From owner-glass Wed Oct  1 07:23:23 2003
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From: "Mr. Jim Bankol" <jim_bankol@gawab.com>
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Subject: I NEED YOUR CONFIDENCE
Date: Wed, 1 Oct 2003 06:41:50 -0700
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Dear Sir=2C

First=2C I must solicit your strictest confidence to this mutal assistance and for the entire transaction=2C this is by it's nature of being utterly top confidential & secret for the sake of my life=2E
I am a Sierra Leonean businessman=2E I was formally into the importation and sale of medical equipment in my native country=2C Sierra -Leone=2E My operational base was in Freetown=2C the capital city=2E In January 1999=2C when the second civil war broke out in my country=2C over the years the trial of waging this barbaric mission and all the massacre has being in vain=2C my office and warehouse were burnt by the Revolutionary United Front Rebels=2C who invaded Freetown=2EIn that attack=2C I lost all my properties and assets=2E I was left with virtually nothing=2C except the little part that was left in my bank during the devasitating era of the evil Rebels=2E

When the United Nations sent in troops to quell the rebel's onslaught and there was a relative peace in Freetown=2C I returned to business=2C but this time=2C I invested my resources in the Mining of Diamond which abounds in my country and I exported the Diamond through the help of a third party=2C some Lebanese who were very much versed in the industry to Antwerp in Belgium=2E The returns I got from this business was quite good and my life was gradually picking up again until early this year when the Sierra- Leonia government banned private exportation of the Diamond deposit and also called on the United Nations to ban the sale of Sierra - Leonean Diamond at the international market=2E

The U=2EN obliged the government and it is now illegal to sell=2Fbuy Diamond emanating from Sierra-Leone=2E Following this action=2C the government of my country clamped down on all businessmen who had made fortunes selling Diamond=2E

Consequently=2C my newly acquired properties were seized again and I had no option than to leave the country immediately=2E But I did that only after I was able to first move my money out of the country=2E I had US$10=2E500=2C000=28Ten Million Five Hundred Thousand United States Dollars=29 in my domiciliary account in Freetown=2E I had to move the money out of the Country through a very confidentially arranged channel=2E This was done in very unconventional methods=2C by my friend an official at the =22Security Minting & Printing Company=22 of my country=2E

Now=2C the money is in OVERSEA COUNTRY under the custody of a private financial outfit in abroad=2E The help I am now seeking is someone who has good status and the capabilities of receiving the US$10=2E500=2C000 in his bank account=2C because I am on self-exile in a neighboring West African country from where I am trying to work out my traveling documents to enable me travel abroad=2E

All you need to have is a power of attorney from me=2C empowering you as the recipient of this fund in your bank account and give promisry note that handle everything accordingly=2E Secondly=2C after the said fund has been remitted into your bank account =2C I would want you to help me get a permanent resident permit in your country=2E
For your efforts and the expenses you may incur in the course of this transaction=2C you will be entitled to 30% of the total sum and I shall recompensate you on the expenses that might be incurred=2E But we shall have an agreement to the effect that you WILL NOT take or spend out of my =2870%=29 money until such a time when I am able to be with you=2E

Please=2C feel free to reach me on my  e-mail address=28jim=5Fbankol=40gawab=2Ecom=29 =2E Do remember when replying  me to include your full name and your direct telephone=2Ffax numbers preferably your private telephone and fax lines=2E

I must apologize for the inconveniences this may cause you=2E
Waiting to hear from you =2E
Best regards=2C
Mr=2EJim Bahkol


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From owner-glass Wed Oct  1 11:22:23 2003
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Subject: zinc patina
Date: Wed, 1 Oct 2003 13:38:38 EDT
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What is the best way to apply the black patina for zinc and polish?

Thanks
Maggie

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">What is the best way to apply the black patina for zin=
c and polish?<BR>
<BR>
Thanks<BR>
Maggie</FONT></HTML>

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From owner-glass Wed Oct  1 13:20:32 2003
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Subject: re: zinc patina
Date: Wed, 1 Oct 2003 14:32:57 -0500
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Well, I'm sure this will open up a few eyes, not to mention arguments =
but here goes!!  I've tried patina made for zinc and had less than =
satisfactory results.  By accident, I was able to achieve a neat patina =
on zinc by getting some copper for solder and black for solder on zinc.  =
Liked it so much, I don't even bother with the patinas made for zinc =
anymore.  I've used them seperate, I've used them mixed together, just =
depends on what I feel like doing.  I think the copper patina for solder =
actually gives a black finish but it's been awhile since I've messed =
with it so I might be wrong.  Get out some scraps and play, that's about =
my best advice.  Oh, and use good ventilation cuz it does "foam" a bit =
if you mix the two patinas but nothing that bothers me.  After it's on =
to your liking, let it dry 24 hours.  If you try to dry by wiping it, =
you'll wipe it right off.  I've had pieces patina-ed like this that have =
held up for 5 years so far and show no signs of coming off.  Just =
remember to wipe the patina off any glass or it will haze.  Sometimes =
but not often enough, I even get colors like gold and purples and greens =
using the mixture.  It's fun to play with it and see what you can come =
up with. =20

Just a side note, using black patina on copper creates some great =
colors!  You just have to really dump it on and not disturb it.  Good =
luck!!  
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DGeorgia size=3D4>Well, I'm sure this will open up a =
few eyes, not=20
to mention arguments but here goes!!&nbsp; I've tried patina made for =
zinc and=20
had less than satisfactory results.&nbsp; By accident, I was able to =
achieve a=20
neat patina on zinc by getting some copper for solder and black for =
solder on=20
zinc.&nbsp; Liked it so much, I don't even bother with the patinas made =
for zinc=20
anymore.&nbsp; I've used them seperate, I've used them mixed together, =
just=20
depends on what I feel like doing.&nbsp; I think the copper patina for =
solder=20
actually gives a black finish but it's been awhile since I've messed =
with it so=20
I might be wrong.&nbsp; Get out some scraps and play, that's about my =
best=20
advice.&nbsp; Oh, and use good ventilation cuz it does "foam" a bit if =
you mix=20
the two patinas but nothing that bothers me.&nbsp; After it's on to your =
liking,=20
let it dry 24 hours.&nbsp; If you try to dry by wiping it, you'll wipe =
it right=20
off.&nbsp; I've had pieces patina-ed like this that have held up for 5 =
years so=20
far and show no signs of coming off.&nbsp; Just remember to wipe the =
patina off=20
any glass or it will haze.&nbsp; Sometimes but not often enough, I even =
get=20
colors like gold and purples and greens using the mixture.&nbsp; It's =
fun to=20
play with it and see what you can come up with.&nbsp; </FONT></DIV>
<DIV><FONT face=3DGeorgia size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DGeorgia size=3D4>Just a side note, using black patina =
on copper=20
creates some great colors!&nbsp; You just have to really dump it on and =
not=20
disturb it.&nbsp; Good luck!!&nbsp; </FONT></DIV></BODY></HTML>

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From owner-glass Wed Oct  1 15:25:12 2003
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	for rglass-42; Wed, 1 Oct 2003 14:53:58 -0700 (PDT)
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X-Path: mindspring.com!johncarmichael
From: "John Carmichael" <johncarmichael@mindspring.com>
To: "Glass List" <glass@bungi.com>
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Subject: Patina on Copper
Date: Wed, 1 Oct 2003 14:45:16 -0700
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Hello Bungi List:

This is my first message since all that virus trouble, but it looks like =
the list is working ok now.

I too have a question about patinas.

I have a customer who wants me to electroplate a brass sheet with =
copper.  But he wants a grey-green copper patina on it.

My metal plating guy will electroplate the brass in copper, but then how =
do I get the copper plating to have a patina?  Can I wash it with some =
acid or other liquid?

Any of your expert thoughts much appreciated!

Thanks

John

John L. Carmichael Jr.
925 E. Foothills Dr.
Tucson Arizona, USA
Tel: 520-696-1709
Email: johncarmichael@mindspring.com
Sundial Sculptures Website: http://www.sundialsculptures.com
Stained Glass Sundials Website: =
http://advanceassociates.com/Sundials/Stained_Glass
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Hello Bungi List:</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>This is my first message since all that virus =
trouble, but it=20
looks like the list is working ok now.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I too have a question about patinas.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV>
<DIV><FONT size=3D2>I have a customer who wants me to =
electroplate&nbsp;a=20
brass&nbsp;sheet with copper.&nbsp; But he wants a&nbsp;grey-green =
copper patina=20
on it.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>My metal plating guy will electroplate&nbsp;the =
brass=20
in&nbsp;copper, but&nbsp;then how do I get the copper plating to have a=20
patina?&nbsp; Can I wash it with some acid or other liquid?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Any of your expert thoughts much =
appreciated!</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Thanks</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>John</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV></DIV>
<DIV><FONT size=3D2>John L. Carmichael Jr.<BR>925 E. Foothills =
Dr.<BR>Tucson=20
Arizona, USA<BR>Tel: 520-696-1709<BR>Email: <A=20
href=3D"mailto:johncarmichael@mindspring.com">johncarmichael@mindspring.c=
om</A><BR>Sundial=20
Sculptures Website: <A=20
href=3D"http://www.sundialsculptures.com">http://www.sundialsculptures.co=
m</A><BR>Stained=20
Glass Sundials Website: <A=20
href=3D"http://advanceassociates.com/Sundials/Stained_Glass">http://advan=
ceassociates.com/Sundials/Stained_Glass</A></FONT></DIV></BODY></HTML>

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From owner-glass Wed Oct  1 16:25:01 2003
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
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Subject: RE: Patina on Copper
Date: Wed, 1 Oct 2003 15:30:29 -0700 
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pee on it. another, not so fun way, is to spray salt water on it.

regards,
charlie
cave creek, az
-----Original Message-----
From: John Carmichael [mailto:johncarmichael@mindspring.com]
Sent: Wednesday, October 01, 2003 2:45 PM
To: Glass List
Subject: Patina on Copper


Hello Bungi List:

This is my first message since all that virus trouble, but it looks like the
list is working ok now.

I too have a question about patinas.

I have a customer who wants me to electroplate a brass sheet with copper.
But he wants a grey-green copper patina on it.

My metal plating guy will electroplate the brass in copper, but then how do
I get the copper plating to have a patina?  Can I wash it with some acid or
other liquid?

Any of your expert thoughts much appreciated!

Thanks

John

John L. Carmichael Jr.
925 E. Foothills Dr.
Tucson Arizona, USA
Tel: 520-696-1709
Email: johncarmichael@mindspring.com
Sundial Sculptures Website: http://www.sundialsculptures.com
Stained Glass Sundials Website:
http://advanceassociates.com/Sundials/Stained_Glass
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From owner-glass Wed Oct  1 20:20:52 2003
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From: "Byron Wells" <byronw26@comcast.net>
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Hey all..

I'm in search of a Wismach Wispy # WO 78.. Any leads would be =
appreciated.. I've checked with all my suppliers and they either are out =
or don't stock that color.. I took on a repair job in a moment of =
weakness ( I usually avoid repairs like the plague) and now I'm =
searching... Thanks in advance!

Byron...
Wells Glassworks


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<DIV><FONT size=3D2>Hey all..</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I'm in search of a Wismach Wispy # WO 78.. Any leads =
would be=20
appreciated.. I've checked with all my suppliers and they either are out =
or=20
don't stock that color.. I took on a repair job in a moment of weakness =
( I=20
usually avoid repairs like the plague) and now I'm searching... Thanks =
in=20
advance!</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Byron...<BR>Wells Glassworks</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From owner-glass Wed Oct  1 22:22:59 2003
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From: "Moya O'Neal" <moya.oneal@verizon.net>
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Subject: Re: Patine
Date: Thu, 2 Oct 2003 00:56:27 -0400
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Charlie,
    I sure can't think of a quicker way of accomplishing verdigris =
finish!  Of course it is simpler for some!
Moya
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<DIV><FONT face=3DArial size=3D2>Charlie,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; I sure can't think =
of a quicker=20
way of accomplishing verdigris finish!&nbsp; Of course it is simpler for =

some!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Moya</FONT></DIV></BODY></HTML>

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From owner-glass Thu Oct  2 05:22:42 2003
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Subject: re: patina on copper
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I've heard someone out there makes a "green verdigris" patina for =
solder, I think it might be by Jax.  I've looked all over and have never =
found it and would love to own some for myself.  If anyone knows who =
makes it and where it's available, I hope they share the info with this =
list. =20

I have no experience with electroplated stuff so I'm wondering about a =
few things.  Will this guy be electroplating the finished piece or just =
the brass before it's assembled?  If he's electroplating the finished =
piece, won't the solder also be electroplated with the copper?  If it =
is, then can't you use the same finish on the copper that you use on the =
electroplated brass?  Another question....if you have to electroplate =
the brass to be copper, why not just build it with copper came in the =
first place?  (of course I don't know what you're building so that might =
make a difference...) =20

Now here's a thought....if you build it out of copper, then have the =
thing electroplated in copper, (or whatever) one thing I found out =
(again by accident and probably just sheer laziness on my part) is that =
if you leave La-Co Brite regular soldering flux liquid on copper, it =
turns it that neat blue/green finish.  It helps if the humidity is high =
when it's "aging".  Whether or not this would work in your case, I'm not =
sure.  I built some garden art pieces out of solid copper ground wire =
and copper flashing this summer and just used this flux as a patina.  =
The point I'm trying to make is if you can't find a patina for the =
solder to turn it grey/green, if it's been electroplated would it not =
have a copper coating on it?  If so, then maybe try the La-Co Brite flux =
as the "patina".  It's non-acid, water soluable but after it dries on =
the copper (in my experience) it doesn't come off, even in the rain in =
the garden. =20

Or maybe it'd be easier to just pee on it like Charlie says....!  =
(thanks Charlie, that was a good one!)  As much as I like to experiment, =
I might try that.  Gee, I feel like a mad =
scientist....waaaaaaaahaaaaaaaahaaaaaaaaa
------=_NextPart_000_009E_01C388B0.9EAE71C0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DGeorgia size=3D4>I've heard someone out there makes a =
"green=20
verdigris" patina for solder, I think it might be by Jax.&nbsp; I've =
looked all=20
over and have never found it and would love to own some for =
myself.&nbsp; If=20
anyone knows who makes it and where it's available, I hope they share =
the info=20
with this list.&nbsp; </FONT></DIV>
<DIV><FONT face=3DGeorgia size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DGeorgia size=3D4>I have no experience with =
electroplated stuff so=20
I'm wondering about a few things.&nbsp; Will this guy be electroplating =
the=20
finished piece or just the brass before it's assembled?&nbsp; If he's=20
electroplating the finished piece, won't the solder also be =
electroplated with=20
the copper?&nbsp; If it is, then can't you use the same finish on the =
copper=20
that you use on the electroplated brass?&nbsp; Another question....if =
you have=20
to electroplate the brass to be copper, why not just build it with =
copper came=20
in the first place?&nbsp; (of course I don't know what you're building =
so that=20
might make a difference...)&nbsp; </FONT></DIV>
<DIV><FONT face=3DGeorgia size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DGeorgia size=3D4>Now here's a thought....if you build =
it out of=20
copper, then have the thing electroplated in copper, (or whatever) one =
thing I=20
found out (again by accident and probably just sheer laziness on my =
part) is=20
that if you leave La-Co Brite regular soldering flux liquid on copper, =
it turns=20
it that neat blue/green finish.&nbsp; It helps if the humidity is high =
when it's=20
"aging".&nbsp; Whether or not this would work in your case, I'm not =
sure.&nbsp;=20
I built some garden art pieces out of solid copper ground wire and =
copper=20
flashing this summer and just used this flux as a patina.&nbsp; The =
point I'm=20
trying to make is if you can't find a patina for the solder to turn it=20
grey/green, if it's been electroplated would it not have a copper =
coating on=20
it?&nbsp; If so, then maybe try the La-Co Brite flux as the =
"patina".&nbsp; It's=20
non-acid, water soluable but after it dries on the copper (in my =
experience) it=20
doesn't come off, even in the rain in the garden.&nbsp; </FONT></DIV>
<DIV><FONT face=3DGeorgia size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DGeorgia size=3D4>Or maybe it'd be easier to just pee =
on it like=20
Charlie says....!&nbsp; (thanks Charlie, that was&nbsp;a good =
one!)&nbsp; As=20
much as I like to experiment, I might try that.&nbsp; Gee, I feel like a =
mad=20
scientist....waaaaaaaahaaaaaaaahaaaaaaaaa</FONT></DIV></BODY></HTML>

------=_NextPart_000_009E_01C388B0.9EAE71C0--

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From: pressrelease@undo.net
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________________________________________________________________________

PRESSRELEASE: QUOTIDIANO DI CULTURA CONTEMPORANEA
http://undo.net/pressrelease
________________________________________________________________________

La cultura come ecosistema: Pressrelease - dove tutto e' in relazione,
territorio d'incontro, luogo senza confini geografici per una lettura
trasversale delle informazioni, per l'approfondimento e la conoscenza.

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

F O C U S

Artist at Work
New technology in textile and fibre art

Opere sorprendenti e spettacolari che uniscono crepe di seta e nastri
d'acciaio, pigmenti fosforescenti o inchiostri termocromatici, ottenendo
effetti dinamici e visivi inaspettati. 

Fino al 24 novembre al Museo del Tessuto di Prato, una mostra 'tattile' 
e interattiva per un museo proiettato nel futuro che conserva la memoria 
del passato.

Tutto nell'INSERTO:
	>> http://undo.net/pressrelease/pdf/focus9.PDF

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Lo SPECIALE di questa settimana:
OTTOBRE: le anticipazioni sulle mostre del mese.
Ma anche: le mostre in corso in ogni citta'.
Tutto nello SPECIALE di questa settimana pronto da STAMPARE

	>> http://undo.net/pressrelease/pdf/planning29092003.PDF

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
S  P  O  T


	Mo.C.A., Roma
	QUANDO LA PITTURA INCONTRA IL CINEMA

Un nuovo Laboratorio culturale dove le espressioni del linguaggio creativo si fondono: opere di Natino Chirico. Dal 6/10 al 16/10/03
http://undo.net/cgi-bin/press.pl?id=1064595360

#

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
E  V  E  N  T  I     D  I     O  G  G  I    [  3  /  10  /  2003  ]

	Milano, Raffaella Cortese
	RONI HORN
	dal 3/10/2003 al 22/11/2003

La galleria Raffaella Cortese si trasferisce nella nuova sede di Via Stradella 7, in uno spazio industriale di circa 300 metri quadri, che consentira' agli artisti di esprimersi anche attraverso grandi installazioni, performance e video-proiezioni. Per l'inaugurazione, Roni Horn, artista americana di indiscussa fama internazionale, presenta Cabinet of, un'installazione fotografica costituita da 36 immagini a colori.
http://undo.net/cgi-bin/press.pl?id=1065103836
Segnalato da: Raffaella Cortese
#

	Luxembourg, Casino Luxembourg
	OFF PROJECTS
	dal 3/10/2003 al 30/11/2003

Exhibitions. Heinz Cibulka, Izima Kaoru, Olu Oguibe, William Kentridge, Carine & Elisabeth Krecke', Olaf Nicolai, Christian Ragot.
http://undo.net/cgi-bin/press.pl?id=1065109839
Segnalato da: Enzo Umbaca
#

	London, Tate Modern
	SIGMAR POLKE
	dal 3/10/2003 al 4/1/2004

History of Everything. History of Everything showcases Polke's work over the last six years. This exhibition includes several groups of works made with the original venue in mind. Polke asked the museum to send him stacks of Texan newspapers, providing a rich source of material about local culture.
http://undo.net/cgi-bin/press.pl?id=1065112787
Segnalato da: Tate Modern
#

	Venezia, Museo Correr
	BRUCE CHATWIN
	dal 3/10/2003 al 30/11/2003

Nell'ambito della rassegna di letteratura ''Fondamenta'', Venezia rende omaggio ad uno dei maggiori scrittori-viaggiatori. Oltre 60 scatti documentano come appunti visivi i percosi di Chatwin per le piste del mondo, dalla Patagonia all'Afghanistan.
http://undo.net/cgi-bin/press.pl?id=1063871603
Segnalato da: Musei Civici Veneziani
#

	Caserta, Galleria Studio Legale
	CLAUDIA GRASSL
	dal 3/10/2003 al 3/11/2003

Young Americans. Ragazze e bambine della periferia degli States fotografate nelle loro abitazioni. I personaggi decritti nelle immagini non corrispondono al vero. C'e' la volonta' di avvicinarsi alla realta'; ma e' solo un'illusione, realizzata ricorrendo a un linguaggio mediato dalle riviste patinate e dai servizi di moda. Le immagini mostrano gli aspetti drammatici e inaccessibili dell'universo giovanile.
http://undo.net/cgi-bin/press.pl?id=1064927613
Segnalato da: Galleria Studio Legale
#

	Walsall, The New Art Gallery Walsall
	THREE EXHIBITIONS
	dal 3/10/2003 al 16/11/2003

Solo exhibition by Dan Holdsworth, Capturing Identity exhibition,Who built the Gallery? Photography by Ming De Nasty.
http://undo.net/cgi-bin/press.pl?id=1065110663
Segnalato da: Wilkinson Chris - The New Art Gallery Walsall
#

	Riva del Garda (TN), Museo Civico
	ALLA RICERCA DELLE MENTI PERDUTE
	dal 3/10/2003 al 31/10/2003

Viaggi nell'istituzione manicomiale. Temi guida sono i luoghi, le persone e le azioni che hanno contribuito nel corso dei secoli, fra il XVIII ed il XX, a dar forma a quel variegato universo identificato con il termine di manicomio. Tre fotografi e tre artisti affrontano il tema del disagio. A cura di Angela Madesani

http://undo.net/cgi-bin/press.pl?id=1065111949
Segnalato da: angela madesani
#

	Trento, Palazzo delle Albere
	TENDENZE ATTUALI DELL'ARTE ITALIANA
	dal 3/10/2003 al 16/11/2003

Mostra-concorso per la promozione dell'arte italiana: saranno in mostra le opere di dieci artisti italiani. La Fondazione VAF organizza ogni due anni una mostra-concorso che ha lo scopo esplicito di far conoscere le linee di ricerca degli artisti italiani.
http://undo.net/cgi-bin/press.pl?id=1065113318
Segnalato da: Luca Melchionna Ufficio Stampa Mart
#

	Brugge, Artonivo
	NORDIC BEAUTY
	dal 3/10/2003 al 30/11/2003

2 artists in duo. Rozalia Janovic (1964 yugoslavia), parchment objects on the wall and Merja Winqvist (1949 finland), paper sculptures.
http://undo.net/cgi-bin/press.pl?id=1065118142
Segnalato da: Artonivo
#

	Lugano, Galleria Doppia v
	ENRIQUE BRECCIA
	dal 3/10/2003 al 30/11/2003

Artista di fama internazionale nell'ambito del fumetto, Breccia e' poco conosciuto per le sue opere pittoriche poiche' esposte sporadicamente fra l'Argentina e gli Stati Uniti. Questa e' una grande occasione per visionare una serie di grandi dipinti, disegni e numerose tavole.
http://undo.net/cgi-bin/press.pl?id=1065113708
Segnalato da: Eugenia Walter
#

	Milano, Oltreluna
	MUTAZIONI DEL TERZO MILLENNIO
	dal 3/10/2003 al 4/10/2003

Mostra di pittura e performance di Sonia Biasi, Maurizia Manfredi e Mariuccia Rostellato. Le esperienze autonome e indipendenti delle tre artiste padovane si unificano attorno al tema dell'identita' e della sua trasformazione.
http://undo.net/cgi-bin/press.pl?id=1065114415
Segnalato da: Marilde Magni
#

	Richmond, Artspace Gallery
	THE FIGURE
	dal 3/10/2003 al 2/11/2003

Pastel works by gallery member emeritus, Beatrice K.Klein. This presentation of recent works in pastel is her first exhibition since 1993, when a retrospective show of her work was held at Artspace. Klein states, 'Although I have always been retrospective to the major shifts of modernist art, it is always rewarding and comfortable to return to the figure.'
http://undo.net/cgi-bin/press.pl?id=1065106127
Segnalato da: Artspace Administrator
#

	San Marino, CA, Absolute Art Gallery
	DIALOGUE
	dal 3/10/2003 al 25/10/2003

New Works by Selected Gallery Artists: Robert Inman, Yoshiko Inman, Lyndelle Stonick, Evgenia Gennadia Willis. With a strong passion for art, Absolute Art gallery will present a variety of excellent contemporary artists working in many different styles and media.
http://undo.net/cgi-bin/press.pl?id=1065102425
Segnalato da: Absolute Art Gallery
#

	Roma, Gard
	ARIA, TERRA, ACQUA, FUOCO
	dal 3/10/2003 al 18/10/2003

Ariela Bohm, Donatella Piras, Manilio Prignano, Ute Zocher.
La mostra e' imperniata su forti ricerche operate dai quattro espositori sui temi degli elementi primari della natura.
http://undo.net/cgi-bin/press.pl?id=1065106783
Segnalato da: soqquadro
#

	New York, McCaig-Welles Gallery
	SIMPLE PLEASURES
	dal 3/10/2003 al 31/10/2003

New Works by SP.One. A series of collages and a site-specific wall painting. The exhibition exemplifies the artist's continuing involvement with diverse media linked by a singular idea: to bridge the distinctions and blur the
boundaries between 'high' and 'low art'.
http://undo.net/cgi-bin/press.pl?id=1065107981
Segnalato da: Melissa K. Welles
#

	Losone, La fabbrica
	MARIO DONDERO
	dal 3/10/2003 al 25/10/2003

Una commedia umana - ritratti e reportage. I 35 lavori che saranno esposti fino al 4 novembre coprono un lunghissimo arco temporale - essendo state realizzate tra il '58 ed il '99 - e riguardano due tematiche fondamentali nell'opera del fotografo attualmente vivente in Francia: i reportages ed i ritratti.
http://undo.net/cgi-bin/press.pl?id=1065108952
Segnalato da: Riccardo Lisi
#

	Bologna, Sesto Senso
	COLLEZIONE PRIVATA
	dal 3/10/2003 al 23/10/2003

Di Guido Panighi e Ludovico Pesce. A cura di Elia e Stefano Questioli
http://undo.net/cgi-bin/press.pl?id=1065110344
Segnalato da: Sesto Senso
#

	Ravenna, S. Maria delle Croci
	IL VELO DI MAYA
	dal 3/10/2003 al 2/11/2003

Marjane Satrapi o dell'ironia dell'Iran, eccezionale mostra antologica delle 'strisce' della fumettista iraniana Marjane Satrapi.
http://undo.net/cgi-bin/press.pl?id=1065111288
Segnalato da: Pepita Promoters
#

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

A  L  T  R  I    E  V  E  N  T  I    D  I    O  G  G  I


Venezia
Presentazione libro - UNABOMBER, l'ultimo giorno. Racconto profezia di Mauro Covacich, scrittore, autore tra gli altri di L'amore contro, 2001 e A perdifiato, 2003. Collabora  con "Il Corriere delle Sera".
        
Ferrara
Arnaldo Pomodoro - Una stele dell'artista celebra la memoria di Giorgio Bassani, il grande scrittore scomparso.
        
Genova, fino al 6/11/03
Carta e Ferro - Ferro e Carta - Mirta Carroli e Giovanna Irdi Giannakoulas. Sculture
        
Magenta (MI), fino al 5/10/03
Colori ed emozioni - Dipinti di Lucia Molaschi
        
Montichiari (BS), fino al 6/10/03
Expoarte 2003 - Mostra mercato d'arte contemporanea.
        
Pistoia, fino al 24/10/03
Willy Brandt e il muro di Berlino - La mostra offre spunti di riflessione su un politico tedesco, a cui la Germania e l'Europa sono debitori. Tra le tappe più significative di questo 'visionario' della politica bisogna annoverare l'assegnazione del premio Nobel per la pace nel 1971.
        
Roma, fino al 3/11/03
Dentro la televisione - Video installazione + azione sul mondo della televisione, una critica aspra e serrata alla comunicazione di massa da parte di Alex Carosi.
        
Milano, fino al 31/10/03
Dorian X - 'Dorian X revealed', acrilici su tavola
        
Bologna, fino al 22/11/03
Time to take time - La giovane artista tedesca Christina Follmer affronta il classico tema del tempo 'rubando' testimonianze, riflessioni, pensieri
        
London, fino al 26/10/03
Retriever - Group show. Works by Armando Andrade Tudela, Pedro Cabrita Reis, Jefford Horrigan, Jeff McMillan, Richard Wentworth
        
Kerteminde, fino al 31/10/03
Werther Germondari 'A world in progress' - Una serie di 80 fotografie aventi come base un unico modulo attraverso il quale possiamo vedere un mondo in continua metamorfosi, come la societa' o l'uomo stesso, con le sue migrazioni, geografiche ma anche mentali.
        
New Haven
Strega @ Yale 2003 - Readings by Strega Prize winners Enzo Siciliano (1998); Domenico Starnone (2001); Melania Mazzucco (2003). Readings in Italian with English translation. Moderator: John Hollander, Yale University.
        
maggiori informazioni su http://undo.net/cgi-bin/press.pl?id=ALT1065132000
        
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Per inserire gratuitamente i vostri comunicati stampa e diffonderli
attraverso questa newsletter potete compilare questa scheda
http://undo.net/pressrelease/guest
________________________________________________________________________

Pressrelease viene continuamente aggiornato: sul web oggi troverai
gli approfondimenti sugli eventi di domani:
http://undo.net/pressrelease
________________________________________________________________________

PER  P E R S O N A L I Z Z A R E  QUESTA NEWSLETTER:

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--4na_38W01jC$72LQJ$46R.4dXw--

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From owner-glass Thu Oct  2 21:38:42 2003
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X-Path: earthlink.net!glasscutter
From: Gerry Phibbs <glasscutter@earthlink.net>
To: MB <mbeisner@charter.net>,
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Subject: Bungi - Re: patina on copper
Date: Thu, 02 Oct 2003 20:21:14 +0000
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References: <<1970Jan1.000.0@charter.net>>
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MB,


  Jax Chemical Company
  78-11 267th Street
  Floral Park, NY 11004
  (718) 347-0057
  (914) 668-8490 FAX

  They manufacture a number of patinas.. several varieties of that
"verde green" finish.  I haven't worked much with them, but when I did,
I found that temperature did factor into the quality of the finish, it
seemed to me, that when the item (lamps are what I was working on) were
warmed up a bit, things worked smoother, and I got a better, more
consistent finish.  Just remember that these verde finishes, are just a
fast and controllable means of putting an oxidation finish on the
copper, brass.. or whatever.. and as such, you've got to make sure that
the surfaces are dead bang clean before you begin.. fingerprints, areas
of flux residue, etc.. play hob with the end result.

  Peace  -Gerry, IGGA
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From owner-glass Fri Oct  3 09:25:49 2003
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: re: patina on copper
Date: Fri, 3 Oct 2003 11:04:35 -0400
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Message text written by "MB"
>I've heard someone out there makes a "green verdigris" patina for solder=
,
I think it might be by Jax.  I've looked all over and have never found it=

and would love to own some for myself.  If anyone knows who makes it and
where it's available, I hope they share the info with this list.  >

I have a full bottle of it.  I get mine from Rainbow Art Glass in Wall, N=
J.
 They sell both retail and wholesale.

<I have no experience with electroplated stuff so I'm wondering about a f=
ew
things.  Will this guy be electroplating the finished piece or just the
brass before it's assembled?  If he's electroplating the finished piece,
won't the solder also be electroplated with the copper?  If it is, then
can't you use the same finish on the copper that you use on the
electroplated brass?  Another question....if you have to electroplate the=

brass to be copper, why not just build it with copper came in the first
place?  (of course I don't know what you're building so that might make a=

difference...)  >

You electroplate the finished piece.  However, I've found that if you
refrain from puttying until after electroplating, this gives a superior
finish.  You can putty the panel, then have it electroplated.  But I foun=
d
that the electroplating process turned the putty a funny yellow color. =

Must have electroplated the microscopic bits of lead which leach into the=

putty.  So, I assemble the panel, solder hanging loops to the panel, have=

it electroplated, clip off the loops, and then finish the
puttying/cleaning.  The whole point of electroplating for me is to hide t=
he
solder joints inside the electroplating, so that all metal surfaces are
exactly the same.  Consequently, the answer to your question is "Yes", yo=
u
can use the same patina on all the metal.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Fri Oct  3 19:23:47 2003
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From: pressrelease@undo.net
To: glass@bungi.com
Subject: PressReleaseLight 4/10/2003
Date: Sat, 4 Oct 2003 03:26:10 +0200
Message-ID: <200310040126.h941QAL30198@web.gpa.it>
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________________________________________________________________________

PRESSRELEASE: QUOTIDIANO DI CULTURA CONTEMPORANEA
http://undo.net/pressrelease
________________________________________________________________________

La cultura come ecosistema: Pressrelease - dove tutto e' in relazione,
territorio d'incontro, luogo senza confini geografici per una lettura
trasversale delle informazioni, per l'approfondimento e la conoscenza.

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

F O C U S

La Natura racchiusa nel rettangolo di un'inquadratura non e' solo 
arte o documento, ma anche una forma di partecipazione sociale alla
tutela dell'ambiente.

Concorso Paesaggi della Biodiversita'

Fondazione Italiana per la Fotografia invita artisti, fotografi, scuole
e Universita', Musei e Associazioni a proporre fotografie e progetti 
per immagini legati al 'sistema natura'

In questo FOCUS:
si parla di ambiente e della biodiversita' che ci circonda, di come 
partecipare al concorso e delle sue linee guida

	>> http://undo.net/pressrelease/pdf/focus11.PDF

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Lo SPECIALE di questa settimana:
OTTOBRE: le anticipazioni sulle mostre del mese.
Ma anche: le mostre in corso in ogni citta'.
Tutto nello SPECIALE di questa settimana pronto da STAMPARE

	>> http://undo.net/pressrelease/pdf/planning29092003.PDF

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
S  P  O  T


	Perugi artecontemporanea, Padova
	DAILY APOCALYPSE/SURFIN' DEAD

Daily Apocalypse: il progetto di Marcel Dzama e Neil Farber, 28 metri di disegni, coniuga differenti percorsi creativi come nel lavoro in Royal Art Lodge. Surfin' Dead: nuove sculture di Jeff Ono nella project room. Dal 11/10/03 al 30/11/03
http://undo.net/cgi-bin/press.pl?id=1064929267

#

	Mo.C.A., Roma
	QUANDO LA PITTURA INCONTRA IL CINEMA

Un nuovo Laboratorio culturale dove le espressioni del linguaggio creativo si fondono: opere di Natino Chirico. Dal 6/10 al 16/10/03
http://undo.net/cgi-bin/press.pl?id=1064595360

#

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
E  V  E  N  T  I     D  I     O  G  G  I    [  4  /  10  /  2003  ]

	San Gimignano (SI), Galleria Continua
	DUE MOSTRE
	dal 4/10/2003 al 23/11/2003

In ''Elegante e straniero'', titolo della mostra di Zuffi, l'artista presenta la sua ultima serie di sculture e installazioni e un nuovo video. Accanto a queste opere e' inoltre esposta la serie completa di foto dal titolo ''La fronte al vetro'' realizzate ad Helsinki nel 1998. In linea con il lavoro presentato nel padiglione Italia dell'attuale Biennale di Venezia, De Bruyckere presenta nuove opere scultoree che approfondiscono una delle tematiche piu' ricorrenti del suo lavoro: la raffigurazione di figure umane o animali che dolenti si negano alla vista.
http://undo.net/cgi-bin/press.pl?id=1064505924
Segnalato da: Rosi Fontana
#

	Molfetta (BA), Torrione Passeri
	CARLA ACCARDI E H. H. LIM
	dal 4/10/2003 al 9/11/2003

Due protagonisti del contemporaneo chiamati a confrontarsi con un luogo espositivo medievale. Per il secondo appuntamento della rassegna ''I protagonisti dell'arte'' una nuova sfida per i maestri di oggi. A cura di Giacomo Zaza
http://undo.net/cgi-bin/press.pl?id=1063876009
#

	Antwerpen, MuHKA
	CITTADELLARTE - FONDAZIONE PISTOLETTO
	dal 4/10/2003 al 30/11/2003

Progetti, processi, persone. Una mostra per presentare Cittadellarte - Fondazione Pistoletto (Biella), le sue origini, la sua missione, la sua attivita'.
http://undo.net/cgi-bin/press.pl?id=1065186025
Segnalato da: Francesca Fossati
#

	Long Beach, Long Beach Museum of Art
	THREE EXHIBITIONS
	dal 4/10/2003 al 4/4/2004

Suenos y Encuentros: Works from the Collection by Latin American Masters. Clay Bodies: Staffordshire Figurative Ceramics from the Collection of Dr. and Mrs. Leslie Dornfeld.  Into the Woods.
http://undo.net/cgi-bin/press.pl?id=1065196097
Segnalato da: ArtScene
#

	Modena, Centro per l'impiego
	WORK IN PROGRESS
	dal 4/10/2003 al 4/11/2003

Sul tema del lavoro che cambia i fotografi Olivo Barbieri, William Guerrieri e Ciro Frank Schiappa sono stati invitati dalla Provincia di Modena, a realizzare tre progetti da allestire permanentemente presso il nuovo Centro per l'Impiego della citta'.
http://undo.net/cgi-bin/press.pl?id=1065202455
Segnalato da: nicoletta leonardi
#

	San Gimignano (SI), Rocca di Montestaffoli
	INTERVENTO DI TRE ARTISTI
	dal 4/10/2003 al 4/10/2003

Gli artisti invitati a partecipare a questa nuova edizione del progetto sono Micol Assael, Nico Dockx e Rirkrit Tiravanija che realizzeranno i loro interventi sui mezzi di comunicazione collettiva che sono parte integrante della vita della citta'.
http://undo.net/cgi-bin/press.pl?id=1065205432
Segnalato da: Rosi Fontana
#

	Brescia, Fabio Paris Art Gallery
	ARMIDA GANDINI
	dal 4/10/2003 al 8/11/2003

Gli asini non volano. I protagonisti dei suoi lavori sono bambini che desiderano comunicare piu' che un messaggio una decisione, una presa di posizione. ''Le immagini sono tratte sfogliando gli album di famiglia (a partire da quelli personali), un modo di rendere pubblico il privato allargandolo. Fotografie che erano destinate alla sola visione familiare cosi' diventano immagini di una memoria collettiva, come se si aprissero delle porte su dei mondi interiori'' spiega l'artista.
http://undo.net/cgi-bin/press.pl?id=1064498827
Segnalato da: Fabio Paris
#

	New York, D Amelio Terras
	JOANNE GREENBAUM
	dal 4/10/2003 al 1/11/2003

New Paintings. In her colorful new abstract paintings, partly inspired by a recent trip to Lake Como, Italy, Greenbaum explores systems of structural disjunction. Larger and more graphically complex than her previous work, the paintings simultaneously reveal multiple aspects of forms on the canvas. These multifaceted compositions nonetheless mask the effort that goes in to their making, appearing as natural as a spontaneous drawing.
http://undo.net/cgi-bin/press.pl?id=1065184242
Segnalato da: Brian Sholis
#

	Antwerp, Objectif_exhibitions
	COREY MCCORKLE
	dal 4/10/2003 al 8/11/2003

Through a rereading of modernist sculpture, design and the accomplishments of minimalism, the meticulously crafted artwork of Corey McCorkle conveys transformative experience. For the exhibition Pressing McCorkle rubbed an almost invisible razor-sharp motif on the wall.
http://undo.net/cgi-bin/press.pl?id=1065194859
Segnalato da: objectif_exhibitions
#

	Los Angeles, Raid Projects
	PS 1999 - 2003
	dal 4/10/2003 al 25/10/2003

An exhibition of a selection of the artists that have been
involved in the first five years of PS and will show video, photography, painting, wall work installations and sound pieces.
 
http://undo.net/cgi-bin/press.pl?id=1065194906
Segnalato da: Raid Projects
#

	New York, Martinez Gallery
	ERGO THUS
	dal 4/10/2003 al 8/11/2003

'Ergo Thus' is the second collaboration between Martinez Gallery and Jeffrey Charles Gallery, an artist-run space in London's East End. The show consists of 11 different artworks made by the 11 different artists represented in the show: Kate Allen, William Cruickshank, Tom Ellis, James Hopkins, Ian Monroe, Milika Muritu, Kev Rice, Dave Smith, Jemima Stehli, Chris Tosic, and Toby Ziegle.
http://undo.net/cgi-bin/press.pl?id=1065195437
Segnalato da: Martinez Gallery
#

	Denver, Denver Art Museum
	EL GRECO TO PICASSO
	dal 4/10/2003 al 4/1/2004

>From The Phillips Collection. El Greco to Picasso from The Phillips Collection is an exceptional compilation of European masterworks by 32 of the world's most renowned and beloved artists.
http://undo.net/cgi-bin/press.pl?id=1065196481
Segnalato da: Press Office
#

	Paris, Galerie Piece Unique
	YAYOI KUSAMA
	dal 4/10/2003 al 22/11/2003

Women depicted with an extremely graphic way, they 'fluctuate' in a field where the artist gives no spatial references.
http://undo.net/cgi-bin/press.pl?id=1065197114
Segnalato da: Galerie Piece Unique
#

	Berlin, Bunker
	PARADISE IN THE BUNKER
	dal 4/10/2003 al 2/11/2003

The 5th exhibition of the M°A°I°S project. On 3 floors and 2, 500 m² of exhibition space around 100 international artists from East and West will show installations, painting, photography, film and performance on the theme of Paradise.
http://undo.net/cgi-bin/press.pl?id=1065204914
Segnalato da: Paradise
#

	Modena, Galleria San Salvatore
	DAVIDE COLTRO
	dal 4/10/2003 al 1/11/2003

Misteri–Paintings_Video_Books. L'artista e' interessato ai meccanismi relazionali nel quotidiano, al bagaglio umano del contesto sociale. Agisce per cicli attorno al realismo del vissuto metropolitano, lungo un pedinamento che isola e 'sacralizza' la normalita' del flusso civile. A cura di Gianluca Marziani
http://undo.net/cgi-bin/press.pl?id=1065205689
Segnalato da: Galleria San Salvatore
#

	Gavirate (VA), Chiostro Voltorre
	RAFFAELE CIOFFI
	dal 4/10/2003 al 2/11/2003

Prospettiva interiore. Le lame di luce, della serie 'Prospettiva interiore', 'Luce interiore', creano minimi spiragli interiori, da soglie di spazi ambivalenti che svelano la profondita' della superficie e la mettono in aperta relazione con la parte nascosta della visione.
http://undo.net/cgi-bin/press.pl?id=1065187134
Segnalato da: Chiostro di Voltorre
#

	Szczecin, Teatr Kana
	EXTRA STRONG SUPER LIGHT
	dal 4/10/2003 al 4/10/2003

The fifth edition of an international exhibition of contemporary art organised in Szczecin since 1995. An exhibition initiating this program, The Horizon Line (1995), was the first attempt to overcome former regional isolation and find a common denominator, which would be a starting point for further exploration.
http://undo.net/cgi-bin/press.pl?id=1065192074
Segnalato da: National Museum in Szczecin
#

	Bergamo, Architetture e Sistemi
	TAUROMACHIA
	dal 4/10/2003 al 17/11/2003

Artista profondo che tra i suoi temi prediletti ha trovato nella tauromachia gli estremi non solo pittorici, ma anche del suo pensiero. Autore che non lascia nulla al caso, De Santis, trova nel simbolo argomenti che vanno oltre al semplice racconto espressivo. La pittura per lui e' un modo non solo di sentire, ma anche di dire ed il colore piu' che la forma divengono infrastrutture di una grafia simbolica appartenente ad un pensiero esistenziale e non solo estetico.
http://undo.net/cgi-bin/press.pl?id=1065192694
Segnalato da: terzapagina
#

	Lecco, Torre Viscontea
	FRANCO ALQUATI
	dal 4/10/2003 al 9/11/2003

A vent'anni dalla scomparsa dell'artista una mostra che vuol cogliere la specificita' della  poetica sviluppata nella maturita': celarsi dietro molteplici 'maschere' per svelare piccole e grandi verita' e crucciarsi o ridere  di se' e del mondo.
http://undo.net/cgi-bin/press.pl?id=1065193350
Segnalato da: Marco Alquati
#

	Caerano San Marco (TV), Villa Benzi Zecchini
	MILLE E UNA NOTTE
	dal 4/10/2003 al 26/10/2003

Un immaginario caravaserraglio, luogo di incontro tra uomini e culture lungo la via della seta. Un centinaio di artisti  tra attori, calligrafi, musicisti, pittori, scultori  provenienti da Europa, Asia e Africa, si incontreranno per un confronto di culture, attraverso il raccontare ed il
raccontarsi.
http://undo.net/cgi-bin/press.pl?id=1065193761
Segnalato da: koiné comunicazione
#

	Roma, Il Polittico
	CARLO BERTOCCI
	dal 4/10/2003 al 4/11/2003

La particolarita' del progetto 'Sulle scale' e' rintracciabile in un racconto che vede, opera dopo opera, il quadro precedente contenuto nel successivo, in una sorta di mise-en-abime che presenta l'ultimo dipinto come contenitore visivo di tutto il percorso della mostra.
http://undo.net/cgi-bin/press.pl?id=1065196526
Segnalato da: il Polittico
#

	Rimini, Galleria Immagine
	PAOLO GUBINELLI
	dal 4/10/2003 al 25/10/2003

Mostra personale.
http://undo.net/cgi-bin/press.pl?id=1065197270
Segnalato da: musei
#

	Udine, Artestudio Clocchiatti
	RIFLESSI INCROCIATI
	dal 4/10/2003 al 24/10/2003

Progetto di Piermario Ciani. Testo di Andrea Bruciati. Ci sono infiniti esempi di famosi personaggi che sono stati ritratti da innumerevoli artisti e molti artisti hanno realizzato vari autoritratti in diversi momenti della loro vita, ma cosa puo' nascere se sei artisti si ritraggono a vicenda e di ognuno escono sei diversi ritratti?
http://undo.net/cgi-bin/press.pl?id=1065205075
Segnalato da: Piermario Ciani
#

	Mirandola (Mo), Museo Civico
	ENZO NENCI
	dal 4/10/2003 al 11/1/2004

Il legame con la tradizione che accompagna quasi tutta l'attività di Nenci si legge in primo luogo nelle scelte iconografiche, non molte, che ricorrono in continuazione, la maternità, i lottatori, i ritratti, particolarmente femminili, le adolescenti, gli affetti familiari, soggetti semplici e consueti, carichi tuttavia per Nenci, ma anche per la tradizione scultorea, di valori e echi simbolici. A cura di Luciano Caramel 

http://undo.net/cgi-bin/press.pl?id=1065207171
Segnalato da: Sara Magnoli stampa Comune di Gallarate
#

	Como, Chiostrino di sant'Eufemia
	IL FUOCO DELLA VISTA, DISEGNI DI NATURA
	dal 4/10/2003 al 31/10/2003

La mostra ci svela gli arcani di un mestiere insolito: l'illustratore naturalistico. Sono esposti gli originali di alcuni fra i lavori realizzati da Massimo Demma, uno degli illustratori che oggi con maggior interesse e attenzione si occupano di Storia Naturale. Il percorso si snoda attraverso oltre 280 disegni, chine e acquerelli. A cura di Sara Calabro'
http://undo.net/cgi-bin/press.pl?id=1065208223
Segnalato da: Telesma
#

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

A  L  T  R  I    E  V  E  N  T  I    D  I    O  G  G  I


Milano, fino al 30/10/03
Van Kampen - Progetto di Marie van Leeuwen, Johan Wagenaar
        
Milano, fino al 5/10/03
A Year from Cage: Happy Birthday - Programma di happening, ascolti e incontri musicali. Un week-end di musica, funghi e viaggi in tram
        
Perugia, fino al 12/10/03
bATik.Film Festival 7.03 - Festival di cinema indipendente italiano, europeo e internazionale
        
Santa Croce sull'Arno (PI), fino al 25/10/03
Viaggiatori dell'assoluto - Jan Konupek e gli artisti boemi del primo Novecento nella collezione Rosario Pintaudi
        
Pieve di Cento (BO), fino al 16/10/03
Salvatore Sebaste - L'artista lucano, a differenza della ormai consunta dialettica tra realismo ed informale, fa esaltare nelle sue opere l'organicita' ed astrazione con un prevalere del gusto quasi panico della materia, della chimicita' del formarsi organico
        
Bologna, fino al 17/10/03
Carmela Corsitto - Secondo appuntamento del ciclo Migrazioni: dislocazioni geografiche e azioni contemporanee, sei piccole mostre italiane dall’ovest chiamando il sud; con le istallazioni dell'artista che presentera': Germinale.
        
New York
Fear of Mirrors - The Imperial Self Symposium. Speakers address the global impact of American policies, mythology, and values. Compelling exhibition 'The American Effect.'
        
maggiori informazioni su http://undo.net/cgi-bin/press.pl?id=ALT1065218400
        
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Per inserire gratuitamente i vostri comunicati stampa e diffonderli
attraverso questa newsletter potete compilare questa scheda
http://undo.net/pressrelease/guest
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http://undo.net/pressrelease
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PER  P E R S O N A L I Z Z A R E  QUESTA NEWSLETTER:

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From owner-glass Sat Oct  4 03:22:47 2003
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m1A5iTf-0000jja@daver.bungi.com>
	for rglass-42; Sat, 4 Oct 2003 02:13:27 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #540 built 2003-May-24)
X-Path: kolombo.cz!kfxqk
From: kfxqk@kolombo.cz
To: "hali" <glass@daver.bungi.com>
Mime-Version: 1.0
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	charset="iso-8859-1"
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Subject: I like this
Date: Fri, 03 Oct 2003 21:27:24 -0800
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Precedence: bulk

eliminate credit card balance fast


http://www.zmqp.net/d





aziza lynn haydee
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From owner-glass Sat Oct  4 18:21:24 2003
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	(Smail-3.2.0.94 1997-Apr-22 #540 built 2003-May-24)
X-Path: s-cars.org!robert
From: Robert Myers <robert@s-cars.org>
To: glass@bungi.com
Mime-Version: 1.0
Content-Type: multipart/mixed; x-avg-checked=avg-ok-487913FF; boundary="=======64BE3E07======="
Subject: New(?) Scam 
Date: Sat, 04 Oct 2003 20:45:05 -0400
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Precedence: bulk

--=======64BE3E07=======
Content-Type: multipart/alternative; x-avg-checked=avg-ok-487913FF; boundary="=====================_135824234==.ALT"


--=====================_135824234==.ALT
Content-Type: text/plain; x-avg-checked=avg-ok-487913FF; charset=us-ascii; format=flowed
Content-Transfer-Encoding: 8bit


Hi Y'all,

Just got an email purportedly from eBay SafeHarbor saying, "During our 
regular update and verification of the accounts, we couldn't verify your 
account information. Eighter (sic) your information has changed or it is 
incomplete."

"As a result, your access to bid or buy on eBay has been restricted. To 
continue using your eBay account fully, please update and verify your 
information by clicking below:"

Then a link was provided which asked for all sorts of private information 
including:
eBAy ID, Password
Bank account information including routing numbers
Social Security Number
Credit card number and PIN number
etc.

This absolutely has to be a scam attempting to obtain the necessary 
information for identity theft.  Watch your step out there, kiddies.


_____

Preserve our wildlife - throw a party tonight.

Bob
*****
  Robert L. Myers 304-574-2372
  Rt. 4, Box 57, Fayetteville, WV 25840 USA WV tag Q SHIP
  '95 urS6 Cashmere Grey - der Wunderwagen  ICQ 22170244
  http://www.cob-net.org/church/pvcob.htm
*****  

--=====================_135824234==.ALT
Content-Type: text/html; x-avg-checked=avg-ok-487913FF; charset=us-ascii
Content-Transfer-Encoding: 8bit

<html>
<body>
<font size=3><br>
Hi Y'all,<br><br>
Just got an email purportedly from eBay SafeHarbor saying, &quot;During
our regular update and verification of the accounts, we couldn't verify
your account information. Eighter (sic) your information has changed or
it is incomplete.&quot;<br><br>
&quot;As a result, your access to bid or buy on eBay has been restricted.
To continue using your eBay account fully, please update and verify your
information by clicking below:&quot;<br><br>
Then a link was provided which asked for all sorts of private information
including:<br>
eBAy ID, Password<br>
Bank account information including routing numbers<br>
Social Security Number<br>
Credit card number and PIN number<br>
etc.<br><br>
This absolutely has to be a scam attempting to obtain the necessary
information for identity theft.&nbsp; Watch your step out there,
kiddies.<br><br>
<x-sigsep><p></x-sigsep>
_____<br><br>
Preserve our wildlife - throw a party tonight.<br><br>
Bob<br>
*****<br>
&nbsp;Robert L. Myers  304-574-2372&nbsp;&nbsp;  <br>
&nbsp;Rt. 4, Box 57, Fayetteville, WV 25840 USA  WV tag Q
SHIP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;  <br>
&nbsp;'95 urS6 Cashmere Grey - der Wunderwagen&nbsp;  ICQ
22170244&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;  <br>
&nbsp;<a href="http://www.cob-net.org/church/pvcob.htm" eudora="autourl">http://www.cob-net.org/church/pvcob.htm</a>
<br>
***** </font></body>
</html>


--=====================_135824234==.ALT--

--=======64BE3E07=======--

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From owner-glass Sat Oct  4 19:20:56 2003
Return-Path: <owner-glass>
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	via smail with stdio
	id <m1A5xsU-0000mPa@daver.bungi.com>
	for rglass-42; Sat, 4 Oct 2003 18:40:06 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #540 built 2003-May-24)
X-Path: web.gpa.it!undo
From: pressrelease@undo.net
To: glass@bungi.com
Subject: PressReleaseLight 5/10/2003
Date: Sun, 5 Oct 2003 03:21:12 +0200
Message-ID: <200310050121.h951LCW15699@web.gpa.it>
Precedence: bulk

________________________________________________________________________

PRESSRELEASE: QUOTIDIANO DI CULTURA CONTEMPORANEA
http://undo.net/pressrelease
________________________________________________________________________

La cultura come ecosistema: Pressrelease - dove tutto e' in relazione,
territorio d'incontro, luogo senza confini geografici per una lettura
trasversale delle informazioni, per l'approfondimento e la conoscenza.

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

F O C U S

La Natura racchiusa nel rettangolo di un'inquadratura non e' solo 
arte o documento, ma anche una forma di partecipazione sociale alla
tutela dell'ambiente.

Concorso Paesaggi della Biodiversita'

Fondazione Italiana per la Fotografia invita artisti, fotografi, scuole
e Universita', Musei e Associazioni a proporre fotografie e progetti 
per immagini legati al 'sistema natura'

In questo FOCUS:
si parla di ambiente e della biodiversita' che ci circonda, di come 
partecipare al concorso e delle sue linee guida

	>> http://undo.net/pressrelease/pdf/focus11.PDF

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Lo SPECIALE di questa settimana:
OTTOBRE: le anticipazioni sulle mostre del mese.
Ma anche: le mostre in corso in ogni citta'.
Tutto nello SPECIALE di questa settimana pronto da STAMPARE

	>> http://undo.net/pressrelease/pdf/planning29092003.PDF

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
S  P  O  T


	Perugi artecontemporanea, Padova
	DAILY APOCALYPSE/SURFIN' DEAD

Daily Apocalypse: il progetto di Marcel Dzama e Neil Farber, 28 metri di disegni, coniuga differenti percorsi creativi come nel lavoro in Royal Art Lodge. Surfin' Dead: nuove sculture di Jeff Ono nella project room. Dal 11/10/03 al 30/11/03
http://undo.net/cgi-bin/press.pl?id=1064929267

#

	Mo.C.A., Roma
	QUANDO LA PITTURA INCONTRA IL CINEMA

Un nuovo Laboratorio culturale dove le espressioni del linguaggio creativo si fondono: opere di Natino Chirico. Dal 6/10 al 16/10/03
http://undo.net/cgi-bin/press.pl?id=1064595360

#

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
E  V  E  N  T  I     D  A  L    5  /  10  /  2003   A  L   6  /  10  /  2003


	Galliate (NO), Castello Visconteo-Sforzesco
	PITTURA ANALITICA
	dal 5/10/2003 al 2/11/2003

Una trentina di opere storiche di grande formato - degli anni Sessanta e soprattutto Settanta - dei protagonisti italiani di quella tendenza, sviluppatasi a partire dalla seconda meta' degli anni Sessanta ed emersa pubblicamente negli anni Settanta.
http://undo.net/cgi-bin/press.pl?id=1065203091
Segnalato da: Ufficio Cultura
#

	Ravenna, Museo dell'Arredo Contemporaneo
	ROGER KELLY
	dal 5/10/2003 al 2/11/2003

La mostra Station to Station si articola attorno agli ultimi lavori di Kelly sul paesaggio che ben rappresentano gli sviluppi della sua ricerca in pittura.
http://undo.net/cgi-bin/press.pl?id=1065205534
Segnalato da: Museo dell'Arredo Contemporaneo
#

	Roma, Spazio Mo.C.A.
	NATINO CHIRICO
	dal 6/10/2003 al 16/10/2003

I Colori delle Stelle. Quando La Pittura Incontra Il Cinema. L'arte di Chirico parla di espressioni, visi bloccati dall'attimo fotografico. L'artista avvolge loro in un'affascinante fusione tra pittura ed immagine, dove le tensioni cromatiche, composte da una pittura libera e gestuale, trovano l'immagine donandole il forte potere della comunicazione.
http://undo.net/cgi-bin/press.pl?id=1064595360
Segnalato da: Mo.C.A.
#

	Los Angeles, UCLA Hammer Museum
	LEE BONTECOU
	dal 5/10/2003 al 11/1/2004

A Retrospective, includes sculptures and drawings by the American artist Lee Bontecou (b. 1931)-one of the leading figures of her generation. Bontecou created a strikingly original body of work that was critically acclaimed and actively collected during the 1960s and 1970s.
http://undo.net/cgi-bin/press.pl?id=1065202831
Segnalato da: UCLA Hammer Museum
#

	Yonkers, Hudson River Museum
	TWO EXHIBITIONS
	dal 5/10/2003 al 5/11/2003

maging the River, Historical Views and Contemporary Visions. Joseph Cornell: Thinking Inside the Box.
http://undo.net/cgi-bin/press.pl?id=1065203178
Segnalato da: Hudson River Museum
#

	London, Nancy Victor gallery
	LOUISE CHAMPION
	dal 6/10/2003 al 19/12/2003

Turning a corner. Louise's paintings have a warmth as well as a sense of loneliness. All this emanating from a image of a railing. Her graphic depictions are of deserted elements, ostracized from their architectural parents, draw you into their space.
http://undo.net/cgi-bin/press.pl?id=1065203563
Segnalato da: Nancy Victor gallery
#

	Torino, Sedi varie
	VERSO UNA POLONIA EUROPEA
	dal 6/10/2003 al 30/10/2003

La manifestazione e' un momento di apertura e integrazione delle differenti culture europee e occasione di conoscenza e di approfondimento del teatro internazionale. Torino e' da qualche tempo punto nevralgico di raccordo fra le attivita' territoriali e le grandi produzioni europee e luogo dove si crea e dove si partecipa al grande fermento artistico contemporaneo.
http://undo.net/cgi-bin/press.pl?id=1065204587
Segnalato da: Gabriella Serusi
#

	Modena, Raccolte Fotografiche Modenesi 'G. Panini'
	VITTORIO SELLA
	dal 5/10/2003 al 29/11/2003

La mostra presenta cinquantacinque fotografie stampate con diverse tecniche e in differenti formati, realizzate dal fotografo biellese nel corso della spedizione in Sikkim, regione indiana confinante con il Nepal.
http://undo.net/cgi-bin/press.pl?id=1065203920
Segnalato da: Raccolte Fotografiche Modenesi
#

	New York, The Pierre Hotel
	INNOVATION, SUBSTANCE, VISION
	dal 6/10/2003 al 6/10/2003

The Future of Art. Join art critics, gallery owners, intellectuals, and curators in this major conference, the first ever like it, addressing radical and benevolent change in the arts.
http://undo.net/cgi-bin/press.pl?id=1065204087
Segnalato da: ArtAdvancement
#

	Gnosca - Bellinzona, Monumento San Giovanni Battista
	LUCA RENDINA
	dal 5/10/2003 al 28/3/2004

Dove abita l'uomo. Installazioni. Dove abita l'uomo? Abita su una zattera di legno, leggera e solida insieme. Il fiume scorre ai suoi piedi, la storia passa sulla sua testa. Ha costruito con le sue mani quella zattera, assemblando le assi e il ferro, rendendola sicura. Valeria Vaccari
http://undo.net/cgi-bin/press.pl?id=1065207776
Segnalato da: Enrica Curatola
#

	Firenze, Galleria degli Uffizi
	IL BISONTE AGLI UFFIZI
	dal 6/10/2003 al 1/11/2003

Vent'anni della scuola internazionale di grafica d'arte. La sala di San Pier Scheraggio ospita i lavori di alcuni tra quanti, attraverso due decenni, hanno studiato e lavorato nei locali delle ex scuderie del Palazzo Serristori, in San Niccolo'.
http://undo.net/cgi-bin/press.pl?id=1065208900
Segnalato da: Il Bisonte
#

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

A  L  T  R  I    E  V  E  N  T  I    D  I    O  G  G  I


London, fino al 6/10/03
Two Great Critics. One Dark Night. - Robert Hughes: Goya. Hughes is joined by Andrew Graham-Dixon, author of best-sellers and hit TV series including A History of British Art and Renaissance.
        
Roma, fino al 6/10/03
Serata per Giorgio Citti - L'Unita' ha lanciato una sottoscrizione a favore di Sergio Citti,  un poeta e un cineasta pieno di qualita', che si trova in disperate condizioni di salute ed economiche. La serata vuol sostenere e diffondere l'iniziativa.
        
maggiori informazioni su http://undo.net/cgi-bin/press.pl?id=ALT1065304800
        
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Per inserire gratuitamente i vostri comunicati stampa e diffonderli
attraverso questa newsletter potete compilare questa scheda
http://undo.net/pressrelease/guest
________________________________________________________________________

Pressrelease viene continuamente aggiornato: sul web oggi troverai
gli approfondimenti sugli eventi di domani:
http://undo.net/pressrelease
________________________________________________________________________

PER  P E R S O N A L I Z Z A R E  QUESTA NEWSLETTER:

Attualmente ricevi questa newsletter i giorni:
- martedi' mercoledi' giovedi' venerdi' sabato domenica 

Le segnalazioni che ricevi riguardano le seguenti categorie:
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Se desideri cambiare queste impostazioni:
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________________________________________________________________________

La redazione declina ogni responsabilita' su modifiche degli eventi in programma.


::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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From owner-glass Sat Oct  4 22:22:28 2003
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m1A60XA-0000lca@daver.bungi.com>
	for rglass-42; Sat, 4 Oct 2003 21:30:16 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #540 built 2003-May-24)
X-Path: yahoo.com!texpenguin
From: Sherry Greer <texpenguin@yahoo.com>
To: GlassList <glass@bungi.com>
Mime-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Subject: Re: New(?) Scam 
Date: Sat, 4 Oct 2003 21:23:20 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
References: <<6.0.0.22.2.20031004204441.0242edd8@mail.charter.net>>
Precedence: bulk

Absolutely a scam,  Ebay doesn't even ask for
your bank account info. or social security
number, ever!  Nobody ever should.  Especially
not with a typo in their request!  What
idiots...If you're going to try to impersonate a
well-established and professional organization,
at least spell check the damn thing...
Sherry

--- Robert Myers <robert@s-cars.org> wrote:
> 
> Hi Y'all,
> 
> Just got an email purportedly from eBay
> SafeHarbor saying, "During our 
> regular update and verification of the
> accounts, we couldn't verify your 
> account information. Eighter (sic) your
> information has changed or it is 
> incomplete."
> 
> "As a result, your access to bid or buy on eBay
> has been restricted. To 
> continue using your eBay account fully, please
> update and verify your 
> information by clicking below:"
> 
> Then a link was provided which asked for all
> sorts of private information 
> including:
> eBAy ID, Password
> Bank account information including routing
> numbers
> Social Security Number
> Credit card number and PIN number
> etc.
> 
> This absolutely has to be a scam attempting to
> obtain the necessary 
> information for identity theft.  Watch your
> step out there, kiddies.
> 
> 
> _____
> 
> Preserve our wildlife - throw a party tonight.
> 
> Bob
> *****
>   Robert L. Myers 304-574-2372
>   Rt. 4, Box 57, Fayetteville, WV 25840 USA WV
> tag Q SHIP
>   '95 urS6 Cashmere Grey - der Wunderwagen  ICQ
> 22170244
>   http://www.cob-net.org/church/pvcob.htm
> *****  
> 


=====
Sherry Greer
Lady Penguinevere Designs
ladypenguin@tsgreer.com

__________________________________
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The New Yahoo! Shopping - with improved product search
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From owner-glass Sun Oct  5 10:27:05 2003
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	id <m1A6Bgo-0000CVa@daver.bungi.com>
	for rglass-42; Sun, 5 Oct 2003 09:24:58 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #540 built 2003-May-24)
X-Path: freenet.co.uk!christina2
From: Elliott <christina2@freenet.co.uk>
To: <owner-glass@daver.bungi.com>
Mime-Version: 1.0
Content-Type: multipart/alternative;
	boundary="----=_NextPart_000_0541_6B1F0D4D.7E686C5A"
Subject: =?us-ascii?B?MyBObyBMaWJpZG8/IFRyeSB0aGlzISBtdnli?= qaayuf
Date: Sun, 05 Oct 2003 12:22:32 -0400
Message-ID: <m1A6BZq-007vlvC@rdaver.bungi.com>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0541_6B1F0D4D.7E686C5A
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

held by a State, but of itself alone, or even with its
the north-east. =
For some days, it wandered first on the surface,

------=_NextPart_000_0541_6B1F0D4D.7E686C5A
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><!=
--of his look, which gave a singular expression to his face.--><HEAD>
<=
meta name=3D"andie" content=3D"YHb2QQUEJ-8d-FVxa7R3">
<META HTTP-EQUIV=3D=
"Content-Type" CONTENT=3D"text/html;charset=3Diso-8859-1">
<meta name=3D=
"ive" content=3D"wX1e-QmG64Rtr-GHfTWo">
<META content=3D"MSHTML 6.00.28=
00.1226" name=3DGENERATOR>
<meta name=3D"inclusion" content=3D"monklike=
 severity of aspect.">
<meta name=3D"croon" content=3D"6nB15-HLv7-1ulA3=
DuVfgC">
<meta name=3D"fiftieth" content=3D"him and handing them over t=
o Owen.">
<meta name=3D"habituate" content=3D"Qri-UmTP-r65">
<meta nam=
e=3D"lewie" content=3D"investigated, the friends of nature, inspired wit=
h the same zeal,">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
=
<DIV><FONT face=3DArial size=3D2>
<p><b>&#77;ale &#83;exual &#69;nha&#1=
10;cer &#119;ith G&#114;owt&#104;!&#33;</b><br><br>=20
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114;al Ing&#114;edie&#110;&#116;s<br>
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<br><a href=3D"http://po&#119;e&#114;&#104;&#103;&#104;fo&#114;mul&#97;=
&#99;&#111;m/&#99;/i&#114;&#111;n.h&#116;&#109;l">See How It&#32;W&#111=
;&#114;k&#115;</a><br><br>
<FONT face=3DArial size=3D1><a href=3D"http:=
//&#112;owerhgh&#102;o&#114;m&#117;l&#97;.com/&#116;&#46;h&#116;ml">p&#1=
08;eas&#101; s&#101;nd &#110;o &#109;ore</a></p>
<br>
<br>
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ot on his cheek, in shirt sleeves, really did jump out of a window
prim=
arily between the territorial democracy and the personal
actresses! The=
 police tried to interfere, and what did the young men
</font><br>
</p=
>
<DIV>&nbsp;
</DIV></BODY><!--as a State instead of being admitted as=
 a State formed from--></HTML>

------=_NextPart_000_0541_6B1F0D4D.7E686C5A--



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From owner-glass Mon Oct  6 13:29:54 2003
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Received: by daver.bungi.com
	via smail with stdio
	id <m1A6bA3-0000Tha@daver.bungi.com>
	for rglass-42; Mon, 6 Oct 2003 12:36:51 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #540 built 2003-May-24)
X-Path: cox.net!lorley
From: "Lorley" <lorley@cox.net>
To: "Stained Glass" <glass@bungi.com>
Mime-Version: 1.0
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	charset="iso-8859-1"
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Subject: soldering
Date: Mon, 6 Oct 2003 12:33:04 -0700
Message-ID: <1970Jan1.000.0@cox.net>
Precedence: bulk

I'm doing some soldering now and have noticed that the soldering iron seems
to loose it's heat after a bit.  Just a little bit.  If I let it sit for a
few minutes then go back to soldering it seems hotter and melts the solder
quicker. I've never noticed this before so I'm wondering if my soldering
iron is about to go out or if this is normal. Lorley

----
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From owner-glass Mon Oct  6 17:27:48 2003
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Fusing Question
Date: Mon, 6 Oct 2003 16:55:47 PDT
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Aloha everyone,
I have a question for the fusers out there.  I have finally ventured into
fusing things a little larger than jewelry and have started with small
plates and bowls.  The problem seems to be that after my project is complete 
I still can see a film from grinding my edges (I have already fire polished).  
Is there a polish I can use to eliminate this?
Mahalo from Maui..

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Mon Oct  6 22:12:58 2003
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Subject: soldering
Date: Mon, 6 Oct 2003 19:14:58 -0700
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I do have my soldering iron set to a rheostat. I also wipe the tip with a
sponge sporadically. Does that lower the temp of the iron temporarily?

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From owner-glass Mon Oct  6 22:33:36 2003
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Subject: Fusing question
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The edge of a ground piece of glass that is discolored after fusing can =
be prevented by using a fine grinding head and/or using an overspray =
such as Spray A.

Bob in 92026
Let me tell you about the upcoming election in California, --------- =
wait, wait, I haven't gotten to the punchline yet!

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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.2800.1264" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>The edge of a ground piece of glass that is =
discolored after=20
fusing can be prevented by using a fine grinding head and/or using an =
overspray=20
such as Spray A.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Bob in 92026<BR>Let me tell you about the upcoming =
election in=20
California, --------- wait, wait, I haven't gotten to the punchline=20
yet!<BR></FONT></DIV></BODY></HTML>

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From owner-glass Mon Oct  6 22:36:44 2003
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Subject: re: fusing
Date: Mon, 6 Oct 2003 21:45:38 -0500
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There is a wealth of info on 2 forums that I found online for hot and =
warm glass.  They both have archives to explore and I'd suggest starting =
there.  Fusing is a tad complicated, the different kilns, glass, =
schedules, etc.  And don't forget to peek at what's going on in the =
kiln, just be very careful and use appropriate eye and hand protection.  =
It's got a pretty good learning curve but it's totally fascinating and =
just as addicting as cold glass.  Hope these help.

http://www.siliconfolly.com/cgi-bin/forum/fusing/follyfusing.pl

http://www.warmglass.com/phpBB/viewforum.php?f=3D2&sid=3Deda0e8e1ec03d2c3=
3774586764b97dda
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DGeorgia size=3D4>There is a wealth of info on 2 forums =
that I=20
found online for hot and warm glass.&nbsp; They both have archives to =
explore=20
and I'd suggest starting there.&nbsp; Fusing is a tad complicated, the =
different=20
kilns, glass, schedules, etc.&nbsp; And don't forget to peek at what's =
going on=20
in the kiln, just be very careful and use appropriate eye and hand=20
protection.&nbsp; It's got a pretty good learning curve but it's totally =

fascinating and just as addicting as cold glass.&nbsp; Hope these=20
help.</FONT></DIV>
<DIV><FONT face=3DGeorgia size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DGeorgia size=3D4><A=20
href=3D"http://www.siliconfolly.com/cgi-bin/forum/fusing/follyfusing.pl">=
http://www.siliconfolly.com/cgi-bin/forum/fusing/follyfusing.pl</A></FONT=
></DIV>
<DIV><FONT face=3DGeorgia size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DGeorgia size=3D4><A=20
href=3D"http://www.warmglass.com/phpBB/viewforum.php?f=3D2&amp;sid=3Deda0=
e8e1ec03d2c33774586764b97dda">http://www.warmglass.com/phpBB/viewforum.ph=
p?f=3D2&amp;sid=3Deda0e8e1ec03d2c33774586764b97dda</A></FONT></DIV></BODY=
></HTML>

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From owner-glass Mon Oct  6 22:48:11 2003
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Subject: re: soldering
Date: Mon, 6 Oct 2003 21:55:24 -0500
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I've had this happen also but only when I'm doing alot of soldering all =
at once, say for example on a large foiled piece.  Make sure your tip is =
clean, are you remembering to wipe it on a damp sponge to clean all the =
gunk off the entire tip?  Have you taken the tip out and made sure that =
it's clean all the way back into the handle?  It could be that it's a =
bit dirty and a good cleaning will clear up your problem.  I find that =
(at least in my neck of the woods...WI) that as soon as the cooler =
weather hits, this happens more often since I solder right in front of =
an open window and a fan for ventilation.   Then I just have to crank up =
the rheostat a bit higher.  Just a thought, have you switched solder or =
maybe even brands of solder?  I don't think that's what's happening but =
trying to think of anything that might be causing this for you.  I =
wonder if you're just getting faster at soldering and need to hit it =
with a bit higher temp wise to keep it up to your new speed.  I solder =
alot faster now than I did even a year ago.  As you do more, you get =
better at it and don't even realize how fast you're going compared to =
what you were doing a month ago.  I doubt if your iron is going though.  =
I'm still on the same iron and tip I've had for 2 years, they do last a =
good long time as long as you clean them good.  Hope this helps! :)  
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<DIV><FONT face=3DGeorgia size=3D4>I've had this happen also but only =
when I'm doing=20
alot of soldering all at once, say for example on a large foiled =
piece.&nbsp;=20
Make sure your tip is clean, are you remembering to wipe it on a damp =
sponge to=20
clean all the gunk off the entire tip?&nbsp; Have you taken the tip out =
and made=20
sure that it's clean all the way back into the handle?&nbsp; It could be =
that=20
it's a bit dirty and a good cleaning will clear up your problem.&nbsp; I =
find=20
that (at least in my neck of the woods...WI) that as soon as the cooler =
weather=20
hits, this happens more often since I solder right in front of an open =
window=20
and a fan for ventilation.&nbsp;&nbsp; Then I just have to crank up the =
rheostat=20
a bit higher.&nbsp; Just a thought, have you switched solder or maybe =
even=20
brands of solder?&nbsp; I don't think that's what's happening but trying =
to=20
think of anything that might be causing this for you.&nbsp; I wonder if =
you're=20
just getting faster at soldering and need to hit it with a bit higher =
temp wise=20
to keep it up to your new speed.&nbsp; I solder alot faster now than I =
did even=20
a year ago.&nbsp; As you do more, you get better at it and don't even =
realize=20
how fast you're going compared to what you were doing a month ago.&nbsp; =
I doubt=20
if your iron is going though.&nbsp; I'm still on the same iron and tip =
I've had=20
for 2 years, they do last a good long time as long as you clean them =
good.&nbsp;=20
Hope this helps! :)&nbsp; </FONT></DIV></BODY></HTML>

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From owner-glass Tue Oct  7 01:27:05 2003
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X-Path: yahoo.com!texpenguin
From: Sherry Greer <texpenguin@yahoo.com>
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Subject: cold soldering iron
Date: Tue, 7 Oct 2003 00:07:05 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

I had a very similar problem with my Weller iron.
 It would cycle from normal hot to downright cold
(could hold solder to the tip for a minute or
more without a hint of melting) as I soldered. 
Really frustrating and added a lot of time to the
project.  The problem got worse as time went on. 
Pretty soon it was cold as much as it was hot. 
Finally complained to Weller, who happily took
the iron back, determined that it was defective,
and sent me a brand new one.  They were very
polite and prompt about it all, and I haven't had
that problem since, with my new iron, which I've
had over a year now.  I've heard of one or two
other people having the same problem with their
Weller irons.  I guess the internal temp control
has a high infant mortality rate--IF it gets
through the first year or so, it'll last forever.
 If none of the other list suggestions help, talk
to the manufacturer.  If it's a defect or failure
in the product, they are usually quite happy to
make it right for you.  You may only buy 5
soldering irons in your entire life, but every
company wants to make sure it's their's that you
buy the next time!  So customer service it
usually good with these companies.
Sherry Greer

=====
Sherry Greer
Lady Penguinevere Designs
ladypenguin@tsgreer.com

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From owner-glass Tue Oct  7 05:26:56 2003
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From owner-glass Tue Oct  7 08:27:57 2003
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Subject: RE: Fusing Question
Date: Tue, 7 Oct 2003 06:59:30 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

try this board for fusing problems/questions: http://warmglass.com.

are you using thinfire? if so, use wash instead. there's an interaction
between a ground edge and the fumes from the burnout of the paper.

you could use a fine grit grinder head, or use an overspray (i use borax) to
cure it.

you could use a wet belt sander to remove it, but you'd have a LOT of work
to do that.

regards
charlie
cave creek, az

> -----Original Message-----
> From: gjr@bungi.com [mailto:gjr@bungi.com]
> Sent: Monday, October 06, 2003 4:56 PM
> To: glass@bungi.com
> Subject: Fusing Question
> 
> 
> Aloha everyone,
> I have a question for the fusers out there.  I have finally 
> ventured into
> fusing things a little larger than jewelry and have started with small
> plates and bowls.  The problem seems to be that after my 
> project is complete 
> I still can see a film from grinding my edges (I have already 
> fire polished).  
> Is there a polish I can use to eliminate this?
> Mahalo from Maui..
> 
> -- 
> Glenna Rand
> gjr@bungi.com
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From owner-glass Tue Oct  7 10:28:55 2003
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Have any of you had experience with Liquifusion? I haven't used it yet, and would like to ask a few questions.
Diane Mathus-Nagano

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From owner-glass Tue Oct  7 10:31:24 2003
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I have been working in stained glass for over 21 years and I guess =
eventually, we all have a question that has dumbfounded us.=20

I have a glass star all star grinder with a top level tray. It worked =
fine the other day (water pumped to the upper surface) today it will not =
pump at all. I have levelled the grinder and filled it to the top with =
water. Still not luck. Any ideas

David
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<DIV><FONT face=3DArial size=3D2>I have been working in stained glass =
for over 21=20
years and I guess eventually, we all have a question that has =
dumbfounded us.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I have a glass star all star grinder =
with a top=20
level tray. It worked fine the other day (water pumped to the upper =
surface)=20
today it will not pump at all. I have levelled the grinder and filled it =
to the=20
top with water. Still not luck. Any ideas</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>David</FONT></DIV></BODY></HTML>

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From owner-glass Tue Oct  7 10:43:18 2003
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'gjr@bungi.com'" <gjr@bungi.com>, "'glass@bungi.com'"
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Subject: RE: Fusing Question
Date: Tue, 7 Oct 2003 09:36:34 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

i use a borax solution on all things before the first fuse if i'm expecting
devit. i use bullseye 90 coe for everything, and ime, all the opals devit to
some degree. you only have to use it once.

you can buy overglazes like spray-a or such, but most of them contain lead.
i use borax spray. in the laundry aisle in the grocery store you can buy a
box which will be a lifetime supply. 20 mule team. in a plant mister, add
about 2-3 tablespoons/cup of warm liquid. add a couple of drops of liquid
dish soap. shake to dissolve the borax. 

to use, shake and spray heavily. don't get it on the bottom, because it will
cause kiln wash sticking. let dry completely before firing. it will look
blotchy. it requires temps (in my kiln) over 1450 to cure, so you can't use
it on fire polishes or slumps.

i never use paper under glass. it's expensive and carcinogenic if breathed.
i use b.e. kiln wash. a heavy coat will last 2 full fusings before i get
sticking, or on molds, a heavy coat will last forever.

i use a fiber shelf, and just recoat rather than sand down and recoat after
full fusings. on a mullite shelf, it's easier to just scrape and recoat. put
down the wash, then brush with hot water alone to get a smooth surface. to
make even smoother, rub with your palm or old pantyhose.

regards,
charlie
cave creek, az

> -----Original Message-----
> From: Glenna Rand [mailto:gjr@bungi.com]
> Sent: Tuesday, October 07, 2003 9:39 AM
> To: Spitzer, Charlie
> Subject: Re: Fusing Question
> 
> 
> Spitzer, Charlie wrote:
> > 
> > try this board for fusing problems/questions: http://warmglass.com.
> > 
> > are you using thinfire? if so, use wash instead. there's an 
> interaction
> > between a ground edge and the fumes from the burnout of the paper.
> 
> Yes,..in these cases I was using the thin fire paper.  This is good to
> know.
> > 
> > you could use a fine grit grinder head, or use an overspray 
> (i use borax) to
> > cure it.
> 
> Borax?...Is this a pre-made solution.  Can u give some detail on
> application?
> 
> Thanks Charlie for the advice.  I will buy a fine grit grinder head as
> well.
> Glenna
> 
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From owner-glass Tue Oct  7 17:10:40 2003
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X-Path: ptdprolog.net!suzi1025
From: suzanne albright <suzi1025@ptdprolog.net>
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Subject: Re: Glass Star - All Star problem
Date: Tue, 07 Oct 2003 19:57:57 -0400
Message-ID: <1970Jan1.000.0@ptdprolog.net>
References: <<1970Jan1.000.0@3web.net>>
Precedence: bulk

Call Glastar. Their customer service was excellent the last time I had a
problem with my AllStar. I've had it for about 15 years and it's still
pumping along.

on 10/7/03 12:39 PM, David Boyes at david.boyes@3web.net wrote:

> I have been working in stained glass for over 21 years and I guess eventually,
> we all have a question that has dumbfounded us.
> 
> I have a glass star all star grinder with a top level tray. It worked fine the
> other day (water pumped to the upper surface) today it will not pump at all. I
> have levelled the grinder and filled it to the top with water. Still not luck.
> Any ideas
> 
> David

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I don't have any personal experience with this product but talk with =
someone who does.  She liked the results, said they were great but she =
probably wouldn't do it again.  From the way she talked, it was more =
work than what she wanted, very messy, and not worth the cost.  She said =
if you get it, make sure to get the Bubble Buster too.  I guess it forms =
alot of bubbles.  It doesn't "yellow" like epoxy does.  It's also not =
for outdoors, only an indoor product. =20

I've used a floor epoxy on several mosaic piece, candle holders and =
tables.  It's alot cheaper, probably just as messy, gives a good strong =
finish and from what I can tell, on my outdoor pieces it's holding up =
just fine after being exposed to the elements for several months.  The =
jury is still out on how it will be a year or two from now.  The tables =
I've done have been great.  It does yellow so if you're tempted to try =
some, keep that in mind when you plan your project.  I've been using the =
"yellowing" to my advantage and making some pieces where the color of =
glass will be complimented by the yellowing effect.  I even put an =
acrylic "antiquing" on the grout, almost makes it look like old leather, =
then go over it with a thick (drippy!) coat of the epoxy and have good =
results.  Sold several and have had requests for more.  It's worth =
playing with to see what you can come up with.  If you have any more =
questions, please feel free to write.  Good luck!  Mary
------=_NextPart_000_0050_01C38D67.855FECB0
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<DIV><FONT face=3DGeorgia size=3D4>I don't have any personal experience =
with this=20
product but talk with someone who does.&nbsp; She liked the results, =
said they=20
were great but she probably wouldn't do it again.&nbsp; From the way she =
talked,=20
it was more work than what she wanted, very messy, and not worth the =
cost.&nbsp;=20
She said if you get it, make sure to get the Bubble Buster too.&nbsp; I =
guess it=20
forms alot of bubbles.&nbsp; It doesn't "yellow" like epoxy does.&nbsp; =
It's=20
also not for outdoors, only an indoor product.&nbsp; </FONT></DIV>
<DIV><FONT face=3DGeorgia size=3D4></FONT>&nbsp;</DIV>
<DIV><FONT face=3DGeorgia size=3D4>I've used a floor epoxy on several =
mosaic piece,=20
candle holders and tables.&nbsp; It's alot cheaper, probably just as =
messy,=20
gives a good strong finish and from what I can tell, on my outdoor =
pieces it's=20
holding up just fine after being exposed to the elements for several=20
months.&nbsp; The jury is still out on how it will be a year or two from =

now.&nbsp; The tables I've done have been great.&nbsp; It does yellow so =
if=20
you're tempted to try some, keep that in mind when you plan your =
project.&nbsp;=20
I've been using the "yellowing" to my advantage and making some pieces =
where the=20
color of glass will be complimented by the yellowing effect.&nbsp; I =
even put an=20
acrylic "antiquing" on the grout, almost makes it look like old leather, =
then go=20
over it with a thick (drippy!) coat of the epoxy and have good =
results.&nbsp;=20
Sold several and have had requests for more.&nbsp; It's worth playing =
with to=20
see what you can come up with.&nbsp; If you have any more questions, =
please feel=20
free to write.&nbsp; Good luck!&nbsp; Mary</FONT></DIV></BODY></HTML>

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From owner-glass Wed Oct  8 11:10:03 2003
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Subject: Re: Glass Star - All Star problem
Date: Wed, 8 Oct 2003 13:35:51 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

That happened once to me and the top level was not completely pressed down 
into place. I know this is a simple solution but worth passing on as I was 
stumped for a while too!!

Libby
Walhalla Art Works
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Please change my e-mail address to: studiothyme@centurytel.net

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Subject: Re: Glass Star - All Star problem
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David:  Your trouble with the All Star not pumping water may be due to =
the glass silt getting down into the shaft area and stopping up the =
pump.  You may need to call Glastar and see if they have a solution to =
the problems.  Peggy
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>David:&nbsp; Your trouble with the All =
Star not=20
pumping water may be due to the glass silt getting down into the shaft =
area and=20
stopping up the pump.&nbsp; You may need to call Glastar and see if they =
have a=20
solution to the problems.&nbsp; Peggy</FONT></DIV></BODY></HTML>

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From owner-glass Wed Oct  8 18:14:19 2003
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From: "Karen K." <giapet@ispwest.com>
To: <glass@bungi.com>
Subject: Re: Glass Star - All Star problem
Date: Wed, 8 Oct 2003 20:10:33 -0500
Message-ID: <1970Jan1.000.0@ispwest.com>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

I have problems with water reaching the second story usually when the
grinder needs a good cleaning.  Set up an iv drip line above the grinder,
works like a charm.

Karen


That happened once to me and the top level was not completely pressed down
into place. I know this is a simple solution but worth passing on as I was
stumped for a while too!!

Libby
Walhalla Art Works


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SUPER VIAGRA IS HERE! CIALIS is the new &quot;Wonder Drug&quot;<br>
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From owner-glass Thu Oct  9 16:19:26 2003
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X-Path: virgin.net!steve.weiss
From: "Steve Weiss" <steve.weiss@virgin.net>
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Subject: Do you sell in Germany?
Date: Thu, 9 Oct 2003 23:42:15 +0100
Message-ID: <m1A7jRV-007uK5C@rdaver.bungi.com>
Precedence: bulk

Inexpensive attractive offices near Frankfurt, Germany

Do you need an office in Europe?

It couldn't be easier:

Everything you need is ready for you right now. You can choose from bare
office space to fully-equipped with everything. 

Short or long term rental.

If you want a base to market to Europe, this is an ideal location. Central
for Germany and France, Netherlands, Belgium, Switzerland, Czechoslovakia
Austria, within easy reach. A massive market for you. 

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assistants, marketing help, translation, free parking, apartment
accommodation also available.

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25 mins from Frankfurt airport. ½ mile to main North South Autobahn and
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This office space represents exceptionally good value, newly-built, fully
equipped and inexpensive.

Please give me a call for further info.

Steve Weiss

Tel:  +44 (0)1481 720 294
Fax: +44 (0)1481 720 317
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From owner-glass Fri Oct 10 13:12:18 2003
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Date: Fri, 10 Oct 2003 18:48:23 +0000
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This is a multi-part message in MIME format.

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From owner-glass Sat Oct 11 13:13:10 2003
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From: "John Carmichael" <johncarmichael@mindspring.com>
To: "Glass List" <glass@bungi.com>
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Subject: Lead width?
Date: Sat, 11 Oct 2003 12:06:34 -0700
Message-ID: <1970Jan1.000.0@mindspring.com>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0012_01C38FF0.1D491E40
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	charset="iso-8859-1"
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Hello All:

I signed up for a beginners stained glass class that starts soon. I know =
I said I would never attempt to make stained glass, but the temptation =
to try it is just to great.

Each student will have to complete a SG window to graduate.  So I want =
to make a 18.5 " x 12.5" stained glass sundial window using a design I =
made for a window in my studio.  I've already tested a working prototype =
that I made from a printed version on paper.  I taped the paper to the =
inside of the window and made a gnomon (shadow caster) out of cardboard =
and a bamboo teriyaki stick and taped it to the outside of the window =
and it works great.

But I made my design without regard to the width of the lead that joins =
the pieces of glass together. I used black lines in my drawing to =
represent the lead.  But I just drew what looked good to me, without any =
regard to the correct actual width of the lead.  I would like to redraw =
it to show the correct lead width.  I'm guessing that the lead is about =
1/4 inch wide, but this is just a guess.

Is there a standard lead width that I should use in my drawings?

Thanks

John

p.s. if anybody wants to see my drawing, let me know and I'll send you a =
jpeg (~150kb)=20



John L. Carmichael Jr.
925 E. Foothills Dr.
Tucson Arizona, USA
Tel: 520-696-1709
Email: johncarmichael@mindspring.com
Sundial Sculptures Website: http://www.sundialsculptures.com
Stained Glass Sundials Website: =
http://advanceassociates.com/Sundials/Stained_Glass
------=_NextPart_000_0012_01C38FF0.1D491E40
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Hello All:</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I signed up for a beginners stained glass class that =
starts=20
soon.&nbsp;I know I said I would never attempt to make stained glass, =
but the=20
temptation&nbsp;to try it is just to great.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Each student will have to complete a SG window to=20
graduate.&nbsp; So I want to make a 18.5 " x 12.5" stained glass sundial =
window=20
using a design I made for a window in my studio.&nbsp; I've already =
tested a=20
working prototype that I made from a printed version on paper.&nbsp; I =
taped the=20
paper to the inside of the window and made a gnomon (shadow caster) out =
of=20
cardboard and a bamboo teriyaki stick and taped it to the outside of the =
window=20
and it works great.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>But I made my design without regard to the width of =
the lead=20
that joins the pieces of glass together. I used black lines in my =
drawing to=20
represent the lead.&nbsp; But I just drew what looked good to me, =
without any=20
regard to the correct actual width of the lead.&nbsp; I would like to =
redraw it=20
to show the correct lead width.&nbsp; I'm guessing that the lead is =
about 1/4=20
inch wide, but this is just a guess.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Is there a standard lead width that I should use in =
my=20
drawings?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Thanks</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>John</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>p.s. if anybody wants to see my drawing, let me know =
and I'll=20
send you a jpeg (~150kb)&nbsp;</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>John L. Carmichael Jr.<BR>925 E. Foothills =
Dr.<BR>Tucson=20
Arizona, USA<BR>Tel: 520-696-1709<BR>Email: <A=20
href=3D"mailto:johncarmichael@mindspring.com">johncarmichael@mindspring.c=
om</A><BR>Sundial=20
Sculptures Website: <A=20
href=3D"http://www.sundialsculptures.com">http://www.sundialsculptures.co=
m</A><BR>Stained=20
Glass Sundials Website: <A=20
href=3D"http://advanceassociates.com/Sundials/Stained_Glass">http://advan=
ceassociates.com/Sundials/Stained_Glass</A></FONT></DIV></BODY></HTML>

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From owner-glass Mon Oct 13 10:15:10 2003
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	for rglass-42; Mon, 13 Oct 2003 10:04:58 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #540 built 2003-May-24)
X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: Glass List <glass@bungi.com>
Mime-Version: 1.0
Content-Type: text/plain;
	charset="iso-8859-1"
Subject: RE: Lead width?
Date: Mon, 13 Oct 2003 09:48:17 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

lead comes in a lot of different widths on the face, but the heart is almost
always pretty much the same thickness. when you draw your pattern, you can
either cut out the pieces with a special two bladed scissor, or what i do
since i draw on top of a light box, is to draw with a thick sharpie, then
cut the glass on the edges of the line rather than down the middle of the
line.

regards,
charlie
cave creek, az

-----Original Message-----
From: John Carmichael [mailto:johncarmichael@mindspring.com]
Sent: Saturday, October 11, 2003 12:07 PM
To: Glass List
Subject: Lead width?


Hello All:

I signed up for a beginners stained glass class that starts soon. I know I
said I would never attempt to make stained glass, but the temptation to try
it is just to great.

Each student will have to complete a SG window to graduate.  So I want to
make a 18.5 " x 12.5" stained glass sundial window using a design I made for
a window in my studio.  I've already tested a working prototype that I made
from a printed version on paper.  I taped the paper to the inside of the
window and made a gnomon (shadow caster) out of cardboard and a bamboo
teriyaki stick and taped it to the outside of the window and it works great.

But I made my design without regard to the width of the lead that joins the
pieces of glass together. I used black lines in my drawing to represent the
lead.  But I just drew what looked good to me, without any regard to the
correct actual width of the lead.  I would like to redraw it to show the
correct lead width.  I'm guessing that the lead is about 1/4 inch wide, but
this is just a guess.

Is there a standard lead width that I should use in my drawings?

Thanks

John

p.s. if anybody wants to see my drawing, let me know and I'll send you a
jpeg (~150kb) 



John L. Carmichael Jr.
925 E. Foothills Dr.
Tucson Arizona, USA
Tel: 520-696-1709
Email: johncarmichael@mindspring.com
Sundial Sculptures Website: http://www.sundialsculptures.com
Stained Glass Sundials Website:
http://advanceassociates.com/Sundials/Stained_Glass
----
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From owner-glass Mon Oct 13 21:15:24 2003
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From: "kristi" <BRIGITTEBADAL@yahoo.com>
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Subject: this weekend will be great
Date: Mon, 13 Oct 2003 22:52:46 -0500
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PGh0bWw+DQo8Ym9keT4NCg0KPHAgYWxpZ249ImNlbnRlciI+DQo8YSBocmVmPSJodHRwOi8vd3d3
LnRyZW5kNDU1ZmQuY29tL2N0Ij4NCjxpbWcgc3JjPSJodHRwOi8vd3d3LnVuaWhlcmU0ZC5jb20v
YS5naWYiIHdpZHRoPSI0MDUiIGhlaWdodD0iMjcwIj48L2E+PC9wPg0KDQo8cCBhbGlnbj0iY2Vu
dGVyIj4NCiZuYnNwOzwvcD4NCg0KPHAgYWxpZ249ImNlbnRlciI+DQo8YSBocmVmPSJodHRwOi8v
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LnRyZW5kNDU1ZmQuY29tL2N0Ij4NCjxpbWcgc3JjPSJodHRwOi8vd3d3LnVuaWhlcmU0ZC5jb20v
YS5naWYiIHdpZHRoPSI0MDUiIGhlaWdodD0iMjcwIj48L2E+PC9wPg0KDQo8cCBhbGlnbj0iY2Vu
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aHRtbD4NCjwhMTc0MzIxeT4NCg==

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From owner-glass Mon Oct 13 21:15:57 2003
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From: Lori J. Mitchell <lmitchell@glastar.com>
To: David Boyes <david.boyes@3web.net>,  <glass@bungi.com>
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Subject: re: Glass Star - All Star problem
Date: Mon, 13 Oct 2003 19:09:55 -0700
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Organization: Glastar Corporation
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Dear David,=20

This is probably the easiest question to solve, first you call or Email Glastar =
with your problem and we will send you the necessary parts to fix your problem, =
make sure you send us a mailing address!


Thank you,=20

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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From owner-glass Tue Oct 14 11:10:38 2003
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Content-Type: multipart/alternative; boundary="=_z_AuKK1KFLNcUngFp6B7Qw"
Subject: burn like a master
Date: Tue, 14 Oct 2003 12:48:40 -0400 (EDT)
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--=_z_AuKK1KFLNcUngFp6B7Qw
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--=_z_AuKK1KFLNcUngFp6B7Qw
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     <html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
<title></title>
</head>
<body>
<div align="center">
<img src="http://giftpromos.com/o/z_AuKK1KFLNcUngFp6B7Qw.gif" height="1" width="1">
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<img src="http://www.nanotechdesigns.com/images/roxioc.gif" STYLE="BORDER-TOP:2px solid black; BORDER-LEFT:2px solid black;BORDER-RIGHT:2px solid black;BORDER-BOTTOM:2px solid black;">
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<a href="http://giftpromos.com/u/z_AuKK1KFLNcUngFp6B7Qw.html">removeme</a>
</body>
</html>

--=_z_AuKK1KFLNcUngFp6B7Qw--


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From owner-glass Wed Oct 15 01:12:25 2003
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From: "Julio Valencia" <101403hr@reforce.net>
To: "glass@bungi.com" <glass@bungi.com>
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Subject: Re:Wholesale Products
Date: Thu, 17 Oct 2002 05:49:00 -0500
Message-ID: <1970Jan1.000.0@reforce.net>
Organization: Reforce, Inc.
Precedence: bulk

Dear Wholesalers & Retailers,

We are writing to you to introduce ourselves as a trading company of a very wide 
range of products all from direct sources.
We are importing several lines of products that may be very helpful to you.

Beauty Supplies - Dollar Store Items - Bedding - Shoes -Women Clothing - Men 
Clothing - etc.

We are bringing products into the United States looking for distributors that 
will help us develop the market.
Please come visit our web site at www.reforce.net and let us know what you think 
of the products or ask us for more information on any of them.
If you are looking for something specific that we do not have in the web site, 
please let us know your comments and suggestions.  We have many products that 
are not yet included in the site.
Hoping you take the time to look at the products and give us your feedback.

Sincerely,

Julio Valencia

Tel: (786) 287-0671
Fax: (305) 456-5197
E-mail: jvalencia@reforce.net
Web site: www.reforce.net

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From owner-glass Wed Oct 15 21:12:34 2003
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From: "moha_ kanta20010" <moha_kanta20010@hotmail.com>
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Subject: PLS i need your help
Date: Thu, 16 Oct 2003 03:14:31 +0000
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From: Mohammed Kanta

Attn: Sir/Madam,

I am Mohammed Kanta from Liberia and my father was one of the miners in
my country Monrovia the capital. he was killed by Dr. Charles Taylor
rebels last month before he died he disclosed to us, he deposited some huge
amount of money here, which he disclosed to us that the money was kept in
Ghana for mining investment. And some 250kg of Alluvial Gold dust including 
15
carats of gem.
I came along with the documents covering the deposit of the goods, good
trustworthy woman help me to show me the security company where the
consignment was deposited. But they demurrage of the consignment was
huge, that is why I am appealing to you, if you can assist me in selling
these precious minerals, because my father did not disclose to the company
that the consignment was money at the security company.
That it was a family treasure I don’t know the price of the gold and
diamond, my father advised me not to transact any business in Africa
that is why I am contact you to market the gold and diamond for me over 
there
so that I can raise money to clear the consignment from the company. You
will assist me to invest the fund over there as soon as I clear it because I
am a novice in terms of business.
Hoping or hear from you, contact me with my email address:

Regards,
Mohammed Kanta.

_________________________________________________________________
The new MSN 8: smart spam protection and 2 months FREE*  
http://join.msn.com/?page=features/junkmail

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From owner-glass Thu Oct 16 00:12:37 2003
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derelict

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From owner-glass Thu Oct 16 06:11:17 2003
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X-Path: genericgifts.com!mike
From: "Mike Jones" <mike@genericgifts.com>
To: <glass@bungi.com>
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Subject: Link exchange proposal
Date: Thu, 16 Oct 2003 08:08:15 -0400
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This is a multi-part message in MIME format.

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Hi there,
I was wondering if you would be interested in exchanging
links between bungi.com and genericgifts.com.

Let me know what you think.

Thank you.

Mike,
mike@genericgifts.com
www.GenericGifts.com


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Hi there,<BR>I was wondering if you =
would be=20
interested in exchanging<BR>links between bungi.com and=20
genericgifts.com.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Let me know what you =
think.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thank you.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Mike,<BR></FONT><A=20
href=3D"mailto:mike@genericgifts.com"><FONT face=3DArial=20
size=3D2>mike@genericgifts.com</FONT></A><BR><A=20
href=3D"http://www.GenericGifts.com"><FONT face=3DArial=20
size=3D2>www.GenericGifts.com</FONT></A></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From owner-glass Thu Oct 16 06:11:20 2003
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Subject: foil problem
Date: Thu, 16 Oct 2003 08:38:58 EDT
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Is there a "shelf life" for opened foil?  I have some I have tried to foil 
with and it won't stick even though the glass has been cleaned. It has been 
sitting in
the foil holder for a couple years (at least) in the basement. How about 
unopened foil?
Thanks

Maggie

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Is there a "shelf life" for opened foil?&nbsp; I have=20=
some I have tried to foil with and it won't stick even though the glass has=20=
been cleaned. It has been sitting in<BR>
the foil holder for a couple years (at least) in the basement. How about uno=
pened foil?<BR>
Thanks<BR>
<BR>
Maggie</FONT></HTML>

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From owner-glass Thu Oct 16 07:11:41 2003
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X-Path: ispwest.com!giapet
From: "Karen K." <giapet@ispwest.com>
To: "Bungi" <glass@bungi.com>,
Subject: Re: foil problem
Date: Thu, 16 Oct 2003 09:41:10 -0400
Message-ID: <1970Jan1.000.0@ispwest.com>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk


Good idea to keep all your foil in zip-lock bags...even the unopened ones.
I've had problems with it when I didn't.

Karen


Is there a "shelf life" for opened foil?  I have some I have tried to foil
with and it won't stick even though the glass has been cleaned. It has
been
sitting in
the foil holder for a couple years (at least) in the basement. How about
unopened foil?
Thanks

Maggie


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From owner-glass Thu Oct 16 12:11:40 2003
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X-Path: glastar.com!lmitchell
From: Lori J. Mitchell <lmitchell@glastar.com>
To: Bungi <CImbody@aol.com>,  <suzi1025@ptdprolog.net>,  <glass@bungi.com>
Mime-Version: 1.0
Content-Type: text/plain
Subject: re[2]: Glass Star - All Star problem
Date: Thu, 16 Oct 2003 11:36:37 -0700
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Organization: Glastar Corporation
Precedence: bulk

Dear Glastar Fans,

There could be several reasons for the problem, but all are easy fixes.  Please 
feel free to use our toll free number (800 423-5635) and we can find out the 
right solution.


Thank you, 

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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From owner-glass Thu Oct 16 14:11:42 2003
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X-Path: glastar.com!lmitchell
From: Lori J. Mitchell <lmitchell@glastar.com>
To: Lorley Oneyear <lorley@cox.net>,  Stained Glass   <glass@bungi.com>
Mime-Version: 1.0
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Subject: re: soldering
Date: Thu, 16 Oct 2003 13:27:40 -0700
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Organization: Glastar Corporation
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Dear solderier, 

This is just normal soldering iron behavior!


Thank you, 

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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From owner-glass Thu Oct 16 14:11:42 2003
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From: Lori J. Mitchell <lmitchell@glastar.com>
To: Sherry Greer <texpenguin@yahoo.com>,  GlassList <glass@bungi.com>
Mime-Version: 1.0
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Subject: re: cold soldering iron
Date: Thu, 16 Oct 2003 13:23:21 -0700
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Dear Bungies,

I have used Weller in the past and they have a good iron if you buy a 120 or 
more, however you need a soldiering iron control.  Of course I think that 
Glastar makes the best and I have been using mine for years and years.  I make 
two marks on my control using a black sharpie, one for lead and one for copper 
foil.  However the best iron I would recommend would be Hexicon.


Thank you, 

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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From owner-glass Thu Oct 16 14:11:43 2003
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Maggie:  If the foil won't stick, throw it away.  Age does seem to dry =
up the adhesive backing but if the foil sticks regardless of ages, by =
all means use it.  I have had "new" foil that refused to stick. =20
Peggy
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<DIV><FONT face=3DArial size=3D2>Maggie:&nbsp; If the foil won't stick, =
throw it=20
away.&nbsp; Age does seem to dry up the adhesive backing but if the foil =
sticks=20
regardless of ages, by all means use it.&nbsp; I have had "new" foil =
that=20
refused to stick.&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Peggy</FONT></DIV></BODY></HTML>

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From owner-glass Thu Oct 16 15:14:16 2003
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Subject: RE: foil problem
Date: Thu, 16 Oct 2003 16:53:14 -0500
Message-ID: <1970Jan1.000.0@mindspring.com>
References: <<1970Jan1.000.0@ispwest.com>>
Precedence: bulk

The shelf life on foil is about one year.  Venture is date-stamping some of
their products so you'll know how old it is.  Edco is proud of their
adhesive and guarantees it for one year.

I had some that I found still in the original sealed package in our
air-conditioned house.  I think it was about three years old.  I tried to
foil with it to see but it won't stick.  The only thing you can do is throw
it away.  You don't want it lifting when you solder.

Good luck.

Joyce Sullivan
The Place For Cool Tools!
www.HarmonyStainedGlass.com
4416 Fairmont Parkway
Pasadena  TX  77504
Phone: 281-998-3381
Toll-Free:  866-998-3381
Fax: 281-998-3392


-----Original Message-----
From: Karen K. [mailto:giapet@ispwest.com]
Sent: Thursday, October 16, 2003 8:41 AM
To: Bungi
Subject: Re: foil problem



Good idea to keep all your foil in zip-lock bags...even the unopened ones.
I've had problems with it when I didn't.

Karen


Is there a "shelf life" for opened foil?  I have some I have tried to foil
with and it won't stick even though the glass has been cleaned. It has
been
sitting in
the foil holder for a couple years (at least) in the basement. How about
unopened foil?
Thanks

Maggie


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To send to the list,      please mail to: glass@bungi.com
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From owner-glass Fri Oct 17 06:14:38 2003
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IGNrbGNiIHMgeXUNCiBkZ29tdHRmbSBlZWN1dWlzeCBleCBpeCBheXMgY3Nh
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From owner-glass Fri Oct 17 07:11:21 2003
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Subject: Re: foil problem
Date: Fri, 17 Oct 2003 08:46:45 -0400
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Call me frugal, but I have used foil that is 5 years old. Venture foil doesn't stick well even new. Edco foil seems to last forever. I keep my foil in my garage studio. I've tried sealable plastic bags, but found no advantage. (Probably the extreme temperatures in my garage)

I'm not too concerned with how well the foil sticks. After it is soldered, the glue is superfulous (sp?) anyway. Yes. Sometimes the foil pulls away from the glass when I am soldering. But not often and I have had little problem fixing it.

OK. So I'm cheap.

Cheryl Lowe
Glass Lites Studio
New Jersey
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From owner-glass Fri Oct 17 11:12:23 2003
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Subject: Re: Re: foil problem
Date: Fri, 17 Oct 2003 13:35:45 -0400
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Precedence: bulk

Does anyone else find a difference in foil quality? I always wonder which brand to look for. Any tips would be very much appreciated.
Thanks,
Diane Mathus-Nagano
> 
> From: GlassLites@aol.com
> Date: 2003/10/17 Fri AM 08:46:45 EDT
> To: glass@bungi.com
> Subject: Re: foil problem
> 
> Call me frugal, but I have used foil that is 5 years old. Venture foil doesn't stick well even new. Edco foil seems to last forever. I keep my foil in my garage studio. I've tried sealable plastic bags, but found no advantage. (Probably the extreme temperatures in my garage)
> 
> I'm not too concerned with how well the foil sticks. After it is soldered, the glue is superfulous (sp?) anyway. Yes. Sometimes the foil pulls away from the glass when I am soldering. But not often and I have had little problem fixing it.
> 
> OK. So I'm cheap.
> 
> Cheryl Lowe
> Glass Lites Studio
> New Jersey
> ----
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From owner-glass Fri Oct 17 12:11:25 2003
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: glass@bungi.com
Mime-Version: 1.0
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	charset="iso-8859-1"
Subject: RE: Re: foil problem
Date: Fri, 17 Oct 2003 11:34:24 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

when first invented, it came in sheets that were cut by hand, and beeswax
was applied to the back for adhesive. 

what quality is looked for? as long as it's copper, it doesn't matter how
good or long the adhesive lasts. the adhesive isn't used after you solder it
anyway, as cheryl has already pointed out. heck, if it's too old and not
sticky, heat it a bit with a hair dryer or foil in the sun and the adhesive
will melt a little and be really sticky. me, i just foil in my garage, and
since it's still over 100F, it's plenty warm.

regards,
charlie
cave creek, az

> -----Original Message-----
> From: mathusnagano@cox.net [mailto:mathusnagano@cox.net]
> Sent: Friday, October 17, 2003 10:36 AM
> To: glass@bungi.com
> Subject: Re: Re: foil problem
> 
> 
> Does anyone else find a difference in foil quality? I always 
> wonder which brand to look for. Any tips would be very much 
> appreciated.
> Thanks,
> Diane Mathus-Nagano
> > 
> > From: GlassLites@aol.com
> > Date: 2003/10/17 Fri AM 08:46:45 EDT
> > To: glass@bungi.com
> > Subject: Re: foil problem
> > 
> > Call me frugal, but I have used foil that is 5 years old. 
> Venture foil doesn't stick well even new. Edco foil seems to 
> last forever. I keep my foil in my garage studio. I've tried 
> sealable plastic bags, but found no advantage. (Probably the 
> extreme temperatures in my garage)
> > 
> > I'm not too concerned with how well the foil sticks. After 
> it is soldered, the glue is superfulous (sp?) anyway. Yes. 
> Sometimes the foil pulls away from the glass when I am 
> soldering. But not often and I have had little problem fixing it.
> > 
> > OK. So I'm cheap.
> > 
> > Cheryl Lowe
> > Glass Lites Studio
> > New Jersey
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From owner-glass Fri Oct 17 13:13:01 2003
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X-Path: verizon.net!moya.oneal
From: "Moya O'Neal" <moya.oneal@verizon.net>
To: <glass@bungi.com>
Mime-Version: 1.0
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Subject: foil types
Date: Fri, 17 Oct 2003 15:47:03 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0022_01C394C5.E92A0860
Content-Type: text/plain;
	charset="iso-8859-1"
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My personal experience is that EDCO cannot be beaten for quality and =
price.
Moya
------=_NextPart_000_0022_01C394C5.E92A0860
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1264" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>My personal experience is that EDCO =
cannot be=20
beaten for quality and price.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Moya</FONT></DIV></BODY></HTML>

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From owner-glass Sat Oct 18 02:15:43 2003
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
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Mime-Version: 1.0
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Subject: Re: foil types
Date: Sat, 18 Oct 2003 09:11:29 +0100
Message-ID: <20031018081129.OONQ6394.mta03-svc.ntlworld.com@sn010947420129>
Precedence: bulk

We find most of our customers go for price so buy the Venture Masterfoil.
However some of my customers have used Edco from the start as whoever taught
them used it so we stock that too and sell it to committed Edco users
although the price of Edco foil is between 30-50 percent more expensive in UK.
Another difference from the USA/Canada is that we can only get the
purple-core Masterfoil over here so cant offer different thicknesses of
foil, only different widths. 
 
As to how long it lasts, we often discover old half-used packets and have
found no particular difficulty with it not sticking.  Also I have one
part-used roll of 3/8" foil that must be over 10 years old but is still
useable the very few times I want to use it in a project.

Regards
Elizabeth in Bournemouth
http://www.stainedglass.co.uk


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From owner-glass Sat Oct 18 09:14:43 2003
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Subject: Re: foil problem - Favorite Foil?
Date: Sat, 18 Oct 2003 11:19:19 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Now here is a subject the has strong opinions on both sides....

I was first taught with Edco foil. Then when my supplier went out of business 
I was left with Venture. So I have used both. Happy to say I now have found 
suppliers of Edco and am back to my preferred foil.

I've found that Venture tape is stiff, does not bend around curves well, does 
not stick well and is prone to cutting my fingers. Edco foil is much softer, 
handles curves well because it does stretch a bit, glue seems to last forever 
and I have never cut my fingers on Edco foil!

So what are some other opinions?

Cheryl Lowe in NJ



In a message dated 10/17/03 2:13:43 PM Eastern Daylight Time, 
mathusnagano@cox.net writes:

> Does anyone else find a difference in foil quality? I always wonder which 
> brand to look for. Any tips would be very much appreciated.
>  Thanks,
>  Diane Mathus-Nagano
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From owner-glass Mon Oct 20 07:13:52 2003
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Subject: Favorite Foil
Date: Mon, 20 Oct 2003 08:35:11 -0500
Message-ID: <3ACFADD0-0302-11D8-8F97-00306570408C@cox.net>
Precedence: bulk

I agree with Cheryl entirely, but wonder if there ARE other brands 
available?

Begin forwarded message:

> From: GlassLites@aol.com
> Date: Sat Oct 18, 2003  10:19:19 AM US/Central
> To: glass@bungi.com
> Subject: Re: foil problem - Favorite Foil?
>
> Now here is a subject the has strong opinions on both sides....
>
> I was first taught with Edco foil. Then when my supplier went out of 
> business
> I was left with Venture. So I have used both. Happy to say I now have 
> found
> suppliers of Edco and am back to my preferred foil.
>
> I've found that Venture tape is stiff, does not bend around curves 
> well, does
> not stick well and is prone to cutting my fingers. Edco foil is much 
> softer,
> handles curves well because it does stretch a bit, glue seems to last 
> forever
> and I have never cut my fingers on Edco foil!
>
> So what are some other opinions?
>
> Cheryl Lowe in NJ
>
>
>
> In a message dated 10/17/03 2:13:43 PM Eastern Daylight Time,
> mathusnagano@cox.net writes:
>
>> Does anyone else find a difference in foil quality? I always wonder 
>> which
>> brand to look for. Any tips would be very much appreciated.
>>  Thanks,
>>  Diane Mathus-Nagano
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Tue Oct 21 10:09:20 2003
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Subject: Re: foil problem - Favorite Foil?
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I would have to agree that Edco is easier on my fingers, especially on  the 
curves.  As to the stickability, I havent noticed since I put my foil in sealed 
plastic bags and in the freezer prior to using it, about an hour. It keeps my 
foil ready, willing and sticky.   Works for me.  Debi

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">I would have to agree that Edco is easier on my finger=
s, especially on&nbsp; the curves.&nbsp; As to the stickability, I havent no=
ticed since I put my foil in sealed plastic bags and in the freezer prior to=
 using it, about an hour. It keeps my foil ready, willing and sticky.&nbsp;&=
nbsp; Works for me.&nbsp; Debi</FONT></HTML>

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From owner-glass Wed Oct 22 21:18:47 2003
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this will help!, You're paying too much at the pump!

look.. http://www.wnnd.org





acclamation

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Hope the 3 emails I received today were actually from people interested in 
the multiple facets of stained glass.  I signed up for what appeared to be the 
best yahoo stained glass interest groups.  Look forward to hearing from 
everyone.      Elena

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Hope the 3 emails I received today were actually from=20=
people interested in the multiple facets of stained glass.&nbsp; I signed up=
 for what appeared to be the best yahoo stained glass interest groups.&nbsp;=
 Look forward to hearing from everyone.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Elena<=
/FONT></HTML>

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Hope the 3 emails I received today were actually from people interested in 
the multiple facets of stained glass.  I signed up for what appeared to be the 
best yahoo stained glass interest groups.  Look forward to hearing from 
everyone.      Elena

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Hope the 3 emails I received today were actually from=20=
people interested in the multiple facets of stained glass.&nbsp; I signed up=
 for what appeared to be the best yahoo stained glass interest groups.&nbsp;=
 Look forward to hearing from everyone.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Elena<=
/FONT></HTML>

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X-Path: glastar.com!lmitchell
From: Lori J. Mitchell <lmitchell@glastar.com>
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Subject: re[2]: foil problem - Favorite Foil?
Date: Thu, 23 Oct 2003 18:01:42 -0700
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Organization: Glastar Corporation
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Dear Debi,=20

Great tip, but don't you have corrosion problems from the moisture?


Thank you,=20

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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Subject: Grinders
Date: Thu, 23 Oct 2003 22:47:26 EDT
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       Hi all pastor Paul here.  I am new to the art and am purchasing my 
equipment and am pretty settled on everything except grinders.  I want to buy the 
best grinder for the money with the comfort of knowing it will give me many 
years of service.  I am thinking the all-star or the wizard but you all may 
have another suggestion or pros and cons on these that I have mentioned thanks 
for your help...... Paul
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Subject: Grinders for Pastor Paul
Date: Fri, 24 Oct 2003 10:24:24 EDT
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Hi:  It may sound excessive but I have used 4 different grinders, 2 varieties 
of Glastar, a Pro Max, and a Gryphon.  The Pro Max and Gryphon have a lot of 
power; the Gryphon has the most.  The Gryphon is unusual in that the water 
source is located in a tower above the grinding head.  After it runs over the 
head, it flows to a reservoir below the grid and then out through a tube into a 
container on the floor (don't forget the container!).  What's good about this 
grinder is the water is always clean.  The water tower is very obvious and it 
only takes a glance to see when you need to refill.  The motor is extremely 
strong.  The Pro Max is designed to take two grinding bits at once so you can put 
a 1/4 inch bit for drilling holes above the 1 inch bit.  That's kind of nice 
too.  The Glastar grinders are decent machines.  Don't know if this helps.  
Elena

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<HTML><FONT FACE=3Darial,helvetica><FONT  SIZE=3D2 FAMILY=3D"SANSSERIF" FACE=
=3D"Arial" LANG=3D"0">Hi:&nbsp; It may sound excessive but I have used 4 dif=
ferent grinders, 2 varieties of Glastar, a Pro Max, and a Gryphon.&nbsp; The=
 Pro Max and Gryphon have a lot of power; the Gryphon has the most.&nbsp; Th=
e Gryphon is unusual in that the water source is located in a tower above th=
e grinding head.&nbsp; After it runs over the head, it flows to a reservoir=20=
below the grid and then out through a tube into a container on the floor (do=
n't forget the container!).&nbsp; What's good about this grinder is the wate=
r is always clean.&nbsp; The water tower is very obvious and it only takes a=
 glance to see when you need to refill.&nbsp; The motor is extremely strong.=
&nbsp; The Pro Max is designed to take two grinding bits at once so you can=20=
put a 1/4 inch bit for drilling holes above the 1 inch bit.&nbsp; That's kin=
d of nice too.&nbsp; The Glastar grinders are decent machines.&nbsp; Don't k=
now if this helps.&nbsp; Elena</FONT></HTML>

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From owner-glass Fri Oct 24 08:37:54 2003
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
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Subject: RE: Grinders
Date: Fri, 24 Oct 2003 07:20:01 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

my glastar lasted a lot longer then my wizard. i bought one of each 15 years
ago, and my glastar is still going strong. they also have a great warrantee.

regards,
charlie
cave creek, az

> -----Original Message-----
> From: Pastorpaulciucci@aol.com [mailto:Pastorpaulciucci@aol.com]
> Sent: Thursday, October 23, 2003 7:47 PM
> To: glass@bungi.com
> Subject: Grinders
> 
> 
>        Hi all pastor Paul here.  I am new to the art and am 
> purchasing my 
> equipment and am pretty settled on everything except 
> grinders.  I want to buy the 
> best grinder for the money with the comfort of knowing it 
> will give me many 
> years of service.  I am thinking the all-star or the wizard 
> but you all may 
> have another suggestion or pros and cons on these that I have 
> mentioned thanks 
> for your help...... Paul
> ----
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Subject: New Patch Ads inches    80ud
Date: Fri, 24 Oct 2003 11:27:06 +0000
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Subject: Re: foil problem - Favorite Foil?
Date: Fri, 24 Oct 2003 19:40:31 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Sorry, I've been on travel for a few days and only now catching up on email.

I get my Edco foil from www.glasscrafters.com. I think my local supplier in 
New Jersey  www.anythinginstainedglass.com may have Edco also - not sure.

Cheryl Lowe
Glass Lites Studio




In a message dated 10/20/03 9:36:43 AM Eastern Daylight Time, 
oakhillpottery@earthlink.net writes:

> You've convinced me.  I'd like to try Edco foil.  Do you know a 
>  mail-order supplier?  My local shop only carries Venture and I've 
>  checked the catalogs of  Warner-Criv, Delphi, Stained Glass Warehouse 
>  and Whittemore-Durgin and haven't found it.  Thanks.
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X-Path: glastar.com!lmitchell
From: Lori J. Mitchell <lmitchell@glastar.com>
To: <Pastorpaulciucci@aol.com>,  <glass@bungi.com>
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Subject: re: Grinders
Date: Fri, 24 Oct 2003 17:21:24 -0700
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Organization: Glastar Corporation
Precedence: bulk

Dear Pastor Paul,

Check for a UL approval on any grinder, there is only one that has it...guess =
which one!  Water and electricity can and do cause electric shock. =20


Thank you,=20

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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From owner-glass Fri Oct 24 18:20:06 2003
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From: Lori J. Mitchell <lmitchell@glastar.com>
To: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>,  'glass@bungi.com'   <glass@bungi.com>
Mime-Version: 1.0
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Subject: re[2]: Grinders
Date: Fri, 24 Oct 2003 17:22:55 -0700
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Organization: Glastar Corporation
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Dear Charlie,

Thanks for the kind words!


Thank you, 

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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Subject: Grinders
Date: Fri, 24 Oct 2003 21:02:04 -0400
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Hi Paul,
I have a Glastar and I love it .  Its been going strong for 4 years so far .
Regards
Gillian

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From owner-glass Fri Oct 24 19:20:22 2003
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From: suzanne albright <suzi1025@ptdprolog.net>
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Subject: Re: Grinders
Date: Fri, 24 Oct 2003 21:27:50 -0400
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References: <<1970Jan1.000.0@aol.com>>
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Hi Pastor Paul,

Welcome to the art. You may find yourself becoming addicted!

My vote goes to the All-Star. Mine has lasted a good 14 years and isn't
showing signs of giving up yet.

Suzanne

on 10/23/03 10:47 PM, Pastorpaulciucci@aol.com at Pastorpaulciucci@aol.com
wrote:

> Hi all pastor Paul here.  I am new to the art and am purchasing my
> equipment and am pretty settled on everything except grinders.  I want to buy
> the 
> best grinder for the money with the comfort of knowing it will give me many
> years of service.  I am thinking the all-star or the wizard but you all may
> have another suggestion or pros and cons on these that I have mentioned thanks
> for your help...... Paul
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 

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From owner-glass Fri Oct 24 21:15:54 2003
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X-Path: ispwest.com!giapet
From: "Karen K." <giapet@ispwest.com>
To: <glass@bungi.com>
Subject: Re: Grinders
Date: Fri, 24 Oct 2003 23:41:09 -0400
Message-ID: <1970Jan1.000.0@ispwest.com>
References: <<1970Jan1.000.0@ptdprolog.net>>
Precedence: bulk

I have to agree, love my All-Star.

I have 2 other small grinders, the Inland Twin Spin disc & the Wiz.  I
only use these with specialty bits & have felt electrical voltage coming
from the switches on both the Inland grinders.  Should add this only
happens when I pour too much water in them (they don't hold as much as the
All-Star.  Have to turn them on with a wooden dowel when it happens.

Karen

My vote goes to the All-Star. Mine has lasted a good 14 years and isn't
showing signs of giving up yet.

Suzanne


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From owner-glass Sat Oct 25 07:17:15 2003
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From: "BAJABABA" <bajababa@rraz.net>
To: "Brenda Lantz" <brendalantz@cox.net>,
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Subject: Re: Favorite Foil
Date: Tue, 21 Oct 2003 08:39:43 -0700
Message-ID: <1970Jan1.000.0@rraz.net>
References: <<3ACFADD0-0302-11D8-8F97-00306570408C@cox.net>>
Precedence: bulk

Cheryl, would you mind sharing your supplier of the Edco Foil?

Does anyone have any hints as to getting the foil to stick to the glass when
it is humid weather?

I am working on my latest window in sunny, hot, humid Mexico. No matter what
I do the foil isn't sticking....and it's new!

Thanks, Barb..... of AZ. and vacationing in Mexico!


----- Original Message -----
From: "Brenda Lantz" <brendalantz@cox.net>
To: <glass@bungi.com>
Sent: Monday, October 20, 2003 6:35 AM
Subject: Favorite Foil


> I agree with Cheryl entirely, but wonder if there ARE other brands
> available?
>
> Begin forwarded message:
>
> > From: GlassLites@aol.com
> > Date: Sat Oct 18, 2003  10:19:19 AM US/Central
> > To: glass@bungi.com
> > Subject: Re: foil problem - Favorite Foil?
> >
> > Now here is a subject the has strong opinions on both sides....
> >
> > I was first taught with Edco foil. Then when my supplier went out of
> > business
> > I was left with Venture. So I have used both. Happy to say I now have
> > found
> > suppliers of Edco and am back to my preferred foil.
> >
> > I've found that Venture tape is stiff, does not bend around curves
> > well, does
> > not stick well and is prone to cutting my fingers. Edco foil is much
> > softer,
> > handles curves well because it does stretch a bit, glue seems to last
> > forever
> > and I have never cut my fingers on Edco foil!
> >
> > So what are some other opinions?
> >
> > Cheryl Lowe in NJ
> >
> >
> >
> > In a message dated 10/17/03 2:13:43 PM Eastern Daylight Time,
> > mathusnagano@cox.net writes:
> >
> >> Does anyone else find a difference in foil quality? I always wonder
> >> which
> >> brand to look for. Any tips would be very much appreciated.
> >>  Thanks,
> >>  Diane Mathus-Nagano
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> >
>
> ----
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From owner-glass Sun Oct 26 10:25:25 2003
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From owner-glass Tue Oct 28 16:15:00 2003
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From: info@finestdancers.com
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Subject: FinestDancers.com Grand Opening
Date: 28 Oct 2003 10:42:46 -0000
Message-ID: <1970Jan1.000.0@finestdancers.com>
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We are officially announcing FinestDancers.com.  The only place to find the hottest girls from Florida's hottest night clubs.

FinestDancers.com features exclusive girls that you will not find anywhere else.  

During this grand opening FinestDancers.com is offering a 3 day special for $4.95.  You will recieve the same benefits as a full member.  You get to see over 10,000 images with new ones being added weekly.

So do not delay visit FinestDancers.com and see why we have the hottest girls in Florida.

Again the website address is http://www.finestdancers.com .

To unsubsribe to this mailing list please point your browser to;

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From owner-glass Tue Oct 28 18:08:44 2003
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Dear Karen,

Thanks, we love you too!


Thank you,=20

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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From owner-glass Tue Oct 28 18:09:01 2003
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Dear Gillian,

Thank you for your support, Glastar is here for you anytime you have a question 
or problem!


Thank you, 

Lori Mitchell
Chief Executive Officer
Glastar Corporation
www.glastar.com

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From owner-glass Wed Oct 29 04:09:01 2003
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Content-Type: multipart/mixed; boundary="da698a6a-460c-4bc3-9e16-66087a79c12a"
Subject:  INTERNATIONAL LOTTERY  PROMOTION YOU WON !!
Date: Wed, 29 Oct 2003 11:55:06 -0800
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This is a multi-part message in MIME format
--da698a6a-460c-4bc3-9e16-66087a79c12a
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EURO AFRO ASIA INTERNATIONAL LOTTERY  PROMOTION    SOUTH AFRICA.
              
FROM:THE DESK OF THE MANAGING DIRECTOR EURO AFRO ASIA INTERNATIONAL/PRIZE  =
AWARD DEPT
REF:HW2/204119318/04
BATCH:18/103/JGS.
ATTN:CEO
Sir/Madam
We are pleased to inform you of the result of the  Lottery Winners =
International programs held on the 01/09/2003. Your e-mail address attached =
to ticket number 653164251591-6011 with serial number 7321410,batch number =
7151085135,lottery ref number 6376527711 and drew lucky numbers =
4-9-17-36-44-78 which consequently won in the 1st category, you ave 
therefore been approved for a lump sum pay out of US$1. 500,000.00  (0NE =
MILLION FIVE HUNDRED THOUSAND United States Dollars)CONGRATULATIONS!!!
Due to mix up of some numbers and names, we ask that you keep your winning =
information confidential until your claims has been processed and your money =
Remitted to you. This is part of our security protocol to avoid double =
claiming and unwarranted abuse of this program
by some participants. All participants were selected through a computer =
ballot system drawn 
from over 40,000 company and 20,000,000 individual email addresses and names =
from
all over the world. This promotional program takes place every   year. This =
lottery was promoted and sponsored by Association of software producers. we =
hope with part of your winning,you will take part in our next year US$20 =
million international lottery. To file for your claim, please contact our =
fiducial agent MR. Collins  Syndey of the, NOTHERN TRUST FINANCE & SECURITY.
TEL:+31-629 178 943
FAX -31-617 058 114

Remember, all winning must be claimed not later than 14th. of Novermber 2003. =
After this date all unclaimed funds will be included in the next stake. =
Please note in order to avoid unnecessary delays and complications please =
remember to quote your reference number and batch numbers in all =
correspondence.furthermore, should there be any change of address do
inform our agent as soon as possible.Congratulations once more from our =
members of staff and thank you for being part of our promotional  =
program.Note: Anybody under the age of 18 is automatically disqualified.
yours  Sincerely,
Mrs. Tina Amstrong.
Lottery Coordinator.


  
--da698a6a-460c-4bc3-9e16-66087a79c12a--

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From owner-glass Wed Oct 29 22:09:34 2003
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<html>

<head>
<title></title>
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