of the bios to some of the new
members. If anyone else wants these contact me off-line so as not to
bog-down the list pkelly@n-link.com

Warning ahead of time: For our friends that pay by the minute for the
Internet it make take a few minutes to download.

Patrick
Roses and Rainbows


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From owner-glass Wed Jun 24 23:05:51 1998
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From: HILLEKER@Citadel.edu
To: glass@bungi.com
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Subject: book on copper wheel engraving
Date: Wed, 24 Jun 1998 14:06:43 -0400 (EDT)
Message-ID: <1998Jun24.10643.0>
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Does anyone know of a good book on copper wheel engraving?

I am interested in making my own copper wheel engraver, so 
I also need some good pictures of an engraver (diagrams,
of course, would be even better).  Are there any companies
that manufacture copper wheel engravers today?

Thanks

Russ Hilleke
hilleker@citadel.edu
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From owner-glass Thu Jun 25 06:35:02 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: book on copper wheel engraving
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 25 Jun 1998 07:23:50 +0000
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> Does anyone know of a good book on copper wheel engraving?

Russ, if you go to
http://www.aiap.com/amazon/newest.htm
you'll find
"Point Engraving on Glass" (The Decorative Arts Library) 
       by Laurence Whistler 
  List: $19.95 ~ Our Price: $13.97 ~ You Save: $5.98 (30%) 
  Publisher: Walker Books
  Binding: Hardcover
Click on "More Books" at the foot of that page and look under 
"Blasting" (oddly enough), as well as in files amazon2.htm, 
amazon10.htm and amazon12.htm

You can also look for more such titles by entering "glass engraving" 
and/or "engraved glass" in the search tool on the Guild's main page 
at http://www.bungi.com/glass/igga/

There's a bunch of them.

Albert

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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: The Big Book of Stained Glass Supplies
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 25 Jun 1998 07:23:50 +0000
Message-ID: <199806251226.IAA08541@vger.vgernet.net>
Precedence: bulk


> Hi, I have heard of this book many times, but can't find out any info
> about it on the internet.  Where do you find this book?  To have all of
> the glass supplies listed in one book sounds wonderful. 

Kim,

I haven't heard of "The Big Book of Stained Glass Supplies," but the 
Guild not only publishes the "Sources Guide" to glass supplies once a 
year in the Spring ($10 + plus $3 postage from the address below), 
but also provides it free of charge online at the URL shown below. 
Enjoy!

Albert

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Thu Jun 25 07:06:18 1998
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X-Path: raft.memach.com!lcbell
From: Linda Campbell <lcbell@raft.memach.com>
To: "glass@bungi.com" <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: patterns for small lighthouses (3D)
Date: Thu, 25 Jun 1998 08:59:09 -0400
Message-ID: <1998Jun25.4599.0>
Precedence: bulk

Wendy,

I have a pattern I have drawn for the Hatteras Light house, about 8 =
inches tall, flat glass but mounted vertically on a stand so it can sit =
on a table. I haven't built it yet but I think it will work. If you or =
any one else would like it I can send it in jpeg format (8-1/2 x 11).

Linda
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From owner-glass Thu Jun 25 09:35:42 1998
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X-Path: city-net.com!dany
From: "Daniela Birkelbach" <dany@city-net.com>
To: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>,
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: missing giraffe...SOS
Date: Thu, 25 Jun 1998 11:12:52 -0400
Message-ID: <199806251504.LAA13997@dns.city-net.com>
Precedence: bulk

I'm not sure if this is the right giraffe but Susan at CWWSLW@aol.com
sent out copies of hers via private email.  You might want to contact her.

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
Many new pictures up on my Stained Glass Pages.
Please come and visit!

----------
> From: Northernlights (Tracy Reitmann) <Northernlights@pobox.com>
> To: glass <glass@bungi.com>
> Subject: missing giraffe...SOS
> Date: Tuesday, June 23, 1998 10:39 PM
> 
> Lurker alert...I seemed to have lost the url for the picture
> of the wonderful giraffe that was done last fall (winter?).
> I'm designing a lamp for my new livingroom (just bought and
> moved into a townhose) and my mother (fellow lurker Oddjob,
> a/k/a Susan Reitmann) reminded me about the colors in the
> giraffe, however neither one of us kept the bookmark for the
> web page it was pictured on (she thought it might've been
> Daniel Germain's).  Anyone still know where the giraffe is
> hiding in cyberspace???  Thanks!
> 
> ----
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From owner-glass Thu Jun 25 10:38:22 1998
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X-Path: aol.com!Witchdoc3
From: <Witchdoc3@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: not glass - FLORIDA ON FIRE
Date: Thu, 25 Jun 1998 12:15:34 EDT
Message-ID: <1998Jun25.161534.0>
Precedence: bulk

Lee Boe said:

> Yes, Pray for rain, and all the forest creatures,
> including people who are in danger.

No doubt about it, you folks are in serious need of a miracle.

I have an idea what you're going through - I'm from the left coast and
remember a couple of nasty fires in the hills above my college (out in the far
eastern reaches of the LA basin). One of them turned the whole sky murky for
over a week and "snowed" a half inch of fine ash all over our area (about 15
miles away and downhill, so no real danger of fire where we were, but
downwind) until we got a good rain (which turned all the ash into the yuckiest
mud imaginable, but we could all live with that!).

I'm sending my good vibes to the "tropical disturbance" that's brewing off
Yucatan, hoping it grows strong enough to pack a bunch of rain but *not*
enough to turn into a hurricane, and that it heads straight for you guys,
soaks you good, and puts out all the fires at once.


Sparks
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From owner-glass Thu Jun 25 15:47:59 1998
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To: glass@bungi.com
Content-Type: multipart/mixed;
Subject: Fwd: not glass - FLORIDA ON FIRE
Date: Thu, 25 Jun 1998 17:32:07 EDT
Message-ID: <1998Jun25.21327.0>
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This is a multi-part message in MIME format.

--part0_898810324_boundary
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From: DMR74@aol.com
Return-path: <DMR74@aol.com>
To: Witchdoc3@aol.com
Subject: Re: not glass - FLORIDA ON FIRE
Date: Thu, 25 Jun 1998 17:31:34 EDT
Mime-Version: 1.0
Content-type: text/plain; charset=US-ASCII
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texas is not on fire but in almost as much need of rain,  here's the bulletin
it is trying to rain here, some cloud bursts and some good down fall, maybe
will only last a few minutes but hopefully there is more to come.  Come on all
you Texans when we have had enough blow real hard in the easterly direction.
(dad is in FL and always says that if it rains by us in SE TX they will get it
soon too)
deb

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From owner-glass Thu Jun 25 16:08:21 1998
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From: <WhispyBlu@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: The Big Book of Stained Glass Supplies
Date: Thu, 25 Jun 1998 17:40:23 EDT
Message-ID: <1998Jun25.214023.0>
Precedence: bulk

In a message dated 6/25/98 8:55:03 AM Central Daylight Time,
alewis@vgernet.net writes:

<< Hi, I have heard of this book many times, but can't find out any info
 > about it on the internet.   >>

I have a copy of the Big Book.  I believe it costs around $5.00 and could be
supplied by Hoy's a wholesale company located in Chicago.  I purchased it from
my local retailer.  It is a great resource for glass and supplies but does not
include any prices.  I would give you more info. if I could find it (LOL).  I
think the Guild's web site would provide the same information, if not better.
For anyone still interested in it you can e-mail me privately and I should be
able to put my hands on it in the next day or so.

Lu Ann <Whispy Blu@aol.com>
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From owner-glass Thu Jun 25 18:23:59 1998
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From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: not glass - FLORIDA ON FIRE
Date: Thu, 25 Jun 1998 20:08:03 EDT
Message-ID: <1998Jun26.083.0>
Precedence: bulk

In a message dated 98-06-25 18:50:54 EDT, DMR74@aol.com writes:

<< 
 texas is not on fire but in almost as much need of rain,  here's the bulletin
 it is trying to rain here, some cloud bursts and some good down fall, maybe
 will only last a few minutes but hopefully there is more to come.  Come on
all
 you Texans when we have had enough blow real hard in the easterly direction.
 (dad is in FL and always says that if it rains by us in SE TX they will get
it
 soon too)
 deb >>



It raining here in Jacksonville for a while but **so**  little rain came down.
I had put out buckets to catch some for my Venus Fly Trap, but 2 hours after
it is still sprinkling but there is next to nothing in the buckets.


Dianne
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From owner-glass Thu Jun 25 18:48:29 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: not glass - FLORIDA ON FIRE
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Fri, 26 Jun 1998 01:52:12 +0000
Message-ID: <199806260054.BAA05884@saturn.nildram.co.uk>
Precedence: bulk

Ayee, you poor things!
I'll gladly  send you some rain from UK. We have had plenty of it in 
this June!!
Thinking of you!
Elisabeth 'n Toby in UK


Lee wrote:
Yes, Pray for rain, and all the forest creatures, including people who
are in danger.  We do need 2-4 inches to just settle the dust.  I've
never seen it so dry.  Please, no one use fireworks on or near the 4th
of July, unless you are out on the ocean.

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Thu Jun 25 19:01:42 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: NON STAINED GLASS - just an apology
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Fri, 26 Jun 1998 01:52:12 +0000
Message-ID: <199806260054.BAA05866@saturn.nildram.co.uk>
Precedence: bulk

Dear Friends,

I have lots of smiles from messages about my stained glass "downer". 
I will reply to all of them...... and Thank You.... But you know what 
they say -  one bad thing follows another.....

I owe many people a reply; want to "talk" to many individuals, who 
have become my friends.
Please accept my apology that it won't be for the next few 
weeks......
 Right now, I am packing my suitcase, checking my passport 
and booking a flight back to Sweden (with borrowed money!)
I have to go back home to Sweden to bury my Mother who has just died.
She and I never managed to make "peace". My older brother and I  
haven't spoken for 16 years (and THEN it was in Court!) He and I want 
to make a new beginning.
The formalities, legalities of everything is quite daunting.
I perhaps OUGHT to unsubscribe, but will just hope that my server can 
cope so that I will have the pleasure of catching up when I get back 
to UK end of July.
Please accept my apologies - in the meantime - for causing you to 
wait for replies from me. .
Toby will guard the home and have company in the meantime......
Thank you
Elisabeth 'n Toby in UK

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Thu Jun 25 19:55:31 1998
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From: Jean <jeanor_ak@yahoo.com>
To: PDRUSS@aol.com, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: not glass - FLORIDA ON FIRE
Date: Thu, 25 Jun 1998 18:50:10 -0700 (PDT)
Message-ID: <1998Jun25.115010.0>
Precedence: bulk


What's happening with all these non-glass related messages?  Bungi is
a list for stained glass related discussions. I, too, am sorry about
the fires in Florida, the landslides in California, tornadoes where
ever, and all other natural  (and un-natural) disasters, HOWEVER-- I
really don't want to read about them on any list that is meant for a
special topic.

Would it be posible for these posts to be sent personally to those who
are interested in such topics?

Thx.
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From owner-glass Thu Jun 25 20:11:38 1998
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X-Path: scc.net!oddjob
From: Susan Reitmann <oddjob@scc.net>
To: KMunday <KMunday@sympatico.ca>
Content-Type: text/plain; charset=us-ascii
Subject: Re: The Big Book of Stained Glass Supplies
Date: Thu, 25 Jun 1998 20:58:45 -0500
Message-ID: <1998Jun25.155845.0>
References: <<1998Jun24.15345.0>>
Precedence: bulk

KMunday wrote:

> Hi, I have heard of this book many times, but can't find out any info
> about it on the internet.  Where do you find this book?

My Copy says: 1997 Creative Craftsman Co., Naperville, IL 60537As luck would
have it I am making a trip to my supplier this coming Sat. and wouls be
happy to pick up a copy for you and snail-mail it to you. If I recall, I
think I paid aprox. $5.00 (U.S.)for it.
Sue Reitmann (oddjob@scc.net)

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From owner-glass Thu Jun 25 20:29:34 1998
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From: <HiimLaura@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: fairie illustrations
Date: Thu, 25 Jun 1998 22:10:46 EDT
Message-ID: <1998Jun26.21046.0>
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Hello all, and thanks to all those who replied to my last message... Now for
my quesiton: I am in search of a quality web site for fairy illustrations - I
am especially looking for nouveau-type drawings and/or artwork from very early
children's books
~anyone? 

Thanks to all

Laura 

P.S. What is the difference between a fairy, fairie, sprite, brownie...?!!
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From owner-glass Thu Jun 25 20:45:57 1998
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X-Path: eatumup.com!byronw
From: byronw@eatumup.com (Byron Wells)
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Custom Bevel
Date: Thu, 25 Jun 1998 21:17:15 -0500
Message-ID: <1998Jun25.161715.0>
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Rick,if you have wholesale status a place called Big M stained glass supply
was carrying already made letter bevel clusters..I dont know if they still
have them tho but thier number is 1-800-426-8307 The letters were like 6"x6"
if I remember right...

Byron...
Wells Glassworks

-----Original Message-----
From: Rick Lasita <pebble@fuse.net>
To: glass@bungi.com <glass@bungi.com>
Date: Saturday, June 20, 1998 12:38 AM
Subject: Custom Bevel


>Need some help here. I have a potential client who wants a beveled
>sidelight and transom done. They would like to have the first inital of
>their last name above the door. The letter is a "P". anyone do, or kno
>who to contact, to get a price on this? I'm figuring the letter to be
>about 7 to 9" tall and perhaps 4" wide.
>
>Thanks,
>Rick
>http://home.fuse.net/crafts
>----
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From owner-glass Thu Jun 25 21:57:36 1998
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From: <CWWSLW@aol.com>
To: jeanor_ak@yahoo.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: not glass - FLORIDA ON FIRE
Date: Thu, 25 Jun 1998 23:42:08 EDT
Message-ID: <1998Jun26.3428.0>
Precedence: bulk

WARNING...WARNING... I'm HOT.

Thats what your delete button is for. 
If you notice, it plainly states " RE: NOT GLASS - FLORIDA ON FIRE".
If you're not interested, delete away. Bungi people, however, are just that.
PEOPLE.
We have gotten to know each other, and by golly, I have gotten attached to a
few of them. I like knowing their concerns. Even if the only way I can help is
by offering my prayers, then I'll do it. These people have given me a lot of
good advice and I'd like to know I can return the favor, in any way.

Susan
(who rarely gets steamed about anything)
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From owner-glass Fri Jun 26 03:50:47 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: New "cool" site
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 25 Jun 1998 16:24:03 +0000
Message-ID: <199806261049.GAA05539@vger.vgernet.net>
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A new "cool" site was just added at the top of the Guild's home page. 
Maybe it's just pride on my part that I made it the current "cool" 
site, since I designed it. <s>

Anyway, take a look at
http://www.diacca.com/

Pat Topp does some really nice work!

Albert

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From owner-glass Fri Jun 26 05:27:28 1998
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X-Path: InfoAve.Net!ctombro
From: Carol Tombro <ctombro@InfoAve.Net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re:  not glass - FLORIDA ON FIRE
Date: Fri, 26 Jun 1998 06:51:14 -0400
Message-ID: <1998Jun26.25114.0>
Organization: Home
Precedence: bulk

I've been on other lists where the health and life of other people on
the list have been discussed.  This fire is a national disaster, not
only to the people who live there, but to everyone.  To know there are
people on Bungi who are in harm's way is informative and gives us more
knowledge about the people we see post.  Sorry, but I see no harm in
these postings.  I would rather know what is going on in the world with
people on Bungi than stick my head in the sand and just keep asking
glass questions without regard for them or their feelings.

Carol T

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From owner-glass Fri Jun 26 05:56:07 1998
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From: Zor Prime <ZorPrime@CityNet.Net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Mountain State Art & Craft
Date: Fri, 26 Jun 1998 07:10:37 -0400
Message-ID: <1998Jun26.31037.0>
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Hi Bungians,

Are any of you going to, or going to be in, the Mountain State Art &
Craft
Fair at Cedar Lakes this year? This is located just outside Riply, WV.
I believe the dates are July1-5. There was one stained glass artist
there last year, with beautiful work. And another with hot glass items,
very nice jewerly and slumped work. Just curious, as I am attendind on
the 5th. It would be great to run into someone from Bungi.

Have a fun 4th of July,

Kathy
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From owner-glass Fri Jun 26 07:28:47 1998
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From: leestat7 <leestat7@home.com>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Lakeland Seminar
Date: Fri, 26 Jun 1998 09:13:25 -0400
Message-ID: <1998Jun26.51325.0>
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Organization: @Home Network
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Hi All,

Should have posted this earlier in the week-I'm going to the glass
fusing seminar in Lakeland , Florida Today and tomorrow.  Is anyone else
on bungi going to be there?  Leaving in an hour, may see whoever up
there.

Lee Boe
Rain-Boe's Creations
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From owner-glass Fri Jun 26 07:59:11 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Weather and natural disasters, not glass
Date: Fri, 26 Jun 1998 06:24:18 -0700 (PDT)
Message-ID: <199806261324.GAA07366@ns2.vphos.net>
Precedence: bulk

So terribly sad to hear of the fires in Florida and natural disasters in the
USA.
It's very hard to watch people's lives distroyed on tv.
My heart to goes out to all.

Just this past winter Eastern Canada had horrid ice storms, that knock down
power for many. Huge lines of hydro power were down for 8 weeks or more.
Many American hydro linesmen came to the aid to help and worked around the
clock to restore power to freezing Canadains.

Cindy
 

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From owner-glass Fri Jun 26 08:31:22 1998
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From: tcn@net-magic.net (Boatwright, Walter)
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Fla
Date: Fri, 26 Jun 1998 09:08:53 -0700
Message-ID: <1998Jun26.2853.0>
Organization: The Glass Safari
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Well...This has been going on Bungi for a looooong time..I see nothing
wrong is her Message about Fla.. If you don't want to read the message
delete it...Bungi has a lot of subjects on not associated with glass
Walter

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From owner-glass Fri Jun 26 08:48:13 1998
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To: jeanor_ak@yahoo.com, glass@Bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: not glass - FLORIDA ON FIRE
Date: Fri, 26 Jun 1998 10:07:59 EDT
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     Excuse me....but there are some of us Bungians who want  to know when our
fellow Bungians are in need of Spiritual Support.  It plainly says "re: not
glass ....FLORIDA ON FIRE".......if I am not mistaken, we all have a delete
key that can be used. 

Kathy
(Kath8284@AOL.com)
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From owner-glass Fri Jun 26 10:14:06 1998
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From: "Robert G. and Rebecca T. Wickline" <wickline@i2020.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Wisconsin info
Date: Fri, 26 Jun 1998 12:12:06 -0400
Message-ID: <1998Jun26.8126.0>
Organization: Personal
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I've been lurking around for a while and finally decided to become
active.  My family and I are driving from Va. to Wisc. next week and I
wonder if anyone knows of glass sites, neat stuff to see while we are
traveling.
    We will be gone  about two weeks and have an open agenda after we
return a Coast Guard daughter to her boat.
    Thanks-   Becky

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From owner-glass Fri Jun 26 12:12:35 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------3FA8E3E6DF63B38D44028B30"
Subject: Re: Cool Site-web design
Date: Fri, 26 Jun 1998 10:54:40 -0700
Message-ID: <1998Jun26.35440.0>
Organization: Moswood Mountain Limited
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This is a multi-part message in MIME format.
--------------3FA8E3E6DF63B38D44028B30
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Howdy All!

Albert thanks for sharing that site. I agree with you she does do some
great work and your site design was fabulous and cool.  I would probably
say most of us have to be our own "Web masters" and that's a task that
can become very hard to do at times.

So it's nice when you share what you have created for someone on the
net, yes I was looking more at the site design than at Pat's work, sorry
Pat! It was the web master in me that took over.

I don't think I'm alone in wanting to view some other sites that you
have created. This is, I'm sure, of interest to the novice "web masters"
(I for one included there)  who have to "work on site design". Which I
might add is an integral part of your business success or failure rate
here on the net. So Albert here is your Friday challenge, ready, send us
novice web masters just a couple of your site designs. Please!

P.S. I'm still holding you to that game of trivial pursuit, hehe!

As an added note: I am deeply concerned with all issues that concern the
gracious people here at bungi. I would gladly help someone out who was
living a nightmare due to a tragic event. Could be weather related or
related in some other way. I have prayed for a resolve in the Florida
issue and feel terrible about Elisabeth's mother passing away.

I felt so bad when she was down that I sent her an e-mail cheer up card,
of which she appreciated and even made her smile a bit. I have
personally received an enormous amount of support from this group in the
short time I have been involved. And even if some issue's do not pertain
to me they are still a vital element that allows the group participants
the growth they need as individuals and professionals, glass related or
not. It's a sad day when you close your mind to the possibility of
learning.

Have a great weekend, and take time to relax a little bit or learn
something new!

Pam



Albert Lewis wrote:
A new "cool" site was just added at the top of the Guild's home page.


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Content-Transfer-Encoding: 7bit
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fn:             Pamela  Burns-Tappan
n:              Burns-Tappan;Pamela 
org:            Moswood Mountain Limited
adr:            http://www.pacifier.com/~ptap/index.html;;http://www.pacifier.com/~ptap/artists.html;;;;USA
email;internet: ptap@pacifier.com
title:          President
x-mozilla-cpt:  ;0
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version:        2.1
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--------------3FA8E3E6DF63B38D44028B30--

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From owner-glass Fri Jun 26 12:38:13 1998
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X-Path: mfi.net!jcampbell
From: "jcampbell" <jcampbell@mfi.net>
To: Kath8284@aol.com, jeanor_ak@yahoo.com, glass@Bungi.com
Content-Type: text/plain; charset="ISO-8859-1"; X-MAPIextension=".TXT"
Subject: Re: not glass - FLORIDA ON FIRE
Date: Fri, 26 Jun 98 13:57:17 PDT
Message-ID: <1998Jun26.205717.0>
References: <<1998Jun26.14759.0>>
Precedence: bulk

It's good to see that some people still care about others and take time to
let them know.  This is one Floridian, and I'm sure I speak for the others
here in Florida, that appreciated the thoughts and prayers of all our
friends on the list.  Thanks for caring.

Judy
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From owner-glass Fri Jun 26 12:41:41 1998
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X-Path: aol.com!AlexG2
From: <AlexG2@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Arkansas info too!
Date: Fri, 26 Jun 1998 14:18:50 EDT
Message-ID: <1998Jun26.181850.0>
Precedence: bulk

Hi, everyone

I'm taking the wife and kids, to our folks place in Hot Springs, Arkansas next
week.  If anyone knows of glass places to visit I sure would appreciate it.
We live in the Florida panhandle and will be driving thru Mobile, AL,
Hatisburg and Jackson, MS, then thru northern LA and finally to Arkansas.

Thanks
Alex Gacic
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From owner-glass Fri Jun 26 14:29:05 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Cool Site-web design
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 26 Jun 1998 16:35:41 +0000
Message-ID: <199806262139.RAA02579@vger.vgernet.net>
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> Albert thanks for sharing that site. I agree with you she does do some
> great work and your site design was fabulous and cool.  I would probably
> say most of us have to be our own "Web masters" and that's a task that
> can become very hard to do at times.

Thanks, Pam, for the compliments. I was kinda pleased with it, too, 
although it's still very much in process (order forms and things have 
yet to be created). But I just wanted to show off my own way of 
presenting Pat's really rather fabulous work.

By the way, for those of you who are too busy producing work to 
really do justice to a serious web site, that's how I support myself 
(hint, hint) <grin> and I give deep discounts to glass artists, 
craftspeople and such.

Other stuff I've done?  Sure:

Best of the Berkshires (currently being built)
http://www.berkshiresbest.com/

Reading Comprehension Analysis
http://www.tasa.com/

Stained Glass Restoration
http://www.cummingsstudio.com/

Soprano with major operas
http://www.aiap.com/cummings/

Architectural Art Glass Light Show
alldesigncom.com/light/

Enjoy!

Albert
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From owner-glass Fri Jun 26 14:55:10 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: David Cogen <cogen@ll.mit.edu>
Subject: Donut (UK TV license)
Date: Fri, 26 Jun 1998 20:49:18 +0100
Message-ID: <1998Jun26.214918.0>
References: <<199806171847.OAA08844@ll.mit.edu>>
Precedence: bulk

In message <199806171847.OAA08844@ll.mit.edu>, David Cogen
<cogen@ll.mit.edu> writes
>
Doughnut  or Donut

If the central hole is small, grinding may make sense.  If the central
hole is more than 5cm, then I'd think the grinder is both slow and
inaccurate.

Here is what can be done, if the central hole is 2inches or more and
perimeter circle 6inches in diameter  (2" dia hole in a 6" circle)

Set the circle cutter to a little less than the small diameter first.  
fix it to the glass with enough space for the major circle.  
make the smallest score.  
then while leaving the circle cutter fixed to the glass, make the
adjustment for the inner hole. 
make the second score.
then while leaving the circle cutter fixed to the glass, make the
adjustment for the outer circle.
remove the cutter.

then make criss-crosses from side to side within the smallest circle.
tap gently around the inner circle to run the score first.
then tap the cirss-crosses until you can get a piece or pieces out.
then use pliers to break out the remainder.
You are now left with a thin ring.  use the pliers carefully to get this
ring out.

You are now left with the circle scored in a relatively "big" piece of
glass.
use the usual method of breaking out a circle from a sheet of glass.
I.e.  run the score around the circle, make relieving cuts at right
angles from the circle score to the edge of the glass in at least 4
places.  (I choose the narrowest, others choose the "thickest/broadest"
places between the score and the edge of the sheet.)
Carefully tap the relieving score, so it doesn't go across the circle
score.
Break the unwanted bits off the circle.

Remember the circle will be very weak with a hole in the center, so it
will have to be treated more carefully in the cutting and breaking
phases.
It will also always be very weak in use.  If you can, use thicker than
3mm glass for extra strength.

TV licenses  (just to keep two unrelated topics going)
>> The interesting part is that they make it hard to 'cheat'. From what I hear 
>from
>> the UK people that work(ed) for me, there are 'enforcers' that ride around in 
>a
>
>I wonder what they'll do once the Internet is fast enough to transmit realtime
>video, and much of our "television programming" comes via the Internet. This
>will happen; it's only a matter of time.
>
>Or do they already tax that in England?
>
Well,  I pay a TV license gladly.  It gives me good (normally)
programmes without the interruptions for adverts.  I'd rather pay the
small sum of money (a few cents a day) than have to suffer the adverts.
An example of the damage reliance on advertising can and has done to
television is TV in the USA.  I tried to watch the last Olympic games on
US TV, but found there were more adverts at inappropriate times than
there were live sporting competitions.

Yes, there will still be a TV license to be paid, even when all the
programming is delivered through cable or satelite.  That money pays for
a public service broadcasting organisation and programming that is
among, if not, THE best TV in the world.

I'm PROUD to pay my TV license!

I'm ashamed to be a citizen of a country (USA) where there seems to
little public or community spirit, of which the antipathy to tax of any
sort is almost wholly irrational!

Well that's my rant!  I guess I'll get some flames!  so what, it's off
my chest (and onto yours, I guess).

Steve
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Jun 26 16:55:08 1998
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X-Path: net-magic.net!tcn
From: tcn@net-magic.net (Boatwright, Walter)
To: Kath8284@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: not glass - FLORIDA ON FIRE
Date: Fri, 26 Jun 1998 18:04:08 -0700
Message-ID: <1998Jun26.1148.0>
References: <<1998Jun26.14759.0>>
Organization: The Glass Safari
Precedence: bulk

Very well put....Thanks
Walter

Kath8284@aol.com wrote:

>      Excuse me....but there are some of us Bungians who want  to know when our
> fellow Bungians are in need of Spiritual Support.  It plainly says "re: not
> glass ....FLORIDA ON FIRE".......if I am not mistaken, we all have a delete
> key that can be used.
>
> Kathy
> (Kath8284@AOL.com)
> ----
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From owner-glass Fri Jun 26 20:00:39 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: (Fwd) Re: Cool Site-web design
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 26 Jun 1998 22:04:22 +0000
Message-ID: <199806270308.XAA17405@vger.vgernet.net>
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Architectural Art Glass Light Show
alldesigncom.com/light/

Oops! That should have been
http://www.stainedglassbiz.com/lightshow/index.html

Albert
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From owner-glass Fri Jun 26 23:06:36 1998
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X-Path: pacifier.com!ptap
From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="------------F12AC7AE238F4B33B2173F0C"
Subject: Nothing to do with glass-Master engraver
Date: Fri, 26 Jun 1998 22:09:28 -0700
Message-ID: <1998Jun26.15928.0>
Organization: Moswood Mountain Limited
Precedence: bulk

This is a multi-part message in MIME format.
--------------F12AC7AE238F4B33B2173F0C
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Howdy all,

Thought I would share this with you if you have never heard of Giancarlo
and Stefano Pedretti. Speciality is engraved English and Italian guns.
Guess I better pick my husband up off the floor after this one. Have
this feeling he wants to take a trip and soon!

http://www.pedretti.com/index.html

See ya and enjoy

Pam

--------------F12AC7AE238F4B33B2173F0C
Content-Type: text/x-vcard; charset=us-ascii; name="vcard.vcf"
Content-Transfer-Encoding: 7bit
Content-Description: Card for Pamela  Burns-Tappan
Content-Disposition: attachment; filename="vcard.vcf"

begin:          vcard
fn:             Pamela  Burns-Tappan
n:              Burns-Tappan;Pamela 
org:            Moswood Mountain Limited
adr:            http://www.pacifier.com/~ptap/index.html;;http://www.pacifier.com/~ptap/artists.html;;;;USA
email;internet: ptap@pacifier.com
title:          President
x-mozilla-cpt:  ;0
x-mozilla-html: FALSE
version:        2.1
end:            vcard


--------------F12AC7AE238F4B33B2173F0C--

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From owner-glass Sat Jun 27 06:08:16 1998
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X-Path: chescom.net!don
From: Don McDonald <don@chescom.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: not glass - FLORIDA ON FIRE
Date: Sat, 27 Jun 1998 07:26:23 -0500
Message-ID: <1998Jun27.22623.0>
References: <<1998Jun26.25114.0>>
Precedence: bulk

I'm sure the fire in Florida, or the hurricane that may hit Louisiana,
or the earthquake that may hit California will interfere with Bungian's
ability to create beautiful glass works. That makes it glass related.
Therefore, when a natural disaster or civil unrest hits the area you
live in and begins to destroy everything in your life, even if you
forget mention it by name, I will assume that your glass craft is also
affected and I will listen, and I will pray for you, and I will respond
to your requests in any way that I can.  Just like when rust invades
your grinder head, the cold prevents the adhesive from sticking or any
of the other thousands of little things that come along to annoy or slow
us up, major disasters keep you from functioning, and that is another
tool we all use in our shops.  The "you" tool.
----
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From owner-glass Sat Jun 27 13:57:24 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Help at another site
Date: Sat, 27 Jun 1998 12:36:10 -0700
Message-ID: <1998Jun27.53610.0>
Organization: Maiden Concepts
Precedence: bulk

There is a request for help at Art Glass World.
http://www.artglassworld.com/wwwboard/message/400.html
It is from a maintance guy for a 60-65 year old church.  The church is
putting up lexan.  They are cutting it to fit the windows and securing
it in poor morter/brick with tapcons.
I know nothing about this subject, but from previous posts, know some of
you have rather strong feelings about lexan.
Don't know what kind of hot water you could be getting into, but if any
of you would like to anwser his questions.
Shirley B
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From owner-glass Sat Jun 27 16:02:51 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject:  NON-GLASS: right track.....needs fine tuning!
Date: Sat, 27 Jun 1998 15:10:04 -0700
Message-ID: <1998Jun27.8104.0>
Precedence: bulk

Hi all,
The post that started with "Non-glass" worked real good for those of us who
wish to delete them with out deep perusal.

It would be EFFECTIVE if we ALL started in the subject area the non related
posts with:    NON-GLASS: (put topic here)

Those of us who wish to commiserate, comment, and so forth will be able to,
those of us who ALSO CARE deeply, but wish not to read the post can do as
they see fit with. If we stay consistent, it will work!

enjoy, and who has a glass question?



weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Sat Jun 27 16:29:48 1998
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X-Path: infinet.com!glasscat
From: Carolyn Noel <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Custom bevels
Date: Sat, 27 Jun 1998 18:07:30 -0400
Message-ID: <1998Jun27.14730.0>
Organization: The Stained Glass Place
Precedence: bulk

I'm looking for Michael Minchelli.....Michael, did you get my last
email? Needed verification of prices and turnaround time on bevels. 
Carolyn
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From owner-glass Sat Jun 27 16:58:19 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Decorative Soldering
Date: Sat, 27 Jun 1998 18:47:52 EDT
Message-ID: <1998Jun27.224752.0>
Precedence: bulk

I would like to learn how to do decorative soldering.  Is there a book that
anyone would recommend for this purpose and is it possible to learn from a
book without seeing it done.  I'm proficient at regular soldering.  Advice?
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From owner-glass Sat Jun 27 17:32:05 1998
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Subject: copperfoil
Date: Sat, 27 Jun 1998 19:30:30 EDT
Message-ID: <1998Jun27.233030.0>
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Hey all,

I was just wondering, is copperfoil work water-proof? Does stained glass
ALWAYS need some sort of barrier between it and the elements?

Susan
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From owner-glass Sat Jun 27 17:54:39 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Help at another site
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> There is a request for help at Art Glass World.
> http://www.artglassworld.com/wwwboard/message/400.html
> It is from a maintance guy for a 60-65 year old church.  The church is
> putting up lexan. 

That message has already been deleted apparently. I got a 404 Not 
Found message.

Albert
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From owner-glass Sat Jun 27 18:04:49 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio #30  Shakeel Abedi
Date: Sat, 27 Jun 1998 19:07:33 -0500
Message-ID: <1998Jun27.14733.0>
Precedence: bulk



I was born in Gulbarga, a dusty little town in the southern part of India,
about a day's journey from Bombay.

I came to Singapore when I was 19 about 12 years ago, and for the past 6
years have worked in Malaysia.

It was fate that brought me and stained glass together. One warm afternoon I
was window shopping in Kuala Lumpur about four years ago when I saw a
Tiffany style window, it was a real beauty and I entered the shop. The price
tag of Malaysian Ringgit 23,000.00 (approx. US$4,500.00) was certainly
beyond my reach. I looked around and saw some beautiful panel lamps and all
were beyond my budget.

I was at a friend's house that very night when I spotted a book published by
Reader's Digest called "Hobbies & Crafts" it had a chapter on stained glass
by Jennie French. I read it and borrowed the book. ( which incidentally is
still in  borrowed state). Not having seen any of the tools and materials
used before I had no idea what a copper foil looked like or how the colored
glass looked. I tried to locate any suppliers of stained glass and found
there were none in Malaysia. I went back to the shop, asked them if they
would sell me some supplies, they refused me completely, they would not even
let take a tour of their workshop.

I tried to buy some copper sheet from the hardware store and not knowing
that the thickness of foil is 1 or 1.5 mm, I tried in vain to surround the
piece of window glass with the strips of 25mm copper sheet. Don't laugh,
remember I knew nothing whatsoever.

At last when I got to the Internet I found some suppliers, the first was
Delphi, I got their catalog. I got some copper foil and some tools. Buying
glass from U.S. by mail order was too expensive. I bought some books, and
made myself some panel lamps from window glass.

About the same time I discovered a stained glass supplier in Singapore, he
supplies me glass now. My first project was the panel lamp from the book.
Then I tried a window. The OLD MAN WINTER from Glass Patterns Quarterly, I
had to redo that whole window four times before I got it right.

Mike's web site was a great help. It is about two years now that have been
working with stained glass, plus the one year with window glass. I have at
least 15 shades made in window glass. Some I have done I have overlayed  and
patinaed  in cooper, They look good.

Most of my projects were taken from GPQ. So far I have sold 6 lampshades and
3 windows. I am now attempting  my first Tiffany style lamp. Just received
the Worden daffodil form and pattern and have cut some of the glass. So wish
me luck.

I have a small studio at the back of my home, have most of the hand tools
and a grinder and a Taurus II ring saw. I do most of my work over the
weekend and my wife has also taken a liking to it, she helps me around
during the week days. My next addition is going to be a kiln.

I am completely and totally in love with Stained Glass. It has become a part
of my life. I am so much into it that I have been even thinking about taking
up a post in the IGGA. Because IGGA and Bungi is they only source of
information and learning for me. And joining the inner group of the IGGA
will bring me deeper into the world of Stained Glass.

I have done only one window in lead, all my work has been in copper foil. I
am open to any suggestions, help and advise I can get. And I have got a lot
of that from the Bungarians. Thanks folks.

Last week I visited the shop in Kuala Lumpur and presented Mr Bala (owner)
with a small panel and thanked him for not helping me.

For a guy who thought he could use 25 mm copper sheet for foil three years
ago I haven't done too bad, have I?

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my

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From owner-glass Sat Jun 27 18:25:00 1998
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X-Path: n-link.com!pkelly
From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Bio# 32 Melanie Dunstan (from OZ)
Date: Sat, 27 Jun 1998 19:42:50 -0500
Message-ID: <1998Jun27.144250.0>
Precedence: bulk

Melanie Dunstan

Mother of four (ages 18 months to 10 years), active on primary school
councils and running two businesses from home does=92t leave a lot of spa=
re
time - or so you might think.  But somehow I manage to squash in watching
the latest new crafts world-wide (to add to my product line, which is
unusual crafts supplies) read 8-10 books a week, answer on average 300
emails a day and find small corners to actively pursue 60-odd different
crafts, besides newsletter production and editing - and dispensing market=
ing
and public relations advice to callers round Australia and emails from ro=
und
the world.

Where does I find time for all of this? <shrug> I don=92t do my own
housework and I don=92t watch TV - but I put in just as many hours as the
average mother of four young children - 24 a day...

A few years ago, I realised I was still saying =91when I grow up I=92ll d=
o
this=92 - not recognising that this big event had already arrived. So I
took stock and asked myself what I wanted to really do when I grew up and
here I am! The beauty for me of living this way is that I=92m able to do
things that interest me - without having to think =91oh, it=92s time to
head off to the office now,=92 or =91it=92s time I was asleep=92.

I can=92t remember a time when I didn=92t have craft materials (or a book=
!) in
my hands. I started knitting at age 4 and haven't stopped crafting since.
I'm a concurrent generalist, that means that I have a lot of fun doing lo=
ts
of different crafts all at the same time, and as soon as I learn a new
craft, I pass it on to others in the same way it was taught to me. I like
doing things on a project basis, since it=92s wonderful to start somethin=
g
new.

Consequently I have UFO's - UnFinished Objects -  in many many different
craft techniques and media. I joke to people that we don=92t live in a ho=
use
but a warehouse with beds in, since there are boxes of craft goods
everywhere you look.  And I have an understanding husband. He's even buil=
t
me a studio to store all of my stuff, so we can have our house back. I'm =
in
the process of designing some leaded and fused panels for the skylights...
bliss.

Actually the 'warehouse' aspect of my home got worse when I turned 40 and
started a craft supplies business, mail order from home. It's a lot of fu=
n,
but hard yakka (work) and slower to become profitable than I=92d like.

Most of my working life - prior to having children that is - I=92ve been
involved in various forms of marketing, advertising, public relations,
newspaper and newsletter production, together with sales support. This ha=
s
been in a variety of situations - both with goods and people for example
computers, insurance, local news, executive recruitment and staff trainin=
g.
After the first two children arrived, I spent a number
of years designing, writing and assisting in the publication of software
training manuals, public relations and other advertising and marketing
material for my husband Brian=92s computer software products, for use by
General Practitioners in the National Health Service in the UK.  As a
co-director of Brian=92s company I do the same for his products designed =
for
the Aboriginal Community Care applications in Australia, in addition to h=
igh
levels of involvement in other newsletters and magazines, marketing
consultancy work and of course my own craft supplies business.

I'm not very knowledgeable regarding computer technology, although I've
helped sell computers for many years, working in marketing and related ro=
les
in medium to large computer companies as far back as 1977, when by contra=
st
with today's technology, a computer with less power than your desktop sys=
tem
totally filled a specially air-conditioned room fitted with false floorin=
g
and the latest state of the art dot matrix printer.

However I still have the 'convenient' blind spot about technology, which
meant that Brian (aka 'the ogre' - which is VERY useful when I can't say =
no
to those persuasive telephone sales people that ring you up out of the bl=
ue
to get you to buy three dozen pale blue whatchacallits for $39.95) well p=
oor
Brian had to push and shove me to get me to sign on for my five free hour=
s
of Internet. After which I was hooked, of course, and now my mailbox
regularly has between 150 and 500 posts per day from all the lists I'm
interested in! It really IS an addiction, but it's such fun talking to
people who have something in common right from the word 'go'!

I had a giggle recently when I realised that I spend the majority of the
hours that most people around me would use for sleeping, conversing with
3000 plus 'invisible friends'...

I actually found one of my fairly recent and best-loved crafts on the
Internet, though the bungi list - glass fusing. I was first introduced
to leaded glass panels at a community course in Baldock, in the UK seven
years ago and fell in love with the textures, surfaces and versatility of
effects possible using glass, heat and metal. After my return to Australi=
a
in 1993, this quite naturally progressed to kiln-fired glass painting, no=
t
only flat pieces for stained glass work but also of utilitarian items suc=
h
as glasses and vases. I had a lot of fun
experimenting, yet felt limited due to insufficient abilities with a
paintbrush - it would be years before I could get the effects I dreamed o=
f.
I still practice towards that aim, and teach classes for others in the
meantime.

Then I joined the bungi glass list, and the world changed overnight.
Inside a week I knew more about the restoration of glass than I had ever
dreamed possible. This was followed up by some discussions of kilns and
suddenly out of the blue I was contacted by Harald from HiGlass, another
bungi member, who manufactures glass only two suburbs away. I went along =
for
a course and was absolutely fascinated - and in love with glass all over
again. Using a mixture of slumping, fusing and painting, the most amazing
effects may be achieved - and I=92m still a raw beginner! Other than a va=
gue
notion that some types of glass were floated on baths of molten metal, I =
had
very little idea of the processes and requirements involved in the
manufacture of even the simplest form of glass.

On a personal note, we have 4 kids and they are all characters. David, 10=
,
is special needs, he has epilepsy and has had some long fits which means =
he
now has the mental age of about a 4 year old. David loves TV above all el=
se,
and would spend all day and all night watching the same video again and
again if we would let him. Rachel is 9 and pretty as a mother could wish =
and
very clever. She has excellent (but extremely irritating!) negotiating
skills, practising to become a lawyer later in life. She is very good wit=
h
the 'littles'. These are Daniel, age 4 and Rebekah, age 2 (yes, we have
R2D2!! Brian loves Star Wars but I got to choose the names!) Daniel is a
mischievous bundle who loves packing craft products for sale. Frequently
found covered in glitter, glue and sequins, he has a very strong sense of
family loyalty and loves us to all be together. Needless to say this caus=
es
upsets when the bigs have to go to school, especially if Rachel goes to p=
lay
with a friend afterwards... Rebekah is Mother=92s little helper. Even whe=
n she
was only just one year old, she often set the table (which was just above
her head height) with the plates and cups for the children=92s dinner, go=
t a
damp cloth and wiped the chairs free of debris, and then got her toy vacu=
um
and proceeded to =91clean=92 the floor. She has a very strong personality=
 and is
not going to take any rubbish from anyone. She has a rather loud voice,
too - surely destined to become a singer later in life - so she often get=
s
her way just to keep the peace....

When Brian turned 40, three years ago, he got into racing motorbikes; he =
has
a trail bike, a road bike and a half share in a racing bike, plus THREE
crash helmets - and how many heads? Yes, I *do* know that I will never
understand these things... Also he began scuba diving, both of which
pastimes scare me silly (OK, I'm timid about scary things. I can't even
watch Bambi because of the violence.) Brian is a serial generalist; he ha=
s
done a lot of things amazingly well; but once they get easy, or he's done
the best he ever could, he's off to the next challenge. In the past he's
been selected for a world-wide team of trouble-shooters for computer
hardware problems (they only get the problems nobody else can fix) and
qualified as a light-plane pilot. He also wrote some computer
software in a new language for him (called BOS) for the medical field, wh=
ere
he'd never worked before, for a Government requirement (never having deal=
t
with THOSE before, either) and got his software finished first, tested fi=
rst
and accepted first (now installed in over 1000 sites) ahead of the large
companies who *were* leaders in their field before he came on the scene. =
As
you can see, I=92m very proud to be his wife.

What else... we have 2 cats, live in a large house, which I've filled to
capacity due to my innate ability to fill every space plus 10% within 3
years of inhabiting it... I'm the fund-raising co-ordinator and the
committee secretary for David's school, and in my spare time I read
science fantasy/fiction novels (many of which are reaching the point of
spontaneous overflow from the 4 massive bookcases in the family room, and=
 I
write short stories, plays and poems, plus dabble in marketing and public
relations work, sing (Kate Bush type soprano, although coarsened by some
years of screeching at recalcitrant children!!), teach craft classes, sea=
rch
the globe on a regular basis for new and different crafts to add to my
product lines, and of course spend HOURS doing different types of crafts,
which is my first love (apart from the ogre and the offspring).

There are very few crafts I haven't tried, and one of my other current
favourites is Encaustic Art; using a small iron to melt coloured wax to
make pictures - some even use glass as a support medium. It's lots of fun.
Other things I really enjoy are cake decorating, particularly
making sugar flowers - and I like to aim for realism wherever I can;
it's very relaxing, and designing patterns on the computer (I use
CorelDraw).

As you can see, I lead a full life. (sometimes I even have time to do
the washing! But I send my ironing out.) But I don't really want to
waste time. Having David has taught me that every second is precious. Las=
t
year I went to a business seminar and the presenter held his finger up in
the air and said 'tick, tick, tick, tick. Hear the seconds going by? That=
=92s
your life. Remember - this is NOT a rehearsal.' It got to me.

end.

There you go mate. More than enough, eh!
Catcha
--
Melanie Dunstan, in Perth, Australia
Allcrafts for Unusual Crafts  http://www.ozemail.com.au/~allcraft
Psst! Ask about joining CraftsPages perpetual Craft Fair! Pass It On!

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From owner-glass Sat Jun 27 19:25:07 1998
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X-Path: pobox.com!Northernlights
From: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>
To: glass bungi line <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bio #30  Shakeel Abedi
Date: Wed, 31 Dec 1969 18:00:00 +0000
Message-ID: <1970Jan1.000.0>
References: <<1998Jun27.14733.0>>
Precedence: bulk

Quite an impressive bio!!!  It proves there's nothing a person cannot do or
learn in this world....just stick with it and don't give up.   I, for one, am
very impressed.

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From owner-glass Sat Jun 27 19:37:06 1998
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X-Path: cornell.edu!bjs10
From: Barbara <bjs10@cornell.edu>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Decorative Soldering
Date: Sat, 27 Jun 1998 21:19:51 -0400
Message-ID: <3.0.2.32.19980627211951.006aafe0@postoffice.mail.cornell.edu>
References: <<1998Jun27.224752.0>>
Precedence: bulk

I have the book "Solder Magic Book" by Kay Bain Weiner, got it at my local
glass store (they ordered it for me).  Helped me a lot.  

I put several strips of foil on a piece of plain window glass to practice.
I found that 63/37 solder worked the very best and adjusted the temp on the
thermostat often til I found the best combination for decorative work.
At first I did not have a special tip on my iron for decorative work and
found that tipping the iron so that I used only the very outside tip of the
iron tip (screwdriver tip) worked very well.  

After getting better at the different techniques outlined in the book I
invested in a decorative soldering tip for my iron.  After spending the
money I found that I could do just as good a job with the "practice method"
I used with my standard tip.

I am sure that you will enjoy all the new and interesting techniques used
in decorative solder.... I love doing it !!

Barbara

At 06:47 PM 6/27/98 EDT, you wrote:
>I would like to learn how to do decorative soldering.  Is there a book that
>anyone would recommend for this purpose and is it possible to learn from a
>book without seeing it done.  I'm proficient at regular soldering.  Advice?
>----
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>
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From owner-glass Sat Jun 27 19:48:56 1998
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X-Path: aol.com!Kcotcher
From: <Kcotcher@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Decorative Soldering
Date: Sat, 27 Jun 1998 21:35:21 EDT
Message-ID: <1998Jun28.13521.0>
Precedence: bulk

In a message dated 98-06-27 19:58:56 EDT, you write:

<< glass@bungi.com >>
Hi i saw your inquiry about your decorative soidering. i have spent a lot of
time on this and can pass along a few tips(finally something i know about :).
i use a small tip on my iron maybe a 1/8 and be sure to keep the heat down as
you  work to achieve your pearls or whatever. i also have found that the
solder that works best for me is called ultimate. i do a lot of decorative
soldering on pieces of jewelry. a lot of practice helps to get the technique
down. 

hope that helps,

kim cotcher
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From owner-glass Sat Jun 27 20:05:35 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: CWWSLW@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: copperfoil
Date: Sat, 27 Jun 1998 21:46:53 -0400
Message-ID: <1998Jun27.174653.0>
References: <<1998Jun27.233030.0>>
Precedence: bulk

CWWSLW@aol.com wrote:
> 
> Hey all,
> 
> I was just wondering, is copperfoil work water-proof? Does stained glass
> ALWAYS need some sort of barrier between it and the elements?
> 
> Susan
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


mostly yeah, foil will let water go through it pretty easily. it does'nt
make a good material for panels that will be exposed to the elements...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Sat Jun 27 20:17:34 1998
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X-Path: oxford.net!tmr
From: "Teresa Ross" <tmr@oxford.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: painting on glass
Date: Sat, 27 Jun 1998 22:05:26 -0700
Message-ID: <199806280204.WAA28970@server1.oxford.net>
Precedence: bulk

I'm interested in learning how to paint on glass. Has anyone done this? I'm
relatively new at stained glass but am learning fast. I have a small home
business and so far I am making smaller items. I'd like to make them really
unique to me by painting on the glass. I'd be very interested in any advice
on any aspect of this.

thank you
teresa
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From owner-glass Sat Jun 27 20:28:28 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: BMarhon@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Decorative Soldering
Date: Sat, 27 Jun 1998 21:44:51 -0400
Message-ID: <1998Jun27.174451.0>
References: <<1998Jun27.224752.0>>
Precedence: bulk

BMarhon@aol.com wrote:
> 
> I would like to learn how to do decorative soldering.  Is there a book that
> anyone would recommend for this purpose and is it possible to learn from a
> book without seeing it done.  I'm proficient at regular soldering.  Advice?
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


i'd choose any book by Kay Bain Weiner, since she's the one who
invented  it in the first place... as far as i know.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Sat Jun 27 22:08:26 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: BMarhon@aol.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Decorative Soldering
Date: Sat, 27 Jun 1998 21:07:29 -0700 (PDT)
Message-ID: <1998Jun27.14729.0>
References: <<1998Jun27.224752.0>>
Precedence: bulk

BMarhon:  Decorative soldering is a question of patience and trial and
error.  Kay Weiner has a book on Decorative Soldering.  Some of my
suggestions are:  1.  Use 63-37 Solder (Canfield Ultima)  It has a melting
temperature of ~358 and solidifies at ~358.  This means it is eutectic or
when the soldering iron is removed the solder becomes solid;  2.  Make up
a "solder board" to practice on.  I use about 8 one-inch strips foiled and
soldered to gether.  Then that gives you 7 solder lines to practice on.
When you get through, you can re-solder the lines and start all over
again;  and 3.  Lots of patience to learn what you can and can't do with
solder.  Kay Weiner has a VHS tape on decorative soldering that is quite
good.  You may be able to rent it from your retail shop.

Let us hear about your efforts.  Decorative soldering really adds a lot of
pzzazz to projects and panels.  Peggy

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From owner-glass Sat Jun 27 22:37:30 1998
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From: <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bio #30  Shakeel Abedi
Date: Sun, 28 Jun 1998 00:49:49 EDT
Message-ID: <1998Jun28.44949.0>
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In a message dated 98-06-27 21:06:09 EDT, you write:

<< 
 I was at a friend's house that very night when I spotted a book published by
 Reader's Digest called "Hobbies & Crafts" it had a chapter on stained glass
 by Jennie French. >>


WOW, I was just showing that book to a friend today.  Small world.


Dianne
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From owner-glass Sun Jun 28 03:04:17 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: painting on glass
Date: Sun, 28 Jun 1998 10:13:56 +0100
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Precedence: bulk

>X-Path: oxford.net!tmr
>From: "Teresa Ross" <tmr@oxford.net>
>To: <glass@bungi.com>
>Subject: painting on glass
>Date: Sat, 27 Jun 1998 22:05:26 -0700
>
>I'm interested in learning how to paint on glass. Has anyone done this? I'm
>relatively new at stained glass but am learning fast. I have a small home
>business and so far I am making smaller items. I'd like to make them really
>unique to me by painting on the glass. I'd be very interested in any advice
>on any aspect of this.
>
>thank you
>teresa
The best book I have found is by Albinas Elskus, cant remember the axact
title - but any stained glass retail store will have or be able to get it
for you.
Elizabeth
Bournemouth Stained Glass
http://www.stainedglass.co.uk
Elizabeth Law
Bournemouth Stained Glass
htp://www.stainedglass.co.uk
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From owner-glass Sun Jun 28 04:02:46 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: CWWSLW@aol.com
Subject: Re: copperfoil
Date: Sun, 28 Jun 1998 11:00:50 +0100
Message-ID: <1998Jun28.12050.0>
References: <<1998Jun27.233030.0@?>>
Precedence: bulk

Susan
  Copper foil is water proof if applied properly.  
This means (for me) smoothing the glass edges, washing the glass, drying
thoroughly, avoid putting any oil from hands and fingers on the glass
surface or edges (cotton or vinyl gloves), burnishing foil well after
application  Then tinning and finally solder pieces together.  the
Solder joints if properly applied will have no holes from excess solder
so will not leak.  

The adhesive between the glass and the foil is where there might be
leaks in some future time.  I've not found foiled vases begin to leak
after 8 years when made this way.  (some of my earlier ones did).  I
don't know how long this will last though. The adhesive will fail at
some time and begin to let water through, but possibly many decades from
now.  Afterall, leaded glass begins to leak after about 100 years from
deterioration of the lead light cement.

After all this, I have to admit that all my coperfoil incorporated into
leaded windows is behind an external glazing sheet.

Steve

P.S.  and you can see I disagree with Mike.  :)


In message <1998Jun27.233030.0@?>, CWWSLW@aol.com writes
>Hey all,
>
>I was just wondering, is copperfoil work water-proof? Does stained glass
>ALWAYS need some sort of barrier between it and the elements?
>
>Susan
>----
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Jun 28 04:36:23 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re: Decorative Soldering
Date: Sun, 28 Jun 1998 20:05:10 +1000
Message-ID: <1998Jun29.6510.0>
Precedence: bulk

I am interested in that subject too!
Harlequin Leadlight
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html
Join the leadlight webring
http://www.geocities.com/PicketFence/3530/webring.html

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From owner-glass Sun Jun 28 06:38:02 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: glass painting
Date: Sun, 28 Jun 1998 07:59:46 -0400
Message-ID: <1998Jun28.35946.0>
Precedence: bulk

It's called *The Art of Painting on Glass*.  Dani Greer reccomended it to
me.  I haven't gotten it yet, but want to look for it.

Jerri

>The best book I have found is by Albinas Elskus, cant remember the axact
title - but any stained glass retail store will have or be able to get it
for you.
Elizabeth
Bournemouth Stained Glass

_____________________________________________________________________
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From owner-glass Sun Jun 28 07:04:24 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Decorative Soldering-Question
Date: Sun, 28 Jun 1998 08:55:30 EDT
Message-ID: <1998Jun28.125530.0>
Precedence: bulk

In a message dated 6/27/98 10:38:35 PM Eastern Daylight Time,
bjs10@cornell.edu writes:

<< adjusted the temp on the
 thermostat often til I found the best combination for decorative work. >>

Thank you to everyone who offered tips and guidance for learning decorative
soldering.  I'm sure the suggestion for using the 63/37 solder will save me
lots of aggravation.

Since I only have a Weller 100 soldering iron (no adjustable temp and can't
use with a temp control), will I be able to do the soldering with that iron or
will I need to buy another iron and a rheostat?  I can reduce the temp by
replacing the tip but that would probably be a pain to keep changing tips
until I get the right temp.  (Not probably, it will definitely be a pain!)  Or
maybe someone knows the tip that I should use?

Thanks again to all who responded.
Brenda
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From owner-glass Sun Jun 28 07:34:16 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: painting on glass
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 28 Jun 1998 08:41:42 +0000
Message-ID: <199806281347.JAA13468@vger.vgernet.net>
Precedence: bulk


> The best book I have found is by Albinas Elskus, cant remember the axact
> title - but any stained glass retail store will have or be able to get it
> for you.

According to the search engine at Alta Vista, you can get it at
http://www.artglassworld.com/supply/library/select.html

Albert
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From owner-glass Sun Jun 28 14:05:12 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: "suzy@comcat.com" <suzy@ComCAT.COM>
Subject: Re: Decorative Soldering-Question
Date: Sun, 28 Jun 1998 13:08:49 -0700
Message-ID: <1998Jun28.6849.0>
Precedence: bulk

Barbara,

I too use a Weller 100 and a rheostat.  I've been using them for about 20
years now.  I haven't seen a problem. (At least that I am aware of).      In
the last twenty years I've had to replace the iron twice and that was only
due to stupidity on my part.   I replaced the last one about a year ago.  I
use it almost everyday.  It seems to be okay.  I am curious as to why the
two shouldn't be used together.  How does the rheostat damage the Weller
100?
-----Original Message-----
From: suzy@comcat.com <suzy@ComCAT.COM>
To: BMarhon@aol.com <BMarhon@aol.com>; glass bungi line <glass@bungi.com>
Date: Sunday, June 28, 1998 12:39 PM
Subject: Re: Decorative Soldering-Question


>Barbara wrote:
>>Since I only have a Weller 100 soldering iron (no adjustable temp and
can't
>>use with a temp control), will I be able to do the soldering with that
>>iron or
>>will I need to buy another iron and a rheostat?
>
>Barbara, I've had a Weller 100 and a Glastar temp controller attached to
>it for about a year now, and have had no problems. You might want to give
>it a try!
>Suzanne
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass



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From owner-glass Sun Jun 28 14:16:30 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: <glass @bungi.com>
Subject: Re: Decorative Soldering-Question
Date: Sun, 28 Jun 1998 13:22:42 -0700
Message-ID: <1998Jun28.62242.0>
Precedence: bulk


-----Original Message-----
From: Doug Parrott <bird_cage@email.msn.com>
To: suzy@comcat.com <suzy@ComCAT.COM>
Cc: glass@bungi.com <glass@bungi.com>
Date: Sunday, June 28, 1998 1:08 PM
Subject: Re: Decorative Soldering-Question


>Barbara,
>
>I too use a Weller 100 and a rheostat.  I've been using them for about 20
>years now.  I haven't seen a problem. (At least that I am aware of).
In
>the last twenty years I've had to replace the iron twice and that was only
>due to stupidity on my part.   I replaced the last one about a year ago.  I
>use it almost everyday.  It seems to be okay.  I am curious as to why the
>two shouldn't be used together.  How does the rheostat damage the Weller
>100?

Oops,  Forgot to sign my name,

Cheryl

>
>>
>>>
>



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From owner-glass Sun Jun 28 15:07:19 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: glass painting
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sun, 28 Jun 1998 22:11:39 +0000
Message-ID: <199806282114.WAA25936@saturn.nildram.co.uk>
Precedence: bulk

Hi all,
A quickie - as I pack!!!

I have this book - it's excellent and well worth getting.
ISBN No. is 0-684-17643-2  (paperback), publ Carl Scribner's Sons, 
N.Y.

Elisabeth 'n Toby in UK

Thread so far:
It's called *The Art of Painting on Glass*.  Dani Greer reccomended it to
me.  I haven't gotten it yet, but want to look for it.

Jerri

>The best book I have found is by Albinas Elskus, cant remember the axact
title - but any stained glass retail store will have or be able to get it
for you.
Elizabeth
Bournemouth Stained Glass

UNQOUTE
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sun Jun 28 18:08:20 1998
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From: <BMarhon@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Weller 100 & Rheostat
Date: Sun, 28 Jun 1998 20:10:22 EDT
Message-ID: <1998Jun29.01022.0>
Precedence: bulk

In a message dated 6/28/98 5:06:01 PM Eastern Daylight Time,
bird_cage@email.msn.com writes:

<< I am curious as to why the
 two shouldn't be used together.  How does the rheostat damage the Weller
 100? >>

I was probably told way back when that I didn't need a rheostat and of course
my brain turned that into I shouldn't use a rheostat.  I just looked at the
spec sheet for the iron and it doesn't say anything about it so I guess I will
get a rheostat. 

Again, thanks to all for responding.
Brenda
----
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From owner-glass Sun Jun 28 23:07:50 1998
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X-Path: aol.com!MD6868
From: <MD6868@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Glass Biz-Combo Gallery, Studio, Store
Date: Mon, 29 Jun 1998 01:20:56 EDT
Message-ID: <1998Jun29.52056.0>
Precedence: bulk

I'd apprecieate any comments from the group re: location and other
considerations for a new venture I'm in the planning stage on.

I plan to send a bio soon, but to help you help me, let me say that I've been
doing glass for some time, it has become a true passion for me, and after
having been bought out of a non-glass related business by a conglomerate for
whom I can't work much longer (ethically, that is), I need t o go back into
business, and living in an area outside a major metro area, which has 170,000
people, and no glass shop within 30 miles, I see a real need here in this
community. While there is one studio. that person doesn't givve lessons, and
doesn't sell supplies.

Also, The area is upscale, and I feel that a gallery showing quality work,
(mine and others) would go well. Also, I could have the store, and get the
studio out of the house.

Since we sold our business for cash, I am properly financed, and my wife and I
have owned businesses for years, so what's the problem? Location.

Space in a few very upscale storefronts in the middle of the affluent areas is
available, but does such an operation need or will it benefit from a high
exposure / location, where rents are high?

In surounding areas, stained glass shops / studios tend to be in semi
-industrial areas, where the rent is low, but so is the exposure / traffic.
One I noticed in an industrial park, went out of business.

I know you get what you pay for, but I'd like to hear from any of you who are
running studio / shops as to this price / exposure situation. Also, do any of
you run the type of combo I envision. Any thoughts on # of Sq. ft needed?

This group has been inspiring.Also when joining IGGA and reading back issues
of COMMON GROUND, I was inspired by Christie Wood's lettter some years back. I
find myself in a similar corporate situation, and need to work my way out.

By the way, I'm no spring chicken, as they say, but am at least 15 years away
from retirement.I have a real fire to do this. Thanks for your thoughts in
advance.

Richard Callahan
Glassics
Valencia, CA
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From owner-glass Mon Jun 29 04:03:43 1998
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From: "B. S. Jones" <b.s.jones@bham.ac.uk>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Weller 100 & Rheostat
Date: Mon, 29 Jun 1998 11:07:21 +0100
Message-ID: <1998Jun29.12721.0>
Precedence: bulk

<< I am curious as to why the
 two shouldn't be used together.  How does the rheostat damage the
Weller
 100? >>

>I was probably told way back when that I didn't need a rheostat and of
course
>my brain turned that into I shouldn't use a rheostat.  I just looked at
the
>spec sheet for the iron and it doesn't say anything about it so I guess
I will
>get a rheostat. 

>Again, thanks to all for responding.

Brenda     (what do bungians mean by a rheostat)

You must check in the spec for the iron to see if it has an electronic
thermostat control. If it has then no other form of controller should be
used.
If the iron has a mechanical thermostat or a magnetic thermostat then
there should be no problem. Unfortunately the term "rheostat"  to an
electronics engineer means a a variable power resistor or rotary control
that gets very hot. Another means of control is a variac or a variable
transformer which can be used to turn up and down the voltage across the
iron.The last device used for such things is a electronic triac
controller such as the type used to dim lights or slow down an
electronic drill. All of these devices will stop an
iron that is temperature controlled with an electronic thermostat
working properly. All of the other devices mentioned above can be used
to drop the temperature of an iron whether it is thermostatted or not if
it is not electronically controlled.
I use an electronic light dimmer(Electronic triac controller) to turn
down my iron because it is one of the simple non thermostatted 100 watt
irons and also the controller is cheap and can be bought off the shelf ,
small in size and does not get hot.It is also easy to wire into a dual
plastic wallbox in the uk with a dedicated mains socket in the other
half of the dual box.

Brandon S. Jones
----
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From owner-glass Mon Jun 29 05:09:04 1998
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X-Path: tm.net.my!shakeel
From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Northernlights (Tracy Reitmann)" <Northernlights@pobox.com>
Content-Type: text/plain;
Subject: RE: Your Praise
Date: Mon, 29 Jun 1998 19:20:02 +0800
Message-ID: <1998Jun30.3202.0>
Precedence: bulk

Thank you Tracy, your praise was very generous.

Glad was any source of insipiration.

People like Albert, Elisabeth, Tashiro and Mike are the people who have
always been a source of inspiration to, they have helped me with the number
of questions I have bombarded them with.

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313

Shakeel Abedi
104, Jalan Mersing
86000 Kluang
Johor
Malaysia
Tel: + 607-7722212 Fax +607-7733313
shakeel@tm.net.my

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From owner-glass Mon Jun 29 07:40:16 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass Biz-Combo Gallery, Studio, Store
Date: Mon, 29 Jun 1998 09:30:14 -0400
Message-ID: <1998Jun29.53014.0>
Precedence: bulk

Message text written by INTERNET:MD6868@aol.com
>This group has been inspiring.Also when joining IGGA and reading back
issues
of COMMON GROUND, I was inspired by Christie Wood's letter some years bac=
k.
I
find myself in a similar corporate situation, and need to work my way out=
=2E<

blush, blush.  OK.  Here's my thoughts on this.

Seems you have identified a need for a stained glass supply business
in your area.  That seems to me to be the best way to go in your
particular situation.  A combination of stained glass retail supply
store/teaching studio/working studio sounds like it would work
well.

I would not recommend a combination of stained glass
retail supply store and gallery though.  Why?
1.) People going into a stained glass retail supply store are already
motivated to create their own stained glass and they will not be
in the market to purchase somebody else's work.
2.) People looking to purchase stained glass artwork will not think
to visit an "industrial" type business such as a stained glass retail
store, versus an "artistic" type business such as a gallery.

A combination stained glass working studio & finished goods
gallery works for me.  I have the gallery in the front of the
store & my working studio in the back.  It's all of 630 square
feet big, inclusive of a tiny bathroom and a storage closet
housing microwave & mini refrigerator for lunch stuff, as
well as boxes, extra lamp bases, etc.  I am located in a sort-of
touristy area outside of Philadelphia, which is not particularly
known for contemporary artwork or stained glass.  There is a
stained glass retail supply store/teaching studio/commission studio
within a 10 minute drive from my store.  Hence, I decided to
not follow that business plan, but instead, concentrate on the
finished artwork side.  I do not normally sell supplies out of
my store - just fine glass artwork.  This includes my own stuff
as well as 15 other American glass artists (hot glass, fused, glass
jewelry, suncatchers, mosaics, etc. if it's made with glass).  This
combination works for me, and I have a great relationship with
the owner of the local stained glass supply store.  If someone
walks into my shop looking for supplies or formal classes, I send
them over to Inspirations.  But I also carry some of Inspiration's
finished projects on consignment at my gallery.  We also share in
wholesale purchases and delivery of wholesale supplies, since
we're so close to one another.  I know this is unusual in the
stained glass business, but it works well for both of us.  Occasionally
we will unknowingly bid on the same project, but that's OK too.

Now, I know you're going to need more than 630 square feet
for a stained glass retail supply store.  You're going to more likely
need 1000 square feet for storage of the supplies and work benches
for yourself and students.

May I recommend the book "This Business of Glass" by Loretta
Radeschi?  It is a complete guide to setting up a glass business.
Everything from deciding which type of business would work
for you, to getting all the correct business forms, to doing the
financial stuff, to marketing, etc.  I read the book from front
to back and did it again prior to starting up my store.  I used
it to help write up my business plan.

In any case, good luck!
Christie A. Wood, Art Glass Ensembles
4013 Skippack Pike, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Mon Jun 29 13:16:00 1998
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X-Path: email.msn.com!bird_cage
From: "Doug Parrott" <bird_cage@email.msn.com>
To: <glass@bungi.com>
Subject: Re: Weller 100 & Rheostat
Date: Mon, 29 Jun 1998 12:25:04 -0700
Message-ID: <1998Jun29.5254.0>
Precedence: bulk


-----Original Message-----
Date: Monday, June 29, 1998 10:23 AM
Subject: Re: Weller 100 & Rheostat


>Brandon,
>
>
>Thanks for the info.  It made me use my brain though.  Ouch that hurts.
>Okay here is the scoop.   The specs did not state whether it is
>electronically controlled or magnetically controlled.  It does mention
under
>Troubleshooting guide that it has a magnastat  switch,  which I assume
means
>magnetic.  My rheostat is a Pro Soldering Iron Control   Max 800 Watts-120
>V.A.C.   Which works like the dimmer switch.  It doesn't have temperature
>settings.  The settings are numbered 1-10.    I just purchased this a year
>ago.  Prior to that I used a light dimmer switch.  The problem I had with
>that is that it seemed to be loose.  I like the Pro Soldering Iron Control
>much better.  It was relatively inexpensive.
>
>I guess the confusion for me is the term Rheostat.     Thanks for your
help.
>My husband laughed at me.  he said if it has been working for all these
>years don't worry about it.   Worrying is the name of the game for me.  I
>seem to be good at it.
>
>thanks again,
>
>Cheryl
>-----Original Message-----
>From: B. S. Jones <b.s.jones@bham.ac.uk>
>\
>Date: Monday, June 29, 1998 4:07 AM
>Subject: RE: Weller 100 & Rheostat
>
>
>><< I am curious as to why the
>> two shouldn't be used together.  How does the rheostat damage the
>>Weller
>> 100? >>
>>
>>>I was probably told way back when that I didn't need a rheostat and of
>>course
>>>my brain turned that into I shouldn't use a rheostat.  I just looked at
>>the
>>>spec sheet for the iron and it doesn't say anything about it so I guess
>>I will
>>>get a rheostat.
>>
>>>Again, thanks to all for responding.
>>
>>Brenda     (what do bungians mean by a rheostat)
>>
>>You must check in the spec for the iron to see if it has an electronic
>>thermostat control. If it has then no other form of controller should be
>>used.
>>If the iron has a mechanical thermostat or a magnetic thermostat then
>>there should be no problem. Unfortunately the term "rheostat"  to an
>>electronics engineer means a a variable power resistor or rotary control
>>that gets very hot. Another means of control is a variac or a variable
>>transformer which can be used to turn up and down the voltage across the
>>iron.The last device used for such things is a electronic triac
>>controller such as the type used to dim lights or slow down an
>>electronic drill. All of these devices will stop an
>>iron that is temperature controlled with an electronic thermostat
>>working properly. All of the other devices mentioned above can be used
>>to drop the temperature of an iron whether it is thermostatted or not if
>>it is not electronically controlled.
>>I use an electronic light dimmer(Electronic triac controller) to turn
>>down my iron because it is one of the simple non thermostatted 100 watt
>>irons and also the controller is cheap and can be bought off the shelf ,
>>small in size and does not get hot.It is also easy to wire into a dual
>>plastic wallbox in the uk with a dedicated mains socket in the other
>>half of the dual box.
>>
>>Brandon S. Jones
>>----
>>For subscription changes, please mail to: glass-request@bungi.com
>>To send to the list,      please mail to: glass@bungi.com
>>Archives available at http://www.bungi.com/glass
>
>
>
>



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From owner-glass Mon Jun 29 15:44:17 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "INTERNET:MD6868@aol.com" <MD6868@aol.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass Biz-Combo Gallery, Studio, Store
Date: Mon, 29 Jun 1998 17:38:57 -0400
Message-ID: <1998Jun29.133857.0>
Precedence: bulk

Hi Richard-

Just a quick note as we're
on a show deadline.  I say go
with the high visibility location
if you're planning on giving =

classes and doing retail - it's the
best advertising you can buy.  We're
on a very busy street (much to my
dismay sometimes!) and get tons
of overflow traffic from the antique
stores on the block.  That big sign
"Custom Stained Glass Windows" has
brought us more business than =

anything else we've done.  And lots of
folks looking for classes and supplies,
though we provide neither.  We've =

reached a point of needing LESS of
that kind of traffic since our focus is
private commissions and especially =

church commissions.  Also, if you're =

willing to be open on Saturdays and =

evenings, that will bring you more folks.
We're the only commission shop open
on Saturdays and have "gotten the job"
because of that alone!

Good luck with your plans, keep us =

up-to-date, and after July 17th I'll be
more vocal again.

Best regards,

Dani Greer
Greer Gallery & Studios
http://www.bungi.com/glass/igga/greer/    =

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From owner-glass Mon Jun 29 16:19:02 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Thanks and a comment
Date: Mon, 29 Jun 1998 14:49:59 -0700
Message-ID: <1998Jun29.74959.0>
Organization: Maiden Concepts
Precedence: bulk

This list never ceases to impress me.  The knowledge available here is
unfathomable to me.  Now to see that you are willing to expand that
knowledge to other groups, well I hope you are rewarded before you go to
heaven.  Thank you for helping the  gentleman with his problem at Art
Glass World billboard.
And my comment:
Someone somewhere, wanted a pattern of the door on Grace under Fire. 
That got me paying attention to stained glass on TV.  I never realized
how much there is.  Old movies when doing church scenes show the most
fantastic windows.  Can you imaging the lighting problem that would be?
Alot of the sit-coms have homes with stained glass.  I am low middle
income, no one I know has a stained glass window.  Suncatchers yes, but
not a window.
Third Rock from the Sun has the most I have seen in a TV program.  Their
kitchen door. Above the entery of the stair case.  A small table lamp in
the living room and  hanging lamp in the living room(although it looks
like one of those awful plastic things we bought in hordes in the 70's).
I wonder if all this stained glass in the backgrounds of our
entertainment viewing is planned or subliminal on the part of the
producer/director/set decorator?  If it is subliminal, what does that
say for the art of stained glass?
It seems to me that if all(some/most let don't get into sematice, since
I am fond of generalizing) it lends credence to the controversy that
stained glass is an art.
Now I got ya.  All(and this time I do mean all) of you who have time to
watch TV, will be looking for stained glass in the background instead of
watching the show!!!!!!!!!!
Have Fun
Shirley B
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From owner-glass Mon Jun 29 19:11:13 1998
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From: "suzy@comcat.com" <suzy@ComCAT.COM>
To: "Shirley Balloch" <balloch@netbridge.net>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Thanks and a comment
Date: Mon, 29 Jun 98 19:53:44 -0400
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Shirley writes:
>Now I got ya.  All(and this time I do mean all) of you who have time to
>watch TV, will be looking for stained glass in the background instead of
>watching the show!!!!!!!!!!

Shirley, I've been doing it for years. I can't help it.
And, when driving through town at night - you should see all the old 
glass (transoms) and new glass (panels) and expensive glass (bevelled 
doors). It's *everywhere*!!!
Suzanne
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From owner-glass Mon Jun 29 20:54:55 1998
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From: Dinosaur Bob <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Thanks and a comment
Date: Mon, 29 Jun 1998 22:50:45 -0400
Message-ID: <1998Jun29.185045.0>
References: <<1998Jun29.74959.0>>
Organization: Cox's Mower Service
Precedence: bulk

The most impressive I've seen is on E.R. when the nurse goes to Noah Wylie's
family estate to look for a grant. The entry hall had a 20+ foot ceiling,
and the door and front wall were all heavily beveled leaded glass. Don't
know if it was a real home in Chicago, but it looked impressive. I know some
people in TV, and some of the sets are NOT real glass, but plastic, almost
like that paint on stuff on home shopping. I've seen it up close. It's
amazing what looks real seen through a camera.

Shirley Balloch wrote:

> That got me paying attention to stained glass on TV.  I never realized
> how much there is.  Old movies when doing church scenes show the most
> fantastic windows.  Can you imaging the lighting problem that would be?
> Alot of the sit-coms have homes with stained glass.  I am low middle
> income, no one I know has a stained glass window.  Suncatchers yes, but
> not a window.



--
'Every (person) must decide whether to walk in the light of creative
altruism or the darkness of selfishness. This is the judgement. Life's
most persistent and urgent question is "What are you doing for
others?' "Rev. Dr. Martin Luther King Jr.


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From owner-glass Mon Jun 29 20:55:09 1998
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X-Path: ppp37.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re:lamp transfer
Date: Mon, 29 Jun 1998 21:24:58 -0400
Message-ID: <199806300124.VAA00375@ppp37.uwaterloo.ca>
References: <<1998Jun12.6436.0>>
Precedence: bulk



 M> i don't know if this question will make any sense, but... i'm up to the
 M> rounded part of my lamp. it's 13" in diameter, and roughly half of that
 M> height. i need to make the pattern on the globe, and on paper, as a
 M> pattern. but i can't figure out the best way to "cut?" the paper so it
 M> fits comfortably on the dome. 

Hi Mike,

I know this is an old message, but I have not had too much time to
answer to my messages. If I understand correctly, do you want the is
the shape the sphere in flat paper? If so, let me know, I can mail you
one that divides the sphere in 1/32 pieces, I believe.


--
Daniel M. German                  "When you have removed the impossible,
                                   whatever remains, however improbable,
   Arthur Conan Doyle ->           must be the truth."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Mon Jun 29 20:57:32 1998
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From: leestat7 <leestat7@home.com>
To: "B. S. Jones" <b.s.jones@bham.ac.uk>
Content-Type: text/plain; charset=us-ascii
Subject: Soldering Iron reostat for Paragon Quik Fire
Date: Mon, 29 Jun 1998 23:01:17 -0400
Message-ID: <1998Jun29.19117.0>
References: <<1998Jun29.12721.0>>
Organization: @Home Network
Precedence: bulk

All this talk of rheostats for irons (I have two) raises a question for
my Paragon Quick Fire Kiln.  It has only an on/off switch, so why can't
I use one of the soldering iron controllers for the little kiln?  Don't
know why this would not work, any suggestions??? Or just go for it and
try???
The PCB 1 controller is recommended for this kiln some while ago, but
got curious about just using on of the rheostats I already have?

Anyone try this??
Lee Boe
Rain-Boe's Creations

B. S. Jones wrote:
> 

 Unfortunately the term "rheostat"  to an
> electronics engineer means a a variable power resistor or rotary control
> that gets very hot. Another means of control is a variac or a variable
> transformer which can be used to turn up and down the voltage across the
> iron.The last device used for such things is a electronic triac
> controller such as the type used to dim lights or slow down an
> electronic drill. All of these devices will stop an
> iron that is temperature controlled with an electronic thermostat
> working properly. All of the other devices mentioned above can be used
> to drop the temperature of an iron whether it is thermostatted or not if
> it is not electronically controlled.
> I use an electronic light dimmer(Electronic triac controller) to turn
> down my iron because it is one of the simple non thermostatted 100 watt
> irons and also the controller is cheap and can be bought off the shelf ,
> small in size and does not get hot.It is also easy to wire into a dual
> plastic wallbox in the uk with a dedicated mains socket in the other
> half of the dual box.
> 
> Brandon S. Jones
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From owner-glass Mon Jun 29 20:57:50 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: lead poisoning and permenant fetal damage
Date: Mon, 29 Jun 1998 20:22:52 -0700
Message-ID: <1998Jun29.132252.0>
Organization: Maiden Concepts
Precedence: bulk

Lead exposure may harm fetal immune system

NEW YORK (Reuters) -- Studies in rats suggest that lead exposures
too low to affect the health of pregnant mothers may nonetheless
permanently damage the immune systems of their offspring.  The
study authors believe their findings may help explain why some
children seem to be born with allergies or other immune
disorders.

For details, go to ...
http://www.intelihealth.com/news?186548&r=EMIHC000
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From owner-glass Mon Jun 29 21:54:57 1998
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From: "Pat Kelly" <pkelly@n-link.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Removing mirror silvering
Date: Mon, 29 Jun 1998 23:06:19 -0500
Message-ID: <1998Jun29.18619.0>
Precedence: bulk

Does anybody remember how to remove mirror silvering from glass? Was it
Paint Striper? I have a nice beveled mirror that I want to remove the mirror
part from.


TIA

Patrick
Roses and Rainbows

PS Haven't forgot the members that wanted the previously posted bios.
Haven't have chance yet .... soon.

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From owner-glass Mon Jun 29 22:47:20 1998
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To: suzy@ComCAT.COM, glass@bungi.com
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Subject: Re: Thanks and a comment
Date: Mon, 29 Jun 1998 23:49:07 EDT
Message-ID: <1998Jun30.3497.0>
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Me too.......it is suprising how your eye "zooms" in on any glass items on
Television, driving down the road, in catalogs or just about anywhere!!!.....I
have gotten some great ideas from some of the pieces I have seen.  I too love
riding around at night and seeing what types of glass people have in their
homes.....especially some of the very old homes........some very beautiful
glass is out there and probably not appreciated...I always want to go back
with a camera and ask to take pictures.

May all your glass dreams come true!!

Kathy
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From owner-glass Mon Jun 29 23:01:30 1998
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From: "Roger Thornhill" <midwich_cuckoo@hotmail.com>
To: glass@bungi.com, MD6868@aol.com
Content-Type: text/plain
Subject: Re: Glass Biz-Combo Gallery, Studio, Store
Date: Mon, 29 Jun 1998 22:06:00 PDT
Message-ID: <1998Jun30.560.0>
Precedence: bulk



Dear Richard,

To each his own - I believe it is in your best interest to:

1.  Sell finished product
2.  Do commission work
3.  Sell supplies
4.  Teach classes.

We have 2000 sq. ft. of retail space and you never know what is going to 
pay your bills.  Some months it is commission work, most months it is 
our classes and supplies.  Occasionally we make a decent sale of 
finished products, mostly at Christmas time.

Radechi's book is great.  So is the one from D&L (don't remember the 
name - sorry).

Most importantly, I would suggest NOT getting a location in a retail 
strip mall.  Get the most space as cheaply as possible just off the main 
road.  Your store is a "destination" for most of your customers - in 
other words, they are going to your store anyhow and don't care where 
you are located.  If you are in a retail mall, you get a little bit more 
initial exposure, but are constantly interrupted by people stopping in 
to "just look".

Plan on lots of hours, lots of paper work, little sleep and little money 
the first years.  It might be in your best interest to identify others 
who have your passion and start a business with them.  Make sure you 
have good credit, because you are going to need the credit cards.  
Financing is also hard to come by - take what you can get and talk about 
it passionately to everyone.  Friends, family members, those you know 
from church, etc.  Money comes from unexpected sources (sounds like a 
fortune cookie).

Try and barter what you can to start.  Will an accountant trade 
services?  What about a carpet installer - do you know any (provided you 
want to make your place look upscale).  I got my brother and his friends 
to completely rewire the place for his cost - expensive even at that.

There is an international retailers group that has formed which is 
dedicated solely to the interests of retailers - join it if you can (you 
have to have a storefront, first).

Don't go for "cutesy" marketing ploys.  The best advertisement is to get 
the biggest circulated paper to run an article on stained glass and 
mention your store - we still get people coming in almost 1.5 years 
later mentioning the article.  The second best advice is never, ever 
sell yourself short.  If you do a commission job and think the price 
should be $125 a square foot, charge that much.  Do incredible work and 
always strive to learn.  Don't settle for doing shoddy workmanship - 
your best business can be repeat or referral business.

Wow, there is so much - you can email me privately if you want to 
discuss this further - I'm kept pretty busy but try and get to 
everyone's questions when they come in.

Best of luck!

>From owner-glass@daver.bungi.com Sun Jun 28 23:15:52 1998
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>X-Path: aol.com!MD6868
>From: <MD6868@aol.com>
>To: glass@bungi.com
>Content-Type: text/plain; charset=US-ASCII
>Subject: Glass Biz-Combo Gallery, Studio, Store
>Date: Mon, 29 Jun 1998 01:20:56 EDT
>Message-ID: <1998Jun29.52056.0>
>Precedence: bulk
>
>I'd apprecieate any comments from the group re: location and other
>considerations for a new venture I'm in the planning stage on.
>
>I plan to send a bio soon, but to help you help me, let me say that 
I've been
>doing glass for some time, it has become a true passion for me, and 
after
>having been bought out of a non-glass related business by a 
conglomerate for
>whom I can't work much longer (ethically, that is), I need t o go back 
into
>business, and living in an area outside a major metro area, which has 
170,000
>people, and no glass shop within 30 miles, I see a real need here in 
this
>community. While there is one studio. that person doesn't givve 
lessons, and
>doesn't sell supplies.
>
>Also, The area is upscale, and I feel that a gallery showing quality 
work,
>(mine and others) would go well. Also, I could have the store, and get 
the
>studio out of the house.
>
>Since we sold our business for cash, I am properly financed, and my 
wife and I
>have owned businesses for years, so what's the problem? Location.
>
>Space in a few very upscale storefronts in the middle of the affluent 
areas is
>available, but does such an operation need or will it benefit from a 
high
>exposure / location, where rents are high?
>
>In surounding areas, stained glass shops / studios tend to be in semi
>-industrial areas, where the rent is low, but so is the exposure / 
traffic.
>One I noticed in an industrial park, went out of business.
>
>I know you get what you pay for, but I'd like to hear from any of you 
who are
>running studio / shops as to this price / exposure situation. Also, do 
any of
>you run the type of combo I envision. Any thoughts on # of Sq. ft 
needed?
>
>This group has been inspiring.Also when joining IGGA and reading back 
issues
>of COMMON GROUND, I was inspired by Christie Wood's lettter some years 
back. I
>find myself in a similar corporate situation, and need to work my way 
out.
>
>By the way, I'm no spring chicken, as they say, but am at least 15 
years away
>from retirement.I have a real fire to do this. Thanks for your thoughts 
in
>advance.
>
>Richard Callahan
>Glassics
>Valencia, CA
>----
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>Archives available at http://www.bungi.com/glass
>


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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From owner-glass Mon Jun 29 23:30:20 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: balloch@netbridge.net, glass@bungi.com
Subject: Children & lead
Date: Tue, 30 Jun 1998 01:27:09, -0500
Message-ID: <199806300527.BAA10732@mime3.prodigy.com>
Precedence: bulk

>>Lead exposure may harm fetal immune system

NEW YORK (Reuters) -- Studies in rats suggest that lead exposures
too low to affect the health of pregnant mothers may nonetheless
permanently damage the immune systems of their offspring.  The
study authors believe their findings may help explain why some
children seem to be born with allergies or other immune
disorders.<<

I must be physic. Whenever I am asked about combining lead and 
pregnancy I have always replied, *Why take a chance?* IMO pregnant 
and nursing women have no business using lead or solder or the common 
chemicals associated with stained glass. No science here, just common 
sense. Bob

Ps: Milk fat is sometimes given to people exposed to lead. Seems the 
fat takes up the lead and causes it to be eliminated from the body. I 
suspect that nursing women should never work with lead for this 
reason.

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*What!   And try to teach her to put up the seat?*
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From owner-glass Tue Jun 30 00:02:30 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, leestat7@home.com
Subject: Internet Message 
Date: Tue, 30 Jun 1998 01:34:39, -0500
Message-ID: <199806300534.BAA15592@mime3.prodigy.com>
Precedence: bulk

>>All this talk of rheostats for irons (I have two) raises a question 
for
my Paragon Quick Fire Kiln.  It has only an on/off switch, so why 
can't
I use one of the soldering iron controllers for the little kiln?  
Don't
know why this would not work, any suggestions??? Or just go for it 
and
try???
The PCB 1 controller is recommended for this kiln some while ago, 
but
got curious about just using on of the rheostats I already have?

Anyone try this??
Lee Boe
Rain-Boe's Creations<<

Sure I tried it. I try almost everything. Burnt out a cheap reo and 
so tried my expensive Glasstar temp control. Burnt that out also. To 
the best of my knowledge all the reostats sold for SG work will not 
carry the current required by the Quick Fire Kiln. Also these reos do 
not provide for grounding. Ya gotta pay the $50.00 for the PCB 1.  
Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, Escondido, CA, 92026 
*What!   And try to teach her to put up the seat?*
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From owner-glass Tue Jun 30 00:34:44 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "glass@bungi.com" <glass@bungi.com>
Subject: RE: Help at another site
Date: Mon, 29 Jun 1998 22:28:56 -0700
Message-ID: <1998Jun29.152856.0>
Precedence: bulk



-----Original Message-----
From:	Albert Lewis [SMTP:alewis@vgernet.net]
Sent:	Saturday, June 27, 1998 11:54 AM
To:	glass@bungi.com
Subject:	Re: Help at another site


> There is a request for help at Art Glass World.
> http://www.artglassworld.com/wwwboard/message/400.html
> It is from a maintenance guy for a 60-65 year old church.  The church is
> putting up lexan. 

That message has already been deleted apparently. I got a 404 Not 
Found message.

Albert


[*Glenn*]  Albert, I just went there and found the 404 message, then tried again using the abbreviated 
[*Glenn*]  http://www.artglassworld.com/
[*Glenn*]  and got thru then just went via the bulletin board, and found that the message was still there
PS. my hard Drive crashed for those who wonder where I went, now have a new larger one (was able to save before it went down 
 

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From owner-glass Tue Jun 30 01:04:20 1998
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X-Path: mpx.com.au!harlquin
From: "Gerard" <harlquin@mpx.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Decorative Soldering
Date: Tue, 30 Jun 1998 15:49:58 +1000
Message-ID: <1998Jul1.14958.0>
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One method i have been using is quite simple and easy to do.
i'll try to explain:
1) make a normal bead solder on the project then go back over the solder
lines to be decorated
2) get a drop of solder on your iron tip (about 2-3 mm)
3) apply this drop quickly on one end of the line
4) leave a blank space the same size as the previous blob
5) apply another drop and repeat the process
The solder line looks then like n_n_n_n_n
When polished those bumps shine and the empty spaces are darker.
Hard to describe without picture. I can send you a picture of a finished
article if interested. (one of those might be in my web site)
Harlequin Leadlight
http://www.geocities.com/PicketFence/3530/index.html
http://www.freeyellow.com/members2/ondaderthad/index.html
Join the leadlight webring
http://www.geocities.com/PicketFence/3530/webring.html

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From owner-glass Tue Jun 30 01:31:24 1998
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From: "B. S. Jones" <b.s.jones@bham.ac.uk>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Soldering Iron reostat for Paragon Quik Fire
Date: Tue, 30 Jun 1998 08:44:00 +0100
Message-ID: <1998Jun30.9440.0>
Precedence: bulk

All this talk of rheostats for irons (I have two) raises a question for
my Paragon Quick Fire Kiln.  It has only an on/off switch, so why can't
I use one of the soldering iron controllers for the little kiln?  Don't
know why this would not work, any suggestions??? Or just go for it and
try???
The PCB 1 controller is recommended for this kiln some while ago, but
got curious about just using on of the rheostats I already have?

Anyone try this??
Lee Boe
Rain-Boe's Creations

The Kiln heaters are just a nichrome  resistor just the same as in the
soldering iron that get hot when electric current are passed through
them. The problem with the simple controllers is that they normally
control low power loads only in the form of 250watts or so. Kilns will
take lots more power in the form of kilowatts. Electronic Controllers
using similar technology as in the light dimmers can be used for this
with more powerful
devices fitted in them . The problem is finding a supplier of a device
that can handle the power rating of your kiln with some to spare.There
is no problem
in the form of capable electronic controllers, in the past I have worked
on controllers that handle 2500 horsepower motors for electric trains
under computer control. Bit big for your kiln though....

Brandon S. Jones
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From owner-glass Tue Jun 30 03:58:18 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Thanks and a comment
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 30 Jun 1998 06:07:24 +0000
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> > Alot of the sit-coms have homes with stained glass.

And Mission furniture. Try several thousand dollars for a single 
piece of some of that. Of course, what we see on TV isn't really 
authentic antique Mission furniture, but something put together by 
the prop department. Those talented guys! Same goes for the stained 
glass. T'ain't real.

Albert
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From owner-glass Tue Jun 30 06:25:37 1998
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X-Path: juno.com!mschatee
From: mschatee@juno.com
To: alewis@vgernet.net
Subject: Re: Thanks and a comment
Date: Tue, 30 Jun 1998 08:01:00 EDT
Message-ID: <1998Jun30.1210.0>
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And don't forget that God Awful show "Third Rock From The Sun".   THeir
apartment has some great stained glass windows, panels and lamps in it
(it's one of the only reasons I watch the show).  I hope they are real
and not just a stage prop they are beautiful.

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]
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From owner-glass Tue Jun 30 07:27:59 1998
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: Re: Soldering Iron reostat for Paragon Quik Fire
Date: Tue, 30 Jun 1998 09:27:24 -0400
Message-ID: <199806301324.JAA01505@ll.mit.edu>
Precedence: bulk

> devices fitted in them . The problem is finding a supplier of a device
> that can handle the power rating of your kiln with some to spare.There
> is no problem
> in the form of capable electronic controllers, in the past I have worked
> on controllers that handle 2500 horsepower motors for electric trains
> under computer control. Bit big for your kiln though....

Practically any temperature controller can be made to control arbitrarily
large loads by using the to switch a relay, either mechanical or solid state.

My controller is a Omega 76000 with switching contacts rated at no more than 1
amp @ 110 Volts, I think. This is used to switch a 20Amp mechanical relay. I
would think you could use the iron rheostat in a similar way; I am sure it can
handle the tiny power needed to switch a relay.

If you are into building your own stuff I am quite pleased with this Omega
unit. It has one ramp/soak cycle only, but that has been adequate for my needs
so far. (Be sure to understand what THEY mean by "one ramp/soak cycle". Omega
has other single ramp units that can ramp up only, and cannot ramp down.) They
also make multi ramp units, but they are more expensive, and still require
lots of stuff to make a complete unit. (Metal box, connectors, power cord,
relay, pilot lights, etc. But for me building it was part of the fun.)


-- DavidC

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From owner-glass Tue Jun 30 07:57:42 1998
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: Glass Biz-Combo Gallery, Studio, Store
Date: Tue, 30 Jun 1998 10:10:03 EDT
Message-ID: <1998Jun30.14103.0>
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In a message dated 98-06-29 04:11:36 EDT, you write:

<< Space in a few very upscale storefronts in the middle of the affluent areas
is
 available, but does such an operation need or will it benefit from a high
 exposure / location, where rents are high?
 
 In surounding areas, stained glass shops / studios tend to be in semi
 -industrial areas, where the rent is low, but so is the exposure / traffic.
 One I noticed in an industrial park, went out of business.
 
 I know you get what you pay for, but I'd like to hear from any of you who are
 running studio / shops as to this price / exposure situation. Also, do any of
 you run the type of combo I envision. Any thoughts on # of Sq. ft needed?
  >>
Well I hope I don't get blasted for this one as I am not running a studio, but
I have noticed how the shops in the area (40 miles between them) run.  I
noticed one was in 'old town' for a few years (a historic part of town with
many shops) I think he got noticed there and then moved to an industrial area.
Now his studio is (in the industrial area) on a back road that you would never
just happen by but is 4 times the size he was before.  He does a lot of
restorations and new beveled doors (he does his own beveling) I think the
initial location got him noticed enough that he now doesn't need to be seen.
  With  this shop my impression is that the retail area of it is more of a
secondary thing, ie he keeps supplies to a minimum for his customers who do
their own glass working.  I think one area compliments the other.  He does
have huge work areas and a fair selection of glass.  He told me he no longer
teaches, I don't remember why but I think he does better with finished product
than teaching classes would.  He really isn't open for the hobbiest, no
saturdays at all.
  the other shop is in a tiny studio, behind her house, much friendlier
atmosphere and she teaches classes but I don't think she is making the money
that the other is.
deb
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From owner-glass Tue Jun 30 08:32:20 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: lamp transfer
Date: Tue, 30 Jun 1998 10:20:03 -0400
Message-ID: <1998Jun30.6203.0>
References: <<199806300124.VAA00375@ppp37.uwaterloo.ca>>
Precedence: bulk

Daniel M. German wrote:
> 
>  M> i don't know if this question will make any sense, but... i'm up to the
>  M> rounded part of my lamp. it's 13" in diameter, and roughly half of that
>  M> height. i need to make the pattern on the globe, and on paper, as a
>  M> pattern. but i can't figure out the best way to "cut?" the paper so it
>  M> fits comfortably on the dome.
> 
> Hi Mike,
> 
> I know this is an old message, but I have not had too much time to
> answer to my messages. If I understand correctly, do you want the is
> the shape the sphere in flat paper? If so, let me know, I can mail you
> one that divides the sphere in 1/32 pieces, I believe.
> 
> --
> Daniel M. German                  "When you have removed the impossible,
>                                    whatever remains, however improbable,
>    Arthur Conan Doyle ->           must be the truth."
> http://csgwww.uwaterloo.ca/~dmg/home.html
> dmg@csg.uwaterloo.ca
> 
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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the design will have to be flat to work with. but it's not a geometric
design, which makes it a bit harder. more then likley, when i finally
get around to starting the thing, i'll trace the objects over the mold.
and do the background free hand, since the background is mainly on the
clear side...

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages
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From owner-glass Tue Jun 30 09:03:59 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Soldering Iron reostat for Paragon Quik Fire
Date: Tue, 30 Jun 1998 10:23:21 -0400
Message-ID: <1998Jun30.62321.0>
References: <<1998Jun29.19117.0>>
Precedence: bulk

leestat7 wrote:
> 
> All this talk of rheostats for irons (I have two) raises a question for
> my Paragon Quick Fire Kiln.  It has only an on/off switch, so why can't
> I use one of the soldering iron controllers for the little kiln?  Don't
> know why this would not work, any suggestions??? Or just go for it and
> try???
> The PCB 1 controller is recommended for this kiln some while ago, but
> got curious about just using on of the rheostats I already have?
> 
> Anyone try this??
> Lee Boe
> Rain-Boe's Creations
> 
> B. S. Jones wrote:
> >
> 
>  Unfortunately the term "rheostat"  to an
> > electronics engineer means a a variable power resistor or rotary control
> > that gets very hot. Another means of control is a variac or a variable
> > transformer which can be used to turn up and down the voltage across the
> > iron.The last device used for such things is a electronic triac
> > controller such as the type used to dim lights or slow down an
> > electronic drill. All of these devices will stop an
> > iron that is temperature controlled with an electronic thermostat
> > working properly. All of the other devices mentioned above can be used
> > to drop the temperature of an iron whether it is thermostatted or not if
> > it is not electronically controlled.
> > I use an electronic light dimmer(Electronic triac controller) to turn
> > down my iron because it is one of the simple non thermostatted 100 watt
> > irons and also the controller is cheap and can be bought off the shelf ,
> > small in size and does not get hot.It is also easy to wire into a dual
> > plastic wallbox in the uk with a dedicated mains socket in the other
> > half of the dual box.
> >
> > Brandon S. Jones
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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besides the kiln having a three prong cord. it draws to much current for
the iron reostat to handle. if i'm not carefull i'll blow a circut if a
few other things are on. they do make a reostat for the quickfire, but
it's around $80.

---Mike Savad

-- 
Mike's Stained Glass - Tips Tricks Photos
http://www.geocities.com/Paris/1141
6-16-98 New Pages Added: 44 New Stained Glass Links, 5 New Stained Glass
Tip Pages


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From owner-glass Tue Jun 30 09:37:11 1998
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X-Path: bham.ac.uk!b.s.jones
From: "B. S. Jones" <b.s.jones@bham.ac.uk>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Soldering Iron reostat for Paragon Quik Fire
Date: Tue, 30 Jun 1998 16:02:32 +0100
Message-ID: <1998Jun30.17232.0>
Precedence: bulk


Practically any temperature controller can be made to control
arbitrarily
large loads by using the to switch a relay, either mechanical or solid
state.

My controller is a Omega 76000 with switching contacts rated at no more
than 1
amp @ 110 Volts, I think. This is used to switch a 20Amp mechanical
relay. I
would think you could use the iron rheostat in a similar way; I am sure
it can
handle the tiny power needed to switch a relay.

There is still confusion here.. the complex soldering iron controllers
use
electronic switching  not relays as relays have a limited wear life.
Slow on- off can only be done with a relay usually. This makes a poor
temperature control
as the iron would overshoot its temperature setting by a large margin.
What they do  in the complex controllers is run up full power at switch
on then as the iron warms up
to nearly the set temperature then the power to the iron is
electronically
switched on and off fast at first then more slowly as the exact
temperature is reached. what this does is to stop the overshoot of
temperature.Feed back from
a temperature measurement device such as a thermocouple in the iron
element
is used to achieve this so that the controller knows when to start this
process. With a simple electronic controller such as a light dimmer only
half of this system is there as there is no feed back of temperature. To
make the iron run cooler you turn down the power to the iron,
to make it hotter you turn it up so the control is very crude. There is
no reason why you can not do this with a kiln if you have another means
of visually reading off the temperature of the kiln.If the kilns that
you use only need to keep a temperature accuracy of a few tens of deg c
in 1000 then manufacturers will probably still use relays which is very
old fashioned nowadays as the final device to control the power going on
and off to the heating elements. Your kilns ramp to usually slow down
the effects of thermal shock on the materials being heated or for
annealing processes and so on.A proper controller for a kiln will have
all of this built into it with a temperature sensor in the kiln body
similar to that used by the soldering irons.This complexity and ease of
use is what you pay your money for.
What makes me amazed is what did they use in the kilns of yesteryear
before electricity, how did you know the right temperature ..calibrated
eyeballs maybe .. from sheer skill and practical experience.

Brandon S. Jones
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From owner-glass Tue Jun 30 09:45:14 1998
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X-Path: oregontrail.net!dterry
From: "Douglas R Terry" <dterry@oregontrail.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Soldering Iron reostat for Paragon Quik Fire
Date: Tue, 30 Jun 1998 08:44:33 -0700
Message-ID: <1998Jun30.14433.0>
Precedence: bulk

I'm not familiar with the Quick Fire Kiln, but I've built several kilns from
old stove parts. If you use the controlling high/low/medium or 1-2-3....
switch from an
older kitchen stove top element they are all marked on the side with their
amprage. Most
are ten or fifteen amps. If this is enough for your kiln element, it will
work fine. I've had them last two years or more. If you save some of the
wire from the stove it is normally high temp also, so you won't have to
worry about melting insulation in your control box. Hope this helps.

Douglas Terry
(from the Alps of Oregon)


>All this talk of rheostats for irons (I have two) raises a question for
>my Paragon Quick Fire Kiln.  It has only an on/off switch, so why can't
>I use one of the soldering iron controllers for the little kiln?  Don't
>know why this would not work, any suggestions??? Or just go for it and
>try???
>The PCB 1 controller is recommended for this kiln some while ago, but
>got curious about just using on of the rheostats I already have?
>
>Anyone try this??
>Lee Boe
>Rain-Boe's Creations
>



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From owner-glass Tue Jun 30 11:34:38 1998
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X-Path: GSA-ORSP.CROWN.NWU.EDU!kaye
From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Gallery
Date: Tue, 30 Jun 1998 12:08:34 CST 6CDT
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Thanks Daniel (Barefoot) for adding my piece to the gallery!  This is 
kind of exciting for us lowly hobbyists who have no plans for our own 
websites.  Check it out gang--and send in your stuff!

Kaye
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From owner-glass Tue Jun 30 12:01:00 1998
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: "M. Savad" <morn@nac.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Soldering Iron reostat for Paragon Quik Fire
Date: Tue, 30 Jun 1998 13:28:37 -0400
Message-ID: <1998Jun30.92837.0>
References: <<1998Jun30.62321.0>>
Organization: @Home Network
Precedence: bulk

Thanks Mike, Brandon, DavidC,

It was late at night, this morning I realized the little Soldering Iron
controller would not handle the wattage.  I'll get the Glass star or
Paragon controller built for the kiln.  I'm not much on building my own
mechanical or electrical tools, but do build most of my hand tools.  I
think wholesale it will be $45-$50.  Right now the only thing I can do
is On/Off cycle to keep the heat steady.  Since it is a fast fire, the
cool down cycle is most important.  And right now, in the Florida heat
wave it really heats up the studio. I try to schedule firings last
thing, then it can cool overnight.

Thanks again ,

Lee Boe
Rain-Boe's Creations

M. Savad wrote:
> 
> leestat7 wrote:
> >
> > All this talk of rheostats for irons (I have two) raises a question for
> > my Paragon Quick Fire Kiln.  It has only an on/off switch, so why can't
> > I use one of the soldering iron controllers for the little kiln?  Don't
> > know why this would not work, any suggestions??? Or just go for it and
> > try???
> > The PCB 1 controller is recommended for this kiln some while ago, but
> > got curious about just using on of the rheostats I already have?
> >
> > Anyone try this??
> > Lee Boe
> > Rain-Boe's Creations
> >
> > B. S. Jones wrote:
> > >
> >
> >  Unfortunately the term "rheostat"  to an
> > > electronics engineer means a a variable power resistor or rotary control
> > > that gets very hot. Another means of control is a variac or a variable
> > > transformer which can be used to turn up and down the voltage across the
> > > iron.The last device used for such things is a electronic triac
> > > controller such as the type used to dim lights or slow down an
> > > electronic drill. 

> 
> besides the kiln having a three prong cord. it draws to much current for
> the iron reostat to handle. if i'm not carefull i'll blow a circut if a
> few other things are on. they do make a reostat for the quickfire, but
> it's around $80.
> 
> ---Mike Savad

> Archives available at http://www.bungi.com/glass
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From owner-glass Tue Jun 30 14:33:09 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Pat Kelly <pkelly@n-link.com>
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Subject: Re: Removing mirror silvering
Date: Tue, 30 Jun 1998 13:12:16 -0700 (PDT)
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Patrick:  You can use sand blasting to remove the silvering from the
bevel.  However, if you want a clear glass afterwards I have no idea but I
am sure someone else will know.  Peggy

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From owner-glass Tue Jun 30 16:43:37 1998
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From: Pamela Burns-Tappan <ptap@pacifier.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Re: Removing mirror silvering
Date: Tue, 30 Jun 1998 15:14:03 -0700
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--------------9B307BB3AD219F661E8E9AC0
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Howdy All,

Hi Patrick,

Eastern Art Glass sells a product called Strip Silver. It's a two step
process no rubbing and no abrasive compounds are needed. You can maybe
find this product at a craft store near you or give them a call at
1-201-847-0001. They are located in Wyckoff, N.J.
The catalog I have says the price for the kit is $12.95 and includes an
instruction booklet.

See ya,

Pam

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From owner-glass Tue Jun 30 17:17:18 1998
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Howdy All again,

Found Eastern Art Glass's web site addy:

http://www.etchworld.com

See ya,

Pam

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From owner-glass Tue Jun 30 17:20:06 1998
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Subject: Re: removing mirror silvering
Date: Tue, 30 Jun 1998 17:54:18 EDT
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Patrick - I've used nail polish remover and elbow grease.  Good luck.  Kathi
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From owner-glass Tue Jun 30 17:48:35 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
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Subject: Re:bungi gallery
Date: Tue, 30 Jun 1998 17:59:27 -0400
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Molly Keys twists the bytes to say:

 Molly> Dear Daniel,
 Molly> Could you please send me the form for sending my work to the bungi
 Molly> gallery along with the address.  I must have miss filed it somewhere.

Hi Molly,

http://csg.uwaterloo.ca/~dmg/glass/gallery

It includes a page that describes how to submit your work to the gallery.

BTW, I am leaving on Friday for 12 days. So please, do not send me
anything during the next week. In fact, I am a little busy and behind,
so it will be better if you all wait until the 14 of July.

Regards,

 Molly> Thank you,
 Molly> Molly Keys

--
barefoot


--
Daniel M. German                  "You cannot have the success without 
   H. G. Hasler ->                 the failures."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Tue Jun 30 21:16:41 1998
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From: dodgestudio@juno.com
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Subject: Re: Removing mirror silvering
Date: Tue, 30 Jun 1998 20:55:35 -0400
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Gary Dodge              Dodge Studio Designs

It depends on the size of your piece. 

 If it's small, you can just soak the whole thing in Muriatic acid,
available at most hardware stores, until the paint floats off the back of
the mirror.

If it's too large for that, use paint stripper to remove the paint, then
the muriatic to remove the mirror.

Gary Dodge     Dodge Studio Designs

www.dodgestudio.com

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Tue Jun 30 21:19:14 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: (Fwd) More lead myths (milk fa
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 30 Jun 1998 21:17:46 +0000
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This from Monona Rossol, industrial hygienist and studio safety 
advisor to the Guild:


>>Lead exposure may harm fetal immune system

> NEW YORK (Reuters) -- Studies in rats suggest that lead exposures too
> low to affect the health of pregnant mothers may nonetheless
> permanently damage the immune systems of their offspring.  The study
> authors believe their findings may help explain why some children seem
> to be born with allergies or other immune disorders.
>
> For details go to
> http://www.intelihealth.com/news?186548&r=EMIHC000 <


I saw that.  I think it will even relate to the much higher incidence of 
allergic asthma among inner city blacks.


> I must be physic. Whenever I am asked about combining lead and 
> pregnancy I have always replied, *Why take a chance?* IMO pregnant and
> nursing women have no business using lead or solder or the common
> chemicals associated with stained glass. No science here, just common
> sense. Bob <


Its a bit late once a woman is pregnant and nursing.  We now have human data 
establishing that all the lead we store, even as children, is mobilized 
during pregnancy and made available to the fetus.  


> Ps: Milk fat is sometimes given to people exposed to lead. Seems the
> fat takes up the lead and causes it to be eliminated from the body. I
> suspect that nursing women should never work with lead for this
> reason. <

I've got shares in this bridge.........

Actually, the calcium in the milk is a little helpful.  Since the body can't 
tell the difference between lead and calcium, if there's plenty of calcium 
available, the percentage of lead that get deposited in bones and tissues 
is reduced somewhat.  But the difference is not enough to write home to 
Mother about. 

However, on the other side of the spectrum:  when lead exposure is combined 
with out right calcium deficiency, then the uptake of lead becomes quite 
dramatically increased.



Monona
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From owner-glass Tue Jun 30 21:43:55 1998
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Subject: side lights
Date: Tue, 30 Jun 1998 23:04:31 EDT
Message-ID: <1998Jul1.3431.0>
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Okay Yall,
 I have been asked to do a couple of side lights. The size is 9" x 68". She
just wants a simple design, but lots of colors. I figure this is 4.25 sq,
feet. I'd  planned on charging $45. a sq. ft. (That's $191.00 for each one).
Is that too high?

 Also, I'm thinking I can't get too much design in such a narrow panel. I'm
open for suggestions. I'll do them in copperfoil. I guess I should use
reinforcement?

Thanks in advance,
Susan
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