From owner-glass Sun Mar  1 06:20:10 1998
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X-Path: cornell.edu!bjs10
From: Barbara <bjs10@cornell.edu>
To: dodgestudio@juno.com, glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: reply all
Date: Sun, 01 Mar 1998 08:18:33 -0500
Message-ID: <3.0.2.32.19980301081833.006a7ad4@postoffice.mail.cornell.edu>
References: <<1998Feb27.145840.0>>
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Hi Gary,
	Your "reply all" function applies to the addresses in the header of the
particular piece of mail to which you are replying.  Your Aunt Sophie will
get it only if you include her address in the "To" field

At 12:41 AM 2/28/98 -0500, dodgestudio@juno.com wrote:
>>> What I do is hit the reply all button,
>>LOL someone has made me look again I too have a reply to all button 
>>now I
>>won't have to work so hard at this mail stuff and send to the wrong 
>>people.
>
>I may be wrong here, but my understanding of the "reply all" button is to
>automatically forward your reply to all addresses that you have put into
>an address book.   If glass@bungi.com isn't in your book, the group will
>not get the response.  And likewise if your aunt Sophie IS in the book,
>she will get the message, whether she cares about glass or not..
>
>Am I wrong?
>
>Gary Dodge
>
>_____________________________________________________________________
>You don't need to buy Internet access to use free Internet e-mail.
>Get completely free e-mail from Juno at http://www.juno.com
>Or call Juno at (800) 654-JUNO [654-5866]
>
>----
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>Archives available at http://www.bungi.com/glass
>
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From owner-glass Sun Mar  1 06:39:23 1998
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From: Richard LaVal <rlaval@sol.racsa.co.cr>
To: glass@bungi.com
Content-Type: text/plain; charset="iso-8859-1"
Subject: Gatewayed mail message
Date: Sun, 1 Mar 1998 07:18:53 -0600 (CST)
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Dear friends,
        I have, over the past several months, noticed the discussion of the
problems with stained glass in doors, and their slamming. =20
        The one and only door I have done, as well as lots of restrip in it,
(it is foil) I also got the owner to install a door closer as it was on a
very windy side of the house.  So far so good, and the door closes nice and
gently... we got a good one like stores use, not the little screen door
cylinders you get at Walmarts cheap!  Good luck, Meg
 REMEMBER: "Bats bite bugs best!"
    =BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?
  Richard LaVal and Meg Wallace
               apdo. 24-5655
       Monteverde, Puntarenas
               COSTA RICA
              phone 645 5052

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From owner-glass Sun Mar  1 06:52:28 1998
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X-Path: chescom.net!dmm
From: "Don McDonald" <dmm@chescom.net>
To: glass@bungi.com, dodgestudio@juno.com
Subject: Re: reply all
Date: Sun, 01 Mar 1998 07:28:11 -0600
Message-ID: <s4f90e1e.018@chescom.net>
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It entirely depends upon the software you are using.  Some programs
have a "reply to all (sender and recipients) and reply to sender"
button, while on others the "reply all" uses the address book.  Some
are simply going to only have the option of hitting the reply key and
then changing the "to:" field to "glass@bungi.com".  Its frustrating,
but with people using Windows 3.x, Win95, WinNT, MacOS6, MacOS7,
Atari, and multiple flavors of UNIX as operating systems and then the
many programs that are available for each of those operating systems,
there is no simple "just do this" solution. Not everyone has a Pentium
II running Groupwise.

<<quoted message>>
I may be wrong here, but my understanding of the "reply all" button
is to
automatically forward your reply to all addresses that you have put
into
an address book.   If glass@bungi.com isn't in your book, the group
will
not get the response.  And likewise if your aunt Sophie IS in the
book,
she will get the message, whether she cares about glass or not..


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From owner-glass Sun Mar  1 07:01:22 1998
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From: Classydad <Classydad@aol.com>
To: dodgestudio@juno.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: reply all
Date: Sun, 1 Mar 1998 08:39:24 EST
Message-ID: <1998Mar1.133924.0>
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REPLY TO ALL will only reply to the sender and any addresses that were cc'd
(like "glass@bungi.com").  Just as when I hit REPLY ALL to this e-mail, the
response will be sent directly to you as "dodgestudio...", but also to
"glass@bungi.com."  If you want to make sure, look up in the "To:" box and it
lists those addresses the response will be sent to.
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From owner-glass Sun Mar  1 07:44:55 1998
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X-Path: glasstreasures.com!sgt
From: Stephanie Hansen <sgt@glasstreasures.com>
To: dodgestudio@juno.com, glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: reply all
Date: Sun, 01 Mar 1998 08:27:50 -0600
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References: <<1998Feb27.145840.0>>
Precedence: bulk

Ummmm....sorry, Gary, you're wrong.  :-)   The "reply all" button only
means it will reply to all people/lists who were listed in the FROM, TO or
CC boxes of the message you were replying to.  For instance, I hit "reply
all" to your message, and now in my TO box it's going to your address
(because you were the FROM in your message) and the list (because it was
the TO in your message).  If you had done a "reply all" to, say, a message
from Albert, your message would have been FROM you, TO Albert, and TO the
list....and if I then hit "reply all" to your message, mine would show as
being TO you, TO Albert and TO the list.

Clear as mud?

:-)
Steph ~

At 12:41 AM 2/28/98 -0500, dodgestudio@juno.com wrote:
>I may be wrong here, but my understanding of the "reply all" button is to
>automatically forward your reply to all addresses that you have put into
>an address book.   If glass@bungi.com isn't in your book, the group will
>not get the response.  And likewise if your aunt Sophie IS in the book,
>she will get the message, whether she cares about glass or not..
>
>Am I wrong?



-----------------------------------
Stephanie Hansen - Stained Glass Treasures/Dallas, TX
Affordable stained glass pieces for gifts or personal use
Enter the sweepstakes to win a stained glass suncatcher!
<http://glasstreasures.com/>   <mailto:sgt@glasstreasures.com>

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From owner-glass Sun Mar  1 08:08:38 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: Re: A disheartening quest./Clarification
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sun, 1 Mar 1998 15:33:13 +0000
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Dear Sarah,

Yeah, why not driftwood too!
The only problem with driftwood is that you may not find the middle 
holed out & therefore you  may need an awfully long drill-bit to 
drill out the through-hole for the cable ( and the extra weighting 
materials)
With tree-roots that you find naturally in woodlands, the middle bit 
of the stump is always the softer bit and therefore tends to rot and 
disintegrate quicker, providing for a ready-made through-hole.
The "art" is to find them before the rest of the trunk has become 
noticably "mulched" combined with a shape that is interesting and 
suitable for making  to stand up; lots of "knobbly" or twisty bits at 
one end, that could constitute the foot of the base.
Happy hunting!
Elisabeth 'n Toby (who even likes to carry the wood for me!!)

Sarah wrote:

What a wonderful idea! I'll be heading out to the local beach tomorrow to
search for some new driftwood lamp bases!



----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sun Mar  1 08:17:09 1998
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X-Path: worldnet.att.net!summit-stained-glass
From: mike peck <summit-stained-glass@worldnet.att.net>
To: bungi <glass@bungi.com>, Mike Simpson <mike@jackel.demon.co.uk>
Content-Type: text/plain; charset=us-ascii
Subject: Re: white lines and bevels, the saga continues
Date: Sun, 01 Mar 1998 08:56:52 -0600
Message-ID: <1998Mar1.25652.0>
References: <<199802281626.QAA00302@jackel.demon.co.uk>>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

Mike Simpson wrote:
> 
>
> 
> Another thing I learned was that different trades use the same
> phrases to mean wildly different things, for the double glazing
> business the phrase "hand made glass" is what we would call a
> leaded panel while "H section" is a particular size of the edge
> spacer that they use in the sealed units. By the way, is there an
> equivalent name for "sealed unit double glazing" in the U.S.?
> 
>
> 
> Now all that is left is to find if the customer is happy.
> 
> Mike Simpson.
> 


Mike,

Most flat glass shops call them triple glazed thermal units, or triple
glazed sealed units.  I have always called them a pain in the ..........

With all the "concern for quality" that I detect in your posts, I know
you'll make the customer happy!

Mike Peck
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From owner-glass Sun Mar  1 09:15:56 1998
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From: mike peck <summit-stained-glass@worldnet.att.net>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Etching tempered glass .... with anything but a logo!
Date: Sun, 01 Mar 1998 09:53:34 -0600
Message-ID: <1998Mar1.35334.0>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

Just a quick note to say thanks for all the replies to my question about
etching tempered glass.  I am not in the business of tempering glass so
I certainly am not comfortable etching a logo on the certifies that
glass has been tempered.  Which seemed to be the primary emphasis to the
replies.  I do want to see these panels, however, because if I suspect
that this contractor is doing something unethical, I think others should
know about it.

Don, at Stnglsgrn <Stnglsgrn@aol.com>, provided me with a URL that
proved incredibly informative.  It's at www.ppg.com/.  Check it out, it
discusses sandblasting tempered glass, testing for internal stresses,
fabrication and installation requirements, all kinds of stuff!  Thanks,
Don, for the URL!

Mike Peck
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From owner-glass Sun Mar  1 09:41:49 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: dodgestudio@juno.com, glass@bungi.com
Subject: Re: reply all
Date: Sun, 1 Mar 1998 08:04:32 PST
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[In the message entitled "Re: reply all" on Feb 28,  0:41, dodgestudio@juno.com writes:]
> >> What I do is hit the reply all button,

> 
> I may be wrong here, but my understanding of the "reply all" button is to
> automatically forward your reply to all addresses that you have put into
> an address book.   If glass@bungi.com isn't in your book, the group will
> not get the response.  And likewise if your aunt Sophie IS in the book,
> she will get the message, whether she cares about glass or not..
> 
> Am I wrong?

The reply all button send to all recipients of the original message.

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sun Mar  1 10:12:13 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Copy writing?
Date: Sun, 1 Mar 1998 11:33:22 -0500
Message-ID: <1998Mar1.63322.0>
Precedence: bulk

You should contact the following for copyright forms:
Library of Congress
Publications Section LM-455
Register of Copyrights
Library of Congress
Washington, D.C. 20559-6000
Public Info. Copyright Office
(202) 707-3000 fax (202) 287-9100

It is actually a simple procedure.
Christie A. Wood (who has copyrighted several musical pieces)
Art Glass Ensembles, North Wales, PA
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From owner-glass Sun Mar  1 10:15:32 1998
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Subject: Re: Las Vegas
Date: Sun, 1 Mar 1998 11:56:16 EST
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We will be exhibiting at the Glass Craft Expo!  Stop by and say hello!

Jenna Meredith-Sanders
Meredith Stained Glass
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From owner-glass Sun Mar  1 10:46:34 1998
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X-Path: sleepy.ebtech.net!proffire
From: proffire@sleepy.ebtech.net
To: glass@bungi.com, glass@eagle.ca (Sarah)
Content-Type: text/plain; charset=US-ASCII
Subject: Re: lamp bases
Summary: Authenticated sender is <proffire@mail.ebtech.net>
Date: Sun, 1 Mar 1998 12:52:02 +0000
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>
> Subject:       Re: lamp bases
> Date:          Sat, 28 Feb 1998 20:25:53 -0500

> 
> Also, for those of us in Ontario, there is another cost
> consideration - and that is CSA approval. Any electrical product you
> buy from an Ontario retailer has to have gone through the Canadian
> Safety Association (I think that's what it stands for) Inspection.
> 

Good point Sarah re Canadian Standards Association certification.  
What about if i use an old lamp base but use new lamp parts, cords 
etc that have the CSA Cert.  Will tat comply with the intent of the 
law?   

I sure agree with the McKenna's Daniel, look for garage sales then if 
its ok use new electrical parts.  Now that i think of it i may just 
check that out with a neighbor who worked for Ontario Hydro.

Doug Scale
Fire Creations in Glass
Corunna, Ontario
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From owner-glass Sun Mar  1 10:52:47 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: dodgestudio@juno.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: reply all
Date: Sun, 01 Mar 1998 12:50:52 -0500
Message-ID: <1998Mar1.75052.0>
References: <<1998Feb27.19414.0>>
Precedence: bulk

dodgestudio@juno.com wrote:
> 
> >> What I do is hit the reply all button,
> >LOL someone has made me look again I too have a reply to all button
> >now I
> >won't have to work so hard at this mail stuff and send to the wrong
> >people.
> 
> I may be wrong here, but my understanding of the "reply all" button is to
> automatically forward your reply to all addresses that you have put into
> an address book.   If glass@bungi.com isn't in your book, the group will
> not get the response.  And likewise if your aunt Sophie IS in the book,
> she will get the message, whether she cares about glass or not..
> 
> Am I wrong?
> 
> Gary Dodge
> 
> _____________________________________________________________________

it might vary from browsers, but in netscape re:all is to say: bungi and
the person who wrote it. the person who wrote it gotes first on the
line. and bungi would go second. in order to send it to bungi you would
need to specifally cut and paste the bungi line, (for some reason my
save addresses does'nt work). it's easier to do re:all even though
you'll get the same message 2-3 times.

---Mike Savad
 



-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Sun Mar  1 11:21:16 1998
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X-Path: clis.com!glassurgeon
From: Kopp <glassurgeon@clis.com>
To: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Copy writing? - Info
Date: Sun, 01 Mar 1998 13:25:01 -0500
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References: <<1998Mar1.63322.0>>
Precedence: bulk

At 11:33 AM 3/1/98 -0500, Christie Wood & George D'Ascenzo wrote:
>You should contact the following for copyright forms:
>Library of Congress
>Publications Section LM-455
>Register of Copyrights
>Library of Congress
>Washington, D.C. 20559-6000
>Public Info. Copyright Office
>(202) 707-3000 fax (202) 287-9100
>
>It is actually a simple procedure.
>Christie A. Wood (who has copyrighted several musical pieces)
>Art Glass Ensembles, North Wales, PA
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

Christie,

Thank you for the information.  Do you have any idea what the cost might be?

Dava
glassurgeon@clis.com


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From owner-glass Sun Mar  1 11:50:38 1998
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Subject: Search Engines
Date: Sun, 1 Mar 1998 10:26:08 -0800 (PST)
Message-ID: <m0y9DRA-0000guC@daver.bungi.com>
Precedence: bulk

I saw your web site on the internet.  I work
for a company that submits web sites to search
engines.  We can submit your web site to over
350 of the worlds best  search engines for only
$39.95!  If you would like to put your web site in
the fast lane and get more  hits, call our 800# 
or see our web page for more information.

We are a U.S. based company that does 
business worldwide.

Sincerely,
 
Michael Davidson
(800) 484-2621 X5568
 


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From owner-glass Sun Mar  1 13:42:31 1998
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X-Path: websourcecreations.com!admin
From: "WebSource Creations" <admin@websourcecreations.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Copy writing? - Info
Date: Sun, 1 Mar 1998 12:56:33 -0700
Message-ID: <1998Mar1.55633.0>
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Just to let you know, you can access all of the copyright forms online at:
http://lcweb.loc.gov/copyright/ .

Chad Kemmerlin
Premiere Decorative Glass
Boulder, CO
admin@premieredecorative.com



>At 11:33 AM 3/1/98 -0500, Christie Wood & George D'Ascenzo wrote:
>>You should contact the following for copyright forms:
>>Library of Congress
>>Publications Section LM-455
>>Register of Copyrights
>>Library of Congress
>>Washington, D.C. 20559-6000
>>Public Info. Copyright Office
>>(202) 707-3000 fax (202) 287-9100


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From owner-glass Sun Mar  1 14:28:57 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Bungi Bios
Date: Sun, 1 Mar 1998 15:29:34 -0500
Message-ID: <1998Mar1.102934.0>
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Ever since reading Valerie's mini-
autobiography, I've been thinking
that I kind of like those personal
statements and would like to see
some more from other people.  =

However, I also see the need to have
some ground rules about sticking to
the subject at hand: glass.  But, can
we set up a monthly or weekly bio
posting?  Someone like Albert, who
has been with bungi forever, could
post his bio then select another bungian
who would post within a certain time
frame.  Then they would select the =

next and so on.  We would have the =

option of refusing, of course.  Something
like this would also be a nice addition
to Common Ground:Glass, don't you =

think?  =


Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sun Mar  1 15:28:10 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Copy of: Re: lamp bases
Date: Sun, 1 Mar 1998 16:52:38 -0500
Message-ID: <1998Mar1.115238.0>
Precedence: bulk


---------- Forwarded Message ----------

From:   Michael J. Greer, 105715,1412
TO:     Sarah, INTERNET:glass@eagle.ca
DATE:   3/1/98 12:34 PM

RE:     Copy of: Re: lamp bases

How about a trade with a potter
whose pottery you really like?
Ask him to make two ceramic
lamp bases and you'll make two
glass shades.  Then each of you =

ends up with a really nice =

original lamp - for "free". =


Best regards,

Dani Greer
Greer Gallery & STudios
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From owner-glass Sun Mar  1 15:47:43 1998
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X-Path: sol.racsa.co.cr!rlaval
From: Richard LaVal <rlaval@sol.racsa.co.cr>
To: glass@bungi.com
Content-Type: text/plain; charset="iso-8859-1"
Subject: Re: protecting fingers
Date: Sun, 1 Mar 1998 16:06:42 -0600 (CST)
Message-ID: <1.5.4.16.19980301100458.1cdf4f4e@sol.racsa.co.cr>
Precedence: bulk

And further more if you are allergic to latex (like me) they don't make you
break out (though I think they are a little less stretchy, and don't last
quite as long.  Meg

At 10:29 PM 2/24/98 -0500, you wrote:
>I thought if I sent this without the original message everyone would
>still understand. To protect myself from the burning flux and hot solder
>I use nitrile gloves. They are blue and really fit like a second skin. I
>find I can feel things really well with them and most of the time I
>hardly know I am wearing them.  I buy mine from Houston Stained Glass,
>but I know some commercial industrial places have them. They are made by
>a company called Best.  They cost a little more than latex, but to me,
>it is well worth the price.
>                                                     Nadine
>
>----
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>
>
 REMEMBER: "Bats bite bugs best!"
    =BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?=BF?
  Richard LaVal and Meg Wallace
               apdo. 24-5655
       Monteverde, Puntarenas
               COSTA RICA
              phone 645 5052

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From owner-glass Sun Mar  1 16:14:39 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: <proffire@sleepy.ebtech.net>
Content-Type: text/plain;
Subject: Re: lamp bases
Date: Sun, 1 Mar 1998 14:52:38 -0800
Message-ID: <1998Mar1.65238.0>
Precedence: bulk

I would certainly suggest you do NOT wire/re-wire any bases you may think of
re-selling.

I would also be a good idea to check with current electrical codes and
specifications for "portable" lamps.
If a major problem arises (fire or electrocution non-fatal maybe worse than
fatal) from a mis-wired base the solicitors/lawyers could cause you enough
grief to "ruin your day" for the rest of your natural life and even for
your/born and un-born children and their lives as well.

Most of the "acceptable" to USA standards probably meet Canada standards as
well.

Most of the bases come from china and I am not sure if they bear he parts
approved, assembly approved or any underwriters approval. They are sold by
reliable distributors, however.

When I require the use of one of my antique bases, I have a LICENSED
electrician re-wire and check it for me.

Always err on the side of caution!!!!!!!!!
enjoy, H


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From owner-glass Sun Mar  1 16:28:29 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Content-Type: text/plain;
Subject: Re: Bungi Bios
Date: Sun, 1 Mar 1998 15:18:48 -0800
Message-ID: <1998Mar1.71848.0>
Precedence: bulk

I have a bio in my url.....it is primarily slanted for selling my shades,
however.
There is a lot more history to many of us and (bite my tongue) it may even
be fun to peruse if we have that option....I for one do not want to see
epistles of text strewn to us all without an option not to get it.
And of course, repeated on and on and on and on and so forth!
I do trade stories, exaggerations, and whimsy now, but ONLY by request and
only to specific victims

with trepidation, H

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From owner-glass Sun Mar  1 17:25:05 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Mon, 2 Mar 1998 01:29:42 +0000
Message-ID: <199803020034.AAA23293@saturn.nildram.co.uk>
Precedence: bulk

Hi Dani,
I like the idea!
How about 1 a week (I believe there are currently approx 400 
Bunginians), that should keep us going for a few years....;-)
I might even offer to set up & keep organised a Bungi-Bio-archive.
I myself liked Valerie's Bio tremendeously; I have also "hung-onto"  
glimpses of a few other people that have struck a chord with me one 
way or another.
And 1/week I think is a good balance to be accepted by eveybody.
Allowances to be made - of course - for the "First-Ever-Email" from a 
Bungi-Newbie, where they do tend to start off with  a chunky bit of 
"Who Am I" (which I think is both polite, inspiring and useful).

It's a question of a) if everybody agrees and b) who should set the 
ball rolling......
I also think it's an excellent idea that the first contributor 
nominates the second, the second the third... and so on.
A quick check first via private e-mail would ensure that the next 
"nominee" is agreeable. When yes,  the contributor can then end 
his/her contributions with the words. "I nominate X for the next 
Bio".  If the nominee  refuses point blank, ask someone else 
off-group. Blushes spared.... etc.

How about numbering them, in case if someone's system "crashes" and 
they have lost out on  someone they particularly wanted to hear 
about??
More ideas??
Elisabeth 'n Toby in UK (who knows very well who HIS friends are!!)

Dani wrote:

 Ever 
since reading Valerie's mini-autobiography, I've been thinking that I 
kind of like those personal statements and would like to see some 
more from other people.  =

However, I also see the need to have
some ground rules about sticking to
the subject at hand: glass.  But, can
we set up a monthly or weekly bio
posting?  Someone like Albert, who
has been with bungi forever, could
post his bio then select another bungian
who would post within a certain time
frame.  Then they would select the =

next and so on.  We would have the =

option of refusing, of course.  Something
like this would also be a nice addition
to Common Ground:Glass, don't you =

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sun Mar  1 17:43:19 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: non-sg...To PJ
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Mon, 2 Mar 1998 01:29:42 +0000
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Dear PJ,
Have spent 2 days trying to send you an e-mail
Your server seem to be "kaputt" or something.
My system tells me it will continue to try for 5 days.
Every 4 hours I get a non-delivery message.
Hope to catch up with you eventually.
My Best
Elisabeth 'n Toby in UK

P.S. Thanks folks for your patience....
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sun Mar  1 21:25:52 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Bungi Bios
Date: Mon, 07 Jan 1980 14:55:35 -0600
Message-ID: <1980Jan7.85535.0>
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I would like to volunteer my services to store the Bios. I have plenty
of space on my hard drive and would willingly add another if needed.

There should be rules set down from the start to protect the member.
For Example:

Information to be used only for the group
Information not to be used in a commercial endeavor, unless approved by
the               originator.
etc, etc, etc.

As the robot in "Short Circuit" film says " Input .... Input ....
Input".


Patrick
Roses and Rainbows to all



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From owner-glass Sun Mar  1 21:46:33 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: lamp bases
Date: Sun, 1 Mar 1998 23:26:10 -0500
Message-ID: <v01530502b11fe1ad3c8b@[206.186.242.78]>
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>> Also, for those of us in Ontario, there is another cost
>> consideration - and that is CSA approval. Any electrical product you
>> buy from an Ontario retailer has to have gone through the Canadian
>> Safety Association (I think that's what it stands for) Inspection.
>>
>
>Good point Sarah re Canadian Standards Association certification.
>What about if i use an old lamp base but use new lamp parts, cords
>etc that have the CSA Cert.  Will tat comply with the intent of the
>law?
>
>I sure agree with the McKenna's Daniel, look for garage sales then if
>its ok use new electrical parts.  Now that i think of it i may just
>check that out with a neighbor who worked for Ontario Hydro.
>
>Doug Scale
>Fire Creations in Glass
>Corunna, Ontario

>From my understanding, if an item is hand made, such as a stained glass
lamp which is swagged, then the consumer purchases it as such. But if an
item is manufactured, such as a lampbase, a soldering iron, a grinder,
etc..then the customer has an expectation of sound manufacture, and
certified wiring. Canadian business owners should be aware of this
certification requirement, because the consequences of selling uncertified
products are VERY severe. The fines are huge and they can even close down
your business. The hydro inspectors don't have much of a sense of humor
about these things.

Also, if you import goods which have electrical components and you don't
have them CSA approved and you sell them and they prove defective, start a
fire, or whatever, you can be held liable, and I'm not sure if your
insurance will cover it. To get around this, you will sometimes see unwired
lampbases with wiring sold separately that the customer assembles
themselves, this is no problem.

In case you were wondering why rheostats, Inland soldering irons and most
other cheap irons aren't available in Canada, it's because they won't pass
the CSA approval process - it is much stricter than the US safety
requirements. Be careful!

Sarah


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From owner-glass Sun Mar  1 21:55:26 1998
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X-Path: aol.com!CWWSLW
From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Date: Sun, 1 Mar 1998 23:21:34 EST
Message-ID: <1998Mar2.42134.0>
Precedence: bulk

Hey! That sounds like a peach of an idea!!
(by the way, I thought Toby was Elizabeths husband!) τΏτ
Susan
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From owner-glass Sun Mar  1 22:05:11 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re:Another question
Date: Sun, 1 Mar 1998 23:30:17 EST
Message-ID: <1998Mar2.43017.0>
Precedence: bulk

Hi all.
I have almost finished one of 2 panels that are to recessed into ceiling. I
still have to put zinc border on, and the rebar. I will be putting black
patina on the solder, what about the border? I know it will be behind moulding
when it is put up, but would it look more professional if I colored it also?
Any tips for cutting the zinc border and the rebar?
Thanks guys,
Susan
P.S. still waiting on blue glass for background of giraffe. I'm dreading all
the foiling etc. for that one!
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From owner-glass Sun Mar  1 23:28:53 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Bungi Bios
Date: Sun, 1 Mar 1998 22:34:37 -0800
Message-ID: <1998Mar1.143437.0>
Precedence: bulk

How about setting up in alphabetical order.
We can input as we see fit and easy enough to sort that way.

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From owner-glass Mon Mar  2 00:14:11 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: balloch@netbridge.net
Subject: Re: glass with tile
Date: Mon, 2 Mar 1998 02:37:25 -0500
Message-ID: <1998Mar1.213725.0>
References: <<1998Jan28.154853.0>>>
Precedence: bulk

We actually have one of our patterns (a fruit basket design) that is
designed specifically to incorporate into a tile backsplash.

Gary Dodge                dodgestudio.com

P.S.           Thanks to all who helped me understand the function of the
reply all button.

Now I can stop typing "glass@bungi.com!  


On Sat, 28 Feb 1998 21:45:04 -0800 Shirley Balloch
<balloch@netbridge.net> writes:
>How about making your own tile back splash with stained glass and
>Mosasic Stone Cement.  The stuff they are selling to make coasters 
>with.
>It looks and acts like tile.  You could carry your theme over into the
>back splash.  Then for some extra accents, make a couple of trivets to
>go with that.
>As for using the coasters as tile, I have been trying to find that 
>out.
>But maybe a few set in with regular tile, at places that would not get
>alot of use.
>
>
>
>
>ace wrote:
>> 
>> re doing our kitchen, would like to have some stained glass 
>incorperated
>> with the tile .have never attemped anything like this before . open 
>to
>> suggestions.


_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Mon Mar  2 00:31:00 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: sgt@glasstreasures.com
Subject: Re: reply all
Date: Mon, 2 Mar 1998 02:16:20 -0500
Message-ID: <1998Mar1.211620.0>
References: <<1998Feb27.145840.0>>>
Precedence: bulk

Hi Stephanie,

Starting to get it.  I just hit reply all and noticed that I can see a
list of where it's going!  Oddly, it seems to be sending one to me and
one to bungi in the cc: list.

I don't keep an address book at all so I'm not really familiar with these
things.

Gary


On Sun, 01 Mar 1998 08:27:50 -0600 Stephanie Hansen
<sgt@glasstreasures.com> writes:
>Ummmm....sorry, Gary, you're wrong.  :-)   The "reply all" button only
>means it will reply to all people/lists who were listed in the FROM, 
>TO or
>CC boxes of the message you were replying to.  For instance, I hit 
>"reply
>all" to your message, and now in my TO box it's going to your address
>(because you were the FROM in your message) and the list (because it 
>was
>the TO in your message).  If you had done a "reply all" to, say, a 
>message
>from Albert, your message would have been FROM you, TO Albert, and TO 
>the
>list....and if I then hit "reply all" to your message, mine would show 
>as
>being TO you, TO Albert and TO the list.
>
>Clear as mud?
>
>:-)
>Steph ~
>
>At 12:41 AM 2/28/98 -0500, dodgestudio@juno.com wrote:
>>I may be wrong here, but my understanding of the "reply all" button 
>is to
>>automatically forward your reply to all addresses that you have put 
>into
>>an address book.   If glass@bungi.com isn't in your book, the group 
>will
>>not get the response.  And likewise if your aunt Sophie IS in the 
>book,
>>she will get the message, whether she cares about glass or not..
>>
>>Am I wrong?
>
>
>
>-----------------------------------
>Stephanie Hansen - Stained Glass Treasures/Dallas, TX
>Affordable stained glass pieces for gifts or personal use
>Enter the sweepstakes to win a stained glass suncatcher!
><http://glasstreasures.com/>   <mailto:sgt@glasstreasures.com>
>
>----
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>Archives available at http://www.bungi.com/glass
>

_____________________________________________________________________
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From owner-glass Mon Mar  2 00:48:02 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: glass@bungi.com
Subject: Re: reply all
Date: Mon, 2 Mar 1998 01:46:55 -0500
Message-ID: <1998Mar1.204655.0>
References: <<m0y9BE8-0000IgC@daver.bungi.com>>
Precedence: bulk

So Glenna,

Does this mean that hitting reply all will send to everyone on bungi
directly without the system remailing it and adding a second tag line to
it?

Gary

>dodgestudio@juno.com writes:]
>> >> What I do is hit the reply all button,
>
>> 
>> I may be wrong here, but my understanding of the "reply all" button 
>is to
>> automatically forward your reply to all addresses that you have put 
>into
>> an address book.   If glass@bungi.com isn't in your book, the group 
>will
>> not get the response.  And likewise if your aunt Sophie IS in the 
>book,
>> she will get the message, whether she cares about glass or not..
>> 
>> Am I wrong?
>
>The reply all button send to all recipients of the original message.
>
>-- 
>Glenna Rand
>gjr@bungi.com
>----
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>

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From owner-glass Mon Mar  2 03:48:15 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: Bungi Bios
Date: Mon, 2 Mar 1998 05:15:49 -0600
Message-ID: <199803021103.FAA05384@westbyserver.westby.mwt.net>
Precedence: bulk



>How about setting up in alphabetical order.
>We can input as we see fit and easy enough to sort that way.

I like that idea!

Len Zyzinski



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From owner-glass Mon Mar  2 04:18:07 1998
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X-Path: tm.net.my!shakeel
From: "Shakeel Abedi" <shakeel@tm.net.my>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Foiler - Edgemaster vs Glastar
Date: Mon, 2 Mar 1998 19:31:15 +0800
Message-ID: <1998Mar3.33115.0>
Precedence: bulk

Dr Pishu R. Thadhani
104, Jalan Mersing
86000 Kluang
Malaysia
Tel: + 607-7722212, 7722755  Fax: +607-7733313
E-Mail: shakeel@tm.net.my


Hi,

Could someone give a review of the two foilers.

I have a Inland Foiler, honestly it is a pain in the .......

Someone told me that Glastar foiler is far superior. What say you.

Thanks, 
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From owner-glass Mon Mar  2 05:46:52 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Mon, 2 Mar 1998 14:03:19 +0000
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Nope!
He's my sleeping partner! (HE sleeps a lot!)
Lord & Master over all he surveys, including me....
(All would have been revealed, had you had a peep on my WEB-page, 
Susan!!)

Alphabetical order... hmm, an idea Howard!
Could be a bit erratic: Is it H for Howard, R for Rubin or W for 
Weaver, or perhaps E for Elaine?? And what about the pseudonymns?
Elisabeth 'n Toby in UK

Susan wrote:
Hey! That sounds like a peach of an idea!!
(by the way, I thought Toby was Elizabeths husband!) _+_

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Mon Mar  2 07:18:16 1998
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X-Path: aol.com!SusieHUs
From: SusieHUs <SusieHUs@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Date: Mon, 2 Mar 1998 09:25:00 EST
Message-ID: <1998Mar2.14250.0>
Precedence: bulk

We've had a few people volunteer to help with this project.  What if we all
sent our bios to one person who then posts one each week?  That way no one has
to scramble to write one on a particular week when it may or may not be a
convenient thing to do and there would be a coordinator to keep things going
smoothly.  If that person was running low on bios to post, a simple word to
the group should remind everyone and bring on plenty more.

Just a thought.  Seemed less hectic and scattered.

Susie
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From owner-glass Mon Mar  2 07:45:33 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Foiler - Edgemaster vs Glastar
Date: Mon, 2 Mar 1998 09:37:40 -0500
Message-ID: <1998Mar2.43740.0>
Precedence: bulk

A question by "Shakeel Abedi" (Dr Pishu R. Thadhani)
concerning foilers.

I own a Glastar foiler and LOVE it.  Can't say enough good
about it.
Christie A. Wood
Art Glass Ensembles, North Wales, PA

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From owner-glass Mon Mar  2 08:19:02 1998
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X-Path: bc.sympatico.ca!tuka
From: Shiela Dunn <tuka@bc.sympatico.ca>
To: CWWSLW <CWWSLW@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Another question
Date: Mon, 02 Mar 1998 07:36:34 -0800
Message-ID: <1998Mar1.233634.0>
References: <<1998Mar2.43017.0>>
Organization: Shiela A. Dunn, CGA
Precedence: bulk

CWWSLW wrote:
I use a dremel type tool with reinforced cutting disks to cut zinc.
Fast and easy.

Shiela


> Hi all.
> I have almost finished one of 2 panels that are to recessed into ceiling. I
> still have to put zinc border on, and the rebar. I will be putting black
> patina on the solder, what about the border? I know it will be behind moulding
> when it is put up, but would it look more professional if I colored it also?
> Any tips for cutting the zinc border and the rebar?
> Thanks guys,
> Susan
> P.S. still waiting on blue glass for background of giraffe. I'm dreading all
> the foiling etc. for that one!
> ----
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From owner-glass Mon Mar  2 08:47:57 1998
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From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: quick set cement
Date: Mon, 2 Mar 1998 10:37:19 EST
Message-ID: <1998Mar2.153719.0>
Precedence: bulk

In a message dated 98-02-27 19:57:47 EST, you write:

> The flat side of glass globs are on the walking surface as opposed to
marbles
>  that do not have a flat side. 
Well not really.... in this stone, as I saw in another I put the rounded side
to the top, it gives it a dimension, as you see just a small area on top but
the glow of the remaining stone buried under the cement is really very
interesting.  The total amount peering out of the stone is about 1/4" and that
is only showing after you dig away at it a bit,
deb
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From owner-glass Mon Mar  2 08:53:56 1998
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From: NCScouter <ncscoutr@aol.com>
To: Shakeel Abedi <shakeel@tm.net.my>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Foiler - Edgemaster vs Glastar
Date: Mon, 02 Mar 1998 10:24:47 -0800
Message-ID: <1998Mar2.22447.0>
References: <<1998Mar3.33115.0>>
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

I use 2 separate Inland Edgemaster foiling machines which are
permanently set up for use according to the size of the foil. I've
screwed them down to my counter top in a nice bright corner of the
studio where noone bumps into the arms hanging over the counter. When
they aren't in use (mostly  during tax time and my January vacation!) I
place a great big freezer bag over them and run a fat broccoli rubber
band around the bottom to keep the foil from getting too exposed. One is
just 1/4" foils, and the other is just 7/32"  foils. Once in a blue moon
I also use my Glastar hand foilers, of which I own one 3/16", one 7/32",
& one 1/4". I had to remodel my Edgemaster foilers back to the design of
the original Edgemasters by getting rid of the little doohickeys that
you're supposed to run the glass through to align it on the wheels. They
were made to be flipped up/back if one did not wish to use it, but I
NEVER use them and they kept getting in the way! So I undid the screw at
the center of the arm, lifted up the top piece with the alignment rigs
hinged to it, and slid the alignment guides completely off their little
hinge pins. I then took an emery board (fingernail file) and gently
filed the paper-separation guides down a bit and VERY slightly rounded
them so that they no longer tear or wrinkle up the foil while separating
it from it's backing paper. Voila! Back to the original Edgemaster
design, or at least close enough to work well...
Ciao for now!
V T Phelps
Shoreline Glassworks, Ltd.
> ----
Shakeel Abedi wrote:
> Could someone give a review of the two foilers.
> I have a Inland Foiler, honestly it is a pain in the .......
> Someone told me that Glastar foiler is far superior. What say you.
> Thanks,
----
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From owner-glass Mon Mar  2 09:14:39 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: white lines and bevels, the saga continues
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 1 Mar 1998 06:15:51 +0000
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> Something I am still trying to make sense of, especially since a lot 
> of terminology is "imported" from other English speaking countries 
> and take on yet ANOTHER different meaning.... :-(

Your comment reminded me of an experience I had that parallels your 
question: A friend of mine and I were visiting some German friends in 
their home in Berlin (I lived there for three years in the early 
60s). The family parakeet was flying around the house. We were all 
just sitting around chatting. Suddenly, the bird let fly and the 
hostess looked alarmed. "He missed," I muttered in English, since the 
bird had been just above me at the time. The hostess' expression 
changed to one of shock and detestation. I didn't realize why until 
later, when my German vocabulary had expanded beyond what I'd learned 
in my high school classes: "missed" sounds like "mist" ... and "mist" 
is the German word for (no offense ) ka-ka. Very crude word, true, 
but I was totally innocent. Funny, they never invited us back, now 
that I think of it.

> Another thing I learned was that different trades use the same
> phrases to mean wildly different things

It may be interesting to know that the meaning and "social 
acceptability" of certain glass descriptions has changed. A hundred 
years ago "art glass" was a derogatory term, referring to the low-end 
windows and door lights available from Sears Roebuck and other 
outlets like lumber yards. Nowadays, it's the preferred phrase for 
high-end products.

Albert

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From owner-glass Mon Mar  2 09:25:49 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Copy writing?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sat, 28 Feb 1998 16:04:42 +0000
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> Will someone tell me where to get info on the procedure and price of copy
> writing patterns?

Dava, under current copyright law, anything you create is copyrighted 
the instant you make it. It isn't necessary to write "Copyright 1998 
Dana [Last Name]," although that makes the fact of its copyright a 
little more clear to those who don't know the law. If you write 
"Copyright (c) 1998 Dana [Last Name]," you've made the copyright 
effective internationally under the Berne Convention.

If you want to register the copyright, the Copyright Office of the 
Library of Congress will send you the forms, which you send in with 
the $20 fee. (I think it's $20.) The Library of Congress has a web 
site.

You can sue anyone for copying your work whether the copyright is 
registered or not. If it isn't registered and your copyright is 
upheld, they can be forced to cease copying your work. If your 
copyright is registered, you can also collect damages.

Hope this is helpful.

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
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Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Mon Mar  2 09:26:39 1998
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X-Path: worldnet.att.net!summit-stained-glass
From: mike peck <summit-stained-glass@worldnet.att.net>
To: SusieHUs <SusieHUs@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bungi Bios
Date: Mon, 02 Mar 1998 10:28:19 -0600
Message-ID: <1998Mar2.42819.0>
References: <<1998Mar2.14250.0>>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

Hey,  I second this idea!  I would love to learn more about everyone
here, but I'd like think that everyone will be able to put something
together at their leisure, rather than throwing something together at
the last moment.

Just my thoughts,

Mike Peck

SusieHUs wrote:
> 
> We've had a few people volunteer to help with this project.  What if we all
> sent our bios to one person who then posts one each week?  That way no one has
> to scramble to write one on a particular week when it may or may not be a
> convenient thing to do and there would be a coordinator to keep things going
> smoothly.  If that person was running low on bios to post, a simple word to
> the group should remind everyone and bring on plenty more.
> 
> Just a thought.  Seemed less hectic and scattered.
> 
> Susie
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
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From owner-glass Mon Mar  2 10:39:12 1998
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X-Path: city-net.com!tresmith
From: tresmith@city-net.com (Theresa Smith)
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: A disheartening quest.
Date: Mon, 2 Mar 1998 13:02:06 -0500 (EST)
Message-ID: <199803021802.NAA01780@dns.city-net.com>
Precedence: bulk

>So, here is my plea to all you. Can you please tell me in which kind
>of stores I can buy stands that can be used for tiny lamps? I don't
>want something very expesive (what about under US$20). 

For my first lamp, I took an old lamp I had at the house and removed the
shade and just made sure to pick the right size lamp shape and hardware when
I made the lamp.  The base was wood and sure it didn't come out at great
looking as with a regular stain glass base but it gave me a quick and cheap
way to see the mistakes I made.  After that, the other bases I have used
have been either ones from flea markets (which have some great interesting
bases but the world's most awful looking shades) or smaller ones that come
from craft stores.  If I ever make one on commission or for a special gift,
I will spring for the expensive bases but otherwise I didn't think it was
worth it.

Theresa

ps - just make sure to check and recheck the wiring on any ones you get at
the flea market!

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From owner-glass Mon Mar  2 11:15:24 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Shakeel Abedi <shakeel@tm.net.my>
Subject: Re: Foiler - Edgemaster vs Glastar
Date: Mon, 2 Mar 1998 18:12:49 +0000
Message-ID: <1998Mar2.181249.0>
References: <<1998Mar3.33115.0@?>>
Precedence: bulk

In message <1998Mar3.33115.0@?>, Shakeel Abedi <shakeel@tm.net.my>
writes
>Dr Pishu R. Thadhani
>104, Jalan Mersing
>86000 Kluang
>Malaysia
>Tel: + 607-7722212, 7722755  Fax: +607-7733313
>E-Mail: shakeel@tm.net.my
>
>
>Hi,
>
>Could someone give a review of the two foilers.
>
>I have a Inland Foiler, honestly it is a pain in the .......
>
>Someone told me that Glastar foiler is far superior. What say you.
>
What I say is "don't waste your money".  Except for straight lines, hand
foiling is just a quick and acurate.  the only thing is your fingers may
get more sore (until the calluses form) than with a foiler.  You can
have my foiler free, if you want to pay the postal charges from Glasgow,
Scotland.   Nah.  It's not worth it!   :-)

Only my view, of course
S
-- 
Steve Richard
Verrier Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Mar  2 11:23:20 1998
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X-Path: aol.com!Mosfunland
From: Mosfunland <Mosfunland@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: numbering
Date: Mon, 2 Mar 1998 13:13:10 EST
Message-ID: <1998Mar2.181310.0>
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I always wondered how everyone decides how to number their patterns.
Sometimes mine have rhyme and reason and sometimes I seem to have had a
psychiatric break.......

Maureen
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From owner-glass Mon Mar  2 11:42:12 1998
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X-Path: aol.com!DMR74
From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Date: Mon, 2 Mar 1998 13:02:32 EST
Message-ID: <1998Mar2.18232.0>
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In a message dated 98-03-01 19:29:14 EST, you write:

> I for one do not want to see
>  epistles of text strewn to us all without an option not to get it.
>  And of course, repeated on and on and on and on and so forth!
>  I do trade stories, exaggerations, and whimsy now, but ONLY by request and
>  only to specific victims
>  
>  with trepidation, H
>  
See Howard let us all know a little more about himself just by this small post
in which he wants us to believe that he is a serious person.  But we all know
he has a heart AND a sense of humor.  And I haven't even been on bungi very
long but I can get the feel of his personality from his posts
deb
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From owner-glass Mon Mar  2 11:50:10 1998
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From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: glass with tile
Date: Mon, 2 Mar 1998 13:02:33 EST
Message-ID: <1998Mar2.18233.0>
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I worry about using glass on the counter tops, we ALL have the habit of
putting hot pots and pans on the counter even though we shouldn't, the tile
can usually handle the heat but I'm not sure the glass could.  I guess that's
a question.  to be safe the idea of putting the glass on the splash board and
as trivets (but not for hot things) sounds like a good idea.
deb
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From owner-glass Mon Mar  2 12:06:47 1998
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From: "Daniela Birkelbach" <dany@city-net.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: stepping stone question
Date: Mon, 2 Mar 1998 14:26:39 -0500
Message-ID: <199803021920.OAA06947@dns.city-net.com>
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Hi everyone!

I have made several stepping stones in the past with great success.  Now I
made one (8" x 8") where the mortar mix, I suppose, was still too wet when
I took it out of the form.  Result: 3 glass pieces came off as well as a
chunk of the cement.

Is there a way to fix it or am I stuck with a broken stepping stone.  I was
thinking of mixing a little topping and try to reattach the glass to the
mortar, but that doesn't seem to be a long-lasting solution.

Thanks in advance for any tips.

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
"Black holes are where God divided by zero."
Stephen Wright
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From owner-glass Mon Mar  2 12:37:12 1998
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X-Path: chescom.net!dmm
From: "Don McDonald" <dmm@chescom.net>
To: glass@bungi.com, shakeel@tm.net.my
Subject: Re: Foiler - Edgemaster vs Glastar
Date: Mon, 02 Mar 1998 13:32:38 -0600
Message-ID: <s4fab513.006@chescom.net>
Precedence: bulk


I like my Glasstar, if only because it does a nice job of pulling the
backing off of the foil and getting it out of the way, and it keeps
the roll from coming unrolled. I notice that I will use it for medium
sized pieces, inside curves and some rounded pieces, but for those
really odd shapes and small pieces, I just pull the foil off the
foiler and foil by hand.  I've dropped several pieces trying to get
them around the foiler, too.

Now about that little thing that comes with it that is supposed to
burnish the foil to the glass for you...I find it makes a perfect
paper weight for keeping patterns from moving around.  Other than
that, I can't find a use for it.  I tried using it as suggested, and
found that it did a really superb job of pulling the foil off.

<quote>
Could someone give a review of the two foilers.

I have a Inland Foiler, honestly it is a pain in the .......

Someone told me that Glastar foiler is far superior. What say you.


Don M. McDonald
Director, Web Services
Chesapeake Communications Corporation
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From owner-glass Mon Mar  2 13:08:58 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Bungi Bios
Date: Mon, 2 Mar 1998 14:59:24 -0500
Message-ID: <1998Mar2.95924.0>
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And, if Patrick has space to
store the bios, maybe it should
be his great honor to pick 'em
every week!  And maybe we could
count on the oldtimers like Len Z.(!),
Elisabeth, pj friend, Albert, etc. to
start the ball rolling.  And Lee Boe,
and Carol Swann has a great bio!
Gosh, I can think of a lot of folks
on bungi that are pretty darn
interesting!

Best regards,

Dani Greer
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From owner-glass Mon Mar  2 13:09:13 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Bungi Bios
Date: Mon, 2 Mar 1998 14:59:31 -0500
Message-ID: <1998Mar2.95931.0>
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Len, you nut!  MY suggestion
is that all the old dawgs post
their bios first, and I imagine
that puts you about at the top
of the list! ;-)

Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Mon Mar  2 13:39:17 1998
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X-Path: rconnect.com!vlclover
From: "Laurean" <vlclover@rconnect.com>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain; charset="ISO-8859-1"; X-MAPIextension=".TXT"
Subject: Fw: Bungi Bios
Date: Mon, 02 Mar 98 14:23:11 PST
Message-ID: <1998Mar2.222311.0>
References: <<41bd7851.34fb0eb7@aol.com>>
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 > <<  What if we all sent our bios to one person who then posts one each=
 week?
>  That way no one has to scramble to write one on a particular week when=
 it
>  may or may not be a convenient thing to do and there would be a coordi=
nator
>  to keep things going smoothly.
>  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>  I like this one! And thanks Susie!
>  Laurean





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From owner-glass Mon Mar  2 14:08:54 1998
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From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: My bio 
Date: Mon, 2 Mar 1998 14:56:35 -0600
Message-ID: <199803022055.OAA23905@westbyserver.westby.mwt.net>
Precedence: bulk

Folks,

I 'm having a hell of a problem with my PC and it looks like I'll have to
restore my hard drive  . I have no idea how much I'll be able to recover or
how long it will take to be back up to speed. So I am posting a bio which is
more or less resume'.-like some of  this is a copy of what I exchanged with
Don McDonald and its pretty rough but you'll get the idea. I'm doing it now
in case I lose it.

I grew up in Brooklyn NY.... my stepfather was a sadist. I ran away from
home alot and quit school when I was 16.  Joined the army at 17. Spent a
couple of great years in the German alps.I was stationed in Oberammergau and
I was a dental assistant with a light scheduale. The dentist I worked with
was a skier  and so was I. We ski bummed all over Europe.

Came home a budding counter-culture type.

Friend and I took off for S.F. on motorcycles in the *summer of love*

Got to Wisconsin and  we crashed into each other after riding all night. He
was all broken up and was in traction for 3 months..........I scraped my
knee. .....  I immediately fell in love with the Mississippi River Valley
met some people, found out that I could go to the local State College on the
GI bill  (already had my GED) and still have money left over. Nine bucks a
credit !!!.

Met my wife ( a local girl ) been married 29 years 2 sons 17 and 26 live in
a little  1400 sg ft ...100 years old house just a good 8 iron shot from the
river in a town of 900.   After I quit glass ( psoriac arthritis)  I tried
some different stuff and decided on a new business........ die cut ,shot
run, custom image products for the advertising specialties, educational and
souvenier markets......  Always wanted to run a factory ( why I'll never
know) and will soon be on line.


One summer while I was off from attending college, I applied at a local
church studio
that was looking for repair roadies. I got hired.  It was a great experience
for me since
I loved to travel and I did plenty of it.

It wasn't long before I was hooked. I left school and went to work there
full time. This was a very traditional studio and I did a full apprentiship.
Started out sweeping the floor and unloading glass crates, moved into the
mud room, worked up to production cutting and glazing. Then some glass
picking and a bit of cartooning. I also spent some time on job sites. After
a
few  years, a position opened up for a new window installer I took it and
spent the next five  years on the road hanging off very tall ladders and
walking around on scaffolding. I was the boss

When our second child was born I wanted to get off the road and go back into
the studio but it was not to be. I quit and opened up a studio with two
friends with plenty of glass experience... we were just starting to make a
go of it when the biz was
destroyed by fire ...we were not properly insured and never re-opened
I went back on the road.......... this time as an independent
troubleshooter, restorer and installer. I could control my schedule this way
and make more money.

A few years go by. I ran into this guy that loved glass and wanted to start
a glass factory to make sheet art glass and other glass stuff . We made
dalles and blown and cast pieces as well. I jumped on it. I invested as a
partner... we made some really neat glass for a few years. I won't bore you
with the details but we went elfoldo and I took a financial beating.

During this period I had begun to do a little window designing and became
fixated  with the creative process. I am self taught. I studied
everthing I could get my hands on about SG . Read tons of design and
color theory stuff. Studied the works of the masters. Read Albert's
magazines :-)  Made hundreds of
sketches.

So about 10 years ago I became an independant designer- fabricator  working
out of a home studio. I knew lots of folks in big church studios and they
referred clients to me on a regular bases to do commissions they were not
interested in. I had no sign, and  did no advertising. It was all word of
mouth
and referrels

From owner-glass Mon Mar  2 14:10:50 1998
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X-Path: nep.net!jnl
From: jnl <jnl@nep.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: full of questions
Date: Mon, 02 Mar 1998 15:57:20 -0500
Message-ID: <1998Mar2.105720.0>
References: <<1998Mar2.14250.0>>
Precedence: bulk

Hello all,

I am a newbie (as you will be able to tell from my stupid questions
below <G>) and I was wondering if anyone could advise me on making
cabinet doors. (just the panel to have a cabinet maker install it) I
taught myself using a book. I have a pattern but it did not come with
instructions it was in a pattern book with various items. Also another
question...I have a piece of glass to cut that I need to take a
triangular shaped notch out of. How do I do it without creating a run
right across the glass? I have grinder but it cuts a half circle shape.

Lisa
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From owner-glass Mon Mar  2 14:45:40 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Mosfunland <Mosfunland@aol.com>
Subject: Re: numbering
Date: Mon, 2 Mar 1998 21:19:51 +0000
Message-ID: <1998Mar2.211951.0>
References: <<1998Mar2.181310.0@?>>
Precedence: bulk

In message <1998Mar2.181310.0@?>, Mosfunland <Mosfunland@aol.com> writes
>I always wondered how everyone decides how to number their patterns.
>Sometimes mine have rhyme and reason and sometimes I seem to have had a
>psychiatric break.......
>
Maureen

I try to number mine in the order I intend to build the panel, box, etc.
I often find that a better order comes to mind while I am leading-up
though.
s.

-- 
Steve Richard
Verrier Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Mar  2 14:48:51 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: numbering
Date: Mon, 2 Mar 1998 17:11:42 -0500
Message-ID: <1998Mar2.121142.0>
Precedence: bulk

Hi Maureen-

We number our pattern pieces
according to the glass that's =

being used.  For example,
pieces #1-18 might be blue
water glass for the border, pieces
19-42 glue chip for the background,
and so forth.  That way we're cutting
all the pieces of one kind of glass
before we move on to the next.  We
use a glass easel that allows us to
view the glass as we finish cutting
the pieces, arranged as per the =

pattern, and this allows us to choose
and adjust throughout the cutting
process.

Hope this helps!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Mon Mar  2 15:07:34 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: jnl <jnl@nep.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: full of questions
Date: Mon, 02 Mar 1998 17:38:13 -0500
Message-ID: <1998Mar2.123813.0>
References: <<1998Mar2.105720.0>>
Precedence: bulk

jnl wrote:
> 
> Hello all,
> 
> I am a newbie (as you will be able to tell from my stupid questions
> below <G>) and I was wondering if anyone could advise me on making
> cabinet doors. (just the panel to have a cabinet maker install it) I
> taught myself using a book. I have a pattern but it did not come with
> instructions it was in a pattern book with various items. Also another
> question...I have a piece of glass to cut that I need to take a
> triangular shaped notch out of. How do I do it without creating a run
> right across the glass? I have grinder but it cuts a half circle shape.
> 
> Lisa
> ----
>

i'm not sure about the cabinet doors.

the triangle notch: it depends how large, a bandsaw is the only real way
to go. the proper way is to make a relief cut at the point of the
triangle.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar  2 15:13:39 1998
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: patina and putty
Date: Mon, 2 Mar 1998 17:16:43 -0500 (EST)
Message-ID: <199803022216.RAA24010@water.waterw.com>
Precedence: bulk

Dani wrote,

>that lead good with a nice wad of
>horsehair!
>
And do you have a local supplier for the horsehair?
Could use there number as there a no horses in the neighborhood.

my best,
pj

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From owner-glass Mon Mar  2 15:37:01 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Mon, 2 Mar 1998 23:46:15 +0000
Message-ID: <199803022251.WAA08820@saturn.nildram.co.uk>
Precedence: bulk

Well, it would seem that Patrick Kelly has hust been appointed (by 
default) as the Bungi Biographer!!!
In any case, I think he has got more room on his hard-drive than I 
have (in any case, I'm sure he is  far less of a computer-geek than I 
am).
So Mr. Kelly, over to YOU!
Where to begin?!
And don't take ANY nonsence from Mr. Len Alcamo (aka Len  Z.)
Elisabeth 'n Toby in UK

Susie wrote:
We've had a few people volunteer to help with this project.  What if 
we all sent our bios to one person who then posts one each week?  
That way no one has to scramble to write one on a particular week 
when it may or may not be a convenient thing to do and there would be 
a coordinator to keep things going smoothly.  If that person was 
running low on bios to post, a simple word to the group should remind 
everyone and bring on plenty more.

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Mar  2 15:37:54 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Missed!
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Date: Mon, 2 Mar 1998 23:46:15 +0000
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Dear Albert,

Now you know why a particular Model of the Rolls Royce, destined for 
marketing in Germany, didn't quite had the initial success as the 
company had hoped for. The Model Name was "Silver Mist".
And of course, to go AWOL in UK is called to "Take French Leave". The 
French, took their revenge and call it "To Take English Leave";
Ahh, it's endless (and endless fun!).
Elisabeth (in her "other" hat)


 
Albert wrote:

Your comment reminded me of an experience I had that parallels your 
question: A friend of mine and I were visiting some German friends in 
their home in Berlin (I lived there for three years in the early 
60s). The family parakeet was flying around the house. We were all 
just sitting around chatting. Suddenly, the bird let fly and the 
hostess looked alarmed. "He missed," I muttered in English, since the 
bird had been just above me at the time. The hostess' expression 
changed to one of shock and detestation. I didn't realize why until 
later, when my German vocabulary had expanded beyond what I'd learned 
in my high school classes: "missed" sounds like "mist" ... and "mist" 
is the German word for (no offense ) ka-ka. Very crude word, true, 
but I was totally innocent. Funny, they never invited us back, now 
that I think of it.

> Another thing I learned was that different trades use the same
> phrases to mean wildly different things

It may be interesting to know that the meaning and "social 
acceptability" of certain glass descriptions has changed. A hundred 
years ago "art glass" was a derogatory term, referring to the low-end 
windows and door lights available from Sears Roebuck and other 
outlets like lumber yards. Nowadays, it's the preferred phrase for 
high-end products.

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Mon Mar  2 16:23:48 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Fw: My bio  part 2
Date: Mon, 2 Mar 1998 17:45:48 -0600
Message-ID: <199803022344.RAA16054@westbyserver.westby.mwt.net>
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Things are getting very strange......I sent out the bio post and only part
of it made it.  Here is the rest of it FWIW. My computer is sick.  Partial
emails going out.... fonts locking up..... cdrom driver up and
dissapeared.....PaperPort files scrambled. I think I'm going down  :-((


>Anyway I  did a few major commissions locally....  attracted the attention
>of  some architects and such,  did a few more what I thought were
>significant pieces but I never quite made the
>big time. We thought briefly about about moving out to the west coast to
try
>and * make it* I never regreted not going  though.....we are very happy
with
>our lifestyle.... just a couple of small town folk. I don't even know where
>the key is to lock the house.  Its the kind of peace of mind you can't buy.
>
>So I just continued on with mostly residential stuff in high buck homes
>until I quit business in '97 . I loved every minute of it.
>
>Well thats more then enough.. I did not really bare my soul...  lucky for
>you all... that would take a bottle of  good Merlot in a smokey room late
at
>night.
>
>Len
>
>
>
>
>


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From owner-glass Mon Mar  2 16:41:40 1998
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X-Path: wscc.edu!smankin
From: Susan Mankin <smankin@wscc.edu>
To: pkelly <pkelly@n-link.com>,glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Bungi Bios
Date: Mon, 02 Mar 1998 10:40:14 -0800
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References: <<1980Jan7.85535.0>>
Precedence: bulk

Bios are a great idea! I have been lurking, sort of, Since Dec. when I got
this new computer and new to the craft as well. Thanks for all the great
info fello Bunginians!! Susan









At 02:55 PM 1/7/80 -0600, pkelly wrote:
>I would like to volunteer my services to store the Bios. I have plenty
>of space on my hard drive and would willingly add another if needed.
>
>There should be rules set down from the start to protect the member.
>For Example:
>
>Information to be used only for the group
>Information not to be used in a commercial endeavor, unless approved by
>the               originator.
>etc, etc, etc.
>
>As the robot in "Short Circuit" film says " Input .... Input ....
>Input".
>
>
>Patrick
>Roses and Rainbows to all
>
>
>
>----
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>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

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From owner-glass Mon Mar  2 17:03:50 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Copy writing? - Info
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 1 Mar 1998 15:07:51 +0000
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> Thank you for the information.  Do you have any idea what the cost might be?

It's $20. per work of art you're registering ... all the info's at 
http://lcweb.loc.gov/copyright/circs/circ40 a page on the Library of 
Congress' web site called "Copyright Registration for Works of the 
Visual Arts."

Albert

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From owner-glass Mon Mar  2 17:14:42 1998
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From: NCScouter <ncscoutr@aol.com>
To: jnl <jnl@nep.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: full of questions
Date: Mon, 02 Mar 1998 19:09:42 -0800
Message-ID: <1998Mar2.11942.0>
References: <<1998Mar2.105720.0>>
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

Lisa,
First I'll address the triangular notch question. It sounds as if you
were going to place a square bevel into the corner of a rectangular
panel, (and even if you aren't let's use it as an example anyhow, k?)
It would need to go something like this:
_____   ____
     | |    |   Okay, the first major problem
     | |____|   that you're going to have will be
     -------    that bottom left inside corner. It
            |   WANTS to break into the larger glass
            |   to relieve the pressure in the glass
                at such a sharp cut, (hence Mr. Savad's
                unexplained term "relief cut".) An
example of a BETTER way to provide the relief withOUT the
stress threatening cracks would be to provide a cut like this:
_____   ____
   \ | |    | only more of a 45 degree angle than I can
    \| |____| show on the computer, if you get my drift?
     \------- This would provide you with two 45/45/90
      \     | triangles which would fit up against the
       \    | original larger glass to form the necessary
place for the square bevel. Personally, I prefer to do a same-width
border in a cabinet panel instead as this would butt up flat against the
sides of the square and allow me to use some special glass in smaller
quantities  which can enhance the pattern or the contents of the cabinet
if I'm using  clear textures for the pattern glass.
Now for the cabinet panel(s) question... What exactly do you need to
know? The first suggestion that I would make to you is that you make an
EXACT template which you KNOW (by double/triple-checking the fit) fits
into ALL the openings that you will have to make panels for. My second
recommendation would be for you to have a PERFECTLY square 2 or 3 sided
jig in which you will make your panel. Be sure to deduct from the
template size to the jig size for whatever type of edge you will be
using. If you use zinc came as your edge, you need to know the exact
width of the came from the inside (grooved part) to the outside face and
the depth at which the glass fits inside of it. You subtract the depth
of the groove from the face width, and then subtract THAT from the
template size to get your jig size. If you need more clarification on
this feel free to ask me, if I've muddled you up even worse that before
just hit the delete key and tell me to mind my own doggone cabinet
panels! <BG>
Ciao!
V T Phelps
Shoreline Glassworks, Ltd.


> ----      
jnl wrote:
> 
> Hello all,
> I was wondering if anyone could advise me on making
> cabinet doors. (just the panel to have a cabinet maker install it) I
> taught myself using a book. I have a pattern but it did not come with
> instructions it was in a pattern book with various items. Also another
> question...I have a piece of glass to cut that I need to take a
> triangular shaped notch out of. How do I do it without creating a run
> right across the glass? I have grinder but it cuts a half circle shape.
> 
> Lisa
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From owner-glass Mon Mar  2 17:26:49 1998
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X-Path: indiana.edu!dfdavis
From: Donald Davis <dfdavis@indiana.edu>
To: Shakeel Abedi <shakeel@tm.net.my>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Foiler - Edgemaster vs Glastar
Date: Mon, 02 Mar 1998 19:20:06 -0500
Message-ID: <1998Mar2.14206.0>
References: <<1998Mar3.33115.0>>
Organization: Indiana University
Precedence: bulk

I am fairly new to the craft.  However I really feel that my teacher (
master) is very versed in the craft.  One of the things he has taught me
is to beware of gadgets.  He says one can do a better job hand foiling
and save the money to buy more glass.  As of now I have done several
projects (hand foiled)).  With a good eye and a steady hand I bet you
can do just as good (if not better) than a hand foiler.

Don.......





Shakeel Abedi wrote:

> Dr Pishu R. Thadhani
> 104, Jalan Mersing
> 86000 Kluang
> Malaysia
> Tel: + 607-7722212, 7722755  Fax: +607-7733313
> E-Mail: shakeel@tm.net.my
>
> Hi,
>
> Could someone give a review of the two foilers.
>
> I have a Inland Foiler, honestly it is a pain in the .......
>
> Someone told me that Glastar foiler is far superior. What say you.
>
> Thanks,
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Mon Mar  2 17:40:16 1998
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From: Rex Gerlinger <gerling@mindspring.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: stepping stone question
Date: Mon, 02 Mar 1998 19:41:56 -0500
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Daniela,

I have no idea if this will work for you, but once I had a stone that
cracked in the middle (yikes!) while I was trying to get it out of the
mold...(too soon, I suspect)  and it worked for me.

Put your piece back in the mold....put the dislodged glass pieces back where
they belong first and don't forget the contact paper.

Now, mix some mortar mix really really thin.....kind of the consistency of
gravy.  Pour this on top until you have 1/4 inch or however much space you
have left in your mold......

If your missing chunck is big, you may need to fill that in with a little
bit of thicker mortar first.

Now leave it TWICE as long as you think you should!!!  In my case the soupy
mix worked it's way through....acted like glue on the crack and so far so
good.  The stone has been outside ever since and is just fine.

BTW, this made sense to me because if you've ever spilled a little bit of
mortar mix on you cement driveway, forgot about it for awhile...and then
tried to get it off.....it's close to impossible, so I know it has great
adhering properties!!!!
Hope this helps!

Hazel and The Glass Ladies

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From owner-glass Mon Mar  2 18:08:31 1998
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To: "Bungi" <glass@bungi.com>, "Shakeel Abedi" <shakeel@tm.net.my>
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Subject: Re: Foiler - Edgemaster vs Glastar
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> From:          "Shakeel Abedi" <shakeel@tm.net.my>
> To:            "Bungi" <glass@bungi.com>
> Subject:       Foiler - Edgemaster vs Glastar
> Date:          Mon, 2 Mar 1998 19:31:15 +0800

> Dr Pishu R. Thadhani,
> 
> Could someone give a review of the two foilers.


I have used the Glastar for a couple of years and really like it.  It 
did take a while to get used to but now I can foil quite quickly 
and accurately with it  (much quicker than any of the others in a 
couple of classes I have taken).  Of course the purists on this list 
will tell you that none of them are necessary ;-}

Have not used the Edgemaster so can't comment on it.

Doug Scale
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From owner-glass Mon Mar  2 18:49:37 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: Mosfunland@aol.com
Subject: Re: numbering
Date: Mon, 2 Mar 1998 20:49:10 -0500
Message-ID: <1998Mar2.154910.0>
References: <<1998Mar2.181310.0>>
Precedence: bulk

Maureen,

Of course different types of designs call for different numbering
schemes, but one of my favorite numbering systems I'll cal l the radial
system.  I start my numbers at the "one o'clock" position and proceed
clockwise around the panel, spiraling in to the center.

For symetrical panels I often don't use numbers at all, just letters like
"TL" for top left, "TM" for top middle, etc.  If there are three four or
even five pieces that are all distinct enough from one another they can
all still be "TL"!

Also popular ........TML for top middle left , and on and on, as long as
you can understand it  yourself.

Gary Dodge


On Mon, 2 Mar 1998 13:13:10 EST Mosfunland <Mosfunland@aol.com> writes:
>I always wondered how everyone decides how to number their patterns.
>Sometimes mine have rhyme and reason and sometimes I seem to have had 
>a
>psychiatric break.......
>
>Maureen

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Mon Mar  2 19:12:25 1998
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From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Fw: My bio  part 2
Date: Mon, 2 Mar 1998 20:02:18 -0600
Message-ID: <199803030200.UAA04853@westbyserver.westby.mwt.net>
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-----Original Message-----
From: len alcamo <alcamoz@mwt.net>
To: glass@bungi.com <glass@bungi.com>
Date: Monday, March 02, 1998 5:45 PM
Subject: Fw: My bio part 2


>
>
>Things are getting very strange......I sent out the bio post and only part
>of it made it.  Here is the rest of it FWIW. My computer is sick.  Partial
>emails going out.... fonts locking up..... cdrom driver up and
>dissapeared.....PaperPort files scrambled. I think I'm going down  :-((
>
>
>>Anyway I  did a few major commissions locally....  attracted the attention
>>of  some architects and such,  did a few more what I thought were
>>significant pieces but I never quite made the
>>big time. We thought briefly about about moving out to the west coast to
>try
>>and * make it* I never regreted not going  though.....we are very happy
>with
>>our lifestyle.... just a couple of small town folk. I don't even know
where
>>the key is to lock the house.  Its the kind of peace of mind you can't
buy.
>>
>>So I just continued on with mostly residential stuff in high buck homes
>>until I quit business in '97 . I loved every minute of it.
>>
>>Well thats more then enough.. I did not really bare my soul...  lucky for
>>you all... that would take a bottle of  good Merlot in a smokey room late
>at
>>night.
>>
>>Len
>>
>>
>>
>>
>>
>
>


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From owner-glass Mon Mar  2 19:28:51 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: gerling@mindspring.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: stepping stone question
Date: Mon, 2 Mar 1998 21:01:56 EST
Message-ID: <1998Mar3.2156.0>
Precedence: bulk

In a message dated 98-03-02 20:42:00 EST, gerling@mindspring.com writes:

<< .acted like glue on the crack and so far so
 good.  The stone has been outside ever since and is just fine. >>

This sounds almost too good to be true.  I have had only one stone do this but
I picked the glass out and repoured, never thought about trying to "fix it".
Has your stone been exposed to extreme temperatures and all the weather
conditions? This is not asking in doubt of what you say, but more like
stunned.

Lu Ann
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From owner-glass Mon Mar  2 19:49:43 1998
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X-Path: aries17.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Photographing SG, FAQ, first installment
Date: Mon, 2 Mar 1998 21:19:29 -0500
Message-ID: <199803030219.VAA21623@aries17.uwaterloo.ca>
Precedence: bulk



Hi SGers,

I was overwhelmed by the amount of responses I have gotten to my
previous requests. This is my way to pay back. In the spirit of the
Internet, I am making this a FAQ. This is the first part. I'm very
open to suggestions and topics you want covered. I don't make any
guarantee on how long it will take me but I'll be finished one day. I
am planning to add photos in the future.

Please be gentle, remember that English is not my first language :)

dmg

P.S. I'll be available on the Web at:

http://csgwww.uwaterloo.ca/~dmg/photo/glass/


----------------------------------------------------------------------

		      Photographing Stained-Glass, FAQs

			       Daniel M. Germ=E1n



Contents

   o Contents
   o Introduction
        o Copyright Notice
   o Basic equipment
        o What is the best camera to take photos of SG work?
        o My budget does not allow me to afford a SLR, what do I do?
        o I got my camera, what other equipment do I need?

Introduction


Copyright Notice

This FAQ is (C) Copyright 1998 Daniel M. Germ=E1n. This text, in whole
or in part, may not be sold in any medium, including, but not limited
to electronic, CD-ROM, or published in print, without the explicit,
written permission of Daniel M. Germ=E1n. This FAQ can be reproduced and
distributed electronically or in hardcopy as long as this is done for
free and it is kept intact.

If you have any comments about this document, please direct them to
dmg@csg.uwaterloo.ca.

The hypertext version of this FAQ is available at:


          http://csgwww.uwaterloo.ca/~dmg/photo/glass/

Basic equipment


What is the best camera to take photos of SG work?

The quick answer: a camera that allows you to manually set the exposure t=
ime
and the apperture.

Now the long answer. There are many different types of cameras, however, =
we
will restrict our discussion to two of them.


   o ``P&S'' (Point-and-shoot). These cameras, as their name implies, req=
uire
     little from the user to take a photograph: point, then shoot. Many
     different levels of complexity can be found in these cameras. Some o=
f
     them only have a shutter button, while other might have special mode=
s for
     portraits or scenery photography -to name a few. Some have zooms, so=
me
     don't.
   o ``SLR'' (Single Lens Reflex). Using a sophisticated system, these ca=
meras
     allow you to see ``through the lens''. What you see in the viewfinde=
r is
     what you camera is going to take. These cameras have dismountable le=
nses
     and vary in the amount of automatization they provide; some are true
     marvels of technology -autofocus system, eye controled features, to =
name
     a few- while others are totally manual -leaving all decisions to the
     photographer. Most modern SLRs include a manual mode that still allo=
ws
     its operator overall control over the camera.

In order to answer the question of which camera, you need to decide what
quality you're expecting from your photos. Almost any camera (P&S or SLR)=
 will
take decent photos. Nonetheless, some cameras will do it better than othe=
rs.

P&S operate on the premise that most photos people take are ``average''. =
A
shot of your family during a Christmas party or a photo of your last picn=
ic
are examples of those situations. A good P&S will only measure the amount=
 of
light that enters its lightmeter (cheap P&S don't even have one) and then
decide what is the correct exposure based on the film being used. Recent
advances in film technology make P&S very reliable.

Unfortunately, SG photos are not ``average''. Glass has to be lighted thr=
ough
in order to show its beauty. Most cameras get fooled when you take photos=
 of
SG. A typical result is darker than real photos. SLRs are also prone to t=
his
problem if used in an automatic mode. The lightmeter inside these cameras
works very similar to that of high-end P&S, and recomends a value for you=
r
photo considering your situation as average . In order to properly photog=
raph
the piece of glass you have in front, you will need to override this
recommended value.

As we have mentioned before, SLRs usually include a manual mode. They all=
ow
you to replace the lens so you use the best for your application. They le=
t you
see exactly what the negative is going to record. These features make the=
m the
best option to photograph SG work.


My budget does not allow me to afford a SLR, what do I do?

Many SLRs (entry level, second hand) are not too expensive, and, in many
cases, are cheaper that some P&S.

You have to consider how important, for you, your photos are. For many, p=
hotos
are a portafolio, ready to be shown to potential clients. Bad photos will
deteriorate the perception that your costumer might have of your work.

You probably have browsed pattern catalogs. Which ones do you normally fi=
nd
more appealing? It is very likely that those ones with the best photos.

If you still think you have to stick to a P&S you can still improve the
quality of your photos. Try using a tripod, setting up proper lightning (=
see
section ...) and pay attention to your framing (see section ...);
along with a good camera, these are  the three factors that contribute
the most to the quality of a  good photograph.


I got my camera, what other equipment do I need?

The list can be endless, and depends on how much you want to expend.


   o Tripod. Without a question, it is the piece of equipment that will
     improve your photos the most, the fastest, at the cheapest. A good t=
ripod
     should be heavy and sturdy. Try to avoid those cheap, plastic ones a=
s
     they tend to flex. A good tripod will serve you forever. My personal
     choice is the Manfrotto 055C (Bogen 3021) with a ball head.
   o Remote release. Most SLRs have an input for a remote cable-release -=
some
     have a wireless one. This allows you to fire the camera without touc=
hing
     it -hence avoiding shake. They are usually inexpensive. Some cameras=
 have
     a timer option. If so, can use it instead of the remote release.
   o Lens. Almost any lens will do. We will explore the effects of lens c=
hoice
     in your photos later.
   o Filters. Film does not record the light the way we see it. Film is
     calibrated for a particular type of light. For instance, the typical=
 firm
     you buy for your camera at the drugstore is designed to be user unde=
r
     sunlight or flash light. If you use it under artificial light you wi=
ll
     get a strong colour cast: yellow if the ligth is tungsten, green if =
the
     light is fluorescent. Filters will allow you to compensate this colo=
r
     shift. They are usually inexpensive.
   o Flashes and strobes. Almost always, a direct flash from the camera w=
ill
     prove useless. You need a flash that you can set away from the camer=
a,
     and, in many cases you'll need at least two. Studio lights can creat=
e
     dramatic effects. All these pieces of equipment will usually be
     expensive. Don't worry, you can have good results with Sun light.
   o Incident light meter. Althoght not indispensable, a good incident li=
ght
     meter can give you quick and precise readings of how much light is
     illuminating your subject. If you're shooting an object which is not
     transilluminated, this tool will provide you with a good exposure mo=
st of
     the times. Expensive.
   o Grey card. If you can't afford a light meter, a grey card is a most.=
 It
     is, as its name implies, a piece of grey cardboard that you use to
     estimate the incident light. Inexpensive. Its use will be described
     later. (see section ...).
   o Diffusing material. Many panels are not totally opaque and transfer =
the
     shapes and colours of the objects behind. A sheet of difussing mater=
ial
     (drafting paper, white plexiglass, opaque white glass, for example) =
will
     provide a soft, uniform background for your photos.

You will need some other tools depending on exactly what you're shooting.=
 The
minimun you need is the camera and a lens, everything is sort of optional=
 but
will certainly improve the quality of your photos.




--=20
Daniel M. Germ=E1n                "My friends would think I was a nut,=20
       Peter Gabriel -->         turning water into wine"
dmg@csg.uwaterloo.ca
http://csgwww.uwaterloo.ca/~dmg/home.html
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From owner-glass Mon Mar  2 19:54:57 1998
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X-Path: mindspring.com!gerling
From: Rex Gerlinger <gerling@mindspring.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: stepping stone question
Date: Mon, 02 Mar 1998 21:14:31 -0500
Message-ID: <1.5.4.32.19980303021431.00680f68@pop.mindspring.com>
Precedence: bulk

I know it's crazy, but I swear I can't tell by looking which stone it was!
I can't vouch for weather extremes, though....I live in Atlanta, Georgia and
it's really not a fair test!!  We have had freezing weather this year and we
all know how hot it gets...but having grown up in Ohio I know it's still not
like extremes of weather other folks get!  It has been outside for about 7
or 8 months.  

I agree it sounds too good to be true and it may have been a weird fluke,
but I'd still try it again before I started over!

Hazel

At 09:01 PM 3/2/98 EST, you wrote:
>In a message dated 98-03-02 20:42:00 EST, gerling@mindspring.com writes:
>
><< .acted like glue on the crack and so far so
> good.  The stone has been outside ever since and is just fine. >>
>
>This sounds almost too good to be true.  I have had only one stone do this but
>I picked the glass out and repoured, never thought about trying to "fix it".
>Has your stone been exposed to extreme temperatures and all the weather
>conditions? This is not asking in doubt of what you say, but more like
>stunned.
>
>Lu Ann
>

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From owner-glass Mon Mar  2 19:59:52 1998
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X-Path: aol.com!ItsAlison
From: ItsAlison <ItsAlison@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Foiler - Edgemaster vs Glastar
Date: Mon, 2 Mar 1998 22:00:43 EST
Message-ID: <1998Mar3.3043.0>
Precedence: bulk

In a message dated 98-03-02 16:48:30 EST, you write:

<< What I say is "don't waste your money".  Except for straight lines, hand
 foiling is just a quick and acurate.  the only thing is your fingers may
 get more sore (until the calluses form) than with a foiler.  You can
 have my foiler free, if you want to pay the postal charges from Glasgow,
 Scotland.   Nah.  It's not worth it!   :-)
  >>

I have to agree...I hhave both and they are stored in a carton gathering dust!
The foil comes out crincked and its just not worth the effort. Besides this,
they take up valueable workspace. I have found hand foiling to be more
"portable" and more accurate.  ~Alison~
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From owner-glass Mon Mar  2 20:14:35 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: numbering/ used to
Date: Mon, 2 Mar 1998 19:52:42 -0800
Message-ID: <1998Mar2.115242.0>
Precedence: bulk

A easy way for symmetrical patterns................

Letter, number, color or whatever code you like.

Cut half the pattern out, use it for the half it matches

TURN the pattern over and cut the glass again from it. If it is TRULY
symmetrical it should match up!

Works for right and left hand lamp patterns.

enjoy, H

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From owner-glass Mon Mar  2 21:27:03 1998
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X-Path: intrastar.net!ssuter
From: Shirley Suter <ssuter@intrastar.net>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>,
Content-Type: text/plain; charset=us-ascii
Subject: Re: Photographing SG, FAQ, first installment
Date: Mon, 02 Mar 1998 22:42:17 -0600
Message-ID: <1998Mar2.164217.0>
References: <<199803030219.VAA21623@aries17.uwaterloo.ca>>
Organization: Intrastellar Internet Service  & Suter's Stained Glass
Precedence: bulk

Daniel M. German wrote:

> In the spirit of the
> Internet, I am making this a FAQ.

Our fellow SGer Daniel,

I am nearly overwhelmed by your kind generosity.  Many have
forgotten the spirit of the Internet;  use what is needed,
and leave something useful behind.

I, too, have an interest in photography but little
knowledge.  Your words are a wonderful gift and I feel
certain will inspire me to try, try, try again to
successfully photograph stained glass.  I can hardly wait
for the next installment.  Thank you!

Gee, I may have to set up the darkroom again!
Shirley
Grapeland, Tx.
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From owner-glass Mon Mar  2 21:52:12 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Web Page?
Date: Tue, 3 Mar 1998 00:09:14 EST
Message-ID: <1998Mar3.5914.0>
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Why, Elizabeth, I didn't know you had one. Address please?
Susan
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From owner-glass Mon Mar  2 22:43:34 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: stepping stone question
Date: Mon, 02 Mar 1998 21:51:36 -0800
Message-ID: <1998Mar2.135136.0>
References: <<1.5.4.32.19980303021431.00680f68@pop.mindspring.com>>
Organization: Maiden Concepts
Precedence: bulk

If you took the stone out when it was still wet and repaired it when it
was still wet, then the concrete will bond together.  You were lucky
that your drying times were still compatible.
The longer a concrete cures, the stronger it is.
There is a bonding agent for concrete that is cured.  But I have only
heard about never exerienced it myself.
There is a concrete forum
http://www.hardscapes.com/board/wwwboard.html
It is a great place to ask any question.  They are as forth coming and
helpful and knowleable as the Bungi group.



Rex Gerlinger wrote:
> 
> I know it's crazy, but I swear I can't tell by looking which stone it was!
> I can't vouch for weather extremes, though....I live in Atlanta, Georgia and
> it's really not a fair test!!  We have had freezing weather this year and we
> all know how hot it gets...but having grown up in Ohio I know it's still not
> like extremes of weather other folks get!  It has been outside for about 7
> or 8 months.
> 
> I agree it sounds too good to be true and it may have been a weird fluke,
> but I'd still try it again before I started over!
> 
> Hazel
> 
> At 09:01 PM 3/2/98 EST, you wrote:
> >In a message dated 98-03-02 20:42:00 EST, gerling@mindspring.com writes:
> >
> ><< .acted like glue on the crack and so far so
> > good.  The stone has been outside ever since and is just fine. >>
> >
> >This sounds almost too good to be true.  I have had only one stone do this but
> >I picked the glass out and repoured, never thought about trying to "fix it".
> >Has your stone been exposed to extreme temperatures and all the weather
> >conditions? This is not asking in doubt of what you say, but more like
> >stunned.
> >
> >Lu Ann
> >
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From owner-glass Mon Mar  2 23:22:15 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Eronious Date 
Date: Tue, 03 Mar 1998 00:09:52 -0600
Message-ID: <1998Mar2.18952.0>
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Sorry in I caused any incovienence with the wrong date.

Thank you for bringing that to my attention.. I seem to be having a
problem since
my son "fixed it Dad". Thanks.

Patrick
Roses and Rainbows

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From owner-glass Mon Mar  2 23:53:12 1998
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From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Bios
Date: Tue, 03 Mar 1998 00:30:07 -0600
Message-ID: <1998Mar2.18307.0>
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I am ready for the onslaught of bios of the best people in the world
(and a few stinkers).

You can send them to me at "pkelly@n-link.com". What I can do is get
some kind of format for the header. For example:

Name
email
Location
Professional/Hobbyest
Major field of interest (slumping, lamps, etc.)
SG Associations member
Other interests
Number of fingers remaining on right hand after 500 piece project
Size of Mother-In-Laws shoes
Favorite Obsence Gesture (optional)

And then post the remaining bios as written by the author. Permission to
post will be assumed when sending bios.

I can list the names of the people with bios and post them as I receive
them or any other way we like.

Any suggestions as to, day to post, something I left out? Heeeeelp

Input .... Input .... Input

Patrick
Roses and Rainbows

PS I thought I had learned my lesson about volunteering in 1964 when I
joined the US Army. Oh well, I guess I'm just a hard-headed Irishman
(isn't that correct Toby)

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From owner-glass Tue Mar  3 06:06:19 1998
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From: Mike Barr <"flowers@flowers"@iamerica.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Foiler - Edgemaster vs Glastar
Date: Tue, 03 Mar 1998 07:28:40 -0500
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> 
> I have to agree...I hhave both and they are stored in a carton gathering dust!
> The foil comes out crincked and its just not worth the effort. Besides this,
> they take up valueable workspace. I have found hand foiling to be more
> "portable" and more accurate.  ~Alison~

I would have the same feelings about this as Alison from my attempts
with the foilers, but four other people in my shop use them a lot, do a
good job with them and are much faster with them than hand foiling. It
may take some coordination I don't have. Anyway I will continue to not
use them, but from watching others use the foilers and getting faster
and faster with them I can not say anything bad about them either.
Especially as I pay these people by the hour. 
To get back to the origional question they do prefer the inland
edgemaster and the glastar comes in second.
	Mike Barr
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From owner-glass Tue Mar  3 07:37:42 1998
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X-Path: aol.com!Mosfunland
From: Mosfunland <Mosfunland@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: numbering
Date: Tue, 3 Mar 1998 10:17:02 EST
Message-ID: <1998Mar3.15172.0>
Precedence: bulk

Thanks for everyones input.  We all have pretty similar ways of numbering our
patterns it seems...(until my other personality does the numbering....lol).  I
have never tried one of the mega-piece lamps, only panels.  Maybe I'll get one
of the docs to write me a prescription for xanax and place the number for
psyhic healing on speed-dial before I ever attempt one of them.....I was very
intimidated by the patterns for them.  

A while ago someone recommended using x-ray (exposed and blank...lol) films
for patterns.  I have been doing this and love them, thanks for the great
idea.  A respiratory therapist I work with opened up a snap together soft
clear plastic oxygen hood for a small infant, since we didn't need it and it
would have been trashed I brought it home and stuck my grinder inside of it.
It even has a flap to keep it closed....keeps the work area free from
"flotsam".  I have recycled little formula plastic bottles that come in their
own little rack system....I tilt it on its side...put a little flux in one
bottle and store the brush in the other...never spills and I can recap it when
I am finished.  People give me some strange looks when I start saying Ooooo I
can use this.....   I have seen some of the tiniest footprints imaginable and
would often like to incorporated them into a panel, but haven't figured out
how to do that yet...someday the lightbulb will go on I guess.

Thanks again
Maureen
mosfunland@aol.com
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From owner-glass Tue Mar  3 08:10:51 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: bios
Date: Tue, 3 Mar 1998 07:24:56 -0800
Message-ID: <199803031524.HAA04763@norm.island.net>
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Hmmm...looks like we're going in reverse alphabetical order (Z to A),
starting with Len Zyz...!


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From owner-glass Tue Mar  3 09:07:26 1998
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Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Tue, 3 Mar 1998 17:19:49 +0000
Message-ID: <199803031624.QAA03743@saturn.nildram.co.uk>
Precedence: bulk

Dear UK Bunginians,

List was supposed to reach you around Christmas....   :-(
Addressing envelopes RIGHT NOW!!
Have 8 people on my UK mailing list:
David Outram, Elizabeth Law, Mike Simpson, Steve Richard, Jerry 
Cullingford, Jill Blackall, Tony & Barbara Regen.

ARE THERE ANY MORE UK BUNGINIANS OUT THERE, that I might have 
missed??????

In my covering letter I have also listed your names & addresses (but 
not phone numbers) for UK sharing only.
Please let me know if you have any objections to me doing this.
You have all given me phone numbers too. Include or exclude??
Let me know (off-group).
Elisabeth 'n Toby in Hertfordshire, UK
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Tue Mar  3 09:35:22 1998
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X-Path: bcinternet.net!cpesonen
From: dodgestudio@juno.com (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: reply all
Date: Tue, 3 Mar 1998 09:19:05 -0800 (PST)
Message-ID: <199803031719.JAA08070@freya.vphos.net>
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So Glenna,

Does this mean that hitting reply all will send to everyone on bungi
directly without the system remailing it and adding a second tag line to
it?

Gary

>dodgestudio@juno.com writes:]
>> >> What I do is hit the reply all button,
>
>> 
>> I may be wrong here, but my understanding of the "reply all" button 
>is to
>> automatically forward your reply to all addresses that you have put 
>into
>> an address book.   If glass@bungi.com isn't in your book, the group 
>will
>> not get the response.  And likewise if your aunt Sophie IS in the 
>book,
>> she will get the message, whether she cares about glass or not..
>> 
>> Am I wrong?
>
>The reply all button send to all recipients of the original message.
>
>-- 
>Glenna Rand
>gjr@bungi.com
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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Help!!! I'm rather new at this and I'm still confused. If I send "back" as
REPLY it get's sent to the writer and  should one just redirect the address
to GLASS@BUNGI.COM? 
Cindy

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From owner-glass Tue Mar  3 10:08:35 1998
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X-Path: infinet.com!glasscat
From: Carolyn Noel <glasscat@infinet.com>
To: ace <ace@voyageur.ca>
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass with tile
Date: Tue, 03 Mar 1998 12:36:15 -0500
Message-ID: <1998Mar3.73615.0>
References: <<1998Jan28.154853.0>>
Organization: The Stained Glass Place
Precedence: bulk

Check out issue #38 of the Stained Glass News. The Readers' Gallery
shows a picture of what you may be talking about, or at least another
idea for you. 
Carolyn
----
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From owner-glass Tue Mar  3 10:35:03 1998
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: "Toby" <toby@northlights.co.uk>,glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: UK suppliers
Date: Tue, 03 Mar 1998 18:19:07 +0000
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At 17:19 03/03/98 +0000, you wrote:
>Dear UK Bunginians,

>In my covering letter I have also listed your names & addresses (but 
>not phone numbers) for UK sharing only.
>Please let me know if you have any objections to me doing this.
>You have all given me phone numbers too. Include or exclude??
>Let me know (off-group).
Hi, EliSabeth, no reason I can see not to include phone numbers as well.
The more info the better.

Elizabeth & Sam Law
Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Tue Mar  3 11:07:47 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, Mosfunland@aol.com
Subject: numbering
Date: Tue,  3 Mar 1998 13:14:33, -0500
Message-ID: <199803031814.NAA19048@mime4.prodigy.com>
Precedence: bulk

Maureen,
How about having a photo resist made of those tiny tiny foot prints 
and sandblasting the design into clear or flashed glass. Make a small 
hanging panel. There was a time when I would have begged to buy such 
a work made from my childs foot. My mother and mother-in-law would 
have needed one too.  Couldn't afford it now what the increase in 
size. Bob

> I have seen some of the tiniest footprints imaginable and
>would often like to incorporated them into a panel, but haven't 
figured out
>how to do that yet...someday the lightbulb will go on I guess.

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
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From owner-glass Tue Mar  3 11:38:32 1998
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X-Path: mail.island.net!seaspray
From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: verdigris patina for copper
Date: Tue, 3 Mar 1998 10:57:16 -0800
Message-ID: <199803031857.KAA18687@norm.island.net>
Precedence: bulk

Hi all,

I'm working on a project and the designer has asked me if I can come up with
a patina to turn new copper verdigris colour(fume hood in grill area of
restaurant).

My questions are two fold:

1) can the commercial verdigris patinas be used (maybe just the second
bottle since the surface is already copper)

2) Name and source for commercial verdigris patinas please?

Thanks in advance

Carol Swann
Synergy Glass & Creative

----
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From owner-glass Tue Mar  3 12:07:18 1998
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X-Path: aol.com!DMR74
From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: numbering
Date: Tue, 3 Mar 1998 14:32:25 EST
Message-ID: <1998Mar3.193225.0>
Precedence: bulk

In a message dated 98-03-02 16:46:11 EST, you write:

> I always wondered how everyone decides how to number their patterns.
>  Sometimes mine have rhyme and reason and sometimes I seem to have had a
>  psychiatric break.......
>  
 Maureen,
If I have a circular piece I usually start in the middle and go clockwise out
toward the perimiter,  I do also use letters.  Lets say I was doing a sun with
rays,  the center in one color I will label 1A 2A 3A etc, then I will move on
to the next color, and start where I ended off (maybe I should start overwith
1) lets say now its 15B 16B etc.  This way you don't have to select your glass
yet, or you may want to make it a second time with different glass all
together.  I then, when I have cut out the pattern (and I still have one
intact with the numbers) I put them in folders in ABC order one for each
letter.   As with the sun and rays you are alternating colors so you will # in
order of color Not placement.  Hope this helps
deb
----
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From owner-glass Tue Mar  3 12:37:26 1998
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X-Path: mars.ark.com!wmunro
From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Pattern Enlargement Software
Date: Tue, 3 Mar 1998 11:58:48 -0800
Message-ID: <199803031958.LAA27279@ark.com>
Precedence: bulk

Howdy gang...

  I am looking for a program that will work hand in hand with my scanner so
I can scan in small (say 6 inch. X 10 inch.) and enlarge in the computor and
have it print out a finished enlargement pattern (say 2 feet X 4 feet) and
print it in sections on the 8.5 X 11 paper so I can then tape together for
the finished project. 
 Is there such a 'beast' reasonably priced?


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

----
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From owner-glass Tue Mar  3 13:07:05 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: numbering
Date: Tue, 03 Mar 1998 12:03:30 -0800
Message-ID: <1998Mar3.4330.0>
References: <<199803031814.NAA19048@mime4.prodigy.com>>
Organization: Maiden Concepts
Precedence: bulk

I too imediately thought of a panel.  But having worked in a hospital
nursery myself, my thoughts were delusions of grandeur.  I envisions you
making a panel for the hospital nursery(paid for by the hospital),
either hanging or framed beside the viewing window, or a panel in the
back of the room.  A panel of all the little footprints from premi to 14
pounders.  A collage of footprints.  I couldn't envision the color
scheme.  I love the ectched glass idea.  Then color wouldn't be a
problem, literally or symbolically.  How enterprizing to think of doing
it as baby gifts.  Maybe you can sell them in the hospital gift shop?  I
should think the ladies(I know chauvenistic, there might be men)would
love telling their customers that(a nurse?) employee of the hospital
"does these!"  How about ectching them on oval bevels and sell them with
wooden base stand, that allows them to hang free?
Almost makes me want to have kids again.  Nah!!!!!!!!!!!!!!!!!1




BOB DUCHESNEAU wrote:
> 
> Maureen,
> How about having a photo resist made of those tiny tiny foot prints
> and sandblasting the design into clear or flashed glass. Make a small
> hanging panel. There was a time when I would have begged to buy such
> a work made from my childs foot. My mother and mother-in-law would
> have needed one too.  Couldn't afford it now what the increase in
> size. Bob
> 
> > I have seen some of the tiniest footprints imaginable and
> >would often like to incorporated them into a panel, but haven't
> figured out
> >how to do that yet...someday the lightbulb will go on I guess.
>
----
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From owner-glass Tue Mar  3 13:07:44 1998
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X-Path: GSA-ORSP.CROWN.NWU.EDU!kaye
From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Numbering
Date: Tue, 3 Mar 1998 14:30:33 CST 6CDT
Message-ID: <1970Jan1.000.0>
Organization: GSA-ORSP
Precedence: bulk

My pattern numbering system combines colors and positions.  If I'm 
doing a geometric design I will number the pieces in a roughly  
clockwise direction using letters to identify the glass or color.  
A1, A2, A3, etc. for one color; then B1, B2, etc.for the next color.  
Each time I make this pattern, I make a list to indicate A=red, 
B=yellow, etc.

If the pattern is, for example, a water scene with goldfish and 
lilypads, I number the "water" pieces W1, W2, W3 (or B1, B2 for 
"blue"); the lilypads L1, L2, (or G1, G2 for "green).

Works for me---

Kaye
   
----
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From owner-glass Tue Mar  3 14:07:35 1998
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X-Path: bcinternet.net!cpesonen
From: wmunro@mars.ark.com (Wayne Munro) (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Pattern Enlargement Software
Date: Tue, 3 Mar 1998 13:39:45 -0800 (PST)
Message-ID: <199803032139.NAA11858@freya.vphos.net>
Precedence: bulk

Howdy gang...

  I am looking for a program that will work hand in hand with my scanner so
I can scan in small (say 6 inch. X 10 inch.) and enlarge in the computor and
have it print out a finished enlargement pattern (say 2 feet X 4 feet) and
print it in sections on the 8.5 X 11 paper so I can then tape together for
the finished project. 
 Is there such a 'beast' reasonably priced?

Hi Wayne,
I use 2 programs; desk scan and photo styler with my scanner, both can
enlarge. But I also use Corel Draw 4 alot. My computer buddy at the store
helped me out in deciding what I should get for the work that I do. But I
did know I wanted Corel draw for drawing and have been using it for 6 years
now. I hear alot of talk about the Glass eye.. dragon soft ware. But then
again I also line up to a plotter now and again for vinyl cuts for
sandblasting. Corel draw works for me.
BC person also, Cindy 

Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass


----
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From owner-glass Tue Mar  3 14:39:07 1998
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X-Path: bcinternet.net!cpesonen
From: Shirley Balloch <balloch@netbridge.net> (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: numbering
Date: Tue, 3 Mar 1998 13:57:53 -0800 (PST)
Message-ID: <199803032157.NAA03489@freya.vphos.net>
Precedence: bulk

Hi guys,
What a great idea, photo resist baby foot on a beer mug for my son (24 year
old) and here I wondered what do for Christmas???
Good idea for the hospital too, I might just try that. And a trophy shop
might be an outlet.
Got to go and find my kid's foot, chuckle.
Cindy






I too imediately thought of a panel.  But having worked in a hospital
nursery myself, my thoughts were delusions of grandeur.  I envisions you
making a panel for the hospital nursery(paid for by the hospital),
either hanging or framed beside the viewing window, or a panel in the
back of the room.  A panel of all the little footprints from premi to 14
pounders.  A collage of footprints.  I couldn't envision the color
scheme.  I love the ectched glass idea.  Then color wouldn't be a
problem, literally or symbolically.  How enterprizing to think of doing
it as baby gifts.  Maybe you can sell them in the hospital gift shop?  I
should think the ladies(I know chauvenistic, there might be men)would
love telling their customers that(a nurse?) employee of the hospital
"does these!"  How about ectching them on oval bevels and sell them with
wooden base stand, that allows them to hang free?
Almost makes me want to have kids again.  Nah!!!!!!!!!!!!!!!!!1




BOB DUCHESNEAU wrote:
> 
> Maureen,
> How about having a photo resist made of those tiny tiny foot prints
> and sandblasting the design into clear or flashed glass. Make a small
> hanging panel. There was a time when I would have begged to buy such
> a work made from my childs foot. My mother and mother-in-law would
> have needed one too.  Couldn't afford it now what the increase in
> size. Bob
> 
> > I have seen some of the tiniest footprints imaginable and
> >would often like to incorporated them into a panel, but haven't
> figured out
> >how to do that yet...someday the lightbulb will go on I guess.
>
----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass


----
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From owner-glass Tue Mar  3 14:42:01 1998
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X-Path: bcinternet.net!cpesonen
From: DMR74 <DMR74@aol.com> (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: numbering
Date: Tue, 3 Mar 1998 13:40:14 -0800 (PST)
Message-ID: <199803032140.NAA27795@freya.vphos.net>
Precedence: bulk

In a message dated 98-03-02 16:46:11 EST, you write:

> I always wondered how everyone decides how to number their patterns.
>  Sometimes mine have rhyme and reason and sometimes I seem to have had a
>  psychiatric break.......
>  
 Maureen,
If I have a circular piece I usually start in the middle and go clockwise out
toward the perimiter,  I do also use letters.  Lets say I was doing a sun with
rays,  the center in one color I will label 1A 2A 3A etc, then I will move on
to the next color, and start where I ended off (maybe I should start overwith
1) lets say now its 15B 16B etc.  This way you don't have to select your glass
yet, or you may want to make it a second time with different glass all
together.  I then, when I have cut out the pattern (and I still have one
intact with the numbers) I put them in folders in ABC order one for each
letter.   As with the sun and rays you are alternating colors so you will # in
order of color Not placement.  Hope this helps
deb
----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

 Hi Maureen, 
Psychiatric break... That sounds familar. I usually start out on the
straight and narrow path of correctness. Then decide I've lost my way home!!
Lord, help me if I forget to number a piece and find it later!! It now
becomes a letter, usually "A". Insanity of numbering, but it all comes
together in the end.
Cindy

----
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From owner-glass Tue Mar  3 15:08:07 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Carol Swann <seaspray@mail.island.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: verdigris patina for copper
Date: Tue, 03 Mar 1998 17:24:44 -0500
Message-ID: <1998Mar3.122444.0>
References: <<199803031857.KAA18687@norm.island.net>>
Precedence: bulk

Carol Swann wrote:
> 
> Hi all,
> 
> I'm working on a project and the designer has asked me if I can come up with
> a patina to turn new copper verdigris colour(fume hood in grill area of
> restaurant).
> 
> My questions are two fold:
> 
> 1) can the commercial verdigris patinas be used (maybe just the second
> bottle since the surface is already copper)
> 
> 2) Name and source for commercial verdigris patinas please?
> 
> Thanks in advance
> 
> Carol Swann
> Synergy Glass & Creative
> 
> ----


JAX is the patina the comes to mind, but it only comes in green. in
craft stores they sell a metal "weatering" kit. it has copper paint and
patina. but it comes in many colors, blue, brown, green, etc. i never
tried to see how well it works, because it's kind of expensive, and only
works on copper.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Tue Mar  3 15:45:35 1998
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From: Sue Reitmann <oddjob@scc.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: gizmos/fids
Date: Tue, 3 Mar 1998 16:48:41 -0600
Message-ID: <1998Mar3.104841.0>
Precedence: bulk

A while back when we were discussing things used as alternatives to 
"standard equipment", I posted about using cuticle sticks (sometime called 
orange sticks) for a fid. They are now manufactured in plastic. Flat 
beveled on both ends. Made by Sally Hansen, LaCross, 3 for $1.69, available 
at any drug, health & beauty aids dept. Instructions on back say they can 
be steralized in alcohol, so they should hold up around most chemicals they 
would come in contact with if you are using them to iron down your foil.
Just an update...
Sue Reitmann
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From owner-glass Tue Mar  3 15:57:20 1998
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From: Sue Reitmann <oddjob@scc.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Wood duck pattern
Date: Tue, 3 Mar 1998 16:42:17 -0600
Message-ID: <1998Mar3.104217.0>
Precedence: bulk

I am looking for a pattern of a wood duck that could be incorporated into a hanging lamp. Any suggestions? I am not good at design!
Customer is talking about the diamature across the bottom opening to be aprx. 15-16 1/2"
Thanks in advance
Sue Reitmann
(who is slowly recovering from unexpected carodid artery surgery)and hates the idea of ageing!
----
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From owner-glass Tue Mar  3 16:14:16 1998
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X-Path: clis.com!glassurgeon
From: Kopp <glassurgeon@clis.com>
To: All Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Pattern Enlargement Software
Date: Tue, 03 Mar 1998 18:46:25 -0500
Message-ID: <3.0.1.32.19980303184625.0069147c@mail.clis.com>
Precedence: bulk

At 11:58 AM 3/3/98 -0800, Wayne wrote:
>Howdy gang...
>
>  I am looking for a program that will work hand in hand with my scanner so
>I can scan in small (say 6 inch. X 10 inch.) and enlarge in the computor and
>have it print out a finished enlargement pattern (say 2 feet X 4 feet) and
>print it in sections on the 8.5 X 11 paper so I can then tape together for
>the finished project. 
> Is there such a 'beast' reasonably priced?
>
>
>Wayne Munro 'Snail mail' address


Hi Wayne,

The answer is yes.  I have one called 'Glass Magic 3.0' (there may be a
newer version now) by Micro Glass Software.  Very simple, very inexpensive.
 I think it cost $29.95, but don't hold me to that.  It's for lamps, boxes
and panels.  It will only enlarge up to 2' X 2' though.  It requires 386 or
higher, 4MB of Ram, 5 MB of free harddrive and 3.1 or Win95.

Boxes and lamps are kept in proportion when enlarging.  It is quite
versitle in creating boxes and lamps as you can change shapes, sizes,
number of panels, pitch etc. with a click of the mouse.  It also does
letters in different fonts.  And prints out the pattern in numbered panels
for you.

There are a couple others but not in that price range, none that I know of
anyway.

Dava
glassurgeon@clis.com


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From owner-glass Tue Mar  3 17:39:36 1998
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X-Path: crcwnet.com!dandl
From: Dave & Lynn Loda <dandl@crcwnet.com>
To: Sue Reitmann <oddjob@scc.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Wood duck pattern
Date: Tue, 03 Mar 1998 17:16:34 -0800
Message-ID: <1998Mar3.91634.0>
References: <<1998Mar3.104217.0>>
Organization: Art Glass of Wenatchee
Precedence: bulk

Sue;

There is a nice pattern in Birds of North America, Vol 2.  Don't go by their color choices,  they don't coincide with the real thing.

Dave & Lynn

Sue Reitmann wrote:

> I am looking for a pattern of a wood duck that could be incorporated into a hanging lamp. Any suggestions? I am not good at design!
> Customer is talking about the diamature across the bottom opening to be aprx. 15-16 1/2"
> Thanks in advance
> Sue Reitmann
> (who is slowly recovering from unexpected carodid artery surgery)and hates the idea of ageing!
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



--
____________________

Dave & Lynn Loda
Art Glass of Wenatchee
http://artglassw.com
Stained Glass Gifts & Supplies


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From owner-glass Tue Mar  3 18:36:29 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: verdigris patina for copper
Date: Tue, 3 Mar 1998 21:10:05 -0500
Message-ID: <v01530502b12267cd28d4@[206.186.242.108]>
Precedence: bulk

Try the Jax brand green patina. It should work directly on the copper. Most
stained glass wholesalers carry it, most retailers could get it for you. It
comes in a pretty large bottle, you'd probably only need one.

Sarah

>Hi all,
>
>I'm working on a project and the designer has asked me if I can come up with
>a patina to turn new copper verdigris colour(fume hood in grill area of
>restaurant).
>
>My questions are two fold:
>
>1) can the commercial verdigris patinas be used (maybe just the second
>bottle since the surface is already copper)
>
>2) Name and source for commercial verdigris patinas please?
>
>Thanks in advance
>
>Carol Swann
>Synergy Glass & Creative
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass


----
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From owner-glass Tue Mar  3 19:02:30 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Pattern Enlargement Software
Date: Tue, 3 Mar 1998 21:26:24 -0500
Message-ID: <v01530503b1226bd11aab@[206.186.242.108]>
Precedence: bulk

Hi Wayne,

If all you want to do is import, resize and print, almost any paint/draw
program on the market will do it. Claris works, microsoft paint, and many
other basic programs will perform these functions just fine.

Sarah


>Howdy gang...
>
>  I am looking for a program that will work hand in hand with my scanner so
>I can scan in small (say 6 inch. X 10 inch.) and enlarge in the computor and
>have it print out a finished enlargement pattern (say 2 feet X 4 feet) and
>print it in sections on the 8.5 X 11 paper so I can then tape together for
>the finished project.
> Is there such a 'beast' reasonably priced?
>
>
>Wayne Munro 'Snail mail' address
>2960 Suffield Road,
>Courtenay, B.C. Canada   V9N-3V5
>
>Phone and Fax-- (250) 338-5507
> "Call before sending a fax so setup is complete"
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass


----
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From owner-glass Tue Mar  3 19:35:46 1998
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X-Path: voicenet.com!hilary
From: "Hilary A. Bobker" <hilary@voicenet.com>
To: Mosfunland <Mosfunland@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: numbering
Date: Tue, 03 Mar 1998 22:14:43 -0500
Message-ID: <1998Mar3.171443.0>
References: <<1998Mar3.15172.0>>
Organization: HABit Fashion Services
Precedence: bulk

> can use this.....   I have seen some of the tiniest footprints imaginable and
> would often like to incorporated them into a panel, but haven't figured out
> how to do that yet...someday the lightbulb will go on I guess.

For Christmas gifts a woman I work with made little suncatcher angels
with her baby's face as the angel face. She used xeroxed photos cut to
shape and sandwiched between two layers of glass that are half the
normal thickness. The local shop had the glass. If Warner doesn't have
it, I'll send you the name of the shop where she got it...if there
sounds like there is a story, you're correct...but my guess is that
Warner has it.

Anyway, the point is that you could sandwich the footprints. It could be
the most strange and wonderful thing ever and perfect for the x-ray
department...or the baby ward!!

Hilary
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From owner-glass Tue Mar  3 20:08:37 1998
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X-Path: voicenet.com!hilary
From: "Hilary A. Bobker" <hilary@voicenet.com>
To: jnl <jnl@nep.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: full of questions
Date: Tue, 03 Mar 1998 22:07:11 -0500
Message-ID: <1998Mar3.17711.0>
References: <<1998Mar2.105720.0>>
Organization: HABit Fashion Services
Precedence: bulk

> question...I have a piece of glass to cut that I need to take a
> triangular shaped notch out of. How do I do it without creating a run
> right across the glass? I have grinder but it cuts a half circle shape.

Use your 1/4" bit to grind into the corner as far as possible. Foil up
to the  notch area like normal, but when you come to the tip of the
triangle, trim your foil into the point and overlay it on the glass as
necessary. The tip will read like a point, but the bottom of the point
will be rounded. Still, the compromise is worth it. Cutting an angle up
into the glass is an invitation to cracking. Even the above is on the
dangerous side.

Hilary
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From owner-glass Wed Mar  4 04:38:40 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Fluxamatic Mashed Potato
Date: Wed, 4 Mar 1998 07:26:28 -0500
Message-ID: <1998Mar4.22628.0>
Precedence: bulk

I tried to soulder a panel last night. My usual solder is very soupy but =
last night it seemed to peak kind of high (I liked that) and then it got =
to the consistency of mashed potatoes and it wanted to stick to the =
glass where ever I pulled off the line. What a mess. Same iron, 100 w =
Inland on a reostat (I had that baby cranked up to 800 and I usually go =
about 700) and same solder brand name (60-40). The only thing different =
was new flux - Flexamatic by Stewart Hall. It's a water soluable and =
says it has the same ingredients as the Glasstar that I'd been using. =
Comments please? I absolutely dread going back to the panel tonight and =
trying to fix it. I just hate it when things don't work and I have no =
idea how to make them work. Patience is not my long suit.

Linda Campbell
Hobby Crafter
Suffolk, VA
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From owner-glass Wed Mar  4 05:08:51 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Bungi Bios
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 1 Mar 1998 18:24:35 +0000
Message-ID: <m0yADKO-0000hhC@daver.bungi.com>
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> we set up a monthly or weekly bio
> posting?  Someone like Albert, who
> has been with bungi forever

Have I been volunteered? <s>

Albert

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From owner-glass Wed Mar  4 06:10:57 1998
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X-Path: cornell.edu!bjs10
From: Linda Campbell <lcbell@memach.com> (by way of Barbara <bjs10@cornell.edu>)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Fluxamatic Mashed Potato
Date: Wed, 04 Mar 1998 08:43:55 -0500
Message-ID: <3.0.2.32.19980304084355.006b2754@postoffice.mail.cornell.edu>
Precedence: bulk

This sounds very much like the problem that I was having.
And still having with new flux, new solder and a new iron. My new flux is
Glasstar ! A gel type. 
	Is your iron hot enough?  I am going to check to see if the outlet I am
using is working right!


I tried to soulder a panel last night. My usual solder is very soupy but =
last night it seemed to peak kind of high (I liked that) and then it got =
to the consistency of mashed potatoes and it wanted to stick to the =
glass where ever I pulled off the line. What a mess. Same iron, 100 w =
Inland on a reostat (I had that baby cranked up to 800 and I usually go =
about 700) and same solder brand name (60-40). The only thing different =
was new flux - Flexamatic by Stewart Hall. It's a water soluable and =
says it has the same ingredients as the Glasstar that I'd been using. =
Comments please? I absolutely dread going back to the panel tonight and =
trying to fix it. I just hate it when things don't work and I have no =
idea how to make them work. Patience is not my long suit.

Linda Campbell

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From owner-glass Wed Mar  4 07:11:43 1998
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X-Path: PREMUSA.com!TSzarawara
From: Theresa Szarawara <TSzarawara@PREMUSA.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: subscribe
Date: Wed, 4 Mar 1998 09:37:26 -0500
Message-ID: <1998Mar4.43726.0>
Precedence: bulk

Can you please add me to your bungi list?

tszarawara@premusa.com

Thanks.
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From owner-glass Wed Mar  4 08:08:30 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: My works are now on-line
Date: Wed, 4 Mar 1998 09:44:46 -0500
Message-ID: <1998Mar4.44446.0>
Precedence: bulk

OK all fellow bungians who have asked to
view some of my works.  Here are four, thanks
to Albert Lewis, IGGA, and the kind folks at
StainedGlassBiz.

My web site can be found at
http://www.stainedglassbiz.com/lightshow/1433cw.htm

or you can go to http://www.stainedglassbiz.com/
and click on "Artists", then on "Light Show" and follow
the lightshow through until my work shows up.  The
first web list is the short cut directly to my pages.

Isn't technology great?
Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Wed Mar  4 08:35:59 1998
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X-Path: worldnet.att.net!summit-stained-glass
From: mike peck <summit-stained-glass@worldnet.att.net>
To: Wayne Munro <wmunro@mars.ark.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Pattern Enlargement Software
Date: Wed, 04 Mar 1998 09:02:08 -0600
Message-ID: <1998Mar4.328.0>
References: <<199803031958.LAA27279@ark.com>>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

Wayne,

Sounds like your talking about Glass Magic 3.0 from Micro Glass.  It
sells for about $40 (US).  It's really a pretty limited program, but
will certainly do what you're asking for.  I think they have a website
now, but not sure.  You can contact them at microglass@AOL.COM.

Mike Peck

Wayne Munro wrote:
> 
> Howdy gang...
> 
>   I am looking for a program that will work hand in hand with my scanner so
> I can scan in small (say 6 inch. X 10 inch.) and enlarge in the computor and
> have it print out a finished enlargement pattern (say 2 feet X 4 feet) and
> print it in sections on the 8.5 X 11 paper so I can then tape together for
> the finished project.
>  Is there such a 'beast' reasonably priced?
> 
> Wayne Munro 'Snail mail' address
> 2960 Suffield Road,
> Courtenay, B.C. Canada   V9N-3V5
> 
> Phone and Fax-- (250) 338-5507
>  "Call before sending a fax so setup is complete"
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Wed Mar  4 08:38:02 1998
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X-Path: webzone.net!bobg
From: "Bob Grimes" <bobg@webzone.net>
To: "Linda Campbell" <lcbell@memach.com>,
Content-Type: text/plain;
Subject: Re: Fluxamatic Mashed Potato
Date: Wed, 4 Mar 1998 22:50:09 -0800
Message-ID: <1998Mar4.14509.0>
Precedence: bulk

Linda:

The flux is very important when soldering.I do lots of foiling and also
I have been in electronics for over 30 years.(a big difference in soldering
in electronics compared to stain glass work)however use
the best flux you can find,next use the best solder you can find.For
foiling I find that 37-63 ,canfield works best for me.Rember you can
allways resolder,but if you giveup your a goner. best of luck.
bobg of bobglass
-----Original Message-----
From: Linda Campbell <lcbell@memach.com>
To: 'glass@bungi.com' <glass@bungi.com>
Date: Wednesday, March 04, 1998 5:01 AM
Subject: Fluxamatic Mashed Potato


>I tried to soulder a panel last night. My usual solder is very soupy but =
>last night it seemed to peak kind of high (I liked that) and then it got =
>to the consistency of mashed potatoes and it wanted to stick to the =
>glass where ever I pulled off the line. What a mess. Same iron, 100 w =
>Inland on a reostat (I had that baby cranked up to 800 and I usually go =
>about 700) and same solder brand name (60-40). The only thing different =
>was new flux - Flexamatic by Stewart Hall. It's a water soluable and =
>says it has the same ingredients as the Glasstar that I'd been using. =
>Comments please? I absolutely dread going back to the panel tonight and =
>trying to fix it. I just hate it when things don't work and I have no =
>idea how to make them work. Patience is not my long suit.
>
>Linda Campbell
>Hobby Crafter
>Suffolk, VA
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

----
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From owner-glass Wed Mar  4 08:41:03 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Fluxamatic Mashed Potato
Date: Wed, 04 Mar 1998 10:30:24 -0500
Message-ID: <1998Mar4.53024.0>
References: <<1998Mar4.22628.0>>
Precedence: bulk

Linda Campbell wrote:
> 
> I tried to soulder a panel last night. My usual solder is very soupy but =
> last night it seemed to peak kind of high (I liked that) and then it got =
> to the consistency of mashed potatoes and it wanted to stick to the =
> glass where ever I pulled off the line. What a mess. Same iron, 100 w =
> Inland on a reostat (I had that baby cranked up to 800 and I usually go =
> about 700) and same solder brand name (60-40). The only thing different =
> was new flux - Flexamatic by Stewart Hall. It's a water soluable and =
> says it has the same ingredients as the Glasstar that I'd been using. =
> Comments please? I absolutely dread going back to the panel tonight and =
> trying to fix it. I just hate it when things don't work and I have no =
> idea how to make them work. Patience is not my long suit.
> 
> Linda Campbell
> Hobby Crafter
> Suffolk, VA
> ----

here's the possibilities i see:

1. the flux just does'nt work well, try some other flux, before
concerning yourself with numbers 2 and 4.

2. the iron may be dieing, the heater element itself may not have much
life in it, anymore.

3. the reostat may be bad, you may be on 800 but it may be acting like
500. try directly plugging it into the wall, and see if that helps the
problem.

4. the line it's attached to, may have a large load on it. like a
dishwasher running, a pool pump, etc. or there may not be as much
electricity running through the outlet. like once we had a bunch of real
hot days, everyone was running the AC. the electric company lowered the
voltage some to prevent blowouts. you really could'nt tell by looking,
but you could hear the microwave running kind of badly. 

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Wed Mar  4 08:48:59 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: worldnet.att.net!summit-stained-glass
From: mike peck <summit-stained-glass@worldnet.att.net>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: A little humor for your day!
Date: Wed, 04 Mar 1998 10:04:57 -0600
Message-ID: <1998Mar4.4457.0>
References: <<199803031524.HAA28824@mailtod-121.bryant.webtv.net>>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

Received the below from ..... well, he asked not to be identified,
so......

Enjoy!

> ...
> 
> Thought all of you might appreciate a little clean listserv humor;
> a repost from another listserv..
> _________________________________________________________________
> 
> Q: How many list subscribers does it take to change a light bulb?
> A: 1,331:
> 
> 1 to change the light bulb and to post to the list that the light
> bulb has been changed.
> 
> 14 to share similar experiences of changing light bulbs and
> how the light bulb could have been changed differently.
> 
> 7 to caution about the dangers of changing light bulbs.
> 27 to point out spelling/grammar errors in posts about changing
> light bulbs.
> 
> 53 to flame the spell checkers
> 
> 156 to write to the list administrator complaining about the light
> bulb discussion and its inappropriateness to this mail list.
> 
> 41 to correct spelling in the spelling/grammar flames.
> 
> 109 to post that this list is not about light bulbs and to please
> take this email exchange to alt.lite.bulb
> 
> 203 to demand that cross posting to alt.grammar, alt.spelling and
> alt.punctuation about changing light bulbs be stopped.
> 
> 111 to defend the posting to this list saying that we all use
> light bulbs and therefore the posts **are** relevant to this mail list.
> 
> 306 to debate which method of changing light bulbs is superior,
> where to buy the best light bulbs, what brand of light bulbs work best
> for this technique, and what brands are faulty.
> 
> 27 to post URLs where one can see examples of different light
> bulbs
> 
> 14 to post that the URLs were posted incorrectly, and to post
> corrected URLs.
> 
> 3 to post about links they found from the URLs that
> are relevant to this list which makes light bulbs relevant to this
> list.
> 
> 33 to summarize all posts to date, then quote them including
> all headers and footers, and then add "Me Too."
> 
> 12 to post to the list that they are unsubscribing because they
> cannot handle the light bulb controversy.
> 
> 19 to quote the "Me Too's" to say, "Me Three."
> 
> 4 to suggest that posters request the light bulb FAQ.
> 
> 1 to propose new alt.change.lite.bulb newsgroup.
> 
> 47 to say this is just what alt.physic.cold_fusion was meant for,
> leave it here.
> 
> 143 votes for alt.lite.bulb.
>
----
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From owner-glass Wed Mar  4 09:14:48 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@BUNGI.COM>
Content-Type: text/plain; charset="us-ascii"
Subject: Reply All - Different Every Time
Date: Wed, 4 Mar 1998 10:05:54 -0500
Message-ID: <1998Mar4.5554.0>
Precedence: bulk

When I want to reply to a post and hit Reply all, I used to get the =
sender and bungi in the "to" box. Now it's different every time. =
Sometimes it doesn't even put bungi up there. Sometimes the post is from =
someone else but it lists me as the sender and omits the "RE:" even tho =
it is a reply form someone. Why is this?

In reply to my Mashed potato flux problem, I have gotten replys from the =
following:

=09
1 ---NCScouter[SMTP:ncscoutr@aol.com] (reply all goes to "NCSScouter and =
myself)


2 ---A reply from someone unknown but it says its from me - Missing the =
"RE:" (reply all goes to bungi and myself)

3 ---Bob Grimes[SMTP:bobg@webzone.net] (reply all goes to Bob Grimes, =
bungi and myself)


Dave and Glenna, what has changed? Is it me? I wasn't having this =
problem before. Reply all used to list the sender and bungi----period.

Help!

Linda Campbell
suffolk, va
----
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From owner-glass Wed Mar  4 09:24:45 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "'GLASS@BUNGI.COM'" <GLASS@BUNGI.COM>
Content-Type: text/plain; charset="us-ascii"
Subject: FW: Reply All - Different Every Time
Date: Wed, 4 Mar 1998 10:09:13 -0500
Message-ID: <1998Mar4.5913.0>
Precedence: bulk



P.S. 
	
1 ---NCScouter[SMTP:ncscoutr@aol.com] (reply all goes to "NCSScouter and myself)
THIS ONE WAS SENT DIRECTLY TO ME.


2 ---A reply from someone unknown but it says its from me - Missing the "RE:" (reply all goes to bungi and myself)
THIS ONE WAS SENT TO BUNGI


3 ---Bob Grimes[SMTP:bobg@webzone.net] (reply all goes to Bob Grimes, bungi and myself)tHIS ONE WAS SENT DIRECTLY TO ME.


MOST CURIOUS.  MMMMMM?


Dave and Glenna, what has changed? Is it me? I wasn't having this problem before. Reply all used to list the sender and bungi----period.

Help!

Linda Campbell
suffolk, va

----
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From owner-glass Wed Mar  4 09:48:16 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: quick set cement
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 2 Mar 1998 11:24:08 +0000
Message-ID: <m0yAGqu-0000Z3C@daver.bungi.com>
Precedence: bulk

You'd probably only find out about it if you wore high heels, one 
heel were broken off when it became stuck in a crack in a sidewalk, 
for example, you twisted your ankle, broke your leg, lost 3 months of 
work, and sued the City.  They only have it on the books to protect 
themselves from the fact that they don't/can't take care of the 
City's infrastructure quickly enough to avoid problems like that. 

Similarly, they will only pay for damage caused to your car hitting a 
pothole if you've registered a written complaint on an official form 
about that particular pothole *before you hit it.


> Albert I lived in NY for many years, not in the city though, but I don't
> remember that law is it new?  I do know that Jay walking IS enforced, even in
> very smalll towns.
> deb
> 
> > This is probably why it's illegal to wear high heels in New York 
> >  City. Of course, women still wear them, but if they snag a heel and 
> >  twist an ankle (or worse), they can't sue the City, 'cause they were 
> >  in violation.
> 
> 
----
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From owner-glass Wed Mar  4 09:57:01 1998
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X-Path: bcinternet.net!cpesonen
From: Linda Campbell <lcbell@memach.com> (by way of Barbara <bjs10@cornell.edu>) (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Fluxamatic Mashed Potato
Date: Wed, 4 Mar 1998 08:25:11 -0800 (PST)
Message-ID: <199803041625.IAA29327@freya.vphos.net>
Precedence: bulk


I would have to wonder about the heat of the iron also. But before you try
to check out the outlet, it could be a bad tip and maybe the rheostat isn't
working ie; temperature thermostat is bad. Electrical outlets either work or
they don't work. (they don't run at half mast). Try changing the tip first.





This sounds very much like the problem that I was having.
And still having with new flux, new solder and a new iron. My new flux is
Glasstar ! A gel type. 
	Is your iron hot enough?  I am going to check to see if the outlet I am
using is working right!


I tried to soulder a panel last night. My usual solder is very soupy but =
last night it seemed to peak kind of high (I liked that) and then it got =
to the consistency of mashed potatoes and it wanted to stick to the =
glass where ever I pulled off the line. What a mess. Same iron, 100 w =
Inland on a reostat (I had that baby cranked up to 800 and I usually go =
about 700) and same solder brand name (60-40). The only thing different =
was new flux - Flexamatic by Stewart Hall. It's a water soluable and =
says it has the same ingredients as the Glasstar that I'd been using. =
Comments please? I absolutely dread going back to the panel tonight and =
trying to fix it. I just hate it when things don't work and I have no =
idea how to make them work. Patience is not my long suit.

Linda Campbell

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass


----
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From owner-glass Wed Mar  4 10:16:42 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: Int'l, Guild, of, Glass, Artists
Subject: IGGA News Memo
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 3 Mar 1998 10:40:05 +0000
Message-ID: <m0yAHIR-00004LC@daver.bungi.com>
Precedence: bulk

From:                 Self <Single-user mode>
To:               @EVERYONE.PML
Subject:          IGGA News Memo
Send reply to:    alewis@vgernet.net
Date sent:        Fri, 27 Feb 1998 13:45:02

Time to visit the online Architectural Art Glass Light Show again ... 
we just added 45 more works in glass from around the world  this 
morning.

Go to http://www.stainedglassbiz.com/ and click on "Artists" in the
upper lefthand corner. You'll see "Light Show" pop up ... click on
that and follow the directions. ("Click here to start" ... simple!)

Enjoy!

----
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From owner-glass Wed Mar  4 10:27:22 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Pattern Enlargement Software
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 3 Mar 1998 16:31:18 +0000
Message-ID: <m0yAHLc-0000p0C@daver.bungi.com>
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>   I am looking for a program that will work hand in hand with my scanner so
> I can scan in small (say 6 inch. X 10 inch.) and enlarge in the computor and
> have it print out a finished enlargement pattern (say 2 feet X 4 feet) and
> print it in sections on the 8.5 X 11 paper so I can then tape together for
> the finished project. 
>  Is there such a 'beast' reasonably priced?

An earlier version of CorelDraw (version 6, for example) will do 
this. Actually, I'd use CD6 and another program -- PaintShop Pro.

I'd use PSP to acquire the scan, then resize it with PSP, import the 
re-sized scan into CD6 and print as tiles.  Oddly enough, although 
it's not something I do often, I had a call to do this early this 
morning, so I know that'll work.

PSP is shareware and you can find it at http://www.download.com/ I'd 
think. CD6 is available from many discount mail order software 
outfits, although if you poke around, you might find it online. It 
should cost less than $100. Maybe a *lot less.



Albert

----
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From owner-glass Wed Mar  4 11:50:01 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Pattern Enlargement Software
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 3 Mar 1998 16:31:18 +0000
Message-ID: <m0yAHLc-0000p0C@daver.bungi.com>
Precedence: bulk


>   I am looking for a program that will work hand in hand with my scanner so
> I can scan in small (say 6 inch. X 10 inch.) and enlarge in the computor and
> have it print out a finished enlargement pattern (say 2 feet X 4 feet) and
> print it in sections on the 8.5 X 11 paper so I can then tape together for
> the finished project. 
>  Is there such a 'beast' reasonably priced?

An earlier version of CorelDraw (version 6, for example) will do 
this. Actually, I'd use CD6 and another program -- PaintShop Pro.

I'd use PSP to acquire the scan, then resize it with PSP, import the 
re-sized scan into CD6 and print as tiles.  Oddly enough, although 
it's not something I do often, I had a call to do this early this 
morning, so I know that'll work.

PSP is shareware and you can find it at http://www.download.com/ I'd 
think. CD6 is available from many discount mail order software 
outfits, although if you poke around, you might find it online. It 
should cost less than $100. Maybe a *lot less.



Albert

----
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From owner-glass Wed Mar  4 12:05:29 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "mike peck" <summit-stained-glass@worldnet.att.net>,
Content-Type: text/plain;
Subject: Re: A little humor for your day!
Date: Wed, 4 Mar 1998 09:29:23 -0800
Message-ID: <1998Mar4.12923.0>
Precedence: bulk

You missed one, What if the bulb does not want to change.

PS, we did this one before!

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From owner-glass Wed Mar  4 12:20:15 1998
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From: Northernlights <borealis@goldengate.net>
To: mike peck <summit-stained-glass@worldnet.att.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: A little humor for your day!
Date: Wed, 04 Mar 1998 11:36:17 -0600
Message-ID: <1998Mar4.53617.0>
References: <<1998Mar4.4457.0>>
Precedence: bulk

So true!!!!

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From owner-glass Wed Mar  4 12:22:53 1998
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From: val clover <vlclover@rconnect.com>
To: mike peck <summit-stained-glass@worldnet.att.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: A little humor for your day!
Date: Wed, 04 Mar 1998 11:31:44 -0800
Message-ID: <1998Mar4.33144.0>
References: <<1998Mar4.4457.0>>
Precedence: bulk

> >
> > 33 to summarize all posts to date, then quote them including
> > all headers and footers, and then add "Me Too."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Me too!
----
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From owner-glass Wed Mar  4 12:43:44 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "'Cindy Pesonen'" <cpesonen@bcinternet.net>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: FW: Reply All - Different Every Time
Date: Wed, 4 Mar 1998 13:05:40 -0500
Message-ID: <1998Mar4.8540.0>
Precedence: bulk

cindy, your's is the one that came as if I had sent it to myself. I do =
not think the problem is at your end. Your address was not on the =
message at all. It was as if it had come from me but it would not have =
gotten to me if you had not address it to bungi, which you had.

I think the problem is with bungi as alot of my messages form bungi list =
me as the sender when in fact, I am not. This si something that needs to =
be cleared up.

Don't dispair. As the retired Navy guys say around here..."It's PFM" =
(Pure <fill in the blank> Magic. Beyond me.

Linda Campbell

----------
From: 	Cindy Pesonen[SMTP:cpesonen@bcinternet.net]
Sent: 	Wednesday, March 04, 1998 4:54 AM
To: 	Linda Campbell
Subject: 	Re: FW: Reply All - Different Every Time

>Hi Linda, one of those messages was from me. I guess I don't know how =
to
send a reply...can you help? I redirected the address glass@bungi.com
What happened??
>
>P.S.=20
>=09
>1 ---NCScouter[SMTP:ncscoutr@aol.com] (reply all goes to "NCSScouter =
and
myself)
>THIS ONE WAS SENT DIRECTLY TO ME.
>
>
>2 ---A reply from someone unknown but it says its from me - Missing the
"RE:" (reply all goes to bungi and myself)
>THIS ONE WAS SENT TO BUNGI
>
>
>3 ---Bob Grimes[SMTP:bobg@webzone.net] (reply all goes to Bob Grimes, =
bungi
and myself)tHIS ONE WAS SENT DIRECTLY TO ME.
>
>
>MOST CURIOUS.  MMMMMM?
>
>
>Dave and Glenna, what has changed? Is it me? I wasn't having this =
problem
before. Reply all used to list the sender and bungi----period.
>
>Help!
>
>Linda Campbell
>suffolk, va
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>



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From owner-glass Wed Mar  4 12:48:42 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Fluxamatic Mashed Potato
Date: Wed, 4 Mar 1998 14:20:15 -0500
Message-ID: <1998Mar4.92015.0>
Precedence: bulk

Hi Linda-

Are you using zinc came on the
panel or have you recently soldered
something with zinc?  Remember
the recent post about zinc raising
the eutectic (melting) point of the
solder - consequently, your iron =

might not be hot enough right now.
Just heat your iron, clean with a wire
brush, and wet sponge.  That would
get rid of the zinc residue.  Assuming
of course that you've used zinc.  If
not, go with the flux theory!

Best regards,

Dani Greer (who know all about glass gremlins!)
Greer Gallery & Studios
----
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From owner-glass Wed Mar  4 12:54:00 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: stl-online.net!spgtlg
From: spg/tlg <spgtlg@stl-online.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Chat Board
Date: Wed, 04 Mar 1998 14:43:29 -0500
Message-ID: <1998Mar4.94329.0>
Precedence: bulk

I am interested in locating and participating in your chat room.  I
design and sell stained glass stepping stones and other garden "art".
Terri
----
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From owner-glass Wed Mar  4 13:23:31 1998
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X-Path: bcinternet.net!cpesonen
From: Linda Campbell <lcbell@memach.com> (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: RE: FW: Reply All - Different Every Time
Date: Wed, 4 Mar 1998 13:07:28 -0800 (PST)
Message-ID: <199803042107.NAA13812@freya.vphos.net>
Precedence: bulk


Hi Linda,
Thanks.
Cindy 



cindy, your's is the one that came as if I had sent it to myself. I do not
think the problem is at your end. Your address was not on the message at
all. It was as if it had come from me but it would not have gotten to me if
you had not address it to bungi, which you had.

I think the problem is with bungi as alot of my messages form bungi list me
as the sender when in fact, I am not. This si something that needs to be
cleared up.

Don't dispair. As the retired Navy guys say around here..."It's PFM" (Pure
<fill in the blank> Magic. Beyond me.

Linda Campbell



> 
>	
>1 ---NCScouter[SMTP:ncscoutr@aol.com] (reply all goes to "NCSScouter and
myself)
>THIS ONE WAS SENT DIRECTLY TO ME.
>
>
>2 ---A reply from someone unknown but it says its from me - Missing the
"RE:" (reply all goes to bungi and myself)
>THIS ONE WAS SENT TO BUNGI
>
>
>3 ---Bob Grimes[SMTP:bobg@webzone.net] (reply all goes to Bob Grimes, bungi
and myself)tHIS ONE WAS SENT DIRECTLY TO ME.
>
>
>MOST CURIOUS.  MMMMMM?
>
>
>Dave and Glenna, what has changed? Is it me? I wasn't having this problem
before. Reply all used to list the sender and bungi----period.
>
>Help!
>
>Linda Campbell
>suffolk, va
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>





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From owner-glass Wed Mar  4 15:53:28 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, Mosfunland@aol.com
Subject: Re: numbering
Date: Wed,  4 Mar 1998 18:04:40, -0500
Message-ID: <199803042304.SAA05174@mime4.prodigy.com>
Precedence: bulk

>Bob, how do I go about getting a photoresist, can they do it from an 
inked set
>of prints?  and is the original destroyed?

The tiny foot prints I have seen were on a birth cert. A Xerox copy 
would be fine to make a photo resist from. Origional art work is only 
photographed and is normally returned unchanged. You can check in the 
list of suppliers at SG Biz for companies to make the resist. I think 
Raysist offers a home kit so you can to make your own resists. This 
would beat the minimum charges for each order and save time also. The 
idea of putting the prints on a beer mug for an OLDER child sounds 
great.

Any small blaster should do the job. Acid cream etch would work 
although I like the effect of sandblast better. High pressure syphon 
blasters may be to much for some photo resists to stand up to. Bob 

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
----
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From owner-glass Wed Mar  4 17:52:28 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 5 Mar 1998 02:32:06 +0000
Message-ID: <199803050137.BAA11069@saturn.nildram.co.uk>
Precedence: bulk



> we set up a monthly or weekly bio
> posting?  Someone like Albert, who
> has been with bungi forever

Have I been volunteered? <s>

Albert

You were, Albert!
But then Patrick Kelly went and volnuteered himself.
So we jumped on him (poor soul!)
Now should it be A- as in Albert, or L - as in Lewis....??? Hhmmmm...
Get y'er skates on ;->

By the way Mr. Kelly, a couple of lurkers (and oldies)
Armstrong, Mary, who pointed out to me my misinterpretation of "geek"
                           (Thanks honey!!)
and
Boe, Lee who has just crawled back (perhaps on all fours) after a 
show.
Go get 'em!
Oh yes, then there is Albright, Suzanne (... gottcha...!)  ;-D
Elisabeth 'n Toby Zwinehund in UK
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Wed Mar  4 18:23:18 1998
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	for rglass-42; Wed, 4 Mar 1998 18:08:03 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: bcinternet.net!cpesonen
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU) (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: numbering
Date: Wed, 4 Mar 1998 18:07:40 -0800 (PST)
Message-ID: <199803050207.SAA14478@freya.vphos.net>
Precedence: bulk

Hi all,
Don't mean to jump in, but I tried it yesterday!! I made a photoresist of my
24 year old's feet and no the orginal is not touched. A laser copy black on
white with light 18 bond paper was what I did, then I developed it on
emulsion film, like Raysist, with a UV light for 3.5 minutes. It then gets
washed out, which I do by sponge and quick dried with a hair dryer. Aired
dried for 1 hour and it's ready to apply. Which is put on by adhesive. A
light blast is all that's needed...I use a pressure pot system not syphon,
but I've see it done with a syphon system. Then again light pressure.
I feel in love with the idea, thanks all!!
Cindy


Bob, how do I go about getting a photoresist, can they do it from an 
inked set
>of prints?  and is the original destroyed?



The tiny foot prints I have seen were on a birth cert. A Xerox copy 
would be fine to make a photo resist from. Origional art work is only 
photographed and is normally returned unchanged. You can check in the 
list of suppliers at SG Biz for companies to make the resist. I think 
Raysist offers a home kit so you can to make your own resists. This 
would beat the minimum charges for each order and save time also. The 
idea of putting the prints on a beer mug for an OLDER child sounds 
great.

Any small blaster should do the job. Acid cream etch would work 
although I like the effect of sandblast better. High pressure syphon 
blasters may be to much for some photo resists to stand up to. Bob 

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass


----
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From owner-glass Wed Mar  4 19:22:26 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: ComCAT.COM!suzy
From: suzanne albright <suzy@ComCAT.COM>
To: "Toby" <toby@northlights.co.uk>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Bungi Bios
Date: Wed, 4 Mar 98 21:59:15 -0500
Message-ID: <199803050257.VAA25603@uz.ComCAT.COM>
Precedence: bulk

Elisabeth sweetly wrote:
>Oh yes, then there is Albright, Suzanne (... gottcha...!)  ;-D
>Elisabeth 'n Toby Zwinehund in UK

Suzanne wants to know:
Elisabeth, just what *is* your last name, anyway?
And don't try to tell us it's Zwinehund!




Suzanne Albright
suzy@comcat.com


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From owner-glass Wed Mar  4 19:54:22 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Photoresist foot print
Date: Wed, 04 Mar 1998 19:19:59 -0800
Message-ID: <1998Mar4.111959.0>
References: <<199803050207.SAA14478@freya.vphos.net>>
Organization: Maiden Concepts
Precedence: bulk

What did you put it on?
A beer mug?  Does a 24 year old's footprint fit on a beer mug?<G>


BOB DUCHESNEAU by way of cpesonen@bcinternet.net (Cindy Pesonen) wrote:
> 
> Hi all,
> Don't mean to jump in, but I tried it yesterday!! I made a photoresist of my
> 24 year old's feet and no the orginal is not touched. A laser copy black on
> white with light 18 bond paper was what I did, then I developed it on
> emulsion film, like Raysist, with a UV light for 3.5 minutes. It then gets
> washed out, which I do by sponge and quick dried with a hair dryer. Aired
> dried for 1 hour and it's ready to apply. Which is put on by adhesive. A
> light blast is all that's needed...I use a pressure pot system not syphon,
> but I've see it done with a syphon system. Then again light pressure.
> I feel in love with the idea, thanks all!!
> Cindy
> 
> Bob, how do I go about getting a photoresist, can they do it from an
> inked set
> >of prints?  and is the original destroyed?
> 
> The tiny foot prints I have seen were on a birth cert. A Xerox copy
> would be fine to make a photo resist from. Origional art work is only
> photographed and is normally returned unchanged. You can check in the
> list of suppliers at SG Biz for companies to make the resist. I think
> Raysist offers a home kit so you can to make your own resists. This
> would beat the minimum charges for each order and save time also. The
> idea of putting the prints on a beer mug for an OLDER child sounds
> great.
> 
> Any small blaster should do the job. Acid cream etch would work
> although I like the effect of sandblast better. High pressure syphon
> blasters may be to much for some photo resists to stand up to. Bob
> 
> ____
> Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg
> that *possom is unfriendly to chickens* destroy your code machines.)
> 26746 Mountain Meadow Road, Escondido, CA, 92026,USA
> Voice (760) 749-3966    FAX (760) 749-6427
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

-- 
x>"3
----
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From owner-glass Wed Mar  4 20:23:34 1998
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	for rglass-42; Wed, 4 Mar 1998 19:51:28 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: juno.com!dianebsmith
From: dianebsmith@juno.com (Diane B. Smith)
To: glass@bungi.com
Subject: bronze lampbases
Date: Wed, 4 Mar 1998 22:49:05 -0500
Message-ID: <1998Mar4.17495.0>
Precedence: bulk

	This is my first communication with this group.  I want to
purchase bronze lampbases,  perhaps lost wax ones, for 2 Tiffany style
shades I have received as gifts.  I want a floor base for a 28" Magnolia
and a table base for a 22" floral.  The bases at the local stained glass
shops are as expensive as the shades (which I hope to make some day, when
the children are older).  If anyone knows where I can obtain good quality
bronze bases at reasonable prices, I'd appreciate hearing from you.  I
live in upstate N.Y., if shipping is an issue.  Thank you.
			Diane B. Smith
			dianebsmith@juno.com

_____________________________________________________________________
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Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Wed Mar  4 20:52:23 1998
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	via smail with stdio
	id <m0yAS5g-000017a@daver.bungi.com>
	for rglass-42; Wed, 4 Mar 1998 20:17:04 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: bcinternet.net!cpesonen
From: Shirley Balloch <balloch@netbridge.net> (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="iso-8859-1"
Subject: Photoresist foot print
Date: Wed, 4 Mar 1998 20:16:10 -0800 (PST)
Message-ID: <199803050416.UAA21337@freya.vphos.net>
Precedence: bulk

What did you put it on?
A beer mug?  Does a 24 year old's footprint fit on a beer mug?<G>


Yep, it was a beer mug, guess I forgot to mention that I scanned the item
for size..It was his baby foot prints from the hospital, don't think he'd
let me do it now! I bordered it and added some text; date born, size lb. and
height and name.=20
Cindy

BOB DUCHESNEAU by way of cpesonen@bcinternet.net (Cindy Pesonen) wrote:
>=20
> Hi all,
> Don't mean to jump in, but I tried it yesterday!! I made a photoresist of=
 my
> 24 year old's feet and no the orginal is not touched. A laser copy black=
 on
> white with light 18 bond paper was what I did, then I developed it on
> emulsion film, like Raysist, with a UV light for 3.5 minutes. It then gets
> washed out, which I do by sponge and quick dried with a hair dryer. Aired
> dried for 1 hour and it's ready to apply. Which is put on by adhesive. A
> light blast is all that's needed...I use a pressure pot system not syphon,
> but I've see it done with a syphon system. Then again light pressure.
> I feel in love with the idea, thanks all!!
> Cindy
>=20
> Bob, how do I go about getting a photoresist, can they do it from an
> inked set
> >of prints?  and is the original destroyed?
>=20
> The tiny foot prints I have seen were on a birth cert. A Xerox copy
> would be fine to make a photo resist from. Origional art work is only
> photographed and is normally returned unchanged. You can check in the
> list of suppliers at SG Biz for companies to make the resist. I think
> Raysist offers a home kit so you can to make your own resists. This
> would beat the minimum charges for each order and save time also. The
> idea of putting the prints on a beer mug for an OLDER child sounds
> great.
>=20
> Any small blaster should do the job. Acid cream etch would work
> although I like the effect of sandblast better. High pressure syphon
> blasters may be to much for some photo resists to stand up to. Bob
>=20
> ____
> Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg
> that *possom is unfriendly to chickens* destroy your code machines.)
> 26746 Mountain Meadow Road, Escondido, CA, 92026,USA
> Voice (760) 749-3966    FAX (760) 749-6427
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>=20
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--=20
x=9F>"3=16=01=06=90=08
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----
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From owner-glass Wed Mar  4 21:20:43 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: lcbell@memach.com
Subject: Re: Fluxamatic Mashed Potato
Date: Wed, 4 Mar 1998 22:28:00 -0500
Message-ID: <1998Mar4.17280.0>
References: <<3.0.2.32.19980304084355.006b2754@postoffice.mail.cornell.edu>>
Precedence: bulk

Hi Guys,

Once I got a hold of a bad bunch of solder.  The company rep said that
they had hired a lot of new people and they had screwed up the mix!

Gary Dodge


>This sounds very much like the problem that I was having.
>And still having with new flux, new solder and a new iron. My new flux 
>is
>Glasstar ! A gel type. 
>	Is your iron hot enough?  I am going to check to see if the 
>outlet I am
>using is working right!
>
>
>I tried to soulder a panel last night. My usual solder is very soupy 
>but =
>last night it seemed to peak kind of high (I liked that) and then it 
>got =
>to the consistency of mashed potatoes and it wanted to stick to the =
>glass where ever I pulled off the line. What a mess. Same iron, 100 w 
>=
>Inland on a reostat (I had that baby cranked up to 800 and I usually 
>go =
>about 700) and same solder brand name (60-40). The only thing 
>different =
>was new flux - Flexamatic by Stewart Hall. It's a water soluable and =
>says it has the same ingredients as the Glasstar that I'd been using. 
>=
>Comments please? I absolutely dread going back to the panel tonight 
>and =
>trying to fix it. I just hate it when things don't work and I have no 
>=
>idea how to make them work. Patience is not my long suit.
>
>Linda Campbell
>

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Wed Mar  4 21:27:42 1998
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From: Jeremy Hopkins <jhopkins@toltbbs.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: repeat question(pattern shears)
Date: Wed, 04 Mar 1998 23:21:40 +0000
Message-ID: <1998Mar4.232140.0>
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I know this subject was addressed a couple of weeks abo, but i had a
harddrive go on vacation and i lost my messages.
   Are there any pattern shears for copper foil that work, Im new to the
hobby and i think the shears that i have now might drive me to drinking
;-) . they cut fine on the right side but rip the pattern paper on the
left side, right now i am using a pare of regular scisors to clean up
the lines after using the pattern shears(which is causing my pieces to
shrink too much). any suggestions?

Jeremy Hopkins
KC8GWH
toledo ohio

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From owner-glass Wed Mar  4 21:45:59 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re:My works are now on-line
Date: Wed, 4 Mar 1998 22:45:02 -0500
Message-ID: <199803050345.WAA00238@violeta.uwaterloo.ca>
References: <<1998Mar4.44446.0>>
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Christie Wood & George D'Ascenzo twistes the bytes to say:

 Christie> OK all fellow bungians who have asked to
 Christie> view some of my works.  Here are four, thanks
 Christie> to Albert Lewis, IGGA, and the kind folks at
 Christie> StainedGlassBiz.

 Christie> My web site can be found at
 Christie> http://www.stainedglassbiz.com/lightshow/1433cw.htm

It is nothing against you or your work. 

It is aginst the design of that web site.

It takes 30 seconds to jump from one page to another...

I am in a fast connection --at the University. NOnetheless, every page
was taking longer than 30 seconds to download. Most of pages passed by
without giving me time to even see the works. 

Even worse, there is no way to see a listing to try to find yours.


 Christie> Isn't technology great?

Sometimes I feel like a Luddite... 

 Christie> Christie A. Wood
 Christie> Art Glass Ensembles, North Wales, PA
 Christie> ----
 Christie> For subscription changes, please mail to: glass-request@bungi.com
 Christie> To send to the list,      please mail to: glass@bungi.com
 Christie> Archives available at http://www.bungi.com/glass


--
Daniel M. German                  "One thing I have learned in a long life:
                                   that all our science, measured against
                                   reality, is primivite and childlike
                                   --and yet it is the most precious thing
   Albert Einstein ->              we have. "
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Wed Mar  4 21:54:41 1998
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From: SusieHUs <SusieHUs@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bungi Bios
Date: Wed, 4 Mar 1998 23:49:11 EST
Message-ID: <1998Mar5.44911.0>
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I guess I'm going to be in the same spot either way - Susan Stern!
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From owner-glass Wed Mar  4 21:59:35 1998
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From: val clover <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bungi Bios
Date: Wed, 04 Mar 1998 22:26:56 -0800
Message-ID: <1998Mar4.142656.0>
References: <<199803050257.VAA25603@uz.ComCAT.COM>>
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> Elisabeth, just what *is* your last name, anyway?
> And don't try to tell us it's Zwinehund!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Seems we have a bit of a dilemma here.  How do we prove
or disprove Elisabeths last name? Hmmmmm.

Laurean ( I have a bit of a reprieve ) Clover

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From owner-glass Wed Mar  4 22:08:13 1998
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From: val clover <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: cutting glass, Suzanne and Mary
Date: Wed, 04 Mar 1998 19:30:24 -0800
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First question, I am wondering how you all cut glass,
do you cut all the glass, then lead, or cut and lead
a piece at a time?

Second question, Suzanne, could you email me?  I killed
my computer yesterday, and lost all my email addresses.

Mary, I remembered yours!

Laurean


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From owner-glass Wed Mar  4 23:24:31 1998
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From: NCScouter <ncscoutr@aol.com>
To: mike peck <summit-stained-glass@worldnet.att.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: A little humor for your day!
Date: Thu, 05 Mar 1998 01:44:12 -0800
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References: <<1998Mar4.4457.0>>
Organization: Shoreline Glassworks, Ltd.
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mike peck wrote:
> 
> Received the below from ..... well, he asked not to be identified,
> so......
> Enjoy!
> > Q: How many list subscribers does it take to change a light bulb?
> > A: 1,331:
<chuckling>God BLESS you Mike P.!!!!
<ROFLMTOHMSWTSDMF>!!!!!!!!!
<LSHIH>
V T Phelps
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From owner-glass Wed Mar  4 23:51:49 1998
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From: NCScouter <ncscoutr@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bungi Bios
Date: Thu, 05 Mar 1998 02:10:06 -0800
Message-ID: <1998Mar4.18106.0>
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Organization: Shoreline Glassworks, Ltd.
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The UK bungians will soon have it on a listing of all the UK bungian
names & addresses which Elisabeth herself promised to send to them.
Between them, myself, and the EVER honorable Toby Tobias/Zwinehund we
can reasonably hold her to honesty regarding her alphabetical position
for Biography posting.
Sworn to Silent Loyalty,
V T Phelps
Shoreline Glassworks, Ltd.
----
> 
> > Elisabeth, just what *is* your last name, anyway?
> > And don't try to tell us it's Zwinehund!
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> Seems we have a bit of a dilemma here.  How do we prove
> or disprove Elisabeths last name? Hmmmmm.
> 
> Laurean ( I have a bit of a reprieve ) Clover
>
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From owner-glass Wed Mar  4 23:54:09 1998
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From: NCScouter <ncscoutr@aol.com>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Reply All - Different Every Time
Date: Thu, 05 Mar 1998 01:51:52 -0800
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Organization: Shoreline Glassworks, Ltd.
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Linda Campbell wrote:
> 
> 
> In reply to my Mashed potato flux problem, I have gotten replys from the =
> following:
> 
> 1 ---NCScouter[SMTP:ncscoutr@aol.com] (reply all goes to "NCSScouter and
> myself)
> 
> Why is this?

Dear Linda,
This was because *silly me forgot to post to Reply All" or post to
glass@bungi.com, and I ended up accidentally sending it just to you. I
have done THIS posting correctly.
Sorry for the mix-up-
V T Phelps (who suspects that Mike Peck is reading this and giggling
something to himself under his breath about posting to
listserve.posting.news.comdotlaughdotlaughdotlaughdotdotdot!)
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From owner-glass Thu Mar  5 02:22:51 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Photographing SG, FAQ, first installment
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 5 Mar 1998 10:44:14 +0000
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Hi all,
A couple of days ago, Daniel German posted a most excellent excerpt 
on how to photograph sg from his own web-page.
I got quite intrigued
Photographing sg has always been a "bug-bear" of mine, even though I 
am quite a keen amateur photographer.
When Gabriel also mentioned that his mother-tongue was not English - 
that really pressed MY sympathy-button :-) (I know how he feels....)
I found his e-mail most helpful and detailed - and - also very 
generous.
So I sat down one morning and went to visit his web-page. I found the 
mixture both intriguing, enchanting and fun.
(And  WHEN can I see some Mexican recipes Daniel??)
Eventually I arrived at the page of some of Daniel's own photographs, 
both in colour & black & white.
Eventually (about an hour and a bit) the down load was completed (at 
least of the thumbnails - why so long Daniel??).
Boy, are they some photographs!!!!
They are exciting and sesnitive both in colours and composition!
Not only that, but in his obvious generous style, Daniel has added 
details for each one: rough location, type of film used, speed and 
aperture.
The big blue stained glass in the Art Museum in Chicago, can surely 
ONLY be Chagall ???? (It didn't say... :-(      )
I would have liked to look at ALL of them on the bigger scale, but by 
now my telephone bill was signalling "orange", because the down-load 
of each enlargement took about 15-20 minutes. (and I have got a 
reasonably fast modem -  28.8).
Beautiful photographs, Daniel! Quite spectacular!
I would like to ask you why you have used Fuji film in preference to 
any other film? I use Kodak for prints and Agfa for slides (it's the 
one I learnt with and know, which doesn't necessarily mean that it is 
the best for s.g. purposes. It's more a question of "the devil you 
know"...) Thank you for sharing and welcome to Bungi!!!! (Oh yes! 
There is even a photo of Daniel himeslf on the Main Page!!! Ahhhh! If 
I was only 20 years younger.....  ;-> .. sigh...   ) 
Go have a look folks!
Elisabeth 'n Toby in UK

Daniel German wrote:
Hi SGers,

I was overwhelmed by the amount of responses I have gotten to my
previous requests. This is my way to pay back. In the spirit of the
Internet, I am making this a FAQ. This is the first part. I'm very
open to suggestions and topics you want covered. I don't make any
guarantee on how long it will take me but I'll be finished one day. I
am planning to add photos in the future.

Please be gentle, remember that English is not my first language :)

dmg

P.S. I'll be available on the Web at:

http://csgwww.uwaterloo.ca/~dmg/photo/glass/


----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Thu Mar  5 04:51:23 1998
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From: Yegnim <Yegnim@aol.com>
To: Ensembles@compuserve.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: My works are now on-line
Date: Thu, 5 Mar 1998 07:29:07 EST
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Christie,
Congrats on your web pages!  Photos are soooo good!  Great work shown!
Lenore of Flourtown
(formerly known as Eleanor
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From owner-glass Thu Mar  5 05:10:17 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Fluxamatic Mashed Potato (Thanks)
Date: Thu, 5 Mar 1998 07:36:39 -0500
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Thanks to every one who replied about the soulder. Lots of good points =
to consider. I found the problem. Stupid me didn't check the iron tip. =
The retainer ring wasn't screwed tightly. All is fixed.

About the reply all. Still don't know why others posts are coming in =
whit my name as the sender. But, duplicate reply are because of reply =
all. This sends on to the sender and one to bungi.

Linda Campbell
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From owner-glass Thu Mar  5 05:22:18 1998
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Subject: Re: A little humor for your day!
Date: Thu, 5 Mar 1998 07:13:51 EST
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Valerie,
What does <ROFLMT......> and <LSHIH> mean?  These are really NEW ones to me.
Thanks for info!      Lenore
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From owner-glass Thu Mar  5 06:23:56 1998
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X-Path: csgPPPproxy1.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: "Toby" <toby@northlights.co.uk>
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: Photographing SG, FAQ, first installment
Date: Thu, 5 Mar 1998 08:32:23 -0500
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Precedence: bulk


E&T  twistes the bytes to say:

 E&T> Hi all,
 E&T> A couple of days ago, Daniel German posted a most excellent excerpt 
 E&T> on how to photograph sg from his own web-page.
 E&T> I got quite intrigued
 E&T> Photographing sg has always been a "bug-bear" of mine, even though I 
 E&T> am quite a keen amateur photographer.
 E&T> When Gabriel also mentioned that his mother-tongue was not English - 
 E&T> that really pressed MY sympathy-button :-) (I know how he feels....)

I used to hate English. I still do. But... I had and still have no
choice. After all, the best rock comes from the UK.

 E&T> I found his e-mail most helpful and detailed - and - also very 
 E&T> generous.

I'd like to add something about generosity on the Internet. The
Internet is divided in many, many neighborhoods. Many of them have
thrived for more than 10 years while other are recent incantations of
this medium.  I am in the computer field. Obviously, computer geeks
are still, if not the most common of the netcitizens, they are the
most pervasive and oldest. The computer neighborhood is the largest
and best developed. And the most giving. Giving, you might wonder, in
which respect? I'll give you examples: the operating system that I run
in my desktop and my laptop and all the software I use on both
machines has been a collected work of many netcitizens and it is free,
yes, FREE. Take your web browser --Netscape, at least for students is
also free-- and visit www.faqs.org: more free information. I have been
designing a computer control for my camera. I have been getting free
advice and diagrams from different places and more important, from
different people on the Net.

The Internet changed a lot when the Web came along. It made it a
flashy place, but made some people forget two of its more important
parts: mailing lists and USENET newsgroups; where real people
communicate with common interests. You know exactly what I mean
because all you are here.

Philanthropy used to be as common on the Net as it was conspicuous the
lack of commercial domains.

Mike is another one of those philanthropist. He has what I believe is
probably the best website on SG on the Internet, and he does it just
for the pleasure of doing it (and we know it, to share his experiences
with aliens :)

If you go to my home page, you'll find the statement:

"Throughout the years, USENET FAQs have been an immeasurable source of
knowledge, entertainment, and trouble solving. I have started these
FAQ projects as a retribution to all those FAQs."

If we take from the Net, and at the same time we add, it grows. And it
becomes a better place to be.

I don't consider myself generous. I am paying back.


--End of my diatribe.

 E&T> So I sat down one morning and went to visit his web-page. I found the 
 E&T> mixture both intriguing, enchanting and fun.

You forgot to say eclectic! :)

 E&T> (And  WHEN can I see some Mexican recipes Daniel??)

Whenever I finish my thesis.

 E&T> Eventually I arrived at the page of some of Daniel's own photographs, 
 E&T> both in colour & black & white.
 E&T> Eventually (about an hour and a bit) the down load was completed (at 
 E&T> least of the thumbnails - why so long Daniel??).

Ok, after your note, I spent some time reducing the files to 33% of
their original size.

 E&T> Boy, are they some photographs!!!!
 E&T> They are exciting and sesnitive both in colours and composition!
 E&T> Not only that, but in his obvious generous style, Daniel has added 
 E&T> details for each one: rough location, type of film used, speed and 
 E&T> aperture.
 E&T> The big blue stained glass in the Art Museum in Chicago, can surely 
 E&T> ONLY be Chagall ???? (It didn't say... :-(      )

Yes, it is. If you enlarge it, it is in the Art Institute of
Chicago. American Window, if my memory is not yet fading.

 E&T> I would have liked to look at ALL of them on the bigger scale, but by 
 E&T> now my telephone bill was signalling "orange", because the down-load 
 E&T> of each enlargement took about 15-20 minutes. (and I have got a 
 E&T> reasonably fast modem -  28.8).

Try again, this time use the following address:

http://aries17.uwaterloo.ca/~dmg/

The server has a role in the slowness of my data.

 E&T> Beautiful photographs, Daniel! Quite spectacular!

Thanks, I certainly appreciate your kind comments.

 E&T> I would like to ask you why you have used Fuji film in preference to 
 E&T> any other film? I use Kodak for prints and Agfa for slides (it's the 

It depends on the application and my experience with it. 

Here is a breakdown of my film I use.

In Black and White I use:

Kodak TriX, excellent tonal range, and excellent pushability (all the
            way to 3200
Kodak TMax 100, 400 Both have tiny grain and are beatiful. The former
           excels for portraits.
Kodak TMax3200P The option for those dark, dark places
Kodak TMax400CN Flexible: B&W photos in one hour labs.

Now, colour negatives:

Fuji SuperG 100. I like its colour saturation, blues and greens. 
Fuji SuperG 800. THe best colour film for low light situations
Agfa HDC    100. If my photos that do not include people, this is the way
                 to go: deep colours that jump out of the print. (Best
                 for SG, IMHO)
Kodak Gold  100. If my photos people include.

Slides:
Fuji Velvia 50. This is a profesional film. Tiny grain and you will
                take beautiful photos all the time. Useless for photos
                of people but the way to go with SG. The only pro
	        film I am willing to buy for the time being.
Fuji Sensia 100 My typical slide film. Follows the Fuji tradition of 
                rich primaries, but it is kinder on people.
Kodachrome      Good, neutral film and supposed to last longer than
                any other slide film.


I do like Fuji. They are, IMHO, the best. And I dislike Kodak way of
making business. (I loved it when the WTO ruled against them --for the
first time against an American claim-- in the their case against Fuji)

 E&T> one I learnt with and know, which doesn't necessarily mean that it is 
 E&T> the best for s.g. purposes. It's more a question of "the devil you 

Yeap. Every film has a given application, IMHO.



--
Daniel M. German                  "For indeed who is there alive
                                   that will not be swayed by his
                                   bias and partiality to
    Jonathan Swift ->              the place of his birth?"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Thu Mar  5 07:21:46 1998
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X-Path: juno.com!eldondo1
From: eldondo1@juno.com
To: vlclover@rconnect.com
Subject: Re: cutting glass, Suzanne and Mary
Date: Thu, 5 Mar 1998 08:41:15 -0600
Message-ID: <1998Mar5.24115.0>
References: <<1998Mar4.113024.0>>
Precedence: bulk

Val: I cut all the glass and then (as I finish each piece) place on the
cartoon,or pattern,whatever you wish to call it,to see how the fit
is,then I proceed to lead...I'm sure most others do the same, No?......
Don <eldondo1@juno.com)

On Wed, 04 Mar 1998 19:30:24 -0800 val clover <vlclover@rconnect.com>
writes:
>First question, I am wondering how you all cut glass,
>do you cut all the glass, then lead, or cut and lead
>a piece at a time?
>
>Second question, Suzanne, could you email me?  I killed
>my computer yesterday, and lost all my email addresses.
>
>Mary, I remembered yours!
>
>Laurean
>
>
>----
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>Archives available at http://www.bungi.com/glass
>

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From owner-glass Thu Mar  5 07:51:10 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: cutting glass, Suzanne and Mary
Date: Thu, 05 Mar 1998 10:35:50 -0500
Message-ID: <1998Mar5.53550.0>
References: <<1998Mar4.113024.0>>
Precedence: bulk

val clover wrote:
> 
> First question, I am wondering how you all cut glass,
> do you cut all the glass, then lead, or cut and lead
> a piece at a time?
> 
> Second question, Suzanne, could you email me?  I killed
> my computer yesterday, and lost all my email addresses.
> 
> Mary, I remembered yours!
> 
> Laurean
> 
> ----


i think we covered this one awhile ago. though... i use all methods:

panels: i'll cut about 5-10 pieces, grind and fit, wash and foil, then
repeat. it would be a section like a flower, or leaves. then i'd lay the
background pieces under the foiled pieces and trace around them for a
near perfect fit. 

boxes: most of the time i cut everything and do a light grinding, foil
then solder. if it's a complex box i'll do it in sections, but i always
foil for each section. 

suncatchers: i cut everything, then grind and fit, then solder. it goes
alot faster this way.

i never liked cutting all the pieces first it's difficult to place them
back in the right posistion (like a puzzle). though you can get more
accurate fittings...

---Mike Savad
-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Thu Mar  5 08:52:31 1998
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X-Path: mail.island.net!seaspray
From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: verdigris patina for copper
Date: Thu, 5 Mar 1998 08:39:34 -0800
Message-ID: <199803051639.IAA08303@norm.island.net>
Precedence: bulk

>Carol,
>Someone mentioned in a post a few weeks ago that a simple, certain way
>to get a green verdigris on copper is to use urine.  It's true, it
>works.  I also know that car battery acid will make copper green, I
>think it's hydrochloric.  Hydrochloric acid will be more odor free than
>urine, although not as good!

Gee Steve I must have missed that post...wonder how the designer would react
if I suggested he buy beer for the entire crew prior to installation <BG>


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From owner-glass Thu Mar  5 09:12:35 1998
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X-Path: aol.com!DMR74
From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Fluxamatic Mashed Potato
Date: Thu, 5 Mar 1998 11:31:23 EST
Message-ID: <1998Mar5.163123.0>
Precedence: bulk

In a message dated 98-03-04 12:57:44 EST, you write:

> Electrical outlets either work or
>  they don't work. (they don't run at half mast)
this isn't entirely true,  I don't know all the technical aspects of it but I
do know that if you run say a refrigerator or an airconditioner off of an
extension cord you will get less something, voltage?, and you will burn up the
motor.
deb
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From owner-glass Thu Mar  5 09:20:30 1998
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X-Path: bcinternet.net!cpesonen
From: eldondo1@juno.com (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: cutting glass, Suzanne and Mary
Date: Thu, 5 Mar 1998 08:43:45 -0800 (PST)
Message-ID: <199803051643.IAA09157@freya.vphos.net>
Precedence: bulk


Hi all, I must be different! I do one piece at a time, I use little lead
strips and nails to keep the work together as I go along... Goes like this
cut and lead, cut and lead or cut and foil, cut and foil.
Different strokes for different folks:)
Cindy



Val: I cut all the glass and then (as I finish each piece) place on the
cartoon,or pattern,whatever you wish to call it,to see how the fit
is,then I proceed to lead...I'm sure most others do the same, No?......
Don <eldondo1@juno.com)

On Wed, 04 Mar 1998 19:30:24 -0800 val clover <vlclover@rconnect.com>
writes:
>First question, I am wondering how you all cut glass,
>do you cut all the glass, then lead, or cut and lead
>a piece at a time?
>
>Second question, Suzanne, could you email me?  I killed
>my computer yesterday, and lost all my email addresses.
>
>Mary, I remembered yours!
>
>Laurean
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

_____________________________________________________________________
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Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Thu Mar  5 10:52:41 1998
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X-Path: aol.com!DMR74
From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: cutting glass, Suzanne and Mary
Date: Thu, 5 Mar 1998 13:28:43 EST
Message-ID: <1998Mar5.182843.0>
Precedence: bulk



> Hi all, I must be different! I do one piece at a time, I use little lead
>  strips and nails to keep the work together as I go along... Goes like this
>  cut and lead, cut and lead or cut and foil, cut and foil.
>  Different strokes for different folks:)
>  Cindy

doing the job like this means that you are moving all over the shop or have
ALL your tools out at the same time.  Especially with the foil, that would be
cutting the glass, grinding if needed, washing it off (the foil won't stick to
the oil left on it from the cutting toolor the dust from the grinder) drying
it and then foiling,and burnishing. For each peice that just seems like too
many steps while you are standing there.  I prefer if I'm doing foiled glass
to sit at nite and foil in front of the tv.
deb
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From owner-glass Thu Mar  5 12:27:35 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Slow "Light Show"?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 5 Mar 1998 15:04:43 +0000
Message-ID: <m0yAgla-0000hLC@daver.bungi.com>
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> It is nothing against you or your work. 
> It is aginst the design of that web site.
> It takes 30 seconds to jump from one page to another...

I'm the webmaster in charge
of the Light Show.  There is, it's true, a 30-second delay if you
merely wait. But the "Back" "Pause" and "Forward" buttons in the upper
left-hand corner of each screen give you complete control. Don't want
to move to the next image? Click on "Pause" and it'll stay there until
you're ready to go. Through looking at that image? Click on "Forward"
and get the next image. Want to move backward to the previous image?
Or the image 5 frames ago? Click on "Back."

> Even worse, there is no way to see a listing to try to find yours.>

Well, that's *now! <g> The index has been prepared, just not plugged
in yet. You can go
http://www.stainedglassbiz.com/lightshow/lightind.htm to see it
immediately.

Albert

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From owner-glass Thu Mar  5 12:50:58 1998
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From: DMR74 <DMR74@aol.com> (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Fluxamatic Mashed Potato
Date: Thu, 5 Mar 1998 12:15:35 -0800 (PST)
Message-ID: <199803052015.MAA22214@freya.vphos.net>
Precedence: bulk

In a message dated 98-03-04 12:57:44 EST, you write:


  Hi Deb, well, you have described a problem using an electrical extension
cord   that isn't rated high enough for the power coming thru and you will
also find your extension cord heating up. You should be using a heavier
rated extension cord or none at all. Some appliances will tell you not to
run off an extension cord, the pull for power is too great. The topic I was
talking about was not about extension cords at all, but the  power coming
from the source (Re) your power distrubution box and running thru to your
outlets (Re) your plug boxes and switches.
Cindy




  
> Electrical outlets either work or
>  they don't work. (they don't run at half mast)
this isn't entirely true,  I don't know all the technical aspects of it but I
do know that if you run say a refrigerator or an airconditioner off of an
extension cord you will get less something, voltage?, and you will burn up the
motor.
deb
----





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From owner-glass Thu Mar  5 13:20:55 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: One-piece glass shades
Date: Thu, 5 Mar 1998 15:36:20 -0500
Message-ID: <1998Mar5.103620.0>
Precedence: bulk

Hi All-

I have for some time now been
looking for a source of glass shades-
half-sphere with a hole drilled in the
center, with or without a sandblasted
outer surface.  I have had numerous
requests for Handel-style custom
lamp shades.  These are painted with
artists colors on the inside, traditionally
with a landscape or floral design, and
the sandblast on the outside softens the
effect as well as diffuses the light.  I
saw a whole gaggle of them in various
sizes at Hobby Lobby (made in China
of course!) so I know the shades are
manufactured somewhere!  Any leads
are much appreciated - thanks!

Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Thu Mar  5 13:34:10 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: One-piece glass shades
Date: Thu, 5 Mar 1998 15:36:20 -0500
Message-ID: <1998Mar5.103620.0>
Precedence: bulk

Hi All-

I have for some time now been
looking for a source of glass shades-
half-sphere with a hole drilled in the
center, with or without a sandblasted
outer surface.  I have had numerous
requests for Handel-style custom
lamp shades.  These are painted with
artists colors on the inside, traditionally
with a landscape or floral design, and
the sandblast on the outside softens the
effect as well as diffuses the light.  I
saw a whole gaggle of them in various
sizes at Hobby Lobby (made in China
of course!) so I know the shades are
manufactured somewhere!  Any leads
are much appreciated - thanks!

Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Thu Mar  5 13:53:30 1998
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X-Path: netins.net!sae
From: Scott Evans <sae@netins.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: cutting glass, Suzanne and Mary
Date: Thu, 05 Mar 1998 15:06:20 -0600
Message-ID: <3.0.5.32.19980305150620.01e59b00@netins.net>
References: <<1998Mar5.182843.0>>
Precedence: bulk

>doing the job like this means that you are moving all over the shop or have
>ALL your tools out at the same time.  Especially with the foil, that would be
>cutting the glass, grinding if needed, washing it off (the foil won't
stick to
>the oil left on it from the cutting toolor the dust from the grinder) drying
>it and then foiling,and burnishing. For each peice that just seems like too
>many steps while you are standing there.  I prefer if I'm doing foiled glass
>to sit at nite and foil in front of the tv.

I guess it depends on a person's motivations.  I pretty much do one piece
at a time, unless it's a bunch of strip pieces.  This is for a couple of
reasons.  First, I find I get a better fit if I do one piece at a time and
grind each piece to exacly match the foil contours of the previous piece.
Second, I find myself getting less bored with a project if I have a variety
of tasks to do during a session.  Also, I do stained glass as a hobby and
so I don't look at it as a speed contest for myself - a finished project
that I'm happy with is more important than finishing it as quickly as
possible.  

However, this is just my way of doing things.

Scott

http://www.netins.net/showcase/sae/stainedg.html



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From owner-glass Thu Mar  5 15:02:45 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: One-piece glass shades
Date: Thu, 5 Mar 1998 17:27:12 -0500
Message-ID: <1998Mar5.122712.0>
Precedence: bulk

Message text written by "Michael J. Greer"
>Any leads
are much appreciated - thanks!<

And if anyone does have a lead on these,
please post it to bungi.  I am also interested!

Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Thu Mar  5 15:24:52 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Slow "Light Show"?
Date: Thu, 05 Mar 1998 17:26:22 -0500
Message-ID: <1998Mar5.122622.0>
References: <<m0yAgla-0000hLC@daver.bungi.com>>
Precedence: bulk

Albert Lewis wrote:
> 
> > It is nothing against you or your work.
> > It is aginst the design of that web site.
> > It takes 30 seconds to jump from one page to another...
> 
> I'm the webmaster in charge
> of the Light Show.  There is, it's true, a 30-second delay if you
> merely wait. But the "Back" "Pause" and "Forward" buttons in the upper
> left-hand corner of each screen give you complete control. Don't want
> to move to the next image? Click on "Pause" and it'll stay there until
> you're ready to go. Through looking at that image? Click on "Forward"
> and get the next image. Want to move backward to the previous image?
> Or the image 5 frames ago? Click on "Back."
> 
> > Even worse, there is no way to see a listing to try to find yours.>
> 
> Well, that's *now! <g> The index has been prepared, just not plugged
> in yet. You can go
> http://www.stainedglassbiz.com/lightshow/lightind.htm to see it
> immediately.
> 
> Albert
> 
> ----

will there be an index page of all the works up there? i just don't feel
like looking at one picture at a time. and with the speed of my machine,
by the time the picture loads, it blinks to the next one in line.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Thu Mar  5 15:53:31 1998
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X-Path: glasstreasures.com!sgt
From: Stephanie Hansen <sgt@glasstreasures.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: anyone in/near Southern Wisconsin?
Date: Thu, 05 Mar 1998 17:25:46 -0600
Message-ID: <3.0.5.32.19980305172546.0083d7f0@glasstreasures.com>
Precedence: bulk

I had a lady e-mail me about needing a possible repair on a 12" diameter
piece - I'm not sure what all is involved or what all would need to be done
to it.  I don't generally do repairs, so I told her I'd ask around.  Anyone
in the southern Wisconsin area that wants to try and help her out?  Or
anyone else want to try a "long distance" repair (obviously it's a piece
that can be shipped back and forth if necessary)?

E-mail me if you're interested, and I'll send the names and e-mail addys to
her.  It would be helpful if you indicate your location, too.

Thanks!

Steph ~


-----------------------------------
Stephanie Hansen - Stained Glass Treasures/Dallas, TX
Affordable stained glass pieces for gifts or personal use
Enter the sweepstakes to win a stained glass suncatcher!
<mailto:sgt@glasstreasures.com>   <http://glasstreasures.com/>
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From owner-glass Thu Mar  5 16:22:03 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: bcinternet.net!cpesonen
From: "Michael J. Greer" <GreerStudios@compuserve.com> (by way of cpesonen@bcinternet.net (Cindy Pesonen))
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: One-piece glass shades
Date: Thu, 5 Mar 1998 15:36:33 -0800 (PST)
Message-ID: <199803052336.PAA27244@freya.vphos.net>
Precedence: bulk

Hi Mike, is that the finished product that you are looking for or are you
looking to finish it yourself?
Dumb and stupid, Cindy

Also I have noticed when I redirect my message I can't change from whom it's
send by... my screen does tell me it's by way of me but from some one else.
All I can change is the mailing address. I hope this doesn't offend anyone
and if anyone knows what I can do about it please tell me.
Really dumb and stupid, Cindy



Hi All-

I have for some time now been
looking for a source of glass shades-
half-sphere with a hole drilled in the
center, with or without a sandblasted
outer surface.  I have had numerous
requests for Handel-style custom
lamp shades.  These are painted with
artists colors on the inside, traditionally
with a landscape or floral design, and
the sandblast on the outside softens the
effect as well as diffuses the light.  I
saw a whole gaggle of them in various
sizes at Hobby Lobby (made in China
of course!) so I know the shades are
manufactured somewhere!  Any leads
are much appreciated - thanks!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Mar  5 16:30:46 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Web Page?
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Fri, 6 Mar 1998 01:04:23 +0000
Message-ID: <199803060009.AAA28711@saturn.nildram.co.uk>
Precedence: bulk

Well, Susan,

It's written in my every single e-mail, just underneath my name & 
motto   ;-)
All you do is just click on it
http://www.netlink.co.uk/users/kris/northlights/index.htm
Have fun!
Elisabeth 'n Toby

Susan wrote:
 Why, Elizabeth, I didn't know you had one. Address 
please? Susan
----


----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Thu Mar  5 18:22:24 1998
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	for rglass-42; Thu, 5 Mar 1998 17:42:27 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: ComCAT.COM!suzy
From: suzanne albright <suzy@ComCAT.COM>
To: "Jeremy Hopkins" <jhopkins@toltbbs.com>,
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: repeat question(pattern shears)
Date: Thu, 5 Mar 98 20:41:02 -0500
Message-ID: <199803060138.UAA23215@uz.ComCAT.COM>
Precedence: bulk

Jeremy wrote:
>   Are there any pattern shears for copper foil that work, Im new to the
>hobby and i think the shears that i have now might drive me to drinking
>;-) . they cut fine on the right side but rip the pattern paper on the
>left side, right now i am using a pare of regular scisors to clean up
>the lines after using the pattern shears(which is causing my pieces to
>shrink too much). any suggestions?

Suzanne:
Yup. Throw them out. Use regular scissors. Trace the pattern onto your 
glass, cut on the *inside* of the line. You might end up grinding a bit 
more, however, it leaves you more room for errors and "adjustments".



Suzanne Albright
suzy@comcat.com


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From owner-glass Thu Mar  5 18:51:49 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: t-online.de!Tiffany-Glas
From: Tiffany-Glas@t-online.de (Herbert Luidolt)
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: My works are now on-line
Date: Fri, 6 Mar 1998 02:41:18 +0100
Message-ID: <m0yAm8U-0003FFC@fwd07.btx.dtag.de>
References: <<199803050345.WAA00238@violeta.uwaterloo.ca>>
Precedence: bulk

Hi Christie,
Realy fine works. I love the
"Ebb Tide" lamp. But the Window als are a fine work.
It's a Fantastic light for a private home.
Hello from germany, herbert

Privat mail:
Tiffany-Glaskunst@t-online.de

http://www.bastelzauber.com


Daniel M. German schrieb:
>
> Christie Wood & George D'Ascenzo twistes the bytes to say:
>
>  Christie> OK all fellow bungians who have asked to
>  Christie> view some of my works.  Here are four, thanks
>  Christie> to Albert Lewis, IGGA, and the kind folks at
>  Christie> StainedGlassBiz.
>
>  Christie> My web site can be found at
>  Christie> http://www.stainedglassbiz.com/lightshow/1433cw.htm
>
> It is nothing against you or your work. 
>
> It is aginst the design of that web site.
>
> It takes 30 seconds to jump from one page to another...
>
> I am in a fast connection --at the University. NOnetheless, every page
> was taking longer than 30 seconds to download. Most of pages passed by
> without giving me time to even see the works. 
>
> Even worse, there is no way to see a listing to try to find yours.
>
>
>  Christie> Isn't technology great?
>
> Sometimes I feel like a Luddite... 
>
>  Christie> Christie A. Wood
>  Christie> Art Glass Ensembles, North Wales, PA
>  Christie> ----
>  Christie> For subscription changes, please mail to: glass-request@bungi.com
>  Christie> To send to the list,      please mail to: glass@bungi.com
>  Christie> Archives available at http://www.bungi.com/glass
>
>
> --
> Daniel M. German                  "One thing I have learned in a long life:
>                                    that all our science, measured against
>                                    reality, is primivite and childlike
>                                    --and yet it is the most precious thing
>    Albert Einstein ->              we have. "
> http://csgwww.uwaterloo.ca/~dmg/home.html
> dmg@csg.uwaterloo.ca
>
>  
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

----
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From owner-glass Thu Mar  5 18:56:32 1998
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X-Path: aol.com!Mosfunland
From: Mosfunland <Mosfunland@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: verdigris patina for copper
Date: Thu, 5 Mar 1998 20:42:12 EST
Message-ID: <1998Mar6.14212.0>
Precedence: bulk

hmmmmmm urine huh.   wonder how the board of health inspectors would like
that.... "Hey bud did you at least wash your hands?".....   Guess all those
pigeons on the statues were working on their verdigris....

Maureen.....
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From owner-glass Thu Mar  5 19:20:24 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Wood duck pattern
Date: Thu, 5 Mar 1998 17:39:04 -0800
Message-ID: <1998Mar5.9394.0>
Precedence: bulk

	Sue, there is a little advice about using another's design for profit (I 
assume that as you refer to the client as a customer) without permission 
from the artist/designer of a design. Don't do it, that is an infringement 
of copyright. Get permission, pay the designer for his time and effort. How 
would you feel if I designed a piece then asked you to make it for free, 
you'd think I was crazy. When I make a design, I expect to be paid, when 
you make a lamp you expect to be paid. Fair is fair. There are many books 
with stained glass patterns that allow the use of patterns but read the 
front of the book! Most say, and I quote, "No part of this publication may 
be reproduced..... with the exception of reproduction of the designs 
expressly for personal use only, NOT FOR FINANCIAL GAIN!" ( my capitals for 
emphasis). It is not fair or considerate to use another's work without 
permission, also you leave yourself open to a lawsuit for infringement of 
copyright!! I have on occasion given a design for general use but be sure 
that designs you use ARE stipulated as copyright free! Even for people who 
have trouble with designs , a little work will get you better at it, give 
it a try. I sometimes spend days researching a window, then adjusting the 
design time and time again 'til I am happy with it. I am a trained and 
schooled artist and have worked hard to get there. Yes I feel that I have a 
gift for it, but I don't sit down like magic and it appears. I wish you 
well in your endeavors, but all of you out there who use others designs for 
profit, be fair.
Glenn Spicer,
The Studio Metamorphoses, BC, Canada

-----Original Message-----
From:	Sue Reitmann [SMTP:oddjob@scc.net]
Sent:	Tuesday, March 03, 1998 2:42 PM
To:	'glass@bungi.com'
Subject:	Wood duck pattern

I am looking for a pattern of a wood duck that could be incorporated into a 
hanging lamp. Any suggestions? I am not good at design! Customer is talking 
about the diamature across the bottom opening to be aprx. 15-16 1/2"
Thanks in advance
Sue Reitmann

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From owner-glass Thu Mar  5 19:20:49 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: ComCAT.COM!suzy
From: suzanne albright <suzy@ComCAT.COM>
To: "val clover" <vlclover@rconnect.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: cutting glass, Suzanne and Mary
Date: Thu, 5 Mar 98 20:50:22 -0500
Message-ID: <199803060148.UAA23900@uz.ComCAT.COM>
Precedence: bulk

Hi Laurean,

How did you kill your computer? Poison, chainsaw, gun, knife? Sorry. Hope 
it's better now.

I am very lucky that my husband is a computer guru, of sorts. 
Well...lucky sometimes. He really wants me to *learn* the damn thing and 
all I want to do is play games and write to Bungi on it. The best part of 
my mind goes to glass.

It depends how I feel that day, what I've had for breakfast, etc., etc., 
or the pattern itself. If there's a border I usually cut them all with 
the straight edge on Morton, make sure they fit, and foil them first, 
since they're the outside edge, and then I have another ready-made border 
for the inside. 

Sometimes I do all of one color at a time, particularly if there are a 
lot of similar-shapes and sizes, like feathers on a bird. It's more 
economical that way, you can line up all those little feathers on a strip 
of glass and zip away. If I get bored, then I'll change to another glass 
and/or color. One thing for sure: cut all the largest pieces first, so if 
you screw up you'll still have enough glass to cut another. The smaller 
pieces you can usually get from scraps.

I was taught to cut out the whole pattern at once, first. Well, sometimes 
I do and sometimes not. It's fun to cut out maybe *half the pattern at 
once, do that complete part, then go on to the other. As I said, it 
depends on the phase of the moon...

Happy glassing!


Suzanne Albright
suzy@comcat.com


----
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From owner-glass Thu Mar  5 22:23:51 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: aries17.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: Licensing agreements
Date: Fri, 6 Mar 1998 00:51:29 -0500
Message-ID: <199803060551.AAA32126@aries17.uwaterloo.ca>
References: <<199803051523.KAA30187@aries17.uwaterloo.ca>>
Precedence: bulk


This is with regard to using Corel Draw as a source for
patterns.

>From the authors of most of Corel's clipart, in response to my
enquiry. 


Mearle  twists the bytes to say:

 Mearle> Daniel-

 Mearle> You may make all the stained glass work from our Corel images that you
 Mearle> desire. Royalty free.

 Mearle> Best Wishes,

 Mearle> Mearle Gates

 Mearle> Daniel M. German wrote:

 >> Hi there,
 >> 
 >> I bought Corel Draw. As part of the clipart it includes hundreds of
 >> your photos.
 >> 
 >> I do stained glass work and your icons are source of inspiration. My
 >> question is, what is the licensing agreement that I get from corel
 >> draw with respect to the use of your clipart? Can I use them in order
 >> to modify them and then make glass panels based on them?
 >> 
 >> Thanks for your information.
 >> 
 >> --
 >> Daniel M. German                  "Any sufficiently advanced
 >> technology is indistinguishable
 >> Arthur C. Clarke ->             from magic."
 >> http://csgwww.uwaterloo.ca/~dmg/home.html
 >> dmg@csg.uwaterloo.ca
 >> 




--
Daniel M. German                  "Beauty is the first test; there is no
                                   permanent place in the world for ugly
   G. H. Hardy ->                  mathematics."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Thu Mar  5 22:41:37 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: juno.com!eldondo1
From: eldondo1@juno.com
To: suzy@Comcat.com
Subject: Re: repeat question(pattern shears)
Date: Fri, 6 Mar 1998 00:04:58 -0600
Message-ID: <1998Mar5.18458.0>
References: <<199803060138.UAA23215@uz.comcat.com>>
Precedence: bulk

I wonder what kind of pattern paper Jeremy uses? I know we all have our
choices,mine is Mylar and the good pattern shears have been perfect for
me(for foil especially) I cut my lead work over a light box,when I use
most any glass (except black of course)  The foil shears,with mylar have
been used in our shop for nine years and with great results. I guess it's
what you get used to,but I hate to see foil shears put down,although I
have heard many horror stories on bungi about them......
Don <eldondo1@juno.com)

On Thu, 5 Mar 98 20:41:02 -0500 suzanne albright <suzy@ComCAT.COM>
writes:
>Jeremy wrote:
>>   Are there any pattern shears for copper foil that work, Im new to 
>the
>>hobby and i think the shears that i have now might drive me to 
>drinking
>>;-) . they cut fine on the right side but rip the pattern paper on 
>the
>>left side, right now i am using a pare of regular scisors to clean up
>>the lines after using the pattern shears(which is causing my pieces 
>to
>>shrink too much). any suggestions?
>
>Suzanne:
>Yup. Throw them out. Use regular scissors. Trace the pattern onto your 
>
>glass, cut on the *inside* of the line. You might end up grinding a 
>bit 
>more, however, it leaves you more room for errors and "adjustments".
>
>
>
>Suzanne Albright
>suzy@comcat.com
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

----
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From owner-glass Fri Mar  6 04:22:35 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: fuse.net!pebble
From: Rick Lasita <pebble@fuse.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: My Work
Date: Fri, 06 Mar 1998 06:48:56 -0500
Message-ID: <1998Mar6.14856.0>
Precedence: bulk

A big thanks to the folks at the site who chose my work as the feature
of the week, along with adding two pieces in the Gallery. I was really
surprised when i opened the web site and up pops the window for the
mansion in Cincinnati. Thanks again.  Rick Lasita
----
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From owner-glass Fri Mar  6 07:20:09 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: Int'l, Guild, of, Glass, Artists
Subject: IGGA News Memo
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 6 Mar 1998 10:01:07 +0000
Message-ID: <m0yAyVf-0000joC@daver.bungi.com>
Precedence: bulk

THE BUS IS FULL
The bus trip to Youghiogheny Glass, Fallingwater, and Nemacolin  
Woodlands Resort planned by  Warner-Crivellaro for their Glass 
Lover's Weekend, departing Allentown on Saturday, April 18th at 5:00 
a.m. bound for the Youghiogheny Glass Factory in Connellsville, 
Pennsylvania is fully booked. If you missed this one, you'll be 
interested to know that they're planning another one for September. 
We'll keep you posted.

NEW WORK ONLINE
We added even more work to the Architectural Art Glass Light Show 
this morning ... not a lot, but very nice work by Arthur Stern of 
California is right at the top of the show at this point. (The images 
of his work are linked to his web site, which is one of the nicest 
we've seen -- congrats, Arthur!)

Go to http://www.stainedglassbiz.com/ and click on "Artists" in the
upper left-hand corner. You'll see "Light Show" pop up ... click on
that and follow the directions. ("Click here to start the show" ... simple!)

Remember: the "Back" "Pause" and "Forward" buttons in the upper
right-hand corner of each screen give you complete control. Don't want
to move to the next image? Click on "Pause" and it'll stay there until
you're ready to go. Through looking at that image? Click on "Forward"
and get the next image. Want to move backward to the previous image?
Or the image 5 frames ago? Click on "Back."

Enjoy!

----
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From owner-glass Fri Mar  6 07:54:20 1998
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	for rglass-42; Fri, 6 Mar 1998 07:25:13 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Interested?
Date: Fri, 6 Mar 1998 07:23:57 PST
Message-ID: <m0yAyyc-0000GvC@daver.bungi.com>
Precedence: bulk

Hi everyone,

I received this msg. and thought I'd share it in case anyone
is interested in a job.

Here it is...

My name is Richard Jenkins and I am one of the directors or a summer
camp in the state of Maine (it's called Maine Teen Camp) that offers a
stained glass program amongst the many other arts offered.  If you would
like to check us out, you can at:  http://www.teencamp.com

Perhaps you could help me?  Our head stained glass instructor is unable
to join our staff again this year and I am looking for a replacement.
The job pays relatively well and offers a skilled glass person the
opportunity to introduce stained glass to a new generation of young
people, work in our facility, and enjoy all of the beauty of a summer
spent in Maine (it is an extremely inspirational place to work)!

I am writing you in hopes that in your position, you may have knowledge
of (and access to) a number of skilled glass artists who may be
interested in a summer job with us.  The position includes room and
board and salary is negotioable and because our camp is fully
international, wil at: teencamp@ix.netcom.com

Thanks in advance for any help.

Richard Jenkins

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Fri Mar  6 08:20:38 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
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Subject: Generic Question
Date: Fri, 06 Mar 1998 09:27:16 -0800
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Anyone ever hear of Nick Bogenreif?

My MIL learned glass from him, and she 
is telling me he is world famous.  Me 
being skeptical, and her trying to be
more than what she is, are in disagreement,
and have $10.00 riding on this.

Laurean


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From owner-glass Fri Mar  6 09:55:16 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Generic Question
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Date: Fri, 6 Mar 1998 12:32:05 +0000
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> Anyone ever hear of Nick Bogenreif?
> 
> My MIL learned glass from him, and she 
> is telling me he is world famous.  Me 
> being skeptical, and her trying to be
> more than what she is, are in disagreement,
> and have $10.00 riding on this.

World famous? Hmm. I've been involved with the glass world for the 
past 30 years and haven't heard of him, although that doesn't mean he 
doesn't do good work. I show that he lives in Iowa, but other than 
that I don't know anything about him or his work. I realize it's 
incredibly arrogant to assume that if I don't recognize someone's 
name or can immediately visualize his/her work, he/she isn't world 
famous, but there you are. Just call me arrogant. <g>

On the other hand, I'd *like to know what his work is like, so if you 
talk to him, let him know I'm interested. (Do I get a piece of the 
ten dollars?) <g>

Albert

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From owner-glass Fri Mar  6 10:53:14 1998
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Subject: Re: Generic Question-Echoed Answer
Date: Fri, 6 Mar 1998 13:20:19 EST
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In a message dated 98-03-06 12:55:52 EST, you write:

<<  My MIL learned glass from him, and she 
 > is telling me he is world famous.  Me 
 > being skeptical, and her trying to be
 > more than what she is, are in disagreement,
 > and have $10.00 riding on this.
 
 World famous? Hmm. I've been involved with the glass world for the 
 past 30 years and haven't heard of him, although that doesn't mean he 
 doesn't do good work. I show that he lives in Iowa, but other than 
 that I don't know anything about him or his work. I realize it's 
 incredibly arrogant to assume that if I don't recognize someone's 
 name or can immediately visualize his/her work, he/she isn't world 
 famous, but there you are. Just call me arrogant. <g>
 
  >>
I echo that response...have been "in glass" for at least 20 years and have
neither seen nor heard of this artist.  

M.S.Hanson, Design Dept.
Paned Expressions Studios
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From owner-glass Fri Mar  6 11:21:06 1998
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From: "Daniela Birkelbach" <dany@city-net.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: copyright website
Date: Fri, 6 Mar 1998 13:24:01 -0500
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TWIMC:

after the discussions last couple of  weeks about copyright I thought some
of you find the following website useful:

http://www.benedict.com/

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
"Black holes are where God divided by zero."
Stephen Wright
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From owner-glass Fri Mar  6 11:52:45 1998
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X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
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Subject: $10.00 bet
Date: Fri, 06 Mar 1998 13:08:24 -0800
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Albert and Ms Sophia,
	I am very happy to get your responses!  Hmmm, though my 10.00
just got reduced to $3.333!
	Knowing my MIL as I do, I knew she was full of it.  She is the
type who always has to be one up on someone!
	Again thanks!

Laurean
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From owner-glass Fri Mar  6 13:23:16 1998
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From: Laurean <vlclover@rconnect.com>
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Subject: Re: Generic Question
Date: Fri, 06 Mar 1998 14:18:29 -0800
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B Hope
> this can help you clear up this identity problem.Beveler4(Stan)

Stan, 
	Thanks!  I do know that Nick is Marks brother.  Maybe
my MIL was referring to Mark as being famous, and saying that
she learned from Nick. Does this mean I lose?

Laurean
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From owner-glass Fri Mar  6 13:45:28 1998
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From: Beveler 4 <Beveler4@aol.com>
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Subject: Re: Generic Question
Date: Fri, 6 Mar 1998 15:12:19 EST
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I have heard of Mark Bogenrief I think thats how you spell his last name . He
started out as a beveler and did some really incredible work from the pictures
that I have seen.If you have access to a library find the book called "How to
Worked with Beveled Glass" by Anita and Cy Seymour published by chilton in
their glass series . Mark has alot of his work pictured in this book. B Hope
this can help you clear up this identity problem.Beveler4(Stan)
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From owner-glass Fri Mar  6 14:25:06 1998
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From: Kopp <glassurgeon@clis.com>
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Subject: Re: copyright website
Date: Fri, 06 Mar 1998 16:52:57 -0500
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At 01:24 PM 3/6/98 -0500, Daniela Birkelbach wrote:
>TWIMC:
>
>after the discussions last couple of  weeks about copyright I thought some
>of you find the following website useful:
>
>http://www.benedict.com/
>
>Dany
>
>Daniela Birkelbach
>

When I tried to go there all I got was:

			500 Server Error
			The transfer limit for this user has been reached 

Dava


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From owner-glass Fri Mar  6 14:56:16 1998
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From: "M. Savad" <morn@nac.net>
To: Laurean <vlclover@rconnect.com>
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Subject: Re: Generic Question
Date: Fri, 06 Mar 1998 17:25:41 -0500
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Laurean wrote:
> 
> Anyone ever hear of Nick Bogenreif?
> 
> My MIL learned glass from him, and she
> is telling me he is world famous.  Me
> being skeptical, and her trying to be
> more than what she is, are in disagreement,
> and have $10.00 riding on this.
> 
> Laurean
> 
> ----


nope never heard of him.. what does he do?

---Mike Savad



-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Fri Mar  6 15:26:38 1998
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From: Beveler 4 <Beveler4@aol.com>
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Date: Fri, 6 Mar 1998 17:31:10 EST
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I hope that you can still collect your ten dollars. By the way I gave the
wrong names for the writers of the book, it was Anita and Seymour Isenberg
that wrote the book. Thought that I'd better correct that and give credit
where due.Beveler4(Stan)
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From owner-glass Fri Mar  6 15:50:34 1998
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Subject: Re: Generic Question-Echoed Answer
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Haven't heard of him either-
23 years in glass for Michael.
Whenever I hear the expression
"world-renowned" I have to wonder
whose world?;-)

Best regards,

Dani Greer
Internationally Unknown
Greer Gallery & Studios
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From owner-glass Fri Mar  6 15:54:47 1998
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From: Pat Diacca Topp <diacca@tznet.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Pricing fused glass
Date: Fri, 06 Mar 1998 16:47:51 -0600
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HI!  

I have just started doing some fused glass paperweights.  Who says glass
paper weights need to be blown, with some stuff inside.  People use
railroad nails etc. for holding down paper.  These are quite nice, and
heavy enough for weights.  I have in the past for my fused glass plates,
weighed the finished product, used a formula I worked out to figure out
just how much GNA glass was actually in the piece, plus some waste,
estimated labor/shop expenses, a small mark up for shop and that was the
wholesale price, then the retail price was times 2.

These pieces are basically, seven layers of 2.5" square off set upon each
other, with various colors making up each square layer.  They are about
1.25" thick, but with down turned rounded off <fused> corners sticking out
in all directions.  This makes it easy to pick up.  They are all cathedral
glasses.  Now I weighed one and it weighs 6.25 oz.  using the formula I
previously used for plates and bowls, makes it around $20.00 wholesale and
$40.00 retail. My kiln is large enough to do probably 20-30 at a time, so
that expense is negligible.  Besides electricity here in this town is real
cheap.  The computer tells me how many kilowatts I have used for any one
firing, and it amounts to less than $2.00 per firing.  Even at the long
extended times needed for this thickness of glass.

Anyone out there know or feel these prices too high, or too low? I am
looking for some products I can produce and market to galleries.  But never
looked at paper weights, when I was out of town at galleries, and can't
compare them to the blown ones anyway.

Certainly appreciate any suggestions I can get.  I will photograph some
next week, have several in kiln today.  Then will get them up on web page.
With Alberts help of course.

Thanks, Pat

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From owner-glass Fri Mar  6 16:13:44 1998
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X-Path: city-net.com!dany
From: "Daniela Birkelbach" <dany@city-net.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: copyright website
Date: Fri, 6 Mar 1998 18:01:12 -0500
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Dava,

I just tried it again - works fine for me.  It was voted Cool site of the
day by WEBREVIEW - might have been busy.

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
"Black holes are where God divided by zero."
Stephen Wright

----------
> From: Kopp <glassurgeon@clis.com>
> To: glass@bungi.com
> Subject: Re: copyright website
> Date: Friday, March 06, 1998 4:52 PM
> 
> At 01:24 PM 3/6/98 -0500, Daniela Birkelbach wrote:
> >TWIMC:
> >
> >after the discussions last couple of  weeks about copyright I thought
some
> >of you find the following website useful:
> >
> >http://www.benedict.com/
> >
> >Dany
> >
> >Daniela Birkelbach
> >
> 
> When I tried to go there all I got was:
> 
> 			500 Server Error
> 			The transfer limit for this user has been reached 
> 
> Dava
> 
> 
> ----
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From owner-glass Fri Mar  6 16:29:42 1998
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From: <quotes@colorprinting.net>
To: glass@bungi.com
Subject: Full Color Printing via the Internet
Date: Fri, 6 Mar 1998 16:10:45 -0800 (PST)
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Just a quick note to let you know about a new way to get
FULL COLOR PRINTING via the Internet.

colorprinting.net offers on-demand full-color printing in
quantities from 100 to 50,000 or more, with turnaround time as
fast as 24-hours. You may place orders online and transfer
your files to us via FTP or simply mail them on disk. We support
all major desktop publishing applications on both Windows and
Macintosh platforms. For more information, including price
lists, please visit our Web site at http://www.colorprinting.net

[Please remember to use the .net domain suffix, NOT .com]
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From owner-glass Fri Mar  6 17:05:10 1998
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Content-Type: text/plain; charset=us-ascii
Subject: Re: $10.00 bet
Date: Fri, 06 Mar 1998 19:32:03 -0800
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I've only been doing glass for 6 months or so but I love it. I've read
and looked at anything I can find on the Web and my library. Never
heard of him.

At this point in my life, Albert, Len, Howard, Elisabeth, Mike, Dani,
Elizabeth, Christy, Stan, etc (anyone who gives of themselves to answers
our newbie questions) (and we know who they are) are my most famous and
world reknowed artists.

Guess I just love the ones who take out time for me. And us. I hope to
be able to help and contribute more in the future as my skills grow.

Strive for excellence,

Kathy
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From owner-glass Fri Mar  6 18:28:38 1998
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X-Path: t-online.de!Tiffany-Glas
From: Tiffany-Glas@t-online.de (Herbert Luidolt)
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Free fairy pattern
Date: Sat, 7 Mar 1998 02:49:59 +0100
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Hello to all,
last week i ask if you want maybe a fairy-pattern. And some
send me a mail. Now you could load the picture on following
Internet address: http:/www.bastelzauber.com/fairy.htm

Please not: the address are not on our main page or other.
We want publishing later a Pattern Book. And ties Pattern 
are one from the Book. In past USA Wholesale want not sale 
our Books in USA. So i think, ties book to we never sale in USA.

I hope you like the pattern. 
I could not very good English, but i read the most
of the bungi list. I hope you are not bad at me, 
because i could not writing many in the list.

herbert

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From owner-glass Fri Mar  6 20:28:11 1998
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From: Tiffany-Glas@t-online.de (Herbert Luidolt)
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re:  Free fairy pattern
Date: Sat, 7 Mar 1998 04:55:49 +0100
Message-ID: <m0yBAiD-0003EZC@fwd14.btx.dtag.de>
References: <<199803070300.TAA15324@intergate.lasercom.net>>
Precedence: bulk

Thank you Jean. I am Sorry,
i forgo one /
an i do not know about the http
OK but the patter are on the Server. Not clicking.
Please take the right Mouse key and take from the
"Menu?" store up? under to your disk.
I hope you understand,
herbert


Jean schrieb:
> Also, Herbert (sorry, I called you 'harold' in the last post!), your
> address on this message is incorrect. It needs to be
> http://www.bastelzauber.com/fairy.htm (or you could just use
> www.bastelzauber.com/fairy.htm, we do not need to use the http://)
> You might want to send a correction to Bungi for this. 
>
> However, I still cannot pull up the patter by clicking on your link on the
> fairy page.
>
> Jean
> jean@lasercom.net
>
> ----------
> > From: Herbert Luidolt <Tiffany-Glas@t-online.de>
> > To: glass@bungi.com
> > Subject: Free fairy pattern
> > Date: Friday, March 06, 1998 5:49 PM
> > 
> > Hello to all,
> > last week i ask if you want maybe a fairy-pattern. And some
> > send me a mail. Now you could load the picture on following
> > Internet address:
>
>
>  http:/www.bastelzauber.com/fairy.htm
>
> Must have two (2) // or just begin with www......
>
>
> > Please not: the address are not on our main page or other.
> > We want publishing later a Pattern Book. And ties Pattern 
> > are one from the Book. In past USA Wholesale want not sale 
> > our Books in USA. So i think, ties book to we never sale in USA.
> > 
> > I hope you like the pattern. 
> > I could not very good English, but i read the most
> > of the bungi list. I hope you are not bad at me, 
> > because i could not writing many in the list.
> > 
> > herbert
> > 
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass

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From owner-glass Fri Mar  6 20:58:50 1998
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: I was off line for a week
Date: Fri, 06 Mar 1998 23:12:01 -0500
Message-ID: <1998Mar6.18121.0>
Organization: @Home Network
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talk about bungi withdrawal!!!  Due to a computer glitch, have not been
logged on for over a week.  Ouch!!! almost 1,000 message's tonight.  I
owe several people mail, but will have to wade through this all.  Glad
to be back even though I mostly lurk during show busy times (all winter
in Florida) oh my aching back, packing, hauling, setting up, tearing
down etc. and so on.  Please be patient will get to all the letters
yet.  Can you believe I haven't finished answering Christmas notes yet?  

Lee Boe
Rain-Boe's Creations
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From owner-glass Fri Mar  6 21:14:26 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Where's the Bios
Date: Fri, 06 Mar 1998 22:18:50 -0600
Message-ID: <1998Mar6.161850.0>
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I have been waiting patiently for some Bios. Now I'm getting violent.
Where have all the bungis gone. I need the bios. (8-)

Patick
Roses and Rainbows to all

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From owner-glass Fri Mar  6 22:03:36 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Generic Question-Echoed Answer
Date: Sat, 7 Mar 1998 00:13:37 EST
Message-ID: <1998Mar7.51337.0>
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What?!? You've never heard of him? Well, I am really surprised. He is my
mentor. 
     Nick has been a leader in the stained glass industry since the early
1950's. He is the father of the tinfoil method. Using  chewing gum wrappers,
he has created many a master piece. Works of his may be found in the
Smithsonian and the like. If standing close enough to a large window that he
created, you can sometimes hear  radio stations from as far away as Korea.
     Gotcha!
      Susan
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From owner-glass Fri Mar  6 22:26:37 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Etching
Date: Fri, 06 Mar 1998 23:14:42 -0600
Message-ID: <1998Mar6.171442.0>
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Hello Again,

I have the good fortune to be able to use a computer that has a lazer
engraver to etch almost everything. The baby footprint idea is a
wonderful idea. I have taken it one step further, my son and his wife
will celebrate thier first wedding anniversary soon and I have asked her
mother to send me a copy of her birth certificate. I'm going to scan her
right foot  and her left foot, and laser engrave the date of marriage,
and other data. It is great because you can use any font, any photo, any
graphic, etc. I let you all know how it turns out.

BTW (nag, nag, nag,) Bios, input ... input .... input.

Patrick
Roses and Rainbows to all

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From owner-glass Fri Mar  6 22:33:24 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: dianebsmith@juno.com
Subject: Re: bronze lampbases
Date: Sat, 7 Mar 1998 01:06:55 -0500
Message-ID: <1998Mar6.20655.0>
References: <<1998Mar4.17495.0>>
Precedence: bulk

Diane,

You could try Handley Industries in Buffalo.   716-893-5377

While not "genuine bronze", they do have floor lamp bases at a reasonable
price.

(No, I'm not a shill for Handley!)    ;-)

Gary Dodge                    www.dodgestudio.com


On Wed, 4 Mar 1998 22:49:05 -0500 dianebsmith@juno.com (Diane B. Smith)
writes:
>	This is my first communication with this group.  I want to
>purchase bronze lampbases,  perhaps lost wax ones, for 2 Tiffany style
>shades I have received as gifts.  I want a floor base for a 28" 
>Magnolia
>and a table base for a 22" floral.  The bases at the local stained 
>glass
>shops are as expensive as the shades (which I hope to make some day, 
>when
>the children are older).  If anyone knows where I can obtain good 
>quality
>bronze bases at reasonable prices, I'd appreciate hearing from you.  I
>live in upstate N.Y., if shipping is an issue.  Thank you.
>			Diane B. Smith
>			dianebsmith@juno.com
>


_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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From owner-glass Fri Mar  6 23:01:42 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: GreerStudios@compuserve.com
Subject: Re: One-piece glass shades
Date: Sat, 7 Mar 1998 01:03:25 -0500
Message-ID: <1998Mar6.20325.0>
References: <<1998Mar5.103620.0>>
Precedence: bulk


Dani,

Not sure if these are what you're looking for, but I recently got a new
product announcement from J Handley & Co.  aka Handley Industries
announcing "Crystal Bristol Glass Shades for mosaics or painting.  Call
them at 716-893-5377

Gary Dodge                  www.dodgestudio.com


>Hi All-
>
>I have for some time now been
>looking for a source of glass shades-
>half-sphere with a hole drilled in the
>center, with or without a sandblasted
>outer surface.  I have had numerous
>requests for Handel-style custom
>lamp shades.  These are painted with
>artists colors on the inside, traditionally
>with a landscape or floral design, and
>the sandblast on the outside softens the
>effect as well as diffuses the light.  I
>saw a whole gaggle of them in various
>sizes at Hobby Lobby (made in China
>of course!) so I know the shades are
>manufactured somewhere!  Any leads
>are much appreciated - thanks!
>
>Best regards,
>
>Dani Greer
>Greer Gallery & Studios

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Sat Mar  7 07:04:18 1998
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X-Path: ComCAT.COM!suzy
From: suzanne albright <suzy@ComCAT.COM>
To: " pkelly" <pkelly@n-link.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: bios
Date: Sat, 7 Mar 98 09:20:56 -0500
Message-ID: <199803071418.JAA19692@uz.ComCAT.COM>
Precedence: bulk

Dear Getting-Violent Patrick (formerly Roses & Rainbows):

How are you planning on releasing these bios?

If it's alphabetical, we need to know Elisabeth's last name. It could be 
Aardvark, not Zwinehund.




Suzanne Albright
suzy@comcat.com


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From owner-glass Sat Mar  7 08:05:52 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Pricing fused glass
Date: Sat, 7 Mar 1998 10:21:50 -0500
Message-ID: <1998Mar7.52150.0>
Precedence: bulk

Pat Diacca Topp asked about fused paperweight
prices.

Your proposed prices are very much in line with
what I pay for wholesale blown paperweights.

Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Sat Mar  7 08:20:38 1998
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Message text written by Dani Greer:
<Internationally Unknown
Greer Gallery & Studios<

ROTFL

Christie A. Wood
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From owner-glass Sat Mar  7 08:36:10 1998
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Message text written by Dani Greer:
<Internationally Unknown
Greer Gallery & Studios<

ROTFL

Christie A. Wood
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From owner-glass Sat Mar  7 08:49:00 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Just checking.....
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
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Dear Suzanne, Patrick et al..

Bios.....hmm!
Before we arrive at "Z" (for Zwinehund ;-)    ) we still have to go 
through all the "A's", "B's" etc, which.... reminds me...... Albright 
comes loong before.  I assume that Mr. Kelly ALREADY (therefore)
is in full possession of your little epistle.... heh...? Mr. Kelly, 
by the way, has already received half a bio from this little corner, 
but I have still plenty of time before my full turn comes.... 
The original proposal was to release one a week.(Though I suppose it 
could be more, depending how much hassle everybody gives Patrick to 
part with a little something!)
 So we should expect YOURS next WEEK!!!!   :-D
 Elisabeth 'n Toby in UK

...whose name could be Anderson, Johansson, Ragnaroek, Zwinehund, 
Pettersson.... It's somewhere in between  ;-> (You'll have to wait & 
see....)

Suzanne wrote:
Dear Getting-Violent Patrick (formerly Roses & Rainbows):

How are you planning on releasing these bios?

If it's alphabetical, we need to know Elisabeth's last name. It could be 
Aardvark, not Zwinehund.






----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Sat Mar  7 09:08:51 1998
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X-Path: erols.com!nadinesfolly
From: Nadine Beth Schneider <nadinesfolly@erols.com>
To: Glass Enthusiasts <glass@bungi.com>, Gla@smtp2.erols.com
Content-Type: text/plain; charset=us-ascii
Subject: computer down
Date: Sat, 07 Mar 1998 11:29:29 -0500
Message-ID: <1998Mar7.62929.0>
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Hi everyone!
My computer, too, was down and decommissioned for over a week and I just
got it up and running yesterday.  I had so many messages from bungi, but
I did notice quite a few said they'd had computer trouble too at this
time.  We never could figure out what had gone wrong with mine.  Do you
think this was just an unlucky coincidence?
                             Nadine
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From owner-glass Sat Mar  7 09:36:02 1998
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X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: CWWSLW <CWWSLW@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Generic Question-Echoed Answer
Date: Sat, 07 Mar 1998 10:52:24 -0800
Message-ID: <1998Mar7.25224.0>
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>      Nick has been a leader in the stained glass industry since the early
> 1950's. He is the father of the tinfoil method.
> 
>      Gotcha!
>       Susan
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Susan and all,
	Thanks for the many replies.  I have done some 
investigating of my own.  And this is my findings.
	Nick of the tinfoil method, is the father of
Nick the teacher of my MIL, and the father of Mark
the beveler.
	I am throwing the towel in on this one, and 
negotiating the $10.00 issue.  Maybe because in some
way we were both right and wrong, we can make the
bet null and void!  Nex time I will not gamble with
so much money!<g>

Laurean
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From owner-glass Sat Mar  7 10:09:50 1998
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X-Path: t-online.de!Tiffany-Glas
From: Tiffany-Glas@t-online.de (Herbert Luidolt)
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re:  Free fairy pattern
Date: Sat, 7 Mar 1998 18:41:52 +0100
Message-ID: <m0yBNbc-0003MqC@fwd05.btx.dtag.de>
References: <<35015E93.6EFF@worldnet.att.net>>
Precedence: bulk

Hi Mike and all other,
the pattern are ready now. I think yesterday it was to late
for a work on the PC (Germany time 4,00 in the morning) ;-)



mike peck schrieb:
> Herbert,
>
> I tried the URL from your post to bungi, but it would not work.  Please
> check it and post again.
>
> http:/www.bastelzauber.com/fairy.htm
>
> Also, I can appreciate that English is not your primary language, but I
> understand you perfectly in your posts.  Thank you for trying to
> communicate with us in a language that is difficult for you.
>
> Mike Peck
>
>
> Herbert Luidolt wrote:
> > 
> > Hello to all,
> > last week i ask if you want maybe a fairy-pattern. And some
> > send me a mail. Now you could load the picture on following
> > Internet address: http:/www.bastelzauber.com/fairy.htm
> > 
> > Please not: the address are not on our main page or other.
> > We want publishing later a Pattern Book. And ties Pattern
> > are one from the Book. In past USA Wholesale want not sale
> > our Books in USA. So i think, ties book to we never sale in USA.
> > 
> > I hope you like the pattern.
> > I could not very good English, but i read the most
> > of the bungi list. I hope you are not bad at me,
> > because i could not writing many in the list.
> > 
> > herbert
> > 
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass

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From owner-glass Sat Mar  7 13:39:25 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: One-piece glass shades
Date: Sat, 7 Mar 1998 15:57:36 -0500
Message-ID: <1998Mar7.105736.0>
Precedence: bulk

Thanks to everyone who responded
to the glass shade question.  Handley's
in Buffalo, NY is the place to go.  For =

you information, they are wholesale only
so have your tax or business license =

available even before you can order the
catalog.  The good news is their minimum
order is only $50.  They carry everything
related to lighting.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Mar  7 15:06:43 1998
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X-Path: usaor.net!3hounds
From: Gloria & George <3hounds@usaor.net>
To: "'M. Savad'" <morn@nac.net>, Laurean <vlclover@rconnect.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Generic Question
Date: Sat, 7 Mar 1998 16:42:53 -0200
Message-ID: <1998Mar7.144253.0>
Precedence: bulk


Okay,
If you are taking a poll, I have not heard of him.
Gloria

-----Original Message-----
From:	M. Savad [SMTP:morn@nac.net]
Sent:	Friday, March 06, 1998 8:26 PM
To:	Laurean
Subject:	Re: Generic Question

Laurean wrote:
> 
> Anyone ever hear of Nick Bogenreif?
> 
> My MIL learned glass from him, and she
> is telling me he is world famous.  Me
> being skeptical, and her trying to be
> more than what she is, are in disagreement,
> and have $10.00 riding on this.
> 
> Laurean
> 
> ----


nope never heard of him.. what does he do?

---Mike Savad



-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sat Mar  7 15:22:50 1998
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X-Path: usaor.net!3hounds
From: Gloria & George <3hounds@usaor.net>
To: "'pkelly'" <pkelly@n-link.com>, "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Etching
Date: Sat, 7 Mar 1998 16:31:22 -0200
Message-ID: <1998Mar7.143122.0>
Precedence: bulk

 Okay, what is a laser engraver that is operating with the computer.. How does it  operate.
Thanks
Gloria

-----Original Message-----
From:	pkelly [SMTP:pkelly@n-link.com]
Sent:	Saturday, March 07, 1998 3:15 AM
To:	glass@bungi.com
Subject:	Etching

Hello Again,

I have the good fortune to be able to use a computer that has a lazer
engraver to etch almost everything. The baby footprint idea is a
wonderful idea. I have taken it one step further, my son and his wife
will celebrate thier first wedding anniversary soon and I have asked her
mother to send me a copy of her birth certificate. I'm going to scan her
right foot  and her left foot, and laser engrave the date of marriage,
and other data. It is great because you can use any font, any photo, any
graphic, etc. I let you all know how it turns out.

BTW (nag, nag, nag,) Bios, input ... input .... input.

Patrick
Roses and Rainbows to all

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From owner-glass Sat Mar  7 15:37:50 1998
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From: Gloria & George <3hounds@usaor.net>
To: "'bungians'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: IGGA News Memo
Date: Sat, 7 Mar 1998 16:59:25 -0200
Message-ID: <1998Mar7.145925.0>
Precedence: bulk



Albert,
At about what time will you arrive at Yough.. I am one of the lucky =
bungians that lives in the Yough neighborhood  (45 minutes away, and =
wanting to buy a decent green lampglass) and would like to meet with =
you, and the fun loving bus load of bungians  there..  By the way, will =
you being leading the song "1,000 bottles of beer on the wall" =20
Please leave me know
Gloria=20

-----Original Message-----
From:	Albert Lewis [SMTP:alewis@vgernet.net]
Sent:	Friday, March 06, 1998 8:01 AM
To:	Int'l@daver.bungi.com; Guild@daver.bungi.com; of@daver.bungi.com; =
Glass@daver.bungi.com; Artists@daver.bungi.com
Subject:	IGGA News Memo

THE BUS IS FULL
The bus trip to Youghiogheny Glass, Fallingwater, and Nemacolin =20
Woodlands Resort planned by  Warner-Crivellaro for their Glass=20
Lover's Weekend, departing Allentown on Saturday, April 18th at 5:00=20
a.m. bound for the Youghiogheny Glass Factory in Connellsville,=20
Pennsylvania is fully booked. If you missed this one, you'll be=20
interested to know that they're planning another one for September.=20
We'll keep you posted.

NEW WORK ONLINE
We added even more work to the Architectural Art Glass Light Show=20
this morning ... not a lot, but very nice work by Arthur Stern of=20
California is right at the top of the show at this point. (The images=20
of his work are linked to his web site, which is one of the nicest=20
we've seen -- congrats, Arthur!)

Go to http://www.stainedglassbiz.com/ and click on "Artists" in the
upper left-hand corner. You'll see "Light Show" pop up ... click on
that and follow the directions. ("Click here to start the show" ... =
simple!)

Remember: the "Back" "Pause" and "Forward" buttons in the upper
right-hand corner of each screen give you complete control. Don't want
to move to the next image? Click on "Pause" and it'll stay there until
you're ready to go. Through looking at that image? Click on "Forward"
and get the next image. Want to move backward to the previous image?
Or the image 5 frames ago? Click on "Back."

Enjoy!

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From owner-glass Sat Mar  7 15:39:09 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: RE: IGGA News Memo
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sat, 7 Mar 1998 17:43:32 +0000
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> At about what time will you arrive at Yough.

Unfortunately, I won't be able to go along on the trip. For your other 
questions, call 1-800-523-4242 or 610-264-1100, extension #128 
and ask for Chris.

Albert

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From owner-glass Sat Mar  7 16:10:17 1998
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From: Gloria & George <3hounds@usaor.net>
To: "'Stephanie Hansen'" <sgt@glasstreasures.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Cat eyes
Date: Sat, 7 Mar 1998 18:19:59 -0200
Message-ID: <1998Mar7.161959.0>
Precedence: bulk



Hi you all,
just trying to catch up on my mail.. For eyes, I use Australian =
Rhinestones.. For dragons, I use red, for most birds, they are black, =
for the center of flowers, whatever color might apply.. They are nice, =
since they are mirror backed, they reflect most colors in the dark or =
catch a glimmer of light when walking by.. For cat's eyes. might chose a =
peridot  or yellow/amber  and scratch a line on the back, paint it black =
and solder it to the project..=20
Gloria

-----Original Message-----
From:	Stephanie Hansen [SMTP:sgt@glasstreasures.com]
Sent:	Friday, February 27, 1998 2:05 PM
To:	glass@bungi.com
Subject:	Re: Cat eyes

Suzanne had several good suggestions on eyes.  I've used paint before,
also, but what I usually use for eyes on my hummingbirds, goldfish, etc.
are little solder blobs that I glue on.  I often have little drops of
solder that dry up with a flat bottom and rounded top that work out
perfectly for eyes.

Steph ~


-----------------------------------
Stephanie Hansen - Stained Glass Treasures/Dallas, TX
Affordable stained glass pieces for gifts or personal use
Enter the sweepstakes to win a stained glass suncatcher!
<mailto:sgt@glasstreasures.com>   <http://glasstreasures.com/>
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From owner-glass Sat Mar  7 16:28:29 1998
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From: "Valerie Spellman" <paintedlight@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Art Fairs
Date: Sat, 7 Mar 1998 17:18:36 -0600
Message-ID: <1998Mar7.111836.0>
Precedence: bulk

Hi. My name is Valerie Spellman and I live in Omaha, Nebraska.  I am new to
the bungi group.  I have been working full time in stained glass for two
years.  This summer I will be participating in my first juried art fair.  I
was wondering if anyone in the group makes their living at art fairs and if
they have
any suggestions for a successful show.
Thanks!
Valerie

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From owner-glass Sat Mar  7 17:36:44 1998
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>To: glass@bungi..com
>From: artglass@water.waterw.com (pj friend)
>Subject: Re: Generic Question
>
>>To: "Albert Lewis" <alewis@vgernet.net>
>>From: artglass@water.waterw.com (pj friend)
>>Subject: Re: Generic Question
>>Cc: 
>>Bcc: 
>>X-Attachments: 
>>
>>I know I am late with this but
>>
>>
>>>> Anyone ever hear of Nick Bogenreif?
>>
>>
>>Never. And ditto to Albert's answer.
>>And what is the tinfoil method.????????????????????
>>And what do you use it for???????  Shake and bake?
>>
>>my best,
>>pj
>>
>>
>>
>>>> 
>>>> My MIL learned glass from him, and she 
>>>> is telling me he is world famous.  Me 
>>>> being skeptical, and her trying to be
>>>> more than what she is, are in disagreement,
>>>> and have $10.00 riding on this.
>>>
>>>World famous? Hmm. I've been involved with the glass world for the 
>>>past 30 years and haven't heard of him, although that doesn't mean he 
>>>doesn't do good work. I show that he lives in Iowa, but other than 
>>>that I don't know anything about him or his work. I realize it's 
>>>incredibly arrogant to assume that if I don't recognize someone's 
>>>name or can immediately visualize his/her work, he/she isn't world 
>>>famous, but there you are. Just call me arrogant. <g>
>>>
>>>On the other hand, I'd *like to know what his work is like, so if you 
>>>talk to him, let him know I'm interested. (Do I get a piece of the 
>>>ten dollars?) <g>
>>>
>>>Albert
>>>
>>>----
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>>>Archives available at http://www.bungi.com/glass
>>>
>>>
>>
>
>

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From owner-glass Sat Mar  7 18:09:25 1998
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From: NCScouter <ncscoutr@aol.com>
To: CWWSLW <CWWSLW@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Generic Question-Echoed Answer
Date: Sat, 07 Mar 1998 20:34:59 -0800
Message-ID: <1998Mar7.123459.0>
References: <<1998Mar7.51337.0>>
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

CWWSLW wrote:
> 
> What?!? You've never heard of him? Well, I am really surprised. He is my
> mentor.
>      Nick has been a leader in the stained glass industry since the early
> 1950's. He is the father of the tinfoil method. Using  chewing gum wrappers,
> he has created many a master piece. Works of his may be found in the
> Smithsonian and the like. If standing close enough to a large window that he
> created, you can sometimes hear  radio stations from as far away as Korea.
>      Gotcha!
>       Susan
> ----
...and they said that there was no more LIFE on bungi since the Great
Blackout of '98!!?!?!?!???
puuuhLEEEZZZ!!!! <In the immortal voice of Groucho> This is the goofiest
place I evah hoyyd!
V T Phelps
Shoreline Glassworks, Ltd.
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From owner-glass Sat Mar  7 18:38:01 1998
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From: Artglaswks <Artglaswks@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Help me figure this one out
Date: Sat, 7 Mar 1998 21:12:42 EST
Message-ID: <1998Mar8.21242.0>
Precedence: bulk

Dear Bungians:

A client has commissioned me to create a 3 x 6 foot pannel to be installed in
an exisiting window space of that size.
This panel is to be of aesthetic value only and will not open and close.
The client has proposed the incorporation of a light box to be installed with
the panel so they might enjoy its beauty in the evening hours as well.
I will appreciate any comments from bungians who have taken on this sort of
feat and may be able to assist me.

Many thanks,
K L Winter-Schulz
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From owner-glass Sat Mar  7 18:55:31 1998
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From: NCScouter <ncscoutr@aol.com>
To: Gloria & George <3hounds@usaor.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: IGGA News Memo
Date: Sat, 07 Mar 1998 20:49:48 -0800
Message-ID: <1998Mar7.124948.0>
References: <<1998Mar7.145925.0>>
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

Gloria & George wrote:
> 
> Albert,
> At about what time will you arrive at Yough.. I am one of the lucky =
> bungians that lives in the Yough neighborhood  (45 minutes away, and =
> wanting to buy a decent green lampglass) and would like to meet with =
> you, and the fun loving bus load of bungians  there..  By the way, will =
> you being leading the song "1,000 bottles of beer on the wall" =20
> Please leave me know
> Gloria=20
> ----
Don't you mean the song,
"1,000 samples of glass in the hall,
1,000 samples of glass.
You take one down
to pass--it falls down
& breaks to become a pain in the...!"
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From owner-glass Sat Mar  7 22:08:38 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Update to the Bios Saga
Date: Sat, 07 Mar 1998 23:44:57 -0600
Message-ID: <1998Mar7.174457.0>
Precedence: bulk

About five on my disk and 395 or so to go.

This is as hard as chicken lips or herding cats. Heeeeellllllp. Take
time to send me your bios or I will hex every pattern  you cut to have
many an inside curves.

And always remember:

" All work and no play makes Jack a dull boy .... and Jill a wealthy
widow" - Evan Esar

Has anyone seen Jill. Tell her to call and we'll do lunch.

Patrick
Roses and Rainbows


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From owner-glass Sun Mar  8 09:38:28 1998
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From: TifStyOrig <TifStyOrig@aol.com>
To: Artglaswks@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Help me figure this one out
Date: Sun, 8 Mar 1998 11:31:12 EST
Message-ID: <1998Mar8.163112.0>
Precedence: bulk

In a message dated 98-03-07 21:38:34 EST, Artglaswks@aol.com writes:

<< A client has commissioned me to create a 3 x 6 foot pannel to be installed
in
 an exisiting window space of that size.
 This panel is to be of aesthetic value only and will not open and close.
 The client has proposed the incorporation of a light box to be installed with
 the panel so they might enjoy its beauty in the evening hours as well.
 I will appreciate any comments from bungians who have taken on this sort of
 feat and may be able to assist me.
  >>

What about just installing an outside light that can be turned on at night and
shine through the window so it can be illuminated at night?  Just a
thought.........
Diane
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From owner-glass Sun Mar  8 11:09:44 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Art Fairs
Date: Sun, 8 Mar 1998 13:22:12 -0500
Message-ID: <1998Mar8.82212.0>
Precedence: bulk

Message text written by "Valerie Spellman"
>This summer I will be participating in my first juried art fair.  I
was wondering if anyone in the group makes their living at art fairs and =
if
they have
any suggestions for a successful show.<

How to survive your first juried art fair:
- Make a list of what you will need to take with you to
the art fair.  Here's my partial list:

Artwork:        panels, suncatchers, mirrors, boxes, lamps, lampbases,
jewelry
misc.:  suction hooks, display stands, jewelry stands

Supplies
legal papers, signage, business cards, sales/order book, MC/VISA stuff,
photo book,
pattern books (opt.), gift certificates,  newspaper reprints, calculator,=

$$$ & change,
black & red pens & paper,  pricing stickers, bags & bubble wrap, glass
cleaner &
cloth, camera & film

Comforts
water, soda, cooler, lunch, snacks, something to do (read), boombox & CDs=

(if allowed)
show clothes & set-up/tear-down clothes
Outdoors: umbrella, sunglasses & sunscreen

Setup
display unit, furniture polish & cloth, folding chair, table cloth for
hiding
wrapping supplies & bags, chain, (2) needle-nose pliers, regular pliers,
rubber mallet,
fishing line, scissors, hanging hooks, re-inforced tape
Indoor setup: track lights, (6) 50 watt bulbs, track lighting hardware,
extension chords, (2)
switches, power strip

I'm sure I've forgotten something, but others will fill it in.  Good luck=
=2E
Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Sun Mar  8 13:39:07 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
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Subject: New Tool
Date: Sun, 8 Mar 1998 16:16:13 -0500 (EST)
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Precedence: bulk

I have just found what the world of glass is coming to.


Check out

http://www.ipbnet.com/kneedeep/profile.html

After this I think I need a cup of coffee.

my best,
pj

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From owner-glass Sun Mar  8 14:12:25 1998
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From: C Odlum <codlum@westnet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: silvering
Date: Sun, 08 Mar 1998 16:34:04 -0500
Message-ID: <1998Mar8.11344.0>
Organization: WestNet Internet Services
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Hello,
I'm trying to find out how mirrors are made. (Curiosity was spiked when
a decorative wall mirror I have broke). Is silvering, as described in 
Mickey's formulae, the process that produces a mirror? Can mirrors be
produced only by complex industrial processes? (I've been experiementing
with silver spray on glass and silver leaf behind glass which produce a 
poor reflection).

Regards,
Catherine Odlum
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From owner-glass Sun Mar  8 14:47:16 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
Content-Type: text/plain;
Subject: Re: Art Fairs/bring
Date: Sun, 8 Mar 1998 14:16:59 -0800
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I can add some selling techniques.....

If your items run the gamut of prices from under $10.00 to a few hundred or
more, be PREPARED to offer a "gift " (cheap) to a wavering large
spender....people will spend a lot of money to get something for "free".

Some of the shows get people who wait out the last day to "negotiate" a
better price as they think you do not want to pack it up and take it
home....if you get that feeling, joking suggest that the last day may be
even higher, as it did not sell at a lower price. Play with the public, if
you have not sold a piece, what is there to loose.

Whenever possible, get a deposit, and if they change their mind (not long
term) return the deposit.
If it is a fast moving item and you have a lot of them, mark sold on one or
two, people are usually more comfortable when their choices are re-inforced
by others doing the same thing (buying the same type item).

More later as I have a ceramic tile job to do.

enjoy, H

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From owner-glass Sun Mar  8 15:13:47 1998
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From: Shirley Suter <ssuter@intrastar.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Art Fairs
Date: Sun, 08 Mar 1998 16:52:13 -0600
Message-ID: <1998Mar8.105213.0>
References: <<1998Mar8.82212.0>>
Organization: Intrastellar Internet Service  & Suter's Stained Glass
Precedence: bulk

Christie wrote:
> I'm sure I've forgotten something, but others will fill it in.  

Though it has been a few years since I've done shows,
Christi's list looks great.  The only other thing I would
add is a guestbook.  This can be an invaluable tool for
future announcements and sales.

Be sure to have (and give away) a hefty supply of business
cards.  One of my last  multi-thousand dollar jobs stemmed
from an overheard conversation in a restaurant and a
tattered business card from a show years ago.  Although I'm
sure others have different experiences, business cards have
probably been my single biggest generator of commissioned
sales.

Good luck and have fun, Valerie! :)

Shirley Suter
Grapeland, Tx.
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From owner-glass Sun Mar  8 15:45:03 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: New Tool
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 8 Mar 1998 18:18:47 +0000
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> I have just found what the world of glass is coming to.

pj,

The phrases in the text ("This is an insired art object and not to be 
taken seriously as a real tool. ... Paramount to all of its 
outstanding features, the Electronic Cordless Glass Cutter never 
wares out" should have tipped you off to the fact that it's a 
knee-slapper. <g> We posted this to bungi a few weeks ago and even 
included it on the "New Products" page at stainedglassbiz.com for a 
minute or two (okay, it was a day or so).

Something makes me think it's a Dan Fenton Production, particularly 
since there's a mention of *fish! (He's a madman when it comes to 
fishing.)



Albert

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From owner-glass Sun Mar  8 16:14:07 1998
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From: SusieHUs <SusieHUs@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: New Tool
Date: Sun, 8 Mar 1998 18:26:39 EST
Message-ID: <1998Mar8.232639.0>
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In a message dated 98-03-08 16:39:36 EST, artglass@water.waterw.com writes:

<< I have just found what the world of glass is coming to.
 
 
 Check out
 
 http://www.ipbnet.com/kneedeep/profile.html
 
 After this I think I need a cup of coffee.
 
 my best,
 pj >>

Hi pj,

You did notice that it says that the item is an art object and not functional,
didn't you?  Even so, I still think it's pretty goofy too.

Susie......whose glass cutter is already cordless, thank you very much!
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From owner-glass Sun Mar  8 16:49:17 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: C Odlum <codlum@westnet.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: silvering
Date: Sun, 08 Mar 1998 18:54:01 -0500
Message-ID: <1998Mar8.13541.0>
References: <<1998Mar8.11344.0>>
Precedence: bulk

C Odlum wrote:
> 
> Hello,
> I'm trying to find out how mirrors are made. (Curiosity was spiked when
> a decorative wall mirror I have broke). Is silvering, as described in
> Mickey's formulae, the process that produces a mirror? Can mirrors be
> produced only by complex industrial processes? (I've been experiementing
> with silver spray on glass and silver leaf behind glass which produce a
> poor reflection).
> 
> Regards,
> Catherine Odlum
> ----


from what i've seen on tv you need to have a very clean piece of clear
glass. de-ionized water, which i believe is charged with electrons. then
the silver is deposited on the glass by an electroplate process. but the
guy was talking fast, so that may not be the most accurate in the world.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sun Mar  8 17:10:07 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Rudley's Home Page
Date: Sun, 8 Mar 1998 19:11:48 EST
Message-ID: <1998Mar9.01148.0>
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 <A HREF="http://www.ipbnet.com/kneedeep/index.html">Knee Deep Inc. Home Page
</A> 

I don't know if this link will work on this type of list, but I'm giving it a
shot.  If it doesn't the URL is:
http://www.ipbnet.com/kneedeep/index.html
The Electronic Cutter is pictured, as well as, Yepper Fish.

Lu Ann <Whispy Blu@aol.com>
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From owner-glass Sun Mar  8 17:16:53 1998
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From: Shiela Dunn <tuka@bc.sympatico.ca>
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Subject: Bumblebee Stained Glass
Date: Sun, 08 Mar 1998 16:47:40 -0800
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To Paul Wallace, Bumblebee Stained Glass in Caldwell, Ohio
I lost your address.  Please e-mail tuka@bc.sympatico.ca
Thanks
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From owner-glass Sun Mar  8 17:47:46 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Art Fairs
Date: Sun, 8 Mar 1998 16:50:33 -0800
Message-ID: <199803090050.QAA12099@norm.island.net>
Precedence: bulk

Scanning Christie's list over quickly, I noticed she forgot to mention the
following:

*** your portfolio *** pattern books are ok, but they don't show what YOU
are capable of.

I always take one or 2 large commissions that I haven't yet installed to
highlight as show stoppers.  Take commissions that are truly representative
of the style of glass you enjoy doing most...make sure the designs are
original.  Even if these pieces are going to be permanently installed,
solder some hooks on temporarily...you can remove them later.  Put SOLD on
it, and the price...generates lots of interest, particularly if it's an
unusual technique.  I have landed several repeat clients this way...

I also have a plastic tool box that is always kept stocked and ready to go
with all the tools, odds and ends that Christy mentioned.

As for something to read, I would say NOT.  Remember, you're not just as the
show to sell in the moment, you're there to make contacts for future sales.
So schmooze your little heart out...someone may be looking for a specific
item that you could land as a custom order...or you can get an idea about
what might be a hot seller for future shows.  If it's not busy, talk to
other artists around you...you can learn lots about when the best shows are
for the following year if you're going to take this up as a serious
marketing route.

Be sure and take down names, numbers of anyone who expresses interest (I
usually jot down a couple of notes too as soon as they leave).  Be sure and
follow up with a phone call within 1 month of the show.  The notes are
important...that way you can say "Hi Mrs. Smith, we were talking last month
at the XXX Art Show about the prairie style cabinet doors...if I remember
correctly, you were wanting some purple glass in them to match your... (This
kind of "memory" impresses the hell out of prospective clients) and it's
important in dealing with high end clients.  Depending on the show and its
history you have a good chance of hooking up with high end folk at juried shows.

Good luck

Carol Swann
Synergy Glass & Creative

(who is using select high end shows to build a custom clientele)

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From owner-glass Sun Mar  8 18:10:03 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: New Tool
Date: Sun, 8 Mar 1998 19:56:35 -0500 (EST)
Message-ID: <199803090056.TAA15618@water.waterw.com>
Precedence: bulk

HI Susie,

I did know it was an art object.  

Just wanted to pass it on.

my best,
pj


< did notice that it says that the item is an art object and not functional,
>didn't you?  Even so, I still think it's pretty goofy too.
>
>Susie......whose glass cutter is already cordless, thank you very much!
>----
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>
>

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From owner-glass Sun Mar  8 19:49:28 1998
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X-Path: softcom.net!mthaxton
From: Melissa Thaxton <mthaxton@softcom.net>
To: 'bungians' <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Inspiration
Date: Sun, 08 Mar 1998 19:10:51 -0800
Message-ID: <1998Mar8.111051.0>
Precedence: bulk

Hi again everyone.
    I have just gotten back on the list.
I was wondering what you guys do when you just don't have a spark to do
a project in glass.  It's been cold here and it's hard to stay
comfortable in the garage.  My problem is that I have to make a box for
my husbands aunt by April and I am lost...nothing zippo.  I am
especially good with boxes, when I am inspired.  Ugh!  This is
frustrating.
Thanks,
            Melissa

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From owner-glass Sun Mar  8 20:51:20 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Tiffany windows on A&E's America 's Castles.
Date: Sun, 08 Mar 1998 20:01:07 -0800
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References: <<1998Mar8.84740.0>>
Organization: Maiden Concepts
Precedence: bulk

I was watching A&E's American Castles.  They showed this mansion built
by a coal heiress/widow(wasn't really watching, just listening and
looking up now and then). I am sure Albert knows where it is(don't you
Albert?).  It got my attention when they showed 3 windows done by
Tiffany.  They are valued now at over 5 million dollars.  The home
overlooks the Youghiogheny River.  It was great to hear someone
pronounce that word with ease.  The windows were out of this world and
are considered amoung Tiffany's best work.
It is a museum now.  The care and detail and workmanship in each room,
is enough to make you drool.  Tiffany's windows are a bonus.
Shame you guys going on the bus trip, couldn't take a detour.
Oh well next times A&E airs America's Castles you can see them.
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From owner-glass Sun Mar  8 23:46:51 1998
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From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 02:09:12 EST
Message-ID: <1998Mar9.7912.0>
Precedence: bulk


 In a message dated 98-03-08 20:48:11 EST, you write:
 
 << 
  As for something to read, I would say NOT.  Remember, you're not just as the
  show to sell in the moment, you're there to make contacts for future sales.
  So schmooze your little heart out...someone may be looking for a specific
  item that you could land as a custom order...or you can get an idea about
  what might be a hot seller for future shows.  >>
 
 
 Hi, 
 
 I've been lurking for a few weeks and have been learning some useful things
about glass. Thanks.
 
 I have a big problem with going to an art fair or even a regular shop and
being "schmoozed" by the owner. It gives me the creeps and I just can't wait
to get out of their shop. They may have the most wonderful things for sale but
I can't stand having someone standing over me and explaining every little
detail of an object to me. If I'm interested, I'll ask.
 
  
 Dianne
 

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From owner-glass Mon Mar  9 06:19:58 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Art Fairs
Date: Mon, 9 Mar 1998 07:14:48 -0500
Message-ID: <1998Mar9.21448.0>
Precedence: bulk

Hi all,

	I've really enjoyed reading this thread.  I don't have any plans
for ever doing shows, but I've found the topic very interesting.  I guess
you never know.  Would someone please explain what a "juried show" is?  I
don't know much about art fairs or craft fairs, but I've heard that term
and have no clue what it means?  Does someone judge what will be in the
show?

Thanks,
Jerri



<Big Snip>

 Depending on the show and its
>history you have a good chance of hooking up with high end folk at 
>juried shows.
>
>Good luck
>
>Carol Swann
>Synergy Glass & Creative

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Mon Mar  9 07:22:51 1998
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X-Path: indiana.edu!dfdavis
From: donald f davis <dfdavis@indiana.edu>
To: DMR74 <DMR74@aol.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Fluxamatic Mashed Potato
Date: Mon, 9 Mar 1998 08:50:40 -0500 (EST)
Message-ID: <1998Mar9.35040.0>
References: <<1998Mar5.163123.0>>
Precedence: bulk

I hate to pop your bubble... but as a stained glasser and an electrician
by trade.  It is 100% possible for the power in her outlet to run at "half
mast"  or anything in between.  I think you should have the iron and the
power both checked out!  It could save the fire department a trip to your
house.  

Don....

On Thu, 5 Mar 1998, DMR74 wrote:

> In a message dated 98-03-04 12:57:44 EST, you write:
> 
> > Electrical outlets either work or
> >  they don't work. (they don't run at half mast)
> this isn't entirely true,  I don't know all the technical aspects of it but I
> do know that if you run say a refrigerator or an airconditioner off of an
> extension cord you will get less something, voltage?, and you will burn up the
> motor.
> deb
> ----
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From owner-glass Mon Mar  9 08:05:04 1998
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From: "M. Savad" <morn@nac.net>
To: Melissa Thaxton <mthaxton@softcom.net>
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Subject: Re: Inspiration
Date: Mon, 09 Mar 1998 09:58:41 -0500
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Melissa Thaxton wrote:
> 
> Hi again everyone.
>     I have just gotten back on the list.
> I was wondering what you guys do when you just don't have a spark to do
> a project in glass.  It's been cold here and it's hard to stay
> comfortable in the garage.  My problem is that I have to make a box for
> my husbands aunt by April and I am lost...nothing zippo.  I am
> especially good with boxes, when I am inspired.  Ugh!  This is
> frustrating.
> Thanks,
>             Melissa
> 
> ----


do what i do: look through books and pictures of buildings and
architecture, for more intresting shapes. or if you want somthing more
simple, look through your shells, rocks, bevels, drapery glass, etc for
an insert. or for a medium box, make it simple, but make a 5 piece lid,
and insert a tray (like my pink boxes).

or look it up online, there are quite a few other people that have boxes
online. like my site. :)

---Mike Savad



-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar  9 08:23:21 1998
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X-Path: chescom.net!dmm
From: "Don McDonald" <dmm@chescom.net>
To: PDRUSS@aol.com, glass@bungi.com
Subject: Re: Art Fairs
Date: Mon, 09 Mar 1998 09:02:44 -0600
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Dianne,

I, too hate it when a shop owner or booth owner hovers over me and
explains every detail...makes me feel like I'm going to steal or have
no idea what I'm looking at or I don't have enough inteligence to
understand why the object costs.  But I also hate it when I have a
question about something and have to interrupt someone's reading or
working to ask it.

Don M. McDonald
Director, Web Services
Chesapeake Communications Corporation

>>> P D RUSS <PDRUSS@aol.com> 03/09 1:09 AM >>>

 I have a big problem with going to an art fair or even a regular
shop and
being "schmoozed" by the owner. It gives me the creeps and I just
can't wait
to get out of their shop. They may have the most wonderful things for
sale but
I can't stand having someone standing over me and explaining every
little
detail of an object to me. If I'm interested, I'll ask.
 
  
 Dianne
 

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From owner-glass Mon Mar  9 08:42:21 1998
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From: "M. Savad" <morn@nac.net>
To: jerri m Roey <jroey@juno.com>
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Subject: Re: Art Fairs
Date: Mon, 09 Mar 1998 10:06:14 -0500
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jerri m Roey wrote:
> 
> Hi all,
> 
>         I've really enjoyed reading this thread.  I don't have any plans
> for ever doing shows, but I've found the topic very interesting.  I guess
> you never know.  Would someone please explain what a "juried show" is?  I
> don't know much about art fairs or craft fairs, but I've heard that term
> and have no clue what it means?  Does someone judge what will be in the
> show?
> 
> Thanks,
> Jerri
> 
> <Big Snip>
> 
>  Depending on the show and its
> >history you have a good chance of hooking up with high end folk at
> >juried shows.
> >
> >Good luck
> >
> >Carol Swann
> >Synergy Glass & Creative


a juried show is a show that you can sell your items, but may also get a
prize for entering something nice. i'm pretty sure you have to pay to
get in (as the artist). it's like an artshow (with paintings and the
like), where your competing and selling. 

a normal craft show, you sell stuff, but the only prize is the booty you
get to bring home with you at the end of the day. (you can fill in your
own definition of booty).

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar  9 08:47:51 1998
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From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
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Subject: Re: Inspiration
Date: Mon, 9 Mar 1998 10:10:23 EST
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Melissa,
try to sit back and enjoy a bunch of pattern books and stainglass catologs,
after a time you will find things that you want to do.  I do this only because
my shop is across the field in my office and I only go there in the am so at
nite I study the patterns.
deb
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From owner-glass Mon Mar  9 09:01:12 1998
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From: Garry  & Linda   McKenna <mnvve3@kwic.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Inspiration
Date: Mon, 09 Mar 1998 10:10:05 -0500
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Melissa :  I know EXACTLY what you have. A friend calls it "drop-arse" I am
suffering from a bad case of it right now! I can tell you that it is not
fatal, and my personal solution is to sit right down and read several of the
books that have been waiting my attention for a couple of months now. With
any luck at all the feeling will pass fairly soon and I can get back to all
the glass stuff that is waiting me.
Linda 
 At 07:10 PM 8/3/98 -0800, you wrote:

>Hi again everyone.
>    I have just gotten back on the list.
>I was wondering what you guys do when you just don't have a spark to do
>a project in glass.  It's been cold here and it's hard to stay
>comfortable in the garage.  My problem is that I have to make a box for
>my husbands aunt by April and I am lost...nothing zippo.  I am
>especially good with boxes, when I am inspired.  Ugh!  This is
>frustrating.
>Thanks,
>            Melissa
>
>----
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>
>
GARRY & LINDA McKENNA
  TILLSONBURG ONT CANADA
   519 842-9909
  
 LINDA'S HOBBY: STAINED GLASS
 GARRY'S HOBBY:  AMATURE RADIO CALL VE3MNV

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From owner-glass Mon Mar  9 09:12:18 1998
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From: ItsAlison <ItsAlison@aol.com>
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Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 10:36:16 EST
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In a message dated 98-03-09 09:20:40 EST, jroey@juno.com writes:

<< Would someone please explain what a "juried show" is?  I
 don't know much about art fairs or craft fairs, but I've heard that term
 and have no clue what it means?  Does someone judge what will be in the
 show? 

Hello Jerri,
   A "juried show" just means that you are asked to send in pictures or slides
of your work that are viewed by a committe who will decide which applications
are accepted for entrance in the show.  In other non-juried shows many times a
photo is requested, and in other shows anyone who applys while there is still
space to be had, is accepted.  The overall quality of the works displayed
tends to be  higher in the juried shows because of the stricter entrance
requirements  ~Alison~
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From owner-glass Mon Mar  9 09:16:05 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 10:15:50 -0500 (EST)
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Hi Diane,

You have to realize that at an art fair the only time the artist has to get
you to
purchase (and that is the main reason they are there) is to approach you as
soon as you enter their space.  Most artists enjoy telling stories of how
they do what they do and where their inspiration comes from.  And to be
honest most people who attend craft or art shows are there because they
enjoy art and socializing with artists.  
And hearing those stories.

The problem with not approaching people when they enter your booth at a show is
they will think you are disinterested in them and your own work.

Selling Art at craft and art shows is an "art" in itself.  You have to
really be able to read
people.  And most of the time its like being on stage for one or two days at
a time and
some shows even more.  Thats why the recovery period is so long <BG>.

Maybe if when you approached the artist or shop that you want to browse in
just let them know you are looking and will let them know if there is
anything they can help you with.

I understand the feeling of pressure you get when someone is hovering over you
the whole time.  

But there are diplomatic ways to get around it without hurting anyone's
feelings.


my best,
pj ( who is grateful that her show days are over!!!!)

> 
> I have a big problem with going to an art fair or even a regular shop and
>being "schmoozed" by the owner. It gives me the creeps and I just can't wait
>to get out of their shop. They may have the most wonderful things for sale but
>I can't stand having someone standing over me and explaining every little
>detail of an object to me. If I'm interested, I'll ask.
> 
>  
> Dianne
> 
>
>----
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>
>

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From owner-glass Mon Mar  9 09:33:06 1998
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Subject: Re: Inspiration
Date: Mon, 9 Mar 1998 10:23:57 EST
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In a message dated 98-03-08 22:49:58 EST, mthaxton@softcom.net writes:

<<  have just gotten back on the list.
 I was wondering what you guys do when you just don't have a spark to do
 a project in glass.  It's been cold here and it's hard to stay
 comfortable in the garage.  My problem is that I have to make a box for
 my husbands aunt by April and I am lost...nothing zippo.  I am
 especially good with boxes, when I am inspired.  Ugh!  This is
 frustrating.
 Thanks,
             Melissa >>

Gee Melissa, I dont realy blame you for not wanting to work in a cold work
area. I think the first thing is to make your work area as comfortable and
inviteing as possible.  I have a stereo system on a shelf above my work area
(a gift form my hubby who does glass too)  To help feel inspired I just listen
to some really good music that I love and enjoy, and its easier to work
happily away.  Maybe choosing some glass that excites you and working on a new
version of one of your box designs would get you started.....then even a radio
and a space heater (temporary while you work) could help make that work area
more inviteing. ~Alison~
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From owner-glass Mon Mar  9 09:35:21 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
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Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 07:52:44 -0800
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>I have a big problem with going to an art fair or even a regular shop and
>being "schmoozed" by the owner. It gives me the creeps and I just can't wait
>to get out of their shop. They may have the most wonderful things for sale but
>I can't stand having someone standing over me and explaining every little
>detail of an object to me. If I'm interested, I'll ask.

Diane, I know what you mean...and nothign sends me out of a store faster
than what you describe. I'm glad you wrote back...I'd hate to have anyone
think that's what I'm advocating. <CR (that's my abbreviation for cringe)>

Actually, that's NOT how I schmooze...I don't even like the word but don't
know what else to call it.  Basically, I engage people in conversation...and
LISTEN MORE THAN I TALK.  We often don't even talk about my glass...I ask
questions about what drew them into the booth...often they're thinking about
having a window done but don't know how to describe it.  I help them clarify
their ideas, compliment them on their taste (after all, they're in MY booth
<BG>), ask them where they're from, etc.  People love to talk about
themselves, and it's a great way to get feedback...if enough people say I'm
looking for a widget in glass, maybe you should build some widgets for your
next show.  This is called market research. Listen to your potential
customers.  

Last show I did, a sweet older lady in her 70s ended up telling me all about
the bed her husband built her when they were married...that was her
touchpoint to art...the appreciation of the time, energy and love that went
into his woodworking.  No, I didn't sell her anything this time, but she has
my card, knows where my store is and she may buy a gift for someone in the
future.

That's what I call schmoozing...I rarely go all technical about my work, and
I always ask first before I show someone a variety of items they might be
interested in.  There are times when that's appropriate and they'll let you
know if that's what they want.

Guess I developed this out of the fact I hate being sold to, plus the fact
that glass is a solitary occupation and it's a chance to get out into the
real world for a couple of days.

Carol Swann
Synergy Glass & Creative

(who is looking forward to warmer weather when she can move to her outdoor
studio instead of looking through a window at the rain)


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From owner-glass Mon Mar  9 09:58:05 1998
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From: Garry  & Linda   McKenna <mnvve3@kwic.com>
To: glass@bungi.com
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Subject: Inspiration
Date: Mon, 09 Mar 1998 10:58:15 -0500
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Seriously Melissa--
It's a problem we all have at one time or another.  Why don't you check your
work space - see if it needs tidying, re-organizing, whatever.  Make
yourself something - we so rarely take the time to do something for
ourselves.  Make a little fairy to hang in the window for good luck, or make
a little flower to remind you that spring is really coming.  Sometimes just
the simple act of getting the cutter out and making that first score will be
enough to get the creative juices flowing again. Mine arn't flowing yet, but
I know it will happen soon.
Linda 
GARRY & LINDA McKENNA
  TILLSONBURG ONT CANADA
   519 842-9909
  
 LINDA'S HOBBY: STAINED GLASS
 GARRY'S HOBBY:  AMATURE RADIO CALL VE3MNV

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From owner-glass Mon Mar  9 10:09:09 1998
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To: "jerri m Roey" <jroey@juno.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 08:42:13 -0800
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Juried fairs are when a group of "knowledgeable" persons look at work to see
if it acceptable to be sold.

I ask for the "jury's" credentials, so I know what skill they have in
evaluating a shade/s that may start at a modest price of $3,000 and go to
$9,000.

I enjoy "tweaking" the establishment and reminding some galleries, that but
for consigning artists being exploited in subtle ways, they may as well fry
"burgers" instead of appropriating art to be sold and paid for in as long a
delay as possible.........I have culled out my galleries to only ones who
are WILLING and do own my work, are not corporate entities, and if I show up
after hours, can I find an owner, and also have "been there". I did not
start out  with that much clout, but a lot of years, not being desperate,
and a "quality" product, and the knowledge of same, a large ego, an abrasive
attitude when necessary, and some negotiating skill has allowed me to get to
this point. WITH MY NAME AND $2.00, I CAN "BUY" COFFEE!!!!!
I have tried to get coffee without money, did not work! That is what my
"name" is worth.

enjoy, Time to go and volunteer at the aquarium, and visit Keiko (AKA Free
Wily).

H

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From owner-glass Mon Mar  9 11:18:51 1998
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Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 12:39:17 EST
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Actually, I like to talk to the artist at the booths in the artfairs.  Even if
I am not buying anything I enjoy looking at their work, and try to tell them
that.   I cannot afford many of the items I see, probably like most people.  I
just feel that creativity and imagination are wonderful gifts...so I tell the
artist how much I appreciate their work.  Someday I might be in the position
to purchase a wonderful piece of art that I have admired for sometime, you
never know.

Maureen
(who wouldn't have enough walls, shelves and floorspace for it all)
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From owner-glass Mon Mar  9 12:17:12 1998
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From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com
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Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 12:58:46 EST
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In a message dated 98-03-09 12:16:29 EST, you write:

<< 
 Maybe if when you approached the artist or shop that you want to browse in
 just let them know you are looking and will let them know if there is
 anything they can help you with.
  >>


This past Sunday my husband and I drove 3 hours to visit a shop we had heard
about for the past 2 years. We got there before they opened and sat out front
waiting for it to open, we were so excited about being there. 

But 5 minutes after we got there, we left. When the saleslady came over and
asked to help us, we said we were just looking. But she kept following us
around and pointing out things that were on sale and telling us the story
behind every item. Even my husband who loves to talk to folks admitted later
that he couldn't wait to get out of there. 

It's not just women who do this, I've had men do the same thing to me. When
the artist stands there and tells me how many hours it took them to make this
or that, or that they are the only ones practicing this lost art and that is
why it's the price it is. I have never question an artist about price because
I do know that lots of time and energy go into every art object but I just
hate the feeling that if I don't buy this art somehow I'm betraying some
unknown artist code.

I'm not saying "Don't talk to your customers," but when they are obviously not
interested in the life story of every object in your booth/shop, please don't
hound them. By all means if the customer is asking questions or looking at you
inquisitively, chat your little heart out. 

We had over $300 to spend yesterday but the pushy saleslady got none of it. 

Sorry, just my 2 cents worth. 

Back to lurking,
Dianne


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From owner-glass Mon Mar  9 13:10:25 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Art Fairs
Date: Mon, 09 Mar 1998 09:41:01 -0800
Message-ID: <1998Mar9.1411.0>
References: <<1998Mar9.21448.0>>
Organization: Maiden Concepts
Precedence: bulk

Usually you send photos of your product. Occasionaly they want to see
photos of your booth display.  And on rare occasions they want to see it
in person. The main idea is to grauntee quality, but ususally to avoid
duplication.  All shows have deadlines.  The good ones have deadlines 8
months in advance.  They usually jury all applicants at once.  Then they
let you know if you have been accepted.  Some want money with the
application.  Some want the show fee after you have been accepted.  Some
charge a fee, just to be juried.
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From owner-glass Mon Mar  9 13:12:06 1998
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X-Path: aol.com!PDRUSS
From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 13:02:32 EST
Message-ID: <1998Mar9.18232.0>
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In a message dated 98-03-09 12:35:53 EST, you write:

<< 
 Actually, that's NOT how I schmooze...I don't even like the word but don't
 know what else to call it.  Basically, I engage people in conversation...and
 LISTEN MORE THAN I TALK.  We often don't even talk about my glass.. >>

Hi Carol,

This sounds fine to me. I would enjoy your booth/shop.

Dianne
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From owner-glass Mon Mar  9 13:33:52 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: Int'l, Guild, of, Glass, Artists
Subject: Light Show better than ever!
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 9 Mar 1998 15:13:38 +0000
Message-ID: <m0yC8qf-00007TC@daver.bungi.com>
Precedence: bulk

We've added another 25-30 works in glass to the online Architectural 
Art Glass Light Show again ... and now there's something ever nicer: 
you can go to the sorted index instead of just watching the show 
unfold, you can see only the work with beveled glass in it ... or 
only church windows ... or (well, you get the idea).

Go to http://www.stainedglassbiz.com/ and click on "Artists" in the
upper lefthand corner. You'll see "Light Show" pop up ... click on
that and follow the directions. ("Click here to start the show" or 
"Click here to open the index of entries" ... simple!)

Enjoy!

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From owner-glass Mon Mar  9 13:44:30 1998
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X-Path: usaor.net!madglass
From: Mary Ann Dulemba <madglass@usaor.net>
To: Shirley Balloch <balloch@netbridge.net>, glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Tiffany windows on A&E's America 's Castles.
Date: Mon, 09 Mar 1998 15:24:36 -0500
Message-ID: <3.0.2.32.19980309152436.00694dac@usaor.net>
References: <<1998Mar8.84740.0>>
Precedence: bulk

Shirley, 

The mansion you are referring to is called Linden Hall.  It was owned by
the Cochran Family and after the deaths of her husband and only son, Sarah
Cochran traveled extensively in Europe, returning with the best of the
best.  Italian marble for the fireplace, leaded windows for the sun room
and the beautiful Tiffany windows on the second floor.

The three windows you described are L. C. Tiffany windows and were
commissioned for $12,000.  It is in my opinion, some of Tiffany's finest
work.  They are a recreation of the scenery of the land if you looked out
that particular window.

Albert, I was going to forward to you some pictures of this beautfiul glass
this week.  The next trip to Youghiogheny Glass needs to add this as a stop
on the tour - it is within a 1/2 hour drive.  If you like, I can obtain
information as far as tour times and dates.  I have visited the house many
times and it is breathtaking!  Not a place to miss.  

Mary Ann Dulemba

 you wrote:
>I was watching A&E's American Castles... The home
>overlooks the Youghiogheny River.  

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From owner-glass Mon Mar  9 14:16:24 1998
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From:         HCLADM02@UConnVM.UConn.Edu
To:           glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: Art Fairs
Date:         Mon, 09 Mar 98 15:13:06 EST
Message-ID:   <980309.151816.EST.HCLADM02@UConnVM.UConn.Edu>
References: <<1998Mar9.7912.0>>
Precedence: bulk

 There are people at shows who don't want to talk, and those who do.
If they don't make eye contact, they probably don't.  We just say,
"Be sure to ask if you have any questions."  There are others who
do want to talk...and an occasional older person who is really starved
for conversation (at times like that I'm glad there are two of us in
the booth.)  My husband, in particular, can talk your ear off about
our glass.
Dorothy

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Mon Mar  9 14:16:36 1998
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X-Path: worldnet.att.net!summit-stained-glass
From: mike peck <summit-stained-glass@worldnet.att.net>
To: Melissa Thaxton <mthaxton@softcom.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Inspiration
Date: Mon, 09 Mar 1998 08:58:17 -0600
Message-ID: <1998Mar9.25817.0>
References: <<1998Mar8.111051.0>>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

Melissa Thaxton wrote:
> 
> Hi again everyone.
>     I have just gotten back on the list.
> I was wondering what you guys do when you just don't have a spark to do
> a project in glass.  It's been cold here and it's hard to stay
> comfortable in the garage.  My problem is that I have to make a box for
> my husbands aunt by April and I am lost...nothing zippo.  I am
> especially good with boxes, when I am inspired.  Ugh!  This is
> frustrating.
> Thanks,
>             Melissa


Melissa,

I've been so incredibly busy this winter working on commission jobs that
I really haven't had any time to myself ..... until yesterday.  Our hot
water heater went out last week, so I put all day Sunday aside so I
could put in a new one.  I've never done a hot water heater before, but
had some advise from a good friend, and I've done lots a home
improvement stuff, so ........   Well, as it turned out, it was a snap
..... took about 2 hours, and works like a charm! 

So, now I have the whole afternoon to myself ....... my daughter had a
girl scout thing so was out for the day, and my wife was off to work
....... and it started snowing (hard!) in the Kansas City metro area. 
So, I put on a pot of coffee, watched a little of the NCAA tournament on
TV ...... then picked up the Kansas City Star ..... Arts & Entertainment
section ...... and there was this incredible article about a
photographer at the turn of the century that had photographed native
Americans in their natural habitat.  Of course, the photos were all
black and white tin types, but the features on the faces, the flow of
the garments and accessories in their hair ...... and there was a larger
photo (dated 1899) of a Sioux chief by the name of Yellow Shirt that was
exceptionally detailed.  I remembered that someone on bungi a few months
ago was asking about an Indian Chief pattern and the next thing I knew
was I was sitting down with pencil and scratch pad and blazing away! 
Well, it was a very relaxing afternoon ..... I drew Yellow Shirt out for
stained glass.  I've already got a lot of ideas about glass, mostly
Uroboros and Bullseye, but realisticaly don't know when I'll get the
time to do it. 

So, when I get into a creative slump, I just put in a hot water heater
.....

Mike Peck
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From owner-glass Mon Mar  9 14:42:08 1998
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X-Path: mail.bright.net!joyce
From: glasschic <joyce@mail.bright.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Inspiration
Date: Mon, 09 Mar 1998 15:53:35 -0500
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Precedence: bulk


>Melissa Thaxton wrote:
>> 
>> Hi again everyone.
>>     I have just gotten back on the list.
>> I was wondering what you guys do when you just don't have a spark to do
>> a project in glass.  It's been cold here and it's hard to stay
>> comfortable in the garage.  My problem is that I have to make a box for
>> my husbands aunt by April and I am lost...nothing zippo.  I am
>> especially good with boxes, when I am inspired.  Ugh!  This is
>> frustrating.
>> Thanks,
>>             Melissa

The last series of boxes I made, the inspiration came from a panel.  I took
only a 6x8" rectangle out of the center of the panel and made it into the
box top.  I used the colors that I had used from a previous project that I
already knew "worked" together.  When I was finished it seemed like I
hadn't put any effort into it at all.

Results of this box can be seen at my web page at:

http://www.bright.net/~joyce

Garden of Glass
Joyce Moran
Ohio

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From owner-glass Mon Mar  9 14:50:07 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: jroey@Juno.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 16:28:19 EST
Message-ID: <1998Mar9.212819.0>
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In a message dated 98-03-09 09:20:28 EST, you write:

<< Would someone please explain what a "juried show" is?  I
 don't know much about art fairs or craft fairs, but I've heard that term
 and have no clue what it means?  Does someone judge what will be in the
 show? >>

Hi Jerry & fellow bungians!!

Around here (Indiana) a juried show is one that an application has to be
completed for and pictures of your work have to be sent in with the
application.  The sponsors then go through all applications and decide who
gets in and who doesn't.  There are certain guidelines that have to be
followed, such as, it must be handcrafted and not factory made.  I don't know
all the factors that each sponsor may look at, but I do know that first they
want to fill the space, and then secondly with the biggest variety of
crafts/art that they can find.  The one great thing I have found is if there
is more than one stained glass person, they are not put close to each other.
I know they do not want 30 glass booths and only 1 basket booth.  Also, there
is no guarantee that if you are selected for a show in 1998 that you will
necessarily be selected the next year.  There is always a booth space fee.
Some places can provide tables and others can't.  Sometimes electrical outlets
are available and sometimes they are not.
Typically the vendor is ask if they would like to donate an item for drawings
that take place throughout the day.  Whatever money you make is yours.  

I hope this helps, but I hope it also wasn't more than you ever wanted to know
:)).

Lu Ann <Whispy Blu@aol.com>
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From owner-glass Mon Mar  9 14:58:06 1998
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X-Path: juno.com!mschatee
From: mschatee@juno.com (Caren J Price)
To: glass@bungi.com
Subject: Pattern for Hands
Date: Mon, 09 Mar 1998 16:00:04 EST
Message-ID: <1998Mar9.2104.0>
Precedence: bulk

Would anyone have or know where I could find a pattern with hands.  My
friend is graduating from Massage Therapy School and I would love to make
her a panel that she could use.  ( I don't draw very well so I'll do that
as a last resort)

Thanks in advance.

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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From owner-glass Mon Mar  9 15:58:54 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: P D RUSS <PDRUSS@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Art Fairs
Date: Mon, 09 Mar 1998 17:52:30 -0500
Message-ID: <1998Mar9.125230.0>
References: <<1998Mar9.175846.0>>
Precedence: bulk

P D RUSS wrote:
> 
> In a message dated 98-03-09 12:16:29 EST, you write:
> 
> <<
>  Maybe if when you approached the artist or shop that you want to browse in
>  just let them know you are looking and will let them know if there is
>  anything they can help you with.
>   >>
> 
> This past Sunday my husband and I drove 3 hours to visit a shop we had heard
> about for the past 2 years. We got there before they opened and sat out front
> waiting for it to open, we were so excited about being there.
> 
> But 5 minutes after we got there, we left. When the saleslady came over and
> asked to help us, we said we were just looking. But she kept following us
> around and pointing out things that were on sale and telling us the story
> behind every item. Even my husband who loves to talk to folks admitted later
> that he couldn't wait to get out of there.
> 
> It's not just women who do this, I've had men do the same thing to me. When
> the artist stands there and tells me how many hours it took them to make this
> or that, or that they are the only ones practicing this lost art and that is
> why it's the price it is. I have never question an artist about price because
> I do know that lots of time and energy go into every art object but I just
> hate the feeling that if I don't buy this art somehow I'm betraying some
> unknown artist code.
> 
> I'm not saying "Don't talk to your customers," but when they are obviously not
> interested in the life story of every object in your booth/shop, please don't
> hound them. By all means if the customer is asking questions or looking at you
> inquisitively, chat your little heart out.
> 
> We had over $300 to spend yesterday but the pushy saleslady got none of it.
> 
> Sorry, just my 2 cents worth.
> 
> Back to lurking,
> Dianne
> 
> ----


i know when i go to talk to the artist, i usually mention that i do
stained glass. they'll usually talk to me, but they don't have to go
into their shpiel. i never liked the people behind the counter "eyeing"
me. the best way for them to look is to not look, just out of the corner
of their eye is best for me. 

---Mike Savad


-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar  9 17:46:33 1998
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From: NCScouter <ncscoutr@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Inspiration
Date: Mon, 09 Mar 1998 19:57:15 -0800
Message-ID: <1998Mar9.115715.0>
References: <<1998Mar9.152357.0>>
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

Melissa, I was just thinking... How about a series of boxes designed
like seashells? Have you ever seen what a nautilus shell looks like when
it's split-cut? It's full of these mother-of-pearl chambers inside. You
could do the outside of the box to look like either a flat OR more
rounded (sculptural) representation of the extior of a nautilus shell,
and make a tray for the inside that would have these little spaces (for
trinkets) swirling smaller to a small round center space. A conch shell,
a sea scallop, and so on, etc..
I'll come up with some more in another day or two.
V T Phelps
Shoreline Glassworks, Ltd.
> ----
> In a message dated 98-03-08 22:49:58 EST, mthaxton@softcom.net writes:
> 
>  have just gotten back on the list.
>  I was wondering what you guys do when you just don't have a spark to do
>  a project in glass.  It's been cold here and it's hard to stay
>  comfortable in the garage.  My problem is that I have to make a box for
>  my husbands aunt by April and I am lost...nothing zippo.  I am
>  especially good with boxes, when I am inspired.  Ugh!  This is
>  frustrating.
>  Thanks,
>              Melissa
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From owner-glass Mon Mar  9 18:17:14 1998
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From: Mosfunland <Mosfunland@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Inspiration
Date: Mon, 9 Mar 1998 20:23:52 EST
Message-ID: <1998Mar10.12352.0>
Precedence: bulk

Geeze I thought it was just my mind that stopped.  Actually my dad died last
April and I relocated up to my parents' house to stay with my mother, who has
health problems.  I setup my shop in his garage, on his workbenches with his
tools still hangin on the pegboard in front of me.  For months I just walked
in, looked around and walked out.  Then I began "reorganizing" my stuff, and
little by little the desire to work in there overcame my own sadness.  I can't
offer any suggestions, but the tidyin up was helpful (my stuff was already
neatly organized from the move)....

Maureen
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From owner-glass Mon Mar  9 19:51:44 1998
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From: "Hilary A. Bobker" <hilary@voicenet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: New Tool
Date: Mon, 09 Mar 1998 21:03:26 -0500
Message-ID: <1998Mar9.16326.0>
References: <<199803082116.QAA06482@water.waterw.com>>
Organization: HABit Fashion Services
Precedence: bulk

> Check out
> 
> http://www.ipbnet.com/kneedeep/profile.html
> 
Hey, pj,

I laughed myself sick on this Web Site. Did you check out the sale and
new items being offered!!

Still laughing,
Hilary
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From owner-glass Mon Mar  9 20:21:09 1998
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From: ItsAlison <ItsAlison@aol.com>
To: morn@nac.net, PDRUSS@aol.com, Glass@bungi.com
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Subject: Re: Art Fairs
Date: Mon, 9 Mar 1998 22:21:23 EST
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In a message dated 98-03-09 19:01:37 EST, morn@nac.net writes:

<<  I'm not saying "Don't talk to your customers," but when they are obviously
not
 > interested in the life story of every object in your booth/shop, please
don't
 > hound them. By all means if the customer is asking questions or looking at
you
 > inquisitively, chat your little heart out.
 > 
 > We had over $300 to spend yesterday but the pushy saleslady got none of it.
 >  >>

Hello Dianne,
       Wow, and there you were with $300 burning a hole in your pocket !!
Now I know that if I ever open a shop I am going to post a sign near the
entrance that says something like this, LOL ------------>
       "Please tell me your preference upon visiting my shop....do you want me
to sing,  dance, turn you up-side down, and shake the money out of your
pockets? Or should I just leave you alone to peacefully brouse and enjoy the
beauty of all  my wonderful things decideing which one "you cant live without"
on your own?"
       LOL...think it would work?  I sure had some fun thinking it up, thanks
for your story. I'll try to come up with a better imaginary sign...but I feel
that way sometimes when I am doing a show.  
                                      ~Alison~
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From owner-glass Mon Mar  9 20:42:42 1998
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From: ItsAlison <ItsAlison@aol.com>
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Date: Mon, 9 Mar 1998 22:04:47 EST
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<<Results of this box can be seen at my web page at:

http://www.bright.net/~joyce>>

Joyce, 
       I just visited your web site and have to tell both you and the folks on
Bungi that your work is lovely !!  How long have you been doing stained glass?
I was so taken by the pictures that i forgot to read the text at your web page
! ~Alison~
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From owner-glass Mon Mar  9 21:21:51 1998
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please take me off of your mailing list.
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From owner-glass Mon Mar  9 22:24:52 1998
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Subject: Re: Pattern for Hands
Date: Mon, 09 Mar 1998 23:46:58 -0600
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If you can use them I have numerous hands in graphics which can easily be
modified to be used in the patterns.

Patrick
Roses and Rainbows

Caren J Price wrote:

> Would anyone have or know where I could find a pattern with hands.  My
> friend is graduating from Massage Therapy School and I would love to make
> her a panel that she could use.  ( I don't draw very well so I'll do that
> as a last resort)
>
> Thanks in advance.
>
> _____________________________________________________________________
> You don't need to buy Internet access to use free Internet e-mail.
> Get completely free e-mail from Juno at http://www.juno.com
> Or call Juno at (800) 654-JUNO [654-5866]
>
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From owner-glass Tue Mar 10 02:51:50 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: Mary Ann Dulemba <madglass@usaor.net>
Subject: Re: Tiffany windows on A&E's America 's Castles.
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Date: Tue, 10 Mar 1998 05:19:55 +0000
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> Albert, I was going to forward to you some pictures of this beautfiul glass
> this week.  The next trip to Youghiogheny Glass needs to add this as a stop
> on the tour - it is within a 1/2 hour drive.  If you like, I can obtain
> information as far as tour times and dates.  I have visited the house many
> times and it is breathtaking!  Not a place to miss.

Sure, I'd like to see them.

Albert

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From owner-glass Tue Mar 10 03:08:05 1998
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From: "Albert Lewis" <alewis@vgernet.net>
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Subject: Re: Schmooze
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>  Actually, that's NOT how I schmooze...I don't even like the word 

It's a perfectly good Yiddish word that, like the German word 
"gemutlich," has no perfect substitute in any other language, let 
alone English. <s>

Albert

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From owner-glass Tue Mar 10 03:59:39 1998
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From: Mike Simpson <mike@jackel.demon.co.uk>
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Subject: juried shows in U.K.?
Date: Tue, 10 Mar 1998 00:37:29 +0000 (GMT)
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Over the weekend we had a stall at a craft fair, our first 
one and an experiance we are keen not to repeat. Although
we were told the fair was a good one and it was in one of
the wealthier parts of London it was much smaller than
expected. The other stall holders consisted of:- a cake stall,
a fudge stall, two bric-a-brac stalls one of which dignified
itself an an antique stall, a second hand book stall and a
card stall selling mass produced birthday cards.

In Coventry and the surrounding area there are no good craft 
fairs except one at the National Exhibition Center which
costs an assortment of limbs to enter, so the question is;
can anybody recommend good craft fairs in the rest of the U.K.?
Also, are there any juried craft fairs or shows in the U.K. 
(other then the Chelsea Craft Fair)

As our two favorite galleries have gone into liquidation in 
the last month we need to find other outlets for our creative
urges so would appreciate any info that you can pass on,

Many thanks,

Mike Simpson.

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From owner-glass Tue Mar 10 06:04:57 1998
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From: "Toby" <toby@northlights.co.uk>
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Date: Tue, 10 Mar 1998 13:57:03 +0000
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Well Dianne and Alison,

Hmm.... might work!
I have a sign by my front door that says:

"Never mind the dog, beware of the Owner!"

How about something along those lines...( substituting the dog, of 
course ;-)   ).
Or:
"My Mummy taught me never to speak unless spoken to..."
Just a thought....

Alison wrote:
       "Please tell me your preference upon visiting my 
shop....do you want me to sing,  dance, turn you up-side down, and 
shake the money out of your pockets? Or should I just leave you alone 
to peacefully brouse and enjoy the beauty of all  my wonderful things 
decideing which one "you cant live without" on your own?"
   

Elisabeth 'n Toby in UK
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Tue Mar 10 06:26:33 1998
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Dear Dianne et al,

What you say, makes sense.
It's a fine line between being helpful, informative and pushy and 
"hounding".
Certain skills in psychology are  needed in "reading" people, trying 
to determine who needs what.
I have occasionally come across the not-so-infrequent client  who 
feels s/he hasn't got value for money unless your entire soul has 
been presented to them in a minced form on a silver platter as part 
of the price they have paid for "their" stained glass. On the other 
end of the scale you have the customer who only buys because of 
"one-upmanship", paying the money OK, but scarcely looking at what 
they have actually commissioned.  For the last couple of years I have 
myself not participated in any exhibitions or show, simply because  I 
have so much backlog to work through. But I have frequently visited 
exhibitions as a spectator and to look at new ways of displaying. 
When I come to a stained glass artisan's display and I really like 
it, I first tell them that I do like their work (and why). In my next 
breath I also tell them that I too work professionally in stained 
glass, but that my "style" is different. First of all this relaxes 
them (don't have to preach to the converted) and secondly they don't 
feel threatened that I am prowling to steal their ideas/designs etc. 
I always end up having a wonderful animated conversation with nuggets 
being offered to me, as well as the odd one that I have to give 
myself. Mind you, shows and exhibitions here in UK that includes 
quality stained glass happen once in a blue moon, once or twice a 
year.....?
In my "industrial days" I was often required to attend International 
Trade Fairs all over Europe, lasting 1-2-3 weeks, with governments, 
Universities  etc looking for mega-bucks contracts & deals. A good 
exhibition-stand etiquette and manners were absolutely crucial.
Looking bored, solving a cross-word puzzle, reading the paper/a book, 
drinking coffee etc  when "on parade" was totally out of the 
question.
Even sitting down was discouraged. 
A discreet , interested, respectful omni-presence with appropriate 
body-language was what was required, with authoritative verbal 
language, with specific arrangements for one-to-one negotiating.

Rather than taking a book to read, why not prepare small projects for 
demonstration purposes. A copperfoil-project displayed "in stages",
with you working/demonstrating on the "final" (or penultimate") 
stage, as well as a couple of pieces of the finished project all 
cleaned up, displayed and a price-tag on it - for sale. So that the 
punter can actually proudly assert at home "I ACTUALLY   S A W her 
making this one!" A bit of a kudos!
.... and for you.... it will keep the boredom factor at bay.....
Not only that, but punters are always attracted to a 
stand/display/booth where something is HAPPENING!
Hope I am not "teaching grandma' to suck eggs" here....
Good Luck!
Elisabeth 'n Toby in UK

Dianne wrote in response to exhibition/shows etc approach (which - of 
course - also includes the approach shop-keepers adopt when customers 
walk in through the door):

This past Sunday my husband and I drove 3 hours to visit a shop we had heard
about for the past 2 years. We got there before they opened and sat out front
waiting for it to open, we were so excited about being there. 

But 5 minutes after we got there, we left. When the saleslady came over and
asked to help us, we said we were just looking. But she kept following us
around and pointing out things that were on sale and telling us the story
behind every item. Even my husband who loves to talk to folks admitted later
that he couldn't wait to get out of there. 

It's not just women who do this, I've had men do the same thing to me. When
the artist stands there and tells me how many hours it took them to make this
or that, or that they are the only ones practicing this lost art and that is
why it's the price it is. I have never question an artist about price because
I do know that lots of time and energy go into every art object but I just
hate the feeling that if I don't buy this art somehow I'm betraying some
unknown artist code.

I'm not saying "Don't talk to your customers," but when they are obviously not
interested in the life story of every object in your booth/shop, please don't
hound them. By all means if the customer is asking questions or looking at you
inquisitively, chat your little heart out. 

We had over $300 to spend yesterday but the pushy saleslady got none of it. 

Sorry, just my 2 cents worth. 

Back to lurking,

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Tue Mar 10 06:28:30 1998
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From: Barbara <bjs10@cornell.edu>
To: glass@bungi.com
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Subject: Re: Inspiration
Date: Tue, 10 Mar 1998 08:04:04 -0500
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References: <<3.0.32.19980309155329.006b0bf8@mail.bright.net>>
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Joyce, 	Your webpage has sure inspired me... I love your choice of colors
and the box is beautiful.  I like the butterfly one very much as well.

Barbara

>The last series of boxes I made, the inspiration came from a panel.  I took
>only a 6x8" rectangle out of the center of the panel and made it into the
>box top.  I used the colors that I had used from a previous project that I
>already knew "worked" together.  When I was finished it seemed like I
>hadn't put any effort into it at all.
>
>Results of this box can be seen at my web page at:
>
>http://www.bright.net/~joyce
>
>Garden of Glass
>Joyce Moran
>Ohio
>
>----
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>
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From owner-glass Tue Mar 10 06:55:23 1998
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From: Barbara <bjs10@cornell.edu>
To: glass@bungi.com
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Subject: W-C in A-Town,
Date: Tue, 10 Mar 1998 09:16:08 -0500
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Good Morning All...
	I have planned a trip to W-C in Allentown for March 17th... my first trip
and I looking forward to it.  
	Just went through all of my saved glass mail to look for the driving
directions... but I must have deleted them.  
	I would really appreciate anyone that knows the way from the Turnpike or
476... repeating the directions for me.
	Thanks for your help.

Barbara Snell
Cornell University
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From owner-glass Tue Mar 10 07:24:24 1998
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From: mike peck <summit-stained-glass@worldnet.att.net>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Indian Chief Pattern
Date: Tue, 10 Mar 1998 08:37:54 -0600
Message-ID: <1998Mar10.23754.0>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

Wow, didn't realize there was such an interest in Indian patterns .....
I have posted the pattern at the back of my website.  Check it out at:

http://www.summitstudio.com/page11.html

If you can't print it out, send me a SASE and I'll put a copy in the
mail, no charge.

Hope it works out for you, and if you do decide to do it, I hope you'll
consider supporting your local retailer for your supplies.

Mike Peck
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From owner-glass Tue Mar 10 08:22:36 1998
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I checked out the new site!  I am on the waitlist for the specials!

Maureen
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From owner-glass Tue Mar 10 08:55:18 1998
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From: Irene Merm <IreneMerm@aol.com>
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Subject: Re: Free fairy pattern
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Hi guys,

I tried to pull up the pattern too and received a message that an error had
occured in the format.  Sincerely,  Irene Mermelstein
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From owner-glass Tue Mar 10 09:26:18 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: seaspray@mail.island.net (Carol Swann)
Subject: Re: Schmooze
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> Okay, Mr. Semantics <BG>...it's the connotations of the word I don't
> like...you know the cocktail party image.  And now I know why I can't find a
> suitable replacement.  Have a good one.

Thank you, Carol. I can think of worse things to be called. As far as 
a cocktail-party connotation goes, schmoozing is done anytime, 
anywhere ... not just at cocktail parties. <s> I guess the closest 
definition would be "comfortable, friendly, warm conversation," which 
is pretty close to the ideal online kind of chat, since it implies a 
human (in the best sense of the word) and connected kind of 
conversation.

Albert

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From owner-glass Tue Mar 10 15:18:46 1998
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From: Gloria & George <3hounds@usaor.net>
To: "'bungians'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: glue for fusing glass
Date: Tue, 10 Mar 1998 17:37:25 -0200
Message-ID: <1998Mar10.153725.0>
Precedence: bulk

I was reading from the bungi archives (March 96)..   One of the group =
had made a wind chime from fusing thin glass together.. She stated that =
she had used fusing glue to keep the chimes from shifting during the =
fusing process.. I am wondering if anyone knows of that glue or =
especially if a glue can be purchased or does it have to be a glass glue =
and perhaps another substitue would work..  I  was hoping that it might =
be a glue that was not strictly a stained glass retail store purchase =
(since my local retailer is a 1 1/2 hour drive away -round trip and the =
products I would need would be glue and maybe thin glass which I know =
she does not stock) . =20
Also, the another question for the  fusing experts..  In the archives, =
she stated that she glued  o rings to the fused pieces so they could be =
hung.. Could I  use fusing wire sandwiched between the 2 pieces of glass =
(I did order that from Meridth on my last order )  I really do not like =
glued pieces attached to my glass.. Glue seems to fail or get yellow for =
me..=20
Thank you all..=20
Gloria
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From owner-glass Tue Mar 10 16:18:52 1998
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X-Path: intel.com!lynice.spangler
From: "Spangler, Lynice" <lynice.spangler@intel.com>
To: "'bungians'" <glass@bungi.com>
Content-Type: text/plain
Subject: RE: glue for fusing glass
Date: Tue, 10 Mar 1998 15:43:48 -0800
Message-ID: <1998Mar10.74348.0>
Precedence: bulk

The glue I use for fusing comes from my stained glass retailer (may be
available mail order as well) and costs $6.50 (US) per bottle.  At that
price,
it may be worth an experiment to try Elmer's...

On Tuesday, March 10, 1998 7:37 PM, Gloria & George
[SMTP:3hounds@usaor.net] wrote:
> hung.. Could I  use fusing wire sandwiched between the 2 pieces of
glass =
I'm not sure what fusing wire is, but another way to make a hanger is to
fuse an open square where you want to hang it from by placing 3 small
rectangles to form a square with the edge of the piece, then fuse that
all together.  I would use the same thickness of the piece you want to
hang (eg. if it's 1/4", use 2 layers of 1/8" rectangles).  Be sure all
the edges overlap so everything fuses together.

L. Spangler


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From owner-glass Tue Mar 10 17:49:51 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: 3hounds@usaor.net
Subject: Re: glue for fusing glass & Thanks
Date: Tue, 10 Mar 1998 20:13:36 -0500
Message-ID: <1998Mar10.151336.0>
References: <<1998Mar10.153725.0>>
Precedence: bulk

Hi Gloria,

	I just took a fusing class and we used plain ol' Elmer's glue or
Aleen's (I think it's usually found at craft stores.)  The glue just
burned off in the kiln.
	
	Also, the fusable wire can be sandwiched between two pieces of
glass.  I didn't do this myself, but someone in the class did, and it
worked great.  Another person put the glass on top of the wire, and it
melted into the wire and held really well too.

	BTW thanks to everyone who explained what "juried" meant.  I
really learned a lot from everyone's comments.

Jerri (who's wishing for a kiln now.  Darn!  I need a cheaper hobby)

P.S.  I now have a web page.  (hubby's hobby)  I'm strictly a
hobbiest/amatuer, but if anyone wants to look at my glass or my dogs,
it's:   www.mindspring.com/~roey       

	


On Tue, 10 Mar 1998 17:37:25 -0200 Gloria & George <3hounds@usaor.net>
writes:
>I was reading from the bungi archives (March 96)..   One of the group 
>=
>had made a wind chime from fusing thin glass together.. She stated 
>that =
>she had used fusing glue to keep the chimes from shifting during the =
>fusing process.. I am wondering if anyone knows of that glue or =
>especially if a glue can be purchased or does it have to be a glass 
>glue =
>and perhaps another substitue would work..  I  was hoping that it 
>might =
>be a glue that was not strictly a stained glass retail store purchase 
>=
>(since my local retailer is a 1 1/2 hour drive away -round trip and 
>the =
>products I would need would be glue and maybe thin glass which I know 
>=
>she does not stock) . =20
>Also, the another question for the  fusing experts..  In the archives, 
>=
>she stated that she glued  o rings to the fused pieces so they could 
>be =
>hung.. Could I  use fusing wire sandwiched between the 2 pieces of 
>glass =
>(I did order that from Meridth on my last order )  I really do not 
>like =
>glued pieces attached to my glass.. Glue seems to fail or get yellow 
>for =
>me..=20
>Thank you all..=20
>Gloria
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

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Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Tue Mar 10 19:48:59 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: glue for fusing glass
Date: Tue, 10 Mar 1998 22:08:23 -0500
Message-ID: <v01530501b12baf692434@[206.186.242.159]>
Precedence: bulk

Hi,
The glue is a fuser's glue which will burn away without leaving any carbon
or other residue. Hotline is the brand name that I use. I doubt whether it
is marketed for a different purpose at hardware stores, since it is fairly
specialized. Why not call your retailer and get her to order what you need
and go there when she gets it in? For wire, just make sure that you use a
high-temp stamen wire.

Good Luck!
Sarah

>I was reading from the bungi archives (March 96)..   One of the group =
>had made a wind chime from fusing thin glass together.. She stated that =
>she had used fusing glue to keep the chimes from shifting during the =
>fusing process.. I am wondering if anyone knows of that glue or =
>especially if a glue can be purchased or does it have to be a glass glue =
>and perhaps another substitue would work..  I  was hoping that it might =
>be a glue that was not strictly a stained glass retail store purchase =
>(since my local retailer is a 1 1/2 hour drive away -round trip and the =
>products I would need would be glue and maybe thin glass which I know =
>she does not stock) . =20
>Also, the another question for the  fusing experts..  In the archives, =
>she stated that she glued  o rings to the fused pieces so they could be =
>hung.. Could I  use fusing wire sandwiched between the 2 pieces of glass =
>(I did order that from Meridth on my last order )  I really do not like =
>glued pieces attached to my glass.. Glue seems to fail or get yellow for =
>me..=20
>Thank you all..=20
>Gloria
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass


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From owner-glass Tue Mar 10 21:53:10 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: 3hounds@usaor.net, glass@bungi.com
Subject: glue for fusing glass
Date: Tue, 10 Mar 1998 23:58:17, -0500
Message-ID: <199803110458.XAA23564@mime4.prodigy.com>
Precedence: bulk

<Gloria writes in part> I am wondering if anyone knows of that glue 
or =
especially if a glue can be purchased or does it have to be a glass 
glue =
and perhaps another substitue would work..  I  was hoping that it 
might =
be a glue that was not strictly a stained glass retail store purchase 
=
(since my local retailer is a 1 1/2 hour drive away -round trip and 
the =
products I would need would be glue and maybe thin glass which I know 
=
she does not stock) . =20
Also, the another question for the  fusing experts..  In the archives,
 =
she stated that she glued  o rings to the fused pieces so they could 
be =
hung.. Could I  use fusing wire sandwiched between the 2 pieces of 
glass =
(I did order that from Meridth on my last order )  I really do not 
like =
glued pieces attached to my glass.. Glue seems to fail or get yellow 
for =
me..=20
Thank you all..=20
Gloria <end>

I use Elmers glue that has been cut with a little water. Make very 
sure to use the SMALLEST AMOUNT necessary to temporally glue your 
pieces together.  Dipping a toothpick in the glue helps to get a 
small ampunt. To much glue will not burn off without leaving an 
unsightly residue.

Fusing wire or even plain copper wire can be fused in for a hanger. I 
make circles around  something like a pencil and cut them round 
before sandwiching between two pieces of glass. One can just place 
the end of the wire between two pieces of glass. In both cases it is 
most helpful to dent the wire in contact with the glass. Otherwise 
the glass may not form a tight bond around the round wire and the 
wire will pull out. I have not had good success in placing the wire 
either on top of or under the glass. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
----
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From owner-glass Wed Mar 11 00:56:18 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com
Subject: glue for fusing glass
Date: Wed, 11 Mar 1998 03:17:11, -0500
Message-ID: <199803110817.DAA16138@mime4.prodigy.com>
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Bob wrote, somewhat vaguely:
Fusing wire or even plain copper wire can be fused in for a hanger. 
I make circles around  something like a pencil and cut them round 
before sandwiching between two pieces of glass. One can just place 
the end of the wire between two pieces of glass. In both cases it is 

most helpful to dent the wire in contact with the glass. Otherwise 
the glass may not form a tight bond around the round wire and the 
wire will pull out. I have not had good success in placing the wire 
either on top of or under the glass. Bob

To start over. Wrap the wire to be fused several times around a 
cylinder of the desired diameter. Using lead dikes cut the circles 
apart. The ends of the circles will be slightly offset. Use a hammer 

to flatten the circle where the ends come together. This makes the 
ends of the circles somewhat irregular and allows fused glass to 
make
a good mechanical grip around the wire. The lead dikes can be used to 

nick the wire near the ends to accomplish the same purpose. 

Insert the wire circle about one quarter way between two pieces of 
glass with the cut irregular shaped ends between the glass. 
Heat to 1450'F or so.

A common glass nugget laying on its flat side can be cut about 1/8" 
in with a diamond band saw and a wire circle wedged in the cut and 
fused. Of course, if you overlap other nuggets of the right color and 

make the right overall shape the resulting product will look like a 
bunch of grapes ready to hang up. A combination of common purple and 

lilac nuggets looks great. Bob


____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427

<Prodigy Distribution List>
TO: YWAH36A

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From owner-glass Wed Mar 11 01:07:58 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com
Subject: glue for fusing glass
Date: Wed, 11 Mar 1998 03:02:29, -0500
Message-ID: <199803110802.DAA23876@mime4.prodigy.com>
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Bob wrote, somewhat vaguely:
 Fusing wire or even plain copper wire can be fused in for a hanger. 
I 
make circles around  something like a pencil and cut them round 
before sandwiching between two pieces of glass. One can just place 
the end of the wire between two pieces of glass. In both cases it is 

most helpful to dent the wire in contact with the glass. Otherwise 
the glass may not form a tight bond around the round wire and the 
wire will pull out. I have not had good success in placing the wire 
either on top of or under the glass. Bob

To start over. Wrap the wire to be fused several times around a 
cylinder of the desired diameter. Using lead dikes cut the circles 
apart. The ends of the circles will be slightly offset. Use a hammer 
to flatten the circle where the ends come together. This makes the 
ends of the circles somewhat irregular and allows glass to make a 
good mechanical seal around the wire. The lead dikes can be used to 
nick the wire near the ends to acomplish the same purpose. 

Place the wire circle about one quarter way between two pieces of 
glass with the cut ends between the glass. Heat to 1450'F or so.

A common glass nugget laying on its flat side can be cut about 1/8" 
in with a diamond bandsaw and a wire circle placed in the cut and 
fused. Of course, if you overlap other nuggets of the right color and 
make the right overall shape the resulting product will look like a 
bunch of grapes ready to hang up. A combination of common purple and 
lilac nuggets looks great. Bob

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427

<Prodigy Distribution List>
TO: YWAH36A

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From owner-glass Wed Mar 11 06:20:25 1998
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X-Path: UCONNVM.UCONN.EDU!HCLADM02
From:         HCLADM02@UConnVM.UConn.Edu
To:           glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: Free fairy pattern
Date:         Wed, 11 Mar 98 08:33:24 EST
Message-ID:   <980311.083543.EST.HCLADM02@UConnVM.UConn.Edu>
References: <<1998Mar10.154518.0>>
Precedence: bulk

His patterns are in pdf format and you need to download the Acrobat
reader before you can see them.  Since many items on the internet are in this
format, it's not a bad thing to do.
(If you are having trouble downloading the fairy pattern...there's a new
turtle pattern, too)

                                Dorothy

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Wed Mar 11 10:24:44 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: apologies
Date: Wed, 11 Mar 1998 12:34:03 -0500
Message-ID: <1998Mar11.7343.0>
Precedence: bulk

I posted some responses to some people who commented to me about my
website, and I accidently sent the messages to the group when I meant to
send them privately.  Let me re-empasize that I'm not the computer person
in the family :}    I guess that's obvious.  I'm sorry for wasting
anyone's time or computer space.

Jerri

_____________________________________________________________________
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From owner-glass Wed Mar 11 11:23:38 1998
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From: "Tony Regan" <aareg@globalnet.co.uk>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Stained Glass group
Date: Wed, 11 Mar 1998 18:38:40 -0000
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This is a multi-part message in MIME format.

------=_NextPart_000_0009_01BD4D1C.E977AF80
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hello

We have been given your e.mail address by Elizabeth at Northlights and =
would like details of your group

regards

tony & barbara Regan


------=_NextPart_000_0009_01BD4D1C.E977AF80
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.1712.3"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT color=3D#000000 face=3D"Lucida Handwriting" =
size=3D2>Hello</FONT></DIV>
<DIV><FONT color=3D#000000 face=3D"Lucida Handwriting" =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Lucida Handwriting" size=3D2>We have been given your =
e.mail=20
address by Elizabeth at Northlights and would like details of your=20
group</FONT></DIV>
<DIV><FONT face=3D"Lucida Handwriting" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Lucida Handwriting" size=3D2>regards</FONT></DIV>
<DIV><FONT face=3D"Lucida Handwriting" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Lucida Handwriting" size=3D2>tony &amp; barbara=20
Regan</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0009_01BD4D1C.E977AF80--

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From owner-glass Wed Mar 11 12:24:55 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Group Note
Date: Wed, 11 Mar 1998 11:40:42 PST
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Hi everyone,

Well I will be leaving this aft. to Las Vegas.  I will absorb
as much info as possible to share with you all. I will also
take in the trade show.  See Ya!
 
I'm not going to be reading email till Monday morning.  
Any subscription changes will have to wait till I return.


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Wed Mar 11 14:49:41 1998
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Subject: Re: Group Note
Date: Wed, 11 Mar 1998 17:05:39 EST
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is anyone going to the Houston thing?
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From owner-glass Wed Mar 11 16:57:06 1998
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From: Margaret41 <Margaret41@aol.com>
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Content-Type: text/plain; charset=US-ASCII
Subject: Stained Glass Software
Date: Wed, 11 Mar 1998 19:19:25 EST
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Hi everyone -

I am interested in the convenience of some sg software - my first attempt at
designing has been frustrating and very time consuming.

I know there are several on the market - any suggestions on which is better,
easy to use, all emcompassing, etc.  Any input/suggestions would very much be
appreciated. Thanks!

Margaret
----
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From owner-glass Wed Mar 11 18:33:54 1998
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X-Path: eatumup.com!byronw
From: byronw@eatumup.com (Byron Wells)
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Stained Glass Software
Date: Wed, 11 Mar 1998 19:42:47 -0600
Message-ID: <1998Mar11.134247.0>
Precedence: bulk

I own both Glass Eye by Dragonfly software and  Designer by American
Bevel... I really like Glass Eye  and use it quite a bit...I really havent
taken the time to learn Designer yet so I wont comment on likes/dislikes of
it...

You can download demo versions of both programs for free off the internet...
Both are fully functional except that they wont print or save anything...
Glass Eye can be found at www.dfly.com and Designer can be found at
www.americanbevel.com

Byron...

-----Original Message-----
From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com <glass@bungi.com>
Date: Wednesday, March 11, 1998 10:59 AM
Subject: Stained Glass Software


>Hi everyone -
>
>I am interested in the convenience of some sg software - my first attempt
at
>designing has been frustrating and very time consuming.
>
>I know there are several on the market - any suggestions on which is
better,
>easy to use, all emcompassing, etc.  Any input/suggestions would very much
be
>appreciated. Thanks!
>
>Margaret
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

----
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From owner-glass Wed Mar 11 18:56:29 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Stained Glass group
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 12 Mar 1998 03:21:27 +0000
Message-ID: <199803120226.CAA00903@saturn.nildram.co.uk>
Precedence: bulk




Hey Folks!

Can we have THREE CHEERS for another couple from UK who have joined 
our merry little family at Bungi!! ;->

Welcome Tony and Barbara in Cornwall, UK!!


 From:          "Tony Regan"<aareg@globalnet.co.uk> 
To:        <glass@bungi.com> Subject:       Stained Glass group
Date:          Wed, 11 Mar 1998 18:38:40 -0000




Hello

We have been given your e.mail address by Elizabeth at Northlights and =
would like details of your group

regards

tony & barbara Regan


Glad to have you onboard.
Elisabeth 'n Toby in UK 
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Wed Mar 11 20:01:09 1998
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From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: Stained Glass Software
Date: Wed, 11 Mar 1998 20:45:23 -0600
Message-ID: <199803120243.UAA18862@westbyserver.westby.mwt.net>
Precedence: bulk

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From owner-glass Wed Mar 11 20:33:53 1998
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From: Lyn Butler <lynb@gnt.net>
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Subject: Welcome
Date: Wed, 11 Mar 1998 21:45:50 +0000
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Cheers, cheers, cheers (3) to the Regans. Welcome to our group!   Lyn
 
 

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From owner-glass Wed Mar 11 20:54:22 1998
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X-Path: mail.wittenberg.edu!rcutler
From: "Robert S. Cutler" <rcutler@wittenberg.EDU>
To: Margaret41 <Margaret41@aol.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Stained Glass Software
Date: Wed, 11 Mar 1998 22:55:49 -0500 (EST)
Message-ID: <1998Mar11.175549.0>
References: <<1998Mar12.01925.0>>
Precedence: bulk

>From Bob Cutler
I am learning to use Glasseye. I think it is very user-friendly.  The user
manual is very well-written.  Clear.  Check out their webpage:
www.dfly.com.  I'm sure there will be upgrades that will make it even
better.  I like being able to scan images, bring them in as background,
trace them and delete the original image - and go from there.  Lots more
features that I am learning to use.  This is an unpaid commercial :->

On Wed, 11 Mar 1998, Margaret41 wrote:

> Hi everyone -
> 
> I am interested in the convenience of some sg software - my first attempt at
> designing has been frustrating and very time consuming.
> 
> I know there are several on the market - any suggestions on which is better,
> easy to use, all emcompassing, etc.  Any input/suggestions would very much be
> appreciated. Thanks!
> 
> Margaret
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 

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From owner-glass Wed Mar 11 22:06:18 1998
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From: NCScouter <ncscoutr@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Stained Glass group
Date: Thu, 12 Mar 1998 00:29:27 -0800
Message-ID: <1998Mar11.162927.0>
References: <<199803120226.CAA00903@saturn.nildram.co.uk>>
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

Welcome Tony & Barbara, to the bungi list!  Please place your seat backs
and snack trays in their upright position and check to be sure that your
seat belts are fastened... (As Bette Davis once said, "It's going to be
a bumpy ride!") Alright, alright, so it wasn't QUITE like that... Give
me a little latitude for translation, okay?

Seriously though, I'm very pleased that you have decided to join us and
hope that your patience and reading efforts are generously rewarded with
oodles of wonderfully useful little bits of knowledge punctuated by the
occassional odd insertion of character and or amusement. Bon chance!

Valerie Tydings Phelps
Shoreline Glassworks, Ltd.
Roanoke Island NC USA
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From owner-glass Thu Mar 12 01:29:56 1998
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: "Tony Regan" <aareg@globalnet.co.uk>,<glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Stained Glass group
Date: Thu, 12 Mar 1998 08:35:34 +0000
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Greetings, Tony and Barbara from sunny Bournemouth. Nice to have you aboard
bungi.
There are not many of us based in the UK, so some of the topics discussed
are not applicable to us, but I am sure you will find lots to interest you.
Have you been into stained glass for long?
Elizabeth & Sam Law
Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Thu Mar 12 06:22:49 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 08:49:23 -0500
Message-ID: <1998Mar12.34923.0>
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Question to you good folks about soldering and fluxing. Let's say you =
apply flux to your copper foil joints and tack and time the joint. And =
then you come back to make a decent solder bead.=20

Do you reflux? Do you wash it first? Or do you just solder over the =
tinned joint without doing anything?

I ask this because after the initial tinning, the flux gets yucky and =
spits and sputters. I feel like each solder pass should be a clean =
start, yes?=20

But what the heck, I'm still learning and soldering has been my weak =
point. I'd say the pros lay down a single solder bead and they are done. =
Maybe I'll get to that point one day.....

Thanks for listening....

Linda Campbell
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From owner-glass Thu Mar 12 07:53:39 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 10:03:50 -0500
Message-ID: <1998Mar12.5350.0>
References: <<1998Mar12.34923.0>>
Precedence: bulk

Linda Campbell wrote:
> 
> Question to you good folks about soldering and fluxing. Let's say you =
> apply flux to your copper foil joints and tack and time the joint. And =
> then you come back to make a decent solder bead.=20
> 
> Do you reflux? Do you wash it first? Or do you just solder over the =
> tinned joint without doing anything?
> 
> I ask this because after the initial tinning, the flux gets yucky and =
> spits and sputters. I feel like each solder pass should be a clean =
> start, yes?=20
> 
> But what the heck, I'm still learning and soldering has been my weak =
> point. I'd say the pros lay down a single solder bead and they are done. =
> Maybe I'll get to that point one day.....
> 
> Thanks for listening....
> 
> Linda Campbell
> ----


it varies. 

generally i'll put down only spots of flux when tacking. mainly becuase
the tape is in the way (which is holding the pieces in place). 

once the tape is removed, i'll lay out my real flux, over an area i can
handle with it evaporating on me. usaully a square foot or so. and i'll
put in my 50-50, then, if needed, i'll put a little more flux for a
bead. though most of the time i'll wipe everything down with a bit of
alchohol and a paper towel, and put some fresh flux on it. not too much
or it will spatter. 

the second fluxing, really does'nt need to be much. just enough for a
sizzle and a smooth bead.

---Mike Savad


-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Thu Mar 12 08:20:37 1998
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X-Path: indiana.edu!dfdavis
From: Donald Davis <dfdavis@indiana.edu>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 10:14:39 -0500
Message-ID: <1998Mar12.51439.0>
References: <<1998Mar12.34923.0>>
Organization: Indiana University
Precedence: bulk

I have not been at this long either but... I do have a long background
of soldering.  My stained glass instructor gave me some pointers as
follows (still fresh in my mind)  Tack solder using flux at the points
that will help you maintain the shape of the object on the back side.
If your flux is spitting and sputtering... you are using too much flux.
Then solder the back side for the rounded bead (strength) .  Turn over
the object flux one area at a time and do the finish bead on the front.

Don


Linda Campbell wrote:

> Question to you good folks about soldering and fluxing. Let's say you
> =
> apply flux to your copper foil joints and tack and time the joint. And
> =
> then you come back to make a decent solder bead.=20
>
> Do you reflux? Do you wash it first? Or do you just solder over the =
> tinned joint without doing anything?
>
> I ask this because after the initial tinning, the flux gets yucky and
> =
> spits and sputters. I feel like each solder pass should be a clean =
> start, yes?=20
>
> But what the heck, I'm still learning and soldering has been my weak =
>
> point. I'd say the pros lay down a single solder bead and they are
> done. =
> Maybe I'll get to that point one day.....
>
> Thanks for listening....
>
> Linda Campbell
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Thu Mar 12 08:25:20 1998
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X-Path: chescom.net!dmm
From: "Don McDonald" <dmm@chescom.net>
To: glass@bungi.com, lcbell@memach.com
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 09:00:04 -0600
Message-ID: <s507a42b.002@chescom.net>
Precedence: bulk

Linda,

I use a VERY SMALL amount of flux when tacking joints, then reflux
before running the bead, again using the minimum amount of flux  I
find that while using a lot of flux makes for a nice flow of solder,
it also makes for a dull surface and lots of thick, dark yuk that has
to be cleaned off.  I try to use only enough flux so that the solder
burns it off completely.

Don M. McDonald
Director, Web Services
Chesapeake Communications Corporation

>>> Linda Campbell <lcbell@memach.com> 03/12 7:49 AM >>>
Question to you good folks about soldering and fluxing. Let's say you
=
apply flux to your copper foil joints and tack and time the joint.
And =
then you come back to make a decent solder bead.=20

Do you reflux? Do you wash it first? Or do you just solder over the
=
tinned joint without doing anything?

I ask this because after the initial tinning, the flux gets yucky and
=
spits and sputters. I feel like each solder pass should be a clean =
start, yes?=20

But what the heck, I'm still learning and soldering has been my weak
=
point. I'd say the pros lay down a single solder bead and they are
done. =
Maybe I'll get to that point one day.....

Thanks for listening....

Linda Campbell
----
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----
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From owner-glass Thu Mar 12 09:00:36 1998
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X-Path: aol.com!DMR74
From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Houston thing Clarified
Date: Thu, 12 Mar 1998 10:59:52 EST
Message-ID: <1998Mar12.155952.0>
Precedence: bulk

Sorry I just figured some people would have known and clarified: INTERNATIONAL
ART GLASS SUPPLIERS TRADE SHOW SOURCE '98
July 11-12 Exhibits  July 8-10 Education
Says it is a trade show only and all guests must present business ID's
#1-800-878-6767
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From owner-glass Thu Mar 12 10:53:25 1998
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X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Bus trip to PA
Date: Thu, 12 Mar 1998 13:02:57 -0500
Message-ID: <1998Mar12.8257.0>
Organization: Cox's Mower Service
Precedence: bulk

Since not all of us can go to the Houston thing cuz it's a Trade Show,
but some of us are going on the Yough and Falling Water tour - How about
a show of hands?
I and my SO are already reserved ( the trip is filled) Whom else???

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From owner-glass Thu Mar 12 14:21:36 1998
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From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Directions to Warners
Date: Thu, 12 Mar 1998 16:37:01 EST
Message-ID: <1998Mar12.21371.0>
Precedence: bulk

Hi everyone...someone asked for directions to Warner for a March 17 trip -
 this is how I get there -

Take the PA turnpike to the NorthEast Extension to Exit 33 (Lehigh Valley
exit).  Take 22E to the Airport Rd North (AKA Rt. 987N - I never have seen an
airport rd north sign). You'll pass a CoreStates Bank on right and the airport
will be on the left.  At the 3rd stop light, Weaversville Rd and
Schoenersville Rd (a WaWa or 7-11 on the right corner), make a left...you'll
come to a curve/bend in the road and there it is.   hope you enjoy your visit.
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From owner-glass Thu Mar 12 18:27:40 1998
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X-Path: ComCAT.COM!suzy
From: suzanne albright <suzy@ComCAT.COM>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 98 20:34:07 -0500
Message-ID: <199803130131.UAA10734@uz.ComCAT.COM>
Precedence: bulk

Linda wrote:
>Question to you good folks about soldering and fluxing. Let's say you =
>apply flux to your copper foil joints and tack and time the joint. And =
>then you come back to make a decent solder bead.=20
>
>Do you reflux? Do you wash it first? Or do you just solder over the =
>tinned joint without doing anything?
Depends how long you've been away. I was taught not to let flux sit on 
work without cleaning it off if it's going to be more than a couple of 
hours.

Assuming you're doing all of this at one sitting, I do not wash, but 
solder over the tinned seam. Sometimes I will add more flux if it needs 
it. ("needing it" - solder will not flow right, globs onto the glass, 
etc.) Generally the less flux you use the better.

Here's the routine that works for me. (This is assuming the piece is not 
gigantic; in that case I will work one side, clean it off, and go back 
for the other side later.)

I tin the whole front, put on the came, then turn it over and tin the 
back side. I have better luck tinning the whole side first, then going 
back and beading it. That also gives me more practice time on that 
particular piece. After the back is done to my satisfaction, then I turn 
it over and bead the front. Also I believe, it's a good idea to turn the 
iron temp down a bit for the beading process. 

Hope this helps.




Suzanne Albright
suzy@comcat.com


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From owner-glass Thu Mar 12 18:56:18 1998
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From: Carolyn Noel <glasscat@infinet.com>
To: DMR74 <DMR74@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Group Note
Date: Thu, 12 Mar 1998 20:41:15 -0500
Message-ID: <1998Mar12.154115.0>
References: <<1998Mar11.22539.0>>
Organization: The Stained Glass Place
Precedence: bulk

Planning to.
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From owner-glass Thu Mar 12 19:37:05 1998
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From: Dudley246 <Dudley246@aol.com>
To: suzy@ComCAT.COM, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 21:41:17 EST
Message-ID: <1998Mar13.24117.0>
Precedence: bulk

Now I'm getting mixed up!! I've done 5 pannels,hope they're not going to fall
apart!! what's the difference between tinning and beading? I just put some
flux on the spots that I'm gonna tack,then take the tape off and do the
soldering lines.Is this wrong? Am I suppose to put a lite layer of solder onto
the foil lines(is this tinning?) then go back and build up the solder lines(is
this beading?) And I took a class!!!                                          
                                                               Thanx,Damon
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From owner-glass Thu Mar 12 20:11:50 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: Tony Regan <aareg@globalnet.co.uk>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Stained Glass group
Date: Thu, 05 Mar 1998 21:20:46 -0600
Message-ID: <1998Mar5.152046.0>
References: <<1998Mar11.183840.0>>
Precedence: bulk

Welcome to the group. You have chosen a great time to get with us great
people (and a few stinkers). In an effort to help us get acquainted
would you please forward an unoffical biography of yourselves to me and
I will post it to the group.

pkelly@n-link.com

Patrick
Roses and Rainbows

Tony Regan wrote:

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From owner-glass Thu Mar 12 20:25:47 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Update of the Bios Saga
Date: Thu, 05 Mar 1998 21:35:18 -0600
Message-ID: <1998Mar5.153518.0>
Precedence: bulk

Well ..... I have about 20 bios on my hard drive. The rest of you have
given the following excuses:

I'm working on it.

My dog ate it.

My cat needed litter.

I wrapped the horse hair in it.

The black stove polish got all over it and I couldn't get it off the
monitor.

I'm having too much fun with my new electric glass cutter.

Hmmmmmmmm. They all sound kind of fishy to me. Anyway, I'll start
posting what I have on Saturday, 14th of March. Probably 2 at a time, in
no particular order. I will number them (Bio #1 Jane Smith).

For the ones who haven't submitted one yet, please do.

Patrick
Roses and Rainbows

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From owner-glass Thu Mar 12 20:48:27 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 20:09:00 -0800 (PST)
Message-ID: <199803130409.UAA10708@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Thu Mar 12 19:41:13 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: aol.com!Dudley246
>From: Dudley246 <Dudley246@aol.com>
>To: suzy@ComCAT.COM, glass@bungi.com
>Subject: Re: Yet Another Solder/Flux Question
>Date: Thu, 12 Mar 1998 21:41:17 EST
>Precedence: bulk
>
>Now I'm getting mixed up!! I've done 5 pannels,hope they're not going to fall
>apart!! what's the difference between tinning and beading? I just put some
>flux on the spots that I'm gonna tack,then take the tape off and do the
>soldering lines.Is this wrong? Am I suppose to put a lite layer of solder onto
>the foil lines(is this tinning?) then go back and build up the solder lines(is
>this beading?) And I took a class!!!                                          
>                                                               Thanx,Damon
>- You're doing fine, not to worry. It appears some people tin which is to
put a thin coat of solder down first and then go over it for the bead line. 
It can help at times if you want to fill in any gaps between the glass
before you bead up. Happy soldering :)
Cindy 
CJGlassworks---
>For subscription changes, please mail to: glass-request@bungi.com
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>
>

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From owner-glass Thu Mar 12 20:51:53 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 20:11:41 -0800 (PST)
Message-ID: <199803130411.UAA10265@freya.vphos.net>
Precedence: bulk

>To: glassw@bungi.com
>From: cpesonen@bcinternet.net (Cindy Pesonen)
>Subject: Re: Yet Another Solder/Flux Question
>
>>X-From_: owner-glass@daver.bungi.com Thu Mar 12 18:31:13 1998
>>Return-Path: owner-glass@daver.bungi.com
>>X-Path: ComCAT.COM!suzy
>>From: suzanne albright <suzy@ComCAT.COM>
>>To: "glass@bungi.com" <glass@bungi.com>
>>Subject: Re: Yet Another Solder/Flux Question
>>Date: Thu, 12 Mar 98 20:34:07 -0500
>>Precedence: bulk
>>
>>Linda wrote:
>>>Question to you good folks about soldering and fluxing. Let's say you =
>>>apply flux to your copper foil joints and tack and time the joint. And =
>>>then you come back to make a decent solder bead.=20
>>>
>>>Do you reflux? Do you wash it first? Or do you just solder over the =
>>>tinned joint without doing anything?
>
>If it's a large picture that I'm working on I like to solder as I go. (If I
get quite a bit done in a day.) The reason being is...if I don't get back to
it right away it hasn't had the time to oxidize, it may not matter alot. But
as I'm always cleaning afterwards my work stays quite clean. I don't usually
tack solder because I use horse shoe nails. I will tin and wipe if need be
and just a light amount of flux for the bead line. 
>>Cindy
>CJGlassworks
>>
>>
>>
>>----
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>>
>>
>

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From owner-glass Thu Mar 12 21:22:07 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 23:25:48 EST
Message-ID: <1998Mar13.42548.0>
Precedence: bulk

Howdy, I'm no pro.. But I just solder over the tacking. No need to re-flux.
Just my expierence.
Susan
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From owner-glass Thu Mar 12 21:38:14 1998
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From: NCScouter <ncscoutr@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Glass help: UK, Japan, Portugal?
Date: Thu, 12 Mar 1998 23:42:24 -0800
Message-ID: <1998Mar12.154224.0>
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

Dear bungians et al,
I just got this and thought that I might pass it on in hope that some of
'our gang' might be able to help? I am clueless as to the
material/method of which he speaks.
V T Phelps
Shoreline Glassworks, Ltd.
Outer Banks NC USA
----
Hello,  I'm new here.
I hv a small company in Portugal to make stained glass.

Does somebody here uses materials / equipment from RSG -
Resin Stained Glass (UK)  or Ueno (Japan) ?
Or some other similar resin method?
I do and would like to discuss ideas.

Regards

Luis Sousa
alpas@iname.com
UIN 3410031
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From owner-glass Thu Mar 12 22:24:36 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Glass help: UK, Japan, Portugal?
Date: Fri, 13 Mar 1998 00:51:25 EST
Message-ID: <1998Mar13.55125.0>
Precedence: bulk

Clueless.
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From owner-glass Thu Mar 12 22:51:00 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Lost address
Date: Fri, 13 Mar 1998 00:54:01 EST
Message-ID: <1998Mar13.5541.0>
Precedence: bulk

A while back, there was a lady who wanted me to send pic. of my stepping
stones. I have lost her name and e-mail. Please respond, I finally got my
scanner figured out!
Susan
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From owner-glass Fri Mar 13 03:24:56 1998
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X-Path: aol.com!WhispyBlu
From: Whispy Blu <WhispyBlu@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Glass help: UK, Japan, Portugal?
Date: Fri, 13 Mar 1998 05:51:25 EST
Message-ID: <1998Mar13.105125.0>
Precedence: bulk

In a message dated 98-03-13 00:38:36 EST, you write:

<< Does somebody here uses materials / equipment from RSG -
 Resin Stained Glass (UK)  or Ueno (Japan) ?
 Or some other similar resin method?
 I do and would like to discuss ideas.
  >>

Luis - our "resident experts" that would be familiar with this may be at a
conference in Las Vegas, Nevada.  If you don't get a response wait a few days
and post again, I think the conference ends Sunday.
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From owner-glass Fri Mar 13 07:41:17 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Dudley246 <Dudley246@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Yet Another Solder/Flux Question
Date: Fri, 13 Mar 1998 09:56:09 -0500
Message-ID: <1998Mar13.4569.0>
References: <<1998Mar13.24117.0>>
Precedence: bulk

Dudley246 wrote:
> 
> Now I'm getting mixed up!! I've done 5 pannels,hope they're not going to fall
> apart!! what's the difference between tinning and beading? I just put some
> flux on the spots that I'm gonna tack,then take the tape off and do the
> soldering lines.Is this wrong? Am I suppose to put a lite layer of solder onto
> the foil lines(is this tinning?) then go back and build up the solder lines(is
> this beading?) And I took a class!!!
>                                                                Thanx,Damon
> ----


alright, here are the general keywords:

TINNING: this is when you put a thin coating of solder on the foil, or
whatever. usaully done on the edges and borders. some people like
tinning the edges of a box before assembly. 

FLAT SOLDERING: this is when you fill the gaps between pieces. i use
50-50 because it's cheaper. if you went straight to beading, you would
waste alot of solder (especially if you have wide gaps). the solder has
no profile.

BEADING: this is when you put your finished look onto the panel. it
makes it look nicer, and strenthens it a bit. it what seperates the
professional work to the very unprofessional. i use 60-40 it does the
job and it's cheaper then the other stuff out there. 50-50 does'nt work
as well to get a good bead. and you can lower the reostat for the 60-40
to prevent drip through.

i usaully tin after everything is beaded, because i can remove any drips
on the side.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Fri Mar 13 08:42:36 1998
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Don McDonald <dmm@chescom.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Tack Soldering
Date: Fri, 13 Mar 1998 07:41:57 -0800 (PST)
Message-ID: <1998Mar12.234157.0>
References: <<s507a42b.002@chescom.net>>
Precedence: bulk


Linda:  When you are tack soldering, sometimes it is easier to dip the
solder in flux rather than flux your project.  This works well for tack
soldering.  Peggy

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From owner-glass Fri Mar 13 09:09:01 1998
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X-Path: aol.com!GlassWizrd
From: GlassWizrd <GlassWizrd@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Glass help: UK, Japan, Portugal?
Date: Fri, 13 Mar 1998 10:48:03 EST
Message-ID: <1998Mar13.15483.0>
Precedence: bulk

In a message dated 98-03-13 06:25:27 EST, WhispyBlu@aol.com writes:

<< < Does somebody here uses materials / equipment from RSG -
  Resin Stained Glass (UK)  or Ueno (Japan) ?
  Or some other similar resin method?
  I do and would like to discuss ideas.
   >>
  >>

Resin = plastic suncatchers??  Sounds like the bake in the oven stuff they
sell around here at flea markets 3 for $5.00.........
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From owner-glass Fri Mar 13 09:14:59 1998
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X-Path: aol.com!PDRUSS
From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Yet Another Solder/Flux Question
Date: Fri, 13 Mar 1998 11:09:53 EST
Message-ID: <1998Mar13.16953.0>
Precedence: bulk

In a message dated 98-03-13 10:44:35 EST, you write:

<< 
 BEADING: this is when you put your finished look onto the panel. it
 makes it look nicer, and strenthens it a bit. it what seperates the
 professional work to the very unprofessional.  >>


Hi again, 

When I first got started in glass I worried a lot because I'm self taught. 

If I saw stained glass windows in a mall or restaurant I would walk up and
look closely at it. Not for design but for the soldering. I discovered that
most of the time my first year soldering looked as good or better then their
professional soldering. 

I don't do a lot of glass, mainly gifts, but I do like it to look nice. 

Dianne Russell
Williamsburg, VA
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From owner-glass Fri Mar 13 10:21:14 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Update of the Bios Saga
Date: Fri, 13 Mar 1998 09:11:03 -0800 (PST)
Message-ID: <199803131711.JAA12492@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Thu Mar 12 20:30:59 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: n-link.com!pkelly
>From: pkelly <pkelly@n-link.com>
>To: glass@bungi.com
>Subject: Update of the Bios Saga
>Date: Thu, 05 Mar 1998 21:35:18 -0600
>Precedence: bulk
>
>Well ..... I have about 20 bios on my hard drive. The rest of you have
>given the following excuses:
>
>I'm working on it.... Not as of yet:)
>
>My dog ate it.... Works for me:)
>
>My cat needed litter...Better not:)
>
>I wrapped the horse hair in it...I lost my horse:(
>
>The black stove polish got all over it and I couldn't get it off the
>monitor...Sounds good:)
>
>I'm having too much fun with my new electric glass cutter...Still stuck on
directions:)
>
>Hmmmmmmmm. They all sound kind of fishy to me. Anyway, I'll start
>posting what I have on Saturday, 14th of March. Probably 2 at a time, in
>no particular order. I will number them (Bio #1 Jane Smith).
>
>For the ones who haven't submitted one yet, please do.
>
>Patrick
>Roses and Rainbows
>
>Hi Patrick:)
A bio...Hmmm, I wrote one about 6 years ago.
And some pesky ants out in a tree, climbed across the telephone pole into my
house via the chimney!! Crawling quitely up the stairs they stoled it for
roofing material!!
So far all I can say is...  I REALLY LIKE GLASS:)
Cindy

>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Fri Mar 13 10:41:42 1998
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From: Linda Campbell <lcbell@memach.com>
To: "'M. Savad'" <morn@nac.net>, "'Glass@bungi.com'" <Glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Yet Another Solder/Flux Question
Date: Fri, 13 Mar 1998 12:48:16 -0500
Message-ID: <1998Mar13.74816.0>
Precedence: bulk

Mike,

How do you manage to tin AFTER the bead is done? Doesn't this mess up =
your bead? I am assuming this is just to cover the edges of the foil =
that may not have gotten a good coat of solder. That's why I flat solder =
my joints first.

Thanks,

Linda



Mike Savad says:

i usaully tin after everything is beaded, because i can remove any drips
on the side.


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From owner-glass Fri Mar 13 14:42:59 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Linda Campbell <lcbell@memach.com>
Subject: Re: Yet Another Solder/Flux Question
Date: Thu, 12 Mar 1998 23:41:55 +0000
Message-ID: <1998Mar12.234155.0>
References: <<1998Mar12.34923.0@?>>
Precedence: bulk

In message <1998Mar12.34923.0@?>, Linda Campbell <lcbell@memach.com>
writes

Linda,
Your question about soldering and fluxing leads me to ask (as all the
replies seemed to assume a liquid flux) do you all use liquid flux. Do
any people like me use a paste flux?
 (yes, I the one who uses tallow on lead came soldering)
-- 
Steve Richard
Verrier Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Mar 13 15:43:18 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Update of the Bios Saga
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Fri, 13 Mar 1998 23:53:40 +0000
Message-ID: <199803132258.WAA05199@saturn.nildram.co.uk>
Precedence: bulk

Hi Cindy (et al?)

C'mon!  
This is negative and I don't quite buy it.
Bungi didn't exist 6 years ago, so we could not possibly have the 
benefit of a Bio you wrote 6 years ago. 
If you wrote one then, how easy then it would be to re-vamp it, even 
if tongue in cheek to communicate with the rest of us who you are, 
what you are about, from whence you have come. It can be all quite 
fun, not too serious - you are not applying for a job or 
anything....

All and every one in Bungi matters to all and every one one of the 
rest of us! That includes YOU!
We depend to quite an extent in the "knowing" of each other, to know 
how to take "off-the-cuff"  comments and early mornings tired 
perusals, and....occasionally... the odd "rattiness".
This is not a "Stained Glass Reference Library"; this is a 
collection of highly individual - often isolated - individuals, 
continents apart, different cultures and now and then  - even 
different languages - ALL trying to give, to contribute. to learn, to 
share knowledge and experience and to make Friends in the World of 
Stained Glass. To make Friends means,  that you have to give a little 
 of and about yourself. 

There are so many individuals who have given so much of Themselves 
into what is Bungi. Judging from the 250-odd Off-Bungi e-mails I 
received after my last "Little Performance", I will stick my neck out 
and say that this is what the Bungi Subscribers WANT.
They WANT real humans, they WANT real friends, they WANT real 
flesh-and-blood.  I DO want to know to judge that Mike Savad is a bit 
pre-occupied and gives somewhat vague answers when he is perusing his 
last encounter with Aliens, when Howard is "ratty" about  someone 
trying to pick his brains for days for nothing, when Albert is 
struggling with so many "hats" (.. and gasping for a fag in the 
Bunker); how Len is hovering between hobby and pro, how Luther (the 
Cat) is destroying all plans for creativity; , how Herbert is 
struggling with the English language, how Tomasz is battling with 
computer technology and double glazing in Poland; how Mary is 
struggling making ends meet driving trucks, how someone else 
struggles in British Columbia; someone else trying to get the 
editorial of  a stained glass  magazine together in Australia, how an 
ex-monk in  New Orleans  feels about stained glass and  finds a 
new approach creating it, how an ex-patriot Irishman has a fresh 
new look on stained glass and why... How someone in Cornwall in UK 
can survive artistically and financially designing and creating 
stained glass in a somewhat barren environment; how a US ex-patriot 
in Glasgow, Scotland works in stained glass.....

 Don't you want to know how, why, from where and to where???

I DO!

I never ceased to be amazed from where people come, what motivates 
them, what they are about and the strength of their convictions.
For them to share it with me is a "Gift" I cannot treasure enough.
A little Bio on Bungi goes a long way for many of us to make that 
connection.
So if you really care about what you do and wish to make some 
wonderful, real "connections", that may well last a life-time, tell 
us who you are, where you come from and so on.
Send it to our irrascible Patrick Kelly  (The Irishman who kissed the 
Blarney-Stone!).
I should know!
I have actually MET some of you!!!
Against All Odds!
WOW! Have I Got Friends For Life!!!! HAVE I learnt about stained 
glass!!!!

If you want a "Stained Glass Reference Library"; please join another 
Group. Bungi is not for you.... :-(

Elisabeth 'n Toby in UK

(Len! Passionate! ME! You must be joking!!
Albright, Suzanne: Looking forward to reading your Bio in the next 
couple of days.....:->    )



.> >Hi Patrick:) A bio...Hmmm, I wrote one about 6 years 
ago. And some pesky ants out in a tree, climbed across the telephone 
pole into my house via the chimney!! Crawling quitely up the stairs 
they stoled it for roofing material!! So far all I can say is...  I 
REALLY LIKE GLASS:) Cindy

>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Fri Mar 13 16:15:47 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Yet Another Solder/Flux Question
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 14 Mar 1998 00:10:39 +0000
Message-ID: <199803132315.XAA08877@saturn.nildram.co.uk>
Precedence: bulk

Hi Steve,

Our American friends seem to be particularly fond of chemical liquid 
fluxes.Your assumption - I believe- is quite correct.

Like yourself, I  sure as hell use good old fashined tallow on lead. 
Wouldn't dream of using anything else. I am even known to use tallow 
on copper foil (although it DOES get a bit greasy...)
Dani Greer, and Some, and  Me have/are/will be experimenting with 
citrus fruit as "flux", since chemically it should be quite 
suitable....     :->
Progress Reports to follow......

Another thing.... I have just despatched some good old-fashioned UK 
Zebrite / Zebo grate polish to a few of our American friends to see 
how they get on polishing lead-work Hopefully, I should get their 
evaluations  on this too (provided the parcels made it through US 
Customs...).
Polish your lead-work  with the Zebrite/Zebo like dearly, beloved old 
mountain walking boots, or like Army Boots on Parade...... :->
Elbow grease pays off!!!!

UK Suppliers List Received??

Regards
Elisabeth 'n Toby in UK


Steve wrote:
 Linda,
Your question about soldering and fluxing leads me to ask (as all the
replies seemed to assume a liquid flux) do you all use liquid flux. Do
any people like me use a paste flux?
 (yes, I the one who uses tallow on lead came soldering)

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Fri Mar 13 17:31:05 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: P D RUSS <PDRUSS@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Yet Another Solder/Flux Question
Date: Fri, 13 Mar 1998 19:22:56 -0500
Message-ID: <1998Mar13.142256.0>
References: <<1998Mar13.16953.0>>
Precedence: bulk

P D RUSS wrote:
> 
> In a message dated 98-03-13 10:44:35 EST, you write:
> 
> <<
>  BEADING: this is when you put your finished look onto the panel. it
>  makes it look nicer, and strenthens it a bit. it what seperates the
>  professional work to the very unprofessional.  >>
> 
> Hi again,
> 
> When I first got started in glass I worried a lot because I'm self taught.
> 
> If I saw stained glass windows in a mall or restaurant I would walk up and
> look closely at it. Not for design but for the soldering. I discovered that
> most of the time my first year soldering looked as good or better then their
> professional soldering.
> 
> I don't do a lot of glass, mainly gifts, but I do like it to look nice.
> 
> Dianne Russell
> Williamsburg, VA


of course the other thing you have to remember is that they may not be
proffesionals. instead they may be the type who think they know what
their doing, and do what they do. that may be inferior glass selection,
bad beads, and poor designs. but as long as we make better stuff then
them, it should be ok...

---Mike Savad


-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Fri Mar 13 17:50:31 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Yet Another Solder/Flux Question
Date: Fri, 13 Mar 1998 19:28:19 -0500
Message-ID: <1998Mar13.142819.0>
References: <<01BD4E7E.4BDD92E0@mmc043.memach.com>>
Precedence: bulk

Linda Campbell wrote:
> 
> Mike,
> 
> How do you manage to tin AFTER the bead is done? Doesn't this mess up your bead? I am assuming this is just to cover the edges of the foil that may not have gotten a good coat of solder. That's why I flat solder my joints first.
> 
> Thanks,
> 
> Linda
> 
> Mike Savad says:
> 
> i usaully tin after everything is beaded, because i can remove any drips
> on the side.


basically the tinning is done on the edges only. flat soldering is flat
soldering. a cross section would look like an I beam. though other times
i'll tin the edges at the same time as the flat soldering, then i'll
bead. it generally varies between projects.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Fri Mar 13 18:15:01 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Update of the Bios Saga
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 13 Mar 1998 20:30:28 +0000
Message-ID: <m0yDfer-0000BeC@daver.bungi.com>
Precedence: bulk


> trying to pick his brains for days for nothing, when Albert is 
> struggling with so many "hats" (.. and gasping for a fag in the 
> Bunker)

Kaf! Kaf! Think I'll go downstairs now and have a nice H. Uppman 
Churchill and think over the day. I put together quite a nice (I 
think) brochure for the College of Fine Art and Glass, sent it off by 
airmail for approval and input, then took a lovely 2-hour nap (well, 
I *had put in 12 hours by 4 p.m., so I deserved it), re-heated some 
BBQ pizza, had a glass of Merlot, walked the dog, so all in all it 
was a pretty successful day. Wife's on the other coast on biz, so 
it's a bit lonely, just me 'n the dog, but it'll be bedtime in an 
hour, so that's the end of day for me.

That's a slice of the human side of misself, I guess.

My history's at http://www.alldesigncom.com/resume.htm if that'll 
suffice for a bio. I guess I could scan and OCR one I wrote a few 
years ago, then update that, but my plate's a little full these days, 
so I hope you don't mind that I just point you at the rez.

Love to you all,

Albert

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From owner-glass Fri Mar 13 18:47:44 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Yet Another Solder/Flux Question
Date: Fri, 13 Mar 1998 20:31:48 -0500
Message-ID: <1998Mar13.153148.0>
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Hi Steve-

We use paste flux for lead work
and liquid flux for copperfoil work.

Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Fri Mar 13 18:48:25 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Update of the Bios Saga
Date: Fri, 13 Mar 1998 17:56:57 -0800 (PST)
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Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Fri Mar 13 15:46:20 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: pop3.nildram.co.uk!glass
>From: "Toby" <toby@northlights.co.uk>
>To: glass@bungi.com
>Subject: Re: Update of the Bios Saga
>Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
>Date: Fri, 13 Mar 1998 23:53:40 +0000
>Precedence: bulk


> My Very Dear New Friends, Elisabeth 'n Toby in the UK!!!

Holy Doodle --- Love A Duck--You Got Me.. I surrender--- where do I sign??
I'll do it, honest!! I didn't know!!!!:)  Can I read yours first??
>From the bush lady..........BC, Cindy.net I think???


>Hi Cindy (et al?)
>
>C'mon!  
>This is negative and I don't quite buy it.
>Bungi didn't exist 6 years ago, so we could not possibly have the 
>benefit of a Bio you wrote 6 years ago. 
>If you wrote one then, how easy then it would be to re-vamp it, even 
>if tongue in cheek to communicate with the rest of us who you are, 
>what you are about, from whence you have come. It can be all quite 
>fun, not too serious - you are not applying for a job or 
>anything....
>
>All and every one in Bungi matters to all and every one one of the 
>rest of us! That includes YOU!
>We depend to quite an extent in the "knowing" of each other, to know 
>how to take "off-the-cuff"  comments and early mornings tired 
>perusals, and....occasionally... the odd "rattiness".
>This is not a "Stained Glass Reference Library"; this is a 
>collection of highly individual - often isolated - individuals, 
>continents apart, different cultures and now and then  - even 
>different languages - ALL trying to give, to contribute. to learn, to 
>share knowledge and experience and to make Friends in the World of 
>Stained Glass. To make Friends means,  that you have to give a little 
> of and about yourself. 
>
>There are so many individuals who have given so much of Themselves 
>into what is Bungi. Judging from the 250-odd Off-Bungi e-mails I 
>received after my last "Little Performance", I will stick my neck out 
>and say that this is what the Bungi Subscribers WANT.
>They WANT real humans, they WANT real friends, they WANT real 
>flesh-and-blood.  I DO want to know to judge that Mike Savad is a bit 
>pre-occupied and gives somewhat vague answers when he is perusing his 
>last encounter with Aliens, when Howard is "ratty" about  someone 
>trying to pick his brains for days for nothing, when Albert is 
>struggling with so many "hats" (.. and gasping for a fag in the 
>Bunker); how Len is hovering between hobby and pro, how Luther (the 
>Cat) is destroying all plans for creativity; , how Herbert is 
>struggling with the English language, how Tomasz is battling with 
>computer technology and double glazing in Poland; how Mary is 
>struggling making ends meet driving trucks, how someone else 
>struggles in British Columbia; someone else trying to get the 
>editorial of  a stained glass  magazine together in Australia, how an 
>ex-monk in  New Orleans  feels about stained glass and  finds a 
>new approach creating it, how an ex-patriot Irishman has a fresh 
>new look on stained glass and why... How someone in Cornwall in UK 
>can survive artistically and financially designing and creating 
>stained glass in a somewhat barren environment; how a US ex-patriot 
>in Glasgow, Scotland works in stained glass.....
>
> Don't you want to know how, why, from where and to where???
>
>I DO!
>
>I never ceased to be amazed from where people come, what motivates 
>them, what they are about and the strength of their convictions.
>For them to share it with me is a "Gift" I cannot treasure enough.
>A little Bio on Bungi goes a long way for many of us to make that 
>connection.
>So if you really care about what you do and wish to make some 
>wonderful, real "connections", that may well last a life-time, tell 
>us who you are, where you come from and so on.
>Send it to our irrascible Patrick Kelly  (The Irishman who kissed the 
>Blarney-Stone!).
>I should know!
>I have actually MET some of you!!!
>Against All Odds!
>WOW! Have I Got Friends For Life!!!! HAVE I learnt about stained 
>glass!!!!
>
>If you want a "Stained Glass Reference Library"; please join another 
>Group. Bungi is not for you.... :-(
>
>Elisabeth 'n Toby in UK
>
>(Len! Passionate! ME! You must be joking!!
>Albright, Suzanne: Looking forward to reading your Bio in the next 
>couple of days.....:->    )
>
>
>
>.> >Hi Patrick:) A bio...Hmmm, I wrote one about 6 years 
>ago. And some pesky ants out in a tree, climbed across the telephone 
>pole into my house via the chimney!! Crawling quitely up the stairs 
>they stoled it for roofing material!! So far all I can say is...  I 
>REALLY LIKE GLASS:) Cindy
>
>>For subscription changes, please mail to: glass-request@bungi.com
>>To send to the list,      please mail to: glass@bungi.com
>>Archives available at http://www.bungi.com/glass
>>
>>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>----
>As my grandmother said "...there is only nobility of mind"
>North Lights Stained Glass - homepage
>http://www.netlink.co.uk/users/kris/northlights/index.htm 
>----
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

----
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From owner-glass Sat Mar 14 06:37:16 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: hot glass and kiln question, bios
Date: Sat, 14 Mar 1998 08:50:08 -0500
Message-ID: <1998Mar14.3508.0>
Precedence: bulk

	I recently took a fusing class (loved it!) and was wondering if
anyone knows of a fusing list that I could lurk on?   If you think I know
how to use the computer to search for these things, you'd be wrong :} 
I'm trying to read and learn everything I can.  

	Also, for those of you that have kilns, do you keep them in your
house or living area?  I know the shelf paper is toxic, and you have to
be careful with it once you've fired, but what about the fumes just from
firing the kiln?  

	And Patrick, I haven't seen this excuse:  "My life is too dull." 
Or is it that there's no dull lives, just dull people?  Hee. Hee.

Jerri 
 (looking at all my daughter's baby things and thinking "Hmmm.  Garage
sale = kiln money ;)

	

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From owner-glass Sat Mar 14 07:22:05 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Zebrite/Zebo/Kiwi?
Date: Sat, 14 Mar 1998 09:25:51 -0500
Message-ID: <1998Mar14.42551.0>
Precedence: bulk

Message text written by "Toby":
>Polish your lead-work  with the Zebrite/Zebo like dearly, beloved old =

mountain walking boots, or like Army Boots on Parade...... :->
Elbow grease pays off!!!!<

This got me thinking.  Has anyone tried Kiwi black boot
polish?  It sure polishes up old army boots on parade.

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From owner-glass Sat Mar 14 07:52:09 1998
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X-Path: worldnet.att.net!summit-stained-glass
From: mike peck <summit-stained-glass@worldnet.att.net>
To: jerri m Roey <jroey@juno.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: hot glass and kiln question, bios
Date: Sat, 14 Mar 1998 09:06:17 -0600
Message-ID: <1998Mar14.3617.0>
References: <<1998Mar14.3508.0>>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

jerri m Roey wrote:
> 
>         I recently took a fusing class (loved it!) and was wondering if
> anyone knows of a fusing list that I could lurk on?   If you think I know
> how to use the computer to search for these things, you'd be wrong :}
> I'm trying to read and learn everything I can.
> 


Jerri,

Try  http://www.hotglass.com/ 

They have a bulletin board over there at the bottom of the page. 

Mike Peck
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From owner-glass Sat Mar 14 08:19:02 1998
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From: "VALERIE PHELPS" <ncscoutr@beachaccess.com>
To: glass@bungi.com
Subject: Re: Yet Another Solder/Flux Question
Date: Sat, 14 Mar 1998 10:27:15
Message-ID: <1998Mar14.182715.0>
Organization: Beach Access BBS
Precedence: bulk

I use paste flux almost all of the time. I do HAVE some 'Blu-Glass'
liquid flux... it's around here someplace...now where DID that bottle
go?? Here's the No-korode paste,<sounds of rampant rummaging & cabinets
opening & shuuting> ahhh, oh nope, that's the oleic flux... hhmmmmmm, 'n
that's the Classique paste... Well, sorry. I just KNOW I have a bottle
around here someplace but exactly WHERE I can't tell you offhand. <BG>

V T Phelps
Shoreline Glassworks, Ltd.

>In message <1998Mar12.34923.0@?>, Linda Campbell <lcbell@memach.com>
>writes
>
>Linda,
>Your question about soldering and fluxing leads me to ask (as all the
>replies seemed to assume a liquid flux) do you all use liquid flux. Do
>any people like me use a paste flux?
> (yes, I the one who uses tallow on lead came soldering)
>-- 
>Steve Richard
>Verrier Ltd
>s.richard@verrier-scotland.demon.co.uk
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>



 * JDS Mail & News

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From owner-glass Sat Mar 14 08:43:32 1998
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From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Sat, 14 Mar 1998 09:29:42 -0800
Message-ID: <1998Mar14.12942.0>
References: <<1998Mar14.42551.0>>
Precedence: bulk

> This got me thinking.  Has anyone tried Kiwi black boot
> polish?  It sure polishes up old army boots on parade.

I thought about using shoe polish too, especially when it was
recommended to get the horsehair brush in the shoe polish section.
I am going to try it on this panel I'm working on, and will let you
all know how it goes, unless someone specifically says not to! 

Laurean
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From owner-glass Sat Mar 14 09:18:16 1998
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From: Katharine <katz9@IDT.NET>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: (no subject)
Date: Sat, 14 Mar 1998 10:08:18 -0600
Message-ID: <1998Mar14.4818.0>
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please add to list ....we are looking for interesting patterns
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From owner-glass Sat Mar 14 10:17:11 1998
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From: pkelly <pkelly@n-link.com>
To: Laurean <vlclover@rconnect.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Sat, 07 Mar 1998 11:38:58 -0600
Message-ID: <1998Mar7.53858.0>
References: <<1998Mar14.12942.0>>
Precedence: bulk

Being a former paratrooper I have access and experience with KIWI, black
boot polish.(8-). I'll try this afternoon on an old piece and post the
result. No sense in anyone taking a chance on ruining a completed
project.

Patrick
Roses and Rainbows

Laurean wrote:

> > This got me thinking.  Has anyone tried Kiwi black boot
> > polish?  It sure polishes up old army boots on parade.
>
> I thought about using shoe polish too, especially when it was
> recommended to get the horsehair brush in the shoe polish section.
> I am going to try it on this panel I'm working on, and will let you
> all know how it goes, unless someone specifically says not to!
>
> Laurean
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Sat Mar 14 11:39:24 1998
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From: pkelly <pkelly@n-link.com>
To: Laurean <vlclover@rconnect.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Sat, 07 Mar 1998 11:38:58 -0600
Message-ID: <1998Mar7.53858.0>
References: <<1998Mar14.12942.0>>
Precedence: bulk

Being a former paratrooper I have access and experience with KIWI, black
boot polish.(8-). I'll try this afternoon on an old piece and post the
result. No sense in anyone taking a chance on ruining a completed
project.

Patrick
Roses and Rainbows

Laurean wrote:

> > This got me thinking.  Has anyone tried Kiwi black boot
> > polish?  It sure polishes up old army boots on parade.
>
> I thought about using shoe polish too, especially when it was
> recommended to get the horsehair brush in the shoe polish section.
> I am going to try it on this panel I'm working on, and will let you
> all know how it goes, unless someone specifically says not to!
>
> Laurean
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Sat Mar 14 11:58:32 1998
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X-Path: beachaccess.com!ncscoutr
From: "VALERIE PHELPS" <ncscoutr@beachaccess.com>
To: glass@bungi.com
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Sat, 14 Mar 1998 12:40:59
Message-ID: <1998Mar14.204059.0>
Organization: Beach Access BBS
Precedence: bulk

YAY Christie!!!
Black boot polish, eh? You've just added a new "test item" to our list
of bungi innovations... Right up there with tried and true things like
lemon juice flux, and glass-cutting practice on ice (for which we now
have some results coming in and BOY are they interesting!)
Keep that thinking cap on and let me know if you've tried this yet, or
if you'd rather I'll try it out...

>>Polish your lead-work  with the Zebrite/Zebo like dearly, beloved old =
>
>mountain walking boots, or like Army Boots on Parade...... :->
>Elbow grease pays off!!!!<
>
>This got me thinking.  Has anyone tried Kiwi black boot
>polish?  It sure polishes up old army boots on parade.
>
>----



 * JDS Mail & News

----
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From owner-glass Sat Mar 14 12:01:24 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Zebrite/Zebo/Kiwi?
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 14 Mar 1998 19:09:23 +0000
Message-ID: <199803141814.SAA16292@saturn.nildram.co.uk>
Precedence: bulk

Hi Christie,

Zebrite/Zebo was specifically "developed" for metal, whereas Kiwi - I 
suppose - is meant for leather.
I would recommend trying it out on something that doesn't matter 
FIRST, before though.
Elisabeth 'n Toby in UK

Christie wrote:
This got me thinking.  Has anyone tried Kiwi black boot
polish?  It sure polishes up old army boots on parade.

----
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Sat Mar 14 12:20:21 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Bio#1 Patrick Kelly
Date: Sat, 07 Mar 1998 12:40:47 -0600
Message-ID: <1998Mar7.64047.0>
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Thought that since I am responsible for the bio posting I thought I
would start with mine. I'll be the Barbed Wire Blanket. For those of you
who have never been in the military this is the person you see in the
movies who throws himself across the barbed wire and acts as a human
bridge for the rest of the people to run over him (or her, it is the
90's you know).

Name:  Patrick Kelly
Location:  Killeen, Texas   USA
Occupation:  Daytime - Management Analyst, US Government
                    Nights  -  Computer Science Instructor, Central
Texas College (on the          web,   please visit and see some of my
students home page designs)
Likes: Just about everything and everybody
Dislikes:  Pretentious people, egotists, and people who say " That's too
hard, I can't do that".
Marital Status:  Married, 2 grown and gone sons (I broke there plates
when they left).
Companion animals: 4 cats, and a Jenda Conjur (small parrot family), an
armadillo that visits regularly, and the odd snake in the backyard (all
are welcome)

Background:

Born in Baltimore, Maryland, USA to a working class family of 8 children
(oh those Irish). My father was a shipbuilder. Attended an all boys high
school Baltimore Polytechnic Institute (for some strange reason the
female teachers didn't last but a few semesters). On the way to register
for college I was bitten by the adventure bug. I joined the US Army and
enlisted for the Special Forces.

The military career took me all over Southeast Asia and met many
lifelong friends (some of whom were former enemies). During my travels I
became aware of the great works of art and historical significance of
the areas (i.e., The Plain of Jars in Laos, The Floating Markets of
Bangkok; The Reclining Buddha; The palaces of Japan; Rangoon, Burma, and
many others). All of my military career was spent in the Pacific area.

Retired from the military and settled in central Texas. Became an
accomplished furniture maker and woodcrafter. Not much money in either
of these so I returned to school where I earned 2 Master's Degree and
started toward a Ph.D.

Glass:

A lady friend of mine was in the middle of a nasty divorce and asked if
I wanted to buy her stained glass supplies. Not knowing a fair price or
having any experience in SG I put her off. After a few weeks she called
and asked again if I wanted her supplies ...  for free, she had to
vacate her house and didn't want to move the stuff into storage. I
agreed and went to her house expecting to pick up a couple of boxes of
supplies. To my amazement there was pick-up truck loads of glass, tools,
equipment, books, patterns, and everything else needed. I took a short
class and fell into a love-hate relationship with glass.

My former garage and cabinet making shop is now my stained glass shop. I
call SG my therapy because when I get fed up with people I retire to my
garage and get in touch with my creative side. I love every cut (glass
and fingers). None of pieces I have made have been sold. My wife always
falls in love with the projects or says "You know our Veterinarian's
little girl is having her first recital could you make her something?"
or "My friend needs a piece for her sister-in-laws birthday" or "Why
don't you make a little something for _________". Needless to say this
gets a little expensive.

Hope I didn't bore you too much.


Patrick
Roses and Rainbows

BTW "Roses and Rainbows" is not my studio name or anything. I just like
saying it, instead of "have a nice day" (feel free to use it in anyway
you want.







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From owner-glass Sat Mar 14 12:50:58 1998
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From: pkelly <pkelly@n-link.com>
To: Katharine <katz9@IDT.NET>
Content-Type: text/plain; charset=us-ascii
Subject: Re: (no subject)
Date: Sat, 07 Mar 1998 12:42:16 -0600
Message-ID: <1998Mar7.64216.0>
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Precedence: bulk

Welcome Katarine

Patrick
Roses and Rainbows

Katharine wrote:

> please add to list ....we are looking for interesting patterns
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Sat Mar 14 13:09:28 1998
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From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Bio#2  Elisabeth 
Date: Sat, 07 Mar 1998 13:47:15 -0600
Message-ID: <1998Mar7.74715.0>
Precedence: bulk

(She is going to kill me for this, Patick)

Bungi Bio

Name:             Elisabeth  (with an Ess!)
More Names: Elsa, Margaret, Lillebil (My parents couldn=92t make their
minds up!)
                       Lillebil?! Yep! an old Viking name! ALL of which
good fun when
                       filling in official forms!
Final Flourish: ROBERG
DOB:               Definitely! ( Well, alright then,
....pre-1950....post -1945).
Gender:            Hang on, let=92s have a look! Hmm; definitely female,
though a bit
                        frayed here and there. Did someone mention
=93travelling South=94......
Measurements:  Mind your own business!!!  ;-)
Where born:      Gothenburg, Sweden
Parents:          ditto
G-parents       ditto (....yawn....!) Grandpapa was a diplomat, Papa
served
                       in the Swedish Navy.
                       Early childhood: spent climbing trees, sailing,
swimming, being locked
                       up for being =93naughty=94, or weeding the garden =
:-(
. Such was the loving
                       relationship between me and my Mom that she
bestowed on me a one-
                       way ticket out of Sweden when I was 15....
Education:      Unorthodox, to say the least.
                       Eventually leading to  degrees & post-grads at 4
universities in Europe
                      Sweden -  European History
                      Germany: Linguistics
                      UK: Finno-Ugrian Linguistics
                      Hungary: Post-grad Hungarian studies & research.
Career:          Colourful!
                      Peeling potatoes & wiping runny noses in UK in
1961, fled to Germany
                      15 months later in sheer desperation & out of
                      boredom and promoted to looking after old folks,
until I
                      managed to get to grips with continuing my formal
education.
                      Spent various years in Germany (West & East),
France, Austria,
                      Hungary, Czechoslovakia, Poland,
                      Aden, Yemen, Egypt, Lebanon, Ethiopia and China
(some months).
                      In Aden I spent a considerable time avoiding
getting shot at , blown up
                      or being mistaken for being British......
                      On return to Europe worked for a number of
multi-national companies
                      as an =93East European Expert=94 and spent more tim=
e
living out of
                      suitcases (..today is Tuesday...it must be
Prague...).
                       Got off the tread-mill 1989/90 with both feet and
started working full
                       time with stained glass from home..
                        No money, but better quality of life.....
Married        : Yes in 1970 to an Englishman ;  we now live under
separate
                        roofs about a mile apart, great pals (long story
- ..yawn..)
Children          No, but 5 Godchildren and approx 10 nieces & nephews
Philosophy:    1. In all right relationships, look only for the Divine
in people,
                           and leave all the rest to God;
                       2. Summary: Get off your butt and DO it!
                       3. Why make Life easy, when complicated screws it
up so much better!
                       4. There is only ONE kind of Nobility; that of
the Mind.
Interests:              walking, wild-life, nature, people, gardening,
cooking
Musical Taste:     wide-ranging, but mainly Vivaldi, Bach, Mozart &
Shostakovich,
                             Early & 19th Century Swedish music & East
European music.
Pet Hates:             Ed. Sibbett Jr,; Toby - when he is grumpy;
fools,
                             violence, intolerance, assumptions,
arrogance.
Hobbies:               See interests...
Vices:                   quite a handful
Good side:            not many....
S.G. Philosophy:   I paint WITH glass, not ON it..
Style :                   Probably my own
Shows  :                Goddards & Gibbs Student=92s Show, London 1984
                              North Hertfordshire Exhibition1986, County
Exhibition 1988,
                              5th International Exhibition, Bratislava,
Slovakia 1991
                              Letchworth  Museum Heritage Exhibition
1992, RAF Exhibition
                              Duxford, Cambridgeshire 1993, Hitchin Corn
Exchange Exhibition
                              1994, Solo-Exhibition Vienna, Austria
1994, Hertfordshire Visual
                              Arts Forum, St.Albans 1994, Herts Visual
Arts Forum, Hemel
                              Hempstead 1995,  International Applied
Arts Competition,
                              Nyiregyhaza, Hungary 1995; 3rd
International Crafts Exhibition,
                              Hungary, 1995
Prizes:                    Commendation 1988 by Royal Society of Arts,
London
                               Heritage Award 1992
                               Commendation, Bratislava 1991
                               Commendation, RAF Museum Camridgshire
1993
                               Commendation from Mayor of St.Albans 1995

                               First Prize in  International
Competition,  1995
                               (Citation by 3 international judges, with
a combined experience of
                               275 years of judging stained glass
world-wide: =93Masterly
                               examples of the rejuvenation of
traditional stained glass=94.)
                               Best International Exhibit , Hungary
1995.
                               Haven=92t got off my butt since......
Best Moment :        Starting a new day.
Worst Moment:      1) Collecting =93bits=94 of friends into plastic bags
after
                                    they stepped on booby-traps in the
Middle East;
                                2) Being mugged in London and almost
losing my eye-sight
                                3)  Witnessing physical torture in
Eastern Europe.
Funniest Moment:   Waking up at night, couldn=92t breathe, couldn=92t mov=
e,
felt
                                 paralyzed. Thinking: =93Oh! I=92ve died!
That=92s it!=94 Slowly coming
                                 to, still not able to breathe, still
not able to move, but gradually
                                 realizing the whole bed was shaking,
trembling. Coming to a
                                 little bit more - realizing that there
was a thunderstorm outside;
                                 lots of whizzes and bangs; lots of
noise. I couldn=92t move, I
                                 couldn=92t breathe and the whole bed was
trembling and shaking,
                                 because I was pinned down by the weight
of 135 kgs worth of 2
                                  terrified Old English Sheepdogs who
had  dive-bombed on top
                                 of me for comfort and reassurance. A
cup of tea was made for 3!

THAT=92S ALL!! (At least - that=92s all which is suitable for =93public
consumption=94!!)


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From owner-glass Sat Mar 14 13:20:50 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Re: hot glass and kiln question, bios
Date: Sat, 14 Mar 1998 14:37:46 -0500
Message-ID: <1998Mar14.93746.0>
References: <<199803141814.SAA16289@saturn.nildram.co.uk>>
Precedence: bulk

Hi Elisabeth,

	Wow.  I'm probably looking at a much smaller kiln.  The smaller
one we used in the class was a hexagon shape (I can't remember the
deminsions) and goes for about $350.  I believe the controller was
another $500, so I won't be able to get that.  It'd be more convienent if
I could keep the kiln in the house, since I'll have too keep a close eye
on it without a controller, but I thought of putting it in the garage. 
Oh well, I'm still in the pipe dreaming stage at this point.  The
downside to taking the class was that it gave me so many ideas of things
I'd like to try, some to incorporate into my stained glass, some just
fusing, and I don't have a kiln!

Jerri

Pat. Pat. Toby.

On Sat, 14 Mar 1998 19:09:23 +0000 "Toby" <toby@northlights.co.uk>
writes:
>Dear Jerri,
>
>First of all, I wouldn't recommend housing a kiln "indoors" for the 
>fumes-reasons you mentioned . Secondly The wiring needs to be done 
>separately and on a different circuit, the electrical cabling needs 
>to be real "heavy-weight". Akso if you live in a small villagae (like 
>I do), you are likely to make huge demands on the electric supply 
>estimated as input into your community's network, and upset a 
>neighbour or two (when their tv goes all funny...  ;-)    )
>I bult a special little "out-house (in bricks) for my kiln, attached 
>to my patio. 
>But I am in the same boat as you - looking for a new one/replacement 
>- since I bought mine second-hand and it has finally given up the 
>ghost. Over in UK, you are looking at approx. US Dollars 5000 - 7000 
>for a new kiln (front-loader).
>Some garage sale!!
>Elisabeth 'n Toby in UK.
>
>Oh, and as regards the Bios; some famous person said once, that there 
>is a good book waiting to be pulished in every single one of us.
>Which further beggars the question "no dull lives - only dull 
>people"  ??
>
>Elisabeth 'n Toby in UK

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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From owner-glass Sat Mar 14 13:40:16 1998
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X-Path: pahrump.com!aaron
From: "Aaron Brady" <aaron@pahrump.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Fw: glue for fusing glass
Date: Sat, 14 Mar 1998 12:42:12 -0800
Message-ID: <1998Mar14.44212.0>
Precedence: bulk



----------
> From:  BOB   DUCHESNEAU <YWAH36A@prodigy.com>
> To: glass@bungi.com
> Subject: glue for fusing glass
> Date: Wednesday, March 11, 1998 12:02 AM
> 
> Bob wrote, somewhat vaguely:
>  Fusing wire or even plain copper wire can be fused in for a hanger. 
> I 
> make circles around  something like a pencil and cut them round 
> before sandwiching between two pieces of glass. One can just place 
> the end of the wire between two pieces of glass. In both cases it is 
> 
> most helpful to dent the wire in contact with the glass. Otherwise 
> the glass may not form a tight bond around the round wire and the 
> wire will pull out. I have not had good success in placing the wire 
> either on top of or under the glass. Bob
> 
> To start over. Wrap the wire to be fused several times around a 
> cylinder of the desired diameter. Using lead dikes cut the circles 
> apart. The ends of the circles will be slightly offset. Use a hammer 
> to flatten the circle where the ends come together. This makes the 
> ends of the circles somewhat irregular and allows glass to make a 
> good mechanical seal around the wire. The lead dikes can be used to 
> nick the wire near the ends to acomplish the same purpose. 
> 
> Place the wire circle about one quarter way between two pieces of 
> glass with the cut ends between the glass. Heat to 1450'F or so.
> 
> A common glass nugget laying on its flat side can be cut about 1/8" 
> in with a diamond bandsaw and a wire circle placed in the cut and 
> fused. Of course, if you overlap other nuggets of the right color and 
> make the right overall shape the resulting product will look like a 
> bunch of grapes ready to hang up. A combination of common purple and 
> lilac nuggets looks great. Bob
> 
> ____
> Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
> that *possom is unfriendly to chickens* destroy your code machines.) 
> 26746 Mountain Meadow Road, Escondido, CA, 92026,USA
> Voice (760) 749-3966    FAX (760) 749-6427
> 
> <Prodigy Distribution List>
> TO: YWAH36A
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 

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From owner-glass Sat Mar 14 13:54:22 1998
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X-Path: ComCAT.COM!suzy
From: suzanne albright <suzy@ComCAT.COM>
To: "pkelly" <pkelly@n-link.com>, "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Bio#1 Patrick Kelly
Date: Sat, 14 Mar 98 15:41:37 -0500
Message-ID: <199803142039.PAA09503@uz.ComCAT.COM>
Precedence: bulk

Hi Mr. Kelly, Roses, Rainbows & Barbed Wire Blanket:

Thank you for going first. It was really fun reading your Bio. You have a 
great sense of humor! 

I had a thought. Could we get some pictures with these Bios? How much 
more interesting to actually SEE these people.




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From owner-glass Sat Mar 14 13:58:08 1998
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X-Path: pahrump.com!lsanford
From: "Larry Sanford" <lsanford@pahrump.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Fw: Houston thing Clarified
Date: Sat, 14 Mar 1998 12:20:30 -0800
Message-ID: <1998Mar14.42030.0>
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-----Original Message-----
From: DMR74 <DMR74@aol.com>
To: glass@bungi.com <glass@bungi.com>
Date: Thursday, March 12, 1998 1:31 AM
Subject: Houston thing Clarified


>Sorry I just figured some people would have known and clarified:
INTERNATIONAL
>ART GLASS SUPPLIERS TRADE SHOW SOURCE '98
>July 11-12 Exhibits  July 8-10 Education
>Says it is a trade show only and all guests must present business ID's
>#1-800-878-6767
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>


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From owner-glass Sat Mar 14 14:14:49 1998
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From: "Larry Sanford" <lsanford@pahrump.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Fw: Yet Another Solder/Flux Question
Date: Sat, 14 Mar 1998 12:47:43 -0800
Message-ID: <1998Mar14.44743.0>
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-----Original Message-----
From: Don McDonald <dmm@chescom.net>
To: c<glass@bungi.com>; lcbell@memach.com <lcbell@memach.com>
Date: Thursday, March 12, 1998 12:43 AM
Subject: Re: Yet Another Solder/Flux Question


>Linda,
>
>I use a VERY SMALL amount of flux when tacking joints, then reflux
>before running the bead, again using the minimum amount of flux  I
>find that while using a lot of flux makes for a nice flow of solder,
>it also makes for a dull surface and lots of thick, dark yuk that has
>to be cleaned off.  I try to use only enough flux so that the solder
>burns it off completely.
>
>Don M. McDonald
>Director, Web Services
>Chesapeake Communications Corporation
>
>>>> Linda Campbell <lcbell@memach.com> 03/12 7:49 AM >>>
>Question to you good folks about soldering and fluxing. Let's say you
>=
>apply flux to your copper foil joints and tack and time the joint.
>And =
>then you come back to make a decent solder bead.=20
>
>Do you reflux? Do you wash it first? Or do you just solder over the
>=
>tinned joint without doing anything?
>
>I ask this because after the initial tinning, the flux gets yucky and
>=
>spits and sputters. I feel like each solder pass should be a clean =
>start, yes?=20
>
>But what the heck, I'm still learning and soldering has been my weak
>=
>point. I'd say the pros lay down a single solder bead and they are
>done. =
>Maybe I'll get to that point one day.....
>
>Thanks for listening....
>
>Linda Campbell
>----
>For subscription changes, please mail to: glass-request@bungi.com 
>To send to the list,      please mail to: glass@bungi.com 
>Archives available at http://www.bungi.com/glass
>----
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>


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From owner-glass Sat Mar 14 14:26:44 1998
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X-Path: pahrump.com!aaron
From: "Aaron Brady" <aaron@pahrump.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Fw: glue for fusing glass
Date: Sat, 14 Mar 1998 13:03:59 -0800
Message-ID: <1998Mar14.5359.0>
Precedence: bulk



----------
> From:  BOB   DUCHESNEAU <YWAH36A@prodigy.com>
> To: glass@bungi.com
> Subject: glue for fusing glass
> Date: Wednesday, March 11, 1998 12:17 AM
> 
> Bob wrote, somewhat vaguely:
> Fusing wire or even plain copper wire can be fused in for a hanger. 
> I make circles around  something like a pencil and cut them round 
> before sandwiching between two pieces of glass. One can just place 
> the end of the wire between two pieces of glass. In both cases it is 
> 
> most helpful to dent the wire in contact with the glass. Otherwise 
> the glass may not form a tight bond around the round wire and the 
> wire will pull out. I have not had good success in placing the wire 
> either on top of or under the glass. Bob
> 
> To start over. Wrap the wire to be fused several times around a 
> cylinder of the desired diameter. Using lead dikes cut the circles 
> apart. The ends of the circles will be slightly offset. Use a hammer 
> 
> to flatten the circle where the ends come together. This makes the 
> ends of the circles somewhat irregular and allows fused glass to 
> make
> a good mechanical grip around the wire. The lead dikes can be used to 
> 
> nick the wire near the ends to accomplish the same purpose. 
> 
> Insert the wire circle about one quarter way between two pieces of 
> glass with the cut irregular shaped ends between the glass. 
> Heat to 1450'F or so.
> 
> A common glass nugget laying on its flat side can be cut about 1/8" 
> in with a diamond band saw and a wire circle wedged in the cut and 
> fused. Of course, if you overlap other nuggets of the right color and 
> 
> make the right overall shape the resulting product will look like a 
> bunch of grapes ready to hang up. A combination of common purple and 
> 
> lilac nuggets looks great. Bob
> 
> 
> ____
> Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
> that *possom is unfriendly to chickens* destroy your code machines.) 
> 26746 Mountain Meadow Road, Escondido, CA, 92026,USA
> Voice (760) 749-3966    FAX (760) 749-6427
> 
> <Prodigy Distribution List>
> TO: YWAH36A
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 

----
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From owner-glass Sat Mar 14 15:12:42 1998
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X-Path: pahrump.com!lsanford
From: "Larry Sanford" <lsanford@pahrump.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Fw: Yet Another Solder/Flux Question
Date: Sat, 14 Mar 1998 14:01:56 -0800
Message-ID: <1998Mar14.6156.0>
Precedence: bulk


-----Original Message-----
From: Linda Campbell <lcbell@memach.com>
To: glass@bungi.com <glass@bungi.com>
Date: Wednesday, March 11, 1998 10:38 PM
Subject: Yet Another Solder/Flux Question


>Question to you good folks about soldering and fluxing. Let's say you =
>apply flux to your copper foil joints and tack and time the joint. And =
>then you come back to make a decent solder bead.=20
>
>Do you reflux? Do you wash it first? Or do you just solder over the =
>tinned joint without doing anything?
>
>I ask this because after the initial tinning, the flux gets yucky and =
>spits and sputters. I feel like each solder pass should be a clean =
>start, yes?=20
>
>But what the heck, I'm still learning and soldering has been my weak =
>point. I'd say the pros lay down a single solder bead and they are done. =
>Maybe I'll get to that point one day.....
>
>Thanks for listening....
>
>Linda Campbell
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>


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From owner-glass Sat Mar 14 15:36:21 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: KIWI results
Date: Sat, 07 Mar 1998 16:13:48 -0600
Message-ID: <1998Mar7.101348.0>
Precedence: bulk

As  promised (or threatened), I went to the garage and tried the KIWI
black boot polish. It had no coloring effect on the lead or solder. I
also tried leather dye and scuff magic with no effect. However, the Kiwi
black boot polish did a great job of polishing the glass. I had a dull
old project with a clear glass fern design in it with dark green wispy
glass around the border. The green became very deep and clean looking
the clear became clean and shiny, and it shined the solder.. Maybe I'll
try the Kiwi neutral for a glass polish, its readily available, easy to
apply and removes quite well (additionally  the smell brings back
memories)

I love to experiment. Any other suggestions?

Patrick
Roses and Rainbows

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From owner-glass Sat Mar 14 16:58:58 1998
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X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>, Suzanne <suzy@comcat.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bio#1 Patrick Kelly
Date: Sat, 14 Mar 1998 17:38:16 -0800
Message-ID: <1998Mar14.93816.0>
References: <<199803142039.PAA09503@uz.ComCAT.COM>>
Precedence: bulk

> 
> I had a thought. Could we get some pictures with these Bios? How much
> more interesting to actually SEE these people.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Now Suzanne! That's REALLY pushing it! :>)

Laurean
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From owner-glass Sat Mar 14 17:13:57 1998
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X-Path: bc.sympatico.ca!tuka
From: Doug & Shiela Dunn <tuka@bc.sympatico.ca>
To: pkelly <pkelly@n-link.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: KIWI results
Date: Sat, 14 Mar 1998 15:56:22 -0800
Message-ID: <1998Mar14.75622.0>
References: <<1998Mar7.101348.0>>
Organization: Shiela A. Dunn, C.G.A.
Precedence: bulk

Did you use a shoe brush on this test, a cloth or.....?

pkelly wrote:
> 
> As  promised (or threatened), I went to the garage and tried the KIWI
> black boot polish. It had no coloring effect on the lead or solder. I
> also tried leather dye and scuff magic with no effect. However, the Kiwi
> black boot polish did a great job of polishing the glass. I had a dull
> old project with a clear glass fern design in it with dark green wispy
> glass around the border. The green became very deep and clean looking
> the clear became clean and shiny, and it shined the solder.. Maybe I'll
> try the Kiwi neutral for a glass polish, its readily available, easy to
> apply and removes quite well (additionally  the smell brings back
> memories)
> 
> I love to experiment. Any other suggestions?
> 
> Patrick
> Roses and Rainbows
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Sat Mar 14 17:30:57 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: tuka@bc.sympatico.ca
Content-Type: text/plain; charset=us-ascii
Subject: Re: KIWI results
Date: Sat, 07 Mar 1998 18:02:44 -0600
Message-ID: <1998Mar7.12244.0>
References: <<350B1926.587B@bc.sympatico.ca>>
Precedence: bulk

I used both. The brush first and then the cloth. A habit that is hard to
break. Perhaps next will be a spit shine(nah .... I don't think so, the
memories are not that good).

Patrick
Roses and Rainbows

Doug & Shiela Dunn wrote:

> Did you use a shoe brush on this test, a cloth or.....?
>
> pkelly wrote:
> >
> > As  promised (or threatened), I went to the garage and tried the KIWI
> > black boot polish. It had no coloring effect on the lead or solder. I
> > also tried leather dye and scuff magic with no effect. However, the Kiwi
> > black boot polish did a great job of polishing the glass. I had a dull
> > old project with a clear glass fern design in it with dark green wispy
> > glass around the border. The green became very deep and clean looking
> > the clear became clean and shiny, and it shined the solder.. Maybe I'll
> > try the Kiwi neutral for a glass polish, its readily available, easy to
> > apply and removes quite well (additionally  the smell brings back
> > memories)
> >
> > I love to experiment. Any other suggestions?
> >
> > Patrick
> > Roses and Rainbows
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass



----
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From owner-glass Sat Mar 14 18:50:06 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bio#2  Elisabeth 
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sun, 15 Mar 1998 02:22:19 +0000
Message-ID: <199803150127.BAA31367@saturn.nildram.co.uk>
Precedence: bulk

Patrick, You're dead right!!!
You are stone DEAD!!!    ;-)
Anyhow, you posted it during a week-end, when nobody is 
reading/posting Bungi mail anyhow, .... so at leats that's 
something!!
What happened to trhe "alphabetical order" " ???
or is that just another facet of "Irish Logic" ????

Hhhhrrrruuummmmppphhh!!!!!!!!
NOT Elisabeth in UK (... and Toby Just will NOT Play your Game!!)


Patrick wrote:
She is going to kill me for this, Patick)

Bungi Bio

Name:             Elisabeth  (with an Ess!)
.... and so on.....
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Sat Mar 14 20:35:49 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Sat, 14 Mar 1998 22:28:40 EST
Message-ID: <1998Mar15.32840.0>
Precedence: bulk

Well, I for one..do not like shiney black solder seams.
 I just like the flat black. I guess I'm just a simple 'ol basics gal.
Susan
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From owner-glass Sat Mar 14 20:49:15 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bio#1 Patrick Kelly
Date: Sat, 14 Mar 1998 22:34:13 EST
Message-ID: <1998Mar15.33413.0>
Precedence: bulk

Hey Patrick,
  My birthday was Feb 5. I sure would like to have one of those wisteria
lamps!!
Susan
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From owner-glass Sat Mar 14 20:54:44 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bio#2  Elisabeth
Date: Sat, 14 Mar 1998 22:39:21 EST
Message-ID: <1998Mar15.33921.0>
Precedence: bulk

Well. I hope the world ends before you read my bio. I feel like such a lowly
creature. 
Elisabeth, I am truly an admirer now.
Susan
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From owner-glass Sun Mar 15 06:23:09 1998
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X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bio#2  Elisabeth
Date: Sun, 15 Mar 1998 07:17:35 -0800
Message-ID: <1998Mar14.231735.0>
References: <<1998Mar15.33921.0>>
Precedence: bulk

> Well. I hope the world ends before you read my bio. I feel like such a lowly
> creature.
> Elisabeth, I am truly an admirer now.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I know what you mean.............

Laurean
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From owner-glass Sun Mar 15 06:42:46 1998
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X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>, Carla <macbeth@greenhills.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bio#2  Elisabeth
Date: Sun, 15 Mar 1998 07:21:09 -0800
Message-ID: <1998Mar14.23219.0>
References: <<199803150127.BAA31367@saturn.nildram.co.uk>>
Precedence: bulk

> Anyhow, you posted it during a week-end, when nobody is
> reading/posting Bungi mail anyhow, .... 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Elisabeth with an ESS,
You didn't get off that easy, I happen to read my
mail on the weekend!

Laurean
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From owner-glass Sun Mar 15 09:21:51 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Bio#2  Elisabeth
Date: Sun, 15 Mar 1998 08:26:08 -0800 (PST)
Message-ID: <199803151626.IAA02118@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Sun Mar 15 06:25:59 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: rconnect.com!vlclover
>From: Laurean <vlclover@rconnect.com>
>To: bungi <glass@bungi.com>
>Subject: Re: Bio#2  Elisabeth
>Date: Sun, 15 Mar 1998 07:17:35 -0800
>References: <<1998Mar15.33921.0>>
>Precedence: bulk
>
>> Well. I hope the world ends before you read my bio. I feel like such a lowly
>> creature.
>> Elisabeth, I am truly an admirer now.
>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>I know what you mean.............
>
>Laurean
>
_________________________________________________________________

 Can I triple that feeling??? (no,no, Patrick please don't send it out,
yet:), fear has me in it's grips)
Hey Elizabeth... you're great and I too am an admirer!!!!!!!!
Sincerely, Cindy 
PS Patrick, I'm impressed with yours also:) can you write one for me??

>For subscription changes, please mail to: glass-request@bungi.com
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>
>

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From owner-glass Sun Mar 15 11:26:37 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Sun, 15 Mar 1998 10:14:50 -0800 (PST)
Message-ID: <199803151814.KAA30766@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Sat Mar 14 20:41:07 1998
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>From: CWWSLW <CWWSLW@aol.com>
>To: glass@bungi.com
>Subject: Re: Zebrite/Zebo/Kiwi?
>Date: Sat, 14 Mar 1998 22:28:40 EST
>Precedence: bulk


>Hi Susan,
Ya it's KIWI ELITE for me!!! I like the selfshining, I peculiarly like the
ant eater? on the bottle. Have you tried the brown?
Truely a finish for the "90's (works good on casting stone also...my little
secret,... my friend, a rock carver still is wondering?)
Cindy:)  


>Well, I for one..do not like shiney black solder seams.
> I just like the flat black. I guess I'm just a simple 'ol basics gal.
>Susan
>----
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Sun Mar 15 11:56:38 1998
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X-Path: ibm.net!croch
From: "Carol J. Rochnowski" <croch@ibm.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: One More Time
Date: Sun, 15 Mar 1998 10:56:36 -0800
Message-ID: <1998Mar15.25636.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0012_01BD5001.063703A0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I'm being brave and writing my bio - a daily lurker here, but Patrick, =
Dear Heart, please put your email address back on.  I tend to delete =
rather quickly and work from three different computers - can't find your =
personal address.  Thanks. Namaste' Carol

------=_NextPart_000_0012_01BD5001.063703A0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.1712.3"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I'm being brave and writing my bio - =
a daily=20
lurker here, but Patrick, Dear Heart, please put your email address back =

on.&nbsp; I tend to delete rather quickly and work from three different=20
computers - can't find your personal address.&nbsp; Thanks. Namaste'=20
Carol</FONT></DIV></BODY></HTML>

------=_NextPart_000_0012_01BD5001.063703A0--

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From owner-glass Sun Mar 15 13:50:43 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Copy of: Re: Bio#2  Elisabeth
Date: Sun, 15 Mar 1998 16:05:43 -0500
Message-ID: <1998Mar15.11543.0>
Precedence: bulk


---------- Forwarded Message ----------

From:   Michael J. Greer, 105715,1412
TO:     Laurean, INTERNET:vlclover@rconnect.com
DATE:   3/15/98 12:39 PM

RE:     Copy of: Re: Bio#2  Elisabeth

Hey, you guys quit being so ho-hum
about your bios!  If other people's =

sound more interesting than yours
it's probably because we're.... well..
older.  Had more time to do things!
If you really think about it, you've =

probably done some cool things, too.
And we want to hear about them - =

send Patrick your bio.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sun Mar 15 17:34:21 1998
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X-Path: aol.com!Margaret41
From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bio#1 and 2 Patrick/Elisabeth
Date: Sun, 15 Mar 1998 19:47:03 EST
Message-ID: <1998Mar16.0473.0>
Precedence: bulk

In a message dated 98-03-15 09:23:29 EST, you write:

<<  Well. I hope the world ends before you read my bio. I feel like such a
lowly
 > creature.
 > Elisabeth, I am truly an admirer now.
 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 I know what you mean.............
 
 Laurean
 ---- >>

Me too. After reading the very interesting bios, I'm really quite boring.

Margaret
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From owner-glass Sun Mar 15 18:10:21 1998
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: More than a bio!!!!
Date: Sun, 15 Mar 1998 20:09:30 -0500 (EST)
Message-ID: <199803160109.UAA04768@water.waterw.com>
Precedence: bulk

Hi Patrick and group,

No its not my bio attached.  But I am fine tuning it for your files.

But I do have a every so fetching photo of the Albert Lewis that
was shot back in the days when he was a magazine editor. 

Maybe I could auction it off as a fundraiser for the IGGA. <BG>

Do I hear a opening bid?

my best,
pj


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From owner-glass Sun Mar 15 19:03:42 1998
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X-Path: intrastar.net!ssuter
From: Shirley Suter <ssuter@intrastar.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: More than a bio!!!!
Date: Sun, 15 Mar 1998 20:23:13 -0600
Message-ID: <1998Mar15.142313.0>
References: <<199803160109.UAA04768@water.waterw.com>>
Organization: Intrastellar Internet Service  & Suter's Stained Glass
Precedence: bulk

pj friend wrote:

> But I do have a every so fetching photo of the Albert Lewis that
> was shot back in the days when he was a magazine editor.
> 
> Maybe I could auction it off as a fundraiser for the IGGA. <BG>
> 
> Do I hear a opening bid?

OK.....I bid one barrel of various high quality glass
scraps, a dirty tube sock and a slightly worn armadillo.

Next bid?

Shirley
Grapeland, Tx.
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From owner-glass Sun Mar 15 19:36:26 1998
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X-Path: ComCAT.COM!suzy
From: suzanne albright <suzy@ComCAT.COM>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: More than a bio!!!!
Date: Sun, 15 Mar 98 21:53:32 -0500
Message-ID: <199803160251.VAA22826@uz.ComCAT.COM>
Precedence: bulk


pj writes:
>But I do have a every so fetching photo of the Albert Lewis that
>was shot back in the days when he was a magazine editor. 
>
>Maybe I could auction it off as a fundraiser for the IGGA. <BG>
>
>Do I hear a opening bid?

Suzanne:
Yup, I'll start off. $10!
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From owner-glass Sun Mar 15 20:14:10 1998
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From: Mosfunland <Mosfunland@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: More than a bio!!!!
Date: Sun, 15 Mar 1998 22:17:16 EST
Message-ID: <1998Mar16.31716.0>
Precedence: bulk

I'll bid my superelectronicmagicnofrillsglass cutter that I am on back order
for from the kneedeep people.....
Alberts worth every spec of it......<wink>
Maureen
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From owner-glass Sun Mar 15 20:38:51 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: Shirley Suter <ssuter@intrastar.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: More than a bio!!!!
Date: Sun, 08 Mar 1998 21:46:43 -0600
Message-ID: <1998Mar8.154643.0>
References: <<1998Mar15.142313.0>>
Precedence: bulk

I bid a partridge in a pear tree ... or is that a cartridge in a bare
tree. I can never quite remember.

Patrick
Roses and Rainbows

PS The photo is probably one of  those type that they used the camera on
the tripod, the hood,  and flash powder on. (8-). Now Albert is going to
kill me. First Elisabeth now Albert, I'd better lay low for awhile. (8-)

Shirley Suter wrote:

> pj friend wrote:
>
> > But I do have a every so fetching photo of the Albert Lewis that
> > was shot back in the days when he was a magazine editor.
> >
> > Maybe I could auction it off as a fundraiser for the IGGA. <BG>
> >
> > Do I hear a opening bid?
>
> OK.....I bid one barrel of various high quality glass
> scraps, a dirty tube sock and a slightly worn armadillo.
>
> Next bid?
>
> Shirley
> Grapeland, Tx.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass



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From owner-glass Sun Mar 15 20:53:23 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Penguin Lovers
Date: Sun, 08 Mar 1998 21:49:18 -0600
Message-ID: <1998Mar8.154918.0>
Precedence: bulk

To all of you lovers of the little fat birds in the tuxedos there is a
pattern in the new SCORE magazine.

Patrick
Roses and Rainbows

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From owner-glass Mon Mar 16 03:15:28 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: More than a bio!!!!
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Mon, 16 Mar 1998 10:26:23 +0000
Message-ID: <199803160931.JAA21903@saturn.nildram.co.uk>
Precedence: bulk

I'll offer Patrick's neck! Howzat!?
Not sure if it's worth more than 10 dollars though...   :->
Elisabeth 'n Toby in UK

PJ wrote:
Hi Patrick and group,

No its not my bio attached.  But I am fine tuning it for your files.

But I do have a every so fetching photo of the Albert Lewis that
was shot back in the days when he was a magazine editor. 

Maybe I could auction it off as a fundraiser for the IGGA. <BG>

Do I hear a opening bid?



----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Mar 16 07:10:14 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: Yet Another Solder/Flux Question
Date: Sun, 15 Mar 1998 20:16:01 -0500
Message-ID: <199803160116.UAA00575@violeta.uwaterloo.ca>
References: <<199803132315.XAA08877@saturn.nildram.co.uk>>
Precedence: bulk


Elisabeth writes:

\ Dani Greer, and Some, and  Me have/are/will be experimenting with=20
\ citrus fruit as "flux", since chemically it should be quite=20
\ suitable....     :->
\ Progress Reports to follow......

My instructor asked us if somebody had a horse. He claims that in the
past, horse urine was a good flux.  Somebody brought some in. It
works, but smell worse than liquid flush.



--=20
Daniel M. Germ=E1n                "My friends would think I was a nut,=20
       Peter Gabriel -->         turning water into wine"
dmg@csg.uwaterloo.ca
http://csgwww.uwaterloo.ca/~dmg/home.html
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From owner-glass Mon Mar 16 08:44:32 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: More than a bio!!!!
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 16 Mar 1998 07:07:17 +0000
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> But I do have a every so fetching photo of the Albert Lewis that
> was shot back in the days when he was a magazine editor.

Not fair! My son tells me that these days I look like a mountain man 
... full beard and all. I know the picture you're talking about; it 
looks like a high school graduation shot. <s>

Albert

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From owner-glass Mon Mar 16 09:11:17 1998
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From: NCScoutr <NCScoutr@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Yet Another Solder/Flux Question
Date: Mon, 16 Mar 1998 10:44:42 EST
Message-ID: <1998Mar16.154442.0>
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Hmmm we've gone from oleic acid to citric acid to uric acid, all of
which work rather well... Does anyone else see a recurring theme here in
the fluxes we have determined as 'usable'?? (By the way the citric acid
flux doesn't seem to smell badly to me; however I have had that chronic
sinus infection for the last 3 months or so and am not exactly the best
choice to judge! ;->  )

V T Phelps
Shoreline Glassworks, Ltd.

>Elisabeth writes:
>> Dani Greer, and Some, and  Me have/are/will be experimenting with=20
>> citrus fruit as "flux", since chemically it should be quite=20
>> suitable....     :->
>> Progress Reports to follow......
>
>My instructor asked us if somebody had a horse. He claims that in the
>past, horse urine was a good flux.  Somebody brought some in. It
>works, but smell worse than liquid flush.
>
>--
>Daniel M. Germ                  "My friends would think I was a nut,
>       Peter Gabriel -->         turning water into wine"
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From owner-glass Mon Mar 16 09:14:50 1998
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From: NCScoutr <NCScoutr@aol.com>
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Subject: IGGA fund-raiser-->Bidding for Albert
Date: Mon, 16 Mar 1998 10:46:44 EST
Message-ID: <1998Mar16.154644.0>
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Okay, since it's for IGGA, I'll see that cartridge in a bare tree, one
barrel of various high quality glass scraps..PLUS TWO dirty tube socks,
1 pair of actual stockings (like used with garters,) my firstborn poem,
a never-used bottle of liquid flux, AND the neighbor's beastly beagle!
V T Phelps
Shoreline Glassworks, Ltd.

Going...going...

>... or is that a cartridge in a bare
>tree. I can never quite remember.
>> OK.....I bid one barrel of various high quality glass
>> scraps, a dirty tube sock and a slightly worn armadillo.
>> Next bid?
>> Shirley
>> Grapeland, Tx.
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From owner-glass Mon Mar 16 09:37:28 1998
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X-Path: cornell.edu!bjs10
From: Barbara <bjs10@cornell.edu>
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Content-Type: text/plain; charset="us-ascii"
Subject: Re: Yet Another Solder/Flux Question
Date: Mon, 16 Mar 1998 10:54:51 -0500
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Good Grief.... I sure hope I don't ever need flux that badly.  

At 08:16 PM 3/15/98 -0500, Daniel M. German wrote:
>
>Elisabeth writes:
>
>\ Dani Greer, and Some, and  Me have/are/will be experimenting with=20
>\ citrus fruit as "flux", since chemically it should be quite=20
>\ suitable....     :->
>\ Progress Reports to follow......
>
>My instructor asked us if somebody had a horse. He claims that in the
>past, horse urine was a good flux.  Somebody brought some in. It
>works, but smell worse than liquid flush.
>
>
>
>--=20
>Daniel M. Germ=E1n                "My friends would think I was a nut,=20
>       Peter Gabriel -->         turning water into wine"
>dmg@csg.uwaterloo.ca
>http://csgwww.uwaterloo.ca/~dmg/home.html
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
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From owner-glass Mon Mar 16 09:53:46 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Yet Another Solder/Flux Question
Date: Mon, 16 Mar 1998 08:31:22 -0800
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>
>Elisabeth writes:
>
>\ Dani Greer, and Some, and  Me have/are/will be experimenting with=20
>\ citrus fruit as "flux", since chemically it should be quite=20
>\ suitable....     :->
>\ Progress Reports to follow......
>
>My instructor asked us if somebody had a horse. He claims that in the
>past, horse urine was a good flux.  Somebody brought some in. It
>works, but smell worse than liquid flush.

Hmm...maybe the person who was recommending removing horse hair from the
horse before using it for polishing can test it for us.

Carol 

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From owner-glass Mon Mar 16 10:08:32 1998
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From: ItsAlison <ItsAlison@aol.com>
To: pkelly@n-link.com, ssuter@intrastar.net, Mosfunland@aol.com,
Content-Type: text/plain; charset=US-ASCII
Subject: Re: More than a bio!!!!
Date: Mon, 16 Mar 1998 11:36:51 EST
Message-ID: <1998Mar16.163651.0>
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LOL......I have enjoyed all your bids
I am prepaired to bid : one pink plastic flamingo.. 3 long necked lawn
geese...and a  big sheet of bubble-wrap rescued from a dumpster (for alberts
photo) Or, I will trade all of the above for an electronic glasscutter so I
can cut out huge quantities of the same pattern piece for all of my one-of-a
kind items.  <<g>>
~Alison~
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From owner-glass Mon Mar 16 10:23:56 1998
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From: Katharine <katz9@IDT.NET>
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Date: Mon, 16 Mar 1998 10:51:03 -0600
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We are having a hard time finding good dragon patterns any suggestions/
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From owner-glass Mon Mar 16 10:43:22 1998
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From: ItsAlison <ItsAlison@aol.com>
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Subject: Re: More than a bio!!!!
Date: Mon, 16 Mar 1998 11:53:32 EST
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<<Not fair! My son tells me that these days I look like a mountain man 
... full beard and all. I know the picture you're talking about; it 
looks like a high school graduation shot. 

Albert>>

Did Albert say mountain man??..... LOL, I up my bid by one plastic garden
Swan....
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From owner-glass Mon Mar 16 10:54:43 1998
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From: Lyn Butler <lynb@gnt.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Zebra pattern
Date: Mon, 16 Mar 1998 11:08:29 +0000
Message-ID: <1998Mar16.11829.0>
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Hi all,

Can anyone direct me to a pattern of a zebra where he stands sideways
but turns his head to look straight on...could be a full body or just
shoulders and head (my first choice). I'll need to make an hour's trip
to my "local" stain glass shop to look through pattern books and if I
had an idea of what book to look for that would save me some time. I
could also call them first to see if they have the book. I'm not good
yet at creating the design myself but would like to take one and
redesign somewhat. (I need the proportions). I have this thing for
zebras and have an idea in my little head I'd like to try. Appreciate
any help.

Also, I've been away for the weekend and now, on Monday morning,  I'm
reading all of the bungi posts and have been thoroughly entertained (I'm
easily entertained I've been told) but what a GREAT way to start the
week! Oh yes, I too am "working on my bio".

Well, back to lurking....

Lyn

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From owner-glass Mon Mar 16 11:14:49 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More than a bio!!!!
Date: Mon, 16 Mar 1998 12:26:22 -0500 (EST)
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hehehe...Albert 


<<Not fair! My son tells me that these days I look like a mountain man 
... full beard and all. I know the picture you're talking about; it 
looks like a high school graduation shot. <s>>>


Well I do have Adobe Photoshop...and well.............a full beard would
be a breeze to add to this..........and well...............I could also add
the cigar if you like?

Naw.......I think I will keep it the way it is.  But Albert,  did you see we
only got
a bid of $10.00 cash and some bits and pieces, hmmm.................I
thought this would
be well worth something in the six figures.  

Maybe I need to spice the pot? 

Hey folks..........this photo is an original not touched.................and
a close up you can actually see
the grin on Albert's face.   The buttons on his shirt?  Close enough?

Do I hear 20.00????


my best,
pj (who knows why she never has her photo taken)

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From owner-glass Mon Mar 16 11:29:11 1998
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From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: favorite flux
Date: Mon, 16 Mar 1998 12:40:14 EST
Message-ID: <1998Mar16.174014.0>
Precedence: bulk

hi everyone...have been experiencing some dirty solder seams and also in need
of flux. i know from reading the bungi line that dirty seams can be attributed
to several things including solder...since i'm in need of more flux shortly
would like to try perhaps a different one...any good ones out there...i have
previously not been picky (obviously!) but want to try out others.  thanks.

also thanks everyone for their input on sg software...seems glass eye was the
'hands down' favorite...i downloaded the demo - seemed easy to use, etc.
Thanks!!

Margaret
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From owner-glass Mon Mar 16 11:51:20 1998
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From: Laurean <vlclover@rconnect.com>
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Subject: Re: IGGA fund-raiser-->Bidding for Albert
Date: Mon, 16 Mar 1998 11:32:16 -0800
Message-ID: <1998Mar16.33216.0>
References: <<1998Mar16.154644.0>>
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Boy the bidding is getting steep here! I'll up it with an ugly, yellow
renault!  The stockings don't count without the garters!

Laurean
> 
> Okay, since it's for IGGA, I'll see that cartridge in a bare tree, one
> barrel of various high quality glass scraps..PLUS TWO dirty tube socks,
> 1 pair of actual stockings (like used with garters,) my firstborn poem,
> a never-used bottle of liquid flux, AND the neighbor's beastly beagle!
> V T Phelps
> Shoreline Glassworks, Ltd.
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From owner-glass Mon Mar 16 12:01:25 1998
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From: "Spangler, Lynice" <lynice.spangler@intel.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: kiln question
Date: Mon, 16 Mar 1998 10:37:29 -0800
Message-ID: <1998Mar16.23729.0>
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On Saturday, March 14, 1998 1:50 PM, jerri m Roey [SMTP:jroey@juno.com]
wrote:
> 
> 	Also, for those of you that have kilns, do you keep them in your
> house or living area?  I know the shelf paper is toxic, and you have
to
> be careful with it once you've fired, but what about the fumes just
from
> firing the kiln?  
> 

We keep our kiln in a separate shop building.  My husband has become
physically ill (respiratory) on 3 separate occasions from being in the
vicinity of the kiln while it was venting fumes from glue, fiber, or
other organic burn off in the initial ramp to 1000F.  We have since
installed a ventilator fan in the shop and work with doors/windows open
in that stage of the firing (or leave the building and just come back to
check on the kiln every 15 minutes or so).  I would highly recommend you
*not* put the kiln in your living area...

L. Spangler

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From owner-glass Mon Mar 16 12:08:08 1998
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To: katz9@IDT.NET, glass@bungi.com
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Subject: Re: (no subject)
Date: Mon, 16 Mar 1998 13:47:04 EST
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There's  a Dragon pattern in the Spectrum pattern archives! click here 
<A HREF="http://www.spectrumglass.com/PattSet.html">Spectrum Pattern Archives
</A>,then go to set 6 of patterns,hope this helps,Damon 
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From owner-glass Mon Mar 16 13:16:07 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: silvering
Date: Mon, 16 Mar 98 12:45:17 -0700
Message-ID: <m0yEfp1-000LiCC@why.az.stratus.com>
References: <<1998Mar8.13541.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

M. Savad wrote:
> > C Odlum wrote:
> >
> > Hello,
> > I'm trying to find out how mirrors are made. (Curiosity was spiked when
> > a decorative wall mirror I have broke). Is silvering, as described in
> > Mickey's formulae, the process that produces a mirror? Can mirrors be
> > produced only by complex industrial processes? (I've been experiementing
> > with silver spray on glass and silver leaf behind glass which produce a
> > poor reflection).
> >
> > Regards,
> > Catherine Odlum
>
> from what i've seen on tv you need to have a very clean piece of clear
> glass. de-ionized water, which i believe is charged with electrons. then

well, by definition, de-ionized means not charged.

> the silver is deposited on the glass by an electroplate process. but the
> guy was talking fast, so that may not be the most accurate in the world.

you can't electroplate on something that doesn't conduct electricity, which  
glass doesn't.

<enter geek mode>
De-ionized (DI) water is produced by running water through a cation and anion  
chemical bed. each type of chemical takes out positive or negative ions,  
respectively. since this is expensive, one usually runs the water through a  
reverse osmosis (RO) unit first, which removes 92-95% of the ions. the DI unit  
can produce what is called 19megohm water (refers to the resistance of the  
water), which is lab grade purity.

you are probably referring to chemical deposition rather than electrical.
<exit geek mode>

---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Mon Mar 16 13:50:23 1998
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Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: More than a bio!!!!
Date:         Mon, 16 Mar 98 14:43:54 EST
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References: <<1998Mar16.163651.0>>
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Alison...hold on...don't you know that bubble wrap is worth its
weight in gold?  If you don't wrap your glass in it, you can relieve your
stress by popping it.  You can NEVER have enough bubble wrap.

Dorothy

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
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From owner-glass Mon Mar 16 14:18:33 1998
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From: "Daniela Birkelbach" <dany@city-net.com>
To: "Lyn Butler" <lynb@gnt.net>, <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Zebra pattern
Date: Mon, 16 Mar 1998 15:36:16 -0500
Message-ID: <199803162030.PAA10929@dns.city-net.com>
Precedence: bulk

Lyn,

> Can anyone direct me to a pattern of a zebra where he stands sideways
> but turns his head to look straight on...could be a full body or just...


You want to check out "How to design Stained Glass" by Jennie French.  On
page 70 there is a pattern of a zebra lying down (or sitting) with its head
turned toward you.  It is really pretty.  The book is by Dover Publications
- 8.95$.

I hope  you'll find the pattern (and the book) useful.

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
"Black holes are where God divided by zero."
Stephen Wright

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From owner-glass Mon Mar 16 16:03:52 1998
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From: suzanne albright <suzy@ComCAT.COM>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: favorite flux
Date: Mon, 16 Mar 98 17:22:38 -0500
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Hi Margaret,

My favorite flux is Flux-O-Matic, in a tall green & black container. I 
like its consistency.

Suzanne Albright
suzy@comcat.com


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From owner-glass Mon Mar 16 16:09:37 1998
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From: "M. Savad" <morn@nac.net>
To: Lyn Butler <lynb@gnt.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Zebra pattern
Date: Mon, 16 Mar 1998 17:24:06 -0500
Message-ID: <1998Mar16.12246.0>
References: <<1998Mar16.11829.0>>
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Lyn Butler wrote:
> 
> Hi all,
> 
> Can anyone direct me to a pattern of a zebra where he stands sideways
> but turns his head to look straight on...could be a full body or just
> shoulders and head (my first choice). I'll need to make an hour's trip
> to my "local" stain glass shop to look through pattern books and if I
> had an idea of what book to look for that would save me some time. I
> could also call them first to see if they have the book. I'm not good
> yet at creating the design myself but would like to take one and
> redesign somewhat. (I need the proportions). I have this thing for
> zebras and have an idea in my little head I'd like to try. Appreciate
> any help.
> 
> Also, I've been away for the weekend and now, on Monday morning,  I'm
> reading all of the bungi posts and have been thoroughly entertained (I'm
> easily entertained I've been told) but what a GREAT way to start the
> week! Oh yes, I too am "working on my bio".
> 
> Well, back to lurking....
> 
> Lyn
> 
> ----
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yeah i think that volkner book has a mosiac of one. it should be easy
enough to adapt for regular stained glass. 

... if it is'nt called volkner, it's that german name that i can't
pronounce/remember.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar 16 16:18:22 1998
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From: "M. Savad" <morn@nac.net>
To: Charles Spitzer <charlie@az.stratus.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: silvering
Date: Mon, 16 Mar 1998 17:28:31 -0500
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Charles Spitzer wrote:
> 
> M. Savad wrote:
> > > C Odlum wrote:
> > >
> > > Hello,
> > > I'm trying to find out how mirrors are made. (Curiosity was spiked when
> > > a decorative wall mirror I have broke). Is silvering, as described in
> > > Mickey's formulae, the process that produces a mirror? Can mirrors be
> > > produced only by complex industrial processes? (I've been experiementing
> > > with silver spray on glass and silver leaf behind glass which produce a
> > > poor reflection).
> > >
> > > Regards,
> > > Catherine Odlum
> >
> > from what i've seen on tv you need to have a very clean piece of clear
> > glass. de-ionized water, which i believe is charged with electrons. then
> 
> well, by definition, de-ionized means not charged.
> 
> > the silver is deposited on the glass by an electroplate process. but the
> > guy was talking fast, so that may not be the most accurate in the world.
> 
> you can't electroplate on something that doesn't conduct electricity, which
> glass doesn't.
> 
> <enter geek mode>
> De-ionized (DI) water is produced by running water through a cation and anion
> chemical bed. each type of chemical takes out positive or negative ions,
> respectively. since this is expensive, one usually runs the water through a
> reverse osmosis (RO) unit first, which removes 92-95% of the ions. the DI unit
> can produce what is called 19megohm water (refers to the resistance of the
> water), which is lab grade purity.
> 
> you are probably referring to chemical deposition rather than electrical.
> <exit geek mode>
> 
> ---
> Charles Spitzer
> charlie@az.stratus.com
> Phoenix, AZ
> ----
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ultimily i saw it on a show. they used the water to carry the
electricity. and i think he said he used to de-ionized water becuase it
did'nt stream down the glass. instead it "sheeted" down the glass for an
even coat. he started to talk tech, and i kind of tuned him out. the
glass was clear then it was silver. but then again they kept cutting
back and forth to him talking, and silvering.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar 16 16:34:43 1998
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From: Carolyn Noel <glasscat@infinet.com>
To: Lyn Butler <lynb@gnt.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Zebra pattern
Date: Mon, 16 Mar 1998 17:34:13 -0500
Message-ID: <1998Mar16.123413.0>
References: <<1998Mar16.11829.0>>
Organization: The Stained Glass Place
Precedence: bulk

Hi Lyn:
"Vanishing Wildlife" (Renee Martig) has a head and shoulders pattern of
a zebra. 
Carolyn
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From owner-glass Mon Mar 16 17:19:23 1998
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From: Sue Reitmann <oddjob@scc.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: 1/8 " U Zinc
Date: Mon, 16 Mar 1998 17:53:01 -0600
Message-ID: <1998Mar16.11531.0>
Precedence: bulk

I have a 4 1/2 foot long insulated oval window in my front door. It has 
about 3" of various sizes of molding around it. Molding matches the cove 
molding on the ceilings. I have adapted a pattern from the cozy corner 
pattern book to fit on the bottom curve of the oval. It runs up the left 
side about 10" and about 15" up the right. The design that goes in the 
window from side to side has no border came on it. It is foiled and tinned. 
Now my question........
I have tried to gently curve 1/8" zinc u came around the part that will fit 
and attach to the molding but the curve at the center (at the bottom) is 
rather tight and it won't curve around without bending outwards. Can you do 
this on a came bender? In the past I have only used a bender with "H" zinc.

Also...has anyone ever tried painting zinc border white with model airplane 
paint? (I don't want to use the plastic molding that I have seen in the 
Home Depot type lumber stores.)
Thanks in advance for any advice
Sue Reitmann (who is working on her bio)

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From owner-glass Mon Mar 16 17:48:02 1998
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From: CWWSLW <CWWSLW@aol.com>
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Content-Type: text/plain; charset=US-ASCII
Subject: HELP!
Date: Mon, 16 Mar 1998 19:11:18 EST
Message-ID: <1998Mar17.01118.0>
Precedence: bulk

Okay, I'm almost finished with my giraffe panel. Remember, it's a 2' x 3' to
be recessed into a ceiling. Well, here are my questions.

1. I have zinc, just the u shaped about 1/4 inch stuff to go around the edge.
This window will have about 3 reinforcements going across. Should I use the
wider zinc? The edges will be in a rabbit. I just didn't know if the wider
would add anymore strength, since there is rebar involved.

2. O.K. ,This piece is also copperfoil.  When I get ready to put the zinc
edging around it, do I first tin the copper edge or not. If not, how will the
zinc stick to the edges of the glass where there isn't a seam to solder to?
But. if I do need to tin the edge, How will I heat up the zinc so that the
solder underneath sticks to it?

3. Am I just thinking about this stuff too much?!?!?

I just love my bungi buddies!!
Susan
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From owner-glass Mon Mar 16 18:07:28 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: IGGA fund-raiser-->Bidding for Albert
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Tue, 17 Mar 1998 01:08:57 +0000
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Hi All,

I'll top that one and throw in the neighbour herself (it's a worthy 
cause, after all! ... and the neighbour in question isn't much use to 
anyone else). AND... I will reproduce it on my WEB-page for ALL to 
see! (Against a fee to IGGA  - of course  ;-)   )
(How is the beagle these days, Valerie?? Tried my trick yet?)

;->
Elisabeth 'n Toby in UK

V.T. wrote:
 Okay, since it's for IGGA, I'll see that cartridge in a bare 
tree, one barrel of various high quality glass scraps..PLUS TWO dirty 
tube socks, 1 pair of actual stockings (like used with garters,) my 
firstborn poem, a never-used bottle of liquid flux, AND the 
neighbor's beastly beagle.
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Mar 16 18:27:45 1998
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From: "Toby" <toby@northlights.co.uk>
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Content-Type: text/plain; charset=US-ASCII
Subject: Dragon
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Tue, 17 Mar 1998 01:08:57 +0000
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Hi Katherine,
Ask V.T. Phelps; she's got one next door :-D
(How about modifying one of those Monster metals?
or how about using St.George & the Dragon?
Children's fairy tales?
Elisabeth 'n Toby in UK


Katherine asks:
We are having a hard time finding good dragon patterns any suggestions/

----
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North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Mar 16 18:33:06 1998
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From: "Catherine Dluzak" <catdluzak@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Tiffany Stained Glass
Date: Mon, 16 Mar 1998 16:21:08 PST
Message-ID: <1998Mar17.0218.0>
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Hello...

I am planning on writing my master's thesis on the stained glass windows 
of Louis Comfort Tiffany in Indiana.  I would appreciate any information 
that you would be able to pass on, for example books to examine, and so 
forth.  Any suggestions will be entertained.

Thanks,

C. Dluzak
catdluzak@hotmail.com

______________________________________________________
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From owner-glass Mon Mar 16 18:50:20 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Yet Another Solder/Flux Question
Date: Mon, 16 Mar 1998 19:35:29 EST
Message-ID: <1998Mar17.03529.0>
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In a message dated 98-03-16 10:11:07 EST, dmg@csg.uwaterloo.ca writes:

<< My instructor asked us if somebody had a horse. He claims that in the
 past, horse urine was a good flux.  Somebody brought some in. It
 works, but smell worse than liquid flush.
  >>


Yea, I have a horse....but I'm not going in her back side to get that when it
comes out....whew....it's like the dam breaks.......sorry, don't feel like
being the guinea pig to test that one.....LOL  :>)

Diane Manchester
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From owner-glass Mon Mar 16 18:50:29 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: Re: Bio#
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Date: Tue, 17 Mar 1998 01:38:10 +0000
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Well, Laurean,
Maybe Suzanne is "pushing it"  ;-) just a teeny touch.
But if you visit my WEB-site and click on Clifton in the Classes 
section, you will find a whole lot of pics from the visit in 
Chartres, France. There is a minute little spec there in the group 
pic underneath the stained glass canope, with a blond "mop"  wearing 
glasses.  That little spec is me.
There you go!

Regards
Elisabeth 'n Toby in UK

you wrote:
> 
> I had a thought. Could we get some pictures with these Bios? How much
> more interesting to actually SEE these people.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Now Suzanne! That's REALLY pushing it! :>)

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Mar 16 21:21:24 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Re: hot glass and kiln question, bios
Date: Mon, 16 Mar 1998 19:36:36 -0500
Message-ID: <1998Mar16.143636.0>
References: <<1998mar14.93746.0>>
Precedence: bulk

Yes.  The smaller paragon (top loading, octagon or hexagon, but I'm not
sure of size) rents for $12 per firing.  I'd have to have several things
planned out I guess.  I'd hate to waste the space by just firing one or
two things.

	(I did get some baby things sold today though.  $$ ;)

Jerri



>can you can rent time/space in someone else's kiln? one of the s.g. 
>shops i  
>go to does this.
>
>regards
>---
>Charles Spitzer
>charlie@az.stratus.com
>Phoenix, AZ
>

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From owner-glass Mon Mar 16 21:26:26 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: Margaret41@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: favorite flux
Date: Mon, 16 Mar 1998 21:07:13 EST
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In a message dated 98-03-16 14:29:43 EST, Margaret41@aol.com writes:

<< would like to try perhaps a different one...any good ones out there. >>

I like Glastar liquid/gel  or Ruby Flux (red gel/paste).  I have tried others
but always but always end up back at these.

Lu Ann
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From owner-glass Mon Mar 16 21:39:22 1998
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From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Re: kiln question
Date: Mon, 16 Mar 1998 19:40:39 -0500
Message-ID: <1998Mar16.144039.0>
References: <<1998Mar16.23729.0>>
Precedence: bulk

Thanks so much.  I'm definitely convinced that I don't want it in the
house.  I have a four year old, and besides my own health, I sure don't
want to take any chances with her's.

	I do my glass work in the room over the garage, so I've thought
of either up there or in the garage.  In the garage I can keep the door
open (and living in the south, that means most of the year).  The room
over the garage has plenty of windows, and other than for storage and me
doing glass, we don't go up there much.  Does anyone think one would be
better than the other?  

Jerri



>We keep our kiln in a separate shop building.  My husband has become
>physically ill (respiratory) on 3 separate occasions from being in the
>vicinity of the kiln while it was venting fumes from glue, fiber, or
>other organic burn off in the initial ramp to 1000F.  We have since
>installed a ventilator fan in the shop and work with doors/windows 
>open
>in that stage of the firing (or leave the building and just come back 
>to
>check on the kiln every 15 minutes or so).  I would highly recommend 
>you
>*not* put the kiln in your living area...
>
>L. Spangler

_____________________________________________________________________
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From owner-glass Mon Mar 16 21:45:10 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Copy of: Re: Bio#2  Elisabeth
Date: Mon, 16 Mar 1998 21:08:52 -0500
Message-ID: <1998Mar16.16852.0>
Precedence: bulk


---------- Forwarded Message ----------

From:	INTERNET:mail@northlights.co.uk, INTERNET:mail@northlights.co.uk
TO:	"Michael J. Greer", GreerStudios
DATE:	3/15/98 8:49 PM

RE:	Re: Copy of: Re: Bio#2  Elisabeth

Sender: glass@pop3.nildram.co.uk
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From: "Toby" <toby@northlights.co.uk>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Date: Mon, 16 Mar 1998 02:44:10 +0000
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Exactly Dani!!!

Well said!
I am not a spring chicken; at the moment (after a 2 all -day =

copper-foil workshop; loading car with about 15 large cases of glass, =

  and about 10 bags of tools, equipment and all the peripherals....), =

 I feel AT LEAST 104!!   My feet are killing me!
As that Irish hooligan Patrick said to me the other day;
"I may be getting Old, but I REFUSE to grow up"!

I too want to hear about all these cool things!!
Only by hearing from our younger generation, will I find out where I =

went wrong!!    ;-)
Elisabeth 'n Toby in UK



 Hey, you guys quit being so ho-hum about your =

bios!  If other people's =3D

sound more interesting than yours
it's probably because we're.... well..
older.  Had more time to do things!
If you really think about it, you've =3D

probably done some cool things, too.
And we want to hear about them - =3D

send Patrick your bio.

Best regards,

Dani Greer
Greer Gallery & Studios
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----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm =

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From owner-glass Mon Mar 16 21:56:49 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Zebra pattern
Date: Mon, 16 Mar 1998 21:09:10 -0500
Message-ID: <1998Mar16.16910.0>
Precedence: bulk

Jennie French's pattern book is
exceptionally good not only for
beginners, but for anyone looking
to improve their artistic skills.  She =

pays particular attention to line
quality and that focus is apparent in
all the patterns resulting in some very
lovely designs.  The book I saw also
included a chapter on photographing
work.  All in all, a decent book for
anyone looking to sharpen their skills.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Mon Mar 16 22:05:16 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Zebra pattern
Date: Mon, 16 Mar 1998 18:18:12 -0800
Message-ID: <199803170218.SAA17433@norm.island.net>
Precedence: bulk

>Hi all,
>
>Can anyone direct me to a pattern of a zebra where he stands sideways
>but turns his head to look straight on...could be a full body or just
>shoulders and head (my first choice). I'll need to make an hour's trip
>to my "local" stain glass shop to look through pattern books and if I
>had an idea of what book to look for that would save me some time. I

Don't forget to look at horse patterns too...you could use the same basic
shape and just add striped pajamas.

Carol Swann
Synergy Glass & Creative

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From owner-glass Mon Mar 16 22:22:38 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, oddjob@scc.net
Subject: 1/8 " U Zinc
Date: Mon, 16 Mar 1998 23:38:19, -0500
Message-ID: <199803170438.XAA19714@mime4.prodigy.com>
Precedence: bulk

Sue R. writes:
Now my question........
I have tried to gently curve 1/8" zinc u came around the part that 
will fit 
and attach to the molding but the curve at the center (at the bottom) 
is 
rather tight and it won't curve around without bending outwards. Can 
you do 
this on a came bender? In the past I have only used a bender with "H" 
zinc.

Also...has anyone ever tried painting zinc border white with model 
airplane 
paint? 

You can use a Cascade Came Bender to curve 1/8" U zinc. I know 
because I just did it. Making the complex curve for the bottom of 
your oval is easier if you do it MY way. Just cut the pattern to be 
curved to from 1/8" window glass and use this to form your 1/8" zinc. 
This method also works well for up to 1/2" lead H. I just formed a 
piece of 1/8" zinc U to a 4" radius without distortion. Heavier zinc 
and brass are best done with the came bender.

Most any paint will adhear well to zinc. Scrub the zinc bright with 
fine steel wool for best adhesion. Bob 

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
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From owner-glass Mon Mar 16 22:48:09 1998
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X-Path: csgPPPproxy1.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: My first lamp!
Date: Mon, 16 Mar 1998 23:59:21 -0500
Message-ID: <199803170459.XAA00265@csgPPPproxy1.uwaterloo.ca>
Precedence: bulk


Hi Everybody,

After 28 hours of work, 4.5 ft^2 of glass, 400g of solder, 50ml of
patina, and several meters of copper foil, I have finished my first
panel lamp. It contains 54 pieces, divided amongst 6 panels. I am
happy with the result. It is my third project and I think I am making
progress. My beading is still irregular due to the fact that my cuts
are far from perfect, but much better than in my first project.  I
think I am improving.

Now I am getting into trouble, my office starts to look like a
stained-glass shop :)

I noticed, however, that the lamp was bigger than perfect.  I decided
to buy a bronze base --"after all, it is reusable if I don't like my
lamp shade" I told myself--. It has a label 9" (which is the hight
from the bottom to the beginning of the bulb. Now, my lamp is around
14 inches in its maximum diameter and 10 inches in hight. It seems to
be bigger than it should.

My question is, what is a good proportion in base size, lamp height
and max. diameter? I designed my first lamp and that might explain the
inconsistencies in sizes.

Thanks in advance,


--
Daniel M. German                  "A first-rate laboratory is one in 
                                   which mediocre scientists can produce
   Patrick Maynard Stuart Blackett ->outstanding work"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Mon Mar 16 22:50:10 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: IGGA fund-raiser-->Bidding for Albert
Date: Mon, 16 Mar 1998 21:03:56 -0800
Message-ID: <1998Mar16.13356.0>
References: <<1998Mar16.154644.0>>
Organization: Maiden Concepts
Precedence: bulk

I bid an 18" stained glass Father Christmas, 10" snowman, 14" free
standing angel(my design), 12" round open background(on a dreamcatcher
frame) Hummingbird, and 12" orca, that all got smashed going to craft
shows.

NCScoutr wrote:
> 
> Okay, since it's for IGGA, I'll see that cartridge in a bare tree, one
> barrel of various high quality glass scraps..PLUS TWO dirty tube socks,
> 1 pair of actual stockings (like used with garters,) my firstborn poem,
> a never-used bottle of liquid flux, AND the neighbor's beastly beagle!
> V T Phelps
> Shoreline Glassworks, Ltd.
> 
> Going...going...
> 
> >... or is that a cartridge in a bare
> >tree. I can never quite remember.
> >> OK.....I bid one barrel of various high quality glass
> >> scraps, a dirty tube sock and a slightly worn armadillo.
> >> Next bid?
> >> Shirley
> >> Grapeland, Tx.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass

-- 
x>"3
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X-Path: ictc.com!bankers
From: "The Bankers House" <bankers@ictc.com>
To: "Bungi" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Architectural Glass Question
Date: Tue, 17 Mar 1998 00:21:40 -0600
Message-ID: <1998Mar16.182140.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0014_01BD513A.A7EE3080
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi folks.... hope you can help on this one?

I am a member of the North Dakota State Historic Preservation Review =
Board.  It is our responsibility to review nominations for placing =
buildings on the National Register of Historic Places.  Recently a =
property came up for review with a building material that we can't seem =
to find much information on.  I am wondering if there is anyone out =
there that could shed some light on this one for me.

The material is described as "Spandrel Glass", similar to Carrara.

Here is what I believe I know of it:  a modern equivalent to the =
Carrara, Sani-Onyx, or Vitrolite products of the past, which are no =
longer produced.  It is a sheet of glass with a ceramic backing fired to =
it.  The colorant is in the ceramic backing.  I have no dates... or =
manufacturers.

Any further information and/or corrections that you can provide would be =
most useful.

Thank you, Dale Bentley

Buffalo Glass Co.
<bankers@ictc.com>

------=_NextPart_000_0014_01BD513A.A7EE3080
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.2106.6"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#d8d0c8>
<DIV><FONT color=3D#000000 size=3D2>Hi folks.... hope you can help on =
this=20
one?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>I am a member of the North Dakota =
State Historic=20
Preservation Review Board.&nbsp; It is our responsibility to review =
nominations=20
for placing buildings on the National Register of Historic Places.&nbsp; =

Recently a property came up for review with a building material that we =
can't=20
seem to find much information on.&nbsp; I am wondering if there is =
anyone out=20
there that could shed some light on this one for me.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>The material is described as =
&quot;Spandrel=20
Glass&quot;, similar to Carrara.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT><FONT size=3D2>Here is what I =
believe I=20
know of it:&nbsp; a modern equivalent to the Carrara, Sani-Onyx, or =
Vitrolite=20
products of the past, which are no longer produced.&nbsp; It is a sheet =
of glass=20
with a ceramic backing fired to it.&nbsp; The colorant is in the ceramic =

backing.&nbsp; I have no dates... or manufacturers.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Any further information and/or =
corrections that=20
you can provide would be most useful.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Thank you, Dale Bentley</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Buffalo Glass Co.</FONT></DIV>
<DIV><FONT size=3D2>&lt;bankers@ictc.com&gt;</FONT></DIV></BODY></HTML>

------=_NextPart_000_0014_01BD513A.A7EE3080--

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From owner-glass Mon Mar 16 23:57:32 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: Margaret41@aol.com
Subject: Re: favorite flux
Date: Tue, 17 Mar 1998 02:10:51 -0500
Message-ID: <1998Mar16.211051.0>
References: <<1998Mar16.174014.0>>
Precedence: bulk

Favorite flux?

Canfield Soldermate 11.

Least favorite flux?

Canfield blue glass flux.

_____________________________________________________________________
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Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Tue Mar 17 00:17:25 1998
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X-Path: beachaccess.com!ncscoutr
From: "VALERIE PHELPS" <ncscoutr@beachaccess.com>
To: glass@bungi.com
Subject: Re: 1/8 " U Zinc
Date: Tue, 17 Mar 1998 02:07:10
Message-ID: <1998Mar17.10710.0>
Organization: Beach Access BBS
Precedence: bulk

Dear Sue R.,
I can't believe what I'm about to say!!! (Egad, where's my asbestos
suit??) There is a product which was introduced into the industry maybe
a year or so ago that was plastic caming in assorted colors. White was
the cheapest & most commonly found and if I recall correctly Warner's
(among others) stocked it. As for bendability & working with it you'll
have to contact a distributor or something. I was distinctly among the
purists which berated the very *existence of the stuff, but I suppose
that it may have its applicability after all...
V T Phelps
Shoreline Glassworks, Ltd.
"The well of Providence is deep. It's the buckets we bring to it that
are small."  --Mary Webb
----
>Now my question........
>I have tried to gently curve 1/8" zinc u came around the part that will fit 
>and attach to the molding but the curve at the center (at the bottom) is 
>rather tight and it won't curve around without bending outwards. Can you do 
>this on a came bender? In the past I have only used a bender with "H" zinc.
>
>Also...has anyone ever tried painting zinc border white with model airplane 
>paint? (I don't want to use the plastic molding that I have seen in the 
>Home Depot type lumber stores.)
>Thanks in advance for any advice
>Sue Reitmann (who is working on her bio)



 * JDS Mail & News

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From owner-glass Tue Mar 17 01:03:34 1998
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X-Path: ictc.com!bankers
From: "The Bankers House" <bankers@ictc.com>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: My first lamp!
Date: Tue, 17 Mar 1998 02:18:02 -0600
Message-ID: <1998Mar16.20182.0>
Precedence: bulk

I had the same question a few years ago.... was told that  a good rule of
thumb was width of lamp shade should be the same as the height from base to
bulb.... with the stipulation that you should always try the shade on the
base, and see if you like it.  Not a lot of help.... maybe someone else can
offer other suggestions.

Dale Bentley
Buffalo Glass Co.
<bankers@ictc.com>

-----Original Message-----
From: Daniel M. German <dmg@csg.uwaterloo.ca>
To: glass@bungi.com <glass@bungi.com>
Date: Tuesday, March 17, 1998 12:59 AM
Subject: My first lamp!


>
>Hi Everybody,
>
>After 28 hours of work, 4.5 ft^2 of glass, 400g of solder, 50ml of
>patina, and several meters of copper foil, I have finished my first
>panel lamp. It contains 54 pieces, divided amongst 6 panels. I am
>happy with the result. It is my third project and I think I am making
>progress. My beading is still irregular due to the fact that my cuts
>are far from perfect, but much better than in my first project.  I
>think I am improving.
>
>Now I am getting into trouble, my office starts to look like a
>stained-glass shop :)
>
>I noticed, however, that the lamp was bigger than perfect.  I decided
>to buy a bronze base --"after all, it is reusable if I don't like my
>lamp shade" I told myself--. It has a label 9" (which is the hight
>from the bottom to the beginning of the bulb. Now, my lamp is around
>14 inches in its maximum diameter and 10 inches in hight. It seems to
>be bigger than it should.
>
>My question is, what is a good proportion in base size, lamp height
>and max. diameter? I designed my first lamp and that might explain the
>inconsistencies in sizes.
>
>Thanks in advance,
>
>
>--
>Daniel M. German                  "A first-rate laboratory is one in
>                                   which mediocre scientists can produce
>   Patrick Maynard Stuart Blackett ->outstanding work"
>http://csgwww.uwaterloo.ca/~dmg/home.html
>dmg@csg.uwaterloo.ca
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

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From owner-glass Tue Mar 17 01:28:16 1998
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From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: HELP!
Date: Tue, 17 Mar 1998 00:19:27 -0800
Message-ID: <1998Mar16.161927.0>
Precedence: bulk



1. I have zinc, just the u shaped about 1/4 inch stuff to go around the 
edge. I just didn't know if the wider would add anymore strength, since 
there is rebar involved.
 >(the wider came will add strength but only a very little)

2. O.K. ,This piece is also copperfoil.  When I get ready to put the zinc 
edging around it, do I first tin the copper edge or not. If not, how will 
the zinc stick to the edges of the glass where there isn't a seam to solder 
to?
>(I can't see that tinning will do much, but I think that you might find it 
a good idea to cement the perimeter as you would lead)

But. if I do need to tin the edge, How will I heat up the zinc so that the 
solder underneath sticks to it?
>(if you use a wide enough foil you can solder the zinc to the foil around 
the perimeter but it does take a fair amount of heat and you run the risk 
of cracking a piece of glass, I think the cementing is the better way to 
go)

3. Am I just thinking about this stuff too much?!?!?
>(you can't be too cautious with an overhead situation)

Glenn Spicer,
The Studio Metamorphoses, BC, Canada

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From owner-glass Tue Mar 17 01:52:19 1998
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From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Your first lamp!
Date: Tue, 17 Mar 1998 00:29:35 -0800
Message-ID: <1998Mar16.162935.0>
Precedence: bulk

A question Daniel, do you use a restrictor on your multi piece panels? And 
if you are doing a ladder, do you use a jig? If not these techniques help a 
lot for accuracy.
Glenn Spicer,
The Studio Metamorphoses, BC, Canada


-----Original Message-----
From:	Daniel M. German [SMTP:dmg@csg.uwaterloo.ca]
Sent:	Monday, March 16, 1998 8:59 PM
To:	glass@bungi.com
Subject:	My first lamp!

 It is my third project and I think I am making
progress. My beading is still irregular due to the fact that my cuts
are far from perfect, but much better than in my first project.

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From owner-glass Tue Mar 17 06:39:27 1998
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From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Yet Another Solder/Flux Question
Date: Tue, 17 Mar 1998 07:33:20 -0800
Message-ID: <1998Mar16.233320.0>
References: <<1998Mar17.03529.0>>
Organization: Glassy Ideas
Precedence: bulk

> Yea, I have a horse....but I'm not going in her back side to get that when it
> comes out....whew....it's like the dam breaks.......
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Seeing as this is such a delicate subject.... anyone ever thought
of human urine? Ewwww!  At least it would be easier to collect!

Laurean


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From owner-glass Tue Mar 17 07:21:36 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: "The Bankers House" <bankers@ictc.com>
Subject: Re: Architectural Glass Question
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 17 Mar 1998 09:28:24 +0000
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> The material is described as "Spandrel Glass", similar to Carrara.
> 
> Here is what I believe I know of it:  a modern equivalent to the =
> Carrara, Sani-Onyx, or Vitrolite products of the past, which are no =
> longer produced.  It is a sheet of glass with a ceramic backing fired to =
> it.  The colorant is in the ceramic backing.  I have no dates... or =
> manufacturers.

According to Julie L. Sloan (author of "Conservation of Stained Glass 
in America" -- http://www.aiap.com/ ), so-called spandrel glass is no 
longer manufactured. Lever House in New York is clad with the stuff 
and as it fails it can't be replaced. The same thing's going on with 
the Museum of Modern Art in NYC; they had it made to order when the 
building was erected, but now they're in the same position as Lever 
House.

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Tue Mar 17 07:52:41 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: CWWSLW <CWWSLW@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: HELP!
Date: Tue, 17 Mar 1998 09:41:05 -0500
Message-ID: <1998Mar17.4415.0>
References: <<1998Mar17.01118.0>>
Precedence: bulk

CWWSLW wrote:
> 
> Okay, I'm almost finished with my giraffe panel. Remember, it's a 2' x 3' to
> be recessed into a ceiling. Well, here are my questions.
> 
> 1. I have zinc, just the u shaped about 1/4 inch stuff to go around the edge.
> This window will have about 3 reinforcements going across. Should I use the
> wider zinc? The edges will be in a rabbit. I just didn't know if the wider
> would add anymore strength, since there is rebar involved.
> 
> 2. O.K. ,This piece is also copperfoil.  When I get ready to put the zinc
> edging around it, do I first tin the copper edge or not. If not, how will the
> zinc stick to the edges of the glass where there isn't a seam to solder to?
> But. if I do need to tin the edge, How will I heat up the zinc so that the
> solder underneath sticks to it?
> 
> 3. Am I just thinking about this stuff too much?!?!?
> 
> I just love my bungi buddies!!
> Susan
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i'm not sure what to say about the first question. as for number 2:
there really is'nt any need to tin the foil. the zinc pushes on over the
foil. then you solder the zinc to the solder seams on both sides. and
since it's going into a ceiling you may want to add stiff rebar on the
back (also attaching it to the rebar and setting it into the frame). the
rebar i'd use would probably be 3/8" brass put onto it's side. this way
the panel won't bow.

you can never think about these things too much. when i do one of my
projects i cut, foil, and solder every piece in my head before making
it. this way i can find out problems i may have in the future. like if i
can't get my iron into a tight place, or if a door may not work right.
you don't want to find out you need a part from the store when your
almost done; and then find out there's 12 feet of snow outside and you
can't go anywhere.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Mar 17 08:27:45 1998
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X-Path: cyberus.ca!lick
From: Carolyn Lick <lick@cyberus.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: silvering
Date: Tue, 17 Mar 1998 09:53:29 -0500
Message-ID: <3.0.2.32.19980317095329.0092d7d0@cyberus.ca>
References: <<m0yEfp1-000LiCC@why.az.stratus.com>>
Precedence: bulk

At 05:28 PM 16/03/98 -0500, you wrote:
>Charles Spitzer wrote:
>> you are probably referring to chemical deposition rather than electrical.

There are some tried and true methods to plate silver.

The Tozer process and the Brashear process come to mind.  These use silver
nitrate, ammonium hydroxide, potassium hydroxide, and acidified sugar in
alcohol as a reducer.  

In a nutshell, what is happening is that the silver salt is deposited on
the surface and then reduced to form metallic silver.

Carolyn

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From owner-glass Tue Mar 17 08:29:02 1998
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From: Doug & Shiela Dunn <tuka@bc.sympatico.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Dragon
Date: Tue, 17 Mar 1998 06:38:38 -0800
Message-ID: <1998Mar16.223838.0>
References: <<199803170014.AAA01379@saturn.nildram.co.uk>>
Organization: Shiela A. Dunn, C.G.A.
Precedence: bulk

Toby wrote:
Try looking at www.draconian.com - lots of interesting dragons for
inspiration

Shiela


> 
> Hi Katherine,
> Ask V.T. Phelps; she's got one next door :-D
> (How about modifying one of those Monster metals?
> or how about using St.George & the Dragon?
> Children's fairy tales?
> Elisabeth 'n Toby in UK
> 
> Katherine asks:
> We are having a hard time finding good dragon patterns any suggestions/
> 
> ----
> As my grandmother said "...there is only nobility of mind"
> North Lights Stained Glass - homepage
> http://www.netlink.co.uk/users/kris/northlights/index.htm
> ----
> ----
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From owner-glass Tue Mar 17 08:33:57 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>
Content-Type: text/plain; charset=us-ascii
Subject: Re: My first lamp!
Date: Tue, 17 Mar 1998 10:04:25 -0500
Message-ID: <1998Mar17.5425.0>
References: <<199803170459.XAA00265@csgPPPproxy1.uwaterloo.ca>>
Precedence: bulk

Daniel M. German wrote:
> 
> Hi Everybody,
> 
> After 28 hours of work, 4.5 ft^2 of glass, 400g of solder, 50ml of
> patina, and several meters of copper foil, I have finished my first
> panel lamp. It contains 54 pieces, divided amongst 6 panels. I am
> happy with the result. It is my third project and I think I am making
> progress. My beading is still irregular due to the fact that my cuts
> are far from perfect, but much better than in my first project.  I
> think I am improving.
> 
> Now I am getting into trouble, my office starts to look like a
> stained-glass shop :)
> 
> I noticed, however, that the lamp was bigger than perfect.  I decided
> to buy a bronze base --"after all, it is reusable if I don't like my
> lamp shade" I told myself--. It has a label 9" (which is the hight
> from the bottom to the beginning of the bulb. Now, my lamp is around
> 14 inches in its maximum diameter and 10 inches in hight. It seems to
> be bigger than it should.
> 
> My question is, what is a good proportion in base size, lamp height
> and max. diameter? I designed my first lamp and that might explain the
> inconsistencies in sizes.
> 
> Thanks in advance,
> 
> --
> Daniel M. German                  "A first-rate laboratory is one in
>                                    which mediocre scientists can produce
>    Patrick Maynard Stuart Blackett ->outstanding work"
> http://csgwww.uwaterloo.ca/~dmg/home.html
> dmg@csg.uwaterloo.ca
> 
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


generally i found that the base should be around half of the diameter of
the shade (though it could larger). the height is really up to you and
what your going to do with it. in the case with my fish lamp the shade
is about 12-13" tall, and the base is about 1-2" taller then the shade.
it looks fairly proportional. 

my new lamp will probably be around 14-16" wide. the base though will
need to be taller then the shade, though i don't yet know by how much.
though i'm up to the stage where i can draw up full size profiles.
hopefully i can figure out the size question my self. 

it always get's difficult when you design something yourself. unlike a
tiffany reproduction, all that work is done for you. the colors are more
or less pre-chosen. the mold is done along with the pattern. and even
the base is pretty much picked out. there's no real need for creativity
(except for glass placement). 

so basically it's up to you what will look best, it's your art. if it
looks right, then it is.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Mar 17 09:02:03 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: Architectural Glass Question
Date: Tue, 17 Mar 1998 09:51:35 -0600
Message-ID: <199803171549.JAA26217@westbyserver.westby.mwt.net>
Precedence: bulk


Say Albert, what was the name of that Julie Sloan book again?

Len


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From owner-glass Tue Mar 17 10:54:59 1998
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Content-Type: multipart/alternative;
Subject: Test Only
Date: Tue, 17 Mar 1998 07:32:21 -0800
Message-ID: <1998Mar16.233221.0>
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This is a multi-part message in MIME format.

------=_NextPart_000_0008_01BD5176.D25F65A0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Is Bungi down or am I?  Ugh - missing you!
Namaste'    Carol

------=_NextPart_000_0008_01BD5176.D25F65A0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Is Bungi down or am I?&nbsp; Ugh - =
missing=20
you!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Namaste'&nbsp;&nbsp;&nbsp;=20
Carol</FONT></DIV></BODY></HTML>

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From owner-glass Tue Mar 17 11:02:45 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Yet Another Solder/Flux Question
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Tue, 17 Mar 1998 16:53:32 +0000
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Hi all,

Well, Laurean....
Not so absurd after all!!
Theophilus in his great manual "On Divers Arts", commented that to 
obtain a particular hue of green (.. I think) of a glass colour, it 
required the urine of a red-haired boy of age no more than 10....
No mention of quantity though....

.... so why not for flux!?  seems logical to me... (a lot cheaper too 
;-))
So, when you're  really stuck,  says I,    P&*% on it!!

;->

Elisabeth 'n Toby in UK

Thread so far:
> Yea, I have a horse....but I'm not going in her back side to get that when it
> comes out....whew....it's like the dam breaks.......
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Seeing as this is such a delicate subject.... anyone ever thought
of human urine? Ewwww!  At least it would be easier to collect!

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Tue Mar 17 11:14:48 1998
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X-Path: detroit.freenet.org!ae479
From: ae479@detroit.freenet.org (Sue Becker)
To: glass@bungi.com
Subject: stepping stones
Date: Tue, 17 Mar 1998 12:00:28 -0500 (EST)
Message-ID: <199803171700.MAA29087@detroit.freenet.org>
Precedence: bulk


We usually pour a topping mix first and then vibrate the mold until most of 
the bubbles disappear.  We pour the rest of the coarser mix and then vibrate
again.  Question: is it necessary to vibrate the course layer?  Have had some
shifting and wonder if less vibration might minimize this possibility.

Also: with the new quick setting concrete, are there problems leaving the
stones out in winter.

Thanks.

Reply-To: ae479@detroit.freenet.org
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From owner-glass Tue Mar 17 11:36:46 1998
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From: Glass Sue <GlassSue@aol.com>
To: jroey@juno.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: hot glass and kiln question, bios
Date: Tue, 17 Mar 1998 13:06:43 EST
Message-ID: <1998Mar17.18643.0>
Precedence: bulk

In a message dated 98-03-14 09:38:35 EST, you write:

<< hot glass and kiln question >>
No you should not vent your kiln directly into your living space.  At the
temps you reach for painting and or fusing many toxic materials become smoke
or gas.  This includes lead in the washes meant to prevent devitrification, as
well as such goodies as lead, cadmium, arsenic, and other heavy metals in
vitreous paints.  

Purchase a vent hood or some other vent system or else use your kiln in an
open garage or other out building.  The toxic stuff we produce isn't as bad as
firing up your car, but you wouldn't do that in the house either.
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From owner-glass Tue Mar 17 11:36:50 1998
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From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: pricing
Date: Tue, 17 Mar 1998 12:58:46 EST
Message-ID: <1998Mar17.175846.0>
Precedence: bulk

Ok, I know I'm asking for it but

How do you price your glass for sale? Is there formula?

Dianne
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From owner-glass Tue Mar 17 11:43:55 1998
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From: Glass Sue <GlassSue@aol.com>
To: Margaret41@aol.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Stained Glass Software
Date: Tue, 17 Mar 1998 12:47:46 EST
Message-ID: <1998Mar17.174746.0>
Precedence: bulk

Margaret regarding easy to use software.  I'm the designer at Meredith Stained
Glass Studios.  I've been using The Glass Eye for several months now, and I
like it for its simplicity.  The pros are that it has a very very easy
learning curve, and that most of the things you need specifically for stained
glass design are there.  it also has an easypage set up and print preview that
lets you print full size or proportions to your printers page size--nice for
ppresentations. The drawback is that there is no typing ability at all.
Therefore you must manually number your pattern.  They tell me that newer
versions will address this.  I also understand that you can try it on line.  I
think (but I'm not sure)that the address is dragonfly.com.

I've also used American Bevel Designer, but I find it too complex.  If you are
going to go to all the trouble of mastering a design program that deep you
might as well buy and learn Adobe Illustrator which is not specifically for
stained glass, but has all that you need and more for designing patterns as
well as flyers, ads, and all sorts of graphics.

----
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From owner-glass Tue Mar 17 12:03:29 1998
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From: Glass Sue <GlassSue@aol.com>
To: Ensembles@compuserve.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Tue, 17 Mar 1998 13:12:10 EST
Message-ID: <1998Mar17.181210.0>
Precedence: bulk

About using boot polish on your lead work.  I've found pretty much any
polishing wax works as does just a natural bristle brush.  Here's a good trick
one of our people came up with.  Cut a scrub brush (tampico of course) off
square.  Drill a hole in the middle and secure a long bolt through the hole.
Mount this in your drill.  Sure saves a lot of elbow grease.
----
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From owner-glass Tue Mar 17 12:05:39 1998
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From: Glass Sue <GlassSue@aol.com>
To: CWWSLW@aol.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: HELP!
Date: Tue, 17 Mar 1998 13:41:07 EST
Message-ID: <1998Mar17.18417.0>
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In a message dated 98-03-16 20:48:55 EST, you write:

<< HELP! >>
The zinc border you propose to use on your ceiling panel will not add
structural integrity, but neither will a wider zinc.  It will improve handling
and look more professional, but the real support needs to come from the frame.
If the edges of the glass as well as the three rebars are engaged by the
frame, whether or not you have a zinc or lead border or no border at all
you'll be OK.  If the edges are to be supported only by the zinc, then the
panel will stay up there only as long as the zinc survives, which can be a
surprisingly short time in a damp environment.

Are you thinking about this too much.  Probably not if your going to suspend
glass over somebody's head.  I respect too much more than too little.
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From owner-glass Tue Mar 17 12:41:12 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: ae479@detroit.freenet.org (Sue Becker), glass@bungi.com
Subject: Re: stepping stones
Date: Tue, 17 Mar 1998 11:45:47 PST
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[In the message entitled "stepping stones" on Mar 17, 12:00, Sue Becker writes:]
> 
> We usually pour a topping mix first and then vibrate the mold until most of 
> the bubbles disappear.  We pour the rest of the coarser mix and then vibrate
> again.  Question: is it necessary to vibrate the course layer?  Have had some
> shifting and wonder if less vibration might minimize this possibility.

Too much vibrating can cause this apparently.


> Also: with the new quick setting concrete, are there problems leaving the
> stones out in winter.
> 
If the winters are very cold,...yes. You'd have to bring them in for the
winters.



-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Tue Mar 17 13:15:41 1998
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X-Path: indiana.edu!dfdavis
From: donald f davis <dfdavis@indiana.edu>
To: pkelly <pkelly@n-link.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Penguin Lovers
Date: Tue, 17 Mar 1998 15:12:21 -0500 (EST)
Message-ID: <1998Mar17.101221.0>
References: <<1998Mar8.154918.0>>
Precedence: bulk

How and where can someone find score magazine?  I am fairly new to the
stained glass.  Thanks in advance
Don

On Sun, 8 Mar 1998, pkelly wrote:

> To all of you lovers of the little fat birds in the tuxedos there is a
> pattern in the new SCORE magazine.
> 
> Patrick
> Roses and Rainbows
> 
> ----
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> 

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From owner-glass Tue Mar 17 13:41:18 1998
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X-Path: magnet.mt!frank.g.mizzi
From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: First time
Date: Tue Mar 17 12:16:22 1998
Message-ID: <98Mar17.222719gmt+0100.19587@michelle.magnet.mt>
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Greetings all,

I must say it is indeed a pleasure to join a list that is so lively.
I wonder if somebody can help me with a reinforcing question that I have.

I am about to take on a piece of work consisting of a panel that consists of 
Orion the Hunter holding a defeated lion. The stars that make up the relevant 
constellation are spaced about the panel which is appox. 7ft high by 4ft across.
The pieces taht make up the background are fairly large (approx 1.5sqft each)
This panel is going into an existing aluminium frame that is in a 
courtyard that is protected from direct wind. Obviously this panel will need 
some sort of reinforcement. Can I get a few suggestions please??

I am planning to run two hollow cames along the panel vertically at about 
18inches apart and then insert a steel bar into the hollow. Is this a suitable 
idea for a panel this size??

All comments most welcome

Frank
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From owner-glass Tue Mar 17 13:43:11 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Zebrite/Zebo/Kiwi?
Date: Tue, 17 Mar 98 13:22:38 -0700
Message-ID: <m0yF2sl-000LiCC@why.az.stratus.com>
References: <<1998Mar17.181210.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

Glass Sue wrote:
> Here's a good trick
> one of our people came up with.  Cut a scrub brush (tampico of course) off
> square.  Drill a hole in the middle and secure a long bolt through the hole.
> Mount this in your drill.  Sure saves a lot of elbow grease.

doesn't this tend to wear out the bearings/bushings in the drill pretty fast?  
drills aren't designed to have offcenter or side loads.

i went to a small appliance repair shop and obtained round boar-bristle  
brushes intended for a floor scrubber. they were about 6" in diameter. i used  
these in a drill and it worked pretty well. i've have seen shops where these  
were used in side grinders, and they were lots easier to work with.

charlie
---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Tue Mar 17 14:01:26 1998
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From: MsSOPHIA <MsSOPHIA@aol.com>
To: Margaret41@aol.com, glass@bungi.com
Content-Type: multipart/mixed;
Subject: Fwd: Stained Glass Software
Date: Tue, 17 Mar 1998 15:55:52 EST
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This is a multi-part message in MIME format.

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In a message dated 98-03-17 14:44:36 EST, GlassSue@aol.com writes:

<< 	Margaret41@aol.com
  >>

Address for Glasseye (Dragonfly Software) is :

http://www.dfly.com

And Yes, you can try the demo program as well as the Internet Version.

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From: Glass Sue <GlassSue@aol.com>
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Subject: Re: Stained Glass Software
Date: Tue, 17 Mar 1998 12:47:46 EST
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Margaret regarding easy to use software.  I'm the designer at Meredith Stained
Glass Studios.  I've been using The Glass Eye for several months now, and I
like it for its simplicity.  The pros are that it has a very very easy
learning curve, and that most of the things you need specifically for stained
glass design are there.  it also has an easypage set up and print preview that
lets you print full size or proportions to your printers page size--nice for
ppresentations. The drawback is that there is no typing ability at all.
Therefore you must manually number your pattern.  They tell me that newer
versions will address this.  I also understand that you can try it on line.  I
think (but I'm not sure)that the address is dragonfly.com.

I've also used American Bevel Designer, but I find it too complex.  If you are
going to go to all the trouble of mastering a design program that deep you
might as well buy and learn Adobe Illustrator which is not specifically for
stained glass, but has all that you need and more for designing patterns as
well as flyers, ads, and all sorts of graphics.

----
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From owner-glass Tue Mar 17 15:48:30 1998
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From: Sue Reitmann <oddjob@scc.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: 1/8 " U zinc Thanks
Date: Tue, 17 Mar 1998 17:07:30 -0600
Message-ID: <1998Mar17.11730.0>
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Thanks to all who offered suggestions on bending my zinc. I used Bob's 
method and did it HIS way. It worked like a charm and caused me no 
problems. It popped up a little at the deepest part of the curve but I used 
my flat bladed pliers to gently squeeze it back flat.
You on Bungi are the "greatest" !
Sue Reitmann: (who is a great procrastinator and hasn't gotten the bio done 
yet.)

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From owner-glass Tue Mar 17 16:54:05 1998
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From: Margaret41 <Margaret41@aol.com>
To: dfdavis@indiana.edu, glass@bungi.com
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Subject: Re: Penguin Lovers
Date: Tue, 17 Mar 1998 18:45:59 EST
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Spectrum Glass Score Magazine can be found online:  www.spectrumglass.com
There is an icon for Score magazine on their home page.

Margaret
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From owner-glass Tue Mar 17 18:26:24 1998
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X-Path: erols.com!arreouw
From: Leannan Sidhe <arreouw@erols.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Hiyas, all!  :)
Date: Tue, 17 Mar 1998 19:56:27 -0500
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I'm new to the list, as you can see.  Sent in a SHORT bio already, but
it's kind of abbreviated.  I'm not much on talking about me.  But I DO
have a couple of questions.

First, can anyone suggest any online sites to get sandcarving designs?
I can do my own, and am happy to, but I LOVE collecting patterns
anyway.  I started out doing a lot of stained glass pieces, but fell in
love with sandcarving and now that's mostly what I do.

Second, why is it that sometimes (fairly regularly, actually) I get
messages with no text in them?  Is there something about my
system/software that keeps me from seeing them?  I'm using Netscape
Communicator for mail.

Finally, thanks everyone, for an interesting and informative list!  :)

Lynn

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From owner-glass Tue Mar 17 19:28:06 1998
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X-Path: infinet.com!glasscat
From: Carolyn Noel <glasscat@infinet.com>
To: lynb@gnt.net
Content-Type: text/plain; charset=us-ascii
Subject: Re: Zebra pattern
Date: Tue, 17 Mar 1998 21:31:28 -0500
Message-ID: <1998Mar17.163128.0>
References: <<350D56B2.5925665C@gnt.net>>
Organization: The Stained Glass Place
Precedence: bulk

Lyn: The other book that Mike is talking about is the GlasDesign
"Wildlife" book. It has a pattern with 2 zebras (one with its head
turned and the other looking straight on). 
Carolyn
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From owner-glass Tue Mar 17 20:23:42 1998
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X-Path: eatumup.com!byronw
From: byronw@eatumup.com (Byron Wells)
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: pricing
Date: Tue, 17 Mar 1998 21:31:20 -0600
Message-ID: <1998Mar17.153120.0>
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Depends on what work your doing Dianne... I do mainly panels for
windows,doors,cabinets in homes...

My base price is $50 per square foot plus $1-$2 per piece/cut for simple
designs with lead came and low priced glass..I charge more for using zinc
and brass... They price starts climbing as the piece gets more complex and
also the design time has to be figgured in....I do give discounts to steady
home builders as they give a lot of repeat work that can be cranked out
fairly fast thus making steady money to pay those every painfull bills that
come each month...

Thats a good starting point for you to go from.... You'll just have to do it
by trial and error...

One BIG hint::::: I keep a log on every job I do... In the log (job study) I
record all materials used on the job and all time spent producing the
panel... I keep track of the amount of time spent designing the panel and
the actual time spent building,cementing,polishing etc for the panel..That
more than anything else has helped me to get my prices where they need to be
to make a decent profit....

Be sure and keep track of what supplies cost you also,that will help keep
you on the track..

Byron...

-----Original Message-----
From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com <glass@bungi.com>
Date: Tuesday, March 17, 1998 5:45 AM
Subject: pricing


>Ok, I know I'm asking for it but
>
>How do you price your glass for sale? Is there formula?
>
>Dianne
>----
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From owner-glass Tue Mar 17 21:20:57 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: silvering
Date: Tue, 17 Mar 1998 23:19:28 -0500
Message-ID: <v01530500b134fb808e0f@[206.186.242.74]>
Precedence: bulk

Carolyn,

Could you please detail these methods, as I am very interested to know how
the process of mirror silvering works. Thanks.
Sarah


>
>There are some tried and true methods to plate silver.
>
>The Tozer process and the Brashear process come to mind.  These use silver
>nitrate, ammonium hydroxide, potassium hydroxide, and acidified sugar in
>alcohol as a reducer.
>
>In a nutshell, what is happening is that the silver salt is deposited on
>the surface and then reduced to form metallic silver.
>
>Carolyn


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From owner-glass Tue Mar 17 23:02:59 1998
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X-Path: cybercable.tm.fr!amenil
From: Menil Alain <amenil@cybercable.tm.fr>
To: glass@bungi.com, Leannan Sidhe <arreouw@erols.com>
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: Hiyas, all!  :)
Date: Wed, 18 Mar 1998 07:07:30 +0100
Message-ID: <1998Mar18.8730.0>
References: <<1998Mar17.145627.0>>
Precedence: bulk

Leannan Sidhe wrote:
> 
> I'm new to the list, as you can see.  Sent in a SHORT bio already, but
> it's kind of abbreviated.  I'm not much on talking about me.  But I DO
> have a couple of questions.
> 
> First, can anyone suggest any online sites to get sandcarving designs?
> I can do my own, and am happy to, but I LOVE collecting patterns
> anyway.  I started out doing a lot of stained glass pieces, but fell in
> love with sandcarving and now that's mostly what I do.
> 
> Second, why is it that sometimes (fairly regularly, actually) I get
> messages with no text in them?  Is there something about my
> system/software that keeps me from seeing them?  I'm using Netscape
> Communicator for mail.
> 
> Finally, thanks everyone, for an interesting and informative list!  :)
> 
> Lynn
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
Hi,
I also received messages without text inside; around 1/3. I don't know
the origin.And I also use Netscape Communicator. Is there a
relationship?
Thanks to everyone for your interesting discussions.
-- 
Alain Mιnil
from Le Mans, France
mailto : amenil@cybercable.tm.fr
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From owner-glass Wed Mar 18 04:54:43 1998
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X-Path: chescom.net!dmm
From: "Don McDonald" <dmm@chescom.net>
To: PDRUSS@aol.com, glass@bungi.com
Subject: Re: pricing
Date: Wed, 18 Mar 1998 06:04:00 -0600
Message-ID: <s50f63f3.002@chescom.net>
Precedence: bulk

Dianne, 
I've pasted in an example of a recent job I did that has how I
compute my charges.  Because I never know what happens with formatting
on other computer/programs, in a nutshell, I charge $1.25 to $1.50 per
piece of glass cut, plus $50-$70 per square foot, plus 20% if the
design is 3 dimensional or layered.  To that total, I add 5% if it is
an original design, more if I have to do a lot of work on a customer's
concept. I figure the square footage based on the size of a
rectanglular box that the piece would fit in laying flat, since glass
comes in rectangular sheets (usually).  I also adjust for the type of
glass, difficulty of the cuts, and  occasionally add a "boredom"
charge for a design that I think is ugly or tedious.

Crucifix			
Number of pieces @ $1.50 each	13	$19.50	
Square footage for oval layer @ $70.00 each	1.5	$105.00	
Square footage for cross layer @ $70.00 each	2	$140.00	
Square footage for corpus layer @ $70.00 each	1.5	$105.00	
Square footage for draping layer @70.00 each	1	$70.00	
Sub Total for labor & supplies		$439.50	
3d/multi layer design fee @ +20%		$87.90	
Original design @ +5%		$21.98	
Total design		$549.38	
			
Altar Cross			
Number of pieces @ 1.25	11	$13.75	
Square footage for circle layer @ $50.00	1	$50.00	
Square footage for cross layer @ $50.00	1.5	$75.00	
Square footage for mirror layer @ $50.00
(minimum)	1	$50.00	
Bevel/Blob/Jewel 	1	$0.50	
Sub Total for labor and supplies		$189.25	
3d/multi layer design fee @ +20%		$37.85	
Original design @+5%		$9.46	
Total design		$236.56	


>>> P D RUSS <PDRUSS@aol.com> 03/17 11:58 AM >>>
Ok, I know I'm asking for it but

How do you price your glass for sale? Is there formula?

Dianne
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From owner-glass Wed Mar 18 07:36:42 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: cybercable.tm.fr!amenil
From: Menil Alain <amenil@cybercable.tm.fr>
To: glass@bungi.com, maruca@netaxs.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: Hiyas, all!  :)
Date: Wed, 18 Mar 1998 14:29:39 +0100
Message-ID: <1998Mar18.152939.0>
References: <<Pine.SUN.3.95.980318072823.27608B-100000@unix3.netaxs.com>>
Precedence: bulk

Hi Mary and other bungians,

No it's not my first post, but as I am not a glassmaker or something
like else, I don't often discuss; I read that all of you post here and
it's very good for my english training. 
The main reason why I don' t discuss is my broken english which is not
so fluent to discuss in time.
For your information, I'm a glass collector, mainly european popular
glass - ancient german enamelled one is my preferred-, and my centres of
interest are a little byside of your subjects. And if you want to learm
more about me, I'll say that if I collect glass is I like so much wine I
want to taste it in good conditions... and thin old glass is a very good
one when lips become in contact with wine; but if I continue i'll be off
topic.
Nevertheless I'm interestested with all your subjects of discussions.
And Please all of you continue, I learn so much!!!

maruca@netaxs.com wrote:
> 
> Alain!
> 
> Is this your first post? I don't recall any posts from France before.
> 
> Bienvenu! Je voudrais bien apprendre de la vitrine en votre region. Well,
> there you have it. My broken French will stop right there. Do tell us
> about glass where you come from.
> 
> All the best,
> 
> Mary

-- 
Alain Mιnil
3 bis impasse Montbarbet, 72000 Le Mans, France
tel/fax: 33 (0)2 43 82 16 91
mailto : amenil@cybercable.tm.fr
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From owner-glass Wed Mar 18 08:15:11 1998
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X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bio#
Date: Wed, 18 Mar 1998 07:35:27 -0800
Message-ID: <1998Mar17.233527.0>
References: <<199803170043.AAA06864@saturn.nildram.co.uk>>
Organization: Glassy Ideas
Precedence: bulk

Hi Elisabeth!
	Went to your site, looked at your pic,
and must say you look younger than I expected!

Laurean
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From owner-glass Wed Mar 18 09:54:45 1998
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X-Path: GSA-ORSP.CROWN.NWU.EDU!kaye
From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Yikes!
Date: Wed, 18 Mar 1998 10:30:52 CST 6CDT
Message-ID: <1970Jan1.000.0>
Organization: GSA-ORSP
Precedence: bulk

I find it a little scary that anyone is looking to bungi to help 
with their English!  While the colloquialisms and slang are not so 
bad, I'm afraid many of us are less than stellar in our spelling and 
grammar!  Oh well, I guess we still manage to communicate, and I 
suppose that's the important thing....

Kaye 
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From owner-glass Wed Mar 18 10:12:24 1998
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X-Path: usaor.net!madglass
From: Mary Ann Dulemba <madglass@usaor.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Linden Hall
Date: Wed, 18 Mar 1998 12:03:02 -0500
Message-ID: <3.0.2.32.19980318120302.00698514@usaor.net>
Precedence: bulk

Just one more note on Linden Hall that was featured on America's Castles.
They do have a web address.

      www.lindenhallpa.com

I thought you might enjoy checking this out.

Mary Ann

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From owner-glass Wed Mar 18 10:44:57 1998
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From: Nadine Beth Schneider <nadinesfolly@erols.com>
To: Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: have I been dropped
Date: Wed, 18 Mar 1998 10:37:36 -0500
Message-ID: <1998Mar18.53736.0>
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I've been having incredible computer problems for at least week and just 
realized yesterday that I have not been getting any bungi mail.  Have I 
been dropped?  I didn't want to be!  Thanks,   Nadine
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From owner-glass Wed Mar 18 10:46:18 1998
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X-Path: cornell.edu!bjs10
From: Barbara <bjs10@cornell.edu>
To: bungi <glass@bungi.com>
Content-Type: text/enriched; charset="us-ascii"
Subject: Re: Bio#
Date: Wed, 18 Mar 1998 12:18:51 -0500
Message-ID: <3.0.2.32.19980318121851.006b0d80@postoffice.mail.cornell.edu>
References: <<199803170043.AAA06864@saturn.nildram.co.uk>>
Precedence: bulk

I think I should check out this picture.  Elisabeth (with and Ess) leads
us to beleive she is "old".... from her bio... close as I can figure, she
is about the same age as me .... <italic>and I am not old....


</italic>

At 07:35 AM 3/18/98 -0800, Laurean wrote:

>Hi Elisabeth!

>	Went to your site, looked at your pic,

>and must say you look younger than I expected!

>

>Laurean

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>
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From owner-glass Wed Mar 18 11:09:25 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: sandblasting
Date: Wed, 18 Mar 1998 06:37:42 -0800 (PST)
Message-ID: <199803181437.GAA05827@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Tue Mar 17 18:34:47 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: erols.com!arreouw
>From: Leannan Sidhe <arreouw@erols.com>
>To: glass@bungi.com
>Subject: Hiyas, all!  :)
>Date: Tue, 17 Mar 1998 19:56:27 -0500
>Precedence: bulk
>
>I'm new to the list, as you can see.  Sent in a SHORT bio already, but
>it's kind of abbreviated.  I'm not much on talking about me.  But I DO
>have a couple of questions.
>
>First, can anyone suggest any online sites to get sandcarving designs?
>I can do my own, and am happy to, but I LOVE collecting patterns
>anyway.  I started out doing a lot of stained glass pieces, but fell in
>love with sandcarving and now that's mostly what I do.
>
>Second, why is it that sometimes (fairly regularly, actually) I get
>messages with no text in them?  Is there something about my
>system/software that keeps me from seeing them?  I'm using Netscape
>Communicator for mail.
>
>Finally, thanks everyone, for an interesting and informative list!  :)
>
>Lynn

>Hi Lynn,
There's definitely a 'blast' to blasting, I fell in love also. What kind of
stuff are you interested in? I know Norm Dobbins has a couple of books out,
sandcarving and etching. I like to get ideas from...tatoo books:)  and
leather carving books by Al Stohlman I found a great help for animals and
scenery. The  detail in leather tooling effects can be applied to glass in
sandcarving, and I have found it very helpful for me, in trying to learn
texture and shading along with defining depth.
Happy blasting,
Cindy  
>----
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Wed Mar 18 11:26:45 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: metal castings
Date: Wed, 18 Mar 1998 06:36:40 -0800 (PST)
Message-ID: <199803181436.GAA28244@freya.vphos.net>
Precedence: bulk

Hi bungians...
I'm looking for small metal casts of dragons and wizards, not for hanging.
About 1 1/2" to 2" tall.
Thanks,Cindy

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From owner-glass Wed Mar 18 13:40:51 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: Yikes!
Date: Wed, 18 Mar 1998 14:19:43 -0600
Message-ID: <199803182018.OAA20030@westbyserver.westby.mwt.net>
Precedence: bulk



I have to disagree Kay. I think the casual style that is used in email
enhances communication. Very rarely do I receive ( and never send) email
business or personal, in the stiff, dry style with correct grammar that's
used in business letters. To me it makes the correspondence more personal
and I find it more effective in *getting * to  people quicker then letters
or even the telephone most of the time.  Email has evolved into a
conversational style and I think thats one of its strongest points.
Personally, I jump at every opportunity to do business via email. I do keep
an eye on the spelling though.

Len




>I find it a little scary that anyone is looking to bungi to help
>with their English!  While the colloquialisms and slang are not so
>bad, I'm afraid many of us are less than stellar in our spelling and
>grammar!  Oh well, I guess we still manage to communicate, and I
>suppose that's the important thing....
>
>Kaye



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From owner-glass Wed Mar 18 14:59:27 1998
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X-Path: aol.com!WhispyBlu
From: Whispy Blu <WhispyBlu@aol.com>
To: cpesonen@bcinternet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: metal castings
Date: Wed, 18 Mar 1998 16:55:49 EST
Message-ID: <1998Mar18.215549.0>
Precedence: bulk

In a message dated 98-03-18 14:27:19 EST, cpesonen@bcinternet.net writes:

<<  for small metal casts of dragons and wizards,  >>

Warner-Crivellaro has several metal casting dragons.
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From owner-glass Wed Mar 18 15:58:08 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: ibm.net!croch
From: croch@ibm.net
To: "Glass" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Testing Once Again
Date: Wed, 18 Mar 1998 15:06:36 -0800
Message-ID: <1998Mar18.7636.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_000F_01BD527F.74569F00
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I am having email probs - sorry if this is a repeat test - I see the =
headers, but no messages, ugh! more later.  Patrick, did you get my bio? =
 Thanks to all for patience...
Namaste'    Carol

------=_NextPart_000_000F_01BD527F.74569F00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I am having email probs - sorry if =
this is a=20
repeat test - I see the headers, but no messages, ugh! more later.&nbsp; =

Patrick, did you get my bio?&nbsp; Thanks to all for =
patience...</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Namaste'&nbsp;&nbsp;&nbsp;=20
Carol</FONT></DIV></BODY></HTML>

------=_NextPart_000_000F_01BD527F.74569F00--

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From owner-glass Wed Mar 18 16:48:56 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: Int'l, Guild, of, Glass, Artists
Subject: IGGA News Memo
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 18 Mar 1998 18:58:40 +0000
Message-ID: <m0yFSdk-0000j8C@daver.bungi.com>
Precedence: bulk

New information has been put up on

     http://www.stainedglassbiz.com/ 

under "Events." Click on "Biz Buzz" then on "Events" -- the following
workshops begin under "April" and exttend through "September":

A ton of glass workshops at Corning Glass in New York.  Another ton of 
lampworking and glassblowing workshops at Inspiration Farm in 
Washington State.

Other news: the summer workshops at the College of Fine Art and Glass 
in Switzerland are pretty much cast in stone now. Take a look at 
http://www.esvc.com/ and click on "Workshops."

Enjoy!

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From owner-glass Wed Mar 18 17:16:40 1998
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X-Path: inspace.net!herba
From: "Herb Adler" <herba@inspace.net>
To: <Glass@bungi.com>
Content-Type: text/plain;
Subject: Re: numbering
Date: Wed, 18 Mar 1998 18:06:16 -0500
Message-ID: <1998Mar18.13616.0>
Precedence: bulk

On my last project having a number of pieces, in addition to numbering, I
made a spreadsheet list of the numbers corresponding to the colors, i. e.,
1-32, green leaf, 33-45 flower petal, and so on. There was a check off box
or boxes next to the number (there were three repeats) to check off. When I
cut the pieces I drew a diagonal line thru the box(s);when they were ground
to fit I drew another diagonal line to make an X. It helped me keep track of
my progress and what I needed to do.
You could adapt this to whatever way you like to work. Hope it helps.

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From owner-glass Wed Mar 18 18:20:04 1998
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X-Path: rconnect.com!vlclover
From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: dragons and wizards
Date: Wed, 18 Mar 1998 13:43:24 -0800
Message-ID: <1998Mar18.54324.0>
Organization: Glassy Ideas
Precedence: bulk

Hi Cindy,
	Try the Delphi catalog.  I just got one this
week, and saw lots of dragons.

Laurean


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From owner-glass Wed Mar 18 19:49:05 1998
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From: Karina <karinal@lisnet.net>
To: glass@bungi.com
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Subject: Hi all....
Date: Wed, 18 Mar 1998 21:48:37 -0500
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Hello all.....this is my first posting here. I'm in Canada....outside
Toronto. I've been into glass work for 10 years and have been teaching
stained glass for about 7 years at a local college here. I love the
meduim...and learned so much while I worked in a local glass studio .
......just want to keep in touch with fellow glass workers.

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From owner-glass Wed Mar 18 21:24:33 1998
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Subject: Re: Hi all....
Date: Wed, 18 Mar 1998 23:28:14 EST
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Welcome Karina!!
This is the BEST place to get advice and exchange ideas!!
Susan
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From owner-glass Thu Mar 19 00:56:19 1998
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From: "Herb Adler" <herba@inspace.net>
To: <Glass@bungi.com>
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From: Herb Adler <herba@inspace.net>
To: Glass@bungi.com <Glass@bungi.com>
Subject: Re: numbering
Date: Wednesday, March 18, 1998 6:06 PM
On my last project having a number of pieces, in addition to numbering, I
made a spreadsheet list of the numbers corresponding to the colors, i. e.=
,
1-32, green leaf, 33-45 flower petal, and so on. There was a check off bo=
x
or boxes next to the number (there were three repeats) to check off. When=
 I
cut the pieces I drew a diagonal line thru the box(s);when they were grou=
nd
to fit I drew another diagonal line to make an X. It helped me keep track=
 of
my progress and what I needed to do.
You could adapt this to whatever way you like to work. Hope it helps.
=8D
Herb in Orlando

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From owner-glass Thu Mar 19 02:12:33 1998
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
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Subject: Re: metal castings
Date: Thu, 19 Mar 1998 08:55:03 +0000
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At 16:55 18/03/98 EST, you wrote:
>In a message dated 98-03-18 14:27:19 EST, cpesonen@bcinternet.net writes:
>
><<  for small metal casts of dragons and wizards,  >>
>
>Warner-Crivellaro has several metal casting dragons.
>----
To see one range of metal castings visit http://www.monstermetals.com, which
shows all the Monster Metal figures made up with stained glass additions.
Elizabeth & Sam Law
Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Thu Mar 19 02:27:08 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: Re: Bio#
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 19 Mar 1998 09:57:55 +0000
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Creak, creak, creak.....
It must be the way my feet felt after having hopped about on my feet 
for a total of 13 hours, 2 days running, loading, un-loading, 
re-loading and un-re-loading my car for a 2 day week-end 
workshop...:-(
In case you are still trying to work it out, I am over 50, but less 
than 55. That's "Over The Hill" Over Here.
...Or could it be you are looking at the wrong one...? :->
Some bright Irish spark (who shall remain name-less) asked why Toby 
and I had the same hairstyle...

You're far better off looking at the wonderful stained glass canope 
we  stood under in the gardens of the Family Loire in France.
If you do visit my web-site again, I now have a guest-book that you 
can sign.... Text of the Chartres visit, I am sorry to say - is still 
missing. It'll come....

Which reminds me, Alain in France already posted a message a month or 
so ago in Bungi, asking if anyone was interested in German glass 
ware. But nobody took any notice. I did, but "filed" his message for 
later reply, since I was already engrossed in finalizing the UK 
suppliers list for UK Bunginians.
So let's clean our finger-nails, blow our noses, clear our throats 
and wish Alain in France "Bien Venue a Bungi!" Pity you didn't find 
Bungi a year ago and we could have met up on our trip to Chartres!!
Where do you live?

There are now enough of us "Across the Pond" to ensure some 
respectable Anglo-Saxon English is represented as well, so I wouldn't 
worry too much. If you like, I will return each e-mail you send,  to 
you personally and into Bungi, with corrected spelling and 
grammatical footnotes as well as  etymological notes. 
(teehee!).  That should raise some hackles.....
Len, to you I am tempted to send you samples from a 19th 
Century manual written in India during the era of The British Raj 
(i.e. Rule) in how to compose business letters in English to suit 
every occasion. It's an absolute TREAT!
Enough meandering!
Elisabeth 'n Toby in UK (in true Swedish fashion ;-> )


Picking up on thread:
I think I should check out this picture.  Elisabeth (with and Ess) leads
us to beleive she is "old".... from her bio... close as I can figure, she
is about the same age as me .... <italic>and I am not old....


</italic>

At 07:35 AM 3/18/98 -0800, Laurean wrote:

>Hi Elisabeth!

>	Went to your site, looked at your pic,

>and must say you look younger than I expected!

>

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Thu Mar 19 07:21:33 1998
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From: Carl Childers <shyguy@vdot.net>
To: croch@ibm.net
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Subject: Re: Testing Once Again
Date: Thu, 19 Mar 1998 09:07:55 -0500
Message-ID: <1998Mar19.4755.0>
References: <<1998Mar18.7636.0>>
Organization: Cox's Mower Service
Precedence: bulk

In response to the question about blank mail - this arrived thursday am.
Has no valid data other than the header info visible to me. I am using
Netscape Communicator v 4.04. Anybody else get a valid post? What are
you using as a mail reader??

croch@ibm.net wrote:

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From owner-glass Thu Mar 19 07:50:14 1998
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From: Laurean <vlclover@rconnect.com>
To: bungi <glass@bungi.com>
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Subject: suck up?
Date: Thu, 19 Mar 1998 08:04:08 -0800
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Organization: Glassy Ideas
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Patrick,
	You ought to be ashamed of yourself for calling me a
suck up!!  I have never been accused of that before!  Domineering
and biting, but never a suck up! 
	You are becoming quite adept at causing trouble on this list,
and I ORDER you to cease and desist! If you'd quit kissing inanimate
objects, I wouldn't have to write things like this.....

Laurean 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> Oh no she doesn't. Laurean; you are a suck-up. (8-). 

> Patrick
> Razes and Raindrops
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From owner-glass Thu Mar 19 08:33:56 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: metal castings
Date: Thu, 19 Mar 1998 07:29:26 -0800 (PST)
Message-ID: <199803191529.HAA25195@freya.vphos.net>
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Hi all,
Thanks for the many responses... I'll break down and send out the 5 bucks
for catalogues:) Over the years (17) I've never had to before, guess it's a
must for cost on their part. Lots of stuff out there I haven't seen...guess
that's why, chuckle.
In the dark ages, Cindy
Grin and bear should be my motto!!!!!!!!!

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From owner-glass Thu Mar 19 08:51:04 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Cindy Pesonen <cpesonen@bcinternet.net>, "[unknown]" <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: metal castings
Date: Thu, 19 Mar 1998 10:46:05 -0500
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I know the following metal castings are available from various stained
glass sources:

Creative Castings: flying dragon, butterfly ladies, woodland nymph, angel=
s,
griffin, bejewelled flying dragon
Flight into Fantasy: flying dragon, dragasour, setting dragon, angels,
fairy lady
Outeast Castings: eagle, swan, standing dragon, peacock, gargoyle, pixie
with flower, dragon queen, butterfly girl, pegasus, angels, flying dragon=
s,
winged unicorn

Check it out from your local stained glass store first, then check the
catalog suppliers.

Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Thu Mar 19 09:24:55 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
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>From dmg Thu Mar 19 10:10:56 -0500 1998
To: "Glenn Spicer" <gspicer@seaside.net>
Subject: RE: Your first lamp!
In-Reply-To: <1998Mar16.162935.0>
References: <1998Mar16.162935.0>
X-Mailer: VM 6.34 under Emacs 19.34.1
Reply-To: dmg@csg.uwaterloo.ca
From: Daniel M. German <dmg@csg.uwaterloo.ca>
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Glenn Spicer twistes the bytes to say:


 Glenn> A question Daniel, do you use a restrictor on your multi piece panels? And 
 Glenn> if you are doing a ladder, do you use a jig? If not these techniques help a 

A restrictor? A ladder? a jig?

Mmm, I think I'm still far from being able to understand the jargon of
the guilt. My instructor lied, he claimed that after a) I burned my
fingers --trying to pick up hot solder--; b) I had cut my fingers with
glass; c) my fingertip started to look like those of a construction
worker I had being welcomed to the SG guilt. I might be part of it,
but an illiterate member, thought.

Let me explain. I glued two strips of wood along each edge of a copy
of my pattern. I had no problem with the final assembly. The best
seams in my lamp are the external ones --it is a 6 panels' lamp. I
think this "device" will qualify as a jig. I am not sure what the
others are. 

My problem I is that I am still not very accurate in my glass
cutting. Sometimes the pieces fit perfectly, sometimes they don't. As
a consequence, my beads look irregular in diameter. :(

They are starting to look more regular, though.


--
Daniel M. German                  "A machine --computer-- can only do
   Lady Lovelance ->               what we tell it to do"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca



--
Daniel M. German                  "For indeed who is there alive
                                   that will not be swayed by his
                                   bias and partiality to
    Jonathan Swift ->              the place of his birth?"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Thu Mar 19 09:30:11 1998
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From: Carl Childers <shyguy@vdot.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Over the hill was -Re: Bio#
Date: Thu, 19 Mar 1998 11:00:34 -0500
Message-ID: <1998Mar19.6034.0>
References: <<199803190903.JAA05613@saturn.nildram.co.uk>>
Organization: Cox's Mower Service
Precedence: bulk

Well I guess there are more boomers over here in the colonies. Myself and my
peers are in the same age group as you, and there are more of us than any
other demographic category. So we have decided that 'middle age' is at least
20 years older than we are (now matter what age we are at any point in time).

I may be getting older, but I refuse to grow up.
It's never too late to have a happy childhood.
I can't be going through a second childhood, I'm not done with the first.
Toby wrote:

> In case you are still trying to work it out, I am over 50, but less
> than 55. That's "Over The Hill" Over Here.
> .

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From owner-glass Thu Mar 19 10:00:37 1998
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X-Path: cyberus.ca!lick
From: Carolyn Lick <lick@cyberus.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: silvering
Date: Thu, 19 Mar 1998 11:18:58 -0500
Message-ID: <3.0.2.32.19980319111858.00922b20@cyberus.ca>
References: <<199803191347.IAA02105@cyberus.ca>>
Precedence: bulk

At 08:49 AM 19/03/98 -0500, you wrote:
>> Could you please detail these methods, as I am very interested to know how
>> the process of mirror silvering works. Thanks.


I've sent the long and technical procedures privately to Sarah so as not to
clog up the list.  If anyone else is interested, let me know and I'll
forward on the e-mail.

Carolyn


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From owner-glass Thu Mar 19 10:38:24 1998
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From: "Steve Matthies" <SteveM@tillamook.k12.or.us>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject:  Rondels
Date: Thu, 19 Mar 1998 09:00:37 -0800
Message-ID: <s510dec7.090@tillamook.k12.or.us>
Precedence: bulk

Question....I am looking for a source of these, preferably west coast. =
After doing an internet search, the only source I turned up was blenko. =
Surely the must be other places that make and market these.

If anyone on this list does, or knows of a firm that does , could you =
forward that info. to me ??  Either through this forum , or privately.  =
Thanks !

Steve
North Coast Glassworks
Tillamook, OR
ncgw@juno.com

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From owner-glass Thu Mar 19 11:00:52 1998
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From: RituMalik <RituMalik@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: purchase a grinder
Date: Thu, 19 Mar 1998 12:22:36 EST
Message-ID: <1998Mar19.172236.0>
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  would someone please let me know   what  kind of grinder  should i buy?   i
have just started doing  stained glass  and dont want to buy  anything very
expensive     and  what is the  approximate  price   of the grinders avaliable

thanks in advance
ritu
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From owner-glass Thu Mar 19 11:32:24 1998
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X-Path: cybercable.tm.fr!amenil
From: Menil Alain <amenil@cybercable.tm.fr>
To: glass@bungi.com, Carl Childers <shyguy@vdot.net>
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: Testing Once Again
Date: Thu, 19 Mar 1998 18:32:04 +0100
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Hi Carl and others,
same case for me. I'm using Netscape Communicator v.3.

Carl Childers wrote:
> 
> In response to the question about blank mail - this arrived thursday am.
> Has no valid data other than the header info visible to me. I am using
> Netscape Communicator v 4.04. Anybody else get a valid post? What are
> you using as a mail reader??
> 
> croch@ibm.net wrote:
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

-- 
Alain Mιnil
from Le Mans, France
mailto : amenil@cybercable.tm.fr
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From owner-glass Thu Mar 19 11:58:18 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Surplus site
Date: Thu, 19 Mar 98 10:35:18 -0700
Message-ID: <m0yFjDs-000LiCC@why.az.stratus.com>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

i was just perusing http://www.sciplus.com and found some interesting stained  
glass stuff.

of particular note is 3"x4" yellow/pink dichroic glass for $5.00 and nitrile  
gloves for $1.75.

regards,
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Thu Mar 19 12:02:38 1998
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X-Path: bc.sympatico.ca!tuka
From: Doug & Shiela Dunn <tuka@bc.sympatico.ca>
To: Carl Childers <shyguy@vdot.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Over the hill was -Re: Bio#
Date: Thu, 19 Mar 1998 09:43:32 -0800
Message-ID: <1998Mar19.14332.0>
References: <<1998Mar19.6034.0>>
Organization: Shiela A. Dunn, C.G.A.
Precedence: bulk

Right on Carl !

The only scary part is looking in the mirror and seeing this "old
person" looking back at you when you still feel young inside.

Shiela



Carl Childers wrote:
> 
> Well I guess there are more boomers over here in the colonies. Myself and my
> peers are in the same age group as you, and there are more of us than any
> other demographic category. So we have decided that 'middle age' is at least
> 20 years older than we are (now matter what age we are at any point in time).
> 
> I may be getting older, but I refuse to grow up.
> It's never too late to have a happy childhood.
> I can't be going through a second childhood, I'm not done with the first.
> Toby wrote:
> 
> > In case you are still trying to work it out, I am over 50, but less
> > than 55. That's "Over The Hill" Over Here.
> > .
> 
> ----
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From owner-glass Thu Mar 19 12:17:13 1998
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X-Path: cyberus.ca!lick
From: Carolyn Lick <lick@cyberus.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Silvering - long and technical
Date: Thu, 19 Mar 1998 13:23:59 -0500
Message-ID: <3.0.2.32.19980319132359.0092aba0@cyberus.ca>
Precedence: bulk


>Here are the two processes for silvering.  These are mainly used to plate
onto glass, but can also be used for metals.  If you plan on trying it,
please remember to use all safety precautions when using the chemicals.
And silver nitrate turns your skin brown, so be sure to use gloves.
>
>I have not used these since school, but our glass blower uses the Tozer
process all the time.  I am using a silvering process, but we are using
Hydroquinone as a reducer.  Similar to sugar, but it works faster.
>
>If you have any questions, I'd be happy to try and answer them.
>
>Carolyn
>
>____________________________
>
>
>Refined Silvering Process
>W.H. Tozer
>
>Procedure:
>
>Made up solutions in 1 liter amounts.
>
>SOLUTION A	1 liter distilled water and 66.6 grams SILVER NITRATE
>SOLUTION B	1 liter distilled water and 140 grams POTASSIUM HYDROXIDE
>REDUCER	1 liter distilled water, 65 grams DEXTROSE, 175 mL ETHYL ALCOHOL
>
>Total Solution:
>for 520 mL of solution you need 300 mL A, 100 mL B, 120 mL R
>for 260 mL of solution you need 150 mL A, 50 mL B, 60 mL R
>for 130 mL of solution you need 75 mL A, 25 mL B, 30 mL R
>for 65 mL of solution you need 38 mL A, 13 mL B, 15 mL R
>for 33 mL of solution you need 19 mL A, 7 mL B, 8 mL R
>for 17 mL of solution you need 10 mL A, 3.5 mL B, 4 mL R
>
>Mixing of Solutions:
>
>All three solutions are to be chilled in ice water bath approximately 1/2
hour before using.  This retards the reaction of the application.
>
>Pour out solutions A, B and R into separate graduated cylinders with
correct amounts of solutions.
>
>All mixing containers as well as the piece to be silvered, must be clean
and rinsed with distilled water.
>
>1.  Pour solution A into beaker and add full strength ammonium hydroxide
with a pipette, one drop at a time.  This will form a dark brown
precipitate; continue adding ammonia until it becomes clear again.  Stir
continuously with a glass rod while adding ammonia.
>
>2.  Pour solution B into A and continue stirring while adding ammonia drop
by drop until the solution just clears.
>
>3.  Pour solution R which is the reducer into A and B mixture and stir for
10 seconds, then pour into vessel to be silvered.
>
>Leave solution in vessel for 10 minutes then pour spent solution into
sink, rinse out silvered apparatus two times with tap water, two times with
distilled water, and then rinse with a good grade of acetone.
>
>The solutions can be made up in advance and stored in brown glass bottles
for an indefinite period.
>
>____________________________
>
>Silvering Solution for the Brashear Process
>
>Three solutions are prepared in the following proportions:
>A.  2 liters of distilled water, 50 grams of silver nitrate.
>B.  2 liters of distilled water, 90 grams of potassium hydroxide.
>C.  800 mL of distilled water, 80 grams cane sugar plus 100 mL of ethyl
alcohol and 3.5 mL of nitric acid.
>
>Solution A should be kept in a dark place or in a dark bottle.  Solution C
should be aged at least 30 days before using.  If it is to be used at once,
boiling for 30 minutes will have the same effect as 30 days aging.
>
>The solutions are used in the proportions, A:B:C = 64%:32%:4% by volume.
The solutions are prepared for use as follows:  concentrated ammonium
hydroxide is added to solution A, drop by drop, while vigorously shaking
the flask until the precipitate, which first forms, completely disappears.
To this is added half of the required amount of solution B causing a dark
brown or black precipitate to form.  If insufficient ammonium hydroxide is
added before solution B is added, the precipitate will be a yellowish
green.  If this does occur, the solution should be discarded and the
process started again.  Ammonium hydroxide is added again, drop by drop,
while shaking until the black precipitate is almost, but not completely,
dissolved.  Gradually the remaining half of solution B is added, while
continuing to clarify the solution with ammonium hydroxide.  The ammonium
hydroxide should be added more slowly toward the last, since the reaction
is slow and there is a danger of going past the end point.  The final
solution should not be completely clear; rather it should be a slightly
cloudy solution which if allowed to stand for 30 minutes, will become clear
except for a few black flakes which settle to the bottom.  The solution may
be used immediately or it may be allowed to stand for as long as an hour
without affecting the results.
>
>After solutions A and B have been prepared by the addition of ammonia
hydroxide, it is advantageous to cool them to at least 15 C.  For strip
silvering, a temperature of 10 to 12 C is recommended.  The lower
temperature allows time for decanting the solution into the vessel after
the addition of solution C and before the actual plating out begins.
>
>Enough solution should be prepared to fill the vessel about two-thirds
full.  This solution may be decanted into the vessel, the required amount
of solution C added, and the solution mixed by shaking.  The vessel should
be rolled or shaken during the entire plating process.  The time required
for the solution to react and deposit the silver depends on two factors:
(1) the temperature of the solution (the lower the temperature, the slower
the reaction); (2) the age of solution A (the older the solution, the
slower the reaction).  The time of completion of the silvering process can
be determined by occasionally removing a little of the solution and
noticing the character of the precipitate.  When the solution becomes
flocculent the silvering is completed and the solution should be removed to
prevent the formation of a gray deposit or bloom.  With practice, the
condition of the solution inside the vessel can be determined by feel.
When the solution is spent, the precipitate forms a heavy sludge that can
actually be felt moving from one end of the vessel to the other as it is
tilted end to end.
>
>If a heavy coat of silver is desired, a second coat may be desposited over
the first after removing the spent solution.  Brighter and thicker silver
coatings may be obtained with a given amount of solution by silvering twice
with half-strength solutions (obtained by diluting with distilled water)
than can be obtained by silvering once with full-strength solution.
>
>After silvering is complete, the vessel is washed out and as much as
possible of the sediment adhereing to the walls is removed by a vigorous
shaking with the vessel half full of water.  After a final rinse with
distilled water and a rinse with methyl alcohol, the vessel is dried by
alternating exhausting and filling with dry air.  The pump used in this
operation should be carefully trapped to avoid contaminating its oil with
alcohol.

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From owner-glass Thu Mar 19 12:44:02 1998
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X-Path: ibm.net!croch
From: "Carol J. Rochnowski" <croch@ibm.net>
To: "Glass" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Just a Little More Patience
Date: Thu, 19 Mar 1998 09:58:42 -0800
Message-ID: <1998Mar19.15842.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_000D_01BD531D.9B145580
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Here we go again.  Do You Read Me??? Anyone??? thanks
Namaste'    Carol

------=_NextPart_000_000D_01BD531D.9B145580
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<META content=3Dtext/html;charset=3Diso-8859-1 =
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Here we go again.&nbsp; Do You Read =
Me???=20
Anyone??? thanks</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Namaste'&nbsp;&nbsp;&nbsp;=20
Carol</FONT></DIV></BODY></HTML>

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From owner-glass Thu Mar 19 13:01:04 1998
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From: Margaret41 <Margaret41@aol.com>
To: amenil@cybercable.tm.fr, glass@bungi.com
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Subject: Re: Hiyas, all!  :)
Date: Thu, 19 Mar 1998 14:23:57 EST
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your  English is just fine!!!!        Margaret
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From owner-glass Thu Mar 19 13:37:15 1998
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From: Margaret41 <Margaret41@aol.com>
To: cpesonen@bcinternet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: metal castings - catalog costs
Date: Thu, 19 Mar 1998 14:34:24 EST
Message-ID: <1998Mar19.193424.0>
Precedence: bulk

Hi - 

you'll ooooogle over the catalogs - especially the all color and finished
products in new Warner one!!!

Margaret
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From owner-glass Thu Mar 19 14:12:47 1998
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From: croch@ibm.net
To: "Glass" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: This Ole Computer
Date: Thu, 19 Mar 1998 11:38:30 -0800
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OK Bungi - I've worked on this ole computer this AM and wonder if I'm =
being anything a blank page to you all.   My friends will be happy to =
assert that I am seldom anything like a blank page!  Thanks for your =
individual help.  I surely hope I'm "Here" now.! =20
Namaste'    Carol

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>OK Bungi - I've worked on this ole =
computer this=20
AM and wonder if I'm being anything a blank page to you all.&nbsp;&nbsp; =
My=20
friends will be happy to assert that I am seldom anything like a blank=20
page!&nbsp; Thanks for your individual help.&nbsp; I surely hope I'm=20
&quot;Here&quot; now.!&nbsp; </FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Namaste'&nbsp;&nbsp;&nbsp;=20
Carol</FONT></DIV></BODY></HTML>

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From owner-glass Thu Mar 19 14:54:04 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: "Steve Matthies" <SteveM@tillamook.k12.or.us>
Subject: Re: Rondels
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 19 Mar 1998 15:34:16 +0000
Message-ID: <199803192026.PAA32080@vger.vgernet.net>
Precedence: bulk


> Question....I am looking for a source of these, preferably west coast. =
> After doing an internet search, the only source I turned up was blenko. =
> Surely the must be other places that make and market these.

The only sources we show in the Sources Guide (at
http://www.bungi.com/glass/igga/guide.htm
are Blenko and Lamberts.  Blenko's in West Virginia, of course. 
Lamberts is in West Germany, but Bendeim (on the same page ... "B" 
... as Blenko) might carry the Lamberts rondels.

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Thu Mar 19 17:41:41 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="iso-8859-1"
Subject: Re: Testing Once Again
Date: Thu, 19 Mar 1998 12:01:58 -0800 (PST)
Message-ID: <199803192001.MAA11062@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Thu Mar 19 11:38:30 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: cybercable.tm.fr!amenil
>From: Menil Alain <amenil@cybercable.tm.fr>
>To: glass@bungi.com, Carl Childers <shyguy@vdot.net>
>Subject: Re: Testing Once Again
>Date: Thu, 19 Mar 1998 18:32:04 +0100
>References: <<1998Mar19.4755.0>>
>Precedence: bulk
>
Oh dear---Oh no,
Will it happen to me? Hey I got Netscape 3 something and so far it's been
good. Had some surfing troubles yesterday, but a friend gave me this little
sheep that bounces around my screen and talks, and gets picked up by aliens,
eats flowers, has a bath, actually dive bombs for the bath and burns up in
the process. Then he or she has a buddy and the two of them get going!! I
thought that was giving me my surfing troubles:) So I shut them off!! Maybe
I was wrong??
Cindy@grin and bear it.
PS just finished sandblasting a bronze mirror with a funny little fireman in
the corner for the fire hall. Got to do my letter cutting....Forest Grove
Fire Hall, know of any vinyl cutters for sale for my computer???


>Hi Carl and others,
>same case for me. I'm using Netscape Communicator v.3.
>
>Carl Childers wrote:
>>=20
>> In response to the question about blank mail - this arrived thursday am.
>> Has no valid data other than the header info visible to me. I am using
>> Netscape Communicator v 4.04. Anybody else get a valid post? What are
>> you using as a mail reader??
>>=20
>> croch@ibm.net wrote:
>>=20
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>
>--=20
>Alain M=E9nil
>from Le Mans, France
>mailto : amenil@cybercable.tm.fr
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Thu Mar 19 17:51:35 1998
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From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: RE:Re: First time
Date: Thu Mar 19 13:14:56 1998
Message-ID: <98Mar19.232031gmt+0100.19585@michelle.magnet.mt>
Precedence: bulk

Greetings,

I am talking about the sort of lead came that can be used in construction of 
larger windows, or so I am lead to believe as I have never really seen it only 
just read about it.  It looks like this:  (excuse the primative graphics)

         Lead face -------------
                       |   |
            Lead heart | *-|----------Hollow section inside came 
                       |   |
                   -------------
  The idea is to incorporate the lead in your panel as you would a normal came 
(I guess you would want to use it without too many curves) and then slide a 
rigid steel bar of the correct dimensions into the hollow for extra strenght.

As I said I have never used it but I think it would work a treat.

What I have been able to get my hands on has been some came that has a thin 
piece of steel emmbeded into the heart of the lead and thus gives it strenght 
that way.  I expect that it may cause a problem when I have to cut it as I do 
not have anything other than a standard lead knife to cut with.

I've not had any replies to my own question about reinforcing the panel that I 
mentioned in that mail, so any pointers from anyone would be most welcome.

Bye

Peggy W. Johnsen:
>Hi Mizzi:  Can you tell us more about the hollow came.  Not sure what you
>are saying.  Thanks.  Peggy
>
>
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From owner-glass Thu Mar 19 18:00:30 1998
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From: SusieHUs <SusieHUs@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Gatewayed mail message
Date: Thu, 19 Mar 1998 15:53:21 EST
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In a message dated 98-03-19 12:35:17 EST, dmg@csg.uwaterloo.ca writes:

<< I had being welcomed to the SG guilt. >>


In a message dated 98-03-19 12:35:17 EST, you write:

<< I had being welcomed to the SG guilt. >>


Okay Daniel, now you got me on this one!  What is SG guilt?  What is there to
feel guilty about?  Sorry, don't mean to be so dense.....

Susie
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From owner-glass Thu Mar 19 18:10:19 1998
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From: Carl Childers <shyguy@vdot.net>
To: "Carol J. Rochnowski" <croch@ibm.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Just a Little More Patience
Date: Thu, 19 Mar 1998 16:41:18 -0500
Message-ID: <1998Mar19.114118.0>
References: <<1998Mar19.15842.0>>
Organization: Cox's Mower Service
Precedence: bulk

this also came in blank

Carol J. Rochnowski wrote:

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From owner-glass Thu Mar 19 18:17:41 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: intel.com!lynice.spangler
From: "Spangler, Lynice" <lynice.spangler@intel.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Surplus site
Date: Thu, 19 Mar 1998 13:48:54 -0800
Message-ID: <1998Mar19.54854.0>
Precedence: bulk

Charles,  I've actually been this place.  I went several years ago
(before my interest in glass) when I was visiting some friends in
Chicago.  We spent hours in the store.  Very fun.  Thanks for the
pointer.

L. Spangler


On Thursday, March 19, 1998 5:35 PM, Charles Spitzer
[SMTP:charlie@az.stratus.com] wrote:
> i was just perusing http://www.sciplus.com and found some interesting
stained  
> glass stuff.
> 
> of particular note is 3"x4" yellow/pink dichroic glass for $5.00 and
nitrile  
> gloves for $1.75.
> 
> regards,
> ---
> Charles Spitzer
> charlie@az.stratus.com
> Phoenix, AZ
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Thu Mar 19 18:20:18 1998
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Received: by daver.bungi.com
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	id <m0yFnr4-0000eWa@daver.bungi.com>
	for rglass-42; Thu, 19 Mar 1998 14:32:06 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: glasstreasures.com!sgt
From: Stephanie Hansen <sgt@glasstreasures.com>
To: croch@ibm.net, "Glass" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: This Ole Computer
Date: Thu, 19 Mar 1998 16:29:44 -0600
Message-ID: <3.0.5.32.19980319162944.00840e30@glasstreasures.com>
References: <<1998Mar19.33830.0>>
Precedence: bulk

I'm seeing  your messages more-or-less okay, Carol, but the problem may be
because they are being sent in HTML format and not plain ol' text format -
that may be why many people aren't seeing anything because their e-mail may
not support HTML messages.  Mine sort of does - I don't get all the fancy
stuff (like different fonts or colors or such), just a bunch of
gobbledy-gooky techie code stuff with your message in the middle.  You
might want to check your e-mail program to see if you can turn off the HTML
e-mail format.


Steph ~
(My apologies for sending her whole message back to the list, but maybe it
will come out the way I'm seeing it and not in real HTML format again.....)

At 11:38 AM 3/19/98 -0800, croch@ibm.net wrote:
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_003F_01BD532B.8C40D480
>Content-Type: text/plain;
>	charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>OK Bungi - I've worked on this ole computer this AM and wonder if I'm =
>being anything a blank page to you all.   My friends will be happy to =
>assert that I am seldom anything like a blank page!  Thanks for your =
>individual help.  I surely hope I'm "Here" now.! =20
>Namaste'    Carol
>
>------=_NextPart_000_003F_01BD532B.8C40D480
>Content-Type: text/html;
>	charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
><HTML>
><HEAD>
>
><META content=3Dtext/html;charset=3Diso-8859-1 =
>http-equiv=3DContent-Type>
><META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT color=3D#000000 size=3D2>OK Bungi - I've worked on this ole =
>computer this=20
>AM and wonder if I'm being anything a blank page to you all.&nbsp;&nbsp; =
>My=20
>friends will be happy to assert that I am seldom anything like a blank=20
>page!&nbsp; Thanks for your individual help.&nbsp; I surely hope I'm=20
>&quot;Here&quot; now.!&nbsp; </FONT></DIV>
><DIV><FONT color=3D#000000 size=3D2>Namaste'&nbsp;&nbsp;&nbsp;=20
>Carol</FONT></DIV></BODY></HTML>
>
>------=_NextPart_000_003F_01BD532B.8C40D480--

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From owner-glass Thu Mar 19 18:29:44 1998
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	for rglass-42; Thu, 19 Mar 1998 14:35:01 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: ibm.net!croch
From: "Carol J. Rochnowski" <croch@ibm.net>
To: "Glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: Am I Here Now?
Date: Thu, 19 Mar 1998 14:31:03 -0800
Message-ID: <1998Mar19.6313.0>
Precedence: bulk

Dear Bungians - You are being so patient with my computer illiteracy.  Am I
here Now for you?  If so, thank Charles!   BUT also let me know, too.   I
will go back to quietly lurking if everyone can finally "read me" - thanks
again.
Namaste'    Carol

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From owner-glass Thu Mar 19 18:36:34 1998
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	for rglass-42; Thu, 19 Mar 1998 14:49:33 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: RituMalik <RituMalik@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: purchase a grinder
Date: Thu, 19 Mar 1998 17:37:38 -0500
Message-ID: <1998Mar19.123738.0>
References: <<1998Mar19.172236.0>>
Precedence: bulk

RituMalik wrote:
> 
>   would someone please let me know   what  kind of grinder  should i buy?   i
> have just started doing  stained glass  and dont want to buy  anything very
> expensive     and  what is the  approximate  price   of the grinders avaliable
> 
> thanks in advance
> ritu
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


a good grinder should be around $80-$150 i like Inland, though other's
like Glasstar. as long as you keep the tip wet, you really should'nt
have a problem with either. 

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Thu Mar 19 18:49:55 1998
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	for rglass-42; Thu, 19 Mar 1998 15:44:27 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Gatewayed mail message
Date: Thu, 19 Mar 1998 15:42:25 PST
Message-ID: <m0yFox8-00017IC@daver.bungi.com>
Precedence: bulk

Hi everyone,

Just to let you all know the show in Vegas was wonderful!
I took the lead classes with Tommy 'G'...he's great!
Also several stepping stone/mosaic classes were helpful.
Hope to meet more of you there next year.


-- 
Glenna Rand
gjr@bungi.com
----
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From owner-glass Thu Mar 19 19:06:22 1998
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	for rglass-42; Thu, 19 Mar 1998 16:16:57 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: scc.net!oddjob
From: Sue Reitmann <oddjob@scc.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Long distance retailers
Date: Thu, 19 Mar 1998 18:03:57 -0600
Message-ID: <1998Mar19.12357.0>
Precedence: bulk

For the sake of the newcomers and those not aware.......Lately there have 
been various posts from folks who don't live near a local retailer. There 
is  something available called "The Big Book". Published by Creative 
Craftsmen Co., Naperville, Il 60563. It lists (almost) every stained and 
art glass supply made. I find this a handy referral source when I want to 
call my retailer to see if he has the item in stock.
I think I paid $5.00 (US) for it. ( oh yes, another five dollar item!) <G> 
I purchased it from my retail store the last time I made the trip. They 
publish a new issue once a year.

Sue (I am not affiliated with the publication or any retailer)

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From owner-glass Thu Mar 19 19:18:21 1998
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	for rglass-42; Thu, 19 Mar 1998 16:45:10 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Re: Surplus site
Date: Thu, 19 Mar 1998 19:38:16 -0500
Message-ID: <1998Mar19.143816.0>
References: <<m0yFjDs-000LiCC@why.az.stratus.com>>
Precedence: bulk

Hi Charles,

	Thanks for posting this.  My husband and I enjoyed looking at the
site and have book marked it.  Right up our alley.

	One (maybe dumb?) question.  Is dichroic glass used for anything
besides fusing?  Wouldn't you have to test for compatability to use it? 
(I just took a fusing class, so I'm just learning about all this.)

Jerri


On Thu, 19 Mar 98 10:35:18 -0700 Charles Spitzer <charlie@az.stratus.com>
writes:
>i was just perusing http://www.sciplus.com and found some interesting 
>stained  
>glass stuff.
>
>of particular note is 3"x4" yellow/pink dichroic glass for $5.00 and 
>nitrile  
>gloves for $1.75.
>
>regards,
>---
>Charles Spitzer
>charlie@az.stratus.com
>Phoenix, AZ
>----

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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From owner-glass Thu Mar 19 19:39:44 1998
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	for rglass-42; Thu, 19 Mar 1998 17:39:37 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <bits@ComCAT.COM>
To: "Glass" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: This Ole Computer
Date: Thu, 19 Mar 98 20:39:17 -0500
Message-ID: <199803200137.UAA09792@uz.ComCAT.COM>
Precedence: bulk

Hi Carol,

Not only are you "Here Now," you are "Here Now Twice, in Two Different 
Forms."

Namaste, Suzanne


>This is a multi-part message in MIME format.
>
>------=_NextPart_000_003F_01BD532B.8C40D480
>Content-Type: text/plain;
>	charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>OK Bungi - I've worked on this ole computer this AM and wonder if I'm =
>being anything a blank page to you all.   My friends will be happy to =
>assert that I am seldom anything like a blank page!  Thanks for your =
>individual help.  I surely hope I'm "Here" now.! =20
>Namaste'    Carol
>
>------=_NextPart_000_003F_01BD532B.8C40D480
>Content-Type: text/html;
>	charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
><HTML>
><HEAD>
>
><META content=3Dtext/html;charset=3Diso-8859-1 =
>http-equiv=3DContent-Type>
><META content=3D'"MSHTML 4.71.2016.0"' name=3DGENERATOR>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT color=3D#000000 size=3D2>OK Bungi - I've worked on this ole =
>computer this=20
>AM and wonder if I'm being anything a blank page to you all.&nbsp;&nbsp; =
>My=20
>friends will be happy to assert that I am seldom anything like a blank=20
>page!&nbsp; Thanks for your individual help.&nbsp; I surely hope I'm=20
>&quot;Here&quot; now.!&nbsp; </FONT></DIV>
><DIV><FONT color=3D#000000 size=3D2>Namaste'&nbsp;&nbsp;&nbsp;=20
>Carol</FONT></DIV></BODY></HTML>
>
>------=_NextPart_000_003F_01BD532B.8C40D480--
----
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From owner-glass Thu Mar 19 20:00:19 1998
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	for rglass-42; Thu, 19 Mar 1998 17:13:32 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: Over the hill was -Re: Bio#
Date: Thu, 19 Mar 1998 15:36:15 -0600
Message-ID: <199803192133.PAA08115@westbyserver.westby.mwt.net>
Precedence: bulk


>The only scary part is looking in the mirror and seeing this "old
>person" looking back at you when you still feel young inside.


Yeah.........

If I knew I was going to live this long I would have taken better care of
myself

Len


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From owner-glass Thu Mar 19 20:03:51 1998
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	for rglass-42; Thu, 19 Mar 1998 18:07:24 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re:  Rondels
Date: Thu, 19 Mar 1998 20:04:18 -0600
Message-ID: <199803200202.UAA10597@westbyserver.westby.mwt.net>
Precedence: bulk




>Question....I am looking for a source of these, preferably west coast. =
>After doing an internet search, the only source I turned up was blenko. =
>Surely the must be other places that make and market these.

Steve,

Depending on how many, what size and colors you are after. you might try a
hot glass shop in your area and ask if they will spin some for you.
Great fun to watch ......more fun to do

Len


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From owner-glass Thu Mar 19 20:34:42 1998
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	for rglass-42; Thu, 19 Mar 1998 18:14:53 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: bc.sympatico.ca!tuka
From: Doug & Shiela Dunn <tuka@bc.sympatico.ca>
To: Cindy Pesonen <cpesonen@bcinternet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Testing Once Again
Date: Thu, 19 Mar 1998 18:15:09 -0800
Message-ID: <1998Mar19.10159.0>
References: <<199803192001.MAA11062@freya.vphos.net>>
Organization: Shiela A. Dunn, C.G.A.
Precedence: bulk

I have the same sheep and so far have no system problems, so don't
think they are your problem.

Shiela


Cindy Pesonen wrote:
> 
> >X-From_: owner-glass@daver.bungi.com Thu Mar 19 11:38:30 1998
> >Return-Path: owner-glass@daver.bungi.com
> >X-Path: cybercable.tm.fr!amenil
> >From: Menil Alain <amenil@cybercable.tm.fr>
> >To: glass@bungi.com, Carl Childers <shyguy@vdot.net>
> >Subject: Re: Testing Once Again
> >Date: Thu, 19 Mar 1998 18:32:04 +0100
> >References: <<1998Mar19.4755.0>>
> >Precedence: bulk
> >
> Oh dear---Oh no,
> Will it happen to me? Hey I got Netscape 3 something and so far it's been
> good. Had some surfing troubles yesterday, but a friend gave me this little
> sheep that bounces around my screen and talks, and gets picked up by aliens,
> eats flowers, has a bath, actually dive bombs for the bath and burns up in
> the process. Then he or she has a buddy and the two of them get going!! I
> thought that was giving me my surfing troubles:) So I shut them off!! Maybe
> I was wrong??
> Cindy@grin and bear it.
> PS just finished sandblasting a bronze mirror with a funny little fireman in
> the corner for the fire hall. Got to do my letter cutting....Forest Grove
> Fire Hall, know of any vinyl cutters for sale for my computer???
> 
> >Hi Carl and others,
> >same case for me. I'm using Netscape Communicator v.3.
> >
> >Carl Childers wrote:
> >>=20
> >> In response to the question about blank mail - this arrived thursday am.
> >> Has no valid data other than the header info visible to me. I am using
> >> Netscape Communicator v 4.04. Anybody else get a valid post? What are
> >> you using as a mail reader??
> >>=20
> >> croch@ibm.net wrote:
> >>=20
> >> ----
> >> For subscription changes, please mail to: glass-request@bungi.com
> >> To send to the list,      please mail to: glass@bungi.com
> >> Archives available at http://www.bungi.com/glass
> >
> >--=20
> >Alain M=E9nil
> >from Le Mans, France
> >mailto : amenil@cybercable.tm.fr
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
> >
> >
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Thu Mar 19 20:58:18 1998
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	for rglass-42; Thu, 19 Mar 1998 19:12:11 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: juno.com!mschatee
From: mschatee@juno.com (Caren J Price)
To: glass@bungi.com
Subject: Unsubscribe (temporarily)
Date: Thu, 19 Mar 1998 22:06:48 EST
Message-ID: <1998Mar20.3648.0>
Precedence: bulk

My computer is ready to go into harddrive failure, so I am sending it out
for repair.  Please take me off the list until further notice.

Thanks,
Caren

(I'm going to have glass withdrawal:-(   I may not write much but I read
everyday!

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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From owner-glass Thu Mar 19 22:52:41 1998
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	for rglass-42; Thu, 19 Mar 1998 19:38:08 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: This Ole Computer
Date: Thu, 19 Mar 1998 22:31:46 -0500
Message-ID: <1998Mar19.173146.0>
References: <<3.0.5.32.19980319162944.00840e30@glasstreasures.com>>
Organization: Cox's Mower Service
Precedence: bulk

This is interesting, now I got the original post in this reply. I can read
HTLM, cuz I always get Tory's animation on her sig files. I wonder if there is
somthing odd about the sending setup??
Stephanie Hansen wrote:
<major snip>

> I'm seeing  your messages more-or-less okay, Carol, but the problem may be
> because they are being sent in HTML format and not plain ol' text format -
> >       charset="iso-8859-1"
> >Content-Transfer-Encoding: quoted-printable
> >



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From owner-glass Thu Mar 19 22:53:14 1998
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	for rglass-42; Thu, 19 Mar 1998 19:33:27 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: eatumup.com!byronw
From: byronw@eatumup.com (Byron Wells)
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: purchase a grinder
Date: Thu, 19 Mar 1998 21:34:21 -0600
Message-ID: <1998Mar19.153421.0>
Precedence: bulk

My 1st grinder I bought 3 years ago still doe a great job.. Its a Glastar
Superstar 2... Goes for about $99 retail... I also Use an Inland Twin spin
... Either brand will do a good job for you...

Byron...

-----Original Message-----
From: RituMalik <RituMalik@aol.com>
To: glass@bungi.com <glass@bungi.com>
Date: Thursday, March 19, 1998 5:14 AM
Subject: purchase a grinder


>  would someone please let me know   what  kind of grinder  should i buy?
i
>have just started doing  stained glass  and dont want to buy  anything very
>expensive     and  what is the  approximate  price   of the grinders
avaliable
>
>thanks in advance
>ritu
>----
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From owner-glass Thu Mar 19 23:05:19 1998
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From: Garry  & Linda   McKenna <mnvve3@kwic.com>
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Do you suppose that the instructor meant Guild ??
Linda

At 03:53 PM 19/3/98 EST, you wrote:

>In a message dated 98-03-19 12:35:17 EST, dmg@csg.uwaterloo.ca writes:
>
><< I had being welcomed to the SG guilt. >>
>
>
>In a message dated 98-03-19 12:35:17 EST, you write:
>
><< I had being welcomed to the SG guilt. >>
>
>
>Okay Daniel, now you got me on this one!  What is SG guilt?  What is there to
>feel guilty about?  Sorry, don't mean to be so dense.....
>
>Susie
>----
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>
>
GARRY & LINDA McKENNA
  TILLSONBURG ONT CANADA
   519 842-9909
  
 LINDA'S HOBBY: STAINED GLASS
 GARRY'S HOBBY:  AMATURE RADIO CALL VE3MNV

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From owner-glass Thu Mar 19 23:05:51 1998
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From: "suzy@comcat.com" <bits@ComCAT.COM>
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>In a message dated 98-03-19 12:35:17 EST, dmg@csg.uwaterloo.ca writes:
>
><< I had being welcomed to the SG guilt. >>

Susie wrote:
>Okay Daniel, now you got me on this one!  What is SG guilt?  What is there to
>feel guilty about?  Sorry, don't mean to be so dense.....

Hey Susie, I think he meant "guild."

The ONE thing in this life I NEVER EVER feel guilty about is stained 
glass!

Suzy
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From owner-glass Thu Mar 19 23:18:01 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
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SusieHUs  twistes the bytes to say:


 SusieHUs> Okay Daniel, now you got me on this one!  What is SG guilt?  What is there to
 SusieHUs> feel guilty about?  Sorry, don't mean to be so dense.....

Hi Sussie,


  Ahhhh... so many years trying to master Shakespeare's language and I
  am still writing like a elementary school pupil.

What I meant to say was guild, not guilt.

I have given up learning other languages --what is the point of
climbing the "learning cliff" of a new tonge if after hundreds of
hours of learning I'll be only able to ask for scrambled eggs and
stare helpless to the waitress when she asks me a non decipherable
question such as "do you want gravy on your fries?"

It is better --IMHO-- to improve my English than to badly learn 3
languages. Nonetheless I still make silly mistakes.

I particularly dislike English, but it is pervasive and ubiquitous. I
have no option but to affront it. 

As this list becomes more cosmopolite the English of some of its
members --me included-- will leave plenty to be desired. Please, bear
with us. We are making an afford. 


This reminds me one of those days in which I was learning English in
order to prepare myself for the proficiency exams I had to pass to be
able to attend grad school in the US and Canada.  

   "What's your name?" --My instructor ask me. 
   "I name Daniel", I replied. He started laughing. 
   "You speak like an apache" was his response.

In order to be politically correct I rather say today: I speak like I
had the brain of a boy 10 years old.

Happy glass work!

--
Daniel M. German                  "And ye shall know the truth,
   John 8:32 ->                    and the truth shall make you free."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Thu Mar 19 23:19:08 1998
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From: pkelly <pkelly@n-link.com>
To: "Carol J. Rochnowski" <croch@ibm.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Am I Here Now?
Date: Thu, 12 Mar 1998 23:07:59 -0600
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Not so fast Carol. Now that you have popped up head up how about a bio. You
know the drill; informal, how did you get into SG etc. Send it to me please.

Patrick
The Head Nag

Carol J. Rochnowski wrote:

> Dear Bungians - You are being so patient with my computer illiteracy.  Am I
> here Now for you?  If so, thank Charles!   BUT also let me know, too.   I
> will go back to quietly lurking if everyone can finally "read me" - thanks
> again.
> Namaste'    Carol
>
> ----
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From owner-glass Thu Mar 19 23:32:37 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, frank.g.mizzi@magnet.mt
Subject: RE:Re: First time (reinforced lead)
Date: Fri, 20 Mar 1998 01:08:17, -0500
Message-ID: <199803200608.BAA14556@mime3.prodigy.com>
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Peggy,
S. A. Bendheim Co., Inc., in Passaic, NJ (800 221-7379) lists steel 
reinforced lead with a fixed and a removable strip. This lead is not 
intended to be bent to any degree. A fine (32 teeth per inch) hacksaw 
will cut it well. The lead knife is useless for this task.

On a more practical note I use Cascade reinforced lead. It has a 
brass strip in the heart, bends well and cuts well with lead diagonal 
pliers. Said to be about five times as strong as ordinary lead. Any 
window I construct that has a dimension over 24" is likely to use at 
least some of this reinforced lead.

Have come across old windows that had a strip of steel just layed 
against the heart of the lead. Have not seen this product offered for 
sale.

Better to strong than to weak, Bob

Peggy wrote:

Message-ID: <98Mar19.232031gmt+0100.19585@michelle.magnet.mt>
Precedence: bulk

Greetings,

I am talking about the sort of lead came that can be used in 
construction of 
larger windows, or so I am lead to believe as I have never really 
seen it only 
just read about it.  It looks like this:  (excuse the primative 
graphics)

         Lead face -------------
                       |   |
            Lead heart | *-|----------Hollow section inside came 
                       |   |
                   -------------
  The idea is to incorporate the lead in your panel as you would a 
normal came 
(I guess you would want to use it without too many curves) and then 
slide a 
rigid steel bar of the correct dimensions into the hollow for extra 
strenght.

As I said I have never used it but I think it would work a treat.

What I have been able to get my hands on has been some came that has 
a thin 
piece of steel emmbeded into the heart of the lead and thus gives it 
strenght 
that way.  I expect that it may cause a problem when I have to cut it 
as I do 
not have anything other than a standard lead knife to cut with.

I've not had any replies to my own question about reinforcing the 
panel that I 
mentioned in that mail, so any pointers from anyone would be most 
welcome.

Bye

Peggy W. Johnsen



____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
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From owner-glass Fri Mar 20 02:03:30 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: jroey@juno.com (jerri m Roey)
Subject: Re: Surplus site
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Date: Fri, 20 Mar 1998 03:37:19 +0000
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> One (maybe dumb?) question.  Is dichroic glass used for anything
> besides fusing?  Wouldn't you have to test for compatability to use it? 
> (I just took a fusing class, so I'm just learning about all this.)

Dichroic glass has been coopted by the arts community. It was 
originally designed for copier technology, as I understand it.

Albert

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From owner-glass Fri Mar 20 04:03:13 1998
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From: Whispy Blu <WhispyBlu@aol.com>
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Subject: dichroic
Date: Fri, 20 Mar 1998 05:36:01 EST
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In a message dated 98-03-20 05:32:27 EST, you write:

<< << Is dichroic glass used for anything
  > besides fusing? >>
 
 If used selectively it is quite effective as the eye of a wizard, fish gills,
 a crystal ball, etc....  A little goes a long way.  
 
 Lu Ann >>
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From owner-glass Fri Mar 20 04:35:55 1998
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From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: restrictors,ladders, and jigs (reely)
Date: Fri, 20 Mar 1998 03:10:02 -0800
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-----Original Message-----
From:	Daniel M. German [SMTP:dmg@csg.uwaterloo.ca]
Sent:	Thursday, March 19, 1998 7:11 AM
To:	Glenn Spicer
Subject:	RE: Your first lamp!

A restrictor? A ladder? a jig?
I glued two strips of wood along each edge of a copy of my pattern.  I 
think this "device" will qualify as a jig.

>>not!! this device will qualify as a restrictor (i.e. it "restricts" the 
pieces to a set space)

My problem I is that I am still not very accurate in my glass cutting. 
Sometimes the pieces fit perfectly, sometimes they don't.

>>If you are cutting multiples of identical quadrilaterals, trapeziums, or 
trapezoids (or for a mater of fact many straight sided shapes) a "cutting 
jig" comes in handy to ensure that each piece is the same with nice 
straight edges. They are easily made with a board(say 2'x2'), a wooden 
yardstick cut and fixed along one edge, and another wooden yard stick cut 
to the width of the board and bolted with a wing nut through the ruler on 
the edge so that it pivots. Fix an inch section of the ruler to the 
underside of the far end of the pivoting ruler to act as a spacer. Use a 
clamp or vice grips to hold the end of the pivoting ruler to fix it at 
whatever angle you want to cut at, and now you can be a mini production 
line. Very handy in ladder lamps, boxes, simple panel lamps, etc.

a ladder?
--
Daniel M. German

>>a ladder is one section (like a slice o' pie)of a dome lamp, that is 
composed of a number of pieces that look like a tapering ladder. With a 
profile and some "simple" pi (3.14 etc.) geometry you can make just about 
shape of lamp, and then assemble it using the "igloo style" of building, 
the worden sectional form (or a bed made from the profile), or a full form 
in the round (of wood, foam, or plastic). This kind of cutting is where the 
jig comes in handy! Also an even simpler "jig" of just 1/4" thick wood cut 
in strips that are the width of the glass you need (minus the width of the 
shoulder of your cutter) and 1' to 3' long. Great for boxes and easy to use 
in conjunction with the aforementioned cutting jig.
>>I get an eerie premonition that this is only going top raise more 
questions, I'm psychic maybe? Howard this is more your field I would think?

Glenn Spicer,
The Studio Metamorphoses, BC, Canada



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From owner-glass Fri Mar 20 06:45:27 1998
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From: mike peck <summit-stained-glass@worldnet.att.net>
To: len alcamo <alcamoz@mwt.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Rondels
Date: Fri, 20 Mar 1998 07:34:16 -0600
Message-ID: <1998Mar20.13416.0>
References: <<199803200202.UAA10597@westbyserver.westby.mwt.net>>
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
Precedence: bulk

len alcamo wrote:
> 
> >Question....I am looking for a source of these, preferably west coast. =
> >After doing an internet search, the only source I turned up was blenko. =
> >Surely the must be other places that make and market these.
> 
> Steve,
> 
> Depending on how many, what size and colors you are after. you might try a
> hot glass shop in your area and ask if they will spin some for you.
> Great fun to watch ......more fun to do
> 
> Len
> 

I'd love to see rondels spun, too.  But, just thought I'd offer up that,
I have seen some artists use wine glass or goblet bases as "make shift"
rondels.  If you break one off, be sure to polish it out so it's not so
obvious were the stem was.  Some of the expensive goblet bases have some
nice ground out facets that do interesting things with light.  

Mike Peck
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From owner-glass Fri Mar 20 07:54:14 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>,
Content-Type: text/plain; charset=ISO-8859-1
Subject: RE:Re: First time
Date: Fri, 20 Mar 1998 09:25:54 -0500
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Message text written by "Mizzi Frank at MITTS"
>What I have been able to get my hands on has been some came that has a
thin =

piece of steel emmbeded into the heart of the lead and thus gives it
strenght =

that way.  I expect that it may cause a problem when I have to cut it as =
I
do =

not have anything other than a standard lead knife to cut with.<

It may pay to get yourself a Griffon chop saw.  Slices through metal
came wonderfully.  I've used it on zinc and will soon be using it on
brass.  It's expensive, but worth it IMHO.
Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Fri Mar 20 08:25:59 1998
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From: SusieHUs <SusieHUs@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
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Date: Fri, 20 Mar 1998 09:43:51 EST
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In a message dated 98-03-20 02:18:25 EST, dmg@csg.uwaterloo.ca writes:

<< In order to be politically correct I rather say today: I speak like I
 had the brain of a boy 10 years old. >>


No Daniel, you don't!  I did not realize that English was not your native
language from your other post and I sincerely never thought of the word
"guild" there or I would not have asked about it.  Your English is wonderful.
I'M the one who didn't get it!  

Thank you for your kind response to my question.  I didn't ask it to point out
your mistake, contrary to what a few people evidently think.  If I was in the
habit of correcting spelling on this list, I could have a field day with lots
of people but I don't do that and it would have been nice to have been given
the benefit of the doubt on that.  It was certainly not my intention to
embarrass you - I simply wanted to understand what you were saying and I do
appreciate your taking the time to explain it to me, dense as I can be at
times!

And thank you to the others who also responded with kindness!

Susie
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From owner-glass Fri Mar 20 08:58:33 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Surplus site
Date: Fri, 20 Mar 1998 10:15:25 -0500
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Albert Lewis wrote:
> 
> > One (maybe dumb?) question.  Is dichroic glass used for anything
> > besides fusing?  Wouldn't you have to test for compatability to use it?
> > (I just took a fusing class, so I'm just learning about all this.)
> 
> Dichroic glass has been coopted by the arts community. It was
> originally designed for copier technology, as I understand it.
> 
> Albert
> 
> ----

it was either that or NASA app's. telescopes use it to seperate ultra
violet from infrared rays. camera's use it to do what ever it does. it's
used for anything where you would need to look through an object or have
it bounce off at the same time. in the case of the telescope,
ultraviolet rays would pass through the glass. the infrared part of the
spectrum would be diverted.

in another use i once saw a real old building, 100 years or so. and they
had a yellow/purple glass. at the time the tour guide said she did'nt
know how they made it. inside the building the glass was a purple color.
outside it reflected yellow. i'm not sure how they made it back then
since i'm not sure if they knew how to use a photonbeam... 

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Fri Mar 20 11:05:09 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
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Subject: Re: Surplus site
Date: Fri, 20 Mar 1998 10:08:18 -0500
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jerri m Roey wrote:
> 
> Hi Charles,
> 
>         Thanks for posting this.  My husband and I enjoyed looking at the
> site and have book marked it.  Right up our alley.
> 
>         One (maybe dumb?) question.  Is dichroic glass used for anything
> besides fusing?  Wouldn't you have to test for compatability to use it?
> (I just took a fusing class, so I'm just learning about all this.)
> 
> Jerri
> 


i'm pesonally not into fusing that much, though i've used dichro before.
in one use (though so far the only use), i backed a gem with it. then
put a piece of mirror behind that, and the result is awsome. and alot
cheaper then an actual dichro gem.

go to this site: http://kroma.com/ they have windows made of just
dichroic glass. and i even heard that someone made a giagantic dichroic
window for some airport.

---Mike Savad
-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Fri Mar 20 11:33:38 1998
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From: Melissa Thaxton <mthaxton@softcom.net>
To: 'bungians' <glass@bungi.com>
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Date: Fri, 20 Mar 1998 08:20:48 -0800
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References: <<199803200431.XAA21470@uz.ComCAT.COM>>
Precedence: bulk

But we are all "guildy" by association!

suzy@comcat.com wrote:

> >In a message dated 98-03-19 12:35:17 EST, dmg@csg.uwaterloo.ca writes:
> >
> ><< I had being welcomed to the SG guilt. >>
>
> Susie wrote:
> >Okay Daniel, now you got me on this one!  What is SG guilt?  What is there to
> >feel guilty about?  Sorry, don't mean to be so dense.....
>
> Hey Susie, I think he meant "guild."
>
> The ONE thing in this life I NEVER EVER feel guilty about is stained
> glass!
>
> Suzy
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From owner-glass Fri Mar 20 11:36:11 1998
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From: Melissa Thaxton <mthaxton@softcom.net>
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Subject: That was a ...
Date: Fri, 20 Mar 1998 08:20:04 -0800
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EElisabeth  (with an Ess!) that...was a pretty interesting Bio!  I'm
envios.
Don't look for mine I'm too busy in this world with the wrong stuff.
Melissa.

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From owner-glass Fri Mar 20 11:54:14 1998
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From: Northernlights <borealis@goldengate.net>
To: glass <glass@bungi.com>
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Subject: simple project
Date: Fri, 20 Mar 1998 11:36:31 -0600
Message-ID: <1998Mar20.53631.0>
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A friend of mine (who also does stained glass) is going to show a small 
group of 5th and 6th graders the "basics" of stained glass (the group 
will be about 8 children) and only has about 2.5 hours with them.  He's 
trying to think of something very simple/very few pieces and with foil. 
 The only thing I could come up with was maybe balloons (say 3 balloons) 
so each child could actually cut the glass, grind, and foil.  He said 
he's going to do the soldering.  Does anyone have any other "simple" 
ideas that he could use???  Thanks!!!

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From owner-glass Fri Mar 20 12:25:21 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Glenn Spicer" <gspicer@seaside.net>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: restrictors,ladders, and jigs (reely)
Date: Fri, 20 Mar 1998 10:53:26 -0800
Message-ID: <1998Mar20.25326.0>
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Easy enough to make a jig, but if one (jig) is used a LOT, the Morton is
very versatile and easy to set and move in very small increments, and close
to indestructible.

As I said privately, if I have more than 3 pieces with straight sides to
cut, that should be the same, I set up a jig.
The TIME you waste trying to replicate accurate straight cuts and fit a
multi-piece pattern, whether it be a border row, a panel lamp shade, a box
or whatever by hand cutting is regained by the use of jig. As for the terms
"restrictors and ladders" lots of applications which DOES include glass
argot, but does not readily associate (in my mind) with what you are trying
to communicate.
enjoy, H

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From owner-glass Fri Mar 20 13:38:30 1998
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Subject: glass fishing floats
Date: Fri, 20 Mar 1998 13:55:54 -0600
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Dear Fellow Stained Glassaholics,
My son is career Navy and has been stationed in Japan for the last six
years. He does a lot beach combing and has collected a MANY glass
fishing floats. They range in size from 3" to 38" in dia, mostly pale
green but a few browns, blues and purples.

Can anyone come up with a way to use them in a stained glass project?.
Could foil tape be used around the center and then soldered into a hole
in the glass. That doesn't sound very clear, but maybe you can
understand what I mean.
TIA
Nelda

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From owner-glass Fri Mar 20 14:21:15 1998
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From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: heat checking by design
Date: Fri, 20 Mar 1998 14:57:46 -0600
Message-ID: <199803202056.OAA08182@westbyserver.westby.mwt.net>
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glassfolks,


I am in the final design stages for a door lite for my own home.  Yippee!

I have decided to incorporate an elaborate *piece intensive* multi -coursed
border into the design. Some of the main design will flow out and be
superimposed over the border.... a design device that I have used in the
past with good results. I like the look of the added depth.

Anyway, what I plan to do is have the outermost border a bright detailed
small piece geometric, and the inner just a narrow, dark , single color
strip border. In between I want a random organic looking style (to
complement  the strong organic oriental elements in the main motif.)
Something like a crackle.  I am trying to create the illusion of an ornate
stepped frame.

I have experimented by heating  3/4 inch wide strips of  thin antique with a
propane torch and then spritzing them with a spray bottle containing water
and also spraying the glass with water  then heating with the torch. The
results are some interesting heat checking. I then foil the pieces back
together being careful not to foil all the way to the edge. Since I am not
able compensate for the foil thickness when I reassemble the sections, I can
grind the edges flush again without running over the foil and solder and the
unfoiled gaps will be hidden under the came. The heat check cracks take on
attractive twists and turns that  would be impossible to duplicate with a
glass cutter.  Looks good to me.

Has anyone worked with anything similiar to this *accident art* technique?
I guess my only real concern is the stability of the glass after being
exposed to this type of stress. I tried using thicker glass but the
resultent  checking patterns were not as convoluted and sort of defeated the
purpose. If I use too much heat on the thick pieces the glass just shatters.

Thanks

Len

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From owner-glass Fri Mar 20 15:17:58 1998
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From: Whispy Blu <WhispyBlu@aol.com>
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Subject: Re: simple project
Date: Fri, 20 Mar 1998 16:44:27 EST
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In a message dated 98-03-20 14:55:54 EST, borealis@goldengate.net writes:

<< Does anyone have any other "simple" 
 ideas that he could use? >>

What about a small 3-piece sailboat....mostly straight lines with one slight
curve?  If time permitted a small triangle could be added to the top for the
flag.

Lu Ann
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From owner-glass Fri Mar 20 15:35:32 1998
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Subject: Re: glass fishing floats
Date: Fri, 20 Mar 1998 17:04:19 EST
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In a message dated 98-03-20 16:38:55 EST, fibers@wcnet.net writes:

<< MANY glass
 fishing floats. They range in size from 3" to 38" in dia, mostly pale
 green but a few browns, blues and purples. >>

Are these what I might know as a fishing bobber?  If not, could someone tell
me what they are please?  Thanks!

Lu Ann
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From owner-glass Fri Mar 20 15:47:34 1998
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From: "suzy@comcat.com" <bits@ComCAT.COM>
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Content-Type: text/plain; charset="US-ASCII"
Subject: Re: glass fishing floats
Date: Fri, 20 Mar 98 17:07:40 -0500
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Nelda wrote:

>My son is career Navy and has been stationed in Japan for the last six
>years. He does a lot beach combing and has collected a MANY glass
>fishing floats. They range in size from 3" to 38" in dia, mostly pale
>green but a few browns, blues and purples.
>
>Can anyone come up with a way to use them in a stained glass project?.
>Could foil tape be used around the center and then soldered into a hole
>in the glass. 

Suzanne sezs:

Sounds interesting. I don't see why not. I've soldered marbles and agates 
into pieces that way.

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From owner-glass Fri Mar 20 16:04:28 1998
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From: "M. Savad" <morn@nac.net>
To: Northernlights <borealis@goldengate.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: simple project
Date: Fri, 20 Mar 1998 17:17:10 -0500
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Precedence: bulk

Northernlights wrote:
> 
> A friend of mine (who also does stained glass) is going to show a small
> group of 5th and 6th graders the "basics" of stained glass (the group
> will be about 8 children) and only has about 2.5 hours with them.  He's
> trying to think of something very simple/very few pieces and with foil.
>  The only thing I could come up with was maybe balloons (say 3 balloons)
> so each child could actually cut the glass, grind, and foil.  He said
> he's going to do the soldering.  Does anyone have any other "simple"
> ideas that he could use???  Thanks!!!
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i would start with something that has straight lines. like a very basic
quilt pattern. otherwise they may get frustrated cutting. i would also
use spectrum glass -- for the easiest cutting.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Fri Mar 20 16:21:25 1998
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Subject: Note
Date: Fri, 20 Mar 1998 17:58:00 EST
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Please remove me from the list.  I will be back in touch soon.

Enjoy bungi, many thanks.

K.L. Winter-Schulz
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From owner-glass Fri Mar 20 16:37:22 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "fibers" <fibers@wcnet.net>, "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: glass fishing floats
Date: Fri, 20 Mar 1998 14:35:40 -0800
Message-ID: <1998Mar20.63540.0>
Precedence: bulk

My cup of tea,

Over the years I have turned floats into lamp bases for glass shades.

Easy to drill the first hole in the float WEAR goggles (eye protection) and
gloves. Floats are vacuumed.
Drop a line in the hole with a small weight. Note where it hits and use that
for the OTHER hole.
A pipe 3/8 threaded is run through the float for the electrical stuff needed
to make the shade light when a socket and bulb and electricity are working
in unison.

I make a glass (12 to 16 pieces) cylinder for the float to nestle in. The
diameter of the cylinder is keyed to the diameter of the metal stand I
have/get...some of the stands (bases) have a hole set for a base light, so
that can be lit as well.

People will spend a lot of money to make their find of a float memorable.

As an aside I live on the beach and over the years 19+, I have NEVER found a
float. I have hunted all times and tides and seasons, I have seen my buddy
go to the beach, walk into the weeds to relieve himself, and find floats in
the grass. Another friend used to walk around 6 pm most days and has a VERY
large collection of floats. Some is meant to have, others not!

enjoy, H

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From owner-glass Fri Mar 20 16:53:47 1998
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: glass fishing floats
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Sat, 21 Mar 1998 00:27:12 +0000
Message-ID: <199803202332.XAA19379@saturn.nildram.co.uk>
Precedence: bulk

Hi all,
My attitude is that you can use virtually anything in a stained glass 
creation. I have even used bits of stone and masonry. I have even 
used  bit of mortar from the Berlin Wall

In the late 80's I visited a small island off the coast of China. The 
entire beach was covered  almost knee-deep in glass nodules, warn 
round and smooth by the sea over many years. The glass originated 
basically  from glass objects and broken glass bottles thrown 
overboard by passing ships. You could collect these wonderful 
polished glass pieces by the shovel-ful.  I added to the extra excess 
baggage of my suit case on the flight back to UK of a couple of 
shovel fuls of this wonderful beach find.  A small handful of these 
pieces have since travelled to USA with friends who saw them, handled 
them and wanted to do something with them.
Let your imagination go. You can foil them, you can lead them; use 
them in a stained glass creation. No problem.... If you use them, 
design around them
 Just enjoy!
Elisabeth 'n Toby in UK

Nelda wrote:
 Dear Fellow Stained Glassaholics, My son is 
career Navy and has been stationed in Japan for the last six years. 
He does a lot beach combing and has collected a MANY glass fishing 
floats. They range in size from 3" to 38" in dia, mostly pale green 
but a few browns, blues and purples.

Can anyone come up with a way to use them in a stained glass project?.
Could foil tape be used around the center and then soldered into a hole
in the glass. That doesn't sound very clear, but maybe you can
understand what I mean.

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Fri Mar 20 17:12:09 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: RE:Re: First time
Date: Fri, 20 Mar 1998 18:40:53 -0500
Message-ID: <v01530501b138ae86cc7b@[206.186.242.102]>
Precedence: bulk

Hi,

I've only seen the lead with the steel already inside the heart...I don't
see how the hollow heart that you slide steel into would work very well.
You would have to cut the steel either way, though...just use a hacksaw.

Good Luck
Sarah

>Greetings,
>
>I am talking about the sort of lead came that can be used in construction of
>larger windows, or so I am lead to believe as I have never really seen it only
>just read about it.  It looks like this:  (excuse the primative graphics)
>
>         Lead face -------------
>                       |   |
>            Lead heart | *-|----------Hollow section inside came
>                       |   |
>                   -------------
>  The idea is to incorporate the lead in your panel as you would a normal came
>(I guess you would want to use it without too many curves) and then slide a
>rigid steel bar of the correct dimensions into the hollow for extra strenght.
>
>As I said I have never used it but I think it would work a treat.
>
>What I have been able to get my hands on has been some came that has a thin
>piece of steel emmbeded into the heart of the lead and thus gives it strenght
>that way.  I expect that it may cause a problem when I have to cut it as I do
>not have anything other than a standard lead knife to cut with.
>
>I've not had any replies to my own question about reinforcing the panel that I
>mentioned in that mail, so any pointers from anyone would be most welcome.
>
>Bye
>
>Peggy W. Johnsen:
>>Hi Mizzi:  Can you tell us more about the hollow came.  Not sure what you
>>are saying.  Thanks.  Peggy
>>
>>
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From owner-glass Fri Mar 20 17:27:15 1998
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Subject: Re: simple project
Date: Fri, 20 Mar 98 17:13:13 -0500
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You asked about suggestions for a small project for children:

I have made "fish" out of just two pieces of glass - if you've ever seen 
the Christian fish symbol you will know what I mean. He could paint an 
eye on the larger piece, solder a hook to it and it's ready to go!

Suzanne Albright
suzy@comcat.com


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From owner-glass Fri Mar 20 17:43:57 1998
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From: glass@eagle.ca (Sarah)
To: glass@bungi.com
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Subject: Re: simple project
Date: Fri, 20 Mar 1998 19:23:12 -0500
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If he's doing the soldering, maybe they could do some little boxes, or just
the tops of the boxes... I have found that mosaics are also great for kids.
They can build their own pictures from scraps (or cut and grind them) and
then glue them to a piece of clear glass and grout in between. The mosaic
also won't contain any lead...
Sarah

>A friend of mine (who also does stained glass) is going to show a small
>group of 5th and 6th graders the "basics" of stained glass (the group
>will be about 8 children) and only has about 2.5 hours with them.  He's
>trying to think of something very simple/very few pieces and with foil.
> The only thing I could come up with was maybe balloons (say 3 balloons)
>so each child could actually cut the glass, grind, and foil.  He said
>he's going to do the soldering.  Does anyone have any other "simple"
>ideas that he could use???  Thanks!!!
>
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From owner-glass Fri Mar 20 17:54:20 1998
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From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: glass fishing floats
Date: Fri, 20 Mar 1998 19:27:17 -0500
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Hi,

The glass that's used in these floats is incredibly thick, so you can
actually grind a groove into them, apply some foil or wire, and then
solder. This is better than just putting foil around the outside perimeter
at the widest point since then it could pop out. Good luck
Sarah

>Dear Fellow Stained Glassaholics,
>My son is career Navy and has been stationed in Japan for the last six
>years. He does a lot beach combing and has collected a MANY glass
>fishing floats. They range in size from 3" to 38" in dia, mostly pale
>green but a few browns, blues and purples.
>
>Can anyone come up with a way to use them in a stained glass project?.
>Could foil tape be used around the center and then soldered into a hole
>in the glass. That doesn't sound very clear, but maybe you can
>understand what I mean.
>TIA
>Nelda
>
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From owner-glass Fri Mar 20 18:27:05 1998
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From: fibers@wcnet.net (fibers)
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Subject: glass floats
Date: Fri, 20 Mar 1998 19:11:50 -0600
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Howard,
Can you give more instructions for drilling holes in the floats? I'm
kinda new at this glass business>
TIA
Nelda

FYI: the fishing floats are glass balls, usually encased in a net and
attatched to tail of fishing nets.

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From owner-glass Fri Mar 20 20:28:00 1998
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X-Path: juno.com!vlclover
From: vlclover@juno.com (Laurean E Clover)
To: glass@bungi.com
Subject: irridized glue chip
Date: Fri, 20 Mar 1998 22:04:03 EST
Message-ID: <1998Mar21.343.0>
Precedence: bulk

I have a customer who wants a window done in
bevels and clear glue chip.  They are thinking of 
the very outside border being irridized glue chip.
have any of you worked with this?  I have tried
to talk them into some color, but they don't want it.
In this case of regular vs. irridized, I reccomended
regular. Any advice? Thanks

Laurean
Eph. 4:32

_____________________________________________________________________
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From owner-glass Fri Mar 20 21:03:34 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: simple project
Date: Fri, 20 Mar 1998 19:34:26 -0800
Message-ID: <199803210334.TAA03800@norm.island.net>
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>A friend of mine (who also does stained glass) is going to show a small 
>group of 5th and 6th graders the "basics" of stained glass (the group 
>will be about 8 children) and only has about 2.5 hours with them.  He's 
>trying to think of something very simple/very few pieces and with foil. 
> The only thing I could come up with was maybe balloons (say 3 balloons) 
>so each child could actually cut the glass, grind, and foil.  He said 
>he's going to do the soldering.  Does anyone have any other "simple" 
>ideas that he could use???  Thanks!!!

I've developed a kid proof technique for introducing them to glass.  Take a
box of glass scraps of various colours, have each kid bring a picture frame
and piece of glass, then let them fly at it with epoxy glue.  I've done this
with "kids" of all ages and they have so much fun they always want to do
more.  I've also adapted this technique to do 1 hr Christmas ornaments using
4" round bevels as the backdrop.  Using this technique the kids don't learn
to cut, but they do learn to foil by putting a foil border on their glass or
bevel, they enjoy the colours and textures of glass, and most importantly
USE their imaginations.  This is a pretty positive way to make sure kids'
first introduction to glass is positive and fun...the positive reinforcement
of completing a piece first time out seems to whet their enthusiasm for
more.  There's also NO lead exposure and it uses up some of your glass scraps.

I also do this only with kids 11 and over, since younger kids tend to get
the epoxy glue everywhere.  Make sure you have some moist towelettes handy
for everyone anyway.  And I've found LePages 2 part epoxy glue dries clearest.

Make sure the kids have fun no matter what you choose to do.

Carol Swann
Synergy Glass & Creative

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From owner-glass Fri Mar 20 21:29:27 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "fibers" <fibers@wcnet.net>, "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: hole drilling
Date: Fri, 20 Mar 1998 20:21:37 -0800
Message-ID: <1998Mar20.122137.0>
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A .25" diamond stud drill to go on the top of the shaft on your grinder.
(standard equipment for glass work) and compatible with all shaft glass
grinders

You need to have a  wet sponge or someone squirt water on the drill as you
gently apply the float to the stud. AGAIN.....use safety equipment (your
safety) goggles and heavy gloves just in case the float implodes....has not
happened to me, yet.

It will make a hole and probably "hiss" as you break the vacuum.]

Enlarge the hole to about 3/8"...standard lamp pipe and fully compatible for
wiring and accessories.

A string and a small weight will allow gravity to find the opposite place to
drill the exit hole. Enlarge this one as well. If you have to couple the
pipe to make it long enough to go through the float, make at least one of
the holes large enough to accommodate the coupler. Most to all of the
electrical can be found in a well stocked lamp/repair or hardware store.

enjoy, H

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From owner-glass Fri Mar 20 22:02:26 1998
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From: Karina <karinal@lisnet.net>
To: fibers <fibers@wcnet.net>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass fishing floats
Date: Fri, 20 Mar 1998 23:33:43 -0500
Message-ID: <1998Mar20.183343.0>
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fibers wrote:

> Dear Fellow Stained Glassaholics,
> My son is career Navy and has been stationed in Japan for the last six
> years. He does a lot beach combing and has collected a MANY glass
> fishing floats. They range in size from 3" to 38" in dia, mostly pale
> green but a few browns, blues and purples.
>
> Can anyone come up with a way to use them in a stained glass project?.
> Could foil tape be used around the center and then soldered into a hole
> in the glass. That doesn't sound very clear, but maybe you can
> understand what I mean.
> TIA
> Nelda
>

I've always told my students..."if you can think of a way to foil and
solder an object....whether it be a an agate, seashell, stone, etc....go
for it....the only limit to this medium is your own imagination". So go for
it Nelda....you may have to grind the outside edges down. I've seen a lamp
shade made up of nothing but translucent stones picked up off a beach in
Maine....looked wonderful....but heavy as anything!!!!

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From owner-glass Fri Mar 20 22:34:03 1998
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Subject: Re: glass floats
Date: Fri, 20 Mar 1998 23:41:26 EST
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In a message dated 98-03-20 21:27:39 EST, fibers@wcnet.net writes:

<<  the fishing floats are glass balls, usually encased in a net and
 attatched to tail of fishing nets. >>

Thanks for the info....  I realized after reading Howard's post I was WAY off
thinking it was a bobber (laughing at self).

Lu Ann
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From owner-glass Fri Mar 20 22:49:40 1998
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From: P D RUSS <PDRUSS@aol.com>
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Subject: Re: simple project
Date: Sat, 21 Mar 1998 00:13:29 EST
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In a message dated 98-03-20 14:55:54 EST, you write:

<< Does anyone have any other "simple" 
 ideas that he could use???  Thanks!!! >>


My husband's first lesson was an apple (2 pieces) and 1leaf.

Dianne
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Subject: Re: irridized glue chip
Date: Fri, 20 Mar 1998 23:57:56 -0500
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--------------2658E531AFDEE897E155604A
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit



Laurean E Clover wrote:

> I have a customer who wants a window done in
> bevels and clear glue chip.  They are thinking of
> the very outside border being irridized glue chip.
> have any of you worked with this?  I have tried
> to talk them into some color, but they don't want it.
> In this case of regular vs. irridized, I reccomended
> regular. Any advice? Thanks
>
> Laurean
> Eph. 4:32
>
>

 Lauren......the customer is always right.....I find you can
suggest....but the bottom line is that it is their choice. I once had a
customer who chose 7 different colors in a panel no more than
2'x4'...yellow/purple/red/white/turquoise/pink....can't remember the
other. It hurt my eyes working on it, but they loved it! Btw, working
with irridized glue chip is no different than working with all the other
glue chips.

Karina

--------------2658E531AFDEE897E155604A
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<HTML>
&nbsp;

<P>Laurean E Clover wrote:
<BLOCKQUOTE TYPE=CITE>I have a customer who wants a window done in
<BR>bevels and clear glue chip.&nbsp; They are thinking of
<BR>the very outside border being irridized glue chip.
<BR>have any of you worked with this?&nbsp; I have tried
<BR>to talk them into some color, but they don't want it.
<BR>In this case of regular vs. irridized, I reccomended
<BR>regular. Any advice? Thanks

<P>Laurean
<BR>Eph. 4:32
<BR>&nbsp;
<BR><A HREF="http://www.bungi.com/glass"></A>&nbsp;</BLOCKQUOTE>
&nbsp;Lauren......the customer is always right.....I find you can suggest....but
the bottom line is that it is their choice. I once had a customer who chose
7 different colors in a panel no more than 2'x4'...yellow/purple/red/white/turquoise/pink....can't
remember the other. It hurt my eyes working on it, but they loved it! Btw,
working with irridized glue chip is no different than working with all
the other glue chips.

<P>Karina</HTML>

--------------2658E531AFDEE897E155604A--

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From owner-glass Fri Mar 20 23:03:48 1998
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From: "suzy@comcat.com" <bits@ComCAT.COM>
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Content-Type: text/plain; charset="US-ASCII"
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 98 00:08:30 -0500
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Precedence: bulk

Laurean writes:
>I have a customer who wants a window done in
>bevels and clear glue chip.  They are thinking of 
>the very outside border being irridized glue chip.
>have any of you worked with this?  I have tried
>to talk them into some color, but they don't want it.
>In this case of regular vs. irridized, I reccomended
>regular. Any advice? Thanks

Hi Laurean,
My advice: Give them what they want! (s)
I have worked with the iridized glue chip, and IMHO it looks better with 
the iridized side on the back. That tones it down a bit but you can still 
see the iridization (word?). Somewhat of a compromise.


Suzanne Albright
suzy@comcat.com


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From owner-glass Fri Mar 20 23:33:15 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, vlclover@juno.com
Subject: irridized glue chip
Date: Sat, 21 Mar 1998 00:54:57, -0500
Message-ID: <199803210554.AAA18642@mime3.prodigy.com>
Precedence: bulk

>I have a customer who wants a window done in
>bevels and clear glue chip. They are thinking of
>the very outside border being irridized glue chip.
>have any of you worked with this?  I have tried
>to talk them into some color, but they don't want it.
>In this case of regular vs. irridized, I recommend
>regular. Any advice? Thanks
>Laurean
<snip>

Ah, let them have the irridized glue chip. At least it is some color 
as both you and I would like. I know that Hollanders in Los Angeles 
has it. It cuts and handles just like plain glue chip. Bob

Ps: Of course, you could state that you would not be able to sign the 
window if the irrd is used. That should get them on your side in a 
hurry.:)

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
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From owner-glass Sat Mar 21 00:03:34 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Albert's resume
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Fri, 20 Mar 1998 20:17:49 +0000
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Oh, okay ... an announcement about my new job at the College of Fine 
Art and Glass in Switzerland was just posted to What's New at 
http://www.stainedglassbiz.com/ 

... so if you really want to see my unlovely mug and click through it 
to my resume, you can do that.  Or you can do something more useful 
... like draw another pattern. <g>

Albert

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From owner-glass Sat Mar 21 03:45:14 1998
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From: Yegnim <Yegnim@aol.com>
To: seaspray@mail.island.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: simple project
Date: Sat, 21 Mar 1998 05:55:25 EST
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Hi Bungies,

In reference to a simple project for kids, seaspray wrote:

"Let each kid bring a picture frame and fly with it" (working with scraps,
making a mosaic).                                               

How about pulling out a poloroid camera and taking a picture of each child
then positioning it in the center of the mosaic they will be making? Better
yet, you could mark off a portion of the frame for the photo, then insert
(glue, whatever) the photo after the "dirty work is done".  Both parents and
kids should love this idea. 

Lenore
P.S.-Please get back to us and let us know what he decided to do and how it
turned out.  I am interested in teaching children also.



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From owner-glass Sat Mar 21 07:12:47 1998
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A few weeks back I did a class for a boy scout group of about 9 boys,
ranging in age from 9 to 12.   I explained about the glass types, etc.
 then I proceeded to let them practice cutting on scrap glass, and
grind their piece that they cut.  To save time (I had about 2.5 hours
with them also),  I had precut the project, which  consisted of a
apple, stem and leaf...preground them also...then I put them in a
baggie with the amount of foil needed..and a suction cup.  They did
the foiling themselves.  I did the flux and they soldered the stem and
leaf on then I finished the solding myself.  They all enjoyed the
project...or so they said.  It was  interesting being that it was the
first time I had done  this.  The apple was a very easy project and
something mom could hang in her kitchen window to show off.  

Still lurking in Ohio
Sheila






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From owner-glass Sat Mar 21 07:37:19 1998
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Glenna I wish that I had known that you were going to be there I too took a
class from Tommy G. and it was a blast He was great I also enjoyed Peter
McGrains class on Designing. I rememeber Peters first entry into the show in
Cinti Oh the one that brought him to the forefront, a piece that depicted two
guys shrimping off of a bridge in Fla. it looked like a photgraph. I learned a
lot at the show and hope to return again next year. Especially since with much
research a group of us found the ultimate BUFFET in Vegas at the MGM.Beveler4
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From owner-glass Sat Mar 21 08:12:49 1998
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From: "Northernlights (a/k/a Tracy)" <Northernlights@pobox.com>
To: glass <glass@bungi.com>
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Subject: Re: simple project
Date: Sat, 21 Mar 1998 08:14:35 -0600
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I will definitely let you know how it turns out....I'm thinking I might
ask him to take a picture of the group and then scan it in for everyone
to see!!  I really appreciate all the ideas everyone has thrown out. 
When my friend gets back from ice racing (he races cars on frozen lakes
on the weekend -- yes, I'm in The Great White North of Minnesota and
yes, the lakes are still frozen over here, at least up north by the
Canadian border -- in fact I think he's in International Falls right
now) I'll let him know what everyone came up with.  Two and a half hours
isn't really long enough to show them much, but on the other hand kids'
attention spans may wane a bit, especially if they can't all be doing
something, so I might suggest that a few of them do a mosaic idea (like
the picture frames) and then some of them learn/practice scoring (I like
the idea of the sail boat with straight edge and also the apple idea). 
I'm going to offer to pre-cut some scraps for him to take with him so
the kids can start foiling some of those pieces.  Keep sending in ideas
though as I probably won't talk to him until Monday night or Tuesday.

Thanks again, and you never know...we might just get another artist
going out there!!!

Yegnim wrote:
> 
> Hi Bungies,
> 
> In reference to a simple project for kids, seaspray wrote:
> 
> "Let each kid bring a picture frame and fly with it" (working with scraps,
> making a mosaic).
> 
> How about pulling out a poloroid camera and taking a picture of each child
> then positioning it in the center of the mosaic they will be making? Better
> yet, you could mark off a portion of the frame for the photo, then insert
> (glue, whatever) the photo after the "dirty work is done".  Both parents and
> kids should love this idea.
> 
> Lenore
> P.S.-Please get back to us and let us know what he decided to do and how it
> turned out.  I am interested in teaching children also.
>
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From owner-glass Sat Mar 21 08:37:54 1998
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The customer is always right, however get some money up front to at
least cover your costs.

Patrick
Roses and Rainbows

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From owner-glass Sat Mar 21 08:38:43 1998
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Subject: Bio# 3 Valerie Tydings Phelps
Date: Sat, 14 Mar 1998 09:22:51 -0600
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A little more about my background. I'm one of those addictive
personalities, i.e. "Hi my name is Valerie and I'm a glassaholic", OR
"Hi my name is Valerie and I'm a computerholic." These two things are
completely interchangable with me. I am completely and totally in love
with both. I developed the curriculum for, and teach Computer Resource
classes 3 days a week at a local private school to grades K-8. I teach
everything from graphics manipulation to presentation, word-processing
to spreadsheets, HTML and writing for the Web to desktop publishing for
the yearbook and school paper. I'm also crazy about children but can't
have any more. I'm thankful to have been blessed with a 16 year old son,

(most of the time!<BG>)  I have a wonderful husband who is a building
contractor, and he even built my studios for me when I went
professional! He bought my first grinder for me too, what a PEACH, eh?
We bought a 120 year old post-Civil War house (USA Civil War that is,)
to renovate and restore. (It still contains the original hand-cast glass

in 70-75 percent of the [32] 6-over-6 wood windows too! YUMMY!)

I started learning how to cut and work with glass when I was 12 and it
came so naturally that I took it for granted for a while. I eventually
began to realize that I could actually be artistic for the very first
time in my life. That only with wonderful glass, lead, solder, and my
own imagination, I could create something truly beautiful and carry that

translation over in such a way that almost anyone could see and
appreciate just what *I saw!! It was an incredible revelation for me. I
had always been able to see beauty and appreciate beauty which others
had the talent to create; but I had never been successful at trying to
create anything of beauty myself--until I got serious about stained
glass. It changed my life. It stretches me, encourages me, frees me,
limits me gently, grows me. Here's one of the loveliest things... I can
say those same things about bungi when it's at it's best. Wow. Thank you

all so much! Thanks for sharing, in my life, my enthusiasm, my
irritation(s), my befuddlement(s), and my glass work. I remain indebted
and indeed, grateful.

Always,
Valerie Tydings Phelps
Shoreline Glassworks, Ltd.  "Smooth seas never made a good sailor."


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From owner-glass Sat Mar 21 08:55:59 1998
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Subject: Bio#4 Shiela Dunn
Date: Sat, 14 Mar 1998 09:31:17 -0600
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SHIELA A. DUNN

Shiela Dunn''s Designs
E-mail        tuka@bc.sympatico.ca
Semi-professional
Major field of interest - Boxes and medium sized panels
SG Associations member - none yet
Other interests - Designing for SG and Counted Cross Stitch, Reading
"Day Job" - Certified General Accountant (Canadian equivalent of CPA)


I was born (seems like a good place to start) May 23, 1952 which puts me

on the cusp between Taurus and Gemini for those interested in "What's
your sign?"

I went to school and did all the regular growing up things.

In 1979 I decided it was time to stop just having fun with my life and
do something serious.  That was when I enrolled in the correspondence
courses for my CGA designation.  I was already working as an accountant
so thought I should make it "official" that that was what I wanted to do
with my life.  I passed all the exams, and received my CGA on May
21,1985.  I now run my own medium sized practice from a home office.

I met my one and only husband (Doug) on August 15, 1981.  We started
living together on December 15, 1986 and were married on December 15,
1991.  We couldn't have children, and by the time we found out for sure,
we were too old to adopt.  So..... we have four furry Child Substitutes
- two cats, Peaches and Buds and two dogs Tuka and OBD.  All of these
CSs are spoiled rotten and are very much our family.

We live on twenty acres of land in a little house that's perpetually
under construction.  Our property is located near the top of a mountain
(picture rounded mountains, not Rocky Mountain types) between Kamloops
and Chase in the south central part of British
Columbia, Canada.

Over the years I have done most kinds of crafts, though Counted Cross
Stitch held my interest for many years.

During the summer of 1995 I developed a repetitive strain injury called
DeQuervain's syndrome and it became difficult for me to do almost
anything involving fine motions with my right hand, so kiss the cross
stitching good-bye.  I had to switch many daily
activities from my right to my left hand.  I think this triggered the
other side of my brain, because I began having creative ideas like I'd
never had before in my life.  This is when I started designing patterns
for cross stitch.

A co-worker of my husband's (her name is Nancy) wanted to take an
evening beginner class in Stained Glass.  The owner of the local shop
was quite willing to do an
evening class as long as there were at least four students.  Nancy could
only round up two
besides herself, so I said I would take the class (thinking that I
wouldn't be able to manage well with my sore hand) so that she could do
it.  To make a long story short, I became obsessed and she hasn't
touched it since.

Doing SG work does hurt my hand, but LIFE hurts my hand so I just carry
on the best I can, resting it when I have to.  Mostly, I find ways to
make things easier. I almost always use running or grozing pliers for
example,  not hand breaking.  I pick up coffee pots and other heavy
things with my left hand, and can even write left handed on particularly
bad
days.

My professional commissions have included a series of seven windows for
a house in Kamloops that used primarily Clear Waterglass and Burgundy
Baroque and a series of five windows for a church near Kamloops.  The
largest of these windows was a little over 4 feet by 8 feet.  I learned
a great deal about working with large panels during this commission and
would hesitate before accepting another one as big.  (Well, I'd charge
more anyway.) I sell most of my SG production through gift shops, a
craft mall and the occasional craft sale.  I love making boxes and
medium sized panels ( 4 to 8 square feet) and truly dislike doing
stepping stones.

Someday I may figure out what I want to be when I grow up, but somehow I

doubt it.



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From owner-glass Sat Mar 21 08:57:01 1998
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From: "Dianne G. Maddison" <artglass@flash.net>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Irridized gluechip
Date: Sat, 21 Mar 1998 08:57:43 -0800
Message-ID: <1998Mar21.05743.0>
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Laurean and All
I used irridized gluechip and granite in my front door along with bevels
and I was more than pleased with the results.  It shows up very well
from the street, especially when there is shade.  I do believe that it
shows up better than color would have.  Hope this helps.
Dianne Maddison

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From: vlclover@juno.com (Laurean E Clover)
To: glass@bungi.com
Subject: irridized glue chip
Date: Sat, 21 Mar 1998 08:27:16 EST
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_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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From owner-glass Sat Mar 21 09:20:11 1998
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From: Elsie Turqman <ElsieTurqman@worldnet.att.net>
To: Northernlights <borealis@goldengate.net>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: simple project
Date: Sat, 21 Mar 1998 15:05:10 +0000
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When I used to do demonstrations at craft shows, way back in the 1970's, I
used to let the children make a musical note.  You cut the upper part from
scrap glass, used pretinned or copper wire for the staff and a nugget(glass
glob) for the bottom.  In those days I used "U" shaped lead came.

                                                     _____
                                                   /         /  <-- scrap
glass flag
                                solder -->    /_____/
                                                /
                                               /
                                              / <--staff
                                             /
                                             <--   solder  
        glass nugget --->


You can also use a piece of narrow "H" came and wrap the glass flag, use the
came as the staff and then wrap the nugget in the other direction.  This
uses only two solder joints, so I could guide the childrens hands to do the
soldering.

Sorry I can't give you a better picture.

Good luck with your project.

At 11:36 AM 3/20/98 -0600, you wrote:
>A friend of mine (who also does stained glass) is going to show a small 
>group of 5th and 6th graders the "basics" of stained glass (the group 
>will be about 8 children) and only has about 2.5 hours with them.  He's 
>trying to think of something very simple/very few pieces and with foil. 
> The only thing I could come up with was maybe balloons (say 3 balloons) 
>so each child could actually cut the glass, grind, and foil.  He said 
>he's going to do the soldering.  Does anyone have any other "simple" 
>ideas that he could use???  Thanks!!!
>
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From owner-glass Sat Mar 21 09:38:14 1998
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From: mike peck <summit-stained-glass@worldnet.att.net>
To: bungi <glass@bungi.com>
Content-Type: message/rfc822
Subject: [Fwd: Re: glass floats]
Date: Sat, 21 Mar 1998 07:16:21 -0600
Message-ID: <1998Mar21.11621.0>
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Message-ID: <3513BD83.14E0@worldnet.att.net>
Date: Sat, 21 Mar 1998 07:15:47 -0600
From: mike peck <summit-stained-glass@worldnet.att.net>
Reply-To: summit-stained-glass@worldnet.att.net
Organization: Summit Stained Glass  (see us at:  http://www.summitstudio.com)
X-Mailer: Mozilla 3.0C-WorldNet  (Win95; I)
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Subject: Re: glass floats
References: <1998Mar20.131150.0>
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Howard's idea of drilling holes in the glass floats sounds great.  Just
thought I'd add that the holes can be sandblasted through as well.  Much
less stress on the glass that way which means less chance of breaking
the float.  

Mike Peck


fibers wrote:
> 
> Howard,
> Can you give more instructions for drilling holes in the floats? I'm
> kinda new at this glass business>
> TIA
> Nelda
> 
> FYI: the fishing floats are glass balls, usually encased in a net and
> attatched to tail of fishing nets.
> 
> ----
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From owner-glass Sat Mar 21 09:39:09 1998
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From: mike peck <summit-stained-glass@worldnet.att.net>
To: Albert Lewis <alewis@vgernet.net>
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Subject: Re: Albert's resume
Date: Sat, 21 Mar 1998 07:20:02 -0600
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Albert Lewis wrote:
> 
> 
> 
> ... so if you really want to see my unlovely mug and click through it
> to my resume, you can do that.  Or you can do something more useful
> ... like draw another pattern. <g>
> 
> Albert
> 

Now there is something that would take some inspiration!

Mike Peck
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From owner-glass Sat Mar 21 09:53:18 1998
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From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 10:32:13 -0600
Message-ID: <199803211633.KAA09916@westbyserver.westby.mwt.net>
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  I have tried
>to talk them into some color, but they don't want it.
>In this case of regular vs. irridized, I reccomended
>regular. Any advice? Thanks


Are they environmentally aware? If so tell them you think irridized glass
looks like an oil slick.

It might turn off their interest in that particular abomination.

Len

*********  Fight spam!  Join CAUCE   http://www.cauce.org/  *********



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From owner-glass Sat Mar 21 11:12:26 1998
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From: "Dianne G. Maddison" <artglass@flash.net>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: fishing floats
Date: Sat, 21 Mar 1998 09:04:51 -0800
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Hi All,
Just a thought about the fishing floats.  Maybe a box could be made with
them.  Take one and use a band saw to cut the float in half.  Glue
hinges to it and use marbles for feet.  I know it sounds dumb, but it
was just a thought.
Dianne Maddison

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From owner-glass Sat Mar 21 11:41:14 1998
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From: "M. Savad" <morn@nac.net>
To: Laurean E Clover <vlclover@juno.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 13:49:45 -0500
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Precedence: bulk

Laurean E Clover wrote:
> 
> I have a customer who wants a window done in
> bevels and clear glue chip.  They are thinking of
> the very outside border being irridized glue chip.
> have any of you worked with this?  I have tried
> to talk them into some color, but they don't want it.
> In this case of regular vs. irridized, I reccomended
> regular. Any advice? Thanks
> 
> Laurean
> Eph. 4:32
> 
> _____________________________________________________________________


it cut's like normal glass, you or they have to decide wether the irrid.
goes on the inside or the outside. Spectrum makes some ( i think). if
anything it should be easy enough to find. and it add an extra sparkle
to the project.

---Mike Savad

-- 
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2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
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From owner-glass Sat Mar 21 11:59:00 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: Laurean E Clover <vlclover@juno.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: irridized glue chip
Date: Sat, 21 Mar 1998 13:53:53 -0500
Message-ID: <1998Mar21.85353.0>
Precedence: bulk

Hi Laureen-
Use that iridized glass with
discretion - a little goes a loooong
way and there's nothing that will
make your work look amateur
faster than its overuse.  From
a design stand-point, the iridized
will visually sit on a different plane
than the regular glass... the more
you use, the worse the dilemna.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Mar 21 13:11:29 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 15:27:59 -0500
Message-ID: <1998Mar21.102759.0>
References: <<1998Mar21.85353.0>>
Precedence: bulk

Michael J. Greer wrote:
> 
> Hi Laureen-
> Use that iridized glass with
> discretion - a little goes a loooong
> way and there's nothing that will
> make your work look amateur
> faster than its overuse.  From
> a design stand-point, the iridized
> will visually sit on a different plane
> than the regular glass... the more
> you use, the worse the dilemna.
> 
> Best regards,
> 
> Dani Greer
> Greer Gallery & Studios
> ----
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however there is an exception to that rule. each company makes there
irridescent differently (with the exception of wissmach and armstrong
which are very simaler). so you can use a spectrum irr. and a kokomo
irr, and a bullseye matt irr. and from an angle it will look different. 

i've used this format before. it will look different. 

---Mike Savad

-- 
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and My Updated Shop Photo's
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From owner-glass Sat Mar 21 13:42:21 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: "len alcamo" <alcamoz@mwt.net>, <glass@bungi.com>
Subject: Re: irridized glue chip Oops
Date: Sat, 21 Mar 1998 13:12:23 -0600
Message-ID: <199803211909.NAA22151@westbyserver.westby.mwt.net>
Precedence: bulk


Oops..... I forgot the   ;-)

>
>  I have tried
>>to talk them into some color, but they don't want it.
>>In this case of regular vs. irridized, I reccomended
>>regular. Any advice? Thanks
>
>
>Are they environmentally aware? If so tell them you think irridized glass
>looks like an oil slick.
>
>It might turn off their interest in that particular abomination.
>
>Len
>
>*********  Fight spam!  Join CAUCE   http://www.cauce.org/  *********
>
>
>
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>


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From owner-glass Sat Mar 21 13:56:42 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: irridized oil slicks
Date: Sat, 21 Mar 1998 11:36:51 -0800
Message-ID: <1998Mar21.33651.0>
Precedence: bulk

The fact that oil slick looks like irridized glass is the only redeeming 
factor that it has. I'm not sure why some have resistance to irridized 
glass. Used in moderation, it can be a lively highlight. Used in excess it 
can be gaudy and objectionable. I use it, as suspect MANY others do for 
humming birds and  especially when I do a stained glass window of the Exxon 
Valdiz! Glenn Spicer,
The Studio Metamorphoses, BC, Canada


-----Original Message-----
From:	len alcamo [SMTP:alcamoz@mwt.net]
Sent:	Saturday, March 21, 1998 8:32 AM
To:	glass@bungi.com
Subject:	Re: irridized glue chip

Are they environmentally aware? If so tell them you think irridized glass 
looks like an oil slick.
It might turn off their interest in that particular abomination.
Len

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From owner-glass Sat Mar 21 14:44:03 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=iso-8859-1
Subject: Bio #5 Albert Lewis
Date: Sat, 14 Mar 1998 15:41:13 -0600
Message-ID: <1998Mar14.94113.0>
References: <<m0yGHxy-0000bBC@daver.bungi.com>>
Precedence: bulk

Albert,

I should have taken your advice and drew another pattern<BG>. However, by
popular demand (well at least 1 person Mike Greer), I am posting your
bio. BTW keep an eye on Mike he might want something. (8-)

Ohhhh,  Albert an "HTML Stripper" what would your mother think?

 *******************************************************************
Experience
                  1993 - 1997
                  Touchstone Applied Science Associates (TASA), Inc.
                  Brewster, New York

                  Director, Corporate Communications

                  Sales & Marketing Maintained databases of advertising
                  opportunities, handled all aspects of mailing
requirements for
                  direct mail campaigns, monitored web site activities
and
                  executed changes to improve response. Customer Support
                  & Service As webmaster, fielded incoming inquiries and
                  routed them to appropriate staff; designed =93splash=94
screens
                  for each new corporate product and incorporated that
art into
                  the web sites. Product Development & Enhancement
                  Produced all graphic output for the company =85 books,
                  newsletters, catalogs, flyers, exhibit booths, CD and
                  diskette packaging/artwork, manuals and web sites.
                  Operations/Organization Wrote and distributed requests
                  for proposals on print production; managed workflow of
print
                  projects; authorized payment at projects=92 completion.
                  Corporate Liaison with corporate brokers handling
                  company=92s stock, notifying them of incoming requests
for
                  financials from stockholders from web sites;
co=F6rdinated
                  production and distribution of corporate documents with

                  stockholders and SEC counsel.

                  1982 - present
                  International Guild of Glass Artists, Inc.
                  Professional Stained Glass Guild, Inc.
                  Brewster, New York

                  Executive Director

                  Supervised seven immediate staff members, 53
contributing
                  editors and writers, and maintained continuous liaison
with
                  Board of Advisors.

                  Edited, designed, and supervised print production of
the
                  organization's full-color monthly magazine.
Conceptualized
                  and supervised production of direct marketing
subscription
                  and advertising promotion campaigns, co=F6rdinated
                  advertising and editorial interaction and oversaw all
other
                  details of the magazine's monthly schedule, including
printer
                  and mailing house relations.

                  Responsible for software and database management for
                  in-house fulfillment department of members and
                  non-members in the United States and 66 foreign
countries;
                  supervised production of a wide variety of
publications,
                  videos, book sales operations, international trade
fairs and
                  symposia, including the highly successful World Glass
                  Congress.

                  Increased annual advertising sales to $540,000 from
previous
                  $40,000 levels.

                  Designed database publishing program to generate annual

                  directory for industry served by association.

                  Wrote complex database programs to automatically
                  calculate distribution of each issue of the magazine,
                  including all required postal reports, zip code
breakouts,
                  bookstore distribution and returns, as well as the
required
                  year-end publisher's statement.

                  Identified a wide variety of other publications, books,
trade
                  fairs and symposia, and editorial tie-ins; conceived,
                  organized and supervised their creation, then
supervised
                  fulfillment as additional profit centers for the
organization.

                  1993 - present
                  Art in Architecture Press, Inc.
                  Wilmington, Delaware

                  Designer/Managing Editor

                  Conceptualized, edited and designed a bimonthly
controlled
                  circulation publication.

                  Conceived overall editorial scheme of the publication,
which
                  was produced in its entirety via electronic
communication.

                  Designed and wrote direct mail promotions, production
and
                  mailing, and constructed database reporting mechanisms
to
                  track results. Achieved a 12% response on
pay-in-advance
                  promotions.

                  Created numerous databases, command files to utilize
                  them, cross-connected the data for multiple uses,
including
                  automatic invoicing and inventory management,
                  bookkeeping, tax data production, and circulation/sales

                  analysis.

                  Edited and designed books; designed direct mail
promotions
                  and print advertising.

                  1979 - 1982
                  New York Center for Graphic Arts, Inc.
                  New York, New York

                  Executive Director

                  Designed and implemented educational programs in
                  magazine and book design and production. Interviewed
and
                  hired teaching staff, supervised workshop and seminar
                  programs.

  Education    M.A., Art
                     B.A., Design

  Web Sites
  Designed and / or
  Maintained                   http://www.tasa.com
                                      http://www.browzerbooklink.com
                                      http://www.bungi.com/glass/igga
                                      http://www.jlsloan.com
                                      http://www.aiap.com

  Additional                    Touchstone Applied  Science Associates
     Background              International Guild of Glass Artists
                                      McKernan Satterlee Associates
                                     Art in Architecture Press


                              1972
                              San Jose State University
                              San Jose, California

                              1969
                              University of California, Berkeley
                              Berkeley, California

      Awards            1969
                              President's Undergraduate Fellow,
                              University of California, Berkeley.

                              1991
                              Gold Ink Award for magazine design,
                              Publishing & Production Executive.


 German and English speaker; skilled editor and designer; database
programmer and designer; deep computer communications
 experience; member of technical support staff, Glass Section, Crafts
Forum, Compuserve; layout, design and production
 specialist, particularly database publishing; wide four-color and press
production  knowledge; workshop and conference
 organizer; experienced photographer in both 35mm and 6x7cm formats.

 PC platform: AOL, CIS, Corel Draw, Corel Ventura Publisher, Corel XARA,
FoxPro,  HTML Stripper, HTML Transit, IomegaZip, MS-Word 5 DOS, Paint
Shop Pro, QHTML, QuarkXPress, SnagIt32, TableGen, VP2TXT, WebEditPRO,
Word 6 Win, and others. Member, Microsoft SiteBuilder Network; World Wide
Developer Network.

And for the brave of heart here is his photo:

[Image]

Albert Lewis wrote:

> Oh, okay ... an announcement about my new job at the College of Fine
> Art and Glass in Switzerland was just posted to What's New at
> http://www.stainedglassbiz.com/
>
> ... so if you really want to see my unlovely mug and click through it
> to my resume, you can do that.  Or you can do something more useful
> ... like draw another pattern. <g>
>



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X-Path: juno.com!vlclover
From: vlclover@juno.com (Laurean E Clover)
To: glass@bungi.com
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 17:15:00 EST
Message-ID: <1998Mar21.22150.0>
References: <<199803210554.AAA18642@mime3.prodigy.com>>
Precedence: bulk

Many thanks to all of you who gave advice on the irridized glue chip!
Sure do appreciate it!
Laurean
Eph. 4:32


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From owner-glass Sat Mar 21 15:48:00 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 14:13:30 -0800
Message-ID: <199803212213.OAA19825@norm.island.net>
Precedence: bulk

>I have a customer who wants a window done in
>bevels and clear glue chip.  They are thinking of 
>the very outside border being irridized glue chip.
>have any of you worked with this?  I have tried
>to talk them into some color, but they don't want it.
>In this case of regular vs. irridized, I reccomended
>regular. Any advice? Thanks

Laurean...what about suggesting they use another iridized clear glass...eg.
iridized granite, hammered, rippled, crocodile or whatever...that way you're
introducing a contrasting texture to the piece, while keeping to their
spirit of not wanting colour.  Maybe you can talk them out of the regular
glue chip and into a more interesting texture there too.  They may or may
not go for this as an alternate suggestion.  If they insist, try and keep
the border narrow...imho iridized glass should be an accent, not a focal
point and it's easy to overdo.

Carol Swann
Synergy Glass & Creative

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From: maruca@netaxs.com
To: len alcamo <alcamoz@mwt.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 18:46:29 -0500 (EST)
Message-ID: <1998Mar21.134629.0>
References: <<199803211633.KAA09916@westbyserver.westby.mwt.net>>
Precedence: bulk



On Sat, 21 Mar 1998, len alcamo wrote:

> 
>   I have tried
> >to talk them into some color, but they don't want it.
> >In this case of regular vs. irridized, I reccomended
> >regular. Any advice? Thanks
> 
> 
> Are they environmentally aware? If so tell them you think irridized glass
> looks like an oil slick.

doesn't it? that's what I like about it! 


m



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From owner-glass Sat Mar 21 17:19:54 1998
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X-Path: juno.com!vlclover
From: vlclover@juno.com (Laurean E Clover)
To: glass@bungi.com
Subject: Re: Bio #5 Albert Lewis
Date: Sat, 21 Mar 1998 19:10:30 EST
Message-ID: <1998Mar22.01030.0>
References: <<m0yGHxy-0000bBC@daver.bungi.com>>>
Precedence: bulk

Gee........ Hmmmm......I am at a loss for words.....

Laurean
Eph. 4:32



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From owner-glass Sat Mar 21 17:33:18 1998
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X-Path: juno.com!vlclover
From: vlclover@juno.com (Laurean E Clover)
To: glass@bungi.com
Subject: computer question
Date: Sat, 21 Mar 1998 19:17:51 EST
Message-ID: <1998Mar22.01751.0>
Precedence: bulk

I am sorry to ask this question, this is my last resort!
and seeing you all are so friendly and willing to help...

I have a 486 computer with windows 3.1, and dos 6.0 (?)
I want to put windows 95 in, and it tells me I can't upgrade
from 3.1, and need to buy uprade 95.  My friend gave me
this one to use, and I hate to fork out the money.   My
question is this, can I format my drive C, and reload dos, 
then put in the windows 95? Or do I need a newer version
of dos?  I guess you would have to email me privately on
this one.  Thanks!!
Laurean
Eph. 4:32

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From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 21:14:33 EST
Message-ID: <1998Mar22.21433.0>
Precedence: bulk

In a message dated 98-03-21 12:53:46 EST, you write:

<< 
   I have tried
 >to talk them into some color, but they don't want it.
 >In this case of regular vs. irridized, I reccomended
 >regular. Any advice? Thanks >>


Personally, I like the different kinds of clear textured glass in a project
better then colors. 

Dianne
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bio #5 Albert Lewis
Date: Sun, 22 Mar 1998 00:13:34 EST
Message-ID: <1998Mar22.51334.0>
Precedence: bulk

Hello, My name is Susan and I feel totally inadequate.
No honors, no degrees. 
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From owner-glass Sat Mar 21 23:56:19 1998
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From: NEOGLASSIC2@webtv.net (Andrew)
To: glass@bungi.com
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Subject: Re: Albert's resume
Date: Sat, 21 Mar 1998 23:11:52 -0800
Message-ID: <199803220711.XAA19228@mailtod-122.bryant.webtv.net>
Precedence: bulk

I for one, after reading Alberts impressive resume', was wondering if
Albert would be kind enough to let us all know a little about his glass
experience.
You know, like when did you learn, what store or studio did you learn
at, which style do you prefer...lead or foil.
And maybe any works that you have done that we all might be able to take
a look at.

Andrew
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From owner-glass Sun Mar 22 00:15:32 1998
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From: NEOGLASSIC2@webtv.net (Andrew)
To: glass@bungi.com
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Subject: Re: irridized glue chip
Date: Sat, 21 Mar 1998 23:16:45 -0800
Message-ID: <199803220716.XAA19960@mailtod-122.bryant.webtv.net>
Precedence: bulk

Mike Savad wrote:

Spectrum makes some (I think)

Actually, Spectrum does not make glue chip. Many distributors order
Spectrum's cathedrals and then send it out to be chipped.

Andrew
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From owner-glass Sun Mar 22 07:19:54 1998
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From: "Dianne G. Maddison" <artglass@flash.net>
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Subject: irridized Glue Chip
Date: Sun, 22 Mar 1998 06:52:37 -0800
Message-ID: <1998Mar21.225237.0>
Organization: The Ivory Express
Precedence: bulk

Hi All,
Just a note to say that I wholeheartedly agree with you folks that said
to use just a little irridized glue chip in the panel.  A little of it
does go a long way.  When I did my front door I used the irridized
spectrum glass just as an accent, and that is what makes it so
appealing.  I personally love irridized spectrum glass because it's not
too bold and it does add another dimension to the panels.  I have always
told my clients that either you love irridized or hate it.  There
doesn't seem to be any in between.
Dianne

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From owner-glass Sun Mar 22 09:55:28 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Bio #5 Albert Lewis
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 22 Mar 1998 11:49:30 +0000
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> Ohhhh,  Albert an "HTML Stripper" what would your mother think?

Oh, gee. I didn't think of that! <g> Well, I just won't tell her.

Albert
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From owner-glass Sun Mar 22 10:08:03 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Albert's resume
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Sun, 22 Mar 1998 11:49:31 +0000
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> I for one, after reading Alberts impressive resume', was wondering if
> Albert would be kind enough to let us all know a little about his glass
> experience.
> You know, like when did you learn, what store or studio did you learn
> at, which style do you prefer...lead or foil.

Thanks for asking, Andrew. I was trained as a glassblower after I 
went to UC Berkeley to study high-fire ceramics. They were blowing 
glass in one of the studios and I took the course out of curiosity.

I'd already moved on to raku because it resulted in finished work 
more quickly; glass was even faster, although it took me a year to 
overcome wanting to actually *touch the material I was working with, 
something I'd been accustomed to with clay, of course. Glass at 2000 
degrees doesn't allow that, though; you have to kind of do it by 
remote control at the end of the pipe or punty.

But I eventually set up my own studio in the industrial part of 
Oakland CA and was selling my work through museum shops. A couple of 
years later I started Glass Art magazine (not the same one that 
exists now) and had the furnaces at one end of a building I'd put up 
in the back yard, the magazine "office" (a desk) at the other end of 
the building, and a ton of chicken feed on a pallet in the middle (I 
had 200 laying hens ... very much the 60s, right?).

I've been publishing *about glass ever since, rather than producing 
work in glass myself. My artistic production these days is strictly 
oil paintings, unless you count all the glass books and publications 
about glass that I do. I count 'em, myself.

So my training's all at college and university, apart from a stint as 
a designer for the Sevres Crystal, south of Paris.

Albert
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From owner-glass Sun Mar 22 10:20:27 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: "suzy@comcat.com" <bits@ComCAT.COM>
Subject: Re: Albert's resume
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Date: Sun, 22 Mar 1998 11:49:30 +0000
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> I enjoyed seeing your handsome and intelligent face.
> 
> Since I was the highest bidder, guess I owe somebody $10. Would that be 
> pj, you or the Glass Guild?
> 
> Suzanne

"Handsome and intelligent?" Oh <blush> my! I thought only my wife and 
dog thought of me that way. <s> Ten dollars? Geez, it must be owed to 
me! <g> Surely, you're joking, but if you have to send money 
anywhere, you can send it to the Guild. I promise it'll go into its 
coffers for its programs and not into my pocket. Promise! <s>

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Sun Mar 22 10:55:58 1998
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X-Path: ppp37.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: irridized glue chip
Date: Sun, 22 Mar 1998 09:45:33 -0500
Message-ID: <199803221445.JAA00417@violeta.uwaterloo.ca>
References: <<199803211633.KAA09916@westbyserver.westby.mwt.net>>
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len wries, 

 >> I have tried
 >> to talk them into some color, but they don't want it.
 >> In this case of regular vs. irridized, I reccomended
 >> regular. Any advice? Thanks


 len> Are they environmentally aware? If so tell them you think irridized glass
 len> looks like an oil slick.

 len> It might turn off their interest in that particular abomination.

Sorry, but I don't understand why some people don't seem to like it. I
seem to prefer it above plain colours because it changes it colour
depending on the angle you see it from with respect to the source of
light. 

Can anybody elaborate,

THanks,

--
Daniel M. German                  "Work. Finish. Publish. "
                                   Michael Faraday
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Sun Mar 22 11:13:35 1998
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X-Path: cornell.edu!bjs10
From: Barbara <bjs10@cornell.edu>
To: <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: irridized Glue Chip
Date: Sun, 22 Mar 1998 12:13:45 -0500
Message-ID: <3.0.2.32.19980322121345.006ae5b0@postoffice.mail.cornell.edu>
References: <<1998Mar21.225237.0>>
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I love it..... I use it on boxes, suncatchers, kalidoscopes.... any color!
I do a lot of decrative solder on it... add oddities like Mother of Pearl,
jewels and irridized globs.... even rhinestones and fancy buttons.

Barbara

At 06:52 AM 3/22/98 -0800, Dianne G. Maddison wrote:
>Hi All,
>Just a note to say that I wholeheartedly agree with you folks that said
>to use just a little irridized glue chip in the panel.  A little of it
>does go a long way.  When I did my front door I used the irridized
>spectrum glass just as an accent, and that is what makes it so
>appealing.  I personally love irridized spectrum glass because it's not
>too bold and it does add another dimension to the panels.  I have always
>told my clients that either you love irridized or hate it.  There
>doesn't seem to be any in between.
>Dianne
>
>----
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>Archives available at http://www.bungi.com/glass
>
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From owner-glass Sun Mar 22 12:54:40 1998
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X-Path: magnet.mt!frank.g.mizzi
From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Reinforcement
Date: Sun Mar 22 11:50:34 1998
Message-ID: <98Mar22.220130gmt+0100.19588@michelle.magnet.mt>
Precedence: bulk

Greetings,

Just a general question folks, can somebody give me some details about 
reinforceing a panel that is 7ft high by 4 feet wide.  I would like an 
indication of how often to reinforce what with and in which direction>

Thanks
Bye
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From owner-glass Sun Mar 22 13:29:31 1998
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X-Path: juno.com!vlclover
From: vlclover@juno.com (Laurean E Clover)
To: glass@bungi.com
Subject: irridized glue chip
Date: Sun, 22 Mar 1998 14:57:49 EST
Message-ID: <1998Mar22.195749.0>
Precedence: bulk

I like irridized glass real well.  Though not when its heavy.
In this instance, I was concerned with the panel having too
much glue chip and clear, and no color.  I know we will
get some color with the irridized, but was concerned it
would look funny next to the regular glue chip.   The  reason
I am speaking in the past tense with the concerns, is because
its out of my hands.  I took the advice of  "the customer is always
right", and ordered my supplies....
Laurean
Eph. 4:32

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From owner-glass Sun Mar 22 14:27:24 1998
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From: "Tony Regan" <aareg@globalnet.co.uk>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: glass glue
Date: Sun, 22 Mar 1998 20:54:29 -0000
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This is a multi-part message in MIME format.

------=_NextPart_000_0004_01BD55D4.B5457E20
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Can anyone advise the best glass glue ?

Characteristics need to be 1.. Transparent
2.. Waterproof  3..Permanent=20

Tony & Barbara Regan

------=_NextPart_000_0004_01BD55D4.B5457E20
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.1712.3"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT size=3D2>Can anyone advise the best glass glue ?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Characteristics need to be 1.. =
Transparent</FONT></DIV>
<DIV><FONT size=3D2>2.. Waterproof&nbsp; 3..Permanent </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Tony &amp; Barbara Regan</FONT></DIV></BODY></HTML>

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From owner-glass Sun Mar 22 15:30:00 1998
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From: Beveler 4 <Beveler4@aol.com>
To: gjr@bungi.com
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Date: Sun, 22 Mar 1998 17:10:32 EST
Message-ID: <1998Mar22.221032.0>
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It was the Adv. Lead class on Sat morning that I was in . He is so energetic
and knowledeable I will return again just to go to one of his classes. We
really had a lot of fun, I was there with a group most of whom are Bungians
from all over the US. We also decided that the windows at the Barbary Coast
were the best in Vegas. They were incredible! There were some nice ones at
Main Street also but closer examination revealed that they had some recent
repair work done that was less than what I consider acceptable, they had
replaced some of the bevels using cut off's without beveling the cut off's on
the ends.Beveler4(Stan) 
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From owner-glass Sun Mar 22 15:57:03 1998
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X-Path: mars.ark.com!wmunro
From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: RE: irridized oil slicks
Date: Sun, 22 Mar 1998 14:56:58 -0800
Message-ID: <199803222256.OAA11905@ark.com>
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I am glad that someone pointed that out. Are the 'Bungians' aware the
Greenpeace fueled up in Port Angeles at "EXXON" prior to heading out to
protest the Oil Industry? Now one must ask one's self---'where are they
REALLY trying to accomplish and what is their REAL motif?
----Something to keep in mind when one here's of 'All the Good' the
environmental movement is doing!!


>X-From_: owner-glass@daver.bungi.com  Sat Mar 21 14:07:37 1998
>Return-Path: <owner-glass@daver.bungi.com>
>X-Path: seaside.net!gspicer
>From: "Glenn Spicer" <gspicer@seaside.net>
>To: "'glass@bungi.com'" <glass@bungi.com>
>Subject: RE: irridized oil slicks
>Date: Sat, 21 Mar 1998 11:36:51 -0800
>Precedence: bulk
>
>The fact that oil slick looks like irridized glass is the only redeeming 
>factor that it has. I'm not sure why some have resistance to irridized 
>glass. Used in moderation, it can be a lively highlight. Used in excess it 
>can be gaudy and objectionable. I use it, as suspect MANY others do for 
>humming birds and  especially when I do a stained glass window of the Exxon 
>Valdiz! Glenn Spicer,
>The Studio Metamorphoses, BC, Canada
>
>
>-----Original Message-----
>From:	len alcamo [SMTP:alcamoz@mwt.net]
>Sent:	Saturday, March 21, 1998 8:32 AM
>To:	glass@bungi.com
>Subject:	Re: irridized glue chip
>
>Are they environmentally aware? If so tell them you think irridized glass 
>looks like an oil slick.
>It might turn off their interest in that particular abomination.
>Len
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

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From owner-glass Sun Mar 22 16:13:30 1998
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From: Beveler 4 <Beveler4@aol.com>
To: frank.g.mizzi@magnet.mt
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Reinforcement
Date: Sun, 22 Mar 1998 17:29:24 EST
Message-ID: <1998Mar22.222924.0>
Precedence: bulk

A panel of this size should be reinforced about every18"to24" horizontally and
should also have 2 rods going vertically. There is a new device out not sure
of the name but they are clips that you can attach to the window to make
attaching reinforcement rods very easy, I saw them at the show in Vegas and
they really looked interesting to me . I will definetly try them with my next
large piece. They allow you to slide the rod into them very neatly and then
you can solder the rod into place, the clips having already being soldered
into the panel. there were different styles for multiple applications.
Beveler4(Stan)
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From owner-glass Sun Mar 22 17:13:41 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: irridized glue chip
Date: Sun, 22 Mar 1998 17:39:05 -0600
Message-ID: <199803222337.RAA25107@westbyserver.westby.mwt.net>
Precedence: bulk

>
>Sorry, but I don't understand why some people don't seem to like it. I
>seem to prefer it above plain colours because it changes it colour
>depending on the angle you see it from with respect to the source of
>light.
>
>Can anybody elaborate,
>


I look at it this way

For use in dimensional pieces I think its OK. Pieces such as boxes depend in
part on the reflective properties of the glass to contribute to an overall
pleasent artistic effect

SG windows are a medium of transmitted light and generally the reflective
nature of the glass is not a design consideration, nor in my opinion should
it be.  Mine is a  traditionalist's point of view.

To me irridized glass in a SG window stands out like
a..........well......... like a street walker at a church picnic

Like someone said you either love it or hate it.

Len




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From owner-glass Sun Mar 22 17:59:13 1998
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Date: Sun, 22 Mar 1998 19:51:43 EST
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From: DMR74 <DMR74@aol.com>
Return-path: <DMR74@aol.com>
To: artglass@flash.net
Subject: Re: fishing floats
Date: Sun, 22 Mar 1998 19:50:37 EST
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In a message dated 98-03-21 14:13:20 EST, you write:

> Just a thought about the fishing floats.  Maybe a box could be made with
>  them.  Take one and use a band saw to cut the float in half.  Glue
>  hinges to it and use marbles for feet.  I know it sounds dumb, but it
>  was just a thought.
this thought gave me another do the same thing but make it look like a frog
you know big eyes some kinda feet etc
deb

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From owner-glass Sun Mar 22 18:30:30 1998
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Subject: books
Date: Sun, 22 Mar 1998 20:13:01 EST
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I am now ready to order books from amazon and I remember that we were told
that the guild only gets credit if we access it a certain way please refresh
my memory
deb
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From owner-glass Sun Mar 22 18:59:58 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: irridized glue chip
Date: Sun, 22 Mar 1998 20:26:20 -0500
Message-ID: <1998Mar22.152620.0>
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What a great analogy, Len.  Iridized
glass like a streetwalker at a church
picnic!  My opinion is more direct - =

it makes a perfectly good window look
cheap if it's not used discretely.  Just
my pompous opinion - IMPO!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sun Mar 22 19:19:22 1998
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From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Small Scraps of glass--what now?
Date: Sun, 22 Mar 1998 17:46:23 -0800
Message-ID: <199803230146.RAA22914@ark.com>
Precedence: bulk

Howdy gang....
I was doing inventory today and I found that I have 100, million, kajillion
pieces of glass left over from when I started doing glass, all of different
shapes, colors and sizes. Now if I had some idea what to do with all them
little pieces? 
Any ideas or sugggestions?
Thanks.....Wayne


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

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From owner-glass Sun Mar 22 19:34:03 1998
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From: "M. Savad" <morn@nac.net>
To: len alcamo <alcamoz@mwt.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: irridized glue chip
Date: Sun, 22 Mar 1998 21:23:52 -0500
Message-ID: <1998Mar22.162352.0>
References: <<199803222337.RAA25107@westbyserver.westby.mwt.net>>
Precedence: bulk

len alcamo wrote:
> 
> >
> >Sorry, but I don't understand why some people don't seem to like it. I
> >seem to prefer it above plain colours because it changes it colour
> >depending on the angle you see it from with respect to the source of
> >light.
> >
> >Can anybody elaborate,
> >
> 
> I look at it this way
> 
> For use in dimensional pieces I think its OK. Pieces such as boxes depend in
> part on the reflective properties of the glass to contribute to an overall
> pleasent artistic effect
> 
> SG windows are a medium of transmitted light and generally the reflective
> nature of the glass is not a design consideration, nor in my opinion should
> it be.  Mine is a  traditionalist's point of view.
> 
> To me irridized glass in a SG window stands out like
> a..........well......... like a street walker at a church picnic
> 
> Like someone said you either love it or hate it.
> 
> Len
> 
> ----
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i see it more as a texture. though it's not a texture that can be seen
through when light comes in. it gives it a nice accent. though it
depends on your application. some places it just may not look good...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sun Mar 22 20:44:28 1998
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Subject: Re: Small Scraps of glass--what now?
Date: Sun, 22 Mar 1998 22:21:03 EST
Message-ID: <1998Mar23.3213.0>
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I feel a mosaic coming on....
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From owner-glass Sun Mar 22 20:57:14 1998
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To: glass@bungi.com
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Subject: getting rid of oxidation question
Date: Sun, 22 Mar 1998 22:22:05 EST
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dumb question - many times my pieces get oxidation buildup. At first I thought
I wasn't cleaning the pieces well enough so I switched and now use CJ Flux,
detergent liquid and baking soda and I still can't seem to get rid of the
oxdation. I believe I am washing the piece well enough but not really sure how
I can tell.  I use a soft brush (sometimes it can tear off the tinned pieces)
but most times I use a kitchen scouring pad. Is oxidation normal in foiled
pieces? I have quite a bit of original (1920) leaded windows in our home and
don't notice it on these windows. On a piece just completed, I noticed it has
a 'fog' / shadow around the solder line...used the fractured/confetti glass
and artique glass. Is this related??

Can someone provide some input - this is driving me crazy and getting
frustrating!

Thanks

Margaret
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From owner-glass Sun Mar 22 21:05:54 1998
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Subject: FINISHED!
Date: Sun, 22 Mar 1998 22:27:29 EST
Message-ID: <1998Mar23.32729.0>
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      Hey all!! I finished the giraffe!!!
     Tomorrow I call the guy to tell him it's ready. I'm so nervous. I hope he
likes it. Last night I kept dreaming it had a huge crack in it!! I woke up in
a cold sweat. I can make 'em, but I'd hate to repair 'em!
     On the reinforcement, I ended up putting 3 runs, equally spaced. I tried
to bend it to go through the design, but I just couldn't. I don't think its
too bad. You won't be able to see it unless the light is on behind it.
    Thank you all for your advice etc. on this project. It is the biggest
piece I have done to date. Was quite a challenge for me!
     If you'd like, tell me and I will e-mail a picture of it to anyone who is
interested.

Susan
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From owner-glass Sun Mar 22 21:16:01 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: wmunro@mars.ark.com (Wayne Munro), glass@bungi.com
Subject: Re: Small Scraps of glass--what now?
Date: Sun, 22 Mar 1998 19:36:45 PST
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[In the message entitled "Small Scraps of glass--what now?" on Mar 22, 17:46, Wayne Munro writes:]
> Howdy gang....
> I was doing inventory today and I found that I have 100, million, kajillion
> pieces of glass left over from when I started doing glass, all of different
> shapes, colors and sizes. Now if I had some idea what to do with all them
> little pieces? 
> Any ideas or sugggestions?
> Thanks.....Wayne


Mosaics.


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sun Mar 22 21:39:59 1998
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From: pkelly <pkelly@n-link.com>
To: Wayne Munro <wmunro@mars.ark.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Sun, 22 Mar 1998 22:03:17 -0600
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References: <<199803230146.RAA22914@ark.com>>
Precedence: bulk

If you have a Community College or potter in your area they love to use them in
their projects. The pieces melt wondrefully when the piece is fired.

Patrick
Roses and Rainbows.

BTW, where is your bioWayne


Wayne Munro wrote:

> Howdy gang....
> I was doing inventory today and I found that I have 100, million, kajillion
> pieces of glass left over from when I started doing glass, all of different
> shapes, colors and sizes. Now if I had some idea what to do with all them
> little pieces?
> Any ideas or sugggestions?
> Thanks.....Wayne
>
> Wayne Munro 'Snail mail' address
> 2960 Suffield Road,
> Courtenay, B.C. Canada   V9N-3V5
>
> Phone and Fax-- (250) 338-5507
>  "Call before sending a fax so setup is complete"
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Sun Mar 22 22:37:28 1998
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X-Path: ComCAT.COM!suzy
From: "suzy@comcat.com" <bits@ComCAT.COM>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: getting rid of oxidation question
Date: Mon, 23 Mar 98 00:35:42 -0500
Message-ID: <199803230533.AAA22421@uz.ComCAT.COM>
Precedence: bulk

 >many times my pieces get oxidation buildup. 
(snip)
> On a piece just completed, I noticed it has
>a 'fog' / shadow around the solder line...used the fractured/confetti glass
>and artique glass. Is this related??

Margaret, to get rid of the fog/shadow you need to clean the piece 
thoroughly with a wax finishing compound such as Kem-O-Pro, or Ultimate 
Cleaner seems to work well also. Get your rag up close to the solder 
lines until the fog is gone. Sometimes a Q-tip will help. I find antique 
glass particularly difficult to get clean, but diligence will pay off!

Also, I have been using distilled water for my soldering sponge ever 
since having a terrible oxidation problem that showed up about two weeks 
after the piece was completed - thought it might have been due to 
minerals in my well water. That was after a severe drought, but that's 
not likely now in our area!



Suzanne Albright
suzy@comcat.com


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From owner-glass Sun Mar 22 23:40:39 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: Small Scraps of glass--what now?
Date: Sun, 22 Mar 1998 21:55:16 -0800
Message-ID: <1998Mar22.135516.0>
References: <<199803230146.RAA22914@ark.com>>
Organization: Maiden Concepts
Precedence: bulk

I take a 12" dia. dreamcatcher ring and use it as a guide.  I place that
in the bottom of a 14" dia. stepping stone mold and place scrap glass
about an inch and a half deep inside the guide and then put a few pieces
dead center.
I also package them up and sell them  along with the stepping stone
instructions to my customers at craft shows.
They sell pretty good.

Wayne Munro wrote:
> 
> Howdy gang....
> I was doing inventory today and I found that I have 100, million, kajillion
> pieces of glass left over from when I started doing glass, all of different
> shapes, colors and sizes. Now if I had some idea what to do with all them
> little pieces?
> Any ideas or sugggestions?
> Thanks.....Wayne
> 
> Wayne Munro 'Snail mail' address
> 2960 Suffield Road,
> Courtenay, B.C. Canada   V9N-3V5
> 
> Phone and Fax-- (250) 338-5507
>  "Call before sending a fax so setup is complete"
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

-- 
x>"3
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From owner-glass Mon Mar 23 04:20:41 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: "Tony Regan" <aareg@globalnet.co.uk>
Subject: Re: glass glue
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 23 Mar 1998 06:00:39 +0000
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> Can anyone advise the best glass glue ?
> Characteristics need to be 1.. Transparent
> 2.. Waterproof  3..Permanent

The adhesive of choice among stained glass conservators is Hxtal, 
which has an index of refraction closest to glass. It's available 
from

Bill Schein
Conservator's Emporium
100 Standing Rock Circle
Reno NV 89511 - 

Phone: ( 702 ) 852 - 0404
Fax: (702) 852-3737
Email: b.schein@ccni.net


They're listed in the Sources Guide online, URL below.

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Mon Mar 23 04:38:38 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: DMR74 <DMR74@aol.com>
Subject: Re: books
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Date: Mon, 23 Mar 1998 06:00:39 +0000
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> I am now ready to order books from amazon and I remember that we were told
> that the guild only gets credit if we access it a certain way please refresh
> my memory

Thanks for keeping us in mind, Deb. The Guild's links with Amazon 
start at http://www.aiap.com/amazon/ and the instructions are there.

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Mon Mar 23 06:21:44 1998
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X-Path: juno.com!vlclover
From: vlclover@juno.com
To: glass@bungi.com
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 07:55:39 EST
Message-ID: <1998Mar23.125539.0>
References: <<199803230146.RAA22914@ark.com>>>
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You all will probably holler at me when I tell you what I did
with all my scraps.....

We are in the long, tedious, process of building a house,
so Between the basement wall, and the dirt wall, I dumped
all me scraps.  Kinda funny though, because the other day,
I needed a teeny piece of pink, and went down there and 
found it.

Now that I look back and read the above, I can understand 
why people tell me I am warped! :-)

Laurean

_____________________________________________________________________
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From owner-glass Mon Mar 23 06:49:12 1998
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From: vlclover@juno.com
To: glass@bungi.com
Subject: Re: irridized glue chip
Date: Mon, 23 Mar 1998 07:55:39 EST
Message-ID: <1998Mar23.125539.0>
References: <<1998Mar22.152620.0>>
Precedence: bulk

Hi Again,
	I have been following the posts on the glue
chip.  Seems one either hates it or loves it!  For those
of you that hate it, you will be relieved to know, the border
is 1/2" x 124".  So that's not too much, and for those
of you that love it, I beleieve it will be enough to give it
character.

Laurean ( who strives to keep everyone happy)

_____________________________________________________________________
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From owner-glass Mon Mar 23 08:26:44 1998
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> I am now ready to order books from amazon and I remember that we were told
> that the guild only gets credit if we access it a certain way please refresh
> my memory

Thanks for keeping us in mind, Deb. The Guild's links with Amazon 
start at http://www.aiap.com/amazon/ and the instructions are there.

Oh, I failed to note that the actual instructions to order books and 
have your order benefit the Guild is at
http://www.aiap.com/amazon/amaznote.htm

sorry.


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From owner-glass Mon Mar 23 08:32:56 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: Margaret41 <Margaret41@aol.com>, glass@bungi.com
Subject: Re: getting rid of oxidation question
Date: Mon, 23 Mar 1998 07:19:24 PST
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[In the message entitled "getting rid of oxidation question" on Mar 22, 22:22, Margaret41 writes:]
> dumb question - many times my pieces get oxidation buildup. At first I thought
> I wasn't cleaning the pieces well enough so I switched and now use CJ Flux,
> detergent liquid and baking soda and I still can't seem to get rid of the
> oxdation. I believe I am washing the piece well enough but not really sure how
> I can tell.  I use a soft brush (sometimes it can tear off the tinned pieces)
> but most times I use a kitchen scouring pad. Is oxidation normal in foiled
> pieces? I have quite a bit of original (1920) leaded windows in our home and
> don't notice it on these windows. On a piece just completed, I noticed it has
> a 'fog' / shadow around the solder line...used the fractured/confetti glass
> and artique glass. Is this related??
> 
> Can someone provide some input - this is driving me crazy and getting
> frustrating!

I have a ship that the solder seams turned milky in areas.  I was told
to use steel wool and this will make it shiny again.  I haven't tried
it yet though.  

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Mon Mar 23 08:44:44 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Wayne Munro <wmunro@mars.ark.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 11:01:03 -0500
Message-ID: <1998Mar23.613.0>
References: <<199803230146.RAA22914@ark.com>>
Precedence: bulk

Wayne Munro wrote:
> 
> Howdy gang....
> I was doing inventory today and I found that I have 100, million, kajillion
> pieces of glass left over from when I started doing glass, all of different
> shapes, colors and sizes. Now if I had some idea what to do with all them
> little pieces?
> Any ideas or sugggestions?
> Thanks.....Wayne
> 
> Wayne Munro 'Snail mail' address
> 2960 Suffield Road,
> Courtenay, B.C. Canada   V9N-3V5
> 
> Phone and Fax-- (250) 338-5507
>  "Call before sending a fax so setup is complete"
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


it depends on how large they are. if there the size of your hand, save
it as regular scrap. seperate any artglass (if any), for seperate use or
fusing. the rest can be made into a wind chime. or as someone else said
throw them in a rock tumbler, then put pot-purri oil on it (if you like
that sort of thing)...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar 23 09:13:32 1998
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From: "M. Savad" <morn@nac.net>
To: Margaret41 <Margaret41@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: getting rid of oxidation question
Date: Mon, 23 Mar 1998 11:11:27 -0500
Message-ID: <1998Mar23.61127.0>
References: <<1998Mar23.3225.0>>
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Margaret41 wrote:
> 
> dumb question - many times my pieces get oxidation buildup. At first I thought
> I wasn't cleaning the pieces well enough so I switched and now use CJ Flux,
> detergent liquid and baking soda and I still can't seem to get rid of the
> oxdation. I believe I am washing the piece well enough but not really sure how
> I can tell.  I use a soft brush (sometimes it can tear off the tinned pieces)
> but most times I use a kitchen scouring pad. Is oxidation normal in foiled
> pieces? I have quite a bit of original (1920) leaded windows in our home and
> don't notice it on these windows. On a piece just completed, I noticed it has
> a 'fog' / shadow around the solder line...used the fractured/confetti glass
> and artique glass. Is this related??
> 
> Can someone provide some input - this is driving me crazy and getting
> frustrating!
> 
> Thanks
> 
> Margaret
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


generally the piece should be squeeky clean. it also depends on the flux
you use. gel flux may not wash off completly. paste flux may never wash
off. 

it also may be the liquid soap your using, that could have oxidizing
values. generally the glass is not the culprit (unless there's some sort
of chemical on the glass to begin with). 

after your usual cleaning try rinsing the whole thing off with denatured
alchohol. hopefully that will remove everything. 

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar 23 10:02:41 1998
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X-Path: aol.com!ItsAlison
From: ItsAlison <ItsAlison@aol.com>
To: dmg@csg.uwaterloo.ca, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: irridized glue chip
Date: Mon, 23 Mar 1998 11:30:18 EST
Message-ID: <1998Mar23.163018.0>
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In a message dated 98-03-22 13:56:54 EST, dmg@csg.uwaterloo.ca writes:

<< Sorry, but I don't understand why some people don't seem to like it. I
 seem to prefer it above plain colours because it changes it colour
 depending on the angle you see it from with respect to the source of
 light. 
 
 Can anybody elaborate,
 
 THanks,  --
 Daniel M. German >>

Me too, Daniel
I agree that too much of an irridized glass is not a good thing, but I like it
for the same reason you do,,,"the changing of colors depending on the angle
you see it from with respect to the source of light.".....  How well you put
that! ( I think in this way irridized glass reminds me a lot of people, LOL)
~Alison~
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From owner-glass Mon Mar 23 10:32:39 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Albert's resume
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 23 Mar 1998 11:51:17 +0000
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>   your artistic experiences have been enviable!!!  Wow, now i really AM
> impressed!

Aw, shucks, ma'am. T'warn't nuthin' <g>

Albert
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From owner-glass Mon Mar 23 11:19:42 1998
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X-Path: az.stratus.com!charlie
From: Charles Spitzer <charlie@az.stratus.com>
To: jroey@juno.com (jerri m Roey)
Content-Type: text/plain
Subject: Re: Surplus site
Date: Mon, 23 Mar 98 09:41:08 -0700
Message-ID: <m0yHAHf-000LiCC@why.az.stratus.com>
References: <<1998Mar19.143816.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

jerri m Roey wrote:
> One (maybe dumb?) question.  Is dichroic glass used for anything
> besides fusing?  Wouldn't you have to test for compatability to use it?
> (I just took a fusing class, so I'm just learning about all this.)

i use it for bird (mostly hummingbird) bodies on 3-dimensional pieces. i've  
seen it used to great effect in an underwater piece, where the scales were  
sand blasted, which took off the dichro coating.

---
Charles Spitzer
charlie@az.stratus.com
Customer Assistance Center
Stratus Computer, Inc.
Phoenix, AZ
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From owner-glass Mon Mar 23 11:21:21 1998
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X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 11:58:48 -0500
Message-ID: <1998Mar23.65848.0>
References: <<1998Mar23.3213.0>>
Organization: Cox's Mower Service
Precedence: bulk

Next time you are near the ocean, dump the whole box off shore. A 'beach
brain' activity very popular at shore side summer communities is
searching for beach glass. Beach glass is any scrap of glass from
bottles or whatever that has been 'sand blasted' after following
whatever ocean currents take it from there to here. I have heard stories
(recently on this list) where the stuff just piles up on the beach,
ignored by the local denizens.
Blue and red are rare, and can incite fisicuffs among avid collectors
who stumble across a specimen at the same time.
I have seen bets paid off in red or blue. Arguements rage on whether a
piece was 'done', or should be thrown back, cuz one edge was still
shiny, and didn't have the all over satin finish.
This stuff can be set in jars, strewn on a shelf, put in the resivoir of
an oil lamp.
I'd like to see what art glass would look like after a year at the
bottom of the Atlantic.
No cheating and putting it in a rock tumbler. Part of the experience is
walking along the beach just after high tide.

CWWSLW wrote:

> I feel a mosaic coming on....
> ----



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From owner-glass Mon Mar 23 12:54:43 1998
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From: "jcampbell" <jcampbell@mfi.net>
To: "Wayne Munro" <wmunro@mars.ark.com>, glass@bungi.com
Content-Type: text/plain; charset="ISO-8859-1"; X-MAPIextension=".TXT"
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 98 15:22:38 PST
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References: <<199803230146.RAA22914@ark.com>>
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We too had a lot of scrap glass.  I made some stepping stones using scraps
and they are very colorful and we are enjoying them in our yard and now we
have had several orders for them.

Judy

----------
> 
> Howdy gang....
> I was doing inventory today and I found that I have 100, million,
kajillion
> pieces of glass left over from when I started doing glass, all of
different
> shapes, colors and sizes. Now if I had some idea what to do with all them
> little pieces? 
> Any ideas or sugggestions?
> Thanks.....Wayne
> 
> 
> Wayne Munro 'Snail mail' address
> 2960 Suffield Road,
> Courtenay, B.C. Canada   V9N-3V5
> 
> Phone and Fax-- (250) 338-5507  
>  "Call before sending a fax so setup is complete"
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


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From owner-glass Mon Mar 23 14:03:08 1998
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From: ItsAlison <ItsAlison@aol.com>
To: shyguy@vdot.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 14:57:02 EST
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In a message dated 98-03-23 14:24:29 EST, shyguy@vdot.net writes:

<< Next time you are near the ocean, dump the whole box off shore. A 'beach
 brain' activity very popular at shore side summer communities is
 searching for beach glass. >>
Blue and red are rare, and can incite fisicuffs among avid collectors
who stumble across a specimen at the same time.
I have seen bets paid off in red or blue. >>

Carl..You have the best idea yet!  What I wanted to ask you is this......if a
person were to tie up a few pounds of scrap in a mesh bag, like the ones
onions come in, and maybe put the bag inside a crab trap and suspend it over
the side of a pier or jetty, tied up like that.......for maybe a while (how
long did you say the process takes? LOL) Do you think  that when this person
pulled the whole thing back up, it would be loaded with sandblasted red and
blue beach glass????? <<G>>
~Alison~ 
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From owner-glass Mon Mar 23 14:05:02 1998
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From: Karina <karinal@lisnet.net>
To: Glenna Rand <gjr@bungi.com>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: getting rid of oxidation question
Date: Mon, 23 Mar 1998 16:14:59 -0500
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Glenna Rand wrote:

>   I was told
> to use steel wool and this will make it shiny again.  I haven't tried
> it yet though.

Steel wool will end up scratching the solder.  I have used Neutra5000 on my pieces....but it's pricey.
What works great is Brasso....and it's cheap....found in your local grocery store. I apply it to a
soft cloth and then rub the solder....it cleans it beautifully.Karina




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From owner-glass Mon Mar 23 15:32:15 1998
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From: Mosfunland <Mosfunland@aol.com>
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 17:19:57 EST
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In a message dated 98-03-23 14:24:29 EST, shyguy@vdot.net writes:

> No cheating and putting it in a rock tumbler. Part of the experience is
>  walking along the beach just after high tide.
AND hoping you don't find the unfinished piece in the bottom of your
foot....or sticking out of a toe...."hmmmmmm  it really is nicely done....but
whoooaa wait a minute after I wipe this blood off, its not quite done....."

Maureen....who has glass magnets in the soles of her feet.....
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From owner-glass Mon Mar 23 15:39:47 1998
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From: Carl Childers <shyguy@vdot.net>
To: Mosfunland <Mosfunland@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 17:31:36 -0500
Message-ID: <1998Mar23.123136.0>
References: <<577849e5.3516e00f@aol.com>>
Organization: Cox's Mower Service
Precedence: bulk

actually, I find tar balls more of a problem. Aglass cut will heal in time, but
the tar sticks to you foot until it's time to shed your skin.
Mosfunland wrote:

> AND hoping you don't find the unfinished piece in the bottom of your
> foot....or sticking out of a toe...."hmmmmmm  it really is nicely done....but
> whoooaa wait a minute after I wipe this blood off, its not quite done....."
>
> Maureen....who has glass magnets in the soles of her feet.....



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From owner-glass Mon Mar 23 16:01:59 1998
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From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, shyguy@vdot.net
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 16:56:38, -0500
Message-ID: <199803232156.QAA15978@mime3.prodigy.com>
Precedence: bulk

>I'd like to see what art glass would look like after a year at the
>bottom of the Atlantic.

Plenty of glass is brought up from ancient shipwrecks that is in 
pristine condition. That glass has had no scouring action from sand. 
Glass that is in strong surf is another matter. I would guess that 
glass in many areas of the State of Maine surf would be *finished* in 
one winter. At many places there the beach sand disappears in the 
winter only to be redeposited in the spring. Plenty of tumbling 
action.

If I had an area that showed promise I would think about dumping a 
lot of glass and hope to get 1% back. Not likely to be legal. It is 
likely that some of the glass would be recovered a long way away. 
Bob

Ps: Have recovered pumice in RI that came from a volcano that could 
not have been very near in time or distance.

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
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From owner-glass Mon Mar 23 16:18:28 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: I've been asked a favor
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Mon, 23 Mar 1998 17:38:55 +0000
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I've had a request that I not keep mentioning the Guild or its 
programs here on bungi.com ... the complaint's actually that this 
person's getting "sick and tired" of seeing my constant references to 
Guild sites and locations. That's described as taking commercial 
advantage of the organization's non-profit status and as using 
precious bandwidth for what I guess is seen as unhelpful, useless, 
and not-glassy-enough information.

I explained that I only do that when specifically asked within the 
group, but that cuts no ice, apparently.

Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
Guild, should just dummy up?

Albert
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From owner-glass Mon Mar 23 16:37:29 1998
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From: Charles Spitzer <charlie@az.stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 98 16:49:44 -0700
Message-ID: <m0yHGyS-000LiCC@why.az.stratus.com>
References: <<1998Mar23.123136.0>>
Organization: Customer Assistance Center, Stratus Computer, Inc.
Precedence: bulk

You wrote:
> actually, I find tar balls more of a problem. Aglass cut will heal in time,
> but the tar sticks to you foot until it's time to shed your skin.

try acetone to remove tar.

you'd be amazed at all the living things (protozoa, bacteria, worms, etc) in  
sea water that can grow quite well in you and make you really sick. an open  
wound in fresh sea water is almost as bad as mom kissing your cut knee.
---
Charles Spitzer
charlie@az.stratus.com
Phoenix, AZ
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From owner-glass Mon Mar 23 17:31:26 1998
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Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 98 19:47:19 -0500
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Albert says:
>I've had a request that I not keep mentioning the Guild or its 
>programs here on bungi.com ... 

I say keep on doing what you're doing, Chief Clerk!
 

Suzanne Albright
suzy@comcat.com


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From owner-glass Mon Mar 23 17:59:42 1998
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From: Stephanie Hansen <sgt@glasstreasures.com>
To: "Albert Lewis" <alewis@vgernet.net>, glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 18:53:38 -0600
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Unless it's Glenna or Dave asking (since they own the list), my opinion is
for you to keep on posting what you post.  I think it's generally far more
helpful than annoying and helps to remind people of other services and
resources available to them!  And as you said, it's not like you're
throwing in a reference every single time you post.

My .02....

Steph ~

At 05:38 PM 3/23/98 +0000, Albert Lewis wrote:
>I've had a request that I not keep mentioning the Guild or its 
>programs here on bungi.com ... the complaint's actually that this 
>person's getting "sick and tired" of seeing my constant references to 
>Guild sites and locations. That's described as taking commercial 
>advantage of the organization's non-profit status and as using 
>precious bandwidth for what I guess is seen as unhelpful, useless, 
>and not-glassy-enough information.
>
>I explained that I only do that when specifically asked within the 
>group, but that cuts no ice, apparently.
>
>Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
>Guild, should just dummy up?


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From owner-glass Mon Mar 23 18:03:37 1998
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From: pkelly <pkelly@n-link.com>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 19:09:18 -0600
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Albert,

Ignore the complaints. Isn't part of the name of the "Guild" GLASS.
Personally, I try to visit any site that the group recommends or
mentions. It seems to me that if someone takes thier time to research or
visit something that has glass in it most members of the group appreciate
it.

Remember that it is an impossibility to please everyone. The delete key
is always available.

Patrick
Roses and Rainbows

Now about a less formal Bio .........

Albert Lewis wrote:

> I've had a request that I not keep mentioning the Guild or its
> programs here on bungi.com ... the complaint's actually that this
> person's getting "sick and tired" of seeing my constant references to
> Guild sites and locations. That's described as taking commercial
> advantage of the organization's non-profit status and as using
> precious bandwidth for what I guess is seen as unhelpful, useless,
> and not-glassy-enough information.
>
> I explained that I only do that when specifically asked within the
> group, but that cuts no ice, apparently.
>
> Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> Guild, should just dummy up?
>
> Albert
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Mon Mar 23 18:26:58 1998
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From: Rick Lasita <pebble@fuse.net>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 20:46:01 -0500
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Albert, as with all things, such as movies on TV, or certain books, etc,
it still remains one's choice to view what one wants to view. In other
words, that "person" can simply skip over, or delete, your messages. I
for one have enjoyed your input.

Rick
http://home.fuse.net/crafts/index.html
> 
> I've had a request that I not keep mentioning the Guild or its
> programs here on bungi.com ... the complaint's actually that this
> person's getting "sick and tired" of seeing my constant references to
> Guild sites and locations. That's described as taking commercial
> advantage of the organization's non-profit status and as using
> precious bandwidth for what I guess is seen as unhelpful, useless,
> and not-glassy-enough information.
> 
> I explained that I only do that when specifically asked within the
> group, but that cuts no ice, apparently.
> 
> Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> Guild, should just dummy up?
> 
> Albert
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
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From owner-glass Mon Mar 23 18:55:25 1998
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Subject: Fwd: I've been asked a favor
Date: Mon, 23 Mar 1998 20:45:00 EST
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This is a multi-part message in MIME format.

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From: DMR74 <DMR74@aol.com>
Return-path: <DMR74@aol.com>
To: alewis@vgernet.net
Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 20:44:14 EST
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In a message dated 98-03-23 19:19:49 EST, you write:

> Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
>  Guild, should just dummy up?
>  
Albert,
I would think that certain info is useful to us all and sometimes useful to
the guild Like my question on how to order books to give the guild credit I
know you so kindly replied to me privately but I would think that this info
could also have been of use to others too.  As of this very second I don't see
how the guild is helping me but that's in a very closed view, I am sure that
the guild is doing things for the good of all glass people whether they be
craftsmen hobbiests or professionals or what ever each of us wants to call
ourselves.hmmm just my $.02 and I'll dummy up but not till I share the info
you gave me.
the actual instructions to order books and 
have your order benefit the Guild is at
http://www.aiap.com/amazon/amaznote.htm  oops just noticed that letter was
addressed to bungi so ok we got reminded again just use the delete button
freely if I spoke out of line
deb

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From owner-glass Mon Mar 23 18:58:38 1998
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From: Glass Sue <GlassSue@aol.com>
To: PDRUSS@aol.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: pricing
Date: Mon, 23 Mar 1998 20:56:19 EST
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In a message dated 98-03-17 15:07:22 EST, you write:

<< glass@bungi.com >>

Pricing!  Sure there's a formula. its like putty, or bread, everybody has a
formula, or a recipe and theirs is the best.

Something is ultimately worth what someone else will pay for it, always in
relation to what it costs to make it.  Supply and demand.  Sadly, too often in
stained glass there are people who will sell there work for little more than
the cost of materials.  This does nothing more for the art as a whole than to
support their individual glass habit.  It debases the general demand by
providing artificially low comparison prices and hurts people who are serious
about their work.

You should keep job cards, or some form of record, in which you include your
costs including a markup to cover shipping and the time you take for ordering,
the actual time you spend on each project, and something for overhead.  Even
if you don't have commercial rent to pay, it costs you in time to keep books,
and it cost you more for promotion, shows, etc.  I find that its helpful to
keep track of the different aspects of the job.  Puttying takes longer than
you might guess without your records. After a while, you will find that you
have a very useful resource for estimating in your job cards.  How much are
you worth?  That times time plus material is your asking price.  And once you
quote your price shut up.  The first one who talks looses.  I always think its
kind of sad to hear an artist talk me out of paying full price, but I never
stop them.

Most big studios quote by the square foot.  Complexity is also a big factor,
but its very hard to determine that in the initial bidding.  I usually give
the prospective client a range, and then try to get them to tell me where they
are in that range.  My final pricing on a job is based on a minimum price per
piece, compared to a minimum price per square foot, plus the cost of material.
Other factors can include how busy the studio is, and whether the client show
signs of being a pain.
No, we don't take every job, and there are bids we loose to lower bidders, but
we still manage to stay busy.  Remember that if you bid too low to do good
work your reputation will suffer, and you won't get a chance to do the really
great jobs.

Good luck!  I hope you get lots of responses.  I'm interested to hear what
others have to say.

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From owner-glass Mon Mar 23 19:29:41 1998
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From: Family Account <shad@mail2.nai.net>
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Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 20:10:58 -0500
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Albert Lewis wrote:
..................(stuff snipped)

> Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> Guild, should just dummy up?
>
> Albert
> --

No, Albert, no, no.  Go ahead and tell us interesting stuff.

Dorothy Kalahan coming at you from a different mailbox


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From owner-glass Mon Mar 23 19:42:50 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: " BOB   DUCHESNEAU" <YWAH36A@prodigy.com>
Content-Type: text/plain;
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 18:10:01 -0800
Message-ID: <1998Mar23.10101.0>
Precedence: bulk

Is dumping glass scraps on the beach, re-cycling as it is primarily sand to
start with?

enjoy, H

You could tumble it and sell it for fish tank gravel, give buckets of it for
anyone to play with (usually only once).



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From owner-glass Mon Mar 23 19:46:16 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: alewis@vgernet.net, glass@bungi.com
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Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 21:49:14 EST
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In a message dated 98-03-23 19:19:42 EST, alewis@vgernet.net writes:

<< Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
 Guild, should just dummy up? >>

Absolutely not!!! IMHO, of course.  What you tell us is glass related, so I
don't agree with the opposition .  From my recollection you keep it quite
short and refer those interested to a specific web site.  Those not interested
can "click on by" or delete.

If censoring continues there won't be much of bungi left.  There appears to
have already been a major decrease in postings since the last "conflict" and
people appear alot more hesitant to comment for fear of offending and/or being
attacked.  

Please continue posting Guild information, Albert.  For that matter any
remotely glass related information will probably be helpful to someone.

Thanks for all your help and keeping everyone posted!!!

Lu Ann
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From owner-glass Mon Mar 23 19:59:17 1998
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From: "Northernlights (a/k/a Tracy)" <Northernlights@pobox.com>
To: glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 20:26:47 -0600
Message-ID: <1998Mar23.142647.0>
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Hey Chief Clerk!  I don't mind references to the Guild...I don't really
see you mentioning it all that much and besides, it's part of you and it
IS connected to glass, which is why we're all here right?  We're here to
share ideas and learn from each other.  If you're not allowed to mention
the Guild, then others won't be allowed to mention their own businesses
either.  Freedom of speech I say.
> 
> I've had a request that I not keep mentioning the Guild or its
> programs here on bungi.com ... the complaint's actually that this
> person's getting "sick and tired" of seeing my constant references to
> Guild sites and locations. That's described as taking commercial
> advantage of the organization's non-profit status and as using
> precious bandwidth for what I guess is seen as unhelpful, useless,
> and not-glassy-enough information.
> 
> I explained that I only do that when specifically asked within the
> group, but that cuts no ice, apparently.
> 
> Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> Guild, should just dummy up?
> 
> Albert
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
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From owner-glass Mon Mar 23 20:02:20 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: Re: I've been asked a favor
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Tue, 24 Mar 1998 03:26:45 +0000
Message-ID: <199803240232.CAA31921@saturn.nildram.co.uk>
Precedence: bulk

Dear "Chief Clerk"

Do not take the blindest bit of notice.! There are always "wingers" 
about!
You know what they say;
You can please most of the people some of the time;
you can please some of the people most of the time;
You cannot please ALL the people ALL the time.....
Keep on plugging!

I usually read of all the wonderful events totally GREEN WITH ENVY ; 
cannot be there, cannot share, cannot see. But I sure as hell enjoy 
HEARING about all these wonderful meetings, events, exhibitions and 
so on.

Hopefully we ALL strive to become more knowledgable, more 
professional, more adventurous in stained glass (...and more able to 
teach and pass on to the next generation...).. IGGA has an important 
role to play in achieving all of this.

 I congratulate you on your 
post as Director for the College in Switzerland. That is truly an 
accolade which I know most people in USA don't quite appreciate (it's 
too far away!! .... and it's over HERE! It's too remote!)   What I 
want to know is, Are you going to remain the Albert I know, or are 
you going to become overpowered by the notorious "Old Boys' Club" 
network? How much time you will spend over here??
 Another question to you; in your new 
position/situation, what ideas have you to put forward to endeavour 
the "raprochement" between European and American stained glass 
perceptions?
How long is the appointment for?
I for one would enjoy very much banging on your door in Geneva and 
say: Hey! join me for a beer!!
Since hearing about your appointment, I have had a rush of unspoken 
questions about the practical implications of the appointment....

I am quite happy to encourage you to keep on being what you are and 
doing what you do, and for you to be you, to say what you say.
If you get a "winger" or two.... so what...?! Can't please....etc....

By the way ..... loved the beard!!
Do you keep bees??    ;->

Elisabeth 'n Toby in UK 

Albert wrote:
I've had a request that I not keep mentioning the Guild or its 
programs here on bungi.com ... the complaint's actually that this 
person's getting "sick and tired" of seeing my constant references to 
Guild sites and locations. That's described as taking commercial 
advantage of the organization's non-profit status and as using 
precious bandwidth for what I guess is seen as unhelpful, useless, 
and not-glassy-enough information.

I explained that I only do that when specifically asked within the 
group, but that cuts no ice, apparently.

Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
Guild, should just dummy up?

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Mar 23 20:29:59 1998
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X-Path: juno.com!jroey
From: jroey@juno.com (jerri m Roey)
To: glass@bungi.com
Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 22:27:27 -0500
Message-ID: <1998Mar23.172727.0>
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Albert,

	Please keep posting about the Guild and sites and such.  I'm not
a member, but I enjoy reading about the Guild, and I like to take a look
at the sites you mention.

Jerri


On Mon, 23 Mar 1998 17:38:55 +0000 "Albert Lewis" <alewis@vgernet.net>
writes:
>I've had a request that I not keep mentioning the Guild or its 
>programs here on bungi.com ... the complaint's actually that this 
>person's getting "sick and tired" of seeing my constant references to 
>Guild sites and locations. That's described as taking commercial 
>advantage of the organization's non-profit status and as using 
>precious bandwidth for what I guess is seen as unhelpful, useless, 
>and not-glassy-enough information.
>
>I explained that I only do that when specifically asked within the 
>group, but that cuts no ice, apparently.
>
>Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
>Guild, should just dummy up?
>
>Albert

_____________________________________________________________________
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From owner-glass Mon Mar 23 20:52:39 1998
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X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 22:49:34 -0500
Message-ID: <1998Mar23.174934.0>
References: <<1998Mar23.19572.0>>
Organization: Cox's Mower Service
Precedence: bulk

Not knowing how long it takes King Neptune to 'finish' beach glass, I wonder what
the sand would do to your crab trap, and mesh bag? I have (rarely) found whole
bottles, that were rolling around the ocean for a while. Frosted all over. They
look really nice in a sunlit window. Almost as good a some of the panels I've
done  8^)
ItsAlison wrote:

> Carl..You have the best idea yet!  What I wanted to ask you is this......if a
> person were to tie up a few pounds of scrap in a mesh bag, like the ones
> onions come in, and maybe put the bag inside a crab trap and suspend it over
> the side of a pier or jetty, tied up like that.......for maybe a while (how
> long did you say the process takes? LOL) Do you think  that when this person
> pulled the whole thing back up, it would be loaded with sandblasted red and
> blue beach glass????? <<G>>
> ~Alison~



--
'Every (person) must decide whether to walk in the light of creative
altruism or the darkness of selfishness. This is the judgement. Life's
most persistent and urgent question is "What are you doing for
others?' "Rev. Dr. Martin Luther King Jr.


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From owner-glass Mon Mar 23 21:03:01 1998
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X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Mon, 23 Mar 1998 22:53:05 -0500
Message-ID: <1998Mar23.17535.0>
References: <<m0yHFkC-0000APC@daver.bungi.com>>
Organization: Cox's Mower Service
Precedence: bulk

Rathe than a few hundred s*bscribers losing the benefit of your
willingness to share your knowledge, either as good old Albert, or 'Chief
Clerk', why don't you offer to show the offended party how to filter your
posts to a killfile???

Albert Lewis wrote:

> I've had a request that I not keep mentioning the Guild or its
> programs here on bungi.com ... the complaint's actually that this
> person's getting "sick and tired" of seeing my constant references to
> Guild sites and locations. That's described as taking commercial
> advantage of the organization's non-profit status and as using
> precious bandwidth for what I guess is seen as unhelpful, useless,
> and not-glassy-enough information.
>
> I explained that I only do that when specifically asked within the
> group, but that cuts no ice, apparently.
>
> Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> Guild, should just dummy up?
>
> Albert
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



--
'Every (person) must decide whether to walk in the light of creative
altruism or the darkness of selfishness. This is the judgement. Life's
most persistent and urgent question is "What are you doing for
others?' "Rev. Dr. Martin Luther King Jr.


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From owner-glass Mon Mar 23 21:19:13 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: What happened then?
Date: Mon, 23 Mar 1998 23:02:09 -0500
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Precedence: bulk


| 
| If censoring continues there won't be much of bungi left.  There appears to
| have already been a major decrease in postings since the last "conflict" and
| people appear alot more hesitant to comment for fear of offending and/or being
| attacked.  
| 

Since I came on board, I have seen recurring postings to "the
conflict". Can anybody give me (us --the newcommers) an account on
what happened then and why this list was unavailable for some time?



--
Daniel M. German                  "When you have removed the impossible,
                                   whatever remains, however improbable,
   Arthur Conan Doyle ->           must be the truth."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Mon Mar 23 21:37:26 1998
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X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Mon, 23 Mar 1998 23:09:13 -0500
Message-ID: <1998Mar23.18913.0>
References: <<m0yHGyS-000LiCC@why.az.stratus.com>>
Organization: Cox's Mower Service
Precedence: bulk

Thanks for breaking my bubble about winter finally being over <g>.
Spoken by a person who lives in the middle of a beach with no ocean 8^)>

Charles Spitzer wrote:

> You'd be amazed at all the living things (protozoa, bacteria, worms, etc) in
> sea water that can grow quite well in you and make you really sick. an open
> wound in fresh sea water is almost as bad as mom kissing your cut knee.
> ---
> Charles Spitzer
> charlie@az.stratus.com
> Phoenix, AZ

--
'Every (person) must decide whether to walk in the light of creative
altruism or the darkness of selfishness. This is the judgement. Life's
most persistent and urgent question is "What are you doing for
others?' "Rev. Dr. Martin Luther King Jr.


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From owner-glass Mon Mar 23 22:14:35 1998
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From: Carolyn Duncan <chick@cyberg8t.com>
To: newsgroup <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Small scraps of glass
Date: Mon, 23 Mar 1998 20:37:06 -0800
Message-ID: <1998Mar23.12376.0>
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I have taken various bright colors and made petal shapes, leaves, tree
trunks, clouds, sun, moon, and geometric shapes. I grind all of the
edges and invite small groups of children as young as 5 over to make
stepping stones.  Each child is given a paper with the size of the mold
drawn on it. After the child designs their stone I mix the cement and
pour into the mold. The children place their design into the cement.  I
am always amazed at their creativity.  Carolyn
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From owner-glass Mon Mar 23 22:48:09 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: Margaret41@aol.com
Subject: Re: getting rid of oxidation question
Date: Tue, 24 Mar 1998 00:48:27 -0500
Message-ID: <1998Mar23.194827.0>
References: <<1998Mar23.3225.0>>
Precedence: bulk

If you are getting this oxidation frequently, is it possible that you are
leaving pinholes in your solder?  If so, these holes are filled with flux
that washing can't get out, but will leach out over time and cause
corrosion.

As for the halo effect on your glass.  That is known as a flux stain. 
They are more prevalent on some types of glass than others and are
worsened if you leave flux on your work too long.  The only cleaner that
I have found that can get it off is "The Stain Remover That Really Works"
 by Novacan.

Gary Dodge           Dodge Studio Designs           www.dodgestudio.com


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From owner-glass Mon Mar 23 23:13:14 1998
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From: dodgestudio@juno.com
To: glass@bungi.com
Subject: Shameless Promotion
Date: Tue, 24 Mar 1998 00:52:22 -0500
Message-ID: <1998Mar23.195222.0>
Precedence: bulk

Just wanted to invite you to check out our two new patterns, called
Uplight/Downlight! at the Dodge Studio Designs website.

Also a new glass tip for March, and some additions at the help desk.



http://www.dodgestudio.com


Gary Dodge

_____________________________________________________________________
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From owner-glass Mon Mar 23 23:18:45 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 00:43:35 EST
Message-ID: <1998Mar24.54335.0>
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O Albert, leader of the glass ones. Speak on and heed not unto the quiblings
of the disgruntled.  He that has a delete button may use it to his liking.
Susan
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From owner-glass Mon Mar 23 23:28:40 1998
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X-Path: teleport.com!weaver51
From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain;
Subject: guild
Date: Mon, 23 Mar 1998 22:22:29 -0800
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At least for once I am NOT on the firing line over this one.

The guild posts are at least somewhat glass related.

Easy enough to relegate Albert to the delete file should you so desire. I
have not sent him that way.

enjoy, H

weaver51@teleport.com
http://www.teleport.com/~cbs/howard
enmeshed in the internet
trapped in the world wide web


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From owner-glass Mon Mar 23 23:31:16 1998
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From: P D RUSS <PDRUSS@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 01:36:18 EST
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In a message dated 98-03-23 19:03:39 EST, you write:

<< 
 If I had an area that showed promise I would think about dumping a 
 lot of glass and hope to get 1% back. Not likely to be legal. It is 
 likely that some of the glass would be recovered a long way away. 
 Bob >>


I hate to say this but most beaches don't allow glass bottles because they
don't want people stepping on broken glass. Some charge fines. I would hate to
think what they would do to people to deliberately dumping broken glass. 

Dianne
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From owner-glass Tue Mar 24 00:01:25 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Beach Glass - what now? Ouch!
Date: Mon, 23 Mar 1998 23:08:18 -0800
Message-ID: <1998Mar23.15818.0>
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Well Carl
	Better post warnings on the beaches where you are dumping glass to prevent 
children and other barefooted creatures may walk (if you have ever seen a 
child with a badly cut foot from beach glass, you may think twice about 
this policy). B-) Also, ocean currents don't generally take broken glass 
anywhere, they don't float!

-----Original Message-----
From:	Carl Childers [SMTP:shyguy@vdot.net]
Sent:	Monday, March 23, 1998 8:59 AM
To:	glass@bungi.com
Subject:	Re: Small Scraps of glass--what now?

Next time you are near the ocean, dump the whole box off shore. A 'beach
brain' activity very popular at shore side summer communities is
searching for beach glass. Beach glass is any scrap of glass from
bottles or whatever that has been 'sand blasted' after following
whatever ocean currents take it from there to here.

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From owner-glass Tue Mar 24 01:00:09 1998
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X-Path: magnet.mt!frank.g.mizzi
From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
To: glass@bungi.com, PDRUSS@aol.com
Content-Type: text/plain; charset=US-ASCII
Subject: RE:Re: Small Scraps of glass--what now?
Date: Tue Mar 24 00:16:26 1998
Message-ID: <98Mar24.102748gmt+0100.19587@michelle.magnet.mt>
Precedence: bulk

P D RUSS:
>In a message dated 98-03-23 19:03:39 EST, you write:
>
><< 
> If I had an area that showed promise I would think about dumping a 
> lot of glass and hope to get 1% back. Not likely to be legal. It is 
> likely that some of the glass would be recovered a long way away. 
> Bob >>
>
>
>I hate to say this but most beaches don't allow glass bottles because they
>don't want people stepping on broken glass. Some charge fines. I would hate to
>think what they would do to people to deliberately dumping broken glass. 
>
>Dianne


I agree with Dianne.
 However, I have seen in some US magazine a sort of small drum type machine that 
you load up with an abrasive sand/powder and the glass or "gem stones" and let 
it tumble for a while.
I guess you would get the same sort of effect.

Frank
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From owner-glass Tue Mar 24 01:24:04 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 00:59:49 -0800
Message-ID: <1998Mar23.165949.0>
References: <<m0yHFkC-0000APC@daver.bungi.com>>
Organization: Maiden Concepts
Precedence: bulk

Well I for one am trying to get into the glass business.  That means
purchasing materials as well as learning new concepts.  I think the
guild is very much glass oriented and helpful.  Even tho this is a
non-profit site we do spend money on this craft/ profession /hobby.  Any
time someone can help us save some of that money or learn a new way to
make more of it, I am all for it.

Albert Lewis wrote:
> 
> I've had a request that I not keep mentioning the Guild or its
> programs here on bungi.com ... the complaint's actually that this
> person's getting "sick and tired" of seeing my constant references to
> Guild sites and locations. That's described as taking commercial
> advantage of the organization's non-profit status and as using
> precious bandwidth for what I guess is seen as unhelpful, useless,
> and not-glassy-enough information.
> 
> I explained that I only do that when specifically asked within the
> group, but that cuts no ice, apparently.
> 
> Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> Guild, should just dummy up?
> 
> Albert
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From owner-glass Tue Mar 24 01:42:39 1998
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X-Path: luton.ac.uk!david.outram
From: david.outram@luton.ac.uk
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 08:47:24 GMT
Message-ID: <1998Mar24.84724.0>
Organization: University of Luton
Precedence: bulk

Hi all, aroused from perpetual lurking...
reading the respones to what to do with the scrap bits, I just 
wondered if anyone has tried mealting the glass bits together and 
seeing what effects are obtained, eg, making a vase former and 
coving with bits then heating together. I don't know if this would 
work due to different properties but would be interested to find out 
if anyone had tried it and their results.

Thanks and back to lurking...



> 
> --
> 'Every (person) must decide whether to walk in the light of creative
> altruism or the darkness of selfishness. This is the judgement. Life's
> most persistent and urgent question is "What are you doing for
> others?' "Rev. Dr. Martin Luther King Jr.
> 
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 
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From owner-glass Tue Mar 24 02:25:41 1998
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From: david.outram@luton.ac.uk
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: RE:Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 09:48:12 GMT
Message-ID: <1998Mar24.94812.0>
Organization: University of Luton
Precedence: bulk

Hi all, sorry if you get two mails from me but, I'm not sure if I 
sent it originally as I forgot to copy myself in.

This question on small scraps of glass aroused me from my luking mode 
to ask the following.....

Has anyone tried to mealt the pieces together. eg made a former of a 
vase put different pieces over it and heat it till it fuses. If so 
what effects did you obtain. Sorry if this is a basic question but 
I'm interested in the outcome as apossible means if disposing of 
waste usefully, and I don't really know if it is at all possible 
because of the different properties of the various glasses.

Thanks and back to lurking.....

From owner-glass Tue Mar 24 03:36:24 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: do I keep bees?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 24 Mar 1998 05:47:39 +0000
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> You can please most of the people some of the time;
> you can please some of the people most of the time;
> You cannot please ALL the people ALL the time.....
> Keep on plugging!

That was our own Abe Lincoln who said that (he had a beard, too). <g> 
Glad my posts are interesting (and tantalizing) for you, Elisabeth.


>  I congratulate you on your 
> post as Director for the College in Switzerland. ...
> want to know is, Are you going to remain the Albert I know, or are 
> you going to become overpowered by the notorious "Old Boys' Club" 
> network? How much time you will spend over here??

Thanks. I'm going to remain the Albert you know only more so. <s> 
I'll be in Switzerland late April/early May for a couple of days as 
part of a swing from Scotland, where my wife has to speak to a glass 
restoration conference on May 5. She's then doing some continuing 
research on Arts & Crafts glass in Scotland, following the trail of early 
American glassmakers, then I'll continue on to the school for a 
couple of days before coming back.  No time for England this time, 
alas, though I'd love to take you up on your oft-repeated 
invitations. Next time, perhaps.

>  Another question to you; in your new 
> position/situation, what ideas have you to put forward to endeavour 
> the "raprochement" between European and American stained glass 
> perceptions?
> How long is the appointment for?

I guess until I mess up in a major way. <g> As for rapprochement, I'm 
not sure there's such a great rift between Euro and American 
perceptions of stained glass ... what differences do you see?

> By the way ..... loved the beard!!
> Do you keep bees??    ;->

My dad and I kept about 70 hives, but that was 30 years ago when I 
couldn't even *raise a beard. You like it? My 16-year-old thinks I'm 
trying to be some kind of mountain man, but my wife likes it, so I 
guess the world's stuck with it for a while at least. I wonder how 
long it'll take to reach ZZTop proportions. <s>

Albert
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From owner-glass Tue Mar 24 03:53:53 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: 'nuf said
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 24 Mar 1998 05:47:40 +0000
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> informative sites. but from what I see so far it's
> complainers - 1
> pro IGGA - a distinct majority
> but I think you probably knew that would be the case. and the "cuts no ice, 
> apparently" may have been a little tongue in cheek

Ouch. I made a pun and didn't even realize it. Thanks for your 
comments, Glenn, and thanks to everyone else. I kinda thought (hoped) 
I wasn't stepping on anyone's (well, one set, I guess) toes (too 
much), so thanks again everyone and 'nuf said on the subject.

Albert
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From owner-glass Tue Mar 24 03:57:34 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@ bungie.com" <glass@bungi.com>
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Subject: RE: guild and posts
Date: Tue, 24 Mar 1998 06:14:26 -0500
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It's u-namimous then. Keep the posts up. Most of us who cared to reply =
enjoy the information and asking you to stop is akin to asking someone =
else who is interested in say mosaics to only post about <real> stained =
glass. Too limiting. I want all the infor I can process and then be left =
to decide what iws important to me and when.=20


Linda Campbell
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From owner-glass Tue Mar 24 04:30:04 1998
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From: Linda Campbell <lcbell@memach.com>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: I/V bag for water drip
Date: Tue, 24 Mar 1998 06:20:24 -0500
Message-ID: <1998Mar24.12024.0>
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I had the misfortune of going to the emergency room this weekend with a =
severe case of hives - reaction to an antiboitic, I think. They gave me =
I/V's of prednisone and benedryl.

The good news is that the nurse let me keep the I/V bag and all the =
tubing and valves. I hung the bag on a hook above my grinder. And the =
part where the needle was is just above my grinder sponge. I can control =
the drip with the little shunt and it really is great. Because it is =
only dripping when I need it, a little bag lasts an evening and I can =
refil the next day. No more dry grinder wheel.=20

I know alot of you dislike the water on the glass but to me the wetter =
the better. It saves the wheel and seems to grind much faster.


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From owner-glass Tue Mar 24 06:32:37 1998
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X-Path: worldnet.att.net!ElsieTurqman
From: Elsie Turqman <ElsieTurqman@worldnet.att.net>
To: "Albert Lewis" <alewis@vgernet.net>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 12:37:24 +0000
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Absolutely not.  As a long time lurker, I know that all the information you
dispense is helpful.  Since Glenna is the sponsor of the group, and she
hasn't asked to curtail your comments, no one else has the right to ask you
to limit your responses.

This is a help group and you are one of the prime helpers, in all your personae.

Elsie

At 05:38 PM 3/23/98 +0000, you wrote:
>I've had a request that I not keep mentioning the Guild or its 
>programs here on bungi.com ... the complaint's actually that this 
>person's getting "sick and tired" of seeing my constant references to 
>Guild sites and locations. That's described as taking commercial 
>advantage of the organization's non-profit status and as using 
>precious bandwidth for what I guess is seen as unhelpful, useless, 
>and not-glassy-enough information.
>
>I explained that I only do that when specifically asked within the 
>group, but that cuts no ice, apparently.
>
>Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
>Guild, should just dummy up?
>
>Albert
>----
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>

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From owner-glass Tue Mar 24 06:36:22 1998
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From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Grinding bits
Date: Tue Mar 24 04:42:55 1998
Message-ID: <98Mar24.145422gmt+0100.19591@michelle.magnet.mt>
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Greetings,

Does anyone know if it is possible to have grinder bits "re-surfaced" ?

I use 1/2 inch bits on my grinder and find that after some use the abrasive 
coating peels off in fairly large pieces.  From experience I have learned to 
move my bit down below the working surface of my grinder slowly  (i.e after so 
many hours of use)as it wears so as to avoid a worn spot.

 Is there something else I can do to further extend the life of my bit ( :p 
yeah!! better cutting and less grinding, Ha ha!)

If the above process is possible:  Where? How much? Worth it?

Thanks
Frank
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From owner-glass Tue Mar 24 07:19:15 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Non-glass question
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Date: Tue, 24 Mar 1998 08:18:06 +0000
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Say, since I design and maintain the Guild's glass-oriented web site 
(and a few others besides) and make a special effort to make that 
site (and the others) easily accessible, would you mind answering a 
question?

If while using the web you come to a site (or part of a site) that 
requires a "plug-in" to view special applications or hear sound 
bites, do you as a rule download and install the plug-in ... or do 
you usually *not do that?

Just curious ... reply directly to me, please, so as to not clog up 
bungi with your responses.  Thanks.

Albert
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From owner-glass Tue Mar 24 08:02:45 1998
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From: glasschic <joyce@mail.bright.net>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>, glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: What happened then?
Date: Tue, 24 Mar 1998 09:52:51 -0500
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>Since I came on board, I have seen recurring postings to "the
>conflict". Can anybody give me (us --the newcommers) an account on
>what happened then and why this list was unavailable for some time?
>
>

Undoubtedly you have gotten a few private explanations about "the
conflict", and I would say for the most part if anyone tells you what it
was allllllll about publicly they would be booted from the list.  For those
who can't read all the private explanations, just know that it was all out
warfare and the list got suspended for a few days because of it, and we all
suffered bungi withdrawal.  So I can understand why a few people (most
perhaps) are a little leary of posting their opinions on the list.

Garden of Glass
Joyce Moran
Bellefontaine, Ohio

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From owner-glass Tue Mar 24 09:01:25 1998
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From: Sue Reitmann <oddjob@scc.net>
To: "glass@ bungie.com" <glass@bungi.com>,
Content-Type: text/plain; charset="us-ascii"
Subject: RE: I/V bag for water drip
Date: Tue, 24 Mar 1998 08:58:43 -0600
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<snip>The good news is that the nurse let me keep the I/V bag and all the tubing and valves. =

Sounds like a great idea to me. Would one have to go to the ER to obtain a bag? (I've had enough of hospitals lately) ;-) 
Anyone know a source where one could purchase such an item?
Sue Reitmann






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From owner-glass Tue Mar 24 09:04:15 1998
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From: vlclover@juno.com
To: glass@bungi.com
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 09:59:15 EST
Message-ID: <1998Mar24.145915.0>
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I for one appreciate all the references to the guild.
I enjoy looking at new things and learning as well.

Laurean

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Tue Mar 24 09:15:24 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 10:05:32 -0500 (EST)
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Hi Albert,

Well is there anything else they don't want us talking about?????
Are we going to make a list???
And I guess all of us who work professionally can't talk about our studios
and our commissions and most of all our suppliers and oh yes, all those
informative ideas????
And the location of my site??? which happens to be
http://www.waterw.com/~artglass 
We happen to be a corporation....for profit...cause it happens to pay for
the food.

Albert I don't ever think that you misuse any bandwidth or take advantage of
anything on this list.  Some folks I think just have to much time on their
hands.

But I would be interested in who it is and why they are sick and tired?
Inquiring minds want to know.


my best,
pj 

whose site is listed at http://www.waterw.com/~artglass



>I've had a request that I not keep mentioning the Guild or its 
>programs here on bungi.com ... the complaint's actually that this 
>person's getting "sick and tired" of seeing my constant references to 
>Guild sites and locations. That's described as taking commercial 
>advantage of the organization's non-profit status and as using 
>precious bandwidth for what I guess is seen as unhelpful, useless, 
>and not-glassy-enough information.
>
>I explained that I only do that when specifically asked within the 
>group, but that cuts no ice, apparently.
>
>Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
>Guild, should just dummy up?
>
>Albert
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Tue Mar 24 09:32:51 1998
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: heat checking by design
Date: Tue, 24 Mar 1998 10:05:25 -0500 (EST)
Message-ID: <199803241505.KAA03286@water.waterw.com>
Precedence: bulk

len,

can i suggest that you pop those pieces into a crock pot with some vermiculite
for an overnite?  Just to make sure that they have some annealing.

my best,
pj

>glassfolks,
>
>
>I am in the final design stages for a door lite for my own home.  Yippee!
>
>I have decided to incorporate an elaborate *piece intensive* multi -coursed
>border into the design. Some of the main design will flow out and be
>superimposed over the border.... a design device that I have used in the
>past with good results. I like the look of the added depth.
>
>Anyway, what I plan to do is have the outermost border a bright detailed
>small piece geometric, and the inner just a narrow, dark , single color
>strip border. In between I want a random organic looking style (to
>complement  the strong organic oriental elements in the main motif.)
>Something like a crackle.  I am trying to create the illusion of an ornate
>stepped frame.
>
>I have experimented by heating  3/4 inch wide strips of  thin antique with a
>propane torch and then spritzing them with a spray bottle containing water
>and also spraying the glass with water  then heating with the torch. The
>results are some interesting heat checking. I then foil the pieces back
>together being careful not to foil all the way to the edge. Since I am not
>able compensate for the foil thickness when I reassemble the sections, I can
>grind the edges flush again without running over the foil and solder and the
>unfoiled gaps will be hidden under the came. The heat check cracks take on
>attractive twists and turns that  would be impossible to duplicate with a
>glass cutter.  Looks good to me.
>
>Has anyone worked with anything similiar to this *accident art* technique?
>I guess my only real concern is the stability of the glass after being
>exposed to this type of stress. I tried using thicker glass but the
>resultent  checking patterns were not as convoluted and sort of defeated the
>purpose. If I use too much heat on the thick pieces the glass just shatters.
>
>Thanks
>
>Len
>
>**** Fight spam!  Join CAUCE    http://www.cauce.org/  ****
>
>
>
>
>
>
>
>
>
>
>
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>

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From owner-glass Tue Mar 24 09:50:22 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>
Content-Type: text/plain; charset=us-ascii
Subject: Re: What happened then?
Date: Tue, 24 Mar 1998 10:35:02 -0500
Message-ID: <1998Mar24.5352.0>
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Daniel M. German wrote:
> 
> |
> | If censoring continues there won't be much of bungi left.  There appears to
> | have already been a major decrease in postings since the last "conflict" and
> | people appear alot more hesitant to comment for fear of offending and/or being
> | attacked.
> |
> 
> Since I came on board, I have seen recurring postings to "the
> conflict". Can anybody give me (us --the newcommers) an account on
> what happened then and why this list was unavailable for some time?
> 
> --


without starting the fire again, it went something like this:

a few people (mainly in the UK), asked if some people would edit down
their messages because it's expensive to download the larger files
(though really not by much).... anyway with that said, some of the
people mentioned that their not going to edit. 

i'll edit out a double maybe a single bungi sig. or if the sig is too
long. other's think it's better to clip out the exact sentance that
their responding to. but i never like this format because it took a long
time to do it, and is only affective for a few posts. 

other's don't quote at all. stating that "you should be following along,
and you should know what was last said". problem is, people will respond
to the question, and then other's will respond to the response. and if
there's no quotes anywhere, it's confusing. it's like having just the
word "no", and that's it...


anyway...


it seems that this issue was bothering some people more than other's.
the people in question (mainly me, for some reason i was singled out);
tried to lay low. but then the insults started to fly, and some fairly
mean. and then i had to fight back, and from there, there must have been
over 200 messages on this topic mainly name calling in one form or
another. totally defeating the original perpose. because now the UK's
had to download 50 times more mail. alot of them overly quoted (to prove
some kind of point).

it got so bad that Dave Rand shut the list off for a few days, and all
was quiet. 

alot of people came to my defense, stating that that don't mind my
format of response. they know to scroll down to the bottom and read the
knowledge. unfortunally other's don't and either flamed me in private or
erases it (like a care). while still one more bounced back my mail, in a
babyish attempt to prove something (and still is). i'm still not sure
why i was singled out. i did'nt even notice that i posted that much. i
guess my name just pops up the most. other's don't edit either. to me
it  was/is a read and delete situation. 

so.... dave turned the list back on (this all happened about 1-2 months
ago). but he changed the format so that when you push RE: it goes to the
sender of the original message. it used to go to the glass@bungi...
which is what a listserv is. someone asks a question and everyone (not
just the poster), here's the response. and then people respond to the
response. 

however there's a flaw to that plan. 

#1. this was stated in the above paragraph, no one else here's the
response. 

#2. for some reason the RE:ALL does'nt always work, when it goes through
the bungi machine, it puts the sig line on, and re-distributes with a
non bungi email address... confusing things even more.

so now the list suffers somewhat because of the new format. and although
he did mention why he thinks this was is better, i still don't see how.
it's not set up like a listserv, it's set up like a newsgroup.


so now people want to stay quiet - or risk the group going down. there
afraid to stray. yes talking about non-stained glass things, is'nt
terrific. but basically it's a cocktail party and everyone is'nt always
going to be talking about the same subject. and the straying is always
that bad. a handfull of posts at most. 


so becuase of a few very selfish people (the one's who had the hardest
feelings about editing), runied the list for the rest of us...


the end..

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 10:05:29 -0500
Message-ID: <1998Mar24.5529.0>
References: <<1998Mar23.142647.0>>
Precedence: bulk

Northernlights (a/k/a Tracy) wrote:
> 
> Hey Chief Clerk!  I don't mind references to the Guild...I don't really
> see you mentioning it all that much and besides, it's part of you and it
> IS connected to glass, which is why we're all here right?  We're here to
> share ideas and learn from each other.  If you're not allowed to mention
> the Guild, then others won't be allowed to mention their own businesses
> either.  Freedom of speech I say.
> >
> > I've had a request that I not keep mentioning the Guild or its
> > programs here on bungi.com ... the complaint's actually that this
> > person's getting "sick and tired" of seeing my constant references to
> > Guild sites and locations. That's described as taking commercial
> > advantage of the organization's non-profit status and as using
> > precious bandwidth for what I guess is seen as unhelpful, useless,
> > and not-glassy-enough information.
> >
> > I explained that I only do that when specifically asked within the
> > group, but that cuts no ice, apparently.
> >
> > Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> > Guild, should just dummy up?
> >
> > Albert
> > ----

who was the person/people who mentioned it? i wonder if it's the same
person who keeps badgering me... (which by the way i'm not going to
change, so think about that, then think about bouncing it the rest of
your life...)

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Tue Mar 24 10:03:22 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: "Howard and Elaine Rubin" <weaver51@teleport.com>, 
Subject: Re: guild
Date: Tue, 24 Mar 1998 07:13:19 PST
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[In the message entitled "guild" on Mar 23, 22:22, "Howard and Elaine Rubin" writes:]
> At least for once I am NOT on the firing line over this one.
> 
> The guild posts are at least somewhat glass related.
> 
I think Albert's postings are definately glass related and very
informative.


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Tue Mar 24 10:08:45 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 10:11:53 -0500
Message-ID: <1998Mar24.51153.0>
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Carl Childers wrote:
> 
> Rathe than a few hundred s*bscribers losing the benefit of your
> willingness to share your knowledge, either as good old Albert, or 'Chief
> Clerk', why don't you offer to show the offended party how to filter your
> posts to a killfile???
> 
> Albert Lewis wrote:
> 
> > I've had a request that I not keep mentioning the Guild or its
> > programs here on bungi.com ... the complaint's actually that this
> > person's getting "sick and tired" of seeing my constant references to
> > Guild sites and locations. That's described as taking commercial
> > advantage of the organization's non-profit status and as using
> > precious bandwidth for what I guess is seen as unhelpful, useless,
> > and not-glassy-enough information.
> >
> > I explained that I only do that when specifically asked within the
> > group, but that cuts no ice, apparently.
> >
> > Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> > Guild, should just dummy up?
> >
> > Albert



basically that's what they can do. soon they'll wind up deleting all the
major posters and they'll be left with nothing. there's already at least
one guy who, when see's my name deletes it automatically, becuase
somehow he's offended by a slight quote. but if you don't quote no one
knows what your talking about. sig lines should stay in. mine are always
in. 

so the people who don't want to see it, delete it. stop complaining.
because before you know it, the list will be just lurkers. because you
either chased away all the good posters, or are deleting them because of
one thing or another.

---Mike Savad


-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Tue Mar 24 13:03:40 1998
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: heat checking by design
Date: Tue, 24 Mar 1998 10:05:25 -0500 (EST)
Message-ID: <199803241505.KAA03286@water.waterw.com>
Precedence: bulk

len,

can i suggest that you pop those pieces into a crock pot with some vermiculite
for an overnite?  Just to make sure that they have some annealing.

my best,
pj

>glassfolks,
>
>
>I am in the final design stages for a door lite for my own home.  Yippee!
>
>I have decided to incorporate an elaborate *piece intensive* multi -coursed
>border into the design. Some of the main design will flow out and be
>superimposed over the border.... a design device that I have used in the
>past with good results. I like the look of the added depth.
>
>Anyway, what I plan to do is have the outermost border a bright detailed
>small piece geometric, and the inner just a narrow, dark , single color
>strip border. In between I want a random organic looking style (to
>complement  the strong organic oriental elements in the main motif.)
>Something like a crackle.  I am trying to create the illusion of an ornate
>stepped frame.
>
>I have experimented by heating  3/4 inch wide strips of  thin antique with a
>propane torch and then spritzing them with a spray bottle containing water
>and also spraying the glass with water  then heating with the torch. The
>results are some interesting heat checking. I then foil the pieces back
>together being careful not to foil all the way to the edge. Since I am not
>able compensate for the foil thickness when I reassemble the sections, I can
>grind the edges flush again without running over the foil and solder and the
>unfoiled gaps will be hidden under the came. The heat check cracks take on
>attractive twists and turns that  would be impossible to duplicate with a
>glass cutter.  Looks good to me.
>
>Has anyone worked with anything similiar to this *accident art* technique?
>I guess my only real concern is the stability of the glass after being
>exposed to this type of stress. I tried using thicker glass but the
>resultent  checking patterns were not as convoluted and sort of defeated the
>purpose. If I use too much heat on the thick pieces the glass just shatters.
>
>Thanks
>
>Len
>
>**** Fight spam!  Join CAUCE    http://www.cauce.org/  ****
>
>
>
>
>
>
>
>
>
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Tue Mar 24 13:05:10 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 10:05:29 -0500
Message-ID: <1998Mar24.5529.0>
References: <<1998Mar23.142647.0>>
Precedence: bulk

Northernlights (a/k/a Tracy) wrote:
> 
> Hey Chief Clerk!  I don't mind references to the Guild...I don't really
> see you mentioning it all that much and besides, it's part of you and it
> IS connected to glass, which is why we're all here right?  We're here to
> share ideas and learn from each other.  If you're not allowed to mention
> the Guild, then others won't be allowed to mention their own businesses
> either.  Freedom of speech I say.
> >
> > I've had a request that I not keep mentioning the Guild or its
> > programs here on bungi.com ... the complaint's actually that this
> > person's getting "sick and tired" of seeing my constant references to
> > Guild sites and locations. That's described as taking commercial
> > advantage of the organization's non-profit status and as using
> > precious bandwidth for what I guess is seen as unhelpful, useless,
> > and not-glassy-enough information.
> >
> > I explained that I only do that when specifically asked within the
> > group, but that cuts no ice, apparently.
> >
> > Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> > Guild, should just dummy up?
> >
> > Albert
> > ----

who was the person/people who mentioned it? i wonder if it's the same
person who keeps badgering me... (which by the way i'm not going to
change, so think about that, then think about bouncing it the rest of
your life...)

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Tue Mar 24 13:29:35 1998
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X-Path: dlr
From: dlr@bungi.com (Dave Rand)
To: glass@bungi.com
Subject: Sigh.
Date: Tue, 24 Mar 1998 11:22:58 PST
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Precedence: bulk

[In the message entitled "Re: What happened then?" on Mar 24, 10:35, "M. Savad" writes:]
> so.... dave turned the list back on (this all happened about 1-2 months
> ago). but he changed the format so that when you push RE: it goes to the
> sender of the original message. it used to go to the glass@bungi...
> which is what a listserv is. someone asks a question and everyone (not
> just the poster), here's the response. and then people respond to the
> response. 

I run many mailing lists, and host lots of them.  Glenna runs the Stained
glass list.

I also participate in many mailing lists.  Once mailing lists grow beyond a
certain size, the reply-to-sender (rather than list) option is almost always
invoked, as the volume of mail that is non-list related usually becomes
intolerable.  That's what happened on the glass list.

When I queried the people on the list about the change, I got far more
positive comments than negative.  It *has* decreased the noise level.  The
list is more readable.  Life is better than before.

-- 
Dave Rand
dlr@bungi.com
http://www.bungi.com
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From owner-glass Tue Mar 24 14:00:20 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: "Daniel M. German" <dmg@csg.uwaterloo.ca>
Content-Type: text/plain; charset=us-ascii
Subject: Re: What happened then?
Date: Tue, 24 Mar 1998 10:35:02 -0500
Message-ID: <1998Mar24.5352.0>
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Daniel M. German wrote:
> 
> |
> | If censoring continues there won't be much of bungi left.  There appears to
> | have already been a major decrease in postings since the last "conflict" and
> | people appear alot more hesitant to comment for fear of offending and/or being
> | attacked.
> |
> 
> Since I came on board, I have seen recurring postings to "the
> conflict". Can anybody give me (us --the newcommers) an account on
> what happened then and why this list was unavailable for some time?
> 
> --


without starting the fire again, it went something like this:

a few people (mainly in the UK), asked if some people would edit down
their messages because it's expensive to download the larger files
(though really not by much).... anyway with that said, some of the
people mentioned that their not going to edit. 

i'll edit out a double maybe a single bungi sig. or if the sig is too
long. other's think it's better to clip out the exact sentance that
their responding to. but i never like this format because it took a long
time to do it, and is only affective for a few posts. 

other's don't quote at all. stating that "you should be following along,
and you should know what was last said". problem is, people will respond
to the question, and then other's will respond to the response. and if
there's no quotes anywhere, it's confusing. it's like having just the
word "no", and that's it...


anyway...


it seems that this issue was bothering some people more than other's.
the people in question (mainly me, for some reason i was singled out);
tried to lay low. but then the insults started to fly, and some fairly
mean. and then i had to fight back, and from there, there must have been
over 200 messages on this topic mainly name calling in one form or
another. totally defeating the original perpose. because now the UK's
had to download 50 times more mail. alot of them overly quoted (to prove
some kind of point).

it got so bad that Dave Rand shut the list off for a few days, and all
was quiet. 

alot of people came to my defense, stating that that don't mind my
format of response. they know to scroll down to the bottom and read the
knowledge. unfortunally other's don't and either flamed me in private or
erases it (like a care). while still one more bounced back my mail, in a
babyish attempt to prove something (and still is). i'm still not sure
why i was singled out. i did'nt even notice that i posted that much. i
guess my name just pops up the most. other's don't edit either. to me
it  was/is a read and delete situation. 

so.... dave turned the list back on (this all happened about 1-2 months
ago). but he changed the format so that when you push RE: it goes to the
sender of the original message. it used to go to the glass@bungi...
which is what a listserv is. someone asks a question and everyone (not
just the poster), here's the response. and then people respond to the
response. 

however there's a flaw to that plan. 

#1. this was stated in the above paragraph, no one else here's the
response. 

#2. for some reason the RE:ALL does'nt always work, when it goes through
the bungi machine, it puts the sig line on, and re-distributes with a
non bungi email address... confusing things even more.

so now the list suffers somewhat because of the new format. and although
he did mention why he thinks this was is better, i still don't see how.
it's not set up like a listserv, it's set up like a newsgroup.


so now people want to stay quiet - or risk the group going down. there
afraid to stray. yes talking about non-stained glass things, is'nt
terrific. but basically it's a cocktail party and everyone is'nt always
going to be talking about the same subject. and the straying is always
that bad. a handfull of posts at most. 


so becuase of a few very selfish people (the one's who had the hardest
feelings about editing), runied the list for the rest of us...


the end..

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Tue Mar 24 14:01:49 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 13:23:45 -0600
Message-ID: <199803241922.NAA01657@westbyserver.westby.mwt.net>
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To the list
I  am very disappointed that the information, as presented below, is filled
with out of context paraphrasing. It is in fact a one sided subjective
interpretation of the issue we discussed.

Albert, you have my permission to foward to the list the text of our recent
off-list conversations concerning the excessive inclusion of hyperlinks and
references only to the commercial entities that you are associated with " in
the body of your messages "  I have nothing to hide.
Of course the only stipulation would be that you also include your
reponses, unedited, to what I firmly believe was a simple and fair request.
It would be a equitable starting point. Don't you agree?
Len
***** Fight spam!  Join CAUCE  http://www.cauce.org/ *****

>I've had a request that I not keep mentioning the Guild or its
>programs here on bungi.com ... the complaint's actually that this
>person's getting "sick and tired" of seeing my constant references to
>Guild sites and locations. That's described as taking commercial
>advantage of the organization's non-profit status and as using
>precious bandwidth for what I guess is seen as unhelpful, useless,
>and not-glassy-enough information.
>
>I explained that I only do that when specifically asked within the
>group, but that cuts no ice, apparently.
>
>Any thoughts on whether I, as ExecDir (read "chief clerk") of the
>Guild, should just dummy up?




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From owner-glass Tue Mar 24 14:04:34 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: "Howard and Elaine Rubin" <weaver51@teleport.com>, 
Subject: Re: guild
Date: Tue, 24 Mar 1998 07:13:19 PST
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[In the message entitled "guild" on Mar 23, 22:22, "Howard and Elaine Rubin" writes:]
> At least for once I am NOT on the firing line over this one.
> 
> The guild posts are at least somewhat glass related.
> 
I think Albert's postings are definately glass related and very
informative.


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Tue Mar 24 14:16:12 1998
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X-Path: tznet.com!diacca
From: Pat Diacca Topp <diacca@tznet.com>
To: "Albert Lewis" <alewis@vgernet.net>,glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 14:35:08 -0600
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The Guild concerns us all, and it is not like it is a big mega corporation
making profit off all us little guys.  Pat

At 05:38 PM 3/23/98 +0000, Albert Lewis wrote:
>I've had a request that I not keep mentioning the Guild or its 
>programs here on bungi.com ... the complaint's actually that this 
>person's getting "sick and tired" of seeing my constant references to 
>Guild sites and locations. That's described as taking commercial 
>advantage of the organization's non-profit status and as using 
>precious bandwidth for what I guess is seen as unhelpful, useless, 
>and not-glassy-enough information.
>
>I explained that I only do that when specifically asked within the 
>group, but that cuts no ice, apparently.
>
>Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
>Guild, should just dummy up?
>
>Albert
>----
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>Archives available at http://www.bungi.com/glass
>

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From owner-glass Tue Mar 24 14:39:52 1998
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X-Path: prodigy.com!YWAH36A
From: YWAH36A@prodigy.com ( BOB   DUCHESNEAU)
To: glass@bungi.com, lcbell@memach.com
Subject: I/V bag for water drip
Date: Tue, 24 Mar 1998 13:15:34, -0500
Message-ID: <199803241815.NAA09280@mime3.prodigy.com>
Precedence: bulk

Linda writes:
>I know a lot of you dislike the water on the glass but to me the 
wetter 
>the better. It saves the wheel and seems to grind much faster.

Yes, to saves the wheel and faster grinding. The best part about 
using enough water may be the fact that it also keeps the glass dust 
down and out of your lungs. Dry grinding is not a good practice. Bob

Ps: Keep it up Albert. We need someone to exchange rocks with. :-)

____
Bob Duchesneau Mountain Meadow Stained Glass, (Upon reciept of msg 
that *possom is unfriendly to chickens* destroy your code machines.) 
26746 Mountain Meadow Road, Escondido, CA, 92026,USA
Voice (760) 749-3966    FAX (760) 749-6427
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From owner-glass Tue Mar 24 14:49:21 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 10:11:53 -0500
Message-ID: <1998Mar24.51153.0>
References: <<1998Mar23.17535.0>>
Precedence: bulk

Carl Childers wrote:
> 
> Rathe than a few hundred s*bscribers losing the benefit of your
> willingness to share your knowledge, either as good old Albert, or 'Chief
> Clerk', why don't you offer to show the offended party how to filter your
> posts to a killfile???
> 
> Albert Lewis wrote:
> 
> > I've had a request that I not keep mentioning the Guild or its
> > programs here on bungi.com ... the complaint's actually that this
> > person's getting "sick and tired" of seeing my constant references to
> > Guild sites and locations. That's described as taking commercial
> > advantage of the organization's non-profit status and as using
> > precious bandwidth for what I guess is seen as unhelpful, useless,
> > and not-glassy-enough information.
> >
> > I explained that I only do that when specifically asked within the
> > group, but that cuts no ice, apparently.
> >
> > Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> > Guild, should just dummy up?
> >
> > Albert



basically that's what they can do. soon they'll wind up deleting all the
major posters and they'll be left with nothing. there's already at least
one guy who, when see's my name deletes it automatically, becuase
somehow he's offended by a slight quote. but if you don't quote no one
knows what your talking about. sig lines should stay in. mine are always
in. 

so the people who don't want to see it, delete it. stop complaining.
because before you know it, the list will be just lurkers. because you
either chased away all the good posters, or are deleting them because of
one thing or another.

---Mike Savad


-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Mar 24 14:53:25 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 09:47:42 -0600
Message-ID: <199803241546.JAA10736@westbyserver.westby.mwt.net>
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To the list

I  am very disappointed that the information, as presented below, is filled
with out of context paraphrasing. It is in fact a one sided subjective
interpretation of the issue we discussed.


Albert, you have my permission to foward to the list the text of our recent
off-list conversations concerning the excessive inclusion of hyperlinks and
references only to the commercial entities that you are associated with " in
the body of your messages "  I have nothing to hide.

 Of course the only stipulation would be that you also include your
reponses, unedited, to what I firmly believe was a simple and fair request.

It would be a equitable starting point. Don't you agree?

Len

***** Fight spam!  Join CAUCE  http://www.cauce.org/ *****



>I've had a request that I not keep mentioning the Guild or its
>programs here on bungi.com ... the complaint's actually that this
>person's getting "sick and tired" of seeing my constant references to
>Guild sites and locations. That's described as taking commercial
>advantage of the organization's non-profit status and as using
>precious bandwidth for what I guess is seen as unhelpful, useless,
>and not-glassy-enough information.
>
>I explained that I only do that when specifically asked within the
>group, but that cuts no ice, apparently.
>
>Any thoughts on whether I, as ExecDir (read "chief clerk") of the
>Guild, should just dummy up?



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From owner-glass Tue Mar 24 14:54:42 1998
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 10:51:41 -0500
Message-ID: <1998Mar24.55141.0>
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P D RUSS wrote:
> 
> In a message dated 98-03-23 19:03:39 EST, you write:
> 
> <<
>  If I had an area that showed promise I would think about dumping a
>  lot of glass and hope to get 1% back. Not likely to be legal. It is
>  likely that some of the glass would be recovered a long way away.
>  Bob >>
> 
> I hate to say this but most beaches don't allow glass bottles because they
> don't want people stepping on broken glass. Some charge fines. I would hate to
> think what they would do to people to deliberately dumping broken glass.
> 
> Dianne
> ----


especially very tracable stained glass - glass. 

---Mike Savad

-- 
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2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Mar 24 15:15:03 1998
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From: TifStyOrig <TifStyOrig@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: getting rid of oxidation question
Date: Tue, 24 Mar 1998 10:59:09 EST
Message-ID: <1998Mar24.15599.0>
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The product I use to treat oxidation is lemon oil.  I use a q-tip or cotton
ball and rub the area with the oxidation.  I leave it on for awhile and just
repolish with kem-pro or wax.  This seems to treat the problem.
Diane Manchester
Tiffany Styled Originals
Delray Beach, FL
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From owner-glass Tue Mar 24 15:20:47 1998
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From: "M. Savad" <morn@nac.net>
To: david.outram@luton.ac.uk
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 10:55:54 -0500
Message-ID: <1998Mar24.55554.0>
References: <<1998Mar24.94812.0>>
Precedence: bulk

david.outram@luton.ac.uk wrote:
> 
> Hi all, sorry if you get two mails from me but, I'm not sure if I
> sent it originally as I forgot to copy myself in.
> 
> This question on small scraps of glass aroused me from my luking mode
> to ask the following.....
> 
> Has anyone tried to mealt the pieces together. eg made a former of a
> vase put different pieces over it and heat it till it fuses. If so
> what effects did you obtain. Sorry if this is a basic question but
> I'm interested in the outcome as apossible means if disposing of
> waste usefully, and I don't really know if it is at all possible
> because of the different properties of the various glasses.
> 
> Thanks and back to lurking.....


well first of all the glass has to be compatible. other wise the glass
will crack. second, not all glass fuses well some of it turns icky
colors. and thirdly, to form glass over a shape, it needs to be a flat
sheet. otherwise the glass wall fall off of the form, and blob up.

however the scrap can be made into a 3-d mosiac. by using a form and
foiling and soldering the glass together. it will look a little messy,
but if you like it, then okie doke.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Tue Mar 24 15:25:15 1998
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From: ItsAlison <ItsAlison@aol.com>
To: WhispyBlu@aol.com, alewis@vgernet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 11:06:55 EST
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In a message dated 98-03-23 22:46:53 EST, WhispyBlu@aol.com writes:

<< If censoring continues there won't be much of bungi left.  There appears to
 have already been a major decrease in postings since the last "conflict" and
 people appear alot more hesitant to comment for fear of offending and/or
being
 attacked.  
 
 Please continue posting Guild information, Albert.  For that matter any
 remotely glass related information will probably be helpful to someone.
 
 Thanks for all your help and keeping everyone posted!!!
 
 Lu Ann >>

I agree with Lu Ann and with all of the others who have written to say they
would like to continue to have guild information occasionaly included here. I
also agree that the owners of this list should have significant imput as to
what goes on here.  I dont know who asked you this "favor" but I think if
people here want this information, they should be able to receive it.  On this
list and on other lists I subscribe to,  I have noticed that any time the
discussion gets too close to some "real issues"...issues that are
controversial just because they are so important to many of the people there
......the "offense takers" suddenly appear, trying to quiet the whole thing
down. These are usually bread and butter issues that involve money somewhere
along the line. That is why I am so baffled about this guild issue...I simply
dont understand it. Perhaps in time I will come to see just what is involved
here. ~Alison~
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From owner-glass Tue Mar 24 15:29:14 1998
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X-Path: lasercom.net!jean
From: "Jean" <jean@lasercom.net>
To: "glasschic" <joyce@mail.bright.net>,
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: What happened then?
Date: Tue, 24 Mar 1998 08:35:34 -0800
Message-ID: <199803241621.IAA00951@intergate.lasercom.net>
Precedence: bulk

Suggest you go to archives of a couple months back and review the posts. 

Archives available at http://www.bungi.com/glass


----------
> From: glasschic <joyce@mail.bright.net>
> To: Daniel M. German <dmg@csg.uwaterloo.ca>; glass@bungi.com
> Subject: Re: What happened then?
> Date: Tuesday, March 24, 1998 6:52 AM
> 
> 
> >Since I came on board, I have seen recurring postings to "the
> >conflict". Can anybody give me (us --the newcommers) an account on
> >what happened then and why this list was unavailable for some time?
> >
> >
> 
> Undoubtedly you have gotten a few private explanations about "the
> conflict", and I would say for the most part if anyone tells you what it
> was allllllll about publicly they would be booted from the list.  For
those
> who can't read all the private explanations, just know that it was all
out
> warfare and the list got suspended for a few days because of it, and we
all
> suffered bungi withdrawal.  So I can understand why a few people (most
> perhaps) are a little leary of posting their opinions on the list.
> 
> Garden of Glass
> Joyce Moran
> Bellefontaine, Ohio
> 
> ----
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From owner-glass Tue Mar 24 15:31:37 1998
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From: "Jean" <jean@lasercom.net>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: RE: Giraffe Finished!
Date: Tue, 24 Mar 1998 08:09:51 -0800
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Susan,

Thanks for sharing - your giraffe looks great! What a beautiful job you did
(and you were apprehensive?). He really looks impressive. You deserve to be
very proud of this work, your first large one. Now, what is your next
challenge?

If any of the listers have not seen Susans' giraffe (and you have an
interest in wild animals), do ask her to share it with you. She really did
a great job.

Jean

jean@lasercom.net
ICQ #7131940
NetMeeting: Bonnie Nrmn ils1


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From owner-glass Tue Mar 24 15:36:09 1998
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From: Carl Childers <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 11:45:34 -0500
Message-ID: <1998Mar24.64534.0>
References: <<98Mar24.102748gmt+0100.19587@michelle.magnet.mt>>
Organization: Cox's Mower Service
Precedence: bulk

Just to satisfy the safety concerned people on the list I said dump it in the ocean,
not on the beach. By the time the glass amkes it to the beach, the edges are
rounded.
I have a bigger problem with medical waste being dumped with trash at the mouth of
NY harbor. The hypodermic needles washing up on Long Island and New Jersey beaches
is a bigger health problem to me IMHO
Mizzi Frank at MITTS wrote:

> P D RUSS:
> >In a message dated 98-03-23 19:03:39 EST, you write:
> >
> ><<
> > If I had an area that showed promise I would think about dumping a
> > lot of glass and hope to get 1% back. Not likely to be legal. It is
> > likely that some of the glass would be recovered a long way away.
> > Bob >>
> >
> >
> >I hate to say this but most beaches don't allow glass bottles because they
> >don't want people stepping on broken glass. Some charge fines. I would hate to
> >think what they would do to people to deliberately dumping broken glass.
> >
> >Dianne
>
> I agree with Dianne.
>  However, I have seen in some US magazine a sort of small drum type machine that
> you load up with an abrasive sand/powder and the glass or "gem stones" and let
> it tumble for a while.
> I guess you would get the same sort of effect.
>
> Frank
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Tue Mar 24 15:36:59 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: heat checking by design
Date: Tue, 24 Mar 1998 16:54:47 -0600
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>len,
>
>can i suggest that you pop those pieces into a crock pot with some
vermiculite
>for an overnite?  Just to make sure that they have some annealing.

Anneal them.... of course. Boy, out of the biz for a while and I'm slipping
already.  :-)

Thanks

Len

***** Fight spam!  Join CUACE  http://www.cauce.org/ *****




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From owner-glass Tue Mar 24 15:45:28 1998
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From: SusieHUs <SusieHUs@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 11:07:21 EST
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In a message dated 98-03-24 04:00:38 EST, frank.g.mizzi@magnet.mt writes:

<< a sort of small drum type machine that 
 you load up with an abrasive sand/powder and the glass or "gem stones" and
let 
 it tumble for a while.
 I guess you would get the same sort of effect. >>


Has anyone tried this yet?  I've been considering buying a glass tumbler (the
kiddie version first to see if it works) just to make "beach glass."  If
you've tried this, could you please post your results?  Including how and how
long you had to keep it tumbling?

Thank you!

And Albert, please continue to share whatever information and thoughts you
care to, disregarding the one with the unused delete button.

Susie
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From owner-glass Tue Mar 24 15:51:59 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Mizzi Frank at MITTS <frank.g.mizzi@magnet.mt>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Grinding bits
Date: Tue, 24 Mar 1998 11:08:52 -0500
Message-ID: <1998Mar24.6852.0>
References: <<98Mar24.145422gmt+0100.19591@michelle.magnet.mt>>
Precedence: bulk

Mizzi Frank at MITTS wrote:
> 
> Greetings,
> 
> Does anyone know if it is possible to have grinder bits "re-surfaced" ?
> 
> I use 1/2 inch bits on my grinder and find that after some use the abrasive
> coating peels off in fairly large pieces.  From experience I have learned to
> move my bit down below the working surface of my grinder slowly  (i.e after so
> many hours of use)as it wears so as to avoid a worn spot.
> 
>  Is there something else I can do to further extend the life of my bit ( :p
> yeah!! better cutting and less grinding, Ha ha!)
> 
> If the above process is possible:  Where? How much? Worth it?
> 
> Thanks
> Frank
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


the only real way is to use water in the grinder, and some coolant
does'nt hurt either. if the diamond un-bonds itself i would contact the
company, or the store you got it at. 

also try not to push to hard, that should help a little.

---Mike Savad

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From owner-glass Tue Mar 24 15:55:51 1998
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From: "M. Savad" <morn@nac.net>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I/V bag for water drip
Date: Tue, 24 Mar 1998 11:12:22 -0500
Message-ID: <1998Mar24.61222.0>
References: <<1998Mar24.12024.0>>
Precedence: bulk

Linda Campbell wrote:
> 
> I had the misfortune of going to the emergency room this weekend with a =
> severe case of hives - reaction to an antiboitic, I think. They gave me =
> I/V's of prednisone and benedryl.
> 
> The good news is that the nurse let me keep the I/V bag and all the =
> tubing and valves. I hung the bag on a hook above my grinder. And the =
> part where the needle was is just above my grinder sponge. I can control =
> the drip with the little shunt and it really is great. Because it is =
> only dripping when I need it, a little bag lasts an evening and I can =
> refil the next day. No more dry grinder wheel.=20
> 
> I know alot of you dislike the water on the glass but to me the wetter =
> the better. It saves the wheel and seems to grind much faster.
> 

in any case the grinder should ALWAYS be WET. it not only saves on
wear.  it keeps the thermal shock possiblity from ruining your glass.
also the glass powder can kill you.

---Mike Savad

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From owner-glass Tue Mar 24 15:57:15 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Keep on Referring to Guild
Date: Tue, 24 Mar 1998 08:45:26 -0800 (PST)
Message-ID: <1998Mar24.04526.0>
References: <<m0yHFkC-0000APC@daver.bungi.com>>
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Albert:

Speaking only for myself I would hope that your references be continued.
I find them helpful and saves me a lot of time trying to find things.
Yes, I am a member of the guild and because of that I was introduced to
the bungi talk show.  For that I am truly grateful.  I have learned far
more than I have shared.  What I appreciate about your speaking of behalf
of the guild is the strong ties to professionalism...not commercialism.

Peggy

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From owner-glass Tue Mar 24 16:01:00 1998
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Subject: Re: What happened then?
Date: Tue, 24 Mar 1998 18:32:12 EST
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Please!!!! enough of it already everyone else has kept a low profile on this
subject you don't need to start up again no need to make a LONG post about it
and lookie I didn't have to copy all the other letters for everone to see what
I"m saying
deb
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From owner-glass Tue Mar 24 16:09:22 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
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Subject: Nature's Sand Etching
Date: Tue, 24 Mar 1998 08:55:13 -0800 (PST)
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If anyone is in a big hurry, try sandblasting the "shards" of glass.  Much
faster but without the nostalgic thought of letting nature take its
course.  I was in a beach shop just yesterday...A basket of shards was
filled with sand etched shards at 10/$1.00.   Just a thought.  Peggy

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From owner-glass Tue Mar 24 16:13:15 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: I've been asked a favor
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Date: Tue, 24 Mar 1998 12:17:08 +0000
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> I agree with Lu Ann and with all of the others who have written to say they
> would like to continue to have guild information occasionaly included here. I
> also agree that the owners of this list should have significant imput as to
> what goes on here.  I dont know who asked you this "favor" 

It's not important to say who it was. I'm just always concerned when 
a "beef" is raised, because I'm afraid that that one person feels the 
same way others do. That's why I asked the group at large.

Apparently, though, the person with the "beef" is all alone on this 
one, which is a relief, since I'd hate to be offending everyone (or 
anyone, for that matter). The complainer claimed to represent a group 
of agitated and angry, bitter and ready-to-bite beefers, but so far 
nobody's agreed with the "beef" launched at me.

The last message from the you'll-notice-unnamed person launched some 
fairly tasty street words at my unlovely mug, so I've just set a 
filter to avoid any more evidence of that particular breakdown in 
rational conversation.

Thanks for your comments, Alison. They're much appreciated.

Albert
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From owner-glass Tue Mar 24 16:13:36 1998
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Subject: Re: What happened then?
Date: Tue, 24 Mar 1998 11:23:50 -0600
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Uh-oh....I'm going to get the popcorn and a sodapop.

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From owner-glass Tue Mar 24 16:24:14 1998
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Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 12:23:12 EST
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In a message dated 98-03-23 19:19:42 EST, you write:

<< Guild sites and locations. That's described as taking commercial 
 advantage of the organization's non-profit status and as using 
 precious bandwidth for what I guess is seen as unhelpful, useless, 
 and not-glassy-enough information.
 
 I explained that I only do that when specifically asked within the 
 group, but that cuts no ice, apparently.
 
 Any thoughts on whether I, as ExecDir (read "chief clerk") of the 
 Guild, should just dummy up?
  >>


I personally dont have a problem with the helpful hints on where to find
things on Net, but the title dropping (and job functions) I could hear less
of. I have a consultant, who has been working  for me for more than 1 year,
who does a lot of the 'I'm so important' - I informed him this morning that
he's done at the end of this week...guess just a pet peeve of mine.

Margaret  
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From owner-glass Tue Mar 24 16:24:34 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: RE: I/V bag for water drip
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Date: Tue, 24 Mar 1998 13:06:58 +0000
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> Sounds like a great idea to me. Would one have to go to the ER to obtain a bag? (I've had enough of hospitals lately) ;-) 
> Anyone know a source where one could purchase such an item?
> Sue Reitmann

You might be able to find 'em at medical supply houses, although I'd 
think that the best way would be to think of any doctors or nurses 
you're personally acquainted with, since they're likelier to have 
access to them ... and likelier to understand your personal need. 
Since used drips will be classified with medical 
waste, usually a big no-no in the freely-hand-out-to-anyone 
department, I would think it'd be tough to just walk into the ER and 
ask for them.

I passed the idea on to my wife, who runs a studio, and she thought 
it was a terrific brainstorm. Such plums and prizes of ideas are 
exactly why bungi's so great, what?

Albert
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From owner-glass Tue Mar 24 16:35:25 1998
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Subject: Spectrum pattern - silly question
Date: Tue, 24 Mar 1998 18:57:38 -0500
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The Spectrum patter from May of 1993 titled Bowser....it looks like a
dog to my husband and lop-eared rabbit to me.  Anyone else have an
opinion?  (It might be posted on the Spectrum site for those who don't
have pile of old patterns laying around)

Dorothy K (who's just trying to clean up!)

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From owner-glass Tue Mar 24 16:59:02 1998
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From: "Spangler, Lynice" <lynice.spangler@intel.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE:Glass Tumbler (was:  Small Scraps of glass--what now?)
Date: Tue, 24 Mar 1998 16:19:17 -0800
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We bought a mid-low end rock tumbler to experiment with tumbling glass
scraps.  It is a Thumler's Tumbler RT-100.  The drum holds about a quart.
The lid is secured with a rubber o-ring.  It cost about $75.  

There are 4 stages of abrasive.  We tumbled about a week at each stage.  The
glass scraps came out with smooth edges, but the surface was kind of roughed
up a little.  Kind of like a smooth stone.  Not at all glossy like freshly
fired glass (which might be what I was expecting - hence, my
disappointment).

You mix water in the drum with the scraps and abrasive.  Water leaked out
from the lid with its o-ring mechanism.  Not enough to have to stop it and
add more during a phase, but enough to make a bit of a mess.  I was
unimpressed.

I've seen less expensive rock tumblers, but given the poor drum closure on
ours, I would be hesitant to try an even lower end tumbler unless the
closure was of a different design.

L. Spangler


On Tuesday, March 24, 1998 4:07 PM, SusieHUs [SMTP:SusieHUs@aol.com] wrote:
> 
> Has anyone tried this yet?  I've been considering buying a glass tumbler
(the
> kiddie version first to see if it works) just to make "beach glass."  If
> you've tried this, could you please post your results?  Including how and
how
> long you had to keep it tumbling?
> 

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From owner-glass Tue Mar 24 17:33:01 1998
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X-Path: netcom.ca!mfig
From: "Mike Figgy" <mfig@netcom.ca>
To: "Pat Diacca Topp" <diacca@tznet.com>, "Albert Lewis" <alewis@vgernet.net>,
Content-Type: text/plain;
Subject: Re: I've been asked a favor
Date: Tue, 24 Mar 1998 19:41:11 -0500
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Actually Albert, it seems that they want you to dummy down.
Fantasy In Glass, 703 The Queensway, Toronto, Canada, M8Y 1L2
(Tel:416-252-6868)
Canada's first and still its only officially sanctioned stained glass
supplier.

-----Original Message-----
From: Pat Diacca Topp <diacca@tznet.com>
To: Albert Lewis <alewis@vgernet.net>; glass@bungi.com <glass@bungi.com>
Date: March 24, 1998 5:58 PM
Subject: Re: I've been asked a favor
>>Any thoughts on whether I, as ExecDir (read "chief clerk") of the
>>Guild, should just dummy up?
>>
>>Albert
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>>
>
>----
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>

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From owner-glass Tue Mar 24 18:00:18 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: glenna, guild, grinders, and bios
Date: Tue, 24 Mar 1998 19:52:17 -0500
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Well, gang!  Glenna Rand has
spoken.  She and Dave Rand
provide this forum.  Let's all take
a hint and kill this thread - it's =

ancient history.  Not to mention,
gormless.  And just to show
that I'm not intimidated by the
new format and that I respect the
stick-to-glass rule, let me say this
once again:

If you're using up your grinding
heads like ice in the Sahara, your
using your grinder waaaayyy too =

much.  Grinders were never meant
to be alternative cutting tools.  Learn
to cut glass!  Discover grozing!  Then,
if you really must, use a grinder.

As an aside, I'm loving the two bio
posts on Saturday.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Tue Mar 24 18:30:52 1998
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From: pkelly <pkelly@n-link.com>
To: david.outram@luton.ac.uk
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Subject: Re: Small Scraps of glass--what now?
Date: Tue, 24 Mar 1998 19:40:15 -0600
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David,

Not so fast to "going back to lurking". We would appreciate a bio from
you. In the UK Toby is the bio inforcer of all lurkers. Elisabeth is his
mentor. Toby doesn't bite but Elisabeth has a history of  ..... ummmm
nevermind, just be forewarned. Please send us an informal bio.


Patrick
Roses and Rainbows

PS Toby and Elisabeth, UK is not that big. Where can he go on an island.
Sic'em.


david.outram@luton.ac.uk wrote:

> Thanks and back to lurking.....



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From owner-glass Tue Mar 24 19:08:04 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Small Scraps of glass--what now?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Tue, 24 Mar 1998 21:15:27 +0000
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> I have a bigger problem with medical waste being dumped with trash at the mouth of
> NY harbor. The hypodermic needles washing up on Long Island and New Jersey beaches
> is a bigger health problem to me IMHO

Aw, I cleaned that up years ago and haven't done it since, promise! 
(I don't live in NYC any more, haven't done so for about 12 years 
now, but it's really a much nicer place since Disney took over Times 
Square and all the "hookers" are really Disney employees in costume 
and they're really nice and friendly and talk in this flat Midwestern 
kind of CBS-delivered chatter? And all the neon's upscale Calvin 
Klein-like yuppified ... well, NYC has a rep that doesn't have 
anything to do with the town, but Brooklyn's got UrbanGlass and a 
millyun glass workshops (back on topic at last) lined up this summer 
and about half of them have been posted to stainedglassbiz.com's 
events page, if you're interested in increasing  your glass power 
this summer. See the directions in previous post in re same or in 
announcement of completed work tomorrow sometime.)

Albert (associated with npo really but not in this post)
g'night all and thanks.
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From owner-glass Tue Mar 24 19:12:17 1998
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From: pkelly <pkelly@n-link.com>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I/V bag for water drip
Date: Tue, 24 Mar 1998 19:45:04 -0600
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A friend of mine (sure ...  like I have any friends), has the same setup for
her RBI scroll saw. It works perfectly.

Patrick
Roses and Rainbows

Linda Campbell wrote:

<snip>

> <The good news is that the nurse let me keep the I/V bag and all the =
> tubing and valves. I hung the bag on a hook above my grinder. And the =
> part where the needle was is just above my grinder sponge. I can control =
> the drip with the little shunt and it really is great. Because it is =
> only dripping when I need it, a little bag lasts an evening and I can =
> refil the next day. No more dry grinder wheel.=20>

> ----
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From owner-glass Tue Mar 24 19:42:27 1998
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From: MJHiester <MJHiester@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: simple project
Date: Tue, 24 Mar 1998 20:52:12 EST
Message-ID: <1998Mar25.15212.0>
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In a message dated 98-03-20 14:56:02 EST, you write:

<< A friend of mine (who also does stained glass) is going to show a small 
 group of 5th and 6th graders the "basics" of stained glass (the group 
 will be about 8 children) and only has about 2.5 hours with them >>

Hello,

I have done similar demonstrations in the past (6th and 7th graders in art
classes, and once a 4th grade group studying medieval culture).  First let me
assure you that the children will be fascinated.  I spent the night before
cutting, grinding, and assembling (just to make sure it fit) a small panel or
suncatcher.  Lead panel for the medieval group, suncatcher for art class.  
     During the class I did a brief discussion on history, showed off some
neat glass, and explained what I was doing as I assembled and began soldering.
The soldering part really wows the kids.  With a small group they can get up
close and see  what you are doing and ask questions (they ask LOTS of
questions, which is really the fun part).  At the end of the class you give
the suncatcher to the teacher.
     
     I don't think I would offer the chance to cut, grind, or foil glass for a
couple of reasons:
            1.  Remember the trouble we all had when we first started.  You
don't want to discourage upcoming glass folk.  Two and a half hours sounds
like a lot of time, but it goes fast, and you want to finish your project if
possible.  In my experience, seeing someone else cut is almost magic for the
students anyway.
            2.  Before you can offer to let them grind and other fun stuff you
have to take and install a grinder, coolant (water) , splash shield etc.  If
they are coming to your studio it's different, but I did my demos at the
school and thought the extra time might be better spent talking about glass
            3.  I'll let someone else talk about liability.  The idea of a
group of 6th graders cutting glass is somehow unsettling.
            4.  Foiling can also be difficult to master.  I  let the ones who
want to try play with a piece of plexi and a strip of foil.  You can even let
them use a stiff piece of cardboard instead of glass to get a "feel" for the
process.
           
      Perhaps the greatest difficulty is the fine line between making the
process available and conveying the idea that this is a craft that takes a
long time to master.  I don't want to imply that children of this age are not
capable of doing glass.  They can and some of them do quite well.  But,
presenting the idea that anyone can do it, without a whole lot of instruction,
practice, care, and anguish that the rest of us go through is doing a great
disservice to artisans and craftspeople everywhere.  As I said, its a fine
line.  One certainly wants to encourage questions and the desire to explore
glass as a creative outlet.  The tricky part is to do it in a way that says
"this is a special medium and it takes a special kind of skill to master it.
But that skill can be developed with time and effort"

Good  luck.

Mike

mjhiester@aol.com   (Mike Hiester)
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From owner-glass Tue Mar 24 19:44:07 1998
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X-Path: aol.com!Margaret41
From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Giraffe Finished!
Date: Tue, 24 Mar 1998 21:23:50 EST
Message-ID: <1998Mar25.22350.0>
Precedence: bulk

In a message dated 98-03-24 18:33:09 EST, you write:

<< Susan,
 
 Thanks for sharing - your giraffe looks great! What a beautiful job you did
 (and you were apprehensive?). He really looks impressive. You deserve to be
 very proud of this work, your first large one. Now, what is your next
 challenge?
 
 If any of the listers have not seen Susans' giraffe (and you have an
 interest in wild animals), do ask her to share it with you. She really did
 a great job.
 
 Jean
 
 jean@lasercom.net
 ICQ #7131940
 NetMeeting: Bonnie Nrmn ils1
 
 >>

IMHO, I TOTALLY AGREE!!!!     Margaret
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From owner-glass Tue Mar 24 20:35:07 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Spectrum pattern - identity crisis
Date: Tue, 24 Mar 1998 19:28:45 -0800
Message-ID: <1998Mar24.112845.0>
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I was having the same confusion, I guess the choice is optional

-----Original Message-----
The Spectrum patter from May of 1993 titled Bowser....it looks like a dog 
to my husband and lop-eared rabbit to me.  Anyone else have an opinion? 
 (It might be posted on the Spectrum site for those who don't have pile of 
old patterns laying around)
Dorothy K (who's just trying to clean up!)


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From owner-glass Tue Mar 24 21:05:02 1998
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From: maruca@netaxs.com
To: TifStyOrig <TifStyOrig@aol.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: lemon oil for oxidation??
Date: Tue, 24 Mar 1998 23:26:58 -0500 (EST)
Message-ID: <1998Mar24.182658.0>
References: <<1998Mar24.15599.0>>
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Hi Diane!

Is that pure lemon essential oil or the furniture polish called lemon oil?

Mary


On Tue, 24 Mar 1998, TifStyOrig wrote:

> The product I use to treat oxidation is lemon oil.  I use a q-tip or cotton
> ball and rub the area with the oxidation.  I leave it on for awhile and just
> repolish with kem-pro or wax.  This seems to treat the problem.
> Diane Manchester
> Tiffany Styled Originals
> Delray Beach, FL
> ----
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>
> Subject:       I/V bag for water drip
> Date:          Tue, 24 Mar 1998 06:20:24 -0500

>
> They gave me = I/V's of prednisone and benedryl.

Linda,

I have used an I/V for a few years to dispense water/coolant to my 
grinder.  It is the old bottle type which i fill with water and 
grinder lubricant (few capfulls)  It works great.  Believe you can 
buy the newer plastic disposable types at local medical supply house 
without any trouble. 

Doug Scale
 
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From owner-glass Tue Mar 24 22:08:22 1998
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From: pkelly <pkelly@n-link.com>
To: Glenn Spicer <gspicer@seaside.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Spectrum pattern - identity crisis
Date: Tue, 24 Mar 1998 23:19:34 -0600
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Its a Lop Earred Rabbit with an identity crisis, or maybe a Rottwieler with an
inferiority complex, or maybe ....... Nevermind, I'm just babbling.

Patrick
Roses and Rainbows

Glenn Spicer wrote:

> I was having the same confusion, I guess the choice is optional
>
> -----Original Message-----
> The Spectrum patter from May of 1993 titled Bowser....it looks like a dog
> to my husband and lop-eared rabbit to me.  Anyone else have an opinion?
>  (It might be posted on the Spectrum site for those who don't have pile of
> old patterns laying around)
> Dorothy K (who's just trying to clean up!)
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass



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From owner-glass Tue Mar 24 22:28:54 1998
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Giraffe Finished!
Date: Tue, 24 Mar 1998 21:31:22 -0800
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>If any of the listers have not seen Susans' giraffe (and you have an
>interest in wild animals), do ask her to share it with you. She really did
>a great job.

Sorry, I'm suffering from quick finger deletus...I missed the post with the
web address for the finished giraffe piece.  Could someone please post it again?

Thanks

Carol Swann
Synergy Glass & Creative

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From owner-glass Tue Mar 24 22:40:13 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: RE: I/V bag for water drip
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Date: Wed, 25 Mar 1998 01:07:57 +0000
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> 	Not having an IV I have been using the simple siphon principle for the 
> past 20 yrs, a plastic tube from a gallon jug to a valve that is connected 
> to some copper tubing that can be bent to wherever I want it to be

Glenn, that brought back a memory for me: as a kid, our church had a 
farm that raised cotton; I remember setting the siphons to pull the 
irrigation water from the crossfield ditches into the rows. It was 
sort of magic to see that simple machine go to work! Clever idea to 
put it to use at the grinding station.

Albert
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From owner-glass Wed Mar 25 02:35:49 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: Re: Spectrum pattern - silly question
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Date: Wed, 25 Mar 1998 10:38:46 +0000
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Hi Dorothy,
...definitely a lop-eared dog to me...   ;-)
Elisabeth 'n Toby in UK

The Spectrum patter from May of 1993 titled Bowser....it looks like a
dog to my husband and lop-eared rabbit to me.  Anyone else have an
opinion?  (It might be posted on the Spectrum site for those who don't
have pile of old patterns laying around)

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Wed Mar 25 02:59:29 1998
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X-Path: fuse.net!pebble
From: Rick Lasita <pebble@fuse.net>
To: "Michael J. Greer" <GreerStudios@compuserve.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: glenna, guild, grinders, and bios
Date: Wed, 25 Mar 1998 04:53:08 -0500
Message-ID: <1998Mar24.23538.0>
References: <<1998Mar24.145217.0>>
Organization: Window Art GLass Studio
Precedence: bulk

Couldn't agree with you more, on both comments ;-). When I took lessons,
the instructor wouldn't let us near the grinder for the first 3 weeks of
the class. It's much faster to cut than it is to grind.

Rick Lasita
http://home.fuse.net/crafts/index.html

Michael J. Greer wrote:
> 
> Well, gang!  Glenna Rand has
> spoken.  She and Dave Rand
> provide this forum.  Let's all take
> a hint and kill this thread - it's =
> 
> ancient history.  Not to mention,
> gormless.  And just to show
> that I'm not intimidated by the
> new format and that I respect the
> stick-to-glass rule, let me say this
> once again:
> 
> If you're using up your grinding
> heads like ice in the Sahara, your
> using your grinder waaaayyy too =
> 
> much.  Grinders were never meant
> to be alternative cutting tools.  Learn
> to cut glass!  Discover grozing!  Then,
> if you really must, use a grinder.
> 
> As an aside, I'm loving the two bio
> posts on Saturday.
> 
> Best regards,
> 
> Dani Greer
> Greer Gallery & Studios
> ----
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From owner-glass Wed Mar 25 03:25:52 1998
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From: "Toby" <toby@northlights.co.uk>
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Content-Type: text/plain; charset=US-ASCII
Subject: UK Bio - just round the corner
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The irony is, Mr. Kelly....
David Outram is located less than 5 miles away from me, so it's very 
feasible to send Toby after him...  ;-)

All I know is that David is sensibly (or otherwhise) occupied with 
computers at Luton University. How that ties up with stained glass I 
am quite intrigued to know.

End of an academic year is fast approaching over here, so I dare say 
that Mr. David is buried up to his eye-balls,
But come calmer times and "real" spring, I hope we can dig him out, 
maybe to explore the Hertfordshire villages, the Chilterns in search 
for a good pint or two.... (PS David, we have a William Morris 
stained glass in our parish church!!)

In the mean-time, how about it David!?
Elisabeth 'n Toby (from just around the corner..)

Patrick Kelly wrote:
 David,

Not so fast to "going back to lurking". We would appreciate a bio from
you. In the UK Toby is the bio inforcer of all lurkers. Elisabeth is his
mentor. Toby doesn't bite but Elisabeth has a history of  ..... ummmm
nevermind, just be forewarned. Please send us an informal bio.


Patrick
Roses and Rainbows

PS Toby and Elisabeth, UK is not that big. Where can he go on an island.
Sic'em.


david.outram@luton.ac.uk wrote:

> Thanks and back to lurking.....




----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Wed Mar 25 03:45:14 1998
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From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 09:48:41 +0800
Message-ID: <1998Mar25.174841.0>
References: <<1998Mar24.12024.0>>
Organization: Allcrafts Goods & Services
Precedence: bulk

Linda Campbell wrote:
> 
> I had the misfortune of going to the emergency room this weekend with a =
> severe case of hives - reaction to an antiboitic, I think. They gave me =
> I/V's of prednisone and benedryl.
> 
> The good news is that the nurse let me keep the I/V bag and all the =
> tubing and valves. <snip>
-----
Gidday Y'all - it would appear that this kind equipment is ditched after
use, as a regular practice in hospitals. If you're interested it might
be worth contacting the administration of your local hospital to find
out if it's possible to get the non-skin contact parts before it's all
consigned to the furnace or wherever...
-- Catcha
Melanie Dunstan, in Perth, Australia


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From owner-glass Wed Mar 25 05:16:30 1998
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From: "Daniela Birkelbach" <dany@city-net.com>
To: "Carol Swann" <seaspray@mail.island.net>, <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Giraffe Finished!
Date: Wed, 25 Mar 1998 07:30:02 -0500
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Carol,

Susan didn't post a URL -  you should send her private e-mail at:
CWWSLW@aol.com.  and ask for the picture.

Dany

Daniela Birkelbach
Software Consultant
dany@city-net.com             http://www.city-net.com/~dany
**********************************************************************
"Black holes are where God divided by zero."
Stephen Wright

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From owner-glass Wed Mar 25 06:20:12 1998
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X-Path: busprod.com!artist
From: LJ Maas <artist@busprod.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 07:08:38 -0600
Message-ID: <1998Mar25.1838.0>
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Precedence: bulk

Medical supply houses usually carry IV bags, but they may make you buy
them by the case. If you do purchase the IV bags make sure you ask for
boxes of tubing...it will be sold seperately. If you're interested in
this you might ask them if they have dialysis bags...they come in
3,000cc bags instead of the 1,000cc IV size and they're available as
sterile water.
Just a little something from my own medical background,
LJ
______________________________________________________________________
LJ Maas, Owner & Artist can be reached at: <mailto:artist@busprod.com>

ART WITH ATTITUDE  Stained Glass Design
"unique creations in stained glass"
<http://www.art-with-attitude.com/glass/artglass.html>

ART WITH ATTITUDE Web Design 
"take a look at some of our client's pages!"
<http://www.art-with-attitude.com/rainbow.html>
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From owner-glass Wed Mar 25 06:53:27 1998
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From: LJ Maas <artist@busprod.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Tumblers for scrap glass
Date: Wed, 25 Mar 1998 07:20:03 -0600
Message-ID: <1998Mar25.1203.0>
References: <<1998Mar24.16721.0>>
Precedence: bulk

> Has anyone tried this yet?  I've been considering buying a glass tumbler (the
> kiddie version first to see if it works) just to make "beach glass."  If
> you've tried this, could you please post your results?  Including how and how
> long you had to keep it tumbling?

I got one for christmas...they were only $24.99 at Venture (local
discount type store). It's worked great! I put 1/2 pound of scraps in at
a time and about 1/2 the grit that is called for (for gems) and tumble
for about 12-16 hours. The results are very smooth corners and edges and
a "frosted" type finish. The drum portion is only made of plastic with
an "o" ring to seal, but it never leaks (they do recommend putting a
little vaseline on it).

My next experiment is going to be trying real sand instead of the grit
that came with the kit...I wonder if it will work?  BTW, you can
re-order the grit, but it seems quite pricey to me.
Good luck,
LJ
______________________________________________________________________
LJ Maas, Owner & Artist can be reached at: <mailto:artist@busprod.com>

ART WITH ATTITUDE  Stained Glass Design
"unique creations in stained glass"
<http://www.art-with-attitude.com/glass/artglass.html>

ART WITH ATTITUDE Web Design 
"take a look at some of our client's pages!"
<http://www.art-with-attitude.com/rainbow.html>
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From owner-glass Wed Mar 25 07:51:54 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: bungi withdrawals!!!
Date: Wed, 25 Mar 1998 06:36:31 -0800 (PST)
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Hi Guys,
Having been away for awhile, I now have computer bug eyes and can honestly
say my mind's gone to mush!! But there's couple of things I'd like to say
while I still can:)
Great bio Sheila Dunn!! You almost live around the corner from me,neat!! We
should do lunch, meet you in Kamloops sometime??
Albert's bio....wow.....wow and more wow!! Please keep talking! I would say
more, but Iam lost for intelligent words:) 
Cindy

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From owner-glass Wed Mar 25 07:53:05 1998
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Subject: Re: simple project
Date: Wed, 25 Mar 1998 10:03:46 -0500
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References: <<1998Mar25.15212.0>>
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MJHiester wrote:
> 
> In a message dated 98-03-20 14:56:02 EST, you write:
> 
> << A friend of mine (who also does stained glass) is going to show a small
>  group of 5th and 6th graders the "basics" of stained glass (the group
>  will be about 8 children) and only has about 2.5 hours with them >>
> 
> Hello,
> 
> I have done similar demonstrations in the past (6th and 7th graders in art
> classes, and once a 4th grade group studying medieval culture).  First let me
> assure you that the children will be fascinated.  I spent the night before
> cutting, grinding, and assembling (just to make sure it fit) a small panel or
> suncatcher.  Lead panel for the medieval group, suncatcher for art class.
>      During the class I did a brief discussion on history, showed off some
> neat glass, and explained what I was doing as I assembled and began soldering.
> The soldering part really wows the kids.  With a small group they can get up
> close and see  what you are doing and ask questions (they ask LOTS of
> questions, which is really the fun part).  At the end of the class you give
> the suncatcher to the teacher.
> 
>      I don't think I would offer the chance to cut, grind, or foil glass for a
> couple of reasons:
>             1.  Remember the trouble we all had when we first started.  You
> don't want to discourage upcoming glass folk.  Two and a half hours sounds
> like a lot of time, but it goes fast, and you want to finish your project if
> possible.  In my experience, seeing someone else cut is almost magic for the
> students anyway.
>             2.  Before you can offer to let them grind and other fun stuff you
> have to take and install a grinder, coolant (water) , splash shield etc.  If
> they are coming to your studio it's different, but I did my demos at the
> school and thought the extra time might be better spent talking about glass
>             3.  I'll let someone else talk about liability.  The idea of a
> group of 6th graders cutting glass is somehow unsettling.
>             4.  Foiling can also be difficult to master.  I  let the ones who
> want to try play with a piece of plexi and a strip of foil.  You can even let
> them use a stiff piece of cardboard instead of glass to get a "feel" for the
> process.
> 
>       Perhaps the greatest difficulty is the fine line between making the
> process available and conveying the idea that this is a craft that takes a
> long time to master.  I don't want to imply that children of this age are not
> capable of doing glass.  They can and some of them do quite well.  But,
> presenting the idea that anyone can do it, without a whole lot of instruction,
> practice, care, and anguish that the rest of us go through is doing a great
> disservice to artisans and craftspeople everywhere.  As I said, its a fine
> line.  One certainly wants to encourage questions and the desire to explore
> glass as a creative outlet.  The tricky part is to do it in a way that says
> "this is a special medium and it takes a special kind of skill to master it.
> But that skill can be developed with time and effort"
> 
> Good  luck.
> 
> Mike
> 


i'd also like to add that they should be using 1/4" foil. and if they're
soldering then they should be wearing rubber gloves. a mask would'nt
hurt, but probably won't filter out the vapors. i'd make sure there's a
large fan blowing accross the table (pointed at an open window). 

also you'll need to find out where the sink is, and to bring along the
cleaning stuff, like soap, baking soda, scrub brush, towels, etc. 

and don't forget the band aids. even if they don't cut the glass. you
can't rule out copper foil cuts, or burns. (unless it's better to allow
the scool nurse to handle that, which it probably is). 

though it might be frustrating to them, maybe you can bring in blobs and
they can make a simple project with those. you would probably have to
use the noisy 'blobs in a can' technique.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Wed Mar 25 08:53:00 1998
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From: ItsAlison <ItsAlison@aol.com>
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Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 10:23:07 EST
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In a message dated 98-03-25 00:24:32 EST, proffire@sleepy.ebtech.net writes:

<< Believe you can 
 buy the newer plastic disposable types at local medical supply house 
 without any trouble.  >>

I dont know that this is true, the plastic IV bags come pre-filled with a
solution.  I would think you would need some form of medical purchasing
authority to buy them...just think of the possibilities of mis-use (Dr.
Kevorkian type activities??) As someone else pointed out, it would be very
foolish to use  a "pre-used" IV bag that had been disguarded, unless it was
one of your own as in the original posting. They do sell regulated drip
mechanisms at nurserys and plant supply places.....these would be easier to
obtain.  ~Alison~
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From owner-glass Wed Mar 25 08:57:29 1998
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From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
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Subject: Re: Small Scraps of glass--what now?
Date: Wed, 25 Mar 1998 08:03:56 -0800
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>
>Carl...Thanks for your suggestions, however it must be time to put this to
bed. First off, let me thank everyone for their suggestions, it has been
great. This was my request for input so I may as well 'stick my neck out'
and get it 'chopped off'! First, why dump in the ocean, that was what I was
trying to avoid in the first place--throwing them out, right? (The reason I
bring this up is not to criticise, but to point out that is not where we
need to go.) 
>I also promise to stop throwing trash in NY harbor. I also don't think that
tying a small piece of glass to a hypodermic needle and throwing it in a New
Jersey beachis an option either.  (Jeez! How did we get there???). 
>
>This post is meant as a bit of a quip. However the group shouldn't spend a
lot of time taking us down the road where we seem to be heading in response
to my request. Thanks anyway to everone and "ALL" the suggestions. (Just try
to keep focused) IMHO
>.......Wayne
>
>
>>Just to satisfy the safety concerned people on the list I said dump it in
the ocean,
>>not on the beach. By the time the glass amkes it to the beach, the edges are
>>rounded.
>>I have a bigger problem with medical waste being dumped with trash at the
mouth of
>>NY harbor. The hypodermic needles washing up on Long Island and New Jersey
beaches
>>is a bigger health problem to me IMHO
>>Mizzi Frank at MITTS wrote:
>>
>>> P D RUSS:
>>> >In a message dated 98-03-23 19:03:39 EST, you write:
>>> >
>>> ><<
>>> > If I had an area that showed promise I would think about dumping a
>>> > lot of glass and hope to get 1% back. Not likely to be legal. It is
>>> > likely that some of the glass would be recovered a long way away.
>>> > Bob >>
>>> >
>>> >
>>> >I hate to say this but most beaches don't allow glass bottles because they
>>> >don't want people stepping on broken glass. Some charge fines. I would
hate to
>>> >think what they would do to people to deliberately dumping broken glass.
>>> >
>>> >Dianne
>>>
>>> I agree with Dianne.
>>>  However, I have seen in some US magazine a sort of small drum type
machine that
>>> you load up with an abrasive sand/powder and the glass or "gem stones"
and let
>>> it tumble for a while.
>>> I guess you would get the same sort of effect.
>>>
>>> Frank
>>> ----
>>> For subscription changes, please mail to: glass-request@bungi.com
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>>> Archives available at http://www.bungi.com/glass
>>
>>
>>
>>----
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>>
>>
>

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From owner-glass Wed Mar 25 09:29:09 1998
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From: "Mizzi Frank at MITTS" <frank.g.mizzi@magnet.mt>
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Subject: Too much grinding Not enough cutting!
Date: Wed Mar 25 07:55:28 1998
Message-ID: <98Mar25.180710gmt+0100.19595@michelle.magnet.mt>
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Greetings,

Well I must say that I probably don't cut glass THAT fantastic but I thought I 
did a reasonable job. I find that I must grind every piece at least for a few 
seconds to clean off any sharp points. Is this not normal??

Most pieces need to be cut using more than one score. Where two scores meet I 
usually have a tiny point of glass. Is this not normal??

Any suggestions on how to improve??

Also when using the groziers, I find it is not very easy to get rid of every 
last tiny bit of the given point.  Any suggestions??

frank
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From owner-glass Wed Mar 25 09:38:32 1998
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From: ItsAlison <ItsAlison@aol.com>
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Subject: Re: simple project..another view of the subject
Date: Wed, 25 Mar 1998 11:28:39 EST
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In a message dated 98-03-25 10:54:22 EST, morn@nac.net writes:

<<  But,
 > presenting the idea that anyone can do it, without a whole lot of
instruction,
 > practice, care, and anguish that the rest of us go through is doing a great
 > disservice to artisans and craftspeople everywhere.  As I said, its a fine
 > line.  One certainly wants to encourage questions and the desire to explore
 > glass as a creative outlet.  The tricky part is to do it in a way that says
 > "this is a special medium and it takes a special kind of skill to master
it.
 > But that skill can be developed with time and effort"
 > 
 > Good  luck.
 > 
 > Mike >>

Bravo!!  Well said, Mike!  You have beautifully put into words what I have
been thinking but could not articulate, as I have been reading all these
posts.
~Alison~
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From owner-glass Wed Mar 25 10:08:13 1998
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From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: It's YOUR list
Date: Wed, 25 Mar 1998 11:05:09 -0600
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   Glassfolks,

 Len Alcamo here.Thanks in advance for listening.

I will start out by making brief but important references to  Mr Lewis' on
line comments as they relate to our personal ( I thought) disagreements.

Mr Lewis quoted me as saying  " sick and tired " ........................
not true

nor did I at any point use the words "unhelpful, useless and
not-glassy-enough information"

In fact, I sincerely believe that the IGGA  makes an important and valid
contribution to the SG community.

 All I did was ask Mr Lewis (in private) to explain why he felt the IGGA had
some kind of special dispensation when it came to posting references and
hyperlinks to the organizations, individuals and suppliers that he fronts
for.

 Several of the subscribers on this list are involved in the SG biz.
However, very rarely do they advertise or promote their self-interests in
their posts.  I  personally respect and appreciate that.

Isn't that part of what makes this list great?  Bungi ......an oasis where
one can come and relax for a bit, share some glass knowledge and not be
subject to advertising, infomercials and self promotion?  Rare indeed. Thats
my attraction, but

It's  your list...........................

I only suggested in good faith, that the IGGA restrict its self -promotion
to the sig portion of its posts. If you all think that that is an outlandish
request.... and that having NPO status puts the IGGA above it, well

It's your list...............

The IGGA representative has attempted to imply that I stand alone on this
issue. I can assure you that other list members share similar views. Most of
them  have been through the "bungi wars" before and feel that any public
positioning would be counter-productive and  lead to polorization and
fragmentation. Remember, I  was not the one who posted publicly to garner
support for my viewpoint. They are probably right. I suppose one of these
days I'll smarten up .  Duh......

Those of you that are familiar with the IGGA website know that there is no
place where one can sign-up to be notified of events,announcements and
changes etc. related to IGGA biz.  IF there were, the people who want this
info could get it  DIRECTLY via email, those who didn't , won't.
Unfortunately,  in reality , the IGGA uses glass@bungi for that purpose
 more exposure to more people .... like it or not)  you all think thats
fair?, fine

It's your list...................


Well back to the work-a-day world.


With the upmost sincerity

Len















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From owner-glass Wed Mar 25 10:41:58 1998
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Date: Wed, 25 Mar 1998 12:56:04 +0000
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New information has been put up on

     http://www.stainedglassbiz.com/ 

under "Events." Click on "Biz Buzz" then on "Events" -- the following
workshops begin under the months shown:

Beginning glassblowing: June 22-26
Lampworking: July 6-10
Stained glass: June 8-12
Slumping and fusing: June 1-5
Solid sculpting: June 1-5
Mixed media sculpture: June 15-19
The Antipurist: June 29-July 3
Sculptural Hot Casting: June 22-26
Brushstrokes in glass: June 8-12
Mosaics: June 22-26
Advanced Neon: June 15-19
Build a furnace workshop: June 13-17
Lampworking: May 29-31
Sculptural glass construction: June 15-19

All at UrbanGlass in Brooklyn, NY this summer.

Week-long classes include
Beginning glassblowing, begins May 26 and 30
Intermediate glassblowing begins May 26
Hot casting begins June 1
Beginning kiln-cast glass starts May 28
Neon starts May 26
Stained glass starts May 28
Beginning lampworking begins May 26

UrbanGlass has also arranged for places to stay. Check it out.

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From owner-glass Wed Mar 25 11:12:11 1998
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Subject: Re: glenna, guild, grinders, and bios
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---------- Forwarded Message ----------

From:	pkelly, INTERNET:pkelly@n-link.com
TO:	"Michael J. Greer", GreerStudios
DATE:	3/24/98 9:21 PM

RE:	Re: glenna, guild, grinders, and bios

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>
>
> <As an aside, I'm loving the two bio posts on Saturday.>

Thanks Dani, I needed the aside.

Patrick
Roses and Rainbows

>
>
> Best regards,
>
> Dani Greer
> Greer Gallery & Studios
> ----
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From owner-glass Wed Mar 25 11:36:45 1998
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Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 10:41:43 -0800
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IMHO, you need to lightly grind the edges, with the assumption that the
pieces fit REAL tightly.
The light grinding insures the adhesion of the foil to a large a surface of
the edge as possible.

The lamps that have  been brought to me to repair (usually an amateur or an
imported work) that have begun to come apart seems to be caused by gravity
pulling the foil off the UNGROUND edges of the glass.

I graciously suggest the imported ones should be returned to the source!

I may fix an attempt by a novice (usually not made well out of a lack of
experience) if I so want to.

enjoy, H



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From owner-glass Wed Mar 25 12:05:39 1998
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Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 11:29:01 -0800
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Organization: Maiden Concepts
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I can't keep my mouth shut anymore.
I use my grinder as a second cutting source.
Granted it increases the time it takes to make a project. But it works
for me.
Maybe my cuts are inaccurate because I have to do cut glass sitting
down.  Maybe they are not so good because I have pre carpel-tunnel
syndrome.  Maybe they are not good, because this is the best my skill
level will ever be.  GOK.
I never plan to make anything bigger than my 18"X18" cutting board. I
enjoy it the way I do it.  My customers don't seem to object to my
workmanship.
I like grinding each piece, because the only method I will ever use is
the foil method, and I don't like getting my fingers cut.
I can understand if you are making a large window and have a shop to
maintain, that profit goes down with lost time grinding.  But.......that
doesn't make it wrong for those of us who have other agendas.
This attitude about not using a grinder for the first 3 weeks of class,
seems reminiscence of punitive victorian times.  I am an adult.  I took
the class as an adult for a hobby.  I paid hard to come by money for the
class.  I wanted a items made that I could show to family and friends. I
wanted it done in a short period of time(I had other things to do).  I
am glad my instructor introduced the grinder to us, first class(Thank
you Dave).
And one more thing.  I live a very frugal, financially speaking, life. I
make a sheet of glass go as far as it can.  I can't afford to keep
cutting on something that has been miscut, when the grinder can fix it.
I applaud thoses who do not need a grinder, But I don't condemn thoses
of us who do.
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From owner-glass Wed Mar 25 13:07:44 1998
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Len - relax.  I quickly read between the lines of the initial e-mail and
picked up very quickly there was more to it and its the ol' get your goat and
the 'gang up to shut up' routine. I see it nearly everyday in the workplace.
Some call it politics; others call it a way of life.  DONT LET IT BOTHER YOU
NOR TAKE IT PERSONAL. 

I appreciate yours and everyone else's posts. They've all been helpful and I
respect everyone's input. I hope yours as well as everyone else's will
continue.

Margaret
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From owner-glass Wed Mar 25 13:33:26 1998
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From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: IGGA News Memo
Date: Wed, 25 Mar 1998 15:25:42 EST
Message-ID: <1998Mar25.202542.0>
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In a message dated 98-03-25 13:42:47 EST, you write:

<< New information has been put up on
 
      http://www.stainedglassbiz.com/ 
 
 under "Events." Click on "Biz Buzz" then on "Events" -- the following
 workshops begin under the months shown:
 
 Beginning glassblowing: June 22-26
 Lampworking: July 6-10
 Stained glass: June 8-12
 Slumping and fusing: June 1-5
 Solid sculpting: June 1-5
 Mixed media sculpture: June 15-19
 The Antipurist: June 29-July 3
 Sculptural Hot Casting: June 22-26
 Brushstrokes in glass: June 8-12
 Mosaics: June 22-26
 Advanced Neon: June 15-19
 Build a furnace workshop: June 13-17
 Lampworking: May 29-31
 Sculptural glass construction: June 15-19
 
 All at UrbanGlass in Brooklyn, NY this summer.
 
 Week-long classes include
 Beginning glassblowing, begins May 26 and 30
 Intermediate glassblowing begins May 26
 Hot casting begins June 1
 Beginning kiln-cast glass starts May 28
 Neon starts May 26
 Stained glass starts May 28
 Beginning lampworking begins May 26
 
 UrbanGlass has also arranged for places to stay. Check it out.
  >>

I wish Charles Warner would put a regular posting out here for events at
Warner-Crivellaro...its much closer to home for me.....  :-)
Margaret
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From owner-glass Wed Mar 25 13:34:56 1998
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X-Path: chescom.net!dmm
From: "Don McDonald" <dmm@chescom.net>
To: glass@bungi.com
Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 14:43:06 -0600
Message-ID: <s5191802.002@chescom.net>
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Don feels the need to put on his nurse's cap for a minute here.

IV tubing that has been used is contaminated.  It has bits of blood
in it no matter whether you see it or not. Viruses and bacteria can do
the backstroke uphill right into the bottle or bag. Once the IV
catheter (needle) has punctured the vein and the tubing has been
connected, the tubing, bottle and all parts of the fluid path are part
of the circulating system.  Do not use IV tubing from anyone other
than yourself, or use tubing that has been opened and not used,
because once opened, it cannot be used later.  You would be much safer
and have a more consistent supply if you were to go to the hardware
store and buy some vinyl tubing, a small clamp and a bucket or funnel.
It would also be more durable.  IV tubing in the medical setting is
designed to be used for up to 72 hours and then replaced.  It begins
to degrade after about 14 days.



Don M. McDonald
Director, Web Services
Chesapeake Communications Corporation

>>> Melanie Dunstan <allcrafts@p085.aone.net.au> 03/24 7:48 PM >>>
Linda Campbell wrote:
> 
> I had the misfortune of going to the emergency room this weekend
with a =
> severe case of hives - reaction to an antiboitic, I think. They
gave me =
> I/V's of prednisone and benedryl.
> 
> The good news is that the nurse let me keep the I/V bag and all the
=
> tubing and valves. <snip>
-----
Gidday Y'all - it would appear that this kind equipment is ditched
after
use, as a regular practice in hospitals. If you're interested it
might
be worth contacting the administration of your local hospital to
find
out if it's possible to get the non-skin contact parts before it's
all
consigned to the furnace or wherever...
-- Catcha
Melanie Dunstan, in Perth, Australia


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From owner-glass Wed Mar 25 14:10:06 1998
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Subject: Re: getting rid of oxidation question
Date: Wed, 25 Mar 1998 15:50:14 EST
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Hi,
I buy a plastic quart bottle of lemon oil from my local stained glass shop.
It looks like dark vegetable oil, but smells like lemon (duhhh!  :>) and it
works great.  A large qt. container costs about $3.50 and would last a life
time - you don't have to use much, just enough to coat the metal.  I would
suspect that lemon oil furniture polish might work too, but it would be
diluted with other stuff like water, perfumes, etc. and may not be effective.
This is different than the expensive essential oils - this is just a regular
oil product.  If your local glass shop doesn't carry it, perhaps Home
Depot????
Hope that helps.
Diane Manchester
Tiffany Styled Originals
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From owner-glass Wed Mar 25 14:11:46 1998
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X-Path: cornell.edu!bjs10
From: B J Snell <bjs10@cornell.edu>
To: glass@bungi.com
Content-Type: text/enriched; charset="us-ascii"
Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 15:51:53 -0500
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References: <<1998Mar25.24143.0>>
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Hi...

	This is very interesting considering such a large preference for not grinding by so many on this list.....


At 10:41 AM 3/25/98 -0800, Howard and Elaine Rubin wrote:

>IMHO, you need to lightly grind the edges, with the assumption that the

>pieces fit REAL tightly.

>The light grinding insures the adhesion of the foil to a large a surface of

>the edge as possible.

>

>The lamps that have  been brought to me to repair (usually an amateur or an

>imported work) that have begun to come apart seems to be caused by gravity

>pulling the foil off the UNGROUND edges of the glass.

>

>I graciously suggest the imported ones should be returned to the source!

>

>I may fix an attempt by a novice (usually not made well out of a lack of

>experience) if I so want to.

>

>enjoy, H

>

>

>

>----

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>

<center><color><param>0000,0000,8080</param>~~~~~~~~~~~~~~~~

</color><bold><color><param>8080,0000,0000</param>Barbara J. Snell

Manager, Balch Dining

Cornell University

</color></bold></center><color><param>0000,0000,8080</param>			          
    </color>
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From owner-glass Wed Mar 25 14:34:14 1998
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From: Karina <karinal@lisnet.net>
To: Mizzi Frank at MITTS <frank.g.mizzi@magnet.mt>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 16:08:32 -0500
Message-ID: <1998Mar25.11832.0>
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Mizzi Frank at MITTS wrote:

>  I find that I must grind every piece at least for a few
> seconds to clean off any sharp points. Is this not normal??
>
> Most pieces need to be cut using more than one score. Where two scores meet I
> usually have a tiny point of glass. Is this not normal??
> Also when using the groziers, I find it is not very easy to get rid of every
> last tiny bit of the given point.  Any suggestions??
>

I tell my students they should lightly grind every piece of glass if working with
copperfoil. This enables the foil to stick to the edges better. No matter how good
a glass cutter you are...always lightly 'rough' up the edges.

Now of the other hand...when working on a leaded panel, I don't let them come near
a grinder. I feel they should perfect their cutting, and not stand for ages at the
grinders. They make good use of theirs groziers!! Are you just nipping at the
point?...make good use of those ridges on your pliers....they can take away quite
a bit of glass.

Also, are you referring to a 90 degree cut or a curve when you state that you have
a point where 2 scores meet? That could depend on your cutting technique ( no
offense intended here ).
Karina


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From owner-glass Wed Mar 25 14:41:41 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 16:16:13 -0500
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H kindly suggests...

> I graciously suggest the imported ones should be returned to the source!

Is this another type of USA chauvinism? 

Sorry, but I just could not resist. I don't want to start a flame war
(I almost did) but bear in mind "imported" means something different
to many of us.


--
Daniel M. German                  "Speak not about what you have read,
   Azerbaijani Proverb ->          but about what you have understood"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Wed Mar 25 14:57:09 1998
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From: Mosfunland <Mosfunland@aol.com>
To: allcrafts@p085.aone.net.au, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 16:12:39 EST
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Welll....unless you'd like to watch the administrator turn white as he/she
anticipates various liabilities..which might be fun.(since I work in one of
those places)....I think you would make out much better asking for a friend or
a friend of a friend who works in a patient care area to get you a discarded
(clean) setup.  I used one once yeeeears ago to provide "spirits" to a
party....

Maureen (hiccup)
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From owner-glass Wed Mar 25 15:16:37 1998
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From: Shirley Suter <ssuter@intrastar.net>
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Subject: Re: IGGA News Memo
Date: Wed, 25 Mar 1998 16:28:19 -0600
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Margaret41 wrote:
> 
> I wish Charles Warner would put a regular posting out here for events at
> Warner-Crivellaro...its much closer to home for me.....  :-)
> Margaret

And I wish Walmart would post their ads here too...ain't none of those glass
places close to me. ;)

Shirley Suter
Grapeland, Tx.
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From owner-glass Wed Mar 25 15:41:58 1998
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From: "Dan and Katherine Roberts" <dankat@mail.myriad.net>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 16:28:47 +0000
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	Quick note, this is my first post to the list, and probably the first time 
I thought I did have something to contribute.  I just started working in 
stained glass.  So, my glass cutting is terrible (but I can cut straight 
lines like a champ), I haven't been able to afford a grinder, and my 
soldering is really bad, but I just *love* stained glass, and considering 
all my other art forms, just love *creating* things.

	Anyway,  Here's what I would do for a low tech, cheap, clean way of 
achieving a system like an IV drip.  Use an empty, cleaned out, 2 liter 
soda bottle, some aquarium tubing, a drill and maybe a little silicone 
sealant.  You'll have to devise a way to hold the bottle upside down, but I 
don't think that would be that difficult.  Use the drill and an appropriate 
sized drill bit to drill a hole in the cap of the bottle, shove the 
aquarium tubing in, use a little bit of silicone sealant, poke some pin 
holes in the bottom of the upside down bottle to allow air in at a slow 
rate.  (If it's too slow, put in more holes. If it's too fast, get another 
empty bottle, and don't poke as many holes ;) )   Position the bottom of 
the tube where ever you need to at your grinder.  When you're through 
grinding, empty the bottle or put a crimp in the tubing and clamp it down.  
The aquarium tubing typically runs about 10 cents a foot (US), and is easy 
to find, I know Wal-Mart has it.  And if you drill the hole in the cap just 
slightly smaller then the aquarium tubing, you should get a pretty tight 
fit.  This is what I'll be doing once I can finally afford a grinder.

Thanks,
Katherine Roberts
Bryan, TX


On 25 Mar 98 at 14:43, Don McDonald wrote:

> Don feels the need to put on his nurse's cap for a minute here.
> 
> IV tubing that has been used is contaminated.  It has bits of blood
> in it no matter whether you see it or not. Viruses and bacteria can do the
> backstroke uphill right into the bottle or bag. Once the IV catheter
> (needle) has punctured the vein and the tubing has been connected, the
> tubing, bottle and all parts of the fluid path are part of the circulating
> system.  Do not use IV tubing from anyone other than yourself, or use
> tubing that has been opened and not used, because once opened, it cannot
> be used later.  You would be much safer and have a more consistent supply
> if you were to go to the hardware store and buy some vinyl tubing, a small
> clamp and a bucket or funnel. It would also be more durable.  IV tubing in
> the medical setting is designed to be used for up to 72 hours and then
> replaced.  It begins to degrade after about 14 days.
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From owner-glass Wed Mar 25 15:48:34 1998
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From: "M. Savad" <morn@nac.net>
To: Mizzi Frank at MITTS <frank.g.mizzi@magnet.mt>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 17:26:08 -0500
Message-ID: <1998Mar25.12268.0>
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Precedence: bulk

Mizzi Frank at MITTS wrote:
> 
> Greetings,
> 
> Well I must say that I probably don't cut glass THAT fantastic but I thought I
> did a reasonable job. I find that I must grind every piece at least for a few
> seconds to clean off any sharp points. Is this not normal??
> 
> Most pieces need to be cut using more than one score. Where two scores meet I
> usually have a tiny point of glass. Is this not normal??
> 
> Any suggestions on how to improve??
> 
> Also when using the groziers, I find it is not very easy to get rid of every
> last tiny bit of the given point.  Any suggestions??
> 
> frank
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


grozing never gives a clean finish. grinding is a normal operation when
you do foil projects. if you nativly do came, you may automatically not
use the grinder. mainly because your fingers are'nt as exposed to the
raw edges, and the came has a slight 'give value' meaning it can hide a
small gap. foil needs that close tolorence, people can see the thickness
difference in the solder. if that was'nt ground somewhat it would look
really bad.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Wed Mar 25 16:13:33 1998
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From: ItsAlison <ItsAlison@aol.com>
To: dmg@csg.uwaterloo.ca, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 18:04:40 EST
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In a message dated 98-03-25 17:42:25 EST, dmg@csg.uwaterloo.ca writes:

<< > I graciously suggest the imported ones should be returned to the source!
 
 Is this another type of USA chauvinism? 
 
 Sorry, but I just could not resist. I don't want to start a flame war
 (I almost did) but bear in mind "imported" means something different
 to many of us.
  >>

I can sympathize with Howard's view on the subject. I think that rather than
chauvinism it is an objection to our market being flooded with glass products
that are made in countrys like Mexico or China at very low hourly wages and
factory conditions (bar solder, cutting machines using templates for automatic
multiple scores, assembly-line production where each person only masters one
task such as grozing or foiling instead of learning a craft or skill)  The
finished product is shipped here to be sold in our economy by "exporters" who
have nothing to do with the craft. 
I dont know where you are from, Daniel, but in some countrys Stained Glass is
held as an art form that has developed over centurys.  It is respected perhaps
at a higher level than here in the US.  To see such a thing reduced to a mass
produced factory generated item does no service to our craft or to the
unfortunate workers who are in this assembly line situation and can never
master the entire process.  Ok, thats the end of my rant...I will leave my
soapbox now  <<G>>>
~Alison~

PS,,,,,well I was almost finished.  An associate of mine was brought a small
panel to repair. When he quoted a price of $30 to replace a few broken pieces,
the custumer recoiled in shock. The panel had only cost him $25 in Mexico!!
My associate tells me it was a hummingbird and flower motif using some art
glass as well in an oval configuration. So we in the US can be anticipateing
more of this type of thing in our marketplace!
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From owner-glass Wed Mar 25 16:20:45 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
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Subject: photographing mirror
Date: Wed, 25 Mar 1998 15:37:17 -0800 (PST)
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 Looking for some answers to photographing mirror, have an okay camera, but
haven't got a clue on the in's and out's of it as of yet:) I've taken some
shots outside before and they seem to be the best, but this time of year
everything is looking pretty bad...short of making up a tent is there
something else I could be doing?
Cindy

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From owner-glass Wed Mar 25 17:23:45 1998
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Subject: Hedgehog & fan
Date: Wed, 25 Mar 1998 18:31:45 +0000
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Hi everyone,

Got 2 questions for you: 1. Which is the proper way to use a fan when
soldering? I normally thought it would be blowing across the work but
I've been told to put the fan next to the work but blowing away, so that
the back of the fan sucks the fumes into the fan and I guess blows them
away that way. That was a new concept for me but I tried it and it did
seem to work. It just doesn't pull the fumes away as fast as when the
fan is blowing across.  2.  My daughter's pet hedgehog died last night
and she is devastated! I'd like to do something in stained glass for her
of a hedgehog in memory of "Ollie" (he was such a cutie!). Has anyone
seen any patterns of a hedgehog or do you have any suggestions?  Thanks
so much for your help....

Lyn

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From owner-glass Wed Mar 25 17:46:38 1998
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From: Margaret41 <Margaret41@aol.com>
To: TifStyOrig@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: getting rid of oxidation question
Date: Wed, 25 Mar 1998 19:33:45 EST
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Thank you Diane for more info on Lemon Oil. I will be out on the hunt this
weekend for the lemon oil!         Margaret
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From owner-glass Wed Mar 25 17:52:06 1998
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From: Kris <kristc@home.com>
To: ItsAlison <ItsAlison@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 19:17:39 -0500
Message-ID: <1998Mar25.141739.0>
References: <<1998Mar25.15237.0>>
Organization: @Home Network
Precedence: bulk

Something woke up the dormant nurse part of me. How about feeding bags,
the kind they use to tube feed people liquid diets? I would think they
would be cheaper, not already filled with fluid, they come with tubing
as part of it, usually with some sort of flow controller too. 
The IV bags I'm familliar with are closed systems. Do you cut a hole in
the top for refilling? Just curious.
Kris


> << Believe you can
>  buy the newer plastic disposable types at local medical supply house
>  without any trouble.  >>
> 
> I dont know that this is true, the plastic IV bags come pre-filled with a
> solution.  I would think you would need some form of medical purchasing
> authority to buy them...just think of the possibilities of mis-use
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From owner-glass Wed Mar 25 18:03:10 1998
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From: ItsAlison <ItsAlison@aol.com>
To: lynb@gnt.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Hedgehog & fan
Date: Wed, 25 Mar 1998 20:35:06 EST
Message-ID: <1998Mar26.1356.0>
Precedence: bulk

In a message dated 98-03-25 20:24:21 EST, lynb@gnt.net writes:

<< the back of the fan sucks the fumes into the fan and I guess blows them
 away that way. That was a new concept for me but I tried it and it did
 seem to work. It just doesn't pull the fumes away as fast as when the
 fan is blowing across.  2.  My daughter's pet hedgehog died last night
 and she is devastated!  >>

Oh NO !! was the fan  blowing in the direction of "Ollie" the Hedgehog??
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From owner-glass Wed Mar 25 18:39:52 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Warner-Crivellaro postings
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Wed, 25 Mar 1998 20:47:05 +0000
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> I wish Charles Warner would put a regular posting out here for events at
> Warner-Crivellaro...its much closer to home for me.....  :-)

Margaret,

He puts 'em on his home page. Do you have that URL?

Albert
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From owner-glass Wed Mar 25 18:56:49 1998
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From: "M. Savad" <morn@nac.net>
To: Cindy Pesonen <cpesonen@bcinternet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: photographing mirror
Date: Wed, 25 Mar 1998 21:03:42 -0500
Message-ID: <1998Mar25.16342.0>
References: <<199803252337.PAA26914@freya.vphos.net>>
Precedence: bulk

Cindy Pesonen wrote:
> 
>  Looking for some answers to photographing mirror, have an okay camera, but
> haven't got a clue on the in's and out's of it as of yet:) I've taken some
> shots outside before and they seem to be the best, but this time of year
> everything is looking pretty bad...short of making up a tent is there
> something else I could be doing?
> Cindy
> 
> ----
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i asked someone online who does alot of mirrors (contois (SP?), i
think). and he uses a sheet with a hole or slit in the middle. then he
took the picture at an angle. this way you don't get a reflectied camera
in the mirror.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Wed Mar 25 19:01:27 1998
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From: "M. Savad" <morn@nac.net>
To: Lyn Butler <lynb@gnt.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Hedgehog & fan
Date: Wed, 25 Mar 1998 21:09:23 -0500
Message-ID: <1998Mar25.16923.0>
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Lyn Butler wrote:
> 
> Hi everyone,
> 
> Got 2 questions for you: 1. Which is the proper way to use a fan when
> soldering? I normally thought it would be blowing across the work but
> I've been told to put the fan next to the work but blowing away, so that
> the back of the fan sucks the fumes into the fan and I guess blows them
> away that way. That was a new concept for me but I tried it and it did
> seem to work. It just doesn't pull the fumes away as fast as when the
> fan is blowing across.  2.  My daughter's pet hedgehog died last night
> and she is devastated! I'd like to do something in stained glass for her
> of a hedgehog in memory of "Ollie" (he was such a cutie!). Has anyone
> seen any patterns of a hedgehog or do you have any suggestions?  Thanks
> so much for your help....
> 
> Lyn
> 
> ----
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fans: i have a 12" ocilating fan that blows accross and away from me.
along with a small 6" clip on blowing down the table towards the running
exaust fan. i also keep a window open when the weather is warm.


hedgehog: if it's made of glass it may look like a blob. maybe a picture
frame for the critter.

---Mike Savad



-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Wed Mar 25 20:01:12 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "robert s. cutler" <rcutler@wittenberg.EDU>
Content-Type: text/plain;
Subject: check for quality (lack of)
Date: Wed, 25 Mar 1998 19:23:49 -0800
Message-ID: <1998Mar25.112349.0>
Precedence: bulk

By no means is this the final definitive say and the only tutorial on
differences between quality and the other stuff. It generally reflects my
observations from handling both good work and......

First, PRICE....most dome multi-piece lamps, 200 and more pieces selling for
about $100.00 to $500.00 are usually imported, a working wage maybe as low
as $2.00 PER WEEK.
Quality....unfinished soldering (no raised beads) and usually not any
finishing inside at all. Sometimes only flat soldering (tinning). Solder
lines vary greatly in thickness. Points seem to be gone and pieces come
together in large solder masses. Grid lines usually very uneven and wavy. If
the original had a tuck row, in most cases this row if flat and not tucked
under. Many instances the original (Tiffany) pattern has been modified as to
have fewer pieces and simpler lines. Bottoms maybe very uneven as well.
Grinding, if at all, is kept to a minimum, thus setting up the shade to come
apart over time.
Color...Look for harsh transitions in background colors, or a sharp break
from one color to the next, monochromes for flowers and leaves, glass that
seems to be "flat" and has a lack of sparkle or shading.
Colors that do not seem relevant to other parts of the shade.
Hardware, usually very cheap castings, holes in them, poor finishes, and
some do not fit well and are not on straight.

I have tried to relate as much positive information about the "imports" as
possible, alas and alack, this is the best I could come up with.

I am ready for this to be flamed, and I hope a few of the flamers have had
the chance to see and touch a "good" shade so they have a "clue". The lack
of a "clue" has not stopped flames in the past, however.

I usually compare a Yugo to a Lincoln...both cars...both are
functional...both have a price, BUT there maybe subtle differences....if one
can not tell, buy the Yugo!

In fine fettle, I not so humbly say, MINE are better! (shades that is)

enjoy, H


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From owner-glass Wed Mar 25 20:25:32 1998
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From: Wvrosiegal <Wvrosiegal@aol.com>
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Content-Type: text/plain; charset=US-ASCII
Subject: Demo Advice
Date: Wed, 25 Mar 1998 22:21:22 EST
Message-ID: <1998Mar26.32122.0>
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I'm new to bungi and have been reading mail for about a month now, certainly
with interest and sometimes (more likely than not, entertainment).  I've been
in SG for about a year now, and have recently been invited to participate in a
show this Oct.  The show will be held in an 18th century historical town and
all participants are to dress for the era and demonstrate their skills (mine
being stained glass, of course).  This is the 55th annual show, so I know the
other crafters have their acts down pat.  I have participated in two major
shows in the past, and have panels, lamps, lanterns, birdhouses, etc. to offer
for sale. 

My dilemma is that I want to come up with a demo (of which I have to do 50% of
the time during the 3-day affair), that will address stained glass as it was
made and used in the 18th and 19th centuries.  Of course, I'll not use the
same material of that era (tallow, calm, etc.), but I want to have something
small to work on in order to show the process of assembling prepared cuts of
glass.  The suggestions I need are:  a small item that can be precut and
packed for travel; an idea of how many I'llneed (30,000 participants are
likely); information on any written material I can get giving the history of
the art in that era; and last - but not least - a "warm & fuzzy" reassuring me
that these demonstrations are nothing to be nervous about. 


WVRosieGal
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From owner-glass Wed Mar 25 20:32:02 1998
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X-Path: ppp2.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: ItsAlison <ItsAlison@aol.com>
Content-Type: text/plain;  charset=iso-8859-1
Subject: cheap "imports" was: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 22:53:13 -0500
Message-ID: <199803260353.WAA00314@ppp2.uwaterloo.ca>
References: <<1998Mar25.23440.0>>
Precedence: bulk



ItsAlison  twistes the bytes to say:

 ItsAlison> I can sympathize with Howard's view on the subject. I think that rather than
 ItsAlison> chauvinism it is an objection to our market being flooded with glass products
 ItsAlison> that are made in countrys like Mexico or China at very low hourly wages and
 ItsAlison> factory conditions (bar solder, cutting machines using templates for automatic
 ItsAlison> multiple scores, assembly-line production where each person only masters one
 ItsAlison> task such as grozing or foiling instead of learning a craft or skill)  The
 ItsAlison> finished product is shipped here to be sold in our economy by "exporters" who
 ItsAlison> have nothing to do with the craft. 

I certainly understand, and to some extend, sympathize with you.
Unfortunately, there is no way we can stop it.

This is the way that many crafts have evolved throughout the years:
Woodworking, tailoring, typesetting --I know there is a typesetter
around here that who has been replaced by computers-- even
photography, to name just a few.

Production lines and machines are pervasive and the power of economics
is unstoppable.

Let me give you an analogy. Photography is a recent craft. Around one
century old, it has developed into one of the most common hobbies
around the world. Photographers range from mothers who proudly
photograph their children to National Geographic reporters who create
authentic pieces of art. For all, photography is a medium in which
they record "decisive moments", in the words of Cartier-Bresson.

Photography has been a very profitable area and as such, being invaded
by entrepreneurs. Many of you might remember that not long ago slides
were the usual media for photography: cheap and non-labour intensive,
they replaced the artisan (darkrooom technician) who had to handcraft
every print. Hence prints were expensive.

Then the machines came. The machines revolutionized the medium. You
can have a photograph without a human at all. cyou can get prints for
less than US$0.50 a piece. There no way, _NO WAY_ a person can match
that price (it takes 30 minutes _at least_ to print _one_ photo). The
price the user pays is hefty: average quality; ugly photos --in the
words of the artisan. For the usual user, it is "good enough"
non-important. Unfortunately, that is the majority.

There exist, however, those artists and artisans that know how to
develop and print a photo and can create photographs that are
impossible to achieve with a machine. Some people are willing to pay
the price, most are not. THe same applies to photo shooting. Most
people want the cheapest "reasonable" work during their weddings. Few
are willing to pay big for a good job.

In a similar line, the best 35mm cameras are not the Japanese. The
Germans have created a reputation that is unquestionable: Leica is the
best 35mm camera in the world and it is also the most expensive. Take
in your hands a Leica and you'll feel your holding a part of the
past. Their old and clumsy design is the most sought camera in the
world by people who _know_ about photography. A minority, certainly
who are willing to pay 3 or 4 times for a camera that is handcrafted
and has the best quality in the market.

SG will follow --if not already had-- the same trend. Cheaper
procedures will be able to popularize this art and bring it to the
masses' living rooms. Work cheap and low quality, it will be "good
enough" for a vast majority. Those who know about the craft and
appreciate good SG work will not be happy with the cheap incarnations;
instead, they will turn to the real craftsman for his or her work.

Howard, Alison, those cheap "imports" are not a threat to you. Those
who appreciate your skills will be willing to pay for them.

In many ways, I feel that Tiffany was a popularizer of SG. I would
not, I repeat, I would not have dare to learn SG in its original
incarnation: stained glass put "cooked" in high-temperature
ovens. Copper foil made it easy; it brought SG to the 20th century. It
made it possible to do it my living room.

At the same time, artists had had "slave" artisans at their
peril. Tiffany built a 20 tons stained glass panel in Mexico City. Do
you think that he care to pay the Mexicans who actually build it many
differently  that some of those companies that make SG down there? I
might be wrong... and you can still claim that they did not the
craft. Agreed. Nonetheless, cheap labor allowed for that luxurious
panel. 

You have all the right to look down at work that does not meet your
quality standards. But you have to accept that technology changes
everything and that it has changed SG.  SG lamps are common now in
Sears and Walmart, at 1/2 or 1/3 the prices you find them in SG
stores. The regular customer will lean towards the cheap one most of
the time. It is your job to adjust accordingly and educate him (or
her) on the value of your own work. Unfortunately, my belief is that
SG artists and artisans will, in the short future, target a niche
market --if they haven't already: custom-build objects for the actual
connoisseur who has big pockets.


 ItsAlison> I dont know where you are from, Daniel, but in some countrys Stained Glass is

My bio, coming soon in this channel ---right Patrick?-- will answer
this question.

 ItsAlison> held as an art form that has developed over centurys.  It is respected perhaps
 ItsAlison> at a higher level than here in the US.  To see such a thing reduced to a mass
 ItsAlison> produced factory generated item does no service to our craft or to the
 ItsAlison> unfortunate workers who are in this assembly line situation and can never
 ItsAlison> master the entire process.  Ok, thats the end of my rant...I will leave my
 ItsAlison> soapbox now  <<G>>>
 ItsAlison> ~Alison~



--
Daniel M. German                  "Speak not about what you have read,
   Azerbaijani Proverb ->          but about what you have understood"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Wed Mar 25 20:50:18 1998
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X-Path: ibm.net!lmartz
From: Laura Martz <lmartz@ibm.net>
To: "glass@ bungie.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I/V bag for water drip
Date: Wed, 25 Mar 1998 23:03:49 -0500
Message-ID: <1998Mar25.18349.0>
References: <<1998Mar24.12024.0>>
Precedence: bulk

Hi everyone!

After all the discussion on using the I/V bags for a drip into the
grinder and where to find them and such, a thought occured to me - what
about those water bottles used in hamster/gerbil cages? They might be a
lot easier to come by and may work just as well. I don't have one to
try, but I'm sure someone out there has a kid with one to test.

Laura, glass list lurker



Linda Campbell wrote:

> The good news is that the nurse let me keep the I/V bag and all the =
> tubing and valves. I hung the bag on a hook above my grinder. And the
> =
> part where the needle was is just above my grinder sponge. I can
> control =
> the drip with the little shunt and it really is great.



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From owner-glass Wed Mar 25 20:59:21 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: bjs10@cornell.edu
Subject: Re: Too much grinding Not enough cutting!
Date: Wed, 25 Mar 1998 23:07:02 -0500
Message-ID: <1998Mar25.1872.0>
References: <<1998Mar25.24143.0>>>
Precedence: bulk

Just my two cents worth on the grinding issue.

During the first couple of sessions of each new group of students I
always make a complete small panel as a demonstration.  The entire thing
is done without grinding to show that it can be done, that if they want
to do stained glass and can't pop for a grinder right away they are not
doomed, and that it can be a lot faster and easier on the fingers than
grinding everything.  

At the same time I try to make it very clear that there is no shame in
grinding if you happen to own a grinder, and that I prefer to grind
rather than groze because during grozing you create very fine glass dust
that rises straight toward your face (and can be seen in the right
light).

On the other side of the coin IMHO, (please don't anyone get offended), I
think that one should not rely on the foil adhesive as any kind of
structural element.  The glue is fine to keep the foil in place until the
work is soldered, but in the end,  you need to rely on the  metal to
support your work.  No matter how well the glue is stuck, eventually it
will pull away and your piece will fail.

I have repaired countless numbers of these Mexican creations, and of the
foil constructed ones, the two biggest failings have been the use of  too
narrow foil (they do this IMO to save on solder.  Skinnier lines mean
less solder),  and poor attachment at the lamp cap due to hasty soldering
that frequently results in cold solder joints.  A cold solder joint is
when the base metal has not been heated sufficiently to allow the metals
to bond properly.  They look soldered, but they are not.  (The foil is
also applied so sloppily that it does not cover all the edges of every
piece of glass, further weakening things.)

Gary Dodge     Dodge Studio Designs      www.dodgestudio.com

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From owner-glass Wed Mar 25 21:32:07 1998
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From: Margaret41 <Margaret41@aol.com>
To: alewis@vgernet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Warner-Crivellaro postings
Date: Wed, 25 Mar 1998 23:52:38 EST
Message-ID: <1998Mar26.45238.0>
Precedence: bulk

In a message dated 98-03-25 21:40:32 EST, you write:

<< > I wish Charles Warner would put a regular posting out here for events at
 > Warner-Crivellaro...its much closer to home for me.....  :-)
 
 Margaret,
 
 He puts 'em on his home page. Do you have that URL?
 
 Albert
 ---- >>

That was exactly my point to your Newsletter item. Although I feel you have
valuable input to provide regarding SG, a post referencing a URL and new
events and then to spell out all the events including classes being offered is
a bit much. A post referencing something new, and where to find it, IMHO,
would suffice.  Someone recently did that - in the subject field, he called it
what it was - Self promotion - and then in post stated there was a recent
update and  to check it out. That person received a lot more respect from me
than the backdoor approach.     :-)       Margaret
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From owner-glass Wed Mar 25 22:04:37 1998
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...and by the way, Len and I have never communicated privately about it.
Margaret
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From owner-glass Wed Mar 25 22:06:16 1998
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In a message dated 98-03-25 23:26:06 EST, you write:

<< likely); information on any written material I can get giving the history
of
 the art in that era;  >>

Albert Lewis should be able to help you in this aspect.
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From owner-glass Wed Mar 25 22:31:15 1998
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> <snip>

> <My bio, coming soon in this channel ---right Patrick?-- will answer this question.>

Right Daniel it will be posted this Saturday ... warts, frostbite and all.

Patrick
Roses and Rainbows

>
>
>
> http://csgwww.uwaterloo.ca/~dmg/home.html
> dmg@csg.uwaterloo.ca
>
>
> ----
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From owner-glass Wed Mar 25 22:41:56 1998
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From: "Howard and Elaine Rubin" <weaver51@teleport.com>
To: "Wvrosiegal" <Wvrosiegal@aol.com>
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Subject: Re: Demo Advice
Date: Wed, 25 Mar 1998 21:52:29 -0800
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In most cases you will know more than the observer.

I did the Oregon State Fair (750,000 to 900,000) people over 11 days for 2
summer as a working craftsman.

The thing that most attention was my "cutting" of plain single strength
window glass.

I would take a 2" wide strip about 6" long and cut in half the long way, cut
the inch strip into a 1/2" piece, cut it again into a .25" strip, and again
cut it to .125". At that point I would ask if anyone thought I could cut it
again assuming it would be a 1/16" by 6... I said sure I can.....I cut the
6" length into two 3" pieces. They just assumed it would the skinny way.

Another mental game I played was to pre-score a few pieces of window and
when an old timer mentioned that scissors could be used to cut glass, but
under water only, I would take the pre-scored glass and bend it a bit with
the scissors, and of course it followed the pre-score and did break.

Learn a bit about the mechanics of why and how glass breaks, show how to
score and break glass. Most visitors will not spend a lot time to become
artisans while you explain. The ones who look at your work from the inside,
seem to look around the work without looking at it, probably have "done
glass".
Watch and ask if these visitors have ever  done any and after a while you
will be able to pick up on experienced glassers.

As a last tidbit...DO NOT give up your day job for this show!
enjoy, H

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From owner-glass Wed Mar 25 22:49:11 1998
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Thanks Howard on the info...gives me another set of standards to ensure my own
quality work.
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From owner-glass Wed Mar 25 23:11:25 1998
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Subject: Re: I/V bag for water drip
Date: Thu, 26 Mar 1998 00:37:59 EST
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In a message dated 98-03-25 23:50:52 EST, lmartz@ibm.net writes:

<< After all the discussion on using the I/V bags for a drip into the
 grinder and where to find them and such, a thought occured to me - what
 about those water bottles used in hamster/gerbil cages? They might be a
 lot easier to come by and may work just as well. I don't have one to
 try, but I'm sure someone out there has a kid with one to test.
 
 Laura, glass list lurker
  >>

I think there is a vendor out there that has something similar attached to the
splash guard. I remember seeing an ad.
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From owner-glass Wed Mar 25 23:14:03 1998
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Subject: Re: I/V bag for water drip
Date: Thu, 26 Mar 1998 01:01:51 EST
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Linda,

While I've been following this thread with interest, the one question that
hasn't been asked yet is this -- are you okay now?  I'm sorry to hear that you
had to go through such grief with your health.  I'm glad you were able to come
away from the situation with something positive and helpful but to tell you
the truth, I've been more concerned about you than the IV bag idea!

Susie
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From owner-glass Wed Mar 25 23:15:43 1998
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Subject: Re:cheap "imports" was: Too much grinding Not enough cutting!
Date: Thu, 26 Mar 1998 01:06:18 -0500
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> less than US$0.50 a piece. There no way, _NO WAY_ a person can match
> that price (it takes 30 minutes _at least_ to print _one_ photo). The

Sorry, an erratum: I should have said: "it takes me 30 minutes..."


--
Daniel M. German                  "In science, read, by preference, 
                                   the newest works; in literature,
   Georges Leclerc Buffon ->       the oldest."
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Wed Mar 25 23:26:38 1998
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Subject: Re: IGGA News Memo
Date: Wed, 25 Mar 1998 21:39:01 -0800
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An added note:

Warner-Crivellaro has a website. If you want to see what's new
there....go there.

The IGGA has a website. If you want to see what's new there.....go
there.

Stained Glass Biz has a website. If you want to see what new there....go
there.

Len...I'll side with you on this one.
Albert...How many people on bungi are going to go to New York?

While I appreciate the fact that you want "to get the word out", but
don't you think that everyone here already knows about SGB & the IGGA
and the fact that those sites have the information that you continue to
post here? People don't live for bungi, I would guess and correct me if
I'm wrong, that the people who read bungi also might just stop in at SGB
or the IGGA website?

Andrew
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From owner-glass Wed Mar 25 23:29:39 1998
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Subject: Uplight/Downlight
Date: Thu, 26 Mar 1998 01:19:59 EST
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Hi Gary,

I saw the ad for Uplight/Downlight in the back of Glass Patterns Quarterly
today and I can't wait to get my hands on this one!  I asked my local retailer
but she doesn't have it yet (and at times, it takes quite a while before she
gets things in), so I'd like to know how I can get a copy right away?

Susie
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From owner-glass Thu Mar 26 00:41:08 1998
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Subject: Re: Warner-Crivellaro postings
Date: Thu, 26 Mar 1998 01:55:51 -0600
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Margaret41 wrote:

> Although I feel you have
> valuable input to provide regarding SG, a post referencing a URL and new
> events and then to spell out all the events including classes being offered is
> a bit much. 
> ...and by the way, Len and I have never communicated privately about it.


I agree with you Margaret!

Sorry, I wasn't available recently for the show of hands.  I DO NOT agree
with using this forum for commercialism, whether it be for IGGA,
Warner-Crivellaro, Walmart or Suter's Stained Glass.  I would personally
love to see this list become spam-free, devoted to the sharing of the love
of creating with glass.

I have invited a number of glass artists to join this group.  Without fail,
each of them has contacted me with concern about being a member of "IGGA's
e-mail group" without paying dues.  Several of them have left the group
because of the commercialism.  Their knowledge and glass experiences are
lost to us.  Sad!

I feel certain the commercial promotions will not end.  Can't it be curbed
somewhat?  Would it be so unreasonable to include announcements as part of
the signature?  Something like:

Shirley Suter
Intrastellar Internet Service
(Check out this great site!  http://freeware.intrastar.net )

Then, anyone interested can go there.  The uninterested aren't flogged with
unsolicated commercialism. 

.....and by the way, Len and I HAVE communicated privately concerning many
topics, including this one.  He is a WONDERFUL debater, is knowledgeable,
experienced, articulate and refreshingly honest.  To be his friend would be
nothing less than an honor.

....and just for the record:  I communicate privately with many people in
this group. To quote a new friend, "Whoopee do!!"  

Shirley Suter
President of Columbia
Grapeland, Tx.
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From owner-glass Thu Mar 26 02:17:55 1998
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Subject: Re: Too much grinding Not enough cutting!
Date: Thu, 26 Mar 1998 09:19:40 +0000
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At , Frank wrote:
>Greetings,
>
>Well I must say that I probably don't cut glass THAT fantastic but I thought I 
>did a reasonable job. I find that I must grind every piece at least for a few 
>seconds to clean off any sharp points. Is this not normal??
>
>Most pieces need to be cut using more than one score. Where two scores meet I 
>usually have a tiny point of glass. Is this not normal??
>
>Any suggestions on how to improve??
>
>Also when using the groziers, I find it is not very easy to get rid of every 
>last tiny bit of the given point.  Any suggestions??
>

Frank, what sort of glass cutter are you using? If you feel you are due for
a new one and have access to a stained glass supplies shop in Malta it might
be worth asking them to let you try the variations that are available and
you may find one that helps you cut better.
If you have no luck locally, drop in to our shop next time you visit
England.  We always give a mini cutting lesson to anyone buying a new cutter
from us if they are not confident of their cutting skills. Sometimes a more
experienced crafter just watching your technique can suggest ways of
improvement.
Elizabeth & Sam Law
Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Thu Mar 26 02:31:32 1998
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From: "Albert Lewis" <alewis@vgernet.net>
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Subject: Re: Demo Advice
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Date: Thu, 26 Mar 1998 05:02:51 +0000
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> << likely); information on any written material I can get giving the history
> of
>  the art in that era;  >>
> 
> Albert Lewis should be able to help you in this aspect.



As far as I know (we're talking about the 18th century, right? The 
1700s, right?), there was no stained glass being done in this 
country. The use of stained glass began being popular again in the 
1820s in England during the Gothic Revival period.  The use of 
stained glass had not only flagged and faded, but many windows had 
been smashed and removed during political upheavals in France and 
England.

When stained glass began being installed in this country, it was for 
the most part imported from England, France and Germany. I think it'd 
be safe to say that the majority of church windows in this country 
today are still of English and German manufacture.

But I'm no historian and don't pretend to be. I only know about the 
above because I read it in books. <s>

Albert
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From owner-glass Thu Mar 26 03:04:54 1998
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> Albert...How many people on bungi are going to go to New York?

I dunno. All I do is make the information available.

> While I appreciate the fact that you want "to get the word out", but
> don't you think that everyone here already knows about SGB & the IGGA
> and the fact that those sites have the information that you continue to
> post here? 

No, I don't think that. I get maybe 8-10 emails a day from people 
who've just discovered glassworking, who want to know where they can 
take a class, buy materials, buy a book. At that rate, we're talkin' 
about 3,000 people a year ... bungi's the tip of the iceberg at (what 
was it? 300?).


> People don't live for bungi, I would guess and correct me if
> I'm wrong, that the people who read bungi also might just stop in at SGB
> or the IGGA website?

Not if they don't know about them.

Albert
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From owner-glass Thu Mar 26 03:30:42 1998
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Subject: No more posts?
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Date: Thu, 26 Mar 1998 05:35:58 +0000
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> Sorry, I wasn't available recently for the show of hands.  I DO NOT agree
> with using this forum for commercialism, whether it be for IGGA,
> Warner-Crivellaro, Walmart or Suter's Stained Glass.  I would personally
> love to see this list become spam-free, devoted to the sharing of the love
> of creating with glass.

IGGA: not commercial, in fact its web site is free
Warner-Crivellaro: commercial, but so what? They give away stuff
Walmart: haven't seen 'em here (yet)
Stainedglassbiz: not commercial, all free
UrbanGlass: not commercial, an educational institution

It strikes me as odd that my 35-line post about classes that might 
be of interest to glass craftspeople (like those who frequent this 
list) would generate hundreds of lines of complaints about something 
that was freely given and for which nothing was asked. Geez, if I'd 
posted the descriptions of the classes and their instructors, it 
would have been a book and I might have been justifiably scolded! <s>

> I have invited a number of glass artists to join this group.  Without fail,
> each of them has contacted me with concern about being a member of "IGGA's
> e-mail group" without paying dues.  Several of them have left the group
> because of the commercialism.  Their knowledge and glass experiences are
> lost to us.  Sad!

I hit the delete key on about 99% of what comes in from bungi, which 
doesn't mean it's not important to someone, it's just not important 
to me ... or I can't contribute to the discussion. I guess the 
above-mentioned glass artists have delete keys on their computers, 
too. As for being a member of "IGGA's email group," why do they think 
that? They're never asked if they're members; they in fact don't have 
to be members; it's not IGGA's email group, but the Rands ... etc. 
... and so why don't you just set them straight, telling them there's 
no such requirement?
 
> I feel certain the commercial promotions will not end.  Can't it be curbed
> somewhat?  Would it be so unreasonable to include announcements as part of
> the signature?  
> Then, anyone interested can go there.  The uninterested aren't flogged with
> unsolicated commercialism

S'funny you're taking this tack, Shirley, since when glass@bungi was 
closed down, you contacted IGGA about putting up a new group on your 
company's server. I guess you didn't think IGGA was all bad. Besides, 
anyone can go here now.

Is the IGGA News Memo spam? Don't think so. It's sent to members of 
IGGA, suppliers to the members (who don't pay anything) and one copy 
is sent to glass@bungi.com ... one copy is not spam. A million copies 
of a message is spam, particularly when it's not wanted by those who 
receive it. Is it wanted here?

I'll ask for a show of hands: should IGGA News Memos no longer be 
posted to glass@bungi? It'd take me maybe 5 seconds to fix that.


Albert
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From owner-glass Thu Mar 26 03:44:07 1998
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From: "Robert S. Cutler" <rcutler@wittenberg.EDU>
To: Howard and Elaine Rubin <weaver51@teleport.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: check for quality (lack of)
Date: Thu, 26 Mar 1998 05:29:38 -0500 (EST)
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Thanks, Howard. You'll get no flame from me.  My point in asking you to
make the list you provided was to help those of us who want to sell our
work to make our case for quality over imported stuff.  I think your
comments will be very helpful.  
Bob Cutler

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From owner-glass Thu Mar 26 04:03:53 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Warner-Crivellaro postings
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 26 Mar 1998 05:35:58 +0000
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> If Charles put his listings of new events on _his_ home page, then does
> that mean that bungi is the home page for the IGGA?
> 
> Andrew

No, of course not. I've sent 14 short messages since December 1, 1997 
about new stuff I'd found or put up myself. I don't know how many 
messages bungi's had since then, but I'd bet my posts have been less 
than a flyspeck on the gaze of heaven.

Albert
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From owner-glass Thu Mar 26 04:41:30 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>, "'SusieHUs'" <SusieHUs@aol.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: I/V bag for water drip
Date: Thu, 26 Mar 1998 06:25:32 -0500
Message-ID: <1998Mar26.12532.0>
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Thankyou Susie,

Yes, I am fine. It took two doctors visits and an emergency room visit =
before they realized the severity of the hives (I was having difficulty =
breathing) in addition to looking like a dalmation. But all is well. No =
more Pennicilin, sulfa or Ceftin for me. Thanks for asking.=20

Linda


Linda,

While I've been following this thread with interest, the one question =
that
hasn't been asked yet is this -- are you okay now?  I'm sorry to hear =
that you
had to go through such grief with your health.  I'm glad you were able =
to come
away from the situation with something positive and helpful but to tell =
you
the truth, I've been more concerned about you than the IV bag idea!

Susie
----

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From owner-glass Thu Mar 26 05:02:55 1998
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From: Rick Lasita <pebble@fuse.net>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 06:53:06 -0500
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Organization: Window Art GLass Studio
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Albert, I enjoy seeing the posts, kind of a reminder to go to the other
sites and check them out, as i mentioned before, if folks can't or don't
want to handle the IGGA stuff, just delete them!!! Very easy to do, or
skip over them, that's easy too. Anyway, my vote is to keep on keeping
on!

Rick Lasita
http://home.fuse.net/crafts/index.html
> 
> I'll ask for a show of hands: should IGGA News Memos no longer be
> posted to glass@bungi? It'd take me maybe 5 seconds to fix that.
> 
> Albert
> ----
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From owner-glass Thu Mar 26 05:23:11 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: alewis@vgernet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 06:55:13 EST
Message-ID: <1998Mar26.115513.0>
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Well......I was trying to stay out of this discussion, but when others are
attempting to control the information I receive or not receive I WILL get
involved.  The ONLY people who WILL control the information I receive on bungi
will be the Rands.  For those who do not want to know updates on different
sites USE the scroll or delete buttons, that's what they are there for.  I
want to know updates, web sites, people, retail & wholesale sites, etc......
that are even remotely glass connected.  I will be the one to decide what I
read and what I don't.  I personallly thought that after Albert told about the
update and how to get to the information on classes, it was sufficient;
however, I also thought that he then proceeded to list them was a little
excess, but I was able to scroll through the list quickly with just a flick of
the finger.  If Howard telling bungi, and therefore me, that he has forms for
lamps to rent is spamming.....spam me.  This is information *I* will use in
the future, if someone else won't then scroll or delete.  There has been alot
of information about photography on bungi, not of particular interest to me so
I scrolled, but I sure am glad to know I can still get to it through the
archives.  

It also appears that there was alot more behind the issue between Albert and
Len.  That is between them but it sure showed some peoples "true colors",
didn't it?

If there is a subject that is glass related in any way and that's called
spamming, then spam away.  IMHO of course.

Lu Ann
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From owner-glass Thu Mar 26 05:43:59 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: No more posts?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 26 Mar 1998 07:31:41 +0000
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> It also appears that there was alot more behind the issue between Albert and
> Len.  

Len questioned my motives in private email to me. I explained why I 
do what I do (and how much I get paid: zip). He didn't believe me and 
told me so, profanely. I filtered him out of all email incoming to 
me. I don't know him personally and have no idea why he took the 
attitude he did, why he refuses to believe that I do IGGA work for 
nothing, didn't request the email addresses of IGGA board members 
when I offered them, so must prefer to believe whatever it is he 
believes regardless of facts. I can't help that, but I don't have to 
read anything from him, so I don't.

That's the complete extent of my relationship with Len. I didn't air 
our private correspondence on this forum, although I mentioned that 
*someone had taken issue with what I do (I didn't even indicate the 
gender of the "someone"), but apparently he has taken his feelings on 
these subjects to the forum. I can't see them any more ('cause he's 
filtered), but I apologize to the rest of you that you have to put up 
with such non-glass nonsense.

I'm done with this particular subject.

Albert
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From owner-glass Thu Mar 26 05:45:35 1998
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From: maruca@netaxs.com
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Never too much info (was:Re: IGGA News Memo)
Date: Thu, 26 Mar 1998 06:58:05 -0500 (EST)
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Precedence: bulk



On Wed, 25 Mar 1998, Andrew wrote:

> An added note:
> 
> Warner-Crivellaro has a website. If you want to see what's new
> there....go there.
> 
> The IGGA has a website. If you want to see what's new there.....go
> there.
> 
> Stained Glass Biz has a website. If you want to see what new there....go
> there.
> 
> Len...I'll side with you on this one.
> Albert...How many people on bungi are going to go to New York?

I'm not taking sides with either of the above, but taking issue with
Andrew. 

There are more folks than you think interested in working a glass
event into their travels. I read eagerly events posted from all corners
of the world.

For example, the posting of the Mexican glass artists association bulletin
here has made me one good friend and several acquaintences. I just missed
the Chartres trip last year, but still keep in touch with Elisabeth in the
UK. 

There are many contacts to be made from this list. Not everybody can take
advantage of all of them right now, but that doesn't mean that we should
all be deprived of them. As the IGGA memos and other notices are always
clearly marked, it's quite possible for those chained to a UNIX box in
lovely Grapevine TX (hi, Shirley! kisses!) to delete stuff without reading
it, if they feel there is never any hope of using the info. Me, I always
hope I'll get a chance to visit new places and meet new glass friends.

Now that I think of it, last year, we heard enthusiastic reports from
folks all over the east who went to a big Warner-C teaching event on
fairly short notice. I believe Dorothy has already been requesting
campground info for this year's event, so she can plan her vacation around
it, and the event is not until in August. Bungi was well represented at
least year's WC show/demo. As I'm not a regular WC customer I'd've missed
a lot if they hadn't publiciized the event right here. 

Wouldn't it be nice to hear about some of the west coast events for people
who might be in the midst of vacation planning? Jim of Spectrum, are you
sponsoring anything fascinating this year? 

> 
> While I appreciate the fact that you want "to get the word out", but
> don't you think that everyone here already knows about SGB & the IGGA
> and the fact that those sites have the information that you continue to
> post here?

Sorry, that's a false premise. Just like radio or TV, there are new folks
tuning in every minute. 

> People don't live for bungi, I would guess and correct me if
> I'm wrong, that the people who read bungi also might just stop in at SGB
> or the IGGA website?

Personally, I try to keep my web browsing to a minimum, because it's
such a deliciously fascinating way to be distracted from other work I
should be accomplishing. I don't even fire up the browser until I have
a good reason, like a teaser on bungi, to go there. 

To restate my plea: don't deprive those of us with hopes of expanding
their glass horizons.

All the best, 

Mary Armstrong





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From owner-glass Thu Mar 26 05:48:57 1998
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From: "Vic LaGreca" <vlg@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: I/V Bag For water drip or Re-Inventing the wheel
Date: Thu, 26 Mar 1998 08:04:49 -0500
Message-ID: <1998Mar26.3449.0>
Precedence: bulk

I am new to the hobby and a lurker at best. Since I have limited knowledge
to offer advice on stained glass I prefer to read rather than write.

However, I purchased a Diamond tech 3000 saw that came equipped with a
bottle, tubing and a "petcock" valve for just this purpose.  I'll bet that
it can be purchased separately.  If not, any jar with a screw on lid,
plastic tubing, a "petcock" from any hardware store or tropical fish seller
and gravity should do the trick.

This would beat all the questions from a medical wholesaler about what you
intended to do with the I/V bag.


Ciao, Vic
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From owner-glass Thu Mar 26 06:08:25 1998
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X-Path: mail.wittenberg.edu!rcutler
From: "Robert S. Cutler" <rcutler@wittenberg.EDU>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 08:12:00 -0500 (EST)
Message-ID: <1998Mar26.3120.0>
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Well, at the risk of prolonging what appears to be turning into an
argument ----- I like the IGGA postings, Albert.  I don't regard the
information as "spam." Just my opinion, but I do think some of the readers
on the list overreact on this issue.  Use the delete key!
I would not have found stained glassbiz without Albert's post. I visit
that site regularly now. Franly, I like posts from all with an interest in
glass at whatever level of skill or private/commercial/retail - whatever.
If I want to read it I will.  If not - I delete it. 
Enough.
Thanks for listening - or deleting,  whichever.
Bob Cutler

On Thu, 26 Mar 1998, Albert Lewis wrote:

> 
> > Sorry, I wasn't available recently for the show of hands.  I DO NOT agree
> > with using this forum for commercialism, whether it be for IGGA,
> > Warner-Crivellaro, Walmart or Suter's Stained Glass.  I would personally
> > love to see this list become spam-free, devoted to the sharing of the love
> > of creating with glass.
> 
> IGGA: not commercial, in fact its web site is free
> Warner-Crivellaro: commercial, but so what? They give away stuff
> Walmart: haven't seen 'em here (yet)
> Stainedglassbiz: not commercial, all free
> UrbanGlass: not commercial, an educational institution
> 
> It strikes me as odd that my 35-line post about classes that might 
> be of interest to glass craftspeople (like those who frequent this 
> list) would generate hundreds of lines of complaints about something 
> that was freely given and for which nothing was asked. Geez, if I'd 
> posted the descriptions of the classes and their instructors, it 
> would have been a book and I might have been justifiably scolded! <s>
> 
> > I have invited a number of glass artists to join this group.  Without fail,
> > each of them has contacted me with concern about being a member of "IGGA's
> > e-mail group" without paying dues.  Several of them have left the group
> > because of the commercialism.  Their knowledge and glass experiences are
> > lost to us.  Sad!
> 
> I hit the delete key on about 99% of what comes in from bungi, which 
> doesn't mean it's not important to someone, it's just not important 
> to me ... or I can't contribute to the discussion. I guess the 
> above-mentioned glass artists have delete keys on their computers, 
> too. As for being a member of "IGGA's email group," why do they think 
> that? They're never asked if they're members; they in fact don't have 
> to be members; it's not IGGA's email group, but the Rands ... etc. 
> ... and so why don't you just set them straight, telling them there's 
> no such requirement?
>  
> > I feel certain the commercial promotions will not end.  Can't it be curbed
> > somewhat?  Would it be so unreasonable to include announcements as part of
> > the signature?  
> > Then, anyone interested can go there.  The uninterested aren't flogged with
> > unsolicated commercialism
> 
> S'funny you're taking this tack, Shirley, since when glass@bungi was 
> closed down, you contacted IGGA about putting up a new group on your 
> company's server. I guess you didn't think IGGA was all bad. Besides, 
> anyone can go here now.
> 
> Is the IGGA News Memo spam? Don't think so. It's sent to members of 
> IGGA, suppliers to the members (who don't pay anything) and one copy 
> is sent to glass@bungi.com ... one copy is not spam. A million copies 
> of a message is spam, particularly when it's not wanted by those who 
> receive it. Is it wanted here?
> 
> I'll ask for a show of hands: should IGGA News Memos no longer be 
> posted to glass@bungi? It'd take me maybe 5 seconds to fix that.
> 
> 
> Albert
> ----
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> Archives available at http://www.bungi.com/glass
> 

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From owner-glass Thu Mar 26 06:32:51 1998
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X-Path: busprod.com!artist
From: LJ Maas <artist@busprod.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: No more posts? I'm with Lu Ann!!!
Date: Thu, 26 Mar 1998 07:42:47 -0600
Message-ID: <1998Mar26.14247.0>
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Precedence: bulk

Whispy Blu wrote:
> Well......I was trying to stay out of this discussion, but when others are
> attempting to control the information I receive or not receive I WILL get
> involved.  The ONLY people who WILL control the information I receive on bungi
> will be the Rands.  For those who do not want to know updates on different
> sites USE the scroll or delete buttons, that's what they are there for.  I
> want to know updates, web sites, people, retail & wholesale sites, etc......
> that are even remotely glass connected.  I will be the one to decide what I
> read and what I don't..............

I rarely quote this much of someone's posts, but this time it's right on
the button! Thanks Lu Ann for saying exactly what I wanted to say.
Between 2 other mail lists (on varying subjects) and my business I
receive anywhere from 400-800 emails each and every day...I have become
quite adept at using the delete key when it's necessary!
Albert...
I think the IGGA is performing an informative service and happen to know
that the 2 people I forwarded to the bungi list are not IGGA
members...this list is the only way they can get info like that...thanks
for your hard work!
LJ  
______________________________________________________________________
LJ Maas, Owner & Artist can be reached at: <mailto:artist@busprod.com>

ART WITH ATTITUDE  Stained Glass Design
"unique creations in stained glass"
<http://www.art-with-attitude.com/glass/artglass.html>

ART WITH ATTITUDE Web Design 
"take a look at some of our client's pages!"
<http://www.art-with-attitude.com/rainbow.html>
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From owner-glass Thu Mar 26 07:01:58 1998
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From: "Northernlights (a/k/a Tracy)" <Northernlights@pobox.com>
To: glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 07:47:30 -0600
Message-ID: <1998Mar26.14730.0>
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Precedence: bulk

Generally a lurker here...partly because of all the "non-glass" slamming
that tends to go on which makes me quite leary about posting any
ideas/thoughts I might have about stained glass (up until recently I've
been afraid that "I" might get slammed, not because of the glass subject
I wanted to talk about, but because of some personal thing about my
e-mail, i.e., the way I wrote it, the spelling I used, etc.).  The
following comes out of frustration seeing people trying to change other
people, and not just let them be who they are, PLUS the fact that these
people are continually getting this e-mail list OFF the subject of
stained glass.

Albert Lewis wrote:
> 
<I DO NOT agree with using this forum for commercialism, whether it be
for IGGA, Warner-Crivellaro, Walmart or Suter's Stained Glass.  I would
personally love to see this list become spam-free, devoted to the
sharing of the love of creating with glass.>

I, for one, personally feel if it weren't for some of these people
(connected to IGGA, Warner, etc.) then we would lose out on the sharing
of some very important tips/information.  I remember recently someone
who lived no where close to a retailer and looked for help in buying
lamp bases, of which a few replied that they carried them and what the
price(s) would be.  Why should these helpful people only be allowed to
talk about their business/organization when we "need" something? In my
mind, this isn't fair.  At least THOSE people are sharing information
about stained glass.  

I am amazed when I see some of the people here spend their energy not in
discussing tips/ideas about stained glass, but instead slam other
people, concentrating on what they DON'T like about a certain person's
e-mail posts.  Maybe these people have too much time on their hand? 
Maybe they're suffering from cabin fever?  Whatever the case is, I don't
mind getting the posts about IGGA...I believe in letting people be who
they are, in letting them do what they do, and if I don't like it or
agree with it, then there's that little button on the keyboard that will
fix that problem (of course, there I go, assuming everyone has that same
key on their keyboard...but then again, maybe it's broken from overuse
and thus they're forced to read e-mails they'd rather not read). 

<S'funny you're taking this tack, Shirley, since when glass@bungi was
closed down, you contacted IGGA about putting up a new group on your
company's server. I guess you didn't think IGGA was all bad. Besides,
anyone can go here now.>
> 
If the same people are making these complaints (and other similar
complaints in the past) maybe they would be better served if they
started their own e-mail list and thus could govern it the way they see
fit.  I understand this group is comprised of MANY different
personalities, but it's getting awfully sickening to continually see
people slamming each other.  But then this isn't a perfect world, is
it?  If it were, none of the slamming posts for the last year or so
would have happened to begin with. 

Tracy (who is now running to duck under some very heavy furniture to
shield her from what might follow)
>
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From owner-glass Thu Mar 26 07:07:34 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Demo Advice
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 26 Mar 1998 15:30:01 +0000
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Dear Rosie,

This Show in October  with 18th 19th Century Theme sounds 
fascinating. It's a pity you don't have more time to plan and make.

How I would have approached it, would have been to extend the theme 
further beyond just "being dressed for the part". For instance, I 
would have made reproductions of 18th & 19th century items  for sale 
(that would probably exclude bird-houses and lamps that needed 
electricity). I would also make part of my stand as a 18th Century 
"workshop", demonstrating some element of the stained glass process 
using "old" tools (perhaps an old non-electric/non-gas soldering iron 
heated over a fire. This of course would involve a certain amount of 
research (your local library should be a starting point) and practice 
runs with the tools.My handouts and stand literature would also be 
made to look as close to the era as possible, so would my wrapping, 
and all other small details of my stand (including the money-box). 

The very last detail would be for my own clothing - one can achieve 
quite a lot with small touches A lot of people will most likely spend 
a lot of money to "dress the part", but doing, displaying and selling 
items that the visitors see on lots of Shows anyway and anywhere..

How many items to pack for sale, is anybody's guess; it is one of 
these mystery questions. How many other stained glass exhibitors? 
Will it be raining for those days? Have the visitors arrived with 
pleny of money in their pockets? Have they quarrelled over breakfast?
Did the car break down getting there? (Just make sure that you can 
respond to commissions).

By changing the focus, I think you might achieve a most 
arresting  and certainly different result, which will have the 
audience totally on your side and make them come flocking to visit 
your stand. By doing something that no-one else is doing, you don't 
need to look over your shoulder and worry about how you "measure up 
against them". You're in a class of your own!
Howzat!  ;-)
Hope this has given you some ideas....
Will be interested to know how you tackled the Show and what the 
outcome was.
Keep us posted.
Elisabeth 'n Toby in UK


Rosie wrote:
<snip>
invited to participate in a
show this Oct.  The show will be held in an 18th century historical town and
all participants are to dress for the era and demonstrate their skills (mine
being stained glass, of course).  This is the 55th annual show, so I know the
other crafters have their acts down pat.  I have participated in two major
shows in the past, and have panels, lamps, lanterns, birdhouses, etc. to offer
for sale. 

My dilemma is that I want to come up with a demo (of which I have to do 50% of
the time during the 3-day affair), that will address stained glass as it was
made and used in the 18th and 19th centuries.  <snip>
small to work on in order to show the process of assembling prepared cuts of
glass.  The suggestions I need are:  a small item that can be precut and
packed for travel; an idea of how many I'llneed (30,000 participants are
likely); information on any written material I can get giving the history of
the art in that era; and last - but not least - a "warm & fuzzy" reassuring me
that these demonstrations are nothing to be nervous about. 


----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Thu Mar 26 07:36:56 1998
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X-Path: eagle.ca!glass
From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: New-york bound?
Date: Thu, 26 Mar 1998 09:20:07 -0500
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>> People don't live for bungi, I would guess and correct me if
>> I'm wrong, that the people who read bungi also might just stop in at SGB
>> or the IGGA website?
>
>Not if they don't know about them.
>
>Albert


Albert,

Maybe you could include the IGGA website address in your messages, like
"check out the new glass courses at www....., and if people want to they
can check it out, but I don't think that you have to re-post everything
here that gets posted there. Also, it's not personal, everyone here enjoys
and benefits from your experience and expertise in this field.

Sarah


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From owner-glass Thu Mar 26 07:43:24 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: "Albert Lewis" <alewis@vgernet.net>, <glass@bungi.com>
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 08:42:39 -0600
Message-ID: <199803261440.IAA15469@westbyserver.westby.mwt.net>
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Mr Lewis said


>I hit the delete key on about 99% of what comes in from bungi, which
>doesn't mean it's not important to someone, it's just not important
>to me ... or I can't contribute to the discussion.

Wow!

Mr Lewis said:

 it's not IGGA's email group, but the Rands ... etc.

True, the Rands do provide the server space. But.......isn't it also true
that the IGGA has exclusive access to the names and email addresses of all
the glass@bungi subscribers?  Please correct me if I am wrong.

Mr Lewis said:

>Is the IGGA News Memo spam? Don't think so. It's sent to members of
>IGGA, suppliers to the members (who don't pay anything) and one copy
>is sent to glass@bungi.com ... one copy is not spam. A million copies
>of a message is spam, particularly when it's not wanted by those who
>receive it.

A very narrow archaic definition. A broader definition would be " Any
unsolicited advertising or promotion via electronic media that does not
allow said solicitation to be discontinued upon request "

Remember, it was not that long ago when your fax machine spit out junk mail
all day. Not any more, people who cared put an end to it.

Len


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From owner-glass Thu Mar 26 08:01:01 1998
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X-Path: kwic.com!mnvve3
From: Garry  & Linda   McKenna <mnvve3@kwic.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: photographing mirror
Date: Thu, 26 Mar 1998 09:55:37 -0500
Message-ID: <1.5.4.32.19980326145537.0068483c@mail.kwic.com>
Precedence: bulk

Cindy:
When I photograph my mirrors I try to hang them on a light coloured wall,
then stand to the side and slightly below.  I change my position until there
is nothing reflected but another plain light coloured wall. You could try a
couple of different angles, just make sure that you don't end up in the
picture. This usually works for me.
Linda 

At 03:37 PM 25/3/98 -0800, you wrote:
> Looking for some answers to photographing mirror, have an okay camera, but
>haven't got a clue on the in's and out's of it as of yet:) I've taken some
>shots outside before and they seem to be the best, but this time of year
>everything is looking pretty bad...short of making up a tent is there
>something else I could be doing?
>Cindy
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>
>
GARRY & LINDA McKENNA
  TILLSONBURG ONT CANADA
   519 842-9909
  
 LINDA'S HOBBY: STAINED GLASS
 GARRY'S HOBBY:  AMATURE RADIO CALL VE3MNV

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From owner-glass Thu Mar 26 08:09:00 1998
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Never too much info (was:Re: IGGA News Memo)
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Thu, 26 Mar 1998 15:57:23 +0000
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Thank you Mary,

I have been "stewing" over this one for a few days.
In your usual straight forward way, you have expressed my sentiments 
exactly, and also my own reasons why.
Had it not been for Alberts postings, I would not have found out 
about Julie Sloan's group visit to UK (even though I can't afford to 
join it..), or about other events taking place in Europe AND USA, or 
about the Swedish glass event a few months ago.

As it is, I spend far too much time on the computer, so any info to 
ease and help my WEB-travels are more than welcome!

As regards long titles and suffixes and other "plugs", they are there 
if you need them, when you don't - ignore them. But there are new 
people out there ALL the time... The analogy with a radio station is 
a good one.
My 2 cents worth 
Elisabeth 'n Toby in UK
(who are still working on getting Mary "Over Here"!)

Mary wrote:
( a few <snips>)

I'm not taking sides with either of the above, but taking issue with
Andrew. 

There are more folks than you think interested in working a glass
event into their travels. I read eagerly events posted from all corners
of the world.

For example, the posting of the Mexican glass artists association bulletin
here has made me one good friend and several acquaintences. I just missed
the Chartres trip last year, but still keep in touch with Elisabeth in the
UK. 

There are many contacts to be made from this list. Not everybody can take
advantage of all of them right now, but that doesn't mean that we should
all be deprived of them. As the IGGA memos and other notices are always
clearly marked, it's quite possible  to delete stuff without reading
it, if they feel there is never any hope of using the info. Me, I always
hope I'll get a chance to visit new places and meet new glass friends.



> 
> While I appreciate the fact that you want "to get the word out", but
> don't you think that everyone here already knows about SGB & the IGGA
> and the fact that those sites have the information that you continue to
> post here?

Sorry, that's a false premise. Just like radio or TV, there are new folks
tuning in every minute. 

> People don't live for bungi, I would guess and correct me if
> I'm wrong, that the people who read bungi also might just stop in at SGB
> or the IGGA website?

Personally, I try to keep my web browsing to a minimum, because it's
such a deliciously fascinating way to be distracted from other work I
should be accomplishing. I don't even fire up the browser until I have
a good reason, like a teaser on bungi, to go there. 

To restate my plea: don't deprive those of us with hopes of expanding
their glass horizons.

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Thu Mar 26 08:40:49 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Fw: Fwd: It's YOUR list
Date: Thu, 26 Mar 1998 09:03:42 -0600
Message-ID: <199803261502.JAA17372@westbyserver.westby.mwt.net>
Precedence: bulk

Glassfolks,

If anyone is wondering why we have not heard from Mike Peck lately ( for the
newbies) a professional glass artist and studio owner who was a long time
and highly respected contributor to this list.... here's why

Fowarded with his ** permission as clearly stated in his post**


>Len,
>
>I got a copy of the note you posted to bungi from a friend that is still
>subscribed to the list ... I unsub-ed a few weeks ago, but still get
>many "courtesy copies" of this kind of material.  Just wanted to let you
>know that I agree with you 100%.  I fact, I tried to take up a similar
>issue with Mr Lewis myself, in private, and he wouldn't even give me the
>courtesy of replying.  He simply started sending me some personalized
>digs in his public posts, without identifying anyone of course.  And, I
>didn't have to put up with that childish nonsense, so I left.  There are
>too many other list serves around that promote stained glass and
>generate enthusiasm.  Bungi was a great list for a long time, but has
>really gone south because there IS fragmentation, and there is
>dissention, and there is a lot of arrogance.
>
>I really did appreciate your comments, Len.  In fact, if you want to
>post this note to bungi, feel free.  I just ask that you post it in its
>entirety.
>
>
>Mike Peck
>Head Honcho, Top Dog, Sole Proprietor, His Grace,
>HMFIC, The Buck Stops Here, Da Man....., Chief Bottle Washer,
>CEO and President of all in front of me.
>Summit Stained Glass



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From owner-glass Thu Mar 26 08:58:17 1998
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From: "len alcamo" <alcamoz@mwt.net>
To: "Albert Lewis" <alewis@vgernet.net>, <glass@bungi.com>
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 09:32:42 -0600
Message-ID: <199803261531.JAA20094@westbyserver.westby.mwt.net>
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>Len questioned my motives in private email to me. I explained why I
>do what I do (and how much I get paid: zip). He didn't believe me and
>told me so, profanely.

Yes I admit it I did use one word in an exchange of hundreds of words with
Mr. Lewis that might be construed by some  as being profane. The word
was.......... turn away now if you can't handle the shock...... bullsh*t. I
guess its the dunking seat for me.

Unfortunatly I was unable to come up with a suitable synonym  at the time.
When Mr. Lewis informed me that I had so offended his sensabilities far more
deeply then I ever anticipated . I did say " bovine fecal matter" in a
subsequent post.

I feel much better now that I have relieved myself of this burden of guilt.
;-)

Len




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From owner-glass Thu Mar 26 09:15:28 1998
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X-Path: warner-criv.com!charles
From: "Charles Warner" <charles@warner-criv.com>
To: "daver!telusplanet.net!lanas" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Warner-Crivellaro postings
Date: Thu, 26 Mar 1998 10:38:00 -0500
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>
><< > I wish Charles Warner would put a regular posting out here for events
at
> > Warner-Crivellaro...its much closer to home for me.....  :-)

Wow- I haven't looked at bungi for a few days - a lot of messages

bungi is a small town electronic newspaper.  Some people read the
newspaper for NEWS and some people read the newspaper FOR ADS.
Even plain and simple advertising can be very informative.

IMHO eliminating commercials would reduce the value of the list to most
subscribers.  For example the above quote,  The writer has been in my store,
knows my URL and for that matter has written to me personally (not on this
issue I hasten to add).

It is not practical for the average person to go to a list of different
pages for
things of interest to them on a daily or weekly basis.

Charles Warner
charles@warner-criv.com

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From owner-glass Thu Mar 26 09:23:58 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: "Albert Lewis" <alewis@vgernet.net>, <glass@bungi.com>
Subject: Re: Warner-Crivellaro postings
Date: Thu, 26 Mar 1998 09:44:13 -0600
Message-ID: <199803261541.JAA21022@westbyserver.westby.mwt.net>
Precedence: bulk

>
>No, of course not. I've sent 14 short messages since December 1, 1997
>about new stuff I'd found or put up myself. I don't know how many
>messages bungi's had since then, but I'd bet my posts have been less
>than a flyspeck on the gaze of heaven.


Mr. Lewis has sent approx 20 posts in less then a month promoting his
association's interests. Just for the record.

Len


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From owner-glass Thu Mar 26 09:25:27 1998
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X-Path: glasstreasures.com!sgt
From: Stephanie Hansen <sgt@glasstreasures.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: No more posts? I'm with Lu Ann!!!
Date: Thu, 26 Mar 1998 09:42:52 -0600
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References: <<1998Mar26.115513.0>>
Precedence: bulk

I agree with LuAnn as well.  I don't believe there has been any excess
commercialism or spam from anyone.  Albert happens to be in a position
where he hears about a lot of glass-related events before the general
public and is kind enough to share those events with the rest of us.  I
belong to IGGA, but I don't visit the web site all that much, so I
appreciate it when he posts brief messages of what's new, and at Stained
Glass Biz, as well (though to be honest, I haven't figured out how he
became involved there, I thought that was someone else's site).  If you
don't like what's in a message, you can always hit the ol' delete key, and
if you personally feel there's too many messages that you don't like, well,
you can always unsub from the list (and IMHO deprive yourself of a lot of
great info).

Steph ~

>Whispy Blu wrote:
>> Well......I was trying to stay out of this discussion, but when others are
>> attempting to control the information I receive or not receive I WILL get
>> involved.  The ONLY people who WILL control the information I receive on
bungi
>> will be the Rands.  For those who do not want to know updates on different
>> sites USE the scroll or delete buttons, that's what they are there for.  I
>> want to know updates, web sites, people, retail & wholesale sites,
etc......
>> that are even remotely glass connected.  I will be the one to decide what I
>> read and what I don't..............


-----------------------------------
Stephanie Hansen - Stained Glass Treasures/Dallas, TX
Affordable stained glass pieces for gifts or personal use
Enter the sweepstakes to win a stained glass suncatcher!
<mailto:sgt@glasstreasures.com>   <http://glasstreasures.com/>
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From owner-glass Thu Mar 26 09:43:20 1998
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From: TifStyOrig <TifStyOrig@aol.com>
To: WhispyBlu@aol.com, alewis@vgernet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 10:49:30 EST
Message-ID: <1998Mar26.154930.0>
Precedence: bulk

This is so well said, it speaks exactly what I feel too.  I just had to repeat
the post.

<< Well......I was trying to stay out of this discussion, but when others are
 attempting to control the information I receive or not receive I WILL get
 involved.  The ONLY people who WILL control the information I receive on
bungi
 will be the Rands.  For those who do not want to know updates on different
 sites USE the scroll or delete buttons, that's what they are there for.  I
 want to know updates, web sites, people, retail & wholesale sites, etc......
 that are even remotely glass connected.  I will be the one to decide what I
 read and what I don't.  I personallly thought that after Albert told about
the
 update and how to get to the information on classes, it was sufficient;
 however, I also thought that he then proceeded to list them was a little
 excess, but I was able to scroll through the list quickly with just a flick
of
 the finger.  If Howard telling bungi, and therefore me, that he has forms for
 lamps to rent is spamming.....spam me.  This is information *I* will use in
 the future, if someone else won't then scroll or delete.  There has been alot
 of information about photography on bungi, not of particular interest to me
so
 I scrolled, but I sure am glad to know I can still get to it through the
 archives.  
 
 It also appears that there was alot more behind the issue between Albert and
 Len.  That is between them but it sure showed some peoples "true colors",
 didn't it?
 
 If there is a subject that is glass related in any way and that's called
 spamming, then spam away.  IMHO of course.
 
 Lu Ann
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From owner-glass Thu Mar 26 09:43:27 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: No more posts? I'm with Lu Ann!!!
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 26 Mar 1998 11:02:18 +0000
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> receive anywhere from 400-800 emails each and every day...I have become
> quite adept at using the delete key when it's necessary!

Eeyow! Are you running a service desk for Microsoft or something? Or 
are those glass-related questions? I'm impressed.


> I think the IGGA is performing an informative service and happen to know
> that the 2 people I forwarded to the bungi list are not IGGA
> members...this list is the only way they can get info like that...thanks
> for your hard work!

You're welcome, LJ.  And so's anyone/everyone else who finds it 
helpful. That's why we do it.

Albert
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From owner-glass Thu Mar 26 09:53:04 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Glass Mail
Date: Thu, 26 Mar 1998 07:26:21 PST
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Hi everyone,

Can we please find something about glass to discuss here and drop
the opinion poll taking already.  If I feel that someone is posting
something that shouldn't be,..I'll let them know.  In the mean time
if you don't want to read something,..just delete it okay?
Not everyone will be pleased with how this list should run but I think
we are getting off the topic of glass again.


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Thu Mar 26 10:10:22 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Duck 'n' cover?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 26 Mar 1998 11:02:18 +0000
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> Tracy (who is now running to duck under some very heavy furniture to
> shield her from what might follow)

Your comment immediately called to mind the great film from the 
Fifties, "Duck and Cover," that showed how to avoid the effects of 
nearby atom bomb blasts by crawling under the picnic tablecloth. Had 
a catchy tune, if I remember aright. <s>

Albert
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From owner-glass Thu Mar 26 10:16:37 1998
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From: "Dianne G. Maddison" <artglass@flash.net>
To: bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Lemon Oil
Date: Thu, 26 Mar 1998 08:55:57 -0800
Message-ID: <1998Mar26.05557.0>
Organization: The Ivory Express
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Good Morning my fellow Bungians,
Just a very dumb question here about the lemon oil use in preventing
oxidation.  Doesn't the oil make your glass streaky?  Thanks all.
Dianne M.

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From owner-glass Thu Mar 26 10:17:44 1998
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X-Path: jackel.demon.co.uk!mike
From: Mike Simpson <mike@jackel.demon.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Windsor Castle restoration.
Date: Wed, 25 Mar 1998 18:00:37 +0000 (GMT)
Message-ID: <199803251800.SAA00690@jackel.demon.co.uk>
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Way back in December of last year there was a query on Bungi
about where to get a video of a TV program on the restoration
of Windsor Castle, this program was shown both in the U.K. 
and the U.S. at about the same time. I had missed the program
myself due to an unfortunate tendancy to fall asleep during 
programs that I am enjoying, so I set about trying to run it
to earth. 

Information that I found at that time was that it would be 
released in two weeks (mid December) so I passed that info on.
Unfortunately it is still promised in two weeks, as it also
was in mid Feb..

However, last weekend I was in the vicinty of Windsor Castle
so I dropped in to have a look at the repairs & renovation
and found that they have the video there, both in U.K. and
U.S. formats. So for anybody still interested after the long 
wait and this (almost) longer e-mail, you can get it from:-

Royal Collection Enterprises Ltd.,
Saxon Tower,
Windsor Castle,
Windsor,
Berkshire SL4 1NJ.

tel: +44 (0) 1753 868286 fax: +44 (0) 1753 832290

The video is very good, there is even some stained glass in it
but mostly it just shows realy fine workmanship.

Cost of the video is 10 U.K. pounds (about $16.50) but I have no 
idea what mail costs would be.

Mike Simpson.

p.s.  I was going to put in the standard disclaimer - that I had 
      no connection with the above organization, but as it is a
      Royal thingy and as I am a subject of the Queen that would
      be a lie. :-)
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From owner-glass Thu Mar 26 10:27:03 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: New-york bound?
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Date: Thu, 26 Mar 1998 11:14:53 +0000
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> Maybe you could include the IGGA website address in your messages, like
> "check out the new glass courses at www....., and if people want to they
> can check it out, but I don't think that you have to re-post everything
> here that gets posted there. Also, it's not personal, everyone here enjoys
> and benefits from your experience and expertise in this field.

Thanks, Sarah, but I thought one of the big complaints from the 
(2-3?) real complainers was that I do exactly that (as below). 
Besides, I kinda get excited when I've just added 50 new works to the 
Light Show at http://www.stainedglassbiz.com/ ... I want to share 
that terrific work and really don't see anything wrong with a short 
message saying, "Hey! I just added fifty terrific pieces of glass 
work by artists from around the world and here's how you get there 
and this is what you click on to see them." Okay, you and a number of 
other people already know they're there, but many don't and that's 
why I mention it. The whole point of whatever I post is to share info 
or work ... at least it's about glass and not venetian blinds (a spam 
about which I just received). <g>

The "bad" signature:

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Thu Mar 26 10:35:20 1998
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From: "M. Savad" <morn@nac.net>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 11:08:57 -0500
Message-ID: <1998Mar26.6857.0>
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Albert Lewis wrote:
> 
> > Sorry, I wasn't available recently for the show of hands.  I DO NOT agree
> > with using this forum for commercialism, whether it be for IGGA,
> > Warner-Crivellaro, Walmart or Suter's Stained Glass.  I would personally
> > love to see this list become spam-free, devoted to the sharing of the love
> > of creating with glass.
> 
> IGGA: not commercial, in fact its web site is free
> Warner-Crivellaro: commercial, but so what? They give away stuff
> Walmart: haven't seen 'em here (yet)
> Stainedglassbiz: not commercial, all free
> UrbanGlass: not commercial, an educational institution
> 
> It strikes me as odd that my 35-line post about classes that might
> be of interest to glass craftspeople (like those who frequent this
> list) would generate hundreds of lines of complaints about something
> that was freely given and for which nothing was asked. Geez, if I'd
> posted the descriptions of the classes and their instructors, it
> would have been a book and I might have been justifiably scolded! <s>
> 
> > I have invited a number of glass artists to join this group.  Without fail,
> > each of them has contacted me with concern about being a member of "IGGA's
> > e-mail group" without paying dues.  Several of them have left the group
> > because of the commercialism.  Their knowledge and glass experiences are
> > lost to us.  Sad!
> 
> I hit the delete key on about 99% of what comes in from bungi, which
> doesn't mean it's not important to someone, it's just not important
> to me ... or I can't contribute to the discussion. I guess the
> above-mentioned glass artists have delete keys on their computers,
> too. As for being a member of "IGGA's email group," why do they think
> that? They're never asked if they're members; they in fact don't have
> to be members; it's not IGGA's email group, but the Rands ... etc.
> ... and so why don't you just set them straight, telling them there's
> no such requirement?
> 
> > I feel certain the commercial promotions will not end.  Can't it be curbed
> > somewhat?  Would it be so unreasonable to include announcements as part of
> > the signature?
> > Then, anyone interested can go there.  The uninterested aren't flogged with
> > unsolicated commercialism
> 
> S'funny you're taking this tack, Shirley, since when glass@bungi was
> closed down, you contacted IGGA about putting up a new group on your
> company's server. I guess you didn't think IGGA was all bad. Besides,
> anyone can go here now.
> 
> Is the IGGA News Memo spam? Don't think so. It's sent to members of
> IGGA, suppliers to the members (who don't pay anything) and one copy
> is sent to glass@bungi.com ... one copy is not spam. A million copies
> of a message is spam, particularly when it's not wanted by those who
> receive it. Is it wanted here?
> 
> I'll ask for a show of hands: should IGGA News Memos no longer be
> posted to glass@bungi? It'd take me maybe 5 seconds to fix that.
> 
> Albert
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


uh oh wathch out albert, she might not like what she's read and bounce
all of your mail back to you too; like she's still doing to me. 

i personally don't mind seeing the extra stuff. i personally ignore and
delete what i don't need to see. but if i'm looking for particular info
about igga, etc. all i would need to do is to go to a message and click
on the link. 

i for one would like to see suter's stained glass. she's owns the isp,
yet i can't find a site of her's on there. i'd like to see her work, for
then i can see if she has any talent behind her mouth. i've seen her
post maybe once or twice a week if that. and when she does open her
mouth it's usaully something negative to say... 

i'm glad bungi did'nt move to that isp. imagine the rules she'd require:
no quoting at all, no sig lines, no talking about nothing, or she'd kick
you off the list...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Thu Mar 26 10:41:23 1998
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X-Path: aol.com!ItsAlison
From: ItsAlison <ItsAlison@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: cheap "imports" was: Too much grinding Not enough cutting!
Date: Thu, 26 Mar 1998 11:31:24 EST
Message-ID: <1998Mar26.163124.0>
Precedence: bulk

In a message dated 98-03-25 23:32:51 EST, dmg@csg.uwaterloo.ca writes:

<< But you have to accept that technology changes
 everything and that it has changed SG.  >>


Daniel,
     No,  in the words of the great philosopher, Cindy Lauper "
Money!.....Money changes EVERYTHING......yes, money.....money changes every-
thing!................"
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From owner-glass Thu Mar 26 10:54:16 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: photographing mirror
Date: Thu, 26 Mar 1998 12:35:53 -0500
Message-ID: <1998Mar26.73553.0>
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Message text written by Cindy Pesonen
> Looking for some answers to photographing mirror, have an okay camera,
but
haven't got a clue on the in's and out's of it as of yet:)<

May I suggest you purchase a copy of the excellent
book, "Photographing Your Craftwork: A Hands-On
Guide for Craftspeople" by Steve Meltzer, professional
craft photographer and regular columnist for "The
Crafts Report" magazine?  It is excellent.  Has an
excellent chapter just on photographing glass
including mirror.

Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Thu Mar 26 11:05:48 1998
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X-Path: mwt.net!alcamoz
From: "len alcamo" <alcamoz@mwt.net>
To: <glass@bungi.com>
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 11:19:58 -0600
Message-ID: <199803261718.LAA00417@westbyserver.westby.mwt.net>
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>I'll ask for a show of hands: should IGGA News Memos no longer be
>posted to glass@bungi? It'd take me maybe 5 seconds to fix that.


Please do it via personal mail to Mr Lewis.

Lets close this out please. If you care to, you can Cc me your vote. I'll
volunteer to verify the count. ;-)


This will be my last post to bungi...unless someone tries to defame me again

Whatever Mr Lewis might try and lead you to believe....... Remember what was
at issue here:

1...Should references to business interests be restricted to the signature
line of posts

2... Can the IGGA setup a seperate email account so that folks who wish IGGA
info can receive it *automatically* (pretty easy to do for a html geek)  and
those who subscribe to glass @bungi don't have to see it

Sure a lot of people are  hungry for glass info... thats cool..... but what
we were debating is not WHETHER you get it but HOW you get it..........get
it? Thats all folks!

 A certain party has seen fit to take cheap shots at me.... (stopping just
short of libel)  and other bungians that disagree with him. It has come to
light that there are many more incidents of this then I ever suspected. Some
of the personal mail I received was very disturbing.  That's unfortunate, it
was not my intention start a war. But it all came out in the wash and I'm
glad it did

Whatever the result of the show of hands is, I will be unsubscribing... not
because I would feel any sense of defeat... it wasn't about that... I played
it straight from day one. Only because I would prefer not to associate my
name with  a person who I had respected but who in my opinion,  hides behind
a facade of sophistication and selfless contribution to the betterment of
SG.  A person who is really, IMNSHO  nothing more then dime a dozen huckster
and cheap shot artist in a fancy suit. Sorry, but this is all very
upsetting. Where's my pills? I'll be alright :-)

  Looking foward to talking to some of you on a different SG list. I'm just
not sure where that is yet.. hey Mike Peck where are you hanging out these
days?

Like someone said bungi was a great list with a lot of potential, but those
days are long gone.....boy, what a waste   :-(

Len











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From owner-glass Thu Mar 26 13:29:02 1998
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X-Path: clis.com!glassurgeon
From: Kopp <glassurgeon@clis.com>
To: All Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Such a shame
Date: Thu, 26 Mar 1998 12:20:16 -0500
Message-ID: <3.0.1.32.19980326122016.006a7898@mail.clis.com>
Precedence: bulk

It's happening again, isn't it?

Can someone please tell me how long and how ugly this round of 'HE SAID,
SHE SAID' is going to last?

I believe I will UNSUBSCRIBE until it's over.  Having to weed through so
many posts, to find any TRUE SG INFO, wastes too much time.

Such a shame.

In the words of Rodney King, "Can't we all just .... get along"?

Dava


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From owner-glass Thu Mar 26 13:43:59 1998
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X-Path: mars.ark.com!wmunro
From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Kiln Supplier
Date: Thu, 26 Mar 1998 09:26:00 -0800
Message-ID: <199803261726.JAA05015@ark.com>
Precedence: bulk

Howdy again...Does anyone know of an E-mail place or mail order that handles
glass kilns? I have been interested in this for some time, however eryone I
ask quotes me an arm and a leg (as well as my first born son; and I have 4
daughters!!; so this is too pricey for me!!)
Does anyone know if it is possible to build one?
Thanks


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

ICQ # 2762376
Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

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From owner-glass Thu Mar 26 13:59:28 1998
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X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Stop the p*ssing contest was Re: No more posts?
Date: Thu, 26 Mar 1998 12:39:33 -0500
Message-ID: <1998Mar26.73933.0>
References: <<199803261440.IAA15469@westbyserver.westby.mwt.net>>
Organization: Cox's Mower Service
Precedence: bulk

Generic response to the group about all this BS
Anyone with access to a list server, and knows how, can get this information.
Listserv and majordomo have commands that can tell a s*bscriber (who knows how)
- who is a member, - how many times each member has  posted etc. If someone at
IGGA knows how to do this, it's not part of a conspiracy, it just might be
someone there is more computer literate than others.
There seems to be an ongoing thread with the general theme of 'I'm OK, you
suck'. One of the things I liked about this group was the common interest in
glass seemed to keep the flame level pretty low. People could have ongoing
bipartisan discussions without it getting personal. (FTMP). Not having the
interest to actually count them, my observation has been that this IGGA issue
has been the majority of volume over the past two days, and has no sign of
slowing down. Do people on this list have a major need to stratify the
membership? Is life so empty the only jollies you get is feeding on
confrontation?

As to needing membership to join bungi, it has been MY experience (having
staffed the IGGA table at Glass Visions at W/C BEFORE I became a member) is
that ALL the people working the table said  'bungi was open to anyone with net
access FOR FREE, NO MEMBERSHIP REQUIRED'. If your associates feel guilty about
getting something for free, maybe that's their problem, not bungi's or IGGA's.

IF you get the digest form, and you are complaining about having to scroll
through posts you would rather not see, maybe you should consider dumping the
digest and taking the individual post option.
If you are not on the digest, and you are exposed to stuff you don't want, get
familiar with your mail reader and learn to set up filtering, which depending
on your software, allows you to ignore posts based on who sent it, or subject
matter. If you don't want to bother with that, then use the delete key as soon
as you see a post from someone or having a subject you don't like.




> True, the Rands do provide the server space. But.......isn't it also true
> that the IGGA has exclusive access to the names and email addresses of all
> the glass@bungi subscribers?  Please correct me if I am wrong.
>



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From owner-glass Thu Mar 26 14:04:33 1998
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	for rglass-42; Thu, 26 Mar 1998 09:36:14 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: My apologies
Date: Thu, 26 Mar 1998 09:29:09 -0800
Message-ID: <1998Mar26.1299.0>
Precedence: bulk



my apologies for adding my two cents on the bungi line but...
	It was this very nonsense that led to the shutdown of bungi the last time. 
Len if you don't like it filter or delete, I am more tired of getting 
complaints about generous volunteers than I am about information related to 
glass, even if it is a repeat for the benefit of newcomers and others. 
There are other forums, maybe there is one more to your liking where you 
can control the content, maybe you could start one and put in the kind of 
time that Mr. Lewis does. Please stop trying to control the content of this 
one. I have done more than my share of volunteer work and it always amazes 
me how those on the sidelines will complain, find fault with, and try to 
direct, and sometimes even throw insults and/or sarcasm at those who are 
willing to put the free time in to help others. I wonder sometimes if 
people like this are only trying to get bungi shut down as some kind of 
power trip. and by the way Len " Any
unsolicited advertising or promotion via electronic media that does not 
allow said solicitation to be discontinued upon request ", I think that all 
you have to do is request that you be dropped from bungi and you will find 
the "unsolicited" material will stop (I would have thought that you had 
requested the bungi subscription) Also if you are so against unsolicited 
mail why do I keep getting your E-mail, I only solicited glass related 
material, is this you way of getting past Mr. Lewis' filter by "spaming" 
bungi with your "cause"?.
Glenn Spicer,
The Studio Metamorphoses, BC, Canada


-----Original Message-----
Mr Lewis said
Mr Lewis said:
Mr Lewis said:
Len


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From owner-glass Thu Mar 26 14:12:00 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: lasercom.net!jean
From: "Jean" <jean@lasercom.net>
To: "len alcamo" <alcamoz@mwt.net>, "Albert Lewis" <alewis@vgernet.net>,
Content-Type: text/plain; charset=ISO-8859-1
Subject: Please, take it off line . . . 
Date: Thu, 26 Mar 1998 10:17:15 -0800
Message-ID: <199803261802.KAA27431@intergate.lasercom.net>
Precedence: bulk

Aww, come on you two, take it off line.  Let the rest of us get back to
glass.  My poor delete button is getting warn out!

Jean

----------

> >No, of course not. I've sent 14 short messages since December 1, 1997
>.
> >Albert
-------------- 
> 
> Mr. Lewis has sent approx 20 posts in less then a month promoting his
> association's interests. Just for the record.
> 
> Len

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From owner-glass Thu Mar 26 14:26:27 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass painting Infomercial
Date: Thu, 26 Mar 1998 13:46:20 -0500
Message-ID: <1998Mar26.84620.0>
Precedence: bulk

To everyone-

As most of you probably know, =

Michael and I own a professional
full-service custom glass shop in
Colorado.  We have also for several
years marketed our kiln-fired glass
painting services to other professional
shops across the country via our
web site.  We are no longer providing
this service to other artists and will
be killing the site as soon as we can
get our site designer off his duff.  If you'd
like to visit one last time, please stop by
at http://eme.usa.net/greerstudios

Will let you know when Albert gets our
page on the IGGA site - first I have to =

send photos to him.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Mar 26 14:32:29 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Informative postings
Date: Thu, 26 Mar 1998 13:46:27 -0500
Message-ID: <1998Mar26.84627.0>
Precedence: bulk

"Concern about being a member
of IGGA's e-mail group without
paying dues" (??) =


What in heavens
name does that mean, Shirley?  If
I understand this correctly, are you
implying that people were asked to
join IGGA so they could remain
bungi participants?  This is the polar
opposite of any experience I have
ever had with bungi, IGGA, Albert, etc.
In fact, I practically had to BEG to
get information to join IGGA.  I, for one,
appreciate getting some of that so-called
spam (really, the only spam I've ever
gotten is through bungi with regard to
Russian babes - that's what I call spam)
because it's just that much less time spent
on the computer.  As a professional, I =

consider those postings a matter of
professional courtesy - information
exchange - nothing more or less.  In
truth, I think most people who come and
go rather quickly, do so for two reasons:

1.  bungi takes too much time.

2.  the off-topic squabbling gets wearisome.

Both can result in wasting time and when the
price gets too high, the obvious solution is
to bow out.  I'm getting close to that stage =

myself.  And it has nothing to do with an
overload of advertising on bungi... good
grief! The spam tirades are more likely to be
the end of my patience!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Thu Mar 26 14:33:16 1998
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Frame for X-Stitch Help?
Date: Thu, 26 Mar 1998 13:31:01 -0500
Message-ID: <1998Mar26.8311.0>
Precedence: bulk

I have designed a frame for a piece of x-stitch that a friend made. It's =
kind of simple art nouveau. My question is this. Should I insert the =
clear glass inside of the colored frame or will it be okay to make the =
clear glass the same size as the outside of the frame and simply overlay =
the frame?

Like this
______                _______
-----------------------------


 I sort of like the idea of the frame being raised above the glass but =
am worried about cleaning between the frame and clear glass during =
construction and afterwards. Ideas please.

Thanks,

Linda Campbell


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From owner-glass Thu Mar 26 14:44:15 1998
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X-Path: vgernet.net!alewis
From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: Glass Mail
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 26 Mar 1998 14:15:38 +0000
Message-ID: <m0yII06-0000WEC@daver.bungi.com>
Precedence: bulk


> we are getting off the topic of glass again.

Righto, Glenna. Thanks. For those who are interested, I've set my 
software to send the memos only to members of IGGA and suppliers. 
My 122 words have generated thousands in response, much more 
bandwidth consumption than ever was intended, and lots of heat and 
anger. Those who want announcements like the seven I've sent this 
month will just have to (blatant plug for "commercial" invitation 
follows) join the Guild, I guess.


Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Thu Mar 26 14:55:25 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: mail.apple.com!karens
From: Karen Schroeder <karens@apple.com>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Home and Garden Show Advice
Date: Thu, 26 Mar 98 11:58:10 -0800
Message-ID: <199803261959.LAA07068@scv4.apple.com>
Precedence: bulk

Sorry to interrupt the current flame fest...

My partner and I have reserved a booth at a local Home and Garden Show in 
May. The organizers are concerned about competition so they have asked us 
to restrict ourselves to "outdoor" items - stepping stones, bricks, 
benches, pots, etc.

This will be our first show, does anyone have any advice on what to take, 
how to set up the booth (10x10), display techniques, pricing 
suggestions,...

Thank you in advance for your help,

Karen Schroeder
Hummingbird Designs

Windows 95: n.
32 bit extensions and a graphical shell for a 16 bit patch to an
8 bit operating system originally coded for a 4 bit microprocessor,
written by a 2 bit company, that can't stand 1 bit of competition.

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From owner-glass Thu Mar 26 14:57:50 1998
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X-Path: clis.com!glassurgeon
From: Kopp <glassurgeon@clis.com>
To: All Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Such a shame
Date: Thu, 26 Mar 1998 15:46:31 -0500
Message-ID: <3.0.1.32.19980326154631.006a07ec@mail.clis.com>
Precedence: bulk

It's happening again, isn't it?

Can someone please tell me how long and how ugly this round of 'HE SAID,
SHE SAID' is going to be?

I believe I will UNSUBSCRIBE until it's over.  Having to weed through so
many posts, to find any TRUE SG INFO, wastes too much time.

Such a shame.

In the words of Rodney King, "Can't we all just .... get along"?

Dava


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From owner-glass Thu Mar 26 15:06:35 1998
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X-Path: indiana.edu!dfdavis
From: Donald Davis <dfdavis@indiana.edu>
To: Glenna Rand <gjr@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass Mail
Date: Thu, 26 Mar 1998 14:55:27 -0500
Message-ID: <1998Mar26.95527.0>
References: <<m0yIEXv-0000l6C@daver.bungi.com>>
Organization: Indiana University
Precedence: bulk

Ok Heres a glass question.....  I know there were some discussions
recently about pricing.  But I am still left with some of my own.  I am
new to this craft of stained glass.  However I think I am doing some
nice work.  I have also been told by my teacher (3rd generation stained
glasser). I don't want to over-price or under price what I make.  I can
already see that if I am going to be able to make as many thing as I
want.  I am going to have to be able to support my habit a little. I
recently made a butterfly for my mon on her birthday.  I was asked by
her neighbor to make her one.  When I finished it I gave her the price
(by using earlier email means of pricing) the lady told me she was sorry
but no way would she pay that.  I really think it was fair.  It had a
lot of difficult cuts and some really nice glass. (looks good in my
kitchen).  As a newcomer..... can I ask a full price for my work?
Don.....



Glenna Rand wrote:

> Hi everyone,
>
> Can we please find something about glass to discuss here and drop
> the opinion poll taking already.  If I feel that someone is posting
> something that shouldn't be,..I'll let them know.  In the mean time
> if you don't want to read something,..just delete it okay?
> Not everyone will be pleased with how this list should run but I think
>
> we are getting off the topic of glass again.
>
> --
> Glenna Rand
> gjr@bungi.com
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass



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From owner-glass Thu Mar 26 15:08:50 1998
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From: Kath8284 <Kath8284@aol.com>
To: Northernlights@pobox.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 16:59:24 EST
Message-ID: <1998Mar26.215924.0>
Precedence: bulk

Bravo Tracy........I couldn't have said it better myself!!!!  
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From owner-glass Thu Mar 26 15:27:22 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Kiln Supplier
Date: Thu, 26 Mar 1998 14:16:15 -0800 (PST)
Message-ID: <199803262216.OAA16872@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Thu Mar 26 13:49:23 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: mars.ark.com!wmunro
>From: wmunro@mars.ark.com (Wayne Munro)
>To: glass@bungi.com
>Subject: Kiln Supplier
>Date: Thu, 26 Mar 1998 09:26:00 -0800
>Precedence: bulk
> Hi Wayne,
I'm up in 100 Mile House, and I got mine  from Greenbarn Potters in Surrey,
they have glass kilns also. I think mine is an Olypimic??? They do cost, but
it's alot to do with the size factor. Mine was around the $1200.00 MARK but
it's 20" x 30" inside.
Hey, four daughters boy are you in for it...yo.
Courtenay... on the island? Well, there you go all that beauty no wonder you
had four daughters!! But you better stop it.
You can shop around for kilns but I found it easier with the supplier close
at hand.
Cindy


>Howdy again...Does anyone know of an E-mail place or mail order that handles
>glass kilns? I have been interested in this for some time, however eryone I
>ask quotes me an arm and a leg (as well as my first born son; and I have 4
>daughters!!; so this is too pricey for me!!)
>Does anyone know if it is possible to build one?
>Thanks
>
>
>Wayne Munro 'Snail mail' address
>2960 Suffield Road,
>Courtenay, B.C. Canada   V9N-3V5
>
>ICQ # 2762376
>Phone and Fax-- (250) 338-5507  
> "Call before sending a fax so setup is complete"
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Thu Mar 26 15:40:52 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Lemon Oil
Date: Thu, 26 Mar 1998 14:27:22 -0800 (PST)
Message-ID: <199803262227.OAA11466@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Thu Mar 26 10:19:28 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: flash.net!artglass
>From: "Dianne G. Maddison" <artglass@flash.net>
>To: bungi <glass@bungi.com>
>Subject: Lemon Oil
>Date: Thu, 26 Mar 1998 08:55:57 -0800
>Organization: The Ivory Express
>Precedence: bulk
>
Hi Dianne M,
I use Kem-pro wax for my glass and have found the cleaner I keep my work the
better. I solder as I go alot and very handy with the can of spray cleaner!!!
But to answer your question... The only lemon oil I've used is for my
furniture and it has to be polished dry.
Cindy

 
>Good Morning my fellow Bungians,
>Just a very dumb question here about the lemon oil use in preventing
>oxidation.  Doesn't the oil make your glass streaky?  Thanks all.
>Dianne M.
>
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>
>

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From owner-glass Thu Mar 26 16:07:27 1998
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X-Path: mars.ark.com!wmunro
From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: My apologies
Date: Thu, 26 Mar 1998 14:31:57 -0800
Message-ID: <199803262231.OAA28870@ark.com>
Precedence: bulk

>To: "Glenn Spicer" <gspicer@seaside.net>
>From: wmunro@mars.ark.com (Wayne Munro)
>Subject: Re: My apologies
>Cc: 
>Bcc: 
>X-Attachments: 
>
>I have to agree with you Glenn. I have sat back and watched this kiddies
parade for some time. (I am off work sick and am REALLY BORED!!!) It is very
hard to figure out how many posts we have all had to endure coming out of a
'glass related' subject just to watch two 2 year olds go at it at my
expense! Who the HE** CARES! Grow up the both of you (and anyone who is
immature enough to encourage them) 
>--I SURE HOPE I AM AS GOOD AS THESE TO INDIVIDUALS AT STAINED GLASS WHEN
I'ME 2!
>
>>
>>
>>my apologies for adding my two cents on the bungi line but...
>>	It was this very nonsense that led to the shutdown of bungi the last time. 
>>Len if you don't like it filter or delete, I am more tired of getting 
>>complaints about generous volunteers than I am about information related to 
>>glass, even if it is a repeat for the benefit of newcomers and others. 
>>There are other forums, maybe there is one more to your liking where you 
>>can control the content, maybe you could start one and put in the kind of 
>>time that Mr. Lewis does. Please stop trying to control the content of this 
>>one. I have done more than my share of volunteer work and it always amazes 
>>me how those on the sidelines will complain, find fault with, and try to 
>>direct, and sometimes even throw insults and/or sarcasm at those who are 
>>willing to put the free time in to help others. I wonder sometimes if 
>>people like this are only trying to get bungi shut down as some kind of 
>>power trip. and by the way Len " Any
>>unsolicited advertising or promotion via electronic media that does not 
>>allow said solicitation to be discontinued upon request ", I think that all 
>>you have to do is request that you be dropped from bungi and you will find 
>>the "unsolicited" material will stop (I would have thought that you had 
>>requested the bungi subscription) Also if you are so against unsolicited 
>>mail why do I keep getting your E-mail, I only solicited glass related 
>>material, is this you way of getting past Mr. Lewis' filter by "spaming" 
>>bungi with your "cause"?.
>>Glenn Spicer,
>>The Studio Metamorphoses, BC, Canada
>>
>>
>>-----Original Message-----
>>Mr Lewis said
>>Mr Lewis said:
>>Mr Lewis said:
>>Len
>>
>>
>>----
>>For subscription changes, please mail to: glass-request@bungi.com
>>To send to the list,      please mail to: glass@bungi.com
>>Archives available at http://www.bungi.com/glass
>>
>>
>


Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5

ICQ # 2762376
Phone and Fax-- (250) 338-5507  
 "Call before sending a fax so setup is complete"

----
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From owner-glass Thu Mar 26 16:10:48 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Linda Campbell <lcbell@memach.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Frame for X-Stitch Help?
Date: Thu, 26 Mar 1998 17:59:38 -0500
Message-ID: <1998Mar26.125938.0>
References: <<1998Mar26.8311.0>>
Precedence: bulk

Linda Campbell wrote:
> 
> I have designed a frame for a piece of x-stitch that a friend made. It's =
> kind of simple art nouveau. My question is this. Should I insert the =
> clear glass inside of the colored frame or will it be okay to make the =
> clear glass the same size as the outside of the frame and simply overlay =
> the frame?
> 
> Like this
> ______                _______
> -----------------------------
> 
>  I sort of like the idea of the frame being raised above the glass but =
> am worried about cleaning between the frame and clear glass during =
> construction and afterwards. Ideas please.
> 
> Thanks,
> 
> Linda Campbell
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


it may be difficult to shove the cloth in there. maybe if you got the
colored back glass, and the front clear glass and sandwiched the cloth.
then get the glass sandwich and shove it into a frame made of brass
channel.  
___  <------outside of wide came
|UUUUUUUU - back glass
--------- - cloth
|UUUUUUUU - front clear glass
___  <------other side of wide came

ultimitly the fram would be empty, then you can clean off or even switch
the material inside. the came channel would need to be extended from the
back... an idea anyway (though a little hard to imagine with this crude
caveman drawing).

---Mike Savad


-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Thu Mar 26 16:29:26 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: dlr
From: dlr@bungi.com (Dave Rand)
To: glass@bungi.com
Subject: Re: Stop
Date: Thu, 26 Mar 1998 14:38:42 PST
Message-ID: <m0yILIK-0000YaC@daver.bungi.com>
Precedence: bulk

[In the message entitled "Stop the p*ssing contest was Re: No more posts?" on Mar 26, 12:39, Carl Childers writes:]
> Generic response to the group about all this BS
> Anyone with access to a list server, and knows how, can get this information.
> Listserv and majordomo have commands that can tell a s*bscriber (who knows how)
> - who is a member, - how many times each member has  posted etc.

This is not the case.  First, we don't use majordomo to do the list
services.  We use a perl script that I wrote in 1989.  Glenna, personally,
handles all the mail to glass-request, which is why bizzare requests like
"Please send me the glass mail", and "I don't want to get any more mail"
work.

There is no ability for someone other than Glenna or myself to obtain the
list of participants to the glass list via a command.  We do not share the
addresses with anyone.  It *is* possible for someone to download the
archives, and obtain the address of people that have posted to the list.

There is no conspiracy.  The IGGA requested space on my web server, and
(after me making the rules clear) I permit them web space here.  Just like I
do for certain other companies.  I do this at no cost, just like all
of the other services I provide here.  At no time does *anyone* pay me
for any services derived from the equipment heap known as "bungi.com"

For those that are interested, bungi.com spans a 12 mile gap, with the bulk
of the equipment located in our house.  There is a 7' enclosed rack, with
400 lbs of batteries in the bottom, many computers, several routers,
and other gear terminating 12 phone lines, 3 ISDN lines, 3 T1 links (two
clear channel, and 1 frame relay).  The other site has my high bandwidth
news server (10 Mbps), and is connected via the two T1 links (3 Mbps) back
to the house.


-- 
Dave Rand
dlr@bungi.com
http://www.bungi.com
----
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From owner-glass Thu Mar 26 16:31:28 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Windsor Castle restoration.
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Fri, 27 Mar 1998 00:18:14 +0000
Message-ID: <199803262323.XAA24539@saturn.nildram.co.uk>
Precedence: bulk

Well done Mike (Simpson),
and many thanks!!
(Gosh, that's quite a memory!!)
I saw the programme myself, but forgot to turn the video on, so I 
will most definitely hot-foot to buy it! Will probably also try and 
get 1 or 2  US-versions as well.
Elisabeth 'n Toby in UK

Mike Simpson wrote:
<snip>
However, last weekend I was in the vicinty of Windsor Castle
so I dropped in to have a look at the repairs & renovation
and found that they have the video there, both in U.K. and
U.S. formats. So for anybody still interested after the long 
wait and this (almost) longer e-mail, you can get it from:-

Royal Collection Enterprises Ltd.,
Saxon Tower,
Windsor Castle,
Windsor,
Berkshire SL4 1NJ.

tel: +44 (0) 1753 868286 fax: +44 (0) 1753 832290

The video is very good, there is even some stained glass in it
but mostly it just shows realy fine workmanship.

Cost of the video is 10 U.K. pounds (about $16.50) but I have no 
idea what mail costs would be.

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Thu Mar 26 16:40:16 1998
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	for rglass-42; Thu, 26 Mar 1998 15:24:08 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Donald Davis <dfdavis@indiana.edu>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass Mail
Date: Thu, 26 Mar 1998 18:20:05 -0500
Message-ID: <1998Mar26.13205.0>
References: <<1998Mar26.95527.0>>
Precedence: bulk

Donald Davis wrote:
> 
> Ok Heres a glass question.....  I know there were some discussions
> recently about pricing.  But I am still left with some of my own.  I am
> new to this craft of stained glass.  However I think I am doing some
> nice work.  I have also been told by my teacher (3rd generation stained
> glasser). I don't want to over-price or under price what I make.  I can
> already see that if I am going to be able to make as many thing as I
> want.  I am going to have to be able to support my habit a little. I
> recently made a butterfly for my mon on her birthday.  I was asked by
> her neighbor to make her one.  When I finished it I gave her the price
> (by using earlier email means of pricing) the lady told me she was sorry
> but no way would she pay that.  I really think it was fair.  It had a
> lot of difficult cuts and some really nice glass. (looks good in my
> kitchen).  As a newcomer..... can I ask a full price for my work?
> Don.....
> 


out of curiosity, how much did you charge? also for the future i
probably would have quoted her a price in the beginning. some peopl have
no idea what it takes to make these things (or how much the materials
are). like my aunt gave me some money for a new computer, but she had no
idea that they cost well over $2000, more like $3000. and the $500 she
gave me would cover the monitor (though i of course kept the money)...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Thu Mar 26 17:04:21 1998
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X-Path: snet.net!tbyrnes
From: Tim Byrnes <tbyrnes@snet.net>
To: "'glass  list'" <glass@bungi.com>
Content-Type: multipart/mixed; boundary="---- =_NextPart_000_01BD58E6.8D03C9C0"
Subject: To All
Date: Thu, 26 Mar 1998 18:39:42 -0500
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------ =_NextPart_000_01BD58E6.8D03C9C0
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

     To All at Bungi.Com,

     I have said a little prayer that this verbal battle stops soon.  I =
for one enjoy the Info that I receive via this list. But all this back =
and forth B/S about she said and he said, is like listening to children =
in the 1st or second grades.

    I really throught I joined an adult glass list,so lets cut the crap =
and share about glass related items

   Thank yoy,

Tim Byrnes
------ =_NextPart_000_01BD58E6.8D03C9C0
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MKB5EtoOWb0BQAAIMKB5EtoOWb0BHgA9AAEAAAABAAAAAAAAAADO

------ =_NextPart_000_01BD58E6.8D03C9C0--

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From owner-glass Thu Mar 26 17:18:21 1998
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X-Path: scc.net!oddjob
From: Sue Reitmann <oddjob@scc.net>
To: "'Glasss Group'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Another useful hospital item
Date: Thu, 26 Mar 1998 18:05:28 -0600
Message-ID: <1998Mar26.12528.0>
Precedence: bulk

I use the small stick sponges that are on a hard rolled paper stick type 
handle for applying patina. I just trim down the sponge a little so it 
isn't as wide at the top. Can be reused after rinsing, keeps the patina off 
your hands and fingers,  and I have much better luck with color being more 
consistent ( no bronze coloring shows up using black patina like it 
sometimes does when I use Q-Tips.)
These sponges are used for mouth swabs on patients who have had surgery and 
can not drink water immediately after.
Sue Reitmann

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From owner-glass Thu Mar 26 17:31:13 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: indiana.edu!dfdavis
From: Donald Davis <dfdavis@indiana.edu>
To: morn@nac.net
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass Mail
Date: Thu, 26 Mar 1998 18:51:11 -0500
Message-ID: <1998Mar26.135111.0>
References: <<351AE2A5.2F6B@nac.net>>
Organization: Indiana University
Precedence: bulk

Well...... In a recent post when another Lady asked the same question.
His rate was $60 per square foot . and 1.50 per cut piece of glass.
Then he added a charge for difficulty or boredom etc.  The butterfly is
1.25 square ft.  It contains 46 pieces of cut glass many of the pieces
of glass were (for me anyway) difficult and tight inside curves.  They
ended up cut out of a glass I should have known better than to try.
(Wasted most of the piece).To make a long story I asked her
$150............. is that too much?  Don't worry about hurting my
feelings.  I really need to know what is what if I am going to sell some
of this.  I honestly think and have been told that my work is good.  So
I hate to sell my stuff short or too cheap.  Thanks for replying!!!

Don................




M. Savad wrote:

> Donald Davis wrote:
> >
> > Ok Heres a glass question.....  I know there were some discussions
> > recently about pricing.  But I am still left with some of my own.  I
> am
> > new to this craft of stained glass.  However I think I am doing some
>
> > nice work.  I have also been told by my teacher (3rd generation
> stained
> > glasser). I don't want to over-price or under price what I make.  I
> can
> > already see that if I am going to be able to make as many thing as I
>
> > want.  I am going to have to be able to support my habit a little. I
>
> > recently made a butterfly for my mon on her birthday.  I was asked
> by
> > her neighbor to make her one.  When I finished it I gave her the
> price
> > (by using earlier email means of pricing) the lady told me she was
> sorry
> > but no way would she pay that.  I really think it was fair.  It had
> a
> > lot of difficult cuts and some really nice glass. (looks good in my
> > kitchen).  As a newcomer..... can I ask a full price for my work?
> > Don.....
> >
>
> out of curiosity, how much did you charge? also for the future i
> probably would have quoted her a price in the beginning. some peopl
> have
> no idea what it takes to make these things (or how much the materials
> are). like my aunt gave me some money for a new computer, but she had
> no
> idea that they cost well over $2000, more like $3000. and the $500 she
>
> gave me would cover the monitor (though i of course kept the money)...
>
> ---Mike Savad
>
> --
> Mike's Stained Glass
> http://www.geocities.com/Paris/1141
> 2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects
> Added
> and My Updated Shop Photo's



----
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From owner-glass Thu Mar 26 17:39:51 1998
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	for rglass-42; Thu, 26 Mar 1998 16:13:46 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Copy of: Glass painting Infomercial
Date: Thu, 26 Mar 1998 19:13:07 -0500
Message-ID: <1998Mar26.14137.0>
Precedence: bulk


---------- Forwarded Message ----------

From:   Michael J. Greer, 105715,1412
TO:     All, INTERNET:GLASS@BUNGI.COM
DATE:   3/26/98 11:27 AM

RE:     Copy of: Glass painting Infomercial

To everyone-

As most of you probably know, =

Michael and I own a professional
full-service custom glass shop in
Colorado.  We have also for several
years marketed our kiln-fired glass
painting services to other professional
shops across the country via our
web site.  We are no longer providing
this service to other artists and will
be killing the site as soon as we can
get our site designer off his duff.  If you'd
like to visit one last time, please stop by
at http://eme.usa.net/greerstudios

Will let you know when Albert gets our
page on the IGGA site - first I have to =

send photos to him.

Best regards,

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Thu Mar 26 17:42:29 1998
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: net-magic.net!tcn
From: tcn@net-magic.net (Boatwright, Walter)
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/alternative; boundary="------------668F24AD82C13EDD152D66CA"
Subject: Immature
Date: Thu, 26 Mar 1998 19:48:17 -0800
Message-ID: <1998Mar26.114817.0>
Organization: The Glass Safari
Precedence: bulk


--------------668F24AD82C13EDD152D66CA
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

I thought this BB was about GLASS...not a debate BB..Grow up
people..stop being so... immture..Lets get back to the subject of
Stained Glass and related material.s...Theres a lot of good information
waiting for some of us that needs it..YOU ACT LIKE SOME SPOIL KIDS..
LETS kick back and enjoy this site and be happy.
Thanks.
Walter@the glass safari

--------------668F24AD82C13EDD152D66CA
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<HTML>
<FONT FACE="Lucida Sans">I thought this BB was about GLASS...not a debate
BB..Grow up people..stop being so... immture..Lets get back to the subject
of Stained Glass and related material.s...Theres a lot of good information
waiting for some of us that needs it..YOU ACT LIKE SOME SPOIL KIDS.. LETS
kick back and enjoy this site and be happy.</FONT>
<BR><FONT FACE="Lucida Sans">Thanks.</FONT>
<BR><FONT FACE="Lucida Sans">Walter@the glass safari</FONT></HTML>

--------------668F24AD82C13EDD152D66CA--

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From owner-glass Thu Mar 26 18:14:16 1998
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X-Path: t-online.de!Tiffany-Glas
From: Tiffany-Glas@t-online.de (Herbert Luidolt)
To: glass@bungi.com
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass in Chicago
Date: Fri, 27 Mar 1998 02:02:55 +0100
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Hello to all,
a Customer from us want go in some moth to USA. He ask me:
What i could see in near from or in Chicago about Stained Glass.
Know anybody what i could tell him. Maybe Museum, 
Churches or Exceptions.....
Thanks in advanced,
herbert


Email:  Tiffany-Glaskunst@t-online.de
Home: http://www.bastelzauber.com

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From owner-glass Thu Mar 26 18:42:44 1998
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From: pkelly <pkelly@n-link.com>
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Subject: Hands n' Stuff
Date: Thu, 26 Mar 1998 19:15:55 -0600
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<I'll ask for a show of hands: should IGGA News Memos no longer be
posted to glass@bungi? It'd take me maybe 5 seconds to fix that.>

I have both hands and feet in the air (try typing in that position) for
posting anything to do with glass.

For the Nay-sayers "Relief is just a delete key away"

If it ain't glass its half-assed(sorry, just couldn't resist).

Patrick
Roses and Rainbows

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From owner-glass Thu Mar 26 18:44:52 1998
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From: pkelly <pkelly@n-link.com>
To: Linda Campbell <lcbell@memach.com>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: I/V bag for water drip
Date: Thu, 26 Mar 1998 19:26:32 -0600
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Linda,
I had a similiar experience and had a very strong urge to chase firetrucks.
The only problem I had was when they stopped suddenly, that caused a broken
nose and a strange look from the hook and ladder guy.

Just Kidding. I'm happy you are better now.

Patrick
Roses and Rainbows

Linda Campbell wrote:

>  Yes, I am fine. It took two doctors visits and an emergency room visit =
> before they realized the severity of the hives (I was having difficulty =
> breathing) in addition to looking like a dalmation. But all is well. No =
> more Pennicilin, sulfa or Ceftin for me. Thanks for asking.=20
>
> Linda
>
> Linda,
>
> While I've been following this thread with interest, the one question =
> that
> hasn't been asked yet is this -- are you okay now?  I'm sorry to hear =
> that you
> had to go through such grief with your health.  I'm glad you were able =
> to come
> away from the situation with something positive and helpful but to tell =
> you
> the truth, I've been more concerned about you than the IV bag idea!
>
> Susie
> ----
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass



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From owner-glass Thu Mar 26 19:05:00 1998
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X-Path: lasercom.net!jean
From: "Jean" <jean@lasercom.net>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Pricing
Date: Thu, 26 Mar 1998 17:48:08 -0800
Message-ID: <199803270133.RAA19446@intergate.lasercom.net>
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Don wrote:
> I recently made a butterfly for my mom on her birthday.  I was asked by
> her neighbor to make her one.  When I finished it I gave her the price
> (by using earlier e-mail means of pricing) the lady told me she was sorry
> but no way would she pay that.  I really think it was fair.  It had a
> lot of difficult cuts and some really nice glass. (looks good in my
> kitchen).  As a newcomer..... can I ask a full price for my work?
> Don.....

-----------------------

Hi Don
I am a hobbiest and always compare my prices to others.  I feel my price
should be equal to all individuals whose quality equals mine, but less than
'gift shops'.  They, necessarily, need to charge more to cover their higher
overhead. 
 
How many pieces were in your butterfly? That and the intricacy of the
pattern would, I believe, be the determining factor.  From past discussions
on this topic on Bungi, I suspect you will be told that your number one
mistake was in not setting your price up front (a mistake we have all
made!).  I have taken that advice and now always respond to inquiries with,
"Yes, I'd love to make one for you but I'm afraid I would have to charge 
$xx, that may be more than you are willing to pay, but with the amount of
time involved I'm afraid I am unable to do it for less". Some say "OK",
some say, forget it. Either way, I'm ok with it.
 
Good Luck,
 
 Jean  
 
 jean@lasercom.net
 ICQ #7131940
 NetMeeting: Bonnie Nrmn ils1
 

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From owner-glass Thu Mar 26 19:21:48 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Demo Advice
Date: Thu, 26 Mar 1998 17:59:14 -0800
Message-ID: <1998Mar26.95914.0>
References: <<199803261435.OAA21456@saturn.nildram.co.uk>>
Organization: Maiden Concepts
Precedence: bulk

Sorry, don't know who posted this originially.
I am doing the same thing in Sept. in a little community of Philomath
Or.  It is called Shrewsbury Reniassance Faire.  They say "Come play
faire with us".  I like that.
Anyway, they have alot of guide lines and info about the era, they give
in their packact.  If you want I could send you copies.
I was going to ask Elisabeth if there are tapes available, so I can
learn to speak in the fashion of 18th century elizabethan time.
Having an English war bride for a mother puts me a little ahead of the
game.(Now you know how old I am)
Anyway, I am really looking forward to this show.  Any and all advise
info is welcomed.
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From owner-glass Thu Mar 26 19:22:51 1998
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X-Path: juno.com!vlclover
From: vlclover@juno.com
To: glass@bungi.com
Subject: ENOUGH ALREADY!!!!!!
Date: Thu, 26 Mar 1998 20:44:26 EST
Message-ID: <1998Mar27.14426.0>
References: <<1998Mar26.115513.0>>>
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You probably don't want my opinion on
all of this, but I'm going to give it anyway...
I really think this is getting old.  I have
been deleting most of the bungi posts.

This is my favorite list, and I hate to think
I am missing out on some really great 
advice by deleting!  

Laurean

P.S,
It seems to be the men on this list that
start all the trouble! ;-D

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From owner-glass Thu Mar 26 19:50:27 1998
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From: ejl <larrye@cei.net>
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Subject: Re: No more posts?
Date: Thu, 26 Mar 1998 20:59:07 -0600
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>was.......... turn away now if you can't handle the shock...... bullsh*t. I
>guess its the dunking seat for me.


Shame...shame.  If only you'd said "hockey".   What a shame.

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From owner-glass Thu Mar 26 20:21:32 1998
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X-Path: ppp37.uwaterloo.ca!dmg
From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re:Glass in Chicago
Date: Thu, 26 Mar 1998 22:01:45 -0500
Message-ID: <199803270301.WAA00574@violeta.uwaterloo.ca>
References: <<m0yINXr-0003CrC@fwd02.btx.dtag.de>>
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My personal recommendation:

The Art Institute has a Chagall Window: American Window. It is
beautiful.


--
Daniel M. German                  "My friends would think I was a nut,
   Solsbury Hill, Peter Gabriel -> turning water into wine"
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Thu Mar 26 21:51:11 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: SusieHUs@aol.com
Subject: Re: Uplight/Downlight
Date: Thu, 26 Mar 1998 22:36:33 -0500
Message-ID: <1998Mar26.173633.0>
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Susie,

Glad you like them
You can order them online at our website at www.dodgestudio.com  .   Just
shipped the first couple of batches out to distributors, but it takes a
while before they filter down to all the smaller shops.

Gary Dodge

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From owner-glass Thu Mar 26 22:50:09 1998
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Subject: Demo Advice
Date: Thu, 26 Mar 1998 23:37:59 -0600
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There is an organization called "The Society for Anacranisms", I find
out more about it and post it. The devle into the reniassance period.

Patrick
Roses and Rainbows

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From owner-glass Thu Mar 26 23:18:17 1998
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From: goldpaws <gmanning@banet.net>
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Subject: Re: Immature
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--------------3A5C5ADC0DE05A184454CE05
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Very-Very well said.
Lets play nice children!!!!!!!
I joined this list list to learn more about glass.
NOT to listen to adults act like 2 year olds.
Goldpaws
The more I  see of people-Give me a DOG .They are much more pleasant to
deal with.

From owner-glass Fri Mar 27 00:18:31 1998
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From: Margaret41 <Margaret41@aol.com>
To: alewis@vgernet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: No more posts?
Date: Fri, 27 Mar 1998 02:11:31 EST
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In a message dated 98-03-26 06:31:15 EST, you write:
Albert's post included:

<< S'funny you're taking this tack, Shirley, since when glass@bungi was 
 closed down, you contacted IGGA about putting up a new group on your 
 company's server. I guess you didn't think IGGA was all bad. Besides, 
 anyone can go here now.
  >>

Tacky, tacky, tacky Albert. Its a shame its about 2AM here and I've got other
priorities over the next few days.....Margaret
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From owner-glass Fri Mar 27 01:04:41 1998
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X-Path: dfly.com!wilk
From: "Michael R. Wilk" <wilk@dfly.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: Demo Advice
Date: Thu, 26 Mar 1998 23:54:03 -0800
Message-ID: <1998Mar26.15543.0>
Organization: Dragonfly Software
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> There is an organization called "The Society for Anacranisms", I find
> out more about it and post it. The devle into the reniassance period.

I believe you are referring to The Society for Creative Anachronism. To learn more about the group, visit http://www.sca.org.

-Michael Wilk
 wilk@dfly.com

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From owner-glass Fri Mar 27 01:17:14 1998
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From: Margaret41 <Margaret41@aol.com>
To: GreerStudios@compuserve.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Informative postings
Date: Fri, 27 Mar 1998 03:06:42 EST
Message-ID: <1998Mar27.8642.0>
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In a message dated 98-03-26 17:33:30 EST, you write:

<< the off-topic squabbling gets wearisome.
  >>

I agree...makes you not want to see what the next post might be...but then
again, it could really be about sg.
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From owner-glass Fri Mar 27 02:01:31 1998
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From: Yegnim <Yegnim@aol.com>
To: GreerStudios@compuserve.com, GLASS@BUNGI.COM
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Glass painting Infomercial, can't get it.
Date: Fri, 27 Mar 1998 04:04:50 EST
Message-ID: <1998Mar27.9450.0>
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Dear Dani,

I have tried unsuccessfully to reach your website and would love to see it.
Is any one else having a problem or is it just me?
I used the address you stated:  http://www.eme.usa.net/greerstudios.
Thanks for any help.
Lenore
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From owner-glass Fri Mar 27 02:22:47 1998
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From: Yegnim <Yegnim@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: IV drip
Date: Fri, 27 Mar 1998 04:15:58 EST
Message-ID: <1998Mar27.91558.0>
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I use my IV drip bag for drilling holes in glass.  It saves a lot of time and
hassles as it is much easier to use instead of irrigating the grinder bit with
a soaked sponge as  is necessary so as not to destroy the diamond bit. (I have
done this in the past)
I attained mine during my aunt's hospital stay.  I explained why I wanted the
bag and the nurse just handed me new tubing with her used bag.  No contagious
infections on my aunt's part so I felt pretty safe using the used bag.  To
refill, I simply turn the water on a slow but steady stream to fill.  I have a
friend who is an RN who hooked up the new tubing for me.  This has saved me
$25.00, which is the cost of a similar set-up listed in a glass supply
catalog.  Good safety pointers from the bungis who know about infections.
Thank you, I will keep this in mind for when my bag dies.
Lenore
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From owner-glass Fri Mar 27 04:09:08 1998
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X-Path: jackel.demon.co.uk!mike
From: Mike Simpson <mike@jackel.demon.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: lead came, craft myth?
Date: Thu, 26 Mar 1998 12:16:59 +0000 (GMT)
Message-ID: <199803261217.MAA00464@jackel.demon.co.uk>
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Over the years I have often heard a story about lead came that I
would like some concrete details on, mostly as to whether it is 
true or only an interesting myth. 

The story, as heard on the radio, seen in one book and heard several
times from S.G. artists goes as follows:-

    Early this century a maker of lead came adopted an alloy for
    making came. Mostly lead, but with additions of zinc and tin
    it was easier to cut, took smoother bends, had a smoother and
    shinier crown and appeared to keep it's finish longer than 
    pure lead. This new came was widely adopted because of all the
    advantages it offered and many craftmen would not think of
    using anything else. After ten and even twenty years the cames
    still looked good but they were corroding from the inside, the
    alloy was turning to sponge. After fifty years even the panels
    protected from the weather were falling apart and almost none
    of the work done with this came has survived to the present
    day.

What I would like is some details, preferably with authoratitive
citations, Titles of books, journals etc. that have furthur info
would be helpful.

I need this info for an article that I am putting together on why
traditional craftmen are so averse to adopting new materials and
techniques before thay are well proven.

Thanks for any help that you can give.

Mike Simpson.


p.s. I have ne reason to believe that modern lead came which 
sometimes contains some alloying ingredients will suffer the same
fate. Knowledge of corrosion has come a long was in this century.


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From owner-glass Fri Mar 27 04:28:05 1998
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X-Path: pop3.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
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Subject: Re: Demo Advice
Summary: Authenticated sender is <glass@pop3.nildram.co.uk>
Date: Fri, 27 Mar 1998 12:26:59 +0000
Message-ID: <199803271132.LAA29027@saturn.nildram.co.uk>
Precedence: bulk

Dear Shirley et al,

The first post originated from a lady called "Rosie" (newbie??)
There seem to be a little bit of clash of eras between yourself and 
Rosie.
For those interested doing the same kind of show "Across the Pond", 
it's worth bearing in mind  the differences between the various 
Periods.

English Renaissance is roughly between 1350 and 1600, with writers 
such as Chaucer  and Shakespeare .
 Elizabeth I died in 1603, so it would be "pushing it" a 
little to  consider her belonging to the 17th Century...
However there is an enormous amount of sound recordings and films 
about this period (of which I would probably go for Chaucer to 
recreate speech and clothing of  the "common" man/woman).

17th & 18th Century (Rosie) is a little more difficult to recreate, 
since the giants of literature are fewer and further between (people 
were too busy killing each other in all sorts of wars, perhaps..). In 
England this - in essence - marks also the period of Oliver Cromwell, 
the Restoration Period and the Great Plague. ( Newton, Locke 
,Berkely, Hume, Dryden , Bunyon, Robert Burns). However, from 
American point of view, it is also the period of The Mayflower, The 
Pilgrim Fathers. As a theme, perhaps a "much-flogged-horse", that 
maybe everyone else on the Show will be aiming for...?
One way, perhaps, to avoid this pitfall is to represent The Pilgrim 
Fathers on your stand BEFORE they arrived in America, rather than 
AFTER, if you see what I mean....

The British Broadcasting Corporation (BBC) are particularly good at 
 their historical plays and reproductions. There are plenty of videos 
and sound recordings available to buy. BBC also has their own 
WEB-site. I don't have their exact URL, but will find out, if you 
like. BBC will also have sound recordings of English Regional 
dialects and speech. Shrewsbury is a cathedral/ Abbey town, on the 
River Severn in the county of Shropshire (sort of North of England). 
Shrewsbury is also an old Market Town in where Charles Darwin was 
born, so you should get plenty of further references, especially from 
the BBC.

I hope this has given you a few more foot-holds to grab on to with 
your historical theme  Shows.
 Let me know if I can help further....
Elisabeth 'n Toby in UK

Shirley wrote:
 Sorry, don't know who posted this originially.
I am doing the same thing in Sept. in a little community of Philomath
Or.  It is called Shrewsbury Reniassance Faire.  They say "Come play
faire with us".  I like that.
Anyway, they have alot of guide lines and info about the era, they give
in their packact.  If you want I could send you copies.
I was going to ask Elisabeth if there are tapes available, so I can
learn to speak in the fashion of 18th century elizabethan time.
Having an English war bride for a mother puts me a little ahead of the
game.(Now you know how old I am)
Anyway, I am really looking forward to this show.  Any and all advise
info is welcomed.

----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Fri Mar 27 06:32:17 1998
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To: glass@bungi.com
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Subject: Lets Get this Together Positively!!!!
Date: Fri, 27 Mar 1998 08:35:19 EST
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It is unfortunate that this bungi line seems to go this way. A few things I've
noticed:

- whenever there is  n  number of people together in one place there will be
n  number of OPINIONs (IMHO, IMO, etc). That's life and this bungi line will
not change this fact.  Differences of opinion is what makes the world go round
and how people grow and learn. Its how those differences of opinions are
'handled'  seems to be how things get out of hand. Unfortunately, it seems
that some cannot or may not want a difference of opinion (from theirs) and
personal attacks seems to grow as a means/way of combating the differences of
opinion. This is truly one of the sad  things about what's going on. 

- when things are said off line, IMHO, is where it should stay. There should
not be a need to bring it online. We should all be cognizant of this and do
our best 'not to get involved'...and not let it be brought online. it seems to
fuel the flames - unnecessarily.

- A few things I would like to propose -

    - Take a moment before hurling a personal attack on bungi. Everyone here
is supposed to be human and, quite naturally, have feelings. Take 1 moment, 2
moments, 3 moments or however long it takes, before hitting that reply key.

    - If you read something that you may take offense to, stop and re-read it
several times before reacting. E-mail is not the best medium for "saying it as
you mean it to be taken". Maybe what you first thought you read was not what
was actually said or meant. In life, so many things are taken out of context -
must this bungi line continue this erroronous process?

     - When someone brings something online that started off-line or sent to
individuals off-line, lets try our best not to get caught up and somehow
manage to politely inform the individual to keep it off-line. Maybe we can
make up our own acrynomn for this purpose, use the acrynomn and say NO MORE.

These are just a few suggestions...maybe if we focus on or turn our attention
and thoughts in a POSITIVE direction to how this bungi line can be made better
and accept each others differences without slinging mud, we may be able to
find a way to keep this list for the purpose, I believe, it was meant to be.
If we need bungi 'mom and dad' to watch over us to tell us how this line
should be or 'referee'  - our world is really in trouble...we are the leaders
of today - lets start behaving like it.

I hope in a few days when I log back on that bungi line is still here with
oodles and oddles of stained glass posts!

Thanks...        Ciao -   Margaret  
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From owner-glass Fri Mar 27 07:01:14 1998
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From: Wvrosiegal <Wvrosiegal@aol.com>
To: toby@northlights.co.uk, glass@bungi.com
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Subject: Re: Demo Advice
Date: Fri, 27 Mar 1998 09:20:05 EST
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Greetings to all, and 

Yes, Elisabeth, I am a "newbie".  I also am amazed and inspired by all the
information I have received over the bungi board on this subject.  It is so
that I'm on my way to the library right now to start my research - hoping I
can come up with a "gig" that will put me - as you so eloquently put it - "in
a class of my own".  

(I'm not sure i could handle a soldering iron heated over a fire - but I will
keep an open mind!!!)  

I also intend to visit this historical town for a first hand look.  I'm sure
it will give me at least a few inspirations. 

Thanks to all your responses, I'm quite excited about this endeavor - i'll
keep you posted as it evolves.

WVRosieGal
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From owner-glass Fri Mar 27 07:28:59 1998
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From: Robin Ballard <rballard@icsp.net>
To: Herbert Luidolt <Tiffany-Glas@t-online.de>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass in Chicago
Date: Fri, 27 Mar 1998 06:54:46 -0600
Message-ID: <1998Mar27.05446.0>
References: <<m0yINXr-0003CrC@fwd02.btx.dtag.de>>
Precedence: bulk

Herbert:

Besides the Chagall window in the Art Institute (which also has a
display of paperweights), there is a Tiffany dome in Marshall Field's on
State Street and a Tiffany window in the Marquette Building on Adams and
LaSalle.  Also, there is a great walking tour of Frank Lloyd Wright's
historic district in Oak Park, which is just west of the city.

Robin

Herbert Luidolt wrote:

> Hello to all,
> a Customer from us want go in some moth to USA. He ask me:
> What i could see in near from or in Chicago about Stained Glass.
> Know anybody what i could tell him. Maybe Museum,
> Churches or Exceptions.....
> Thanks in advanced,
> herbert
>
> Email:  Tiffany-Glaskunst@t-online.de
> Home: http://www.bastelzauber.com
>
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From owner-glass Fri Mar 27 07:59:40 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: Pricing
Date: Fri, 27 Mar 1998 10:16:12 -0500
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Message text written by Donald Davis
>The butterfly is
1.25 square ft.  It contains 46 pieces of cut glass many of the pieces
of glass were (for me anyway) difficult and tight inside curves.  They
ended up cut out of a glass I should have known better than to try.
(Wasted most of the piece).To make a long story I asked her
$150............. is that too much?<

Donald,

Nope, your pricing is good for your level of expertise.
Stick to your guns and don't back down.  Someone will
purchase it at your price.  But I agree that you should
be able to quote someone a price on a project prior to
starting it.  If you want me to share with you my pricing
scheme, please email me privately.

Christie A. Wood
Art Glass Ensembles, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Fri Mar 27 08:24:03 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Home and Garden Show Advice
Date: Fri, 27 Mar 1998 10:16:05 -0500
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Message text written by Karen Schroeder
>This will be our first show, does anyone have any advice on what to take=
, =

how to set up the booth (10x10), display techniques, pricing =

suggestions,...<

Karen,

Is this an in-door or out-door show? This makes a
difference in display techniques and booth set up.

i.e. in-door =3D electricity and hard floors, tight space
for set-up to deal with; lighting is under your control.

out-doors =3D earth/grass, more room for set-up, but
no electricity; having to deal with weather - the
worst of which is wind; lighting is usually not under
your control, although I have had good luck requesting
the sunniest spot available.  Being under trees is
wonderful for avoiding sunburn, but is not good for
showing off the stained glass.  When given a choice
I always go for the brightest, sunniest spot.

As to pricing, make sure everything is priced
before you pack it up for the show.  Also, take
little price tags and/or pricing stickers to do
re-pricing on the fly if you need to adjust your
prices up or down.  Take a receipt book with
automatic carbon copies.  This is the best way
to later find out what were your best sellers and
in what price range.

If you take special orders, have a demo of the item
out with pricing info and a sign stating "We Do
Custom Orders".
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From owner-glass Fri Mar 27 08:26:48 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: photographing mirror
Date: Fri, 27 Mar 1998 10:16:00 -0500
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Message text written by Garry & Linda McKenna
>When I photograph my mirrors I try to hang them on a light coloured wall=
,
then stand to the side and slightly below.<

The best ever mirror photograph I took had
a lace table cloth reflected in the mirror.
This way you could tell that it truly was
a mirror reflecting something, rather than
a plain piece of (fill-in-the-blank-color) glass.

Remember to also put a light source on the
item being reflected in the mirror (in my case
the lace table cloth), or else you get dark grey
nothing reflected in the mirror.  That was my
worse photograph of a mirror - it looks like
a dark grey hole surrounded by some stained
glass.

Christie A. Wood
Art Glass Ensembles, North Wales, PA
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From owner-glass Fri Mar 27 08:44:36 1998
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: Demo Advice
Date: Fri, 27 Mar 1998 10:16:15 -0500
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Message text written by pkelly
>There is an organization called "The Society for Anacranisms", I find
out more about it and post it. The devle into the reniassance period.<

It's actually called "The Society for Creative Anacronisms" and is
frequently referred to as the SCA.  I have some friends who are
in the SCA and sell their hand-made knives and clothing at SCA
events.  If you are unable to get info about SCA from other
sources, email me privately and I'll see if I can do some digging
for you.
Christie A. Wood
Art Glass Ensembles, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Fri Mar 27 09:32:44 1998
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From: ItsAlison <ItsAlison@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: New Topic? Butterfly pricing experience
Date: Fri, 27 Mar 1998 11:44:31 EST
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<<It is very hard to figure out how many posts we have all had to endure
coming out of a 'glass related' subject just to watch two 2 year olds go at it
at my
expense>>

That was kind of harsh because I think that when you are attacked in a public
forum it is very natural to defend yourself in the same forum....I have seen
it in other news groups, and it is just something that happens on line. I have
not been resentful of it, even though it has taken up space......I have even
managed to LEARN glass related things from it!    Lets just see if we can
remobilize here by starting some interesting new topics and accept that
someone somewhere will always be taking offense.
I wish I could think of an inspiring subject......how about the topic of how
not to undervalue your own work?  I was very saddened when I read about the
person who made a butterfly for someone at their request, then was told that
the person "couldnt possibly pay that much for it" ?  When you are just
starting out, and even when you have been around for a while, people come to
you with special requests that can catch you unawares. I think it is helpful
to tell them that you would be happy to make what they are asking for, but you
will need some time to figure out your costs, and the time involved away from
your other glass work to come up with a price. If you know on the spot a price
range for the item, maybe you can give them an idea of what the cost will be.
Some people ask for things in colors that they later decide "just dont look as
good as the original one they liked". For this reason, it can be wise to ask
for a deposit up front , explaining that if they dont like the finished
results of their color choices, you still deserve to be paid for your time and
materials.  
~Alison~
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From owner-glass Fri Mar 27 10:00:09 1998
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From: "Albert Lewis" <alewis@vgernet.net>
To: glass@bungi.com
Subject: Re: New-york bound?
Summary: Authenticated sender is <alewis@vgernet.net>
Date: Thu, 26 Mar 1998 11:14:53 +0000
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> Maybe you could include the IGGA website address in your messages, like
> "check out the new glass courses at www....., and if people want to they
> can check it out, but I don't think that you have to re-post everything
> here that gets posted there. Also, it's not personal, everyone here enjoys
> and benefits from your experience and expertise in this field.

Thanks, Sarah, but I thought one of the big complaints from the 
(2-3?) real complainers was that I do exactly that (as below). 
Besides, I kinda get excited when I've just added 50 new works to the 
Light Show at http://www.stainedglassbiz.com/ ... I want to share 
that terrific work and really don't see anything wrong with a short 
message saying, "Hey! I just added fifty terrific pieces of glass 
work by artists from around the world and here's how you get there 
and this is what you click on to see them." Okay, you and a number of 
other people already know they're there, but many don't and that's 
why I mention it. The whole point of whatever I post is to share info 
or work ... at least it's about glass and not venetian blinds (a spam 
about which I just received). <g>

The "bad" signature:

Albert Lewis, Executive Director
International Guild of Glass Artists, Inc.
A 501(c)(6) not-for-profit association
54 Cherry St., PO Box 1809, North Adams MA 01247-1809
(413) 663-5512  Fax: (413) 663-7167
_____________________________________________
Home page     http://www.bungi.com/glass/igga/
Membership    http://www.bungi.com/glass/igga/benefits.htm
Members' work http://www.bungi.com/glass/igga/links.htm
Sources Guide http://www.bungi.com/glass/igga/guide.htm
Guild Library http://www.aiap.com/amazon/



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From owner-glass Fri Mar 27 10:25:30 1998
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From: "Myrddn" <exotic@mail.lobo.net>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: continual carping
Date: Fri, 27 Mar 1998 10:25:35 +0000
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What is the matter with some people.  This stained glass forum is my opening 
to the world of stained glass. That world contains that people that inhabit 
here, and all that they do.  

If someone goes to the ER with a bad case of hives, I love to see other show 
show there sympathy because that is what people do with each other.  

I love to be told about new pieces of glass that in a gallery. But most of the 
galleries with the good glass are miles away from where I am. So I look into 
the cyber gallery,and am as thrilled as if I were live.

Walking down the street, looking into a store window. This is normal, but when 
someone says,hey look in that window, and its a cyber window,all of the 
sudden there are a couple of intolerant people who want to say "Don't do that."

If I have a complaint about how someone is behaving, I take it directly to 
them.  I don't stand up in a public place and denounce the purported offender.  
And why?

Because I don;t need the attention.  People who complain in public about how 
some ONE person is offending their sensibilities are children,looking for 
attention. 

And when I see these peoples name pop up on the list, i put a filter in and 
delete them. And when I see a topic that these children in grown up bodies have 
started, I put a filter on that name also.

And those that pick up in the defense of the attacked are almost no better.  To 
ignore these children is the only way.  

I don't feel that is serves any purpose except the purpose of the childish 
people to rush to the defense of the attacked (in public) reply in private the 
the attacker, and keep the public forum free and heartfelt and fun

Myrddn

Solder while the iron is hot
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From owner-glass Fri Mar 27 10:32:07 1998
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From: ItsAlison <ItsAlison@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Glass Mail..Butterfly Question and pricing
Date: Fri, 27 Mar 1998 12:30:34 EST
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In a message dated 98-03-26 20:31:47 EST, dfdavis@indiana.edu writes:

<< Well...... In a recent post when another Lady asked the same question.
 His rate was $60 per square foot . and 1.50 per cut piece of glass.
 Then he added a charge for difficulty or boredom etc.  The butterfly is
 1.25 square ft.  It contains 46 pieces of cut glass many of the pieces
 of glass were (for me anyway) difficult and tight inside curves.  They
 ended up cut out of a glass I should have known better than to try.
 (Wasted most of the piece).To make a long story I asked her
 $150............. is that too much?  Don't worry about hurting my
 feelings.  I really need to know what is what if I am going to sell some
 of this.  I honestly think and have been told that my work is good.  So
 I hate to sell my stuff short or too cheap.  Thanks for replying!!!>>

Whoops! I hadn't seen this when I posted my message about this topic, but  Don
$150 for a butterfly, even if it is that size is a little too pricy for most
people!  If I were to make something like that I think my price would be more
in the $55-75 range,  unless it was truly unusual , maybe using some expensive
art glass  or  jewels and having other wire work details added to make it
something more suited to an Art Show or Gallery audience. (without seeing it,
it is very hard to estimate) The trouble here is that there are a lot of folks
making outdoor pieces, like those in the "Simply Outdoors" pattern book and
then selling them at craft malls and craft shows for $35-$45. Those butterflys
are not as large as they one you describe, but they are pretty big, and fine
details are lost on a lot of folks.  But keeping designs simple helps to keep
the price down . I understand that a piece done as a gift for your mother, is
quite a different thing and will probably contain more time, work, and
expensive glass than something you would do to sell.  In that case, i would
explain this to the person who asks you to make another for them......and then
go figure out the time, material and work involved. I think the prices we hear
quoted by the square foot are usually for custom windows or panels.  And
people do seem to find it a little easier to pay more money for these
things......go figure!  I hope this has been helpful and I am waiting to hear
form all the others on this board what they have to say about this topic. I
think its a really good subject. Who knows, maybe MY price ideas are too low!
If they are I sure want to know it!
 ~Alison~
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From owner-glass Fri Mar 27 11:03:09 1998
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X-Path: mail.bright.net!joyce
From: glasschic <joyce@mail.bright.net>
To: SusieHUs <SusieHUs@aol.com>, dodgestudio@juno.com, glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Uplight/Downlight
Date: Fri, 27 Mar 1998 13:26:14 -0500
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Precedence: bulk

At 01:19 AM 3/26/98 EST, SusieHUs wrote:
>Hi Gary,
>
>I saw the ad for Uplight/Downlight in the back of Glass Patterns Quarterly
>today and I can't wait to get my hands on this one!  I asked my local
retailer
>but she doesn't have it yet (and at times, it takes quite a while before she
>gets things in), so I'd like to know how I can get a copy right away?

I've tried looking through my new copy of GPQ and can't seem to find it.
Can someone tell me what page it is on?  Thanks

Garden of Glass
Joyce Moran

(and no Patrick I still haven't worked on a bio...be patient!)

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From owner-glass Fri Mar 27 11:29:10 1998
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From: glasschic <joyce@mail.bright.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Demo Advice
Date: Fri, 27 Mar 1998 13:50:25 -0500
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>The British Broadcasting Corporation (BBC) are particularly good at 
> their historical plays and reproductions. There are plenty of videos 
>and sound recordings available to buy. BBC also has their own 
>WEB-site. I don't have their exact URL, but will find out, if you 
>like. BBC will also have sound recordings of English Regional 
>dialects and speech. Shrewsbury is a cathedral/ Abbey town, on the 
>River Severn in the county of Shropshire (sort of North of England). 
>Shrewsbury is also an old Market Town in where Charles Darwin was 
>born, so you should get plenty of further references, especially from 
>the BBC.

Someone sent me this url a long time ago and packrat that I am, I still
have it on file.  It is a nice place to experience the Renaissance.  Hope
it helps you out.

http://www.renfaire.com/Language/language.html

Garden of Glass
Joyce Moran
Ohio

(and no Patrick I haven't gotten to the bio in between the last posting and
this one!)


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From owner-glass Fri Mar 27 12:03:16 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: jerri m Roey <jroey@juno.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Copy of: Glass painting Infomercial
Date: Fri, 27 Mar 1998 14:13:38 -0500
Message-ID: <1998Mar27.91338.0>
Precedence: bulk

Hi Jerri and Elisabeth!

We're still doing the glass painting,
just not for OTHER glass artists.  We
have too many commissions of our own
to deal with and we had an unfortunate
situation back in November with
another local shop.  Michael did an extensive
glass painting job (Good Shepherd with
a flock of sheep) which included =

developing all the artwork for the figures.
In a subsequent newspaper article, the
other glass artist took full credit for the
window - didn't mention that the painting
was ours.  It didn't feel very good to see
Michael's beautiful talent being credited
to somebody else.  So we decided then
and there to only paint for ourselves!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Mar 27 12:12:43 1998
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From: goldpaws <gmanning@banet.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Tacky Wax
Date: Fri, 27 Mar 1998 13:20:01 -0500
Message-ID: <1998Mar27.8201.0>
Precedence: bulk

Can anyone tell me a good way to remove tacky wax from my glass?
It's on a lamp shade and I am having a awful time removing it.
Thanks
Goldpaws

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From owner-glass Fri Mar 27 12:35:49 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: Wayne Munro <wmunro@mars.ark.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Kiln Supplier
Date: Fri, 27 Mar 1998 14:51:22 -0500
Message-ID: <1998Mar27.95122.0>
Precedence: bulk

I, too, would like some more
information about custom-designed
and built kilns. Any books or plans
out there?  I know potters who have
built their own kilns and glass kilns
aren't really any different.  Thanks in =

advance.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Mar 27 13:03:09 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: gmanning@banet.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Tacky Wax
Date: Fri, 27 Mar 1998 15:31:45 EST
Message-ID: <1998Mar27.203145.0>
Precedence: bulk

In a message dated 98-03-27 15:13:42 EST, gmanning@banet.net writes:

<< Can anyone tell me a good way to remove tacky wax from my glass? >>

Well, first I use my fingernails, followed by the flat end of my fid, followed
with a plastic putty knife, lightly with a razor blade, and using a terry
cloth rag I use alot of elbow grease.  From then on I knew to use alot less
tacky wax.  Sorry for both of our experiences with it. 

Hey Howard!!  HELP!

Lu Ann
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From owner-glass Fri Mar 27 13:35:21 1998
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From: Wvrosiegal <Wvrosiegal@aol.com>
To: balloch@netbridge.net, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Demo Advice
Date: Fri, 27 Mar 1998 15:51:07 EST
Message-ID: <1998Mar27.20517.0>
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I never, in my wildest dreams, forsaw such a response to my former plight!
The information coming over the wire is mind-boggling.  It certainly peaks my
interest to find out all I can for the upcoming show.  Shirley in her
Renaissance and I in my "pilgrimage" eras.  Ah! - It doesn't get better than
this.  There is homework to be done.  Wish me Well!

WVrosiegal (and I participating as an Irishman - we have never had problems
"fairing the faires")

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From owner-glass Fri Mar 27 14:01:14 1998
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From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: glass hands
Date: Fri, 27 Mar 1998 16:06:47 EST
Message-ID: <1998Mar27.21647.0>
Precedence: bulk

I know everyone has at some time or another said something about cuts on our
hands and we all live with it cause its a fact of glass, my question is about
flux.  Am I the only one who gets this dry smelly like hands after working
with flux?, (actually I think some of the smell is from pantina) Its like a
faint metal smell.  I wash all my peices with a combination of JOY (I think
someone said it was good to use) baking soda and water.  Usually I have a
small bowl with this mixture and I use a tooth brush to wash my pieces.  I do
have one of those metal bars you use for onion and fish smell (by the way it
works great for that) but after washing my hands well and drying they feel
terrrible, maybe you men are used to this (stab... kidding, gosh gotta watch
what I say) I use hand cream but maybe there is something else or a cream
others use that works well, any hints?  Or do I just live with this like the
small cuts on my hands every so often?
deb
----
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From owner-glass Fri Mar 27 14:05:02 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Tacky Wax
Date: Fri, 27 Mar 1998 13:31:39 -0800 (PST)
Message-ID: <199803272131.NAA29274@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Fri Mar 27 13:09:25 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: aol.com!WhispyBlu
>From: Whispy Blu <WhispyBlu@aol.com>
>To: gmanning@banet.net, glass@bungi.com
>Subject: Re: Tacky Wax
>Date: Fri, 27 Mar 1998 15:31:45 EST
>Precedence: bulk
>
>Yo...
Guess that's why mine is still in the cupboard, tried using it for a resist
material for sandblasting once and that didn't work. 
Thought it was the cat's ass for vertial work on a glass drawing board or
was that plasticine:)
Cindy
>
><< Can anyone tell me a good way to remove tacky wax from my glass? >>
>
>Well, first I use my fingernails, followed by the flat end of my fid, followed
>with a plastic putty knife, lightly with a razor blade, and using a terry
>cloth rag I use alot of elbow grease.  From then on I knew to use alot less
>tacky wax.  Sorry for both of our experiences with it. 
>
>Hey Howard!!  HELP!
>
>Lu Ann
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Fri Mar 27 14:36:51 1998
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X-Path: netcom.ca!mfig
From: "Mike Figgy" <mfig@netcom.ca>
To: "goldpaws" <gmanning@banet.net>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Tacky Wax
Date: Fri, 27 Mar 1998 16:20:45 -0500
Message-ID: <1998Mar27.112045.0>
Precedence: bulk

Without a doubt, the best way is by using a product called 'Goof Off', a
solvent cleaner that I picked up at Home Depot. We use it for that exact
purpose- to clean off excess Tacky Wax from Odyssey molds when they are
returned from rentals.
Fantasy In Glass, 703 The Queensway, Toronto, Canada, M8Y 1L2
(Tel:416-252-6868)
Canada's first and still its only officially sanctioned stained glass
supplier.

-----Original Message-----
From: goldpaws <gmanning@banet.net>
To: glass@bungi.com <glass@bungi.com>
Date: March 27, 1998 3:33 PM
Subject: Tacky Wax


>Can anyone tell me a good way to remove tacky wax from my glass?
>It's on a lamp shade and I am having a awful time removing it.
>Thanks
>Goldpaws
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

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From owner-glass Fri Mar 27 14:36:57 1998
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From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Kiln Supplier
Date: Fri, 27 Mar 1998 13:15:48 -0800 (PST)
Message-ID: <199803272115.NAA24498@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Fri Mar 27 12:39:19 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: compuserve.com!GreerStudios
>From: "Michael J. Greer" <GreerStudios@compuserve.com>
>To: Wayne Munro <wmunro@mars.ark.com>
>Subject: Kiln Supplier
>Date: Fri, 27 Mar 1998 14:51:22 -0500
>Precedence: bulk
>Hi there,
There's a big difference between a glass kiln and a potters... heating
elements in the lid... to allow for a more even heating (thermal shock is a
drag)
Glass Fusion Studio will sell plans and materials for build your own.
Cindy



>I, too, would like some more
>information about custom-designed
>and built kilns. Any books or plans
>out there?  I know potters who have
>built their own kilns and glass kilns
>aren't really any different.  Thanks in =
>
>advance.
>
>Best regards,
>
>Dani Greer
>Greer Gallery & Studios
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Fri Mar 27 15:00:45 1998
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X-Path: vdot.net!shyguy
From: Carl Childers <shyguy@vdot.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tacky Wax
Date: Fri, 27 Mar 1998 16:58:00 -0500
Message-ID: <1998Mar27.11580.0>
References: <<1998Mar27.203145.0>>
Organization: Cox's Mower Service
Precedence: bulk

SAFETY ALERT -
The best way that I have found (so far) is warmed Kerosene. DO NOT heat this on an
open flame. The stuff is volatile enuff without being heated. I use a double
boiler on an electric hot plate set on LOW  OUTSIDE the building. Bring the
Kerosene inside ONLY if you can highly ventilate the workspace. A terry towel or
natural scrub brush helps, as the rough surface will help lift up the wax.

If you are really brave, have a sizable  fire extingusher, again OUTSIDE set the
lamp over the hotplate on LOW. The warmth will cause the wax to run down the
shade, and collect on your worktable (unless you cover the work surface with old
newspaper).
This may take a while to build enough heat to melt the wax. If you turn it on
HIGH, you may soften the solder at the top of the shade.
If you plan to attempt either of these methods, realize that you are raising the
temperature of hydrocarbons to a point closer to their flash point, increasing the
risk of FIRE.

B-4 I get flamed, yes I know this is hazardous, but it works for ME, and I take
the utmost care to prevent a fire.
Whispy Blu wrote:

> In a message dated 98-03-27 15:13:42 EST, gmanning@banet.net writes:
>
> << Can anyone tell me a good way to remove tacky wax from my glass? >>
>
> Well, first I use my fingernails, followed by the flat end of my fid, followed
> with a plastic putty knife, lightly with a razor blade, and using a terry
> cloth rag I use alot of elbow grease.  From then on I knew to use alot less
> tacky wax.  Sorry for both of our experiences with it.
>
> Hey Howard!!  HELP!
>
> Lu Ann
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Fri Mar 27 16:17:42 1998
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X-Path: kwic.com!mnvve3
From: Garry  & Linda   McKenna <mnvve3@kwic.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: glass hands
Date: Fri, 27 Mar 1998 17:40:28 -0500
Message-ID: <1.5.4.32.19980327224028.00673f30@mail.kwic.com>
Precedence: bulk

Why don't you try something called Bag Balm?  It's something all quilters.
seem to use,  and  - in case you really wanted to know - it is used for
cow's udders and my daughter tells me it is the answer to all your problems,
and is available at all good quilters supply stores.
Linda

At 04:06 PM 27/3/98 EST, you wrote:
>I know everyone has at some time or another said something about cuts on our
>hands and we all live with it cause its a fact of glass, my question is about
>flux.  Am I the only one who gets this dry smelly like hands after working
>with flux?, (actually I think some of the smell is from pantina) Its like a
>faint metal smell.  I wash all my peices with a combination of JOY (I think
>someone said it was good to use) baking soda and water.  Usually I have a
>small bowl with this mixture and I use a tooth brush to wash my pieces.  I do
>have one of those metal bars you use for onion and fish smell (by the way it
>works great for that) but after washing my hands well and drying they feel
>terrrible, maybe you men are used to this (stab... kidding, gosh gotta watch
>what I say) I use hand cream but maybe there is something else or a cream
>others use that works well, any hints?  Or do I just live with this like the
>small cuts on my hands every so often?
>deb
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>
GARRY & LINDA McKENNA
  TILLSONBURG ONT CANADA
   519 842-9909
  
 LINDA'S HOBBY: STAINED GLASS
 GARRY'S HOBBY:  AMATURE RADIO CALL VE3MNV

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From owner-glass Fri Mar 27 16:51:23 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Bevel query
Date: Fri, 27 Mar 1998 19:11:06 -0500
Message-ID: <1998Mar27.14116.0>
Precedence: bulk

Quite some time ago, I requested
feedback from the bungi bevelers
on a custom job we were doing. We
were in a panic situation because
we'd lost our Denver beveling co. =

Thanks for all the responses and
to Michael Mincelli at LSG Creations
in New Jersey who took on the job.
We were very pleased with the work
and even got a Wow! from another
glass shop owner on the quality of
the bevels.  If you want more info,
e-mail me off-line.Thanks again!

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Mar 27 17:16:34 1998
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From: "M. Savad" <morn@nac.net>
To: DMR74 <DMR74@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass hands
Date: Fri, 27 Mar 1998 17:22:58 -0500
Message-ID: <1998Mar27.122258.0>
References: <<1998Mar27.21647.0>>
Precedence: bulk

DMR74 wrote:
> 
> I know everyone has at some time or another said something about cuts on our
> hands and we all live with it cause its a fact of glass, my question is about
> flux.  Am I the only one who gets this dry smelly like hands after working
> with flux?, (actually I think some of the smell is from pantina) Its like a
> faint metal smell.  I wash all my peices with a combination of JOY (I think
> someone said it was good to use) baking soda and water.  Usually I have a
> small bowl with this mixture and I use a tooth brush to wash my pieces.  I do
> have one of those metal bars you use for onion and fish smell (by the way it
> works great for that) but after washing my hands well and drying they feel
> terrrible, maybe you men are used to this (stab... kidding, gosh gotta watch
> what I say) I use hand cream but maybe there is something else or a cream
> others use that works well, any hints?  Or do I just live with this like the
> small cuts on my hands every so often?
> deb
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


you've got to use the rubber gloves (like doctor's gloves). the
chemicals are bad for your skin. the patina will burn it, the flux will
irritate it (especially if your allergic). put the gloves on at the
begining of soldering, while washing, and patina. keep it on for as long
as you can. though it might get in your way when you dry, the gloves
have too much friction and if you bump into the glass, your hand will
"trip".

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Fri Mar 27 17:26:03 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "Mike Figgy" <mfig@netcom.ca>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Tacky Wax
Date: Fri, 27 Mar 1998 18:44:41 -0500
Message-ID: <1998Mar27.134441.0>
Precedence: bulk

You can also use Naptha, lighter
fluid.... I suspect they're all basically
the same solvent.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Mar 27 17:47:17 1998
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X-Path: scc.net!oddjob
From: Sue Reitmann <oddjob@scc.net>
To: "glass@bungi.com" <glass@bungi.com>, "'DMR74'" <DMR74@aol.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: glass hands
Date: Fri, 27 Mar 1998 18:25:44 -0600
Message-ID: <1998Mar27.122544.0>
Precedence: bulk

Here are a couple of things I have used. There is the obvious: disposable 
latex gloves, (but for some reason I need the feel of the object directly 
on my skin.)
1. Depending on how large a cut you have, there is a liquid product called 
"second skin". It goes on with a glass type dauber that is attached to the 
cap. Dries clear.
2. Get yourself a supply of utter cream. Leave it on the counter and use it 
often. Available at any drug /discount store (in health and beauty supply 
dept.) It comes in a cream and a balm. I think the balm would be more 
effective as it is heavier but I think the smell is worse than the problem 
I am trying to cure.
3. Available (for sure) at Walgreen's Drug. "Zins Crack Cream" Comes in 
very small plastic bottle. You only need a little as it is a liquid. Truly 
a miracle product.
Hope you get some relief !
Sue Reitmann

----------
From:  DMR74 [SMTP:DMR74@aol.com]
Sent:  Friday, March 27, 1998 3:07 PM
To:  glass@bungi.com
Subject:  glass hands

I know everyone has at some time or another said something about cuts on 
our
hands and we all live with it cause its a fact of glass, my question is 
about
flux.  Am I the only one who gets this dry smelly like hands after working
with flux?, (actually I think some of the smell is from pantina) Its like a
faint metal smell.  I wash all my peices with a combination of JOY (I think
someone said it was good to use) baking soda and water.  Usually I have a
small bowl with this mixture and I use a tooth brush to wash my pieces.  I 
do
have one of those metal bars you use for onion and fish smell (by the way 
it
works great for that) but after washing my hands well and drying they feel
terrrible, maybe you men are used to this (stab... kidding, gosh gotta 
watch
what I say) I use hand cream but maybe there is something else or a cream
others use that works well, any hints?  Or do I just live with this like 
the
small cuts on my hands every so often?
deb
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From owner-glass Fri Mar 27 17:56:58 1998
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: BUNGI POSTINGS
Date: Fri, 27 Mar 1998 19:24:31 -0500
Message-ID: <1998Mar27.142431.0>
Organization: @Home Network
Precedence: bulk

I vote for continued posting.  I have been too busy lately to do much
more than lurk, and haven't' followed the last 2-3 weeks discussions, or
even answered my personal e-mail.  I have 2192  that's right 2,192
unread messages.  I will get around to reading (or at least skimming)
all of them.  It is easy to hit the delete key if the subject has no
interest to you. 

I am in glass full time at my home studio, and have been helped
immeasurably by the tips and advice that comes from bungi mail list,
also subscribe to the ArtMetal list which generates 50 or more posts
every day.  They are invaluable too.  Tonight when I logged on there was
151 messages, I look forward to reading them all, then saving the
relevant ones.  

So please Albert, keep up the good work, post the IGGA memos, and remind
everyone that you don't have to be a member of IGGA (I am) to benefit
from their work. The list and site are generously provided free by the
Rand's, bless them.

Lee Boe
Rain-Boe's Creations   


> I'll ask for a show of hands: should IGGA News Memos no longer be 
> posted to glass@bungi? It'd take me maybe 5 seconds to fix that.
> 
> 
> Albert
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From owner-glass Fri Mar 27 18:06:47 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Attn:  Minnesota artists
Date: Fri, 27 Mar 1998 18:44:20 -0500
Message-ID: <1998Mar27.134420.0>
Precedence: bulk

Hi all-

Just had someone in the shop =

looking for ideas for a friend in
Burnsville, MN who's wanting to
buy 2-3 stained glass windows.
I asked why the friend wasn't =

checking in Minnesota and was
told there isn't anyone around
where he lives.  A quick check
in the Guild guide shows there
are three MN studio members
including one in Burnsville!
Anyone else out there want to
be referred?  I'll be glad to pass
on some names.  Just e-mail me
with names, addresses, and =

phone numbers over the weekend.
Thanks.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Fri Mar 27 18:19:28 1998
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From: Sue Reitmann <oddjob@scc.net>
To: "'Glasss Group'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Aquarium for light table
Date: Fri, 27 Mar 1998 18:36:44 -0600
Message-ID: <1998Mar27.123644.0>
Precedence: bulk

Necessity is definitely the Mother of invention!
With a lot of advice from fellow bungians ( again, many thanks) today I 
began to design my wood duck lamp. Being a rainy, cloudy day, my sometimes 
used, old method of taping things on the window and letting the sun shine 
through wouldn't work.
I was desperate!

I began looking around my work area for what my Dad would have called a 
"Rube Goldberg" make shift light table. I spied my  grinder / aquarium set 
up........ removed the grinder, placed my clamp on lamp inside the aquarium 
and sure enough a light table!!
Worked for me so I thought I'd pass it on.
Sue Reitmann

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From owner-glass Fri Mar 27 18:32:21 1998
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass hands
Date: Fri, 27 Mar 1998 19:47:09 -0500
Message-ID: <1998Mar27.14479.0>
References: <<1998Mar27.21647.0>>
Precedence: bulk



DMR74 wrote:

> ... but after washing my hands well and drying they feel
> terrrible, maybe you men are used to this (stab... kidding, gosh gotta watch
> what I say) I use hand cream but maybe there is something else or a cream
> others use that works well, any hints?  Or do I just live with this like the
> small cuts on my hands every so often?
> deb
> ----

Deb, instead of just hand cream, try just lanolin?I usually give everything a
quick squirt with rubbing alcohol and wipe off before getting down to serious
cleaning.  That would probably reduce your exposure to the flux and patina while
cleaning, although alcohol can be a bit drying, too.

Dorothy


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From owner-glass Fri Mar 27 19:27:01 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: Barbara <bjs10@cornell.edu>
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass hands
Date: Fri, 27 Mar 1998 21:18:38 -0500
Message-ID: <1998Mar27.161838.0>
References: <<3.0.2.32.19980327210613.006a6390@postoffice.mail.cornell.edu>>
Precedence: bulk

Barbara wrote:
> 
> Two comments:
> 1.
>         I have used a tooth brush to clean  my pieces and found that it is way to
> stiff and harsh.......  I have been using a softer bristled brush more
> recently....  are others using a tooth brush, perhaps I am putting to much
> pressure on it.
> 
> At 05:22 PM 3/27/98 -0500, you wrote:
> >DMR74 wrote:
> >> small bowl with this mixture and I use a tooth brush to wash my pieces.
> I do
> >> have one of those metal bars you use for onion and fish smell (by the
> 
> 2.  I buy gloves designed for the food service industry in a restaurant
> supply house.... they are inexpensive and come in a variety of sizes.  They
> are not as tight as medical gloves, they don't "grab" as badly.  They work
> very well.
> 
> >you've got to use the rubber gloves (like doctor's gloves). the
> >chemicals are bad for your skin. the patina will burn it, the flux will
> >irritate it (especially if your allergic). put the gloves on at the
> >begining of soldering, while washing, and patina.
> >
> >---Mike Savad


basically anything that is comfortable to wear, and does'nt allow
liquids to come in is fine. also, as long as you can move your tools
around, so there's no slipping.

a tooth brush is ok, i use a nail brush to clean my things. though i use
a stencil brush to apply patina (it's stiff yet does'nt splash). i used
to use a rag, but that disintigrates. then a tooth brush but that
splatters chemicals everywhere. a flux brush works, but tends to corrode
pretty fast, and it generally put's too much patina or flux on.

---Mike Savad


-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Fri Mar 27 19:50:19 1998
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From: Zane Cimera <sigglass@nb.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: New-york bound?
Date: Fri, 27 Mar 1998 22:16:08 -0500
Message-ID: <1998Mar27.17168.0>
References: <<1998Mar26.111453.0>>
Precedence: bulk

Okay, I do not mean to add fuel to the FLAMES, but I missed a lot over
the past few weeks and went back to read old posts in the archives. 
This is only the first day back, but can I just ask one question that no
one seems to be asking:

Albert, when was the last time you created a stained glass work
yourself?

Fine with me if you want to post whatever you want to post about your
site, but please don't deny what you are unless you are ashamed of it -
you do hot glass, not stained glass.  Fine, that's is okay and hot glass
impresses the heck out of me.  But I think the flames I went back and
read miss the point entirely.  You reply to a majority of the questions
and I don't know that you have the qualifications.  I just don't believe
in that saying about those who can't do, teach.

Why not lead us in a discussion on hot glass?  I will gladly keep quiet
and learn from you.

Well, I've donned asbestos clothing, so for those of you who feel I have
wronged Albert by bringing this up, why not just flame me directly and
let the board get back to the subject of stained glass.

Zane
sigglass@nb.net
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From owner-glass Fri Mar 27 20:25:53 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: leestat7@home.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: BUNGI POSTINGS
Date: Fri, 27 Mar 1998 22:26:39 EST
Message-ID: <1998Mar28.32639.0>
Precedence: bulk

In a message dated 98-03-27 20:57:36 EST, leestat7@home.com writes:

<<  remind
 everyone that you don't have to be a member of IGGA  >>

If I read Albert's post correctly, this is no longer true.  Please correct me
if I 'm wrong.

Lu Ann
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From owner-glass Fri Mar 27 20:51:54 1998
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X-Path: netbridge.net!balloch
From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass hands
Date: Fri, 27 Mar 1998 19:46:01 -0800
Message-ID: <1998Mar27.11461.0>
References: <<1.5.4.32.19980327224028.00673f30@mail.kwic.com>>
Organization: Maiden Concepts
Precedence: bulk

Bag Balm is also sold with the dog and cat meds section at Wal-Mart.
We swore by it in the nursing home until they made us quit using it.
(Cause it wasn't made for humans, it worked better than anything else we
ever used and believe me we tried everything).

Garry & Linda McKenna wrote:
> 
> Why don't you try something called Bag Balm?  It's something all quilters.
> seem to use,  and  - in case you really wanted to know - it is used for
> cow's udders and my daughter tells me it is the answer to all your problems,
> and is available at all good quilters supply stores.
> Linda
> 
> At 04:06 PM 27/3/98 EST, you wrote:
> >I know everyone has at some time or another said something about cuts on our
> >hands and we all live with it cause its a fact of glass, my question is about
> >flux.  Am I the only one who gets this dry smelly like hands after working
> >with flux?, (actually I think some of the smell is from pantina) Its like a
> >faint metal smell.  I wash all my peices with a combination of JOY (I think
> >someone said it was good to use) baking soda and water.  Usually I have a
> >small bowl with this mixture and I use a tooth brush to wash my pieces.  I do
> >have one of those metal bars you use for onion and fish smell (by the way it
> >works great for that) but after washing my hands well and drying they feel
> >terrrible, maybe you men are used to this (stab... kidding, gosh gotta watch
> >what I say) I use hand cream but maybe there is something else or a cream
> >others use that works well, any hints?  Or do I just live with this like the
> >small cuts on my hands every so often?
> >deb
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
> >
> >
> GARRY & LINDA McKENNA
>   TILLSONBURG ONT CANADA
>    519 842-9909
> 
>  LINDA'S HOBBY: STAINED GLASS
>  GARRY'S HOBBY:  AMATURE RADIO CALL VE3MNV
----
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From owner-glass Fri Mar 27 21:09:42 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: DMR74@aol.com
Subject: Re: glass hands
Date: Fri, 27 Mar 1998 22:58:05 -0500
Message-ID: <1998Mar27.17585.0>
References: <<1998Mar27.21647.0>>
Precedence: bulk

My wife's cousin (who was the head pharmacist at St. Claire's hospital in
NYC at the time) recommended A+D Ointment to my son to toughen his
calouses for playing guitar.  I decided to try it on my hands because my
fingertips would crack painfully from my work, especially in winter.

It has worked like a miracle.  I buy it in the biggest tub they sell and
put it on before every time I solder.  (I also apply a light coat before
bed.)  Since I started using it my hands haven't cracked at all.  I'm
sure it will help with your problem.

Gary Dodge              Dodge Studio Designs  www.dodgestudio.com

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Fri Mar 27 21:59:48 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: joyce@mail.bright.net, SusieHUs@aol.com, dodgestudio@juno.com,
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Uplight/Downlight
Date: Fri, 27 Mar 1998 23:58:33 EST
Message-ID: <1998Mar28.45833.0>
Precedence: bulk

In a message dated 98-03-27 14:30:33 EST, joyce@mail.bright.net writes:

<< I've tried looking through my new copy of GPQ and can't seem to find it.
 Can someone tell me what page it is on?  Thanks
 
 Garden of Glass
 Joyce Moran >>

Page 73 under News and New Products.....first column, 3rd post.  Also great
pictures on their web site:  http://www.dodgestudios.com

Lu Ann
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From owner-glass Fri Mar 27 22:30:59 1998
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From: NCScouter <ncscoutr@aol.com>
To: Albert Lewis <alewis@vgernet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: I've been asked a favor
Date: Sat, 28 Mar 1998 00:32:20 -0800
Message-ID: <1998Mar27.163220.0>
References: <<m0yHFkC-0000APC@daver.bungi.com>>
Organization: Shoreline Glassworks, Ltd.; Roanoke Island, NC, USA
Precedence: bulk

Dear Albert et al,

I for one as not only a stained glassaholic, but a well-documented
stained glass professional AND a new member of the IGGA take high
offense to anyone putting down any references to this particular
NON-profit organization since it's goal for EXISTING is

 "To facilitate communication among
 glass artists, to encourage education
 and promote excellence in the glass arts."

I find their standards and aims to above reproach both morally and
personally. I can also say the same of all of my experiences with Albert
Lewis as well.

BTW, if Albert had not mentioned the IGGA so many times, and I had not
heard so many complimentary things about them from other members, AND I
had not had the opportunity to benefit several times from freely-given
help and information which was granted by this organization, I would
never have bothered to apply for membership. I am EXTREMELY
discriminating about joining ANY organization and will not do so unless
I am fully convinced that I can whole-heartedly agree with its motives,
practices, morals, and feel that the relationship can be MUTUALLY
beneficial to us both. The last time I joined an organization that I
believed in as much as I do the IGGA, it was 'Boy Scout of America' (I'm
still a member of a local Troop Committee,) and I have been a respected,
trusted, award-winning, highly-trained leader with them as far up as the
Council level for the last nine-plus years. Got the picture?

I believe that Albert should be allowed to continue to mention the IGGA
in relation to helping other bungians any blessed time he feels
compelled to do so. It has helped and benefited me more times than I can
thank him for already.

Respectfully yours,
V T Phelps
Shoreline Glassworks, Ltd.
> ----
Albert Lewis wrote:
> 
> I've had a request that I not keep mentioning the Guild or its
> programs here on bungi.com ... the complaint's actually that this
> person's getting "sick and tired" of seeing my constant references to
> Guild sites and locations. That's described as taking commercial
> advantage of the organization's non-profit status and as using
> precious bandwidth for what I guess is seen as unhelpful, useless,
> and not-glassy-enough information.
> 
> I explained that I only do that when specifically asked within the
> group, but that cuts no ice, apparently.
> 
> Any thoughts on whether I, as ExecDir (read "chief clerk") of the
> Guild, should just dummy up?
> 
> Albert
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From owner-glass Sat Mar 28 06:52:37 1998
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From: TifStyOrig <TifStyOrig@aol.com>
To: DMR74@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: glass hands
Date: Sat, 28 Mar 1998 08:18:45 EST
Message-ID: <1998Mar28.131845.0>
Precedence: bulk

In a message dated 98-03-27 17:02:04 EST, DMR74@aol.com writes:

<< Am I the only one who gets this dry smelly like hands after working
 with flux?, (actually I think some of the smell is from pantina) Its like a
 faint metal smell. >>

Deb,
There was quite a discussion on the plusses of using gloves at certain stages
of glass work.  Certainly the flux stage is one time to consider using gloves,
and definately at the patina stage.  However, I also use Fast Orange hand
cleaner that I buy at Sam's and that also cuts through crud and solvents.  You
may want to try that product.
Diane Manchester
Tiffany Styled Originals
Delray Beach, FL
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From owner-glass Sat Mar 28 07:11:30 1998
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X-Path: hotmail.com!sglass1
From: "jean pay" <sglass1@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: pattern wrong?
Date: Sat, 28 Mar 1998 05:29:09 PST
Message-ID: <1998Mar28.13299.0>
Precedence: bulk

Hi bungians,
I'm one of them lurkers. Started about a year ago. made a few designs of 
my own. Currently I'm making jewelry box (guardian of treasures)
from dreamworld Mystical images in glass. well anyway I made up the 
pieces, cut ,ground,foiled top of box which is the, wings and head. when 
i was checking fit. found it wouldn't . soooo i'm looking at all pieces 
and low and behold (the bottom is larger than the top (not much)odd 
though cause it's off on one side more than other were talking less than 
1/2 inch  


                     ____________
                    /            \ _______hinge side                 
                   /              \
                  /                \
                 /                  \
                /                    \
               /                      \
               \                      /
                \                    /
                 \\                //
                  \\              //
                   \\            //
                    _______________
                   
inside line is where the top of wings reach 
kinda like this !
well any body else make this ?
straight up Is It Me? 
i have figured how to fix I'll make bottom smaller .
but am wondering if it's me or pattern ?
and how the rest of patterns will be?
 
Any help or comments will be appreciated .
thanks in advance for help!!!!

Jeanne 


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From owner-glass Sat Mar 28 08:22:25 1998
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From: SusieHUs <SusieHUs@aol.com>
To: charles@warner-criv.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Uplight/Downlight--See Displays of Similar Lamps
Date: Sat, 28 Mar 1998 10:38:30 EST
Message-ID: <1998Mar28.153830.0>
Precedence: bulk

In a message dated 98-03-28 10:28:43 EST, charles@warner-criv.com writes:

<< A few years ago we purchased several Chinese style lanterns which are
 designed the same as the Uplight/Downlight except the legs are also made out
 of stained glass..
  >>

Do you have pics available and patterns for these lamps?

Susie
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From owner-glass Sat Mar 28 08:41:05 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
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Subject: Bio#6 Daniel German
Date: Sat, 28 Mar 1998 09:48:28 -0600
Message-ID: <1998Mar28.34828.0>
Precedence: bulk

Daniel M German

 was born in Mexico City, in the autumn of 1966, two years before the
Olympic Games and 4 before the first World Cup; two events that seemed
like the gateway to bright years to come, and so were they bright
years for me.

As with any other child in my country, I thought that what matters is
to get an education and that was the way to be whoever I wanted.

My early days were consumed mixing school with reading and
playing. Nothing different from any other child, I believe. Once in a
while, an artisans' flea market will established for a week or so very
close home. Those years were not polluted with scares of pedophiles or
kidnapers and at very young age I was allowed to have short escapes
from home that sometimes lasted hours. My favourite place was the
glass shop. I was simply amazing to see how a tiny bar of glass, with
the help of a torch, could be converted by the artisan's hands into
little animals or the most intricate sail boat --memories that make
tears linger in my eyes. I could stand and look for hours. Sometimes
those days will end with a pull on my ear --my mother had been looking
for me for hours, finally found me and drag me home from my ears.

I've always liked to assemble (and disassemble) things. I remember
quite well that I loved to visit a girl my age --my first girlfriend I
claimed-- when I was 5. She had a Lego --imported, hence expensive--
and once I started playing with it I could go for hours. I had my own
similar toys, but never as complex or beautiful.

My father was very straight with us. We always knew that Santa Claus
and the Three Wise Men --the latter are the ones that bring the most
toys to my compatriots-- were an invention. (If you ask me now, I'd
say it is much better that way.) Every December we'll start shopping
for our toys long before the crowds invaded the shops. That was the
way in which, at age 10 or 11 I found this marvel: a meccano (for
those who haven't seen one, it is an assembly toy with metal plates
and bars that you put together with screws and bolts; the best part is
that you could build functional cars or cranes!). Every year, I'd ask
for one more. Those were not days in which you bought a "design"
--sort of what lego does today-- but you bought building blocks. The
more parts, the merrier . Then I decided I was going to become an
engineer (what else could I?, after I felt in love with screwing
around --???-- all those bolts).

As I grew up, my meccano days were substituted by plastic models
--airplanes and ships were my favourite.

My schools days have given me an eclectic mind: I have a diploma in
technical drawing; I have a technical degree as a machinist (those who
make pieces in metal with big machines); I have 1/3 as an Energy
Engineer. I have a undergraduate degree in Information Sciences.

My will to become a tenured student took my to the beautiful
grasslands of Williamsburg, Virginia, where I became a masters student
in Computer Science.  My love --then and before the strike-- for
baseball and the Bluejays took me to Waterloo, where I have been for
the last 4.5 years.

I like art. And I like churches. I am very sacrilegious but I strongly
believe that churches/temples/synagogue/mesquite are some of the most
important treasures of our civilization. It does not matter is they
are old like Notra Dame, tainted with blood like Sacre Cour in Paris
(spelling?), new like Washington National Cathedral, or "work in
progress" like Gaudi's "Sagrada Familia". They are unique, beatiful
and an expression of who we --human beings-- are. And their stained
glass windows are integral part of them. Can you envision a Notra Dame
without the West Rose window? What about the Wash. Cathedral without
the Moon Window?

As I had said in the past. I always believed it was an expensive and
difficult craft. My dreams had always been to have a Tiffany-style
lamp over my dining table and an some accents in my home.

My love for Chagall's work accentuated my need to know how it is made.
I finally took the time. So here I am.

It has become a learning experience. Cutting pieces and putting them
together is a new way to assemble "meccano" and brings me memories of
my childhood. Yes, it is waking up the child I have inside. On
the other hand, I am trying to make my own patterns and in the process
I am learning what works and what does not work, and that, after all,
I might have an artistic side.

I am an amateur, and I'll probably stay that way for a long time --if
not forever. My computer skills pay better by the hour. On the other
hand, I envy Albert: I'd like to make a living writing about what I
like and that is my personal pursue.

What else do I do? Well, I feel like I am a prisoner and I am asking
for parole. My thesis is my formal request and my PhD committee the
parole board. I want to be a free man again.

On my spare time I like to keep my brain busy. When I get bored of
writing my thesis I turn around and see what I can do. Yesterday,
after my stained glass class, I went home and finished my "computer
operated remote control" for my camera. Why? For the pure satisfaction
of solving a problem. Yeah, I am geek. You'll always see me carring a
computer, a camera and a book --or the Economist. I am in front of the
computer at least 12 hours a day: in bed --a day has to start reading
my email--, in my table, in my coach, in my office, in the darkroom,
in the restaurant, in the coffee shop, in the park. Have you ever
taken a laptop to the washroom --(restroom, lou (spelling?),
toilet :)?

Besides keeping costs, schedules and patterns, I wonder what else I
can do for SG with my computer :)

I like reading, but the psychological pressure of a thesis hinders the
actual reading I do.

Feasting and cooking are another one of my pleasures. I like to enjoy
life and eating is a crucial part of such enjoyment. A meal has to
take time and tender to be prepared (those who saw the Danish movie
"Babbete's Feast" know what I mean). I particularly specialize in
spices, which are the heart and soul of food, IMHO.

Remedios Varo, M. Escher, M. Chagall, Kandinsky, H. Cartier-Bresson
top my list of favourite artists. I do like many others. But I
particularly dislike Van Gogh --with the exception of Cafe Terrace.

This leads to the fact that I like either strong primary colours
--this is my mexican part-- or black and white. My home is covered
with black and white photos. My office with Varo and Chagall. All this
has an influence in my SG.

My SG work is still in its very, very early stage. What I can say is
that I favour iridescent and special glasses such as
Yughiogheny. Iridescency has an extra dimension that adds to plain
glass. Plain glasses seem to "plain" when compared to Yougo.  In my
designs, I like curves --splines. I lean towards unreal views of real
things. I also like to "create" using the inner patterns of the glass.

I particularly dislike glass being used to display "real life" objects
and landscapes with their real colours; which seems to be a very
common use of SG. For that we have photography, is my view. SG has to
be manipulated to create different scenarios, different views of the
world, or even, different worlds altogether. Views that entice the
viewer to find "something" in a design. SG can be art and not just
artisanship, (please, I am just a beginner and I am not against
anybody's style or work, these are just my opinions; I am not claiming
I am an SG artist; I certainly starting to feel like an artisan, and I
love it).

Yesterday I gave my first gift in stained glass. I noticed that I did
not like to separate from my work.  It seems an integral part of
me. And that is why I chose a 5 pieces project and I did not even
grind the pieces. I knew that if I liked it too much it was going to
be more difficult.

What about the future? I don't quite know. My love for writing, for
photography, for SG and for life, but most conspicuously, my disdain
and passion for computers --to which, hopefully, I'll add a tag
meaningless to me but precious to other: PhD-- can take me anywhere.

This life is indeed worth living.

And for those who are still curious, you can visit my home page:

http://csg.uwaterloo.ca/~dmg/index.html

*****************************************************************

BTW with all of the "Waterloos" in the world, Dan is in Canada






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From owner-glass Sat Mar 28 08:53:22 1998
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Subject: Bio# 7 Tim Brynes
Date: Sat, 28 Mar 1998 09:49:56 -0600
Message-ID: <1998Mar28.34956.0>
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Here goes: I was born in Trumbull, CT on Aug.11th. 1938. Went to the
local grade school, graduated from Bassick High School in Bridgeport in
June 1958 and served 4 yrs. in the Army and 2yrs. in the Reserve.  I got

married the first time at 21, and that lasted for 8 yrs. Worked at many
different jobs, because I had no trade or good working skills. Got
married for the second time at 35 to a person who had 4 children and
that ended in 1980.

 In 1975 I had a chance to go through an on the job training program to
become a mechanical assembler, from there I became a Manufacturing
Coordinator in a Printed Circuit Dept. for the same company. I was
released from that job do to down sizing, but it was in this job that I
met my future stained glass instructor.

 In Nov of 1982 I met a wonderful man whom I fell in Love with, we went
through a Holy Union, at the Metropolitan Community Church in July of
1983.  We had alot of good times together, until he choose to return to
alcoholic drinking,and contracted AIDS, I watched a beautiful man die, a

very slow painful death.  In June of 1992, he went home to live with
GOD.

In Feb.1989 I started to work at a local Home for the AGED, where I
still work today as a Maintenance Assistant and love doing things for
elderly people.  My friend Ginny whom I had worked with Philips Medical
Systems, started to teach me the Art of  Stained Glass in her home
studio. I studied with her til March 1995 and opened my own home studio
in Sept. 1995.  I am not out to make alot of money, just enough to pay
for supplies, doing glass is relaxing time for me.

I have just recently become a Deacon at MCC, and I can't wait til we
have our own building, so I can make a Window panel for our church. I am

very happy to have a church that I can go to and feel wanted and loved.
I still think of Jerry when I hear certain songs or come across his
picture in one of my meditation books. I have a very full life, and a
great four leggged room mate by the name of PRINCESS.




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From owner-glass Sat Mar 28 09:00:26 1998
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X-Path: warner-criv.com!charles
From: "Charles Warner" <charles@warner-criv.com>
To: "glasschic" <joyce@mail.bright.net>,
Content-Type: text/plain;
Subject: Re: Uplight/Downlight--See Displays of Similar Lamps
Date: Sat, 28 Mar 1998 10:27:01 -0500
Message-ID: <1998Mar28.5271.0>
Precedence: bulk

Susie and Others;

Marianne and I decorate our store with interesting and inspiring stained
glass items that we think our customers would like to see.

A few years ago we purchased several Chinese style lanterns which are
designed the same as the Uplight/Downlight except the legs are also made out
of stained glass..

These lanterns have always been a hit for our customers and they can be seen
in our main Glass Showroom.

This week we added a number of mosaic items as displays in the showroom;
trays, vases  etc.

This might sound trite however; those of you who have been in my store must
realize Marianne likes decorating.  There are so many beautiful items we see
in stores that it is hard to resistant purchasing them.  Putting these items
on display helps give inspiration to our customers and provides a pleasant
working atmosphere.

BTW We even have a very small Robert Oddy panel which we will display as
soon as we design a suitable display.

Charles Warner
Warner-Crivellaro
http://www.warner-criv.com/

>>I saw the ad for Uplight/Downlight in the back of Glass Patterns Quarterly
>>today and I can't wait to get my hands on this one!  I asked my local
>>retailer but she doesn't have it yet (and at times, it takes quite a while
>>before she gets things in), so I'd like to know how I can get a copy right
>>away?
>
>I've tried looking through my new copy of GPQ and can't seem to find it.
>Can someone tell me what page it is on?  Thanks

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From owner-glass Sat Mar 28 09:51:52 1998
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X-Path: citynet.net!zorprime
From: Zor Prime <zorprime@citynet.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Using agates
Date: Sat, 28 Mar 1998 12:14:50 -0800
Message-ID: <1998Mar28.41450.0>
Precedence: bulk

Hi All,

My husband gave me a wonderful gift last evening. He bought 40 agate
slices 1/8" thick or less for me. They are beautiful and I want to do
something with them along with glass. But I don't know how to cut them.
Light shines through them and shows off the lovely colors and I'm afraid
I'll ruin them.

Any suggestions? I'm dying to get started. I'm assuming that I can at
least grind the edges with my grinder without doing any damage.

Thanks in advance,

Kathy
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From owner-glass Sat Mar 28 11:52:17 1998
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From: Shirley Balloch <balloch@netbridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Using agates
Date: Sat, 28 Mar 1998 10:49:16 -0800
Message-ID: <1998Mar28.24916.0>
References: <<1998Mar28.41450.0>>
Organization: Maiden Concepts
Precedence: bulk

Why do you want to cut them?
It has been my experience that they are heavier than glass and I use
1/4" copper foil with them. I use them in abstract glass, seashell, and
agate slices.  I get a metal ring you find at craft stores for
dreamcatcher and machrame.  The rings start at 6" dia and go up to 24".
Heck they even have squares and hearts.
Don't cut the agate, cut the glass to fit the agate.
But if you must cut the agate, you will need a rock saw and they are
very expensive.  Or maybe you know a rock hound that will do it for you
or let you use his/her saw.
I have read of people on this list that used the agate for lamp shades.
They are also great if you want to use them as a sandy beach or rocky
knoll in a stained glass design.
If you have little ones, they could be hair decorations for fairies or
angels, etc.
They also make out of this world vases or wastepaper baskets.
One thing if you take me up on the abstract idea.  Be careful with the
flux on soft shells(like starfish and porous calm shells).  The shell
absorbs the flux and will leave an ugly brown ring.
Oh yes, they look great as the center peice on the top of a box and they
make wonderful business card holders.  And don't forget nightlights.
Good Luck and Have fun.
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From owner-glass Sat Mar 28 12:28:50 1998
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From: "M. Savad" <morn@nac.net>
To: Zor Prime <zorprime@citynet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Using agates
Date: Sat, 28 Mar 1998 14:45:20 -0500
Message-ID: <1998Mar28.94520.0>
References: <<1998Mar28.41450.0>>
Precedence: bulk

Zor Prime wrote:
> 
> Hi All,
> 
> My husband gave me a wonderful gift last evening. He bought 40 agate
> slices 1/8" thick or less for me. They are beautiful and I want to do
> something with them along with glass. But I don't know how to cut them.
> Light shines through them and shows off the lovely colors and I'm afraid
> I'll ruin them.
> 
> Any suggestions? I'm dying to get started. I'm assuming that I can at
> least grind the edges with my grinder without doing any damage.
> 
> Thanks in advance,
> 
> Kathy
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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i personally like them whole. if they had to be cut, you would either
need a lapidary saw, or a bandsaw/ringsaw. though a bandsw does'nt cut
very straight. 

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sat Mar 28 13:05:44 1998
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X-Path: bcinternet.net!cpesonen
From: cpesonen@bcinternet.net (Cindy Pesonen)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Using agates
Date: Sat, 28 Mar 1998 12:02:45 -0800 (PST)
Message-ID: <199803282002.MAA17171@freya.vphos.net>
Precedence: bulk

>X-From_: owner-glass@daver.bungi.com Sat Mar 28 09:54:18 1998
>Return-Path: owner-glass@daver.bungi.com
>X-Path: citynet.net!zorprime
>From: Zor Prime <zorprime@citynet.net>
>To: glass@bungi.com
>Subject: Using agates
>Date: Sat, 28 Mar 1998 12:14:50 -0800
>Precedence: bulk
> 
Hi Kathy,
Being a rock lover those agates sound absolutely great. I'd love to be so lucky!
I wouldn't touch my glass grinder to them, I've worked a fair amount with
rock. Using slabs for bases, and for soap stone I've used my husband's disc
grinder set up in the vise. And I would recommend trying that first. A
friend of mine is a rock carver and the setup for rock grinding is far more
heavy duty than a glass grinder, first of all you could remove alot of the
little diamond chips on your bit, while you're removing the edge of the
rock. If you need to cut them like in half or whatever a masonary blade
might to the trick. Do you know any rock carvers?? 
An overlay would look very interersting or building a three dimension piece
and using the agate for a base, if the slices are large enough. Rock and
glass look very good together.
All the best, Cindy

PS to Tim and Daniel, enjoyed your bio's alot :) You guys are really good
with words, chuckle. Can I send my husband over for lessons, seems when it
comes to pen and paper (fingers and keyboards) he forget what to say.

>Hi All,
>
>My husband gave me a wonderful gift last evening. He bought 40 agate
>slices 1/8" thick or less for me. They are beautiful and I want to do
>something with them along with glass. But I don't know how to cut them.
>Light shines through them and shows off the lovely colors and I'm afraid
>I'll ruin them.
>
>Any suggestions? I'm dying to get started. I'm assuming that I can at
>least grind the edges with my grinder without doing any damage.
>
>Thanks in advance,
>
>Kathy
>----
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>
>

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From owner-glass Sat Mar 28 16:57:00 1998
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X-Path: lasercom.net!jean
From: "Jean" <jean@lasercom.net>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Bio#6 Daniel German/Response
Date: Sat, 28 Mar 1998 12:58:05 -0800
Message-ID: <199803282043.MAA07060@intergate.lasercom.net>
Precedence: bulk


After reading your bio, Dan, I ventured over to your web site... where I
have now spent several hours!

After reading what you have written, I cannot believe you would doubt
having an artistic side. Your love of, and expression of that love for
Beethoven.. those are not the words of a non-artistic person. Your choice
of art, and the way in which you express it, again leaves no doubt about
your artistic side. Your photography.... Shall I go on? I think it
unnecessary. 

I suspect that, given the time it takes, you will develop into a first
class stained glass artisan. Your attention to detail (as required by
computer science) blended with your inner (perhaps under-developed)
artistic talents should serve you well.  I envy your skills. And I pray
that you will find time in this busy world (while filling your 'knapsack')
to continue growing with stained glass.

I look forward to seeing some of your glass projects posted to your web
site at some future date.

Jean

jean@lasercom.net
ICQ #7131940
NetMeeting: Bonnie Nrmn ils1


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From owner-glass Sat Mar 28 17:28:22 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Tacky Wax
Date: Sat, 28 Mar 1998 18:10:23 EST
Message-ID: <1998Mar28.231023.0>
Precedence: bulk

I know Delphi Stained glass carries stuff for that. I believe it is linseed
oil. Their phone number is  1-800-248-2048 .
Susan
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From owner-glass Sat Mar 28 17:48:23 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
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Subject: The big pick-up
Date: Sat, 28 Mar 1998 18:20:41 EST
Message-ID: <1998Mar28.232041.0>
Precedence: bulk

Well folks, 
   The giraffe window was finally delivered to its rightful owner. I had a
tear in my eye as I watched it leave.. ( I had developed a soft spot in my
heart for that little critter).The new owner said it was "nice". (ungrateful
heathern) How could he ever imagine all the HARD WORK that went into it? Not
to mention that I didn't charge him enough. This was my first comissioned
piece and I screwed up big time on the price. He got the giraffe (2ft x 3ft,
156 pieces) AND another smaller window, southwestern design 17 x 31, 45
pieces..for $500.00.
   I'll just chalk this one up to a learning experience. I'll tell you this,
I'm glad I don't do this full time!! Don't think I could take the stress!
  
Susan
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From owner-glass Sat Mar 28 17:56:23 1998
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Carl Childers <shyguy@vdot.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Tacky Wax and  Kerosene
Date: Sat, 28 Mar 1998 14:58:14 -0800 (PST)
Message-ID: <1998Mar28.65814.0>
References: <<1998Mar27.11580.0>>
Precedence: bulk

The kerosene acts as a solvent.  There shouldn't be a need to heat or warm
it.  If tacky wax is kept to a minimum and mostly scrapped off, the
kerosene and a soft cloth should be all you need to clean up the shade.
Peggy

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From owner-glass Sat Mar 28 18:15:08 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Using agates
Date: Sat, 28 Mar 1998 18:39:36 -0500
Message-ID: <1998Mar28.133936.0>
Precedence: bulk

Message text written by Zor Prime (Kathy):
>My husband gave me a wonderful gift last evening. He bought 40 agate
slices 1/8" thick or less for me. They are beautiful and I want to do
something with them along with glass. But I don't know how to cut them.
=2E..(snip)....
Any suggestions? I'm dying to get started. I'm assuming that I can at
least grind the edges with my grinder without doing any damage.>

Oooooooo!!!!  How I envy you!!!!  I'm working on a commission
of a mermaid and dolphins, and plan on using agates to represent
part of the sea floor and underwater cave walls.  Want to sell some
to me??????

Christie A. Wood
Art Glass Ensembles, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Sat Mar 28 18:31:52 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Mike Simpson <mike@jackel.demon.co.uk>
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: lead came, craft myth?
Date: Sun, 29 Mar 1998 00:14:56 +0000
Message-ID: <1998Mar29.01456.0>
References: <<199803261217.MAA00464@jackel.demon.co.uk>>
Precedence: bulk

In message <199803261217.MAA00464@jackel.demon.co.uk>, Mike Simpson
<mike@jackel.demon.co.uk> writes
>Over the years I have often heard a story about lead came that I
>would like some concrete details on, mostly as to whether it is=20
>true or only an interesting myth.=20
>
>The story, as heard on the radio, seen in one book and heard several
>times from S.G. artists goes as follows:-
>
>=20
..........
Can't help on the story Mike.
>
>p.s. I have ne reason to believe that modern lead came which=20
>sometimes contains some alloying ingredients will suffer the same
>fate. Knowledge of corrosion has come a long was in this century.=18
>
On this one, a respected conservationist (Susan Bradbury), has indicated
that the Lead in the Victorian era was much better refined to become
almost pure lead, instead of having a tin content from the re-melted
lead and solder to make new calme. She indicated that modern calme has
small amounts (ca 0.5%) of antimony as an alloy to strengthen it.  The
amounts vary according to manufacturer, and makes some (e.g.
Stillmans(sp?)) much stiffer and hard to work than others.  This
alloying of the lead is intended to make the calme last much longer.

Just relaying information from a lecture she gave a couple of weeks ago.


steve
--=20
Steve Richard
Verrier Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sat Mar 28 18:54:32 1998
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X-Path: wcnet.net!fibers
From: fibers@wcnet.net (fibers)
To: Zor Prime <zorprime@citynet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Using agates
Date: Sat, 28 Mar 1998 19:47:22 -0600
Message-ID: <1998Mar28.134722.0>
References: <<1998Mar28.41450.0>>
Precedence: bulk

I have been lurking for a while and enjoying every single post.
I just bought a SG book --Stained Glass Basics by Chris Rich. Ther a project
called "Free Form Geode Panel". Looks like just the pattern you are looking
for. It uses agate slices, nuggets and glass.  If you will send me a fax
number I will be glad to send you a copy of the articale.
Nelda
fibers@wcnet.net
Zor Prime wrote:

> Hi All,
>
> My husband gave me a wonderful gift last evening. He bought 40 agate
> slices 1/8" thick or less for me. They are beautiful and I want to do
> something with them along with glass. But I don't know how to cut them.
> Light shines through them and shows off the lovely colors and I'm afraid
> I'll ruin them.
>
> Any suggestions? I'm dying to get started. I'm assuming that I can at
> least grind the edges with my grinder without doing any damage.
>
> Thanks in advance,
>
> Kathy
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Sat Mar 28 18:58:52 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: WhispyBlu@aol.com
Subject: Re: Uplight/Downlight
Date: Sat, 28 Mar 1998 19:40:20 -0500
Message-ID: <1998Mar28.144020.0>
References: <<3cb42889.351c837b@aol.com>>
Precedence: bulk



Hi,

Just thought I'd point out:

There are Pictures in our ad on page 67 also, 
And the correct URL is:
http://www.dodgestudio.com   (no "s" at the end)


><< I've tried looking through my new copy of GPQ and can't seem to 
>find it.
> Can someone tell me what page it is on?  Thanks
> 
> Garden of Glass
> Joyce Moran >>
>
>Page 73 under News and New Products.....first column, 3rd post.  Also 
>great

>pictures on their web site:  http://www.dodgestudios.com

>Lu Ann
>

Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

_____________________________________________________________________
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From owner-glass Sat Mar 28 19:16:01 1998
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From: "M. Savad" <morn@nac.net>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: tacky wax, how much?
Date: Sat, 28 Mar 1998 21:28:57 -0500
Message-ID: <1998Mar28.162857.0>
References: <<1998Mar28.133936.0>>
Precedence: bulk

about how much tacky wax do you need to allow the glass to stick to the
mold? my new lamp will require the stuff, and i need to get an idea of
how many coats i need to put on.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sat Mar 28 19:26:56 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Magazines
Date: Sat, 28 Mar 1998 21:45:24 -0500
Message-ID: <1998Mar28.164524.0>
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Hi everyone-

I'm trying to compile a list of
glass-related magazines that =

are in publication today and =

subscription info if you have it. =


The local library doesn't subscribe
to one magazine and I intend to
fix that by giving them a few
choices!  Let me know your
favorites as well as your least favs.
TIA.

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Mar 28 19:52:42 1998
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: lead came, craft myth?
Date: Sat, 28 Mar 1998 21:57:26 -0500
Message-ID: <1998Mar28.165726.0>
Precedence: bulk

Michael thinks its the increased
zinc content in some of the lead
that's causing the deterioration
problems.  Might be just a personal
prejudice, though  - we don't much
care for zinc came period.  Would
be nice if one of our resident
conservation types would jump in
here and comment about lead
deterioration.... hint, hint.;-)

Best regards,

Dani Greer
Greer Gallery & Studios
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From owner-glass Sat Mar 28 19:59:59 1998
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From: "suzy@comcat.com" <bits@ComCAT.COM>
To: "glass bungi line" <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: The big pick-up
Date: Sat, 28 Mar 98 22:20:32 -0500
Message-ID: <199803290318.WAA24433@uz.ComCAT.COM>
Precedence: bulk

Susan wrote: 
>   The giraffe window was finally delivered to its rightful owner. I had a
>tear in my eye as I watched it leave.. ( I had developed a soft spot in my
>heart for that little critter).The new owner said it was "nice". (ungrateful
>heathern) How could he ever imagine all the HARD WORK that went into it? Not
>to mention that I didn't charge him enough. This was my first comissioned
>piece and I screwed up big time on the price. He got the giraffe (2ft x 3ft,
>156 pieces) AND another smaller window, southwestern design 17 x 31, 45
>pieces..for $500.00.
>   I'll just chalk this one up to a learning experience. I'll tell you this,
>I'm glad I don't do this full time!! Don't think I could take the stress!

Susan,

I think we've all had experiences like this in the beginning, and 
sometimes even farther down the road. It's part of it. Most people just 
don't understand how labor-intensive SG is, and how much of our heart we 
put into our work.

The giraffe was beautiful! And since I think you said he's going into a 
public place, you'll be able to visit him from time to time. Take heart 
in the fact that you gave him your best, it was a wonderful experience 
for you, and next time you'll quote higher.

Some of my work seems like one of my "children," and it's difficult to 
give up. I console myself with the fact that I can always do it again, if 
need be. Truth is, I never do! There's always something else exciting to 
look forward to doing.

Happy glassing,






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From owner-glass Sat Mar 28 20:19:32 1998
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From: NCScouter <ncscoutr@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Grave apologies all 'round!!
Date: Sat, 28 Mar 1998 22:23:25 -0800
Message-ID: <1998Mar28.142325.0>
Organization: Shoreline Glassworks, Ltd.; Roanoke Island, NC, USA
Precedence: bulk

I would like to offer my gravest, and most sincere apologies for adding
my VERY unecessary .50 cents worth on thatnow 'unmentionable' subject. I
have just gotten back after more than a week of no e-mail at all and
began to answer each post before I had even taken the time to see how I
suddenly had been inundated with 496 messages--at least 50 of which it
seemed like were on 'that' subject and becoming more unhappy with each
post. I'm terribly sorry if I have offended anyone, and respectfully ask
to be forgiven for my far too quick tongue. I AM truly sorry! :`(
Humbly yours,
V T Phelps
aka Mud
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From owner-glass Sat Mar 28 20:30:11 1998
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From: Kris <kristc@home.com>
To: goldpaws <gmanning@banet.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tacky Wax
Date: Sat, 28 Mar 1998 22:21:00 -0500
Message-ID: <1998Mar28.17210.0>
References: <<1998Mar27.8201.0>>
Organization: @Home Network
Precedence: bulk

I take it tacky wax is something you use to stick the glass to the form
for soldering? I've been using something called ticky tak. It's made to
stick posters to the wall and that sort of thing. I find it does the
job, doesn't leave residue, comes off with another bit ot ticky tak, or
if really messy, some water and a paper towell, and it's reusable. I've
also been covering my pattern pieces with contact paper  so they hold up
to oil and water. Then you can ticky tak them to the glass for cutting
and grinding instead or marking the pattern lines on the glass. 

I know this doesn't do anything to solve your present problem, but maybe
a thought for future projects. Anyone else do anything like this? I have
to credit my kid for introducing me to the stuff and it has a lot of
uses. I found it at WalMart in Kansas, but only found it at an office
supply store here in Florida with a different name, which of course I
can't remember at the moment. 

Kris

goldpaws wrote:
> 
> Can anyone tell me a good way to remove tacky wax from my glass?
> It's on a lamp shade and I am having a awful time removing it.
> Thanks
> Goldpaws
>
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From owner-glass Sat Mar 28 21:03:18 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: "suzy@comcat.com" <bits@ComCAT.COM>, 
Subject: Re: The big pick-up
Date: Sat, 28 Mar 1998 20:17:09 PST
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[In the message entitled "Re: The big pick-up" on Mar 28, 22:20, "suzy@comcat.com" writes:]
> Susan wrote: 
> >   The giraffe window was finally delivered to its rightful owner. I had a
> >tear in my eye as I watched it leave.. ( I had developed a soft spot in my
> >heart for that little critter).The new owner said it was "nice". (ungrateful

> The giraffe was beautiful! And since I think you said he's going into a 
> public place, you'll be able to visit him from time to time. Take heart 
> in the fact that you gave him your best, it was a wonderful experience 
> for you, and next time you'll quote higher.


Where can we view your giraffe?


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sat Mar 28 22:31:57 1998
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From: dodgestudio@juno.com
To: glass@bungi.com
Subject: Hope this is not a duplicate post! ( I think the original was lost.)
Date: Sun, 29 Mar 1998 00:50:45 -0500
Message-ID: <1998Mar28.195045.0>
Precedence: bulk

Hi,

Just wanted to point out that the Uplight/Downlight! patterns are NOT
Oriental designs.    (Although I DO  have a prototype for an Oriental
design in the series here,  other patterns are slated for  publication
sooner.)

Gary Dodge            Dodge Studio Designs

www.dodgestudio.com

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

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From owner-glass Sun Mar 29 02:11:13 1998
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From: Rick Lasita <pebble@fuse.net>
To: "M. Savad" <morn@nac.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: tacky wax, how much?
Date: Sun, 29 Mar 1998 04:42:17 -0500
Message-ID: <1998Mar28.234217.0>
References: <<1998Mar28.162857.0>>
Organization: Window Art GLass Studio
Precedence: bulk

Mike, one way I found works great is to tear off a little wax, rollit
between your fingers to form a little ball, the apply it to the glass,
the to the mold. Eliminates the need to melt the stuff, and sure is a
lot easier to clean up. Give it a try.

Rick Lasita
http://home.fuse.net/crafts/index.html

M. Savad wrote:
> 
> about how much tacky wax do you need to allow the glass to stick to the
> mold? my new lamp will require the stuff, and i need to get an idea of
> how many coats i need to put on.
> 
> ---Mike Savad
> 
> --
> Mike's Stained Glass
> http://www.geocities.com/Paris/1141
> 2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
> and My Updated Shop Photo's
> ----
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From owner-glass Sun Mar 29 04:22:48 1998
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From: Katharine <katz9@IDT.NET>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Questions
Date: Sun, 29 Mar 1998 05:48:16 -0600
Message-ID: <1998Mar28.234816.0>
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My wife and I are new to both this Bungi group and Stain Glass in
general.She will write our combined bios sometime in the near future.
They will pale,of course,when viewed next to Albert's.

We have a few questions...if anyone can help,it would be appreciated.

1.) Our first project is a Window.It is round,contains 250 pieces,about 
2 1/2 feet tall.We were hoping to avoid having to put any supporting
bars across it,are we being overly optimistic?

2.)My wife is expecting our first child in 5 mos..what extra precautions
should we be taking?

3.)We are hoping with our next project to use crystals and marbles...any
suggestions on how to anchor them?

4.)We are looking for some nice box patterns...as well as any magazines
about the craft.

Guess that's it for now..seems like the lurk---->explode approach :D



Thanks

Bruce
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From owner-glass Sun Mar 29 05:51:52 1998
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From: Yegnim <Yegnim@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: glass hands
Date: Sun, 29 Mar 1998 08:04:00 EST
Message-ID: <1998Mar29.1340.0>
Precedence: bulk


TO:  People who do not wear gloves while soldering and patining
Have been reading the back and forth banter on hand care and must
comment.......
Is it only me???  Don't most of you guys realize that your skin is an organ by
which whatever comes into contact with it, goes thru and into your body!!!
Just read about a study being done by which animals are being given
immunizations VIA skin contact alone!!!  There is great hope that one day
soon, all babies and children will receive vaccinations that way.

Growing up I noticed my mother used all kinds of detergents, bleach, etc. and
never wore gloves.  I also did the same until I became aware of the body. Why
would you knowing let your body absorb lead, tin and acid from flux along with
patina?  If you know that you are using a harsh chemical, why aren't you
protecting your body with gloves?  They come in different sizes for all hands
and you can get a snug fit ( first priority) with medical gloves.  People
comment that gloves hinder them.  Initially, yes.  But you can actually get
USED to them and not even know you are wearing them.  What about surgeons???
Certainly they do very exacting, precise work!  If they can work with gloves
on, why can't we all?  After working, your hands are virtually clean, though
you still must WASH them with soap and water.  There will be no chemical
residue on your hands nor in your body.  There will be no need to use other
chemicals to get the chemicals and odor off of your hands.  No creams will be
necessary to repair for chemical damage on your hands. (Of course we still
need the creams for the water contact with grinder, etc.)

Speaking of soap, I'll get off my box now.

Lovingly Written,
Lenore
P.S.  Be sure you get the SNUGGEST fit possible.  Try on different sizes.
Anyone who does not have or think they have access to medical gloves may e-
mail me with your snail mail address and size you think you need and I will
MAIL you a pair (free of charge)  NO.  I am not a medical supplier nor do I
have gloves for sale.






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From owner-glass Sun Mar 29 06:52:32 1998
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From: "Daniel M. German" <dmg@csg.uwaterloo.ca>
To: glass@bungi.com
Content-Type: text/plain;  charset=iso-8859-1
Subject: Re: Glass Mail..Butterfly Question and pricing
Date: Sun, 29 Mar 1998 08:59:01 -0500
Message-ID: <199803291359.IAA01030@violeta.uwaterloo.ca>
References: <<1998Mar27.173034.0>>
Precedence: bulk



Don writes,

 Well...... In a recent post when another Lady asked the same question.
 His rate was $60 per square foot . and 1.50 per cut piece of glass.
 Then he added a charge for difficulty or boredom etc.  The butterfly is
 1.25 square ft.  It contains 46 pieces of cut glass many of the pieces
 of glass were (for me anyway) difficult and tight inside curves.  They
 ended up cut out of a glass I should have known better than to try.
 (Wasted most of the piece).To make a long story I asked her
 $150............. is that too much?  Don't worry about hurting my
 feelings.  I really need to know what is what if I am going to sell some
 of this.  I honestly think and have been told that my work is good.  So
 I hate to sell my stuff short or too cheap.  Thanks for replying!!!


Don, I don't have experience selling SG work, so take my comments with
a grain of salt. They are more from the economics point of view.

You can only sell stuff at the price people are willing to pay for
it. If you charge too much, you'll be sitting and waiting for
clients. If you charge too little, chances are that you'll be flooded
with requests, but gone bankrupt at the end. You have to find a place
in the middle.

One way to reduce the final price --if seemed too hefty by potential
clients-- is to reduce the number of hours you spent on it, use
cheaper glass, or even "mass produce" one design. Obviously, all these
are detrimental to the product, but you have to adjust to your market.

Artisans depend on several factors to price their products, in my opinion:
average price of similar work, quality of their work, how sought is
that kind of work, and finally, by their own reputation.

Big megastores and "cheap imports" (from developing countries :) are
reducing the average price. SG work is not a necessity, rather, a
luxury and hence higher prices does not mean higher profits, rather,
less sales --unless you can argue that higher prices might mean more
"exclusivity" and create a product that is sought as "a product I have
to have it to keep up with the Johnsons"; in that case, all SG workers
will benefit. Unfortunately, the cheap versions will always be a stop
to this; there are however ways to avoid it: special labels. 

For instance, lets assume Albert's guild (sorry, I don't remember the
name, but for the sake of this message I'll call it ASG) decides that
from now on all products made by its members will have an
"authenticity label". Then ASG starts to advertise heavily on TV and
on lamps stores about this label, expressing why the imports are lower
in quality and, to display the label conspicuously in the work. Maybe
--there is always a "but", in Spanish we say--, maybe people will
start to fall into the idea that ASG work is "better", and more
exclusive.  And this is the catch! Many people want to have something
exclusive that their neighbors or friends can't to show their wealth.
This works certainly in many products, from cars (Mercedes, Jaguars)
to clothing (Hugo Boss --I hate they have those conspicuous labels in
many of their products, but that is what people want). Even if the
products are better --and they might-- people are willing to pay the
price for other reasons beyond just quality.  That way cheap imports"
don't matter any more. You can price your work even higher, because
people will be looking for the label. This is sort of what a great
designer accomplishes. Chagall, Tiffany or any other could charge huge
amounts of money because, well, we very well know why.

But going back to your original question...

Certainly, as you described, you have little reputation, as compared
to, for the sake of an example, a established studio, even if it was
the same quality. From the point of view of a layman, she or he does
not have any way to measure the quality of work except for the
reputation of the place where she buys it from.  That is the
perception of people.  You can only bargain with the two in the
middle: how much she wanted the product and the quality of it.

Obviously, that does not mean there will be an intersection in which
both a manufacturer and a client will agree. If that is the case, no
product exchanges hands.

If you do it as a hobby --as I do-- you might not care whether you
have customers at all! In that case, you can set your prices at your
own will. 


I hope I did not bore anybody who made it this far.

Happy glassing,


--
Daniel M. German                  "Work. Finish. Publish. "
                                   Michael Faraday
http://csgwww.uwaterloo.ca/~dmg/home.html
dmg@csg.uwaterloo.ca

 
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From owner-glass Sun Mar 29 07:30:38 1998
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Shirley Balloch <balloch@netbridge.net>
Subject: Using agates / cutting them
Date: Sun, 29 Mar 1998 09:08:00 +0100
Message-ID: <1998Mar29.1080.0>
References: <<1998Mar28.24916.0@?>>
Precedence: bulk

In message <1998Mar28.24916.0@?>, Shirley Balloch
<balloch@netbridge.net> writes
>Why do you want to cut them?
..........
>But if you must cut the agate, you will need a rock saw and they are
>very expensive.  Or maybe you know a rock hound that will do it for you
>or let you use his/her saw.

There is a person here in Scotland who has devised a way of cutting
agates without saws, but will not reveal her method (fair enough, I
suppose, her choice_).  experiments with using a glass scorer might
prove helpful, before getting a saw.  Also why wouldn't a glass saw do
the same job?

-- 
Steve Richard
Verrier Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Mar 29 07:57:04 1998
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Katharine <katz9@idt.net>
Subject: Re: Questions
Date: Sun, 29 Mar 1998 15:15:01 +0100
Message-ID: <1998Mar29.16151.0>
References: <<1998Mar28.234816.0@?>>
Precedence: bulk

In message <1998Mar28.234816.0@?>, Katharine <katz9@IDT.NET> writes
>My wife and I are new to both this Bungi group and Stain Glass in
>general.She will write our combined bios sometime in the near future.
>They will pale,of course,when viewed next to Albert's.
>
>We have a few questions...if anyone can help,it would be appreciated.
>
>1.) Our first project is a Window.It is round,contains 250 pieces,about 
>2 1/2 feet tall.We were hoping to avoid having to put any supporting
>bars across it,are we being overly optimistic?
Yes, if you want it to last.
>
>2.)My wife is expecting our first child in 5 mos..what extra precautions
>should we be taking?
Lots and lots.  There are some good notes on precautions in the
archives.  You also will have to take lots of precautions as your child
grows up so you don't transfer lead to her/him.  Children appear to be
more susceptable to lead than old people like me.
>
Enjoy the craft, but be careful.  there are lots of dangers in this.

-- 
Steve Richard
Verrier Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sun Mar 29 08:01:12 1998
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From: Zane Cimera <sigglass@nb.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass hands
Date: Sun, 29 Mar 1998 09:24:59 -0500
Message-ID: <1998Mar29.42459.0>
References: <<1998Mar29.1340.0>>
Precedence: bulk

Lenore wrote that gloves should be worn.  I 100% agree.  We always wear
gloves when using flux.  I use them when soldering, etc., but my
partners do not.  A comparison of our hands should be sufficient to
convince anyone to wear gloves.

One note:  some people are allergic to latex - you can wear a pair of
white cotton gloves between the skin and gloves and this also helps to
ensure a nice, snug fit.

Thanks, Lenore, for sharing a point that is right on the money.
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From owner-glass Sun Mar 29 08:37:06 1998
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From: "M. Savad" <morn@nac.net>
To: glass bungi line <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: The big pick-up
Date: Sun, 29 Mar 1998 10:28:46 -0500
Message-ID: <1998Mar29.52846.0>
References: <<199803290318.WAA24433@uz.ComCAT.COM>>
Precedence: bulk

suzy@comcat.com wrote:
> 
> Susan wrote:
> >   The giraffe window was finally delivered to its rightful owner. I had a
> >tear in my eye as I watched it leave.. ( I had developed a soft spot in my
> >heart for that little critter).The new owner said it was "nice". (ungrateful
> >heathern) How could he ever imagine all the HARD WORK that went into it? Not
> >to mention that I didn't charge him enough. This was my first comissioned
> >piece and I screwed up big time on the price. He got the giraffe (2ft x 3ft,
> >156 pieces) AND another smaller window, southwestern design 17 x 31, 45
> >pieces..for $500.00.
> >   I'll just chalk this one up to a learning experience. I'll tell you this,
> >I'm glad I don't do this full time!! Don't think I could take the stress!
> 
> Susan,
> 
> I think we've all had experiences like this in the beginning, and
> sometimes even farther down the road. It's part of it. Most people just
> don't understand how labor-intensive SG is, and how much of our heart we
> put into our work.
> 
> The giraffe was beautiful! And since I think you said he's going into a
> public place, you'll be able to visit him from time to time. Take heart
> in the fact that you gave him your best, it was a wonderful experience
> for you, and next time you'll quote higher.
> 
> Some of my work seems like one of my "children," and it's difficult to
> give up. I console myself with the fact that I can always do it again, if
> need be. Truth is, I never do! There's always something else exciting to
> look forward to doing.
> 
> Happy glassing,
> 
> ----

along with that, be sure to take pictures once it's installed. and add
that to your collection. be sure to add the date and where it's located
on the back of the picture for future reference.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sun Mar 29 08:56:24 1998
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From: "M. Savad" <morn@nac.net>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: tacky wax, how much?
Date: Sun, 29 Mar 1998 10:34:34 -0500
Message-ID: <1998Mar29.53434.0>
References: <<351E1779.6494@fuse.net>>
Precedence: bulk

Rick Lasita wrote:
> 
> Mike, one way I found works great is to tear off a little wax, rollit
> between your fingers to form a little ball, the apply it to the glass,
> the to the mold. Eliminates the need to melt the stuff, and sure is a
> lot easier to clean up. Give it a try.
> 
> Rick Lasita
> http://home.fuse.net/crafts/index.html
> 
> M. Savad wrote:
> >
> > about how much tacky wax do you need to allow the glass to stick to the
> > mold? my new lamp will require the stuff, and i need to get an idea of
> > how many coats i need to put on.
> >
> > ---Mike Savad
> >
> > --

normally i would do that, but here's the problem:

i'm working on a my own mold. it's a rubber ball, and it's kind of
flexible. the pieces would need to gently rest on the surface. otherwise
it would deform, or move the other pieces. i figured if i heat up some
of the wax, i'd coat the ball, and have a sticky place. last time i
tried spray glue, it did work, but it dried out way to quickly; so i
figured i'd try tacky wax this time around.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
----
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From owner-glass Sun Mar 29 09:03:38 1998
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From: "M. Savad" <morn@nac.net>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Using agates / cutting them
Date: Sun, 29 Mar 1998 11:04:11 -0500
Message-ID: <1998Mar29.6411.0>
References: <<1998Mar29.1080.0>>
Precedence: bulk

Steve Richard wrote:
> 
> In message <1998Mar28.24916.0@?>, Shirley Balloch
> <balloch@netbridge.net> writes
> >Why do you want to cut them?
> ..........
> >But if you must cut the agate, you will need a rock saw and they are
> >very expensive.  Or maybe you know a rock hound that will do it for you
> >or let you use his/her saw.
> 
> There is a person here in Scotland who has devised a way of cutting
> agates without saws, but will not reveal her method (fair enough, I
> suppose, her choice_).  experiments with using a glass scorer might
> prove helpful, before getting a saw.  Also why wouldn't a glass saw do
> the same job?
> 
> --

there may not be enough "shock" using a cutter. however a brick cutter
may work. with a quick sharp it could break where you wanted it to. i'm
not sure if it's better to work against something hard or softer like
wood.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sun Mar 29 09:22:45 1998
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From: "M. Savad" <morn@nac.net>
To: Katharine <katz9@IDT.NET>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Questions
Date: Sun, 29 Mar 1998 10:49:03 -0500
Message-ID: <1998Mar29.5493.0>
References: <<1998Mar28.234816.0>>
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Katharine wrote:
> 
> My wife and I are new to both this Bungi group and Stain Glass in
> general.She will write our combined bios sometime in the near future.
> They will pale,of course,when viewed next to Albert's.
> 
> We have a few questions...if anyone can help,it would be appreciated.
> 
> 1.) Our first project is a Window.It is round,contains 250 pieces,about
> 2 1/2 feet tall.We were hoping to avoid having to put any supporting
> bars across it,are we being overly optimistic?
> 
> 2.)My wife is expecting our first child in 5 mos..what extra precautions
> should we be taking?
> 
> 3.)We are hoping with our next project to use crystals and marbles...any
> suggestions on how to anchor them?
> 
> 4.)We are looking for some nice box patterns...as well as any magazines
> about the craft.
> 
> Guess that's it for now..seems like the lurk---->explode approach :D
> 
> Thanks
> 
> Bruce
> ----

1. since the window is round it should be pretty strong. that is if you
have a border around the piece made of glass. so the main seams don't
stick off the edge. i would wrap the outside with either a border came
or some sort of reinforcement came. that should stiffin it up enough,
though it still depends on your design.

2. you may be able to work as a team, your wife could do the cutting ans
or foiling. and you could do the soldering. the lead and chemicals at
the end, could be bad for the child. so stay away from the solder, flux
(heated and non), patina, etching cream, etc.

3. crystals: it all depends on what kind of crystals your going to
attach. most crystals that i have came from necklaces, and chandaliers.
they all have a hole pre-drilled in it. so they can dangle if needed.
otherwise wrap them in foil. if it's a spear, wrap the base (completly),
with say 3/8" foil. though a dab of glue will help to secure it further.

marbles: marbles can be tricky, though i found a method that works well.
get your marble, and grind a very light mark all the way around the
marble. but it has to be even, you don't want it to spiral out. then
carefully foil, and rub it down, and there you go.

4. so far the best box making books that i know of are simplied boxes 1
and 2 i think CKE makes them. some day in the future i'll have my own
book. magazines woudl be glass patterns quarterly
http://www.glasspatterns.com/ the other's are stained glass craftsman
which i think is at http://www.artglassworld.com/mag/sglass/sglass.html 

the second magazine has some stained glass in it, it covers different
aspects of glass work.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Sun Mar 29 10:14:05 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: Katharine <katz9@IDT.NET>, glass@bungi.com
Subject: Re: Questions
Date: Sun, 29 Mar 1998 09:12:30 PST
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[In the message entitled "Questions" on Mar 29,  5:48, Katharine writes:]
> My wife and I are new to both this Bungi group and Stain Glass in
> general.She will write our combined bios sometime in the near future.
> They will pale,of course,when viewed next to Albert's.
> 
> We have a few questions...if anyone can help,it would be appreciated.
> 
> 1.) Our first project is a Window.It is round,contains 250 pieces,about 
> 2 1/2 feet tall.We were hoping to avoid having to put any supporting
> bars across it,are we being overly optimistic?

I think this is probably the max you should go with out reinforcement.
Why not run some srongline through it at least?  I'd rather be safe than
sorry. (I'm assuming this is a copperfoil project?)

> 2.)My wife is expecting our first child in 5 mos..what extra precautions
> should we be taking?

Personally I wouldn't take the risk.  I got preg. while working at at
lab where they took gas, oil, water, etc. samples to analyze.
The possibility of mercury contamination made me leave my job.  There was
no way I was risking the health of my baby.  I had no desire to have
a deformed or retarded child.  
Please be very careful...



-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sun Mar 29 10:33:28 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: "M. Savad" <morn@nac.net>, glass bungi line <glass@bungi.com>
Subject: Re: The big pick-up
Date: Sun, 29 Mar 1998 09:04:20 PST
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[In the message entitled "Re: The big pick-up" on Mar 29, 10:28, "M. Savad" writes:]
> suzy@comcat.com wrote:
> > 
> > Susan wrote:
> > >   The giraffe window was finally delivered to its rightful owner. I had a
> > >tear in my eye as I watched it leave.. ( I had developed a soft spot in my
> > >heart for that little critter).The new owner said it was "nice". (ungrateful
> > >heathern) How could he ever imagine all the HARD WORK that went into it? Not
> > >to mention that I didn't charge him enough. This was my first comissioned
> > >piece and I screwed up big time on the price. He got the giraffe (2ft x 3ft,
> > >156 pieces) AND another smaller window, southwestern design 17 x 31, 45
> > >pieces..for $500.00.
> > >   I'll just chalk this one up to a learning experience. I'll tell you this,
> > >I'm glad I don't do this full time!! Don't think I could take the stress!

What a great job you did on that giraffe!!  I see why you had a hard time
saying goodbye to the fella.  Pretty cute.


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sun Mar 29 10:45:45 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: magazines
Date: Sun, 29 Mar 1998 09:22:21 PST
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Precedence: bulk


[In the message entitled "Magazines" on Mar 28, 21:45, "Michael J. Greer" writes:]
> 
> to one magazine and I intend to
> fix that by giving them a few
> choices!  Let me know your
> favorites as well as your least favs.

My favorites are:

Glass Craftsman
Glass Art
Glass Patterns Quarterly





-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sun Mar 29 11:10:49 1998
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X-Path: compuserve.com!Ensembles
From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Questions
Date: Sun, 29 Mar 1998 12:26:48 -0500
Message-ID: <1998Mar29.72648.0>
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Message text written by Katharine:
>We have a few questions...if anyone can help,it would be appreciated.

1.) Our first project is a Window.It is round,contains 250 pieces,about =

2 1/2 feet tall.We were hoping to avoid having to put any supporting
bars across it,are we being overly optimistic?>

Are you doing lead or copper foil?  Knowing this will help us give you
more informed opinions on support.  But rest assured, you will indeed
need to have some sort of support on a structure this large.

<2.)My wife is expecting our first child in 5 mos..what extra precautions=

should we be taking?>

Chemicals and soldering are no-nos for pregnant and lactating people.
As in REAL BAD no-nos.  So...your wife should no be doing any
chemical or soldering work during her pregnancy and breast-feeding
months.  Also, this work should not be done in the house because
of the very real possibility of lead contamination.  Do your chemical
and soldering work somewhere else, and be sure to take a shower
immediately when you are through.  Also, segregate your clothes
from the rest of the family's and wash them separately.  No sense
in passing the lead around through your clothes.

<3.)We are hoping with our next project to use crystals and marbles...any=

suggestions on how to anchor them?>

Marbles - a light grinding around the parameter and then copper foil
them into place like any other glass piece.  Of course, you will have to
raise up the level of the rest of the panel so that the marble is in the
same plane as the glass.

As to crystals, I generally just hang them into open spaces in my
panels.  I solder a loop at a solder joint, then hang the crystal
via clear fishing line.

Unless you mean "jewels" instead of crystals.  For jewels and nuggets
I just do a light grinding around the parameter and foil and solder
as normal.

<4.)We are looking for some nice box patterns...as well as any magazines
about the craft.>

Well, I'm sure you will be seeing magazine suggestions as a reply
to another posting by Dani Greer.

Christie A. Wood
Art Glass Ensembles, P.O.Box 903, Skippack, PA 19474-0903
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From owner-glass Sun Mar 29 11:13:33 1998
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X-Path: erols.com!lyelton
From: Linda Yelton <lyelton@erols.com>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Cathedral Tour for Glass ARtists
Date: Sun, 29 Mar 1998 12:35:20 -0500
Message-ID: <1998Mar29.73520.0>
Organization: self
Precedence: bulk

Dear Glass Artist,

I am writing to tell you about a tour this summer of Gothic Cathedrals
of Northern France.  The tour will take place the first week in
July--when the sun is at it's
height making the glass it's most glorious--and be guided by master
glass artist Susan Stevens.  This small tour, limited to ten
participants, is perfect for people who are
passionate about stained glass.

We will start at Notre Dame de Chartres, the queen of Cathedrals, and a
must see for glass artists. The group will stay in a chateau just
outside Chartres, and tour the cathedral, a glass museum and atelier. =

The trip continues to Rouen, Amiens, St. Quentin, Laon, Reims and then
Paris to experience Notre Dame de Paris and St. Chapelle. Three-star
hotels have been reserved throughout for the groups comfort.
Transportation will be by car and minivan to give maximum flexibility
for side trips.

Susan Stevens, your guide, is a former Artist-in-Residence and teacher
at Wesley Seminary. She is currently a designer for a studio in
Maryland. Her stained-glass windows are featured in many churches
throughout the greater Washington, DC area, including one on the
National Cathedral grounds.  She will guide the tour through eight
Gothic cathedrals famous worldwide for the richness and history of their
windows.

We think glass artists should be the first to have a chance to
participate in this experience and be among the few to visit these
cathedrals in the glory of summer's light.  They will share
Sue's deep understanding of glass and religious art and the contribution
of other artists in the group.  This is a trip glass artists really
should take.

We can reduce the price of $2,500 by 10% for each additional person in
any group of glass artists.  That is the first pays full price, but the
second third fourth etc are each 10% off. =


For more information, please reply with your name and snail mail address
to: =


lyelton@erols.com
or
glassSue@aol.com

=85 see our website   www.erols.com/lyelton/cathedral/welcome.html =


(The website currently says July 1-10 and mentions Paris first.  Due to
the World Cup Soccer match in Paris June 20-July 12, the itinerary has
been changed.  The website will reflect those changes soon.)

=85 phone  703-521-7078 or 301-270-4567

I look forward to your reply.
Sincerely yours,
Linda Yelton
Tour Coordinator
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From owner-glass Sun Mar 29 12:06:14 1998
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X-Path: usaor.net!3hounds
From: Gloria & George <3hounds@usaor.net>
To: "'leestat7'" <leestat7@home.com>, "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: BUNGI POSTINGS
Date: Sun, 29 Mar 1998 03:05:14 -0100
Message-ID: <1998Mar29.2514.0>
Precedence: bulk

Albert,
I also enjoy the information you provide on the IGGA.. So put my vote in =
favor of keeping it posted on the bungi.. Remember, you can always =
delete.
Thanks
Gloria



-----Original Message-----
From:	leestat7 [SMTP:leestat7@home.com]
Sent:	Friday, March 27, 1998 10:25 PM
To:	glass@bungi.com
Subject:	BUNGI POSTINGS

I vote for continued posting.  I have been too busy lately to do much
more than lurk, and haven't' followed the last 2-3 weeks discussions, or
even answered my personal e-mail.  I have 2192  that's right 2,192
unread messages.  I will get around to reading (or at least skimming)
all of them.  It is easy to hit the delete key if the subject has no
interest to you.=20

I am in glass full time at my home studio, and have been helped
immeasurably by the tips and advice that comes from bungi mail list,
also subscribe to the ArtMetal list which generates 50 or more posts
every day.  They are invaluable too.  Tonight when I logged on there was
151 messages, I look forward to reading them all, then saving the
relevant ones. =20

So please Albert, keep up the good work, post the IGGA memos, and remind
everyone that you don't have to be a member of IGGA (I am) to benefit
from their work. The list and site are generously provided free by the
Rand's, bless them.

Lee Boe
Rain-Boe's Creations  =20


> I'll ask for a show of hands: should IGGA News Memos no longer be=20
> posted to glass@bungi? It'd take me maybe 5 seconds to fix that.
>=20
>=20
> Albert
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From owner-glass Sun Mar 29 14:07:45 1998
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X-Path: n-link.com!pkelly
From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Bios Update
Date: Sun, 29 Mar 1998 15:01:42 -0600
Message-ID: <1998Mar29.9142.0>
Precedence: bulk

Does anybody have any problem with the posting of the Bios? I am getting
positive feedback off-line and no negatives. Assuming that there is no
heartburn I'll continue with the Saturday posts (and if there is
heartburn ... take Rolaids and keep the bottle near the delete key). How
about posting 3 instead of the 2? Comments please. I don't want to flood
the group with bios.

To all of you that have submitted bios .... thank you. For those that
haven't submitted, please take this as a formal request. There is no
such thing as a boring life. Any help I can give contact me off-line.

Patrick
Roses and Rainbows

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From owner-glass Sun Mar 29 15:08:35 1998
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X-Path: seaside.net!gspicer
From: "Glenn Spicer" <gspicer@seaside.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Subject: RE: glass hands
Date: Sun, 29 Mar 1998 09:38:43 -0800
Message-ID: <1998Mar29.13843.0>
Precedence: bulk

Well Zane
	I keep both medical latex and vinyl gloves on hand for myself and my 
students. Check medical, dental, janitorial, scientific and hardware supply 
companies and stores. Anyone allergic to latex should be alright with 
vinyl, and the medical type of vinyl are just about as tight fitting as the 
latex, if you choose the right size. With the cotton gloves , you may lose 
some of the touch sensitivity.
Glenn Spicer,
The Studio Metamorphoses, BC, Canada


-----Original Message-----
From:	Zane Cimera [SMTP:sigglass@nb.net]
Sent:	Sunday, March 29, 1998 6:25 AM
To:	glass@bungi.com
Subject:	Re: glass hands


One note:  some people are allergic to latex - you can wear a pair of
white cotton gloves between the skin and gloves and this also helps to
ensure a nice, snug fit.
Zane

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From owner-glass Sun Mar 29 17:11:11 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: pkelly@n-link.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bios Update
Date: Sun, 29 Mar 1998 19:19:08 EST
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In a message dated 98-03-29 17:10:47 EST, pkelly@n-link.com writes:

<<  How
 about posting 3 instead of the 2? Comments please.  >>

I think the bios are wonderful, keep them coming.  I don't think the number of
bios is the issue as much as the length of adding the third.  I DO NOT think
the bios are too long,  I find them quite fascinating actually.  I just think
a third one would be too much.

Lu Ann
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From owner-glass Sun Mar 29 19:45:54 1998
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From: CWWSLW <CWWSLW@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Cathedral Tour for Glass ARtists
Date: Sun, 29 Mar 1998 21:29:14 EST
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We can reduce the price of $2,500 by 10% for each additional person in
any group of glass artists.  That is the first pays full price, but the
second third fourth etc are each 10% off. =

Dear fellow bungians,
Wouldn't yall just love to pitch in and send me to this?
Susan
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From owner-glass Sun Mar 29 20:10:58 1998
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To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: lead came, craft myth?
Date: Sun, 29 Mar 1998 21:36:41 EST
Message-ID: <1998Mar30.23641.0>
Precedence: bulk

Julie L. Sloan book "Conservation of Stained Glass in America" has a very good
review of the problem. It seem that pure lead came may not be the best choice.
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From owner-glass Sun Mar 29 20:44:17 1998
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X-Path: juno.com!dodgestudio
From: dodgestudio@juno.com
To: Yegnim@Aol.com
Subject: Re: glass hands
Date: Sun, 29 Mar 1998 22:50:49 -0500
Message-ID: <1998Mar29.175049.0>
References: <<1998Mar29.1340.0>>
Precedence: bulk

Just for the record, we always wear gloves while doing patina.  I never
wear gloves while soldering.  Soldering just takes too long and I could
never stand it.


Gary Dodge              Dodge Studio Designs

http://www.dodgestudio.com

>
>TO:  People who do not wear gloves while soldering and patining

>Is it only me???  Don't most of you guys realize that your skin is an 
>organ by
>which whatever comes into contact with it, goes thru and into your 
>body!!!

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
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From owner-glass Sun Mar 29 21:00:39 1998
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From: glass@eagle.ca (Sarah)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: glass hands
Date: Sun, 29 Mar 1998 22:28:18 -0500
Message-ID: <v01530500b144c00d0393@[206.186.242.151]>
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Hi Lenore,

Have you ever wondered why we have skin at all if everything just goes
right on through?

I think if you ponder the question you will decide that our skin does in
fact, act as a barrier between our bodies and many potential hazards in our
external environment. I'm not saying that anyone should or shouldn't wear
gloves, or that the skin is a perfect barrier, but geez, don't terrorize
everyone!

Sarah


>TO:  People who do not wear gloves while soldering and patining
>Have been reading the back and forth banter on hand care and must
>comment.......
>Is it only me???  Don't most of you guys realize that your skin is an organ by
>which whatever comes into contact with it, goes thru and into your body!!!


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From owner-glass Mon Mar 30 01:43:10 1998
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X-Path: luton.ac.uk!david.outram
From: david.outram@luton.ac.uk
To: DMR74 <DMR74@aol.com>, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: glass hands
Date: Mon, 30 Mar 1998 08:35:42 GMT
Message-ID: <1998Mar30.83542.0>
Organization: University of Luton
Precedence: bulk

In my past as a Marine Engineer I used to use Barrier Cream to help 
protect the hands from Diesel, oils etc. You should be able to obtain 
it from a hardware store. It helps keep the moisture in the hands, 
however it is not to everyones taste as it can be a bit greasy if not 
rubbed in well.

Regards


> From:          DMR74 <DMR74@aol.com>

> I know everyone has at some time or another said something about cuts on our
> hands and we all live with it cause its a fact of glass, my question is about
> flux.  Am I the only one who gets this dry smelly like hands after working
> with flux?, (actually I think some of the smell is from pantina) Its like a
> faint metal smell.  I wash all my peices with a combination of JOY (I think
> someone said it was good to use) baking soda and water.  Usually I have a
> small bowl with this mixture and I use a tooth brush to wash my pieces.  I do
> have one of those metal bars you use for onion and fish smell (by the way it
> works great for that) but after washing my hands well and drying they feel
> terrrible, maybe you men are used to this (stab... kidding, gosh gotta watch
> what I say) I use hand cream but maybe there is something else or a cream
> others use that works well, any hints?  Or do I just live with this like the
> small cuts on my hands every so often?
> deb
> ----
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> 
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From owner-glass Mon Mar 30 04:14:43 1998
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X-Path: citynet.net!zorprime
From: Zor Prime <zorprime@citynet.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Agate fan lamp
Date: Mon, 30 Mar 1998 06:34:41 -0800
Message-ID: <1998Mar29.223441.0>
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Hi All,

So I took Bob's advise and foiled some agates of complimentary colors,
soldered between them and made a free form fan lamp panel. It somewhat
resembles the shape of a peacocks tail and looks rather nice. When the
light is turned on behind it , it looks REALLY nice. I think hubby was
more impressed with it than anything I've done for a while, and I spent
just a little over an hour on it. I'm going to my first art & craft show
this weekend, and he wants it marked sold if I take it. Guess we're
keeping it.

I did use the grinder to knock off some edges that were impossible to
foil over. And I cracked the first one that I was making a suncatcher
out of. It had a couple of holes in it and was very heat sensitive, it
appears. But it was a learning experience.

Thanks for all the advise and ideas. While asking questions around here,
I found out that my mother-in-law has a complete set of rock equipment
crated up at her house. It hasn't been unpacked for many years and I can
bring it home and use it if I want. Oh, for more time and room to work
in!

Thanks again,

Kathy
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From owner-glass Mon Mar 30 05:19:16 1998
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From: Yegnim <Yegnim@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Glass Painting Discontinued to Outsiders
Date: Mon, 30 Mar 1998 07:27:28 EST
Message-ID: <1998Mar30.122728.0>
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Hi Dani and Bungians,

I just finally got thru to Dani and Michael's web site featuring Michael's
glass paintings.  They are terrific!!!  Michael certainly has TALENT!  Anyone
wishing to view glass paintings should definitely check out this web site.

How disgusting that Michael (nor your business) was not given the proper
credit for the painting he did.  I can understand your anger and frustration.

The person (phony) who took the credit will pay at one point for the theft.
You can be certain of that!

It is a shame for honest people in need of your services which is no longer
available.

Lenore





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From owner-glass Mon Mar 30 05:51:30 1998
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X-Path: warner-criv.com!charles
From: "Charles Warner" <charles@warner-criv.com>
To: <dodgestudio@juno.com>
Content-Type: text/plain;
Subject: Lantern Clarification
Date: Mon, 30 Mar 1998 08:14:38 -0500
Message-ID: <1998Mar30.31438.0>
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>Just wanted to point out that the Uplight/Downlight! patterns are NOT
>Oriental designs.    (Although I DO  have a prototype for an Oriental


Sorry if my posting was not clear.  What I meant to write was Marianne and I
look for new and interesting things that our customers would like to see.
We look outside the usual stained glass market, consequently sometimes we
have displays of items that are not available from pattern companies.

In explanation:
We don't necessarily sell patterns for all items we display because our
interest is to inspire, educate and provide a pleasant atmosphere for
customers and employees.  To do this we will purchase stained glass (and
related) items solely with the intent of making an interesting display
without regard to whether or not patterns are available.

Charles Warner
Warner-Crivellaro

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From owner-glass Mon Mar 30 08:51:51 1998
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X-Path: aol.com!Margaret41
From: Margaret41 <Margaret41@aol.com>
To: ItsAlison@aol.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Glass Mail..Butterfly Question and pricing
Date: Mon, 30 Mar 1998 11:21:07 EST
Message-ID: <1998Mar30.16217.0>
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In a message dated 98-03-27 13:32:48 EST, ItsAlison@aol.com writes:

<< Don
 $150 for a butterfly, >>


Hi is there any more info on this butterfly - size, was it designed or from a
pattern book, etc. - I am also interested in pricing some of my things -
mostly from pattern books. Does that make a difference?

Margaret
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From owner-glass Mon Mar 30 09:54:51 1998
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From: Pat Diacca Topp <diacca@tznet.com>
To: glass@bungi.com
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Will be gone until April 10th.  See you all then.Pat

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From owner-glass Mon Mar 30 11:29:18 1998
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X-Path: indiana.edu!dfdavis
From: donald f davis <dfdavis@indiana.edu>
To: Sarah <glass@eagle.ca>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: glass hands
Date: Mon, 30 Mar 1998 13:39:42 -0500 (EST)
Message-ID: <1998Mar30.83942.0>
References: <<v01530500b144c00d0393@[206.186.242.151]>>
Precedence: bulk

I think  that the flux is most likely the least of our problems.  Sure it
has an acid, it drys my hands out a little... but dosen't seem to cause
too much of a problem.  However on the other hand the patina is another
story.  The copper patina has a metallic compound (copper sulfate) which
does absorb into the skin.  I wear gloves during the patina, but soldering
I just can't.  Maybe I should.....
Don

On Sun, 29 Mar 1998, Sarah wrote:

> Hi Lenore,
> 
> Have you ever wondered why we have skin at all if everything just goes
> right on through?
> 
> I think if you ponder the question you will decide that our skin does in
> fact, act as a barrier between our bodies and many potential hazards in our
> external environment. I'm not saying that anyone should or shouldn't wear
> gloves, or that the skin is a perfect barrier, but geez, don't terrorize
> everyone!
> 
> Sarah
> 
> 
> >TO:  People who do not wear gloves while soldering and patining
> >Have been reading the back and forth banter on hand care and must
> >comment.......
> >Is it only me???  Don't most of you guys realize that your skin is an organ by
> >which whatever comes into contact with it, goes thru and into your body!!!
> 
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 

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From owner-glass Mon Mar 30 11:58:11 1998
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From: "Michael Minchelli" <lsg@jerseycape.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Bevel query
Date: Mon, 30 Mar 1998 13:27:16 -0500
Message-ID: <1998Mar30.82716.0>
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Hey I just want to say thank you for the kind words. I read them at just
the right moment when an encouraging word really ministered to me. I hope
that we will be able to service you again in the future.
Michael Minchelli from L.S.G.


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From owner-glass Mon Mar 30 12:38:20 1998
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From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bio#6 Daniel German
Date: Mon, 30 Mar 1998 14:42:12 EST
Message-ID: <1998Mar30.194212.0>
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Nice bio Daniel!             Margaret
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From owner-glass Mon Mar 30 13:06:36 1998
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From: Margaret41 <Margaret41@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: tacky wax, how much?
Date: Mon, 30 Mar 1998 15:02:23 EST
Message-ID: <1998Mar30.20223.0>
Precedence: bulk

On the subject of tacky wax - how do you use it with kits that include the
tacky wax but no mold? Everywhere tacky wax has come up has been with lamp
molds. I was eyeing a 3D church and some other house-type things. Think its by
DeeXXXXXXXX something. Its a kit that includes the pattern, frilgree and tacky
wax. How would one use tacky wax without a mold? Any ideas?   Thanks.

Margaret
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From owner-glass Mon Mar 30 13:40:42 1998
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From: Karina <karinal@lisnet.net>
To: Katharine <katz9@IDT.NET>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Questions
Date: Mon, 30 Mar 1998 15:53:26 -0500
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Katharine wrote:

> My wife and I are new to both this Bungi group and Stain Glass in
> general.
>
> 2.)My wife is expecting our first child in 5 mos..what extra precautions
> should we be taking?

I teach stained glass and if any women  raises the question if she should be
taking this course while being pregnant, I say "don't!" When soldering, you
inhale the fumes from the solder ( containing lead ) and also the fumes
from  the flux ( which probably contains zinc chloride ). Even if you use a
small fan to blow the fumes away from your work, you're still likely to
inhale. I would not take even the slightest chance of  my unborn child being
exposed to this environment.
-Karina-

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From owner-glass Mon Mar 30 15:33:13 1998
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: glass hands
Date: Mon, 30 Mar 1998 17:25:59 -0500
Message-ID: <1998Mar30.122559.0>
References: <<1998Mar30.83942.0>>
Precedence: bulk

donald f davis wrote:
> 
> I think  that the flux is most likely the least of our problems.  Sure it
> has an acid, it drys my hands out a little... but dosen't seem to cause
> too much of a problem.  However on the other hand the patina is another
> story.  The copper patina has a metallic compound (copper sulfate) which
> does absorb into the skin.  I wear gloves during the patina, but soldering
> I just can't.  Maybe I should.....
> Don
> 
> On Sun, 29 Mar 1998, Sarah wrote:
> 
> > Hi Lenore,
> >
> > Have you ever wondered why we have skin at all if everything just goes
> > right on through?
> >
> > I think if you ponder the question you will decide that our skin does in
> > fact, act as a barrier between our bodies and many potential hazards in our
> > external environment. I'm not saying that anyone should or shouldn't wear
> > gloves, or that the skin is a perfect barrier, but geez, don't terrorize
> > everyone!
> >
> > Sarah
> >
> >
> > >TO:  People who do not wear gloves while soldering and patining
> > >Have been reading the back and forth banter on hand care and must
> > >comment.......
> > >Is it only me???  Don't most of you guys realize that your skin is an organ by
> > >which whatever comes into contact with it, goes thru and into your body!!!
> >
> >

i used to not wear gloves when soldering, my hands were very dry. since
wearing the gloves, my hands dont' itch from the flux, and if a hot
solder ball lands on my hand the damage is'nt as bad. since the ball
did'nt stick to my hand... it still burns though. however sometimes the
gloves gave me a split second reaction time to get the hot solder off.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
2-2-98 New Pages Added: 22 New Stained Glass Links, 7 New Projects Added
and My Updated Shop Photo's
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From owner-glass Mon Mar 30 17:03:02 1998
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X-Path: inspace.net!herba
From: "Herb Adler" <herba@inspace.net>
To: "Stained Glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: re: Glass in Chicago
Date: Mon, 30 Mar 1998 19:22:26 -0500
Message-ID: <1998Mar30.142226.0>
Precedence: bulk

The Walker Bros. Pancake Houses of which there are 4 or 5 in the Chicago
area display many, many fine pieces of stained glass art in their
restaurants. The owners are collectors and restorers of old pieces. I know
that the one restaurant in the Arlingtons Heights suburb and one in the
Lincolnwood suburb are very fine.
And the food is outstanding as well. No commercial, just a critical
commentary.

Herb in Orlando

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From owner-glass Mon Mar 30 17:31:03 1998
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X-Path: indiana.edu!dfdavis
From: Donald Davis <dfdavis@indiana.edu>
To: Margaret41 <Margaret41@aol.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass Mail..Butterfly Question and pricing
Date: Mon, 30 Mar 1998 19:49:50 -0500
Message-ID: <1998Mar30.144950.0>
References: <<1998Mar30.16217.0>>
Organization: Indiana University
Precedence: bulk

The Butterfly ended up about 15"X11.5".  It did come from a pattern
book, but in order to make it cutable I had to change a couple of
things.  Some of the pieces were just going to end up too small.  As it
is some of the bottom pieces around the tail are about .25".  For me
(beginner) that is tough to grind to shape.  Bieng a jack of several
trades I am used to having my hands close to rotating parts and
cutters.  So it wasn't too bad.  Never-the-less it still ends up (after
the recount) 49 pieces of glass.  Some of the pieces having almost 270
degree inside curves.  But it looks good in my kitchen window.  If the
lady didn't want it..... so be it.  Thanks alot to everyone who jumped
to answer my questions and to give me some support.  I think this is
going to be a life long hobby.  I just enjoy it so much.

Thanks All!!!!!



Margaret41 wrote:

> In a message dated 98-03-27 13:32:48 EST, ItsAlison@aol.com writes:
>
> << Don
>  $150 for a butterfly, >>
>
> Hi is there any more info on this butterfly - size, was it designed or
> from a
> pattern book, etc. - I am also interested in pricing some of my things
> -
> mostly from pattern books. Does that make a difference?
>
> Margaret
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From owner-glass Mon Mar 30 17:55:53 1998
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X-Path: indiana.edu!dfdavis
From: Donald Davis <dfdavis@indiana.edu>
To: pkelly <pkelly@n-link.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bios Update
Date: Mon, 30 Mar 1998 19:54:32 -0500
Message-ID: <1998Mar30.145432.0>
References: <<1998Mar29.9142.0>>
Organization: Indiana University
Precedence: bulk

This may be a real bad question but..................here goes.   What
is a BIOS?



pkelly wrote:

> Does anybody have any problem with the posting of the Bios? I am
> getting
> positive feedback off-line and no negatives. Assuming that there is no
>
> heartburn I'll continue with the Saturday posts (and if there is
> heartburn ... take Rolaids and keep the bottle near the delete key).
> How
> about posting 3 instead of the 2? Comments please. I don't want to
> flood
> the group with bios.
>
> To all of you that have submitted bios .... thank you. For those that
> haven't submitted, please take this as a formal request. There is no
> such thing as a boring life. Any help I can give contact me off-line.
>
> Patrick
> Roses and Rainbows
>
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From owner-glass Mon Mar 30 17:59:00 1998
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From: Darlene Hendler <mb.sympatico.ca@mb.sympatico.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: small boxes
Date: Mon, 30 Mar 1998 19:15:44 -0800
Message-ID: <1998Mar30.111544.0>
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I accidently erased the url with the address of the site that has the
patterns for the boxes. Can anyone help me out and post it again? 
Thanks,

Darlene
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From owner-glass Mon Mar 30 18:19:19 1998
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From: DMR74 <DMR74@aol.com>
To: dodgestudio@juno.com, glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: glass hands
Date: Mon, 30 Mar 1998 19:56:24 EST
Message-ID: <1998Mar31.05624.0>
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In a message dated 98-03-27 23:05:26 EST, you write:

> recommended A+D Ointment 
Ah Ha and my mom had me using that all the time when I was a kid, hmm maybe
she knew something huh LOL,  I forgot all about that stuff (maybe I was trying
to)
deb
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From owner-glass Mon Mar 30 18:38:48 1998
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Gatewayed mail message
Date: Mon, 30 Mar 1998 17:39:40 PST
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> From: Carolyn Noel <glasscat@infinet.com>
> Reply-To: glasscat@infinet.com
> Organization: The Stained Glass Place
> X-Mailer: Mozilla 3.0Gold (Win95; U)
> MIME-Version: 1.0
> To: "Michael J. Greer" <GreerStudios@compuserve.com>
> CC: All <GLASS@BUNGI.COM>
> Subject: Re: Magazines
> References: <1998Mar28.164524.0>
> Content-Type: text/plain; charset=us-ascii
> Content-Transfer-Encoding: 7bit
> 
> I like Glass Patterns Quarterly and Glass Craftsman.
> I also subscibe to The Crafts Report to keep up with color trends, etc.
> Carolyn


-- 
Glenna Rand
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From owner-glass Mon Mar 30 19:02:08 1998
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: Margaret41 <Margaret41@aol.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: tacky wax, how much?
Date: Mon, 30 Mar 1998 21:00:29 -0500
Message-ID: <1998Mar30.16029.0>
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Hi Margaret-

Ordinarily you just roll up little
balls of tacky wax and stick a =

corner of the glass into the ball,
then squish onto the surface of
the mold.  Likewise, you can use
those little balls of wax to hold
pieces of glass together.  We
also use it in a pinch to stick
glass pieces onto the glass
easel, though in a window it
often gets too warm and the =

wax balls soften up too much
to hold the glass pieces.  So for
that purpose we make a special
mix of 1 part rosin and 4 parts
beeswax melted together.  (THe
more rosin the harder and less
sticky the mixture is).  You just =

have to tap the glass and it comes
right off; likewise with the wax.  I've
never heard of this coating with
layers of wax stuff... maybe it works
but it sounds like an awful lot of
extra work to me!

Best,

Dani Greer
Greer Gallery & Studios
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From owner-glass Mon Mar 30 19:21:42 1998
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X-Path: chescom.net!dmm
From: "Don McDonald" <dmm@chescom.net>
To: glass@bungi.com, pkelly@n-link.com
Subject: Re: Bio# 7 Tim Brynes
Date: Mon, 30 Mar 1998 20:02:56 -0600
Message-ID: <s51ffa8f.018@chescom.net>
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Here is an interesting problem with the bios.  I read the attached one
and wanted to contact the author, but there is no e-mail address. 
Maybe there is a way to include it in the bio without a lot of work on
Patrick's part?  I mean, you read someone's bio and it clicks...you
want to contact that person and start a conversation...How?

In the meantime, woiuld Tim Byrnes send me an e-mail, please?

don@chescom.net

Don M. McDonald
Director, Web Services
Chesapeake Communications Corporation

>>> pkelly <pkelly@n-link.com> 03/28 9:49 AM >>>


Here goes: I was born in Trumbull, CT on Aug.11th. 1938. Went to the
local grade school, graduated from Bassick High School in Bridgeport
in
June 1958 and served 4 yrs. in the Army and 2yrs. in the Reserve.  I
got

married the first time at 21, and that lasted for 8 yrs. Worked at
many
different jobs, because I had no trade or good working skills. Got
married for the second time at 35 to a person who had 4 children and
that ended in 1980.

 In 1975 I had a chance to go through an on the job training program
to
become a mechanical assembler, from there I became a Manufacturing
Coordinator in a Printed Circuit Dept. for the same company. I was
released from that job do to down sizing, but it was in this job that
I
met my future stained glass instructor.

 In Nov of 1982 I met a wonderful man whom I fell in Love with, we
went
through a Holy Union, at the Metropolitan Community Church in July
of
1983.  We had alot of good times together, until he choose to return
to
alcoholic drinking,and contracted AIDS, I watched a beautiful man
die, a

very slow painful death.  In June of 1992, he went home to live with
GOD.

In Feb.1989 I started to work at a local Home for the AGED, where I
still work today as a Maintenance Assistant and love doing things
for
elderly people.  My friend Ginny whom I had worked with Philips
Medical
Systems, started to teach me the Art of  Stained Glass in her home
studio. I studied with her til March 1995 and opened my own home
studio
in Sept. 1995.  I am not out to make alot of money, just enough to
pay
for supplies, doing glass is relaxing time for me.

I have just recently become a Deacon at MCC, and I can't wait til we
have our own building, so I can make a Window panel for our church. I
am

very happy to have a church that I can go to and feel wanted and
loved.
I still think of Jerry when I hear certain songs or come across his
picture in one of my meditation books. I have a very full life, and
a
great four leggged room mate by the name of PRINCESS.




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From owner-glass Mon Mar 30 22:14:05 1998
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From: cathie sutton <aurora@snowcrest.net>
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Date: Mon, 30 Mar 1998 21:08:06 -0800 (PST)
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please remove me from bungi line. to many messages.  aurora@snowcrest.net

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From owner-glass Mon Mar 30 23:37:43 1998
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From: pkelly <pkelly@n-link.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Information on Bios
Date: Fri, 04 Jan 1980 03:06:24 -0600
Message-ID: <1980Jan3.21624.0>
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I am doing a quick screen of the bios as they come in and again prior to
posting. The screen, as I explained to some of the members, was not to
cover anything up but to delete sensative or personal information that
may find its way off of the list (i.e., home address, phone numbers,
email addresses, etc). I don't mean to be cryptic but we do live in some
very strange times. When I do find this information that may have been
posted in haste I notify the sender and give them a chance to change
thier mind prior to posting. Nothing is ever posted without the senders
permission.

However, you can find the sender's email address in prior postings if
you are interested in contacting them, or email me and I'll relay the
message.

Patrick
Roses and Rainbows

BTW Attention all lurkers (and we know who you are) we are waiting
patiently for your bios. Don't make me get ugly (oops past that point
years ago).



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From owner-glass Tue Mar 31 08:57:19 1998
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From: DMR74 <DMR74@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Bios Update
Date: Tue, 31 Mar 1998 10:42:30 EST
Message-ID: <1998Mar31.154230.0>
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In a message dated 98-03-30 20:56:25 EST, you write:

> > Does anybody have any problem with the posting of the Bios? I am
>  > getting
>  > positive feedback off-line and no negatives
Ok one small weee little problem I have and it might just be me, so lets not
make this a debate those that see it the same as me or understand what I am
saying good those that dont' it's not a big deal, 
  I just think that all the ooo's and ahhhs on the bios should be private mail
the bios are just so that we all can really get to know one another.   And I
really like the biios
deb
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From owner-glass Tue Mar 31 15:17:52 1998
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From: Whispy Blu <WhispyBlu@aol.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: testing
Date: Tue, 31 Mar 1998 17:08:56 EST
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Just testing e-mail......only received 1 bungi post today......lowest number I
have ever received since signing on.
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