From owner-glass Tue Apr  4 15:27:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: is anyone home?
Date: Tue, 4 Apr 1995 15:27:12 -0700
Message-ID: <199504042227.AA28172@ednet1.osl.or.gov>
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What happened, did I scare everyone off...I only lightly brushed
the surface.
Enjoy

From owner-glass Tue Apr  4 19:15:06 1995
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From: cooperd@Camosun.BC.CA
To: glass@bungi.com
Subject: scared off!!
Date: Tue, 04 Apr 1995 18:46:43 -0800 (PST)
Message-ID: <1995Apr4.104643.0@Camosun.BC.CA>
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Hi, thanks for saying something, I thought something had happened out there
in computer space.  I guess everyone is busy with their projects and 
work, it sometimes interferes with things, I'm lucky here working in the 
library and always checking my messages, since a lot of
communication goes on throught e-mail and we also do inter campus loans
through the system. Anyway, I am working on a window oh! say about 2 3/4 by
1 3/4  I find this quite difficult because of all the small pieces, I know
all of you professionals have probably done thousands of lamps and things
with small pieces but me as an amateur who has only taken a couple of classes
find it challenging, anyway I am cutting each piece separately this time
which makes it a bit more fun and It's working out fine, what do you think
of this.  I would like to know what everyone else is doing, sounds like a lot
of you are making lamps, I've only make 2. One turned out beautiful, I 
made in a class of course and the other one which was a mini lamp, well its
ok, a little crooked I guess you could say, but ok for my bedroom with a 
little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
away with classical music and find this hobby quite inspiring.  Donna!!!!!

From owner-glass Tue Apr  4 20:28:20 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Tue, 4 Apr 1995 20:27:41 PDT
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[In the message entitled "is anyone home?" on Apr  4, 15:27, Elaine Lea Rubin writes:]
> 
> What happened, did I scare everyone off...I only lightly brushed
> the surface.

I'm still here.,.....

Glenna


-- 

From owner-glass Tue Apr  4 20:43:44 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Tue, 4 Apr 1995 20:42:39 PDT
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[In the message entitled "scared off!!" on Apr  4, 18:46, cooperd@Camosun.BC.CA writes:]

> of this.  I would like to know what everyone else is doing, sounds like a lot
> of you are making lamps, I've only make 2. One turned out beautiful, I 
> made in a class of course and the other one which was a mini lamp, well its
> ok, a little crooked I guess you could say, but ok for my bedroom with a 
> little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
> away with classical music and find this hobby quite inspiring.  Donna!!!!!

I have done 2 flat panel type project.  Both have turn out very well.
  For Christmas I did about 10 suncatchers for friend and relatives.
I'm am current working on a lamp.  I've never had a class yet (Starts
May 4) on lamp making, but thought I tackle it anyway.  So far
so good....I don't get to work on it every day though, so it
may be a long process.

Glenna

-- 

From owner-glass Wed Apr  5 05:41:08 1995
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From:         Dorothy <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Designs
Date:         Wed, 05 Apr 95 08:34:40 EDT
Message-ID:   <950405.083950.EDT.HCLADM02@UConnVM.UConn.Edu>
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My last couple of designs (about 10"x7") have been athletes...an ice
skater and a basketball player.  These figures need to be surrounded by
background glass, what with the limbs sticking out and all.  I found it
more nteresting visually (and more economical with the glass) to make
the surrounding glass an irregular shape that rather echoes the
movement of the figure, than to set them into ovals or rectangles.
Dorothy
  ***Sending from Connecticut, home of National Champion UConn
   Women Huskies***

From owner-glass Wed Apr  5 07:25:04 1995
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From: cutler@Wittenberg.EDU
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 05 Apr 1995 10:24:29 EDT
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Not the least bit scared, Howard; just busy at the moment.
I'm remodeling my workshop. Building a new, general-purpose workbench
as well as expanding shelf space for a variety of materials, including glass
supplies.  I'm between projects.  Takes a while for the creative juices to
ferment, I suppose.  AND it's cold in Ohio at the moment, which
makes my workshop a bit on the chilly side.  I need to improve the heat supply
for that room!  BUT I do have plenty of time to check e-mail, so if you have
more suggestions about lamp construction - I'm especially interested
in proper soldering iron temperatures for foil work, for example - I'd be glad
to hear your thoughts.  And of course,how do you price a lamp - that's always
a bit of a mystery. You've said some things about this but I could use some
more direction.  Thanks again.  Your help has been valuable and greatly
appreciated out here.  Bob Cutler

From owner-glass Wed Apr  5 09:22:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 09:22:29 -0700
Message-ID: <199504051622.AA11987@ednet1.osl.or.gov>
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Howard, here
Dorothy, although I do very few windows, and even fewer of them
"free-form", when my students insist, I usually try to clean up 
the design... that is minimize the lead lines(antennae). If you
intend to frame a piece, the irregular edges would make it
rather difficult, so, a neat trick is to use BLACK glass to
square it off. After you black patina the piece, the lead line
seems to disappear, and framing is easy. If you are going to hang
it without a frame, make sure your hanging hardware is soldered
in to the foil joints.
Enjoy

From owner-glass Wed Apr  5 10:02:25 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 5 Apr 1995 10:02:32 -0700
Message-ID: <199504051702.AA02776@ednet1.osl.or.gov>
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Howard 2nd time,

Dear Bob,

I use an Ungar 1,000 iron for all the rough work ,tacking, tinning.

The final beading is done with an 1,100 hp heater also Ungar. I 

save the corrroded ones for the rough work, and finish with a 

good tip. Because of the heat, I have a rheostat to control the

iron, low when tacking and rough soldering, UP full when doing

the final beading.

As for pricing, Keep track of the time in production, I use an

analog clock with an on and off switch in the line. Set it for 12

when you start, turn off when done(sometimes many times a day)

Keep records of glass consumption... measure starting and finish

size of the sheet, also solder, cap, base bulb, and any other stuff

that you used. Total $ cost, figure labor time( plan on getting faster)

Most galleries and stores double their wholesale cost, so compare 

what you want for the piece and see if it is competitive with what is

out there, remember a lot of work comes out of the Orient, and they

earn about $2.00 per day. It ain't easy to undersell that! All we can

sell is made in USA and quality!!! 

TO ALL THE LIST>>> I highly recommend signing and numbering

your work, keeping track of the patterns for future duplication, and

the name of the owner if possible.

If you put any work out for sale, keep the prices consistant, and if you

sell direct, attempt to get retail for your work, as if someone will buy it

in a store for $100.00, why should you not also get $100.00, too.

More to come later, if needed.

Enjoy


From owner-glass Wed Apr  5 10:17:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Wed, 5 Apr 1995 10:17:43 -0700
Message-ID: <199504051717.AA05563@ednet1.osl.or.gov>
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Howard, times 3
Donna, you did not say whether it is feet or inches that
you are working with. My crowning window was 1sq ft with
about 400 pieces in it. Never again, unless for big bucks.
I flooded the e-mail list with "simple" instructions for
sizing and technique for panel lamp making, and if you
were fortunate enough to miss it, I may still have it in
a pfs file, so if you have any desire for the instructions,
let me know and I can send it direct.
The more you practice ,the better you get! Do not be 
afraid to be your own harshest critic.
Enjoy

From owner-glass Wed Apr  5 10:21:38 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Wed, 5 Apr 1995 10:21:36 -0700
Message-ID: <199504051721.AA06457@ednet1.osl.or.gov>
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Howard, times 4 but who is counting
Hello Glenna
Enjoy

From owner-glass Wed Apr  5 11:14:31 1995
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From:         HCLADM02@UConnVM.UConn.Edu
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Wed, 05 Apr 95 14:11:07 EDT
Message-ID:   <950405.141315.EDT.HCLADM02@UConnVM.UConn.Edu>
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These pieces are not intended to be framed...they are sort of oversized
suncatchers..and I've been doing this for years.  I hope most of my
hanging problems are over.  Part of my design work is to always create
good place(s) to anchor my hanging loops.

Dorothy

From owner-glass Wed Apr  5 14:19:07 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 14:19:14 -0700
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HOward, here...
Dorothy, thanks for the clarification on the purpose of the
free form pieces...after many years, you must be pretty good
at 'em. Do you sell them or what.
enjoy

From owner-glass Thu Apr  6 03:20:16 1995
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From: Sue Eiszler <eiszler@cps.cmich.edu>
To: glass@bungi.com
Subject: mirrors
Date: Thu, 6 Apr 1995 06:19:12 -0400 (EDT)
Message-ID: <1995Apr6.21912.0@cps.cmich.edu>
References: <<950405.083950.EDT.HCLADM02@UConnVM.UConn.Edu>>
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Hi all,
	A friend has asked me to make a mirrored candle holder for her.  
I've never worked with mirrors before so would appreciate some tips (lead 
came is my thing).  I know that there is some kind of spray to use on the 
edges, but does it work?  What else can I do to avoid the destruction of 
the silvering?  
	Thanks in advance.

Sue
eiszler@cps.cmich.edu


From owner-glass Thu Apr  6 05:33:18 1995
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From:         Dorothy Kalahan <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Thu, 06 Apr 95 08:24:05 EDT
Message-ID:   <950406.083218.EDT.HCLADM02@UConnVM.UConn.Edu>
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Hi, Howard et al
      I sell.  I must confess, I am not terribly interested in
lamps, so was trying to get another conversation started.
I like to do my own designs.  As far as the basketball player goes,
I made a big mistake.  I made a male player.  Should have done a
female player...around here, the lady Huskies (NCAA champions) are so
hot, Sports Illustrated did a special regional issue.  Maybe by next
year.  This is a craft fair type business right now and I have only so
much time with my full time job and my evening teaching.
Dorothy

From owner-glass Thu Apr  6 14:45:48 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Thu, 6 Apr 1995 14:38:12 -0700
Message-ID: <199504062138.AA19860@ednet1.osl.or.gov>
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howard, here...
It is all for sale...one can only have just so much stuff
around. The gifts I give are non-glass objects that I have
traded my glass work for. My warped ideas( can not spell
philosophy) is that if I give my own work away, it has no
monetary value. One of my second favorite phrases is "I wii
pay for it or the materials if it is NOT too much money".
I have made a decision not to have my family try to keep me
in business. It works!
Enjoy

From owner-glass Sun Apr  9 13:29:27 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: mirrors
Date: Sun, 09 Apr 1995 15:52:06 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Hi Sue - I guess I was waiting for some of the more experienced folks
out there to answer you with regard to mirrors.  I want to do a mirror
project also, but haven't gotten down that far on my list yet!  I did
ask about the general do's and don'ts in the class I took, and even
wrote down the advice, which I'll be glad to share.  I haven't actually
tried any of this yet, so anyone out there should feel free to chime
in...

1.  Before doing anything else, protect the silvering on the back of
the mirror by coating it with clear polyurethane or a spray-on mirror
sealant sold for the purpose.  Let it dry.

2.  When cutting, cut with the right (reflective) side up, since the
back is covered with polyurethane and would not score well (to say
nothing of what it does to the cutter).  Keeping a sheet of plain paper
under the mirror when cutting lets you shake off glass crumbs easily
after EVERY cut, to keep from scratching the silvering.

3.  To grind, hold the piece wrong side up (reflection down, coating up)
 OR
cover the grinder platform with a newspaper base and grind right 
(reflection) side up.

4.  The very minute you have finished grinding, coat the mirror edges
with a mirror sealant to keep flux off and black spots away.  

5.  If possible, use foil backed in the same color you plan to use for
patina, especially if planning black patina.  It isn''t as noticeable
or distracting when reflected in the mirror.

6.  Using organic flux (#30 Superior was mentioned) helps to avoid the
dreaded black spots over time.

Hope it helps!  Let us know how it turns out.  	Peggy


From owner-glass Sun Apr  9 18:28:57 1995
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Date: Sun, 9 Apr 95 21:27:53 EDT
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unsubscribe


From owner-glass Wed Apr 12 19:36:08 1995
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From: cooperd@Camosun.BC.CA
To: GLASS@BUNGI.COM
Subject: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 19:31:47 -0800 (PST)
Message-ID: <1995Apr12.113147.0>
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Sorry, Howard I got so busy with everything I forget to reply to you. The 
panel which I said had so many pieces is in feet otherwise it would have been
an awfully small window anyway my original question was " is it ok to cut one
piece at a time rather than cut out the whole pattern first." I am doing 
it this way for a try it's not bad, but of course it's taking forever to 
finish. Yes, thanks I did receive your instructions for the panel 
lampmaking.   Donna!!!

From owner-glass Wed Apr 12 22:47:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 22:47:06 -0700
Message-ID: <199504130547.AA11850@ednet1.osl.or.gov>
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Hi Donna,
When you get to "my age" it is easy to forget, as I do not remember
your question. IMHO I feel that cutting one pattern piece at a time
is fine as they are easy to keep track of. The few windows I have
done, I usually have blocked off in sections, and cut the background
as a solid block and then cut away what was to replaced with other
glass, this uses up extra background, but tends to allow for
more accurate lines and fitting. The windows I am referring to were
blocked off like a tic-tac-toe board with many curves changing
colors under the zinc came.
A lot of words to answer your question.
Enjoy...Howard

From owner-glass Fri Apr 14 13:33:52 1995
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From: mrum@idirect.com (mike & carol)
To: glass@bungi.com
Subject: Gatewayed mail message
Date: Fri, 14 Apr 1995 16:38:12 -0400
Message-ID: <199504142038.QAA08324@lucid.idirect.com>
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subscribe mrum@idirect.com


From owner-glass Fri Apr 14 15:06:07 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Where is everyone?
Date: Fri, 14 Apr 1995 17:24:08 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Well, folks,  is everyone really busy, or do we just need some new
topics?

I haven't had time to do more than gaze longingly at my worktable as I
pass by lately.  Too much to do at work  -- some of the neglected
paperwork has been coming home with me, leaving little time for hobbies,
but I hope to end that trend soon! 

For lack of any "real" glass topic at the moment,  I thought I'd send
along an item that showed up on a crafts bulletin board in Prodigy.  I
didn't remember to get the name of the originator, so I can't give
credit where it is due, but I thought some of you might enjoy....

		 Murphy's Laws for Glass Workers

Murphy's Original Law:  Anything that can go wrong, will.

Solder Law:  Hot solder looks exactly like cold solder. 

Breakage Law I:   The number of bad breaks you get is directly
proportional to  the price of the glass.  

Breakage Law II:   The number of bad breaks is in inverse proportion to
the amount of glass on hand. 

Breakage Law III:   The number of bad breaks is directly proportional
to the  distance from your supplier.    

Replacement Law:   The moment you replace a lost tool with a new one,
you will find the original.

Installation Law I:   The time required to install is directly
proportional to the  number of people watching. 

Installation Law II:    The one tool you desperately need is back at
the studio.

Law of Studio Geometry:   Any horizontal surface attracts clutter. 

At the most difficult point in the construction of any  project, the
phone will ring.

The moment your hands touch lead, flux, or patina,  extreme hunger
pangs will commence.  

 Everyone knows someone who does glass.....cheaper.  
 
One lead joint will always be unsoldered. 

There is no such thing as a clean stained glass window.   You can
always find
 a spot after you've installed it! 

The number of people you didn't know were listening is directly
proportional to the severity of the swear word used. 



From owner-glass Fri Apr 14 15:06:51 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Gatewayed mail message
Date: Fri, 14 Apr 1995 15:06:07 PDT
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A[In the message entitled "Gatewayed mail message" on Apr 14, 16:38, mike & carol writes:]
> subscribe mrum@idirect.com
> 
You're now on the mailing list.  Anything you wish to submit
should be mailed to glass@bungi.com
I have included this months' back issues.

>From owner-glass Tue Apr  4 15:27:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: is anyone home?
Date: Tue, 4 Apr 1995 15:27:12 -0700
Message-ID: <199504042227.AA28172@ednet1.osl.or.gov>
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What happened, did I scare everyone off...I only lightly brushed
the surface.
Enjoy

>From owner-glass Tue Apr  4 19:15:06 1995
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From: cooperd@Camosun.BC.CA
To: glass@bungi.com
Subject: scared off!!
Date: Tue, 04 Apr 1995 18:46:43 -0800 (PST)
Message-ID: <1995Apr4.104643.0@Camosun.BC.CA>
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Hi, thanks for saying something, I thought something had happened out there
in computer space.  I guess everyone is busy with their projects and 
work, it sometimes interferes with things, I'm lucky here working in the 
library and always checking my messages, since a lot of
communication goes on throught e-mail and we also do inter campus loans
through the system. Anyway, I am working on a window oh! say about 2 3/4 by
1 3/4  I find this quite difficult because of all the small pieces, I know
all of you professionals have probably done thousands of lamps and things
with small pieces but me as an amateur who has only taken a couple of classes
find it challenging, anyway I am cutting each piece separately this time
which makes it a bit more fun and It's working out fine, what do you think
of this.  I would like to know what everyone else is doing, sounds like a lot
of you are making lamps, I've only make 2. One turned out beautiful, I 
made in a class of course and the other one which was a mini lamp, well its
ok, a little crooked I guess you could say, but ok for my bedroom with a 
little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
away with classical music and find this hobby quite inspiring.  Donna!!!!!

>From owner-glass Tue Apr  4 20:28:20 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Tue, 4 Apr 1995 20:27:41 PDT
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[In the message entitled "is anyone home?" on Apr  4, 15:27, Elaine Lea Rubin writes:]
> 
> What happened, did I scare everyone off...I only lightly brushed
> the surface.

I'm still here.,.....

Glenna


-- 

>From owner-glass Tue Apr  4 20:43:44 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Tue, 4 Apr 1995 20:42:39 PDT
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[In the message entitled "scared off!!" on Apr  4, 18:46, cooperd@Camosun.BC.CA writes:]

> of this.  I would like to know what everyone else is doing, sounds like a lot
> of you are making lamps, I've only make 2. One turned out beautiful, I 
> made in a class of course and the other one which was a mini lamp, well its
> ok, a little crooked I guess you could say, but ok for my bedroom with a 
> little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
> away with classical music and find this hobby quite inspiring.  Donna!!!!!

I have done 2 flat panel type project.  Both have turn out very well.
  For Christmas I did about 10 suncatchers for friend and relatives.
I'm am current working on a lamp.  I've never had a class yet (Starts
May 4) on lamp making, but thought I tackle it anyway.  So far
so good....I don't get to work on it every day though, so it
may be a long process.

Glenna

-- 

>From owner-glass Wed Apr  5 05:41:08 1995
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From:         Dorothy <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Designs
Date:         Wed, 05 Apr 95 08:34:40 EDT
Message-ID:   <950405.083950.EDT.HCLADM02@UConnVM.UConn.Edu>
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My last couple of designs (about 10"x7") have been athletes...an ice
skater and a basketball player.  These figures need to be surrounded by
background glass, what with the limbs sticking out and all.  I found it
more nteresting visually (and more economical with the glass) to make
the surrounding glass an irregular shape that rather echoes the
movement of the figure, than to set them into ovals or rectangles.
Dorothy
  ***Sending from Connecticut, home of National Champion UConn
   Women Huskies***

>From owner-glass Wed Apr  5 07:25:04 1995
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From: cutler@Wittenberg.EDU
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 05 Apr 1995 10:24:29 EDT
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Not the least bit scared, Howard; just busy at the moment.
I'm remodeling my workshop. Building a new, general-purpose workbench
as well as expanding shelf space for a variety of materials, including glass
supplies.  I'm between projects.  Takes a while for the creative juices to
ferment, I suppose.  AND it's cold in Ohio at the moment, which
makes my workshop a bit on the chilly side.  I need to improve the heat supply
for that room!  BUT I do have plenty of time to check e-mail, so if you have
more suggestions about lamp construction - I'm especially interested
in proper soldering iron temperatures for foil work, for example - I'd be glad
to hear your thoughts.  And of course,how do you price a lamp - that's always
a bit of a mystery. You've said some things about this but I could use some
more direction.  Thanks again.  Your help has been valuable and greatly
appreciated out here.  Bob Cutler

>From owner-glass Wed Apr  5 09:22:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 09:22:29 -0700
Message-ID: <199504051622.AA11987@ednet1.osl.or.gov>
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Howard, here
Dorothy, although I do very few windows, and even fewer of them
"free-form", when my students insist, I usually try to clean up 
the design... that is minimize the lead lines(antennae). If you
intend to frame a piece, the irregular edges would make it
rather difficult, so, a neat trick is to use BLACK glass to
square it off. After you black patina the piece, the lead line
seems to disappear, and framing is easy. If you are going to hang
it without a frame, make sure your hanging hardware is soldered
in to the foil joints.
Enjoy

>From owner-glass Wed Apr  5 10:02:25 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 5 Apr 1995 10:02:32 -0700
Message-ID: <199504051702.AA02776@ednet1.osl.or.gov>
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Howard 2nd time,

Dear Bob,

I use an Ungar 1,000 iron for all the rough work ,tacking, tinning.

The final beading is done with an 1,100 hp heater also Ungar. I 

save the corrroded ones for the rough work, and finish with a 

good tip. Because of the heat, I have a rheostat to control the

iron, low when tacking and rough soldering, UP full when doing

the final beading.

As for pricing, Keep track of the time in production, I use an

analog clock with an on and off switch in the line. Set it for 12

when you start, turn off when done(sometimes many times a day)

Keep records of glass consumption... measure starting and finish

size of the sheet, also solder, cap, base bulb, and any other stuff

that you used. Total $ cost, figure labor time( plan on getting faster)

Most galleries and stores double their wholesale cost, so compare 

what you want for the piece and see if it is competitive with what is

out there, remember a lot of work comes out of the Orient, and they

earn about $2.00 per day. It ain't easy to undersell that! All we can

sell is made in USA and quality!!! 

TO ALL THE LIST>>> I highly recommend signing and numbering

your work, keeping track of the patterns for future duplication, and

the name of the owner if possible.

If you put any work out for sale, keep the prices consistant, and if you

sell direct, attempt to get retail for your work, as if someone will buy it

in a store for $100.00, why should you not also get $100.00, too.

More to come later, if needed.

Enjoy


>From owner-glass Wed Apr  5 10:17:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Wed, 5 Apr 1995 10:17:43 -0700
Message-ID: <199504051717.AA05563@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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Howard, times 3
Donna, you did not say whether it is feet or inches that
you are working with. My crowning window was 1sq ft with
about 400 pieces in it. Never again, unless for big bucks.
I flooded the e-mail list with "simple" instructions for
sizing and technique for panel lamp making, and if you
were fortunate enough to miss it, I may still have it in
a pfs file, so if you have any desire for the instructions,
let me know and I can send it direct.
The more you practice ,the better you get! Do not be 
afraid to be your own harshest critic.
Enjoy

>From owner-glass Wed Apr  5 10:21:38 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Wed, 5 Apr 1995 10:21:36 -0700
Message-ID: <199504051721.AA06457@ednet1.osl.or.gov>
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Howard, times 4 but who is counting
Hello Glenna
Enjoy

>From owner-glass Wed Apr  5 11:14:31 1995
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From:         HCLADM02@UConnVM.UConn.Edu
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Wed, 05 Apr 95 14:11:07 EDT
Message-ID:   <950405.141315.EDT.HCLADM02@UConnVM.UConn.Edu>
References: <<199504051622.AA11987@ednet1.osl.or.gov>>
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These pieces are not intended to be framed...they are sort of oversized
suncatchers..and I've been doing this for years.  I hope most of my
hanging problems are over.  Part of my design work is to always create
good place(s) to anchor my hanging loops.

Dorothy

>From owner-glass Wed Apr  5 14:19:07 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 14:19:14 -0700
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HOward, here...
Dorothy, thanks for the clarification on the purpose of the
free form pieces...after many years, you must be pretty good
at 'em. Do you sell them or what.
enjoy

>From owner-glass Thu Apr  6 03:20:16 1995
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From: Sue Eiszler <eiszler@cps.cmich.edu>
To: glass@bungi.com
Subject: mirrors
Date: Thu, 6 Apr 1995 06:19:12 -0400 (EDT)
Message-ID: <1995Apr6.21912.0@cps.cmich.edu>
References: <<950405.083950.EDT.HCLADM02@UConnVM.UConn.Edu>>
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Hi all,
	A friend has asked me to make a mirrored candle holder for her.  
I've never worked with mirrors before so would appreciate some tips (lead 
came is my thing).  I know that there is some kind of spray to use on the 
edges, but does it work?  What else can I do to avoid the destruction of 
the silvering?  
	Thanks in advance.

Sue
eiszler@cps.cmich.edu


>From owner-glass Thu Apr  6 05:33:18 1995
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From:         Dorothy Kalahan <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Thu, 06 Apr 95 08:24:05 EDT
Message-ID:   <950406.083218.EDT.HCLADM02@UConnVM.UConn.Edu>
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Hi, Howard et al
      I sell.  I must confess, I am not terribly interested in
lamps, so was trying to get another conversation started.
I like to do my own designs.  As far as the basketball player goes,
I made a big mistake.  I made a male player.  Should have done a
female player...around here, the lady Huskies (NCAA champions) are so
hot, Sports Illustrated did a special regional issue.  Maybe by next
year.  This is a craft fair type business right now and I have only so
much time with my full time job and my evening teaching.
Dorothy

>From owner-glass Thu Apr  6 14:45:48 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Thu, 6 Apr 1995 14:38:12 -0700
Message-ID: <199504062138.AA19860@ednet1.osl.or.gov>
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howard, here...
It is all for sale...one can only have just so much stuff
around. The gifts I give are non-glass objects that I have
traded my glass work for. My warped ideas( can not spell
philosophy) is that if I give my own work away, it has no
monetary value. One of my second favorite phrases is "I wii
pay for it or the materials if it is NOT too much money".
I have made a decision not to have my family try to keep me
in business. It works!
Enjoy

>From owner-glass Sun Apr  9 13:29:27 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: mirrors
Date: Sun, 09 Apr 1995 15:52:06 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Hi Sue - I guess I was waiting for some of the more experienced folks
out there to answer you with regard to mirrors.  I want to do a mirror
project also, but haven't gotten down that far on my list yet!  I did
ask about the general do's and don'ts in the class I took, and even
wrote down the advice, which I'll be glad to share.  I haven't actually
tried any of this yet, so anyone out there should feel free to chime
in...

1.  Before doing anything else, protect the silvering on the back of
the mirror by coating it with clear polyurethane or a spray-on mirror
sealant sold for the purpose.  Let it dry.

2.  When cutting, cut with the right (reflective) side up, since the
back is covered with polyurethane and would not score well (to say
nothing of what it does to the cutter).  Keeping a sheet of plain paper
under the mirror when cutting lets you shake off glass crumbs easily
after EVERY cut, to keep from scratching the silvering.

3.  To grind, hold the piece wrong side up (reflection down, coating up)
 OR
cover the grinder platform with a newspaper base and grind right 
(reflection) side up.

4.  The very minute you have finished grinding, coat the mirror edges
with a mirror sealant to keep flux off and black spots away.  

5.  If possible, use foil backed in the same color you plan to use for
patina, especially if planning black patina.  It isn''t as noticeable
or distracting when reflected in the mirror.

6.  Using organic flux (#30 Superior was mentioned) helps to avoid the
dreaded black spots over time.

Hope it helps!  Let us know how it turns out.  	Peggy


>From owner-glass Sun Apr  9 18:28:57 1995
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unsubscribe


>From owner-glass Wed Apr 12 19:36:08 1995
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From: cooperd@Camosun.BC.CA
To: GLASS@BUNGI.COM
Subject: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 19:31:47 -0800 (PST)
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Sorry, Howard I got so busy with everything I forget to reply to you. The 
panel which I said had so many pieces is in feet otherwise it would have been
an awfully small window anyway my original question was " is it ok to cut one
piece at a time rather than cut out the whole pattern first." I am doing 
it this way for a try it's not bad, but of course it's taking forever to 
finish. Yes, thanks I did receive your instructions for the panel 
lampmaking.   Donna!!!

>From owner-glass Wed Apr 12 22:47:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 22:47:06 -0700
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Hi Donna,
When you get to "my age" it is easy to forget, as I do not remember
your question. IMHO I feel that cutting one pattern piece at a time
is fine as they are easy to keep track of. The few windows I have
done, I usually have blocked off in sections, and cut the background
as a solid block and then cut away what was to replaced with other
glass, this uses up extra background, but tends to allow for
more accurate lines and fitting. The windows I am referring to were
blocked off like a tic-tac-toe board with many curves changing
colors under the zinc came.
A lot of words to answer your question.
Enjoy...Howard

>From owner-glass Fri Apr 14 13:33:52 1995
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Subject: Gatewayed mail message
Date: Fri, 14 Apr 1995 16:38:12 -0400
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subscribe mrum@idirect.com





-- 

From owner-glass Fri Apr 14 16:01:26 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Where is everyone?
Date: Fri, 14 Apr 1995 16:01:35 -0700
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Howard here...
Without any specific questions to answer, I have very little say
that would be worth reading...My classes have entered the third
week and the beginning students have become fairly proficient
in breaking glass. They have yet to do any serious soldering.
Most of them have a small panel lamp ready to pull up into the
cone shape.
The thought for a while is...
Time flies like lightning, fruit flies like banannas.
Enjoy

From owner-glass Mon Apr 17 05:46:08 1995
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From:         Dorothy Kalahan <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Inclusions
Date:         Mon, 17 Apr 95 08:39:50 EDT
Message-ID:   <950417.084405.EDT.HCLADM02@UConnVM.UConn.Edu>
Reply-To: glass@bungi.com
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Okay, here's a topic...how many people try (and how many succeed) at
including things other than stained glass in stained glass pieces.
I've seen shells (they are so porous, they must be coated with something,
I guess).  Last I tried, I bought a resin cameo from a craft shop and
set it into a business card holder.  I was EXTREMELY careful to keep
flux on the foil only, soldered quickly, also patined carefully.
It looks quite elegant.  (Ah-ha I may be onto something.)
Dorothy

From owner-glass Mon Apr 17 15:44:36 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Inclusions
Date: Mon, 17 Apr 1995 15:44:34 -0700
Message-ID: <199504172244.AA13448@ednet1.osl.or.gov>
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This is Howard...
In a moment of weakness along time ago, I purchased some half
Nautilus shells. There were a couple of others putting them in
hexagons and using them for window hangers. I cut a fan shape
and used a shell fan lamp base for the lightsource. They sold well,
and were easy to make. The Nautilus shell is practically impossible
to destroy with solder, flux or patina, and comes either natural
or polished. I also have used agate slabs in panel lamps, and
by commission have hung crystals and pendants in panel lamps.
I have a buddy who makes millifiori fish in ovals, and we have
jointly put out work in lamp shades. Another very traditional
useage are turtle backs(glass) and can go in a variety of projects.
Anything you can shape, foil, and will not melt with solder can 
probably be used. Because I do mainly lamps, I look for trans-
lucent qualities.If you have any specific questions ask away.
enjoy!

From owner-glass Mon Apr 17 19:18:11 1995
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From: wayne chase <chaseway@nbnet.nb.ca>
To: glass@bungi.com
Subject: Solder...Uggggh!!!
Summary: NB*net - New Brunswick's Regional Network 1-800-561-4459
Date: Mon, 17 Apr 1995 23:14:20 AST
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Hi Howard,

     Just a quick inquiry.....When it comes to solder, I still have some rough
spots.  Here are a couple of quick questions.  When I finish a curved piece
sich as a dome style lamp, my solder seems to look and feel like a porcupine.
Flat pieces are better. Why am I getting these "points" in my soldering?

     Also, how high should the bead of solder be above the glass?  Is there a
height by definition?

     Anyway, I would appreciate any comments you might have.  I have not been
doing much glass for the past couple of months as I have just completed an
exhibit of classic black and white portraiture, and was gearing up to the
opening night private showing and reception.  It went very well, and now I
need a break and change of pace from the darkroom for a while, so the glass is
calling to my inner interest.

     Have a good day,

     Wayne
     chaseway@nbnet.nb.ca


From owner-glass Mon Apr 17 21:49:04 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Solder...Uggggh!!!
Date: Mon, 17 Apr 1995 21:48:44 -0700
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Howard. here
Wayne, a few suggestions and observations:
The points are probably from picking up the iron as you near a
joint that is already soldered. Not knowing what iron you are using,
I could also suggest a hotter iron, again I finish soldering with an
1,100 degree Ungar at full heat. When you solder make sure the iron
down on the foil, too. If the tip is floating on the surface, it will
tend to leave peaks in the solder. I use 50/50 solder. Make sure you
melt the joints as you cross them ,as they take more heat to run
together. 
As per the height of the bead, it is set by the width of the foil
and how carefully you fit the pieces before foiling and tacking.
Any gaps will fill with solder, and cause uneven looking beads.
I do not think a properly fit lamp can take too much solder.
I use a lot of Yogo stipple glass, and generally use 3/16 foil
on it. You can not raise a bead past a certain point(I have no
reference point) without it running out on the glass. Make sure
the lamp is level when soldering, as gravity will pull a bead
before it is set, and cause it to have waves. Soldering takes
a lot of practice and the mechanics are hard to articulate
on a screen. I use Glass Star Flux as I like the powerit has
to not burn off on the first pass with the iron. I also
either use a respirator or turn on the exhaust system when I 
am soldering. I personally feel that the organic flux (Laco)
does not solder or last well enough to use. It seems to corrode
while I am working.
Hpoe some of this makes sense and works for you.
Enjoy

From owner-glass Tue Apr 18 09:39:47 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Copper foil Size
Date: Tue, 18 Apr 1995 09:38:53 PDT
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Hi,

I am currently ready to foil my lamp (as seen in "Easy to Make
Stained Glass Lampshades" by Ed Sibbett, Jr. - Plate 18)
I am interested in some advice as to what size of copperfoil to use.
So far one person suggested I use 7/32 for the largest piece. 
Then the rest in 3/16.  Then once the inside is soldered,..to re-foil
the outside of each panel before assembly.
Any other suggestions?

Glenna

-- 

From owner-glass Tue Apr 18 17:15:35 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Tue, 18 Apr 1995 17:15:26 -0700
Message-ID: <199504190015.AA06755@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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this is Howard...
Why make more work and complicate the project?
If the glass is 1/8" thick, such as Spectrum, use 7/32 foil
all around thr project. If the glass is thinner than 1/8, use
3/16 foil. DO NOT start and end on an exposed edge, that is one
without another piece of glass soldered to it. Assemble each panel
in a jig making sure abutting pieces line up with a reference
mark on the jig. That should keep you busy for a few minutes.
When in doubt...ask.
Enjoy

From owner-glass Tue Apr 18 17:20:48 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Solder...Uggggh!!!
Date: Tue, 18 Apr 1995 17:20:53 -0700
Message-ID: <199504190020.AA07973@ednet1.osl.or.gov>
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Hi Wayne...
A follow up to the solder tome, I am interested in what you do
as a photographer and how and what you show and where and anything
else you have the time to discuss. If you want to keep it somewhat
personal, e-mail to me direct, rather than to the list. Hope the
solder hints worked.
enjoy

From owner-glass Wed Apr 19 00:10:29 1995
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From: burtman@PrimeNet.Com (Burt Eastburn)
To: glass@bungi.com
Subject: First lamp-how does one tin the cap?
Date: Wed, 19 Apr 1995 00:09:43 -0700
Message-ID: <199504190709.AAA13765@mailhost.primenet.com>
Reply-To: glass@bungi.com
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Found a nice brass cap for my first lamp, have been told that I should tin
the brass cap.       
Can anyone give me some insight on the best way to do this?

Thanks  Lorley-significant other to Burtman my mail(male) host.


From owner-glass Wed Apr 19 09:52:01 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: First lamp-how does one tin the cap?
Date: Wed, 19 Apr 1995 09:50:26 -0700
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Howard, here
Lorley, my first question is , why tin it? If the brass is clean
you should be able to patina it after it is done. By carefully 
fluxing the lower lip of the cap, and putting a small dab of solder
on it and letting gravity pull it down onto the foil as well.
I solder the cap firmly onto the glass from the inside. Make sure
you level the workbench as well as checking for level before 
installing the cap. I use a piece of welding rod bent at a
right angle for pushing out any panels that are not touching the
cap prior to soldering.
If you still decide or must tin it, flux it well, heat it with
a propane torch(use pliers to hold it) then lightly tin with
solder and run it with a hot iron. 
If you do not tin the cap and touch it with some solder that sticks,
DO NOT try to remove with the iron. Scrape or file it off.
Do not hesitate to ask for clarification on any phase of it.
Enjoy

From owner-glass Wed Apr 19 13:21:28 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Wed, 19 Apr 1995 13:21:05 PDT
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[In the message entitled "Re: Copper foil Size" on Apr 18, 17:15, Elaine Lea Rubin writes:]
> 
> this is Howard...
> Why make more work and complicate the project?
> If the glass is 1/8" thick, such as Spectrum, use 7/32 foil
> all around thr project. If the glass is thinner than 1/8, use
> 3/16 foil. DO NOT start and end on an exposed edge, that is one
> without another piece of glass soldered to it. Assemble each panel
> in a jig making sure abutting pieces line up with a reference
> mark on the jig. That should keep you busy for a few minutes.

If I have already done several pieces with the 3/16 would you 
recommend that I start over.  The reason this guy told me to
use to 3/16 is that it would more delicate looking.  I'm worried now
that it may be too delicate..??

As for making a jig,..any hints??? especially being that the
bottom is rounded (with jewel)

Glenna


-- 

From owner-glass Wed Apr 19 17:26:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Wed, 19 Apr 1995 16:55:50 -0700
Message-ID: <199504192355.AA16104@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
Precedence: bulk



Howard, again...
Glenna, with only a few foiled, and I assume you mean pieces, not
complete panels, Isee no reason to re-foil them. I stongly urge you
to make sure the outter pieces are 7/32 foil. If the glass is a 
little thinner on inner pieces, 3/16 is ok. To make an easy assembly
jig, first photo copy the pattern, laminate it with clear shelf contact
paper, place on shelf type or plywood board. Cut lath strips a little
longer than the length of the panel, and nail them along the panel
edge of the glass pattern.Provide a stop for the top, this does
not have to go all the way across, but provides a top stop for the
panel. You can then place the glass inbetween the strips for assembly
taking care to align the adjoining pieces. Amark on the lath strip
can be used for alignment, and with the pattern under the strips,
exact repetive placement can be achieved. Again, if you have any more
questions or are unsure...ask.
Well, off to school to browbeat, cooerce, cajole, explain, insist,
REPEAT, Etc., for my students. There are 3 domes working...
ENJOY

From owner-glass Thu Apr 20 19:39:29 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Thu, 20 Apr 1995 19:38:17 PDT
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Reply-To: glass@bungi.com
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[In the message entitled "Re: Copper foil Size" on Apr 19, 16:55, Elaine Lea Rubin writes:]
> 

> Glenna, with only a few foiled, and I assume you mean pieces, not
> complete panels, Isee no reason to re-foil them. I stongly urge you
> to make sure the outter pieces are 7/32 foil. If the glass is a 
> little thinner on inner pieces, 3/16 is ok. To make an easy assembly
> jig, first photo copy the pattern, laminate it with clear shelf contact
> paper, place on shelf type or plywood board. Cut lath strips a little
> longer than the length of the panel, and nail them along the panel
> edge of the glass pattern.Provide a stop for the top, this does
> not have to go all the way across, but provides a top stop for the
> panel. You can then place the glass inbetween the strips for assembly
> taking care to align the adjoining pieces. Amark on the lath strip
> can be used for alignment, and with the pattern under the strips,
> exact repetive placement can be achieved. Again, if you have any more
> questions or are unsure...ask.

Hi Howard,

Thanks for the advice,..I removed the foil on the 6 pieces and went
ahead and used 7/32 on all.  The outside pieces would have been in
3/16 and I will definately take your advice on them being wrapped
in 7/32.  You are so helpful,...thanks again!

Glenna


-- 

From owner-glass Fri Apr 21 18:09:57 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Grinder heads
Date: Fri, 21 Apr 1995 19:41:04 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Well, the poppy lamp is finally wired and hung, with the large bulb
recommended by Howard.  I can't believe it...  It's a strange feeling
to have it actually DONE.  It looks good for a first effort, but (of
course) there are always those things that one would do differently if
doing it again!  

My question:  is it worthwhile to use one of those slanted grinder
heads that are meant to put an angle on the sides of the glass, causing
them to meet more accurately and produce a thinner solder line? 

I also appreciated Howard's tips to Wayne about soldering - thanks! 
BTY,  Howard,  is it safe to make fruit fly jokes so close to the state
of California?  The last time I crossed that border, the fruit police
confiscated all 6 of my Washington state apples.  Good thing I hadn't
bought a bushel!  Coming from the east coast, I had no idea that fruit
police even existed.   ;-)     Peggy  


From owner-glass Fri Apr 21 19:10:51 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Grinder heads
Date: Fri, 21 Apr 1995 19:10:36 -0700
Message-ID: <199504220210.AA11408@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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Howard(who may get himself in trouble)here...
Hello Peggy,
A good feeling to hand a finished lamp. For myself, the only (lamp)
feeling that is better is when the check clears the bank! After doing
over 200 domes, with as many as 16 of one style, I can still do
it differently...colors, density, shading, accents, types of glass,
and many combinations of same. Just altering emphasis on the grid
rows can change the feeling of a lamp.
In my opinion, nothing can be gained by using a beveled grinder
bit. I would make foiling more difficult, and may not offer a
wide enough gap between the panels for the solder to hold. Also,
you would have to experiment with the correct amount of panels, as
the angle decreases with more panels. If you are determined to
try, try a wedge on the grinder surface, and bevel one side, then
try fitting a few.
AS per the agriculture check...Perhaps California has enough
fruits and nuts already, as does not want any more coming in.
If you get a chance, alittle history of yourself would be nice.
As before, either me or the list...your choice.
Enjoy

From owner-glass Thu Apr 27 18:23:08 1995
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From: cooperd@Camosun.BC.CA
To: GLASS@BUNGI.COM
Subject: QUIET
Date: Thu, 27 Apr 1995 13:58:56 -0800 (PST)
Message-ID: <Pine.3.89.9504271319.A547373208-0100000@Camosun.BC.CA>
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Hi! everyone, boy is it quite, what's happened to everyone, my project has
slowed down right now since my husband bought a pool table at a garage sale
and decided to re-organize my workspace into another area of the house so
he could fit in the pool table, I wasn't able to be there when he did this
so everything is everywhere, hopefully I will be able to get back to it soon.
How's everyone else doing?

From owner-glass Thu Apr 27 18:29:02 1995
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From: "Robert M. Crane" <rcrane@calvin.stemnet.nf.ca>
To: glass@bungi.com
Subject: Gatewayed mail message
Date: Thu, 27 Apr 1995 20:46:44 -0230 (NDT)
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	Subscribe Robert Crane [rcrane@calvin.stemnet.nf.ca]



From owner-glass Fri Apr 28 05:32:31 1995
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From: wayne chase <chaseway@nbnet.nb.ca>
To: glass@bungi.com
Subject: Re: QUIET
Summary: NB*net - New Brunswick's Regional Network 1-800-561-4459
Date: Fri, 28 Apr 1995 09:28:16 AST
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On Thu, 27 Apr 1995 13:58:56 -0800 (PST),  cooperd@Camosun.BC.CA writes:
>
>Hi! everyone, boy is it quite, what's happened to everyone, my project has
>slowed down right now since my husband bought a pool table at a garage sale
>and decided to re-organize my workspace into another area of the house so
>he could fit in the pool table, I wasn't able to be there when he did this
>so everything is everywhere, hopefully I will be able to get back to it soon.
>How's everyone else doing?
>
 Hi! to you also.  I think the warmth of spring and the look at the state of
the yard from the long winter has a temporary change of priorities.  Everyone
must be out cleaning and planting. You might say..."From the grinder to the
rake"

 Have a nice day..

 Wayne.


From owner-glass Fri Apr 28 07:45:13 1995
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From: Kristina Santilla <santilla@umd5.umd.edu>
To: glass@bungi.com
Subject: all kinds of things
Date: Fri, 28 Apr 1995 10:44:17 -0400 (EDT)
Message-ID: <1995Apr28.64417.0>
Reply-To: glass@bungi.com
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A few dumb questions from a beginner:

1. I have a stained glass hanging lamp hard wired in my kitchen, and it 
   always looks filthy. Even right after I clean it, the lights show spots 
   on the clear crackle glass that are nearly impossible to get rid of. If I 
   spray water on it can I do any damage when the lights heat the glass? 
   I've seen a chandelier cleaner advertised that just sprays on and drips 
   off - might this work? I didn't make this, but now know to use more 
   opaque glasses in the future.

2. I am very unhappy with some copper patina work I have done. The copper 
   gets darkened sooo quickly. I tried to use a wire brush, clean it well, 
   and reapply, but it's still not as crisp and coppery as one I did 
   previously. Any hints? 

3. I was told that all work should have liquid wax put on it to increase 
   the life of the shine, but I hate the way the dried wax looks when it 
   dries where the solder meets the glass. After I've cleaned the bulk 
   off, of course. It's almost impossible to get out of the cracks. Do
   I have to wax it? Is there a better way?

4. I have a front door with brass came that I am going to make a 
   sidelight for. The sidelight will be much more intricate so I am going 
   to copper foil it. What should I use to get the patina to match the 
   brass? I have seen nothing on the market in the stained glass industry, 
   however, I have seen a small bottle of liquid used for applying gold 
   or gold-tone plating (about $30!!). Any thoughts?

Being a beginner, I have many more questions, just didn't want to look 
too stupid all at once.

I'm so glad that this list is available.

Thank in advance,

Krisi Santilla
Santilla@umd5.umd.edu

From owner-glass Fri Apr 28 08:46:50 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Gatewayed mail message
Date: Fri, 28 Apr 1995 08:43:31 PDT
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[In the message entitled "Gatewayed mail message" on Apr 27, 20:46, "Robert M. Crane" writes:]
> 	Subscribe Robert Crane [rcrane@calvin.stemnet.nf.ca]
> 
Welcome Robert,

I have added you on to the stained glass mailing list.  Any
mail you wish to submit should be sent to glass@bungi.com
Please feel free to discuss any tips or techniques you may have,
or for that matter,,...any questions as well.  I have also sent
the back issues for this month.

>From owner-glass Tue Apr  4 15:27:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: is anyone home?
Date: Tue, 4 Apr 1995 15:27:12 -0700
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Reply-To: glass@bungi.com
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What happened, did I scare everyone off...I only lightly brushed
the surface.
Enjoy

>From owner-glass Tue Apr  4 19:15:06 1995
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From: cooperd@Camosun.BC.CA
To: glass@bungi.com
Subject: scared off!!
Date: Tue, 04 Apr 1995 18:46:43 -0800 (PST)
Message-ID: <1995Apr4.104643.0@Camosun.BC.CA>
Reply-To: glass@bungi.com
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Hi, thanks for saying something, I thought something had happened out there
in computer space.  I guess everyone is busy with their projects and 
work, it sometimes interferes with things, I'm lucky here working in the 
library and always checking my messages, since a lot of
communication goes on throught e-mail and we also do inter campus loans
through the system. Anyway, I am working on a window oh! say about 2 3/4 by
1 3/4  I find this quite difficult because of all the small pieces, I know
all of you professionals have probably done thousands of lamps and things
with small pieces but me as an amateur who has only taken a couple of classes
find it challenging, anyway I am cutting each piece separately this time
which makes it a bit more fun and It's working out fine, what do you think
of this.  I would like to know what everyone else is doing, sounds like a lot
of you are making lamps, I've only make 2. One turned out beautiful, I 
made in a class of course and the other one which was a mini lamp, well its
ok, a little crooked I guess you could say, but ok for my bedroom with a 
little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
away with classical music and find this hobby quite inspiring.  Donna!!!!!

>From owner-glass Tue Apr  4 20:28:20 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Tue, 4 Apr 1995 20:27:41 PDT
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[In the message entitled "is anyone home?" on Apr  4, 15:27, Elaine Lea Rubin writes:]
> 
> What happened, did I scare everyone off...I only lightly brushed
> the surface.

I'm still here.,.....

Glenna


-- 

>From owner-glass Tue Apr  4 20:43:44 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Tue, 4 Apr 1995 20:42:39 PDT
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[In the message entitled "scared off!!" on Apr  4, 18:46, cooperd@Camosun.BC.CA writes:]

> of this.  I would like to know what everyone else is doing, sounds like a lot
> of you are making lamps, I've only make 2. One turned out beautiful, I 
> made in a class of course and the other one which was a mini lamp, well its
> ok, a little crooked I guess you could say, but ok for my bedroom with a 
> little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
> away with classical music and find this hobby quite inspiring.  Donna!!!!!

I have done 2 flat panel type project.  Both have turn out very well.
  For Christmas I did about 10 suncatchers for friend and relatives.
I'm am current working on a lamp.  I've never had a class yet (Starts
May 4) on lamp making, but thought I tackle it anyway.  So far
so good....I don't get to work on it every day though, so it
may be a long process.

Glenna

-- 

>From owner-glass Wed Apr  5 05:41:08 1995
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From:         Dorothy <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Designs
Date:         Wed, 05 Apr 95 08:34:40 EDT
Message-ID:   <950405.083950.EDT.HCLADM02@UConnVM.UConn.Edu>
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My last couple of designs (about 10"x7") have been athletes...an ice
skater and a basketball player.  These figures need to be surrounded by
background glass, what with the limbs sticking out and all.  I found it
more nteresting visually (and more economical with the glass) to make
the surrounding glass an irregular shape that rather echoes the
movement of the figure, than to set them into ovals or rectangles.
Dorothy
  ***Sending from Connecticut, home of National Champion UConn
   Women Huskies***

>From owner-glass Wed Apr  5 07:25:04 1995
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From: cutler@Wittenberg.EDU
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 05 Apr 1995 10:24:29 EDT
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Not the least bit scared, Howard; just busy at the moment.
I'm remodeling my workshop. Building a new, general-purpose workbench
as well as expanding shelf space for a variety of materials, including glass
supplies.  I'm between projects.  Takes a while for the creative juices to
ferment, I suppose.  AND it's cold in Ohio at the moment, which
makes my workshop a bit on the chilly side.  I need to improve the heat supply
for that room!  BUT I do have plenty of time to check e-mail, so if you have
more suggestions about lamp construction - I'm especially interested
in proper soldering iron temperatures for foil work, for example - I'd be glad
to hear your thoughts.  And of course,how do you price a lamp - that's always
a bit of a mystery. You've said some things about this but I could use some
more direction.  Thanks again.  Your help has been valuable and greatly
appreciated out here.  Bob Cutler

>From owner-glass Wed Apr  5 09:22:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 09:22:29 -0700
Message-ID: <199504051622.AA11987@ednet1.osl.or.gov>
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Howard, here
Dorothy, although I do very few windows, and even fewer of them
"free-form", when my students insist, I usually try to clean up 
the design... that is minimize the lead lines(antennae). If you
intend to frame a piece, the irregular edges would make it
rather difficult, so, a neat trick is to use BLACK glass to
square it off. After you black patina the piece, the lead line
seems to disappear, and framing is easy. If you are going to hang
it without a frame, make sure your hanging hardware is soldered
in to the foil joints.
Enjoy

>From owner-glass Wed Apr  5 10:02:25 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 5 Apr 1995 10:02:32 -0700
Message-ID: <199504051702.AA02776@ednet1.osl.or.gov>
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Howard 2nd time,

Dear Bob,

I use an Ungar 1,000 iron for all the rough work ,tacking, tinning.

The final beading is done with an 1,100 hp heater also Ungar. I 

save the corrroded ones for the rough work, and finish with a 

good tip. Because of the heat, I have a rheostat to control the

iron, low when tacking and rough soldering, UP full when doing

the final beading.

As for pricing, Keep track of the time in production, I use an

analog clock with an on and off switch in the line. Set it for 12

when you start, turn off when done(sometimes many times a day)

Keep records of glass consumption... measure starting and finish

size of the sheet, also solder, cap, base bulb, and any other stuff

that you used. Total $ cost, figure labor time( plan on getting faster)

Most galleries and stores double their wholesale cost, so compare 

what you want for the piece and see if it is competitive with what is

out there, remember a lot of work comes out of the Orient, and they

earn about $2.00 per day. It ain't easy to undersell that! All we can

sell is made in USA and quality!!! 

TO ALL THE LIST>>> I highly recommend signing and numbering

your work, keeping track of the patterns for future duplication, and

the name of the owner if possible.

If you put any work out for sale, keep the prices consistant, and if you

sell direct, attempt to get retail for your work, as if someone will buy it

in a store for $100.00, why should you not also get $100.00, too.

More to come later, if needed.

Enjoy


>From owner-glass Wed Apr  5 10:17:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Wed, 5 Apr 1995 10:17:43 -0700
Message-ID: <199504051717.AA05563@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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Howard, times 3
Donna, you did not say whether it is feet or inches that
you are working with. My crowning window was 1sq ft with
about 400 pieces in it. Never again, unless for big bucks.
I flooded the e-mail list with "simple" instructions for
sizing and technique for panel lamp making, and if you
were fortunate enough to miss it, I may still have it in
a pfs file, so if you have any desire for the instructions,
let me know and I can send it direct.
The more you practice ,the better you get! Do not be 
afraid to be your own harshest critic.
Enjoy

>From owner-glass Wed Apr  5 10:21:38 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Wed, 5 Apr 1995 10:21:36 -0700
Message-ID: <199504051721.AA06457@ednet1.osl.or.gov>
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Howard, times 4 but who is counting
Hello Glenna
Enjoy

>From owner-glass Wed Apr  5 11:14:31 1995
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From:         HCLADM02@UConnVM.UConn.Edu
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Wed, 05 Apr 95 14:11:07 EDT
Message-ID:   <950405.141315.EDT.HCLADM02@UConnVM.UConn.Edu>
References: <<199504051622.AA11987@ednet1.osl.or.gov>>
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These pieces are not intended to be framed...they are sort of oversized
suncatchers..and I've been doing this for years.  I hope most of my
hanging problems are over.  Part of my design work is to always create
good place(s) to anchor my hanging loops.

Dorothy

>From owner-glass Wed Apr  5 14:19:07 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 14:19:14 -0700
Message-ID: <199504052119.AA14074@ednet1.osl.or.gov>
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HOward, here...
Dorothy, thanks for the clarification on the purpose of the
free form pieces...after many years, you must be pretty good
at 'em. Do you sell them or what.
enjoy

>From owner-glass Thu Apr  6 03:20:16 1995
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From: Sue Eiszler <eiszler@cps.cmich.edu>
To: glass@bungi.com
Subject: mirrors
Date: Thu, 6 Apr 1995 06:19:12 -0400 (EDT)
Message-ID: <1995Apr6.21912.0@cps.cmich.edu>
References: <<950405.083950.EDT.HCLADM02@UConnVM.UConn.Edu>>
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Hi all,
	A friend has asked me to make a mirrored candle holder for her.  
I've never worked with mirrors before so would appreciate some tips (lead 
came is my thing).  I know that there is some kind of spray to use on the 
edges, but does it work?  What else can I do to avoid the destruction of 
the silvering?  
	Thanks in advance.

Sue
eiszler@cps.cmich.edu


>From owner-glass Thu Apr  6 05:33:18 1995
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From:         Dorothy Kalahan <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Thu, 06 Apr 95 08:24:05 EDT
Message-ID:   <950406.083218.EDT.HCLADM02@UConnVM.UConn.Edu>
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Hi, Howard et al
      I sell.  I must confess, I am not terribly interested in
lamps, so was trying to get another conversation started.
I like to do my own designs.  As far as the basketball player goes,
I made a big mistake.  I made a male player.  Should have done a
female player...around here, the lady Huskies (NCAA champions) are so
hot, Sports Illustrated did a special regional issue.  Maybe by next
year.  This is a craft fair type business right now and I have only so
much time with my full time job and my evening teaching.
Dorothy

>From owner-glass Thu Apr  6 14:45:48 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Thu, 6 Apr 1995 14:38:12 -0700
Message-ID: <199504062138.AA19860@ednet1.osl.or.gov>
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howard, here...
It is all for sale...one can only have just so much stuff
around. The gifts I give are non-glass objects that I have
traded my glass work for. My warped ideas( can not spell
philosophy) is that if I give my own work away, it has no
monetary value. One of my second favorite phrases is "I wii
pay for it or the materials if it is NOT too much money".
I have made a decision not to have my family try to keep me
in business. It works!
Enjoy

>From owner-glass Sun Apr  9 13:29:27 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: mirrors
Date: Sun, 09 Apr 1995 15:52:06 EDT
Message-ID: <013.05311685.MPGP79B@prodigy.com>
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Hi Sue - I guess I was waiting for some of the more experienced folks
out there to answer you with regard to mirrors.  I want to do a mirror
project also, but haven't gotten down that far on my list yet!  I did
ask about the general do's and don'ts in the class I took, and even
wrote down the advice, which I'll be glad to share.  I haven't actually
tried any of this yet, so anyone out there should feel free to chime
in...

1.  Before doing anything else, protect the silvering on the back of
the mirror by coating it with clear polyurethane or a spray-on mirror
sealant sold for the purpose.  Let it dry.

2.  When cutting, cut with the right (reflective) side up, since the
back is covered with polyurethane and would not score well (to say
nothing of what it does to the cutter).  Keeping a sheet of plain paper
under the mirror when cutting lets you shake off glass crumbs easily
after EVERY cut, to keep from scratching the silvering.

3.  To grind, hold the piece wrong side up (reflection down, coating up)
 OR
cover the grinder platform with a newspaper base and grind right 
(reflection) side up.

4.  The very minute you have finished grinding, coat the mirror edges
with a mirror sealant to keep flux off and black spots away.  

5.  If possible, use foil backed in the same color you plan to use for
patina, especially if planning black patina.  It isn''t as noticeable
or distracting when reflected in the mirror.

6.  Using organic flux (#30 Superior was mentioned) helps to avoid the
dreaded black spots over time.

Hope it helps!  Let us know how it turns out.  	Peggy


>From owner-glass Sun Apr  9 18:28:57 1995
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From: mycrump@cris.com (Daryl P. Dacko)
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Subject: unsubscribe
Date: Sun, 9 Apr 95 21:27:53 EDT
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unsubscribe


>From owner-glass Wed Apr 12 19:36:08 1995
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From: cooperd@Camosun.BC.CA
To: GLASS@BUNGI.COM
Subject: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 19:31:47 -0800 (PST)
Message-ID: <1995Apr12.113147.0>
Reply-To: glass@bungi.com
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Sorry, Howard I got so busy with everything I forget to reply to you. The 
panel which I said had so many pieces is in feet otherwise it would have been
an awfully small window anyway my original question was " is it ok to cut one
piece at a time rather than cut out the whole pattern first." I am doing 
it this way for a try it's not bad, but of course it's taking forever to 
finish. Yes, thanks I did receive your instructions for the panel 
lampmaking.   Donna!!!

>From owner-glass Wed Apr 12 22:47:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 22:47:06 -0700
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Hi Donna,
When you get to "my age" it is easy to forget, as I do not remember
your question. IMHO I feel that cutting one pattern piece at a time
is fine as they are easy to keep track of. The few windows I have
done, I usually have blocked off in sections, and cut the background
as a solid block and then cut away what was to replaced with other
glass, this uses up extra background, but tends to allow for
more accurate lines and fitting. The windows I am referring to were
blocked off like a tic-tac-toe board with many curves changing
colors under the zinc came.
A lot of words to answer your question.
Enjoy...Howard

>From owner-glass Fri Apr 14 13:33:52 1995
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From: mrum@idirect.com (mike & carol)
To: glass@bungi.com
Subject: Gatewayed mail message
Date: Fri, 14 Apr 1995 16:38:12 -0400
Message-ID: <199504142038.QAA08324@lucid.idirect.com>
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subscribe mrum@idirect.com


>From owner-glass Fri Apr 14 15:06:07 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Where is everyone?
Date: Fri, 14 Apr 1995 17:24:08 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Well, folks,  is everyone really busy, or do we just need some new
topics?

I haven't had time to do more than gaze longingly at my worktable as I
pass by lately.  Too much to do at work  -- some of the neglected
paperwork has been coming home with me, leaving little time for hobbies,
but I hope to end that trend soon! 

For lack of any "real" glass topic at the moment,  I thought I'd send
along an item that showed up on a crafts bulletin board in Prodigy.  I
didn't remember to get the name of the originator, so I can't give
credit where it is due, but I thought some of you might enjoy....

		 Murphy's Laws for Glass Workers

Murphy's Original Law:  Anything that can go wrong, will.

Solder Law:  Hot solder looks exactly like cold solder. 

Breakage Law I:   The number of bad breaks you get is directly
proportional to  the price of the glass.  

Breakage Law II:   The number of bad breaks is in inverse proportion to
the amount of glass on hand. 

Breakage Law III:   The number of bad breaks is directly proportional
to the  distance from your supplier.    

Replacement Law:   The moment you replace a lost tool with a new one,
you will find the original.

Installation Law I:   The time required to install is directly
proportional to the  number of people watching. 

Installation Law II:    The one tool you desperately need is back at
the studio.

Law of Studio Geometry:   Any horizontal surface attracts clutter. 

At the most difficult point in the construction of any  project, the
phone will ring.

The moment your hands touch lead, flux, or patina,  extreme hunger
pangs will commence.  

 Everyone knows someone who does glass.....cheaper.  
 
One lead joint will always be unsoldered. 

There is no such thing as a clean stained glass window.   You can
always find
 a spot after you've installed it! 

The number of people you didn't know were listening is directly
proportional to the severity of the swear word used. 



>From owner-glass Fri Apr 14 15:06:51 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Gatewayed mail message
Date: Fri, 14 Apr 1995 15:06:07 PDT
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A[In the message entitled "Gatewayed mail message" on Apr 14, 16:38, mike & carol writes:]
> subscribe mrum@idirect.com
> 
You're now on the mailing list.  Anything you wish to submit
should be mailed to glass@bungi.com
I have included this months' back issues.

>From owner-glass Tue Apr  4 15:27:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: is anyone home?
Date: Tue, 4 Apr 1995 15:27:12 -0700
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What happened, did I scare everyone off...I only lightly brushed
the surface.
Enjoy

>From owner-glass Tue Apr  4 19:15:06 1995
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From: cooperd@Camosun.BC.CA
To: glass@bungi.com
Subject: scared off!!
Date: Tue, 04 Apr 1995 18:46:43 -0800 (PST)
Message-ID: <1995Apr4.104643.0@Camosun.BC.CA>
Reply-To: glass@bungi.com
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Hi, thanks for saying something, I thought something had happened out there
in computer space.  I guess everyone is busy with their projects and 
work, it sometimes interferes with things, I'm lucky here working in the 
library and always checking my messages, since a lot of
communication goes on throught e-mail and we also do inter campus loans
through the system. Anyway, I am working on a window oh! say about 2 3/4 by
1 3/4  I find this quite difficult because of all the small pieces, I know
all of you professionals have probably done thousands of lamps and things
with small pieces but me as an amateur who has only taken a couple of classes
find it challenging, anyway I am cutting each piece separately this time
which makes it a bit more fun and It's working out fine, what do you think
of this.  I would like to know what everyone else is doing, sounds like a lot
of you are making lamps, I've only make 2. One turned out beautiful, I 
made in a class of course and the other one which was a mini lamp, well its
ok, a little crooked I guess you could say, but ok for my bedroom with a 
little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
away with classical music and find this hobby quite inspiring.  Donna!!!!!

>From owner-glass Tue Apr  4 20:28:20 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Tue, 4 Apr 1995 20:27:41 PDT
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[In the message entitled "is anyone home?" on Apr  4, 15:27, Elaine Lea Rubin writes:]
> 
> What happened, did I scare everyone off...I only lightly brushed
> the surface.

I'm still here.,.....

Glenna


-- 

>From owner-glass Tue Apr  4 20:43:44 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Tue, 4 Apr 1995 20:42:39 PDT
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[In the message entitled "scared off!!" on Apr  4, 18:46, cooperd@Camosun.BC.CA writes:]

> of this.  I would like to know what everyone else is doing, sounds like a lot
> of you are making lamps, I've only make 2. One turned out beautiful, I 
> made in a class of course and the other one which was a mini lamp, well its
> ok, a little crooked I guess you could say, but ok for my bedroom with a 
> little dim bulb in it. I'm not proud of it as you can tell, anyway I perserve
> away with classical music and find this hobby quite inspiring.  Donna!!!!!

I have done 2 flat panel type project.  Both have turn out very well.
  For Christmas I did about 10 suncatchers for friend and relatives.
I'm am current working on a lamp.  I've never had a class yet (Starts
May 4) on lamp making, but thought I tackle it anyway.  So far
so good....I don't get to work on it every day though, so it
may be a long process.

Glenna

-- 

>From owner-glass Wed Apr  5 05:41:08 1995
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From:         Dorothy <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Designs
Date:         Wed, 05 Apr 95 08:34:40 EDT
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My last couple of designs (about 10"x7") have been athletes...an ice
skater and a basketball player.  These figures need to be surrounded by
background glass, what with the limbs sticking out and all.  I found it
more nteresting visually (and more economical with the glass) to make
the surrounding glass an irregular shape that rather echoes the
movement of the figure, than to set them into ovals or rectangles.
Dorothy
  ***Sending from Connecticut, home of National Champion UConn
   Women Huskies***

>From owner-glass Wed Apr  5 07:25:04 1995
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From: cutler@Wittenberg.EDU
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 05 Apr 1995 10:24:29 EDT
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Not the least bit scared, Howard; just busy at the moment.
I'm remodeling my workshop. Building a new, general-purpose workbench
as well as expanding shelf space for a variety of materials, including glass
supplies.  I'm between projects.  Takes a while for the creative juices to
ferment, I suppose.  AND it's cold in Ohio at the moment, which
makes my workshop a bit on the chilly side.  I need to improve the heat supply
for that room!  BUT I do have plenty of time to check e-mail, so if you have
more suggestions about lamp construction - I'm especially interested
in proper soldering iron temperatures for foil work, for example - I'd be glad
to hear your thoughts.  And of course,how do you price a lamp - that's always
a bit of a mystery. You've said some things about this but I could use some
more direction.  Thanks again.  Your help has been valuable and greatly
appreciated out here.  Bob Cutler

>From owner-glass Wed Apr  5 09:22:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 09:22:29 -0700
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Howard, here
Dorothy, although I do very few windows, and even fewer of them
"free-form", when my students insist, I usually try to clean up 
the design... that is minimize the lead lines(antennae). If you
intend to frame a piece, the irregular edges would make it
rather difficult, so, a neat trick is to use BLACK glass to
square it off. After you black patina the piece, the lead line
seems to disappear, and framing is easy. If you are going to hang
it without a frame, make sure your hanging hardware is soldered
in to the foil joints.
Enjoy

>From owner-glass Wed Apr  5 10:02:25 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: re: scared off
Date: Wed, 5 Apr 1995 10:02:32 -0700
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Howard 2nd time,

Dear Bob,

I use an Ungar 1,000 iron for all the rough work ,tacking, tinning.

The final beading is done with an 1,100 hp heater also Ungar. I 

save the corrroded ones for the rough work, and finish with a 

good tip. Because of the heat, I have a rheostat to control the

iron, low when tacking and rough soldering, UP full when doing

the final beading.

As for pricing, Keep track of the time in production, I use an

analog clock with an on and off switch in the line. Set it for 12

when you start, turn off when done(sometimes many times a day)

Keep records of glass consumption... measure starting and finish

size of the sheet, also solder, cap, base bulb, and any other stuff

that you used. Total $ cost, figure labor time( plan on getting faster)

Most galleries and stores double their wholesale cost, so compare 

what you want for the piece and see if it is competitive with what is

out there, remember a lot of work comes out of the Orient, and they

earn about $2.00 per day. It ain't easy to undersell that! All we can

sell is made in USA and quality!!! 

TO ALL THE LIST>>> I highly recommend signing and numbering

your work, keeping track of the patterns for future duplication, and

the name of the owner if possible.

If you put any work out for sale, keep the prices consistant, and if you

sell direct, attempt to get retail for your work, as if someone will buy it

in a store for $100.00, why should you not also get $100.00, too.

More to come later, if needed.

Enjoy


>From owner-glass Wed Apr  5 10:17:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: scared off!!
Date: Wed, 5 Apr 1995 10:17:43 -0700
Message-ID: <199504051717.AA05563@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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Howard, times 3
Donna, you did not say whether it is feet or inches that
you are working with. My crowning window was 1sq ft with
about 400 pieces in it. Never again, unless for big bucks.
I flooded the e-mail list with "simple" instructions for
sizing and technique for panel lamp making, and if you
were fortunate enough to miss it, I may still have it in
a pfs file, so if you have any desire for the instructions,
let me know and I can send it direct.
The more you practice ,the better you get! Do not be 
afraid to be your own harshest critic.
Enjoy

>From owner-glass Wed Apr  5 10:21:38 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: is anyone home?
Date: Wed, 5 Apr 1995 10:21:36 -0700
Message-ID: <199504051721.AA06457@ednet1.osl.or.gov>
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Howard, times 4 but who is counting
Hello Glenna
Enjoy

>From owner-glass Wed Apr  5 11:14:31 1995
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From:         HCLADM02@UConnVM.UConn.Edu
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Wed, 05 Apr 95 14:11:07 EDT
Message-ID:   <950405.141315.EDT.HCLADM02@UConnVM.UConn.Edu>
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These pieces are not intended to be framed...they are sort of oversized
suncatchers..and I've been doing this for years.  I hope most of my
hanging problems are over.  Part of my design work is to always create
good place(s) to anchor my hanging loops.

Dorothy

>From owner-glass Wed Apr  5 14:19:07 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Wed, 5 Apr 1995 14:19:14 -0700
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HOward, here...
Dorothy, thanks for the clarification on the purpose of the
free form pieces...after many years, you must be pretty good
at 'em. Do you sell them or what.
enjoy

>From owner-glass Thu Apr  6 03:20:16 1995
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From: Sue Eiszler <eiszler@cps.cmich.edu>
To: glass@bungi.com
Subject: mirrors
Date: Thu, 6 Apr 1995 06:19:12 -0400 (EDT)
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Hi all,
	A friend has asked me to make a mirrored candle holder for her.  
I've never worked with mirrors before so would appreciate some tips (lead 
came is my thing).  I know that there is some kind of spray to use on the 
edges, but does it work?  What else can I do to avoid the destruction of 
the silvering?  
	Thanks in advance.

Sue
eiszler@cps.cmich.edu


>From owner-glass Thu Apr  6 05:33:18 1995
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From:         Dorothy Kalahan <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Re: Designs
Date:         Thu, 06 Apr 95 08:24:05 EDT
Message-ID:   <950406.083218.EDT.HCLADM02@UConnVM.UConn.Edu>
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Hi, Howard et al
      I sell.  I must confess, I am not terribly interested in
lamps, so was trying to get another conversation started.
I like to do my own designs.  As far as the basketball player goes,
I made a big mistake.  I made a male player.  Should have done a
female player...around here, the lady Huskies (NCAA champions) are so
hot, Sports Illustrated did a special regional issue.  Maybe by next
year.  This is a craft fair type business right now and I have only so
much time with my full time job and my evening teaching.
Dorothy

>From owner-glass Thu Apr  6 14:45:48 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Designs
Date: Thu, 6 Apr 1995 14:38:12 -0700
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howard, here...
It is all for sale...one can only have just so much stuff
around. The gifts I give are non-glass objects that I have
traded my glass work for. My warped ideas( can not spell
philosophy) is that if I give my own work away, it has no
monetary value. One of my second favorite phrases is "I wii
pay for it or the materials if it is NOT too much money".
I have made a decision not to have my family try to keep me
in business. It works!
Enjoy

>From owner-glass Sun Apr  9 13:29:27 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: mirrors
Date: Sun, 09 Apr 1995 15:52:06 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Hi Sue - I guess I was waiting for some of the more experienced folks
out there to answer you with regard to mirrors.  I want to do a mirror
project also, but haven't gotten down that far on my list yet!  I did
ask about the general do's and don'ts in the class I took, and even
wrote down the advice, which I'll be glad to share.  I haven't actually
tried any of this yet, so anyone out there should feel free to chime
in...

1.  Before doing anything else, protect the silvering on the back of
the mirror by coating it with clear polyurethane or a spray-on mirror
sealant sold for the purpose.  Let it dry.

2.  When cutting, cut with the right (reflective) side up, since the
back is covered with polyurethane and would not score well (to say
nothing of what it does to the cutter).  Keeping a sheet of plain paper
under the mirror when cutting lets you shake off glass crumbs easily
after EVERY cut, to keep from scratching the silvering.

3.  To grind, hold the piece wrong side up (reflection down, coating up)
 OR
cover the grinder platform with a newspaper base and grind right 
(reflection) side up.

4.  The very minute you have finished grinding, coat the mirror edges
with a mirror sealant to keep flux off and black spots away.  

5.  If possible, use foil backed in the same color you plan to use for
patina, especially if planning black patina.  It isn''t as noticeable
or distracting when reflected in the mirror.

6.  Using organic flux (#30 Superior was mentioned) helps to avoid the
dreaded black spots over time.

Hope it helps!  Let us know how it turns out.  	Peggy


>From owner-glass Sun Apr  9 18:28:57 1995
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unsubscribe


>From owner-glass Wed Apr 12 19:36:08 1995
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From: cooperd@Camosun.BC.CA
To: GLASS@BUNGI.COM
Subject: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 19:31:47 -0800 (PST)
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Sorry, Howard I got so busy with everything I forget to reply to you. The 
panel which I said had so many pieces is in feet otherwise it would have been
an awfully small window anyway my original question was " is it ok to cut one
piece at a time rather than cut out the whole pattern first." I am doing 
it this way for a try it's not bad, but of course it's taking forever to 
finish. Yes, thanks I did receive your instructions for the panel 
lampmaking.   Donna!!!

>From owner-glass Wed Apr 12 22:47:57 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: PANEL OF MANY PIECES
Date: Wed, 12 Apr 1995 22:47:06 -0700
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Hi Donna,
When you get to "my age" it is easy to forget, as I do not remember
your question. IMHO I feel that cutting one pattern piece at a time
is fine as they are easy to keep track of. The few windows I have
done, I usually have blocked off in sections, and cut the background
as a solid block and then cut away what was to replaced with other
glass, this uses up extra background, but tends to allow for
more accurate lines and fitting. The windows I am referring to were
blocked off like a tic-tac-toe board with many curves changing
colors under the zinc came.
A lot of words to answer your question.
Enjoy...Howard

>From owner-glass Fri Apr 14 13:33:52 1995
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Date: Fri, 14 Apr 1995 16:38:12 -0400
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subscribe mrum@idirect.com





-- 

>From owner-glass Fri Apr 14 16:01:26 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Where is everyone?
Date: Fri, 14 Apr 1995 16:01:35 -0700
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Howard here...
Without any specific questions to answer, I have very little say
that would be worth reading...My classes have entered the third
week and the beginning students have become fairly proficient
in breaking glass. They have yet to do any serious soldering.
Most of them have a small panel lamp ready to pull up into the
cone shape.
The thought for a while is...
Time flies like lightning, fruit flies like banannas.
Enjoy

>From owner-glass Mon Apr 17 05:46:08 1995
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From:         Dorothy Kalahan <HCLADM02@UConnVM.UConn.Edu>
To:           glass@bungi.com
Subject:      Inclusions
Date:         Mon, 17 Apr 95 08:39:50 EDT
Message-ID:   <950417.084405.EDT.HCLADM02@UConnVM.UConn.Edu>
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Okay, here's a topic...how many people try (and how many succeed) at
including things other than stained glass in stained glass pieces.
I've seen shells (they are so porous, they must be coated with something,
I guess).  Last I tried, I bought a resin cameo from a craft shop and
set it into a business card holder.  I was EXTREMELY careful to keep
flux on the foil only, soldered quickly, also patined carefully.
It looks quite elegant.  (Ah-ha I may be onto something.)
Dorothy

>From owner-glass Mon Apr 17 15:44:36 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Inclusions
Date: Mon, 17 Apr 1995 15:44:34 -0700
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This is Howard...
In a moment of weakness along time ago, I purchased some half
Nautilus shells. There were a couple of others putting them in
hexagons and using them for window hangers. I cut a fan shape
and used a shell fan lamp base for the lightsource. They sold well,
and were easy to make. The Nautilus shell is practically impossible
to destroy with solder, flux or patina, and comes either natural
or polished. I also have used agate slabs in panel lamps, and
by commission have hung crystals and pendants in panel lamps.
I have a buddy who makes millifiori fish in ovals, and we have
jointly put out work in lamp shades. Another very traditional
useage are turtle backs(glass) and can go in a variety of projects.
Anything you can shape, foil, and will not melt with solder can 
probably be used. Because I do mainly lamps, I look for trans-
lucent qualities.If you have any specific questions ask away.
enjoy!

>From owner-glass Mon Apr 17 19:18:11 1995
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From: wayne chase <chaseway@nbnet.nb.ca>
To: glass@bungi.com
Subject: Solder...Uggggh!!!
Summary: NB*net - New Brunswick's Regional Network 1-800-561-4459
Date: Mon, 17 Apr 1995 23:14:20 AST
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Hi Howard,

     Just a quick inquiry.....When it comes to solder, I still have some rough
spots.  Here are a couple of quick questions.  When I finish a curved piece
sich as a dome style lamp, my solder seems to look and feel like a porcupine.
Flat pieces are better. Why am I getting these "points" in my soldering?

     Also, how high should the bead of solder be above the glass?  Is there a
height by definition?

     Anyway, I would appreciate any comments you might have.  I have not been
doing much glass for the past couple of months as I have just completed an
exhibit of classic black and white portraiture, and was gearing up to the
opening night private showing and reception.  It went very well, and now I
need a break and change of pace from the darkroom for a while, so the glass is
calling to my inner interest.

     Have a good day,

     Wayne
     chaseway@nbnet.nb.ca


>From owner-glass Mon Apr 17 21:49:04 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Solder...Uggggh!!!
Date: Mon, 17 Apr 1995 21:48:44 -0700
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Howard. here
Wayne, a few suggestions and observations:
The points are probably from picking up the iron as you near a
joint that is already soldered. Not knowing what iron you are using,
I could also suggest a hotter iron, again I finish soldering with an
1,100 degree Ungar at full heat. When you solder make sure the iron
down on the foil, too. If the tip is floating on the surface, it will
tend to leave peaks in the solder. I use 50/50 solder. Make sure you
melt the joints as you cross them ,as they take more heat to run
together. 
As per the height of the bead, it is set by the width of the foil
and how carefully you fit the pieces before foiling and tacking.
Any gaps will fill with solder, and cause uneven looking beads.
I do not think a properly fit lamp can take too much solder.
I use a lot of Yogo stipple glass, and generally use 3/16 foil
on it. You can not raise a bead past a certain point(I have no
reference point) without it running out on the glass. Make sure
the lamp is level when soldering, as gravity will pull a bead
before it is set, and cause it to have waves. Soldering takes
a lot of practice and the mechanics are hard to articulate
on a screen. I use Glass Star Flux as I like the powerit has
to not burn off on the first pass with the iron. I also
either use a respirator or turn on the exhaust system when I 
am soldering. I personally feel that the organic flux (Laco)
does not solder or last well enough to use. It seems to corrode
while I am working.
Hpoe some of this makes sense and works for you.
Enjoy

>From owner-glass Tue Apr 18 09:39:47 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Copper foil Size
Date: Tue, 18 Apr 1995 09:38:53 PDT
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Hi,

I am currently ready to foil my lamp (as seen in "Easy to Make
Stained Glass Lampshades" by Ed Sibbett, Jr. - Plate 18)
I am interested in some advice as to what size of copperfoil to use.
So far one person suggested I use 7/32 for the largest piece. 
Then the rest in 3/16.  Then once the inside is soldered,..to re-foil
the outside of each panel before assembly.
Any other suggestions?

Glenna

-- 

>From owner-glass Tue Apr 18 17:15:35 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Tue, 18 Apr 1995 17:15:26 -0700
Message-ID: <199504190015.AA06755@ednet1.osl.or.gov>
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this is Howard...
Why make more work and complicate the project?
If the glass is 1/8" thick, such as Spectrum, use 7/32 foil
all around thr project. If the glass is thinner than 1/8, use
3/16 foil. DO NOT start and end on an exposed edge, that is one
without another piece of glass soldered to it. Assemble each panel
in a jig making sure abutting pieces line up with a reference
mark on the jig. That should keep you busy for a few minutes.
When in doubt...ask.
Enjoy

>From owner-glass Tue Apr 18 17:20:48 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Solder...Uggggh!!!
Date: Tue, 18 Apr 1995 17:20:53 -0700
Message-ID: <199504190020.AA07973@ednet1.osl.or.gov>
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Hi Wayne...
A follow up to the solder tome, I am interested in what you do
as a photographer and how and what you show and where and anything
else you have the time to discuss. If you want to keep it somewhat
personal, e-mail to me direct, rather than to the list. Hope the
solder hints worked.
enjoy

>From owner-glass Wed Apr 19 00:10:29 1995
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From: burtman@PrimeNet.Com (Burt Eastburn)
To: glass@bungi.com
Subject: First lamp-how does one tin the cap?
Date: Wed, 19 Apr 1995 00:09:43 -0700
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Found a nice brass cap for my first lamp, have been told that I should tin
the brass cap.       
Can anyone give me some insight on the best way to do this?

Thanks  Lorley-significant other to Burtman my mail(male) host.


>From owner-glass Wed Apr 19 09:52:01 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: First lamp-how does one tin the cap?
Date: Wed, 19 Apr 1995 09:50:26 -0700
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Howard, here
Lorley, my first question is , why tin it? If the brass is clean
you should be able to patina it after it is done. By carefully 
fluxing the lower lip of the cap, and putting a small dab of solder
on it and letting gravity pull it down onto the foil as well.
I solder the cap firmly onto the glass from the inside. Make sure
you level the workbench as well as checking for level before 
installing the cap. I use a piece of welding rod bent at a
right angle for pushing out any panels that are not touching the
cap prior to soldering.
If you still decide or must tin it, flux it well, heat it with
a propane torch(use pliers to hold it) then lightly tin with
solder and run it with a hot iron. 
If you do not tin the cap and touch it with some solder that sticks,
DO NOT try to remove with the iron. Scrape or file it off.
Do not hesitate to ask for clarification on any phase of it.
Enjoy

>From owner-glass Wed Apr 19 13:21:28 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Wed, 19 Apr 1995 13:21:05 PDT
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[In the message entitled "Re: Copper foil Size" on Apr 18, 17:15, Elaine Lea Rubin writes:]
> 
> this is Howard...
> Why make more work and complicate the project?
> If the glass is 1/8" thick, such as Spectrum, use 7/32 foil
> all around thr project. If the glass is thinner than 1/8, use
> 3/16 foil. DO NOT start and end on an exposed edge, that is one
> without another piece of glass soldered to it. Assemble each panel
> in a jig making sure abutting pieces line up with a reference
> mark on the jig. That should keep you busy for a few minutes.

If I have already done several pieces with the 3/16 would you 
recommend that I start over.  The reason this guy told me to
use to 3/16 is that it would more delicate looking.  I'm worried now
that it may be too delicate..??

As for making a jig,..any hints??? especially being that the
bottom is rounded (with jewel)

Glenna


-- 

>From owner-glass Wed Apr 19 17:26:37 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Wed, 19 Apr 1995 16:55:50 -0700
Message-ID: <199504192355.AA16104@ednet1.osl.or.gov>
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Howard, again...
Glenna, with only a few foiled, and I assume you mean pieces, not
complete panels, Isee no reason to re-foil them. I stongly urge you
to make sure the outter pieces are 7/32 foil. If the glass is a 
little thinner on inner pieces, 3/16 is ok. To make an easy assembly
jig, first photo copy the pattern, laminate it with clear shelf contact
paper, place on shelf type or plywood board. Cut lath strips a little
longer than the length of the panel, and nail them along the panel
edge of the glass pattern.Provide a stop for the top, this does
not have to go all the way across, but provides a top stop for the
panel. You can then place the glass inbetween the strips for assembly
taking care to align the adjoining pieces. Amark on the lath strip
can be used for alignment, and with the pattern under the strips,
exact repetive placement can be achieved. Again, if you have any more
questions or are unsure...ask.
Well, off to school to browbeat, cooerce, cajole, explain, insist,
REPEAT, Etc., for my students. There are 3 domes working...
ENJOY

>From owner-glass Thu Apr 20 19:39:29 1995
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From: gjr@daver.bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Re: Copper foil Size
Date: Thu, 20 Apr 1995 19:38:17 PDT
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[In the message entitled "Re: Copper foil Size" on Apr 19, 16:55, Elaine Lea Rubin writes:]
> 

> Glenna, with only a few foiled, and I assume you mean pieces, not
> complete panels, Isee no reason to re-foil them. I stongly urge you
> to make sure the outter pieces are 7/32 foil. If the glass is a 
> little thinner on inner pieces, 3/16 is ok. To make an easy assembly
> jig, first photo copy the pattern, laminate it with clear shelf contact
> paper, place on shelf type or plywood board. Cut lath strips a little
> longer than the length of the panel, and nail them along the panel
> edge of the glass pattern.Provide a stop for the top, this does
> not have to go all the way across, but provides a top stop for the
> panel. You can then place the glass inbetween the strips for assembly
> taking care to align the adjoining pieces. Amark on the lath strip
> can be used for alignment, and with the pattern under the strips,
> exact repetive placement can be achieved. Again, if you have any more
> questions or are unsure...ask.

Hi Howard,

Thanks for the advice,..I removed the foil on the 6 pieces and went
ahead and used 7/32 on all.  The outside pieces would have been in
3/16 and I will definately take your advice on them being wrapped
in 7/32.  You are so helpful,...thanks again!

Glenna


-- 

>From owner-glass Fri Apr 21 18:09:57 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Grinder heads
Date: Fri, 21 Apr 1995 19:41:04 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Well, the poppy lamp is finally wired and hung, with the large bulb
recommended by Howard.  I can't believe it...  It's a strange feeling
to have it actually DONE.  It looks good for a first effort, but (of
course) there are always those things that one would do differently if
doing it again!  

My question:  is it worthwhile to use one of those slanted grinder
heads that are meant to put an angle on the sides of the glass, causing
them to meet more accurately and produce a thinner solder line? 

I also appreciated Howard's tips to Wayne about soldering - thanks! 
BTY,  Howard,  is it safe to make fruit fly jokes so close to the state
of California?  The last time I crossed that border, the fruit police
confiscated all 6 of my Washington state apples.  Good thing I hadn't
bought a bushel!  Coming from the east coast, I had no idea that fruit
police even existed.   ;-)     Peggy  


>From owner-glass Fri Apr 21 19:10:51 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Grinder heads
Date: Fri, 21 Apr 1995 19:10:36 -0700
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Howard(who may get himself in trouble)here...
Hello Peggy,
A good feeling to hand a finished lamp. For myself, the only (lamp)
feeling that is better is when the check clears the bank! After doing
over 200 domes, with as many as 16 of one style, I can still do
it differently...colors, density, shading, accents, types of glass,
and many combinations of same. Just altering emphasis on the grid
rows can change the feeling of a lamp.
In my opinion, nothing can be gained by using a beveled grinder
bit. I would make foiling more difficult, and may not offer a
wide enough gap between the panels for the solder to hold. Also,
you would have to experiment with the correct amount of panels, as
the angle decreases with more panels. If you are determined to
try, try a wedge on the grinder surface, and bevel one side, then
try fitting a few.
AS per the agriculture check...Perhaps California has enough
fruits and nuts already, as does not want any more coming in.
If you get a chance, alittle history of yourself would be nice.
As before, either me or the list...your choice.
Enjoy

>From owner-glass Thu Apr 27 18:23:08 1995
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From: cooperd@Camosun.BC.CA
To: GLASS@BUNGI.COM
Subject: QUIET
Date: Thu, 27 Apr 1995 13:58:56 -0800 (PST)
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Hi! everyone, boy is it quite, what's happened to everyone, my project has
slowed down right now since my husband bought a pool table at a garage sale
and decided to re-organize my workspace into another area of the house so
he could fit in the pool table, I wasn't able to be there when he did this
so everything is everywhere, hopefully I will be able to get back to it soon.
How's everyone else doing?

>From owner-glass Thu Apr 27 18:29:02 1995
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From: "Robert M. Crane" <rcrane@calvin.stemnet.nf.ca>
To: glass@bungi.com
Subject: Gatewayed mail message
Date: Thu, 27 Apr 1995 20:46:44 -0230 (NDT)
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	Subscribe Robert Crane [rcrane@calvin.stemnet.nf.ca]



>From owner-glass Fri Apr 28 05:32:31 1995
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From: wayne chase <chaseway@nbnet.nb.ca>
To: glass@bungi.com
Subject: Re: QUIET
Summary: NB*net - New Brunswick's Regional Network 1-800-561-4459
Date: Fri, 28 Apr 1995 09:28:16 AST
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On Thu, 27 Apr 1995 13:58:56 -0800 (PST),  cooperd@Camosun.BC.CA writes:
>
>Hi! everyone, boy is it quite, what's happened to everyone, my project has
>slowed down right now since my husband bought a pool table at a garage sale
>and decided to re-organize my workspace into another area of the house so
>he could fit in the pool table, I wasn't able to be there when he did this
>so everything is everywhere, hopefully I will be able to get back to it soon.
>How's everyone else doing?
>
 Hi! to you also.  I think the warmth of spring and the look at the state of
the yard from the long winter has a temporary change of priorities.  Everyone
must be out cleaning and planting. You might say..."From the grinder to the
rake"

 Have a nice day..

 Wayne.


>From owner-glass Fri Apr 28 07:45:13 1995
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From: Kristina Santilla <santilla@umd5.umd.edu>
To: glass@bungi.com
Subject: all kinds of things
Date: Fri, 28 Apr 1995 10:44:17 -0400 (EDT)
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A few dumb questions from a beginner:

1. I have a stained glass hanging lamp hard wired in my kitchen, and it 
   always looks filthy. Even right after I clean it, the lights show spots 
   on the clear crackle glass that are nearly impossible to get rid of. If I 
   spray water on it can I do any damage when the lights heat the glass? 
   I've seen a chandelier cleaner advertised that just sprays on and drips 
   off - might this work? I didn't make this, but now know to use more 
   opaque glasses in the future.

2. I am very unhappy with some copper patina work I have done. The copper 
   gets darkened sooo quickly. I tried to use a wire brush, clean it well, 
   and reapply, but it's still not as crisp and coppery as one I did 
   previously. Any hints? 

3. I was told that all work should have liquid wax put on it to increase 
   the life of the shine, but I hate the way the dried wax looks when it 
   dries where the solder meets the glass. After I've cleaned the bulk 
   off, of course. It's almost impossible to get out of the cracks. Do
   I have to wax it? Is there a better way?

4. I have a front door with brass came that I am going to make a 
   sidelight for. The sidelight will be much more intricate so I am going 
   to copper foil it. What should I use to get the patina to match the 
   brass? I have seen nothing on the market in the stained glass industry, 
   however, I have seen a small bottle of liquid used for applying gold 
   or gold-tone plating (about $30!!). Any thoughts?

Being a beginner, I have many more questions, just didn't want to look 
too stupid all at once.

I'm so glad that this list is available.

Thank in advance,

Krisi Santilla
Santilla@umd5.umd.edu



-- 

From owner-glass Fri Apr 28 09:54:30 1995
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From: LBettin@aol.com
To: glass@bungi.com
Subject: Quiet Here Too
Date: Fri, 28 Apr 1995 12:54:08 -0400
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Wayne is oh so correct -- the garden beckons and the glass waits.  So I will
pose a question -- I would be interested in knowing how you all purchase your
glass (i.e., what source, etc.).  I generally purchase from Warner-Crivello
by mail order, as they seem to have a good selection.  Are there sources out
there with better prices and more convenient way of ordering?  I live in
Carson City, NV and have to go to Reno (30 miles) to the glass store, in
emergencies.  I find all this rather frustrating, but have no other options
at the moment.  Perhaps I should sell a few pieces once in awhile and get a
resale number.  Right now I only do this for my own use and for presents for
friends and family ... hobby purposes only.  Any thoughts from all you fellow
glass buddies?  Looking forward to your comments.  Regards, Laura

From owner-glass Fri Apr 28 10:52:23 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: QUIET
Date: Fri, 28 Apr 1995 10:52:37 -0700
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This is Howard, a pool table can certainly cause you get "behind the
eight ball" If you shoot pool that terminology means something. I hung
around a pool room in NJ for 8 intense years. Probably was good enough
to turn pro, but decided that life style was not for the long range.
Gardening out here(Waldport,OR) is mostly in boxes and hanging plants, as we are in the sand, and without additives, most non-native stuff struggles.
We also do not get many "HOT" days. Over 70 is a heat wave. However, the
ocean view is more than adequate compensation.
It's only glass...enjoy

From owner-glass Fri Apr 28 11:09:09 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: all kinds of things
Date: Fri, 28 Apr 1995 11:08:56 -0700
Message-ID: <199504281808.AA06291@ednet1.osl.or.gov>
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Howard, again...Answers in order of ???
Dear Krisi,
The spray will not cause the glass to crack when the light is on.
The glass will heat slowly from the bulbs and should evaporate
any moisture left on the glass.
In order to get and keep a good CU patina...scrub the solder with
a harsh non-meatlic scrubber, apply the patina with a soft brush
until the solder coppers up. THEN use a polishing compound ( I use
simichrome) on the solder. That should give you a bright CU finish,
and the wax in the compound will protect the finish.
For a simple and non-permanent polish for black patinaed solder,
lemon oil type furniture polish or WD40 works, use it sparingly
so the glass does not get sticky. There are fairly good carnuba
polishes available from the SG suppliers. Spray on a rag first,
then apply to the seams.
Also on the market is (was) a Brass Patina finish, I have not tried
it so I cannot comment as to its quality.
It's only glass...enjoy

From owner-glass Fri Apr 28 11:22:10 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: Quiet Here Too
Date: Fri, 28 Apr 1995 11:21:37 -0700
Message-ID: <199504281821.AA10442@ednet1.osl.or.gov>
Reply-To: glass@bungi.com
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Me again...
Hello Laura, To quote a back east phrase"Macys does not tell
Gimbles everything". I am a registered wholesaler, and make
money reselling stuff to my following. Some of the wholesalers
sell to anyone and have a different price for each level of 
purchasing. IMHO I feel that if I buy 200# of solder, I should
be able to purchase a few cents better than if I bought 1#.
The same for tools and glass by the case. I cut to size, accurately
for my students, and supply unlimited info to them. Try this from
a mail order house. I also do NOT bail out others who come to me
with stuff I have not supplied and or want free help in my shop.
My standard line is "ask for service from where you got it".
I am not trying to browbeat here, but just stating how I view
service to my patrons. If you get a resale #, you may have to
guarantee a minimun or opening purchase, which usually eliminates
most hobbiests. 
It's only glass...enjoy

From owner-glass Fri Apr 28 11:27:50 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: Quiet
Date: Fri, 28 Apr 1995 13:12:40 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Spring is adding to the chore list here in Vt. too.  I still haven't
gotten to my worktable despite all the good intentions.  That gooseneck
lamp (with detailed directions from Howard all printed out) is waiting.
It seems like such a small, fast project, if I could only find the time
to get started!  Instead, here I am, clicking away a few free minutes
at my addictive computer...
 
It"s always nice to hear something about other folks on the list.  It
makes it more interesting to have a glimpse of  who the person behind
the note is, although I have to admit that it's hard to do!  It feels
like taking out an ad on the front page of a newspaper, and wondering
who is reading it... There's probably a certain amount of email that
we're sending to each other that doesn't make the list, and rightfully
so.  

Is there a way that we can also keep the list more active?  I know that
there are people from the internet crafts newsgroup who have been
looking for another forum for glass work.  If any of you have made it
here, won't you please join in?  I'd enjoy hearing what projects other
folks are working on or, like me, wishing they were working on!	:-)	
Peggy


From owner-glass Fri Apr 28 13:55:31 1995
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From: cooperd@Camosun.BC.CA
To: GLASS@BUNGI.COM
Subject: GLASS PURCHASES
Date: Fri, 28 Apr 1995 13:34:39 -0800 (PST)
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Re: your message about where people go to make there glass puchases, I feel
lucky here in little old Victoria, even though we only have one store its 
nice to go in there and browse, they sell glass, books patterns and just
about everything to do with stain glass.  The store is run by a family who
are all invovled in the business, they are great people who are willing to
help, I always spend too much when I go in there because everything is so
tempting!   Anyway, what do they charge for a sq ft of glass there, here its
about $5.00 and $8 - $12 for the good stuff.                   Donna!!! 


From owner-glass Fri Apr 28 18:51:20 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: GLASS PURCHASES
Date: Fri, 28 Apr 1995 18:50:49 -0700
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Howard, here...
Hello Donna, The few times we have gone norht past Seattle, we went
to Victoria, BC and enjoyed the are a lot. It is a naet place to play
tourist. I am not quite sure how your pricing for glass equates to 
US$. I generally sell Spectrum cut to accurate size for lamps from
$5.75 to $9.50 for Irid pink. The exotic handmades such as Uro or
Bullseye start from $13.50 to $21.00 for irid pink. Because most
of the glass is not production, I will usually keep a piece in
reserve until my buyer is finished with their project. For clients,
I put a package of repair glass aside with the lamp# on it for
future repairs. I mention that if the lamp is hurt and insured, the
owner can insist on my making the repair(BIG BUCKS) on some.
It is only glass...enjoy

From owner-glass Fri Apr 28 20:54:30 1995
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From: "Teresa M. Vaughn" <76531.71@compuserve.com>
To: "INTERNET:glass@bungi.com" <glass@bungi.com>
Subject: stained glass mailing list
Date: 28 Apr 95 23:52:19 EDT
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Donna told me about the stained glass mailing list.  I am interested in
participating.  
Teresa
Glass Works
INTERNET:76531,72@compuserve.com


From owner-glass Sat Apr 29 11:04:33 1995
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From: mrum@idirect.com (mike & carol)
To: glass@bungi.com
Subject: Re: all kinds of things
Date: Sat, 29 Apr 1995 14:27:49 -0400
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Hello everyone, this is Carol in Mississauga (the city Toronto is right
beside).  I have been monitoring this newsgroup for a couple of weeks now.
Originally had put out an e-mail in a craft.misc newsgroup and someone was
kind enough to e-mail me back about this group.  Joined immediately.

I have been working in glass for over 10 years now.  (Has someone hit the
fast-forward button on the VCR of life?)  I've done my share of small
sun-catchers, a 19inch Tiffany Baroque lamp for Mom, 2 bevelled chandeleirs
(Byron) and 2 relatively plain kitchen lamps.  Now, am working with a local
day-care on a fund-raiser.  You know how the schools take pictures of the
children twice a year, I approached them about my making teddy-bear picture
frames in glass capable of holding a 5x7 photo.  A portion of the selling
price goes back to the school.  Well, set my price, set my goal, and am very
pleased with the response.  2 samples are on display, sales are reasonable
and the children's pictures haven't come back from the photographers!!!!
Hopefully I will be innundated.
>
>.
>In order to get and keep a good CU patina...scrub the solder with
>a harsh non-meatlic scrubber, apply the patina with a soft brush
>until the solder coppers up. THEN use a polishing compound ( I use
>simichrome) on the solder. That should give you a bright CU finish,
>and the wax in the compound will protect the finish.

I clean the solder  of flux as soon as I can, in some cases the solder is
still warm.  Using a toothbrush or small scrub brush and baking soda (sodium
bicarbonate) and scrubbing every inch thoroughly removes the flux pretty
well for me.  Rather than a brush like Howard uses, I use a sponge to apply
patina and then find using Kem-O-Pro Stained Glass Finishing compound on the
glass and the solder and a good application of elbow grease gives a great
shine to plain or patinaed(?) solder and makes the glass feel silky.   In
fact, I've almost stopped using the CU patina because it does turn color so
easily.  Prefer black, polished or not and plain silver.  Never had a
problem spraying directly on the glass.  In fact, have let some pieces dry
for a week before polishing and not had a problem.  Yet.

Can you tell me what successes you've had with craft shows?  I can tell you
about failures . . . .

There is only  Spectrum glass...enjoy

talk to you later

Carol


From owner-glass Sat Apr 29 22:54:40 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: all kinds of things
Date: Sat, 29 Apr 1995 22:47:27 -0700
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Howard,here...
Hello Carol, Glad you are enjoying the list. As for craft shows,
I did Oregons ultimate, the Oregon State Fair as a working craftsman.
The person doing dried flowers was selling them as fast as she could
take money> I did only lamps and found that shows seemed not to draw
high end buyers($75.00 and up).
Because I do not do sun-catchers, I have no valid comments on sales
of same. The orient can sell them for pennies to re-salers which
makes it hard to undersell. My sales tyend to lean to large "Tiff"
repros, with dragon flies and bright florals generally selling
first. I show in some good areas where money may not be fisrt concern.
AS for your "There is only Spectrum Glass" I hope you are kidding.
It is for production pieces which I can duplicate from my card file
and not have to guess at the glass. I would NOT do a major piece
in anything other than hand-made exotic glass. That is what separates
my work from the "cheap stuff". Being close to where the glass is made
also helps in the selection. When you mail-order glass, the first sheet 
pulled is the one you get. I also lean towards the GOOD bronze
bases for my "Tiff" shades, and match the base to the shade when
possible. 
For the list in general, If any of you can get to see any of the
Tiffany" reference books, spend some time looking at the lamps
for color, phasing of color, how they look with the base, treatment
of the same lamp in different pictures and grid row colors, the lack
of symmetrical colors of repeats (sometimes flower petals and the next
repeat may be a leaf or background). Many times colors run into each
other, rather than specific delineation of patterns.
Sorry, I kind of got carried away...
It is ONLY glass...enjoy

From owner-glass Sun Apr 30 09:30:50 1995
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From: YJGE26A@prodigy.com (MRS ELSIE M TURQMAN)
To: glass@bungi.com
Subject: suspend mail
Date: Sun, 30 Apr 1995 12:04:25 EDT
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Please remove me from mailing list until further notice.  I 
have enjoyed interaction but will out of touch for a couple 
ow weeks.

yjge26a@prodigy. com

Elsie Turqman 



From owner-glass Sun Apr 30 10:33:37 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: Stained glass
Date: Sun, 30 Apr 1995 13:27:20 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Carol, as far as I'm concerned, the more people join, the more fun a
list is.  I've given the address to several folks on the internet
crafts group.  I wasn't the originator of this one.  I joined as a
result of checking the same newsgroup as you and replied to a message
from Glenna, who had said that she had a way of starting a mailing list
if there was interest.  I was thrilled to see it start because I don't
have a lot of glass contacts since the local shop closed.   There is a
professional studio doing architectural windows whose owner sells
supplies on a limited basis, but there isn't a forum for discussion or
instruction.  This has turned out to be a great source of information
for me, with some very nice and helpful people on line.  I'm glad
you're enjoying it, too.  (By the way,your line about hitting fast-
forward on the VCR of life is great.  Says it all for me!)  Peggy


From owner-glass Sun Apr 30 11:06:23 1995
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From: MPGP79B@prodigy.com (PEGGY M PALM)
To: glass@bungi.com
Subject: Re: colors in Tiffanies
Date: Sun, 30 Apr 1995 13:48:51 EDT
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-- [ From: Peggy Palm * EMC.Ver #2.10P ] --

Howard, have you ever seen the Egon Neustadt classic "The Lamps of
Tiffany"?  I've seen it advertised for just short of $200, but am not
willing to invest without some idea of what's in it.  I got the local
library to borrow a coffee table book "The Lamps of Tiffany Studios" by
Duncan and Feldstein.  Gorgeous photgraphy.  I wasn't allowed to take
it from the building, so could only take notes on use of color.  I
would like to have a good book of photos of Tiffany lamps for personal
reference.  Any recommendations as to which one from anyone?  Thanks! 
Peggy


From owner-glass Sun Apr 30 15:38:43 1995
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From: erubin@ednet1.osl.or.gov (Elaine Lea Rubin)
To: glass@bungi.com
Subject: Re: colors in Tiffanies
Date: Sun, 30 Apr 1995 15:38:57 -0700
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Hello Peggy, Howard here, Personal stuff to come later, but for
general consumption here goes...If you must make a choice, I feel
Nuestadt's is far the better for pictures(more than one of a style)
some history of the lamps, and a more accurate listing of complete
units(correct shade to base). The Dunc-Feld book is shows fewer
and only some of the flashier ones, with the correct base not always
depicted with the shade. I CAN have a Nuestadt book shipped to you,
and have you send me a check (maybe not in that order) for $185.00,
as in some earlier correspondence, I am willing to take a small profit
on sales that I would not usually have. 
To answer your ? on order of assembly, I cut all the pieces,(except)
grid rows) lay the whole lamp out on a large light table(put smaller
pieces of window glass on first so that you can remove them if necessary
to get to the table for candling of other glass), look for color phasing,
shading, dark under certain areas, overlapping of similar colors, and 
overall harmony. I then fit the top row, work down about a third, work
across and back up. AT NO TIME are there any holes to fill. I usually
have a few pieces ground that have ajoining pieces that fit and are
foiled and tacked on the form. The unfoiled ones can be adjusted to
fit where ever they meet the new pieces. If you take more than a month
to solder use a oil based flux. Make sure to tin all exposed CU foil
to help slow oxidation. It can be very difficult to select the glass
for the grid rows, so have some plan in mind before starting out.
More later as I will read the next mail shortly...
It is only glass...enjoy

