From owner-glass Mon Oct  2 07:52:05 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Lamp Bases
Date: Mon, 2 Oct 1995 07:48:37 PDT
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Hi,  Glenna here,  just wondering if anyone has a quality distributor
for lamp bases.  I've been getting mine from a local shop in the
bay area and would like a larger variety.

Thanks for any info.



-- 

From owner-glass Mon Oct  2 08:36:35 1995
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From: kmcmahon@craftweb.com (Kathleen McMahon)
To: glass@bungi.com
Subject: Re: Lamp Bases
Date: Mon, 02 Oct 1995 07:24:09 -0700
Message-ID: <199510021533.IAA27025@blob.best.net>
Reply-To: glass@bungi.com
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Glass Crafters carries lamp bases. Their web page is at:

http://www.craftweb.com/org/glascrafts/glascraf.shtml


>Hi,  Glenna here,  just wondering if anyone has a quality distributor
>for lamp bases.  I've been getting mine from a local shop in the
>bay area and would like a larger variety.
>
>Thanks for any info.
>
>
>
>-- 
>
>


From owner-glass Mon Oct  2 12:02:16 1995
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From: dstewart@ptialaska.net (Sue/Dave Stewart)
To: glass@bungi.com
Subject: Re: Lamp Bases
Date: Mon, 2 Oct 1995 11:04:14 -0900
Message-ID: <v01520d00ac95f5867daf@[198.70.240.46]>
Reply-To: glass@bungi.com
Precedence: bulk

>Hi,  Glenna here,  just wondering if anyone has a quality distributor
>for lamp bases.  I've been getting mine from a local shop in the
>bay area and would like a larger variety.
>
>Thanks for any info.
>
>Dear Glenna,
I have bought mine from Houston Stained Glass.  In fact, most everything I
get is from them.  Never any problems.  They are wholesale only though.  If
this applies, call (800) 231-0148.
Byeeeee
Sue

Sue Stewart
A Touch of Glass
Where Glass is Class!



From owner-glass Mon Oct  2 12:42:56 1995
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From: MEIR ROTFLEISCH <yeelut1@shani.net>
To: GLASS <GLASS@bungi.com>
Subject: Gatewayed mail message
Date: Mon, 2 Oct 1995 21:38:54 +0300 (WET)
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please rmove me from the list

please add the name yeelut@euronet.co.il

From owner-glass Mon Oct  2 15:53:59 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Lamp Bases
Date: Mon, 2 Oct 1995 15:50:14 -0700
Message-ID: <199510022250.AA02189@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
Precedence: bulk



hi glenna, howard here....let me know what kind, quality, and volume
you are looking for. I have many sources for good bronze ones as well
as th eusual pot metal (zinc) ones.

--





From owner-glass Mon Oct  2 17:13:07 1995
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X-Path: yarrow.wt.com.au!rdeint
From: Rexort International P/L  -- HIGLASS <rdeint@yarrow.wt.com.au>
To: glass@bungi.com
Subject: New Product: Coloured Art Glass fusable to Float Glass
Date: Tue, 3 Oct 1995 08:10:41 +0800 (WST)
Message-ID: <199510030010.IAA18688@yarrow.wt.com.au>
Reply-To: glass@bungi.com
Precedence: bulk


HiGlass announced a new range of coloured art glass compatible
to clear float glass. This information might be of interest to readers
of this newsgroup.

The official announcement follows:


HIGLASS GIN RANGE: FLOAT GLASS COMPATIBLE
-----------------------------------------

        We are pleased to announce that we have produced a 
        range of HiGlass which is compatible to clear float 
        glass (tested with Pilkington Australia clear float). 
        We will be calling this special assortment GIN.

        This will clearly open new opportunities in fusing 
        and slumping projects.

        For further information please feel free to contact 
        HiGlass Manufacturers.




The HiGlass brochure outlines some more details:

THE COMPANY
-----------

HIGLASS, Australias own coloured sheet glass manufacturer is committed
to producing specialty art glass to the highest standard.

The HIGLASS factory is located in Kardinya, Western Australia, 
approximately 17 km from the city centre of Perth.

All specialised tools and equipment, including the glass furnace, 
have been custom designed and built for the production of HIGLASS 
coloured sheet glass.

HIGLASS is committed to support the growing demand in fusing and 
slumping processes. The HIGLASS GIN range now enables the exploration 
into the area of combining coloured art glass and clear float glass.

HIGLASS is the jewel in art glass - glass of a quality that has 
almost disappeared from the artists palette, now available to the
discerning connoisseur.
 


HAND-ROLLED SHEET GLASS
-----------------------

HIGLASS sheet glass is available in a wide range of colours, filling 
the gap between imported sheets and the needs of Australias professional
glass artists. The range includes fabulous colours and colour mixes not
previously available in Australia.

HIGLASS is composed from the purest sands and minerals. The stringent 
quality control and computer monitored manufacturing process enable 
HIGLASS to supply glass products at world class quality.

The flow of colours, the streaks, the characteristic texture, the 
distinctive surface and occasional ripples and bubbles are unique in 
every sheet. With the brilliance and clarity of its colours, each piece
of HIGLASS will be a stunning feature in the leadlight and stained 
glass world.

The 90 and GIN ranges have been developed to suit advanced fusing and 
slumping projects.

Because of their natural oval shape and rounded edges, the sheets are 
easy and safer to handle, and the superior cutting qualities of HIGLASS
make the most complex patterns easy to achieve.

 
SPECIFICATION
-------------

SHAPE
The oval shape of the HIGLASS sheet is a result of the natural flo
w of molten glass when it is processed. The rounded edges, which can 
be leaded, are approximately 3-4 mm thick.
Square sheets can be produced to special order.

SIZE AND WEIGHT
        Width:  approx. 250 to  400 mm
        Length: approx. 400 to  650 mm
        Weight: approx. 800 to 1400 grm

NOMINAL THICKNESS
        Standard:       3 mm
        On request:     6 mm and others

COEFFICIENT OF EXPANSION (calculated) 
        (The specified coefficient is a guideline value. It does not 
        represent guaranteed characteristics. e therefore recommend 
        testing suitability for the intended use.)

        On request available:
        -  90 Range: 90 +- 1 * 10-7
        -  GIN Range: Adjusted to clear float glass.

TYPICAL FEATURES
Ripples, bubbles, characteristic texture and distinctive surface

REFIRING
All colours except some reds can be refired for slumping, fusing 
or painting without striking. Some Reds will strike and require
special care, but can produce extraordinary effects.




HIGLASS COLOUR RANGE
--------------------

Currently more than 50 colours available:

CLEAR

BLUE and VIOLET:
Blue (L/M/D)            Amethyst (L/M/D)        Mauve
Aqua (L/M/D)            Regency Blue            Blue Mauve
Steel Blue              Blue Gum                Sapphire
Pink Mauve

GREEN:
Moss Green (L/M/D)      Grass Green             Anna Green (L/M)
Olive (L/D)             Gum Green (L/D) Lime    Kardinya Green
Jade Green(M/D)

RED, PINK and YELLOW:
Pink (L/M/D)            Red Wine                Karri Honey     
Blackcurrant            Red                     Ayers Rock Red
Honey Tea               Dingo                   Centre Red
Kalgoorlie              Silver Yellow           Mango
Mango Red

BROWN and GREY:
Brown (L/M/D)           Moss Brown (L/M/D)      Chestnut        
Seal Grey

MULTI COLOUR MIXES:
HiGlass One             Peacock                 Purnululu
Honolulu                Spring Sky              Tree Bark
Avon Valley             Bottlebrush             Lagoon  
Mango Mix               Red Wine Blues          Kangaroo Run
Broome's Sunset         Broome's Clouds         Clear with Streaks
Amy Bernstein           Dolphin Green           Dolphin Blue
Golden Amethyst         Autumn Wood             Aqua Red
Blue Danube             Budgie  

Most colours are available in light (L), medium (M) and dark (D) shades.
Please refer to our price list for full colour range.

         
HIGLASS PRODUCT RANGE

- Hand-Rolled Coloured Sheet Glass
- 90 Range
- GIN Range
- Rondels (made to order)
- Glass Blobs (made to order)
- Coloured Glass Frit and Cullet (made to order)
- Special Orders


CONTACT:

HIGLASS
8 Parkinson Lane
Kardinya, WA 6163
AUSTRALIA
Phone: (++61)(09) 314 6868
Fax: (++61)(09) 314 1386
E-Mail: rdeint@yarrow.wt.com.au

09/95-2 @ Copyright HIGLASS 1995
 


Regards,
Harald.

-- 
Harald Reiss, Rexort International Pty Ltd   --  HiGlass
Perth, Western Australia                       rdeint@yarrow.wt.com.au

From owner-glass Mon Oct  2 18:22:09 1995
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X-Path: gjr
From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Lamp Bases
Date: Mon, 2 Oct 1995 18:20:17 PDT
Message-ID: <m0szw1x-0000gQC@daver.bungi.com>
Reply-To: glass@bungi.com
Precedence: bulk

[In the message entitled "Re: Lamp Bases" on Oct  2, 15:50, Elaine Lea Rubin writes:]
> 
> hi glenna, howard here....let me know what kind, quality, and volume
> you are looking for. I have many sources for good bronze ones as well
> as th eusual pot metal (zinc) ones.

Well actually I wanted something quite heavy and unusual.  I want
to tie in our contemporary furniture.  Only one for now.


-- 

From owner-glass Mon Oct  2 22:41:59 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Lamp Bases
Date: Mon, 2 Oct 1995 22:38:19 -0700
Message-ID: <199510030538.AA05891@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
Precedence: bulk



so far so good...I have a lot of bases, both old and new ....describe
or reference to any style and a possuible catalog or available picture..
Howard

--





From owner-glass Tue Oct  3 08:07:12 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Lamp Bases
Date: Tue, 3 Oct 1995 08:04:28 PDT
Message-ID: <m0t08tT-0000l8C@daver.bungi.com>
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[In the message entitled "Re: Lamp Bases" on Oct  2, 22:38, Elaine Lea Rubin writes:]
> 
> so far so good...I have a lot of bases, both old and new ....describe
> or reference to any style and a possuible catalog or available picture..

Well I really like a base I found in "Stained Glass" by Kay Weiner.
I don't know if you have this book or not,..it's on page 72.
I like bases that are somewhat different than the usual.  I plan
on starting another lamp in a few weeks.  It's not a huge rush, I
just thought I'd start looking now though.

Also wondering if you get the free magazine (avail. from retail
distributors) - "Stained Glass News" ?  I got a copy from Delphi
on my last order and I really enjoyed it.  I haven't found it
through the retail shops though.  I'd love to get it regularly.

Glenna

-- 

From owner-glass Tue Oct  3 08:42:21 1995
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X-Path: HOPE.CIT.HOPE.EDU!MULLER%ADMIN
From: MULLER%ADMIN@HOPE.CIT.HOPE.EDU
To: glass@bungi.com
Subject: Stained Glass News
Date: Tue, 03 Oct 1995 11:40:09 -0500 (EST)
Message-ID: <1995Oct3.6409.0>
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Glenna,

I live in Holland about 30 miles from Grand Rapids, MI, where Stained
Glass News is published.  It is only available through your retail store.
Your retail store needs to contact them in order to start having
it available on a regular basis.  It is a great newsletter.

I also am interested in unusual lamp bases.  I haven't made a lamp
yet, but would like to, so I'm listening to your conversation
with Howard.

Barb Muller
e-mail: muller@hope.edu

From owner-glass Tue Oct  3 09:24:19 1995
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From: Ellen Garber <elgarber@ukanaix.cc.ukans.edu>
To: glass@bungi.com
Subject: subscribe
Date: Tue, 3 Oct 1995 11:22:21 -0500 (CDT)
Message-ID: <Pine.A32.3.91.951003112152.24364C-100000@ukanaix.cc.ukans.edu>
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Please subscribe Shanna@databank.com

From owner-glass Tue Oct  3 13:14:46 1995
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From: Ellen Garber <elgarber@ukanaix.cc.ukans.edu>
To: glass@bungi.com
Subject: Re: Stained Glass News
Date: Tue, 3 Oct 1995 15:13:21 -0500 (CDT)
Message-ID: <Pine.A32.3.91.951003151214.27408A-100000@ukanaix.cc.ukans.edu>
References: <<1995Oct3.6409.0>>
Reply-To: glass@bungi.com
Precedence: bulk

How often does the Stained Glass News come out?  I don't have regular 
access to it, only occasionally.  Is it a monthly publication?On Tue, 3 Oct 
1995, it was written:

> Glenna,
> 
> I live in Holland about 30 miles from Grand Rapids, MI, where Stained
> Glass News is published.  It is only available through your retail store.
> Your retail store needs to contact them in order to start having
> it available on a regular basis.  It is a great newsletter.
> 
> I also am interested in unusual lamp bases.  I haven't made a lamp
> yet, but would like to, so I'm listening to your conversation
> with Howard.
> 
> Barb Muller
> e-mail: muller@hope.edu
> 

From owner-glass Tue Oct  3 15:08:27 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: Stained Glass News
Date: Tue, 03 Oct 1995 18:02:11 EDT
Message-ID: <013.02304104.MPGP79B@prodigy.com>
Reply-To: glass@bungi.com
Precedence: bulk

> How often does the Stained Glass News come out? 

According to the fine print on the back of the latest issue, it's
published 4 times a year:  February, April, September, and November,
usually arriving the first of the month.  One retail store owner tells
me that the stores pay to receive a case of newsletters, which they
distribute for free with purchases.  The theory is that you will find
irresistible supplies/projects described in the newsletter and return
to the store to purchase same, thus increasing business.  

Back issues can be purchased from the publisher (Scott Haebich) until
the supply runs out, but his purpose is to encourage retail buying, so
he has declined all suggestions to put the newletter on an individual
subscription basis.  (Note that he owns a retail store in Grand Rapids,
which several people have said is well worth a visit.)  Hope this
helps!     Peggy


From owner-glass Tue Oct  3 17:21:51 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Stained Glass News
Date: Tue, 3 Oct 1995 17:18:29 PDT
Message-ID: <m0t0HXb-0000sCC@daver.bungi.com>
Reply-To: glass@bungi.com
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[In the message entitled "Stained Glass News" on Oct  3, 11:40, MULLER%ADMIN@HOPE.CIT.HOPE.EDU writes:]

> I live in Holland about 30 miles from Grand Rapids, MI, where Stained
> Glass News is published.  It is only available through your retail store.
> Your retail store needs to contact them in order to start having
> it available on a regular basis.  It is a great newsletter.

Hi Barb;

Do you know if there is a charge to the retail store?


-- 

From owner-glass Tue Oct  3 20:07:12 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Lamp Bases
Date: Tue, 3 Oct 1995 20:02:17 -0700
Message-ID: <199510040302.AA06664@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
Precedence: bulk



Hi Glenna, I do not have that book, but if you want to get into it
deeper, send me a photo-copy, (ask for address) and I will try to
pin it down for you. There are general rules(mine) for the proportions
for height and diameter to the height of a base that to me, looks
good. It usually a good idea to have either the base or shade dimensions
to be able to see what can be done...Howard

--





From owner-glass Tue Oct  3 20:17:45 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: New Product: Coloured Art Glass fusable to Float Glass
Date: Tue, 3 Oct 1995 20:13:06 -0700
Message-ID: <199510040313.AA09510@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
Precedence: bulk



This is Howard...I am almost exclusively a lamp shade maker (Tiffany)
and to date have built 1,025 shades. I use (of course) opals, rather
than cathedral type glass. What I am looking for are JEWELS for the
5 basic dragonfly lamps. I generally get them from CAG, and have 10+
old cases of Bullseye ones. I wonder if you can do any, and would like to find out about color phasing or swirls in them? I also have been known to
trade for my work as well as buy and sell. I have been doing them for
15+ years and feel i am a professional. 
If you have any interest let me know, by the way, fusing compatible
or tested is not a concern for me.
Enjoy...it is only glass

--





From owner-glass Tue Oct  3 20:53:52 1995
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From: vlawson@nwlink.com (Victoria Lawson)
To: glass@bungi.com
Subject: Re: New Product: Coloured Art Glass fusable to Float Glass
Date: Tue, 03 Oct 1995 20:49:24 -0700
Message-ID: <199510040342.UAA02891@washington.nwlink.com>
Reply-To: glass@bungi.com
Precedence: bulk

unsubscribe Victoria Lawson

(sorry,,, the volume of e-mail I receive has gone crazy... I need to winnow
where i can... but I plan to keep up with the newsgroup)

thanks... Vicki Lawson
----------------------------------------------
...you've got crayon teeth, crayon teeth,
rainbows in your molars...  Largesse Duckworth
----------------------------------------------


From owner-glass Wed Oct  4 12:54:07 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Name That Lamp
Date: Wed, 04 Oct 1995 15:42:27 EDT
Message-ID: <013.02359554.MPGP79B@prodigy.com>
Reply-To: glass@bungi.com
Precedence: bulk

I was approached today with a question about repairing an old lampshade
but I don't have a clue.  I thought perhaps someone could point me in
the right direction?  The situation is this:

The lamp is at least 60 years old, a small 6-sided shade, about 6-7
inches tall per side with a nonvented 2.5-3 inch cap.  The sides are
solid glass (looks somewhat like Spectrum white/amber opal to me). 
They rest in a metal framework (definitely NOT lead came) and are held
in place by metal clips at the top and bottom of each side but are not
fastened in any other way.  The metal frame has some small areas of
scroll work that seem to have been molded into the metal.  It is very
brittle stuff that looks like a silvery base metal.  The entire frame
is painted white, although the inside of the cap looks like brass.

The metal frame has cracked through near the clip that holds the bottom
of one side.  Another clip is missing and the glass is held in with
masking tape  :) .  The whole thing gave me the impression of an old-
fashioned do-it-yourself kit.  The lamp is the property of the mother
of the man who brought it to me, and has much sentimental value for
her.  I hesitate to make matters worse in ignorance and have told him
so, but said I would try to scout out some ideas from others who might
know more.  Does anyone recognize this type of lamp or have suggestions
for stabilizing it?  

Thanks in advance!    Peggy


From owner-glass Wed Oct  4 22:36:02 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Name That Lamp
Date: Wed, 4 Oct 1995 22:32:04 -0700
Message-ID: <199510050532.AA09389@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
Precedence: bulk



Guess who,,,The glass if the lamp is that old is NOT spectrum. If I were
to guess...Kokomo.Carefully scratch the metal where it will not show,
see if solder will stick to it...turn iron down as low as possible
and still ahve it melt solder. If the metal does not take solder, 
it is possible ton bridge the gap (crack) with foil and solder to that.
If the metal is solderable, solder any stiff type of sheet metal,
brass, or copper to the seam of the shade, insert the glass and bend the
metal tab you have created over on it. The main concern is if the cage
(metal)n is lead or pewter, is not to melt it. You may have to use
a strong flux to break through years of dirt. It also will help to
scratch the metal shiny before attempting to get solder to stick to it.
enjoy...ask for more help if you need it....Howard

--





From owner-glass Fri Oct  6 07:36:15 1995
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From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
Subject: Glass Guilds
Date: Fri, 6 Oct 1995 10:31:12 -0400
Message-ID: <199510061431.KAA25782@vixa.voyager.net>
Reply-To: glass@bungi.com
Precedence: bulk

I wondering if anybody belongs to a glass guild.  If so, can you share more
about it.

Sometimes my creativity gets a little stagnant, so I joined several guilds
(The Brewster Society, Assoc of Stained Glass Lamp Artists, the Michigan
Glass Guild).  How enlightening and exciting!  Sharing ideas, discussing
problems, learning new techniques -- it can be so much fun.  There are so
many interesting and creative people to meet!  The potential of creative
growth is so exciting!

Because of my experiences, I have started a column at my web-site which
pertains to broadening your stained glass horizons, which contains
information glass guilds, societies, associations.

Any help with this is greatly appreciated.  :)

Stephanie


 ______________________________________________________________________________
|                                                                              |
|  Stephanie Braman        |    E-mail :  delphigl@vixa.voyager.net            |
|  DELPHI STAINED GLASS    |    WWW    :  http://www.voyager.net/delphiglass   |
|  2116 E. Michigan Ave.   |    Voice  :  1-800-248-2048 (USA, Canada)         |
|  Lansing, MI  48912      |              1-517-482-2617 (International)       |
|  U.S.A.                  |    FAX    :  1-800-748-0374 (USA, Canada)         |
|                          |              1-517-482-4028 (International)       |
|______________________________________________________________________________|


From owner-glass Fri Oct  6 07:49:24 1995
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X-Path: gjr
From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Glass Guilds
Date: Fri, 6 Oct 1995 07:48:17 PDT
Message-ID: <m0t1E4R-0000u6C@daver.bungi.com>
Reply-To: glass@bungi.com
Precedence: bulk

[In the message entitled "Glass Guilds" on Oct  6, 10:31, Delphi Stained Glass writes:]
> 
> Sometimes my creativity gets a little stagnant, so I joined several guilds
> (The Brewster Society, Assoc of Stained Glass Lamp Artists, the Michigan
> Glass Guild).  How enlightening and exciting!  Sharing ideas, discussing
> problems, learning new techniques -- it can be so much fun.  There are so
> many interesting and creative people to meet!  The potential of creative
> growth is so exciting!


Hi Stephanie

I don't belong to a glass guild but I do agree with you about learning
new techniques.  There's always someone out there that discovers
another way to do something.  I think I'll check out your www site
to see if there are any guild close by.


Glenna

-- 

From owner-glass Fri Oct  6 22:26:25 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Glass Guilds
Date: Fri, 6 Oct 1995 22:22:22 -0700
Message-ID: <199510070522.AA25812@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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to Stephanie...this is Howard..I specialize in all types of lamps,
with the odyssey being my main stay for sales. I teach classes in
lamp making as well. I am the major source of knowledge for this
area, rural oregon central coast. I am developing an answer list
and order of lamp making (faq) using worden, odyssey, and simple
panel lamps. The instructions are for ease, production, accurate,
efficient, and quality workmanship. ALL instructions are and have been
tested by me and my students. I can and do generally answer most
questions asked of me on by the list. I have 16 years experience,
and some credentials within the trade. I would be interested in
learning more about the guild(s) and what they are supposed to do.
enjoy...Howard

--





From owner-glass Sun Oct  8 09:34:26 1995
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From: SGNinfo@aol.com
To: glass@bungi.com
Subject: subscribe
Date: Sun, 8 Oct 1995 12:27:25 -0400
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Subscribe, please. Or rather, re-subscribe, as I've apparently been
disconnected from the mailing list.

From owner-glass Sun Oct  8 11:56:31 1995
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From: "Lisa Anne Rosochacki" <rosochac@pilot.msu.edu>
To: glass@bungi.com
Subject: Stained Glass News
Date: Sun, 8 Oct 1995 14:53:24 -0400 (EDT)
Message-ID: <199510081853.OAA108422@pilot06.cl.msu.edu>
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Hi

I saw that there were a few posts about Stained Glass News and I thought that
since I work for the publisher I could maybe answer some of the questions.
Yes the stores purchase the papers adn provide them to their customers for
free.  The paper comes out 4 times a year and on the back page in "The Fine
Print" section there is a listing of all the back issues that we still have and
you can send away for.
If your store doesn't carry the paper have them call the offices at
616/940-2999.

I hope that that kind of answers a few of the questions.

TTYL
 Lisa


From owner-glass Mon Oct  9 08:24:27 1995
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X-Path: gjr
From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Cleaning Old Glass
Date: Mon, 9 Oct 1995 08:22:10 PDT
Message-ID: <m0t2K1t-0000qGC@daver.bungi.com>
Reply-To: glass@bungi.com
Precedence: bulk

Hi everyone, Glenna here,..just wondering if anyone knew the best
way to clean old glass. 
This weekend a friend gave me 2 boxes of old glass (he thinks dating
back to the 20's)  It was stored in a garage for years and was
extremely dirty.  I have washed everything in a water and dishsoap
solution.  Some of the film (especially on the hammered finish)
didn't come off.  Any suggestions?

Also noticed that some pieces had caulking around them.  Was there
a specific time period that dates back to the use of caulking?

I must say the scraps are beautiful!  I thought perhaps now would
be a good time to use these up and make a form lampshade.

There was also a leaded panel that was broken into about 15 sections.
I was going to try to assemble and redo the piece.  But it is
kinda confusing to piece together.  Any suggestions?

Thanks.

-- 

From owner-glass Mon Oct  9 10:50:16 1995
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From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
Subject: Re: Glass Guilds
Date: Mon, 9 Oct 1995 13:45:58 -0400
Message-ID: <199510091745.NAA22077@vixa.voyager.net>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Howard,

>to Stephanie...this is Howard..I specialize in all types of lamps,
>with the odyssey being my main stay for sales. I teach classes in
>lamp making as well. I am the major source of knowledge for this
>area, rural oregon central coast. I am developing an answer list
>and order of lamp making (faq) using worden, odyssey, and simple
>panel lamps. The instructions are for ease, production, accurate,
>efficient, and quality workmanship. ALL instructions are and have been
>tested by me and my students. I can and do generally answer most
>questions asked of me on by the list.

Please let send a copy of your faq when it's ready.

> I would be interested in
>learning more about the guild(s) and what they are supposed to do.

I think the guild you may be most interested in is the Association of
Stained Glass Lamp Artists (AGSLA).  The president of this organization is
Carol Conti who has been making and teaching for 19 years.  I am sure you
have seen their big project, the "Lamps for All Seasons" calendars, which is
great exposure for their members.  They had an exhibition at the '95 trade
show in Seattle, which I have heard was very impressive and drew quite a
crowd!  Their newsletters contain many helpful tips and ideas that their
members share. From just 1 tip (photographing lamps), I was able to recoop
my cost of membership, which BTW is very affordable at only $10.  I suggest
you give them a try.  You can contact them at:  Association of Stained Glass
Lamp Artists, 5070 Cromwell Dr., NW - Dept W, Gig Harbor, WA  98335.

If I can be of further assistance, let me know.

Stephanie   


 ______________________________________________________________________________
|                                                                              |
|  Stephanie Braman        |    E-mail :  delphigl@vixa.voyager.net            |
|  DELPHI STAINED GLASS    |    WWW    :  http://www.voyager.net/delphiglass   |
|  2116 E. Michigan Ave.   |    Voice  :  1-800-248-2048 (USA, Canada)         |
|  Lansing, MI  48912      |              1-517-482-2617 (International)       |
|  U.S.A.                  |    FAX    :  1-800-748-0374 (USA, Canada)         |
|                          |              1-517-482-4028 (International)       |
|______________________________________________________________________________|


From owner-glass Mon Oct  9 10:59:19 1995
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From:         HCLADM02@UConnVM.UConn.Edu
To:           glass@bungi.com
Subject:      Re: Cleaning Old Glass
Date:         Mon, 09 Oct 95 13:56:31 EDT
Message-ID:   <951009.135811.EDT.HCLADM02@UConnVM.UConn.Edu>
References: <<m0t2K1t-0000qGC@daver.bungi.com>>
Reply-To: glass@bungi.com
Precedence: bulk

My favorite for cleaning all kinds of crud off glass is - no kidding -
rubbing alcohol!  So, Glenna, maybe it will help.  Anyway, I envy you.
(Maybe you know someone who loves jigsaw puzzles!)

--
Dorothy Kalahan, Interlibrary Loan  (860) 679-2940  FAX (860) 679-4046
UCONN Health Center Library, POB 4003, Farmington CT 06034-4003
HCLADM02@UConnVM.uconn.edu

From owner-glass Mon Oct  9 11:20:28 1995
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X-Path: gjr
From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Cleaning Old Glass
Date: Mon, 9 Oct 1995 11:19:21 PDT
Message-ID: <m0t2MnL-0000NhC@daver.bungi.com>
Reply-To: glass@bungi.com
Precedence: bulk

[In the message entitled "Re: Cleaning Old Glass" on Oct  9, 13:56, HCLADM02@UConnVM.UConn.Edu writes:]
> My favorite for cleaning all kinds of crud off glass is - no kidding -
> rubbing alcohol!  So, Glenna, maybe it will help.  Anyway, I envy you.
> (Maybe you know someone who loves jigsaw puzzles!)


I was just trying to piece everything together on my light box....it's
certainly Is like a puzzle.  I think I can salvage it though.  Some
pieces are broken but I think I can just reduce the size and make
something out of it.  It definately feels like there's alot of history
behind it...the fellow who gave it to me used to own some wineries...perhaps
it was used in there??.....

Glenna


-- 

From owner-glass Mon Oct  9 12:19:57 1995
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From: aitjcm@utica.ge.com
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Subject: Gatewayed mail message
Date: Mon, 9 Oct 95 15:18:14 EDT
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Subscribe "John McCoy"

From owner-glass Mon Oct  9 22:05:48 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Glass Guilds
Date: Mon, 9 Oct 1995 19:56:01 -0700
Message-ID: <199510100256.AA27534@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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Hi Stephanie, thanks for Carol info. I know her and the group from 
a long time ago. About 6 years past, Paul Crist did a guest appearance
in Gig Harbor, and I met him in Portland and we drove up together.
I am sporadically in touch with the lamp association.
WhenI get it sendable, I will send you a look at my faq for lamps.
enjoy

--





From owner-glass Wed Oct 11 19:11:40 1995
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From: cooperd@camadm.Camosun.BC.CA
To: "GLASS@BUNGI.COM" <GLASS@BUNGI.COM>
Subject: LAMP DIRECTIONS
Date: Wed, 11 Oct 1995 19:06:44 -0800 (PST)
Message-ID: <1995Oct11.11644.0>
Reply-To: glass@bungi.com
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Hi, Howard, hope you had a great summer, I have been keeping up with 
reading all of the questions and info from everyone, I now have a question
for you, I know you have given these directions before but I have lost my 
copy of them.  Ok, I am making a traditional cone lamp for a wedding present.
It has 12 sides and a small skirt on the bottom so it looks quite simple, I
have made a gig and cut my 12 sides out, of course no matter how exact you
draw the pattern on the glass most of them need grinding to fit in the jig,
the next step is to add the skirt in the jig and solder each panel, then you
would lay the pieces face side up in a semi-circle and attach masking tape,
then carefully raise up into a cone shape and bring the two sides together,
then flux and solder. Are these directions the best for making this kind of
lamp? what about the spider and cap do I use both?  thanks for your help 
Donna!!!

      

From owner-glass Thu Oct 12 07:32:05 1995
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From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@BUNGI.COM
Subject: Re: LAMP DIRECTIONS
Date: Thu, 12 Oct 1995 10:27:44 -0400
Message-ID: <199510121427.KAA07370@vixa.voyager.net>
Reply-To: glass@bungi.com
Precedence: bulk

Donna,

There is a new product out on the market "The Lamp Clamp" which is a system
of clamps that will hold all of your panels together instead of taping and
gently pulling lampshade up into its shape.  All parts of your panel
including the skirt and/or crown are clamped together and ready to solder.

Stephanie


From owner-glass Thu Oct 12 08:48:49 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: LAMP DIRECTIONS
Date: Thu, 12 Oct 1995 08:44:38 -0700
Message-ID: <199510121544.AA19893@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
Precedence: bulk



Hello, donna...If the skirt is in another plane, that is it drops off
down from the upper section,YOU MUST assemble it in two separate steps
FIRST after the panel are ready( upper section), tape them on the up
side, pull lamp up to a cone, solder the inside verticle seams, rtaking
care not to get solder on the horizontal edge where the skirt goes.
Install cap or spider, making sure it is level, You do not need both.
measure carefully the lower edge, cut a few test pieces for the lower
edge, tape two or three together (use window glass to get size correct),
and see how they fit. The seams of tyhe skirt should line up with seams
of the verticle panels. 12 panels x a hair = a large gap or a piece that
will not line up, so MEASURE and TEST with window glass, or some scrap
that is wastable. 
When you a fit (glass that is) tack a three pieces of the skirt at one
time. Tape a strip of three together  and put on. Continue until all
are in place. If it starts to miss the verticles, by doing only 3, you
can still adjust the next one (s).
I will be gone until Sun PM so if any problems...later.Enjoy..Howard

--





From owner-glass Thu Oct 12 12:20:11 1995
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From: MelCford@aol.com
To: glass@bungi.com
Subject: Stained glass news
Date: Thu, 12 Oct 1995 15:17:20 -0400
Message-ID: <1995Oct12.111720.0>
Reply-To: glass@bungi.com
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To Whom It May Concern:

Recently, I inquired of Stained Glass News if there was an area of the "net"
which dealt with glass.  In their response, they gave me your e-mail address.
 If you have any info. about mailing lists, message boards, chat rooms or
whatever, I would be greatful if you could e-mail me at MelCford@aol.com.
 Thanks.

Sincerely,

Melody L. Crawford

From owner-glass Thu Oct 12 15:32:59 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: Stained glass news
Date: Thu, 12 Oct 1995 17:55:07 EDT
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Reply-To: glass@bungi.com
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>  If you have any info. about mailing lists, message boards, chat
rooms or
> whatever,

Melody, if you are on AOL, they have a stained glass bb in the crafts
section.  It isn't the easiest to find, and I no longer subscribe to
AOL, so this is my best shot at remembering the routine.  I believe you
have to start with something called The Connection or the People
Connection.  Once in that area, there are little icons for hobbies and
interests.  The one which includes stained glass is the one that also
includes sewing.  If you click on that one, a list will appear, which
should include stained glass.  Within that section are folders for
different topics, such as lamps, supplies, hot glass, etc.  

Another possibility is rec.crafts.glass newsgroup on the internet.  AOL
should be able to provide access.  Get to the Internet section, click
on "newgroups".  Somewhere in there is a way of searching for a
specific group.  Type in "rec.crafts.glass" and see if they can find it
for you.

Finally, if you get into the WWW, try the Web Crawler to search for
"glass".  Most sites are either "brag pages"  which show photos of
projects, or else sales sites for supplies or pieces of glass art.  If
you can't find what you want, write back.  I'll be glad to share some
URLs I've found.   Good luck!  Peggy


From owner-glass Fri Oct 13 07:42:55 1995
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X-Path: gjr
From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Lead Came
Date: Fri, 13 Oct 1995 07:39:33 PDT
Message-ID: <m0t3lGo-0000SCC@daver.bungi.com>
Reply-To: glass@bungi.com
Precedence: bulk

Hi Everyone,

Just wondering about working with lead came...since I have only used
lead on the outside of a small piece before.  When I put it on the
outside (frame) I stretched the came till stiff.  Do I still
do the same for the interior?
I recently got a lead came panel that was in pieces that I've
taken apart to redo (some was broken, etc.)
So far I have only worked mostly with copperfoil.  Any hints or
other suggestions are greatly appreciated.

Thanks

Glenna

-- 

From owner-glass Fri Oct 13 08:24:59 1995
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X-Path: crosfield.co.uk!jc
From: jc@crosfield.co.uk (Jerry Cullingford)
To: glass@bungi.com
Subject: Re: Lead Came
Date: Fri, 13 Oct 1995 15:26:10 +0000 (GMT)
Message-ID: <9510131526.AA28580@crosfield.co.uk>
References: <<m0t3lGo-0000SCC@daver.bungi.com>>
Reply-To: glass@bungi.com
Precedence: bulk

> 
> Hi Everyone,
> 
> Just wondering about working with lead came...since I have only used
> lead on the outside of a small piece before.  When I put it on the
> outside (frame) I stretched the came till stiff.  Do I still
> do the same for the interior?

Yes - the other thing that stretching the came does is (a) straighten it
out nicely and (b) makes it go a bit further :-). It probably makes it a bit
easier to cut, too :-).

> I recently got a lead came panel that was in pieces that I've
> taken apart to redo (some was broken, etc.)
> So far I have only worked mostly with copperfoil.  Any hints or
> other suggestions are greatly appreciated.

Usual standard tips (from a relative newbie - I've done one panel in lead came
to go in an over-door window light, so these are mainly from books/videos
rather than personal experience).

(1) remember to allow for the width of the came center when cutting glass - 
a small section of came can be handy to check this.

(2) for panels, remember to allow for the came round the outside as well!

(3) Using H section for the outside allows you to fold the edges down to
reduce the size if the finished panel comes out a bit oversize. (Which
was very handy for mine!)

(4) remember that large panels may need reinforcing

(5) keep the knife sharp :-).

(6) White spirit can be used to thin the cement

(7) The cement/whiting stages are messy, so doing them outside can be
a smart move (but probably not near fishponds).

(8) The cementing also helps to strengthen the piece, even if it's for
use inside where waterproofing doesn't matter.

(9) It helps if you use a reasonably sturdy jig - pushing glass into the
came can cause problems with the pushpin-section variety if you're not
careful (my first trail, a small (roughly 4x6 inch) diamond lattice, suffered
from this; the main panel (roughly 36 x 9 inch) had no problems, probably due
to larger pieces and more securing pins :-) ).

(10) Lead is toxic. Avoid eating while working, and remember that scrubbing
the finished panel with whiting may create lead particles - be sensible,
take care, and wash your hands afterwards.
-- 
   _|_
  / |    Jerry Cullingford      jc@crosfield.co.uk      (Work)
  \_|_                          jc@selune.demon.co.uk   (Home)
\__/    Hemel Hempstead, UK     jerry@shell.portal.com  (alternate)

From owner-glass Fri Oct 13 08:25:02 1995
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From: "Laurel B. Hall" <lbl@galen.med.virginia.edu>
To: glass@bungi.com
Subject: Re: Lead Came
Date: Fri, 13 Oct 1995 11:23:20 -0400 (EDT)
Message-ID: <199510131523.LAA18140@galen.med.Virginia.EDU>
References: <<m0t3lGo-0000SCC@daver.bungi.com>>
Reply-To: glass@bungi.com
Precedence: bulk


Hi, Glenna.  I'm far from an expert, but yes, you do always
need to stretch the lead came, no matter where it will be used
in the piece.  Laurie in Virginia, where it is beautiful today!
According to Glenna Rand:
> 
> Hi Everyone,
> 
> Just wondering about working with lead came...since I have only used
> lead on the outside of a small piece before.  When I put it on the
> outside (frame) I stretched the came till stiff.  Do I still
> do the same for the interior?
> I recently got a lead came panel that was in pieces that I've
> taken apart to redo (some was broken, etc.)
> So far I have only worked mostly with copperfoil.  Any hints or
> other suggestions are greatly appreciated.
> 
> Thanks
> 
> Glenna
> 
> -- 
> 


From owner-glass Fri Oct 13 08:58:04 1995
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From: Marilyn Kaminski <marilyn@snowfall.colorado.edu>
To: glass@bungi.com
Subject: Glass inventories
Date: Fri, 13 Oct 95 9:55:29 MDT
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A question for the pros in the list ...

I've just gone from glass hobbyist to glass businessperson,
and am wondering how best to inventory and value the glass
that I've already got.  What's the best way to measure?  Square
footage or weight?  (And if weight, what kind of scale to use?)
What do you do about all the small stuff (still usable, not 
quite scrap, but hard to measure)?  What are the gotchas that
are lying in wait for me?

All advice greatly appreciated!

- Marilyn
--
___________________________________________________________
            
                /\      Marilyn Kaminski
       /\    /\/  \     ECS System Engineering Liaison
  /\  /  \/\/  \ @ /\   National Snow and Ice Data Center
 /  \/   /  \   \|/  \  phone: (303)-492-1477
/  @ \  /  @ \   \   @\ fax:   (303)-492-2468
  \|/  /  \|/     \ \|/ email:  marilyn@snowfall.colorado.edu

From owner-glass Fri Oct 13 09:36:04 1995
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From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
Subject: Re: Lead Came
Date: Fri, 13 Oct 1995 12:32:22 -0400
Message-ID: <199510131632.MAA02364@vixa.voyager.net>
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Hi Glenna,
>
>Just wondering about working with lead came...since I have only used
>lead on the outside of a small piece before.  When I put it on the
>outside (frame) I stretched the came till stiff.  Do I still
>do the same for the interior?

Stretching all the lead came you use in a lead panel is essential!  It not
only straightens the lead, it strengthens it.

I also agree with using H-channel lead on the outside of the piece.  If
folding the edges down doesn't work well when fitting your panel into an
opening, you can use a utility knife to trim the channel.

Safety is always important to keep in mind.  You shouldn't eat, drink, or
smoke when you are working with lead.  Lead can also be absorbed into the
body through cuts and abrasions, so keep lots of bandaids handy.  When you
are cementing your piece, remember to wear a respirator over your nose and
mouth so you don't breath in the whiting or floating lead particles.  The
same goes for wearing eye protection.

I do remember a tip that I read in the Stained Glass News last year that
pertains to cementing.  If your piece is small enough, when you are ready to
use whiting, slide your piece into a large clear bag and just use one hand
(inside of the bag) to spread it around.  This will help contain the mess
and make it easier to clean up.  It can be a really messy job!

Hope this is helpful.

Stephanie


From owner-glass Fri Oct 13 10:04:30 1995
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From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@bungi.com
Subject: Re: Glass inventories
Date: Fri, 13 Oct 1995 13:00:51 -0400
Message-ID: <199510131700.NAA10844@vixa.voyager.net>
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Hi Marilyn,

>I've just gone from glass hobbyist to glass businessperson,
>and am wondering how best to inventory and value the glass
>that I've already got.  What's the best way to measure?  Square
>footage or weight?  (And if weight, what kind of scale to use?)
>What do you do about all the small stuff (still usable, not 
>quite scrap, but hard to measure)?  What are the gotchas that
>are lying in wait for me?

Here at Delphi Stained Glass, we inventory glass both by square foot and by
pounds.  It just depends on how the manufacturer sells it.  Most glasses are
measured by the square foot with the exception of Bullseye and Chicago Art
Glass which both go by weight.  Both Bullseye and Chicago can vary from .9 -
1.2 pounds per square foot.  When it comes to glasses containing gold-pink,
this can mean a major difference in price!  When we are weighing, we use an
electronic scale.

Pricing the glass can be more difficult.  To make a profit you will first
have to determine your cost for the glass including shipping and handling
along with the costs to operate your business and add a little so you can
make a profit.  This factor varies from business to business, so I would
suggest that you pick up a copy of "This Business of Glass" by Loretta
Radeschi.  It's full of lots of valuable information.

For the small pieces (under half a square foot), we consider this scrap and
have set up a "scrap bin" that our store customers can walk in and purchase
from.  We sell this by the pound.  Most glasses (except Bullseye and Chicago
Art Glass), weigh approx 1.6 pounds per square foot.

If I can be of further assistance, let me know :)

Stephanie


From owner-glass Mon Oct 16 13:29:13 1995
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From: cooperd@camadm.Camosun.BC.CA
To: "GLASS@BUNGI.COM" <GLASS@BUNGI.COM>
Subject: LAMP DIRECTIONS
Date: Mon, 16 Oct 1995 13:25:20 -0800 (PST)
Message-ID: <1995Oct16.52520.0>
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Thanks for your help Howard, I'll let you know how it turns out. Donna
                                  
                                            
                                   
                   


From owner-glass Mon Oct 16 14:11:06 1995
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From: cooperd@camadm.Camosun.BC.CA
To: "GLASS@BUNGI.COM" <GLASS@BUNGI.COM>
Subject: LAMP CLAMP
Date: Mon, 16 Oct 1995 13:40:03 -0800 (PST)
Message-ID: <1995Oct16.5403.0>
Reply-To: glass@bungi.com
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The LAMP CLAMP sounds like a very interesting tool for lamp making, I've 
never heard of it, I will ask when I go to my glass shop here in town. 
Can you tell me the price for this contraption. Thanks Donna!!!

From owner-glass Tue Oct 17 12:51:58 1995
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From: delphigl@voyager.net (Delphi Stained Glass)
To: glass@BUNGI.COM
Subject: Re: LAMP CLAMP
Date: Tue, 17 Oct 1995 15:47:51 -0400
Message-ID: <199510171947.PAA14553@vixa.voyager.net>
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Hi,

>The LAMP CLAMP sounds like a very interesting tool for lamp making, I've 
>never heard of it, I will ask when I go to my glass shop here in town. 
>Can you tell me the price for this contraption. Thanks Donna!!!

The Lamp Clamp comes with 16 alighment guides, 32 clips, allen wrench, "The
Angler" index of angle settings for 408 complete lamps shades and
instructions. The price for is is $51.35.


From owner-glass Sat Oct 21 16:39:39 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Soldering irons
Date: Sat, 21 Oct 1995 19:30:43 EDT
Message-ID: <013.03329162.MPGP79B@prodigy.com>
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Hi everyone

It's windy and rainy and my lamp glass is on back-order, so I've been
amusing myself with making a suncatcher (first one I've tried!).  You
would think that this wouldn't be too hard, but I find that my
soldering iron is giving me fits.  I have 2 of them: the econo student
special from my basics class, and an Inland Insta-heat.  The economy
model has developed any un-nerving habit of loosening its tip so it
slides forward during soldering.  The little screw in the side clearly
isn't working well anymore.  The Insta-heat is supposed to hold a
steady temperature of 850* but I do have it on a rheostat.  I was
trying out some Silvergleem solder with this suncatcher and had a
terrible time getting the stuff to flow.  It did much better when I
used the old econo iron, so I suspect the other iron may be cooling too
much.

At any rate, I believe I see a new soldering iron in my immediate
future.  It seems as though Weller and Ungar are the major contenders. 
What do you all use, and why do you like it?  Is there some advantage
of one brand over another?  I do virtually only copperfoil and I don't
want to regret my next purchase, if possible. :-) 

Thanks for any words of wisdom...          Peggy


From owner-glass Sat Oct 21 18:08:09 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Soldering irons
Date: Sat, 21 Oct 1995 17:16:28 -0700
Message-ID: <199510220016.AA10165@ednet1.osl.or.gov>
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Howard here IMHO I only use and sell Ungar 1,000 degree irons.
The kit is #1140 and you MUST use a rheostat to be able to turn the
iron down when idling.  The extra heat allows you to melt solder
rapidly, and the rheostat allows you to turn up the heat as you get
better and faster. 
Peggy, another thought is what flux are you and have you been using?

As an aside, I am making the 28" swirl dragon fly from Odyssey.
Lots of challenges to get the colors phased and the swirls to
track and flow cleanly. Many jewels (88) and mixed colors of them
to tie it all together or to confuse the eye so as not to see
transitions of colors. ANGRY red d/fs. 
Back to the light table, as the shade is being assembled there before
transfering to the form...many hours to go.
enjoy

--





From owner-glass Sun Oct 22 16:08:15 1995
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From: wayne chase <chaseway@nbnet.nb.ca>
To: glass@bungi.com
Subject: Re: Soldering irons
Summary: NB*net - New Brunswick's Regional Network 1-800-561-4459
Date: Sun, 22 Oct 1995 20:04:31 AST
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On Sat, 21 Oct 1995 17:16:28 -0700,  erubin@ednet1.osl.or.gov writes:

>As an aside, I am making the 28" swirl dragon fly from Odyssey.
>Lots of challenges to get the colors phased and the swirls to
>track and flow cleanly. Many jewels (88) and mixed colors of them
>to tie it all together or to confuse the eye so as not to see
>transitions of colors. ANGRY red d/fs. 
>Back to the light table, as the shade is being assembled there before
>transfering to the form...many hours to go.

Hi Howard,

     Wayne here.....Just doing a little lurking, and after a leisurely fall
season,I  am gettin back into the swing of things.  The above piece sounds
absolutely amazing.

     I am sending you and Elaine out a snail mail letter this week.  Will be
interested in seeing how long a letter takes to go to the west coast of the
U.S.A.  I bet it is faster than one going to the west coast of Canada.  Just
for the heck of it would you mind checking the postmark date when you get it
and let me know how long it takes?

     Will not ramble on with mindless babble at this time, ;-/  as I will
update summer and fall activities in letter.

     Hi to Elaine, and talk to you soon. (Also Hi from Joan) :-)

     Regards,


     Wayne.

From owner-glass Sun Oct 22 22:11:31 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Soldering irons
Date: Sun, 22 Oct 1995 22:08:31 -0700
Message-ID: <199510230508.AA15329@ednet1.osl.or.gov>
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Hello to you both, (Wayne and Joan) I will check the post mark
and let you know when I get the letter. We had a good summer, also a
mini vaction to high desert of Oregon for a long weekend. Both Elaine
and I celebrated birthdays this month and treated ourselves well
(why not).
My dragon fly is all cut but the grid rows, and later tonight, may
start the upper part...first time in a long time I am enthused, either
because of the challenge or because 5 major pieces have sold since
August, and need replacing.
Short days of light coming and time to get that project going....
no more procrastination...just do it. 
If Terry and Matt are listening...how are you both doing...
Enjoy...it is only glass...Howard

--





From owner-glass Tue Oct 31 09:23:47 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: change of address
Date: Tue, 31 Oct 1995 09:19:11 -0800
Message-ID: <199510311719.AA14561@ednet1.osl.or.gov>
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To all the "list"eners...as of NOW my new address will be.........
weaver51@teleport.com
The old ednet address will be in use also until November 30.
Look for a web page and professional graphics soon*
*soon is a relative term!
My son and neighbor who has been into computers since the abacus,
will do all the set up and scanning. Both of them have been working
on rural internet services. To the best of my knowledge, there are
4 providers of services in a very sparsely populated area. None
of the carriers are major communication companies. Soon the government
(in my opinion) will try to regulate the competition so as to save us
from monoplies, and then the costs will go up and the quality of 
service go down.
So much for my diatribe this morning, took a phone call at 6:45 AM,
and have not gotten over it, this helps...soon tobe my normal
cynical self.

TO Peggy, negotiable instrument arrived...will put in into the
system in a few days
 Enjoy, and this is what happens in the dark and early AM.

--
Please note our new address is weaver51@teleport.com
Our Ednet account will be closed as of December 1, 1995.



