From owner-glass Tue Jul  1 03:34:46 1997
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From: Yegnim@aol.com
To: glass@bungi.com
Subject: Re: Slim Pickings
Date: Tue, 1 Jul 1997 06:33:12 -0400 (EDT)
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Thank you for the info that there were 20+ messages sent this weekend on the
bungi line.  Not quite the # I received.
I too was at the trade show in Baltimore but only from Wednesday thru Friday
and came home "gung-ho" ready for more discussions on glass.  I was sorry
that I could not have stayed for Saturday too.
Eleanor
Eureka! Stained Glass
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From owner-glass Tue Jul  1 06:09:56 1997
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From: Richard LaVal <rlaval@sol.racsa.co.cr>
To: glass@bungi.com
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Subject: classes
Date: Tue, 1 Jul 1997 07:01:48 -0600 (CST)
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Thanks to all of you who wrote about classes..... I am saving and printing
out each and every one, so that I can peruse them again!  I am not sure I
made myself clear to all, so will repeat a few salient  points, to see if
anyone, particularly all the people who were gone over the weekend, have
anything to add.

1. the classes are supposed to run 4 hours a day 5 days..... is this enough
time to finish a small project?  Could people work more hours without
becoming tired?

2. Considering that people will fly down here, and stay in a hotel, while
attending classes, what do people think about 2 weeks of classes?  Again 4
hours a day for 10 days (weekend in between)  That way we could have several
days to go outside into the woods (nearby) and draw, bring the drawings in
and refine them into a stained glass pattern, and then put said pattern into
reality.... again... do people think that there might be interest? and is
this a doable goal?  

My son did a 9 piece mirror.... nice but all triangles etc.. the woman in
charge of the courses says that is the sort of thing she would expect as the
outcome from the week of begginers classes.... I had thought of something
more complicated.... what is the usual project for this sort of thing?  How
much time does it take.... I may be expecting way to much!   

I would still like to hear more from people who have taken classes what they
particularly loved or hated!!!


I found the most perfect glass for the jaguar in the Noah's ark... a
yellowish opaqueish glass with dark blotches? spots? all over it!  That is
the only thing that I don't like about the glass store in town... they don't
label the glass at all....I think the guy who sells it half the time doesn't
know either... so I never know what it is I am buying...


Thanks again,  Cheers, Meg
Richard and Meg LaVal
apdo. 24-5655
Monteverde
COSTA RICA
tel: 506 645 5052

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From owner-glass Tue Jul  1 06:35:54 1997
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From: Linda Campbell <lcbell@memach.com>
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Subject: Wet/Dry Mini-saw by Fairdeer
Date: Tue, 1 Jul 1997 09:32:24 -0400
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Page 68 of the summer issue of Glass Patterns Quarterly has an ad for a =
mini table saw made by Fairdeer Trade Company. The thing is no larger =
than an open hand. Does anyone know anything about it? I have on rare =
occasion needed a saw but don't want to spend big bucks for an =
<occasional> use.

Linda Campbell
Suffolk, Virginia

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From owner-glass Tue Jul  1 07:37:07 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: classes
Date: Tue, 01 Jul 1997 10:28:38 -0400
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Richard LaVal wrote:
> 
> Thanks to all of you who wrote about classes..... I am saving and printing
> out each and every one, so that I can peruse them again!  I am not sure I
> made myself clear to all, so will repeat a few salient  points, to see if
> anyone, particularly all the people who were gone over the weekend, have
> anything to add.
> 
> 1. the classes are supposed to run 4 hours a day 5 days..... is this enough
> time to finish a small project?  Could people work more hours without
> becoming tired?
> 
> 2. Considering that people will fly down here, and stay in a hotel, while
> attending classes, what do people think about 2 weeks of classes?  Again 4
> hours a day for 10 days (weekend in between)  That way we could have several
> days to go outside into the woods (nearby) and draw, bring the drawings in
> and refine them into a stained glass pattern, and then put said pattern into
> reality.... again... do people think that there might be interest? and is
> this a doable goal?
> 

the only main problem i see with people flying down there is this: what
would be so special that people would have to fly down to learn stained
glass. like in some places, people would fly to special place to learn
about hot glass. in which it would be a learning intensive course. i
really can't imagine people spending several hundred dollars on a plane
ticket, just so they can build a small mirror. or make sketches of
trees. 

chances are you would be better off, making the class as long as
possible, with a short week. altough it is alot to learn in a week, i
think people would want to do that, instead of not getting paid for a
week in their job. the only thing i can think of is to teach, say, a
relative or a friend of yours, with the curriculum you were planning to
use. then see if they can learn stained glass. but you would have to
teach someone who really wants to learn, (the learning curve would be
higher). 

in other cases i can see people flying in, to learn from a true master.
like say, Tiffany were alive today, and was teaching classes; i bet alot
of people would go to him, maybe even from across the world.



> My son did a 9 piece mirror.... nice but all triangles etc.. the woman in
> charge of the courses says that is the sort of thing she would expect as the
> outcome from the week of begginers classes.... I had thought of something
> more complicated.... what is the usual project for this sort of thing?  How
> much time does it take.... I may be expecting way to much!

the project should be simple, yet go into any home. straight lines are
easier than curved lines. i would make up several patterns, some with
curves, some with lines, some with a mix. giving them a choice.




> I would still like to hear more from people who have taken classes what they
> particularly loved or hated!!!
> 
> I found the most perfect glass for the jaguar in the Noah's ark... a
> yellowish opaqueish glass with dark blotches? spots? all over it! 

it sounds like Chicago, is there and small milky (light), blotches
anywhere on it?


 That is
> the only thing that I don't like about the glass store in town... they don't
> label the glass at all....I think the guy who sells it half the time doesn't
> know either... so I never know what it is I am buying...
> 
> Thanks again,  Cheers, Meg
> Richard and Meg LaVal



---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
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From owner-glass Tue Jul  1 07:37:15 1997
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From: Linda Campbell <lcbell@memach.com>
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Subject: Nice Job, Albert!
Date: Tue, 1 Jul 1997 10:34:16 -0400
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I just took the time to click and browse the IGGA website and did I ever =
have a good time. Nicely done, Albert. I apologize for not have looked =
sooner. I'll be back frequently now.=20

Linda Campbell
Suffolk, Virginia=20

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From owner-glass Tue Jul  1 07:57:35 1997
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: leestat7 <leestat7@home.com>
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Subject: Re: Diamond Max Question
Date: Tue, 1 Jul 1997 07:49:29 -0700 (PDT)
Message-ID: <1997Jul1.04929.0>
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Hi Everyone:  What is the major difference in the Diamond Max and the
Diamond Max Bevel machine?  I understand one can be converted to the other
and vice-versa.  

PJ

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From owner-glass Tue Jul  1 08:07:48 1997
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From: "Barbara A. Roman" <barb@boffo.com>
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Subject: Re: cutting rippled stipple
Date: Tue, 01 Jul 1997 11:07:28 -0400
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Just wanted to thank PJ, Mike, and Christie for the advice on cutting
the rippled stipple glass.  I'm looking forward to finishing my lamp!

-Barb
barb@boffo.com
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From owner-glass Tue Jul  1 11:53:32 1997
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Subject: animal colored glass
Date: Tue, 1 Jul 1997 11:46:06 -0700
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----------
> From: M. Savad <morn@nac.net>
> To: glass@bungi.com
> Subject: Re: classes
> Date: Tuesday, July 01, 1997 7:28 AM
> 
> Richard LaVal wrote:
> > 
> >
> > 

> > 
> 
> 
> 
> 
> 

> 
> 
> 

> 

> 
> 
> Sorry I don't know who wrote this, but someone wrote:
>
> > I found the most perfect glass for the jaguar in the Noah's ark... a
> > yellowish opaqueish glass with dark blotches? spots? all over it! 
> 
> it sounds like Chicago, is there and small milky (light), blotches
> anywhere on it?
> 
> 
>  That is
> > the only thing that I don't like about the glass store in town... they
don't
> > label the glass at all....I think the guy who sells it half the time
doesn't
> > know either... so I never know what it is I am buying...
> > 
> > Thanks again,  Cheers, Meg
> > Richard and Meg LaVal
> 
> I live in Oregon and we have a retail store in Portland called Cline's. 
I'm working on a bobcat and chervil and never thought I would fine glass
anywhere close to them.  Well I did at Cline's.  I'm new to this media and
I don't pay attention very well, but I remember the clerk telling me that a
particular company was very good at matching animal colors.  For instance
they had the perfect irish setter red.  Anyway if you want to give them a
call, their phone # is 1-800-547-8417.
Good Luck  Shirley B.
> 

> 
> -- 
> Mike's Stained Glass
> http://www.geocities.com/Paris/1141
>  New Pages Added:
>  - New Instructional Guides Added!!!
>  - The Creative Process
>  - How to Find Patterns for Suncatchers
>  - Picking Out Glass in the Store
>  - 5 New Pictures in the 3-D Catagory
>  - 2 New Pictures in the Panel Catagory
>  - Updated Shots of The Heart of Atlantis, and Japanese Garden
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Tue Jul  1 14:20:25 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Diamond Max Question
Date: Tue, 01 Jul 1997 17:13:50 -0400
Message-ID: <1997Jul1.131350.0>
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Peggy W. Johnsen wrote:
> 
> Hi Everyone:  What is the major difference in the Diamond Max and the
> Diamond Max Bevel machine?  I understand one can be converted to the other
> and vice-versa.
> 
> PJ
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


from what i can tell from my bevelmax: the bevel max comes with
different lap grits. it also has a bevel guide and drip feed. the other
one has a platform, and a small grinder head (i think).

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Tue Jul  1 15:10:23 1997
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From: JJH727@aol.com
To: glass@bungi.com
Subject: Re: Glass Atlas
Date: Tue, 1 Jul 1997 18:08:37 -0400 (EDT)
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Where did you come accross the pattern for the privie; I'd love to make one.

JJH
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From owner-glass Tue Jul  1 15:26:56 1997
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From: "Toby" <toby@northlights.co.uk>
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Subject: Re: classes
Summary: Authenticated sender is <glass@mail.nildram.co.uk>
Date: Tue, 1 Jul 1997 23:19:30 +0000
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Dear Meg (and other budding stained glass tutors)

I had a feeling, Meg, that you were partly having a shot in my 
direction...
I'm sorry I have been so quiet recently and not pulled my weight in 
the Group. Reason: "Money" and "Time". So I have gone into "lurking 
mode". My private e-mail post-box is beginning to bust in the seams 
with replies I owe other people. As they say in UK, I am currently 
working like a "demented haddock" to get the monies in to pay the 
bills.
I WILL have an input, that I hope will be constructive to you (and 
others). As you know, I also care very deeply about TEACHING stained 
glass, and I do have the experience of the odd year or so of doing 
this.
There has already been a lot opf constructive comments and 
suggestions, all of which I have "filed" and will review in my reply. 
Please bear with me and a hopelessly "slow" European.   I do feel 
guilty.
Elisabeth 'n Toby

Meg wrote:
Thanks to all of you who wrote about classes..... I am saving and printing
out each and every one, so that I can peruse them again!  I am not sure I
made myself clear to all, so will repeat a few salient  points, to see if
anyone, particularly all the people who were gone over the weekend, have
anything to add.

1. the classes are supposed to run 4 hours a day 5 days..... is this enough
time to finish a small project?  Could people work more hours without
becoming tired?

2. Considering that people will fly down here, and stay in a hotel, while
attending classes, what do people think about 2 weeks of classes?  Again 4
hours a day for 10 days (weekend in between)  That way we could have several
days to go outside into the woods (nearby) and draw, bring the drawings in
and refine them into a stained glass pattern, and then put said pattern into
reality.... again... do people think that there might be interest? and is
this a doable goal?  

My son did a 9 piece mirror.... nice but all triangles etc.. the woman in
charge of the courses says that is the sort of thing she would expect as the
outcome from the week of begginers classes.... I had thought of something
more complicated.... what is the usual project for this sort of thing?  How
much time does it take.... I may be expecting way to much!   

I would still like to hear more from people who have taken classes what they
particularly loved or hated!!!


I found the most perfect glass for the jaguar in the Noah's ark... a
yellowish opaqueish glass with dark blotches? spots? all over it!  That is
the only thing that I don't like about the glass store in town... they don't
label the glass at all....I think the guy who sells it half the time doesn't
know either... so I never know what it is I am buying...


----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
----
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From owner-glass Tue Jul  1 15:27:37 1997
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From: glasschic <joyce@bright.net>
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Subject: Re: Wet/Dry Mini-saw by Fairdeer
Date: Tue, 01 Jul 1997 18:23:51 -0400
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At 09:32 AM 7/1/97 -0400, you wrote:
>Page 68 of the summer issue of Glass Patterns Quarterly has an ad for a =
>mini table saw made by Fairdeer Trade Company. The thing is no larger =
>than an open hand. Does anyone know anything about it? I have on rare =
>occasion needed a saw but don't want to spend big bucks for an =
><occasional> use.

I have a mini saw similar to the one in the ad, but it is not that one.  (I
have a Jarmac).   It also has a miter guide or a straight guide, so that
you get more accurate cuts.  Mine cost me quite a bit wholesale, but was
well worth the investment.  However, I still think it would be more costly
than the average occasional use tool.  The problem I have with such a small
saw, is one of space.  I try to use a small saw in a small space, and the 6
ft zinc sometimes is WAY too long for the room I'm working in.  But that's
a problem with the owner, not the machine!

Garden of Glass
Joyce Moran

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From owner-glass Tue Jul  1 16:22:10 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: Nice Job, Albert!
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> I just took the time to click and browse the IGGA website and did I ever =
> have a good time. Nicely done, Albert. I apologize for not have looked =
> sooner. I'll be back frequently now.=20

Thanks for the kind words, Linda.  Now I'll have to make changes and 
add new stuff more often.  Pressure, pressure. <s>

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
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From owner-glass Tue Jul  1 18:40:05 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: ringsaw
Date: Tue, 01 Jul 1997 21:33:31 -0400
Message-ID: <1997Jul1.173331.0>
References: <<1997Jul1.14837.0>>
Reply-To: glass@bungi.com
Precedence: bulk

does anyone here know a good catalog that has the ringsaw for a good
price? 

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
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From owner-glass Tue Jul  1 19:13:10 1997
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X-Path: cyberramp.net!byronw
From: byronw@cyberramp.net
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: ringsaw
Summary: Authenticated sender is <byronw@cyberramp.net>
Date: Tue, 1 Jul 1997 21:12:09 +0000
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Reply-To: glass@bungi.com
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> From:          "M. Savad" <morn@nac.net>
> To:            glass@bungi.com
> Subject:       ringsaw
> Date:          Tue, 01 Jul 1997 21:33:31 -0400
> Reply-to:      glass@bungi.com

> does anyone here know a good catalog that has the ringsaw for a good
> price? 
> 
> ---Mike Savad
> 
 Mike this place on the net called Stained Glass Bargains is 
advertising them for $355 + shipping... Dunno how good a price that 
is... Anyway thier place is at  http://www.stainedglass-bargains.com

Hope this helps...

Byron...

Wells Glassworks
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From owner-glass Tue Jul  1 20:04:55 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: flapper patterns
Date: Tue, 1 Jul 1997 19:59:32 -0700
Message-ID: <03020838400413@netbridge.net>
Reply-To: glass@bungi.com
Precedence: bulk

A friend of mine is looking for flapper patterns, you know ladies of the
1920's.Any suggestions.
Thanks Shirley B.  at Balloch@netbridge.net
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From owner-glass Tue Jul  1 22:10:11 1997
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From: "NC Scouter" <ncscoutr@beachaccess.com>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-2
Subject: Re: ringsaw
Date: Wed, 02 Jul 1997 01:02:02 -0700
Message-ID: <1997Jul1.1822.0>
References: <<199707020210.VAA15002@mailhost.cyberramp.net>>
Reply-To: glass@bungi.com
Organization: Shoreline Glassworks, Ltd.
Precedence: bulk

byronw@cyberramp.net wrote:
> 
> > From:          "M. Savad" <morn@nac.net>
> > To:            glass@bungi.com
> > Subject:       ringsaw
> > Date:          Tue, 01 Jul 1997 21:33:31 -0400
> > Reply-to:      glass@bungi.com
> 
> > does anyone here know a good catalog that has the ringsaw for a good
> > price?
> >
> > ---Mike Savad
> >
>  Mike this place on the net called Stained Glass Bargains is
> advertising them for $355 + shipping... Dunno how good a price that
> is... Anyway thier place is at  http://www.stainedglass-bargains.com
> 
> Hope this helps...
> 
> Byron...
> 
> Wells Glassworks

Houston Stained Glass Supply's wholesale (dealer) price is $296... Their 
web address is      http://hsgs.com/

Valerie Tydings Phelps
Shoreline Glassworks, Ltd.
Wanchese, NC
--					     ________
"But we have this treasure	 |              |   "Blessed are the 
censors
in jars of clay..."		       (                )    for they 
shall
				            (                )    inhibit 
the earth!"
2cor4.7niv			      (________)

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From owner-glass Wed Jul  2 04:46:42 1997
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>, "'JJH727@aol.com'"
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Glass Atlas
Date: Wed, 2 Jul 1997 07:46:18 -0400
Message-ID: <1997Jul2.34618.0>
Reply-To: glass@bungi.com
Precedence: bulk

Pattern and glass kit from Whittmore-Durgin. I'ts not in their catalog =
but has been advertised in back issues (December 96) of Glass Patterns =
Quarterly. The kit is about $11.00. and the pattern cannot be bought =
separately. Music box is about $4.00. But the WD folks are nice to deal =
with. Replacement glass (amber opal) runs about $8.00 for enough to make =
the privy so you are only paying $3.00 for the pattern. Not a bad deal. =
I've gotten several orders for them, mostly from men.

Linda

----------
Where did you come accross the pattern for the privie; I'd love to make =
one.

JJH


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From owner-glass Wed Jul  2 05:23:34 1997
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From: Donna McClain <dmcclain@wbkq.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Flapper Patterns
Date: Wed, 02 Jul 1997 08:22:28 -0700
Message-ID: <1997Jul2.12228.0>
Reply-To: glass@bungi.com
Organization: Wilkinson, Barker, Knauer and Quinn -- info@wbkq.com
Precedence: bulk

I have had success in adapting Erte drawings for patterns.  You might
try this.
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From owner-glass Wed Jul  2 06:27:08 1997
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From: Richard LaVal <rlaval@sol.racsa.co.cr>
To: glass@bungi.com
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Date: Wed, 2 Jul 1997 07:20:10 -0600 (CST)
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Reply-To: glass@bungi.com
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Dear Jerri, Elizabeth and Mike;
        Mike, you comment on your doubts as to whether people will come all
the way down here to learn stained glass.... my comment exactly to
Sybil...(the organizer) so we shall see if anyone signs up.... in the mean
time I have to have my ducks in a row... just in case!  She wants to turn
this place into a famous (at least summer) place to study the arts ... which
will take several years.. also it probably means that alot of the people who
come are interested in Monteverde, and secondarily the art (we have 50.000
tourists a year) sigh!  She wants to get in with Elderhostel.  I have
already asked one friend if she would like to make something....
        Elizabeth, DON"T feel guilty!!!  The course doesn't start till next
july ('98) I am just fishing for feedback... but of course I would be very
interested in anything you have to say.... whenever you have time!
        Jerri...I wish I had a web page, but I don't.  Am looking around to
see what I can do about it... in the long term... am not very active!!!  I
wish there were a way we all could exchange scanned images by email,
without messing everyone up!  Meanwhile, if you want to come visit! :) 

                        Cheers, Meg
Richard and Meg LaVal
apdo. 24-5655
Monteverde
COSTA RICA
tel: 506 645 5052

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From owner-glass Wed Jul  2 06:41:16 1997
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X-Path: aol.com!StndGlass1
From: StndGlass1@aol.com
To: glass@bungi.com
Subject: Re: ringsaw
Date: Wed, 2 Jul 1997 09:38:59 -0400 (EDT)
Message-ID: <1997Jul2.53859.0>
Reply-To: glass@bungi.com
Precedence: bulk

We carry the Taurus II Ring Saw at what I think is a good price!  It retails
for $399.  If you are interested in wholesale, contact me and I'll get an
application out to you and we can discuss wholesale pricing.

Jenna Meredith
Meredith Stained Glass
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From owner-glass Wed Jul  2 06:55:39 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: flapper patterns
Date: Wed, 02 Jul 1997 20:03:48 +0800
Message-ID: <1997Jul3.4348.0>
References: <<03020838400413@netbridge.net>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

Haven't got any patterns for you but what about contacting Dover books
they have (or had) some books by Erte which have some delightful
drawings in that wouldn't be very difficult to adapt to patterns...
Regards Melanie in Perth
------------
Josh Balloch wrote:
> 
> A friend of mine is looking for flapper patterns, you know ladies of the
> 1920's.Any suggestions.
> Thanks Shirley B.  at Balloch@netbridge.net
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


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From owner-glass Wed Jul  2 07:09:02 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: ringsaw
Date: Wed, 02 Jul 1997 10:03:43 -0400
Message-ID: <1997Jul2.6343.0>
References: <<199707020210.VAA15002@mailhost.cyberramp.net>>
Reply-To: glass@bungi.com
Precedence: bulk

byronw@cyberramp.net wrote:
> 
> > From:          "M. Savad" <morn@nac.net>
> > To:            glass@bungi.com
> > Subject:       ringsaw
> > Date:          Tue, 01 Jul 1997 21:33:31 -0400
> > Reply-to:      glass@bungi.com
> 
> > does anyone here know a good catalog that has the ringsaw for a good
> > price?
> >
> > ---Mike Savad
> >
>  Mike this place on the net called Stained Glass Bargains is
> advertising them for $355 + shipping... Dunno how good a price that
> is... Anyway thier place is at  http://www.stainedglass-bargains.com
> 
> Hope this helps...
> 
> Byron...
> 
> Wells Glassworks
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

that is a lower price than i've seen. i'll have to try the link later,
as it is'nt working currently...thanks

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Wed Jul  2 07:16:43 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: ringsaw
Date: Wed, 02 Jul 1997 10:10:10 -0400
Message-ID: <1997Jul2.61010.0>
References: <<1997Jul1.1822.0>>
Reply-To: glass@bungi.com
Precedence: bulk

NC Scouter wrote:
> 
> byronw@cyberramp.net wrote:
> >
> > > From:          "M. Savad" <morn@nac.net>
> > > To:            glass@bungi.com
> > > Subject:       ringsaw
> > > Date:          Tue, 01 Jul 1997 21:33:31 -0400
> > > Reply-to:      glass@bungi.com
> >
> > > does anyone here know a good catalog that has the ringsaw for a good
> > > price?
> > >
> > > ---Mike Savad
> > >
> >  Mike this place on the net called Stained Glass Bargains is
> > advertising them for $355 + shipping... Dunno how good a price that
> > is... Anyway thier place is at  http://www.stainedglass-bargains.com
> >
> > Hope this helps...
> >
> > Byron...
> >
> > Wells Glassworks
> 
> Houston Stained Glass Supply's wholesale (dealer) price is $296... Their
> web address is      http://hsgs.com/
> 
> Valerie Tydings Phelps
> Shoreline Glassworks, Ltd.
> Wanchese, NC
> --                                           ________
> "But we have this treasure       |              |   "Blessed are the
> censors
> in jars of clay..."                    (                )    for they
> shall
>                                             (                )    inhibit
> the earth!"
> 2cor4.7niv                            (________)
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


well so far that's the lowest price. do you or anyone know if i can
order direct from them? i know their wholesale, though i was able to get
a catalog from them once before. but so far i'll put them on the top of
my list...thanks


---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Wed Jul  2 07:32:36 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: ringsaw
Date: Wed, 02 Jul 1997 09:26:10 -0500
Message-ID: <1997Jul2.42610.0>
References: <<1997Jul1.173331.0>>
Reply-To: glass@bungi.com
Precedence: bulk

M. Savad wrote:

> does anyone here know a good catalog that has the ringsaw for a good
> price?

Mike...
I can't remember the quote, but Warner-Crivellaro gave me the best price
to date. I would definitely inquire with them.
LJ
________________________________________________________
LJ Maas, artist@busprod.com
ART WITH ATTITUDE Stained Glass Design
<http://www.art-with-attitude.com/glass/artglass.html>
"unique creations in stained glass"

Over The Rainbow Web Page Design & Consulting
<http://www.art-with-attitude.com/rainbow.html>


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From owner-glass Wed Jul  2 08:17:55 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: ringsaw
Date: Wed, 02 Jul 1997 11:11:52 -0400
Message-ID: <1997Jul2.71152.0>
References: <<1997Jul2.42610.0>>
Reply-To: glass@bungi.com
Precedence: bulk

LJ Maas wrote:
> 
> M. Savad wrote:
> 
> > does anyone here know a good catalog that has the ringsaw for a good
> > price?
> 
> Mike...
> I can't remember the quote, but Warner-Crivellaro gave me the best price
> to date. I would definitely inquire with them.
> LJ
> ________________________________________________________
> LJ Maas, artist@busprod.com
> ART WITH ATTITUDE Stained Glass Design
> <http://www.art-with-attitude.com/glass/artglass.html>
> "unique creations in stained glass"
> 
> Over The Rainbow Web Page Design & Consulting
> <http://www.art-with-attitude.com/rainbow.html>
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


so far it looks like i'll be buying from them. houston has the best
price, but only if i pay wholesale, and if i bought it from someone on
the group; the cost of shipping would equal to retail (little by
little). i may be even be able to pick it up in person. since this
summer, (end of july) i'll be going to PA and one of the stops (either
coming or going), i'm going to stop in and stock up...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Wed Jul  2 08:22:34 1997
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X-Path: mail1.ciwemb.edu!jewell
From: "Connie Jewell" <jewell@mail1.ciwemb.edu>
To: glass@bungi.com
Subject: Re: ringsaw
Date: 2 Jul 1997 11:19:44 -0400
Message-ID: <1997Jul2.71944.0>
Reply-To: glass@bungi.com
Precedence: bulk

                      RE>>ringsaw                                  7/2/97


M. Savad wrote:

> does anyone here know a good catalog that has the ringsaw for a good price?



    Does anyone have a preference or opinon on "bandsaw" vs."ring saw"? Which
would be better, which would be the one to have if you could only afford to
have one?

Jewell
jewell@mail1.ciwemb.edu

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From owner-glass Wed Jul  2 08:50:44 1997
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Date: Wed, 02 Jul 1997 11:46:29 -0700
Message-ID: <1997Jul2.44629.0>
References: <<1.5.4.16.19970630054519.258f0f7c@sol.racsa.co.cr>>
Reply-To: glass@bungi.com
Organization: The Usual Suspects
Precedence: bulk

Richard LaVal wrote:
<snip>

>  I wish there were a way we all could exchange scanned images by
> email,
> without messing everyone up!  Meanwhile, if you want to come visit! :)
>
>                         Cheers, Meg

You CAN send images by email without messing EVERYONE up. If you send it
to one or X individual id's, it's up to the recipient to decode. If you
send it to the whole MAILING LIST, that's were the complaints start
rolling in. IMHO, if you have something to share, poll the list, and
send it ONLY to those who respond with a positive request.
P.S thanks for the invite, but I'll have to decline. I can't manage to
get to Jones Beach, which is 15 minutes from my home.

----
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From owner-glass Wed Jul  2 14:34:00 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: ringsaw
Date: Wed, 02 Jul 1997 17:27:23 -0400
Message-ID: <1997Jul2.132723.0>
References: <<1997Jul2.71944.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Connie Jewell wrote:
> 
>                       RE>>ringsaw                                  7/2/97
> 
> M. Savad wrote:
> 
> > does anyone here know a good catalog that has the ringsaw for a good price?
> 
>     Does anyone have a preference or opinon on "bandsaw" vs."ring saw"? Which
> would be better, which would be the one to have if you could only afford to
> have one?
> 
> Jewell
> jewell@mail1.ciwemb.edu
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


well, i'm going with the ringsaw. mainly because it can cut in any
direction, making it much faster. currently i have a bandsaw, and would
rather have a ringsaw.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Wed Jul  2 17:42:29 1997
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---------------------
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Date: 97-07-02 20:31:23 EDT

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Date: Wed, 2 Jul 1997 09:17:57 -0400 (EDT)
From: Randolphs4@aol.com
Message-ID: <970702091754_846852509@emout16.mail.aol.com>
To: glass-request@bungi.com/
Subject: advice please

Hi! everyone,
I have a unique problem I'd like to throw out to you, I build and install
stained glass windows, my problem is arched windows, what kind of stops can
be used to compliment existing edgework....the stained glass is framed with
1/2in. or 1/4in. zinc came, the existing window has a double pane thermal
glass with wooden stops so well glazed in that it is impossible to remove
(which would be ideal), all wooden 1/4round moulding I have tried will not
bend an the angle needed. Can anyone help?Thank you..........
Tammy ---Glasscrafters
Memphis, Tn.


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From owner-glass Wed Jul  2 20:41:35 1997
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: arched windows
Date: Wed, 2 Jul 1997 20:40:27 -0700
Message-ID: <199707030340.UAA20557@norm.island.net>
Reply-To: glass@bungi.com
Precedence: bulk


>I have a unique problem I'd like to throw out to you, I build and install
>stained glass windows, my problem is arched windows, what kind of stops can
>be used to compliment existing edgework....the stained glass is framed with
>1/2in. or 1/4in. zinc came, the existing window has a double pane thermal
>glass with wooden stops so well glazed in that it is impossible to remove
>(which would be ideal), all wooden 1/4round moulding I have tried will not
>bend an the angle needed. Can anyone help?Thank you..........

Tammy, for arches and curved windows, I use the plastic clips which fit over
the came and allow you to screw into the frame at any angle.  It also allows
the owner to take the glass with them when they move. 

Good luck

Carol 

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From owner-glass Wed Jul  2 23:50:19 1997
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X-Path: aol.com!SusieHUs
From: SusieHUs@aol.com
To: glass@bungi.com
Subject: Re: Diamond Max Question
Date: Thu, 3 Jul 1997 02:49:31 -0400 (EDT)
Message-ID: <1997Jul2.224931.0>
Reply-To: glass@bungi.com
Precedence: bulk

I have only been doing stained glass for a short while but I bought a Diamond
Max and like it.  I wasn't as thrilled with the lack of instructions on how
to assemble and use it but I do like how this machine works.  If you have no
experience with grinders, then I'd suggest another because of that lack, but
if you have used them at a class or have a reasonable knowledge of how
they're supposed to go together, then you would probably like this one.  I
haven't used the straight edge yet myself but I like how easy it is to use
compared to the ones I tried out during 7 weeks of class use.  I bought the
deluxe package with the foot pedal and I especially LOVE how much simpler
that makes it to use.  No more flipping the switch on-off-on-off.  Just step
on it and it goes.  Walk away and it stops.  Simple enough!

Susie
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From owner-glass Thu Jul  3 00:41:02 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: flapper patterns Thanks
Date: Thu, 3 Jul 1997 00:36:23 -0700
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----------
> From: Melanie Dunstan <allcrafts@p085.aone.net.au>
> To: glass@bungi.com
> Subject: Re: flapper patterns
> Date: Wednesday, July 02, 1997 5:03 AM
> 
> Haven't got any patterns for you but what about contacting Dover books
> they have (or had) some books by Erte which have some delightful
> drawings in that wouldn't be very difficult to adapt to patterns...
> Regards Melanie in Perth
> ------------

> > Thank you for the tip, I'll pass it along to my friend (he doesn't have
a computer, but I'm working on him).  And thanks to Donna too.  I
appreciate the help.
> > 
> > ----
> > 
> 
> 
> ----
> 
----
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From owner-glass Thu Jul  3 05:36:54 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: arched windows
Date: Thu, 03 Jul 1997 07:37:16 -0500
Message-ID: <1997Jul3.23716.0>
References: <<199707030340.UAA20557@norm.island.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Carol Swann wrote:

> Tammy, for arches and curved windows, I use the plastic clips which
> fit over
> the came and allow you to screw into the frame at any angle.  It also
> allows
> the owner to take the glass with them when they move.

Carol...Do you have a supplier of those plastic clips? I have been
unable to obtain them locally since moving to Oklahoma. I have to admit
I haven't checked thru the mail order suppliers yet.
LJ
________________________________________________________
LJ Maas, artist@busprod.com
ART WITH ATTITUDE Stained Glass Design
<http://www.art-with-attitude.com/glass/artglass.html>
"unique creations in stained glass"

Over The Rainbow Web Page Design & Consulting
<http://www.art-with-attitude.com/rainbow.html>


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From owner-glass Thu Jul  3 05:42:07 1997
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---------------------
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---------------------
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Date: Wed, 2 Jul 1997 09:17:57 -0400 (EDT)
From: Randolphs4@aol.com
Message-ID: <970702091754_846852509@emout16.mail.aol.com>
To: glass-request@bungi.com/
Subject: advice please

Hi! everyone,
I have a unique problem I'd like to throw out to you, I build and install
stained glass windows, my problem is arched windows, what kind of stops can
be used to compliment existing edgework....the stained glass is framed with
1/2in. or 1/4in. zinc came, the existing window has a double pane thermal
glass with wooden stops so well glazed in that it is impossible to remove
(which would be ideal), all wooden 1/4round moulding I have tried will not
bend an the angle needed. Can anyone help?Thank you..........
Tammy ---Glasscrafters
Memphis, Tn.


----
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To send to the list,      please mail to: glass@bungi.com
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----
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From owner-glass Thu Jul  3 06:06:27 1997
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: Re: ringsaw
Date: Thu,  3 Jul 97 09:04:10 -0400
Message-ID: <9707030904.AA25854@LL.MIT.EDU>
References: <<1997Jul2.132723.0>>
Reply-To: glass@bungi.com
Precedence: bulk


With the ringsaw, its blade being curved, rather than a bandsaw, its blade
being straight, won't this affect the accuracy of cuts when cutting many layers
of glass simultaneously? The error would seem to be significant. I've never
used either, but am seriously considering a bandsaw over a ringsaw in spite of
the good things I've heard about the ringsaw, because I plan to do much cutting
of many layers simultaneously.

-- David Cogen
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From owner-glass Thu Jul  3 06:42:28 1997
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From: StndGlass1@aol.com
To: glass@bungi.com
Subject: Re: ringsaw
Date: Thu, 3 Jul 1997 09:41:29 -0400 (EDT)
Message-ID: <1997Jul3.54129.0>
Reply-To: glass@bungi.com
Precedence: bulk

For what it is worth, Jack just gave me the July sale information (which will
be on the website this afternoon), and the ring saw will be on sale through
July for $350.  Replacement parts are on special as well, check the website
for more details!

Jenna Meredith
Meredith Stained Glass
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From owner-glass Thu Jul  3 07:45:36 1997
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From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: arched windows
Date: Thu, 3 Jul 1997 07:44:39 -0700
Message-ID: <199707031444.HAA26274@norm.island.net>
Reply-To: glass@bungi.com
Precedence: bulk


>Carol...Do you have a supplier of those plastic clips? I have been
>unable to obtain them locally since moving to Oklahoma. I have to admit
>I haven't checked thru the mail order suppliers yet.
>LJ

Hi LJ...I'm fortunate to be able to get them from my local store.  I was at
NW art glass a few weeks ago (Seattle) and noticed they had them.  Their
phone number is 1-800-888-9444.  I'll bet that Meredith Stained Glass and
W/C also have them and I know they're on this list...maybe they'll let you
know if they're in stock.

Carol

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From owner-glass Thu Jul  3 07:51:52 1997
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X-Path: vdot.net!shyguy
From: Verbal Kint <shyguy@vdot.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: arched windows
Date: Thu, 03 Jul 1997 10:48:04 -0700
Message-ID: <1997Jul3.3484.0>
References: <<199707030340.UAA20557@norm.island.net>>
Reply-To: glass@bungi.com
Organization: The Usual Suspects
Precedence: bulk

Carol Swann wrote:
<snip>

>  all wooden 1/4round moulding I have tried will not
> >bend an the angle needed. Can anyone help?Thank you..........
>

Wood will bend quite easily, and I can think of two ways to do it. If
the final finish is clear, you can steam the wood. The best way to
acomplish would be to build a jig with the matching curve, steam the
wood an clamp until dry. The shape will hold best this way. You can then
cut to size and install.Or if you steam it, and then bend and fasten it
in place. There is a chance the wood will contract or warp. It would be
best to tack it in place,let it dry, the final fit.

If the trim is going to be painted, you can cut 'kerfs' on the side that
will be the inner edge. This removes wood that would be compressed when
you are trying to bend the trim. The kerfs should be narrow, and closely
spaced, based on the radius of the curve.
Crude attempt to illustrate follows:

--------------------------------------------------------------
|  _  _   _   _  _   _  _   _  _  _   _   _  _   _  _   _  _   _  _   _
|
|_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_| |_|
|_| |_| |_|

When you bend the ends down and towards the middle, the kerfs close. If
the kerfs are too far apart, the kerf will close, and the wood not cut
will remain straight. This method doesnt create a 'true' curve, but a
lot of straight sections that looks like a curve, cuz the wood between
the kerfs doesn't truly bend.
Anyway, this will leave spaces that will have to be filled with wood
filler, sanded smooth, and painted, as the kerfs don't close completely.

If you don't have access to a table saw, you may need to work out some
arrangement with a wood worker.

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From owner-glass Thu Jul  3 08:30:56 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: ringsaw
Date: Thu, 03 Jul 1997 11:23:46 -0400
Message-ID: <1997Jul3.72346.0>
References: <<9707030904.AA25854@LL.MIT.EDU>>
Reply-To: glass@bungi.com
Precedence: bulk

David Cogen wrote:
> 
> With the ringsaw, its blade being curved, rather than a bandsaw, its blade
> being straight, won't this affect the accuracy of cuts when cutting many layers
> of glass simultaneously? The error would seem to be significant. I've never
> used either, but am seriously considering a bandsaw over a ringsaw in spite of
> the good things I've heard about the ringsaw, because I plan to do much cutting
> of many layers simultaneously.
> 
> -- David Cogen
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


hmmm, i never thought about that one. the curve should'nt be that bad,
not extremly noticable. i suppose you could always experiment on one in
a store, and compare the layers.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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To send to the list,      please mail to: glass@bungi.com
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From owner-glass Thu Jul  3 11:21:28 1997
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Arched windows
Date: Thu, 3 Jul 1997 14:18:53 -0400
Message-ID: <1997Jul3.101853.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Tammy-
We agree with shyguy that steaming the wood is the best choice, but here
are some other possibilities to consider:

1.  Laminate thin strips of wood (no more than 1/16 inch thick) to match
the curve

2.  Get rattan stops (sold by glass suppliers for frames)

3.  Use rope of an appropriate diameter (sisal or any natural fiber will
take stain very nicely)

Your choice will depend on what looks and works  best for the specific
application.  And, of course, there are always the customer's cost
considerations.

Good luck!

Best regards,

Dani Greer

Greer Gallery & Studios
603 W. Colorado Ave.
Colorado Springs, CO  80905

Web site http://eme.usa.net/greerstudios/ =

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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: flapper patterns Thanks
Date: Thu, 3 Jul 1997 11:47:02 -0700
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----------
> From: Josh Balloch <Balloch@netbridge.net>
> To: glass@bungi.com
> Subject: Re: flapper patterns Thanks
> Date: Thursday, July 03, 1997 12:36 AM
> 
> 
> 
> ----------
> > From: Melanie Dunstan <allcrafts@p085.aone.net.au>
> > To: glass@bungi.com
> > Subject: Re: flapper patterns
> > Date: Wednesday, July 02, 1997 5:03 AM
> > 
> > Haven't got any patterns for you but what about contacting Dover books
> > they have (or had) some books by Erte which have some delightful
> > drawings in that wouldn't be very difficult to adapt to patterns...
> > Regards Melanie in Perth
> > ------------
> 
> > > Thank you for the tip, I'll pass it along to my friend (he doesn't
have
> a computer, but I'm working on him).  And thanks to Donna too.  I
> appreciate the help.
> > > 
> > > ----
> > > 
> > 
> > 
> > ----
> > 
> ----
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From owner-glass Thu Jul  3 12:09:25 1997
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: David Cogen <cogen@ll.mit.edu>
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Subject: Re: ringsaw
Date: Thu, 3 Jul 1997 12:02:28 -0700 (PDT)
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Hi David:  You plan to do a many layer cutting of glass simultaneously?
Strongly suggest you try a demo before you make your purchase.  Guess it
depends on the type of bandsaw you get but I have not seen one that will
permit this because of the restricted housing.  PJ from CA

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From owner-glass Thu Jul  3 14:29:23 1997
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From: leestat7 <leestat7@home.com>
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Subject: 1997 Daarwin Award Winner-Just for fun-from the ArtMetal list-
Date: Thu, 03 Jul 1997 17:24:41 -0400
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DARWIN AWARD WINNER FOR 1997 ANNOUNCED

     The 1995 winner was the fellow who was killed by a Coke machine
which
toppled over on top of him as he was attempting to tip a free soda out
of it.

     In 1996 the winner was an air force sergeant who attached a jet
engine
(JATO) unit to his car and crashed into a cliff several hundred feet
above
the road.

     And now, the 1997 winner:: Larry Waters of Los Angeles - one of the
few
Darwin winners to survive his award-winning accomplishment.

     Larry's boyhood dream was to fly.  When he graduated from high
school,
he
joined the Air Force in hopes of becoming a pilot. Unfortunately, poor
eyesight
disqualified him.  When he was finally discharged, he had to satisfy
himself
with watching jets fly over his backyard.

     One day, Larry, had a bright idea.  He decided to fly.  He went
     to the local Army-Navy surplus store and purchased 45 weather
balloons
and
several tanks of helium.  The weather balloons, when fully inflated,
would
measure more than four feet across.

     Back home, Larry securely strapped the balloons to his sturdy
     lawn chair.  He anchored the chair to the bumper of his jeep and
inflated the balloons with the helium.  He climbed on for a test while
it was still
only a few feet above the ground.

     Satisfied it would work, Larry packed several sandwiches and a
six-pack
of Miller Lite, loaded his pellet gun (figuring he could pop a few
balloons when
it was time to descend), and went back to the floating lawn chair.  He
tied
himself in along with his pellet gun and provisions. Larry's plan was to
lazily float up to a height of about 30 feet above his back yard after
severing the
anchor, and in a few hours come back down.

     Things didn't quite work out that way.  When he cut the cord
anchoring 
the lawn chair to his jeep, he didn't float lazily up to 30 or so feet.
Instead he streaked into the L.A. sky as if shot from a cannon.  He
didn't level of at
30 feet, nor did he level off at 100 feet.  After climbing and climbing,
he
leveled off at 11,000 feet.  At that height he couldn't risk shooting
any of
the balloons, lest he unbalance the load and really find himself in
trouble. 
So he stayed there, drifting, cold and frightened, for more than 14
hours. 
Then he really got in trouble.

     He found himself drifting into the primary approach corridor of
     Los Angeles International Airport!  A United pilot first spotted
Larry.
He radioed the tower and described passing a guy in a lawn chair with a
gun. 
Radar confirmed the existence of an object floating 11,000 feet above
the
airport.

     LAX emergency procedures swung into full alert and a helicopter was
dispatched to investigate.

     LAX is right on the ocean.  Night was falling and the offshore
breeze
began to flow.  It carried Larry out to sea with the helicopter in hot
pursuit.

     Several miles out, the helicopter caught up with Larry.  Once the
crew
determined that Larry was not dangerous, they attempted to close in for
a
rescue, but the draft from the blades would push Larry away whenever
they
neared.

     Finally, the helicopter ascended to a position several hundred
     feet above Larry and lowered a rescue line.  Larry snagged the line
and
was hauled back to shore.  The difficult maneuver was flawlessly
executed by
the helicopter crew.

     As soon as Larry was hauled to earth, he was arrested by waiting
members
of the LAPD for violating LAX airspace.  As he was led away in
handcuffs, a
reporter dispatched to cover the daring rescue asked why he had done it.
 Larry stopped, turned and replied nonchalantly, "A man can't just sit
around."

     Let's hear it for Larry Waters, the 1997 Darwin Award Winner.

Truly a different kind of UFO-
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From owner-glass Thu Jul  3 21:16:11 1997
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From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: ringsaw
Date: Fri, 4 Jul 1997 00:15:10 -0400 (EDT)
Message-ID: <1997Jul3.201510.0>
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I have a TaurusII ringsaw and believe that although you can cut layers it
does say that it will limit the life of the blade.  I really don't believe
that it is made for cutting multiple layers on a continual basis and I think
that after the second or third layer that the pattern would distort because
of the curve of the blade.  Although I have a very early model band saw it is
so slow that I can't imagine it being what you are looking for.  I do like
that the Taurus II is easy to assemble and put the blade on while my band saw
adjusts with great difficulty.

Dione
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From owner-glass Fri Jul  4 14:24:03 1997
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X-Path: bridge.net!athena
From: "M.-J. Taylor" <athena@bridge.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: 1997 Darwin Award Winner-Just for fun-from the ArtMetal
Date: Fri, 04 Jul 1997 17:20:44 -0400
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I was amused at this story and am glad you posted it, Lee! Thanks!

I also wondered whether this might be another of those urban legends, so I
checked out the Darwin Home Page:

http://www.shsu.edu/~stdelr01/darwin/

and found this:

"Many of you are probably wondering about this year's so-called winner.
Well, I hate to inform you, but he's not. He's not for several reasons: 

   1.He didn't die. This is the most important. The award specifically
calls for someone who has removed themselves from the gene pool in a rather
stupid manner. While strapping yourself to a chair attached to 45 weather
balloons is stupid, he didn't die. 
   2.This incident happened quite some time ago. Sorry, I can't award a
1997 award to a fool in 1982! 
   3.There are no specifications or date that I can find over his actual
suicide that occurred several years after his stunt."

The stories of the "real" nominees for 1997 are quite amusing, too.

Thanks again.

Cheers, 

M.-J.
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From owner-glass Fri Jul  4 16:11:44 1997
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To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: 1997 Darwin Award Winner-Now Mars Pics too
Date: Fri, 04 Jul 1997 19:07:34 -0400
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Thanks M J,

It was such a funny story, I sent it on without checking up on it.  It
did dawn on me it might be a fiction story, but funny anyway.  Can you
imagine the United Pilot trying to get the control tower to believe he
really saw a man in a lawn chair under weather ballons at 11,000 feet.
???? Bet he sure took a razzzzinng.  Anyway- glad you posted the real
Darwin award home site, I'll go take a look.  

Just in case anyone is on line- here is the NASA Mars Pathfinder live
video link.  You have to keep trying, about 40-50 mil. people are trying
to get on, but with all the mirror sites around the world, pick on that
is in the middle of the night.  Cool pics.

http://www.ksc.nasa.gov/mars/default.html

this has a link to mirror sites-imagine live pictures from Mars on the
4th of July!!!  Way cooooool!!!

Lee Boe
Rain-Boe's Creations

M.-J. Taylor wrote:
> 
> I was amused at this story and am glad you posted it, Lee! Thanks!
> 
> I also wondered whether this might be another of those urban legends, so I
> checked out the Darwin Home Page:
> 
> http://www.shsu.edu/~stdelr01/darwin/
> 
> and found this:
> 
> "Many of you are probably wondering about this year's so-called winner.
> Well, I hate to inform you, but he's not. He's not for several reasons:
> 
>    1.He didn't die. This is the most important. The award specifically
> calls for someone who has removed themselves from the gene pool in a rather
> stupid manner. While strapping yourself to a chair attached to 45 weather
> balloons is stupid, he didn't die.
>    2.This incident happened quite some time ago. Sorry, I can't award a
> 1997 award to a fool in 1982!
>    3.There are no specifications or date that I can find over his actual
> suicide that occurred several years after his stunt."
> 
> The stories of the "real" nominees for 1997 are quite amusing, too.
> 
> Thanks again.
> 
> Cheers,
> 
> M.-J.
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From owner-glass Sat Jul  5 19:45:55 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Is stained glass an art or a craft?
Date: Sat, 5 Jul 1997 19:40:54 -0700
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Anyone know the answer or is it up to the individuals definition?
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From owner-glass Sat Jul  5 19:46:30 1997
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From: suzanne albright <suzy@ComCAT.COM>
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Subject: Re: Slim pickings
Date: Sat, 5 Jul 97 22:44:52 -0400
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Hi Dani and everyone,

Finally getting around to answer your mail of 6/30. 

How did the 14-foot Feng Shui window go? I would love to see a picture of 
it. What design did you settle on? How did your clients like it?

You're one up on me about the right and wrong side of float glass. I 
don't even know what float glass is! Talk about feeling "stupid". Maybe 
someone will enlighten me.

I'm working on a kitchen cabinet, my first (after 10 years of glass 
work). Apples. Then I roll into an abstract design with lots of small 
clear jewels inserted into iridized black and clear baroque, with a pink 
rose inserted on the lower part. Then after that some picture frames. 
That's the paying work.

For fun I'm about to learn mosaics with a student. We will learn together 
and both of us will be making a round wall hanging. I plan on doing a sun 
for my downstairs bathroom and she has her own sun/moon design to work 
out. Plus a couple more new students this month. That should keep me 
hopping in this dreadfully hot and muggy month here in Pennsylvania.

Best wishes,
Suzanne



Suzanne Albright
<suzy@comcat.com>

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From owner-glass Sat Jul  5 20:08:50 1997
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From: suzanne albright <suzy@ComCAT.COM>
To: <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: classes
Date: Sat, 5 Jul 97 23:11:03 -0400
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Hi Meg,

Here's my 2 cents worth on classes, a little late but you know what they 
say...
>
>1. the classes are supposed to run 4 hours a day 5 days..... is this enough
>time to finish a small project?  Could people work more hours without
>becoming tired?
IMHO 20 hours should be plenty of time for your students to finish a 
small project. Four hours is probably enough for one session at a time, 
though. 

>2. Considering that people will fly down here, and stay in a hotel, while
>attending classes, what do people think about 2 weeks of classes?  Again 4
>hours a day for 10 days (weekend in between)  That way we could have several
>days to go outside into the woods (nearby) and draw, bring the drawings in
>and refine them into a stained glass pattern, and then put said pattern into
>reality.... again... do people think that there might be interest? and is
>this a doable goal?  
I think this is doable goal but perhaps the drawing part should be an 
option. 
You could have some simple patterns for those who are intimidated by 
drawing.

>My son did a 9 piece mirror.... nice but all triangles etc.. the woman in
>charge of the courses says that is the sort of thing she would expect as the
>outcome from the week of begginers classes.... I had thought of something
>more complicated.... what is the usual project for this sort of thing?  How
>much time does it take.... I may be expecting way to much!   
I give my beginners a choice from several books of simple patterns, 
generally 30 or 40 pieces maximum with a nice mix of subject matter. 
Usually they finish it up in about 12-15 hours.  Although I advertise 
classes as 2 hours, in most cases they run 2-1/2 or 3 if I have the free 
time. However I teach one-on-one.

>I would still like to hear more from people who have taken classes what they
>particularly loved or hated!!!
My first class was a rigid 6-session course, paid in advance. I didn't 
have time to finish soldering and attaching the zinc came, so had to 
"wing" it. As a result I have learned much on my own, not really such a 
bad thing...I didn't like taking classes with so many others and waiting 
such a long time for personal attention.
I fell in love with almost everything about stained glass. I fell hard! I 
am still in love!
 
I think of you often down there in Costa Rica and wonder how it is for 
you. Can you tell us more about life in C.R.? My husband has been told 
the business economy is good and has been playing around with the idea of 
maybe starting something there. I have my doubts. Any input on that? We 
have friends who went there about 2 months ago. It took about a week for 
a fax to get through. Is everybody there that "laid back"?

Best wishes,
Suzanne



Suzanne Albright
<suzy@comcat.com>

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From owner-glass Sat Jul  5 20:12:01 1997
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From: suzanne albright <suzy@ComCAT.COM>
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Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Is stained glass an art or a craft?
Date: Sat, 5 Jul 97 23:14:19 -0400
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Josh,

We had that question recently on the Bungi line and I think we decided 
it's both an art and a craft. Technically probably a craft but the 
designing and glass selection is definitely an "art".

Best wishes,



Suzanne Albright
<suzy@comcat.com>

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From owner-glass Sat Jul  5 20:17:59 1997
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From: "Hilary A. Bobker" <hilary@voicenet.com>
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Subject: Re: Is stained glass an art or a craft?
Date: Sat, 05 Jul 1997 22:20:05 +0000
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> Anyone know the answer or is it up to the individuals definition?

Depends on if the piece is any good or not.<g>

Hilary, occasional artist
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From owner-glass Sun Jul  6 07:09:00 1997
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From: BettyTBoop@aol.com
To: glass@bungi.com
Subject: Re: Is stained glass an art or a craft?
Date: Sun, 6 Jul 1997 10:07:05 -0400 (EDT)
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My interpretation is that it is an art.  The actual meaning of stained glass
is glass that is painted (Stained).  This requires an artist to paint it. The
craft is the leaded glass placed in lead caming.  For anyone who has done it,
it also is an art, requiring much dexterity and knowledge.  If you think
Tiffanys' work is not art then I would have to disagree.
Bettytboop@aol.com 
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Subject: Re: arched windows
Date: Sun, 6 Jul 1997 11:19:40 -0500
Message-ID: <199707061610.LAA11540@westbyserver.westby.mwt.net>
Reply-To: glass@bungi.com
Precedence: bulk



 
> 
> >I have a unique problem I'd like to throw out to you, I build and
install
> >stained glass windows, my problem is arched windows, what kind of stops
can
> >be used to compliment existing edgework....the stained glass is framed
with
> >1/2in. or 1/4in. zinc came, the existing window has a double pane
thermal
> >glass with wooden stops so well glazed in that it is impossible to
remove
> >(which would be ideal), all wooden 1/4round moulding I have tried will
not
> >bend an the angle needed. Can anyone help?Thank you..........

I  also find it frustrating when you can't use the factory stops to get a
properly finished look. Most of the factory stops use a thin staple or nail
that is shot in pnuematically and are DN impossible to remove, but if you
want to take a chance, and it is risky, you can use a nail set and hammer
the staple completely through the stop I have done this on a couple of
occasions on windows with multiple curves in visible locations,it was scary
though! once the fasteners are pushed through, the stops can be removed
with some effort.

Another option not mentioned is to use extruded foam trim the kind that has
wood grain plastic finish in various styles. It's available at any building
center it's cheap and very easy to bend into a tight radius as long as do
it in warm temps I have used it often and it holds up well and looks decent

Good Luck

Len
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From owner-glass Sun Jul  6 11:27:06 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Is stained glass an art or a craft?
Date: Sun, 06 Jul 1997 14:21:13 -0400
Message-ID: <1997Jul6.102113.0>
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Josh Balloch wrote:
> 
> Anyone know the answer or is it up to the individuals definition?
> ----
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i think we covered that subject about a month ago, you would have to
check the archives. i think we decided it was a bit of both, depending
on how you do it.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
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From owner-glass Sun Jul  6 12:15:32 1997
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From: AlexG2@aol.com
To: glass@bungi.com
Subject: Kayak/Canoe patterns
Date: Sun, 6 Jul 1997 15:15:04 -0400 (EDT)
Message-ID: <1997Jul6.11154.0>
Reply-To: glass@bungi.com
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I'll looking for any good kayak or canoe patterns.  I'd like to make a
suncatcher as a gift for some hardworking members of our local paddling club,

Any help would be greatly appreciated.

Thanks

Alex Gacic
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From owner-glass Sun Jul  6 12:52:32 1997
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X-Path: aol.com!LByrne21
From: LByrne21@aol.com
To: glass@bungi.com
Subject: Help on etching
Date: Sun, 6 Jul 1997 15:51:55 -0400 (EDT)
Message-ID: <1997Jul6.115155.0>
Reply-To: glass@bungi.com
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 Have a dremel tool which I use for engraving on stained glass projects.  I
DO NOT use water when engraving, as I cannot see my design while working,
using water.  However, the dremel heats up quickly so that I have to stop
periodically in order for it to cool down.  The dremel has never stopped on
it own because of over-heating....but..the cord gets HOT so I stop before (I
assume) this would happen.  How does one engrave over a pattern, if using
water, when the water obliterates the engraving?  Any help greatly
appreciated.

                    Lavergne (A LONG TIME  lurker enjoying  the bungi group
immensly;
                                    thru thick and thin, thru calm and
controversy - it's all a
                                    great learning experience.)
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From owner-glass Sun Jul  6 15:28:55 1997
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X-Path: cyberramp.net!byronw
From: byronw@cyberramp.net
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Privy Music Box
Summary: Authenticated sender is <byronw@cyberramp.net>
Date: Sun, 6 Jul 1997 17:08:29 +0000
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Reply-To: glass@bungi.com
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Hi all...

  A week or 2 ago someone was looking for a glass outhouse/privy?? I 
just got a flyer from Whittemore-Durgin and it has them in there..

Thay are item # 0602... Privy funpack includes glass,pattern,hardware 
and music box for $17.95....


Byron...

Wells Glassworks
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From owner-glass Sun Jul  6 15:49:51 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Help on etching
Date: Sun, 06 Jul 1997 18:44:24 -0400
Message-ID: <1997Jul6.144424.0>
References: <<1997Jul6.115155.0>>
Reply-To: glass@bungi.com
Precedence: bulk

LByrne21@aol.com wrote:
> 
>  Have a dremel tool which I use for engraving on stained glass projects.  I
> DO NOT use water when engraving, as I cannot see my design while working,
> using water.  However, the dremel heats up quickly so that I have to stop
> periodically in order for it to cool down.  The dremel has never stopped on
> it own because of over-heating....but..the cord gets HOT so I stop before (I
> assume) this would happen.  How does one engrave over a pattern, if using
> water, when the water obliterates the engraving?  Any help greatly
> appreciated.
> 
>                     Lavergne (A LONG TIME  lurker enjoying  the bungi group
> immensly;
>                                     thru thick and thin, thru calm and
> controversy - it's all a
>                                     great learning experience.)
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


my guess would have to be to find a water proof marker. maybe alot of
cold air on the surface could help. the water also prevents you from
sucking in the glass dust. the cord getting hot should'nt be too bad, it
sounds like the dremel has the wrong gauge wire. but if it came that
way, i guess it's ok. though i would contact dremel, and ask them the
same question.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Sun Jul  6 16:54:09 1997
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X-Path: aol.com!DGlswrks
From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: Help on etching
Date: Sun, 6 Jul 1997 19:53:25 -0400 (EDT)
Message-ID: <1997Jul6.155325.0>
Reply-To: glass@bungi.com
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Lavergne,
     I've been looking into doing some of this type of etching too and to
start with, I don't think anyone takes the hazard of the glass dust seriously
including some of of the product manufacturers.  So I hope you are wearing a
good mask and I'd like to hear from anyone who knows the proper type of mask
to use.  I understand your problem with the water making it hard to see the
pattern and I'm not sure if you draw your design on or if you tape it on the
back.  If you draw it on, you might try using a wax pencil called a "china
marker" that stays on pretty well or if you use a glass marking pen cover it
with chap stick and it makes it stay on longer.
     I think you might be on the verge of burning out your motor if the cord
keeps getting that hot.  You might look into a tool that is in the current
Glass Patterns Quarterly called a turbo carver.  They send you a brochure if
you inquire.  I thought it was reasonabley priced.
Call Ultra Speed products at 1(503)622-4387.

Dione
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From owner-glass Sun Jul  6 16:54:59 1997
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From: "mikey friggy" <mfig@netcom.ca>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Help on etching
Date: Sun, 6 Jul 1997 19:54:33 -0400
Message-ID: <199707062354.TAA01753@tor-srs1.netcom.ca>
Reply-To: glass@bungi.com
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Don't worry about not seeing your design because you don't use water. You
won't be able to appreciate it anyway lying in the respiratory wing of your
local hospital. Of all the hazards associated with stained glass, the
breathing in of glass dust is perhaps the worst.

----------
From: LByrne21@aol.com
To: glass@bungi.com
Subject: Help on etching
Date: Sunday, July 06, 1997 3:51 PM

 Have a dremel tool which I use for engraving on stained glass projects.  I
DO NOT use water when engraving, as I cannot see my design while working,
using water.  However, the dremel heats up quickly so that I have to stop
periodically in order for it to cool down.  The dremel has never stopped on
it own because of over-heating....but..the cord gets HOT so I stop before
(I
assume) this would happen.  How does one engrave over a pattern, if using
water, when the water obliterates the engraving?  Any help greatly
appreciated.

                    Lavergne (A LONG TIME  lurker enjoying  the bungi group
immensly;
                                    thru thick and thin, thru calm and
controversy - it's all a
                                    great learning experience.)
----
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----
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From owner-glass Sun Jul  6 20:28:58 1997
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X-Path: aol.com!Bubstah
From: Bubstah@aol.com
To: glass@bungi.com
Subject: Re: Kayak/Canoe patterns
Date: Sun, 6 Jul 1997 23:28:15 -0400 (EDT)
Message-ID: <1997Jul6.192815.0>
Reply-To: glass@bungi.com
Precedence: bulk

I would like to know where your Kayak group meets.  I've just learned to
paddle a Kayak and would love to do it more often..  I went to Ocean City NJ
and was able to rent one and get some instructions. 
Since I am just getting started in Kayaking, I too would love to make a kayak
suncatcher.  Let me know where you find one.  
Thank you in advance.
Bubstah@aol.com
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From owner-glass Mon Jul  7 02:48:59 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: Help on etching
Summary: Authenticated sender is <alewis@computer.net>
Date: Mon, 7 Jul 1997 05:56:02 +0000
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>How does one engrave over a pattern, if using
> water, when the water obliterates the engraving? 

The engravers I've watched at work have cut a little, moved out of 
the water stream, wiped the surface they've been working on with a 
cloth, studied the design, then gone back to work.

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]

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From owner-glass Wed Jul  9 17:53:36 1997
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Subscribe
Date: Wed, 9 Jul 1997 19:12:42 -0400 (EDT)
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Please readd me to you list.

Thank you.
pj

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From owner-glass Wed Jul  9 17:53:38 1997
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From: eldondo1@juno.com
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Date: Mon, 7 Jul 1997 20:28:54 -0500
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I have heard others say they were no getting mail ..Is it happening to
me? I'll know everything is ok if i get an answer to my own letter. Ha Ha
Don DeVoto<eldondo1@juno.com>
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From owner-glass Wed Jul  9 17:53:40 1997
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From: "Maria Haley" <rickym@somtel.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
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Date: Wed, 9 Jul 1997 11:14:51 -0400
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Hi Everyone, 

	This is just a test. I haven't received any mail from the list in 2 days
so I just wanted to check if everyone is just really busy or if somehow I
got knocked off the list.... 

                                       Thanks,
				Maria
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From owner-glass Wed Jul  9 17:53:41 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: new computer test
Date: Mon, 07 Jul 1997 20:04:09 -0500
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A brand new computer since my crash last weekend...just testing
everything out. Now I have to hit the archives and try to recover some
info I wanted to keep. Thanks to those of you who offered to send me
certain posts.
LJ
_____________________________________________________________
LJ Maas, artist@busprod.com
ART WITH ATTITUDE, Stained Glass Design:
<http://www.art-with-attitude.com/glass/artglass.html>
"unique stained glass creations"

Over The Rainbow Web Design & Consulting:
<http://www.art-with-attitude.com/rainbow.html>


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From owner-glass Wed Jul  9 17:53:42 1997
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From: "Bob Kern" <kern44@worldnet.att.net>
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Content-Type: text/plain; charset=ISO-8859-1
Subject: Cleaning Stained glass windows
Date: Mon, 7 Jul 1997 20:23:04 -0400
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Can you please instruct me what the best way to clean an antique stained
glass window. I just purchase a 31" X 51" Victorian style window that is
about 100 years old and needs a good cleaning.
Thanks in advance
kern44@aol.com
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From owner-glass Wed Jul  9 17:53:45 1997
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To: glass@bungi.com
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Subject: Art Glass World Update
Date: Wed, 9 Jul 1997 15:33:57 -0400 (EDT)
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--Art Glass World Update--

New Members--

DichroMagic - State of the Art Dichroic Glass
>From Austin Thin Films.  This site is LOADED with information 
on ordering and the technical aspects of DichroMagic dichroic 
glass.  Coming Soon: a NEW gallery of dichroic artwork and a 
section custom tailored to instruction on how to properly utilize
dichroic glass, including sample project ideas.  Visit by clicking 
on the banner on the AGW Billboard at 
http://www.artglassworld.com/wwwboard/index.html.

Cliffside Studio - 
Publisher of original pattern designs for Prairie windows and
lampshades as well as other stained glass projects. We publish 
books and offer individual lamp patterns. We also offer 
prairie frame bases and a brass rectangular vase cap.  Visit 
http://www.artglassworld.com/supply/cliff for more product
and order information.

Great meeting some of our visitors at the AGSA trade 
show.  Your positive comments and feedback were most 
appreciated.  We've got lots of exciting new features 
planned and will continue to bring you the leaders in art glass.
================================================================
Jennifer Daniels                    agw@digital.net
Art Glass World                     http://www.artglassworld.com
4002 W. State Street                phone: 813-348-0605
Tampa, FL  33609  USA               fax: 813-872-6288
================================================================

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From owner-glass Wed Jul  9 17:53:47 1997
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Subject: Lamp Parts 
Summary: Authenticated sender is <byronw@cyberramp.net>
Date: Mon, 7 Jul 1997 18:43:12 +0000
Message-ID: <199707072341.SAA02728@mailhost.cyberramp.net>
Reply-To: glass@bungi.com
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Hi all...

Anyone have  any wholesale lamp parts places they use?? At nearly $$9 
for the Glass Design Sconce base they are a bit much for a cheap 
piece of plastic..

Thanks in advance!

Byron...

Wells Glassworks
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From owner-glass Wed Jul  9 17:53:48 1997
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Thanks to those you were at AGSA!!
Date: Tue, 8 Jul 1997 19:33:23 -0400 (EDT)
Message-ID: <199707082333.TAA24021@water.waterw.com>
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Sorry I didn't send this sooner...........but have be overwhelmed with work!!!!

Thanks to all of those you were able to get to AGSA and represent the IGGA!!!

It is greatly appreciated.

my best,
pj

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From owner-glass Wed Jul  9 17:53:49 1997
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X-Path: usaor.net!3hounds
From: Gloria Drag <3hounds@usaor.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Is everything alright
Date: Tue, 08 Jul 1997 07:38:07 -0400
Message-ID: <1997Jul8.3387.0>
Reply-To: glass@bungi.com
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Hi,
Just checking.. I have received no bungi 
correspondence since Monday,7/7 at 1:36 AM.. There 
are usually a few messages per day and I want to 
make sure that I am still a member of this News 
Group.. I very much enjoy all the help and 
information that this group provides..Again, if 
messages are going through and I am not receiving 
them, could you please resubmit my e mail address.. 
The address is 3hounds@usaor.net   
I am responding from my work address, so please 
submit it to the 3 hounds address.
Thank you so much
Gloria
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From owner-glass Wed Jul  9 17:53:50 1997
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X-Path: netbistro.com!pom
From: "J. Smith" <pom@netbistro.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: No Messages????
Date: Tue, 8 Jul 1997 22:27:56 -0700
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I am going through message withdrawal.........
Haven't had a bungi message for 2 whole days now....
What has happened????
pom@netbistro.com
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From owner-glass Wed Jul  9 17:53:51 1997
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Interesting reading on Properties of Glass
Date: Tue, 8 Jul 1997 15:34:54 -0400
Message-ID: <1997Jul8.113454.0>
Reply-To: glass@bungi.com
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----------
http://www.weburbia.com/physics/glass.html http://www.weburbia.com/physics/glass.html

Linda Campbell

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From owner-glass Wed Jul  9 17:53:52 1997
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Did I get removed???
Date: Tue, 8 Jul 1997 19:29:36 -0400 (EDT)
Message-ID: <199707082329.TAA23611@water.waterw.com>
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Just testing to see if I got removed from the list????

If I receive this I didn't............if I don't I did????

pj

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From owner-glass Wed Jul  9 17:53:53 1997
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Fine Art And Craft Festival!!!
Date: Tue, 8 Jul 1997 19:22:05 -0400 (EDT)
Message-ID: <199707082322.TAA22986@water.waterw.com>
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Historic Haddonfield New Jersey will play host to over 225 of the nations
finest artists and craftspeople on July 12th from 11am to 6pm and July 13th
from 12n to 5pm.
This festival is the premier Southern New Jersey event.  

Anyone online that is planning on attending.......................I will be
there ..........., not as an artist because I am sorta in
charge......................stop by and say hello.  Just ask at the
information center and they will tell you where I am.  Hope some of you can
get out for this festival it is truly a great weekend. !!!

My best,
pj

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From owner-glass Wed Jul  9 17:53:54 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: another test
Date: Tue, 08 Jul 1997 14:12:44 -0500
Message-ID: <1997Jul8.91244.0>
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this time from netscape mail....
________________________________________________________
LJ Maas, artist@busprod.com
ART WITH ATTITUDE Stained Glass Design
<http://www.art-with-attitude.com/glass/artglass.html>
"unique creations in stained glass"

Over The Rainbow Web Page Design & Consulting
<http://www.art-with-attitude.com/rainbow.html>


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From owner-glass Wed Jul  9 17:53:54 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: free spectrum patterns
Date: Tue, 8 Jul 1997 13:21:55 -0700
Message-ID: <13234094100169@netbridge.net>
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If you are new to the net as I am. This info is for you.
Spectrum has currently 54 free suncatcher type patterns at
http://www.spectrumglass.com/Patterns8.html
which they tell you how to download and then you can print each one up to
8X11 1/2.

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From owner-glass Wed Jul  9 17:54:15 1997
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X-Path: netbistro.com!pom
From: "J. Smith" <pom@netbistro.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Beveled Pressed Flowers
Date: Mon, 7 Jul 1997 10:29:01 -0700
Message-ID: <m0wlHZH-0000XvC@daver.bungi.com>
Reply-To: glass@bungi.com
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I have been pressing flowers and making the beveled suncatchers....
I am however a bit worried about the flowers fading rapidly(as they do hang
in a sunny window)!  Any ideas on how to treat the dried flowers to keep
them from fading??

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From owner-glass Wed Jul  9 19:15:29 1997
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X-Path: mail.bright.net!joyce
From: glasschic <joyce@bright.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: footswitch slides around
Date: Mon, 07 Jul 1997 16:26:33 -0400
Message-ID: <3.0.32.19970707162631.006ad010@mail.bright.net>
Reply-To: glass@bungi.com
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Hi all!  I am in the middle of a wonderful project, and I have been using
my grinder a whole lot.  I have attached an Inland footswitch, which I love
and it is working great except for one thing.  My footswitch walks.  Has
anyone come up with a novel idea to keep the footswitch in place?  I'm
thinking that a simple rubber pad would do, but I was looking for a nicer
looking idea if possible.  My footswitch right now already has little
rubber feet, but obviously they aren't enough.  I have linoleum on my
floor.  Thanks in advance.

Garden of Glass
Joyce Moran

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From owner-glass Wed Jul  9 19:39:13 1997
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X-Path: dlr
From: dlr (Dave Rand)
To: glass@bungi.com
Subject: testing
Date: Wed, 9 Jul 1997 17:48:46 -0700 (PDT)
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Testing - please ignore
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From owner-glass Wed Jul  9 19:50:45 1997
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X-Path: ebtech.net!proffire
From: Doug Scale <proffire@ebtech.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: walking foot switch
Date: Wed, 09 Jul 1997 22:48:10 -0400
Message-ID: <1997Jul9.184810.0>
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Joyce,

Have put a little velcro under my foot switch and it stays just where I 
set the other piece.  If you want to move the unit however try some 
carpet tape rolled up underneath , then you won't need to stick the 
other piece of velcro to your floor.

Doug Scale
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From owner-glass Wed Jul  9 20:24:00 1997
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X-Path: juno.com!eldondo1
From: eldondo1@juno.com
To: glass@bungi.com
Subject: Re: new computer test
Date: Wed, 9 Jul 1997 22:20:02 -0500
Message-ID: <1997Jul9.17202.0>
References: <<1997Jul7.1549.0>>
Reply-To: glass@bungi.com
Precedence: bulk

I  would like to know if you are from Tulsa,my son is with Marriott
(feeding the public schools) My name is Don DeVoto,his is Larry
<eldondo1@juno.com>
On Mon, 07 Jul 1997 20:04:09 -0500 artist@busprod.com (LJ Maas) writes:
>A brand new computer since my crash last weekend...just testing
>everything out. Now I have to hit the archives and try to recover some
>info I wanted to keep. Thanks to those of you who offered to send me
>certain posts.
>LJ
>_____________________________________________________________
>LJ Maas, artist@busprod.com
>ART WITH ATTITUDE, Stained Glass Design:
><http://www.art-with-attitude.com/glass/artglass.html>
>"unique stained glass creations"
>
>Over The Rainbow Web Design & Consulting:
><http://www.art-with-attitude.com/rainbow.html>
>
>
>----
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>Archives available at http://www.bungi.com/glass
>
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From owner-glass Wed Jul  9 20:35:39 1997
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From: bungi.com!dlr
To: glass@bungi.com
Subject: Gatewayed mail message
Date: Wed, 9 Jul 1997 17:16:51 -0700 (PDT)
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This is a test post to the glass list, please ignore.
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From owner-glass Wed Jul  9 21:17:21 1997
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X-Path: techline.com!mamurphy
From: Mike & Amy Murphy <mamurphy@techline.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Tendonitis
Date: Wed, 09 Jul 1997 21:12:58 -0700
Message-ID: <1.5.4.32.19970710041258.006722ec@mail.techline.com>
Reply-To: glass@bungi.com
Precedence: bulk

Help! I was mixing cement for several large stepping stones and my arm got
pretty sore. By the next day I was miserable. The doc says tendonitis
(tennis elbow). I'm doing the Alleve and Tennis Elbow splint thing. My
problem is that I have several more stepping stone classes coming up to
teach and I need something to mix the cement in.

 A few months ago I was looking in some of my junk mail catalogs and saw a
plastic/rubber (?) container you mix your water and cement in, put the lid
on and just roll it. At the time I'm thinking what a waste of money ($16.00
or so) when you could just stir the cement.  I'm hoping someone else gets my
same catalogs in the mail and can tell me where to get one of those cement
mixer containers. Sixteen dollars sounds pretty cheap to me now especially
with the classes coming up in Aug & Sept and a class of 40 women for a
looonnnggg weekend in October. 

I enjoy lurking on the bungi line and have thown in my two bits every once
in a while.
Thanks.
Amy (The Glass Goddess)
Mike and Amy Murphy

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From owner-glass Wed Jul  9 22:19:55 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Tendonitis
Date: Wed, 9 Jul 1997 21:56:38 -0700
Message-ID: <22184972803374@netbridge.net>
Reply-To: glass@bungi.com
Precedence: bulk

Sorry to hear about your tendonitis.  As an old nurse, I must tell you that
for every time you use or abuse your elbow, it will take longer to heal. In
other words, no cheating. ( We nurses die hard.)
Are you familiar with Warner- Cirvello's chat line?   They are at
http://www.warner-criv.com/
Way at the bottom of their chat line Chris Jones owner Wiley's Stained
glass wrote on 4/5/97 how they make their stones.  Very good advice.  She
mentions using wallpaper paddle on a drill.  I've had other construction
guys tell me the same thing, but until I see it in action, I don't get it. 
It might be a way to save your elbow.
I use a kid's shovel and a plastic wheelbarrow.  It tolerates 90lbs of
pre-mix real well and that's all my back will handle.
Whoever invented wheelbarrows was a genius.  You can use the leverage of
the shape of wheelbarrow  and shovel the cement around.  It still kills
your back, but it does save your elbows.
Good luck and better fast.
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From owner-glass Thu Jul 10 06:15:04 1997
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X-Path: aol.com!OGOrig
From: OGOrig@aol.com
To: glass@bungi.com
Subject: Re: Tendonitis
Date: Thu, 10 Jul 1997 09:14:15 -0400 (EDT)
Message-ID: <1997Jul10.51415.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi.

We have tried the ODJOB mixer.  It works ok but even better is a 5 gallon
bucket and a "mud mixer" attachment for your drill.  You can buy these at the
Home Depot or probably any good hardware or home center store.

This works great.  We do a lot of stones and this makes mixing the cement a
breeze.  You can see much better about the amount of water in the mix.  With
the closed ODJOB you have to unscrew the lid to check.  It will work but,
it's just more inconvenient.

Hope this helps.
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From owner-glass Thu Jul 10 06:15:08 1997
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X-Path: mail1.ciwemb.edu!jewell
From: "Connie Jewell" <jewell@mail1.ciwemb.edu>
To: "stained glass" <glass@bungi.com>
Subject: leaded glass question
Date: 10 Jul 1997 09:10:47 -0400
Message-ID: <1997Jul10.51047.0>
Reply-To: glass@bungi.com
Precedence: bulk

  Hello,
  I'm new to the list and also new to doing leaded glass. I have done a few
small either square and rectangular  panels. But I have a design for a sun
catcher that I'm working on that is a circle. I have made this design using
copper foil on the inside and a border of  U shaped sun catcher lead came on
the outside. But now I want to try and do the entire piece in 1/8" lead came.
So my question is, how does one do a leaded glass piece that is  a circle? I'm
confused about how to accomplish this since because of the shape the
traditional plywood board with a right angle corner method won't work like it
does for a square or rectangle. Any idea? I have considering using a wooden
embroidery hoop or  routing the correct size circle out of a 3/4" plywood so
the the piece could be built in the recessed circle. I'm open to any and all
suggestions.
Thanks!!!!!
Jewell
jewell@mail1.ciwemb.edu

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From owner-glass Thu Jul 10 06:20:48 1997
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Is stained glass an art or a craft?
Date: Thu, 10 Jul 1997 09:20:16 -0400 (EDT)
Message-ID: <199707101320.JAA23552@water.waterw.com>
Reply-To: glass@bungi.com
Precedence: bulk

Your wrote,

>>
>>
>We asked for exhibit space in our local library run by the Art Council.
>They refused on the basis that stained glass is a craft and not an art.
>
>They exhibit some very excellent and bad local art, jewelery, scupture,
>etc.  Some members of our group have won a number of local awards for skill
>and original designs but they were not impressed.  Draw your own conclusions.  
>----
>Ask the library people what section Tiffany books are in...ask them where
to find Chagall and also ask is Matisse is an artist???? I could go on but
don't................this is really one of my pet peeves.  

BTW where are you??? I would write the Art Council................you happen
to pay taxes and probably their salary.  Don't get me started...Wish I had
more time...if I can help next week I should sort of be back to normal.
Things like this need to be changed!!!!!

my best,
pj

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From owner-glass Thu Jul 10 06:27:30 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Re: Tendonitis
Date: Thu, 10 Jul 97 06:12:10 PST
Message-ID: <9706108685.AA868540969@mfi.com>
Reply-To: glass@bungi.com
Precedence: bulk

     Good morning,
     At Home Depot they have a mixer for around $25.00.  Makes one 24" 
     stepping stone. Made of plastic...about the size of a small/medium 
     beer keg.  Top screws off, pour in mix and water...close. Turn on side 
     and roll around...ingredients mix quickly.
     
     You might look for a used $100.00 cement mixer.  Otherwise Home Depot 
     and Home Base have them for appox $199.00 (without motor).  Then you 
     could always rent one.
     
     Good luck.
     
     Suzanne Haley
     shaley@mfi.com


______________________________ Reply Separator _________________________________
Subject: Tendonitis
Author:  glass@bungi.com at Internet
Date:    7/9/97 9:25 PM


Help! I was mixing cement for several large stepping stones and my arm got 
pretty sore. By the next day I was miserable. The doc says tendonitis 
(tennis elbow). I'm doing the Alleve and Tennis Elbow splint thing. My 
problem is that I have several more stepping stone classes coming up to 
teach and I need something to mix the cement in.
     
 A few months ago I was looking in some of my junk mail catalogs and saw a
plastic/rubber (?) container you mix your water and cement in, put the lid 
on and just roll it. At the time I'm thinking what a waste of money ($16.00 
or so) when you could just stir the cement.  I'm hoping someone else gets my 
same catalogs in the mail and can tell me where to get one of those cement 
mixer containers. Sixteen dollars sounds pretty cheap to me now especially 
with the classes coming up in Aug & Sept and a class of 40 women for a 
looonnnggg weekend in October. 
     
I enjoy lurking on the bungi line and have thown in my two bits every once 
in a while.
Thanks.
Amy (The Glass Goddess)
Mike and Amy Murphy
     
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From owner-glass Thu Jul 10 06:33:00 1997
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X-Path: aol.com!SusieHUs
From: SusieHUs@aol.com
To: glass@bungi.com
Subject: Re: Tendonitis
Date: Thu, 10 Jul 1997 09:32:31 -0400 (EDT)
Message-ID: <1997Jul10.53231.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Amy,

Sorry to hear about the tendonitis.  Delphi has that llittle cement mixer you
asked about but it's a lot more than $16.00.  If I remember correctly, it's
close to $40.00.

Susie
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From owner-glass Thu Jul 10 06:35:20 1997
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X-Path: aol.com!SusieHUs
From: SusieHUs@aol.com
To: glass@bungi.com
Subject: Re: footswitch slides around
Date: Thu, 10 Jul 1997 09:34:51 -0400 (EDT)
Message-ID: <1997Jul10.53451.0>
Reply-To: glass@bungi.com
Precedence: bulk

Joyce,

You may want to call a few fabric shops because there is already a device
made for eliminating the walking foot pedal.  It's been happening with sewing
machine pedals for years and though I can't remember the name of the pad, I
know it already exists.  If you can't get a hold of one, I'll try to find my
Clothilde catalog (for sewers) because I KNOW they've got one!  

Susie
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From owner-glass Thu Jul 10 06:48:55 1997
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X-Path: intrastar.net!ssuter
From: Shirley Suter <ssuter@intrastar.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tendonitis
Date: Thu, 10 Jul 1997 08:47:34 -0500
Message-ID: <1997Jul10.34734.0>
References: <<1.5.4.32.19970710041258.006722ec@mail.techline.com>>
Reply-To: glass@bungi.com
Organization: Intrastellar Internet Service & Suter's Stained Glass
Precedence: bulk

 Hi Amy and All,

These containers are available through "Worms Way" organic gardening
catalog and I have seen them in the large home improvements stores (like
Home Depot, Builders Square and Lowe's).  Good Luck!!

Shirley
Grapeland, Tx.


Amy Murphy wrote:

>  A few months ago I was looking in some of my junk mail catalogs and
> saw a
> plastic/rubber (?) container you mix your water and cement in

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From owner-glass Thu Jul 10 07:06:19 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Did I get removed???
Date: Thu, 10 Jul 1997 10:00:32 -0400
Message-ID: <1997Jul10.6032.0>
References: <<199707082329.TAA23611@water.waterw.com>>
Reply-To: glass@bungi.com
Precedence: bulk

pj friend wrote:
> 
> Just testing to see if I got removed from the list????
> 
> If I receive this I didn't............if I don't I did????
> 
> pj
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


it was on the list itself, know you'll have to see if you got it.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Thu Jul 10 07:07:43 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Is stained glass an art or a craft?
Date: Thu, 10 Jul 1997 10:02:18 -0400
Message-ID: <1997Jul10.6218.0>
References: <<199707072207.SAA00613@detroit.freenet.org>>
Reply-To: glass@bungi.com
Precedence: bulk

Sue Becker wrote:
> 
> >
> >Anyone know the answer or is it up to the individuals definition?
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
> >
> >
> We asked for exhibit space in our local library run by the Art Council.
> They refused on the basis that stained glass is a craft and not an art.
> 
> They exhibit some very excellent and bad local art, jewelery, scupture,
> etc.  Some members of our group have won a number of local awards for skill
> and original designs but they were not impressed.  Draw your own conclusions.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


my conclusion is that the people at that library are morons. they
probably never seen the full spectrum of stained glass out there. they
probably only seen the cheap stuff at the craft shows. i'm curious what
they consider art.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Thu Jul 10 07:10:00 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: mail
Date: Thu, 10 Jul 1997 10:04:40 -0400
Message-ID: <1997Jul10.6440.0>
References: <<1997Jul9.43819.0>>
Reply-To: glass@bungi.com
Precedence: bulk

eldondo1@juno.com wrote:
> 
> Please send me something, i have upgraded my systems and voila!!! no
> mail. Thanks Don DeVoto<eldondo1@juno.com>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i got the mail (bungi), but since your on juno, it should'nt really be
effected by anything in your account...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Thu Jul 10 07:13:00 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tendonitis
Date: Thu, 10 Jul 1997 10:07:33 -0400
Message-ID: <1997Jul10.6733.0>
References: <<1.5.4.32.19970710041258.006722ec@mail.techline.com>>
Reply-To: glass@bungi.com
Precedence: bulk

Mike & Amy Murphy wrote:
> 
> Help! I was mixing cement for several large stepping stones and my arm got
> pretty sore. By the next day I was miserable. The doc says tendonitis
> (tennis elbow). I'm doing the Alleve and Tennis Elbow splint thing. My
> problem is that I have several more stepping stone classes coming up to
> teach and I need something to mix the cement in.
> 
>  A few months ago I was looking in some of my junk mail catalogs and saw a
> plastic/rubber (?) container you mix your water and cement in, put the lid
> on and just roll it. At the time I'm thinking what a waste of money ($16.00
> or so) when you could just stir the cement.  I'm hoping someone else gets my
> same catalogs in the mail and can tell me where to get one of those cement
> mixer containers. Sixteen dollars sounds pretty cheap to me now especially
> with the classes coming up in Aug & Sept and a class of 40 women for a
> looonnnggg weekend in October.
> 
> I enjoy lurking on the bungi line and have thown in my two bits every once
> in a while.
> Thanks.
> Amy (The Glass Goddess)
> Mike and Amy Murphy
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


by now you can probably find it in any hardware store. as i understand
it, they work really well. just make sure to wash them out when your
done.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Thu Jul 10 08:11:47 1997
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X-Path: CapAccess.org!rejones
From: "Robert E. Jones" <rejones@CapAccess.org>
To: glasschic <joyce@bright.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: footswitch slides around
Date: Thu, 10 Jul 1997 11:16:19 -0400 (EDT)
Message-ID: <1997Jul10.71619.0>
References: <<3.0.32.19970707162631.006ad010@mail.bright.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Try a mouse pad under the foot switch.  I have mine on concrete and this 
works.


Bob Jones                        rejones@capaccess.org

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From owner-glass Thu Jul 10 08:20:34 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: leaded glass question
Date: Thu, 10 Jul 1997 10:16:57 -0500
Message-ID: <1997Jul10.51657.0>
References: <<1997Jul10.51047.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Connie Jewell wrote:

> So my question is, how does one do a leaded glass piece that is  a
> circle? I'm
> confused about how to accomplish this since because of the shape the
> traditional plywood board with a right angle corner method won't work
> like it
> does for a square or rectangle. Any idea? I have considering using a
> wooden
> embroidery hoop or  routing the correct size circle out of a 3/4"
> plywood so
> the the piece could be built in the recessed circle. I'm open to any
> and all
> suggestions.

Jewell...I don't currently do much lead work, but I used to have the
plywood frame. It was a square piece of  1/2 inch plywood cut in half
with a half circle cut out of each piece with a jigsaw.

Since I do mostly copper foil work now I have two types of "frames" in
various size circles. One is a square piece of cardboard matting with a
circle cut out of the middle. The "frame" I like the best is a piece of
foam board. It's very sturdy...it's basically cardboard with foam stuck
to one side. You can find them in various sizes at craft stores like
Michaels or Hobby Lobby.
hope this helps some...LJ
_____________________________________________________________
LJ Maas, artist@busprod.com
ART WITH ATTITUDE, Stained Glass Design:
<http://www.art-with-attitude.com/glass/artglass.html>
"unique stained glass creations"

Over The Rainbow Web Design & Consulting:
<http://www.art-with-attitude.com/rainbow.html>


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From owner-glass Thu Jul 10 11:14:23 1997
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X-Path: aol.com!RandC981
From: RandC981@aol.com
To: glass@bungi.com
Subject: mail
Date: Thu, 10 Jul 1997 14:13:25 -0400 (EDT)
Message-ID: <1997Jul10.101325.0>
Reply-To: glass@bungi.com
Precedence: bulk

Please take me off of your e-mail list.

Thanks.

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From owner-glass Thu Jul 10 11:40:42 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Stained glass store addresses nationwide
Date: Thu, 10 Jul 1997 11:37:15 -0700
Message-ID: <11393992104955@netbridge.net>
Reply-To: glass@bungi.com
Precedence: bulk

I was surfing the net and found two separate groups that have inventories
of stained glass supply stores, for each state.  Of course I don't know how
I found them and can't find them again.  Does anyone know how to do this. 
I would like to add our local supplier to the list, here in beautiful
Newport, Or.
(Or-e-gun)  No I don't own part of the business.  I just want to keep him
in business so I don't have to drive 50+ miles to get my supplies.
Also is there such a list for wholesale companies?  And is it possible, for
a crafter/becoming an artist who only shows her work at craft shows (etc.)
and occassional retail stores, to buy wholesale, since I don't keep regular
hours and advertise in the phone book?
Thanks for any info/advice in advance.
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From owner-glass Thu Jul 10 12:51:46 1997
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X-Path: mail.island.net!seaspray
From: seaspray@mail.island.net (Carol Swann)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Tendonitis and concrete classes
Date: Thu, 10 Jul 1997 12:50:45 -0700
Message-ID: <199707101950.MAA16424@norm.island.net>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Amy,

Sorry to hear about your arm.  

with the classes coming up in Aug & Sept and a class of 40 women for a
>looonnnggg weekend in October. 

Amy, sorry to hear about your arm.  With all that personpower at your
workshops, why not divide them into groups of 4 or 5 and let each group mix
its own concrete according to a recipe you provide.  Harness all that
power!!! and don't do it all yourself.  Let everyone get down and dirty.

Altnerately if you want to do one pour for 40 stones, rent a mixer for a day.

Good luck

Carol
Synergy Glass & Creative

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From owner-glass Thu Jul 10 13:11:09 1997
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X-Path: digital.net!agw
From: Jennifer Daniels <agw@digital.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Stained glass store addresses nationwide
Date: Thu, 10 Jul 1997 16:10:36 -0400 (EDT)
Message-ID: <199707102010.QAA14541@ddi.digital.net>
Reply-To: glass@bungi.com
Precedence: bulk

Manufacturers, Retailers and Studios are listed in the Art Glass World
directory.  There is also tons of other information on the site.  Visit at
http://www.artglassworld.com.  The listing is a free service. Enjoy.

Jennifer

At 11:37 AM 7/10/97 -0700, you wrote:
>I was surfing the net and found two separate groups that have inventories
>of stained glass supply stores, for each state.  Of course I don't know how
>I found them and can't find them again.  Does anyone know how to do this. 
>I would like to add our local supplier to the list, here in beautiful
>Newport, Or.
>(Or-e-gun)  No I don't own part of the business.  I just want to keep him
>in business so I don't have to drive 50+ miles to get my supplies.
>Also is there such a list for wholesale companies?  And is it possible, for
>a crafter/becoming an artist who only shows her work at craft shows (etc.)
>and occassional retail stores, to buy wholesale, since I don't keep regular
>hours and advertise in the phone book?
>Thanks for any info/advice in advance.
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>
================================================================
Jennifer Daniels                    agw@digital.net
Art Glass World                     http://www.artglassworld.com
4002 W. State Street                phone: 813-348-0605
Tampa, FL  33609  USA               fax: 813-872-6288
================================================================

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From owner-glass Thu Jul 10 14:18:50 1997
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X-Path: crl.com!slally
From: Sean Lally <slally@crl.com>
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Stained glass store addresses nationwide
Date: Thu, 10 Jul 1997 14:03:55 -0700 (PDT)
Message-ID: <Pine.SUN.3.91.970710140136.9107A-100000@crl.crl.com>
References: <<199707102010.QAA14541@ddi.digital.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Check out the Thomas Register.  It used to be one had to go to the 
library reference section to get these volumes; but no more...they're on 
the web now!

http://www.thomasregister.com:8000/index.html

On Thu, 10 Jul 1997, Jennifer Daniels wrote:

> Manufacturers, Retailers and Studios are listed in the Art Glass World
> directory.  There is also tons of other information on the site.  Visit at
> http://www.artglassworld.com.  The listing is a free service. Enjoy.
> 
> Jennifer
> 
> At 11:37 AM 7/10/97 -0700, you wrote:
> >I was surfing the net and found two separate groups that have inventories
> >of stained glass supply stores, for each state.  Of course I don't know how
> >I found them and can't find them again.  Does anyone know how to do this. 
> >I would like to add our local supplier to the list, here in beautiful
> >Newport, Or.
> >(Or-e-gun)  No I don't own part of the business.  I just want to keep him
> >in business so I don't have to drive 50+ miles to get my supplies.
> >Also is there such a list for wholesale companies?  And is it possible, for
> >a crafter/becoming an artist who only shows her work at craft shows (etc.)
> >and occassional retail stores, to buy wholesale, since I don't keep regular
> >hours and advertise in the phone book?
> >Thanks for any info/advice in advance.
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
> >
> >
> ================================================================
> Jennifer Daniels                    agw@digital.net
> Art Glass World                     http://www.artglassworld.com
> 4002 W. State Street                phone: 813-348-0605
> Tampa, FL  33609  USA               fax: 813-872-6288
> ================================================================
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 
----
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From owner-glass Thu Jul 10 15:40:41 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Not stained glass, but ...
Summary: Authenticated sender is <alewis@computer.net>
Date: Thu, 10 Jul 1997 18:47:35 +0000
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I could use the help of anyone living in Wyoming, Nebraska and/or 
Oklahoma who's active on this list (call it a quid pro quo, since I 
try to be as helpful as I can be when I can). <s>

Believe it or not, I need a copy of the driving license manual from 
each of those states.  Anyone up for that?

If you are willing to drop by the Department of Motor Vehicles and 
pick up a manual and mail it to me, I'd gladly reimburse you the 
postage, etc.

Okay, back to glass. <g>

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]

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From owner-glass Thu Jul 10 16:03:23 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: Stained glass store addresses nationwide
Summary: Authenticated sender is <alewis@computer.net>
Date: Thu, 10 Jul 1997 19:10:31 +0000
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> I was surfing the net and found two separate groups that have inventories
> of stained glass supply stores, for each state. 

Try http://www.thestorefinder.com/  I think that's what you're 
looking for ... click on the state, get a list, right? <s>

The Guild has a pretty extensive directory to suppliers, too, 
although it's not click-on-a-state ... it's click-on-what-you-need.
Address below: Sources Guide.

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]

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From owner-glass Thu Jul 10 16:59:33 1997
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X-Path: cyberramp.net!byronw
From: byronw@cyberramp.net
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Tendonitis
Summary: Authenticated sender is <byronw@cyberramp.net>
Date: Thu, 10 Jul 1997 19:00:35 +0000
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> From:          Mike & Amy Murphy <mamurphy@techline.com>
> To:            glass@bungi.com
> Subject:       Tendonitis
> Date:          Wed, 09 Jul 1997 21:12:58 -0700
> Reply-to:      glass@bungi.com

> Help! I was mixing cement for several large stepping stones and my arm got
> pretty sore. By the next day I was miserable. The doc says tendonitis
> (tennis elbow). I'm doing the Alleve and Tennis Elbow splint thing. My
> problem is that I have several more stepping stone classes coming up to
> teach and I need something to mix the cement in.
> 
>  A few months ago I was looking in some of my junk mail catalogs and saw a
> plastic/rubber (?) container you mix your water and cement in, put the lid
> on and just roll it. At the time I'm thinking what a waste of money ($16.00
> or so) when you could just stir the cement.  I'm hoping someone else gets my
> same catalogs in the mail and can tell me where to get one of those cement
> mixer containers. Sixteen dollars sounds pretty cheap to me now especially
> with the classes coming up in Aug & Sept and a class of 40 women for a
> looonnnggg weekend in October. 
> 
> I enjoy lurking on the bungi line and have thown in my two bits every once
> in a while.
> Thanks.
> Amy (The Glass Goddess)
> Mike and Amy Murphy
>
Why dont you try one of those beater deals that goes in a drill? I 
used one a couple weeks ago to mix both the cement and grout for the 
new ceramic tile floor I'm doing in the house... They work great and 
NO tennis elbow! They run about $10 at Home Depot and other hardware 
places...


Byron...

Wells Glassworks
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From owner-glass Thu Jul 10 17:41:52 1997
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From: LVbeatnik@aol.com
To: glass@bungi.com
Subject: Re: Tendonitis
Date: Thu, 10 Jul 1997 20:41:13 -0400 (EDT)
Message-ID: <1997Jul10.164113.0>
Reply-To: glass@bungi.com
Precedence: bulk

There are cement mixers that you roll on the ground with your foot available
at Home Depot, etc.  My uncle did a whole path of regular old cement stepping
stones using one.  They cost under $20 and are most likely the same thing
that you saw in your catalogue.
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From owner-glass Thu Jul 10 17:55:08 1997
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "INTERNET:glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Not stained glass, but ...
Date: Thu, 10 Jul 1997 20:54:13 -0400
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Hi Albert!

Aren't you even going to share with your bungi friends WHY you want the
drivers' license manuals from those three states? Okay, back to glass
again!;-)

Best regards,

Dani Greer

P.S. Really the purpose of this post is to check if my server has their
mail formatting problems fixed - if so, I'll post the long-ago promised
reading list which is rather long. =

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From owner-glass Thu Jul 10 17:57:16 1997
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From: LVbeatnik@aol.com
To: glass@bungi.com
Subject: Re: Is stained glass an art or a craft?
Date: Thu, 10 Jul 1997 20:56:49 -0400 (EDT)
Message-ID: <1997Jul10.165649.0>
Reply-To: glass@bungi.com
Precedence: bulk

I have worked as a showing artist for a long time.  I've exhibited paintings,
prints, and photographs.  Stained glass is a new medium for me, and one that
I have to respect because one has to be both an artist AND a craftsman to
work in it.  Artistic choices have to be made regardless of what medium one
works in.  Stained glass demands a high level of craftsmanship as well.
 (Perhaps the answer to the question of "art or craft" lies in the intention
of the artist.)  Sure, I've seen little mass produced suncatchers that are
more "craftsy" than "artsy", but when I look at a beautiful stained glass
piece, I see the art first.  Ask the Art Council who refused you the exhibit
space where that library shelves the books on Tiffany.  My guess is in the
fine ARTs section!
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From owner-glass Thu Jul 10 18:42:55 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Not stained glass, but ...
Date: Thu, 10 Jul 1997 21:37:00 -0400
Message-ID: <1997Jul10.17370.0>
References: <<199707102240.SAA16878@ns.computer.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Albert Lewis wrote:
> 
> I could use the help of anyone living in Wyoming, Nebraska and/or
> Oklahoma who's active on this list (call it a quid pro quo, since I
> try to be as helpful as I can be when I can). <s>
> 
> Believe it or not, I need a copy of the driving license manual from
> each of those states.  Anyone up for that?
> 
> If you are willing to drop by the Department of Motor Vehicles and
> pick up a manual and mail it to me, I'd gladly reimburse you the
> postage, etc.
> 
> Okay, back to glass. <g>
> 
> Albert Lewis
> 
> International Guild of Glass Artists
> A 501(c)(6) nonprofit organization
> Tonetta Lake Road, Brewster NY 10509
> (914) 278-2152   Fax: (914) 278-2481
> _________________________________________________________
> http://www.bungi.com/glass/igga/ [home page]
> http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
> http://www.bungi.com/glass/igga/links.htm [Members' Work]
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

i wonder if you were to contact the DMV's online, that could work,
providing they remembered to put the e-mail address there.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
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From owner-glass Thu Jul 10 21:21:40 1997
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Reading List
Date: Fri, 11 Jul 1997 00:17:15 -0400
Message-ID: <1997Jul10.201715.0>
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Precedence: bulk

Hi All-

Sorry it's been so long, but here's the book list - not complete by any
means - please post any that are your favorites or that I missed going th=
ru
the piles on my desk:

=46rom the group:

"Design for Stained Glass" by Jennie French (publ.? and date?) **This boo=
k
has some very nice patterns and a good chapter on photographing your work=


"Stained Glass Secrets" by ? publ.? and date?

"Decorative Doorways Stained Glass Pattern Book"  by Carolyn Relei

"How to Work in Stained Glass" by Anita and Seymour Isenberg

"Stained Glass Craft"

"Line and Color Magic for Glass Design" by Kay Bain Weiner, Eastman, US,
1990

"Stained Glass" by Lynette Wrigley & Marc Gerstein, Quintet Publ., London=
,
1994

"The Complete Stained Glass Course" by Lynette Wrigley & Marc Gerstein,
Quintet, London, 1996 - **These last two books are good for beginners and=

have some nice examples and excellent photography - very updated (you'll
actually recognize the tools!)

Magazines:

Stained Glass News

Glass Patterns Quarterly

Common Ground:Glass (the IGGA "newsletter")

Oldies but Goodies:

"The Technique of Stained Glass" by Patrick Reyntiens, Watson-Guptill
Publ., NY, 1967

"Making Stained Glass - A Handbook for the Amateur & Professional by Robe=
rt
& Gertrude Metcalf, McGraw-Hill, NY, 1972

"Stained Glass Primer-Vol.1" by Peter Mollica, Mollica Stained Glass Pres=
s,
CA, 1980

"Decorative Glass Processes" by Arthur Louis Duthie, Dover Publ., NY, 198=
2

"Stained Glass Patterns" by Joanne Nervo, Nervo Art Stained Glass, CA, 19=
74

History:

"Stained Glass" by Lawrence/Seddon/Stephens, Crown Publ., NY, 1976 (if yo=
u
can only own one, get this one)

"Stained Glass" by Patrick Reyntiens, Bulfinch Press, Boston, 1990

"Stained Glass in America" by John Gilbert Lloyd, Foundation Books, PA,
1963

"Stained Glass" by Alfred Werck, Nicholas L. Brown (Publ.), NY, 1922

"A Thousand Years of Stained Glass", by Catherine Brisac, Chartwell Books=
,
NJ, 1984

"Stained and Decorative Glass" by Elizabeth Morris, Chartwell Books, NJ,
1988

About Louis Comfort Tiffany:

"Louis Comfort Tiffany" by Alistair Duncan, Harry N. Abrams, Inc., NY, 19=
92

"Tiffany Windows" by Alistair Duncan, Simon & Schuster, NY, 1980

"Masterworks of Louis Comfort Tiffany" by Duncan/Eidelberg/Harris, Abrada=
le
Press, NY, 1989

"Louis C. Tiffany - Rebel in Glass" by Robert Koch, Crown Publ., NY, 1964=


"Louis C. Tiffany"s Art Glass" by Robert Koch, Crown Publ., NY, 1977

"The Art of Louis Comfort Tiffany" by Tessa Paul, Exeter Books, NY, 1987

" The 'Lost' Treasures of Louis Comfort Tiffany" by Hugh F. McKean,
Doubleday & Co., NY, 1980


Alot of the books listed after the heading "Oldies but Goodies" are out o=
f
print, but you can get many (if not most) of them through
Whitehouse-Books.com or through the IGGA library.  Happy reading!

Best regards,

Dani Greer

P.S. Could someone please post information on subscribing to the SGAA
magazine? Thanks.





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X-Path: ix.netcom.com!mthaxton
From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Is stained glass an art or a craft?
Date: Thu, 10 Jul 1997 15:37:16 -0700
Message-ID: <1997Jul10.83716.0>
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Reply-To: glass@bungi.com
Precedence: bulk

---Mike Savad wrote;
my conclusion is that the people at that library are morons. they
probably never seen the full spectrum of stained glass out there. they
probably only seen the cheap stuff at the craft shows. i'm curious what
they consider art.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I second that Mike! If Tiffany's work was craft and NOT art then
DeVinci, and the rest of the others did not make art. I would pose this
question to the library, food for thought.
Melissa  8^)

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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tendonitis
Date: Thu, 10 Jul 1997 15:26:38 -0700
Message-ID: <1997Jul10.82638.0>
References: <<1997Jul10.53231.0>>
Reply-To: glass@bungi.com
Precedence: bulk

SusieHUs@aol.com wrote:

> Hi Amy,
>
> Sorry to hear about the tendonitis.  Delphi has that llittle cement
> mixer you
> asked about but it's a lot more than $16.00.  If I remember correctly,
> it's
> close to $40.00.
>
> Susie
> ----~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I just looked in the July/August Delphi catalog and it has what you are
looking for.        The discription says;
Use the calibrated lid to easily measure water and cement for small
quantities of mosaic concrete in a fraction of the time. After combining
ingredients, screw lid onto rugged plastic barrel, tip on it's side and
roll to mix - it's so easy.  Ideal for mixing 20-60 lbs of concrete.
Complete with instructions. #2000...$39.95

    Sounds like a deal to me. I have already had a lateral extensor
release in my right elbow.  That put me out of work for 3 months with a
lot of physical therapy so if you are having trouble with tendinitis
don't do anything that will agrivate it.  I only have around 75-80% of
the strength I had before the operation.
Good luck , hope this info helps...
Melissa  8^)
Hind sight is better to have before hand

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From owner-glass Thu Jul 10 22:10:09 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tendonitis
Date: Wed, 09 Jul 1997 21:41:20 -0700
Message-ID: <1997Jul9.144120.0>
References: <<1.5.4.32.19970710041258.006722ec@mail.techline.com>>
Reply-To: glass@bungi.com
Precedence: bulk

Mike & Amy Murphy wrote:

> Help! I was mixing cement for several large stepping stones and my arm
> got
> pretty sore.

> A few months ago I was looking in some of my junk mail catalogs and
> saw a
> plastic/rubber (?) container you mix your water and cement in, put the
> lid
> on and just roll it. At the time I'm thinking what a waste of money
> ($16.00
> or so) when you could just stir the cement.  I'm hoping someone else
> gets my
> same catalogs in the mail and can tell me where to get one of those
> cement
> mixer containers.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Mike and
Amy,
                Have you tried a Home Depot or hardware store.  Seems to
me I saw something like that at a store.  I'd try calling around while
waiting for someone who might have got the same catalog as you.  Anyway
good luck!
Melissa



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From owner-glass Thu Jul 10 22:10:09 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
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Subject: Re: Did I get dropped?
Date: Wed, 09 Jul 1997 21:45:04 -0700
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        Everyone who had a scare with not recieving any Bungi mail The
last couple of days, I actually e-mailed Glenna on the bungi request
address because I never put Bungi in my address book!  It's there now by
golly!  Glad to hear it wasn't only my problem, it's nice to share with
everyone!
        Melissa   8^)


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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: Not stained glass, but ...
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Date: Fri, 11 Jul 1997 05:19:02 +0000
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> Aren't you even going to share with your bungi friends WHY you want the
> drivers' license manuals from those three states? Okay, back to glass
> again!;-)

I support myself as a designer for print and the web ... one of my 
clients is a developer of reading comprehension tests (you know, 
those tests we all took in school?) and their new campaign is "Can 
your students read ... your state's driver's license manual?" (or 
"local newspaper?" or "popular magazines?").

Of course, they have to analyze the readability of the manuals' texts 
to compare that with fourth grade, eighth grade and eleventh grade 
textbooks.  But it turns out that most driver's license manuals (for 
instance) are much more difficult to read than high school texts..

Same thing for newspapers, except the sports section. <s>

Albert
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From owner-glass Fri Jul 11 06:39:10 1997
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From: Gloria Drag <3hounds@usaor.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tendonitis
Date: Fri, 11 Jul 1997 09:41:44 -0400
Message-ID: <1997Jul11.54144.0>
References: <<1.5.4.32.19970710041258.006722ec@mail.techline.com>>
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Mike & Amy Murphy wrote:
> 
> Help! I was mixing cement for several large stepping stones and my arm got
> pretty sore. By the next day I was miserable. The doc says tendonitis
> (tennis elbow). I'm doing the Alleve and Tennis Elbow splint thing. My
> problem is that I have several more stepping stone classes coming up to
> teach and I need something to mix the cement in.
> 
>  A few months ago I was looking in some of my junk mail catalogs and saw a
> plastic/rubber (?) container you mix your water and cement in, put the lid
> on and just roll it. At the time I'm thinking what a waste of money ($16.00
> or so) when you could just stir the cement.  I'm hoping someone else gets my
> same catalogs in the mail and can tell me where to get one of those cement
> mixer containers. Sixteen dollars sounds pretty cheap to me now especially
> with the classes coming up in Aug & Sept and a class of 40 women for a
> looonnnggg weekend in October.
> 
> I enjoy lurking on the bungi line and have thown in my two bits every once
> in a while.
> Thanks.
> Amy (The Glass Goddess)
> Mike and Amy Murphy
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


If you can find one for around $16.. could you 
leave me know.. Delphi has one for just under $40.. 
and a Home Improvement Catalog also has it for 
$39.95.
Thanks
Gloria
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From owner-glass Fri Jul 11 07:29:05 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Not stained glass, but ...
Date: Fri, 11 Jul 1997 10:23:09 -0400
Message-ID: <1997Jul11.6239.0>
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Albert Lewis wrote:
> 
> > Aren't you even going to share with your bungi friends WHY you want the
> > drivers' license manuals from those three states? Okay, back to glass
> > again!;-)
> 
> I support myself as a designer for print and the web ... one of my
> clients is a developer of reading comprehension tests (you know,
> those tests we all took in school?) and their new campaign is "Can
> your students read ... your state's driver's license manual?" (or
> "local newspaper?" or "popular magazines?").
> 
> Of course, they have to analyze the readability of the manuals' texts
> to compare that with fourth grade, eighth grade and eleventh grade
> textbooks.  But it turns out that most driver's license manuals (for
> instance) are much more difficult to read than high school texts..
> 
> Same thing for newspapers, except the sports section. <s>
> 
> Albert
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

just to get off the stained glas topic for a minute. as i understand it,
either in New York, or New Jersey, they've simplied the drivers test
(written), so much; that a third grader could pass it.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
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From owner-glass Fri Jul 11 11:09:52 1997
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From: "Jackie" <jandj@tvutel.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Took advice from the experts!
Date: Fri, 11 Jul 1997 16:46:32 -0600
Message-ID: <199707111810.NAA03250@perham>
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Precedence: bulk

About 4 or 5 months ago,( you'll have to check the archives ) I asked for
some advice on something to do with renovation of an antique 14 by 46 inch
stained glass panel.  I said that I was going to "COPPER FOIL IT THIS
TIME".( a suggestion from my instructor )  And I was flooded with gasping
and horrified responses from many of you that are much more qualified than
I in this area. Mainly, Your responses were to lead the panel in order to
keep with the original methods of the peice.  Well I did alot of research
and checked with local renovators and decided to do it the right way!!!

It has been an experience so far and I am finished leading the piece and I
would like to thank all of you who kept me on the straight and narrow. I
have a question at this point!  after I finish soldering the joints how on
earth do I clean the flux off the panel before cementing.  It is not stable
enough to put in my bathtub and scrub (which is what I usually do with
large panels) is it?  I am probably  asking an obvious question but I don't
want to mess-up.  Any pointers??

Jackie
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From owner-glass Fri Jul 11 13:14:22 1997
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X-Path: juno.com!eldondo1
From: eldondo1@juno.com
To: glass@bungi.com
Subject: Re: Took advice from the experts!
Date: Fri, 11 Jul 1997 15:10:03 -0500
Message-ID: <1997Jul11.10103.0>
References: <<199707111810.NAA03250@perham>>
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Don't bother Jackie it's not like foil I've been doing lead for 18 years
and all i do is just wipe with a towel before i cement (you do know about
that messy job,don't you)I know others will have some thoughts but that's
my 2 cents worth .Best of luck, Don.
On Fri, 11 Jul 1997 16:46:32 -0600 "Jackie" <jandj@tvutel.com> writes:
>About 4 or 5 months ago,( you'll have to check the archives ) I asked 
>for
>some advice on something to do with renovation of an antique 14 by 46 
>inch
>stained glass panel.  I said that I was going to "COPPER FOIL IT THIS
>TIME".( a suggestion from my instructor )  And I was flooded with 
>gasping
>and horrified response
>I in this area. Mainly, Your responses were to lead the panel in order 
>to
>keep with the original methods of the peice.  Well I did alot of 
>research
>and checked with local renovators and decided to do it the right 
>way!!!
>
>It has been an experience so far and I am finished leading the piece 
>and I
>would like to thank all of you who kept me on the straight and narrow. 
>I
>have a question at this point!  after I finish soldering the joints 
>how on
>earth do I clean the flux off the panel before cementing.  It is not 
>stable
>enough to put in my bathtub and scrub (which is what I usually do with
>large panels) is it?  I am probably  asking an obvious question but I 
>don't
>want to mess-up.  Any pointers??
>
>Jackie
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
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From owner-glass Fri Jul 11 15:14:02 1997
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Subject: Re: mail
Date: Fri, 11 Jul 1997 18:13:13 -0400 (EDT)
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Please take me off  T your E. mail list.

Thank you

pb132@aol.com
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From owner-glass Fri Jul 11 16:34:35 1997
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From: George & Gloria <3hounds@usaor.net>
To: "'bungians'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: re: Tendonitus
Date: Fri, 11 Jul 1997 19:34:14 -0100
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Hi,
This weekend, I am ready to pour  my first 16 inch hexagon mosaic.. So =
this last week I read the responses to the tendonitus  that said they =
have found a device that fits on the end of a drill to mix the cement. I =
went to my local Busy Beaver  Building Center and Supply store and they =
have a mixer that only fits on a high power drill.. Is there  another  =
model that fits on a regular household drill.  I also have that problem =
in my right arm and would like to have a tool that could help me.
Thanks
Gloria

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From owner-glass Fri Jul 11 17:37:31 1997
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Content-Type: text/plain; charset=US-ASCII
Subject: Diamond Max 
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Date: Fri, 11 Jul 1997 19:38:45 +0000
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Hi All....


 Can I get some opinions on the Diamond Max grinder?? I'm looking for 
something I can bevel edges on glass for Sconce Lights.... The 
Diamond Max looks like what I want and at a reasonable price.. The 
bevels just dont come out very good with my Glastar regular 
grinder...


 Thanks in advance!

Byron...

Wells Glassworks
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From owner-glass Fri Jul 11 19:27:36 1997
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Date: Fri, 11 Jul 1997 22:24:46 -0400
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Hello all,
I find that I will not be able to get my e-mail for about a month.
I really enjoy lurking here but I will never be able to download all my
email when I get back.

Please unsubscribe me.

Good Luck and Good Health,
David Cansler
New Vision Team Member
Life is too short to become involved in something that hurts others.

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From: Fishbait <fishbait@televar.com>
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Content-Type: text/plain; charset="us-ascii"
Subject: Re: Took advice from the experts!
Date: Fri, 11 Jul 1997 22:11:36 -0700
Message-ID: <3.0.32.19970711221133.006adbd0@televar.com>
Reply-To: glass@bungi.com
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During the summer months I place mine on the picnic table and do it
outside.  B. Clark

At 04:46 PM 7/11/97 -0600, you wrote:
>About 4 or 5 months ago,( you'll have to check the archives ) I asked for
>some advice on something to do with renovation of an antique 14 by 46 inch
>stained glass panel.  I said that I was going to "COPPER FOIL IT THIS
>TIME".( a suggestion from my instructor )  And I was flooded with gasping
>and horrified responses from many of you that are much more qualified than
>I in this area. Mainly, Your responses were to lead the panel in order to
>keep with the original methods of the peice.  Well I did alot of research
>and checked with local renovators and decided to do it the right way!!!
>
>It has been an experience so far and I am finished leading the piece and I
>would like to thank all of you who kept me on the straight and narrow. I
>have a question at this point!  after I finish soldering the joints how on
>earth do I clean the flux off the panel before cementing.  It is not stable
>enough to put in my bathtub and scrub (which is what I usually do with
>large panels) is it?  I am probably  asking an obvious question but I don't
>want to mess-up.  Any pointers??
>
>Jackie
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>
----
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From owner-glass Fri Jul 11 22:55:28 1997
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X-Path: juno.com!byerwood
From: byerwood@juno.com (Kathy E. Wood)
To: glass@bungi.com
Subject: Wrong Side Of Float Glass
Date: Fri, 11 Jul 1997 22:55:28 -0700
Message-ID: <1997Jul11.155528.0>
Reply-To: glass@bungi.com
Precedence: bulk


Byerwood Productions
ArtWorks & Literary
Kathy Wood/Candace Byers

Hi everyone.  My name is Kathy Wood and I have been lurking for months. 
I tried to get into the action but it turns out that my previous server
has offensive third party spamming etiquette so I couldn't get through
(and couldn't find out why for a long time).

On the subject of painting on float (window) glass:

In January of 1996 I took a one day glass painting workshop with Dan
Fenton in Hayward CA.  He explained that 'Gold Based' enamels (made with
gold chloride) are unpredictable when applied to the wrong side of float
glass.  I don't have the definition of the 'wrong side' in my notes but
he did show us how to find it.  We were marched into a dimly lit room
were he demonstrated that when you take a small handheld UV light (cost
$39.95),  one side of the glass exhibits a glow and the other side does
not.  The glow is on the wrong side.     

Kathy 'it's a pleasure to communicate' Wood

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From owner-glass Fri Jul 11 23:02:40 1997
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X-Path: juno.com!byerwood
From: byerwood@juno.com (Kathy E. Wood)
To: glass@bungi.com
Subject: Sandblasting Cabinets
Date: Fri, 11 Jul 1997 23:04:49 -0700
Message-ID: <1997Jul11.16449.0>
Reply-To: glass@bungi.com
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Byerwood Productions
ArtWorks & Literary
Kathy Wood/Candace Byers

Hi.   I may have indefinite use of a free compressor and someone to teach
me how to sandblast on glass.  Does anyone have or know where I can
obtain plans to build and equip a tabletop sandblasting cabinet?  Any
ideas and experiences regarding same would be much appreciated.

Thanks, 

Kathy 
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From owner-glass Fri Jul 11 23:14:57 1997
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From: Mike & Amy Murphy <mamurphy@techline.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Thanks
Date: Fri, 11 Jul 1997 23:10:18 -0700
Message-ID: <1.5.4.32.19970712061018.00679be0@mail.techline.com>
Reply-To: glass@bungi.com
Precedence: bulk

I was out of town today and went to Home Depot. Got an Oddjob mixer. It cost
(with tax) $22.00. I'm teaching my sisters how to make a small stepping
stone on Monday night and I'll let you know how it works.  Thanks so much
everyone for your help. It was pretty exciting to get so many answers. 
Amy - The Glass Goddess
Mike and Amy Murphy

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From owner-glass Fri Jul 11 23:39:08 1997
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From: "Rexort International Pty Ltd" <rdeint@wt.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Wrong Side Of Float Glass
Date: Sat, 12 Jul 1997 14:36:28 +0800
Message-ID: <199707120632.OAA00432@sage.wt.com.au>
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Dear Kathy

The "wrong side" of float is the side exposed to the tin bath during
production process.
This side contains minor amounts of tin, which can react with certain
enamels and paints.

Harald
HiGlass
----------------------
HiGlass
Manufacturers of Coloured Sheet Glass and Fused Glass Products
Perth, Australia
email: rdeint@wt.com.au
URL: http://www.wt.com.au/~rdeint/higlass.htm
 ----
From: Kathy E. Wood <byerwood@juno.com>
To: glass@bungi.com
Date: Saturday, 12 July 1997 14:07
Subject: Wrong Side Of Float Glass

>
>Byerwood Productions
>ArtWorks & Literary
>Kathy Wood/Candace Byers
>
>Hi everyone.  My name is Kathy Wood and I have been lurking for months.
>I tried to get into the action but it turns out that my previous server
>has offensive third party spamming etiquette so I couldn't get through
>(and couldn't find out why for a long time).
>
>On the subject of painting on float (window) glass:
>
>In January of 1996 I took a one day glass painting workshop with Dan
>Fenton in Hayward CA.  He explained that 'Gold Based' enamels (made with
>gold chloride) are unpredictable when applied to the wrong side of float
>glass.  I don't have the definition of the 'wrong side' in my notes but
>he did show us how to find it.  We were marched into a dimly lit room
>were he demonstrated that when you take a small handheld UV light (cost
>$39.95),  one side of the glass exhibits a glow and the other side does
>not.  The glow is on the wrong side.    
>
>Kathy 'it's a pleasure to communicate' Wood
>
>----
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> 

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From owner-glass Sat Jul 12 08:04:32 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Diamond Max
Date: Sat, 12 Jul 1997 10:58:28 -0400
Message-ID: <1997Jul12.65828.0>
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byronw@cyberramp.net wrote:
> 
> Hi All....
> 
>  Can I get some opinions on the Diamond Max grinder?? I'm looking for
> something I can bevel edges on glass for Sconce Lights.... The
> Diamond Max looks like what I want and at a reasonable price.. The
> bevels just dont come out very good with my Glastar regular
> grinder...
> 
>  Thanks in advance!
> 
> Byron...
> 
> Wells Glassworks
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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i think we discussed this about a month ago or so. check in the
archives...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Sat Jul 12 17:52:21 1997
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From: byronw@cyberramp.net
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Content-Type: text/plain; charset=US-ASCII
Subject: Re: Sandblasting Cabinets
Summary: Authenticated sender is <byronw@cyberramp.net>
Date: Sat, 12 Jul 1997 19:53:05 +0000
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> From:          byerwood@juno.com (Kathy E. Wood)
> To:            glass@bungi.com
> Subject:       Sandblasting Cabinets
> Date:          Fri, 11 Jul 1997 23:04:49 -0700
> Reply-to:      glass@bungi.com

> 
> Byerwood Productions
> ArtWorks & Literary
> Kathy Wood/Candace Byers
> 
> Hi.   I may have indefinite use of a free compressor and someone to teach
> me how to sandblast on glass.  Does anyone have or know where I can
> obtain plans to build and equip a tabletop sandblasting cabinet?  Any
> ideas and experiences regarding same would be much appreciated.
> 
> Thanks, 
> 
> Kathy 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 
> 

Hi Kathy..


Check out Tip Tools site at http://www.tiptools.com

They sell all sorts of sandblasting equipment,parts,cabinets and also 
sell plans and parts to make yer own cabinets.. Prices seem decent 
too.. You can request a catalog online...

Byron...

Wells Glassworks
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From owner-glass Sat Jul 12 20:11:02 1997
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From: spinn@accesscomm.net (Stephen Pinn)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sandblasting Cabinets
Date: Sun, 13 Jul 1997 03:09:39 GMT
Message-ID: <1997Jul13.3939.0>
References: <<199707130050.TAA14761@mailhost.cyberramp.net>>
Reply-To: glass@bungi.com
Organization: PinnCorp.
Precedence: bulk

Kathy, Byron is absolutely correct about TIP, they have a great
catalog, great stuff and the people are incredably nice.  The cabinet
that I use for smaller items (11x14") and less, is a cheap tabletop
glassbead cabinet that I bought from Harbor Freight Tools.. I think I
paid about $130 for it and it has lasted really well.  However you
will need a dust extraction system as well.

Have fun, blasting glass is really enjoyable. - Steve


On Sat, 12 Jul 1997 19:53:05 +0000, you wrote:

>> From:          byerwood@juno.com (Kathy E. Wood)
>> To:            glass@bungi.com
>> Subject:       Sandblasting Cabinets
>> Date:          Fri, 11 Jul 1997 23:04:49 -0700
>> Reply-to:      glass@bungi.com
>
>>=20
>> Byerwood Productions
>> ArtWorks & Literary
>> Kathy Wood/Candace Byers
>>=20
>> Hi.   I may have indefinite use of a free compressor and someone to =
teach
>> me how to sandblast on glass.  Does anyone have or know where I can
>> obtain plans to build and equip a tabletop sandblasting cabinet?  Any
>> ideas and experiences regarding same would be much appreciated.
>>=20
>> Thanks,=20
>>=20
>> Kathy=20
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>>=20
>>=20
>
>Hi Kathy..
>
>
>Check out Tip Tools site at http://www.tiptools.com
>
>They sell all sorts of sandblasting equipment,parts,cabinets and also=20
>sell plans and parts to make yer own cabinets.. Prices seem decent=20
>too.. You can request a catalog online...
>
>Byron...
>
>Wells Glassworks
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

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From owner-glass Sun Jul 13 18:29:31 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: making stepping stones more saleable
Date: Sun, 13 Jul 1997 18:24:16 -0700
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I've just come from a disasterious arts and craft festival, trying to sell
my stepping stones.  If I hear one more time; "you can't walk on them", or
after you have assured them that they can, they say, "They're too pretty, I
couldn't walk on them",  I am going to be rude if not hostile to one of my
customer.
There that's out of my system.
My question is,  "How do we get people to accept these stones for what they
are?"   And what is that you are all asking.  I think it's yard art.  I
think they need to be more in the public eye.  It bothers me that, people
want something that's in their yard to last forever.  We buy painting for
the inside of our home and expect to live with it for a few years, knowing
full well we will tire of it and replace it.  How do we get our customers
to veiw the stones the same way?  And point this out to them without
offending them?
My disasterious show was in the high desert, winter ski playground of
Oregon (Or-e-gun), and they were concerned what the winters would do, and
rightfully so.  I didn't have an answer for them.  They wintered
beautifully here on the coast and in Arizonia (low country). I need to know
how long they will stay pretty in adverse weather conditions.  I know, they
haven't been around long enough.  And that a concrete specialist would most
likely have the answer for me. And of course it depends on how they are
treated. But still I were say, "You can depend on it to be like new for the
next 10 years if it is not abused",  would that be sufficient?
Help.
I think this product is beautiful and should become as common place in our
yard as the spinkler system (although we don't need them here), and stay
around as a necessary yard ornament just like our mail boxes have become.
(i.e. model t cars and covered bridges etc.)
So we can give our customer more options, here are a few uses for stepping
stone (I think they should be called garden stones), that I tell my
customers. 
Embed them in cement: sidewalks, steps,enterances, fences, patios, pools,
foundations, driveways, garage floors, kennels.
Pathways to: homes, gardens, decks, patios, fish ponds, pools, hot tubs,
garbage cans, and burn barrels. and kennels.
Accents to garden and yard.  They look great in bark mulch and decorative
rock.
Foot holds in hard to weed areas.
A memorial or serenity garden.
A marker for a deceased pet. (I've already made a headstone for a man, you
have to O.K. it with the individual cemetry and get the exact measurement,
that they will allow)
Decorations in your pool, fish pond, or hot tub.
Use as a splash guard under your outside water faucet.
My thought is, if this helps you sell yours, it will help me sell mine.  I
hope this works better than Reagan trickle down theory. (I'm sorry if that
is too sarcastic for the internet)
Mike or Amy hope your tedonitis is better.
I also want to know what size motor this drill has to have to support a
paddle mixing concrete.

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From owner-glass Sun Jul 13 19:01:12 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: Re: Thanks- stepping stones
Date: Sun, 13 Jul 1997 22:00:30 -0400 (EDT)
Message-ID: <1997Jul13.18030.0>
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I'd like details of how to get good results with these stained glass stepping
stones!

Sincerely,
M. Nowicki
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From owner-glass Sun Jul 13 19:05:35 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: Re: making stepping stones more saleable
Date: Sun, 13 Jul 1997 22:05:13 -0400 (EDT)
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Please describe your technique for making your stepping stones.  I have been
trying to make some, with less than perfect results.  

Thank you!!!

Sincerely,
M. Nowicki
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From owner-glass Sun Jul 13 19:48:51 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Mike's Stained Glass
Date: Sun, 13 Jul 1997 22:42:57 -0400
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i finally got around to updating my page. in all i put up 11 new tip
pages. a bunch of shopping lists, refreshed my graphics (to give them a
neater appearence). 

i also added a new project, the Azure Box, also go to the fish lamp,
(now called Aphrodite's Treasure), where i have pictures of the lamp
lit. 

Mike's Stained Glass
http://www.geocities.com/Paris/1141

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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From owner-glass Sun Jul 13 19:57:28 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: making stepping stones more saleable
Date: Sun, 13 Jul 1997 19:47:22 -0700
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Someone told it much better than I can.  I told Amy.
Check out Josh Balloch re: tendonities 7/9/97 2:33PM
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From owner-glass Sun Jul 13 19:58:03 1997
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Subject: stepping stone sale idea as a group?
Date: Sun, 13 Jul 1997 19:54:29 -0700
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----------
> 
> 
> I'd like details of how to get good results with these stained glass
stepping
> stones!

I'm doing alot of soul searching tonight.  I've been looking for pictures
of these stones in garden magazines, either as features of something new or
ads in the back, ya know, allow 4-6 weeks delivery.
Maybe as some collective group we could be featured on Better Homes and
Gardens.
Anyoneknow how to go about that without paying a fortune?

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From owner-glass Sun Jul 13 20:08:09 1997
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From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: making stepping stones more saleable
Date: Sun, 13 Jul 1997 23:07:38 -0400 (EDT)
Message-ID: <1997Jul13.19738.0>
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And now for the bad news!  Here in Montana with extreme weather conditions
we've had some bad luck with stepping stones.  Our days can go from -20 to
+40 in one day.  Some stones after being out in the weather had the glass
totally lift right off.  On others that the stone has never seen the light of
day, Youghiegeny, Uroboros and Bullsey glass cracked for no apparent reason.
 (I believe it to be stress from the difference between the concrete and the
glass expanding and contracting.)  After talking to Julie Bishop Days studio
and finding that they had some cracking with art glass, and some problems
with weather I have found several things:
    1) experiment with different brands of concrete
    2)  mix the concrete very dry
    3)suggest that the stones come in during severe weather.  Yes, you said
it, they are art.  I'm sure they don't leave their Picasso's out in the snow.
 
    4)suggest a stand for it.  As a piece of furniture, people will bring it
in.  
    5)put on your thick skin.  People who will say that they won't work etc.
aren't really buyers.  Smile.  
     
We've heard it all!  Anyone who is in retail or craft shows has listened to
so many rude comments we ought to make a book.  My favorite..."my cousin does
stained glass...and can make this for you cheaper."  Most of all, if so many
people are reluctant to pay your price, you may be in the wrong venue.  You
may need to go to a high end garden store, or a home show (ouch-there booths
can be high but your sales should rise because the people there are more
likely buyers of better items) in order to find your customers.  

Anyway, I understand your frustration but turn your customers negative
thoughts into positive ones.  I think that really can be the essence of
retail!

Dione  

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From owner-glass Sun Jul 13 21:03:39 1997
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X-Path: juno.com!dariece
From: dariece@juno.com (Dariece G. McClure)
To: glass@bungi.com
Subject: Re: making stepping stones more saleable
Date: Sun, 13 Jul 1997 23:06:20 -0500
Message-ID: <1997Jul13.18620.0>
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Precedence: bulk

Thanks Josh for all of your ideas on how they could be used. I had
thought of a few of those, but not all. Also, how about being used at a
place where the rain comes off the house? I have a friend who ask me
about that. I was not sure about the force of the water and what that
would do to the stone. Do you or anyone else have any comments about
that? 

Dariece
On Sun, 13 Jul 1997 18:24:16 -0700 "Josh Balloch" <Balloch@netbridge.net>
writes:
>I've just come from a disasterious arts and craft festival, trying to 
>sell
>my stepping stones.  If I hear one more time; "you can't walk on 
>them", or
>after you have assured them that they can, they say, "They're too 
>pretty, I
>couldn't walk on them",  I am going to be rude if not hostile to one 
>of my
>customer.
>There that's out of my system.
>My question is,  "How do we get people to accept these stones for what 
>they
>are?"   And what is that you are all asking.  I think it's yard art.  
>I
>think they need to be more in the public eye.  It bothers me that, 
>people
>want something that's in their yard to last forever.  We buy painting 
>for
>the inside of our home and expect to live with it for a few years, 
>knowing
>full well we will tire of it and replace it.  How do we get our 
>customers
>to veiw the stones the same way?  And point this out to them without
>offending them?
>My disasterious show was in the high desert, winter ski playground of
>Oregon (Or-e-gun), and they were concerned what the winters would do, 
>and
>rightfully so.  I didn't have an answer for them.  They wintered
>beautifully here on the coast and in Arizonia (low country). I need to 
>know
>how long they will stay pretty in adverse weather conditions.  I know, 
>they
>haven't been around long enough.  And that a concrete specialist would 
>most
>likely have the answer for me. And of course it depends on how they 
>are
>treated. But still I were say, "You can depend on it to be like new 
>for the
>next 10 years if it is not abused",  would that be sufficient?
>Help.
>I think this product is beautiful and should become as common place in 
>our
>yard as the spinkler system (although we don't need them here), and 
>stay
>around as a necessary yard ornament just like our mail boxes have 
>become.
>(i.e. model t cars and covered bridges etc.)
>So we can give our customer more options, here are a few uses for 
>stepping
>stone (I think they should be called garden stones), that I tell my
>customers. 
>Embed them in cement: sidewalks, steps,enterances, fences, patios, 
>pools,
>foundations, driveways, garage floors, kennels.
>Pathways to: homes, gardens, decks, patios, fish ponds, pools, hot 
>tubs,
>garbage cans, and burn barrels. and kennels.
>Accents to garden and yard.  They look great in bark mulch and 
>decorative
>rock.
>Foot holds in hard to weed areas.
>A memorial or serenity garden.
>A marker for a deceased pet. (I've already made a headstone for a man, 
>you
>have to O.K. it with the individual cemetry and get the exact 
>measurement,
>that they will allow)
>Decorations in your pool, fish pond, or hot tub.
>Use as a splash guard under your outside water faucet.
>My thought is, if this helps you sell yours, it will help me sell 
>mine.  I
>hope this works better than Reagan trickle down theory. (I'm sorry if 
>that
>is too sarcastic for the internet)
>Mike or Amy hope your tedonitis is better.
>I also want to know what size motor this drill has to have to support 
>a
>paddle mixing concrete.
>
>----
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>
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From owner-glass Sun Jul 13 21:49:42 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: making stepping stones more saleable
Date: Sun, 13 Jul 1997 21:42:29 -0700
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Precedence: bulk



----------
I see alot of us are up late tonight.  I've just had another idea.  I went
surfing the net in nurseries with the idea of asking for stained glass
stepping stones, making retailers realized there is a market for them. 
Want to join me?
As for the force of water, that shouldn't be a problem.  But one of my
customers, whose relative lives in hot eastern Oregon, said her relative
made a stepping stone and on one hot sunny day turned the cold water
sprinklers on them and cracked the glass.  I sit at open air craft shows. 
It amazes me at how many people have the need to stroke the glass.  Anyway
they get pretty hot.
As for the force of water, Dione was right about having to check concrete. 
I don't like morter.  It's too weak.  I use an old window screen and seive
out the rocks in the premix and then strengthen it with a little Portland
Type 2 & 3.  They sure stand up to my hosing down.
And thank you Dione.  I was getting pretty discouraged.  I really like
doing the stones and everyone is trying to get me to stop.

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From owner-glass Sun Jul 13 22:18:38 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: multipart/alternative; boundary="------------08C980F449598249B9453603"
Subject: Re: making stepping stones more saleable
Date: Sun, 13 Jul 1997 22:15:55 -0700
Message-ID: <1997Jul13.151555.0>
References: <<18265067212505@netbridge.net>>
Reply-To: glass@bungi.com
Precedence: bulk


--------------08C980F449598249B9453603
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Josh Balloch wrote:

> Embed them in cement: sidewalks, steps,enterances, fences, patios,
> pools,
> foundations, driveways, garage floors, kennels.
> Pathways to: homes, gardens, decks, patios, fish ponds, pools, hot
> tubs,
> garbage cans, and burn barrels. and kennels.
> Accents to garden and yard.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Josh,
        I have never made a stepping stone but I love the Peacock
pattern in Delphi's catalog so much that I talked my husband into taking
a stepping stone class with me to learn how to pour.  I'll cut the
glass,  while he mixes up some concrete... to the tune of the song "Our
house" ( is a very very very fine house, fine house with 2 cats in the
yard...)  any way you get the picture.  The project I am ( we are )
going to tackle, is a 144 inch x 92 inch patio.  One of his concerns is
what happens if you drop something on the glass, or is it slippery when
wet?  My concern is what about patio furniture legs and breakage of the
glass? Can you repair broken glass or do you have to make another stone?

        I may be crazy ( I am anyway! )to start doing something I never
have done before on such a large scale, but I always do this and for the
most part I am pretty lucky.  I'm excited!  The patio will be comprised
of about 54 hexagons. I envision a trellis pattern around the edge with
rose vine or some kind of flowers here and there and the peacock as the
focal point of it.  The peacock pattern is hexagons  and I'm not sure if
I may want to switch it to squares for the simple fact of not having to
make a half hex to even out the edge.  How would you make a half hex?
Do they yet make a mold for this?  If you have to make your own, will it
have the nice edges on it lik a full hex out of the form?  (are you
keeping up with me?)  Anyway please anyone feel free to coment,  I would
appreciate any feedback on my questions.  Am I crazy to do a whole patio
out of stepping stones?
    Thanks in advance... The class is on Saturday July 26th.
                            Melissa

--------------08C980F449598249B9453603
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<HTML>
Josh Balloch wrote:
<BLOCKQUOTE TYPE=CITE>

<P>Embed them in cement: sidewalks, steps,enterances, fences, patios, pools,
<BR>foundations, driveways, garage floors, kennels.
<BR>Pathways to: homes, gardens, decks, patios, fish ponds, pools, hot
tubs,
<BR>garbage cans, and burn barrels. and kennels.
<BR>Accents to garden and yard.</BLOCKQUOTE>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
<BR><FONT FACE="Baskerville Old Face"><FONT COLOR="#000099">Josh,</FONT></FONT>
<BR><FONT FACE="Baskerville Old Face"><FONT COLOR="#000099">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
I have never made a stepping stone but I love the</FONT><B> <FONT COLOR="#7A62AE">P</FONT><FONT COLOR="#000099">e</FONT><FONT COLOR="#006600">a</FONT><FONT COLOR="#CC66CC">c</FONT><FONT COLOR="#3333FF">o</FONT><FONT COLOR="#009900">c</FONT><FONT COLOR="#CC33CC">k
</FONT></B><FONT COLOR="#000099">pattern in Delphi's catalog so much that
I talked my husband into taking a stepping stone class with me to learn
how to pour.&nbsp; I'll cut the glass,&nbsp; while he mixes up some concrete...
to the tune of the song "Our house" ( is a very very very fine house, fine
house with 2 cats in the yard...)&nbsp; any way you get the picture.&nbsp;
The project I am ( <I>we are </I>) going to tackle, is a 144 inch x 92
inch patio.&nbsp; One of his concerns is what happens if you drop something
on the glass, or is it slippery when wet?&nbsp; My concern is what about
patio furniture legs and breakage of the glass? Can you repair broken glass
or do you have to make another stone?</FONT></FONT>
<BR><FONT FACE="Baskerville Old Face"><FONT COLOR="#000099">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
I may be crazy ( I <I>am</I> anyway! )to start doing something I never
have done before on such a large scale, but I always do this and for the
most part I am pretty lucky.&nbsp; I'm excited!&nbsp; The patio will be
comprised of about 54 hexagons. I envision a trellis pattern around the
edge with rose vine or some kind of flowers here and there and the</FONT>
<B><FONT COLOR="#7A62AE">p</FONT><FONT COLOR="#000099">e</FONT><FONT COLOR="#006600">a</FONT><FONT COLOR="#CC66CC">c</FONT><FONT COLOR="#3333FF">o</FONT><FONT COLOR="#009900">c</FONT><FONT COLOR="#CC33CC">k</FONT></B>
<FONT COLOR="#000099">as the focal point of it.&nbsp; The peacock pattern
is hexagons&nbsp; and I'm not sure if I may want to switch it to squares
for the simple fact of not having to make a half hex to even out the edge.&nbsp;
How would you make a half hex?&nbsp; Do they yet make a mold for this?&nbsp;
If you have to make your own, will it have the nice edges on it lik a full
hex out of the form?&nbsp; (are you keeping up with me?)&nbsp; Anyway please</FONT><B><FONT COLOR="#3333FF">
<I><U>anyone</U></I> </FONT></B><FONT COLOR="#000099">feel free to coment,&nbsp;
I would appreciate any feedback on my questions.&nbsp; Am I crazy to do
a whole patio out of stepping stones?</FONT></FONT>
<BR><FONT FACE="Baskerville Old Face"><FONT COLOR="#000099">&nbsp;&nbsp;&nbsp;
Thanks in advance... The class is on Saturday July 26th.</FONT></FONT>
<BR><FONT FACE="Baskerville Old Face"><FONT COLOR="#000099">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<B>&nbsp;</B></FONT></FONT><B><I><FONT FACE="Harrington"><FONT COLOR="#7D33AE">
</FONT><FONT COLOR="#379172"><FONT SIZE=+1>Melissa</FONT></FONT></FONT></I></B></HTML>

--------------08C980F449598249B9453603--

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From owner-glass Sun Jul 13 23:11:54 1997
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X-Path: aol.com!Pboba
From: Pboba@aol.com
To: glass@bungi.com
Subject: Re: leaded glass question
Date: Mon, 14 Jul 1997 02:10:30 -0400 (EDT)
Message-ID: <1997Jul13.221030.0>
Reply-To: glass@bungi.com
Precedence: bulk

If your work table is plywood, simply use a compass to draw a circle with the
needed diameter. You can add a vertical and a horizontal reference if you
like as well.  Then set a horseshoe nail into your table along the diameter
line. One nail every inch or so should be sufficient. Only set nails to the
lower half of the cirlce.  You can finish nailing the perimeter as you
continue to lead the panel together. 

Hope this helps.

pboba@aol.com
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From owner-glass Sun Jul 13 23:30:34 1997
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X-Path: aol.com!Pboba
From: Pboba@aol.com
To: glass@bungi.com
Subject: Re: Took advice from the experts!
Date: Mon, 14 Jul 1997 02:29:11 -0400 (EDT)
Message-ID: <1997Jul13.222911.0>
Reply-To: glass@bungi.com
Precedence: bulk

Is that you, Jackie? Think SGW. 
Good old windex on a clean cloth will remove most of the flux from your
panel.  I,m assuming that you are using a water soluble liquid flux. The goal
is to remove the flux from the lead.  This prevents the flux from discoloring
the lead, and giving  the paenl a blotchy appearance after cementing.

See you soon.

pboba
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From owner-glass Sun Jul 13 23:48:46 1997
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X-Path: aol.com!Pboba
From: Pboba@aol.com
To: glass@bungi.com
Subject: Re: Wrong Side Of Float Glass
Date: Mon, 14 Jul 1997 02:47:09 -0400 (EDT)
Message-ID: <1997Jul13.22479.0>
Reply-To: glass@bungi.com
Precedence: bulk

Float glass gets its name from the process by which it is made.  Remember the
liquids seek their own level. Molten glass is poured (floated) onto a large
"table" that contains a layer of molten zinc.  The glass "liquid" floats on
the molten zinc until it achieves its proper, uniform thickness. This liquid
to liquid interface also gives a material that is perfectly smooth on both
surfaces.  The temperature of the zinc is then lowered until the glass above
becomes rigid, and has been allowed to anneal.  The glass can then be handled
by whatever fancy machines the plant might employ.
The "wrong" side of float glass is of concern primarily to the glass painter
and stainer. The glass surface that was in contact with the molten zinc will
have some number of molecules of metallic zinc in among the silica matrix.
 These molecules create problems during the firing cycle of a painted glass
piece.

pboba
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From owner-glass Mon Jul 14 04:25:34 1997
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X-Path: tiac.net!phil7
From: Philip McRae <phil7@tiac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 07:22:21 -0700
Message-ID: <1997Jul14.02221.0>
References: <<1997Jul13.151555.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Melissa...

Cracking of concrete with glass imbeded in it, is a problem of the
freeze/thaw cycle.  Treat it as you would a tender plant. A heavy mulch
over stepping stones will allow it to freeze, and stay frozen all
winter, or if deep enough, allow it not to freeze.  Here in New England
we mulch carrots and others with 24" of leaves, hay etc.  The root crops
never freeze, even with below zero temps.

For your patio, small pieces of glass, will reduce the breakage from
falling objects. (it will also show up less)

For winter protection, get it good and dry, cover with perhaps a thick
rug, use no salt for ice clearing, and be sure all voids, holes etc. are
filled. Extra care on such a large project is most important. Watch the
glass being used, some glass has ridges, be sure to set them with no air
space behind them, and the smaller the better.

phil7





Melissa Thaxton wrote:

>
>
> Josh Balloch wrote:
>
>> Embed them in cement: sidewalks, steps,enterances, fences, patios,
>> pools,
>> foundations, driveways, garage floors, kennels.
>> Pathways to: homes, gardens, decks, patios, fish ponds, pools, hot
>> tubs,
>> garbage cans, and burn barrels. and kennels.
>> Accents to garden and yard.
>
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> Josh,
>         I have never made a stepping stone but I love the Peacock
> pattern in Delphi's catalog so much that I talked my husband into
> taking a stepping stone class with me to learn how to pour.  I'll cut
> the glass,  while he mixes up some concrete... to the tune of the song
> "Our house" ( is a very very very fine house, fine house with 2 cats
> in the yard...)  any way you get the picture.  The project I am ( we
> are ) going to tackle, is a 144 inch x 92 inch patio.  One of his
> concerns is what happens if you drop something on the glass, or is it
> slippery when wet?  My concern is what about patio furniture legs and
> breakage of the glass? Can you repair broken glass or do you have to
> make another stone?
>         I may be crazy ( I am anyway! )to start doing something I
> never have done before on such a large scale, but I always do this and
> for the most part I am pretty lucky.  I'm excited!  The patio will be
> comprised of about 54 hexagons. I envision a trellis pattern around
> the edge with rose vine or some kind of flowers here and there and the
> peacock as the focal point of it.  The peacock pattern is hexagons
> and I'm not sure if I may want to switch it to squares for the simple
> fact of not having to make a half hex to even out the edge.  How would
> you make a half hex?  Do they yet make a mold for this?  If you have
> to make your own, will it have the nice edges on it lik a full hex out
> of the form?  (are you keeping up with me?)  Anyway please anyone feel
> free to coment,  I would appreciate any feedback on my questions.  Am
> I crazy to do a whole patio out of stepping stones?
>     Thanks in advance... The class is on Saturday July 26th.
>                             Melissa



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From owner-glass Mon Jul 14 04:50:35 1997
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X-Path: wt.com.au!rdeint
From: "Rexort International Pty Ltd" <rdeint@wt.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Wrong Side Of Float Glass
Date: Mon, 14 Jul 1997 19:47:22 +0800
Message-ID: <199707141143.TAA03703@sage.wt.com.au>
Reply-To: glass@bungi.com
Precedence: bulk

Dear pboba

Please allow a small correction.

The bath is molten tin. They are some other chemical elements which could
be used in the process,
but there cost is prohibitive.

The glass enters the float bath at approx. 1100C.

Without looking up exact properties, zinc would quickly evaporate at these
process temperatures using
athmospheric pressure.

Annealing is done in a lehr after leaving the tin bath (approx 600C).
Annealing temperature for float
is in the proximity of 550C.

Harald
----------------------
HiGlass
Manufacturers of Coloured Sheet Glass and Fused Glass Products
Perth, Australia
email: rdeint@wt.com.au
URL: http://www.wt.com.au/~rdeint/higlass.htm


 ----
From: Pboba@aol.com
To: glass@bungi.com
Date: Monday, 14 July 1997 14:58
Subject: Re: Wrong Side Of Float Glass

>Float glass gets its name from the process by which it is made.  Remember
the
>liquids seek their own level. Molten glass is poured (floated) onto a
large
>"table" that contains a layer of molten zinc.  The glass "liquid" floats
on
>the molten zinc until it achieves its proper, uniform thickness. This
liquid
>to liquid interface also gives a material that is perfectly smooth on
both
>surfaces.  The temperature of the zinc is then lowered until the glass
above
>becomes rigid, and has been allowed to anneal.  The glass can then be
handled
>by whatever fancy machines the plant might employ.
>The "wrong" side of float glass is of concern primarily to the glass
painter
>and stainer. The glass surface that was in contact with the molten zinc
will
>have some number of molecules of metallic zinc in among the silica
matrix.
> These molecules create problems during the firing cycle of a painted
glass
>piece.
>
>pboba
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
> 

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From owner-glass Mon Jul 14 04:58:20 1997
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>, "'M. Savad'" <morn@nac.net>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Mike's Stained Glass
Date: Mon, 14 Jul 1997 07:57:25 -0400
Message-ID: <1997Jul14.35725.0>
Reply-To: glass@bungi.com
Precedence: bulk

Mike,

Thanks for the update to your pages. Great stuff. Hope you don't mind if I print some of the tips out and take them home for reference. 

Oh, and you look just like I thought you would...except for the dimple...that was a bonus.

Linda Campbell
I don't speak for Metro Machine no they for me.

Mike said:
----------
Mike said:


i finally got around to updating my page. in all i put up 11 new tip
pages. a bunch of shopping lists, refreshed my graphics (to give them a
neater appearence). 

i also added a new project, the Azure Box, also go to the fish lamp,
(now called Aphrodite's Treasure), where i have pictures of the lamp
lit. 



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From owner-glass Mon Jul 14 06:01:53 1997
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X-Path: netrox.net!athena
From: "M.-J. Taylor" <athena@netrox.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 09:04:36 -0400
Message-ID: <3.0.1.32.19970714090436.006d178c@pop.netrox.net>
References: <<1997Jul13.18513.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Hi,

You wrote:
>Please describe your technique for making your stepping stones. 

I'll be glad to pass along a sheaf of files on the technique -- including a
great compilation of bungi archives Dawn painstakingly made and what I
pulled from AOL and other sources -- to anyone who sends me private email
requesting it. 

Just let me know whether you have a way to extract .zip files or whether
you need them sent individually.

Cheers,

M.-J.
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From owner-glass Mon Jul 14 06:15:41 1997
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X-Path: digital.net!dti
From: Jennifer Daniels <dti@digital.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Diamond Max 
Date: Mon, 14 Jul 1997 09:14:19 -0400 (EDT)
Message-ID: <199707141314.JAA06982@ddi.digital.net>
Reply-To: glass@bungi.com
Precedence: bulk

Dear Byron,

Thanks for your interest in the Diamond Max.  As Mike wrote this subject was
recently discussed (these grinders are getting popular).  I've copied the
responses from Bungi.  To learn more about the Diamond Max and other DTI
products please visit our online catalog at
http://www.artglassworld.com/supply/dti/catalog.html or call 800-937-9593.

Sincerely,
Jennifer Daniels
Diamond Tech International

From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Subject: Re: Diamond Max Question
Date: Mon, 30 Jun 1997 18:35:08 -0400
References: <<1997Jun30.111050.0>>
Reply-To: glass@bungi.com
Organization: @Home Network

Hi Jerri,

You will love your Diamond Max grinder, it can also be turned into a
bevel machine. I've had mine for about 1 1/2 years now, tech support is
great too.  The first disk delaminated, I called direct, and they sent
another right away.  The problem was in the adhesive they used in the
early days, that is solved now.  Bits have been fine.  I can do angle
grinding, bevels, use the 1/4 bit for small stuff, or to drill holes in
glass.  The 6 inch disk is great for quickly grinding a straight edge. 
Makes boxes and other square and rectangular shapes a snap.

To: "'glass@bungi.com'" <glass@bungi.com>, "'M. Savad'" <morn@nac.net>
Subject: RE: Diamond Max Question
Date: Mon, 30 Jun 1997 18:56:57 -0100
Reply-To: glass@bungi.com

In regards to your new Diamond Max grinder.. I have one and I enjoy it.. =
Use it mainly  for the straight edges.. As a hint or favor, watch your =
first pieces that you grind on the straight edge/beveler.. The new disc =
will chip your glass.. either  do a piece that you will use a larger =
foil or use some scrap glass to break in the  disc.  I had a some chunks =
taken out of my glass on the first things I made from it.. Now it is =
fine and I would not do without it.
Gloria

From: SusieHUs@aol.com
To: glass@bungi.com
Subject: Re: Diamond Max Question
Date: Thu, 3 Jul 1997 02:49:31 -0400 (EDT)
Reply-To: glass@bungi.com

I have only been doing stained glass for a short while but I bought a Diamond
Max and like it.  I wasn't as thrilled with the lack of instructions on how
to assemble and use it but I do like how this machine works.  If you have no
experience with grinders, then I'd suggest another because of that lack, but
if you have used them at a class or have a reasonable knowledge of how
they're supposed to go together, then you would probably like this one.  I
haven't used the straight edge yet myself but I like how easy it is to use
compared to the ones I tried out during 7 weeks of class use.  I bought the
deluxe package with the foot pedal and I especially LOVE how much simpler
that makes it to use.  No more flipping the switch on-off-on-off.  Just step
on it and it goes.  Walk away and it stops.  Simple enough!

Susie


At 07:38 PM 7/11/97 +0000, you wrote:
>
>
>Hi All....
>
>
> Can I get some opinions on the Diamond Max grinder?? I'm looking for 
>something I can bevel edges on glass for Sconce Lights.... The 
>Diamond Max looks like what I want and at a reasonable price.. The 
>bevels just dont come out very good with my Glastar regular 
>grinder...
>
>
> Thanks in advance!
>
>Byron...
>
>Wells Glassworks
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>


----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 06:24:12 1997
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X-Path: digital.net!dti
From: Jennifer Daniels <dti@digital.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Diamond Max Question
Date: Mon, 14 Jul 1997 09:22:47 -0400 (EDT)
Message-ID: <199707141322.JAA07868@ddi.digital.net>
Reply-To: glass@bungi.com
Precedence: bulk

Know this was discussed while I was at the AGSA show but we continue to get
a lot of interest and questions from Bungi readers so here it goes.  The
Diamond Max is a flat disk and bit grinder.  There is a Bevel Block included
to do straight edges and 30 and 45 degree edges (great for boxes and panel
lamps). The Bevel Max is a studio beveling machine which includes the four
steps necessary to make a custom made bevel.  Max grinders all share the
same base so you can turn your Bevel Max into a Diamond Max or your Diamond
Max into a Bevel Max.  All grinders have a 5 year warranty and all are
equipped with a 1/8 hp motor, the fastest motor of any grinder in stained
glass.  For more information on these tools please visit our online catalog
at http://www.artglassworld.com/supply/dti/catalog.html or call 800-937-9593
to find the dealer nearest you.  Thanks to everyone for their interest and
the positive feedback I've read. 

Sincerely,
Jennifer Daniels
Diamond Tech International

At 07:49 AM 7/1/97 -0700, you wrote:
>Hi Everyone:  What is the major difference in the Diamond Max and the
>Diamond Max Bevel machine?  I understand one can be converted to the other
>and vice-versa.  
>
>PJ
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

----
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Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 06:25:32 1997
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X-Path: digital.net!dti
From: Jennifer Daniels <dti@digital.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Diamond Max Question
Date: Mon, 14 Jul 1997 09:24:12 -0400 (EDT)
Message-ID: <199707141324.JAA08013@ddi.digital.net>
Reply-To: glass@bungi.com
Precedence: bulk

Dear Lee,

Thanks for the positive comments.  Glad you are enjoying the Diamond Max.
Please call 800-937-9593 if you ever need anything.

Jennifer 
Diamond Tech International

At 06:35 PM 6/30/97 -0400, you wrote:
>Hi Jerri,
>
>You will love your Diamond Max grinder, it can also be turned into a
>bevel machine. I've had mine for about 1 1/2 years now, tech support is
>great too.  The first disk delaminated, I called direct, and they sent
>another right away.  The problem was in the adhesive they used in the
>early days, that is solved now.  Bits have been fine.  I can do angle
>grinding, bevels, use the 1/4 bit for small stuff, or to drill holes in
>glass.  The 6 inch disk is great for quickly grinding a straight edge. 
>Makes boxes and other square and rectangular shapes a snap.
>
>Lee Boe
>Rain-Boe's Creations
>
>Jerri M Roey wrote:
>> 
>> Hi all,
>> 
>>         My husband just got me a Diamond Max grinder for our anniversary.
>>  (Sure beats the traditional wood, paper, brass stuff--whatever it'd be
>> for 13 years.)  My first thought was that I didn't need another grinder.
>> I have an 11 year old Wizard that has always worked great, but this one
>> does seem to have some nice features like for straight edges and mitred
>> edges.  Would anyone that has some feedback for me on this grinder give
>> me your opinion?  We can return it if I don't want it, but I assume
>> that's only if we don't use it, which I haven't yet.
>> 
>> Many thanks,
>> 
>> Jerri
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>
================================================================
Jennifer Daniels                    agw@digital.net
Art Glass World                     http://www.artglassworld.com
4002 W. State Street                phone: 813-348-0605
Tampa, FL  33609  USA               fax: 813-872-6288
================================================================

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 06:26:24 1997
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: digital.net!dti
From: Jennifer Daniels <dti@digital.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Diamond Max Question
Date: Mon, 14 Jul 1997 09:24:49 -0400 (EDT)
Message-ID: <199707141324.JAA08100@ddi.digital.net>
Reply-To: glass@bungi.com
Precedence: bulk

Dear Gloria,

Thanks for the positive comments.  Glad you are enjoying the Diamond Max.
Please call 800-937-9593 if you ever need anything.

Jennifer 
Diamond Tech International

At 06:56 PM 6/30/97 -0100, you wrote:
>
>
>In regards to your new Diamond Max grinder.. I have one and I enjoy it.. =
>Use it mainly  for the straight edges.. As a hint or favor, watch your =
>first pieces that you grind on the straight edge/beveler.. The new disc =
>will chip your glass.. either  do a piece that you will use a larger =
>foil or use some scrap glass to break in the  disc.  I had a some chunks =
>taken out of my glass on the first things I made from it.. Now it is =
>fine and I would not do without it.
>Gloria
>
>----------
>From:  M. Savad[SMTP:morn@nac.net]
>Sent:  Monday, June 30, 1997 8:48 PM
>To:  glass@bungi.com
>Subject:  Re: Diamond Max Question
>
>Jerri M Roey wrote:
>>=20
>> Hi all,
>>=20
>>         My husband just got me a Diamond Max grinder for our =
>anniversary.
>>  (Sure beats the traditional wood, paper, brass stuff--whatever it'd =
>be
>> for 13 years.)  My first thought was that I didn't need another =
>grinder.
>> I have an 11 year old Wizard that has always worked great, but this =
>one
>> does seem to have some nice features like for straight edges and =
>mitred
>> edges.  Would anyone that has some feedback for me on this grinder =
>give
>> me your opinion?  We can return it if I don't want it, but I assume
>> that's only if we don't use it, which I haven't yet.
>>=20
>> Many thanks,
>>=20
>> Jerri
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>
>
>i would keep it, i myself, have around 4 grinders. some do different
>things. i love by twin spin, your's is basically the same thing. it's
>great if you need to may a tight fitting corner. so far i've used it
>quite a bit. plus it has a more powerful motor then the inland.
>
>---Mike Savad
>
>--=20
>Mike's Stained Glass
>http://www.geocities.com/Paris/1141
> New Pages Added:
> - New Instructional Guides Added!!!
> - The Creative Process
> - How to Find Patterns for Suncatchers
> - Picking Out Glass in the Store
> - 5 New Pictures in the 3-D Catagory
> - 2 New Pictures in the Panel Catagory
> - Updated Shots of The Heart of Atlantis, and Japanese Garden
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>
================================================================
Jennifer Daniels                    agw@digital.net
Art Glass World                     http://www.artglassworld.com
4002 W. State Street                phone: 813-348-0605
Tampa, FL  33609  USA               fax: 813-872-6288
================================================================

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 07:17:16 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 10:11:03 -0400
Message-ID: <1997Jul14.6113.0>
References: <<21480601612769@netbridge.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Josh Balloch wrote:
> 
> ----------
> I see alot of us are up late tonight.  I've just had another idea.  I went
> surfing the net in nurseries with the idea of asking for stained glass
> stepping stones, making retailers realized there is a market for them.
> Want to join me?
> As for the force of water, that shouldn't be a problem.  But one of my
> customers, whose relative lives in hot eastern Oregon, said her relative
> made a stepping stone and on one hot sunny day turned the cold water
> sprinklers on them and cracked the glass.  I sit at open air craft shows.
> It amazes me at how many people have the need to stroke the glass.  Anyway
> they get pretty hot.
> As for the force of water, Dione was right about having to check concrete.
> I don't like morter.  It's too weak.  I use an old window screen and seive
> out the rocks in the premix and then strengthen it with a little Portland
> Type 2 & 3.  They sure stand up to my hosing down.
> And thank you Dione.  I was getting pretty discouraged.  I really like
> doing the stones and everyone is trying to get me to stop.
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i was thinking, maybe (and this idea might be a little far fetched), but
maybe if you were to first mix in fiberglass strands in the concrete
mix. and then pour a bar top finsh over the glass. the finish (an epoxy
coat basically), may be able to hold the glass together better. but of
course that would change the look of it, and the price.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 07:43:17 1997
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X-Path: easyinternet.net!Keith
From: "Keith Robinson" <Keith@easyinternet.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 10:39:11 -0400
Message-ID: <199707141345.JAA24283@ns.easyinternet.net>
Reply-To: glass@bungi.com
Precedence: bulk

HI 

I AM INTERESTED IN MAKING  STEPPING STONES, AND WOULD LIKE TO RECIEVE YOUR
TECHNIQUES ETC.  

  THANK -YOU

----------> From: M.-J. Taylor <athena@netrox.net>
> To: glass@bungi.com
> Subject: Re: making stepping stones more saleable
> Date: Monday, July 14, 1997 9:04 AM
> 
> Hi,
> 
> You wrote:
> >Please describe your technique for making your stepping stones. 
> 
> I'll be glad to pass along a sheaf of files on the technique -- including
a
> great compilation of bungi archives Dawn painstakingly made and what I
> pulled from AOL and other sources -- to anyone who sends me private email
> requesting it. 
> 
> Just let me know whether you have a way to extract .zip files or whether
> you need them sent individually.
> 
> Cheers,
> 
> M.-J.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 07:43:44 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: my page again
Date: Mon, 14 Jul 1997 10:37:45 -0400
Message-ID: <1997Jul14.63745.0>
Reply-To: glass@bungi.com
Precedence: bulk

i forgot to mention that along with the new helpfull pages, i also put
in my BIO with a picture of me. the picture is ok i guess. eventually i
try to get a clearer shot of me. this one was blown up quite a bit, and
is still a little blurred...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added:
 - New Instructional Guides Added!!!
 - The Creative Process
 - How to Find Patterns for Suncatchers
 - Picking Out Glass in the Store
 - 5 New Pictures in the 3-D Catagory
 - 2 New Pictures in the Panel Catagory
 - Updated Shots of The Heart of Atlantis, and Japanese Garden
----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 07:47:39 1997
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From: "Keith Robinson" <Keith@easyinternet.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 10:43:33 -0400
Message-ID: <199707141350.JAA24340@ns.easyinternet.net>
Reply-To: glass@bungi.com
Precedence: bulk

HI

I FORGOT TO AND MY EMAIL ADDRESS AND THAT I WOULD LIKE ONE AT A TIME , I
HAVE NO WAY TO OPEN COMPRESSD FILES.

KEITH@EASYINTERNET.NET

----------
> From: M.-J. Taylor <athena@netrox.net>
> To: glass@bungi.com
> Subject: Re: making stepping stones more saleable
> Date: Monday, July 14, 1997 9:04 AM
> 
> Hi,
> 
> You wrote:
> >Please describe your technique for making your stepping stones. 
> 
> I'll be glad to pass along a sheaf of files on the technique -- including
a
> great compilation of bungi archives Dawn painstakingly made and what I
> pulled from AOL and other sources -- to anyone who sends me private email
> requesting it. 
> 
> Just let me know whether you have a way to extract .zip files or whether
> you need them sent individually.
> 
> Cheers,
> 
> M.-J.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 08:05:55 1997
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X-Path: usaor.net!3hounds
From: Gloria Drag <3hounds@usaor.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: stepping stone sale idea as a group?
Date: Mon, 14 Jul 1997 11:07:59 -0400
Message-ID: <1997Jul14.7759.0>
References: <<19570063112611@netbridge.net>>
Reply-To: glass@bungi.com
Precedence: bulk

I receive loads of catalogs, from gardening ideas, 
home ideas, to Mystic ideas (Red Rose and The 
dragon catalog) I have yet to see one, Garden Stone 
(I also like this name over stepping stone).. I 
have seen cemented stones, and now they have stones 
that are hand painted, but no glass..  


Josh Balloch wrote:

> 
> ----------
> >
> >
> > I'd like details of how to get good results with these stained glass
> stepping
> > stones!
> 
> I'm doing alot of soul searching tonight.  I've been looking for pictures
> of these stones in garden magazines, either as features of something new or
> ads in the back, ya know, allow 4-6 weeks delivery.
> Maybe as some collective group we could be featured on Better Homes and
> Gardens.
> Anyoneknow how to go about that without paying a fortune?
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
For subscription changes, please mail to: glass-request@bungi.com
To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 09:59:33 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Re[2]: making stepping stones more saleable
Date: Mon, 14 Jul 97 09:02:35 PST
Message-ID: <9706148688.AA868898838@mfi.com>
Reply-To: glass@bungi.com
Precedence: bulk

     
Please send to shaley@mfi.com   -- not compressed.  Thanks. 

______________________________ Reply Separator _________________________________
Subject: Re: making stepping stones more saleable
Author:  glass@bungi.com at Internet
Date:    7/14/97 8:50 AM


HI
     
I FORGOT TO AND MY EMAIL ADDRESS AND THAT I WOULD LIKE ONE AT A TIME , I 
HAVE NO WAY TO OPEN COMPRESSD FILES.
     
KEITH@EASYINTERNET.NET
     
----------
> From: M.-J. Taylor <athena@netrox.net> 
> To: glass@bungi.com
> Subject: Re: making stepping stones more saleable 
> Date: Monday, July 14, 1997 9:04 AM
> 
> Hi,
> 
> You wrote:
> >Please describe your technique for making your stepping stones. 
> 
> I'll be glad to pass along a sheaf of files on the technique -- including 
a
> great compilation of bungi archives Dawn painstakingly made and what I
> pulled from AOL and other sources -- to anyone who sends me private email 
> requesting it. 
> 
> Just let me know whether you have a way to extract .zip files or whether 
> you need them sent individually.
> 
> Cheers,
> 
> M.-J.
> ----
> For subscription changes, please mail to: glass-request@bungi.com 
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass 
----
For subscription changes, please mail to: glass-request@bungi.com 
To send to the list,      please mail to: glass@bungi.com 
Archives available at http://www.bungi.com/glass

----
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Archives available at http://www.bungi.com/glass

From owner-glass Mon Jul 14 10:08:10 1997
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From: "Barbara A. Roman" <barb@**boffo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: using zinc came and copper foil in window
Date: Mon, 14 Jul 1997 13:09:05 -0400
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Organization: Boffo Games, Inc.
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Hello all!

I'm starting to plan a window for my brother's Victorian house as a
house-warming gift.  He and his girlfriend selected a lovely pattern
which has fuschias and some swirly pieces, and the area around the
central floral motif is a regular grid with straight lines.   So my
question is, if I do the more intricate areas in copper foil, can I do
the straight pieces with the zinc came?  Also, the border has bevel
potential (I like bevels!); should I use foil or came for the bevel and
border pieces?  I've seen the combination of the two in a cabinet door
and a large window pattern in Glass Patterns Quarterly, so I have some
reference on it, but I'd love to hear your experiences and advice on
this.  And would the use of zinc came be sufficient strengthening in a
20 in. X 27 in. window, or should I still use re-bar or re-strip? (It
would not be "openable" - just permanently installed)

Thanks in advance,
Barb
barb@boffo.com
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From owner-glass Mon Jul 14 10:12:13 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 09:44:44 -0700
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----------
> From: Philip McRae <phil7@tiac.net>
> To: glass@bungi.com
> Subject: Re: making stepping stones more saleable
Thank you very much for the info.  Do you mind if I write that up and give
it to my customers?


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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 09:40:36 -0700
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Hi Mike,
Sorry, I forgot to tell ya.  I do use fiber mesh as a support system, much
better, much cheaper, and mucho much easier than chicken wire!
As for the epoxy,  I think it would scratch way too easy.  But wouldn't
that be a great idea for table tops etc.

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From owner-glass Mon Jul 14 10:12:15 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: peacock patio
Date: Mon, 14 Jul 1997 10:08:55 -0700
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what a fabulous and ambitious project!
Yes patio furniture will scratch the glass.  I took one of my stepping
stones and placed it on top of another one and rub the ____ out of it and
it did scatch the glass.  I take stones in the back seat of my car to
shows.  I stack them 10 high, if they are off balance or not protected
inbetween they are scratched and have broken.
I find the stones that are at least 2" deep and are cured 14 days plus are
stronger. (I use cut up egg crate mattress pieces between the stones)
I would suggest that you incorporate a plain area where the furniture can
go.
No they do not make 1/2 hexagon molds.  But why not make your own out of
wood.  You could make several.  They are cheaper and you could pour more
than one at a time.  
I take a week getting 13 stones (cause that's how many molds I have (no I
didn't pay $24.95 for each one, I use potted plant drip catchers that cost
me $2.20 ea.)) ready to pour.  Then I can pour them all at one time.  Takes
me about 3 hours to do that pour.  If my sons help me, I can half that
time.
One more note and I hope you are not getting tired of this subject, but
when they are wet (which they usually are here on the coast) you can't see
the scratches and they are so much prettier (have you  guessed yet that my
name is shirley not jost, this is my son's computer, don't know what I'm
going to do when he takes it back to college with him in the fall.  He
insisted I learn how to use it and now he can hardly get to it.)

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From owner-glass Mon Jul 14 11:10:11 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: end of story
Date: Mon, 14 Jul 1997 11:06:48 -0700
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I am very curious what effects are comments have.  It's like not being able
to hear the end of a good story.  How about letting us know how our
comments helped or didn't help and how your projects turned out.
Curiously yours Shirley B.
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From owner-glass Mon Jul 14 11:20:21 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: art glass world
Date: Mon, 14 Jul 1997 11:17:31 -0700
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I also lurk at art glass world chat line and I haven't been able to get
through to them for 5 days now.  Anyone know why or am I the only one
having the problem?

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From owner-glass Mon Jul 14 11:35:46 1997
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From: Philip McRae <phil7@tiac.net>
To: glass@bungi.com
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Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 14:33:30 -0700
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Josh (Shirley)?

Use it with pleasure.

Regards

phil7

Josh Balloch wrote:

> ----------
> > From: Philip McRae <phil7@tiac.net>
> > To: glass@bungi.com
> > Subject: Re: making stepping stones more saleable
> Thank you very much for the info.  Do you mind if I write that up and
> give
> it to my customers?
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Mon Jul 14 13:49:57 1997
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From: Jennifer Daniels <agw@digital.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: art glass world
Date: Mon, 14 Jul 1997 16:48:32 -0400 (EDT)
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I checked the site and was able to connect.  Please check again and contact
agw@digital.net if you have any problems.  Thanks for visiting.

Jennifer

At 11:17 AM 7/14/97 -0700, you wrote:
>I also lurk at art glass world chat line and I haven't been able to get
>through to them for 5 days now.  Anyone know why or am I the only one
>having the problem?
>
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>
>
================================================================
Jennifer Daniels                    agw@digital.net
Art Glass World                     http://www.artglassworld.com
4002 W. State Street                phone: 813-348-0605
Tampa, FL  33609  USA               fax: 813-872-6288
================================================================

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From owner-glass Mon Jul 14 14:30:06 1997
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From: len alcamo <alcamoz@mwt.net>
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Subject: pieces of glass stuck in concrete
Date: Mon, 14 Jul 1997 16:26:56 -0500 (CDT)
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 I think the stepping stone crowd had better do more making and less
talking... by next summer they will be selling them in Walmart for half of
the lowest price you would be willing to make one for.... thanks to our 3rd
world brothers and sisters :-)

Len 

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From owner-glass Mon Jul 14 14:31:25 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: using zinc came and copper foil in window
Date: Mon, 14 Jul 1997 17:25:22 -0400
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Barbara A. Roman wrote:
> 
> Hello all!
> 
> I'm starting to plan a window for my brother's Victorian house as a
> house-warming gift.  He and his girlfriend selected a lovely pattern
> which has fuschias and some swirly pieces, and the area around the
> central floral motif is a regular grid with straight lines.   So my
> question is, if I do the more intricate areas in copper foil, can I do
> the straight pieces with the zinc came?  Also, the border has bevel
> potential (I like bevels!); should I use foil or came for the bevel and
> border pieces?  I've seen the combination of the two in a cabinet door
> and a large window pattern in Glass Patterns Quarterly, so I have some
> reference on it, but I'd love to hear your experiences and advice on
> this.  And would the use of zinc came be sufficient strengthening in a
> 20 in. X 27 in. window, or should I still use re-bar or re-strip? (It
> would not be "openable" - just permanently installed)
> 
> Thanks in advance,
> Barb
> barb@boffo.com
> --
> to reply, remove ** from address
> ----
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foil can be used in combination, but it may stick out when looked at. it
would have to be blended in, in some way.

---Mike Savad

-- 
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http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 17:29:25 -0400
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Josh Balloch wrote:
> 
> Hi Mike,
> Sorry, I forgot to tell ya.  I do use fiber mesh as a support system, much
> better, much cheaper, and mucho much easier than chicken wire!
> As for the epoxy,  I think it would scratch way too easy.  But wouldn't
> that be a great idea for table tops etc.
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i don't do stones yet, but how about this idea: i wonder if that
jewelery grinding bit would work. if a groove was formed in the edge,
maybe the cement could hold the glass in better. though the cement would
have to pretty loose..just an idea, it probably would'nt work anyway...

---Mike Savad

-- 
Mike's Stained Glass
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 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
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From owner-glass Mon Jul 14 15:57:19 1997
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Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 18:52:20 -0400
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Hi John, 

Only comment I have, is the question on water run off on the stones.  If
placed at the bottom of a down spout, eventually the water will wear
away the concrete from around the glass.  Note what water does in cliffs
and erosion.  Same thing at a 'drip' line under the eaves of the house.  

You may find a better market to Nursery and Garden supply stores, than
craft fairs.  The main reason I don't do the stones is weight.  I have a
hard enough time shifting and moving inventory boxes and show
equipment.  I do like them though.  Good luck-

Lee Boe
Rain-Boe's Creations
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From owner-glass Mon Jul 14 16:41:58 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 16:30:28 -0700
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> maybe the cement could hold the glass in better. though the cement would
> have to pretty loose..just an idea, it probably would'nt work anyway...
> 
> ---Mike Savad://www.bungi.com/glass
It's been experience that the glass only falls out if you haven't let the
concrete dry long enough, or you didn't get it completely around the glass.
Believe me, I take a wire brush to mine and still don't disturb the glass.
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From owner-glass Mon Jul 14 21:20:31 1997
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Subject: Re: making stepping stones more saleable
Date: Mon, 14 Jul 1997 21:17:33 -0700
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Philip McRae wrote:

> Melissa...
>
> Cracking of concrete with glass imbeded in it, is a problem of the
> freeze/thaw cycle.  Treat it as you would a tender plant. A heavy
> mulch
> over stepping stones will allow it to freeze, and stay frozen all
> winter, or if deep enough, allow it not to freeze.  Here in New
> England
> we mulch carrots and others with 24" of leaves, hay etc.  The root
> crops
> never freeze, even with below zero temps.
>
> For your patio, small pieces of glass, will reduce the breakage from
> falling objects. (it will also show up less)
>
> For winter protection, get it good and dry, cover with perhaps a thick
>
> rug, use no salt for ice clearing, and be sure all voids, holes etc.
> are
> filled. Extra care on such a large project is most important. Watch
> the
> glass being used, some glass has ridges, be sure to set them with no
> air
> space behind them, and the smaller the better.
>
> phil7
>

Philip,
            I live in the Sacramento Ca. area, very seldom do we have a
hard freeze.  I was more worried about the glass breaking and if it does
can you repair it or do you have to remake the whole stone?
            I grew up in Hingham Mass. Where are you?
Thanks,
            Melissa

--------------EAA338BA5235091494E5A288
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<HTML>
Philip McRae wrote:
<BLOCKQUOTE TYPE=CITE>Melissa...

<P>Cracking of concrete with glass imbeded in it, is a problem of the
<BR>freeze/thaw cycle.&nbsp; Treat it as you would a tender plant. A heavy
mulch
<BR>over stepping stones will allow it to freeze, and stay frozen all
<BR>winter, or if deep enough, allow it not to freeze.&nbsp; Here in New
England
<BR>we mulch carrots and others with 24" of leaves, hay etc.&nbsp; The
root crops
<BR>never freeze, even with below zero temps.

<P>For your patio, small pieces of glass, will reduce the breakage from
<BR>falling objects. (it will also show up less)

<P>For winter protection, get it good and dry, cover with perhaps a thick
<BR>rug, use no salt for ice clearing, and be sure all voids, holes etc.
are
<BR>filled. Extra care on such a large project is most important. Watch
the
<BR>glass being used, some glass has ridges, be sure to set them with no
air
<BR>space behind them, and the smaller the better.

<P>phil7
<BR>&nbsp;</BLOCKQUOTE>
<FONT FACE="Harrington">Philip,</FONT>
<BR><FONT FACE="Harrington">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
I live in the Sacramento Ca. area, very seldom do we have a hard freeze.&nbsp;
I was more worried about the glass breaking and if it does can you repair
it or do you have to remake the whole stone?</FONT>
<BR><FONT FACE="Harrington">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
I grew up in Hingham Mass. Where are you?</FONT>
<BR><FONT FACE="Harrington">Thanks,</FONT>
<BR><FONT FACE="Harrington">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Melissa</FONT></HTML>

--------------EAA338BA5235091494E5A288--

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From owner-glass Mon Jul 14 21:38:21 1997
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> what a fabulous and ambitious project!

> Thanks

> Yes patio furniture will scratch the glass.

    Darn, The patio isn't very big but I was planning to have some just
plain concrete stepping stones (garden stones, I like that better too,
it is befitting Stained Glass Art ) in the middle of the design.

> No they do not make 1/2 hexagon molds.  But why not make your own out
> of
> wood.  You could make several.  They are cheaper and you could pour
> more
> than one at a time.

>  But the molds are rounded on the edges, how would you get that
> effect?

when they are wet (which they usually are here on the coast) you can't
see the scratches and they are so much prettierWhat coast?

> (have you  guessed yet that my
> name is shirley not jost, this is my son's computer, don't know what
> I'm
> going to do when he takes it back to college with him in the fall.

    I think you should write a letter to Santa Claus!  I'll put in a
good word for ya too!Thanks for the helpful hints and experienced
comments.
Melissa

> ----
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--------------D6A952202293D2292154D446
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<HTML>

<BLOCKQUOTE TYPE=CITE>what a fabulous and ambitious project!</BLOCKQUOTE>

<BLOCKQUOTE TYPE=CITE><FONT COLOR="#3333FF">Thanks</FONT></BLOCKQUOTE>

<BLOCKQUOTE TYPE=CITE>Yes patio furniture will scratch the glass.</BLOCKQUOTE>
<FONT COLOR="#3333FF">&nbsp;&nbsp;&nbsp; Darn, The patio isn't very big
but I was planning to have some just plain concrete stepping stones (</FONT><FONT COLOR="#009900">garden
stones</FONT><FONT COLOR="#3333FF">, </FONT><FONT COLOR="#000099">I like
that better too, it is befitting Stained Glass</FONT><FONT COLOR="#3333FF">
</FONT><B><I><FONT COLOR="#000099">Art </FONT></I></B><FONT COLOR="#3333FF">)
in the middle of the design.</FONT>
<BLOCKQUOTE TYPE=CITE>No they do not make 1/2 hexagon molds.&nbsp; But
why not make your own out of
<BR>wood.&nbsp; You could make several.&nbsp; They are cheaper and you
could pour more
<BR>than one at a time.</BLOCKQUOTE>

<BLOCKQUOTE TYPE=CITE><FONT COLOR="#3333FF">&nbsp;But the molds are rounded
on the edges, how would you get that effect?</FONT></BLOCKQUOTE>
when they are wet (which they usually are here on the coast) you can't
see the scratches and they are so much prettier<FONT COLOR="#3333FF">What
coast?</FONT>
<BLOCKQUOTE TYPE=CITE>(have you&nbsp; guessed yet that my
<BR>name is shirley not jost, this is my son's computer, don't know what
I'm
<BR>going to do when he takes it back to college with him in the fall.</BLOCKQUOTE>
&nbsp;&nbsp;&nbsp; <FONT COLOR="#3333FF">I think you should write a letter
to </FONT><FONT COLOR="#FF0000">Santa</FONT><FONT COLOR="#3333FF"> </FONT><FONT COLOR="#009900">Claus!</FONT><FONT COLOR="#3333FF">&nbsp;
I'll put in a good word for ya too!</FONT><FONT COLOR="#3333FF">Thanks
for the helpful hints and experienced comments.</FONT>
<BR><B><I><FONT COLOR="#8347AF">Melissa</FONT></I></B>
<BLOCKQUOTE TYPE=CITE>----
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&nbsp;&nbsp;</HTML>

--------------D6A952202293D2292154D446--

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From owner-glass Mon Jul 14 21:41:05 1997
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X-Path: montana.com!chip3
From: Phil Taylor <chip3@montana.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: my page again
Date: Mon, 14 Jul 1997 21:37:51 -0600
Message-ID: <1997Jul14.153751.0>
References: <<1997Jul14.63745.0>>
Reply-To: glass@bungi.com
Organization: Chip3 Video
Precedence: bulk

Hi Mike,
	I visited your page again and wow! what beautiful items you've 
made and shown.  The "fish lamp' is truly incredible when lit.  And 
you've done a marvelous job of catching your work on photos.  I know 
that takes a bit of trial, error and practice too. (How do you get to 
Carnegie Hall?)  Anyway, thanks for giving all of us the opportunity to 
view your work.  By the way, your photo is fine.  Slightly blurry is ok, 
that way no one will be stopping you on the street for information.  
Seriously, so glad you're open and willing to share of your experience. 
 T. in Montana

M. Savad wrote:
> 
> i forgot to mention that along with the new helpfull pages, i also put
> in my BIO with a picture of me. the picture is ok i guess. eventually i
> try to get a clearer shot of me. this one was blown up quite a bit, and
> is still a little blurred...
> 
> ---Mike Savad
> 
> --
> Mike's Stained Glass
> http://www.geocities.com/Paris/1141
>  New Pages Added:
>  - New Instructional Guides Added!!!
>  - The Creative Process
>  - How to Find Patterns for Suncatchers
>  - Picking Out Glass in the Store
>  - 5 New Pictures in the 3-D Catagory
>  - 2 New Pictures in the Panel Catagory
>  - Updated Shots of The Heart of Atlantis, and Japanese Garden
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass
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From owner-glass Mon Jul 14 21:45:09 1997
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X-Path: ix.netcom.com!mthaxton
From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: end of story
Date: Mon, 14 Jul 1997 21:43:19 -0700
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> I am very curious what effects are comments have.  It's like not being
> able
> to hear the end of a good story.  How about letting us know how our
> comments helped or didn't help and how your projects turned out.
> Curiously yours Shirley B.

Are you talking about the patio I'm doing or the ?????
Melissa

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From owner-glass Mon Jul 14 21:46:17 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: art glass world
Date: Mon, 14 Jul 1997 21:44:56 -0700
Message-ID: <1997Jul14.144456.0>
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Josh Balloch wrote:

> I also lurk at art glass world chat line and I haven't been able to
> get
> through to them for 5 days now.  Anyone know why or am I the only one
> having the problem?
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Never been there but I'd like to go can I hav the path?Thanks, Melissa


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From owner-glass Tue Jul 15 00:49:30 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: Re: art glass world
Date: Tue, 15 Jul 1997 00:34:34 -0700
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This is for Melissa Thaxton and anyone else who wants Art Glass World email
address.
http://www.artglassworld.com/wwwboard/index.html
Also you want to find some great sites, visit Mike's Stained Glass at
http://www.geocities.com/Paris/1141

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From owner-glass Tue Jul 15 01:09:04 1997
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Subject: Re: end of story
Date: Tue, 15 Jul 1997 01:02:54 -0700
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> 
> Are you talking about the patio I'm doing or the ?????
> Melissa
Sure and Mike using zinc came on a copper foiled window, did Jackie solve
her bathroom tile project, did the lady keep the grinder her husband bought
for her, how did Denis' panel turn out, did people like the various pattern
suggestion and if so which one did they choose or did they find something
on their own, etc. etc. etc.
I know I'm nosey, but that's the way I am and I've had lots of years to get
this way.
 

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From owner-glass Tue Jul 15 06:18:14 1997
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X-Path: voyager.net!delphigl
From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 09:15:27 -0400 (EDT)
Message-ID: <199707151315.JAA20481@vixa.voyager.net>
Reply-To: glass@bungi.com
Precedence: bulk

Melissa,

>            I live in the Sacramento Ca. area, very seldom do we have a
>hard freeze.  I was more worried about the glass breaking and if it does
>can you repair it or do you have to remake the whole stone?

I suppose it may be possible to repair a stepping stone, but understand that
it won't necessarily look like it did originally.

Here's a possible solution:  Wearing safety glasses (and possibly a face
mask because of dust), carefully break up the broken glass, remove it and
clean up the opening left behind both on the sides and the bottom -- a wire
brush may work well.  Take a tracing of the opening and cut a replacement
piece of glass that's slightly smaller than the opening.  Mix us a small
portion of cement (on the dry side), brush a thin layer on the bottom of the
opening, place the glass in place, and then fill in the sides.  Allow the
cement to set up for a short period of time and then smooth up the seams and
clean off any that may have gotten on the glass.

This idea is in theory, not in actuality.  If someone does try this method
or has other ideas, I would love to hear about them.

Stephanie
Delphi Stained Glass
______________________________________________________________________

                       **  E-mail:  delphigl@voyager.net
Delphi Stained Glass   **  WWW:     http://www.voyager.net/delphiglass
2116 E. Michigan Ave.  **  Voice:   1-800-248-2048 (USA,Canada)
Lansing, MI  48912     **           1-517-482-2617 (International)
USA                    **  Fax:     1-800-748-0374 (USA,Canada)
                                    1-517-482-4028 (International)
_____________________________________________________________________

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From owner-glass Tue Jul 15 06:32:16 1997
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X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: glass@bungi.com
Subject: Re: using zinc came and copper foil in window
Date: Tue, 15 Jul 1997 09:31:45 -0400 (EDT)
Message-ID: <1997Jul15.53145.0>
Reply-To: glass@bungi.com
Precedence: bulk

Yes you can use Zinc and copper foil in the same window very easily, I have
done it many times with no problem, and I suggest that you do use zinc around
the bevel border that you are thinking about,one reason is for the added
strength of the zinc and two it will make the straight lines look much
cleaner. And I don't think that your window would require any additional
support because you say that it will not be subjected to constant opening and
closing , that is of course if you use the zinc to stiffen up the window. One
caution when using zinc around bevels be careful not to force the zinc or
glass while fitting it , because this will cause chipping on the edge of the
bevels.
Goodluck with your project it sounds like something that will not only add
value but  also be cherished by the recipients .  Beveler4
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From owner-glass Tue Jul 15 06:43:12 1997
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From:         mail <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: making stepping stones more saleable
Date:         Tue, 15 Jul 97 09:37:56 EDT
Message-ID:   <970715.094250.EDT.HCLADM02@UConnVM.UConn.Edu>
References: <<199707151315.JAA20481@vixa.voyager.net>>
Reply-To: glass@bungi.com
Precedence: bulk

According to the shop where I buy stained glass supplies, glass in patio
stones will pop loose in Southern New England winters, too (a lot of
freeze and thaw).  She carries a tube of glue stuff to glue the
glass back (but I doubt I'll be there any time soon to get the name, but
this description may ring a bell in someone's mind).  She's trying
different kinds of cement...you know, I suspect that by now, the people
who wrote the stepping stones books should have a lot of feedback and
suggestions.

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Tue Jul 15 06:47:55 1997
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: using zinc came and copper foil in window
Date: Tue, 15 Jul 1997 09:47:31 -0400 (EDT)
Message-ID: <199707151347.JAA11076@water.waterw.com>
Reply-To: glass@bungi.com
Precedence: bulk

you wrote,
>Yes you can use Zinc and copper foil in the same window very easily, I have
>done it many times with no problem, and I suggest that you do use zinc around
>the bevel border that you are thinking about,one reason is for the added
>strength of the zinc and two it will make the straight lines look much
>cleaner. ..

I just have a question? Why would you use zinc and not lead around the bevels?


pj

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From owner-glass Tue Jul 15 06:48:43 1997
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X-Path: voyager.net!delphigl
From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: More about stepping stones
Date: Tue, 15 Jul 1997 09:47:07 -0400 (EDT)
Message-ID: <199707151347.JAA28660@vixa.voyager.net>
Reply-To: glass@bungi.com
Precedence: bulk

Hi All,

Shirley (balloch@netbridge.net) recently contacted me and asked if I have
anything to add to this conversation.  So here goes....

>Specifically what weather conditions do to the stones and what effect
>weather has on the glass? Any maintance ideas not already mentioned. Any
>suggestions to glass type less vulunerable?

Obviously colder weather has adverse effects on glass and cement/concrete.
I have a stepping stone in my front garden that has weathered 1 winter with
no adverse effects, but I've done a lot of preventative maintenance, too.  I
dug a hole that is 6" deep and filled about a 1/3 of the opening with
stones, 1/3 with sand and the remainder with the stepping stone.  The point
it to allow for the best drainage possible.  Over the winter, I cover the
stone with a piece of heavy plastic and tuck it in around the edges and
cover the entire stone generously with straw and cover with an overturned
tub (just like I would my rosebushes, except for the plastic <g>).  I
realize that this may not be feasible if you have a lot of stones, but it
works for me.

Consider contacting a local masonry shop and see if they have any tips for
better weathering if you have problems with the cement cracking.  At Delphi
we have found that using a concrete that's 1/3 sand appears to be the best mix.

As for the glass, the "art"-ier glasses like Youghiogheny, Chicago Art
Glass, Bullseye, Uroboros, are more temperamental and it's my experience
that these glasses are more inclined to just break on their own at any given
time; it's just the nature of the beast.  I'm not suggesting that you don't
use them, just be aware.

The most stable glasses seem to be the machine rolled ones -- Spectrum,
Wissmach, Armstrong, etc.

>And do you have an update on how the public is accepting them.  Personally,
>I have found most people think they are beautiful, expensive and
>impractical, but usually their beauty wins out over their concerns.
>And do you have any marketing tips.  Special interest areas to try.  I've
>been lurking around trying to find business on the net like nurseries and
>landscapers and pond people to sell these stones to.

The public loves them!  We have a local farmer's market where there are
stones being sold very inexpensively (they also are made up of lots of
cement and a bit of glass).  

It's simply a matter of educating them on this new media.  Everyone loves
praise for their creative expression, but your best education comes from
those that are skeptical and raise questions that you may be tired of
hearing.  It's best to develop a touch skin and offer well-informed answers.
Nothing's worse than being unprepared for these types of questions; if all
else fails, be honest if you don't know and brush up on good information as
opposed to adlibbing and making up false information.

We all have to remember that we've grown up being told not to break windows
(ie. glass).  Does anyone here remember first breaking glass and the
feelings that it evoked?  I was just a teensy-weensy bit apprehensive. <vbg>
To date stained glass has been a visual art comprised of mainly windows and
lamps (Again, your parents cautioned "don't touch" or "be careful -- it's
GLASS").  Now imagine treading across them!  Whispers of don't walk on
broken glass, especially with your bare feet.

To market these stones, I would suggest putting together a great display;
something that resembles the setting they are made for.  Maybe have a small
box that's large enough to display the different shapes in and embed them in
mulch. Also be sure to include any special care instructions (for instance
hints for wintering), installation, etc.

Stephanie
Delphi Stained Glass


______________________________________________________________________

                       **  E-mail:  delphigl@voyager.net
Delphi Stained Glass   **  WWW:     http://www.voyager.net/delphiglass
2116 E. Michigan Ave.  **  Voice:   1-800-248-2048 (USA,Canada)
Lansing, MI  48912     **           1-517-482-2617 (International)
USA                    **  Fax:     1-800-748-0374 (USA,Canada)
                                    1-517-482-4028 (International)
_____________________________________________________________________

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From owner-glass Tue Jul 15 06:50:04 1997
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X-Path: injersey.com!psgs
From: psgs@injersey.com
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 09:37:33 -0700
Message-ID: <1997Jul15.23733.0>
References: <<1997Jul14.132925.0>>
Reply-To: glass@bungi.com
Organization: Prism Stained Glass Studio
Precedence: bulk

Hi Mike!

Would you care to share the process used to create and post those great
pictures on your page? 
> --
> Mike's Stained Glass
> http://www.geocities.com/Paris/1141
>  New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
>  Shopping Lists, and See My Bio with a picture of ME.
> ----
I think that many of us would like to know how you did it.

Thanks 
-Vernon
Prism Studio
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From owner-glass Tue Jul 15 07:41:08 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 10:34:55 -0400
Message-ID: <1997Jul15.63455.0>
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Reply-To: glass@bungi.com
Precedence: bulk

Delphi Stained Glass wrote:
> 
> Melissa,
> 
> >            I live in the Sacramento Ca. area, very seldom do we have a
> >hard freeze.  I was more worried about the glass breaking and if it does
> >can you repair it or do you have to remake the whole stone?
> 
> I suppose it may be possible to repair a stepping stone, but understand that
> it won't necessarily look like it did originally.
> 
> Here's a possible solution:  Wearing safety glasses (and possibly a face
> mask because of dust), carefully break up the broken glass, remove it and
> clean up the opening left behind both on the sides and the bottom -- a wire
> brush may work well.  Take a tracing of the opening and cut a replacement
> piece of glass that's slightly smaller than the opening.  Mix us a small
> portion of cement (on the dry side), brush a thin layer on the bottom of the
> opening, place the glass in place, and then fill in the sides.  Allow the
> cement to set up for a short period of time and then smooth up the seams and
> clean off any that may have gotten on the glass.
> 
> This idea is in theory, not in actuality.  If someone does try this method
> or has other ideas, I would love to hear about them.
> 
> Stephanie
> Delphi Stained Glass
> ______________________________________________________________________
> 
>                        **  E-mail:  delphigl@voyager.net
> Delphi Stained Glass   **  WWW:     http://www.voyager.net/delphiglass
> 2116 E. Michigan Ave.  **  Voice:   1-800-248-2048 (USA,Canada)
> Lansing, MI  48912     **           1-517-482-2617 (International)
> USA                    **  Fax:     1-800-748-0374 (USA,Canada)
>                                     1-517-482-4028 (International)
> _____________________________________________________________________
> 
> ----
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it would probably be easier to remove the old glass, and glue in the new
glass. then fill in the cracks (if any), with a thinned out cement.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
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Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 10:58:37 -0400
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psgs@injersey.com wrote:
> 
> Hi Mike!
> 
> Would you care to share the process used to create and post those great
> pictures on your page?
> > --
> > Mike's Stained Glass
> > http://www.geocities.com/Paris/1141
> >  New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
> >  Shopping Lists, and See My Bio with a picture of ME.
> > ----
> I think that many of us would like to know how you did it.
> 
> Thanks
> -Vernon
> Prism Studio
> ----
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all right.

first i got the photo i took of the work, i have an entire album. then i
scaned it in, at 200 dpi (in ofoto laminated proof). the pictures were
around 2-3 megs each after they were cropped. the only exception was the
azure box (the one in the lower right corner). the picture was small and
it would'nt have picked out the details. so i scanned it in at 600 dpi,
and it was more like 12 megs. 

after all the scanning, i bring it in to photoshop. then i change it to
RGB. next i adjust the levels, contrast, brightness, etc. to get the
color back into the piece again. for some reason whenever a photo is
scanned it's much whiter (my theory is, is that the light is reflecting
over the glossy surface of the picture and bleeding it out at the same
time). 

next i cut out any unnecesary backgrounds. then i convert the picture to
LAB color. i click on the brigtness channel, and do a unsharp mask, this
will sharpen the graphic, without destroying too much color value.
though if done wrong (the pixel radius setting is large, a white ring
will develope around the solder lines.

next i click on the full color channel, to see what it looks like.
usaully i like to push CTRL Z to undo it, and see how much it improved.

then i convert it back to RGB. next i see if it needs and new color
adjustment. since i remove the background, any reflections and shadows
don't have any meaning any more. so i have to select off each piece, and
(using the stamp tool), replace the highlights or shadows with color.
then i'll touch up any areas that are blurred with the sharpness tool.
and if it's to jaggy, i'll carefully use the smear tool. 

if it looks too green, or if it needs to be darker, i go to variations,
and adjust the picture. 

once i'm satisfied that it looks good i save it. then i shrink the
graphic down by 50% (netscape enlarges things like you would'nt
believe). the 1:1 ratio is the equal size when viewed in netscape. next
i convert the graphic into INDEXED COLOR, then save it as a gif. once i
looks at it in netscape, and it looks fine; i turn it into a transparent
GIF in LView Pro.


for my photo, it was an outside family shot, with people in the
background next to a building. in fact i had some guy coming out of my
shoulder. this is were i used the stamp tool, to add more background.

and for the titles, they were also done in photoshop. graphics taken
from Corel Draw, and the net. all combined with the filters of
photoshop. and if your wondering about the butterfly: the shadows for
the words, etc., was a simple copy and shift, filled with black. then i
applied a gaussian blur to it to make it look a certain distance. for
the butterfly, i did the same thing, only i kept the color, and adjust
the transparensy in the levels box. 

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: removing broken pieces of glass from stepping stones
Date: Tue, 15 Jul 1997 08:48:12 -0700
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I make my stones differently.  I take mine out 12 to 17 hours after I have
poured them.  My process demands using a wire brush and believe me, if I'm
an hour to late, it takes a chisel.  There is no way I can imagine being
able to do that without making a horrendous mesh.  I have tried sulfamic
acid and it's not that easy, plus terribly dangerous to work with.  I have
also tried the cement glue and it looked like (pardon me) crap.  It doesn't
dry away like elmers, It stay like tar and remains also as soft.
Melissa, whatever you have, I think you'll just have to learn to live with.
As for when they break.  I lost one and my Dad wanted it.  He had to tie it
together with fine wire and put it in the back 40, where it is hardly ever
seen.

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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject:  Mike-Stepping stone proceedure
Date: Tue, 15 Jul 1997 09:09:56 -0700
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I am debating if I want to share.  I sell the instructions at my shows. 
I'm not much of a business woman.  My life was nursing until a drunk driver
ended that.  But I still have the mind set of being helpful.  But would I
be cutting my own throat?  On the other hand, my process is already being
circulated.
As for posting on a web site that is also in the future.  My brother is
also very computer literite, not to mention my two boys (both in their late
teens) and they plan on helping me advertise.  I am trying to gather info
on how to get my ad to show up in the first 100 choices.  I really like
what you did with your site.  I have already emailed my brother to take a
look at it.  So I guess my answer is I'm working on it.

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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: stepping stone thank you
Date: Tue, 15 Jul 1997 09:37:57 -0700
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Thank you all for your comments and questions( I hadn't thought of) and a
special thanks to Stephanie @ Delphi.  I appreciate it more than I know how
to say.  So like Len said, I've got to get busy making these things before
the 3rd world does them far cheaper than I could afford to do them for.  I
have 10 to make in the next 3 days for a show starting this friday.

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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
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Subject: Re: end of story
Date: Tue, 15 Jul 1997 10:03:58 -0700
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It'll be a very very long time before I am completed with this project
but sure I'll let you know.
Melissa

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From owner-glass Tue Jul 15 10:08:29 1997
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Subject: Re: using zinc came and copper foil in window
Date: Tue, 15 Jul 1997 13:03:57 -0400
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Just my 2 cents too, use lead like PJ suggests, or if more strength is
needed, at least use brass came, it takes a finish better (either
patina, or polished) It is just my opinion that zinc looks kind of
'crappie',' because of the way it oxidizes.
Lee Boe
Rain-Boe's Creations -Ouchiiecc right now with 2 cracked ribs.  Moan! 

> I just have a question? Why would you use zinc and not lead around the bevels?
> 
> pj
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Subject: Re: making stepping stones more saleable
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--------------8E437DCB1FB077A5EE1762A9
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

mail wrote:

> According to the shop where I buy stained glass supplies, glass in
> patio
> stones will pop loose in Southern New England winters, too (a lot of
> freeze and thaw).  She carries a tube of glue stuff to glue the
> glass back (but I doubt I'll be there any time soon to get the name,
> but
> this description may ring a bell in someone's mind).  She's trying
> different kinds of cement...you know, I suspect that by now, the
> people
> who wrote the stepping stones books should have a lot of feedback and
> suggestions.
>
> Thanks Dorothy



--------------8E437DCB1FB077A5EE1762A9
Content-Type: text/html; charset=us-ascii
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<HTML>
mail wrote:
<BLOCKQUOTE TYPE=CITE>According to the shop where I buy stained glass supplies,
glass in patio
<BR>stones will pop loose in Southern New England winters, too (a lot of
<BR>freeze and thaw).&nbsp; She carries a tube of glue stuff to glue the
<BR>glass back (but I doubt I'll be there any time soon to get the name,
but
<BR>this description may ring a bell in someone's mind).&nbsp; She's trying
<BR>different kinds of cement...you know, I suspect that by now, the people
<BR>who wrote the stepping stones books should have a lot of feedback and
<BR>suggestions.

<P><A HREF="http://www.bungi.com/glass">Thanks Dorothy</A></BLOCKQUOTE>
&nbsp;&nbsp;</HTML>

--------------8E437DCB1FB077A5EE1762A9--

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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 10:15:24 -0700
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> Mike Savad wrote:

> it would probably be easier to remove the old glass, and glue in the
> new
> glass. then fill in the cracks (if any), with a thinned out cement.
>
> ---Mike Savad
>

Thats a good idea. I suppose you could use grout too.

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From owner-glass Tue Jul 15 11:07:53 1997
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From: len alcamo <alcamoz@mwt.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More about stepping stones
Date: Tue, 15 Jul 1997 13:05:17 -0500 (CDT)
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>As for the glass, the "art"-ier glasses like Youghiogheny, Chicago Art
>Glass, Bullseye, Uroboros, are more temperamental and it's my experience
>that these glasses are more inclined to just break on their own at any given
>time; it's just the nature of the beast.  I'm not suggesting that you don't
>use them, just be aware.
>
>The most stable glasses seem to be the machine rolled ones -- Spectrum,
>Wissmach, Armstrong, etc.

Chicago Art, Bullseye and the others you mentioned are machine rolled
glasses (single rolled) The only glass that is not rolled are the full antiques


>It's simply a matter of educating them on this new media.

New Media? Isn't this merely a minor variation of an ancient and noble art
form called mosaic?

  
>
>We all have to remember that we've grown up being told not to break windows
>(ie. glass).  Does anyone here remember first breaking glass and the
>feelings that it evoked?  I was just a teensy-weensy bit apprehensive. <vbg>
>To date stained glass has been a visual art comprised of mainly windows and
>lamps (Again, your parents cautioned "don't touch" or "be careful -- it's
>GLASS").  Now imagine treading across them!  Whispers of don't walk on
>broken glass, especially with your bare feet.

Oh Please!... put on your asbestos suit Stephanie, here it comes :-)...
Thats a stretch if ever heard one. Would you have me believe that garden
stones will some day take their rightful place alongside SG windows and
lamps? Sounds like the thrust of your gushy commentary and sappy imagery is
to juice up people to buy more materials to make more garden stones. Nothing
wrong with pushing the latest novelty item, strike while the iron is hot I
always say... IMHO this thread belongs on rec.crafts not on bungi, why?
because it does nothing to encourage or elevate the art form, and you wonder
why arts councles refuse to admit SG entries into shows. This list has the
potential to be the premier source of SG information on the internet,
unfortunatly protracted discussions full of misinformation, speculation and
bad guesses about mundane topics  do nothing to encourage the participation
of professionals and experts who I know are more then willing to help folks
elevate their skills in all areas. There is access to info on this list that
is darn near impossible to get anywhere else because it is given freely, not
self serving and there is no profit motive. 

Just my 0.02 worth

Len




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From owner-glass Tue Jul 15 12:35:03 1997
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Subject: Re: end of story
Date: Tue, 15 Jul 1997 15:32:37 -0700
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Melissa...

Just a quick idea for repairing broken glass in stepping stones.  After
cleaning out the glass and loose cement , reset the piece with Hydraulic
Cement.

Hyraulic Cement is a powdered cement, mix in a paper cup, with disposable
spoon or craft stick, add a little, bit of water to 1/2 cup of powder, mix
until a heavy cream like mixture forms, and spread in prewetted hole, set
glass in and level right away, setup time till rock hard is 15 minutes. Be
sure to final fit, and smooth with all speed possible, drink a cup of
coffee and you'll regret it.

Most home centers have small cans listed under a wide variety of names.

Thanks for listening...

phil7



Melissa Thaxton wrote:

> It'll be a very very long time before I am completed with this project
> but sure I'll let you know.
> Melissa
>
> ----
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----------
> From: len alcamo <alcamoz@mwt.net>
> To: glass@bungi.com
> Subject: Re: More about stepping stones
> Date: Tuesday, July 15, 1997 11:05 AM
> 
> My goodness Len, a bit lofty aren't we.  I think you are missing  the
boat.  You think steppng stones are just a fad, and they may well be, but I
for one certainly hope not.  I can envision them in places like Buchart
Gardens.  I'm sure way back when they started putting colored glass in
churches and lamps that people thought that was a waste of time, that it
would never work or stay around.  We have the technology now to make this a
growing part of our culture.  We are at the hey what do you know stage. 
We're all beginners on this.  Pros were beginners once themselves and good
ones remember that and teach and share.  This is a wonderful site!  It
would be ashame to alienate the budding artists.  I mean,  I still don't
understand Picaso, but hey lots do.  My little stones are better than lawn
art where you see the fat ladies panties.  I get an awful lot of oose and
awes.  My only negative comments are people afraid they won't hold up.  And
from my lurking, you guys making windows and lamps are still learning about
stress points etc. because of the same concern.  I know of a lady in
California who does nothing but repair church window due to vandilism.  She
has to go back and cover the window with bullet proof glass after she has
repaired them. That is a rather mundane subject but it's pertinent.  As to
elevating the art form.  We are in our infancy, we have to learn to crawl
before we can run.  And I have had artists tell me I did not belong in the
craft section of Arts and Crafts shows, that I belonged in the art section.
 Stephanie is not out to move a product.  She helping us who have faith in
this new media.
Just imagine the well established english gardens with walkways, pathways
and accents in pleasant peaceful stained glass scenes, that just happen to
be set in cement.  I keep envisioning tree encroaching pathway to the beach
that bend and twists through the forest and at the bottom of a natural
step, a stepping stone with a picture (not mosaic) of seals basking in the
sun or seagulls flying into the sunset, or orca's sounding.  The
possibilities are endless.  This is a chat line for the pros and I would
like to keep stepping/garden stones at that level! That's the reason I'm
discussing it here instead of rec.craft.

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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: Re: stepping stone thank you
Date: Tue, 15 Jul 1997 11:50:10 -0700
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----------
> From: Josh Balloch <Balloch@netbridge.net>
> To: glass@bungi.com
> Subject: stepping stone thank you
> Date: Tuesday, July 15, 1997 9:37 AM
> 
> Thank you all for your comments and questions( I hadn't thought of) and a
> special thanks to Stephanie @ Delphi.  I appreciate it more than I know
how
> to say.  So like Len said, I've got to get busy making these things
before
> the 3rd world does them far cheaper than I could afford to do them for. 
I
> have 10 to make in the next 3 days for a show starting this friday.
> 
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From owner-glass Tue Jul 15 13:04:19 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 16:02:41 -0400 (EDT)
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Where can I find detailed info on making these stepping stones?
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From owner-glass Tue Jul 15 13:06:54 1997
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From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
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Subject: Re: More about stepping stones
Date: Tue, 15 Jul 1997 16:04:54 -0400 (EDT)
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Len,

(Garbed in asbestos suit <g>)

>Chicago Art, Bullseye and the others you mentioned are machine rolled
>glasses (single rolled) The only glass that is not rolled are the full antiques

Maybe I should have stated this a bit differently.  How about handcast?


>Oh Please!... put on your asbestos suit Stephanie, here it comes :-)...
>Thats a stretch if ever heard one. Would you have me believe that garden
>stones will some day take their rightful place alongside SG windows and
>lamps? Sounds like the thrust of your gushy commentary and sappy imagery is
>to juice up people to buy more materials to make more garden stones. Nothing
>wrong with pushing the latest novelty item, strike while the iron is hot I
>always say... 

Anything is possible.  There's a gentleman in Hawaii who creates stones that
are to die for.  His glass selection and workmanship are both impeccable and
inspiring.  Like anything else, it's about perception and appreciation which
boil to education.

My original intent wasn't to "push a novelty"; simply share impressions that
I've encountered.  After talking with a variety of people, both on the
internet and in person, it's amazing the number of individuals who truly
think and feel this way about glass.  Yes, it may sound sappy, but in the
interest of sharing information freely, I'm just trying to offer a different
perspective.

>IMHO this thread belongs on rec.crafts not on bungi, why?
>because it does nothing to encourage or elevate the art form, and you wonder
>why arts councles refuse to admit SG entries into shows. This list has the
>potential to be the premier source of SG information on the internet,
>unfortunatly protracted discussions full of misinformation, speculation and
>bad guesses about mundane topics  do nothing to encourage the participation
>of professionals and experts who I know are more then willing to help folks
>elevate their skills in all areas. There is access to info on this list that
>is darn near impossible to get anywhere else because it is given freely, not
>self serving and there is no profit motive.

Point taken.  It's my impression that bungi.com is comprised of a wide
diversity of individuals with a common interest....enjoyment and
appreciation of glass regardless of whether it's a craft or an art form.

I've always felt that glass should be considered one of the finer arts, but
that doesn't mean that everyone who creates with glass wants to be an
artist. <g>  It's in our time that studio glass has become more recognized
as an art.  It's with the advent of individuals like Dale Chihuly, that
glass has come to the forefront, and you can't tell me that he isn't the
king of marketing.  Marketing isn't just presentation, but also education.  

If there are experts and professionals willing to share freely and without
personal gain, they should just jump right in.  We all put our pants on the
same way; one leg at a time.  They all have had to start at the beginning;
the main difference is that they were fortunate enough to have mentors who
supported them with instruction, encouragement and criticism along the way.

On a side note, who's fooling who here?  As an expert/professional offering
information, don't you think that with the recognition and perception will
spur an increase of demand and appreciation for their work and translate
into profit and personal gain?  Sounds like marketing to me. <g>

(Taking asbestos suit off).  

Len, I've always enjoyed your witty and thought provoking rebuttals (never
thought I'd be on the receiving end, but enjoyed it nonetheless).  Thanks to
individuals like yourself, we are all challenged to toe the line.

Stephanie
______________________________________________________________________

                       **  E-mail:  delphigl@voyager.net
Delphi Stained Glass   **  WWW:     http://www.voyager.net/delphiglass
2116 E. Michigan Ave.  **  Voice:   1-800-248-2048 (USA,Canada)
Lansing, MI  48912     **           1-517-482-2617 (International)
USA                    **  Fax:     1-800-748-0374 (USA,Canada)
                                    1-517-482-4028 (International)
_____________________________________________________________________

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From owner-glass Tue Jul 15 13:12:20 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 16:11:41 -0400 (EDT)
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do you set the glass into the surface of the wet concrete or do you place it
in the mould then pour in the wet concrete?
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From owner-glass Tue Jul 15 13:18:44 1997
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From: OGOrig@aol.com
To: glass@bungi.com
Subject: Re: More about stepping stones
Date: Tue, 15 Jul 1997 16:18:06 -0400 (EDT)
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Len,

Sorry but now I have to stop lurking and put my $.02 in.

Some of us who enjoy reading bungi.com are not "professionals and experts",
yet.  I I enjoy and appreciate the information that is freely given by the
professionals and experts.  It's terrific that they are so willing to share
with everyone.  But I don't want to have to temper all of the questions I
might ask by wondering if it's worthy of wasting their time with "mundane
subjects".

Lighten up, please.
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From owner-glass Tue Jul 15 13:51:21 1997
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More about stepping stones
Date: Tue, 15 Jul 1997 16:50:24 -0400 (EDT)
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AH!!!! More bout stepping stones.  Really is there anymore?
Maybe someone who has all of the messages could condense them...send them
once and then discuss this.  I think the porblem is that it is all over the
place and as I can see another new person has asked once again for someone
to send them detailed instructions.

someone wrote...
>
>>It's simply a matter of educating them on this new media.>>
This is definitely not new by any means.  Lots of Italian mosaics out there.
And in Europe they are everywhere.

Len wrote,

 
<,. This list has the
>potential to be the premier source of SG information on the internet,
>unfortunatly protracted discussions full of misinformation, speculation and
>bad guesses about mundane topics  do nothing to encourage the participation
>of professionals and experts who I know are more then willing to help folks
>elevate their skills in all areas. There is access to info on this list that
>is darn near impossible to get anywhere else because it is given freely, not
>self serving and there is no profit motive. >>

I don't know about misinformation as I haven't read the
messages..................I see stepping stones and delete the majority of
them.  But I will add that this topic is getting a bit mundane and if there
was a way for someone to put it all in one message and get on with it I am
sure this will work.

Stephanie wrote,
she has the directions but sells them at shows????? 
well guess what....your stained glass friends really want some direction and
if your has a price tag on it.......................may I ask why? 

my best,
pj (who knows where the delete button is)

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From owner-glass Tue Jul 15 13:58:41 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: More about stepping stones
Date: Tue, 15 Jul 1997 13:56:52 -0700
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OGOrig@aol.com wrote:

> Len,
>
> Sorry but now I have to stop lurking and put my $.02 in.
>
> Some of us who enjoy reading bungi.com are not "professionals and
> experts",
> yet.  I I enjoy and appreciate the information that is freely given by
> the
> professionals and experts.  It's terrific that they are so willing to
> share
> with everyone.  But I don't want to have to temper all of the
> questions I
> might ask by wondering if it's worthy of wasting their time with
> "mundane
> subjects".
>
> Lighten up, please.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
        I have been creating Stained Glass since 1970 give or take the
time off to have children.  I consider myself a professional even though
I don't have a business at the moment.  I agree with the comment below.
        Sorry if all the questions I have been asking about stepping
stones has been bothersome to some.  I am how ever going to take on a
extremely large project and want to have my --- covered, it's my
backyard and yes I will have to live with it.
I'm adding my $.02 which now equals $.04   Melissa   8^)

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From owner-glass Tue Jul 15 14:14:20 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
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Subject: Re: making stepping stones more saleable
Date: Tue, 15 Jul 1997 14:10:39 -0700
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Mnowicki@aol.com wrote:

> do you set the glass into the surface of the wet concrete or do you
> place it
> in the mould then pour in the wet concrete?

>From what I understand...I haven't made one yet is:    You cut the glass
then use clear contact paper on the front or facing, then you lay that
in your mold and pour topping mix(?) over that and "shake" or rather tap
out the bubbles then put a piece of chicken wire (to fit ) for
reinforcement and pour in regular cement, level that off, let it cure
for 2-3 days and remove from mold and clean up.
    Hope this helps,
                        Melissa

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From owner-glass Tue Jul 15 16:18:19 1997
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X-Path: mwt.net!alcamoz
From: len alcamo <alcamoz@mwt.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More about stepping stones
Date: Tue, 15 Jul 1997 18:16:02 -0500 (CDT)
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At 04:04 PM 7/15/97 -0400, Delphi Stained Glass wrote:
>Len,
>
>(Garbed in asbestos suit <g>)
>
>
>> Sounds like the thrust of your gushy commentary and sappy imagery is
>>to juice up people to buy more materials to make more garden stones. Nothing
>>wrong with pushing the latest novelty item, strike while the iron is hot I
>>always say... 
>
>Anything is possible
  There's a gentleman in Hawaii who creates stones that
>are to die for.  His glass selection and workmanship are both impeccable and
>inspiring.  Like anything else, it's about perception and appreciation which
>boil to education.

Anything is possible? thats your answer? the guy in Hawaii didn't just come
out of nowhere, what was his medium of choice before he jumped on the
stepping stone bandwagon?

>
>My original intent wasn't to "push a novelty"; simply share impressions that
>I've encountered.  After talking with a variety of people, both on the
>internet and in person, it's amazing the number of individuals who truly
>think and feel this way about glass.  Yes, it may sound sappy, but in the
>interest of sharing information freely, I'm just trying to offer a different
>perspective.

I might be willing to buy that if you posted just as Stephanie not as Delphi
>
>
  It's my impression that bungi.com is comprised of a wide
>diversity of individuals with a common interest....enjoyment and
>appreciation of glass regardless of whether it's a craft or an art form.

I agree completely 
>
>I've always felt that glass should be considered one of the finer arts, but
>that doesn't mean that everyone who creates with glass wants to be an
>artist. <g>  It's in our time that studio glass has become more recognized
>as an art.  It's with the advent of individuals like Dale Chihuly, that
>glass has come to the forefront, and you can't tell me that he isn't the
>king of marketing.  Marketing isn't just presentation, but also education.

Sorry, but IMHO everybody that creates is an artist

Hey we all know artists that do better work then the stuff hanging in
galleries and we all know musicians that play better then the stuff on
records. So why do some make it? well I believe (aside from luck) that
talent is a little kids word and production is the adult equivelent and it's
about drive and ambition and self assuredness

 

>On a side note, who's fooling who here?  As an expert/professional offering
>information, don't you think that with the recognition and perception will
>spur an increase of demand and appreciation for their work and translate
>into profit and personal gain?  Sounds like marketing to me. <g>

Yeah, but you can never be too subtle ;-)
>
>(Taking asbestos suit off).  
>
>Len, I've always enjoyed your witty and thought provoking rebuttals (never
>thought I'd be on the receiving end, but enjoyed it nonetheless).  Thanks to
>individuals like yourself, we are all challenged to toe the line.

Just trying to keep you honest :-)


Take Care
Len

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From: len alcamo <alcamoz@mwt.net>
To: glass@bungi.com
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Subject: Re: reply to Len
Date: Tue, 15 Jul 1997 18:16:00 -0500 (CDT)
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At 12:34 PM 7/15/97 -0700, Josh Balloch wrote:
>
>
>----------
>> From: len alcamo <alcamoz@mwt.net>
>> To: glass@bungi.com
>> Subject: Re: More about stepping stones
>> Date: Tuesday, July 15, 1997 11:05 AM
>> 
>> My goodness Len, a bit lofty aren't we.  I think you are missing  the
>boat.  You think steppng stones are just a fad, and they may well be, but I
>for one certainly hope not.  I can envision them in places like Buchart
>Gardens.  I'm sure way back when they started putting colored glass in
>churches and lamps that people thought that was a waste of time, that it
>would never work or stay around. 

The exact opposite I suspect. SG is a medium that deals with transmitted
light, as soon as you limit its role to reflected light you have taken away
its essence...its heart and soul. It then becomes just another material and
looses its uniqueness.To me all the stepping stones in the world cannot
equal the drama of light shining through even the humblest of suncatchers. I
believe the cathedral builders realized this very early on and devoted what
had to be a disproportionate amount of effort to the developement of the
leaded glass windows... the most awe inspiring feature in any cathedral.

  
  My little stones are better than lawn
>art where you see the fat ladies panties.

I certainly hope so  ;-)

 
>from my lurking, you guys making windows and lamps are still learning about
>stress points etc. because of the same concern.

True some are, on the other hand some of us know about those technical
aspects and are more then willing to educate others. I hope you are aware
that there are master glass workers on this list, some with over 20 years
experience

  I know of a lady in
>California who does nothing but repair church window due to vandilism.  She
>has to go back and cover the window with bullet proof glass after she has
>repaired them. That is a rather mundane subject but it's pertinent.

I don't understand your point. Properly installed protective covering is an
intergral part of a quality restoration effort

  As to
>elevating the art form.  We are in our infancy, we have to learn to crawl
>before we can run.  And I have had artists tell me I did not belong in the
>craft section of Arts and Crafts shows, that I belonged in the art section.

 Hey, I love mutual admiration societies as much as the next guy, great
motivation! :-)


> Stephanie is not out to move a product

Really, I wonder then why she posts on company time, uses Delphi Glass as
her sig instead of her own name. One of the few if not the only listee that
does so... curious


>Just imagine the well established english gardens with walkways, pathways
>and accents in pleasant peaceful stained glass scenes, that just happen to
>be set in cement.  I keep envisioning tree encroaching pathway to the beach
>that bend and twists through the forest and at the bottom of a natural
>step, a stepping stone with a picture (not mosaic) of seals basking in the
>sun or seagulls flying into the sunset, or orca's sounding. 

I really think you should spend some time checking out mosaics


    This is a chat line for the pros

 I'm sorry but I have to disagree yet again. This is an e-mail list and the
qaulity e-mail lists are administered in such a manner that beginner
questions are usually addressed via personal e-mail, and to avoid
redundancey it is recommended that people check the archives to find out if
the information they are seeking is available there before they post to the
list. IMHO a chat room is more of an open forum where anything goes. 

Well I enjoyed disagreeing with you. Keep up the enthusiasm and have fun  :-)

Len

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From owner-glass Tue Jul 15 16:22:38 1997
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From: "Toby" <toby@northlights.co.uk>
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Date: Wed, 16 Jul 1997 00:15:21 +0000
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Stretch...! 2 eyes opened! Carefully "lurking" with ONE eye open at 
all times.
This is TOBY!
 Hi all, 
Elisabeth hasn't caught up yet....
ANYTHING that concerns stained glass is a valid point of discussion. 
It might bore some people to tears, but on the other hand it is a 
great source of inspiration for others. Let's just keep on 
remembering that Glass@Bungi has ARCHIVES, that surely - by now -  must 
be bursting in its seams in treasures for the one who genuinely 
SEEKS. (HOORAY for Glenna!!!). The "Oldies" keep on answering the 
same questions over and over again. Please let us try and promote our 
ARCHIVES as well. They will provide 99 per cent of the answers to the 
FAQ's.
But I must admit, I have never learnt so much about cement mixing and 
cement/sand/water ratio as I have in the subject of stepping 
stones.... The enthusiasm of the stepping-stone brigade has more or 
less persuaded me to experiment myself in MY garden and to 
incorporate it in the teaching of my next academic year.... Even the 
British Bulldog ought to be taught a new trick or two!!!! I am just 
an Old English Sheepdog -  but if I can get any closer to digging up the 
 newly planted fuschia and kill it off ( as I did last year) than I 
am DEFINITELY interested).
As regards Elisabeth, she is in a peculiar sort of haze, mumbling 
something about a national  syllabus she has to write for stained glass by end 
of Auigust. Now and then she mumbles about ARCHIVES.
If you ask me - stepping stones are for stepping on - she has 
definitely gone doo-la-lee
I am watching you...
Toby


you wrote:..... (snip)
Point taken.  It's my impression that bungi.com is comprised of a wide
diversity of individuals with a common interest....enjoyment and
appreciation of glass regardless of whether it's a craft or an art form.

----
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http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Tue Jul 15 16:56:25 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: Stephanie doesn't need my help but here it is anyway--Len
Date: Tue, 15 Jul 1997 16:53:40 -0700
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----------
> From: len alcamo <alcamoz@mwt.net>
> To: glass@bungi.com
> Subject: Re: More about stepping stones
> Date: Tuesday, July 15, 1997 4:16 PM
> 
> At 04:04 PM 7/15/97 -0400, Delphi Stained Glass wrote:
> >Len,
> >
> >(Garbed in asbestos suit <g>)
> >
> >
> 
> >
> 
> Anything is possible? thats your answer? the guy in Hawaii didn't just
come
> out of nowhere, what was his medium of choice before he jumped on the
> stepping stone bandwagon?

> What's that suppose to mean?
> >
> >
> 
> I might be willing to buy that if you posted just as Stephanie not as
Delphi
> >
> >She posted as Delphi in response to my inquiry, cause my email isn't
working right and I appreciate that she had the forsight to contact me
here.


> >

From owner-glass Tue Jul 15 18:47:43 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: stepping stones books
Date: Tue, 15 Jul 1997 21:46:57 -0400 (EDT)
Message-ID: <1997Jul15.174657.0>
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Can anyone suggest some good books on making stained glass stepping stones?
 Or any other resources?

Thanks!

M. Nowicki
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From owner-glass Tue Jul 15 18:50:12 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: reply to Len
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Date: Tue, 15 Jul 1997 21:57:23 +0000
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> I don't understand your point. Properly installed protective covering is an
> intergral part of a quality restoration effort

Most high-end restoration leaves protective glazing out of the 
equation; it actually (usually) does more harm than good.

Albert Lewis


International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Tue Jul 15 19:03:12 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: Re: making stepping stones
Date: Tue, 15 Jul 1997 22:02:41 -0400 (EDT)
Message-ID: <1997Jul15.18241.0>
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With your potted plant drip catching molds, don't you have trouble with
achieving a nice rounded smooth edge?  Do you place the glass in the bottom
of the mold and pour on the cement or press the glass into the wet cement?

Thanks for your tips! 

M. Nowicki
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From owner-glass Tue Jul 15 19:08:25 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: Glenna
Date: Tue, 15 Jul 1997 19:05:28 -0700
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Hi, I went to the archive page  to find your composite on stepping stones,
but I couldn't find anything but ads.  How do you do it again, please.
Also Glenna I would like to talk to you privately.  How do I do that?
And what is IMHO?
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From owner-glass Tue Jul 15 19:08:27 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: Re: pieces of glass stuck in concrete
Date: Tue, 15 Jul 1997 22:07:41 -0400 (EDT)
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I happen to be making them for my own pleasure and use.  I think your
comments are rude.  This format is supposed to be for sharing ideas on
creating art with glass.  Discouraging others is really counter-productive.

Your art may be only about making money, but mine is about much more.

M. Nowicki
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From owner-glass Tue Jul 15 19:10:55 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Subject: Re: stepping stones books
Date: Tue, 15 Jul 1997 19:08:16 -0700
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----------
> From: Mnowicki@aol.com
> To: glass@bungi.com
> Subject: stepping stones books
> Date: Tuesday, July 15, 1997 6:46 PM
> 
> Can anyone suggest some good books on making stained glass stepping
stones?
>  Or any other resources?
> 
> Thanks!
> 
> M. Nowicki
> ----
Go to http://www.warner-criv.com/ and look at an entry by Chris Jones owner
of Wiley's Stained glass on 4/5/97.  She gives the best explanation I have
read to date.

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From owner-glass Tue Jul 15 19:30:15 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: Re: Balloch-Stepping stone proceedure
Date: Tue, 15 Jul 1997 22:29:31 -0400 (EDT)
Message-ID: <1997Jul15.182931.0>
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I am certainly interested in the creating of these stepping stones.  As you
say, you sell the instructions at your sales, and you are apprehensive about
sharing online.  Well, most of your customers at a craft fair are not the
same craftspeople who are sharing info and helping each other online.  That
is the point of all of this, isn't it?

Please share your procedure!

Sincerely,
M. Nowicki
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From owner-glass Tue Jul 15 19:41:29 1997
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From: Mnowicki@aol.com
To: glass@bungi.com
Subject: archives
Date: Tue, 15 Jul 1997 22:41:00 -0400 (EDT)
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How does one access the archives?  Excuse me, I am new to this.
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From owner-glass Tue Jul 15 20:03:51 1997
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From: Mike & Amy Murphy <mamurphy@techline.com>
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Subject: Oddjob cement mixer
Date: Tue, 15 Jul 1997 19:59:03 -0700
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Last night I taught a stepping stone class (9x9" brownie pan, choice of
three very easy patterns 8 - 13 pieces) to 9 people (women and man) who have
never touched a glass cutter or wet cement in their lives. Most of them were
relatives and the rest friends, so I could boss them around pretty good.
Needless to say, my helper and myself did a LOT of helping. They were hooked
and now want to take a beginning stained glass class. It was great.
 
I used the Oddjob cement mixer purchased at a Home Depot. It worked great.
Took me a little time to get the mix right, but by the time I got to the
cement mix it was working beautifully. Thank you to whoever gave me the name
of the Oddjob Mixer. AND.... my tendonitis is getting better and is none the
worse for wear after last nights class, thank you very much.

Extra special thanks to everyone for the suggestions and their concerns.

The last couple of days of lurking have been especially enjoyable with all
the stepping stone stuff. 

There are several stepping stone books out. Check with your local glass
shop, they should have the books and the instructions are very good. I like
the little extra helpful hints on line. 

Amy - The Glass Goddess
Mike and Amy Murphy

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From owner-glass Tue Jul 15 20:10:28 1997
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From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: archives
Date: Tue, 15 Jul 1997 20:09:54 PDT
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[In the message entitled "archives" on Jul 15, 22:41, Mnowicki@aol.com writes:]
> How does one access the archives?  Excuse me, I am new to this.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass

Please read the above....


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Tue Jul 15 20:24:41 1997
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X-Path: juno.com!dariece
From: dariece@juno.com (Dariece G. McClure)
To: glass@bungi.com
Subject: Re: stepping stones books
Date: Tue, 15 Jul 1997 22:29:30 -0500
Message-ID: <1997Jul15.172930.0>
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On Tue, 15 Jul 1997 21:46:57 -0400 (EDT) Mnowicki@aol.com writes:
>Can anyone suggest some good books on making stained glass stepping 
>stones?
> Or any other resources?
>
>Thanks!
>
>M. Nowicki
>----
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Tiffany Garden book 1 or 2. I think I prefer the 2nd as far as
instruction goes.

Dariece
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From owner-glass Tue Jul 15 20:24:41 1997
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From: dariece@juno.com (Dariece G. McClure)
To: glass@bungi.com
Subject: Re: reply to Len
Date: Tue, 15 Jul 1997 22:05:00 -0500
Message-ID: <1997Jul15.1750.0>
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Ditto! Thanks Shirley. In addition, I would just like to say that I
appreciate everyone's input on all subjects concerning stained glass
whether prof. or beginner. Of course the prof. input is very educational
and questions/comments from others gets me to thinking about other things
on a bridge I may not have crossed yet.

Dariece
On Tue, 15 Jul 1997 12:34:41 -0700 "Josh Balloch" <Balloch@netbridge.net>
writes:
>
>
>----------
>> From: len alcamo <alcamoz@mwt.net>
>> To: glass@bungi.com
>> Subject: Re: More about stepping stones
>> Date: Tuesday, July 15, 1997 11:05 AM
>> 
>> My goodness Len, a bit lofty aren't we.  I think you are missing  
>the
>boat.  You think steppng stones are just a fad, and they may well be, 
>but I
>for one certainly hope not.  I can envision them in places like 
>Buchart
>Gardens.  I'm sure way back when they started putting colored glass in
>churches and lamps that people thought that was a waste of time, that 
>it
>would never work or stay around.  We have the technology now to make 
>this a
>growing part of our culture.  We are at the hey what do you know 
>stage. 
>We're all beginners on this.  Pros were beginners once themselves and 
>good
>ones remember that and teach and share.  This is a wonderful site!  It
>would be ashame to alienate the budding artists.  I mean,  I still 
>don't
>understand Picaso, but hey lots do.  My little stones are better than 
>lawn
>art where you see the fat ladies panties.  I get an awful lot of oose 
>and
>awes.  My only negative comments are people afraid they won't hold up. 
> And
>from my lurking, you guys making windows and lamps are still learning 
>about
>stress points etc. because of the same concern.  I know of a lady in
>California who does nothing but repair church window due to vandilism. 
> She
>has to go back and cover the window with bullet proof glass after she 
>has
>repaired them. That is a rather mundane subject but it's pertinent.  
>As to
>elevating the art form.  We are in our infancy, we have to learn to 
>crawl
>before we can run.  And I have had artists tell me I did not belong in 
>the
>craft section of Arts and Crafts shows, that I belonged in the art 
>section.
> Stephanie is not out to move a product.  She helping us who have 
>faith in
>this new media.
>Just imagine the well established english gardens with walkways, 
>pathways
>and accents in pleasant peaceful stained glass scenes, that just 
>happen to
>be set in cement.  I keep envisioning tree encroaching pathway to the 
>beach
>that bend and twists through the forest and at the bottom of a natural
>step, a stepping stone with a picture (not mosaic) of seals basking in 
>the
>sun or seagulls flying into the sunset, or orca's sounding.  The
>possibilities are endless.  This is a chat line for the pros and I 
>would
>like to keep stepping/garden stones at that level! That's the reason 
>I'm
>discussing it here instead of rec.craft.
>
>----
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>
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From owner-glass Tue Jul 15 20:25:37 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: making stepping stones
Date: Tue, 15 Jul 1997 20:22:53 -0700
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----------
> From: Mnowicki@aol.com
> To: glass@bungi.com
> Subject: Re: making stepping stones
> Date: Tuesday, July 15, 1997 7:02 PM
> 
> With your potted plant drip catching molds, don't you have trouble with
> achieving a nice rounded smooth edge?  Do you place the glass in the
bottom
> of the mold and pour on the cement or press the glass into the wet
cement?
> 
> Thanks for your tips! 
Not once  I started using a hand held back massager to vibrate the bubbles
out.  That helped a great deal.  Then I strengthen the pre-mix with
Portland Type 2 and 3 cement.  This makes it as smooth as a baby's butt. 
And if there is an occassional air bubble, just wet a small amount of pure
cement and rub it in and smooth with your fingers.  Do it immediately after
taking it out of the mold.
Your edge won't be straight up and down, it is slanted so that the surface
is 14"dia. and the bottom is 16" dia. and I have had positive feed back,
back about this because people feel it is a slight theft deterant.
You put your pattern in the bottom of the mold up-side-down (Welcome looks
really strange), then put clear contact paper, sticky side up and lay your
glass on top of the pattern.  Try to do it in one effort.  If your play
with placing the glass, it will not stick as well as it could, and may
cause your glass to float when you pour your concrete.  If you want to save
your pattern, be sure to take it out before you pour the concrete.
As for tapping to get bubbles out it's only 30% as effective as the back
massager. For me this is the most tedious part and is a real back breaker,
but the more bubbles out, the stronger the stone and the less likely to
allow moisture in, which is what causes the freeze/thaw damage that started
all this discussion in the first place.
I had a Portland Oregon city engineer examine my stones and told me that
for not knowing what I am doing, I am doing a great job (his words not
mine).  Because I reinforce the premix  with a small amount of Portland
cement and I use fiber mesh.  You get that at where they sell nothing but
concrete.  It looks like thick grey angel hair (the stuff you craft with at
christmas time).  You get 7 or 11 oz. for under $5.00 and that is enough to
do 30 14" round stepping stones.  So much cheaper and easier than chicken
wire.  I won't even want to discuss chicken wire it so awful.  Imagine I
made over 130 of these things before I discovered fiber mesh.
When you make your first pour, make a slip of the pre-mix with the rocks
sifted out (I use an old window screen).  Pour just enough to be double the
thickness of the glass.  Don't worry, no need to be exact.  Vibrate that
down and watch it settle.  Get all the bubbles out you can.  Let it stand
5-15 minutes.  The water will come to the top.  Paper towel that off.  Then
make your pre-mix as directed,  the dryer the better.  Put in fiber mesh
and again a little bit of Portland Type 1 and 2.  Fill it almost to the
rim.  Concrete is very hard on your hands.  I buy cheap garden gloves and
line them with a pair of exam gloves (the thin plastic ones).  The garden
gloves will last about 10 stones.  Pat the concrete into the mold.  Vibrate
again.
Work on a level surface, where you can leave the stones to dry.  The drip
catcher molds will sag in the middle under the weigh of the concrete and
this can cause the glass to float
I don't understand waiting 3 days.  Mine are ready to take out in 12 hours
at a constant 75 and plus degrees.  Or 15-17 hours in the 60's and 24 hours
in the high 50's low 60's (degree).  You have about 5 hours of being able
to play with them.  Before that they are too wet and will break  after that
you have to take a chisel to them.  Again take them out where they are
going to be left to dry.  Turn them out, take the contact paper off and
then take a wire brush to them and brush down to the glass.  Don't worry
about being gentle unless you are on the close side of the time frames. 
Have your hose ready and wash of the debri as you go.  You want your stone
spotlessly clean.  Scum or what looks like dust is on forever.  Not
literally, of course erosion will eventually take it off. Put them so they
are tilted and air can get underneath them as they are drying.  So far
knock on wood, I've been able to travel with them 2 days later.  Experts
say 30 days.  I certainly tell my customers if they plan to use them in
water to wait 30 days.
Cement is cement.  I made a head stone and the cemetry assured me that
putting 2-4" thick concrete on 1 1/2 sand is the best protection for the
concrete.  My cemetry wouldn't allow the use unless their heavy equipment
could run over them.  They planted two of my stones and ran over them with
a 2 ton truck and they did very well.  So walking on them and normal use
won't hurt them.  But good old mother nature will.
I've got some great tips here the last few days as to protecting the stones
from her.
As for mixing the concrete, it is hard work any way you do it.  Concrete is
like making fudge.  The consistency depends alot on the weather.  There is
an awful lot of trial and error.
Any design you can put in a suncatcher or small window can go into a stone.
Beneifits of working in the stone.  NO FOILING!  If you break a  peice,
sometimes you can scotch tape it together and the crack is unnoticalbe .As
long as it does not interfere with the placement of the piece, rough and
slanted edges are a benifit.  It keeps the glass in better.  I know you are
all going to scringe at this, but you can be a little sloppy
As for the glass not having any life.  That simply is not true.  The
prettiest thing I have made is a head shot of an eagle.  I used an whispy
white and the grey concrete shined through making the glass look like
feathers, very similiar it if it had been put in a window.  I have used
alligator glass (the clear stuff with the air bubbles in it ) on a Koi
piece and the effect was great.
For me that is the most fun, cause no matter how much you plan, you are
usually surprized by the outcome.  I've only been disappointed once.  I
used a clear dark red.  It died. Reds need to be bright.  Colors need to be
primary.  They have to complete with mother nature, and the sunlight is so
bright, that the true color can only be seen in the shade.
Most popular stones are tulips, hands down, tulips.
Those are most of my secrets.  Have fun.  Make lots of em.
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From owner-glass Tue Jul 15 21:18:43 1997
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From: "Meigan F. Cooper" <shmfcoop@concentric.net>
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Subject: Website
Date: Wed, 16 Jul 1997 00:16:36 -0700
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Hi,  

	I recently had a problem with my computer and I lost all my website
addresses.  If anyone knows the website address for Glass Patterns
Quarterly - please let me know.  A search on Yahoo! came up empty. 
Thanks!!  Meigan
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From owner-glass Tue Jul 15 21:31:58 1997
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From: mcFrenzy <pristine@gr.cns.net>
To: glass@bungi.com
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Subject: Re: Albert's reply to Len
Date: Wed, 16 Jul 1997 00:31:46 -0400
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Albert.
Try explaining this one:


Albert Lewis wrote:
> Most high-end restoration leaves protective glazing out of the
> equation; it actually (usually) does more harm than good.

Here's what (little) I know.

Most protective glazing is(was) installed with a nearly airtight seal.
Inadequate ventilation doesn't allow moisture to escape and traps heat.
A study done by Neil Vogel(chicago) showed high temperatures of 180
degrees between stained glass and protective glazing. This remained
relatively constant from Maine to Florida all year long. The study was
done by monitors placed inside nearly one hundred windows.
BTW: I believe Neil spoke @ "Restoration Chicago" last year and the
official results of these findings may have been released.

I've heard of Isothermic installations where temperature is controlled
on all sides of an installation.

Heat and the co-efficient of expansion can litterally destroy an
improperly set window.
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From owner-glass Tue Jul 15 21:45:34 1997
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Subject: Glass Patterns Quarterly
Date: Tue, 15 Jul 1997 21:45:56 -0700
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Glass Patterns Quarterly can be reached at:

http://www.glasspatterns.com/

Bonnie Clark
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From owner-glass Tue Jul 15 21:45:49 1997
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From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Free Fat Lady's Panty Pattern
Date: Wed, 16 Jul 1997 00:45:29 -0400 (EDT)
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With such interest in the subject I am offering a free stepping stone pattern
(it could also be used for a flat glass panel for anyone offended by
imbedding glass in concrete) of a fat lady bending over in her garden showing
her panties, to anyone sending their mailing address to:

                      dglswrks@aol.com

No e-mail addresses please as I have a hard enough time working this darn
thing as
it is. 

Kitsch lives!
Dione
                 
                                        

         
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From owner-glass Tue Jul 15 21:49:18 1997
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From: "VALERIE PHELPS" <ncscoutr@beachaccess.com>
To: glass@bungi.com
Subject: Re: More about stepping stones
Date: Wed, 16 Jul 1997 00:41:56
Message-ID: <1997Jul16.74156.0>
Reply-To: glass@bungi.com
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To LEN:  Well..!
To STEPHANIE: Well, well..!  Nicely parried, Steph!
 <tennis court applause inserted here>

V T Phelps <giggling>
Shoreline Glassworks, Ltd.
>Len,
>
>(Garbed in asbestos suit <g>)
>
>>Chicago Art, Bullseye and the others you mentioned are machine rolled
>>glasses (single rolled) The only glass that is not rolled are the full antiques
>
>Maybe I should have stated this a bit differently.  How about handcast?
>
>
>>Oh Please!... put on your asbestos suit Stephanie, here it comes :-)...
>>Thats a stretch if ever heard one. Would you have me believe that garden
>>stones will some day take their rightful place alongside SG windows and
>>lamps? Sounds like the thrust of your gushy commentary and sappy imagery is
>>to juice up people to buy more materials to make more garden stones. Nothing
>>wrong with pushing the latest novelty item, strike while the iron is hot I
>>always say... 
>
>Anything is possible.  There's a gentleman in Hawaii who creates stones that
>are to die for.  His glass selection and workmanship are both impeccable and
>inspiring.  Like anything else, it's about perception and appreciation which
>boil to education.
>
>My original intent wasn't to "push a novelty"; simply share impressions that
>I've encountered.  After talking with a variety of people, both on the
>internet and in person, it's amazing the number of individuals who truly
>think and feel this way about glass.  Yes, it may sound sappy, but in the
>interest of sharing information freely, I'm just trying to offer a different
>perspective.
>
>>IMHO this thread belongs on rec.crafts not on bungi, why?
>>because it does nothing to encourage or elevate the art form, and you wonder
>>why arts councles refuse to admit SG entries into shows. This list has the
>>potential to be the premier source of SG information on the internet,
>>unfortunatly protracted discussions full of misinformation, speculation and
>>bad guesses about mundane topics  do nothing to encourage the participation
>>of professionals and experts who I know are more then willing to help folks
>>elevate their skills in all areas. There is access to info on this list that
>>is darn near impossible to get anywhere else because it is given freely, not
>>self serving and there is no profit motive.
>
>Point taken.  It's my impression that bungi.com is comprised of a wide
>diversity of individuals with a common interest....enjoyment and
>appreciation of glass regardless of whether it's a craft or an art form.
>
>I've always felt that glass should be considered one of the finer arts, but
>that doesn't mean that everyone who creates with glass wants to be an
>artist. <g>  It's in our time that studio glass has become more recognized
>as an art.  It's with the advent of individuals like Dale Chihuly, that
>glass has come to the forefront, and you can't tell me that he isn't the
>king of marketing.  Marketing isn't just presentation, but also education.  
>
>If there are experts and professionals willing to share freely and without
>personal gain, they should just jump right in.  We all put our pants on the
>same way; one leg at a time.  They all have had to start at the beginning;
>the main difference is that they were fortunate enough to have mentors who
>supported them with instruction, encouragement and criticism along the way.
>
>On a side note, who's fooling who here?  As an expert/professional offering
>information, don't you think that with the recognition and perception will
>spur an increase of demand and appreciation for their work and translate
>into profit and personal gain?  Sounds like marketing to me. <g>
>
>(Taking asbestos suit off).  
>
>Len, I've always enjoyed your witty and thought provoking rebuttals (never
>thought I'd be on the receiving end, but enjoyed it nonetheless).  Thanks to
>individuals like yourself, we are all challenged to toe the line.
>
>Stephanie
>______________________________________________________________________
>
>                       **  E-mail:  delphigl@voyager.net
>Delphi Stained Glass   **  WWW:     http://www.voyager.net/delphiglass
>2116 E. Michigan Ave.  **  Voice:   1-800-248-2048 (USA,Canada)
>Lansing, MI  48912     **           1-517-482-2617 (International)
>USA                    **  Fax:     1-800-748-0374 (USA,Canada)
>                                    1-517-482-4028 (International)
>_____________________________________________________________________
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>



 * JDS Mail & News

----
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From owner-glass Tue Jul 15 21:58:00 1997
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From: Phil Taylor <chip3@montana.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: More about stepping stones
Date: Tue, 15 Jul 1997 21:54:17 -0600
Message-ID: <1997Jul15.155417.0>
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Hey Len,
	Having a bad hair day?  T. in Montana
len alcamo wrote:
> 
> >As for the glass, the "art"-ier glasses like Youghiogheny, Chicago Art
> >Glass, Bullseye, Uroboros, are more temperamental and it's my experience
> >that these glasses are more inclined to just break on their own at any given
> >time; it's just the nature of the beast.  I'm not suggesting that you don't
> >use them, just be aware.
> >
> >The most stable glasses seem to be the machine rolled ones -- Spectrum,
> >Wissmach, Armstrong, etc.
> 
> Chicago Art, Bullseye and the others you mentioned are machine rolled
> glasses (single rolled) The only glass that is not rolled are the full antiques
> 
> >It's simply a matter of educating them on this new media.
> 
> New Media? Isn't this merely a minor variation of an ancient and noble art
> form called mosaic?
> 
> 
> >
> >We all have to remember that we've grown up being told not to break windows
> >(ie. glass).  Does anyone here remember first breaking glass and the
> >feelings that it evoked?  I was just a teensy-weensy bit apprehensive. <vbg>
> >To date stained glass has been a visual art comprised of mainly windows and
> >lamps (Again, your parents cautioned "don't touch" or "be careful -- it's
> >GLASS").  Now imagine treading across them!  Whispers of don't walk on
> >broken glass, especially with your bare feet.
> 
> Oh Please!... put on your asbestos suit Stephanie, here it comes :-)...
> Thats a stretch if ever heard one. Would you have me believe that garden
> stones will some day take their rightful place alongside SG windows and
> lamps? Sounds like the thrust of your gushy commentary and sappy imagery is
> to juice up people to buy more materials to make more garden stones. Nothing
> wrong with pushing the latest novelty item, strike while the iron is hot I
> always say... IMHO this thread belongs on rec.crafts not on bungi, why?
> because it does nothing to encourage or elevate the art form, and you wonder
> why arts councles refuse to admit SG entries into shows. This list has the
> potential to be the premier source of SG information on the internet,
> unfortunatly protracted discussions full of misinformation, speculation and
> bad guesses about mundane topics  do nothing to encourage the participation
> of professionals and experts who I know are more then willing to help folks
> elevate their skills in all areas. There is access to info on this list that
> is darn near impossible to get anywhere else because it is given freely, not
> self serving and there is no profit motive.
> 
> Just my 0.02 worth
> 
> Len
> 
> ----
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From owner-glass Wed Jul 16 00:31:33 1997
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  To: glass@bungi.com
  Subject: Re: reply to Len

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Date: Tue, 15 Jul 1997 22:05:00 -0500
From: dariece@juno.com (Dariece G. McClure)
Subject: Re: reply to Len
To: glass@bungi.com
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References: <<12362784117204@netbridge.net>>

Ditto! Thanks Shirley. In addition, I would just like to say that I
appreciate everyone's input on all subjects concerning stained glass
whether prof. or beginner. Of course the prof. input is very educational
and questions/comments from others gets me to thinking about other things
on a bridge I may not have crossed yet.

Dariece
On Tue, 15 Jul 1997 12:34:41 -0700 "Josh Balloch" <Balloch@netbridge.net>
writes:
>
>
>----------
>> From: len alcamo <alcamoz@mwt.net>
>> To: glass@bungi.com
>> Subject: Re: More about stepping stones
>> Date: Tuesday, July 15, 1997 11:05 AM
>> 
>> My goodness Len, a bit lofty aren't we.  I think you are missing  
>the
>boat.  You think steppng stones are just a fad, and they may well be, 
>but I
>for one certainly hope not.  I can envision them in places like 
>Buchart
>Gardens.  I'm sure way back when they started putting colored glass in
>churches and lamps that people thought that was a waste of time, that 
>it
>would never work or stay around.  We have the technology now to make 
>this a
>growing part of our culture.  We are at the hey what do you know 
>stage. 
>We're all beginners on this.  Pros were beginners once themselves and 
>good
>ones remember that and teach and share.  This is a wonderful site!  It
>would be ashame to alienate the budding artists.  I mean,  I still 
>don't
>understand Picaso, but hey lots do.  My little stones are better than 
>lawn
>art where you see the fat ladies panties.  I get an awful lot of oose 
>and
>awes.  My only negative comments are people afraid they won't hold up. 
> And
>from my lurking, you guys making windows and lamps are still learning 
>about
>stress points etc. because of the same concern.  I know of a lady in
>California who does nothing but repair church window due to vandilism. 
> She
>has to go back and cover the window with bullet proof glass after she 
>has
>repaired them. That is a rather mundane subject but it's pertinent.  
>As to
>elevating the art form.  We are in our infancy, we have to learn to 
>crawl
>before we can run.  And I have had artists tell me I did not belong in 
>the
>craft section of Arts and Crafts shows, that I belonged in the art 
>section.
> Stephanie is not out to move a product.  She helping us who have 
>faith in
>this new media.
>Just imagine the well established english gardens with walkways, 
>pathways
>and accents in pleasant peaceful stained glass scenes, that just 
>happen to
>be set in cement.  I keep envisioning tree encroaching pathway to the 
>beach
>that bend and twists through the forest and at the bottom of a natural
>step, a stepping stone with a picture (not mosaic) of seals basking in 
>the
>sun or seagulls flying into the sunset, or orca's sounding.  The
>possibilities are endless.  This is a chat line for the pros and I 
>would
>like to keep stepping/garden stones at that level! That's the reason 
>I'm
>discussing it here instead of rec.craft.
>
>----
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From owner-glass Wed Jul 16 04:22:11 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: Albert's reply to Len
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> Albert.
> Try explaining this one:
> Most protective glazing is(was) installed with a nearly airtight seal.
> Inadequate ventilation doesn't allow moisture to escape and traps heat.
> A study done by Neil Vogel(chicago) showed high temperatures of 180
> degrees between stained glass and protective glazing.  ... etc.

Yes, Vogel got a grant from the National Park Service to do this 
study, but fell from their good graces when it was discovered that 
even his application's language had been plagiarized from Julie 
Sloan's "Conservation of Stained Glass in America."  They let him 
proceed with the "study," although under careful supervision.
 
The so-called study's been highly touted by the Stained Glass 
Association of America, which has long repudiated nearly everything
Sloan has said (she's a *girl!), but now embraces the same things
coming from a man's mouth.

I say "so-called" because the preservation community's reaction to 
the study has been that it's profoundly flawed, uses too small a 
sample as its basis, etc.

Your other comments: isothermal glazing is used in museum settings; 
I've seen only a single "church" using it and that one in Switzerland 
and it was more of a museum than a church, since it had no clergy nor 
community but only a curator.

You're right (and Vogel's right - Sloan's book and her articles 
preceding its publication said the same thing): protective glazing 
installed with an airtight seal creates conditions detrimental to 
stained glass for the reasons you give.

But the coefficient of expansion is unimportant.  This is an old saw 
yet to be laid to rest. Even if the ambient temperature were to rise 
to 500 degrees, the amount of expansion in the glass and structure of 
a window would be infinitesimally small ... nearly unmeasurably 
small, in fact.  It's the trapped moisture in unventilated protective 
glazing that does the harm by corroding the lead (or zinc or copper) 
came, thus allowing the window to "disassemble" itself.

The outcry 10-15 years ago among old-line studios when Sloan pointed
out that protective glazing was harmful to stained glass windows (as
it was being installed at the time) -- since for many studios its 
installation was the bread-and-butter work that kept them alive 
(although many of them called it "restoration," even though applying 
protective glazing is like putting a bandaid on a broken arm and 
calling it surgery) quieted down after they actually *read the 
articles (and book) and realized that Sloan had said its harmful 
effects could be minimized or even fully ameliorated by properly 
ventilating it.

Of course, as said, the fact that a mere woman had said all of that 
couldn't be admitted to by as patriarchal (read "old boy") 
organization as the Stained Glass Association of America, so they're 
finding as many men as they can to say the same thing, thus allowing 
them to embrace it as "gospel."  So what else is new? <s>

What does Sloan think about all of this?  Her aim in life is to 
protect and preserve America's heritage glass, so however it comes to 
be that it's protected and preserved is immaterial to her. If the 
SGAA wants to take credit for everything, that suits her fine ... as 
long as the windows are preserved, that's all she wants.

Albert Lewis


International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Wed Jul 16 05:46:26 1997
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Face to Face vs. E-mail
Date: Wed, 16 Jul 1997 08:46:15 -0400
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Bungians,

I have been reading the bickering about the stepping stones (craft or =
crap) and folks' motives for posting. I think we (all of us, me too) =
edit what we say orally much better than what we say electronically. =
Some of the things I see in print, I know most folks wouldn't have said =
face to face because they would have to deal directly with an angry or =
hurt individual. Having been a recipient of one of these tirades, I =
suggest we delete the "critical" key from our keyboard and juice up the =
"helpful" key, even if that means grin and bear it. It doesn't matter =
whether you like or respect someone's project or not, just offer =
techniques and assistance if you can. There, I'm finished. Now, I'm =
going to let this thing sit on my screen for an hour or two to see if I =
really want to send it.

Well, here it goes - half hour was enough, and yes, I did edit it before =
hitting the "send" key. I hope I'm taken as a mean it, constructively, =
because I really do enjoy you guys and gals and hate to see any =
meanness. I can argue with my co-workers but bungi is the only way I can =
be involved in glass and wonderful glass people while I'm at work.=20

Linda Campbell
Suffolk, VA=20

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From owner-glass Wed Jul 16 05:57:35 1997
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From: Prism Studio <psgs@injersey.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Free Fat Lady's Panty Pattern
Date: Wed, 16 Jul 1997 08:44:50 -0700
Message-ID: <1997Jul16.14450.0>
References: <<1997Jul15.204529.0>>
Reply-To: glass@bungi.com
Organization: Prism Stained Glass Studio
Precedence: bulk

Dione wrote:
> 
> Kitsch lives! 
>
How true! For many of us trying to make a living from glass, kitsch is
the only thing preventing us from becoming "starving artists" once
again.

> With such interest in the subject I am offering a free stepping stone 
> pattern (it could also be used for a flat glass panel for anyone > offended by imbedding glass in concrete) of a fat lady bending over in > her garden showing her panties, 
> 
...But Dione, this is stooping pretty low! <G>

-Vernon
Prism Studio
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From owner-glass Wed Jul 16 06:00:14 1997
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X-Path: UCONNVM.UCONN.EDU!HCLADM02
From:         mail <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: More about stepping stones
Date:         Wed, 16 Jul 97 08:48:46 EDT
Message-ID:   <970716.085941.EDT.HCLADM02@UConnVM.UConn.Edu>
References: <<1997Jul15.65652.0>>
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Precedence: bulk

In one of my lives, I am a math teacher.  As far as I am concerned, there
is no question too simple or mundane.  If someone wants to know, it's
important. (Even if you don't do stepping stones now, maybe you will
in a couple years...and you better hope that people aren't disillusioned
by them because the problems haven't been discussed and solved).  In
another life, I am a library tech (see sig file) and, let me tell you,
archives are enough to drive me batty.  I'd rather ask a quick question than
search forever.
Here's a stepping stone question...I've seen people who color their
concrete...and they have colors I've never seen in Home Depot, or the
local cement store (like blue).  What do you use?  What kind of measurement
do you use?  How does it affect the strength of the concrete?
Speaking of measurement...how do you measure your concrete so you don't
end up with waste?  I think the books talk about weight, but has anyone
converted that into rough measurements (i.e. cups for the US?) for the
bricks or hexagons?
(Yeah, I need to do something under my clothes line...)

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Wed Jul 16 06:08:25 1997
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
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Subject: New Common Ground Issue
Date: Wed, 16 Jul 1997 09:07:59 -0400 (EDT)
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Congratulations to those responsible for the New issue of Common Ground.

What a neat way to make patterns available for those who need them.
And the topic of stepping stones too!!!

And I really enjoyed the articles on G.A.S.

Keep up the great work. I look forward to the next issue.

my best,
pj

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From owner-glass Wed Jul 16 06:32:51 1997
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: New Common Ground Issue
Date: Wed, 16 Jul 1997 09:32:11 -0400 (EDT)
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>To: glass@bungi.com
>From: artglass@water.waterw.com (pj friend)
>Subject: New Common Ground Issue
>
>Congratulations to those responsible for the New issue of Common Ground.
>
>What a neat way to make patterns available for those who need them.
>And the topic of stepping stones too!!!
>
>And I really enjoyed the articles on G.A.S.
>
>Keep up the great work. I look forward to the next issue.
>
>my best,
>pj
>

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From owner-glass Wed Jul 16 06:38:22 1997
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From: artglass@water.waterw.com (pj friend)
To: glass@BUNGI.COM
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Reading List
Date: Wed, 16 Jul 1997 09:37:46 -0400 (EDT)
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Dani,

Thank you for the reading list.
It is greatly appreciated.
my best,
pj


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From owner-glass Wed Jul 16 07:07:05 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Stepping Stones--to the point where I hesitate opening file!
Date: Wed, 16 Jul 97 06:53:43 PST
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     Dialog is being destructive instead of constructive -- appears to 
     becoming too personal.
     
     I enjoy making stepping stones (strengthen with fiber not wire in cold 
     areas).  In fact, have an order for 24 (16" and 18") due in Carmel by 
     this Saturday @ $65-$75 each.  They retail at $125.   Also three 
     custom @ $80 retailing at $140.
     
     Make our own wood frames -- lined with contact paper (cut to fit 
     exactly), spray with Pam or Vaseline. Using plastic or Saran wrap can 
     leave lines. (You can buy precut plywood rounds in various sizes at 
     Home Depot. Use bender board for the sides making sure you squeeze 
     glue into the joint (seam), smooth so seam will not show on cement.
     
     I am not hung up on stepping stones -- also enjoy fusing and creating 
     borders, etc. for stained glass pieces.  Firmly believe all are ART.
     
     Have a great day.
     
     Suzanne Haley
     shaley@mfi.com
     
     
     
     


______________________________ Reply Separator _________________________________
Subject: Re: reply to Len
Author:  glass@bungi.com at Internet
Date:    7/15/97 4:32 PM


At 12:34 PM 7/15/97 -0700, Josh Balloch wrote: 
>
>
>----------
>> From: len alcamo <alcamoz@mwt.net> 
>> To: glass@bungi.com
>> Subject: Re: More about stepping stones 
>> Date: Tuesday, July 15, 1997 11:05 AM 
>> 
>> My goodness Len, a bit lofty aren't we.  I think you are missing  the 
>boat.  You think steppng stones are just a fad, and they may well be, but I 
>for one certainly hope not.  I can envision them in places like Buchart 
>Gardens.  I'm sure way back when they started putting colored glass in 
>churches and lamps that people thought that was a waste of time, that it 
>would never work or stay around. 
     
The exact opposite I suspect. SG is a medium that deals with transmitted 
light, as soon as you limit its role to reflected light you have taken away 
its essence...its heart and soul. It then becomes just another material and 
looses its uniqueness.To me all the stepping stones in the world cannot 
equal the drama of light shining through even the humblest of suncatchers. I 
believe the cathedral builders realized this very early on and devoted what 
had to be a disproportionate amount of effort to the developement of the 
leaded glass windows... the most awe inspiring feature in any cathedral.
     
     
  My little stones are better than lawn
>art where you see the fat ladies panties.
     
I certainly hope so  ;-)
     
     
>from my lurking, you guys making windows and lamps are still learning about 
>stress points etc. because of the same concern.
     
True some are, on the other hand some of us know about those technical 
aspects and are more then willing to educate others. I hope you are aware 
that there are master glass workers on this list, some with over 20 years 
experience
     
  I know of a lady in
>California who does nothing but repair church window due to vandilism.  She 
>has to go back and cover the window with bullet proof glass after she has 
>repaired them. That is a rather mundane subject but it's pertinent.
     
I don't understand your point. Properly installed protective covering is an 
intergral part of a quality restoration effort
     
  As to
>elevating the art form.  We are in our infancy, we have to learn to crawl 
>before we can run.  And I have had artists tell me I did not belong in the 
>craft section of Arts and Crafts shows, that I belonged in the art section.
     
 Hey, I love mutual admiration societies as much as the next guy, great
motivation! :-)
     
     
> Stephanie is not out to move a product
     
Really, I wonder then why she posts on company time, uses Delphi Glass as 
her sig instead of her own name. One of the few if not the only listee that 
does so... curious
     
     
>Just imagine the well established english gardens with walkways, pathways 
>and accents in pleasant peaceful stained glass scenes, that just happen to 
>be set in cement.  I keep envisioning tree encroaching pathway to the beach 
>that bend and twists through the forest and at the bottom of a natural 
>step, a stepping stone with a picture (not mosaic) of seals basking in the 
>sun or seagulls flying into the sunset, or orca's sounding. 
     
I really think you should spend some time checking out mosaics
     
     
    This is a chat line for the pros
     
 I'm sorry but I have to disagree yet again. This is an e-mail list and the
qaulity e-mail lists are administered in such a manner that beginner 
questions are usually addressed via personal e-mail, and to avoid 
redundancey it is recommended that people check the archives to find out if 
the information they are seeking is available there before they post to the 
list. IMHO a chat room is more of an open forum where anything goes. 
     
Well I enjoyed disagreeing with you. Keep up the enthusiasm and have fun  :-)
     
Len
     
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From owner-glass Wed Jul 16 07:10:29 1997
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Subject: Enlighten us
Date: 16 Jul 97 10:11:00 EDT
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OK PJ, what the heck is Common Ground?







Betty

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From owner-glass Wed Jul 16 07:11:18 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glenna
Date: Wed, 16 Jul 1997 10:05:27 -0400
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Josh Balloch wrote:
> 
> Hi, I went to the archive page  to find your composite on stepping stones,
> but I couldn't find anything but ads.  How do you do it again, please.
> Also Glenna I would like to talk to you privately.  How do I do that?


> And what is IMHO?

In My Humble Opinion

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Wed Jul 16 07:17:11 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Website
Date: Wed, 16 Jul 1997 10:11:08 -0400
Message-ID: <1997Jul16.6118.0>
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Meigan F. Cooper wrote:
> 
> Hi,
> 
>         I recently had a problem with my computer and I lost all my website
> addresses.  If anyone knows the website address for Glass Patterns
> Quarterly - please let me know.  A search on Yahoo! came up empty.
> Thanks!!  Meigan
> ----
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i forget it off hand but goto to my links page, i just updated it
yesterday. i think it's somthing like glasspatterns.com but i'd go to
the link page anyway.

http://www.geocities.com/Paris/1141

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Wed Jul 16 07:36:55 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Free Fat Lady's Panty Pattern
Date: Wed, 16 Jul 1997 10:30:46 -0400
Message-ID: <1997Jul16.63046.0>
References: <<1997Jul16.14450.0>>
Reply-To: glass@bungi.com
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Prism Studio wrote:
> 
> Dione wrote:
> >
> > Kitsch lives!
> >
> How true! For many of us trying to make a living from glass, kitsch is
> the only thing preventing us from becoming "starving artists" once
> again.
> 
> > With such interest in the subject I am offering a free stepping stone
> > pattern (it could also be used for a flat glass panel for anyone > offended by imbedding glass in concrete) of a fat lady bending over in > her garden showing her panties,
> >
> ...But Dione, this is stooping pretty low! <G>
> 
> -Vernon
> Prism Studio
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass


but as far as novelty goes, i'd bet they'd sell like hot cakes.
generally the people who buy's that stuff has a simple mind (i don't
want to insult anyone one the list who may have one of these
'attractive' things though). i see people getting these to match the
ones they already have, they're little humor section. 

the silly little lawn ornaments are pretty crazy. one house i've seen
(painted pink BTW), had just about every little thing on their lawn, now
grass, just rock, and plywood. another house lined their driveway and
walkways with bowling pins, now that's tacky.

so i think those things may sell, they're "simple" enough to understand.
there would'nt be a need for shading or detail. or for that matter much
glass at all.

and it does'nt break any rules from the stained glass bible, they're
stepping stones, they have they're own set of rules.

---Mike Savad



-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Wed Jul 16 08:22:21 1997
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: More about stepping stones
Date: Wed, 16 Jul 1997 08:14:39 -0700 (PDT)
Message-ID: <1997Jul16.11439.0>
References: <<199707152050.QAA09490@water.waterw.com>>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Everyone:  First, there are several methods for making the mosaic
stepping stones.  The ones where molds are sold require attention to
positioning the glass in the mold using something like contact paper to
ensure the glass pieces do not move when pouring the cement.  The full
directions are available in several SG books on the subject, i.e., Tiffany
Mosaic Stepping Stones, or something like that.

I have developed a method that uses the commercial stepping stones for
$.99 cents, tile grout (non-sanded) and a tile admixture.  The process is
easy, my students love it, and the price is right.  Since I live on
Central Coast in California, I may not be able to know how they will stand
up to a freeze-thaw cycle but at the recent county fair, they created
quite a lot of interest.  The most frequently asked question was, "Can you
relly walk on that."  

All of this is to say, I developed explicit instructions for making the
stepping stone and will be most willing to share it with anyone who is
interested.

Peggy (PJ from CA)

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From owner-glass Wed Jul 16 08:30:40 1997
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X-Path: aol.com!DGlswrks
From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: Free Fat Lady's Panty Pattern
Date: Wed, 16 Jul 1997 11:28:59 -0400 (EDT)
Message-ID: <1997Jul16.72859.0>
Reply-To: glass@bungi.com
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I'm working on dogs playing poker next.  Do you think we'll be able to get
that black velvet feel in glass?

Don't know if you have followed the bashing and smashing going on in bungi
for the past few days.  This was my attempt to get a little levity into the
situation!  

Hope you smiled!

Dione
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From owner-glass Wed Jul 16 08:30:56 1997
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From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: Free Fat Lady's Panty Pattern
Date: Wed, 16 Jul 1997 11:30:17 -0400 (EDT)
Message-ID: <1997Jul16.73017.0>
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Stooping pretty low!!!!!!!  Forgot to mention you are very punny!

Dione
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From owner-glass Wed Jul 16 08:53:35 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: The meaning of stained glass?!?
Date: Wed, 16 Jul 1997 10:49:39 -0500
Message-ID: <1997Jul16.54939.0>
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Precedence: bulk

Wow, I leave for a few days and I have 100 messages from the bungi
group...I figured we must have been doing some "in-depth" glass
discussion! Looks like we had another one of "those" letters that bring
out the response mode in even the quietest lurker. I wasn't going to
respond...I downloaded and read mail last night, but it got to the point
where I couldn't help myself. A lot of comments from a number of folks
were worthy of praise in my book...I'll keep this as short as possible
(or as I can).

Len...I've always found your comments informative, however you seem to
have a bite when dealing with other's opinions. In defense of your
comments, it's quite an art to be able to emote a satirical wit via
email, and I believe it's quite easy to be taken the wrong way. My
general feeling about blasting someone in public (otherwise known as
flaming in the cyber-world) is that it's in poor taste 98% of the time.
I have rarely found the need to confront anyone in a crowd...one on one
usually is more effective and I think this can apply to newsgroups &
mail lists, as well as in "real life."

Shirley...
>We're all beginners on this.  Pros were beginners once themselves and
good
>ones remember that and teach and share.  This is a wonderful site!  It
>would be ashame to alienate the budding artists.  I mean,  I still
don't
>understand Picaso, but hey lots do.
I agree completely & it's been one of the reasons I enjoy this mail
list!

Stephanie@delphi
>It's my impression that bungi.com is comprised of a wide
>diversity of individuals with a common interest....enjoyment and
>appreciation of glass regardless of whether it's a craft or an art
form.
I believe that the majority of of the bungi group feel this way...it is
a place for beginner & pro alike, as long as we're discussing glass.

OGOrig...
>But I don't want to have to temper all of the questions I
>might ask by wondering if it's worthy of wasting their time with
"mundane
>subjects".
The only questions that some feel waste time are ones that bungi.com
"old-timers" have heard a thousand times before. Newsgroups have FAQs
and the glass@ bungi.com  mail list has an archive. It is proper
netiquette to research these areas to see if your question has been
asked and answered in the past. It is simply a way of showing  respect
to those who have been in the group the longest.

PJ...
>I see stepping stones and delete the majority of
>them.  But I will add that this topic is getting a bit mundane and if
there
>was a way for someone to put it all in one message and get on with it I
am
>sure this will work.
I agree to a point...there are certain subjects that I have no interest
in. I am bored with threads re: lampmaking. I usually delete them, but I
do read (sometimes glance) them...I don't think they're a waste of
bandwidth, I just don't do lamps and am not interested...I know there
are a number of people here who love creating lamps so I just use my
delete key to trash the message...I also agree the archive would be
great if it were organized into dates AND subjects, but that would be a
great deal of work at this point.

Toby & Elisabeth...
>ANYTHING that concerns stained glass is a valid point of discussion.
>It might bore some people to tears, but on the other hand it is a
>great source of inspiration for others.
Toby has a great voice of reason for one so young  ;-)

Suzanne...
>I am not hung up on stepping stones -- also enjoy fusing and creating
>borders, etc. for stained glass pieces.  Firmly believe all are ART.
I agree wholeheartedly! I recently added stepping stones to my line and
enjoy working with them as much as large panels or windows.

Dorothy...
I have use both the Quickrete cement coloring, available at home depot
and Painted desert Mosaics colored topping mix, from Delphi...their
Lupine blue was great! Both had instructions that worked. I found that I
needed to add a bit more with the Quickrete brand...you simply add it to
your water (I use a plastic gallon jug). When it comes to amounts of
concrete I had to guesstimate the first time with my 8 inch stones. I
mixed them up with 20 pounds of cement at a time to see how many I got
out of it...I had to do the same with my 4 x 8 inch bricks. Hope this
helps.

Okay, this got a little long, but I hope I made myself clear without
offending anyone, that wasn't my intention. If certain individuals feel
that only certain topics, questions,or  people should exist on the mail
list, then perhaps they should contact Glenna with their concerns.
Thanks for the soapbox, LJ
__________________________________________________
LJ Maas, Owner & Artist can be reached at: artist@busprod.com

ART WITH ATTITUDE  Stained Glass Design
<i>"unique creations in stained glass"</i>
<http://www.art-with-attitude.com/glass/artglass.html>

OVER THE RAINBOW Web Design & Consulting
<i>"take a look at some of our client's pages!"</i>
<http://www.art-with-attitude.com/rainbow.html>


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From owner-glass Wed Jul 16 09:00:26 1997
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From: BETTY_HALL@RJF2.RJF.COM (BETTY HALL)
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: More about stepping stones
Date: 16 Jul 97 11:57:57 EDT
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Yes!  I would like to recieve instructions on how to make these garden 
stones, and I'm sure many others would also be interested.  Please 
forward them.







Betty, Internal Audit, Ext. 4160

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From owner-glass Wed Jul 16 09:25:15 1997
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X-Path: juno.com!jroey
From: jroey@juno.com (Jerri M Roey)
To: glass@bungi.com
Subject: Re: Free Fat Lady's Panty Pattern
Date: Wed, 16 Jul 1997 12:21:56 -0400
Message-ID: <1997Jul16.82156.0>
References: <<1997Jul16.72859.0>>
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On Wed, 16 Jul 1997 11:28:59 -0400 (EDT) DGlswrks@aol.com writes:
>I'm working on dogs playing poker next.  Do you think we'll be able to 
>get
>that black velvet feel in glass?

	
	Down here in the sticks, if you could incorporate Elvis or John
Wayne with the black velvet look, you'd have a big seller!!

	
	I'm embarassed to admit that my mother-in-law gave me one of
those cloth pictures of the dogs playing poker about 10 yrs ago.  (I am a
dog person, BUT.....I think I do have a little itty bit of taste.)  After
sitting in the plastic bag for a few years, we sold it at a yard sale. 
Couldn't believe someone actually paid money for it.  We were going to
give it away!  (Now, if I can just get rid of those UGLY crocheted dolls
(presently in the attic).  My mother-in-law is just toooo generous.  She
sent me one because she knew I appreciated handmade things, so being
polite, I told her I could tell an awful lot of work went into it, so she
sent me TWO more.  ARGH.

Jerri

	

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From owner-glass Wed Jul 16 09:46:29 1997
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From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: More about stepping stones
Date: Wed, 16 Jul 1997 12:42:19 -0400
Message-ID: <1997Jul16.84219.0>
References: <<1997Jul16.11439.0>>
Reply-To: glass@bungi.com
Organization: @Home Network
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Hi PJ Peggy from Calif.,
I would like to have the 'pre-made' method for the stepping stones too. 
I don't have room or inclination to try mixing cement or mortar.  I've
thought that the easier way would be to use the pre-made stones, and
glass glue, finishing with grout.

Please send to me too.
Lee Boe
leestat7@home.com
> I have developed a method that uses the commercial stepping stones for
> $.99 cents, tile grout (non-sanded) and a tile admixture.  The process is
> easy, my students love it, and the price is right.  Since I live on
> Central Coast in California, I may not be able to know how they will stand
> up to a freeze-thaw cycle but at the recent county fair, they created
> quite a lot of interest.  The most frequently asked question was, "Can you
> really walk on that."
> 
> All of this is to say, I developed explicit instructions for making the
> stepping stone and will be most willing to share it with anyone who is
> interested.
> 
> Peggy (PJ from CA)
>
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From owner-glass Wed Jul 16 09:53:11 1997
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X-Path: aol.com!OGOrig
From: OGOrig@aol.com
To: glass@bungi.com
Subject: Re: Free Fat Lady's Panty Pattern
Date: Wed, 16 Jul 1997 12:52:32 -0400 (EDT)
Message-ID: <1997Jul16.85232.0>
Reply-To: glass@bungi.com
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Dear Dione,

BIG smile.  Thanks for the laughs.
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From owner-glass Wed Jul 16 11:27:47 1997
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X-Path: msn.com!jazzykid
From: "Jill Medlyn" <jazzykid@msn.com>
To: glass@bungi.com
Subject: RE: More about stepping stones
Date: Wed, 16 Jul 97 18:22:30 UT
Message-ID: <UPMAIL13.199707161824290325@msn.com>
Reply-To: glass@bungi.com
Precedence: bulk

Peggy,
	Please send me your information about new method...sounds intrigueing.
jazzykid@msn.com

----------
From: 	Peggy W. Johnsen
Sent: 	Wednesday, July 16, 1997 11:14 AM
To: 	glass@bungi.com
Subject: 	Re: More about stepping stones

Hi Everyone:  First, there are several methods for making the mosaic
stepping stones.  The ones where molds are sold require attention to
positioning the glass in the mold using something like contact paper to
ensure the glass pieces do not move when pouring the cement.  The full
directions are available in several SG books on the subject, i.e., Tiffany
Mosaic Stepping Stones, or something like that.

I have developed a method that uses the commercial stepping stones for
$.99 cents, tile grout (non-sanded) and a tile admixture.  The process is
easy, my students love it, and the price is right.  Since I live on
Central Coast in California, I may not be able to know how they will stand
up to a freeze-thaw cycle but at the recent county fair, they created
quite a lot of interest.  The most frequently asked question was, "Can you
relly walk on that."  

All of this is to say, I developed explicit instructions for making the
stepping stone and will be most willing to share it with anyone who is
interested.

Peggy (PJ from CA)

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From owner-glass Wed Jul 16 11:29:33 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Peggy (PJfromCA)
Date: Wed, 16 Jul 1997 11:26:26 -0700
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> All of this is to say, I developed explicit instructions for making the
> stepping stone and will be most willing to share it with anyone who is
> interested.
> 
> Peggy (PJ from CA)
> 
> Add me to the list, I'd love to be able to make my stepping stones
without having to deal with concrete.

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From owner-glass Wed Jul 16 13:38:09 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Re[2]: More about stepping stones         Making molds
Date: Wed, 16 Jul 97 12:16:45 PST
Message-ID: <9706168690.AA869084766@mfi.com>
Reply-To: glass@bungi.com
Precedence: bulk

     Betty,
     Making your own molds, my way -- others might have shortcuts/better 
     methods -- I would appreciate hearing positive feedback.
     
     1. ROUND MOLD
        a.      Wood -- purchase exterior grade plywood.
                We go to HOME DEPOT -- they have precut 10" 12" 14" 16" 20" 
                24"  rounds. Saves time unless you have a friend or are     
                able to cut your own rounds.  I just bought a 10" round for 
                $4.95 approx.
        b.      Bender board, do not use wood not plastic as will stretch). 
                Bender board is used between as edging between law and garden 
                beds. Pick out as smooth a piece as possible, believe they come 
                in six-foot lengths. Measure cir- cumference of round and cut 
                bender board to that length.
                c. Throughly wet bender board (do not soak) and, if possible, 
                have an extra set of hands available.  
        d.      Place round on the ground, bend bender board around the
                round, stapling or nailing as you go.  Make sure the ends 
                meet tightly.
        e.      When dry, cut contact paper to fit bottom exactly and a 
                second piece to line the inside of the bender board. Make 
                sure there are not any folds -- if there are you will have 
                lines in your stepping stone.  Spray with Pam or Vaseline.
     
     2. OVAL MOLDS -- same as above, but you would have to cut your own     
                bottom and have two seams with the bender board.
     
     3. HEXAGON AND SQUARE MOLDS
     
        a.      Wood -- know exact measurments -- Home Depot will cut on
                the big saw the first cut free, each additional cut is 
                fifty cents.  Make sure you buy exterior plywood.
     
                Buy smooth, but cheap wood for the sides -- width to be 
                one-half to one inch wider than desired thickness of        
                finished stone.
     
                You can buy a cheap miter setup and saw to do corners.
     
        b.      Go to "e" above.
     
     Using fused glass is beautiful as it gives you quite a different 
     effect...very soft.  A fused round or square border is unique, but 
     would not suggest if going to have foot traffic.
     
     Good luck.  Remember this is my way and works for me...hope I didn't leave 
     anything else.
     
     Suzanne  
     
     
     
     
     
______________________________ Reply Separator _________________________________
Subject: Re: More about stepping stones
Author:  glass@bungi.com at Internet 
Date:    7/16/97 11:57 AM
     
     
Yes!  I would like to recieve instructions on how to make these garden 
stones, and I'm sure many others would also be interested.  Please 
forward them.
     
     
     
     
     
     
     
Betty, Internal Audit, Ext. 4160
     
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From owner-glass Wed Jul 16 13:38:33 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Re[2]: More about stepping stones
Date: Wed, 16 Jul 97 12:32:37 PST
Message-ID: <9706168690.AA869084865@mfi.com>
Reply-To: glass@bungi.com
Precedence: bulk

     PJ Peggy CA
     Please include me. Thanks.
     Suzanne Haley
     shaley@mfi.com


______________________________ Reply Separator _________________________________
Subject: Re: More about stepping stones
Author:  glass@bungi.com at Internet
Date:    7/16/97 10:29 AM


Hi PJ Peggy from Calif.,
I would like to have the 'pre-made' method for the stepping stones too. 
I don't have room or inclination to try mixing cement or mortar.  I've 
thought that the easier way would be to use the pre-made stones, and 
glass glue, finishing with grout.
     
Please send to me too.
Lee Boe
leestat7@home.com
> I have developed a method that uses the commercial stepping stones for
> $.99 cents, tile grout (non-sanded) and a tile admixture.  The process is 
> easy, my students love it, and the price is right.  Since I live on
> Central Coast in California, I may not be able to know how they will stand 
> up to a freeze-thaw cycle but at the recent county fair, they created
> quite a lot of interest.  The most frequently asked question was, "Can you 
> really walk on that."
> 
> All of this is to say, I developed explicit instructions for making the 
> stepping stone and will be most willing to share it with anyone who is 
> interested.
> 
> Peggy (PJ from CA)
>
----
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From owner-glass Wed Jul 16 14:51:22 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: New Common Ground Issue
Summary: Authenticated sender is <alewis@computer.net>
Date: Wed, 16 Jul 1997 17:58:08 +0000
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> Keep up the great work. I look forward to the next issue.

There's another issue!? <s>  Thanks.

Albert
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From owner-glass Wed Jul 16 15:27:13 1997
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From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Peggy (PJfromCA)
Summary: Authenticated sender is <glass@mail.nildram.co.uk>
Date: Wed, 16 Jul 1997 23:19:51 +0000
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Precedence: bulk

Hi PJ,
Would like to be in on the act too, please..
Elisabeth 'n Toby
----
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North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From: artglass@water.waterw.com (pj friend)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Enlighten us
Date: Wed, 16 Jul 1997 18:47:16 -0400 (EDT)
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Betty wrote,
>OK PJ, what the heck is Common Ground?
>
>
>
>
>
>
>
>Betty
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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Common Ground is the newsletter published by the International Guild of
Glass artists. 
>
>

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X-Path: netrox.net!athena
From: "M.-J. Taylor" <athena@netrox.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: making stepping stones
Date: Wed, 16 Jul 1997 21:01:24 -0400
Message-ID: <3.0.1.32.19970716210124.006bf220@pop.netrox.net>
References: <<20243529818272@netbridge.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Thanks for sharing your experience!

Cheers,

M.-J.

Josh wrote:

>Not once  I started using a hand held back massager to vibrate the bubbles
>out.  That helped a great deal.  Then I strengthen the pre-mix with
>Portland Type 2 and 3 cement. <snip>
>Those are most of my secrets.  Have fun.  Make lots of em.
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X-Path: aol.com!MBellonci
From: MBellonci@aol.com
To: glass@bungi.com
Subject: Re: NOT About Stepping Stones
Date: Wed, 16 Jul 1997 22:10:17 -0400 (EDT)
Message-ID: <1997Jul16.181017.0>
Reply-To: glass@bungi.com
Precedence: bulk

Sorry to get off this obviously HOT topic but I have a question about
electroplating. Does anyone know  where I can get some small pieces of
stained glass electroplated for a reasonable price????  I've seen some pieces
at arts (& crafts) shows and I like the finish for some pieces ie. christmas
ormanents, angels etc.
Thanks. 
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From: Vernon Brikowski <psgs@injersey.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: NOT About Stepping Stones
Date: Wed, 16 Jul 1997 22:26:50 -0700
Message-ID: <1997Jul16.152650.0>
References: <<1997Jul16.181017.0>>
Reply-To: glass@bungi.com
Organization: Prism Stained Glass Studio
Precedence: bulk

I prefer a patina finish myself, but, I came across this plater and
saved the info just in case: J & R Gold Plating, 1809 East Hennepin
Avenue, Minneapolis 55413 (612) 331-7366. If you are doing a relatively
few small objects, you might be able to do it yourself using plating
kits that are available from a larger jewelers supply. If you need one
let me know.
I hope this is a bit of help to you.
-Vernon
 

MBellonci@aol.com wrote:
> 
> Sorry to get off this obviously HOT topic but I have a question about
> electroplating. Does anyone know  where I can get some small pieces of
> stained glass electroplated for a reasonable price????  I've seen some pieces
> at arts (& crafts) shows and I like the finish for some pieces ie. christmas
> ormanents, angels etc.
> Thanks.
> ----
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: NOT About Stepping Stones
Date: Wed, 16 Jul 1997 20:09:13 -0700
Message-ID: <1997Jul16.13913.0>
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Reply-To: glass@bungi.com
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MBellonci@aol.com wrote:

> Does anyone know  where I can get some small pieces of
> stained glass electroplated for a reasonable price????  I've seen some
> pieces
> at arts (& crafts) shows and I like the finish for some pieces ie.
> christmas
> ormanents, angels etc.
> Thanks.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I know where to in the Sacramento area, where are you?
Melissa

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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: NOT About Stepping Stones
Date: Wed, 16 Jul 1997 20:12:55 -0700
Message-ID: <1997Jul16.131255.0>
References: <<1997Jul16.152650.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Vernon Brikowski wrote:

> I prefer a patina finish myself,

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I made a very contemporary shoe box type of box with alot of solder
overlays and I had it gold plated, it was beautiful!  I would like to
try the nichol plate to because as I understand it, it doesn't oxidize
like plan un-patinaed solder.


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From: Paul Deutsch <beermug@snowcrest.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: electroplating
Date: Wed, 16 Jul 1997 21:02:50 -0700 (PDT)
Message-ID: <199707170402.VAA04963@mtshasta.snowcrest.net>
Reply-To: glass@bungi.com
Precedence: bulk

Check your phone book under plating, there should be several places, check
with an auto parts place on where they get items "chromed", chances are good
the company does chrome, nickel, and "brass".
Good luck
Sherry


----------------------------------



 but I have a question about electroplating. Does anyone know  where I can
get some small pieces of stained glass electroplated for a reasonable
price????  

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X-Path: juno.com!dariece
From: dariece@juno.com (Dariece G. McClure)
To: glass@bungi.com
Subject: Re: making stepping stones more saleable
Date: Wed, 16 Jul 1997 23:39:37 -0500
Message-ID: <1997Jul16.183937.0>
References: <<199707151315.JAA20481@vixa.voyager.net>>
Reply-To: glass@bungi.com
Precedence: bulk

In regards to the question concerning how much cement - I have been
making the 14"round stones. I use a 1 lb coffee can. I use 2 cans for
topping and 3 cans for concrete.

Dariece
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X-Path: aol.com!DGlswrks
From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: Electroplaters
Date: Thu, 17 Jul 1997 01:32:42 -0400 (EDT)
Message-ID: <1997Jul16.213242.0>
Reply-To: glass@bungi.com
Precedence: bulk

I know of electroplaters in Billings, Montana or Minneapolis, Minnesota if
anyone is interested.

Billings:
            Classic Plating
            2146 Old Hardin Road
            Billings, Montana 59101
            (406) 259-5456

The Minneapolis company should be available from anyone who carries Glass
Patterns Quarterly as they have advertised there in the past.

Dione
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From: DGlswrks@aol.com
To: glass@bungi.com
Subject: PJ from CA
Date: Thu, 17 Jul 1997 01:47:16 -0400 (EDT)
Message-ID: <1997Jul16.214716.0>
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I'd like to get the information about your mosaic on tile technique.   Thanks
for sharing your ideas and I hope I can do the same for you sometime.

Dione
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X-Path: montana.com!chip3
From: Phil Taylor <chip3@montana.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Peggy (PJfromCA)
Date: Wed, 16 Jul 1997 22:47:50 -0600
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Organization: Chip3 Video
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Hi Josh,
	Me too.  T. in Montana

Josh Balloch wrote:
> 
> > All of this is to say, I developed explicit instructions for making the
> > stepping stone and will be most willing to share it with anyone who is
> > interested.
> >
> > Peggy (PJ from CA)
> >
> > Add me to the list, I'd love to be able to make my stepping stones
> without having to deal with concrete.
> 
> ----
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From owner-glass Thu Jul 17 03:41:13 1997
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From: "Meigan F. Cooper" <shmfcoop@concentric.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Peggy (PJfromCA)
Date: Thu, 17 Jul 1997 06:42:42 -0700
Message-ID: <1997Jul16.234242.0>
References: <<1997Jul16.164750.0>>
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Precedence: bulk

Phil Taylor wrote:
> 
> Hi Josh,
>         Me too.  T. in Montana
> 
> Josh Balloch wrote:
> >
> > > All of this is to say, I developed explicit instructions for making the
> > > stepping stone and will be most willing to share it with anyone who is
> > > interested.
> > >
> > > Peggy (PJ from CA)
> > >
> > > Add me to the list, I'd love to be able to make my stepping stones
> > without having to deal with concrete.
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass

Me three please.  Thanks!  Meigan
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X-Path: aec2.apgea.army.mil!lsburns
From: lsburns@aec2.apgea.army.mil
To: glass@bungi.com
Subject: Stepping Stone concrete proportions
Date: Thu, 17 Jul 97 08:10:56 EST
Message-ID: <9706178691.AA869152651@aec-smtplink.apgea.army.mil>
Reply-To: glass@bungi.com
Precedence: bulk

     Hi
     I did not see a response to the question about proportions of concrete 
     and topping to the size of the molds used - I got this info from the 
     Tiffany Garden books (and it it what I use):
     
     16" hex   9lb. topping & 14 lb. concrete
     
     4X8" brick  1.5 lb. topping & 2.5 lb. concrete
     
     14" round  6 lb. topping & 14 lb. concrete
     
     8X8 brick  3 lb. topping & 6 lb. concrete
     
     1 measuring cup is approximately 1 lb.
     
     I add dry colored powder to the topping and reserve about 1/2 cup of it 
     (dry - in a ziplock baggie) to mix later with water to fill in the holes 
     when the stone gets turned out.  I tried the liquid additive and decided 
     it was too difficult to match the color when it came time to fill in the 
     holes.
     
     I also make a Xerox of my pattern and use rubber cement to stick the 
     glass pieces to that copy of my pattern to get the spacing right before I 
     put the contact paper over it, then peel the pattern off from the back 
     side.  It only takes a few minutes longer to do this and I have never had 
     my pieces of glass shift.
     
     This works for me.  
     I think these stones are a blast to make and they are really beautiful.
     
     I have been enjoying the knowledge gained from this forum
     
     Thanks,
     Linda in Baltimore

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X-Path: juno.com!diamonds
From: diamonds@juno.com (Mary J Austin)
To: glass@bungi.com
Subject: Re: Free Fat Lady's Panty Pattern
Date: Thu, 17 Jul 1997 07:23:41 -0500
Message-ID: <1997Jul17.22341.0>
References: <<1997Jul15.204529.0>>
Reply-To: glass@bungi.com
Precedence: bulk

My address is 801 Merry Lane Greenwood IN 46142 address it to Mary Austin
I appreciate your willingness to share. Thanks



On Wed, 16 Jul 1997 00:45:29 -0400 (EDT) DGlswrks@aol.com writes:
>With such interest in the subject I am offering a free stepping stone 
>pattern
>(it could also be used for a flat glass panel for anyone offended by
>imbedding glass in concrete) of a fat lady bending over in her garden 
>showing
>her panties, to anyone sending their mailing address to:
>
>                      dglswrks@aol.com
>
>No e-mail addresses please as I have a hard enough time working this 
>darn
>thing as
>it is. 
>
>Kitsch lives!
>Dione
>                 
>                                        
>
>         
>----
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>
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X-Path: juno.com!diamonds
From: diamonds@juno.com (Mary J Austin)
To: glass@bungi.com
Subject: Re: New Common Ground Issue
Date: Thu, 17 Jul 1997 07:25:21 -0500
Message-ID: <1997Jul17.22521.0>
References: <<199707161307.JAA20754@water.waterw.com>>
Reply-To: glass@bungi.com
Precedence: bulk




I'd be interested in finding out how to recieve these issues. Thanks in
advance for the information. Mary  diamonds@juno.com
On Wed, 16 Jul 1997 09:07:59 -0400 (EDT) artglass@water.waterw.com (pj
friend) writes:
>Congratulations to those responsible for the New issue of Common 
>Ground.
>
>What a neat way to make patterns available for those who need them.
>And the topic of stepping stones too!!!
>
>And I really enjoyed the articles on G.A.S.
>
>Keep up the great work. I look forward to the next issue.
>
>my best,
>pj
>
>----
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>
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X-Path: aol.com!MBellonci
From: MBellonci@aol.com
To: glass@bungi.com
Subject: Re: NOT About Stepping Stones
Date: Thu, 17 Jul 1997 09:42:04 -0400 (EDT)
Message-ID: <1997Jul17.5424.0>
Reply-To: glass@bungi.com
Precedence: bulk

Melissa, 
Thanks, I forgot to mention that I'm in Orlando FL., but it's possible to
ship smaller pieces (I think).  I'm just beginning to investigate
possibilities of electroplating, because I really like the look on certain
pieces. ....(and yes, I do like the patina finish for some pieces too)   

MB
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X-Path: mail1.ciwemb.edu!jewell
From: "Connie Jewell" <jewell@mail1.ciwemb.edu>
To: " " <glass@bungi.com>
Subject: Gatewayed mail message
Date: 17 Jul 1997 10:02:27 -0400
Message-ID: <1997Jul17.6227.0>
Reply-To: glass@bungi.com
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   Ok am I the only one who doesn't know what "Common Ground" is? Please fill
me in.
Jewell
jewell@mail1.ciwemb.edu

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From: lsburns@aec2.apgea.army.mil
To: glass@bungi.com
Subject: Common Ground web address
Date: Thu, 17 Jul 97 10:39:18 EST
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     Common Ground is the quarterly magazine produced by the International 
     Guild of Glass Artists
     
     Their web address is http://www.bungi.com/glass/igga/
     
     Back issues, membership, etc. is available there.

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From owner-glass Thu Jul 17 09:41:24 1997
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From: Jackie <jandj@tvutel.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: More about stepping stones
Date: Thu, 17 Jul 1997 11:43:09 -0500
Message-ID: <1997Jul17.6439.0>
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Peggy W. Johnsen wrote:
> 
> Hi Everyone:  First, there are several methods for making the mosaic
> stepping stones.  The ones where molds are sold require attention to
> positioning the glass in the mold using something like contact paper to
> ensure the glass pieces do not move when pouring the cement.  The full
> directions are available in several SG books on the subject, i.e., Tiffany
> Mosaic Stepping Stones, or something like that.
> 
> I have developed a method that uses the commercial stepping stones for
> $.99 cents, tile grout (non-sanded) and a tile admixture.  The process is
> easy, my students love it, and the price is right.  Since I live on
> Central Coast in California, I may not be able to know how they will stand
> up to a freeze-thaw cycle but at the recent county fair, they created
> quite a lot of interest.  The most frequently asked question was, "Can you
> relly walk on that."
> 
> All of this is to say, I developed explicit instructions for making the
> stepping stone and will be most willing to share it with anyone who is
> interested.
> 
> Peggy (PJ from CA)
> 
> ----
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I would like your instructions on making this type of stepping stone!

Thanks Jackie
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From owner-glass Thu Jul 17 11:28:06 1997
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From: "Maria Haley" <rickym@somtel.com>
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Content-Type: text/plain; charset=ISO-8859-1
Subject: Re:Stepping Stones 
Date: Thu, 17 Jul 1997 14:34:34 -0400
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I would also be very interested in your instructions! Please send me the
directions for your method.  It sounds very intriguing to me too!!       
                          
                                  Thanks for taking the time,
                                                   Maria     :-)
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From owner-glass Thu Jul 17 11:44:24 1997
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From: GlassMagic@aol.com
To: glass@bungi.com
Subject: Re: Free Fat Lady's Panty Pattern
Date: Thu, 17 Jul 1997 14:43:23 -0400 (EDT)
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the pattern you are offering sounds great, if it is not to much trouble
please send to:

Carolyn Mueller
P.O. Box 1143 
Forsyth, MO 65653

and thank you
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From owner-glass Thu Jul 17 11:57:00 1997
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Subject:      Re: More about stepping stones
Date:         Thu, 17 Jul 97 14:49:02 EDT
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PJ- since you seem to have picqued a lot of interest, and if it isn't
too long, perhaps you could post those instructions to the list...
and then they'll go to the archives!

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Thu Jul 17 16:54:30 1997
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From: Beveler4@aol.com
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Subject: Re: using zinc came and copper foil in window
Date: Thu, 17 Jul 1997 19:53:27 -0400 (EDT)
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Zinc adds more strength to the window than lead and if you have worked with
Zinc it is not difficult certainly no more so than the brass that was
suggested. I personally am tired of the brass look MEXICO has worked it to
death, but that is just my opinion.I have done many entryways and I usually
combine Zinc and lead, Zinc for the added strength and lead for the ease of
use. Beveler4

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From owner-glass Thu Jul 17 17:14:06 1997
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Subject: vacation
Date: Thu, 17 Jul 1997 17:05:50 -0700
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Please take me off the list until August 7th, as I'm going on a long
deserved vacation.

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From owner-glass Thu Jul 17 19:42:47 1997
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From: Bubstah@aol.com
To: glass@bungi.com
Subject: Re: More about stepping stones
Date: Thu, 17 Jul 1997 22:39:02 -0400 (EDT)
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If you would be so kind as to add me to your list of persons requesting the
instructions for the making of stepping stones. Thank you in advance.
Bubstah@aol.com
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From owner-glass Thu Jul 17 21:02:12 1997
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Subject: Re: More about stepping stones
Date: Fri, 18 Jul 1997 00:01:29 -0400 (EDT)
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Peggy,

Please add me to the growing list of those who would like to know how you
make your tiles.

Thanks!
Mimi
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From owner-glass Fri Jul 18 03:31:15 1997
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Date: Fri, 18 Jul 1997 06:30:06 -0400 (EDT)
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Peggy,
Please add my name to the list also.
Thank You,
Eleanor
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From owner-glass Fri Jul 18 06:25:39 1997
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Subject: Common Ground
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Common Ground:Glass is the magazine published by the International Guild =
of
Glass Artists (IGGA).  It can be found in electronic format on the
http://www.bungi.com/glass/igga web site.  Check it out.
Christie A. Wood
Art Glass Ensembles, Inc.
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From owner-glass Fri Jul 18 06:41:13 1997
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From: Lucille Cava - 778-1932 <CAVA@fsg.prusec.com>
To: glass@bungi.com
Subject: Stepping stone
Date: Fri Jul 18 06:40:31 1997
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  Peggy,

   Hi!  I am interested in your instructions on stepping stones
  as well.  Can you please forward me a copy. Thanks.
 
                             Lucille
                             (cava@fsg.prusec.com)

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From owner-glass Fri Jul 18 15:48:58 1997
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From: mcFrenzy <pristine@gr.cns.net>
To: glass@bungi.com
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Subject: Mickey's reply to Albert's reply to Len
Date: Fri, 18 Jul 1997 18:46:29 -0400
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Albert Lewis wrote:
> 
> But the coefficient of expansion is unimportant.  This is an old saw
> yet to be laid to rest. Even if the ambient temperature were to rise
> to 500 degrees, the amount of expansion in the glass and structure of
> a window would be infinitesimally small ... nearly unmeasurably
> small, in fact.  It's the trapped moisture in unventilated protective
> glazing that does the harm by corroding the lead (or zinc or copper)
> came, thus allowing the window to "disassemble" itself.
> 

I guessed expansion was the culprit in this case. What causes (vertical)
buckling in windows? I've examined windows in stone and windows in steel
which exhibit vertical folds as if they were squeezed tightly. The
Fountain Street Church of Grand Rapids, MI is my case in point. These
are 20 foot tall Paris & Wiley windows from the late '20's. Sagging is
insignificant in this set. They are set in steel frames and are very
tight sizes. The putty is very hard and removal is difficult.

I thought the tight to the frame installation and the solid hard putty
left no room for movement. I was taught to use foam backing in stone
settings and seal breaking tape in steel and wood sashes to allow
expansion and contraction. 

Are these methods just hype to separate the "conservationist" from the
"repairman"? This job is a very important restoration and the
installation method is the primary focus for conservation.


disclaimer:
my views are not necessarily those of my employer.

http://www.cns.net/pristine
http://www.grfn.org/~mickey
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From: mcFrenzy <pristine@gr.cns.net>
To: glass@bungi.com
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Subject: another reply to Albert's reply to Len
Date: Fri, 18 Jul 1997 18:50:07 -0400
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Albert Lewis wrote:
> 
> What does Sloan think about all of this? 

No offense, Albert, but I would like to see Ms. Sloan subscribe to this
list. :-) I would inundate her w/ ???'s.
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From owner-glass Fri Jul 18 20:03:02 1997
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
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Subject: Apprentice
Date: Fri, 18 Jul 1997 23:01:53 -0400
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Hi everyone-

We've had a young man working for us for a couple of weeks who,
unfortunately, is leaving us on August 9th to return to his home town.  H=
e
would like to continue learning the stained glass trade at a professional=

studio in Michigan - southwest corner.  Anyone in that area looking for a=

good apprentice?  Contact me off-bungi and I'll give you details.  Thank
you!

Best regards,

Dani Greer

Greer Gallery & Studios
603 W. Colorado Ave.
Colorado Springs, CO  80905

(719)444-0409

web site  http://eme.usa.net/greerstudios/ =


e-mail   GreerStudios@compuserve.com
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From owner-glass Sat Jul 19 03:59:45 1997
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Subject: Re: Mickey's reply to Albert's reply to Len
Summary: Authenticated sender is <alewis@computer.net>
Date: Sat, 19 Jul 1997 07:06:46 +0000
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> I guessed expansion was the culprit in this case. What causes (vertical)
> buckling in windows? I've examined windows in stone and windows in steel
> which exhibit vertical folds as if they were squeezed tightly. The
> Fountain Street Church of Grand Rapids, MI is my case in point. These
> are 20 foot tall Paris & Wiley windows from the late '20's. Sagging is
> insignificant in this set. They are set in steel frames and are very
> tight sizes. The putty is very hard and removal is difficult.

You misunderstood me if you think expansion due to heat is a culprit 
of any kind.  It has, in fact, very little (nothing) to do with 
windows' buckling, which is caused almost exclusively by gravity. 
I'll bet that the windows you mention above weren't properly 
supported. Sloan has told me about many installations where the tie 
rods (support bars) are wired to the windows (as they should be) but 
the rods don't extend beyond the edges of the windows into the sash. 
So what happens is that the windows are holding up the support bars, 
rather than the other 'way 'round.

The hard putty probably was made with Portland cement, a bad, bad 
(very naughty) thing to do, since as you note, it's almost impossible 
to remove without damaging the windows and breaking glass.  Sounds 
like you need Sloan's book, "Conservation of Stained Glass in 
America," available from the Guild Library (address below) or direct 
from the publisher, Art in Architecture Press, at http://www.aiap.com
I'm ... er .. the president of same. <s>

> I thought the tight to the frame installation and the solid hard putty
> left no room for movement. I was taught to use foam backing in stone
> settings and seal breaking tape in steel and wood sashes to allow
> expansion and contraction. 

Foam backing ... hmm.  It's not the recommended procedure.

> Are these methods just hype to separate the "conservationist" from the
> "repairman"? This job is a very important restoration and the
> installation method is the primary focus for conservation.

Hype?  No, it's serious stuff.  Conservationists are seriously 
ethical people who care enormously that what they do can be undone by 
others at a later date, which pretty much eliminates Portland cement 
and other methods. They take a great deal of care and put an enormous 
amount of thought into what they do before they do it. You'd be 
amazed at the care that goes into it.

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Sat Jul 19 06:46:42 1997
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X-Path: juno.com!kdeck
From: kdeck@juno.com (k a s)
To: glass@bungi.com
Subject: Not related to s.g. but need Help!
Date: Sat, 19 Jul 1997 09:43:51 EDT
Message-ID: <1997Jul19.134351.0>
References: <<199707120036.TAA04181@mailhost.cyberramp.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Hello group,

I've been a lurker here for several months and have found the information
discussed to be most helpful as I'm new to stained glass.  I realize that
posting rules are to be only in regards to this medium and will apologize
in advance for this post.

Does anyone have any experience with back problems, physical therapy? 
Diagnosed with slippage of 2 vertebrae, disc herniation which eventually
will mean major back surgery (for hardware).  Currently adjusting to
limited activities (e.g.  making stepping stones is out).  Please respond
to kdeck@juno.com
Thank so much,
Karen

Won't get on the soapbox about using proper body positioning while
standing at your workbench or moving that box of glass.  Just be careful.
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From owner-glass Sat Jul 19 07:37:02 1997
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Subject: Re: Not related to s.g. but need Help!
Date: Sat, 19 Jul 1997 10:33:08 -0400
Message-ID: <1997Jul19.6338.0>
References: <<1997Jul19.134351.0>>
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Karen,

I am a Chronic Pain Patient with severe injury to back, disks, squashed
vertebrae, MRI confirmed disk disintegration, permanent nerve damage to
main nerves in right leg-I will help you all I can.  I will send message
off list in a little while-Help is out there-don't despair.
Lee Boe
Rain-Boe's Creations
private e-mail address   leestat7@home.com

> Does anyone have any experience with back problems, physical therapy?
> Diagnosed with slippage of 2 vertebrae, disc herniation which eventually
> will mean major back surgery (for hardware).  Currently adjusting to
> limited activities (e.g.  making stepping stones is out).  Please respond
> to kdeck@juno.com
> Thank so much,
> Karen
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From owner-glass Sat Jul 19 07:53:21 1997
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X-Path: arn.net!loveta
From: "Loveta Elmore" <loveta@arn.net>
To: <glass@bungi.com>
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Subject: Re: PJ
Date: Sat, 19 Jul 1997 09:52:53 -0500
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I would like instructions
Thanks, Loveta

----------
> From: Jackie <jandj@tvutel.com>
> To: glass@bungi.com
> Subject: Re: More about stepping stones
> Date: Thursday, July 17, 1997 11:43 AM
> 
> Peggy W. Johnsen wrote:
> > 
> > Hi Everyone:  First, there are several methods for making the mosaic
> > stepping stones.  The ones where molds are sold require attention to
> > positioning the glass in the mold using something like contact paper to
> > ensure the glass pieces do not move when pouring the cement.  The full
> > directions are available in several SG books on the subject, i.e.,
Tiffany
> > Mosaic Stepping Stones, or something like that.
> > 
> > I have developed a method that uses the commercial stepping stones for
> > $.99 cents, tile grout (non-sanded) and a tile admixture.  The process
is
> > easy, my students love it, and the price is right.  Since I live on
> > Central Coast in California, I may not be able to know how they will
stand
> > up to a freeze-thaw cycle but at the recent county fair, they created
> > quite a lot of interest.  The most frequently asked question was, "Can
you
> > relly walk on that."
> > 
> > All of this is to say, I developed explicit instructions for making the
> > stepping stone and will be most willing to share it with anyone who is
> > interested.
> > 
> > Peggy (PJ from CA)
> > 
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> 
> I would like your instructions on making this type of stepping stone!
> 
> Thanks Jackie
> ----
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From owner-glass Sat Jul 19 11:20:16 1997
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From: "Jackie" <jandj@tvutel.com>
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Content-Type: text/plain; charset=ISO-8859-1
Subject: Need advice!!
Date: Sat, 19 Jul 1997 16:58:28 -0600
Message-ID: <199707191822.NAA13300@perham>
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I need advice on a renovation project I am doing.  I am all done cementing
and am letting it lay flat for a few days.  I saw an abrasion on one of the
heavy glass bevels and I am just sick about it.  I think that I must have
done it because I do not remember it there before.  It is not a deep heavy
scratch but like a frosted abrasion.  Is there a way of buffing that out
using a dremel tool with cereum oxid or something has anyone ever had this
problem??  At this point I am ready to pack it in..

Working on this nightmare forever!!

Jackie
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From owner-glass Sat Jul 19 15:11:38 1997
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X-Path: aol.com!MBellonci
From: MBellonci@aol.com
To: glass@bungi.com
Subject: Re: PJ
Date: Sat, 19 Jul 1997 18:10:25 -0400 (EDT)
Message-ID: <1997Jul19.141025.0>
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I'd really like your instructions for using ready made stepping stones as
well.  
THANKS.    mbellonci@aol.com
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From owner-glass Sat Jul 19 15:50:17 1997
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From: Beveler4@aol.com
To: glass@bungi.com
Subject: Re: Need advice!!
Date: Sat, 19 Jul 1997 18:48:42 -0400 (EDT)
Message-ID: <1997Jul19.144842.0>
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You can try to buff it out with your dremel and some cerium oxide on a light
buffing pad, but unfortunately unless it is a very light scratch this rarely
works. The only way is to take it out and buff it and still this is only if
it is a light scratch, if it is deep at all you will end up actually buffing
another facet into the glass that will show up very readily, on a more
positive note I have been able to buff out some pretty nasty looking
scratches that were'nt as bad as they first looked, but you must buff the
entire surface of the bevel to ensure that you do not create another facet as
I mentioned before. You might also try using a light pumice first and then
the cerium oxide.GOOD LUCK and if I can be of any further help just E-mail me
. Beveler4@aol.com 
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From owner-glass Sat Jul 19 16:35:12 1997
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X-Path: sunset.net!fullspec
From: Kay Allen <fullspec@sunset.net>
To: glass@bungi.com
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Subject: Re: PJ
Date: Sat, 19 Jul 1997 16:23:21 -0700
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Me too, and thanks.
fullspec@sunset.net


At 06:10 PM 7/19/97 -0400, you wrote:
>I'd really like your instructions for using ready made stepping stones as
>well.  
>THANKS.    mbellonci@aol.com
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Sat Jul 19 17:18:39 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: stepping stone article
Summary: Authenticated sender is <alewis@computer.net>
Date: Sat, 19 Jul 1997 20:24:24 +0000
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Recently, the Guild's treasurer forwarded a message from 
Balloch@netbridge.net about  ...

 > chat on bungi said common ground glass had an aritcle on stepping
 > stones. I have checked your home page and the spring 97 headlines
> and have not seen it.

I answered "Balloch" as below, but the email bounced.  Perhaps 
she'll see it here:
 
 It's in the published issue that was sent to members of the Guild. 
 It'll be put up on the site eventually, but there's no firm deadline
 for when that happens ... it's taken as long as a year in the past. 
 Why not become a member?  That way you get information like this
 immediately! <s>
 
 Albert Lewis


International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Sat Jul 19 17:33:45 1997
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From: Kay Allen <fullspec@sunset.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: PJ
Date: Sat, 19 Jul 1997 16:23:21 -0700
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Me too, and thanks.
fullspec@sunset.net


At 06:10 PM 7/19/97 -0400, you wrote:
>I'd really like your instructions for using ready made stepping stones as
>well.  
>THANKS.    mbellonci@aol.com
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Sat Jul 19 18:37:47 1997
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From: TSEMTE96@aol.com
To: glass@bungi.com
Subject: Re: Stepping Stones 
Date: Sat, 19 Jul 1997 21:36:57 -0400 (EDT)
Message-ID: <1997Jul19.173657.0>
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Please add me to your list of getting directions for your stepping stones.
 Thanks much.
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From owner-glass Sat Jul 19 19:18:44 1997
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From: "Wallace, Paul" <glass@nobleco.net>
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Date: Sat, 19 Jul 1997 22:17:46 +0000
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   A few years back when I was getting started in fusing I saw 
somewhere a small metal cylinder you could put glass in it put the 
top on it hit a few times with a hammer and end up with hommade frit. 
 Has anyone seen these?  do they really work & where are they 
available? We uually deal with Franklin art glass in Columbus, Oh. & 
they don't know anything about this.  Also looking for a good place 
to get fusing supplies




Thanks
Paul

Bumblebee Stained Glass
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From owner-glass Sat Jul 19 21:26:44 1997
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X-Path: mars.ark.com!wmunro
From: wmunro@mars.ark.com (Wayne Munro)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Lost my info.
Date: Sat, 19 Jul 1997 21:25:54 -0700
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Sorry gang...My computor crashed and I lost all my info and personal E-mail
addresses.
Could Jen Smith of Prince George and George and Roxanne Martin please send
me their Addresses personally.
..Jen--I also lost your mailing address..

Again, sorry for using this forum for this but I was kinda 'stuck'
..Bye for now...
      Wayne
Wayne Munro 'Snail mail' address
2960 Suffield Road,
Courtenay, B.C. Canada   V9N-3V5


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From owner-glass Sun Jul 20 06:27:33 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: stepping stone sale idea as a group?
Date: Sun, 20 Jul 1997 19:23:03 +0800
Message-ID: <1997Jul21.3233.0>
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Josh Balloch wrote:
> 
> ----------
> >
> >
> > I'd like details of how to get good results with these stained glass
> stepping
> > stones!
> 
> I'm doing alot of soul searching tonight.  I've been looking for pictures
> of these stones in garden magazines, either as features of something new or
> ads in the back, ya know, allow 4-6 weeks delivery.
> Maybe as some collective group we could be featured on Better Homes and
> Gardens.
> Anyoneknow how to go about that without paying a fortune?
> 
> ----
Yep. It's called a Press Release. You take some GOOD photos. You write a
story about it, featuring the unusual aspects and specifically honing in
on stuff that the magazine in question highlights as a regular thing. If
you *Really* want it to get printed, it would be good to imitate the
style of a particular author in the magazine and send it to him/her. You
add a covering letter, but you don't print any of it until you've rung
the magazine in question, and found out the name of the person to send
the release to and spoken to them, or to their secretary, to let them
know about the release being about to be sent, give a general idea of
what's in it, and to ask if there's any particular info they would like
to see in the release. Usually they say no, provided you have included
all the correct details like who to contact for more information, and
the who what when where how and why questions being properly answered.

You could always hire a press agent/Public Relations Officer (one who
writes press releases for a living) but you may find that's almost as
expensive as buying space in the magazine to begin with, and you may
STILL not get your release printed.

BE AWARE that most magazines plan their issues a few - often as much as
6 - months in advance.  So don't expect to see your release printed in
the next issue.

If you're interested (why am I saying this? slap forhead...) you can
email me the copy before you send it out. I will then send you back a
revised version, which you may use, or not, as you choose. I offer this
freely, no strings attached, to all bungians. I used to be in the
marketing business for many years and still do a lot of writing etc.,
but now I'm a craft supplier specialising in unusual crafts, with no
desire to get back into PR. (so why AM I saying this? never
mind...suffice it to say that I've enjoyed lurking here and this is a
way of paying a little back.... plus it's easy and fast for me to do,
whilst a lot of people agonize over getting the right words into print)

Of course you can try anyone out on your copy before you send it....
just make sure to only listen to the ones with a reasonable standard of
English and if possible some experience in marketing.

The idea is to make it easy for a magazine to print your stuff without
having to re-write (too hard; they throw it out instead) or follow you
up because there's only half a story... get the picture? The more info
you give in a clear concise manner the more likely it is to get the
editor to read to the end of your piece, and if it's
unusual/interesting/topical/reasonably well-written then s/he doesn't
have to make a lot of changes so it stands a better chance of getting
printed.
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From owner-glass Sun Jul 20 07:14:40 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: press releases
Summary: Authenticated sender is <alewis@computer.net>
Date: Sun, 20 Jul 1997 10:21:09 +0000
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> If you're interested (why am I saying this? slap forhead...) you can
> email me the copy before you send it out.

Oh, I sympathize fully with your mixed emotions on that offer, 
Melanie. <g> I'm guilty of doing the very same sort of thing myself,
donating ye gawds amounts of time to the Guild, fer instance.

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Sun Jul 20 09:27:02 1997
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X-Path: dns.ida.net!dstang
From: Debby Wylie <dstang@dns.ida.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Compilation of Archive Notes on Stepping Stones and Mosaics
Date: Sun, 20 Jul 1997 10:21:26 -0600
Message-ID: <1.5.4.16.19970720102553.27b71b66@mail.ida.net>
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At 10:04 AM 4/1/97 PST, you wrote:

>I have sent each of you listed above an ASCII text file of all the notes =
>on stepping stones and mosaics that I pulled off of the archives.  This =
>includes all archives on the site (from inception of Bungi through the =
>end of February, 1997--March's were not posted yet).  If you for some rea=
>son do not get my message, please let me know.
>
> If there is anyone else who requested it and I =
>overlooked their request, please be sure to let me know.
>
>Dawn
>
>----



Dawn,

I realize that this is really late, but I am WAY behind in reading my mail.
Could you please send me the archive notes on stepping stones too?  I'd
really appreciate it.  Also, how do you pull out just the notes you want
from the archives?  My e-mail address is dstang@ida.net
Thanks.

Debby


>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Sun Jul 20 09:27:36 1997
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From: palomino@catalina-inter.net (Margaret Palomino)
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: More about stepping stones
Date: Sun, 20 Jul 1997 09:24:24 -0700
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Peggy - please add me to your list for instructions on the stepping stones.
 Thanks!

Margie

> Peggy W. Johnsen wrote:
> > 
> > ...
>>
> > All of this is to say, I developed explicit instructions for making the
> > stepping stone and will be most willing to share it with anyone who is
> > interested.

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From owner-glass Sun Jul 20 11:25:54 1997
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X-Path: catalina-inter.net!palomino
From: palomino@catalina-inter.net (Margaret Palomino)
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: More about stepping stones
Date: Sun, 20 Jul 1997 11:27:33 -0700
Message-ID: <1997Jul20.42733.0>
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Precedence: bulk

Sorry, all.  I forgot to send my address to Peggy: 
palomino@catalina-inter.net

----------
> 
> Peggy - please add me to your list for instructions on the stepping
stones.
>  Thanks!
> 
> Margie
> 
> > Peggy W. Johnsen wrote:
> > > 
> > > ...
> >>
> > > All of this is to say, I developed explicit instructions for making
the
> > > stepping stone and will be most willing to share it with anyone who
is
> > > interested.
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
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From owner-glass Sun Jul 20 13:28:52 1997
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X-Path: beachaccess.com!ncscoutr
From: "VALERIE PHELPS" <ncscoutr@beachaccess.com>
To: glass@bungi.com
Subject: Re: question
Date: Sun, 20 Jul 1997 16:20:17
Message-ID: <1997Jul20.232017.0>
Reply-To: glass@bungi.com
Organization: Beach Access BBS
Precedence: bulk

>   A few years back when I was getting started in fusing I saw 
>somewhere a small metal cylinder you could put glass in it put the 
>top on it hit a few times with a hammer and end up with hommade frit. 
> Has anyone seen these?  do they really work & where are they 
>available? We uually deal with Franklin art glass in Columbus, Oh. & 
>they don't know anything about this.  Also looking for a good place 
>to get fusing supplies
>
<<Snippity-snip>>
Dear Paul,

I didn't know that frit was made by 'crushing' glass, I THOUGHT that it
was done somehow with hot glass being plunged into water or something...
 I DO know of a tool similar to what you describe though, and it IS
specifically for making very small evenly-sized bits of glass.  (Yet one
more inventive way to use up those boxes and jars of scrap glass!)  It's
called the "King Krusher" and is available from Kennedy Enterprises, 704
Main St., Covington, KY 41011; 606/491-2222.

Wish I could help you out with the fused glass stuff, but it's not
really my 'thing' so to speak...

Good luck!
V T Phelps
Shoreline Glassworks, Ltd.


 * JDS Mail & News

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From owner-glass Sun Jul 20 14:10:28 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Not related to s.g. but need Help!
Date: Mon, 21 Jul 1997 03:05:09 +0800
Message-ID: <1997Jul21.1159.0>
References: <<1997Jul19.6338.0>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

leestat7 wrote:
> Help is out there-don't despair.
----------
There is a website for Encaustic Art http://www.encaustic.com which will
show you some beautiful images that can be quickly created with coloured
wax and a small electric dry iron on a variety of surfaces, including
glass. And no artistic abilities required. A sedentary activity. You can
find out your local distributor's name at that site if you are intersted
in a demo (it won't be me unless you're in Australia so I feel justified
in posting this info as I will not personally benefit from any decision
you may make). there are many other crafts out there that are suitable
for people who are restricted in their physical abilities, although not
many of these involve the use of glass. If I can help in any other way
please feel free to email me privately.
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art and fabric:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From owner-glass Sun Jul 20 15:20:47 1997
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X-Path: CompuServe.COM!102565.1767
From: "Paula E. Stark" <102565.1767@CompuServe.COM>
To: pj <glass@bungi.com>
Subject: stepping stones
Date: 20 Jul 97 18:19:24 EDT
Message-ID: <1997Jul20.221924.0>
Reply-To: glass@bungi.com
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I would appreciate instructions for stepping stones also.
			thank you,
			paula stark  102565,1767@Compuserve.com

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From owner-glass Sun Jul 20 19:12:00 1997
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X-Path: aol.com!LByrne21
From: LByrne21@aol.com
To: glass@bungi.com
Subject: Help On Etching
Date: Sun, 20 Jul 1997 22:10:46 -0400 (EDT)
Message-ID: <1997Jul20.181046.0>
Reply-To: glass@bungi.com
Precedence: bulk

This Bungi group is really super!  I thank all of you who attempted to help
me with a question (or problem) I thought or think I have...and then
discovered how inadequate my explanation was  as to what my question was.
(Wow, if you can figure that one out, let me know)....Here I go again.....I
do etching on bevels using a dremel tool.  I tape my design to the back of
the bevel, draw the outline of the design on the front of the bevel with the
dremel, and then fill-in with crosshatching.

In reading up on proper proceedure it is suggested that one use an eyedropper
of water on the glass while etching the design.  However, when I do this, the
water makes the etching lines invisible  so it is impossible to see where I
left off and where to begin.  Soooooo I have been happily etching away
(without water)...getting beautiful results.   But now guilt is seeping in.
 Is there really too much glass grit flying around? (The bevel is held down
on my lap while using the dremel and I didn't think  the glass  residue was
THAT much or that it could be it so  far airborn.)  Am I
ruining the tip on the dremel with the friction of not using water? (Or is it
my imagination that the glass seems to be "chipping" a little more than
usual).

The whole point boils down to......I can't see my design while using water.
 Help?

                           Lavergne (The long-time-lurker)
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From owner-glass Sun Jul 20 20:20:14 1997
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From: Michele DeAngelis <mldassociates@sprintmail.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Stepping stones
Date: Sun, 20 Jul 1997 23:04:44 -0400
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Add me to list for stepping stone instructions. 

Thanks.
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From owner-glass Mon Jul 21 02:07:27 1997
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X-Path: wt.com.au!rdeint
From: "Rexort International Pty Ltd" <rdeint@wt.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: question
Date: Mon, 21 Jul 1997 12:01:32 +0800
Message-ID: <199707210900.RAA19444@sage.wt.com.au>
Reply-To: glass@bungi.com
Precedence: bulk


>I didn't know that frit was made by 'crushing' glass, I THOUGHT that it
>was done somehow with hot glass being plunged into water or something...

Yes that is correct. Frit is produced by pouring molten glass into water.
The
glass then breaks up into little pieces, and is quite safe to handle without
getting
cut. It is not as sharp as crushed glass.

When you crush glass for fusing, make sure not to introduce impurities from
the crushing process.

Harald
------
HiGlass
Manufacturers of Coloured Sheet Glass and Fused Glass Products
email: rdeint@wt.com.au
URL: http://www.wt.com.au/~rdeint/higlass.htm


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From owner-glass Mon Jul 21 03:07:23 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Wrong Side Of Float Glass
Date: Mon, 21 Jul 1997 12:57:08 +0800
Message-ID: <1997Jul21.20578.0>
References: <<1997Jul11.155528.0>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

Kathy E. Wood wrote:
> 
<snip>
I don't have the definition of the 'wrong side' in my notes but
> he did show us how to find it.  We were marched into a dimly lit room
> were he demonstrated that when you take a small handheld UV light (cost
> $39.95),  one side of the glass exhibits a glow and the other side does
> not.  The glow is on the wrong side.
> 
-------------
I've been following this with some interest and would like to ask if
anyone knows whether this glow would disappear with time
(devitrification) or whether there's a 'special' UV light used, rather
than just ordinary ol' UV.... reason for the question is that I asked my
local GlassMeister, Harald of Rexort International, about it and he's
tried it and couldn't find a glow, and suggested that the above factors
might interfere with it....

Any ideas, please, anyone?

-- 
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From owner-glass Mon Jul 21 04:23:13 1997
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X-Path: fast.net!charles
From: Charles <charles@fast.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: More about stepping stones
Date: Mon, 21 Jul 1997 07:13:08 -0400
Message-ID: <1997Jul21.3138.0>
References: <<1997Jul20.22424.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Peggy - please add me to your list for instructions
 
 Charles
 
 > Peggy W. Johnsen wrote:
 > >
 > > All of this is to say, I developed explicit instructions for
 > > making the stepping stone and will be most willing to 
 > > share it with anyone who is interested.
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From owner-glass Mon Jul 21 05:20:46 1997
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X-Path: Wittenberg.EDU!CUTLER
From: cutler@Wittenberg.EDU
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: "The list"
Date: Mon, 21 Jul 1997 08:20:14 -0500 (EST)
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Why doesn't the holder of the stepping stone method just go ahead and post
the directions to the list at large?  Or must we wait until every last
member has sent a "me too" message ??? :)

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From owner-glass Mon Jul 21 05:23:47 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: Int'l.Guild.of.Glass.Artists@ns.computer.net
Subject: What's new at IGGA?
Summary: Authenticated sender is <alewis@computer.net>
Date: Mon, 21 Jul 1997 08:26:24 +0000
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Reply-To: glass@bungi.com
Precedence: bulk

What's new at IGGA?

1. The Guild's web site at http://www.bungi.com/glass/igga/ has proven
to be an enormous success. The first twelve issues of the newsletter
were put up some time ago, but there is a lot of other information,
including a fully searchable version of the Sources Guide online. You
can search for suppliers by name or by product ... and the Supporting
Suppliers are hot-linked on their names so you can jump to their
discounts immediately. Check it out! During a typical month, about
2,000 other people do, too!

2. The Guild Library, which frequently appears in the newsletter and
is now also online (administered by Art in Architecture Press), has
been linked with Amazon.com Books -- the world's largest bookstore.
Any sales to members of the Guild (or nonmembers, for that matter) of
most of the 2,700 glass books online (nothing is earned on sales of
their "hard to find" books) now earn the Guild a 15% referral fee from
Amazon.com. That fee is set aside for the glass school that has long
been a dream of the membership and the Board; it was also one of the
driving visions held at the founding of the Guild four years ago. The
Guild Library is also linked to more than a hundred rare and
hard-to-find glass books at Whitehouse-Books.com (formerly The Book
Exchange). Those sales also earn a 15% commission for the Guild, but
at the end of the year, Whitehouse-Books matches the total sales with
a grant that's set aside for the glass school, as well. Art in
Architecture Press - at http://www.aiap.com/ - gives the Guild a 40%
premium on sales to Guild members of "Conservation of Stained Glass in
America," the prize-winning book on stained glass restoration by Julie
L. Sloan!

3. Over six hundred suppliers of glass, tools and equipment are listed
in the Guild's Sources Guide, which is sent to all members, as well as
stored in the Guild's archives on its web site at
http://www.bungi.com/glass/igga/ for free downloading by anyone in the
world -- just click on the cover of the issue for the entire list.
What's more, more than 50 of the companies listed have become
Supporting Suppliers to the Guild, offering members discounts of 5 to
50%. Go to http://www.bungi.com/glass/igga/suppsupp.htm for a complete
list.

4. Members in several U.S. states (as well as in a few foreign
countries) have organized local chapters of the Guild ... and the
Guild has assembled a set of suggested bylaws for those local chapters
that it sends out free of charge. The Board voted in early 1995 to
provide Startup Grants to local chapters of the Guild and prepared a
brochure describing the application procedures for their award. You
can ask for information about StartupGrants and automatic annual
ChapterGrants. Go to http://www.bungi.com/glass/igga/grantapp.htm for
more information.

Albert Lewis



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From owner-glass Mon Jul 21 06:48:06 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Re: question       Called a crucible and pestle for grinding
Date: Mon, 21 Jul 97 06:26:26 PST
Message-ID: <9706218694.AA869492613@mfi.com>
Reply-To: glass@bungi.com
Precedence: bulk

     They make a steel crucible and pestle for grinding glass.  Should be 
     able to get it through a wholesaler.  Franciscan in Mountain View, CA 
     or Ed Ho's in Naperville, IL,  are two wholesalers who probably can 
     supply your retailer.
     
     I cut a piece of clear plastic material (buy at fabric store) and 
     cover the crucible while grinding. Cut a small circle for the pestal 
     handle to fit through.  Prevents glass from flying up.  
     
     MAKE SURE YOU WEAR GLASSES.
     
     Suzanne Haley
     shaley@mfi.com


______________________________ Reply Separator _________________________________
Subject: question
Author:  glass@bungi.com at Internet
Date:    7/19/97 7:23 PM


   A few years back when I was getting started in fusing I saw 
somewhere a small metal cylinder you could put glass in it put the 
top on it hit a few times with a hammer and end up with hommade frit. 
 Has anyone seen these?  do they really work & where are they 
available? We uually deal with Franklin art glass in Columbus, Oh. & 
they don't know anything about this.  Also looking for a good place 
to get fusing supplies
     
     
     
     
Thanks
Paul
     
Bumblebee Stained Glass
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From owner-glass Mon Jul 21 07:17:13 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Help On Etching
Date: Mon, 21 Jul 1997 10:10:51 -0400
Message-ID: <1997Jul21.61051.0>
References: <<1997Jul20.181046.0>>
Reply-To: glass@bungi.com
Precedence: bulk

LByrne21@aol.com wrote:
> 
> This Bungi group is really super!  I thank all of you who attempted to help
> me with a question (or problem) I thought or think I have...and then
> discovered how inadequate my explanation was  as to what my question was.
> (Wow, if you can figure that one out, let me know)....Here I go again.....I
> do etching on bevels using a dremel tool.  I tape my design to the back of
> the bevel, draw the outline of the design on the front of the bevel with the
> dremel, and then fill-in with crosshatching.
> 
> In reading up on proper proceedure it is suggested that one use an eyedropper
> of water on the glass while etching the design.  However, when I do this, the
> water makes the etching lines invisible  so it is impossible to see where I
> left off and where to begin.  Soooooo I have been happily etching away
> (without water)...getting beautiful results.   But now guilt is seeping in.
>  Is there really too much glass grit flying around? (The bevel is held down
> on my lap while using the dremel and I didn't think  the glass  residue was
> THAT much or that it could be it so  far airborn.)  Am I
> ruining the tip on the dremel with the friction of not using water? (Or is it
> my imagination that the glass seems to be "chipping" a little more than
> usual).
> 
> The whole point boils down to......I can't see my design while using water.
>  Help?
> 
>                            Lavergne (The long-time-lurker)
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


oh yeah... all that glass being remove may be getting sucked up into
your lungs. which is not removable. with the water the dust will be cut
down alot. and the bit will last longer. 

i knew someone who always used a glass grinder without water, he once
sneezed blue...ewww....

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Mon Jul 21 07:32:27 1997
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X-Path: boffo.com!barb
From: "Barbara A. Roman" <barb@boffo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: was the cementing step omitted?
Date: Mon, 21 Jul 1997 10:35:05 -0400
Message-ID: <1997Jul21.6355.0>
Reply-To: glass@bungi.com
Organization: Boffo Games, Inc.
Precedence: bulk

Hi folks!

I seem to just ask questions, but here I go again!  (This is how I
learn!)  Thanks, by the way for the advice on the use of foil and zinc
came -- I may have to do some test-pieces before I make the window just
to test foil widths next to the came...but anyway...

Steve asked why I wouldn't just do the window in lead.  Well, I've only
done a small repair in lead (yet another project Bungians advised me
on!), and don't feel confident working in it yet.  On that note, I'm
considering trying a simple small oval leaded daffodil pattern in a back
issue of Glass Patterns Quartery which they deemed "good for
beginners".  My question is on their instructions.  They go through the
assembly process, and say to use black patina on the soldered joints,
and then to install the panel in a lovely oval frame.  There was no
mention of the "best" part <smirk> -- cementing!  Is this just an
implied step? (seems strange to leave it out in a beginner project's
instructions) Or is it not considered necessary on a small panel that's
set into a frame?  I'll welcome any advice, as I'm new to lead work and
have only read the "Stained Glass Primer" on the subject.

Thanks!
-barb
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From owner-glass Mon Jul 21 08:04:25 1997
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From: Paul Deutsch <beermug@snowcrest.net>
To: glass@bungi.com
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Date: Mon, 21 Jul 1997 08:03:28 -0700 (PDT)
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Why not just e-mail her directly instead of through the list?

edupjohn@slonet.org

Sherry



At 08:20 AM 7/21/97 -0500, you wrote:
>Why doesn't the holder of the stepping stone method just go ahead and post
>the directions to the list at large?  Or must we wait until every last
>member has sent a "me too" message ??? :)
>
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>
>

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From owner-glass Mon Jul 21 08:39:18 1997
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X-Path: mail.nildram.co.uk!glass
From: "Toby" <toby@northlights.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Compilation of Archive Notes on Stepping Stones and Mos
Summary: Authenticated sender is <glass@mail.nildram.co.uk>
Date: Mon, 21 Jul 1997 16:31:12 +0000
Message-ID: <199707211538.QAA27683@pluto.nildram.co.uk>
Reply-To: glass@bungi.com
Precedence: bulk

Dear Dawn
I think I need to join the "late chorus" and ask you, PLEASE ME too.
Somehow the bug has caught me and I think it is an idea I might use 
in my classes.
Imagine the surprise of my students, when I come rolling in with a 
cement mixer and a car-load full of wood.....    ;-)
e-mail adress: toby@northlights.co.uk
Elisabeth 'n Toby

At 10:04 AM 4/1/97 PST, you wrote:

>I have sent each of you listed above an ASCII text file of all the notes =
>on stepping stones and mosaics that I pulled off of the archives.  This =
>includes all archives on the site (from inception of Bungi through the =
>end of February, 1997--March's were not posted yet).  If you for some rea=
>son do not get my message, please let me know.
>
> If there is anyone else who requested it and I =
>overlooked their request, please be sure to let me know.
>
>Dawn
----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
----
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From owner-glass Mon Jul 21 10:38:29 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: "The list"
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> Why doesn't the holder of the stepping stone method just go ahead and post
> the directions to the list at large?  Or must we wait until every last
> member has sent a "me too" message ??? :)

There are those who will complain if they get something via the group 
that they didn't ask for themselves.
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From owner-glass Mon Jul 21 11:01:45 1997
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X-Path: aol.com!DGlswrks
From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: Help On Etching
Date: Mon, 21 Jul 1997 14:00:48 -0400 (EDT)
Message-ID: <1997Jul21.10048.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Lavergne,
     I wrote before but don't know if you found my post.  Yes, the glass dust
is a problem that you really need to be concerned about.  It can cause a
fatal lung disease so you need to get an appropriate respirator and not etch
on glass anymore without it.  Water would eliminate the dust so I think you
can work around the problem of your design being hard to see.  After you
trace your outside lines, dry the piece off and use a glass marking pen like
a Stabilo or a Sharpie or a china marking pen (these should all be available
at a glass studio-Sharpie marking pens can sometimes be found at grocery
stores) to go over this part of the design.  Then use some chap stick or
vaseline over your pen markings so the water won't wash them off.  Have
patience because you might have to re-mark your design throughout the
process.

Please-do not etch glass any more without water or a respirator.  Even if it
is in your lap away from your face.  It really is the dust you don't see that
is the problem.  If you are handy you could build a tabletop box with two
holes for your hands and arms to go through (these should have a seal) and a
see through hinged top.  You could put your bevel inside and work there.  The
box needs to be sealed well.  There are commercial tabletop sandblasting
cabinets available and that is the type of thing you should look for.

Hope this helps.

Dione
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From owner-glass Mon Jul 21 11:09:56 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Tapping glass
Date: Mon, 21 Jul 1997 10:58:17 -0700
Message-ID: <11090286804305@netbridge.net>
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Precedence: bulk

My instructor told us not to tap glass.  But I can't seem to get my hands
in position to break it unless it is a large piece.  So I have been tapping
and have been successful 80% of the time.  I don't seem to loose any more
cuts with tapping than I do with hand or plier breaking.
I'm feeling guilty about this.  Am I right or wrong?
----
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From owner-glass Mon Jul 21 11:09:57 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Dawn, archives stepping stone instructions
Date: Mon, 21 Jul 1997 10:55:05 -0700
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Me too,  for some reason I don't always receive my mail. 
Balloch@netbridge.net.
Thanks in advance.
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From owner-glass Mon Jul 21 11:09:57 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass @bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: engraving
Date: Mon, 21 Jul 1997 11:07:00 -0700
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Precedence: bulk

I have a customer who wants me to engrave their name on a piece of almost
(streaky) cobalt blue spectrum glass.  I tried ectching cream, it was too
faint.  I used my metal engraver and it made the glass rough and whitish. 
Then I took liquid lead (black, I wish I had used white) and painted it
into the ectched areas by both the cream and engraver.  This is for a
stepping stone and I am wondering is the liguid lead will hold up (they
don't plan to walk on it) in the great outdoors, will the engraved glass be
weakened too much, is there another (cheap) way to do this.  I don't want
to go into engraving.  Or maybe there is someone local (Oregon Coast) that
can do it for me.
Thanks in advance.
Shirley B.
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From owner-glass Mon Jul 21 14:22:58 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Tapping glass
Date: Mon, 21 Jul 1997 17:16:30 -0400
Message-ID: <1997Jul21.131630.0>
References: <<11090286804305@netbridge.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Josh Balloch wrote:
> 
> My instructor told us not to tap glass.  But I can't seem to get my hands
> in position to break it unless it is a large piece.  So I have been tapping
> and have been successful 80% of the time.  I don't seem to loose any more
> cuts with tapping than I do with hand or plier breaking.
> I'm feeling guilty about this.  Am I right or wrong?
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i only tap when i have to. what happens is this: each time you stike the
glass with the ball, it fractures in some direction; maybe it goes in
the right direction; maybe it goes in the wrong direction. you also get
a more jagged edge. 

so when i tap, it's only when i do a deep cut, so far i found the
ringstar to be a good replacement. eventually you'll figure out how to
break the glass by using a small amount of pulling-breaking pressure.
you can then watch the run, and here the soft crack it makes.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Mon Jul 21 14:24:21 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: engraving
Date: Mon, 21 Jul 1997 17:18:23 -0400
Message-ID: <1997Jul21.131823.0>
References: <<11090437004306@netbridge.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Josh Balloch wrote:
> 
> I have a customer who wants me to engrave their name on a piece of almost
> (streaky) cobalt blue spectrum glass.  I tried ectching cream, it was too
> faint.  I used my metal engraver and it made the glass rough and whitish.
> Then I took liquid lead (black, I wish I had used white) and painted it
> into the ectched areas by both the cream and engraver.  This is for a
> stepping stone and I am wondering is the liguid lead will hold up (they
> don't plan to walk on it) in the great outdoors, will the engraved glass be
> weakened too much, is there another (cheap) way to do this.  I don't want
> to go into engraving.  Or maybe there is someone local (Oregon Coast) that
> can do it for me.
> Thanks in advance.
> Shirley B.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i've used the same techinque, only i used paint, either model or Deka.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Mon Jul 21 14:40:19 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: Tapping glass
Summary: Authenticated sender is <alewis@computer.net>
Date: Mon, 21 Jul 1997 17:47:16 +0000
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Reply-To: glass@bungi.com
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> My instructor told us not to tap glass.  
> I'm feeling guilty about this.  Am I right or wrong?

Tapping is a classic and time-honored technique that works. More than 
that, it's sometimes downright necessary. You can stop feeling guilty 
now. <s>

Albert
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From owner-glass Mon Jul 21 16:11:56 1997
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X-Path: aol.com!Bubstah
From: Bubstah@aol.com
To: glass@bungi.com
Subject: Re:hinged box lids
Date: Mon, 21 Jul 1997 19:11:15 -0400 (EDT)
Message-ID: <1997Jul21.151115.0>
Reply-To: glass@bungi.com
Precedence: bulk

I was asked to make a jewel box with a  hinged lid for my granddaughter.  I
have been having a terrible time trying to get the hinge to adhere to the
back of the box.
I've soldered it to the back of the box and then to the lid - it peels the
foil off the box when opened.  Itried using a short chain to hold the lid
from flopping backwards and I've used a longer chain.  I tried soldering the
hinge to the lid of the box and then to the box.  
HELP what am I doing wrong????????????
Bubstah@aol.com 
Thank you in advance for any advice you may give me.
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From owner-glass Mon Jul 21 16:38:40 1997
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From: Charles <charles@fast.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: hinged box lids
Date: Mon, 21 Jul 1997 19:28:50 -0400
Message-ID: <1997Jul21.152850.0>
References: <<1997Jul21.151115.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Bubstah@aol.com wrote:
> 
> Ihave been having a terrible time trying to get the hinge to adhere to
> the back of the box.
> I've soldered it to the back of the box and then to the lid - it peels
> the foil off the box when opened.  I tried using a short chain to hold 
> the lid from flopping backwards and I've used a longer chain.  I tried
> soldering the hinge to the lid of the box and then to the box.

Make your own hinge.  Solder a tube the width of the box to the back 
edge.  Feed a wire through the tube bend it down and solder it into 
the corner seam on both sides.  The wire will not be noticeable then.  
The only disadvantage of this method is the top is not removable.  
Of course you have to be CERTAIN the wire does not get soldered 
INSIDE the tube.

Use a large enough wire that it won't rip out of the solder seam.
(16 or 18 gauge should do)

If you really want to use the manufactured hinges, they must be
soldered on a large solder seam.  The problem with them is the box 
top has a tendency to rip the hinge off the box.

Charles Warner
Warner-Crivellaro
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From owner-glass Mon Jul 21 16:43:07 1997
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From: Vernon Brikowski <psgs@injersey.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: hinged box lids
Date: Mon, 21 Jul 1997 19:33:11 -0700
Message-ID: <1997Jul21.123311.0>
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Reply-To: glass@bungi.com
Organization: Prism Staiined Glass Studio
Precedence: bulk

Hi! 

If you are using the small hinges, try soldering a piece of 1/8" brass U
channel on both back edges of the lid and the box first. (you might want
to tin these first) Foil alone will not hold-up in this case. Make sure
the ends of the channel are well soldered into the box corners and lid
edges. Solder hindges on as before. 

If you are not using tube and rod, you might want to, it is much easier
to work with. Cut a length of tube, just shorter than the box lid. Then
cut a length of rod 1-1/2" to 2" longer and slide it into the center of
the tube. Bend the equal length rod ends 90o. Solder the tube to the
lid, solder the two rod ends into the two back vertical box seams. BE
CAREFUL, do not solder the tube and rod together! You might try using
white-out at the ends of the tube where it meets the rod to prevent a
soldering accident.

Good Luck! I hope that this might help you out a bit.

-Vernon   
Bubstah@aol.com wrote:
> 
> I was asked to make a jewel box with a  hinged lid for my granddaughter.  I
> have been having a terrible time trying to get the hinge to adhere to the
> back of the box.
> I've soldered it to the back of the box and then to the lid - it peels the
> foil off the box when opened.  Itried using a short chain to hold the lid
> from flopping backwards and I've used a longer chain.  I tried soldering the
> hinge to the lid of the box and then to the box.
> HELP what am I doing wrong????????????
> Bubstah@aol.com
> Thank you in advance for any advice you may give me.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Mon Jul 21 18:11:39 1997
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X-Path: accesscomm.net!spinn
From: spinn@accesscomm.net (Stephen Pinn)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: engraving
Date: Tue, 22 Jul 1997 01:10:20 GMT
Message-ID: <1997Jul22.11020.0>
References: <<11090437004306@netbridge.net>>
Reply-To: glass@bungi.com
Organization: PinnCorp.
Precedence: bulk

2 ideas for you Shirley.
1) Sandblasting the piece should give you a good etch.  If that does
not contrast sufficiently the 2) Guild the blasted area with gold.

Regards - steve


On Mon, 21 Jul 1997 11:07:00 -0700, you wrote:

>I have a customer who wants me to engrave their name on a piece of =
almost
>(streaky) cobalt blue spectrum glass.  I tried ectching cream, it was =
too
>faint.  I used my metal engraver and it made the glass rough and =
whitish.=20
>Then I took liquid lead (black, I wish I had used white) and painted it
>into the ectched areas by both the cream and engraver.  This is for a
>stepping stone and I am wondering is the liguid lead will hold up (they
>don't plan to walk on it) in the great outdoors, will the engraved glass=
 be
>weakened too much, is there another (cheap) way to do this.  I don't =
want
>to go into engraving.  Or maybe there is someone local (Oregon Coast) =
that
>can do it for me.
>Thanks in advance.
>Shirley B.
>----
>For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Mon Jul 21 19:37:07 1997
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X-Path: techline.com!mamurphy
From: Mike & Amy Murphy <mamurphy@techline.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: me too & electroplating
Date: Mon, 21 Jul 1997 19:31:50 -0700
Message-ID: <1.5.4.32.19970722023150.006a6fd8@mail.techline.com>
Reply-To: glass@bungi.com
Precedence: bulk

Peggy!  Me too, please. Thanks in advance!

Was out of town for the weekend! I had 134 messages when I got back and the
messages I didn't care to read, I just dumped. I don't see what the big deal
is about posting for all the group, since we have so many "me toos"
(including myself), since the trash button is so easy to push. I guess some
people just need something to whine about.
 
If you are in Washington State, Classic Chrome in Shelton, Washington,
electroplates in nickle, gold color, brass color etc. Very reasonably priced
also.

Amy 
The Glass Goddess
Mike and Amy Murphy

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From owner-glass Mon Jul 21 23:59:27 1997
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X-Path: acay.com.au!stout
From: "john stout" <stout@acay.com.au>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: More about stepping stones
Date: Tue, 22 Jul 1997 16:59:06 +1000
Message-ID: <199707220700.RAA29657@chris.acay.com.au>
Reply-To: glass@bungi.com
Precedence: bulk

Peggy if you wouldn't mind .... me too please for your notes on stepping
stones.

stout@acay.com.au

Rosie

> ...
> >>
> > > All of this is to say, I developed explicit instructions for making
the
> > > stepping stone and will be most willing to share it with anyone who
is
> > > interested.
> 
> ----
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From owner-glass Tue Jul 22 00:07:11 1997
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From: "john stout" <stout@acay.com.au>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: stepping stone Dawn
Date: Tue, 22 Jul 1997 17:07:06 +1000
Message-ID: <199707220708.RAA30850@chris.acay.com.au>
Reply-To: glass@bungi.com
Precedence: bulk

Could I please have a copy of your compiled notes and archives.
stout@acay.com.au
Thank you so much.
Rosie
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From owner-glass Tue Jul 22 05:37:34 1997
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X-Path: juno.com!studioone1
From: studioone1@juno.com (Dee l Plott)
To: glass@bungi.com
Subject: instructions
Date: Tue, 22 Jul 1997 08:16:34 -0400
Message-ID: <1997Jul22.41634.0>
Reply-To: glass@bungi.com
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I am also interested in stepping stones instructions.  Thanks, dee
Studioone1@Juno.com
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From owner-glass Tue Jul 22 05:38:09 1997
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X-Path: juno.com!studioone1
From: studioone1@juno.com (Dee l Plott)
To: glass@bungi.com
Subject: tapping glass
Date: Tue, 22 Jul 1997 08:20:23 -0400
Message-ID: <1997Jul22.42023.0>
Reply-To: glass@bungi.com
Precedence: bulk

Josh,
There's no real reason why one can't tap glass.  This was the way I was
taught and the way I have taught my students.  Whether it's using
groziers, running pliers or tapping with the glass cutter, whatever works
best for you is fine. Stop feeling guilty.dee
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From owner-glass Tue Jul 22 06:13:57 1997
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X-Path: usaor.net!3hounds
From: Gloria Drag <3hounds@usaor.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: engraving
Date: Tue, 22 Jul 1997 09:16:42 -0400
Message-ID: <1997Jul22.51642.0>
References: <<1997Jul22.11020.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Steve,
How do you Guild the blasted area with gold?  This 
is new to me.
Thanks 
Gloria


Stephen Pinn wrote:

> 
> 2 ideas for you Shirley.
> 1) Sandblasting the piece should give you a good etch.  If that does
> not contrast sufficiently the 2) Guild the blasted area with gold.
> 
> Regards - steve
> 
> On Mon, 21 Jul 1997 11:07:00 -0700, you wrote:
> 
> >I have a customer who wants me to engrave their name on a piece of =
> almost
> >(streaky) cobalt blue spectrum glass.  I tried ectching cream, it was =
> too
> >faint.  I used my metal engraver and it made the glass rough and =
> whitish.=20
> >Then I took liquid lead (black, I wish I had used white) and painted it
> >into the ectched areas by both the cream and engraver.  This is for a
> >stepping stone and I am wondering is the liguid lead will hold up (they
> >don't plan to walk on it) in the great outdoors, will the engraved glass=
>  be
> >weakened too much, is there another (cheap) way to do this.  I don't =
> want
> >to go into engraving.  Or maybe there is someone local (Oregon Coast) =
> that
> >can do it for me.
> >Thanks in advance.
> >Shirley B.
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
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> >Archives available at http://www.bungi.com/glass
> >
> 
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From owner-glass Tue Jul 22 06:42:12 1997
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X-Path: sol.racsa.co.cr!rlaval
From: Richard LaVal <rlaval@sol.racsa.co.cr>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: stepping stone instructions
Date: Tue, 22 Jul 1997 07:36:06 -0600 (CST)
Message-ID: <1.5.4.16.19970716005158.1ccf67ae@sol.racsa.co.cr>
Reply-To: glass@bungi.com
Precedence: bulk

Hi PJ;
        I too would like your instruc tions.  I was at the beach, and came
back to lots of meassages!.  Seems that so many people would like them, that
you might as well post them to the list?  Thanks, Meg
Richard and Meg LaVal
apdo. 24-5655
Monteverde
COSTA RICA
tel: 506 645 5052

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From owner-glass Tue Jul 22 07:29:58 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: hinged box lids
Date: Tue, 22 Jul 1997 10:23:54 -0400
Message-ID: <1997Jul22.62354.0>
References: <<1997Jul21.151115.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Bubstah@aol.com wrote:
> 
> I was asked to make a jewel box with a  hinged lid for my granddaughter.  I
> have been having a terrible time trying to get the hinge to adhere to the
> back of the box.
> I've soldered it to the back of the box and then to the lid - it peels the
> foil off the box when opened.  Itried using a short chain to hold the lid
> from flopping backwards and I've used a longer chain.  I tried soldering the
> hinge to the lid of the box and then to the box.
> HELP what am I doing wrong????????????
> Bubstah@aol.com
> Thank you in advance for any advice you may give me.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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first it depends what kind of hinge your using. (you should check out my
box making tips on my page http://www.geocities.com/Paris/1141 for a
better explanation).

if it's a flat lid you can't use the knuckle type hinge, there is'nt
enough space for soldering. 
 

if it's a tube type hinge, after cutting the tube to length, rub it with
steel wool, and stick round tooth pick ends into the holes. next line
the tube and the lid up on a flat surface (you don't want to do it free
hand). tack then solder the tub to the edge. then line it up and solder
the pins to the box.

if it's a 5 piece lid, you should use a knuckle type hinge, because a
tube hinge does'nt have enough to hold onto, which would make the foil
tear.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Tue Jul 22 07:54:22 1997
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X-Path: LION.UOFS.EDU!JACOBIL2
From: JACOBIL2@LION.UOFS.EDU
To: glass@bungi.com
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Subject: HELP!!!!!!!!!!!!!!!
Date: Tue, 22 Jul 1997 10:52:42 -0400 (EDT)
Message-ID: <1997Jul22.65242.0>
Reply-To: glass@bungi.com
Precedence: bulk

Help!!!
	I am recieving way to much e-mail from the address:glass@bungi.com.
How can I make it stop!!!
	Someone please help. I don't want to be a member if I get all this
e-mail, it is messing up my system.
		Lorraine Jacobi
JacobiL2@Lion.UofS.edu
	Someone please take me off this e-mail BBoard, or whatever it is!
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From owner-glass Tue Jul 22 08:09:34 1997
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From: JACOBIL2@LION.UOFS.EDU
To: glass@bungi.com
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Subject: Re: HELP!!!!!!!!!!!!!!!
Date: Tue, 22 Jul 1997 11:09:07 -0400 (EDT)
Message-ID: <1997Jul22.797.0>
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I can see an occasional e-mail on stained glass, I love it, but this
is a little nuts!
	L. Jacobi
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From owner-glass Tue Jul 22 08:41:53 1997
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X-Path: juno.com!glas-man
From: glas-man@juno.com (Herb Adler Adler)
To: glass@bungi.com
Subject: stepping stone instructions
Date: Tue, 22 Jul 1997 11:39:35 -0400
Message-ID: <1997Jul22.73935.0>
Reply-To: glass@bungi.com
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Sorry to antagonize but pls send me the stepping stone instructions, too,
please
Herb
herbelaine@juno.com
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From owner-glass Tue Jul 22 08:45:09 1997
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X-Path: CapAccess.org!rejones
From: "Robert E. Jones" <rejones@CapAccess.org>
To: Bubstah@aol.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re:hinged box lids
Date: Tue, 22 Jul 1997 11:50:07 -0400 (EDT)
Message-ID: <1997Jul22.7507.0>
References: <<1997Jul21.151115.0>>
Reply-To: glass@bungi.com
Precedence: bulk

On Mon, 21 Jul 1997 Bubstah@aol.com wrote:

> I've soldered it to the back of the box and then to the lid - it peels the
> foil off the box when opened.  Itried using a short chain to hold the lid
> from flopping backwards and I've used a longer chain.  I tried soldering the
> hinge to the lid of the box and then to the box.  
> HELP what am I doing wrong????????????

I had this same problem a couple of months ago.  I asked about it at my 
local glass shop and was told to try either of two things.  I did both.

1.  Use wider foil where you need it.  This may provide more adhesion.

2.  Try running foil across the glass from top to bottom on the inside.
    This will provide more strength from the bottom.

I did both of these (without the chain) and my daughter dropped the lid 
over and the foil held.  The glass didn't, but the foil did.

Bob



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From owner-glass Tue Jul 22 09:35:13 1997
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X-Path: wbkq.com!dmcclain
From: Donna McClain <dmcclain@wbkq.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: need source
Date: Tue, 22 Jul 1997 12:34:01 -0700
Message-ID: <1997Jul22.5341.0>
Reply-To: glass@bungi.com
Organization: Wilkinson, Barker, Knauer and Quinn -- info@wbkq.com
Precedence: bulk

Where would one obtain cereum oxide. I am also looking for source for
"crystal ice" for use in fusing.  Any help would be appreciated. thanks
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From owner-glass Tue Jul 22 10:19:16 1997
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X-Path: remc7.k12.mi.us!slamb
From: Sally Lamb <slamb@remc7.k12.mi.us>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Stepping Stone Instructions
Date: Tue, 22 Jul 1997 13:17:28 -0400 (EDT)
Message-ID: <199707221717.NAA12791@server.remc7.k12.mi.us>
Reply-To: glass@bungi.com
Precedence: bulk


Ok, send me the instructions too please!

Sally
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From owner-glass Tue Jul 22 14:08:03 1997
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X-Path: Wittenberg.EDU!CUTLER
From: cutler@Wittenberg.EDU
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Blenko glass tour
Date: Tue, 22 Jul 1997 17:07:03 -0500 (EST)
Message-ID: <1997Jul22.1273.0>
Reply-To: glass@bungi.com
Precedence: bulk

Has anybody taken the tour of the Blenko glass factory in Milton West
Virginia?  
I've looked at their website and they indicate  they sell their products
retail.  It was not clear if that meant sheets of glass or just finished 
products.  Can anybody shed some light before I call the factory and find
out :)
Any other general impressions of the tour would also be appreciated.
Thanks for any help
Bob Cutler
cutler@Wittenberg.edu

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From owner-glass Tue Jul 22 14:17:48 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: HELP!!!!!!!!!!!!!!!
Date: Tue, 22 Jul 1997 17:11:44 -0400
Message-ID: <1997Jul22.131144.0>
References: <<1997Jul22.65242.0>>
Reply-To: glass@bungi.com
Precedence: bulk

JACOBIL2@LION.UOFS.EDU wrote:
> 
> Help!!!
>         I am recieving way to much e-mail from the address:glass@bungi.com.
> How can I make it stop!!!
>         Someone please help. I don't want to be a member if I get all this
> e-mail, it is messing up my system.
>                 Lorraine Jacobi
> JacobiL2@Lion.UofS.edu
>         Someone please take me off this e-mail BBoard, or whatever it is!
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


well it all depends on the topic, somtimes there will be days without
mail, and other's lot's and lot's of mail. though currently there's just
alot of "me too's" for that stepping stone thing.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Tue Jul 22 14:21:07 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: need source
Date: Tue, 22 Jul 1997 17:15:00 -0400
Message-ID: <1997Jul22.13150.0>
References: <<1997Jul22.5341.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Donna McClain wrote:
> 
> Where would one obtain cereum oxide. I am also looking for source for
> "crystal ice" for use in fusing.  Any help would be appreciated. thanks
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

go to rio grande http://www.riogrande.com/ there a jewelry catalog (and
they have a really nice catalog). there's also other things there that
can be used in stained glass.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Tue Jul 22 14:25:56 1997
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X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: glass@bungi.com
Subject: Re: need source and gold leaf or guilding
Date: Tue, 22 Jul 1997 17:25:29 -0400 (EDT)
Message-ID: <1997Jul22.132529.0>
Reply-To: glass@bungi.com
Precedence: bulk

A good source for cerium oxide would be the Sommer & Maca Ind.,they have
several locations here is a phone # to reach them  # 1-800-541-0599. As I
said they have several locations ,2 in Calif.,1 in Texas, !in N.J., 1 in Ga.,
and their main whse. in Chicago, Ill.           On a different subject, the
guilding or another way to put it is Gold Leafing is often done on blasted
glass and stone but I would not recommend it for outside use it is very
expensive and may not hold up well in the weather.First you blast the area
then size the area (this is a glue made of gelatin and water) and then very
carefully place the gold leaf in the sized area, it will only stick to the
sized area.let it dry completely then remove the excess leaf with a brush,
the same brush that you apply it with.then if it will be exposed at all and
not plated with another piece of glass it must be coated witha protective
coating of  clear polyurethane or shellac etc. to keep it looking nice for
years to come, gold leaf  applied correctly will last for a long time, just
look at the church's in Europe as an example as to how long it lasts.
        Beveler4@aol,com
----
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From owner-glass Tue Jul 22 15:27:30 1997
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X-Path: netbistro.com!pom
From: "J. Smith" <pom@netbistro.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: stepping stone instructions
Date: Tue, 22 Jul 1997 15:28:18 -0700
Message-ID: <m0wqnNR-0000OLC@daver.bungi.com>
Reply-To: glass@bungi.com
Precedence: bulk

I would appreciate the instructions as well!
Thanks in advance!........
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From owner-glass Tue Jul 22 16:17:09 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: New to me, thought I'd pass it along
Date: Tue, 22 Jul 1997 16:14:05 -0700
Message-ID: <16163839307392@netbridge.net>
Reply-To: glass@bungi.com
Precedence: bulk




> 
> The Meaning of All Those Symbols and Shorthands...Revealed!
> 
> If you're new to online communications, you may find this summary
of"chat"
> etiquette and shorthands useful.
> 
> When you first enter People Connection, most members give a brief
greeting,
> or wave (::waving::) and grin (:D).  You can perform just about any
action
> online with words with online choreography (e.g. "walking over to Jenny
C,
> giving her a big hug {{ }}").
> 
> Typing in all caps is considered shouting, so please spare everyone's
ears
> and your vocal chords.
> 
> Members use shorthands in this "faceless" medium to express feelings and
show
> actions or "body language." You'll find shorthands used in chat, on
message
> boards, in electronic mail -- everywhere! Tilting your head to the left
or
> turning your screen on its side will help you to see most of the
shorthands.
> :) <--- See?  Two eyes and a mouth!
> 
> Here is a listing of some of the most popular symbols and abbreviations:
> 
>  :)  = smile
>  :D  = smile/laughing/big grin  
>  :*  = kiss  
>  ;)  = wink  
>  :X  = my lips are sealed  
>  :P  = sticking out tongue  
>  {}  = a hug  
>  :(  = frown  
>  :'( = crying  
>  O:) = angel  
>  }:> = devil
> 
> LOL = Laughing Out Loud 
>  ROTF = Rolling On The Floor (laughing) 
>  AFK = Away From Keyboard 
>  BAK = Back At Keyboard 
>  BRB = Be Right Back 
>  TTFN = Ta-Ta For Now! 
>  WB = Welcome Back 
>  GMTA = Great Minds Think Alike 
>  BTW = By The Way 
>  IMHO = In My Humble Opinion 
>  WTG = Way To Go!
> 
> These are just the most common shorthands.  New faces and abbreviations
are
> constantly being created.  If you see one you don't understand, just ask!
> 
> Look for these symbols while online and try creating new ones yourself
> 
----
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From owner-glass Tue Jul 22 16:42:52 1997
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X-Path: aol.com!MBellonci
From: MBellonci@aol.com
To: glass@bungi.com
Subject: Re: Thanks Bungians
Date: Tue, 22 Jul 1997 19:42:23 -0400 (EDT)
Message-ID: <1997Jul22.154223.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi  !
Just wanted to thank everyone who responded to my quest for  an
electroplating service. I've been reading glassbungi for a couple of months,
but have never posted a question.  This has to be the most helpful group on
line.  I still haven't found a service in Orlando, FL. but will probably
contact some of the places "y' all" have posted to see about shipping pieces
for electroplating.  mbellonci@aol.com   
(ps... I think I've been bitten by the stepping stone bug too!!!)
----
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From owner-glass Tue Jul 22 18:12:17 1997
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X-Path: wt.com.au!rdeint
From: "Rexort International Pty Ltd" <rdeint@wt.com.au>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: need source
Date: Wed, 23 Jul 1997 09:07:23 +0800
Message-ID: <199707230103.JAA13049@sage.wt.com.au>
Reply-To: glass@bungi.com
Precedence: bulk




>Where would one obtain cereum oxide. I am also looking for source for
>"crystal ice" for use in fusing.  Any help would be appreciated. thanks

Cerium Oxide is available from glazing supplies. You might even try contact
your local glazier
 for small amounts.
They might be able to help you. If you around our place, we do have it in
stock.

Harald
-----
HiGlass
Manufacturers of Coloured Sheet Glass and Fused Glass Products
email: rdeint@wt.com.au
URL: http://www.wt.com.au/~rdeint/higlass.htm

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From owner-glass Tue Jul 22 19:06:53 1997
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Gilding
Date: Tue, 22 Jul 1997 22:05:52 -0400
Message-ID: <1997Jul22.18552.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi All-

If you're just starting out experimenting with gilding, be aware that wat=
er
gilding
(using gelatine) is the most difficult.  All methods take a bit of practi=
ce
- you
might consider commercially available gold size (or bole).  We most often=
 =

use a mix of 4 parts varnish to 1 part mineral spirits.  Carefully apply =
to
the glass =

within your letter boundaries.  Let that "dry" until it has just the
correct amount of tack - =

and this is where it takes some practice - tap your knuckles against the
varnish =

size and if it grabs your skin a bit, it's ready.  Then apply your gold
leaf, =

overlapping the sheets, tapping ever so lightly, and then leave the whole=

thing alone overnight.  This is a crucial step - leave everything alone a=
t
this
point!!!  In the morning, brush off the excess leaf. If you've used real
gold
leaf, there's no need to varnish to keep it from darkening.  Imitation go=
ld

leaf, it's not a bad idea to varnish - we don't have much problem with =

discoloration in any case, but humidity might have an effect in the long
run =

depending on where you're located.  I'd also suggest you practice on
something
first before you work on a commissioned piece.  You might also call some
frame shops to find out if they do re-gilding on antique frames - they
might let =

you observe. Be careful or you might get hired - good gilders are hard to=

come
by!! There is an excellent description of traditional gilding in a little=

book entitled =

"The Practice of Tempera Painting" by Daniel V. Thompson published by Dov=
er
=2E
Look under "Application of Metals".  Also, Daniel Smith in Washington sta=
te
sells
all the materials and burnishing tools you might need if you decide to ma=
ke
a =

career of this!  Good luck.

Best regards

Dani Greer
Greer Gallery & Studios
----
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From owner-glass Tue Jul 22 19:18:30 1997
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X-Path: nobleco.net!glass
From: "Wallace, Paul" <glass@nobleco.net>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Blenko glass tour
Summary: Authenticated sender is <glass@nobleco.net>
Date: Tue, 22 Jul 1997 22:17:28 +0000
Message-ID: <1997Jul22.221728.0>
Reply-To: glass@bungi.com
Precedence: bulk

 Has anybody taken the tour of the Blenko glass factory in Milton 
West
> Virginia?  


We live in Ohio not too far from Blenko.  We have not actually gone 
but called them. They do indeed sell sheets for retail (no discounts)

Also in the area & worth visiting is Wissmach stained glass at Paden 
City.  They sell thier glass for $.80 Lb.  If you want more glass 
there is Fenton's Art Glass at Williamstown Wv ( they have a great 
factory tour) and Silver Globe Mfg. In Marietta Ohio where the guy 
blows big yard ornaments and will let you stand & watch.  They then 
silver & color the inside (The man's wife & I work at the same 
office).  This is supposed to be the only place in the USA where they 
still make these.

Anyway good luck at blenko.  I hope to get down there someay myself.
----
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From owner-glass Tue Jul 22 21:36:13 1997
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X-Path: accesscomm.net!spinn
From: spinn@accesscomm.net (Stephen Pinn)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: engraving
Date: Wed, 23 Jul 1997 04:34:43 GMT
Message-ID: <1997Jul23.43443.0>
References: <<1997Jul22.51642.0>>
Reply-To: glass@bungi.com
Organization: PinnCorp.
Precedence: bulk


Hi Gloria, guess I was hoping no one would ask!  I have not tried the
following technique yet, although I have all the supplies sitting
here.  The technique that I will use is described in "Gold Leaf
Techniques" - ST Publications by Kent H. Smith.  Smith writes that
using a slow clear oil size, allowing to set as long as possible will
allow the gold to burnish well.  He indicates that a water size would
cause the gold to finish with a matte sheen.  My intent is to try oil
varnish and an acrylic water based size.  I am intending to use leaf
(pure) gold as I do not want to use a sealer.

This technique should be identical to that used when etched stone is
guilded like in building signage.

Hope this helps - Steve



On Tue, 22 Jul 1997 09:16:42 -0400, you wrote:

>Steve,
>How do you Guild the blasted area with gold?  This=20
>is new to me.
>Thanks=20
>Gloria
>
>
>Stephen Pinn wrote:
>
>>=20
>> 2 ideas for you Shirley.
>> 1) Sandblasting the piece should give you a good etch.  If that does
>> not contrast sufficiently the 2) Guild the blasted area with gold.
>>=20
>> Regards - steve
>>=20
>> On Mon, 21 Jul 1997 11:07:00 -0700, you wrote:
>>=20
>> >I have a customer who wants me to engrave their name on a piece of =3D
>> almost
>> >(streaky) cobalt blue spectrum glass.  I tried ectching cream, it was=
 =3D
>> too
>> >faint.  I used my metal engraver and it made the glass rough and =3D
>> whitish.=3D20
>> >Then I took liquid lead (black, I wish I had used white) and painted =
it
>> >into the ectched areas by both the cream and engraver.  This is for a
>> >stepping stone and I am wondering is the liguid lead will hold up =
(they
>> >don't plan to walk on it) in the great outdoors, will the engraved =
glass=3D
>>  be
>> >weakened too much, is there another (cheap) way to do this.  I don't =
=3D
>> want
>> >to go into engraving.  Or maybe there is someone local (Oregon Coast)=
 =3D
>> that
>> >can do it for me.
>> >Thanks in advance.
>> >Shirley B.
>> >----
>> >For subscription changes, please mail to: glass-request@bungi.com
>> >To send to the list,      please mail to: glass@bungi.com
>> >Archives available at http://www.bungi.com/glass
>> >
>>=20
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>

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From owner-glass Tue Jul 22 21:43:18 1997
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X-Path: accesscomm.net!spinn
From: spinn@accesscomm.net (Stephen Pinn)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: need source and gold leaf or guilding
Date: Wed, 23 Jul 1997 04:42:25 GMT
Message-ID: <1997Jul23.44225.0>
References: <<1997Jul22.132529.0>>
Reply-To: glass@bungi.com
Organization: PinnCorp.
Precedence: bulk


Thanks for the source.  I believe guilding using an oil size will hold
up quite well outdoors.  Typically sealers are used when composition
leaf is used.  Pure gold (karat leaf) should not tarnish.  This
technique is used quite often when making sandblasted wood signs and
building signs.  In our area there are quite a few subdivision marked
with etched stone or marble.  The areas in relief are then quilded.
These seem to hold up for years even in the hot, damp Houston
environment.


Regards - Steve

On Tue, 22 Jul 1997 17:25:29 -0400 (EDT), you wrote:

>A good source for cerium oxide would be the Sommer & Maca Ind.,they have
>several locations here is a phone # to reach them  # 1-800-541-0599. As =
I
>said they have several locations ,2 in Calif.,1 in Texas, !in N.J., 1 in=
 Ga.,
>and their main whse. in Chicago, Ill.           On a different subject, =
the
>guilding or another way to put it is Gold Leafing is often done on =
blasted
>glass and stone but I would not recommend it for outside use it is very
>expensive and may not hold up well in the weather.First you blast the =
area
>then size the area (this is a glue made of gelatin and water) and then =
very
>carefully place the gold leaf in the sized area, it will only stick to =
the
>sized area.let it dry completely then remove the excess leaf with a =
brush,
>the same brush that you apply it with.then if it will be exposed at all =
and
>not plated with another piece of glass it must be coated witha =
protective
>coating of  clear polyurethane or shellac etc. to keep it looking nice =
for
>years to come, gold leaf  applied correctly will last for a long time, =
just
>look at the church's in Europe as an example as to how long it lasts.
>        Beveler4@aol,com
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

----
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From owner-glass Wed Jul 23 03:13:09 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@BUNGI.COM
Subject: Re: Gilding
Summary: Authenticated sender is <alewis@computer.net>
Date: Wed, 23 Jul 1997 06:18:28 +0000
Message-ID: <199707231011.GAA24876@ns.computer.net>
Reply-To: glass@bungi.com
Precedence: bulk

 
> If you're just starting out experimenting with gilding, be aware that wat=
> er
> gilding
> (using gelatine) is the most difficult. 

The Guild Library (address below) also has Gold-leaf Techniques by
Kent Smith, 1992, New, color and b&amp;w, 170 pp. from original by
Raymond LeBlanc, rev. by Arthur Sarti for $32.95.

The direct URL for the listing that includes the book is 
http://www.aiap.com/bxbooks/

Albert Lewis


International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Wed Jul 23 07:11:37 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Blenko glass tour
Date: Wed, 23 Jul 1997 10:05:02 -0400
Message-ID: <1997Jul23.652.0>
References: <<1997Jul22.1273.0>>
Reply-To: glass@bungi.com
Precedence: bulk

i would t\rcutler@Wittenberg.EDU wrote:
> 
> Has anybody taken the tour of the Blenko glass factory in Milton West
> Virginia?
> I've looked at their website and they indicate  they sell their products
> retail.  It was not clear if that meant sheets of glass or just finished
> products.  Can anybody shed some light before I call the factory and find
> out :)
> Any other general impressions of the tour would also be appreciated.
> Thanks for any help
> Bob Cutler
> cutler@Wittenberg.edu
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

i would try to email them directly, it would be the most accurate.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Wed Jul 23 07:34:22 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: vacation
Date: Wed, 23 Jul 1997 10:28:11 -0400
Message-ID: <1997Jul23.62811.0>
References: <<1997Jul22.221728.0>>
Reply-To: glass@bungi.com
Precedence: bulk

i'm going on vacation next week, i'm wondering if anyone knows of any
tiffany, or glass factories that i might have missed. i'm going to
lancaster, pennsylvania. one of the stops will be at warner-crivellaro.
this won't ba strictly stained glass tour, but just another thing i can
go to while i'm there.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New Box,
 Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Wed Jul 23 09:48:48 1997
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From: glas-man@juno.com (Herb Adler Adler)
To: glass@bungi.com
Subject: Bungians -How do I deal with corrosion?
Date: Wed, 23 Jul 1997 12:47:05 -0400
Message-ID: <1997Jul23.8475.0>
Reply-To: glass@bungi.com
Precedence: bulk

My Tiffany style lamp shade was unavoidably left unfinished for several
months and now has a gray corrosion on the seams. I'm ready to get back
to it now but would like help on what to do. Synthetic steel wool over
the entire shade? Can I just run an iron over the seams without doing
anything else? All suggestions will be appreciated :-(
Herb
herbelaine@juno.com
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From owner-glass Wed Jul 23 10:09:12 1997
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From: glas-man@juno.com (Herb Adler Adler)
To: glass@bungi.com
Subject: Morse Museum - Tiffany glass - Orlando
Date: Wed, 23 Jul 1997 13:04:58 -0400
Message-ID: <1997Jul23.9458.0>
Reply-To: glass@bungi.com
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Besides Disney World, Orlando has one of the finest museums of Tiffany
Glass that you will find anywhere. It was the collection of Dr. Hugh
McLean who was an early student of Tiffany and visited him at his New
York home. When that home burned down, Dr. McLean went to rescue the
windows and other works and eventually had over 6000 pieces in the
collection. Recently, the museum was relocated and enlarged in order to
display more of the pieces but still only a fraction of the collection is
on display. The museum is actually located in Winter Park just north of
Orlando. If you are in the area, it should be a must for Bungians. 

Herb
herbelaine@juno.com
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From owner-glass Wed Jul 23 11:18:11 1997
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Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: vacation
Date:         Wed, 23 Jul 97 14:14:15 EDT
Message-ID:   <970723.141730.EDT.HCLADM02@UConnVM.UConn.Edu>
References: <<1997Jul23.62811.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Bad timing, Mike.  You're going to miss the big Warner-Criv to do, unless
your vacation is VERY long.  I'm planning on going, BTW, and wonder if
anyone knows of a good campground near Allentown?  (Yeah, i know of
some campgounds from the net, and directories, but...I remember one
campground with glowing description, flush toilets, hot showers, lake
swimming...ther was ONE flush toilet for the entire campground and the
lake was a large mud puddle.)

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Wed Jul 23 12:02:23 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: engraving
Date: Thu, 24 Jul 1997 02:11:20 +0800
Message-ID: <1997Jul24.101120.0>
References: <<1997Jul23.43443.0>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

Stephen Pinn wrote:
> 
> Hi Gloria, guess I was hoping no one would ask!  I have not tried the
> following technique yet, <snip>I am intending to use leaf
> (pure) gold as I do not want to use a sealer.
> 

Gidday from Australia
One technique I have used extremely successfully on glass is to paint
with gold and then kilnfire. This is not china-painting gold this is
glass painting gold obtained from an art shop that specialises in
kiln-fired glass paints (chock full of lead so watch out) and very
expensive tiny tiny pots of gold. The temps used are well under slumping
temps, so it's also possible to paint the gold (and the paints) onto
stemware and other utility items/decorative bowls, vases, glasses etc.

If you can't find supplies and info locally contact me; but I'm only a
novice (about a year's worth of playing about with it) and there *are* a
couple of reference books around but I don't even know the titles or
authors.

Good luck with your search
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From owner-glass Wed Jul 23 13:21:35 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Help On Etching
Date: Wed, 23 Jul 1997 13:10:06 -0700
Message-ID: <1997Jul23.6106.0>
References: <<1997Jul21.61051.0>>
Reply-To: glass@bungi.com
Precedence: bulk

M. Savad wrote:

> LByrne21@aol.com wrote:
> >
> > This Bungi group is really super!  I thank all of you who attempted
> to help
> > me with a question (or problem) I thought or think I have...and then
>
> > discovered how inadequate my explanation was  as to what my question
> was.
> > (Wow, if you can figure that one out, let me know)....Here I go
> again.....I
> > do etching on bevels using a dremel tool.  I tape my design to the
> back of
> > the bevel, draw the outline of the design on the front of the bevel
> with the
> > dremel, and then fill-in with crosshatching.
> >
> > In reading up on proper proceedure it is suggested that one use an
> eyedropper
> > of water on the glass while etching the design.  However, when I do
> this, the
> > water makes the etching lines invisible  so it is impossible to see
> where I
> > left off and where to begin.  Soooooo I have been happily etching
> away
> > (without water)...getting beautiful results.   But now guilt is
> seeping in.
> >  Is there really too much glass grit flying around? (The bevel is
> held down
> > on my lap while using the dremel and I didn't think  the glass
> residue was
> > THAT much or that it could be it so  far airborn.)  Am I
> > ruining the tip on the dremel with the friction of not using water?
> (Or is it
> > my imagination that the glass seems to be "chipping" a little more
> than
> > usual).
> >
> > The whole point boils down to......I can't see my design while using
> water.
> >  Help?
> >
> >                            Lavergne (The long-time-lurker)
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
> oh yeah... all that glass being remove may be getting sucked up into
> your lungs. which is not removable. with the water the dust will be
> cut
> down alot. and the bit will last longer.

Your lungs will last longer too!

>
>
>
> --
> Mike's Stained Glass
> http://www.geocities.com/Paris/1141
>  New Pages Added: 11 New Tip Pages, Pictures of my Lamp Lit, 1 New
> Box,
>  Shopping Lists, and See My Bio with a picture of ME.
> ----
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> Archives available at http://www.bungi.com/glass



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From owner-glass Wed Jul 23 13:31:40 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: hinged box lids
Date: Wed, 23 Jul 1997 13:23:13 -0700
Message-ID: <1997Jul23.62313.0>
References: <<1997Jul22.7507.0>>
Reply-To: glass@bungi.com
Precedence: bulk

>

        I would also not just tin the copper foil bet get a somewhat of
a bead on it, more strength.Melissa

> I had this same problem a couple of months ago.  I asked about it at
> my
> local glass shop and was told to try either of two things.  I did
> both.
>
> 1.  Use wider foil where you need it.  This may provide more adhesion.
>
> 2.  Try running foil across the glass from top to bottom on the
> inside.
>     This will provide more strength from the bottom.
>
> I did both of these (without the chain) and my daughter dropped the
> lid
> over and the foil held.  The glass didn't, but the foil did.
>
> Bob
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass



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From owner-glass Wed Jul 23 13:38:35 1997
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From: OGOrig@aol.com
To: Glass@bungi.com
Subject: Grinder Bits
Date: Wed, 23 Jul 1997 16:37:56 -0400 (EDT)
Message-ID: <1997Jul23.123756.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi!  Someone listed something about rejunvenating a tired grinder bit.  I've
looked and I cannot remember where I saw it.  Does anyone have any ideas on
how to drag some extra life out of these?

Thanks for your help.

Susan
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From owner-glass Wed Jul 23 14:24:41 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Bungians -How do I deal with corrosion?
Date: Wed, 23 Jul 1997 17:18:13 -0400
Message-ID: <1997Jul23.131813.0>
References: <<1997Jul23.8475.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Herb Adler Adler wrote:
> 
> My Tiffany style lamp shade was unavoidably left unfinished for several
> months and now has a gray corrosion on the seams. I'm ready to get back
> to it now but would like help on what to do. Synthetic steel wool over
> the entire shade? Can I just run an iron over the seams without doing
> anything else? All suggestions will be appreciated :-(
> Herb
> herbelaine@juno.com
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


i would'nt re-solder it, it will come out worse. the corroded parts will
be hard to melt, then re-mix...it will be messy. i would try the steel
wool method, and maybe some petal polish. baking soda works pretty well
as a final thought. then put some wax on the solder if it's going to
stay silver, or patina then wax.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips,
 Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain
 Tools and How Long They Last, Pictures of my Lamp Lit, 1 New Project,
 Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Wed Jul 23 14:26:44 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Wed, 23 Jul 1997 17:20:37 -0400
Message-ID: <1997Jul23.132037.0>
References: <<970723.141730.EDT.HCLADM02@UConnVM.UConn.Edu>>
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Precedence: bulk

mail wrote:
> 
> Bad timing, Mike.  You're going to miss the big Warner-Criv to do, unless
> your vacation is VERY long.  I'm planning on going, BTW, and wonder if
> anyone knows of a good campground near Allentown?  (Yeah, i know of
> some campgounds from the net, and directories, but...I remember one
> campground with glowing description, flush toilets, hot showers, lake
> swimming...ther was ONE flush toilet for the entire campground and the
> lake was a large mud puddle.)
> 
> --
> Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
> UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
> HCLADM02@UConnVM.uconn.edu
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


yeah i know... i'm missing the big sale. though i might still be able to
go, as long as someone drives me there... well we'll see.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips,
 Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain
 Tools and How Long They Last, Pictures of my Lamp Lit, 1 New Project,
 Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Wed Jul 23 15:23:23 1997
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From: Charles <charles@fast.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: GlassVisions / camp grounds
Date: Wed, 23 Jul 1997 18:11:57 -0400
Message-ID: <1997Jul23.141157.0>
References: <<970723.141730.EDT.HCLADM02@UConnVM.UConn.Edu>>
Reply-To: glass@bungi.com
Precedence: bulk

Dorothy:

The closest camp ground to Warner-Crivellaro is:

	EVERGREEN LAKE CAMP GROUNDS

Directions from Warner-Crivellaro:
	Highway 22 East to Highway 512 North,
	9 miles through Bath to
	Moorestown light,
	Through light,
	1/2 mile, watch for signs

This is 10 - 15 minutes from W-C

BTW there will be 20 major manufacturers displaying 
and doing demonstrations at GlassVisions on August 24th.

Glass, tools, software, grinders, bandsaws, glass jigs, 
paints, etc.  Vickie Payne will also be doing demonstrations 
and showing some of her newest products.

Robert Oddy will be here displaying some of his work.  If you 
haven't seen his work look at: 
http://www.servtech.com/public/rnoddy/index.html

Is there a tool or product you would like to see demonstrated?
Would you like sales tips on selling any SG products in 
your store?  

If you've been at W-C you know we are serious about 
stained glass and serious about having a good time.

Charles Warner
Warner-Crivellaro

mail wrote:
> 
> Bad timing, Mike.  You're going to miss the big Warner-Criv to do,
> unless
> your vacation is VERY long.  I'm planning on going, BTW, and wonder if
> anyone knows of a good campground near Allentown?  (Yeah, i know of
> some campgounds from the net, and directories, but...I remember one
> campground with glowing description, flush toilets, hot showers, lake
> swimming...ther was ONE flush toilet for the entire campground and the
> lake was a large mud puddle.)
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From owner-glass Wed Jul 23 17:52:57 1997
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X-Path: aol.com!DGlswrks
From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: Bungians -How do I deal with corrosion?
Date: Wed, 23 Jul 1997 20:52:00 -0400 (EDT)
Message-ID: <1997Jul23.16520.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Herb!
I'm not a big fan of synthetic steel wool.  I have found that it can scratch
my glass so I like a 000 fine steel wool.  I guess I wonder if your foil has
corroded or if the solder is dull and corroded.  If the foil has corroded you
are in for a fight.  But if the solder itself is dull, I would use a paste
flux and solder it again.  This disagrees with what Mike thought but it would
be worth a try.  If the exposed copper foil has turned green and corroded,
 then I would use some 000 fine steel wool and carefully clean the exposed
foil before soldering.  I hope there are other responses to this- I think it
is a common problem.

Dione
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From owner-glass Wed Jul 23 18:37:24 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: need source and gold leaf or guilding Thanks from Shirley B
Date: Wed, 23 Jul 1997 18:21:45 -0700
Message-ID: <18362154200391@netbridge.net>
Reply-To: glass@bungi.com
Precedence: bulk

I really don't know what sand blasting is.  My engraver (for metals ya know
your kids lunch box etc.) did chisel out the glass.  But I tried my Dad's
Dremel with a small bit that looks like a ball.  You can determine (that's
not the word I was wanting to use) the depth with it.  I'm going to have to
practice cause it throws your hand to the right.
Anyway, my family are garage-sale-aholics and Dad had some 20+ year old
copper paint in a petroleum base.  We put that on and it adhered to the
rough surface beautifully.  Dad had to thin it with a laquer thinner.  The
label was covered with paint, so we are not sure what we are dealing with,
but my Dad as an old Lumber Store Manager thinks this stuff will work.
I really appreciate the advise and plan to use your instructions for
sealing it.
Thank you
Shirley B.

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From owner-glass Wed Jul 23 18:42:24 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Melanie in Perth
Date: Wed, 23 Jul 1997 18:39:45 -0700
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From owner-glass Wed Jul 23 19:41:33 1997
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Subject: Re: Melanie in Perth
Date: Wed, 23 Jul 1997 19:38:27 -0700
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 Melanie in Perth wrote:
 

> .. The temps used are well under slumping
> > temps, so it's also possible to paint the gold (and the paints) onto
> > stemware and other utility items/decorative bowls, vases, glasses etc.
> > 
> > Could you use your kitchen oven?  Would that be hot enough?
> > 
> > Sorry if this posted more than once, had trouble posting it.
> > 
> > ----
> 
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From owner-glass Wed Jul 23 20:24:33 1997
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: "INTERNET:glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Melanie in Perth
Date: Wed, 23 Jul 1997 23:23:30 -0400
Message-ID: <1997Jul23.192330.0>
Reply-To: glass@bungi.com
Precedence: bulk

Shirley-

Low-fire temperature for glass painting is 1050 - 1100 degrees.  =

Slumping temperatures are 1350 - 1450.  You have to have
a kiln to do this kind of stuff.  There are newer, cheaper =

paints being marketed that you supposedly can bake in
your oven, but I think the results are absolutely ghastly - I =

wouldn't dream of using them on a commission.  Hope =

this helps!

Best regards,

Dani Greer
Greer Gallery & Studios

603 W. Colorado Ave.
Colorado Springs, CO  80905

web site  http://eme.usa.net/greerstudios/ =

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From owner-glass Wed Jul 23 20:48:27 1997
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From: Debby Wylie <dstang@dns.ida.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More about stepping stones
Date: Wed, 23 Jul 1997 21:43:38 -0600
Message-ID: <1.5.4.16.19970723214813.087726b2@mail.ida.net>
Reply-To: glass@bungi.com
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At 08:14 AM 7/16/97 -0700, you wrote:

>All of this is to say, I developed explicit instructions for making the
>stepping stone and will be most willing to share it with anyone who is
>interested.
>
>Peggy (PJ from CA)
>
Peggy,

Yes, please share your instructions with me!  I am one of the few who
started out not very interested in the stepping stone conversations...but
after a while they sounded intrieging. (sp?)  Now I've gotta try 'em!  Thanks!!

Debby



>----
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Wed Jul 23 20:50:54 1997
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From: Debby Wylie <dstang@dns.ida.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: More about stepping stones
Date: Wed, 23 Jul 1997 21:46:19 -0600
Message-ID: <1.5.4.16.19970723215054.4f572d38@mail.ida.net>
Reply-To: glass@bungi.com
Precedence: bulk

At 08:14 AM 7/16/97 -0700, you wrote:

>All of this is to say, I developed explicit instructions for making the
>stepping stone and will be most willing to share it with anyone who is
>interested.
>
>Peggy (PJ from CA)
>
Peggy,

Yes, please share your instructions with me!  I am one of the few who
started out not very interested in the stepping stone conversations...but
after a while they sounded intrieging. (sp?)  Now I've gotta try 'em!  Thanks!!

Debby at dstang@ida.net



>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Wed Jul 23 21:26:46 1997
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From: "M.-J. Taylor" <athena@netrox.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: vacation
Date: Thu, 24 Jul 1997 00:30:20 -0400
Message-ID: <3.0.1.32.19970724003020.006eff6c@pop.netrox.net>
References: <<1997Jul23.62811.0>>
Reply-To: glass@bungi.com
Precedence: bulk


It was written:

 >You're going to miss the big Warner-Criv to do, unless
>your vacation is VERY long.

Just when is that big to-do, please? I'm driving north in the next few
weeks and might be interested.

Thanks.

Cheers,

M.-J.
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From owner-glass Wed Jul 23 22:21:33 1997
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	for rglass-42; Wed, 23 Jul 1997 22:20:43 -0700 (PDT)
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X-Path: owlsnest.com!owl
From: owl@owlsnest.com
To: glass@bungi.com
Subject: Is Your Web Site A Secret?
Date: Thu, 24 Jul 1997 01:18:15 -0400 (EDT)
Message-ID: <199707240518.BAA01524@owlsnest.com>
Reply-To: glass@bungi.com
Precedence: bulk

     Is your web site the best kept secret on the Internet?

     We'll promote it to 50 search engines and indexes for $85
     and complete the job in 2 business days.  Satisfaction is
     guaranteed!

If you have a great product, but are not getting many inquiries from
your Web site, you may not be adequately listed on the Web's search
engines and indexes.

Millions of viewers daily use these facilities to find the products
and services they are looking for.  But if your site is not listed, no
one will see it.

Listings on most of these services are free.  However, locating and
filling out the forms required to get a listing can take several days,
and most people just don't have the time to do it.

That is why we offer a web site promotion service.

WHAT'S THE DEAL?

We will submit your site to 50 indexes and search engines for $85.  We
will accept the return of this E-mail, with the form below filled out,
as an order.  We will bill you upon completion of the promotion.  Our
terms are net 15 days from date of invoice.  Satisfaction guaranteed!

HOW LONG WILL IT TAKE?

Generally, we complete the submissions within 48 hours of
receiving your order.  It can take any individual search engine or
index up to three weeks to process your submission, although most are
much faster.

WHAT SEARCH ENGINES AND INDEXES ARE INCLUDED IN THE
PROMOTION?

The list changes from time to time.  This is our current list:

Abaweb!, Alta Vista, Been There, BizWeb, Central Source Yellow Pages,
Enterpreneurs on the Web, Excite, Four11, Galaxy, I-Network I-Systems
Spiral Business Directory, I-World Web Pointer, Infoseek, Inktomi,
Innovator's Network Yellow Pages, Internet Mall, Jayde Online Directory,
Jumpcity, Jumper Hot Links, Linkmaster, Lycos, Magellan, Mega Mall,
Net-Happenings, Net Navigator, Net Mall, NTG's List, NYNEX Big Yellow,
One World Plaza, OnLine's WWWeb Index, Rex, Starting Point, Truenorth,
URL Tree, Virtual Lynx, Web Point, WebCentral, Web Venture Hotlist,
Webcrawler, Websurf, Win Mag/NetGuide Hotspots, WhatUSeek, Worldwide
Announce Archive, WWW Business Yellow Pages, World Wide Yellow Pages,
WWW Worm, YelloWWWeb.


HOW WILL I KNOW THAT YOU HAVE PROMOTED MY SITE?

When we have completed the promotion, we will send you an HTML
file as an attachment to your E-mail bill.  Save this file to your
disk, and view it through your Web browser.  It provides links to the
search engine we submitted your site to, plus any comments we received
from them when we did it.

ARE THERE ANY GUARANTEES?

We do not require prepayment.  Your satisfaction is guaranteed or
you don't pay the bill.

WHO IS OWL'S EYE PRODUCTIONS?

We are a web site promotion company located at:

   Owl's Eye Productions, Inc.
   260 E. Main Street
   Brewster, NY 10509
   Phone: (914) 278-4933
   Fax:     (914) 278-4507
   Email: owl@owlsnest.com


HOW DO I ORDER?

The easiest way to order is by e-mail.  Just hit the REPLY button on
your e-mail program and fill out the following information. (This
information will be posted to the search engines/indexes):

Your name: 
Company Name:
Address:
City:              State/Prov:     Zip/Postal Code: 
Telephone: 
Fax: 
Email address: 
URL:  http://
Site Title: 
Description (about 25 words): 
Key words (maximum of 25, in descending order of importance):

Proofs (Where shall we e-mail proofs): 

If  billing a different address, please complete the following:

Addressee: 
Company Name:
Address:
City:              State/Prov:     Zip/Postal Code: 
Telephone: 
Fax: 
Email address: 

We will bill via Email. (7519)

Terms:  By returning this document via Email, you agree as follows:
You have the authority to purchase this service on behalf of your
company.    Terms are net 15 days.  Accounts sent to collections will
be liable for collection costs.  You agree to protect and indemnify
Owl's Eye Productions, Inc. in any claim for libel, copyright
violations, plagiarism, or privacy and other suits or claims based on
the content or subject matter of  your site.

WHAT HAPPENS NEXT?

When we receive your order, we will input the information into
our system, and send you a proof.

After we process any corrections, we will run your promotion, capturing
any comments from search engines as we go.  We will incorporate these
into an HTML-formatted report to you, which we will attach to
your bill.
===Web Promotions=====Press Releases=====Link Exchanges=========
                 Owl's Eye Productions, Inc.
                   260 E. Main Street
                   Brewster, NY 10509
Ph: 914-278-4933  Fx: 914-278-4507  E-mail: owlseye@owlsnest.com
----
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Archives available at http://www.bungi.com/glass

From owner-glass Wed Jul 23 22:22:08 1997
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	for rglass-42; Wed, 23 Jul 1997 22:20:43 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: owlsnest.com!owl
From: owl@owlsnest.com
To: glass@daver.bungi.com
Subject: Is Your Web Site A Secret?
Date: Thu, 24 Jul 1997 01:18:15 -0400 (EDT)
Message-ID: <199707240518.BAA01527@owlsnest.com>
Reply-To: glass@bungi.com
Precedence: bulk

     Is your web site the best kept secret on the Internet?

     We'll promote it to 50 search engines and indexes for $85
     and complete the job in 2 business days.  Satisfaction is
     guaranteed!

If you have a great product, but are not getting many inquiries from
your Web site, you may not be adequately listed on the Web's search
engines and indexes.

Millions of viewers daily use these facilities to find the products
and services they are looking for.  But if your site is not listed, no
one will see it.

Listings on most of these services are free.  However, locating and
filling out the forms required to get a listing can take several days,
and most people just don't have the time to do it.

That is why we offer a web site promotion service.

WHAT'S THE DEAL?

We will submit your site to 50 indexes and search engines for $85.  We
will accept the return of this E-mail, with the form below filled out,
as an order.  We will bill you upon completion of the promotion.  Our
terms are net 15 days from date of invoice.  Satisfaction guaranteed!

HOW LONG WILL IT TAKE?

Generally, we complete the submissions within 48 hours of
receiving your order.  It can take any individual search engine or
index up to three weeks to process your submission, although most are
much faster.

WHAT SEARCH ENGINES AND INDEXES ARE INCLUDED IN THE
PROMOTION?

The list changes from time to time.  This is our current list:

Abaweb!, Alta Vista, Been There, BizWeb, Central Source Yellow Pages,
Enterpreneurs on the Web, Excite, Four11, Galaxy, I-Network I-Systems
Spiral Business Directory, I-World Web Pointer, Infoseek, Inktomi,
Innovator's Network Yellow Pages, Internet Mall, Jayde Online Directory,
Jumpcity, Jumper Hot Links, Linkmaster, Lycos, Magellan, Mega Mall,
Net-Happenings, Net Navigator, Net Mall, NTG's List, NYNEX Big Yellow,
One World Plaza, OnLine's WWWeb Index, Rex, Starting Point, Truenorth,
URL Tree, Virtual Lynx, Web Point, WebCentral, Web Venture Hotlist,
Webcrawler, Websurf, Win Mag/NetGuide Hotspots, WhatUSeek, Worldwide
Announce Archive, WWW Business Yellow Pages, World Wide Yellow Pages,
WWW Worm, YelloWWWeb.


HOW WILL I KNOW THAT YOU HAVE PROMOTED MY SITE?

When we have completed the promotion, we will send you an HTML
file as an attachment to your E-mail bill.  Save this file to your
disk, and view it through your Web browser.  It provides links to the
search engine we submitted your site to, plus any comments we received
from them when we did it.

ARE THERE ANY GUARANTEES?

We do not require prepayment.  Your satisfaction is guaranteed or
you don't pay the bill.

WHO IS OWL'S EYE PRODUCTIONS?

We are a web site promotion company located at:

   Owl's Eye Productions, Inc.
   260 E. Main Street
   Brewster, NY 10509
   Phone: (914) 278-4933
   Fax:     (914) 278-4507
   Email: owl@owlsnest.com


HOW DO I ORDER?

The easiest way to order is by e-mail.  Just hit the REPLY button on
your e-mail program and fill out the following information. (This
information will be posted to the search engines/indexes):

Your name: 
Company Name:
Address:
City:              State/Prov:     Zip/Postal Code: 
Telephone: 
Fax: 
Email address: 
URL:  http://
Site Title: 
Description (about 25 words): 
Key words (maximum of 25, in descending order of importance):

Proofs (Where shall we e-mail proofs): 

If  billing a different address, please complete the following:

Addressee: 
Company Name:
Address:
City:              State/Prov:     Zip/Postal Code: 
Telephone: 
Fax: 
Email address: 

We will bill via Email. (7519)

Terms:  By returning this document via Email, you agree as follows:
You have the authority to purchase this service on behalf of your
company.    Terms are net 15 days.  Accounts sent to collections will
be liable for collection costs.  You agree to protect and indemnify
Owl's Eye Productions, Inc. in any claim for libel, copyright
violations, plagiarism, or privacy and other suits or claims based on
the content or subject matter of  your site.

WHAT HAPPENS NEXT?

When we receive your order, we will input the information into
our system, and send you a proof.

After we process any corrections, we will run your promotion, capturing
any comments from search engines as we go.  We will incorporate these
into an HTML-formatted report to you, which we will attach to
your bill.
===Web Promotions=====Press Releases=====Link Exchanges=========
                 Owl's Eye Productions, Inc.
                   260 E. Main Street
                   Brewster, NY 10509
Ph: 914-278-4933  Fx: 914-278-4507  E-mail: owlseye@owlsnest.com
----
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From owner-glass Wed Jul 23 23:48:32 1997
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	for rglass-42; Wed, 23 Jul 1997 23:47:57 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Melanie in Perth: Kiln-fired glass painting
Date: Thu, 24 Jul 1997 13:59:34 +0800
Message-ID: <1997Jul24.215934.0>
References: <<1997Jul23.192330.0>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

Michael J. Greer wrote:
 
> Low-fire temperature for glass painting is 1050 - 1100 degrees.  =
> 
> Slumping temperatures are 1350 - 1450.  You have to have
> a kiln to do this kind of stuff.  There are newer, cheaper =
> 
Had panic attacks until I realised your temps are FAHR. not celsius!!
LOL!
The powder colours I use are for range 520-580 deg C, the glass
sprinkles are 560-680, and of course the glass gold doesn't have
temperatures listed on the bottle (it's too small - only the height of
your thumb from tip to first joint, and the circumference of the top
would fit inside a lady's little fingernail and it isn't full when it's
new - A$30 retail - expensive!)

At the course I attended we were told never to use a kiln normally used
for pottery, since the surface of the glass could be marred by floating
'bits', when in use. Instead we were advised to purchase either new or
second hand a china-painters' kiln. I use someone else's and it
generally costs about A$10 to get 6 wineglasses fired. The costs of the
powders vary (they're all imported to Australia) depending on their
content but between A$7 and $15 for a tube about the size and
circumference of the first two knuckles of the longest finger of your
hand. The tubes are nearly full of powder when new. A medium is used to
grind the powders into a fine suspended solution using a palette knife
on a ceramic tile, this 'paint' is then applied to cleaned (with metho)
glass with a brush. Care is taken to avoid using glass with extremely
long thin stems, with trapped airbubbles, and with very thick bases,
since these may be prone to slight slumping, or cracking and explosion
at the temps used. 3 firings are the maximum recommended, and one is
preferred, if possible, since it puts less strain on the glass.

A gold pen (similar to a tiny tjanting) may be used to write with the
gold, and when gold is painted on a nice effect may be achieved by
spritzing VERY gently - the finest spray - with a mixture of metho and
water 50/50. The colours may be painted on in conventional manner, or
(dare I say it) folk art/tole painting fashion or when diluted, may be
dribbled and run together on the inside of a vessel that is not used for
edibles. Different effects are possible when multiple-firings are used,
but never the depth that can be achieved by china painting and its many
firings (unless the glassworker is an extremely good artist, of course!
:-))))

For those not interested in sucking eggs, skip this para:
========================================================
Since the lead content of the colours is very high (around 37% or more)
this is not something that you want in contact with the inside or top
surface of anything used for edibles, particularly food acids, even
after a good firing. In addition it is advisable to wear protective
clothing (maybe even surgical gloves) when painting, as lead is a monkey
for getting in where it's not wanted, and will somehow bond into plastic
(so the poisons information office tells me)and render plastic food
utensils useless thereby. So whilst this may seem obvious, please do
take care NOT to eat or drink coffee around the colour powders. One
heavy sigh or sneeze and your coffee's contaminated.... and please
remember to wash your hands thoroughly as soon as you are through (and
maybe during work in progress too) since lead is absorbed through the
skin.

Having got all the hazards out of the way, relax and enjoy, it's great
fun! 

There. More than you ever wanted to know about glass painting for kiln
firing. Any more specific questions please email me privately, or
contact one of our far more learned bretheren, as even though I've been
playing with this stuff for a while now, I'm still a real newbie when it
comes to what I consider to be the original style of work - painting
features, letters and fabric folds onto glass for inclusion in church
windows and the like.
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


----
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From owner-glass Thu Jul 24 04:05:44 1997
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: Int'l.Guild.of.Glass.Artists@ns.computer.net
Subject: New books added to Guild Library
Summary: Authenticated sender is <alewis@computer.net>
Date: Thu, 24 Jul 1997 07:08:33 +0000
Message-ID: <199707241101.HAA05385@ns.computer.net>
Reply-To: glass@bungi.com
Precedence: bulk

The Guild Library has added several new glass books at discounts of 
up to 30% off the cover price to its online listings ... check 'em 
out at http://www.aiap.com/amazon/newest.htm

There are three new pattern books, several books for glass 
collectors, and one hard science text (as in "they blinded me with") 
that might interest you.

Remember, every book you buy from the Guild Library's pages benefits 
the Guild, since Amazon.com Books -- the Guild's partner in this -- 
sends the Guild a percentage of sales for its programs.

Albert Lewis
Executive Director
----
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From owner-glass Thu Jul 24 04:57:19 1997
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	(Smail-3.2.0.94 1997-Apr-22 #8 built 1997-Jun-19)
X-Path: injersey.com!psgs
From: Prism Stained Glass Studio <psgs@injersey.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Bungians -How do I deal with corrosion?
Date: Thu, 24 Jul 1997 07:43:54
Message-ID: <3.0.1.16.19970724074354.31ff7f68@injersey.com>
References: <<1997Jul23.8475.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Herb,

Since you said the corrosion is gray, I will guess that it is the solder
that has oxidized."Scotch-brite" pads will work, but may scratch the glass.
In this case, steel wool will probablty work better, but it too may
scratch, be careful! Try 0 or better yet 00 grade. If this doesn't bring up
a bright luster in the solder, put on your gloves (latex, rubber, etc.) and
use a bit of flux on the steel wool, then wash and dry thouroughly. If the
corrosion has left pit marks (which it may well have), you should melt them
off and scrap that surface solder. Check to see if the foil has been
damaged, if not your good to go, if so, well that's another :-(story.

I hope this helps a bit. Good Luck!

-Vernon
Prism Studio


>At 12:47 PM 7/23/97 -0400, you wrote:
>My Tiffany style lamp shade was unavoidably left unfinished for several
>months and now has a gray corrosion on the seams. I'm ready to get back
>to it now but would like help on what to do. Synthetic steel wool over
>the entire shade? Can I just run an iron over the seams without doing
>anything else? All suggestions will be appreciated :-(
>Herb
>herbelaine@juno.com
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Thu Jul 24 05:11:35 1997
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X-Path: injersey.com!psgs
From: Prism Stained Glass Studio <psgs@injersey.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Grinder Bits
Date: Thu, 24 Jul 1997 07:58:04
Message-ID: <3.0.1.16.19970724075804.31ff4a72@injersey.com>
References: <<1997Jul23.123756.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Susan!

I would like to know how to rejuvenate tired grinder bits myself, since the
newer ones don't seem to last as long. What I have found is that if you
tend to always grind with your glass pieces laying flat on the work
surface, you wear out a band that circumfrences the bit. If you are able to
adjust your bit height, just 1/8" up or down, it would give you a fresh
area on the grinding bit. This works with our present brand of grinders,
but I'm not so sure that it will work on any other brands. Anyway, I hope
this helps.

-Vernon
Prism Studio

At 04:37 PM 7/23/97 -0400, you wrote:
>Hi!  Someone listed something about rejunvenating a tired grinder bit.  I've
>looked and I cannot remember where I saw it.  Does anyone have any ideas on
>how to drag some extra life out of these?
>
>Thanks for your help.
>
>Susan
>----
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>
>

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From owner-glass Thu Jul 24 06:08:04 1997
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Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: More about stepping stones
Date:         Thu, 24 Jul 97 09:04:59 EDT
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References: <<1.5.4.16.19970723214813.087726b2@mail.ida.net>>
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I have to tell you that my 16 year old, who is not particularly
interested in making stained glass (although she knows how) is
busily coming up with ideas and sketching out designs and even
breaking glass so that she can try some stepping stones.  We're
pouring concrete soon!

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Thu Jul 24 10:25:29 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: I was wondering?
Date: Thu, 24 Jul 1997 10:17:36 -0700
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I had a thought on how to make stepping stones less slippery when wet
and I thought I'd run it by the group to see what you thought;
        If before pouring the topper or cement over the glass you put a
thin layer of sand on the bottom and in between the glass would this
make it have a rough finish, rough enough to walk on without slipping
when it is wet.
Melissa

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From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Thu, 24 Jul 1997 13:29:13 -0400
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Organization: Carolyn's Creations
Precedence: bulk

Hi Mike:
I'd definitely recommend "The Glass Emporium" in PA. They're located in
North Wales--322 Pennsylvania Ave. Great people, great service, great
prices. 
Have fun!
Carolyn Noel
Carolyn's Creations
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Subject: Re: vacation
Date: Thu, 24 Jul 1997 13:35:27 -0400
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Organization: Carolyn's Creations
Precedence: bulk

What's the "big Warner-Criv thing". If there's a big sale somewhere--I'm
interested!! 
Carolyn
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From owner-glass Thu Jul 24 10:53:25 1997
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X-Path: juno.com!glas-man
From: glas-man@juno.com (Herb Adler Adler)
To: charlie@az.stratus.com, glass@bungi.com
Subject: Re: Morse Museum - Tiffany glass - Orlando
Date: Thu, 24 Jul 1997 13:07:42 -0400
Message-ID: <1997Jul24.9742.0>
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>turns out i'll be in orlando this dec. do you have a phone #/name of 
>this  
>museum, or any other contact point?
>
>---
>Charles Spitzer
>charlie@az.stratus.com
>Customer Assistance Center
>Stratus Computer, Inc.
>Phoenix, AZ
>
The Morse Museum is at 
445 N. Park Avenue
Winter Park, FL (just North of Orlando)
Phone: (407) 645-5311
Hrs: Tues.-Sat. 9:30 am-4 pm
Sunday. 1-4 pm
Closed on Mondays
To get there exit Interstate-4 at Fairbanks and go east to Park, north on
Park
Be sure to ask for a docent at the desk; they will offer a great deal of
information. 
And let me know what you think of the Museum.
Herb
herbelaine@juno.com
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From owner-glass Thu Jul 24 11:11:57 1997
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Subject:      Re: vacation
Date:         Thu, 24 Jul 97 14:06:39 EDT
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References: <<1997Jul24.93527.0>>
Reply-To: glass@bungi.com
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Re the Warner-Criv thing, since I brought it up...check the web page
for details (http://www.warner-criv.com) and look for GlassVisions.
Lots of manufacturers, glass and other, Vicki payne, Mr. Oddy, sale and demos
on Aug. 23-24. Which happens to fall during my vacation, so we decided
that a drive down from Connecticut was in order.  We'll be camping somewhere
for the weekend.

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Thu Jul 24 14:34:35 1997
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From: Topp Shop & Gallery <DIACCA@tznet.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: need source
Date: Thu, 24 Jul 1997 16:32:54 -0500
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Reply-To: glass@bungi.com
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At 12:34 PM 7/22/97 -0700, you wrote:
>Where would one obtain cereum oxide. I am also looking for source for
>"crystal ice" for use in fusing.  Any help would be appreciated. thanks
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

Answer: Rio Grande, Albuqerque, NM.  They have all jewelry supplies.  Or
check out anyone in your area that works with gemstones.  
Regards, Pat

WISONSIN SUMMER ACTUALLY ARRIVED.  Busy pulling weeds and picking rasberries
and vegies.
THE TOPP SHOP & GALLERY, Works by DIACCA, Kiln worked glass bowls, plates &
jewelry.

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From owner-glass Thu Jul 24 14:48:31 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Thu, 24 Jul 1997 17:42:19 -0400
Message-ID: <1997Jul24.134219.0>
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Reply-To: glass@bungi.com
Precedence: bulk

Carolyn K. Noel wrote:
> 
> Hi Mike:
> I'd definitely recommend "The Glass Emporium" in PA. They're located in
> North Wales--322 Pennsylvania Ave. Great people, great service, great
> prices.
> Have fun!
> Carolyn Noel
> Carolyn's Creations

is that a stained glass shop (supplies), or meuseum? i'm assuming it's a
store. well, i'll have to check on a map. 

i figured while i'm still in my own home, i'd see if anyone would know
of any good places. like the other day i found out about a bunch of
places in west virginia, that i missed when we went to plain
virginia.... oh well.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips, Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain Tools and How Long They Last, Pictures of my Lamp Lit, 1 New
Project, Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Thu Jul 24 16:34:13 1997
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From: "Hilary A. Bobker" <hilary@voicenet.com>
To: glass@bungi.com
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Subject: Re: vacation
Date: Thu, 24 Jul 1997 19:32:14 -0400
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Organization: HABit Fashion Services
Precedence: bulk

> > I'd definitely recommend "The Glass Emporium" in PA. They're located in
> > North Wales--322 Pennsylvania Ave. 

> is that a stained glass shop (supplies), or meuseum? i'm assuming it's a
> store. well, i'll have to check on a map.

The Glass Emporium is strickly wholesale and has a set of criteria that
must be met before you can shop there. Call and check with them before
making the trip.

The Unitarian Church in Philadelphia has a bunch of Tiffany and LaFarge
windows. It is at 2125 Chestnut. The web site is
http://www.libertynet.org:80/~firstuu/

I think that have their hours and tours listed, but, if not, you can
always call and ask.

Hilary
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From owner-glass Thu Jul 24 16:36:46 1997
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From: "Hilary A. Bobker" <hilary@voicenet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Thu, 24 Jul 1997 19:35:16 -0400
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> What's the "big Warner-Criv thing". If there's a big sale somewhere--I'm
> interested!!

Carolyn,
Go over to their web site:

http://www.warner-criv.com/

All the latest info is there. The dates are August 23 and 24. It's gonna
be a blast.

Hilary
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From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Thu, 24 Jul 1997 22:13:40 -0400
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Precedence: bulk

Mike:
"The Glass Emporium" is a wholesale distributor. I just read Charles'
message--could just be a shipper. I don't have any paperwork that backs
up whether they sell to walk-ins or not. I've been ordering from them
since the first of the year, and I know they have a great mail-order
system. 
Most of my distributors do have showrooms, so assumed, shame on me, that
they all would. Something to check on. 
Carolyn
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From owner-glass Thu Jul 24 19:49:37 1997
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From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Thu, 24 Jul 1997 22:46:02 -0400
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Hilary:
Thanks for the info--just checked their website. Super! May plan to
attend the big to-do!
Carolyn
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From owner-glass Thu Jul 24 19:51:16 1997
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Subject: Re: Mikes vacation
Date: Thu, 24 Jul 1997 19:48:05 -0700
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Don't forget the Appalachian Mountains.

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From owner-glass Fri Jul 25 05:52:36 1997
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From: Richard LaVal <rlaval@sol.racsa.co.cr>
To: glass@bungi.com
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Subject: massive header
Date: Fri, 25 Jul 1997 06:45:56 -0600 (CST)
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Hi folks... is it just me or are all of you getting the big header that all
of a sudden showed up on all my bungi messages today?  (see below).

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From: Topp Shop & Gallery <DIACCA@tznet.com>
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Subject: Re: need source
Date: Thu, 24 Jul 1997 16:32:54 -0500
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Content-Type: text/plain; charset="us-ascii"
X-UIDL: 976e3fe5ff4bb2eaeb0ce9ca8174db80
Richard and Meg LaVal
apdo. 24-5655
Monteverde
COSTA RICA
tel: 506 645 5052

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From owner-glass Fri Jul 25 07:20:13 1997
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: vacation
Date: Fri, 25 Jul 1997 10:19:25 -0400
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Message text written by "Carolyn K. Noel"
>"The Glass Emporium" is a wholesale distributor. I just read Charles'
message--could just be a shipper. I don't have any paperwork that backs
up whether they sell to walk-ins or not. I've been ordering from them
since the first of the year, and I know they have a great mail-order
system. =

Most of my distributors do have showrooms, so assumed, shame on me, that
they all would. Something to check on. =

Carolyn
<

The Glass Emporium does not have a showroom.  They do not sell to walk-in=
s.
 It took me 1 1/2 years to finally get qualified to purchase from them,
even though I also live in tiny little ole North Wales, PA and they are 9=

blocks from me.  They are strictly qualified wholesale purchasers only. =

Their phone number is 1-800-334-7007.
Christie A. Wood
Art Glass Ensembles, Inc.
----
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From owner-glass Fri Jul 25 07:28:12 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: massive header
Date: Fri, 25 Jul 1997 10:22:03 -0400
Message-ID: <1997Jul25.6223.0>
References: <<1.5.4.16.19970725092429.252f1cf0@sol.racsa.co.cr>>
Reply-To: glass@bungi.com
Precedence: bulk

Richard LaVal wrote:
> 
> Hi folks... is it just me or are all of you getting the big header that all
> of a sudden showed up on all my bungi messages today?  (see below).
> 
> Received: from daver.bungi.com (daver.bungi.com [207.126.97.2]) by
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> X-Path: tznet.com!DIACCA
> From: Topp Shop & Gallery <DIACCA@tznet.com>
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> Date: Thu, 24 Jul 1997 16:32:54 -0500
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> Richard and Meg LaVal
> apdo. 24-5655
> Monteverde
> COSTA RICA
> tel: 506 645 5052
> 
> ----
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you probably have full headers on under options. this will give you the
whole hunky thing shown...

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips, Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain Tools and How Long They Last, Pictures of my Lamp Lit, 1 New
Project, Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Fri Jul 25 07:31:50 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: massive header
Date: Fri, 25 Jul 1997 21:37:14 +0800
Message-ID: <1997Jul26.53714.0>
References: <<1.5.4.16.19970725092429.252f1cf0@sol.racsa.co.cr>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

Richard LaVal wrote:
> 
> Hi folks... is it just me or are all of you getting the big header that all
> of a sudden showed up on all my bungi messages today?  (see below).
> <SNIP>

Nope, just the usual message format
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From owner-glass Fri Jul 25 08:04:40 1997
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X-Path: aol.com!LVbeatnik
From: LVbeatnik@aol.com
To: glass@bungi.com
Subject: Re: vacation
Date: Fri, 25 Jul 1997 11:04:00 -0400 (EDT)
Message-ID: <1997Jul25.740.0>
Reply-To: glass@bungi.com
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Gee,  I feel so left out.  It seems like there are all these cool glass
places on the East Coast, and the only things we have where I am are buffets
and Wayne Newton.  Oh well, at least I'll have a front seat for the glass
conference in the spring.  Those of you that go to the Warner Crivellaro
sale, please post the juicy details for those who weren't able to attend.

Thanks!
Mimi in Las Vegas
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From owner-glass Fri Jul 25 09:36:26 1997
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X-Path: netrox.net!athena
From: "M.-J." <athena@netrox.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: vacation
Date: Fri, 25 Jul 1997 12:13:47 -0400
Message-ID: <3.0.1.32.19970725121347.0069efc0@pop.bridge.net>
References: <<1997Jul24.93527.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Please excuse my second request for W-C info, I was reading my mail
backwards by mistake and hadn't come across this.

With reddened cheeks,

M.-J.

PS .. Thanks!

At 02:06 PM 7/24/97 EDT, you wrote:
>Re the Warner-Criv thing, since I brought it up...check the web page
>for details (http://www.warner-criv.com) and look for GlassVisions.
>Lots of manufacturers, glass and other, Vicki payne, Mr. Oddy, sale and demos
>on Aug. 23-24. Which happens to fall during my vacation, so we decided
>that a drive down from Connecticut was in order.  We'll be camping somewhere
>for the weekend.
>
>--
>Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
>UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
>HCLADM02@UConnVM.uconn.edu
>----
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>
>
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From owner-glass Fri Jul 25 09:37:01 1997
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From: "M.-J." <athena@netrox.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: massive header
Date: Fri, 25 Jul 1997 12:03:14 -0400
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>you probably have full headers on under options. this will give you the
>whole hunky thing shown...
>
Or, if you're using Eudora, you may have hit the blah-blah button.

M.-J.
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From owner-glass Fri Jul 25 09:37:36 1997
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X-Path: netrox.net!athena
From: "M.-J." <athena@netrox.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: vacation
Date: Fri, 25 Jul 1997 12:05:05 -0400
Message-ID: <3.0.1.32.19970725120505.00696570@pop.bridge.net>
References: <<1997Jul25.740.0>>
Reply-To: glass@bungi.com
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Could someone please clue me in on the dates of the W-C sale?

Thanks.

M.-J.

At 11:04 AM 7/25/97 -0400, you wrote:
>Gee,  I feel so left out.  It seems like there are all these cool glass
>places on the East Coast, and the only things we have where I am are buffets
>and Wayne Newton.  Oh well, at least I'll have a front seat for the glass
>conference in the spring.  Those of you that go to the Warner Crivellaro
>sale, please post the juicy details for those who weren't able to attend.
>
>Thanks!
>Mimi in Las Vegas
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>
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From owner-glass Fri Jul 25 10:07:39 1997
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Glass conference?
Date: Fri, 25 Jul 1997 13:06:31 -0400
Message-ID: <1997Jul25.9631.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi all-

Mimi wrote:

"...at least I'll have a front seat for the glass
conference in the spring". =


For those of us who live in a cave - could =

someone post information about these
conferences and to-do's waaaayyyy in
advance?  I always hear about them =

when it's too late to even think about
attending.

Mimi, I'll be Las Vegas this weekend for
a school reunion.  Is Wayne Newton =

still alive??!!  Should I go to his show
just to say I did it once??;-)

Best regards,

Dani Greer
Greer Gallery & Studios

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From owner-glass Fri Jul 25 10:10:52 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: massive header
Date: Fri, 25 Jul 1997 09:36:43 -0700
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No
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From owner-glass Fri Jul 25 12:03:16 1997
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From: Debby Wylie <dstang@dns.ida.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: massive header
Date: Fri, 25 Jul 1997 12:57:54 -0600
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At 12:03 PM 7/25/97 -0400, you wrote:
>
>
>>you probably have full headers on under options. this will give you the
>>whole hunky thing shown...
>>
>Or, if you're using Eudora, you may have hit the blah-blah button.
>
>M.-J.

I use Eudora Light....what's a "blah-blah" button?

Debby


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>
>

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From owner-glass Fri Jul 25 12:24:28 1997
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X-Path: infinet.com!glasscat
From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Fri, 25 Jul 1997 15:20:14 -0400
Message-ID: <1997Jul25.112014.0>
References: <<1997Jul25.61925.0>>
Reply-To: glass@bungi.com
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Hi Christie--Art Glass Ensembles:
Thanks, Christie, for the info. Will know better than to open my mouth
next time--yea, right!
Anyway, I got their catalog out of the blue, didn't even know they
existed until then. Said I'd been recommended to them by one or more of
their vendors. ??????--haven't got a clue. I know I've really been
pleased with them.
Carolyn
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From owner-glass Fri Jul 25 13:04:16 1997
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X-Path: ix.netcom.com!mthaxton
From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: massive header
Date: Fri, 25 Jul 1997 12:53:10 -0700
Message-ID: <1997Jul25.55310.0>
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Not me either.
Melissa
Melanie Dunstan wrote:

> Nope, just the usual message format
> -- Regards
> Melanie Dunstan
> in Perth, Australia
> Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
> Allcrafts specialises in Unusual Crafts
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Fri Jul 25 13:04:20 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Fri, 25 Jul 1997 12:54:39 -0700
Message-ID: <1997Jul25.55439.0>
References: <<1997Jul25.740.0>>
Reply-To: glass@bungi.com
Precedence: bulk

LVbeatnik@aol.com wrote:

> Gee,  I feel so left out.  It seems like there are all these cool
> glass
> places on the East Coast, and the only things we have where I am are
> buffets
> and Wayne Newton.  Oh well, at least I'll have a front seat for the
> glass
> conference in the spring.  Those of you that go to the Warner
> Crivellaro
> sale, please post the juicy details for those who weren't able to
> attend.
>
> Thanks!
> Mimi in Las Vegas
> ----

Where are you in Vegas?

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From owner-glass Fri Jul 25 14:57:13 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: vacation
Summary: Authenticated sender is <alewis@computer.net>
Date: Fri, 25 Jul 1997 18:04:12 +0000
Message-ID: <199707252157.RAA27365@ns.computer.net>
Reply-To: glass@bungi.com
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> Gee,  I feel so left out.  It seems like there are all these cool glass
> places on the East Coas

Mimi, it seems to me someone from the East was complaining not too 
long ago that everything cool was happening on the West Coast ... 
'bout the time of the Glass Craft Expo in Las Vegas, I think. <s>

Say, if you (or anyone else here on bungi) would like to become 
"famous," the Guild's newsletter has begun publishing a project 
pattern in each issue and we're open to ideas and patterns to use 
that way. We put all the usual copyright notices on them -- Copyright 
[year] [name of the artist] etc. -- and like to print a full color 
version of the finished piece, as well, so if you want to do 
something cool right there in Las Vegas and have some people who live 
on the East Coast publish it in their magazine, send the full-size 
pattern and slides of the finished piece to the address below.  We'd 
love to see them.

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Fri Jul 25 14:57:48 1997
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X-Path: computer.net!alewis
From: "Albert Lewis" <alewis@computer.net>
To: glass@BUNGI.COM
Subject: Re: Glass conference?
Summary: Authenticated sender is <alewis@computer.net>
Date: Fri, 25 Jul 1997 18:04:12 +0000
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>  Is Wayne Newton  still alive??!!  Should I go to his show
> just to say I did it once??;-)

Neither Wayne nor any other Las Vegas entertainer has been alive for 
dog's years.  They just *seem to be alive, although it could be that 
that permanent deepdeep tan he's got really means he arrived in 
Roswell, New Mexico in 1947.  That's a thought, actually.

Albert
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From owner-glass Fri Jul 25 18:50:07 1997
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X-Path: netrox.net!athena
From: "M.-J." <athena@netrox.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: massive header
Date: Fri, 25 Jul 1997 21:41:47 -0400
Message-ID: <3.0.1.32.19970725214147.0069dda0@pop.bridge.net>
References: <<1.5.4.16.19970725130221.451f3354@mail.ida.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Debby wrote:
>I use Eudora Light....what's a "blah-blah" button?

I beg your pardon, I should have said Eudora Pro, as I can't find the blah
blah button on my friend's copy of E Light ... but it's a button that
toggles between a complete list of headers and a shorter set.

M.-J.
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From owner-glass Fri Jul 25 19:13:01 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: massive header
Date: Fri, 25 Jul 1997 22:06:52 -0400
Message-ID: <1997Jul25.18652.0>
References: <<3.0.1.32.19970725214147.0069dda0@pop.bridge.net>>
Reply-To: glass@bungi.com
Precedence: bulk

M.-J. wrote:
> 
> Debby wrote:
> >I use Eudora Light....what's a "blah-blah" button?
> 
> I beg your pardon, I should have said Eudora Pro, as I can't find the blah
> blah button on my friend's copy of E Light ... but it's a button that
> toggles between a complete list of headers and a shorter set.
> 
> M.-J.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


ahh... there's nothing like a button that says "blah-blah" to make a
program more profesional... :)

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips, Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain Tools and How Long They Last, Pictures of my Lamp Lit, 1 New
Project, Shopping Lists, and See My Bio with a picture of ME.
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From owner-glass Fri Jul 25 19:18:20 1997
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X-Path: injersey.com!psgs
From: Vernon Brikowski <psgs@injersey.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: SGAA Accreditation Program
Date: Fri, 25 Jul 1997 22:02:31 -0700
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Organization: Prism Stained Glass Studio
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Hi All!

Has anyone ever had dealings with the SGAA Accreditation Program? I am 
looking for some insight as to what it entails, benefits, etc.

-Vernon
Prism Studio
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From owner-glass Sat Jul 26 01:07:07 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
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Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: vacation
Date: Fri, 25 Jul 1997 23:57:37 -0700
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send the full-size 
> pattern and slides of the finished piece to the address below.  We'd 
> love to see them.
> Does it have to be slides and what is the time limit.  When do you need
this?



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From owner-glass Sat Jul 26 08:29:19 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: vacation
Summary: Authenticated sender is <alewis@computer.net>
Date: Sat, 26 Jul 1997 11:35:04 +0000
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> send the full-size 
> > pattern and slides of the finished piece to the address below.  We'd 
> > love to see them.
> > Does it have to be slides and what is the time limit.  When do you need
> this?

No, not at all. Foolish me to have specified slides only ... color
prints are fine, too.  And when?  Anytime, since the "newsletter" is  
a quarterly ... I'm always making a pile of possible stuff for it in 
a cubbyhole on the left side of my desk. <s>  But the next issue's 
deadline is August 1, if you want to be famous next. <s>

Albert Lewis


International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Sat Jul 26 08:29:54 1997
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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: SGAA Accreditation Program
Summary: Authenticated sender is <alewis@computer.net>
Date: Sat, 26 Jul 1997 11:35:04 +0000
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> Has anyone ever had dealings with the SGAA Accreditation Program? I am 
> looking for some insight as to what it entails, benefits, etc.

Well, if it's as good as their Technical Manual ( not very, see the 
extensive review in Professional Stained Glass, June 1989 ... or at 
http://www.bungi.com/glass/igga/sgaa.htm ) it could be very much a 
case of the blind leading the blind. The review not only found 
rampant contradictions, often by the same authors, but flagrant cases 
of plagiarism, text and illustrations lifted from other people's 
books on glass techniques. 

I had to laugh when one prominent SGAA member said his studio's been 
in existence since its founding in Italy in the 1600s.  There is very 
little stained glass in Italy of any kind, so I guess they weren't 
very busy. But then that's just the usual hyperbole: if you have 
three partners in the studio with three years' experience each, you 
can say the studio has nine years' experience, right? <s>

Albert

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From owner-glass Sat Jul 26 09:00:27 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: New Site
Date: Sat, 26 Jul 1997 11:53:14 -0400
Message-ID: <1997Jul26.75314.0>
References: <<199707261528.LAA16274@ns.computer.net>>
Reply-To: glass@bungi.com
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I was surfing yesterday looking for new sites and i came across this
one: http://www.stainedglass.co.uk/glashopa.htm  they have some amazing
sculptures done in semi-precious stones and some in glass. it looks like
they used foil to hold it together, they kept saying "tiffany technique"
so it sounds like foil.

---Mike Savad

-- 
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips, Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain Tools and How Long They Last, Pictures of my Lamp Lit, 1 New
Project, Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Sat Jul 26 16:27:25 1997
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X-Path: tznet.com!DIACCA
From: Topp Shop & Gallery <DIACCA@tznet.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: massive header
Date: Sat, 26 Jul 1997 18:25:21 -0500
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Reply-To: glass@bungi.com
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At 06:45 AM 7/25/97 -0600, you wrote:
>Hi folks... is it just me or are all of you getting the big header that all
>of a sudden showed up on all my bungi messages today?  (see below).

No, not me.........Pat

WISONSIN SUMMER ACTUALLY ARRIVED.  Busy pulling weeds and picking rasberries
and vegies.
THE TOPP SHOP & GALLERY, Works by DIACCA, Kiln worked glass bowls, plates &
jewelry.

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From owner-glass Sat Jul 26 16:57:32 1997
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X-Path: aol.com!LVbeatnik
From: LVbeatnik@aol.com
To: glass@bungi.com
Subject: Re: Glass conference?
Date: Sat, 26 Jul 1997 19:57:05 -0400 (EDT)
Message-ID: <1997Jul26.15575.0>
Reply-To: glass@bungi.com
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Dani wrote:
"For those of us who live in a cave - could =

someone post information about these
conferences and to-do's waaaayyyy in
advance?  I always hear about them =

when it's too late to even think about
attending.

Mimi, I'll be Las Vegas this weekend for
a school reunion.  Is Wayne Newton =

still alive??!!  Should I go to his show
just to say I did it once??;-)

Best regards,

Dani Greer"


Dani, I guess by the time you read this, you may have experienced the glory
of Wayne.  Actually, I've never seen him in concert because it costs around
$80 a ticket, and that buys a lot of glass!  Hope you survived the heat (105
F.).

As for the glass expo I mentioned, it's called Glass Craft Expo '98, March
12-16 in LV.  Email LV management for info at:  lvmglass@worldnet.att.net

Cheers!
Mimi
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From owner-glass Sat Jul 26 20:27:43 1997
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X-Path: aol.com!LVbeatnik
From: LVbeatnik@aol.com
To: glass@bungi.com
Subject: Re: vacation
Date: Sat, 26 Jul 1997 23:27:02 -0400 (EDT)
Message-ID: <1997Jul26.19272.0>
Reply-To: glass@bungi.com
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Melissa Thaxton wrote:
"Where are you in Vegas?"

Melissa,

I used to live right next to UNLV, but bought a house in Henderson this past
spring (part of the growing suburban Vegas sprawl).

I moved here from San Francisco 4 years ago.  The culture shock and the
weather almost killed me!   And Albert Lewis is probably right about his
Roswell NM theory, particularly when it comes to Zigfreid and Roy.

Are there any other Vegas Bungians on line?

Mimi
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From owner-glass Sat Jul 26 22:53:15 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation
Date: Sat, 26 Jul 1997 22:47:55 -0700
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Albert Lewis wrote:

> > send the full-size
> > > pattern and slides of the finished piece to the address below.
> We'd
> > > love to see them.
>
> No, not at all. Foolish me to have specified slides only ... color
> prints are fine, too.  And when?  Anytime, since the "newsletter" is
> a quarterly ... I'm always making a pile of possible stuff for it in
> a cubbyhole on the left side of my desk. <s>  But the next issue's
> deadline is August 1, if you want to be famous next. <s>
>
> Albert Lewis
>

Albert,        Does it have to have a pattern or can it just be the
finished piece? And can it be sent e-mail?
Melissa

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From owner-glass Sun Jul 27 09:57:06 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: vacation - NOT
Date: Mon, 28 Jul 1997 00:17:05 +0800
Message-ID: <1997Jul28.8175.0>
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Organization: Allcrafts Goods & Services
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Melissa Thaxton wrote:

> Albert,        Does it have to have a pattern or can it just be the
> finished piece? And can it be sent e-mail?
> Melissa
> 
> ----
You can send a finished piece via email? LOL! (yeah, I know you didn't
mean *exactly* that but you gave me a smile and for that I thank you!
;-))
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From: "Albert Lewis" <alewis@computer.net>
To: glass@bungi.com
Subject: Re: vacation
Summary: Authenticated sender is <alewis@computer.net>
Date: Sun, 27 Jul 1997 13:25:40 +0000
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> Albert,        Does it have to have a pattern or can it just be the
> finished piece? And can it be sent e-mail?

Email's fine, Melissa, but we'd prefer both the pattern and a slide 
or print of the finished piece, 'cause we put the photo of the work 
on the back cover in full color.  That way, people can see what 
you've done in the way of glass and color choices. So you might as 
well put the pattern and the print/slide into an envelope and mail 
them to the address below.

By the way, to you and others who are interested in doing this, the 
center spread of the magazine is where the pattern goes, so think in 
terms of 11"x 17" for the pattern to be printed in.  All work 
accepted for this little project doesn't *have to be 10"x 16" to fit 
exactly, but you should be aware of how it's being laid out.  Thanks.

Albert Lewis

International Guild of Glass Artists
A 501(c)(6) nonprofit organization
Tonetta Lake Road, Brewster NY 10509
(914) 278-2152   Fax: (914) 278-2481
_________________________________________________________
http://www.bungi.com/glass/igga/ [home page]
http://www.bungi.com/glass/igga/guide.htm [Sources Guide]
http://www.bungi.com/glass/igga/links.htm [Members' Work]
http://www.aiap.com/amazon/ [The Guild Library: Glass books!]

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From owner-glass Sun Jul 27 14:40:55 1997
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X-Path: aol.com!LByrne21
From: LByrne21@aol.com
To: glass@bungi.com
Subject: Re: More about stepping stones
Date: Sun, 27 Jul 1997 17:39:56 -0400 (EDT)
Message-ID: <1997Jul27.133956.0>
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Peggy Johnson:

Please include me on the "Stepping Stone" instructions.  Thank you.
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From owner-glass Mon Jul 28 03:54:31 1997
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Help? Soldering Iron Selection
Date: Mon, 28 Jul 1997 06:54:10 -0400
Message-ID: <1997Jul28.25410.0>
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Precedence: bulk


Help, my Weller 100 died yesterday and I must get a new iron quickly. =
Husband is out of town and I have lots of work to do.

Any recommendations for a good all around foil iron. I've been thinking =
of the Ungar that Vicky Paine sells with different tip and the reostat =
(never used one). Any opinions? Pro? Con? Other suggestions? Value for =
money?

Thanks, Sorry for waking everyone up this Monday morning.

Linda Campbell

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From owner-glass Mon Jul 28 05:51:38 1997
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From: Richard LaVal <rlaval@sol.racsa.co.cr>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Grinder Bits
Date: Mon, 28 Jul 1997 06:45:16 -0600 (CST)
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Reply-To: glass@bungi.com
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or sometimes just laying some scrap glass underneath the piece you are
grinding raises it....(if I am too lazy to stop and move bit and am almost
done! :)

At 07:58 AM 7/24/97, you wrote:
>Hi Susan!
>
>I would like to know how to rejuvenate tired grinder bits myself, since the
>newer ones don't seem to last as long. What I have found is that if you
>tend to always grind with your glass pieces laying flat on the work
>surface, you wear out a band that circumfrences the bit. If you are able to
>adjust your bit height, just 1/8" up or down, it would give you a fresh
>area on the grinding bit. This works with our present brand of grinders,
>but I'm not so sure that it will work on any other brands. Anyway, I hope
>this helps.
>
>-Vernon
>Prism Studio
>
>At 04:37 PM 7/23/97 -0400, you wrote:
>>Hi!  Someone listed something about rejunvenating a tired grinder bit.  I've
>>looked and I cannot remember where I saw it.  Does anyone have any ideas on
>>how to drag some extra life out of these?
>>
>>Thanks for your help.
>>
>>Susan
>>----
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>>
>>
>
>----
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>Archives available at http://www.bungi.com/glass
>
>
Richard and Meg LaVal
apdo. 24-5655
Monteverde
COSTA RICA
tel: 506 645 5052

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From: MBellonci@aol.com
To: glass@bungi.com
Subject: Re: New Site
Date: Mon, 28 Jul 1997 09:38:37 -0400 (EDT)
Message-ID: <1997Jul28.53837.0>
Reply-To: glass@bungi.com
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Thanks for pointing out this new site. The work is beautiful and
inspirational, and definitely worth visiting for anyone who loves glass work!
 I've even bookmarked it so I can go back and be inspired again!
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From owner-glass Mon Jul 28 08:34:23 1997
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From: Gloria Drag <3hounds@usaor.net>
To: glass@BUNGI.COM
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass conference?
Date: Mon, 28 Jul 1997 11:32:59 -0400
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Albert Lewis wrote:
> 
> >  Is Wayne Newton  still alive??!!  Should I go to his show
> > just to say I did it once??;-)
> 
> Neither Wayne nor any other Las Vegas entertainer has been alive for
> dog's years.  They just *seem to be alive, although it could be that
> that permanent deepdeep tan he's got really means he arrived in
> Roswell, New Mexico in 1947.  That's a thought, actually.

I have never laughed so hard.. Very well done.. Can 
just see them now.. 
Thanks,
Gloria
> 
> Albert
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Mon Jul 28 08:36:42 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Help? Soldering Iron Selection
Date: Mon, 28 Jul 1997 10:32:41 -0500
Message-ID: <1997Jul28.53241.0>
References: <<1997Jul28.25410.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Linda Campbell wrote:
> 
> Help, my Weller 100 died yesterday and I must get a new iron quickly. 

Linda...
I wouldn't recommend the Ungar to anyone! I do a great deal of work and
I've replaced the element twice in 1 year because of "burn thru" on the
tip...you cannot replace the tip alone, so it gets expensive. The dealer
I bought it thru said this was not the first time this has happened with
Ungar and I didn't get much help from the company.

I've found the 3 irons that have served me well (quality & price wise)
are Weller, Hakko, and Mika.
Hope this info helps in your decision, LJ
______________________________________________________________
LJ Maas, Owner & Artist can be reached at: artist@busprod.com

ART WITH ATTITUDE  Stained Glass Design
"unique creations in stained glass"
<http://www.art-with-attitude.com/glass/artglass.html>

OVER THE RAINBOW Web Design & Consulting
"take a look at some of our client's pages!"
<http://www.art-with-attitude.com/rainbow.html>
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From owner-glass Mon Jul 28 10:03:36 1997
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X-Path: usaor.net!3hounds
From: Gloria Drag <3hounds@usaor.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Help? Soldering Iron Selection
Date: Mon, 28 Jul 1997 13:01:33 -0400
Message-ID: <1997Jul28.9133.0>
References: <<1997Jul28.25410.0>>
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Linda Campbell wrote:
> 
> Help, my Weller 100 died yesterday and I must get a new iron quickly. =
> Husband is out of town and I have lots of work to do.
> 
> Any recommendations for a good all around foil iron. I've been thinking =
> of the Ungar that Vicky Paine sells with different tip and the reostat =
> (never used one). Any opinions? Pro? Con? Other suggestions? Value for =
> money?

Around 6 months ago and also more recent there were 
talks about the irons.. I have owned 3 Ungars, also 
from watching Vicki Payne, they were good irons but 
the tips rotted out in less than their should be 
life span.. The iron I recommend and enjoy using is 
the Hakko.. This iron seems to maintain a nice 
consistant heat flow.. For all the soldering I do, 
I seem not to have to wait for this iron to get 
hot. In reference to, while you are soldering.. It 
is a ceramic heater and I have yet to put the iron 
down in the middle of a project for it to build 
heat back up.. It is also light weight and with my 
teninitous, I can still solder for hours.. I 
purchased my Hakko from Delphi.. Hope this helps.
Gloria
> 
> Thanks, Sorry for waking everyone up this Monday morning.
> 
> Linda Campbell
> 
> ----
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From owner-glass Mon Jul 28 10:17:06 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Re:  Brass wool (fine)   Like steel wool - source/experience
Date: Mon, 28 Jul 97 09:11:38 PST
Message-ID: <9706288701.AA870109827@mfi.com>
Reply-To: glass@bungi.com
Precedence: bulk

 Has anyone a source for brass wool?  Does it exist? What experience have you 
 had?  I was told that it is much more expensive.  Maybe I am on a wild goose 
 chase??
 Thanks.
 
 Suzanne
 shaley@mfi.com
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From owner-glass Mon Jul 28 10:34:06 1997
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X-Path: mail1.ciwemb.edu!jewell
From: "Connie Jewell" <jewell@mail1.ciwemb.edu>
To: "glass list" <glass@bungi.com>
Subject: Gatewayed mail message
Date: 28 Jul 1997 13:30:58 -0400
Message-ID: <1997Jul28.93058.0>
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  Oh no!!!!!  =: 0   
 I accidentally deleted Mikes post about the "new web page" he had found.
Could someone send me the URL again.
THANKS!!!!!!
Jewell
jewell@mail1.ciwemb.edu

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From owner-glass Mon Jul 28 10:43:38 1997
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Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject:      Re: Glass conference? (fwd)
Date:         Mon, 28 Jul 97 13:35:44 EDT
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Reply-To: glass@bungi.com
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--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu


----------------------------Original message----------------------------
From: Gloria Drag <3hounds@usaor.net>
To: glass@BUNGI.COM
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass conference?
Date: Mon, 28 Jul 1997 11:32:59 -0400
Message-ID: <1997Jul28.73259.0>
References: <<199707252157.RAA27353@ns.computer.net>>
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Albert Lewis wrote:
>
> >  Is Wayne Newton  still alive??!!  Should I go to his show
> > just to say I did it once??;-)
>
> Neither Wayne nor any other Las Vegas entertainer has been alive for
> dog's years.  They just *seem to be alive, although it could be that
> that permanent deepdeep tan he's got really means he arrived in
> Roswell, New Mexico in 1947.  That's a thought, actually.

I have never laughed so hard.. Very well done.. Can
just see them now..
Thanks,
Gloria
>
> Albert
> ----
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From owner-glass Mon Jul 28 11:39:37 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Mon, 28 Jul 1997 11:37:19 -0700
Message-ID: <1997Jul28.43719.0>
References: <<9706288701.AA870109827@mfi.com>>
Reply-To: glass@bungi.com
Precedence: bulk

I have never heard of it although that doesn't mean any thing.  I bet if
there is such a thing you could make cool overlays on the glass using
it.

Suzanne Haley wrote:

>  Has anyone a source for brass wool?  Does it exist? What experience
> have you
>  had?  I was told that it is much more expensive.  Maybe I am on a
> wild goose
>  chase??
>  Thanks.
>
>  Suzanne
>  shaley@mfi.com
> ----
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>
> ----
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From owner-glass Mon Jul 28 12:29:16 1997
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From: "Barbara A. Roman" <barb@boffo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Mon, 28 Jul 1997 15:31:55 -0400
Message-ID: <1997Jul28.113155.0>
References: <<9706288701.AA870109827@mfi.com>>
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Organization: Boffo Games, Inc.
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Suzanne Haley wrote:
> 
>  Has anyone a source for brass wool?  Does it exist? What experience have you
>  had?  I was told that it is much more expensive.  Maybe I am on a wild goose
>  chase??
>  Thanks.
> 
>  Suzanne
>  shaley@mfi.com
Suzanne,
I've heard of "Bronzo", although I've never used it, myself.  It's on
sale at Glass Crafters this month; the following is from their flyer
on-line:

"What is Bronzo?
Bronzo is pure bronze wool, lasting much longer than steel wool, which
rusts and falls apart.  Use Bronzo instead of a sponge, to clean
soldering tips and to remove unwanted patina or oxidation from solder,
brass and zinc.  Bronzo itself can also be soldered.  Once you try
Bronzo, you'll never use steel wool again!  2 pack.  Reg. $4.50
#9411    On Sale 3.95"

I'm no metallurgist, so I don't know what the differences are between
using bronze or brass.  Maybe they also have a brass wool?

-Barb
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From owner-glass Mon Jul 28 12:35:06 1997
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Subject:      Re: Glass conference? (fwd)
Date:         Mon, 28 Jul 97 15:31:08 EDT
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My apolgies...I see my sig file transferred but my posting didn't.
'Twasn't important, having to do with "Mars Attacks" and Tom  Jones.
Gee, do you  think aliens have glass?  (Can't imagine them not
having it, but what they do with it...)   (I can't type today,
either.  Must be the humidity)

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu
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From owner-glass Mon Jul 28 13:01:48 1997
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X-Path: netbridge.net!Balloch
From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Art Glass World
Date: Mon, 28 Jul 1997 12:40:31 -0700
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I've been trying to get to there site for a week now .  Anyone else having
difficulties? Or did they change their email and if so does anyone know it
who is willing to share it.

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From owner-glass Mon Jul 28 13:06:45 1997
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From: "Josh Balloch" <Balloch@netbridge.net>
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Mon, 28 Jul 1997 13:01:12 -0700
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----------
> From: Barbara A. Roman <barb@boffo.com>
> To: glass@bungi.com
> Subject: Re: Brass wool (fine)   Like steel wool - source/experience
> Date: Monday, July 28, 1997 12:31 PM
> 
> Suzanne Haley wrote:
> > 
> >  Has anyone a source for brass wool?  Does it exist? What experience
have you
> >  had?  I was told that it is much more expensive.  Maybe I am on a wild
goose
> >  chase??
> >  Thanks.
> > 
> >  Suzanne
> >  shaley@mfi.com
> Suzanne,
> I've heard of "Bronzo", although I've never used it, myself.  It's on
> sale at Glass Crafters this month; the following is from their flyer

Whose Glass Crafters? Are they on the net?

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From owner-glass Mon Jul 28 13:50:07 1997
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X-Path: digital.net!dti
From: Jennifer Daniels <dti@digital.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Art Glass World
Date: Mon, 28 Jul 1997 16:49:27 -0400 (EDT)
Message-ID: <199707282049.QAA29116@ddi.digital.net>
Reply-To: glass@bungi.com
Precedence: bulk

Thanks for your interest in Art Glass World.  The site is up and we've been
receiving visitor registrations so I know it's working.  There may be a
problem with your connection to our server.  It may be routed through
California which was down for part of the day last Friday.  At AGW we're
working on some great new features which I will be announcing soon.  Please
visit again at http://www.artglassworld.com and contact your provider if you
continue to have any problems.

Jennifer

At 12:40 PM 7/28/97 -0700, you wrote:
>I've been trying to get to there site for a week now .  Anyone else having
>difficulties? Or did they change their email and if so does anyone know it
>who is willing to share it.
>
>----
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>
>
================================================================
Jennifer Daniels                    agw@digital.net
Art Glass World                     http://www.artglassworld.com
4002 W. State Street                phone: 813-348-0605
Tampa, FL  33609  USA               fax: 813-872-6288
================================================================

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From owner-glass Mon Jul 28 14:06:59 1997
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X-Path: aol.com!LByrne21
From: LByrne21@aol.com
To: glass@bungi.com
Subject: Re: Brass wool (fine) Like steel wool - source/experience
Date: Mon, 28 Jul 1997 17:06:20 -0400 (EDT)
Message-ID: <1997Jul28.13620.0>
Reply-To: glass@bungi.com
Precedence: bulk

I bought a product called "Bronzo" which is bronze wool "for the stained
glass industry"  I haven't used it yet.  It was bought from:
                                          Glass Crafters
                                           398 Interstate Court
                                           Sarasota Fl. 34240-8765
                    FAX:  (941) 379-8827                Phone:  (941)
379-8827

The price $3.95

                                             Lavergne (Long-Time-Lurker)
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From owner-glass Mon Jul 28 14:10:32 1997
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X-Path: mfi.com!shaly
From: "Suzanne Haley" <shaly@mfi.com>
To: glass@bungi.com
Subject: Re[2]: Brass wool -  FOUND IT -- does not rust Bronze wool
Date: Mon, 28 Jul 97 13:57:30 PST
Message-ID: <9706288701.AA870123855@mfi.com>
Reply-To: glass@bungi.com
Precedence: bulk

     I found their web page -- thanks for the help.
     Glass Crafters is at: glascrafts@craftweb.com
     Address:  398 Interstate Ct, Sarasota, FL 34240-8765   800 422-4552
     
     It is called bronze wool.  Does not rust, less abrasive for cleaning 
     lead and zinc.
     
     Price $3.95 for a package of two.  Size approx. 4" x 2".
     
     A friend let me use a "small" piece, but could not remember 
     where/what/etc.
     
     To me, it is a wonderful find!!!!
     Suzanne
     shaley@mfi.com
     


______________________________ Reply Separator _________________________________
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Author:  glass@bungi.com at Internet
Date:    7/28/97 1:27 PM


     
     
----------
> From: Barbara A. Roman <barb@boffo.com> 
> To: glass@bungi.com
> Subject: Re: Brass wool (fine)   Like steel wool - source/experience 
> Date: Monday, July 28, 1997 12:31 PM
> 
> Suzanne Haley wrote:
> > 
> >  Has anyone a source for brass wool?  Does it exist? What experience 
have you
> >  had?  I was told that it is much more expensive.  Maybe I am on a wild 
goose
> >  chase??
> >  Thanks.
> > 
> >  Suzanne
> >  shaley@mfi.com
> Suzanne,
> I've heard of "Bronzo", although I've never used it, myself.  It's on 
> sale at Glass Crafters this month; the following is from their flyer
     
Whose Glass Crafters? Are they on the net?
     
----
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From owner-glass Mon Jul 28 14:45:47 1997
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X-Path: usaor.net!3hounds
From: George & Gloria <3hounds@usaor.net>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Brass wool (fine)   Like steel wool - source/experience
Date: Mon, 28 Jul 1997 17:47:08 -0100
Message-ID: <1997Jul28.16478.0>
Reply-To: glass@bungi.com
Precedence: bulk


I believe that I bought the brass wool from my local stained glass =
retail store for about $6 for 2 pads,, Thought it was good to clean =
solder before patina.. However, through the Bungi group found out that =
the best for me to clean my lead solder was ammonia... However, this =
weekend the pipes to my hot water heater broke, and the brass was =
excellent for cleaning the copper tubing and joints before soldering =
with a blow torch.
What do you want to do with the brass.. This group may have a better =
idea. Leave me know.
Gloria

----------
From:  Melissa Thaxton <mthaxton@ix.netcom.com>
Sent:  Monday, July 28, 1997 5:37 PM
To:  glass@bungi.com
Subject:  Re: Brass wool (fine)   Like steel wool - source/experience

I have never heard of it although that doesn't mean any thing.  I bet if
there is such a thing you could make cool overlays on the glass using
it.

Suzanne Haley wrote:

>  Has anyone a source for brass wool?  Does it exist? What experience
> have you
>  had?  I was told that it is much more expensive.  Maybe I am on a
> wild goose
>  chase??
>  Thanks.
>
>  Suzanne
>  shaley@mfi.com
> ----
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>
> ----
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From owner-glass Mon Jul 28 16:32:31 1997
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X-Path: home.com!leestat7
From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Grinder Bits
Date: Mon, 28 Jul 1997 19:25:51 -0400
Message-ID: <1997Jul28.152551.0>
References: <<1.5.4.16.19970727012307.259f60f8@sol.racsa.co.cr>>
Reply-To: glass@bungi.com
Organization: @Home Network
Precedence: bulk

Sorry I haven't been very active, still nursing a couple cracked ribs
(ribs hurt way out of proportion to the size and seriousness of the body
part, it is annoying and vexing).
I use various thickness' of flat Styrofoam, (box packing material), lay
the glass right on the flat piece, and grind away.  Wont hurt the bit,
and you can easily vary the height that you are grinding at.  When the
foam piece wears down, pitch it and get another.  Works great.  
Just lurking till I feel better.
All the glass work that I can't do right now is yelling at me!! ;-)

Lee

> >
> >At 04:37 PM 7/23/97 -0400, you wrote:
> >>Hi!  Someone listed something about rejuvenating a tired grinder bit.  I've
> >>looked and I cannot remember where I saw it.  Does anyone have any ideas on
> >>how to drag some extra life out of these?
> >>
> >>Thanks for your help.
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From owner-glass Mon Jul 28 16:39:52 1997
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From: leestat7 <leestat7@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Mon, 28 Jul 1997 19:35:52 -0400
Message-ID: <1997Jul28.153552.0>
References: <<9706288701.AA870109827@mfi.com>>
Reply-To: glass@bungi.com
Organization: @Home Network
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Both Glass Crafters and Delphi carry this, works just like steel wool,
but without the problem.  I perfer synthetic steel wool (it has no metal
at all) is white at 0000 fine.  No metal frizz in fingers.
Wal-Mart, etc type stores carry it, by 3M Corp.

Lee

Suzanne Haley wrote:
> 
>  Has anyone a source for brass wool?  Does it exist? What experience have you
>  had?  I was told that it is much more expensive.  Maybe I am on a wild goose
>  chase??
>  Thanks.
> 
>  Suzanne
>  shaley@mfi.com
> ----

>
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From owner-glass Mon Jul 28 21:00:28 1997
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X-Path: aol.com!Pboba
From: Pboba@aol.com
To: glass@bungi.com
Subject: Re: Help? Soldering Iron Selection
Date: Mon, 28 Jul 1997 23:59:24 -0400 (EDT)
Message-ID: <1997Jul28.195924.0>
Reply-To: glass@bungi.com
Precedence: bulk

I have add every problem imaginable with soldering irons in 22 yearsof studio
work. 
Elements burn out, tips corrode through in no time, not enough power even no
higher wattage irons...been there. And, these are the brand name irons that
sell for $25 to $75. 
I now use ..get this.. the PRO 100 iron from Taiwan.  Those of you with some
experience have probably seen it .  It's pretty clunky, it has these big set
screws on the side of the iron to hold the tip, and there's only one or two
different replacement tips available. However. It does what an iron is
supposed to do. It gets hot, it has a large tip for a heat sink, and it melts
solder. Did I mention, you should be able to buy it for less than $20.  And
I've only had one burn out, and one returned by a retail customer. As with
any tool, the user needs to adjust their technique. It ain't fancy, but no
one said Art was pretty.

Grind On
Paul
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From owner-glass Mon Jul 28 22:18:39 1997
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X-Path: msn.com!jazzykid
From: "Jill Medlyn" <jazzykid@msn.com>
To: glass@bungi.com
Subject: Reinforcement
Date: Tue, 29 Jul 97 05:12:37 UT
Message-ID: <UPMAIL13.199707290514570202@msn.com>
Reply-To: glass@bungi.com
Precedence: bulk

	Please help.  A friend and I are having a rather funfilled debate about a 
leaded window he is doing.  The window is 20" x  36"  and has about 40 pieces, 
some pieces are large square etched bevels and then some stained glass, and 
glue chip.  It will be a beautiful window.   He is placing this window in a 
back door. This is the main door for the family to come and go.   There is, 
also, a storm door.  So, the question is to reinforce or not to reinforce?  
And how he should reinforce it?   Any ideas?  Thanks in advance. 
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From owner-glass Tue Jul 29 01:14:19 1997
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X-Path: hawk.rmplc.co.uk!mdcglas
From: Phil Speedwell <mdcglas@hawk.rmplc.co.uk>
To: <glass@bungi.com>
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Reinforcement
Date: Tue, 29 Jul 97 08:52:25 +0100
Message-ID: <199707290748.HAA00693@mx0.rmplc.co.uk>
Reply-To: glass@bungi.com
Precedence: bulk

>

Jill Medlyn wrote

>	Please help.  A friend and I are having a rather funfilled debate about a 
>leaded window he is doing.  The window is 20" x  36"  and has about 40 
>pieces, 
>some pieces are large square etched bevels and then some stained glass, and 
>glue chip.  It will be a beautiful window.   He is placing this window in a 
>back door. This is the main door for the family to come and go.   There is, 
>also, a storm door.  So, the question is to reinforce or not to reinforce?  
>And how he should reinforce it?   Any ideas?  Thanks in advance. 

For a window of that size, given also that it's in a door and therefor 
being subject to shock when the door is slammed shut, I would certainly 
reinforce at the very least with Morton Strong line and probably also 
edge it with zinc instaed of lead.

Phil
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From owner-glass Tue Jul 29 03:29:07 1997
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X-Path: Core.co.za!CGreen
From: Carole Green <CGreen@Core.co.za>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: SUPPORT
Date: Tue, 29 Jul 1997 12:33:30 +0200
Message-ID: <1997Jul29.143330.0>
Reply-To: glass@bungi.com
Organization: The Core Business
Precedence: bulk

HI

I am making three windows each 10" x 21" will these be strong enough for
a window just using the copper foil and solder method or should I give
it more support with a lead  surround. I have not worked with lead
before.

Thanks alot
Carole Green
Cgreen@core.co.za
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From owner-glass Tue Jul 29 05:58:23 1997
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X-Path: ll.mit.edu!cogen
From: David Cogen <cogen@ll.mit.edu>
To: glass@bungi.com
Subject: Re: Brass wool -  FOUND IT -- does not rust Bronze wool
Date: Tue, 29 Jul 97 08:55:04 -0400
Message-ID: <9707290855.AA27842@LL.MIT.EDU>
References: <<9706288701.AA870123855@mfi.com>>
Reply-To: glass@bungi.com
Precedence: bulk


Also try boating stores for bronze wool. I bet it would be cheaper there.

-- David
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From owner-glass Tue Jul 29 06:17:44 1997
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: "[unknown]" <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Tue, 29 Jul 1997 09:16:23 -0400
Message-ID: <1997Jul29.51623.0>
Reply-To: glass@bungi.com
Precedence: bulk

Someone asked who is Glass Crafters.  Here's the answer:

Glass Crafters Stained Glass, Inc.
398 Interstate Court
Sarasota, FL 34240-8765
credit card orders 1-800-422-4552  customer service 941-379-8333  FAX
941-379-8827
email: GlasCraft@aol.com
http://www.craftweb.com/org/glascrafts/glascraf.shtml
M-Sat 9-6 EST
GlasCrafts@aol.com
mail order stained glass supply catalog

Hope this helps.
Christie A. Wood
Art Glass Ensembles, Inc.
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From owner-glass Tue Jul 29 06:18:19 1997
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: "[unknown]" <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Reinforcement
Date: Tue, 29 Jul 1997 09:16:33 -0400
Message-ID: <1997Jul29.51633.0>
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Message text written by "Jill Medlyn"
>This is the main door for the family to come and go.   There is, =

also, a storm door.  So, the question is to reinforce or not to reinforce=
? =


And how he should reinforce it?   Any ideas?<

Reinforce - YES.  There is going to be a lot of abuse to that door, and t=
he
window must
be able to withstand a slamming of the door, as well as being exposed to
the outdoors.
Reinforcement is absolutely necessary.

How?  Straight line rebar the entire width of the window, with the rebar
embedded into the
wooden framing.  Make that two rebars across the entire width, and you've=

got yourself a
good strong window.

Christie A. Wood
Art Glass Ensembles, Inc.
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From owner-glass Tue Jul 29 06:18:54 1997
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From: "Christie Wood & George D'Ascenzo" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: SUPPORT
Date: Tue, 29 Jul 1997 09:16:35 -0400
Message-ID: <1997Jul29.51635.0>
Reply-To: glass@bungi.com
Precedence: bulk

Message text written by Carole Green
>I am making three windows each 10" x 21" will these be strong enough for=

a window just using the copper foil and solder method or should I give
it more support with a lead  surround. I have not worked with lead
before.
<

I would work in some Restrip between the pieces for good internal
reinforcement.
Then I would frame the window in zinc U channel (not lead).  And if you
really want to
have a nice finished look to the window, with a lot of great structural
support, put the
whole thing inside a nice Northern Hardwood's oak frame (which is
manufactured
to hold a copper foil sized stained glass window).  Your local stained
glass supplier
should be able to supply you with Restrip, zinc U channel (in 6 foot
lengths which you
then just cut to size), and Northern Hardwood framing.

Christie A. Wood
Art Glass Ensembles, Inc.
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From owner-glass Tue Jul 29 06:41:18 1997
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X-Path: memach.com!lcbell
From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Thanks, Solder Iron Selection
Date: Tue, 29 Jul 1997 09:41:10 -0400
Message-ID: <1997Jul29.54110.0>
Reply-To: glass@bungi.com
Precedence: bulk


Thanks to the response to my plea to the bungi group and reading the =
archives, I got a new soldering iron. I decided to support my local =
retailer and got another Weller (not the one with the built-in =
temperature control). It's a 100 watts and I also got a mini-phase =
reostat. The iron came with a 3/8 inch tip and since I "paint" my solder =
on that should work nicely. If not I'll get a smaller tip. All for about =
$55. I may have been able to better her price mail order but I like to =
spread my business around and I needed it right away.

Linda Campbell

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From owner-glass Tue Jul 29 06:44:12 1997
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From: Linda Campbell <lcbell@memach.com>
To: "glass@bungi.com" <glass@bungi.com>, "'leestat7'" <leestat7@home.com>
Content-Type: text/plain; charset="us-ascii"
Subject: RE: Grinder Bits
Date: Tue, 29 Jul 1997 09:44:23 -0400
Message-ID: <1997Jul29.54423.0>
Reply-To: glass@bungi.com
Precedence: bulk


Sorry to hear about your broken ribs. Did the glass attack? :) Stay with =
us, don't lurk. Ignore the glass for now and feel good that you can =
offer help and advise to the rest of us.

Linda Campbell

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From owner-glass Tue Jul 29 07:31:54 1997
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X-Path: aol.com!GlasCrafts
From: GlasCrafts@aol.com
To: glass@bungi.com
Subject: Re: Brass wool source/experience
Date: Tue, 29 Jul 1997 10:31:14 -0400 (EDT)
Message-ID: <1997Jul29.63114.0>
Reply-To: glass@bungi.com
Precedence: bulk

> I've heard of "Bronzo", although I've never used it, myself.  It's on
> sale at Glass Crafters this month; the following is from their flyer

Whose Glass Crafters? Are they on the net?

Glass Crafters Stained Glass Supply has a web page at
http://www.craftweb.com/org/glascrafts/glascraf.shtml 

Here you may download a copy of our latest sales flyer, which includes bronze
wool, and get an overview of some of our stained glass product lines.  If you
do not already have our catalog, please call toll-free or email your snail
mail address.  We'll send you our free 64 pg. mail order stained glass supply
catalog.  As a bonus 22nd Anniversary Special, all orders are being shipped
with FREE UPS ground shipping in the continental USA until August 30th. Thank
you!

Glass Crafters Stained Glass, Inc.
398 Interstate Ct.
Sarasota, FL 34240
1-800-422-4552
1-941-379-8333
FAX: 1-941-379-8827
GlasCrafts@aol.com
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From owner-glass Tue Jul 29 08:07:13 1997
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X-Path: beachaccess.com!ncscoutr
From: "VALERIE PHELPS" <ncscoutr@beachaccess.com>
To: glass@bungi.com
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Tue, 29 Jul 1997 10:58:58
Message-ID: <1997Jul29.175858.0>
Reply-To: glass@bungi.com
Organization: Beach Access BBS
Precedence: bulk

>Suzanne Haley wrote:
>> 
>>  Has anyone a source for brass wool?  Does it exist? What experience have you
>>  had?  I was told that it is much more expensive.  Maybe I am on a wild goose
>>  chase??
>>  Thanks.
>> 
>>  Suzanne
>>  shaley@mfi.com
-----------------------
>Suzanne,
>I've heard of "Bronzo", although I've never used it, myself.  It's on
>sale at Glass Crafters this month; the following is from their flyer
>on-line:
>
>"What is Bronzo?
>Bronzo is pure bronze wool, lasting much longer than steel wool, which
>rusts and falls apart.  Use Bronzo instead of a sponge, to clean
>soldering tips and to remove unwanted patina or oxidation from solder,
>brass and zinc.  Bronzo itself can also be soldered.  Once you try
>Bronzo, you'll never use steel wool again!  2 pack.  Reg. $4.50
>#9411    On Sale 3.95"
>
>I'm no metallurgist, so I don't know what the differences are between
>using bronze or brass.  Maybe they also have a brass wool?
>
>-Barb
---------------------------
Suzanne,

Anyplace which sells the Hakko tip cleaner should also sell the "Refill
Wire".  The refill wire is, (and I quote,) "Brass wool".

Perhaps your local distributor carries Hakko products, otherwise you
should be able to order it by mail from any supplier who does.

Good luck! :-D

V T Phelps
Shoreline Glassworks, Ltd.



 * JDS Mail & News

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From owner-glass Tue Jul 29 10:42:13 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: WD40 and Etching
Date: Wed, 30 Jul 1997 01:30:58 +0800
Message-ID: <1997Jul30.93058.0>
References: <<1997Jul29.143330.0>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

Recently sent a fused glass 'blob' to the States to a mate - her hubby
reckons using WD40 will not only effectively fix the dust problem but
may also help etchers see what they're doing without drowning in
water....

Is this another one of 'those' ideas, or could it have some merit? 
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From owner-glass Tue Jul 29 11:49:54 1997
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Subject: Where is Stained Glass News?
Date: Tue, 29 Jul 1997 14:49:43 -0400
Message-ID: <1997Jul29.104943.0>
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Okay, I have forgotten who puts out Stained Glass News. Does anyone know =
why my local shop hasn't seen one in a while? Are they off for the =
summer? I miss my stained glass news.

Linda Campbell
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From owner-glass Tue Jul 29 12:00:35 1997
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From: MBellonci@aol.com
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Subject: Re: Web Address for Mike's site discovery
Date: Tue, 29 Jul 1997 14:59:56 -0400 (EDT)
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Here's the address Mike gave for the site he found.  It has some really nice
glass work..definitely worth a look.
www.stainedglass.co.uk/glashopa.htm
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From owner-glass Tue Jul 29 12:47:49 1997
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Subject: Re: Where is Stained Glass News?
Date: Tue, 29 Jul 1997 15:47:13 -0400
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At 02:49 PM 7/29/97 -0400, you wrote:
>
>Okay, I have forgotten who puts out Stained Glass News. Does anyone know =
>why my local shop hasn't seen one in a while? Are they off for the =
>summer? I miss my stained glass news.
>

Yes Stained Glass News takes a long vacation in the summer.  The last issue
came out in May I think, and the next is due around Sept 1st.  You can
email them direct at SGNinfo@aol.com

Garden of Glass
Joyce Moran

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From owner-glass Tue Jul 29 13:32:16 1997
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Subject: Nice Sight
Date: Tue, 29 Jul 1997 13:20:42 -0700
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http://www.netglass.com/  This has some wonderful, pricey, unique,
beautiful & not so beautiful glass art.  Try it!
Melissa

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From owner-glass Tue Jul 29 14:53:52 1997
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From: "Albert Lewis" <alewis@computer.net>
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Subject: Re: Where is Stained Glass News?
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> Okay, I have forgotten who puts out Stained Glass News. 

Oh, who could forget wise and wonderful Scott Haebich at
Stained Glass News
4060 29th Street S.E.
Grand Rapids MI 49512 - 
..........................Phone: ( 616 ) 940 - 2999
..........................Fax: (616) 940-3101

<g>

Albert
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From owner-glass Tue Jul 29 15:26:42 1997
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Subject: scrap glass idea
Date: Tue, 29 Jul 1997 15:23:20 -0700
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I was wondering what would happen if you built overhead fan/light pull, by
molding clay the shape you want your pull to be and then embedding scrap
glass into that in a mosaic design and firing the whole thing in a kiln?
Would it work?  Or would it explode?  Would the glass melt?  Or would the
clay shrink in the firing process and the glass drop out?
Thanks in advance  Shirley B
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From owner-glass Tue Jul 29 16:07:33 1997
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From: LByrne21@aol.com
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Subject: Re: WD40 and Etching
Date: Tue, 29 Jul 1997 19:06:51 -0400 (EDT)
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The WD40 sounds interesting....but I don't understand the concept.  Thanks to
all you bungians,  I'm now wearing a filter mask for etching on the
bevels....still not using water tho....( taking heed on all those warnings
about flying glass dust)

Can you explain further about the use of WD40 regarding etching?  Thank you
                                  Lavergne (Long-time-lurker)
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From owner-glass Tue Jul 29 16:10:25 1997
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From: Vernon Brikowski <psgs@injersey.com>
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Subject: Re: scrap glass idea
Date: Tue, 29 Jul 1997 18:56:33 -0700
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Hi Shirley!

Clay fires at at a much higher temperature than glass. A very low fire
for clay is in the neighborhood of 1800oF, glass would be a puddle
there. On a few occasions I have seen the two mediums combined and fired
together quite effectively, however, the glass served more as a
decorative glaze for the ceramic piece. Your thoughts of a mosaic might
be better served by using a fired piece of clay in the desired shape in
which a glass mosaic design has been cemented by using a glue or epoxy.
Finish the piece by filling the spaces with grout. 
Good Luck!

-Vernon 
Prism Studio   

Shirley Balloch wrote:
> 
> I was wondering what would happen if you built overhead fan/light pull, by
> molding clay the shape you want your pull to be and then embedding scrap
> glass into that in a mosaic design and firing the whole thing in a kiln?
> Would it work?  Or would it explode?  Would the glass melt?  Or would the
> clay shrink in the firing process and the glass drop out?
> Thanks in advance  Shirley B
> ----
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From owner-glass Tue Jul 29 17:53:02 1997
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From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: Where is Stained Glass News?
Date: Tue, 29 Jul 1997 20:51:56 -0400 (EDT)
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Stained Glass news doesn't publish in the summer.  You'll see the next one in
September I believe.  I always look forward to it too as do my customers.

Dione
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From owner-glass Tue Jul 29 18:59:52 1997
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From: "Albert Lewis" <alewis@computer.net>
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Subject: Re: scrap glass idea
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> I was wondering what would happen if you built overhead fan/light pull, by
> molding clay the shape you want your pull to be and then embedding scrap
> glass into that in a mosaic design and firing the whole thing in a kiln?
> Would it work?  Or would it explode?  Would the glass melt?  Or would the
> clay shrink in the firing process and the glass drop out?

Depends on the formula for the glass and that for the clay, but your 
last question contains the answer, pretty much.

Albert
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From owner-glass Tue Jul 29 19:43:01 1997
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From: "Angela R. Larsen" <angiedar@centurion.flash.net>
To: linda campbell <lcbell@memach.com>, "glass@bungi.com" <glass@bungi.com>
Subject: RE:Where is Stained Glass News?
Date: Tue, 29 Jul 1997 21:45:14  +0000
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> 
> 
> Okay, I have forgotten who puts out Stained Glass News. Does anyone know =
> why my local shop hasn't seen one in a while? Are they off for the =
> summer? I miss my stained glass news.
> 
> Linda Campbell
> ----------
> 
> 
> ----
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I believe they take the summer off.


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From owner-glass Tue Jul 29 23:04:34 1997
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From: Bubstah@aol.com
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Subject: Re: SUPPORT
Date: Wed, 30 Jul 1997 02:03:15 -0400 (EDT)
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I have made several windows in that size and find that if I use ZINC came and
NOT
lead came it holds up quite well.  Zinc is not as soft as lead and if you
have many seams to solder the came to you do not have to cement it in place.
 
IMHO I hope my method has been of some help.
Bubstah
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From owner-glass Wed Jul 30 04:55:00 1997
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Content-Type: text/plain; charset=us-ascii
Subject: [Fwd: very good][site]
Date: Wed, 30 Jul 1997 07:53:05 -0400
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Here's a(nother) new site. 

Jenkyn Powell wrote:
> 
> Nice work!  Stop by & visit if you get a chance..
> http://www.powellbrosglassart.com
> Best wishes,
> jenkyn a. powell
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From owner-glass Wed Jul 30 05:57:32 1997
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Subject: scrap glass idea
Date: Wed, 30 Jul 1997 08:56:23 -0400
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Message text written by INTERNET:glass@bungi.com
>Or would the
clay shrink in the firing process and the glass drop out?<

The clay and glass would expand/contract at different rates, making the
glass shatter.  I've seen this attempted by many clay artists, and the
results are always unsatisfactory.  Sorry to burst your bubble <g>.
Christie A. Wood
Art Glass Ensembles, Inc.
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From owner-glass Wed Jul 30 06:18:29 1997
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Hi Everyone!
        Just wanted to let everyone know I finished the large Noah's Ark
project, and got it installed last night!!!  Whew!  The owner has to fiddle
with the lighting now, as it is in an interior wall, with a sky light behind it.
        On another subject, a friend asked me if anyone had ever developed a
soldering iron like a glue gun, and if it worked?  He was into trying to
develope one....maybe with a fluxer and vacumm attached?  Dream ahead :)  Meg
Richard LaVal and Meg Wallace
apdo. 24-5655
Monteverde, Puntarenas
COSTA RICA

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From owner-glass Wed Jul 30 06:19:03 1997
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From: Richard LaVal <rlaval@sol.racsa.co.cr>
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Subject: Re: Help? Soldering Iron Selection
Date: Wed, 30 Jul 1997 07:11:48 -0600 (CST)
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Thats the one I am using, and I really like it... got two in two different
places, both for around $12.     One has now burned  out.  Is there any way
to replace the element, or are they disposable???   Meg

At 11:59 PM 7/28/97 -0400, you wrote:
>I have add every problem imaginable with soldering irons in 22 yearsof studio
>work. 
>Elements burn out, tips corrode through in no time, not enough power even no
>higher wattage irons...been there. And, these are the brand name irons that
>sell for $25 to $75. 
>I now use ..get this.. the PRO 100 iron from Taiwan.  Those of you with some
>experience have probably seen it .  It's pretty clunky, it has these big set
>screws on the side of the iron to hold the tip, and there's only one or two
>different replacement tips available. However. It does what an iron is
>supposed to do. It gets hot, it has a large tip for a heat sink, and it melts
>solder. Did I mention, you should be able to buy it for less than $20.  And
>I've only had one burn out, and one returned by a retail customer. As with
>any tool, the user needs to adjust their technique. It ain't fancy, but no
>one said Art was pretty.
>
>Grind On
>Paul
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>
>
Richard LaVal and Meg Wallace
apdo. 24-5655
Monteverde, Puntarenas
COSTA RICA

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From owner-glass Wed Jul 30 08:24:03 1997
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From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: solering "gun"
Date: Wed, 30 Jul 1997 10:19:26 -0500
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Richard LaVal wrote:
> a friend asked me if anyone had ever developed a
> soldering iron like a glue gun, and if it worked?  

First of all cobgrats on the Noah's Ark piece...I know you've been
working on that for a long time! 

Also, I believe Weller already has a "gun" type of soldering iron...I
have no idea how well it works, however.
LJ
______________________________________________________________
LJ Maas, Owner & Artist can be reached at: artist@busprod.com

ART WITH ATTITUDE  Stained Glass Design
"unique creations in stained glass"
<http://www.art-with-attitude.com/glass/artglass.html>

OVER THE RAINBOW Web Design & Consulting
"take a look at some of our client's pages!"
<http://www.art-with-attitude.com/rainbow.html>
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From owner-glass Wed Jul 30 08:29:36 1997
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----------
> From: Richard LaVal <rlaval@sol.racsa.co.cr>
> To: glass@bungi.com
> Subject: Gatewayed mail message
> Date: Wednesday, July 30, 1997 9:11 AM
> 
>
>         On another subject, a friend asked me if anyone had ever
developed a
> soldering iron like a glue gun, and if it worked?  He was into trying to
> develope one....maybe with a fluxer and vacumm attached?  Dream ahead :) 
Meg
> Richard LaVal and Meg Wallace
> apdo. 24-5655
> Monteverde, Puntarenas
> COSTA RICA
> 

Hi Meg,
	Inland makes an auto feed soldering gun and it works somewhat like a glue
gun. It was the one I first started with and it makes it a little difficult
to get a nice bead because you need to pull on the trigger to feed the
solder through and that doesn't let the solder flow smoothly. I have since
switched to another one. You also have to spend alot of time putting the
solder in because the longer the lengths you use the more awkward it is to
handle and I found it much easier to just do it the old fashioned way, with
2 hands.

                                     Hope this helps, Maria                
         
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From owner-glass Wed Jul 30 12:11:28 1997
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X-Path: infinet.com!glasscat
From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Help? Soldering Iron Selection
Date: Wed, 30 Jul 1997 15:07:22 -0400
Message-ID: <1997Jul30.11722.0>
References: <<1997Jul28.25410.0>>
Reply-To: glass@bungi.com
Organization: Carolyn's Creations
Precedence: bulk

Linda:
I don't much care for Ungars. I like the feel, but the endurance leaves
alot to be desired. I like Inlands--100W Deluxe is what I always
recommend (and sell), along with the Inland Standards. Reasonably priced
also.
Carolyn Noel
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From owner-glass Wed Jul 30 12:29:43 1997
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X-Path: aol.com!DGlswrks
From: DGlswrks@aol.com
To: glass@bungi.com
Subject: Re: soldering "gun"
Date: Wed, 30 Jul 1997 15:29:02 -0400 (EDT)
Message-ID: <1997Jul30.11292.0>
Reply-To: glass@bungi.com
Precedence: bulk

Inland makes a soldering gun that feeds solder through.  I seemed to have to
fight it to get it to feed though.

Dione
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From owner-glass Wed Jul 30 12:30:32 1997
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From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Wed, 30 Jul 1997 15:26:46 -0400
Message-ID: <1997Jul30.112646.0>
References: <<9706288701.AA870109827@mfi.com>>
Reply-To: glass@bungi.com
Organization: Carolyn's Creations
Precedence: bulk

Suzanne:
Studio Design (NJ) carries a product called "Bronzo"--good for glass. 
Cleans up well, too.
Carolyn
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From owner-glass Wed Jul 30 12:42:04 1997
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From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: SUPPORT
Date: Wed, 30 Jul 1997 15:38:05 -0400
Message-ID: <1997Jul30.11385.0>
References: <<1997Jul29.143330.0>>
Reply-To: glass@bungi.com
Organization: Carolyn's Creations
Precedence: bulk

Carole:
The usual formula for deciding on reinforcement is if it's 4 sf or
larger, it needs reinforcement. If rebar doesn't need to be used,
there's always FlexBar--works just like Strong Line, but much easier to
use and manipulate. Love the stuff--is also recommended for use around
the bottom edge of lamps.
Carolyn
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From owner-glass Wed Jul 30 12:45:52 1997
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From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Where is Stained Glass News?
Date: Wed, 30 Jul 1997 15:42:10 -0400
Message-ID: <1997Jul30.114210.0>
References: <<1997Jul29.104943.0>>
Reply-To: glass@bungi.com
Organization: Carolyn's Creations
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Linda:
The next issue of SGN comes out in September.
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From owner-glass Wed Jul 30 12:54:18 1997
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From: "Carolyn K. Noel" <glasscat@infinet.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Gatewayed mail message
Date: Wed, 30 Jul 1997 15:50:32 -0400
Message-ID: <1997Jul30.115032.0>
References: <<1.5.4.16.19970727112308.12cffadc@sol.racsa.co.cr>>
Reply-To: glass@bungi.com
Organization: Carolyn's Creations
Precedence: bulk

Richard:
Inland's Auto-Feed is an iron that you stick pieces of solder into and
it "feeds" through as you solder. I have one, but am not real impressed
with it. 
Carolyn
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From owner-glass Wed Jul 30 22:11:18 1997
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X-Path: ix.netcom.com!mthaxton
From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: [Fwd: very good][site]
Date: Wed, 30 Jul 1997 22:00:14 -0700
Message-ID: <1997Jul30.15014.0>
References: <<1997Jul30.3535.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Major intracate jewelry boxes.  Wow!

mcFrenzy wrote:

> Here's a(nother) new site.
>
> Jenkyn Powell wrote:
> >
> > Nice work!  Stop by & visit if you get a chance..
> > http://www.powellbrosglassart.com
> > Best wishes,
> > jenkyn a. powell
> ----
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From owner-glass Wed Jul 30 22:21:50 1997
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X-Path: aol.com!Pboba
From: Pboba@aol.com
To: glass@bungi.com
Subject: Re: SUPPORT
Date: Thu, 31 Jul 1997 01:20:50 -0400 (EDT)
Message-ID: <1997Jul30.212050.0>
Reply-To: glass@bungi.com
Precedence: bulk

Zinc perimeters are moot if panel is going into wood frame. But zinc does
provide better support during flipping. I have liked using brass heart leads
for hidden reinforcement where the client is leary about steel rebar. If you
work only in foil, disregard above.

ALWAYS CEMENT! imho.

Paul
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From owner-glass Wed Jul 30 22:30:27 1997
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X-Path: aol.com!Pboba
From: Pboba@aol.com
To: glass@bungi.com
Subject: Re: Help? Soldering Iron Selection
Date: Thu, 31 Jul 1997 01:29:53 -0400 (EDT)
Message-ID: <1997Jul30.212953.0>
Reply-To: glass@bungi.com
Precedence: bulk

Pull the tip if it hasn't corroded through, save the plug and cord (who knows
when that will come in handy), dismantle the wooden handle for fireplace use,
toss the remaining carcass and spend twelve more $ on a new iron. (Your time
is far more valuable for stained glass work than refittting old dead irons
with new guts.) 

Waste not, want not!

Paul
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From owner-glass Thu Jul 31 01:13:19 1997
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X-Path: p085.aone.net.au!allcrafts
From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: WD40 and Etching
Date: Thu, 31 Jul 1997 14:36:42 +0800
Message-ID: <1997Jul31.223642.0>
References: <<1997Jul29.15651.0>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

LByrne21@aol.com wrote:
> 
> Can you explain further about the use of WD40 regarding etching?  Thank you
>                                   Lavergne (Long-time-lurker)
> ----
Far as I'm aware the idea would be to coat the glass with it in an
effort to prevent glass dust flying about, yet to still be able to see
your design (which some on the list were concerned about when the glass
was submerged under water....

Apologies to all if this is a red herring. 

I've been unable to access the net via Access One, my ISP, in the last
couple of days (also consequently I'm dying of email witdrawal <vbg>)so
not sure what the state of play on this thread is. I'm going to attempt
to send this message through another ISP and see if it gets through...
here's hopin'
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts


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From owner-glass Thu Jul 31 04:00:55 1997
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From: Melanie Dunstan <allcrafts@p085.aone.net.au>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: scrap glass idea
Date: Thu, 31 Jul 1997 17:34:02 +0800
Message-ID: <1997Aug1.1342.0>
References: <<15262415627850@netbridge.net>>
Reply-To: glass@bungi.com
Organization: Allcrafts Goods & Services
Precedence: bulk

Josh Balloch wrote:
> 
> I was wondering <snip> Would the glass melt?  Or would the
> clay shrink in the firing process and the glass drop out?
> Thanks in advance  Shirley B
> ----
Gidday Shirley
In one of my other half-lifes, as a potter, I've used my scrap glass in
clay during the glazing process (that is, after the bisque firing, which
is at a lower temperature) to add pools, moats and water effects into
the clay. One of the most effective pieces I've seen was done by my
pottery teacher, where she took some of my scrap glass and laid it on
'terraces' (like rice paddies) that she'd built into the side of a sling
pot. The glass had melted, and run over the sides of the terraces, to
make waterfalls... she had used a mix of clear and different blues, just
ordinary el cheapo cathedral stuff that I had used on my first student
piece; bits that were too small to even foil and my 'careful' (read
hoarder) nature would not let me throw in the bin.

Sling Pot Instructions: (press the delete key now if you aren't
interested in clay!)
====================== 

Turn a chair upside down and suspend a piece of calico between the four
legs, then lay a flat piece of clay on top and press it gently down...
the calico stretches and you get a hammock-like effect, and end up with
a pottery 'bowl'. If you put a pile of books reaching from the chair
bottom up to the base of the hammock, you can get a flat bottom onto
your sling pot. Leave to dry before bisque firing. Once dry (a week in
summer weather, as a generous guess - maybe one or two days would do it
but best be safe) then it can be fired. There are many places here where
I can take pottery to be fired, so guess there would be even more in
USA....
-- Regards
Melanie Dunstan
in Perth, Australia
Encaustic Art:  http://www.ozemail.com.au/~cbooth/melanie.htm
Allcrafts specialises in Unusual Crafts

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From owner-glass Thu Jul 31 04:08:55 1997
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X-Path: busprod.com!artist
From: artist@busprod.com (LJ Maas)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Brass wool (fine)   Like steel wool - source/experience
Date: Thu, 31 Jul 1997 06:03:44 -0500
Message-ID: <1997Jul31.1344.0>
References: <<1997Jul30.112646.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Glass Crafters has "Bronzo" on sale until 8/30 in their most recent
mailer and shipping is free on all orders until that time. The Bronzo is
$4.50 for a 2-pack...on sale for $3.95
LJ
______________________________________________________________
LJ Maas, Owner & Artist can be reached at: artist@busprod.com

ART WITH ATTITUDE  Stained Glass Design
"unique creations in stained glass"
<http://www.art-with-attitude.com/glass/artglass.html>

OVER THE RAINBOW Web Design & Consulting
"take a look at some of our client's pages!"
<http://www.art-with-attitude.com/rainbow.html>
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From owner-glass Thu Jul 31 05:11:17 1997
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X-Path: juno.com!studioone1
From: studioone1@juno.com (Dee l Plott)
To: glass@bungi.com
Subject: Re: Help? Soldering Iron Selection
Date: Thu, 31 Jul 1997 07:59:54 -0400
Message-ID: <1997Jul31.35954.0>
References: <<1.5.4.16.19970727112302.25bf3cfc@sol.racsa.co.cr>>
Reply-To: glass@bungi.com
Precedence: bulk

Meg,
Most wholesalers should have the replacement tip for the iron you have. 
If you can't find it, let me know. dee  Studioone1@Juno.com
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From owner-glass Thu Jul 31 05:11:52 1997
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X-Path: juno.com!studioone1
From: studioone1@juno.com (Dee l Plott)
To: glass@bungi.com
Subject: Re: Help? Soldering Iron Selection
Date: Thu, 31 Jul 1997 07:45:56 -0400
Message-ID: <1997Jul31.34556.0>
References: <<1997Jul28.195924.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Hi,
I have also used many irons over fourteen years.  The Pro100, an
inexpensive iron is great for me because it gets very hot which is
excellent because I solder very quickly and want the solder to melt
instantly and smoothly.  For lead work, I only use the Ungar, and have
only replace just the tip not the whole unit once in four years....that's
with almost constant use daily. Hope this helps.  dee
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From owner-glass Thu Jul 31 12:53:18 1997
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X-Path: voyager.net!delphigl
From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: [Fwd: very good][site]
Date: Thu, 31 Jul 1997 15:49:15 -0400 (EDT)
Message-ID: <199707311949.PAA20331@vixa.voyager.net>
Reply-To: glass@bungi.com
Precedence: bulk

Another Great Site -- Little-Raidl Design Studios
(http://www.sonic.net/little-raidl/).  You may be acquainted with a sampling
of their work.  They were commissioned by Spectrum Glass to make the
"Whirligirl" panel (a carousel horse using Spectrum's new Baroque glasses).

Stephanie

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From owner-glass Thu Jul 31 14:34:22 1997
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X-Path: compuserve.com!GreerStudios
From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: No aliens
Date: Thu, 31 Jul 1997 16:59:27 -0400
Message-ID: <1997Jul31.125927.0>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Mimi and fellow bungians-

Well, we didn't get to see Wayne Newton or any
other well-known aliens in Las Vegas, but we =

did notice something else this trip.  Under all
the lights and glitz of the Strip, there is a =

tremendous amount of really good art and
fine craft.  It may appear to be theater at first
glance, but there's nothing schlocky about it -
it's top-of-the-line all the way.  This city is
supporting the arts in the one way that counts
the very most - by BUYING it.  They've put scores
of artists and craftsmen to work.  In numerous
casinos, we saw fabulous (and clearly custom)
woodwork, tile work, murals, statuary, oil paintings,
metalwork, and, yes, glasswork. Unfortunately,
we didn't have time to research who had done
the work (and how much it cost!)  The Barberry
Coast Casino was dripping in glass by the
Wallach Studios out of Berkeley, CA. - quite nice
Victorian-style and Tiffany-style work.  Pretty
decent glass painting, too.  I think someone
ought to organize some tours of the casinos that
focus on the art and craft to be seen.  And I would
love to find out how we could bid on some of those
commissions!  There are several new casinos and
hotels going up as I write this - wouldn't I just love =

to have some of my glass there?!  Maybe we
could find a way to introduce the city of Las Vegas
to the Guild and its web site!  If they're going to =

spend money on nice stained glass, why not give
it to some of us, right?!!  Any ideas on how to get
more information?  Any ideas on how to get cities
like Las Vegas to recognize the Guild and its
members as suppliers?

Best regards,

Dani Greer
Greer Gallery & Studios =

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From owner-glass Thu Jul 31 15:59:57 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Gatewayed mail message
Date: Thu, 31 Jul 1997 18:52:14 -0400
Message-ID: <1997Jul31.145214.0>
References: <<1997Jul28.93058.0>>
Reply-To: glass@bungi.com
Precedence: bulk

Connie Jewell wrote:
> 
>   Oh no!!!!!  =: 0
>  I accidentally deleted Mikes post about the "new web page" he had found.
> Could someone send me the URL again.
> THANKS!!!!!!
> Jewell
> jewell@mail1.ciwemb.edu
> 
> ----
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well, i'm back from the vacation, here's the url
http://www.stainedglass.co.uk/glashopa.htm ;there might be a chance that
i may be at the glass thing at warner-criv. it was neat today i went to
warner-criv, and i was going to introduce myself when i was done
shopping. then Angelo (i hope i'm remembering his name right, i stink at
remembering names); and he went right up behind me said "hi mike".
personally i did'nt think my picture was clear enough to be reconized.
but i guess i was... of course the scarey thing is if i went to europe
and was reconized, though that would be intresting...

---Mike Savad

-- 
<------>
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips, Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain Tools and How Long They Last, Pictures of my Lamp Lit, 1 New
Project, Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Thu Jul 31 16:00:54 1997
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X-Path: nac.net!morn
From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Gatewayed mail message
Date: Thu, 31 Jul 1997 18:53:32 -0400
Message-ID: <1997Jul31.145332.0>
References: <<1.5.4.16.19970727112308.12cffadc@sol.racsa.co.cr>>
Reply-To: glass@bungi.com
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Richard LaVal wrote:
> 
> Hi Everyone!
>         Just wanted to let everyone know I finished the large Noah's Ark
> project, and got it installed last night!!!  Whew!  The owner has to fiddle
> with the lighting now, as it is in an interior wall, with a sky light behind it.
>         On another subject, a friend asked me if anyone had ever developed a
> soldering iron like a glue gun, and if it worked?  He was into trying to
> develope one....maybe with a fluxer and vacumm attached?  Dream ahead :)  Meg
> Richard LaVal and Meg Wallace
> apdo. 24-5655
> Monteverde, Puntarenas
> COSTA RICA
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


yeah, it sounds alot like a self feeding soldering iron. i don't have
one yet, it's used some what in electronics...

---Mike Savad

-- 
<------>
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips, Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain Tools and How Long They Last, Pictures of my Lamp Lit, 1 New
Project, Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Thu Jul 31 16:03:51 1997
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From: "M. Savad" <morn@nac.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass conference? (fwd)
Date: Thu, 31 Jul 1997 18:54:59 -0400
Message-ID: <1997Jul31.145459.0>
References: <<970728.153345.EDT.HCLADM02@UConnVM.UConn.Edu>>
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mail wrote:
> 
> My apolgies...I see my sig file transferred but my posting didn't.
> 'Twasn't important, having to do with "Mars Attacks" and Tom  Jones.
> Gee, do you  think aliens have glass?  (Can't imagine them not
> having it, but what they do with it...)   (I can't type today,
> either.  Must be the humidity)
> 
> --
> Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
> UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
> HCLADM02@UConnVM.uconn.edu
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


sure they have glass, i'm the one who taught them how to do it... :)


---Mike Savad

-- 
<------>
Mike's Stained Glass
http://www.geocities.com/Paris/1141
 New Pages Added: 11 New Tip Pages, Including: Random Tips, Box Making
Tips, Random Tips, How to Fix Scratched Glass, Getting Pictures, How to
Maintain Tools and How Long They Last, Pictures of my Lamp Lit, 1 New
Project, Shopping Lists, and See My Bio with a picture of ME.
----
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From owner-glass Thu Jul 31 16:10:01 1997
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X-Path: water.waterw.com!artglass
From: artglass@water.waterw.com (pj friend)
To: glass@BUNGI.COM
Content-Type: text/plain; charset="us-ascii"
Subject: Re: No aliens
Date: Thu, 31 Jul 1997 19:08:23 -0400 (EDT)
Message-ID: <199707312308.TAA29241@water.waterw.com>
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Precedence: bulk

Hi dani,

Welcome back...and sorry to hear no dunka shane.

We have done a number of the casinos in Atlantic City.
Same premise as Vegas.......and they redo those things about every five or
eight years.
So the work is always there.

That is the good part.

Now the down side.

The usually have a Group or display company that does most of the interior work.
They make everything look good for nothing.

You cannot unless you are union do anything on site. In other words..what
ever you create has to fit perfect....no on site modes or adjustments. Hope
you understand what I meant.


And the union is a big part of both of these places.


Now the bottom line in payment.  We have been quite fortunate.
Been paid nicely and on time.

But I have heard some real horror stories.  From woodworkers and artists alike.
If you do any of this type of work.....contract is a must. And I say it
again....at must and everything in print. 

So if your not concerned about working with unions or about getting paid the
work is fantastic.  Oh I forgot to mention that when they redo most of these
casinos and take out the work you put in the first time.....they trash it.
(ouch)

If you want some more info...I will glady supply it.  

I also have alot of my kiln-work in the casino gift shops.....they buy
everything but you just have to present it right.


Glad you made it back in one piece....and you didn't mention how your former
classmates looked.   When I went to mine they were all bald and fat.  And
that was the women.

Talk to you soon.


my best,
pj
>
>Well, we didn't get to see Wayne Newton or any
>other well-known aliens in Las Vegas, but we =
>
>did notice something else this trip.  Under all
>the lights and glitz of the Strip, there is a =
>
>tremendous amount of really good art and
>fine craft.  It may appear to be theater at first
>glance, but there's nothing schlocky about it -
>it's top-of-the-line all the way.  This city is
>supporting the arts in the one way that counts
>the very most - by BUYING it.  They've put scores
>of artists and craftsmen to work.  In numerous
>casinos, we saw fabulous (and clearly custom)
>woodwork, tile work, murals, statuary, oil paintings,
>metalwork, and, yes, glasswork. Unfortunately,
>we didn't have time to research who had done
>the work (and how much it cost!)  The Barberry
>Coast Casino was dripping in glass by the
>Wallach Studios out of Berkeley, CA. - quite nice
>Victorian-style and Tiffany-style work.  Pretty
>decent glass painting, too.  I think someone
>ought to organize some tours of the casinos that
>focus on the art and craft to be seen.  And I would
>love to find out how we could bid on some of those
>commissions!  There are several new casinos and
>hotels going up as I write this - wouldn't I just love =
>
>to have some of my glass there?!  Maybe we
>could find a way to introduce the city of Las Vegas
>to the Guild and its web site!  If they're going to =
>
>spend money on nice stained glass, why not give
>it to some of us, right?!!  Any ideas on how to get
>more information?  Any ideas on how to get cities
>like Las Vegas to recognize the Guild and its
>members as suppliers?
>
>Best regards,
>
>Dani Greer
>Greer Gallery & Studios =
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Thu Jul 31 19:52:19 1997
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X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: glass@bungi.com
Subject: Re: SUPPORT
Date: Thu, 31 Jul 1997 22:48:52 -0400 (EDT)
Message-ID: <1997Jul31.184852.0>
Reply-To: glass@bungi.com
Precedence: bulk

If this piece is to be placed in a door that will be used often, by all means
use rebar and it must not only be attached to the window but it must go into
the frame around it or the rebar will become part of the problem adding
additional weight .If you do not support this window in in this way within a
year you will wish you had.You will start to notice the lead or zinc pulling
away from the glass and cracks in not only the glass but the solder joints
also. Stationary sidelights or windows don't require as much support but they
also need to be built with longevity in mind. Keep in mind that bevels
usually weigh more than standard 1/8 inch stained glass and the weight is
forward weight, that is why they require more attention when considering
support in a window. If I seem a little long winded on the subject it is only
because I have learned all of these lessons the hard way.    Beveler4@aol.com
----
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From owner-glass Thu Jul 31 20:06:34 1997
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From: "Michael J. Greer" <GreerStudios@compuserve.com>
To: All <GLASS@BUNGI.COM>
Content-Type: text/plain; charset=ISO-8859-1
Subject: No aliens
Date: Thu, 31 Jul 1997 23:05:07 -0400
Message-ID: <1997Jul31.1957.0>
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Hi pj -

Thanks for the feedback on working for the casinos - doesn't =

sound like my cup of tea!  It'll be a cold day in Hades when
this girl joins a union!  It's not surprising though - sounds
alot like working with the building industry here.  First you
have to prove your worthy of the job and then you have to
give away your work for peanuts and then you get to wait
months to get paid!  We learned a long time ago to "just
say no" to jobs like that - they're not even good advertising. =

And getting paid for work is an essential part of my
success equation!  Terms are 50% down and 50% on
installation, no exceptions.  When I give work away, it's
to a worthy charity that really benefits from my labor and
talent and that can give me, in return, some good
publicity for my efforts.  It's a formula that works for us,
because we certainly aren't begging for work at least
not this time of year.  I am curious, though, what union        =

does a glass artist have to belong to?  A regular
glazier's union??  =


Best regards,

Dani  =


P.S. No fat and bald women at this reunion, but some of
the guys weren't doing so well!;-)
----
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From owner-glass Thu Jul 31 21:19:46 1997
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X-Path: ix.netcom.com!mthaxton
From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: [Fwd: very good][site]
Date: Thu, 31 Jul 1997 21:08:24 -0700
Message-ID: <1997Jul31.14824.0>
References: <<199707311949.PAA20331@vixa.voyager.net>>
Reply-To: glass@bungi.com
Precedence: bulk

Those entryways are exquisite!  That glass is comparable to Tiffany's
work.  I enjoyed it immensely.
Melissa
Delphi Stained Glass wrote:

> Another Great Site -- Little-Raidl Design Studios
> (http://www.sonic.net/little-raidl/).  You may be acquainted with a
> sampling
> of their work.  They were commissioned by Spectrum Glass to make the
> "Whirligirl" panel (a carousel horse using Spectrum's new Baroque
> glasses).
>
> Stephanie
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



----
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From owner-glass Thu Jul 31 22:01:19 1997
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From: Melissa Thaxton <mthaxton@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: [Fwd: very good][site]
Date: Thu, 31 Jul 1997 21:49:03 -0700
Message-ID: <1997Jul31.14493.0>
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Reply-To: glass@bungi.com
Precedence: bulk

Here is another sight to check out.
http://www.vc-net.or.jp/~yamazaki/doc/yama-stglink.htm


----
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From owner-glass Thu Jul 31 23:28:58 1997
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From: Lois Macdonald <macbrown@nfis.com>
To: glass@BUNGI.COM
Content-Type: text/plain; charset=us-ascii
Subject: Re: No aliens Reply
Date: Mon, 28 Apr 1997 21:59:40 -0700
Message-ID: <1997Apr28.145940.0>
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Michael J. Greer wrote:
> 
> Hi Mimi and fellow bungians-
> 
> Well, we didn't get to see Wayne Newton or any
> other well-known aliens in Las Vegas, but we =
> 
> did notice something else this trip.  Under all
> the lights and glitz of the Strip, there is a =
> 
> tremendous amount of really good art and
> fine craft.  It may appear to be theater at first
> glance, but there's nothing schlocky about it -
> it's top-of-the-line all the way.  This city is
> supporting the arts in the one way that counts
> the very most - by BUYING it.  They've put scores
> of artists and craftsmen to work.  In numerous
> casinos, we saw fabulous (and clearly custom)
> woodwork, tile work, murals, statuary, oil paintings,
> metalwork, and, yes, glasswork. Unfortunately,
> we didn't have time to research who had done
> the work (and how much it cost!)  The Barberry
> Coast Casino was dripping in glass by the
> Wallach Studios out of Berkeley, CA. - quite nice
> Victorian-style and Tiffany-style work.  Pretty
> decent glass painting, too.  I think someone
> ought to organize some tours of the casinos that
> focus on the art and craft to be seen.  And I would
> love to find out how we could bid on some of those
> commissions!  There are several new casinos and
> hotels going up as I write this - wouldn't I just love =
> 
> to have some of my glass there?!  Maybe we
> could find a way to introduce the city of Las Vegas
> to the Guild and its web site!  If they're going to =
> 
> spend money on nice stained glass, why not give
> it to some of us, right?!!  Any ideas on how to get
> more information?  Any ideas on how to get cities
> like Las Vegas to recognize the Guild and its
> members as suppliers?
> 
> Best regards,
> 
> Dani Greer
> Greer Gallery & Studios =
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

Write to the Chamber of Commerce and ask how to get on the Vendor's 
list for COC members (surely all the motels belong).  You might also 
send them some information about the organization and ask that they 
distribute it at the next COC meeting or in their next mailing to 
members.
----
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