From owner-glass Sat Dec  1 11:33:36 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: Cleaning glass for foiling
Date: Sat, 1 Dec 2001 09:20:32 -0500
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Message text written by Sherry Greer
>Anyone have any tips on cleaning glass for foiling more quickly? =

I just cleaned 3 projects worth, all with tiny little pieces, and my
shoulders are killing me!<

As I'm grinding, I keep a pan of clean water next to the
grinder.  As each piece is finished being ground, I place
it into the pan of water.  This soaks off the paper pattern
(that's the method I use for copper foil projects) and cleans
the ground glass out of the edges at the same time.  After
doing about 6 pieces, stop grinding and towel dry the ones
which have been soaking in the water.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Sat Dec  1 15:36:23 2001
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From: "Cheryl Parrott" <theglassparrott@hotmail.com>
To: glass@bungi.com
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Subject: Re preparing for foiling
Date: Sat, 01 Dec 2001 12:01:34 -0800
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<html><div style='background-color:'><DIV>
<P><BR><BR></P>
<DIV>
<DIV></DIV>
<P>Sherry,</P></DIV>
<P>I do a lot of copperfoil work.&nbsp; I soak each piece of glass in rubbing alcohol for just a few seconds.&nbsp; You will find that you do not have to scrub the oil off the glass.&nbsp; Just dry the pieces off and you will no longer have any problems with the foil adhering to the glass.&nbsp; I learned this trick about 15 years ago.</P></DIV>
<P>I have a large tupperware container which I keep the alcohol in.&nbsp; Be sure to keep a lid on it or it will evaporate rather quickly plus the smell will make you think you are in a doctors office.<BR></P>
<DIV></DIV>
<P>I use brass zinc for all my frames.&nbsp; I also use brass patina.&nbsp;&nbsp;I think the brass zinc gives the piece a classy and professional look.</P>
<DIV></DIV>
<P>Cheryl Parrott&nbsp; (The Glass Parrott)</P></div><br clear=all><hr>Get your FREE download of MSN Explorer at <a href='http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html>
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From owner-glass Sat Dec  1 19:06:26 2001
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From: Peggy L Kinnetz <pkinnetz@juno.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: solder problems & iron tips
Date: Sat, 1 Dec 2001 08:29:45 -0500
Message-ID: <1970Jan1.000.0@juno.com>
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Thanks, Mike.  I think I'll try to return the extra spools.  It was so
cheap that I bought a lot.  Guess I'll try to stick with tried and true
names, like Canfield, Avril or Fry or Hirsch. Is there much difference in
these solders?

BTW, if anyone knows what kind of tip I have (a beading tip with a 7 on
the bottom, maybe a Weller one made for the 100 watt iron that is temp
controlled by the tip?), I'd like to know if I should replace it with a
beading tip speciically for my 80 watt iron, or can I use it okay without
damage to my present one. Separate issue, will it heat sufficiently to do
a decent bead--if it is a heat control tip, will it try to limit the
temp. to my 80 watt iron?
Peggy K.

On Fri, 30 Nov 2001 19:41:42 -0500 "Mike Savad" <esavad@home.com> writes:
> 
> if you got it at the hardware store, then it has to be plumbers 
> solder, a
> 95-5 or the like. not meant for beading. or patina, i believe.
> 
> the fastest is 60-40 (actually 63-37 is the fastest, but it's more 
> money).
> canfield's 50-50 is about the same as 60-40 from other places and 
> it's a bit
> cheaper as well. the more tin in the solder, the faster it set's up. 
> 50-50
> is also used to fill gaps, and the 60-40 is set to melt at a lower 
> temp,
> which helps prevent drip through's.
> 
> 
> ---Mike Savad
> 
> 
> -----Original Message-----
> From: Peggy L Kinnetz [mailto:pkinnetz@juno.com]
> Sent: Friday, November 30, 2001 3:22 PM
> To: glass@bungi.com
> Subject: solder problems
> 
> 
> I recently bought a brand of solder at the hardware store, called
> Permabond.  Has anybody used this brand of solder? I think its 
> 50/50, at
> least that is what I remember seeing somewhere in the store, maybe 
> on the
> carton.  It's nowhere on the label. It just doesn't seem to flow 
> very
> well at all.  I also have a beading tip on my iron (Weller 80), that 
> I'm
> not sure, but may be a 700deg. tip. It has a 7 printed on the 
> bottom.
> Would this be part of the problem, if the iron isn't getting hot 
> enough?
> 
> 
> Just for information purposes, what solder melts the fastest and 
> which is
> the slowest?  50/50 or 60/40 or 63/37 and what about leadfree 
> solder? I
> tried Avril 60/40 solder, and it flows okay with this tip. Actually 
> the
> Avril 50/50 which I used almost exclusively, did fine too. How can 
> two
> 50/50 solders be so very different?
> 
> Peggy K.
> ----
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> Archives available at http://www.bungi.com/glass
> 
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From owner-glass Sat Dec  1 20:55:44 2001
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From: "Kris" <kristc@home.com>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: New pictures
Date: Sat, 1 Dec 2001 08:24:35 -0500
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Thanks everyone who answered my questions! I didn't know about patterned
dichro. I guess I have been out of the glass stores for too long :o)

Kris


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From owner-glass Sun Dec  2 04:06:37 2001
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Subject: Re: Picture Frames
Date: Sun, 2 Dec 2001 06:37:30 EST
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Hi Sherry,

I haven't made any picture frames yet, but I have used the zinc and copper u 
cames in other projects.  It seems as though there is a coating on the zinc.  
I noticed this when I first started using it.  There seemed to be a residue 
after I soldered it.  I know there is a patina for zinc, but I was always 
afraid the colors would be different.  What I did was to clean the copper or 
zinc with 0000 steel wool then tinned it before I used it.  Then just used 
the regular patina for lead.  Seemed to work quite well.

Your other question on cleaning small pieces of glass.  I sneak into the 
kitchen and if my wife isn't looking I use our small plastic strainer to put 
the pieces in.  A little squirt of soap, swish it around and rinse real good 
with hot water. All the grit gets washed off. Then off in a flash to the 
basement undetected and I lay the pieces out on a paper towel to dry.  The 
heat from the water aids in drying the glass.  Later I clean the strainer and 
then I'm in the clear.

Good Luck & Merry Christmas,

Ken O.
Decorative Glass
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From owner-glass Sun Dec  2 11:10:50 2001
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From: JzzyGlass@aol.com
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Subject: Kiln wash
Date: Sun, 2 Dec 2001 12:44:29 EST
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I am kiln washing a new mold and there is a spot on the ceramic mold the size 
of a dime that won't absorb kiln wash.  Any suggestions on how to fix this 
problem?

Thank you,

Jill Medlyn
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From owner-glass Sun Dec  2 11:45:34 2001
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From: "Mike Savad" <esavad@home.com>
To: "Peggy L Kinnetz" <pkinnetz@juno.com>,
Content-Type: text/plain;
Subject: RE: solder problems & iron tips
Date: Sat, 1 Dec 2001 22:57:54 -0500
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the main difference in the glass solders is: the metal is more virgin. it
didn't come from oldser solder and therefore easier to work with.

plumbing solder has no lead. lead causes brain damage and it's not allowed
in pipes.

canfield one of the more expensive solders, but the solder is of a fine
quality. truthfully though, i'll use whatever is on sale. i mostly have
willard, canfield, and i think fry. my filler solder is old solder re-melted
into ingots (fishing weights). then 60-40 goes on top of that.


---Mike Savad




-----Original Message-----
From: Peggy L Kinnetz [mailto:pkinnetz@juno.com]
Sent: Saturday, December 01, 2001 8:30 AM
To: glass@bungi.com
Subject: Re: solder problems & iron tips


Thanks, Mike.  I think I'll try to return the extra spools.  It was so
cheap that I bought a lot.  Guess I'll try to stick with tried and true
names, like Canfield, Avril or Fry or Hirsch. Is there much difference in
these solders?

BTW, if anyone knows what kind of tip I have (a beading tip with a 7 on
the bottom, maybe a Weller one made for the 100 watt iron that is temp
controlled by the tip?), I'd like to know if I should replace it with a
beading tip speciically for my 80 watt iron, or can I use it okay without
damage to my present one. Separate issue, will it heat sufficiently to do
a decent bead--if it is a heat control tip, will it try to limit the
temp. to my 80 watt iron?
Peggy K.

On Fri, 30 Nov 2001 19:41:42 -0500 "Mike Savad" <esavad@home.com> writes:
>
> if you got it at the hardware store, then it has to be plumbers
> solder, a
> 95-5 or the like. not meant for beading. or patina, i believe.
>
> the fastest is 60-40 (actually 63-37 is the fastest, but it's more
> money).
> canfield's 50-50 is about the same as 60-40 from other places and
> it's a bit
> cheaper as well. the more tin in the solder, the faster it set's up.
> 50-50
> is also used to fill gaps, and the 60-40 is set to melt at a lower
> temp,
> which helps prevent drip through's.
>
>
> ---Mike Savad
>
>
> -----Original Message-----
> From: Peggy L Kinnetz [mailto:pkinnetz@juno.com]
> Sent: Friday, November 30, 2001 3:22 PM
> To: glass@bungi.com
> Subject: solder problems
>
>
> I recently bought a brand of solder at the hardware store, called
> Permabond.  Has anybody used this brand of solder? I think its
> 50/50, at
> least that is what I remember seeing somewhere in the store, maybe
> on the
> carton.  It's nowhere on the label. It just doesn't seem to flow
> very
> well at all.  I also have a beading tip on my iron (Weller 80), that
> I'm
> not sure, but may be a 700deg. tip. It has a 7 printed on the
> bottom.
> Would this be part of the problem, if the iron isn't getting hot
> enough?
>
>
> Just for information purposes, what solder melts the fastest and
> which is
> the slowest?  50/50 or 60/40 or 63/37 and what about leadfree
> solder? I
> tried Avril 60/40 solder, and it flows okay with this tip. Actually
> the
> Avril 50/50 which I used almost exclusively, did fine too. How can
> two
> 50/50 solders be so very different?
>
> Peggy K.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>
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From owner-glass Sun Dec  2 15:22:39 2001
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: solder problems & iron tips
Date: Sun, 2 Dec 2001 10:20:46 +0000
Message-ID: <1970Jan1.000.0@stainedglass.co.uk>
Precedence: bulk

At 08:29 AM 12/1/01 -0500, Peggy K wrote:
>
>BTW, if anyone knows what kind of tip I have (a beading tip with a 7 on
>the bottom, maybe a Weller one made for the 100 watt iron that is temp
>controlled by the tip?), I'd like to know if I should replace it with a
>beading tip speciically for my 80 watt iron, or can I use it okay without
>damage to my present one. Separate issue, will it heat sufficiently to do
>a decent bead--if it is a heat control tip, will it try to limit the
>temp. to my 80 watt iron?

I am not a technician but it has been explained to me like this.... 
The 100 and 200 watt Wellers on sale in the UK regulate the temp by a
soldenoid cutout system which turns it on and off.  When the iron is hot
enough the 'gizmo' knows because it has expanded until it touches the base
of the tip and then it cuts off the heat.  
The different temperature tips are slightly different in length so the
'cooler' tips are touched earlier than the hotter ones.  
If the 100w tip fits your non-solenoid iron it will be heated to whatever
temperature the iron can heat up to regardless of which number is on the
tip.  The heat will be dissipated as you use it but will probably be hotter
after you have left it unused for a while, so with lead came work you will
have to do a couple of test joints to take out the excess heat that has
built up before doing your panel joints.
If the USA models work differently from ours perhaps one of the USA based
members can tell us?
Regards
EliZabeth in Bournemouth

Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Sun Dec  2 16:55:24 2001
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From: Suzanne Gunn <gunnx4@home.com>
To: JzzyGlass@aol.com
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Subject: Re: Kiln wash
Date: Sun, 02 Dec 2001 18:42:54 -0600
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Organization: glassdancer
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Hey Jill!

I had the same problem and asked lots of people including Brad Walker
what to do...they all said "go for it anyway".

The glass came off lickity split.

Suzanne

JzzyGlass@aol.com wrote:
> 
> I am kiln washing a new mold and there is a spot on the ceramic mold the size
> of a dime that won't absorb kiln wash.  Any suggestions on how to fix this
> problem?
> 
> Thank you,
> 
> Jill Medlyn
> ----
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From owner-glass Sun Dec  2 17:00:33 2001
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From: Sherry Greer <texpenguin@yahoo.com>
To: GlassList <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: cutter/straight edge problem
Date: Sun, 2 Dec 2001 14:52:30 -0800 (PST)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

I've been cutting out 4" squares for etched suncatchers.  Sounds easy
enough, right?  But inevitably, when I make my long cuts with the
grain, my cutter squeals in protest and the glass either shatters on
the break or I have to break it out bit by bit, scattering glass shards
everywhere.  On the short cuts cross grain, I have no problems.  I've
been using thick acrylic quilter's rulers as my straight edge-a long
for the long cuts and a 4" square one for the short cuts.  So any ideas
on how the large ruler is interfering with my cuts and the short one
isn't?  I lost a good bit of a really pretty glass piece because of
this.  What are everyone's opinions on straight edges?  I like the
quilter's rulers because they are see-through and are marked in 1"
grids--very convenient.  Thanks!
Sherry

=====
Sherry Greer
texpenguin@yahoo.com

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From owner-glass Sun Dec  2 17:58:41 2001
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From: Sherry Greer <texpenguin@yahoo.com>
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Subject: thanks!
Date: Sun, 2 Dec 2001 12:14:10 -0800 (PST)
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As always, thanks for all the great tips on picture frames!  And Ken,
you'd better be careful that your wife doesn't see that post!  That
would be like me using my mom's sewing scissors on paper!
Sherry

=====
Sherry Greer
texpenguin@yahoo.com

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From owner-glass Sun Dec  2 18:28:19 2001
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From: "Mike Savad" <esavad@home.com>
To: "Sherry Greer" <texpenguin@yahoo.com>,
Content-Type: text/plain;
Subject: RE: cutter/straight edge problem
Date: Sun, 2 Dec 2001 20:51:20 -0500
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References: <<1970Jan1.000.0@yahoo.com>>
Precedence: bulk

i'll assume your using a regular carbide cutter.


for starters, there is no grain to the glass unless it's textured.

rulers are a pain to work with, you need to concentrate when making a cut
against a ruler, the cutter needs to be exactly paralel (sp), to the ruler.
i use aluminum (i think it's called the rainbow score board). it makes a
terrible scrapy sound/vibration. so the cutter has to touch it but not be at
an angle. the wheel has to roll not scrape.

it's like ice skating with your feet at different angles. technically
someone can drag you accross the ice,  but you would make a mess, and
probably hurt yourself in the process. it's easier to go forward and glide.

the sound is the wheel suffering, and it's scratching the glass, not score,
hence the glass shattering.

i would get a morton board, or that score board (if they still sell that).
if anything it will make cutting pieces faster...

oh and i cut strips with a strip cutter, then use the score board to cut the
strips. i found it's faster, because with a ruler you have to keep a lot of
pressure on the ruler, or it will move.


---Mike Savad


-----Original Message-----
From: Sherry Greer [mailto:texpenguin@yahoo.com]
Sent: Sunday, December 02, 2001 5:52 PM
To: GlassList
Subject: cutter/straight edge problem


I've been cutting out 4" squares for etched suncatchers.  Sounds easy
enough, right?  But inevitably, when I make my long cuts with the
grain, my cutter squeals in protest and the glass either shatters on
the break or I have to break it out bit by bit, scattering glass shards
everywhere.  On the short cuts cross grain, I have no problems.  I've
been using thick acrylic quilter's rulers as my straight edge-a long
for the long cuts and a 4" square one for the short cuts.  So any ideas
on how the large ruler is interfering with my cuts and the short one
isn't?  I lost a good bit of a really pretty glass piece because of
this.  What are everyone's opinions on straight edges?  I like the
quilter's rulers because they are see-through and are marked in 1"
grids--very convenient.  Thanks!
Sherry

=====
Sherry Greer
texpenguin@yahoo.com

__________________________________________________
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From owner-glass Sun Dec  2 19:31:48 2001
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From: "Cheryl Parrott" <theglassparrott@hotmail.com>
To: glass@bungi.com
Content-Type: text/html
Subject: RE: cutter/straight edge problem
Date: Sun, 02 Dec 2001 19:22:13 -0800
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<html><div style='background-color:'><DIV>
<P><BR><BR></P></DIV>
<DIV></DIV>
<DIV></DIV>In 1979 when I took my first stained glass class I was given a 1" x 24" strip of 1/4" plexiglass for a straight edge. To this day, I still use that piece of plexi glass for my straight edge. it works perfect. Absolutely perfect. You can go to the hardware store and they can cut a strip for you. I've tried rulers and metal straight edges, however nothing works as well as the plexi glass. You may want to give that a try. 
<DIV></DIV>
<DIV></DIV>Cheryl Parrott 
<DIV></DIV>The Glass Parrott</div><br clear=all><hr>Get your FREE download of MSN Explorer at <a href='http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html>
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From owner-glass Sun Dec  2 20:33:18 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: cutter/straight edge problem
Date: Sun, 02 Dec 2001 21:28:57 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@yahoo.com>>
Organization: Grendel Studio
Precedence: bulk

Could the long one be a bit thicker?  Maybe then the cutter gets tilted at
an angle rather than fitting up against it nicely? - Cec

Sherry Greer wrote:

> I've been cutting out 4" squares for etched suncatchers.  Sounds easy
> enough, right?  But inevitably, when I make my long cuts with the
> grain, my cutter squeals in protest and the glass either shatters on
> the break or I have to break it out bit by bit, scattering glass shards
> everywhere.  On the short cuts cross grain, I have no problems.  I've
> been using thick acrylic quilter's rulers as my straight edge-a long
> for the long cuts and a 4" square one for the short cuts.  So any ideas
> on how the large ruler is interfering with my cuts and the short one
> isn't?  I lost a good bit of a really pretty glass piece because of
> this.  What are everyone's opinions on straight edges?  I like the
> quilter's rulers because they are see-through and are marked in 1"
> grids--very convenient.  Thanks!
> Sherry
>
> =====
> Sherry Greer
> texpenguin@yahoo.com
>
> __________________________________________________
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> Buy the perfect holiday gifts at Yahoo! Shopping.
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From owner-glass Sun Dec  2 21:33:44 2001
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: "GlassList" <glass@bungi.com>
Content-Type: text/plain;
Subject: Shipping Stained Glass
Date: Sun, 2 Dec 2001 21:59:02 -0600
Message-ID: <1970Jan1.000.0@doorpi.net>
References: <<1970Jan1.000.0@yahoo.com>>
Precedence: bulk

Here's a question for anyone who's had to ship larger stained glass panels.

I want to ship a 3 foot x 4 foot panel. I can make a crate and ship it on a
truck no problem. BUT - how else should I pack it to protect it for a cross
country trip.  (Besides putting it in my trunk and taking a vacation)

Do I use bubble wrap around it? Would plywood on both sides be enough? What
kind of reinforcements would be the best?

Any help anyone can give would be greatful!

Thanks!

Marci
Martin Designs


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From owner-glass Sun Dec  2 22:04:57 2001
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Glass Expo
Date: Sun, 2 Dec 2001 21:58:17 PST
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Aloha everyone,

Just checking who's gonna be at the Glass Expo in 2002.  Anyone sign up
yet?
I hope to be there.  See you there!

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Mon Dec  3 06:36:35 2001
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Subject: Las Vegas Glass Expo 2002 website
Date: Mon, 3 Dec 2001 09:16:11 EST
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http://www.glasscraftexpo.com/2002/
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From owner-glass Mon Dec  3 07:01:57 2001
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From: "Mike Savad" <esavad@home.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: RE: cutter/straight edge problem
Date: Mon, 3 Dec 2001 09:21:49 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_0007_01C17BDB.EFB11A20
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit


as a basic ruler i wind up using the edge guide that came with my grinder. i
also have a larger one that i got at one point...



---Mike Savad



 -----Original Message-----
From: Cheryl Parrott [mailto:theglassparrott@hotmail.com]
Sent: Sunday, December 02, 2001 10:22 PM
To: glass@bungi.com
Subject: RE: cutter/straight edge problem






  In 1979 when I took my first stained glass class I was given a 1" x 24"
strip of 1/4" plexiglass for a straight edge. To this day, I still use that
piece of plexi glass for my straight edge. it works perfect. Absolutely
perfect. You can go to the hardware store and they can cut a strip for you.
I've tried rulers and metal straight edges, however nothing works as well as
the plexi glass. You may want to give that a try.
  Cheryl Parrott
  The Glass Parrott


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4807.2300" name=3DGENERATOR></HEAD>
<BODY>
<P></P>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN =
class=3D020522014-03122001><FONT=20
face=3DArial color=3D#0000ff>as a basic ruler i wind up using =
the&nbsp;edge guide=20
that came with my grinder. i also have a larger one that i got at one=20
point...</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D020522014-03122001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D020522014-03122001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D020522014-03122001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN =
class=3D020522014-03122001><FONT=20
face=3DArial color=3D#0000ff>---Mike =
Savad</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D020522014-03122001>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D020522014-03122001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D020522014-03122001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D020522014-03122001>&nbsp;</SPAN>-----Original =
Message-----<BR><B>From:</B>=20
Cheryl Parrott [mailto:theglassparrott@hotmail.com]<BR><B>Sent:</B> =
Sunday,=20
December 02, 2001 10:22 PM<BR><B>To:</B> =
glass@bungi.com<BR><B>Subject:</B> RE:=20
cutter/straight edge problem<BR><BR></DIV></FONT></FONT>
<BLOCKQUOTE>
  <DIV>
  <DIV>
  <P><BR><BR></P></DIV>
  <DIV></DIV>
  <DIV></DIV>In 1979 when I took my first stained glass class I was =
given a 1" x=20
  24" strip of 1/4" plexiglass for a straight edge. To this day, I still =
use=20
  that piece of plexi glass for my straight edge. it works perfect. =
Absolutely=20
  perfect. You can go to the hardware store and they can cut a strip for =
you.=20
  I've tried rulers and metal straight edges, however nothing works as =
well as=20
  the plexi glass. You may want to give that a try.=20
  <DIV></DIV>
  <DIV></DIV>Cheryl Parrott=20
  <DIV></DIV>The Glass Parrott</DIV><BR clear=3Dall>
  <HR>
  Get your FREE download of MSN Explorer at <A=20
  =
href=3D"http://go.msn.com/bql/hmtag_itl_EN.asp">http://explorer.msn.com</=
A><BR>----=20
  For subscription changes, please mail to: glass-request@bungi.com To =
send to=20
  the list, please mail to: glass@bungi.com Archives available at=20
  http://www.bungi.com/glass</BLOCKQUOTE></BODY></HTML>

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From owner-glass Mon Dec  3 07:42:16 2001
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From: "john & kay" <john@horsfieldwatford.demon.co.uk>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Light Boxes
Date: Mon, 3 Dec 2001 13:49:54 -0000
Message-ID: <1970Jan1.000.0@horsfieldwatford.demon.co.uk>
Precedence: bulk

Hi

Just to introduce myself as a new member. My name is John Horsfield from
Watford UK.

I am thinking of making a light box and wonder if anyone has a template,
specifications or advice.

Thanks

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From owner-glass Mon Dec  3 07:42:32 2001
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Subject: Light Boxes
Date: Mon, 3 Dec 2001 13:49:53 -0000
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Hi
Just to introduce myself.

My name is john Horsfield from Watford UK and i have just joined the list.

I want to make a light box and wonder if anyone has any advice,
specifications or templates.

Thanks

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From owner-glass Mon Dec  3 09:33:10 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Shipping Stained Glass
Date: Mon, 3 Dec 2001 11:28:05 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Marci"
>I want to ship a 3 foot x 4 foot panel. I can make a crate and ship it o=
n
a
truck no problem. BUT - how else should I pack it to protect it for a cro=
ss
country trip.  (Besides putting it in my trunk and taking a vacation)

Do I use bubble wrap around it? Would plywood on both sides be enough? Wh=
at
kind of reinforcements would be the best?<

Plywood front and back, then screwed into a wooden
2x4 frame is best.  Then vertical mount that on top of a
skid pallet.  Cross brace it by screwing the 2x4 frame into
the skid, then use steel mounting straps to further secure
the frame to the skid.  If you don't want to do all that by
yourself, call up your closest stained glass distributor and
ask to purchase one of their packing crates from Wissmach
glass.  These crates are used to transport 9+ square feet
sheets of Wissmach glass, and are already created with the
steel strapping.  They are also easy to put onto a skid pallet.
Make sure it's Wissmach, not Spectrum.  Spectrum's shipping
crates will be too long and narrow for your panel.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From: "Rita Kimmons" <mommabear776@hotmail.com>
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Subject: Gatewayed mail message
Date: Mon, 03 Dec 2001 07:56:42 -0600
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When and where is the Glass Expo?
Where do I go to find out information on it?

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp

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From owner-glass Mon Dec  3 10:13:37 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: cutter/straight edge problem
Date: Mon, 3 Dec 2001 11:28:03 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Sherry Greer
>So any ideas
on how the large ruler is interfering with my cuts and the short one
isn't?  I lost a good bit of a really pretty glass piece because of
this.  What are everyone's opinions on straight edges?  I like the
quilter's rulers because they are see-through and are marked in 1"
grids--very convenient.<

Sounds like the quilter's ruler is not allowing the
cutting head on your glass cutter to make proper
contact with the glass.  Me?  I use the Morton Portable
Glass system to make my straight line cuts.  It works
with the Morton Mini or Maxi Surfaces, and is made
specifically for glass cutting.  Works every time.  For
extremely long straight cuts (i.e. over 30") I use a T Square.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Dec  3 12:04:24 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: JzzyGlass@aol.com
Subject: Re: Kiln wash
Date: Sun, 2 Dec 2001 22:26:34 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

Jill 

        Is that spot glazed, or shiny?  If so it won't take kiln wash in
the normal way.  you can get it to take the wash if you heat it to about
125 degrees C and then spray or brush on the wash while the mould is
hot.

Steve

In message <1970Jan1.000.0@aol.com>, JzzyGlass@aol.com writes
>
>I am kiln washing a new mold and there is a spot on the ceramic mold the size 
>of a dime that won't absorb kiln wash.  Any suggestions on how to fix this 
>problem?
>
>Thank you,
>
>Jill Medlyn
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Dec  3 13:53:11 2001
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From: Sherry Greer <texpenguin@yahoo.com>
To: GlassList <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: cutter thanks
Date: Mon, 3 Dec 2001 13:22:09 -0800 (PST)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

As always, you guys sure know your stuff!  I learn so much from this
list.  Yes, my ruler is pretty thick, and yes, I'd bet I'm holding the
cutter at an angle.  I'll definately work on fixing that!
Sherry

=====
Sherry Greer
texpenguin@yahoo.com

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From owner-glass Mon Dec  3 17:32:14 2001
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From: Darlene Hendler <henco@shaw.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Glenna's work
Date: Thu, 29 Nov 2001 10:32:38 -0600
Message-ID: <1970Jan1.000.0@shaw.ca>
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Those pieces are exquisite. Keep up the great  work.

Darlene

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From owner-glass Mon Dec  3 21:01:47 2001
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: "Rita Kimmons" <mommabear776@hotmail.com>, glass@bungi.com
Subject: Re: Gatewayed mail message
Date: Mon, 3 Dec 2001 20:46:39 PST
Message-ID: <m16B7Tc-00007IC@daver.bungi.com>
Precedence: bulk

[In the message entitled "Gatewayed mail message" on Dec  3,  7:56, "Rita Kimmons" writes:]
> When and where is the Glass Expo?
> Where do I go to find out information on it?


See:
http://www.glasscraftexpo.com/2002/art.php

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From owner-glass Tue Dec  4 03:54:28 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: Kris <kristc@home.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: New pictures
Date: Mon, 03 Dec 2001 22:32:30 -0600
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Organization: glassdancer
Precedence: bulk

lol Kris...I just can afford to look in the dichro bins.

Suzanne

Kris wrote:
> 
> Thanks everyone who answered my questions! I didn't know about patterned
> dichro. I guess I have been out of the glass stores for too long :o)
> 
> Kris
> 
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From owner-glass Tue Dec  4 09:40:48 2001
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X-Path: aol.com!ARTIZ01
From: ARTIZ01@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Decals for fusing glass
Date: Tue, 4 Dec 2001 09:21:04 EST
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Can you tell me where I can get decals for fusing on glass. I would like to 
try this.
If you have any information to get me started please let me know.  I was 
looking for lighthouses and birds.  I saw a lighthouse that was fused into a 
bottle, I thought that was so neat and I would like to try it on flat glass 
for my family room, as I have all lighthouses and birds.
Question 1: where can I find decals
Question 2: what kind of glass do I have to use
Question 3: what would the fire temp. have to be.
any help would really be appreciated.
Thanks Bob
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From owner-glass Tue Dec  4 15:31:11 2001
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X-Path: softhouse.com!giapet
From: "Karen K" <giapet@softhouse.com>
To: <ARTIZ01@aol.com>, <glass@bungi.com>
Subject: Re: Decals for fusing glass
Date: Tue, 4 Dec 2001 17:01:29 -0500
Message-ID: <1970Jan1.000.0@softhouse.com>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

Decals can be found either here
http://www.enameling.com/page10.html#Enamel or you can go to Thompson's
site and find a closer distributor here.
http://www.thompsonenamel.com/welcome/main.htm

You need to apply to a very smooth glass, then fire around 1400-1450
degrees.

Karen
giapet@softhouse.com


> Can you tell me where I can get decals for fusing on glass. I would
like to
> try this.
> If you have any information to get me started please let me know.  I
was
> looking for lighthouses and birds.  I saw a lighthouse that was fused
into a
> bottle, I thought that was so neat and I would like to try it on flat
glass
> for my family room, as I have all lighthouses and birds.
> Question 1: where can I find decals
> Question 2: what kind of glass do I have to use
> Question 3: what would the fire temp. have to be.
> any help would really be appreciated.
> Thanks Bob
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>


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From owner-glass Tue Dec  4 16:02:04 2001
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X-Path: beadbimbo.com!jerri
From: "Jerri" <jerri@beadbimbo.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: stained glass cookies
Date: Tue, 4 Dec 2001 18:45:55 -0500
Message-ID: <1970Jan1.000.0@beadbimbo.com>
Precedence: bulk

Ok, I had it somewhere, but can't find it, and I'm sure I'm not the only one
who'll want it this Christmas.   Our Arts Center is doing a cookie exchange
at the next meeting, and I want to take some Stained glass cookies.  I think
they are basically sugar cookies and you punch in the middle and put in
crushed hard candy to melt.

Would someone post the recipe, please??????

Thanks,
Jerri
www.beadbimbo.com


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From owner-glass Tue Dec  4 17:31:46 2001
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: "Jerri" <jerri@beadbimbo.com>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: stained glass cookies
Date: Tue, 4 Dec 2001 19:04:30 -0600
Message-ID: <1970Jan1.000.0@doorpi.net>
References: <<1970Jan1.000.0@beadbimbo.com>>
Precedence: bulk

Here you go Jerri - Although I'm sure you'll get many copies!!  :)

1 Cup sugar
3/4 Cup butter or margarine, softened
1 teaspoon vanilla
2 eggs
2 1/2 Cups flour
1 teaspoon baking powder
1/4 teaspoon salt
4 rolls (about 1 ounce each) ring-shaped hard candy or other fruit-flavored
hard candy (lifesavers or jolly rogers)

Beat sugar, butter, vanilla and eggs in large bowl with mixer. Stir in
flour, baking powder and salt. Cover and refrigerate about 1 hour or until
firm.

Heat over to 375 deg. Cover cookie sheet with parchment paper or aluminum
foil. Roll one-third of dough at a time about 1/8" thick on lightly floured
cloth-covered surface. Cut into desired shapes. Place on parchment paper.
Cut out designs from cookies using smaller cutters or your own patterns.
Place whole or partially crushed pieces of candy in cutouts, depending on
size and shape of design.

Bake 7 to 9 minutes or until cookies are very light brown and candy is
melted. If candy has not completely spread within cutout design, immediately
spread with knife. Cool completely on foil.

To hang them - - push a tooth pick thru the dough before they are complete
cooled. Then you can hang them on your Christmas Tree!!!  :)

Have fun! We made these for our Thanksgiving party!

Marci
Martin Designs.


----- Original Message -----
From: "Jerri" <jerri@beadbimbo.com>
To: <glass@bungi.com>
Sent: Tuesday, December 04, 2001 5:45 PM
Subject: stained glass cookies


> Ok, I had it somewhere, but can't find it, and I'm sure I'm not the only
one
> who'll want it this Christmas.   Our Arts Center is doing a cookie
exchange
> at the next meeting, and I want to take some Stained glass cookies.  I
think
> they are basically sugar cookies and you punch in the middle and put in
> crushed hard candy to melt.
>
> Would someone post the recipe, please??????
>
> Thanks,
> Jerri
> www.beadbimbo.com
>
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Tue Dec  4 21:53:00 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: kiln paper
Date: Tue, 04 Dec 2001 22:06:08 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

I've been using it for the first time.  When you first fire it to get
rid of the binders, etc...what color should it be after firing?  a grey
color?  How long and how high does it need to be fired.  Seems like it
takes a long time and a pretty high temperature.

Also, it really seems to shrink.  I cut it to fit the kiln shelf and
after firing (the real firing with the glass) it had shrunk a good inch
in on all sides.  Am I doing something wrong?

Thanks - Cec

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From owner-glass Wed Dec  5 13:32:49 2001
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X-Path: earthlink.net!meyer64
From: "Meyer" <meyer64@earthlink.net>
To: <glass@bungi.com>
Subject: Re: Glass Expo
Date: Tue, 4 Dec 2001 11:55:08 -0800
Message-ID: <1970Jan1.000.0@earthlink.net>
References: <<m16Am7O-0000L5C@daver.bungi.com>>
Precedence: bulk

I will be there.  I am going to take on of Dennis Brady's classes.
Debra Meyer
----- Original Message -----
From: "Glenna Rand" <gjr@bungi.com>
To: <glass@bungi.com>
Sent: Sunday, December 02, 2001 9:58 PM
Subject: Glass Expo


> Aloha everyone,
>
> Just checking who's gonna be at the Glass Expo in 2002.  Anyone sign up
> yet?
> I hope to be there.  See you there!
>
> --
> Glenna Rand
> gjr@bungi.com
> ----
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From owner-glass Wed Dec  5 19:10:13 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Decals for fusing glass
Date: Wed, 5 Dec 2001 09:29:49 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by INTERNET:ARTIZ01@aol.com
>Can you tell me where I can get decals for fusing on glass. I would like=

to =

try this.
If you have any information to get me started please let me know.  I was =

looking for lighthouses and birds.  I saw a lighthouse that was fused int=
o
a =

bottle, I thought that was so neat and I would like to try it on flat gla=
ss

for my family room, as I have all lighthouses and birds.
Question 1: where can I find decals
Question 2: what kind of glass do I have to use
Question 3: what would the fire temp. have to be.
any help would really be appreciated.<

You can fuse enamel decals onto glass.  Best results
are firing onto clear glass, such as Spectrum clear Artique
or regular float glass.  I get my decals from Coronet Decals:
12 North School Lane, Lancaster, PA 17603
phone 717-394-1212 fax: 717-394-3889
Tons of designs for both china & glass firings.  Two full pages
of bird designs. One full sheet of lighthouses.  I use a couple
of their floral designs.  Coronet also carries designs by Johnson
Matthey Ceramic Materials (English).
I fire my decals at 1050 degrees.
The only time I had a real problem was when I tried firing them
onto Wissmach white opaque glass.  It just was incompatible
and ended up frying the decal.  Firing onto clear glass has
produced the best results for me.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Thu Dec  6 12:46:26 2001
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X-Path: yahoo.com!beadnik
From: Joan <beadnik@yahoo.com>
To: Jerri <jerri@beadbimbo.com>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: stained glass cookies
Date: Thu, 6 Dec 2001 12:04:04 -0800 (PST)
Message-ID: <1970Jan1.000.0@yahoo.com>
References: <<1970Jan1.000.0@beadbimbo.com>>
Precedence: bulk

Hi Jerri.....

Here's another one... this one is easy and delish!

STAINED GLASS WINDOWS 
. 
About 4 dozen cookies 
. 
½ cup (1 stick) butter, softened 
1 package (12 ounces) semisweet chocolate chips 
1 teaspoon vanilla extract 
1 cup chopped walnuts 
1 package (10½ ounces) multicolored miniature
marshmallows 1 cup sweetened flaked coconut, divided 
. 
In a large saucepan, melt the butter and chocolate
chips over low heat, stirring constantly. Remove the
saucepan from the heat and stir in the vanilla and
walnuts. Cool the mixture for about 15 minutes, until
cool but not to the point of hardening. Fold in the
marshmallows and stir until well coated. 
. 
Spoon half of the mixture lengthwise down the center
of an 18-inch piece of waxed paper. Shape into a 12" x
2" log and place at one edge of the waxed paper.
Sprinkle ½ cup coconut over the remainder of the waxed
paper. Roll the log over the coconut, evenly coating
the outside of the entire log. Wrap the log tightly in
the waxed paper, folding the ends snugly. Repeat with
the other half of the marshmallow mixture and the
remaining ½ cup coconut. 
. 
Chill until firm, at least 2 hours or overnight.
Unwrap each log and cut into ½-inch slices. 

Enjoy!!!

Joan

--- Jerri <jerri@beadbimbo.com> wrote:
> Ok, I had it somewhere, but can't find it, and I'm
> sure I'm not the only one
> who'll want it this Christmas.   Our Arts Center is
> doing a cookie exchange
> at the next meeting, and I want to take some Stained
> glass cookies.  I think
> they are basically sugar cookies and you punch in
> the middle and put in
> crushed hard candy to melt.
> 
> Would someone post the recipe, please??????
> 
> Thanks,
> Jerri
> www.beadbimbo.com
> 
> 
> ----
> For subscription changes, please mail to:
> glass-request@bungi.com
> To send to the list,      please mail to:
> glass@bungi.com
> Archives available at http://www.bungi.com/glass
 

__________________________________________________
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Send your FREE holiday greetings online!
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From owner-glass Thu Dec  6 13:03:11 2001
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X-Path: woh.rr.com!arasai
From: "Sarah" <arasai@woh.rr.com>
To: <glass@bungi.com>
Subject: Lead Question
Date: Wed, 5 Dec 2001 10:40:38 -0500
Message-ID: <1970Jan1.000.0@woh.rr.com>
Precedence: bulk

Hi to all, I have a question about lead came. I am repairing a 60 year old
lamp shade for a customer. At the base of the crown, there is a wide flat
band of lead came, which was wrapped around to hide the meeting of the crown
and top set of panels. It's a little wider than 1/2 inch. Does anyone know
how they made this flat band? It looks hand-made. I may have to replace it
when I get to that stage of the repair.
I hope everyone is enjoying the holidays!
Sarah


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From owner-glass Thu Dec  6 20:44:51 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Decals for fusing glass
Date: Thu, 6 Dec 2001 22:42:03 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by INTERNET:Patty.McMaster@fbol.com
>Are you using decals for GLASS or just regular decals
I know when I did ceramics years ago there were both<

The decals I've been using are regular ceramic decals,
but Coronet offers both ceramic and glass decals in their
catalog.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Fri Dec  7 03:25:40 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: haik brush & kiln wash
Date: Fri, 07 Dec 2001 01:06:31 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

My brush keeps depositing hairs on the firing shelf.  Almost any normal
wide paint brush would do better?

What consistancy should the kiln wash be?  When I first tried using it,
I made it about potters slip consistancy and that just soaked into the
shelf so fast you couldn't begin to get it smooth.  This time I've made
it more like skimmed milk, and have given it about 6 coats and I can
still see right thru to the ceramic shelf.  That's not enough, is it?  I
do need to add more? - Cec

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From owner-glass Fri Dec  7 10:21:16 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: haik brush & kiln wash
Date: Fri, 7 Dec 2001 10:03:02 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Cecily & Ralph Wood
>What consistancy should the kiln wash be?  When I first tried using it,
I made it about potters slip consistancy and that just soaked into the
shelf so fast you couldn't begin to get it smooth.  This time I've made
it more like skimmed milk, and have given it about 6 coats and I can
still see right thru to the ceramic shelf.  That's not enough, is it?  I
do need to add more? <

The instructions for the kiln wash I use say 1 part kiln wash to 5 parts
water.  I.E. very thin.  Apply in multiple washes.  I usually apply only
3-4 coats of the thin wash, and can use it for up to 5 firings.  But then=
,
I'm not terribly concerned about absolute flatness on the shelf.  Every
month or so I scrape the kiln shelf back down to near-base and reapply ki=
ln
wash over a fresh surface.

As to your haik brush shedding, ....hmmm....mine doesn't shed.  Never has=
. =

Maybe you should invest in a new brush?

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Fri Dec  7 19:41:18 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: haik brush & kiln wash
Date: Fri, 07 Dec 2001 19:40:03 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@compuserve.com>>
Organization: Grendel Studio
Precedence: bulk

Thanks to those who replied.  I think I'm going to sacrifice a new paint
brush  and give up on the haik one.  And I'm going to try getting the
proportion of water to clay better.  Foirtunately I don't need to worry about
that til after Xmas because my husband, bless his heart, stopped and got some
more kiln paper. - Cec

"Christie A. Wood" wrote:

> Message text written by Cecily & Ralph Wood
> >What consistancy should the kiln wash be?  When I first tried using it,
> I made it about potters slip consistancy and that just soaked into the
> shelf so fast you couldn't begin to get it smooth.  This time I've made
> it more like skimmed milk, and have given it about 6 coats and I can
> still see right thru to the ceramic shelf.  That's not enough, is it?  I
> do need to add more? <
>
> The instructions for the kiln wash I use say 1 part kiln wash to 5 parts
> water.  I.E. very thin.  Apply in multiple washes.  I usually apply only
> 3-4 coats of the thin wash, and can use it for up to 5 firings.  But then=
> ,
> I'm not terribly concerned about absolute flatness on the shelf.  Every
> month or so I scrape the kiln shelf back down to near-base and reapply ki=
> ln
> wash over a fresh surface.
>
> As to your haik brush shedding, ....hmmm....mine doesn't shed.  Never has=
> . =
>
> Maybe you should invest in a new brush?
>
> Christie A. Wood
> Art Glass Ensembles
> Denton, TX
> ----
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From owner-glass Fri Dec  7 20:41:39 2001
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X-Path: northlights.co.uk!toby
From: "Toby" <toby@northlights.co.uk>
To: "Cecily & Ralph Wood" <cecnralph@home.com>
Content-Type: text/plain;
Subject: Re: haik brush & kiln wash
Date: Fri, 7 Dec 2001 17:07:15 -0000
Message-ID: <1970Jan1.000.0@northlights.co.uk>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk


I use an ordinary good quality paint brush, mix the kiln wash to whipping
cream consistency and put about 6-8 coats on; each time starting from a
different angle of the shelf. The thinner the coating, the more layers you
will need. The advantage of thin mix is that you get no brush "stripes" on
the glass.... but it does need more coats.
Best Regards

Elisabeth 'n Toby in UK

> My brush keeps depositing hairs on the firing shelf.  Almost any normal
> wide paint brush would do better?
>
> What consistancy should the kiln wash be?  When I first tried using it,
> I made it about potters slip consistancy and that just soaked into the
> shelf so fast you couldn't begin to get it smooth.  This time I've made
> it more like skimmed milk, and have given it about 6 coats and I can
> still see right thru to the ceramic shelf.  That's not enough, is it?  I
> do need to add more? - Cec
>
> ----
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>
>

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X-Path: one.net!gwood
From: "Gregg Wood" <gwood@one.net>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Hand Beveling
Date: Thu, 6 Dec 2001 18:59:57 -0500
Message-ID: <1970Jan1.000.0@one.net>
Precedence: bulk

I've decided I want to learn more about making custom beveling
and I am looking for information.  There doesn't seem to be much
in the way of detailed instruction available.  I understand the basics
of grinding and polishing glass.  

Does any one have any good sources of information (books, web sites, etc.)
with some in depth information on hand beveling?

-G

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From owner-glass Sat Dec  8 12:32:07 2001
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X-Path: home.com!bobfuses
From: "Bob Duchesneau" <bobfuses@home.com>
To: "bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Hand Beveling
Date: Fri, 7 Dec 2001 23:04:41 -0800
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@one.net>>
Precedence: bulk

>>Does any one have any good sources of information (books, web sites, etc.)
with some in depth information on hand beveling?<<

Vincent Fox's book "Glass Beveling" is THE bible for glass beveling. It had
been out of print for a while although some suppliers (Hollander LA) still
have it. I understand Glastar Corp. has reprinted it.

Bob in 92026

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From owner-glass Sat Dec  8 13:24:08 2001
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X-Path: exchange.DAYTONOH.NCR.com!DF125031
From: "Becker, Donna" <DF125031@exchange.DAYTONOH.NCR.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: stained glass cookies
Date: Fri, 7 Dec 2001 14:16:53 -0500 
Message-ID: <1970Jan1.000.0@exchange.DAYTONOH.NCR.com>
Precedence: bulk

I have a similar recipe, but you roll the logs in the walnuts instead of
adding them to the chocolate mixture and you leave out the coconut.  Works
well for those who'd rather not use coconut.
I believe my mother called them cathedral cookies.

Donna Becker
Senior Consultant II
Office  630-469-5726
Cell 630-248-0184
donna.becker@chicagoil.ncr.com



-----Original Message-----
From: Joan [mailto:beadnik@yahoo.com]
Sent: Thursday, December 06, 2001 2:04 PM
To: Jerri; glass@bungi.com
Subject: Re: stained glass cookies


Hi Jerri.....

Here's another one... this one is easy and delish!

STAINED GLASS WINDOWS 
. 
About 4 dozen cookies 
. 
1/2 cup (1 stick) butter, softened 
1 package (12 ounces) semisweet chocolate chips 
1 teaspoon vanilla extract 
1 cup chopped walnuts 
1 package (101/2 ounces) multicolored miniature
marshmallows 1 cup sweetened flaked coconut, divided 
. 
In a large saucepan, melt the butter and chocolate
chips over low heat, stirring constantly. Remove the
saucepan from the heat and stir in the vanilla and
walnuts. Cool the mixture for about 15 minutes, until
cool but not to the point of hardening. Fold in the
marshmallows and stir until well coated. 
. 
Spoon half of the mixture lengthwise down the center
of an 18-inch piece of waxed paper. Shape into a 12" x
2" log and place at one edge of the waxed paper.
Sprinkle 1/2 cup coconut over the remainder of the waxed
paper. Roll the log over the coconut, evenly coating
the outside of the entire log. Wrap the log tightly in
the waxed paper, folding the ends snugly. Repeat with
the other half of the marshmallow mixture and the
remaining 1/2 cup coconut. 
. 
Chill until firm, at least 2 hours or overnight.
Unwrap each log and cut into 1/2-inch slices. 

Enjoy!!!

Joan

--- Jerri <jerri@beadbimbo.com> wrote:
> Ok, I had it somewhere, but can't find it, and I'm
> sure I'm not the only one
> who'll want it this Christmas.   Our Arts Center is
> doing a cookie exchange
> at the next meeting, and I want to take some Stained
> glass cookies.  I think
> they are basically sugar cookies and you punch in
> the middle and put in
> crushed hard candy to melt.
> 
> Would someone post the recipe, please??????
> 
> Thanks,
> Jerri
> www.beadbimbo.com
> 
> 
> ----
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From owner-glass Sat Dec  8 13:55:08 2001
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X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: <gwood@one.net>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Hand Beveling
Date: Sat, 08 Dec 2001 16:15:19 EST
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Denver Glass Machinery has reprinted copies of the book,other than that I'm not sure that there are any other sources for the book unless you find some that has an old copy that they will part with. I have a couple of signed copies that I will not let go of.But another good book if,again you can find it,isHow to work in Beveled Glass,by Anita and Seymour Isenberg,it was printed by Chilton in their Glass working series.
Stan
The Beveler's Glass Studio
Cinti Ohio
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From owner-glass Sat Dec  8 16:30:58 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Hand Beveling
Date: Sat, 8 Dec 2001 08:29:42 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Gregg Wood"
>I've decided I want to learn more about making custom beveling
and I am looking for information.  There doesn't seem to be much
in the way of detailed instruction available.  I understand the basics
of grinding and polishing glass.  =


Does any one have any good sources of information (books, web sites, etc.=
)
with some in depth information on hand beveling?<

I've got two hand beveling machines: one is an ancient (i.e. at least 40
years old) machine which has 6 different polishing wheels.  The other is =
a
Bevel Max system, with one wheel and 2 additional polishing pads which fi=
t
on top of the grinding wheel.  Making custom bevels on these small,
"amateur" models is wet, cold, tedious, nerve-wracking work.  And you can=

only do straight line or outside curve bevels with these machines.  I've
had nothing from these bevelers but headaches, bodyaches (from maintainin=
g
a perfect hand-held angle on the bevel) and a soaked middrift (as well as=

polishing rouge splashed all over my studio).

IMO, unless you are going to invest in an expensive, "professional"
beveling system, don't do it.  Pay someone else with the proper equipment=

to do it.  I don't use mine any more.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Sat Dec  8 21:49:19 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: lemon oil
Date: Sat, 8 Dec 2001 10:07:44 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@one.net>>
Precedence: bulk

i bought some old english lemon oil for black patina. i think that's the
stuff that was recomeded (it was the only one there anyway).

how should i apply this stuff?

should i wipe on, then wipe off.

should i wipe on, then let sit then wipe off?

not sure what the best way is... though it does smell pretty good.


---Mike Savad


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From owner-glass Sun Dec  9 10:28:21 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=iso-8859-1; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: kilns, fusing, etc.
Date: Sun, 09 Dec 2001 02:32:22 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

I have a Paragon GF8B (top firing) kiln - about the largest you can get
to work on household current (120v), on its own circuit, and one kiln
shelf.  What is a reasonable temperature rise per hour?  It's maxed at
1700º F.  I ask because (some of you may remember my complaining about
soldering irons not heating well) it seems like we have  - in highly
nontechnical terms - low electric pressure.  So Im just wondering what a
reasonable heating speed would be.

Does it heat uniformly throughout its firing time, or heat faster at the
beginning, and slow down toward the end?  Or vice versa?

I have a Paragon Touch n Fire II DTC 800 controller.  In order to use it
so I can actually see the temperature at any given time, and to make it
heat as rapidly as possible, I have to do a 2 segment program?  The
first segment strives to heat to the target temp, and the 2nd segment
soaks?  If you want to do a soak segment, what do you input for the rate
of temperature rise?  It won't accept a 0 so I've been adding 10º

In the ramping segment, if it doesn't meet the target goal, the soak
segment continues heating at the fastest rate til it hits the goal?

It's funny, I work with computers all the time, and so this warm glass
business seems so very slap-dash.  Yet I don't hesitate to get into the
innards of the computer and muck around, while the very idea of drilling
a hole in the metal jacket of the kiln freaks me - or pealing the metal
jacket back, taking th bottom of the kiln off and turning it over and
reattaching it, drilling holes if necessary.  Whoaaaa!  Yet I've added
all kinds of drives internally and externally, pumped up the memory,
built an in-house network, etc. and I was cautous and careful, but it
didn't scare me like the kiln does. -- Cec

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From owner-glass Sun Dec  9 12:13:44 2001
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X-Path: attbi.com!byronw26
From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Hand Beveling
Date: Sun, 9 Dec 2001 09:30:48 -0600
Message-ID: <1970Jan1.000.0@attbi.com>
References: <<1970Jan1.000.0@compuserve.com>>
Precedence: bulk

What Christie says is true... Don't waste your time or money on 'el cheapo'
equipment like the bevel max, twin spin etc... You may think your getting a
great deal but it's not worth the  aggravation. I use a Glastar 12" disc
machine and an 8" and 12" upright machines and they do all I'll ever need..
As far as books Denver Glass has/had reprinted Glass Beveling by Vincent Fox
which is a good book...

Byron...
Wells Glassworks

----- Original Message -----
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: "Bungi" <glass@bungi.com>
Sent: Saturday, December 08, 2001 7:29 AM
Subject: Hand Beveling


> Message text written by "Gregg Wood"
> >I've decided I want to learn more about making custom beveling
> and I am looking for information.  There doesn't seem to be much
> in the way of detailed instruction available.  I understand the basics
> of grinding and polishing glass.  =
>
>
> Does any one have any good sources of information (books, web sites, etc.=
> )
> with some in depth information on hand beveling?<
>
> I've got two hand beveling machines: one is an ancient (i.e. at least 40
> years old) machine which has 6 different polishing wheels.  The other is =
> a
> Bevel Max system, with one wheel and 2 additional polishing pads which fi=
> t
> on top of the grinding wheel.  Making custom bevels on these small,
> "amateur" models is wet, cold, tedious, nerve-wracking work.  And you can=
>
> only do straight line or outside curve bevels with these machines.  I've
> had nothing from these bevelers but headaches, bodyaches (from maintainin=
> g
> a perfect hand-held angle on the bevel) and a soaked middrift (as well as=
>
> polishing rouge splashed all over my studio).
>
> IMO, unless you are going to invest in an expensive, "professional"
> beveling system, don't do it.  Pay someone else with the proper equipment=
>
> to do it.  I don't use mine any more.
>
> Christie A. Wood
> Art Glass Ensembles
> Denton, TX
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Sun Dec  9 13:00:50 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: Bob Duchesneau <bobfuses@home.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Hand Beveling
Date: Sat, 08 Dec 2001 15:38:06 -0600
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Organization: glassdancer
Precedence: bulk

I have a copy I'd be willing to give up, if someone wants it and will
pay for the shipping. It's an interesting book.  

I wont have time to deal with it until after Christmas though.
Going out of town the 13th, and wont be home til the 23rd.  Too much to
do already.

Suzanne

Bob Duchesneau wrote:
> 
> >>Does any one have any good sources of information (books, web sites, etc.)
> with some in depth information on hand beveling?<<
> 
> Vincent Fox's book "Glass Beveling" is THE bible for glass beveling. It had
> been out of print for a while although some suppliers (Hollander LA) still
> have it. I understand Glastar Corp. has reprinted it.
> 
> Bob in 92026
> 
> ----
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From owner-glass Sun Dec  9 15:28:46 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: kilns, fusing, etc.
Date: Sun, 9 Dec 2001 16:23:54 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Cecily & Ralph Wood
>I have a Paragon GF8B (top firing) kiln - about the largest you can get
to work on household current (120v), on its own circuit, and one kiln
shelf.  What is a reasonable temperature rise per hour?  It's maxed at
1700=BA F.  I ask because (some of you may remember my complaining about
soldering irons not heating well) it seems like we have  - in highly
nontechnical terms - low electric pressure.  So Im just wondering what a
reasonable heating speed would be.

Does it heat uniformly throughout its firing time, or heat faster at the
beginning, and slow down toward the end?  Or vice versa?<

I also own a Paragon GF8B (top firing) on household current.
I ramp mine up slowly, then once it gets past 600 degrees, I
turn it up to fast firing.  Setting on "Low" for 30 minutes.  Then
setting on "2" for 30 minutes.  Then setting on "3" or "Medium"
for 30 minutes.  By then it's past 600 degrees, and I turn mine
up to no more than setting "4".  Why?  Cause anything higher
will blow a circuit breaker in my old house/studio.  Once you
set it on "4", best watch it closely, as the temperature will rise
dramaticall.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Sun Dec  9 17:37:49 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Subject: Re: kiln paper
Date: Sat, 8 Dec 2001 08:17:23 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

If you are using Bullseye's quick fire thin paper, no pre-firing is
required.  If you are REALLY careful in unloading (do it from the back
so you don't brush it at all) you can use it again.  Normally, one
firing is all I can get out of it.   
        Straight answer is - there is no need to pre-fire.  It will
smell a bit while firing, but don't worry about the burning paper smell
(as long as it comes from the kiln)

Steve

In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>I've been using it for the first time.  When you first fire it to get
>rid of the binders, etc...what color should it be after firing?  a grey
>color?  How long and how high does it need to be fired.  Seems like it
>takes a long time and a pretty high temperature.
>
>Also, it really seems to shrink.  I cut it to fit the kiln shelf and
>after firing (the real firing with the glass) it had shrunk a good inch
>in on all sides.  Am I doing something wrong?
>
>Thanks - Cec
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Sun Dec  9 19:03:03 2001
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X-Path: one.net!gwood
From: "Gregg Wood" <gwood@one.net>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Hand Beveling
Date: Sun, 9 Dec 2001 18:48:44 -0500
Message-ID: <1970Jan1.000.0@one.net>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

Thanks to everyone for the information on beveling.
I really appreciate it.

Suzanne,

I'd be willing to take off your hands.  After Christmas is fine. 

<Suzanne Gunn wrote:>
> I have a copy I'd be willing to give up, if someone wants it and will
> pay for the shipping. It's an interesting book.  
> 

I have to opportunity for 'free' 'el cheapo' equipment, but even at that
I'm pretty convinced it is not the path I want to take.  I have looked @ 
Glastar & Denver and once I get some idea of what it is I'm trying to
do I'll decide whether I can afford to do it.

<Bryon Wells wrote:>
Don't waste your time or money on 'el cheapo'
equipment like the bevel max, twin spin etc... You may think your getting a
great deal but it's not worth the  aggravation.



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From owner-glass Sun Dec  9 19:17:54 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Subject: Re: kilns, fusing, etc.
Date: Sun, 9 Dec 2001 23:14:28 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

Cec,
        I have the same (but older model) kiln and controller.  My
comments are interspersed with your text.

In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>I have a Paragon GF8B (top firing) kiln - about the largest you can get
>to work on household current (120v), on its own circuit, and one kiln
>shelf.  What is a reasonable temperature rise per hour?  
        The rate per hour is determined by the kiln furniture, moulds,
and glass to be heated.  The kiln can go faster than any of these at
lower temps.  I take my kiln up in the first ramp at 350 C (about 700F)
per hour for two layers of glass not more than 8" in dia.  Bigger and
thicker pieces more slowly.  Some take the glass up at 500C per hour.
The shelf is ceramic and so has some limits as to how fast it can go
without cracking.  350C per hour has not given any difficulty over 5
years.  If you have a ceramic mould, the initial heating has to be slow
about 50C - 75C per hour to 200C. You can then increase the heating rate
to 350C per hour
        After 500C you can increase the heating rate to 500C or more per
hour (you can even have it go as fast as possible, since the kiln does
not heat up really quickly at higher temps.)

>It's maxed at
>1700 F.  I ask because (some of you may remember my complaining about
>soldering irons not heating well) it seems like we have  - in highly
>nontechnical terms - low electric pressure.  So Im just wondering what a
>reasonable heating speed would be.
        I suggest you go to the Spectrum web site.  They have a section
on fusing and slumping spectrum glass.  The tables they give show a
reasonable rate for various thicknesses and dimensions.  In general,
slower for bigger and thicker.
>
>Does it heat uniformly throughout its firing time, or heat faster at the
>beginning, and slow down toward the end?  Or vice versa?
        The kiln rises in temperature more quickly at the lower
temperatures at full power, than at the upper range.  This is because
the kiln absorbs the heat input on the way up and releases it on the way
down.  So the kiln heats up really fast at the start, slows as the
temperature rises.  When the power is turned off at the target
temperature, the fall in temp. is very rapid.  As the temperature in the
kiln falls, the heat loss reduces, and the temperature fall slows.  
        You should get to know how your kiln reacts to heat input and
heat loss.  Put your shelf in the kiln, but nothing else, except posts
to support the shelf at the desired height.  Put the heating rate at say
500C or 1000F per hour with a target temperature of 800C, about 1600F.
Then record the temperature every 15 minutes.  Set the controller so it
turns off when the target temperature is reached.  Record the
temperature fall every 15 minutes.  This record will tell you about the
fastest heating rate, and the natural cooling rate at various
temperatures.  This can be useful in programing, as you will know when
the natural cooling rate is slower than the recommended rate, so you can
just have the controller shut off when the cooling rate is faster than
the kiln can achieve. 
        Also you should know where the cool and hot spots of your kiln
are.  To find this out, get low firing Orton cones (from ceramic
suppliers) and place them around the kiln shelf at the firing height and
where you can see them through the peep hole and the side plug openings.
Fire the kiln quickly to 500C and then reduce the rate to 200C per hour
or less, as the readings will not be accurate otherwise.  As you watch,
you will see some of the cones bending over before others.  The area
where the cones bend first is the hot spot(s) the area where the cone
bends last is the cold spot.  This is also a good test for calibration
of the temperature readings.  You may find that the pyrometer (being
higher than the shelf reads quite a bit higher than the cones show the
shelf temperature to be.  You can then incorporate this into your
planing of your firing temperatures.

>
>I have a Paragon Touch n Fire II DTC 800 controller.  In order to use it
>so I can actually see the temperature at any given time, and to make it
>heat as rapidly as possible, I have to do a 2 segment program?  The
>first segment strives to heat to the target temp, and the 2nd segment
>soaks?  If you want to do a soak segment, what do you input for the rate
>of temperature rise?  It won't accept a 0 so I've been adding 10
>
        No.  If you want to heat in a single ramp, and hold at that
target temperature, you can do it in one segment.  Set the ramp rate at
say 1000F per hour, the target temp. at 1600 and the hold at 10 mins.
This will take the temperature up to 1600 in about two hours hold it
there for 10 mins. or however long you decide and then switch off.  Any
glass you have in there will then cool and break, because it has not
annealed. 

>In the ramping segment, if it doesn't meet the target goal, the soak
>segment continues heating at the fastest rate til it hits the goal?
>
        The soak will not start until the target temperature has been
reached.  With different conditions ( varying voltage, plugs in or out,
etc.) the time taken to reach the target temp will differ.  The soak
will be for the required time at the target temperature.

>It's funny, I work with computers all the time, and so this warm glass
>business seems so very slap-dash.  Yet I don't hesitate to get into the
>innards of the computer and muck around, while the very idea of drilling
>a hole in the metal jacket of the kiln freaks me - or pealing the metal
>jacket back, taking th bottom of the kiln off and turning it over and
>reattaching it, drilling holes if necessary.  Whoaaaa!  Yet I've added
>all kinds of drives internally and externally, pumped up the memory,
>built an in-house network, etc. and I was cautous and careful, but it
>didn't scare me like the kiln does. -- Cec
>
        Well, the controllers for kilns are limited purpose devices
intended for dunces like me.  They don't have the variety of functions
that most microprocessors do.  If you think the controller on your kiln
is odd, try out one intended for ceramics!

        The general principle in firing glass is to start off slowly
heating the kiln (350C or less) to the annealing or softening point of
the glass, then speed up (500C or more) to the target temperature.  Soak
the glass at the target temperature for as long as required to achieve
the result.  Then cool the glass as fast as possible to about 600C.  The
risk of devitrification is greatest between about 750C and 600C.  You
then stop the cooling at or just above the annealing point and soak
again at that point (the length of time is determined by the size and
thickness of the glass). You then cool the glass gradually to below the
strain point (about 50C below the annealing point), increase the cooling
rate by twice for the next 50C and then at least double that (or 4 times
the rate of the annealing point to strain point cooling) to the
temperature where the natural cooling rate of the kiln is slower than
the programed cooling rate.  This is about 6 ramps.

        So a typical programme for two layers of glass about 12" would
be something like this (I don't have my records here so this is only
indicative)
        Enter   Enter   Prgm (4) =(n)
        Ramps           6
        R1      350C/hr to      540C    Hold= 0
        R2      500C/hr to      830C    Hold = 10mins  (This is for a
rounded fuse of German cathedral glass)
        R3      2000C/hr        to      612     Hold= 15mins  (annealing
point is 607C)
        R4      40C/hr  to      560     hold=0
        R5      80C/hr  to      510     hold=0
        R6      360C/hr to      250     hold =0
        Alarm   3333C  (this means the alarm never goes off)

And this is the end of the programme.

Do look at the Spectrum an Bullseye web sites, because they give a lot
of good information about fusing their glasses that is applicable to all
glasses.
The best way to get to know your kiln is to do test firings and watch
throughout the cycle.  Also keep records.


Sorry for the lengthy explanation.  (My girls used to say to me after
asking a question "Short answer, Pleeease!"

Steve

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Sun Dec  9 19:33:26 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Sarah <arasai@woh.rr.com>
Subject: Re: Lead Question
Date: Sun, 9 Dec 2001 23:18:24 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@woh.rr.com>>
Precedence: bulk

If I understand you Sarah, this is a flat strip of lead.  Came is H
shaped, and so in my first reading I could not see what you were saying.  
If I am understanding you correctly, you create the strip of lead by
cutting the heart out of the appropriately sized came and flatten the
remainder of the heart by pressing along it with a hard metal tool, such
as the side of your lead knife.  You can then manipulate the strip
around the top of the shade as you need.

Steve

In message <1970Jan1.000.0@woh.rr.com>, Sarah <arasai@woh.rr.com> writes
>Hi to all, I have a question about lead came. I am repairing a 60 year old
>lamp shade for a customer. At the base of the crown, there is a wide flat
>band of lead came, which was wrapped around to hide the meeting of the crown
>and top set of panels. It's a little wider than 1/2 inch. Does anyone know
>how they made this flat band? It looks hand-made. I may have to replace it
>when I get to that stage of the repair.
>I hope everyone is enjoying the holidays!
>Sarah
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Sun Dec  9 20:32:23 2001
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X-Path: Corpit.com!dterrill
From: Dan Terrill <dterrill@Corpit.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: kilns, fusing, etc.
Date: Sun, 9 Dec 2001 13:04:56 -0500 
Message-ID: <1970Jan1.000.0@Corpit.com>
Precedence: bulk

On a somewhat related note, does anyone know of a controller that will =
hook
up to a computer, so you can program your own heating sequence?

> -----Original Message-----
> From: Cecily & Ralph Wood [mailto:cecnralph@home.com]
> Sent: Sunday, December 09, 2001 2:32 AM
> To: Bungi Glass
> Subject: kilns, fusing, etc.
>=20
>=20
> I have a Paragon GF8B (top firing) kiln - about the largest=20
> you can get
> to work on household current (120v), on its own circuit, and one kiln
> shelf.  What is a reasonable temperature rise per hour?  It's maxed =
at
> 1700=BA F.  I ask because (some of you may remember my complaining =
about
> soldering irons not heating well) it seems like we have  - in highly
> nontechnical terms - low electric pressure.  So Im just=20
> wondering what a
> reasonable heating speed would be.
>=20
> Does it heat uniformly throughout its firing time, or heat=20
> faster at the
> beginning, and slow down toward the end?  Or vice versa?
>=20
> I have a Paragon Touch n Fire II DTC 800 controller.  In=20
> order to use it
> so I can actually see the temperature at any given time, and=20
> to make it
> heat as rapidly as possible, I have to do a 2 segment program?  The
> first segment strives to heat to the target temp, and the 2nd segment
> soaks?  If you want to do a soak segment, what do you input=20
> for the rate
> of temperature rise?  It won't accept a 0 so I've been adding 10=BA
>=20
> In the ramping segment, if it doesn't meet the target goal, the soak
> segment continues heating at the fastest rate til it hits the goal?
>=20
> It's funny, I work with computers all the time, and so this warm =
glass
> business seems so very slap-dash.  Yet I don't hesitate to=20
> get into the
> innards of the computer and muck around, while the very idea=20
> of drilling
> a hole in the metal jacket of the kiln freaks me - or pealing=20
> the metal
> jacket back, taking th bottom of the kiln off and turning it over and
> reattaching it, drilling holes if necessary.  Whoaaaa!  Yet I've =
added
> all kinds of drives internally and externally, pumped up the memory,
> built an in-house network, etc. and I was cautous and careful, but it
> didn't scare me like the kiln does. -- Cec
>=20
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>=20
----
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From owner-glass Sun Dec  9 21:47:44 2001
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X-Path: juno.com!pkinnetz
From: Peggy L Kinnetz <pkinnetz@juno.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: disc grinders (was hand beveling)
Date: Sun, 9 Dec 2001 23:29:39 -0500
Message-ID: <1970Jan1.000.0@juno.com>
Precedence: bulk

For those of you who have a disc grinder, is it worth the money?  I'm
thinking that one (any suggestions as to which one?) would be real nice
for straight edges.The edges that you get from a regular grinder never
are quite straight, well at least mine aren't. It would seem that really
staight edges would mke for a very professonal look.  Peggy K.
----
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From owner-glass Sun Dec  9 22:06:31 2001
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X-Path: yahoo.com!texpenguin
From: Sherry Greer <texpenguin@yahoo.com>
To: GlassList <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: lemon oil thanks!
Date: Sun, 9 Dec 2001 17:47:11 -0800 (PST)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

Thanks to everyone who suggested using lemon oil on black patina!  I
used it for the first time on suncatchers that I was going to sell at a
bazaar.  I had rinsed the pieces the night before and laid them out to
dry.  When I came back to them the next morning they were splotchy and
greyish.  I wiped on lemon oil then buffed it off, and every suncatcher
shined up to a beautiful deep black color and smelled great too!  I
made over $300 at a bazaar that maybe only had 25 customers.  Not much
by professional standards, but I think it's pretty good for my first
public sale ever!  I also used the list's suggestion to notch my u-came
to turn the corners instead of cutting each  miter fully.  Definately
sped up my soldering time.  Thanks again everyone!
Sherry

=====
Sherry Greer
texpenguin@yahoo.com

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From owner-glass Sun Dec  9 23:15:03 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: kiln paper
Date: Mon, 10 Dec 2001 01:11:03 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<OVWHIAATycE8Ewo+@verrier-scotland.demon.co.uk>>
Organization: Grendel Studio
Precedence: bulk

I have no idea if it's Bullseye or not and I think the shop is closed on
Mondays so I can't call them.  But I have some extra glass cut for the
project I'm doing, and will gamble tomorrow night because it sure would
make life easier and production faster.  Thanks! - Cec

Steve Richard wrote:

> If you are using Bullseye's quick fire thin paper, no pre-firing is
> required.  If you are REALLY careful in unloading (do it from the back
> so you don't brush it at all) you can use it again.  Normally, one
> firing is all I can get out of it.
>         Straight answer is - there is no need to pre-fire.  It will
> smell a bit while firing, but don't worry about the burning paper smell
> (as long as it comes from the kiln)
>
> Steve
>
> In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
> <cecnralph@home.com> writes
> >I've been using it for the first time.  When you first fire it to get
> >rid of the binders, etc...what color should it be after firing?  a grey
> >color?  How long and how high does it need to be fired.  Seems like it
> >takes a long time and a pretty high temperature.
> >
> >Also, it really seems to shrink.  I cut it to fit the kiln shelf and
> >after firing (the real firing with the glass) it had shrunk a good inch
> >in on all sides.  Am I doing something wrong?
> >
> >Thanks - Cec
> >
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
>
> --
> Steve Richard
> Verrier Art Glass Ltd
> s.richard@verrier-scotland.demon.co.uk

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From owner-glass Mon Dec 10 00:18:49 2001
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X-Path: hotmail.com!theglassparrott
From: "Cheryl Parrott" <theglassparrott@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain; format=flowed
Subject: Re: Re preparing for foiling
Date: Mon, 10 Dec 2001 00:00:34 -0800
Message-ID: <1970Jan1.000.0@hotmail.com>
Precedence: bulk

Hi Nikki,

I purchased the brass patina from Northwest Artglass in Redmond Washington.  
It is a wholesaler.  I also think that Big M in Tacoma Washington has it, 
another local wholesaler

If you need numbers or email addresses let me know.

Cheryl
The Glass Parrott




_________________________________________________________________
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From owner-glass Mon Dec 10 02:30:44 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: disc grinders
Date: Mon, 10 Dec 2001 01:06:46 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@juno.com>>
Organization: Grendel Studio
Precedence: bulk

Don't get an Inland.  The one I got had it's hole off-center slightly, and
they never fixed it properly even under warranty.  Since the disks are
heavy, the eccentricity really makes the machine wobble, and chips the
glass.  A real mess.  I now have a Diamond Max (I think - it's downstairs
and I'm not!) and it has a lovely smooth disk.  They aren't necessary, but
do come in handy at times. - Cec

Peggy L Kinnetz wrote:

> For those of you who have a disc grinder, is it worth the money?  I'm
> thinking that one (any suggestions as to which one?) would be real nice
> for straight edges.The edges that you get from a regular grinder never
> are quite straight, well at least mine aren't. It would seem that really
> staight edges would mke for a very professonal look.  Peggy K.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Mon Dec 10 03:00:36 2001
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X-Path: writingmachine.com!ClaireF
From: Claire Fuller <ClaireF@writingmachine.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
Subject: repairs with black patina
Date: Mon, 10 Dec 2001 09:25:32 -0000
Message-ID: <1970Jan1.000.0@writingmachine.com>
Precedence: bulk

I've been asked to repair part of a lampshade which has had black patina put
on it. Does anyone know if I can solder over the top of the patina or do I
need to remove it somehow before I start work?

Claire

Claire Fuller
Writing Machine
Tel: 01962841250
Fax: 01962 870558
www.writingmachine.com


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From owner-glass Mon Dec 10 06:50:08 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: repairs with black patina
Date: Mon, 10 Dec 2001 08:57:35 -0500
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Message text written by Claire Fuller
>I've been asked to repair part of a lampshade which has had black patina=

put
on it. Does anyone know if I can solder over the top of the patina or do =
I
need to remove it somehow before I start work?<

Quick answer:  Yes, you can solder directly into the black
patina'ed solder line.  You do not HAVE to remove the
patina first by scrubbing it with steel wool.  However, it
takes much more flux & heat to burn through the old
patina than if you were just soldering fresh.  Scubbing
the patina off first produces a better repair, IMHO, but
I've done it both ways.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Dec 10 07:38:44 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Bungi Glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: disc grinders
Date: Mon, 10 Dec 2001 10:24:25 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk


that's odd, i use the inland without any problems. though it does kick the
water up. i have the bevel max too (that one is a waste of money. though it
grinds well, and i think it's a better design. there is no resavoir (sp),
everything drains onto the table if you don't know about it. not to mention
the switch is on the same side as the water sprays on... then again the
inland has that same problem, i got shocked a few times because of that.

i like the twinspin from inland, because it can be a normal grinder if you
choose it to be. and you can use the edge of the big wheel for grinding as
well.


---Mike Savad


-----Original Message-----
From: Cecily & Ralph Wood [mailto:cecnralph@home.com]
Sent: Monday, December 10, 2001 1:07 AM
To: Bungi Glass
Subject: Re: disc grinders


Don't get an Inland.  The one I got had it's hole off-center slightly, and
they never fixed it properly even under warranty.  Since the disks are
heavy, the eccentricity really makes the machine wobble, and chips the
glass.  A real mess.  I now have a Diamond Max (I think - it's downstairs
and I'm not!) and it has a lovely smooth disk.  They aren't necessary, but
do come in handy at times. - Cec

Peggy L Kinnetz wrote:

> For those of you who have a disc grinder, is it worth the money?  I'm
> thinking that one (any suggestions as to which one?) would be real nice
> for straight edges.The edges that you get from a regular grinder never
> are quite straight, well at least mine aren't. It would seem that really
> staight edges would mke for a very professonal look.  Peggy K.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Mon Dec 10 09:02:40 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Claire Fuller" <ClaireF@writingmachine.com>,
Content-Type: text/plain;
Subject: RE: repairs with black patina
Date: Mon, 10 Dec 2001 10:25:49 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@writingmachine.com>>
Precedence: bulk

you'll need to rub it off with steel wool. old patina forms a shell, and
though you can melt your way through, it makes a mess, and smells bad.
though that never stopped me before. i'll ususally flux over the area, then
melt off the old stuff.


---Mike Savad


-----Original Message-----
From: Claire Fuller [mailto:ClaireF@writingmachine.com]
Sent: Monday, December 10, 2001 4:26 AM
To: 'glass@bungi.com'
Subject: repairs with black patina


I've been asked to repair part of a lampshade which has had black patina put
on it. Does anyone know if I can solder over the top of the patina or do I
need to remove it somehow before I start work?

Claire

Claire Fuller
Writing Machine
Tel: 01962841250
Fax: 01962 870558
www.writingmachine.com


_____________________________________________________________________
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From owner-glass Mon Dec 10 12:05:15 2001
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To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: retail source for floor lamp bases?
Date: Mon, 10 Dec 2001 14:24:52 EST
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

I would like to make a floor lamp, preferably a torchiere, but I am having a 
difficult time finding a nice base.  I suspect that most of the lamp base 
manufacturers prefer to sell only wholesale, but if I could look at a 
catalogue and find one I like, I could try to get my local retailer to get it 
for me.

Any suggestions?

Carolyn Gilinsky
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From owner-glass Mon Dec 10 17:24:46 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: disc grinders
Date: Mon, 10 Dec 2001 19:32:51 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Organization: Grendel Studio
Precedence: bulk

Twin spin is what I had.  Sent it back three times and they still didn't fix
it, and since my friend had one that was working, it was easy to see mine was
defective.  The first time the disc was stuck on the shaft as well.  My firend
and I switched disks, and we almost couldn't get it off hers and hers wobbled
and mine was ok, so we know it was the disk.  Packing the darned thing up and
mailing it was a hassle and expensive as well.  I avoid Inland because their
warranties are worthless.

On the other hand, you get really good service from Diamond Tech and from
Gemini. = Cec

Mike Savad wrote:

> that's odd, i use the inland without any problems. though it does kick the
> water up. i have the bevel max too (that one is a waste of money. though it
> grinds well, and i think it's a better design. there is no resavoir (sp),
> everything drains onto the table if you don't know about it. not to mention
> the switch is on the same side as the water sprays on... then again the
> inland has that same problem, i got shocked a few times because of that.
>
> i like the twinspin from inland, because it can be a normal grinder if you
> choose it to be. and you can use the edge of the big wheel for grinding as
> well.
>
> ---Mike Savad
>
> -----Original Message-----
> From: Cecily & Ralph Wood [mailto:cecnralph@home.com]
> Sent: Monday, December 10, 2001 1:07 AM
> To: Bungi Glass
> Subject: Re: disc grinders
>
> Don't get an Inland.  The one I got had it's hole off-center slightly, and
> they never fixed it properly even under warranty.  Since the disks are
> heavy, the eccentricity really makes the machine wobble, and chips the
> glass.  A real mess.  I now have a Diamond Max (I think - it's downstairs
> and I'm not!) and it has a lovely smooth disk.  They aren't necessary, but
> do come in handy at times. - Cec
>
> Peggy L Kinnetz wrote:
>
> > For those of you who have a disc grinder, is it worth the money?  I'm
> > thinking that one (any suggestions as to which one?) would be real nice
> > for straight edges.The edges that you get from a regular grinder never
> > are quite straight, well at least mine aren't. It would seem that really
> > staight edges would mke for a very professonal look.  Peggy K.
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
> ----
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>
> ----
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From owner-glass Mon Dec 10 18:36:02 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Subject: Re: haik brush & kiln wash
Date: Sat, 8 Dec 2001 08:27:02 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

In addition to batt (kiln) wash you can sprinkle whiting on the shelf.
Bob's tip was to use a sock for fine texture (put whiting in to sock and
shake over shelf).  slightly more texture can be given by using a flour
sieve.  You should still coat the shelf with batt wash, though.

Steve

  In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>My brush keeps depositing hairs on the firing shelf.  Almost any normal
>wide paint brush would do better?
>
>What consistancy should the kiln wash be?  When I first tried using it,
>I made it about potters slip consistancy and that just soaked into the
>shelf so fast you couldn't begin to get it smooth.  This time I've made
>it more like skimmed milk, and have given it about 6 coats and I can
>still see right thru to the ceramic shelf.  That's not enough, is it?  I
>do need to add more? - Cec
>
>----
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Dec 10 19:21:30 2001
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Chihuly chandelier
Date: Mon, 10 Dec 2001 22:04:31 -0500
Message-ID: <1970Jan1.000.0@mail2.nai.net>
Precedence: bulk

Friday night John and I went to see a new, BIG, Chihuly chandelier-like
structure ---okay, it was in the Mohegan Sun casino and there was a free
concert by Three Dog Night, but seeing it was ONE of the reasons we
went.  You know, the pictures of those things just don't really impress
on you just how truly big they are!.  This one is blue, shite and clear,
kind of vaguely trumpet shaped, about two stories high.  Right across
from the big indoor waterfall.
Anyway, worth a look if you are in SW Connecticut.  Here there's a new
one Hartford in the new Bushnell building, but I haven't seen that one
yet.

Dorothy


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From owner-glass Mon Dec 10 19:35:28 2001
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From: "Susan Hood" <glassharpgallery@hotmail.com>
To: glass@bungi.com
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Subject: Gatewayed mail message
Date: Mon, 10 Dec 2001 23:21:03 -0400
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Anyone have a good source for patterns for stained glass frames.  I have a 
student who does print making and wants to make her own frames.  What book 
would you suggest I look for to suggest to her.  Thanks , Susan

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From owner-glass Tue Dec 11 06:31:12 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: retail source for floor lamp bases?
Date: Tue, 11 Dec 2001 09:02:04 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by INTERNET:CUngv@aol.com
>I would like to make a floor lamp, preferably a torchiere, but I am havi=
ng
a =

difficult time finding a nice base.  I suspect that most of the lamp base=
 =

manufacturers prefer to sell only wholesale, but if I could look at a =

catalogue and find one I like, I could try to get my local retailer to ge=
t
it =

for me.

Any suggestions?<

Northwest Art Glass has a very nice selection of floor lamp bases for sal=
e.
 I am not sure if they are wholesale only or retail too.  But check them
out.  1-800-888-9444, website: www.nwartglass.com

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Tue Dec 11 07:30:49 2001
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From: Gail Heinzemilne <heinze.g@ns.sympatico.ca>
To: Glass List <glass@bungi.com.>
Content-Type: multipart/mixed; boundary="------------5E551076BB0E47CA1FFF33AC"
Subject: Vinyl Window Frame installations
Date: Tue, 11 Dec 2001 11:14:11 -0400
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Organization: Glass with Class
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--------------5E551076BB0E47CA1FFF33AC
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How is everyone installing full size panels into windows with vinyl
frames?  It seems up here where its cold and damp everyone is building
homes with vinyl window frames now. The last one I did we just screwed
the moulding into the vinyl , but is there a better way?
TIA

Gail in Nova Scotia

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From owner-glass Tue Dec 11 09:30:51 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: retail source for floor lamp bases?
Date: Tue, 11 Dec 2001 12:31:10 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@compuserve.com>>
Organization: Grendel Studio
Precedence: bulk

Does any one have a source for the brass/bronze looking bases for the 3-d
animal lamps?  You know, turtles, roosters, etc?  Somebody obviously makes
them cause you see them in the stores. - Cec

"Christie A. Wood" wrote:

> Message text written by INTERNET:CUngv@aol.com
> >I would like to make a floor lamp, preferably a torchiere, but I am havi=
> ng
> a =
>
> difficult time finding a nice base.  I suspect that most of the lamp base=
>  =
>
> manufacturers prefer to sell only wholesale, but if I could look at a =
>
> catalogue and find one I like, I could try to get my local retailer to ge=
> t
> it =
>
> for me.
>
> Any suggestions?<
>
> Northwest Art Glass has a very nice selection of floor lamp bases for sal=
> e.
>  I am not sure if they are wholesale only or retail too.  But check them
> out.  1-800-888-9444, website: www.nwartglass.com
>
> Christie A. Wood
> Art Glass Ensembles
> Denton, TX
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Tue Dec 11 13:00:46 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: retail source for floor lamp bases?
Date: Tue, 11 Dec 2001 15:36:31 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Cecily & Ralph Wood
>Does any one have a source for the brass/bronze looking bases for the 3-=
d
animal lamps?  You know, turtles, roosters, etc?  Somebody obviously make=
s
them cause you see them in the stores. - Cec<

I'm coming up blank when checking through my wholesale catalogs from
Rainbow Art Glass (NJ), Glass Emporium (PA), Hollander (TX), Northwest Ar=
t
Glass (WA), Houston Art Glass (TX).  So....they are probably imported fro=
m
China.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Tue Dec 11 13:30:49 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re:  Kiln paper
Date: Tue, 11 Dec 2001 12:32:25 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

It worked well without pre-firing.  That makes lif ever so much
simpler.  Thanks! - Cec

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From owner-glass Tue Dec 11 14:00:43 2001
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Source for turtle, rooster etc lamp bases?
Date: Tue, 11 Dec 2001 21:36:35 +0000
Message-ID: <1970Jan1.000.0@stainedglass.co.uk>
Precedence: bulk

Christie wrote:
> So....they are probably imported from
>China.
>
Yes they are - it would probably be cheaper to buy the complete lamp with
the glass and then dismantle and use the base for your own design than
buying the bases separate.  Or if you can find a shop selling them which has
some broken lamps offer to take them off their hands!
Similar lamps coming into England are sold wholesale at less than 20 dollars!!

Regards
EliZabeth in Bournemouth

Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Tue Dec 11 15:16:13 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: retail source for floor lamp bases?
Date: Tue, 11 Dec 2001 15:36:29 -0500
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Message text written by INTERNET:CUngv@aol.com
>Thank you for responding to my inquiry.  I visited the site at =

www.nwartglass.com.  Unfortunately they don't even provide a catalogue
unless =

you can meet their wholesale purchasing requirements.  Thanks anyway.<

Oh well....they DO have the best selection.  Right now I've got a floor
lamp base from them...mission style, very nice.  I've also gotten a
Victorian style floor lamp base (with marble accents) from them.  Maybe y=
ou
can find a retail stained glass store in your area which would be willing=

to order their stuff for you.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Tue Dec 11 16:02:51 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: DTC-800 controller
Date: Tue, 11 Dec 2001 13:10:46 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
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OK - now I'm really confused.  I entered a 2 segment program.

Seg 1  at a rate of 400 for temp 800 in 2 hours  (vented 1st half hour)
Seg 2  at a rate of 800 for temp 1600 in 3 hours

At least, that's what I thought I'd told it.  What I expected was that
after 1 hour the temp would be around 400, and after 2 hours it would be
800.  If it hit 800 before the 2 hours were over, it would hold at that
temp.

Then it would heat 800 degrees on up to 1600 in however long it takes
(which is actually probably close to 2 and a half hours), and if it
reached that, it would soak till the 3 hrs was over.

What seemed to happen was that it heated (while I vented) and it was
about 300 at the end of the half hour (doesn't seem to be able to heat
any higher when venter).  I checked it after an hour and it was around
500 and still going up.  However after another hour and a half I
rechecked, and it had reached and was holding 800, - and showing there
was an hour and a half to go!!!!

What I expected was that it would hold until the end of a total 2 hours
and then kick into the 2nd segment.  Not so - It seemed to not count the
time it took to ramp up to the 800, and then intended to soak at 800 for
two hours.  ???   So I told it to skip and it went into the 2nd segment.

So I guess I've totally misunderstood what the thing is doing?  I
thought I was telling it to ramp at a rate of A per hour for X hours,
and if it hit the upper bound B, to hold for the remaining time.
Instead it seems to be ramping at a rate of A per hour and then soaking
for X hours whenever it hits the upper bound B.

Is this what really happens?  This makes a vast difference in the
handling of the glass!!!  -- Perplexed Cec


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From owner-glass Tue Dec 11 18:33:12 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: retail source for [3-D animals] floor lamp bases?
Date: Tue, 11 Dec 2001 18:56:01 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@compuserve.com>>
Organization: Grendel Studio
Precedence: bulk

I was afraid of that.  I hadn't seen anything when hunting on the web.  But I
thought if they were available someone who is in the business might have the
printed catalogs I lack.  Very few of the lamp base suppliers are using the
web at all - almost totally oblivious - which to my mind says that their
staying power may be eroding.  The Chinese are becoming more web conscious
and just might begin the squeeze.  How do I know?  My sister and husband
traveled for a month in China this summer, and emailed us from various
hotels.  Immediately afterwards we began getting spam from China. - Cec

"Christie A. Wood" wrote:

> Message text written by Cecily & Ralph Wood
> >Does any one have a source for the brass/bronze looking bases for the 3-=
> d
> animal lamps?  You know, turtles, roosters, etc?  Somebody obviously make=
> s
> them cause you see them in the stores. - Cec<
>
> I'm coming up blank when checking through my wholesale catalogs from
> Rainbow Art Glass (NJ), Glass Emporium (PA), Hollander (TX), Northwest Ar=
> t
> Glass (WA), Houston Art Glass (TX).  So....they are probably imported fro=
> m
> China.
>
> Christie A. Wood
> Art Glass Ensembles
> Denton, TX
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Tue Dec 11 22:00:49 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: kiln paper
Date: Wed, 12 Dec 2001 00:04:45 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<75F036A5970CD311A993009027283DC40138D149@exphx.az.stratus.com>>
Organization: Grendel Studio
Precedence: bulk

Yes - I suppose you are right.  But I already belong to too many lists.  I'm
reluctant to get into another. - Cec

"Spitzer, Charlie" wrote:

> you should ask kiln questions on the bb at http://warmglass.com. there's a
> large body of info there.
>
> regards,
> charlie
> phx, az
>
> > -----Original Message-----
> > From: Cecily & Ralph Wood [mailto:cecnralph@home.com]
> > Sent: Tuesday, December 04, 2001 8:06 PM
> > To: Bungi Glass
> > Subject: kiln paper
> >
> >
> > I've been using it for the first time.  When you first fire it to get
> > rid of the binders, etc...what color should it be after
> > firing?  a grey
> > color?  How long and how high does it need to be fired.  Seems like it
> > takes a long time and a pretty high temperature.
> >
> > Also, it really seems to shrink.  I cut it to fit the kiln shelf and
> > after firing (the real firing with the glass) it had shrunk a
> > good inch
> > in on all sides.  Am I doing something wrong?
> >
> > Thanks - Cec
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> >

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From owner-glass Tue Dec 11 22:30:48 2001
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X-Path: aol.com!Melysma
From: Melysma@aol.com
To: glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_163.57c208b.29485291_boundary"
Subject: new to stained glass...
Date: Wed, 12 Dec 2001 01:26:25 EST
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk


--part1_163.57c208b.29485291_boundary
Content-Type: text/plain; charset="US-ASCII"
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hi, i've recently developed a strong interest in stained glass and i would 
like to pursue it... but I'm not really sure what to start, nor do I really 
know what I'm getting myself into. How much does it cost to get started; what 
do I need? Also, I know that some (most??) stained glass artists use 
pre-colored glass.. but how would I go about painting my own? Any "tid-bits" 
of information that would help me out would be greatly appreciated!
thanks,
mel

--part1_163.57c208b.29485291_boundary
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: 7bit

<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>hi, i've recently developed a strong interest in stained glass and i would like to pursue it... but I'm not really sure what to start, nor do I really know what I'm getting myself into. How much does it cost to get started; what do I need? Also, I know that some (most??) stained glass artists use pre-colored glass.. but how would I go about painting my own? Any "tid-bits" of information that would help me out would be greatly appreciated!
<BR>thanks,
<BR>mel</FONT></HTML>

--part1_163.57c208b.29485291_boundary--
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From owner-glass Wed Dec 12 07:09:49 2001
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X-Path: Corpit.com!dterrill
From: Dan Terrill <dterrill@Corpit.com>
To: "'Melysma@aol.com'" <Melysma@aol.com>, glass@bungi.com
Content-Type: multipart/alternative;
Subject: RE: new to stained glass...
Date: Wed, 12 Dec 2001 09:21:06 -0500
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Precedence: bulk

This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

------_=_NextPart_001_01C18318.3CEC2FD0
Content-Type: text/plain;
	charset="iso-8859-1"

Welcome to a wonderful hobby, Melysma! 
 
I started fairly recently myself, and am having a hell of a lot of fun with
it. I started out thinking I could teach myself, but was proven wrong after
going through a lot of frustration and broken glass.
 
So, the best advice: find a class. You should be able to find a beginner's
class for around $100 ~ $150. The teacher may provide some of the tools, but
you'll probably have to buy some. Figure about $200 to $300 for a good
setup, though you could do it cheaper. 
 
The glass we use is pre-colored because the colors are added in the
manufacturing process. However, it's not hard to color your own glass,
provided you have access to a kiln and the proper supplies. Glass paints are
actually powdered glass that is melted onto the surface you're painting. 
 
The best overview book on glass -- stained glass,  painting, snadblasting --
that I've found is
<http://www.amazon.com/exec/obidos/ASIN/0801973554/qid=1008168494/sr=1-18/re
f=sr_1_10_18/107-1579269-6567750> How to Work in Stained Glass by Anita and
Seymour Isenberg
 
Hope this helps!
 
 -----Original Message-----
From: Melysma@aol.com [mailto:Melysma@aol.com]
Sent: Wednesday, December 12, 2001 1:26 AM
To: glass@bungi.com
Subject: new to stained glass...



hi, i've recently developed a strong interest in stained glass and i would
like to pursue it... but I'm not really sure what to start, nor do I really
know what I'm getting myself into. How much does it cost to get started;
what do I need? Also, I know that some (most??) stained glass artists use
pre-colored glass.. but how would I go about painting my own? Any "tid-bits"
of information that would help me out would be greatly appreciated! 
thanks, 
mel 


------_=_NextPart_001_01C18318.3CEC2FD0
Content-Type: text/html;
	charset="iso-8859-1"

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">


<META content="MSHTML 6.00.2600.0" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff 
size=2>Welcome to a wonderful hobby, Melysma! </FONT></SPAN></DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff size=2>I 
started fairly recently myself, and am having a hell of a lot of fun with it. I 
started out thinking I could teach myself, but was proven wrong after going 
through a lot of frustration and broken glass.</FONT></SPAN></DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff size=2>So, 
the best advice: find a class. You should be able to find a beginner's class for 
around $100 ~ $150. The teacher may provide some of the tools, but you'll 
probably have to buy some. Figure about $200 to $300 for a good setup, though 
you could do it cheaper. </FONT></SPAN></DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff size=2>The 
glass we use is pre-colored because the colors are added in the manufacturing 
process. However, it's not hard to color your own glass, provided you have 
access to a kiln and the proper supplies. Glass paints are actually powdered 
glass that is melted onto the surface you're painting. </FONT></SPAN></DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff 
size=2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=503034314-12122001><FONT face=Arial color=#0000ff size=2>The 
best overview book&nbsp;on glass -- stained glass,&nbsp; painting, 
snadblasting&nbsp;-- that I've found is <A 
href="http://www.amazon.com/exec/obidos/ASIN/0801973554/qid=1008168494/sr=1-18/ref=sr_1_10_18/107-1579269-6567750"><STRONG>How 
to Work in Stained Glass</STRONG></A><FONT color=#000000>&nbsp;</FONT>by Anita 
and Seymour Isenberg<BR></FONT></SPAN><FONT face=Tahoma><FONT size=2><SPAN 
class=503034314-12122001><FONT face=Arial 
color=#0000ff>&nbsp;</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT><FONT face=Arial color=#0000ff size=2><SPAN 
class=503034314-12122001>Hope this helps!</SPAN></FONT></FONT></DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN 
class=503034314-12122001></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=Tahoma><FONT size=2><SPAN 
class=503034314-12122001>&nbsp;</SPAN>-----Original Message-----<BR><B>From:</B> 
Melysma@aol.com [mailto:Melysma@aol.com]<BR><B>Sent:</B> Wednesday, December 12, 
2001 1:26 AM<BR><B>To:</B> glass@bungi.com<BR><B>Subject:</B> new to stained 
glass...<BR><BR></DIV></FONT></FONT>
<BLOCKQUOTE 
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid"><FONT 
  face=arial,helvetica><FONT size=2>hi, i've recently developed a strong 
  interest in stained glass and i would like to pursue it... but I'm not really 
  sure what to start, nor do I really know what I'm getting myself into. How 
  much does it cost to get started; what do I need? Also, I know that some 
  (most??) stained glass artists use pre-colored glass.. but how would I go 
  about painting my own? Any "tid-bits" of information that would help me out 
  would be greatly appreciated! <BR>thanks, <BR>mel</FONT> 
</FONT></BLOCKQUOTE></BODY></HTML>

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From owner-glass Wed Dec 12 07:31:09 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Light Boxes
Date: Wed, 12 Dec 2001 08:03:36 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

its pretty easy if it doesn't have to look good.

find 1 or 2 florescent light fixtures. make a box out of 1x6 lumber such
that the fixtures will fit inside. add a back of 1/4" plywood. cut a few
holes in the back for ventilation. insert fixtures, top with 1/4" glass or
plexiglas. 

to be fancy, wire the fixtures to a switch so you don't have to use the plug
to turn it on/off.

for a long time, i just used my glass dining table with a fixture under it.
just don't let your wife catch you or run your cutter onto the glass top.
damhikt.

regards,
charlie

> -----Original Message-----
> From: john & kay [mailto:john@horsfieldwatford.demon.co.uk]
> Sent: Monday, December 03, 2001 6:50 AM
> To: glass@bungi.com
> Subject: Light Boxes
> 
> 
> Hi
> Just to introduce myself.
> 
> My name is john Horsfield from Watford UK and i have just 
> joined the list.
> 
> I want to make a light box and wonder if anyone has any advice,
> specifications or templates.
> 
> Thanks
> 
> ----
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From owner-glass Wed Dec 12 08:32:05 2001
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X-Path: home.com!kristc
From: "Kris" <kristc@home.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: RE: new to stained glass...
Date: Wed, 12 Dec 2001 08:40:43 -0500
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Glass, cutter, grinder, foil, solder, soldering iron, flux, grozers, that
other tool with the slightly curved end that breaks scored glass (I'm sure
someone here knows the proper name), paper for patterns, scissors,
pencil,eraser, some sort of marker for marking patterns on your glass, a
couple old towels....  and a work surface. I use a piece of sheetrock,
others use ceiling tiles. Unless I forgot something that would be my
"have-to-have" list. Check some glass retailers. When I got started I
ordered a beginners kit from Delphi for about $350, a fairly good collection
of glass and all the basic tools.

I would buy colored glass. Painting on glass is a whole other art form which
is fine if you are interested, but easier to try one new thing at a time, I
think. Part of the appeal of stained glass, at least for me, is the gorgeous
different glasses you can get to work with. Paint on glass that tried to
duplicate good glass just wouldn't come close, IMO.

Glass isn't the cheapest thing you could get into but I've found it very
enjoyable. Start with something very simple, maybe a 5-piece sun catcher. It
will probably look awful! At least with my first, nothing came together
right and the soldering was downright embarrassing. Then, the more you do,
the better things look. It takes some experience to get the hang of it
though so don't give up right away. It's helpful if you can find someone to
actually show you some things to help you get started. What is your
location? Maybe someone here is nearby or knows someone. If not, maybe
someone here can supply information about a company, I think it might be the
Glass Giraffe? They have some videos that might be helpful.

Stick around here! I've learned more here from these list members than
anywhere else.

Kris
  -----Original Message-----
  From: Melysma@aol.com [mailto:Melysma@aol.com]
  Sent: Wednesday, December 12, 2001 1:26 AM
  To: glass@bungi.com
  Subject: new to stained glass...


  hi, i've recently developed a strong interest in stained glass and i would
like to pursue it... but I'm not really sure what to start, nor do I really
know what I'm getting myself into. How much does it cost to get started;
what do I need? Also, I know that some (most??) stained glass artists use
pre-colored glass.. but how would I go about painting my own? Any "tid-bits"
of information that would help me out would be greatly appreciated!
  thanks,
  mel

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<HTML><HEAD>
<META content=3D"text/html; charset=3Dwindows-1252" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR></HEAD>
<BODY>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D610522413-12122001>Glass,=20
cutter, grinder, foil, solder, soldering iron, flux, grozers, that other =
tool=20
with the slightly curved end that breaks scored glass (I'm sure someone =
here=20
knows the proper name), paper for patterns, scissors, pencil,eraser, =
some sort=20
of marker for marking patterns on your glass, a couple old =
towels....&nbsp; and=20
a work surface. I use a piece of sheetrock, others use ceiling tiles. =
Unless I=20
forgot something that would be my "have-to-have" list. Check some glass=20
retailers. When I got started I ordered a beginners kit from Delphi for =
about=20
$350, a fairly good collection of glass and all the basic tools.=20
</SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D610522413-12122001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D610522413-12122001>I=20
would buy colored glass. Painting on glass is a whole other art form =
which is=20
fine if you are interested, but easier to try one new thing at a time, I =
think.=20
Part of the appeal of stained glass, at least for me, is the gorgeous =
different=20
glasses you can get to work with. Paint on glass that tried to duplicate =
good=20
glass just wouldn't come close, IMO. </SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D610522413-12122001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D610522413-12122001>Glass=20
isn't the cheapest thing you could get into but I've found it very =
enjoyable.=20
Start with something very simple, maybe&nbsp;a 5-piece sun catcher. It=20
will&nbsp;probably look awful! At least with my first, nothing came =
together=20
right and the soldering was downright embarrassing. Then, the more you =
do, the=20
better things look. It takes some experience to get the hang of it =
though so=20
don't give up right away. It's helpful if you can find someone to =
actually show=20
you some things to help you get started. What is your location? Maybe =
someone=20
here is nearby or knows someone. If not, maybe someone here can supply=20
information about a company, I think it might be the Glass Giraffe? They =
have=20
some videos that might be helpful.</SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D610522413-12122001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D610522413-12122001>Stick=20
around here! I've learned more here from these list members than =
anywhere=20
else.</SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D610522413-12122001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D610522413-12122001>Kris</SPAN></FONT></DIV>
<BLOCKQUOTE>
  <DIV align=3Dleft class=3DOutlookMessageHeader dir=3Dltr><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Melysma@aol.com=20
  [mailto:Melysma@aol.com]<BR><B>Sent:</B> Wednesday, December 12, 2001 =
1:26=20
  AM<BR><B>To:</B> glass@bungi.com<BR><B>Subject:</B> new to stained=20
  glass...<BR><BR></DIV></FONT><FONT face=3Darial,helvetica><FONT =
size=3D2>hi, i've=20
  recently developed a strong interest in stained glass and i would like =
to=20
  pursue it... but I'm not really sure what to start, nor do I really =
know what=20
  I'm getting myself into. How much does it cost to get started; what do =
I need?=20
  Also, I know that some (most??) stained glass artists use pre-colored =
glass..=20
  but how would I go about painting my own? Any "tid-bits" of =
information that=20
  would help me out would be greatly appreciated! <BR>thanks, =
<BR>mel</FONT>=20
  </FONT></BLOCKQUOTE></BODY></HTML>

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From owner-glass Wed Dec 12 15:24:03 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Subject: Re: DTC-800 controller
Date: Wed, 12 Dec 2001 23:09:27 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

Cec,
        I understand you to have a DTC 800 controller.  I assume it is
the same as in the UK.  If so, you need to re-read the programming
instructions.  
        My display shows rA 400 for the first rate of advance of 400
degrees per hour the target temperature is entered as 800.  This will
take about two hours.  The next entry is the time at which the
temperature is to be held at the target temperature - in your case 2
hours.  After two hours it will then go on to the rate of advance of 800
per hour until it reaches 1600, then it will hold (or soak) for three
hours.

        Each segment has   elements:  rate of advance, target
temperature, hold (or soak) time.  The rate of advance can be negative
such as from 1600 to 800 by giving rate of advance as 2000 and the
target temp as 800.  The kiln will then attempt to go down from 1600 to
800 at the rate of 2000 degrees per hour (i.e., as fast as possible)
        
In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>OK - now I'm really confused.  I entered a 2 segment program.
>
>Seg 1  at a rate of 400 for temp 800 in 2 hours  (vented 1st half hour)
>Seg 2  at a rate of 800 for temp 1600 in 3 hours
>
>At least, that's what I thought I'd told it.  What I expected was that
>after 1 hour the temp would be around 400, and after 2 hours it would be
>800.  If it hit 800 before the 2 hours were over, it would hold at that
>temp.
>
>Then it would heat 800 degrees on up to 1600 in however long it takes
>(which is actually probably close to 2 and a half hours), and if it
>reached that, it would soak till the 3 hrs was over.
The time the kiln would take to get from 800 to 1600 at 800 per hour is
an hour, if there were no heat sinks in the kiln (there are of course -
the bricks and material in the kiln)  The soak is the time at the target
temperature, however long it takes to get there.  So, in one sense you
are making this more difficult for yourself, by trying to calculate how
long it will take the kiln to achieve the target temperature.  You don'
need to the controller does it for you.
>
>What seemed to happen was that it heated (while I vented) and it was
>about 300 at the end of the half hour (doesn't seem to be able to heat
>any higher when venter).  I checked it after an hour and it was around
>500 and still going up.  However after another hour and a half I
>rechecked, and it had reached and was holding 800, - and showing there
>was an hour and a half to go!!!!
So this shows that the kiln heated to 800 in two hours, just as you
asked it to do.  And then it began to soak for the two hours.  If you
didn't want it to soak at 800 at all, you need to enter 0 minutes for
the soak.  This means that it will then go straight on to the next
segment.
>
>What I expected was that it would hold until the end of a total 2 hours
>and then kick into the 2nd segment.  Not so - It seemed to not count the
>time it took to ramp up to the 800, and then intended to soak at 800 for
>two hours.  ???   So I told it to skip and it went into the 2nd segment.
>
>So I guess I've totally misunderstood what the thing is doing?  I
>thought I was telling it to ramp at a rate of A per hour for X hours,
>and if it hit the upper bound B, to hold for the remaining time.
>Instead it seems to be ramping at a rate of A per hour and then soaking
>for X hours whenever it hits the upper bound B.
>
>Is this what really happens?  This makes a vast difference in the
>handling of the glass!!!  -- Perplexed Cec
>
Yes the controller controls the rate of heating (or cooling) to what you
determine.  You decide how long the glass is to be soaked at the target
temperature.
        
        What you are trying to do with the ramping is to heat the glass
slowly (under 700 per hour) to the annealing point, and then faster to
the target fusing/slumping/painting temperature (possibly hold there for
a while), and then cool rapidly to the annealing temp., hold there a
while, and control the cooling from there to room temperature.
        So you might have a programme of the following sort:
        (temps in F)

S1   rA=600     Target temp.=1100       soak=0
S2   rA=1000    Target temp.=1650       soak 10 mins
S3   rA=2000    Target temp.=1105       soak 15 mins
S4   rA=80      Target temp.=1000       soak=0
S5   rA=160     Target temp.=900        soak=0
S6   rA=600     Target temp.=400        soak=0
Alarm 3333
Delay=000

Note: after 400F the kiln cools really slowly, so there is no reason to
run the controller, unless you are doing really big things, that require
much slower rates of cooling.
Most fusing will require about 6 segments.  Fusing larger pieces often
require more segments.  Sometimes I wish I had more than 8 possible.

I don't know if I am helping here or making things more difficult.

Steve


-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Wed Dec 12 15:30:35 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Subject: Re: kiln paper
Date: Wed, 12 Dec 2001 23:11:42 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

I don't se why we shouldn't also talk about kilns on this list.  Too
much segregation leads to a lack of information, because people don't
know what is available in terms of lists or information.

Steve

In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>Yes - I suppose you are right.  But I already belong to too many lists.  I'm
>reluctant to get into another. - Cec
>
>"Spitzer, Charlie" wrote:
>
>> you should ask kiln questions on the bb at http://warmglass.com. there's a
>> large body of info there.
>>
>> regards,
>> charlie
>> phx, az
>>
>> > -----Original Message-----
>> > From: Cecily & Ralph Wood [mailto:cecnralph@home.com]
>> > Sent: Tuesday, December 04, 2001 8:06 PM
>> > To: Bungi Glass
>> > Subject: kiln paper
>> >
>> >
>> > I've been using it for the first time.  When you first fire it to get
>> > rid of the binders, etc...what color should it be after
>> > firing?  a grey
>> > color?  How long and how high does it need to be fired.  Seems like it
>> > takes a long time and a pretty high temperature.
>> >
>> > Also, it really seems to shrink.  I cut it to fit the kiln shelf and
>> > after firing (the real firing with the glass) it had shrunk a
>> > good inch
>> > in on all sides.  Am I doing something wrong?
>> >
>> > Thanks - Cec
>> >
>> > ----
>> > For subscription changes, please mail to: glass-request@bungi.com
>> > To send to the list,      please mail to: glass@bungi.com
>> > Archives available at http://www.bungi.com/glass
>> >
>
>----
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>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Wed Dec 12 22:01:02 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: DTC-800 controller
Date: Wed, 12 Dec 2001 21:24:50 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<w36oALAnO+F8EwEA@verrier-scotland.demon.co.uk>>
Organization: Grendel Studio
Precedence: bulk

OK - now I've got it.  I was totally misunderstanding what it was doing.
Tonite I told it to go 400 up to 400 and the time of 10 minutes and I
watched it.  (Vented the first 30 min)  It did soak for 10 minutes and held
it at almost 400 (got down to 388), and then I watched it kick into the long
high segment, and I now know how high to go (1495) and told it to soak at 5
minutes and then it should stop?  I figure that will take around 2 and a
half hours to get up where I want it..  I've also discovered that flash
venting at the top temperature has to be done 3 times to get it down around
1000 (b ecause of the heat rebound after the air around the pyrometer get s
cooled but then when I close it back , the heat from the walls reheats the
air.)

Since I'm using such thick glass (5/8 "), it really does take a LOoooonnngg
time to cool even when it gets down around 300 or less.  On one unsuccessful
run (left it too long and got full fuse) when it got back to around 200, I
ran some very hot water in a pan and put one thing in it and it immediately
cracked.  However I took the other two out and stacked them on top of one
another on top of a pile of towels, and they were just fine.

Do you think people could put these in the dishwasher?  They are only float
glass, not borosylicate (Pyrex), so I don't know how they'd take the rapid
rise in temperature from the water.  Some are 6x6, and some 6x8 and 6x10,
with feet made from the same glass.

OK - now another question.  About the alarm.  That is simply to tell you if
the highest temperature is higher than what you've set the alarm to - either
as a safety factor (the controller doesn't stop heating as it should) or to
tell you you get down there RIGHT NOW to vent. ??

And another question.  When I got it, they'd sent it with the shelf, of
course, and the stilts were tall - a good 3 " so that the shelf was up quite
a ways.  I went and got some 1" stilts so the shelf is now below the
pyrameter (which is in the vent hole).  That's what I've been doing this run
of glass with, since I thought the other would be way too close to the
heating coils.  However, can you use the shelf that high?  Like for normal
or thin layers, making jewelry or "panels" or some such?  Would it make much
difference in how fast it fires - if you used all identical except the shelf
height?

Thank you for all your help! - Cec

Steve Richard wrote:

> Cec,
>         I understand you to have a DTC 800 controller.  I assume it is
> the same as in the UK.  If so, you need to re-read the programming
> instructions.
>         My display shows rA 400 for the first rate of advance of 400
> degrees per hour the target temperature is entered as 800.  This will
> take about two hours.  The next entry is the time at which the
> temperature is to be held at the target temperature - in your case 2
> hours.  After two hours it will then go on to the rate of advance of 800
> per hour until it reaches 1600, then it will hold (or soak) for three
> hours.
>
>         Each segment has   elements:  rate of advance, target
> temperature, hold (or soak) time.  The rate of advance can be negative
> such as from 1600 to 800 by giving rate of advance as 2000 and the
> target temp as 800.  The kiln will then attempt to go down from 1600 to
> 800 at the rate of 2000 degrees per hour (i.e., as fast as possible)
>
> In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
> <cecnralph@home.com> writes
> >OK - now I'm really confused.  I entered a 2 segment program.
> >
> >Seg 1  at a rate of 400 for temp 800 in 2 hours  (vented 1st half hour)
> >Seg 2  at a rate of 800 for temp 1600 in 3 hours
> >
> >At least, that's what I thought I'd told it.  What I expected was that
> >after 1 hour the temp would be around 400, and after 2 hours it would be
> >800.  If it hit 800 before the 2 hours were over, it would hold at that
> >temp.
> >
> >Then it would heat 800 degrees on up to 1600 in however long it takes
> >(which is actually probably close to 2 and a half hours), and if it
> >reached that, it would soak till the 3 hrs was over.
> The time the kiln would take to get from 800 to 1600 at 800 per hour is
> an hour, if there were no heat sinks in the kiln (there are of course -
> the bricks and material in the kiln)  The soak is the time at the target
> temperature, however long it takes to get there.  So, in one sense you
> are making this more difficult for yourself, by trying to calculate how
> long it will take the kiln to achieve the target temperature.  You don'
> need to the controller does it for you.
> >
> >What seemed to happen was that it heated (while I vented) and it was
> >about 300 at the end of the half hour (doesn't seem to be able to heat
> >any higher when venter).  I checked it after an hour and it was around
> >500 and still going up.  However after another hour and a half I
> >rechecked, and it had reached and was holding 800, - and showing there
> >was an hour and a half to go!!!!
> So this shows that the kiln heated to 800 in two hours, just as you
> asked it to do.  And then it began to soak for the two hours.  If you
> didn't want it to soak at 800 at all, you need to enter 0 minutes for
> the soak.  This means that it will then go straight on to the next
> segment.
> >
> >What I expected was that it would hold until the end of a total 2 hours
> >and then kick into the 2nd segment.  Not so - It seemed to not count the
> >time it took to ramp up to the 800, and then intended to soak at 800 for
> >two hours.  ???   So I told it to skip and it went into the 2nd segment.
> >
> >So I guess I've totally misunderstood what the thing is doing?  I
> >thought I was telling it to ramp at a rate of A per hour for X hours,
> >and if it hit the upper bound B, to hold for the remaining time.
> >Instead it seems to be ramping at a rate of A per hour and then soaking
> >for X hours whenever it hits the upper bound B.
> >
> >Is this what really happens?  This makes a vast difference in the
> >handling of the glass!!!  -- Perplexed Cec
> >
> Yes the controller controls the rate of heating (or cooling) to what you
> determine.  You decide how long the glass is to be soaked at the target
> temperature.
>
>         What you are trying to do with the ramping is to heat the glass
> slowly (under 700 per hour) to the annealing point, and then faster to
> the target fusing/slumping/painting temperature (possibly hold there for
> a while), and then cool rapidly to the annealing temp., hold there a
> while, and control the cooling from there to room temperature.
>         So you might have a programme of the following sort:
>         (temps in F)
>
> S1   rA=600     Target temp.=1100       soak=0
> S2   rA=1000    Target temp.=1650       soak 10 mins
> S3   rA=2000    Target temp.=1105       soak 15 mins
> S4   rA=80      Target temp.=1000       soak=0
> S5   rA=160     Target temp.=900        soak=0
> S6   rA=600     Target temp.=400        soak=0
> Alarm 3333
> Delay=000
>
> Note: after 400F the kiln cools really slowly, so there is no reason to
> run the controller, unless you are doing really big things, that require
> much slower rates of cooling.
> Most fusing will require about 6 segments.  Fusing larger pieces often
> require more segments.  Sometimes I wish I had more than 8 possible.
>
> I don't know if I am helping here or making things more difficult.
>
> Steve
>
> --
> Steve Richard
> Verrier Art Glass Ltd
> s.richard@verrier-scotland.demon.co.uk

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From owner-glass Wed Dec 12 23:04:19 2001
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: "Family Account" <shad@mail2.nai.net>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Chihuly chandelier
Date: Wed, 12 Dec 2001 19:29:31 -0600
Message-ID: <1970Jan1.000.0@doorpi.net>
References: <<1970Jan1.000.0@mail2.nai.net>>
Precedence: bulk

WOW! I wasn't sure what you were talking about, so I went to www.google.com
and used their Image Search for Chihuly chandelier's . . . . AMAZING! There
are many many samples of his work. I can only imagine how impressive they
would be to see in real time!

Thanks!

Marci
Martin Designs


----- Original Message -----
From: "Family Account" <shad@mail2.nai.net>
To: <glass@bungi.com>
Sent: Monday, December 10, 2001 9:04 PM
Subject: Chihuly chandelier


> Friday night John and I went to see a new, BIG, Chihuly chandelier-like
> structure ---okay, it was in the Mohegan Sun casino and there was a free
> concert by Three Dog Night, but seeing it was ONE of the reasons we
> went.  You know, the pictures of those things just don't really impress
> on you just how truly big they are!.  This one is blue, shite and clear,
> kind of vaguely trumpet shaped, about two stories high.  Right across
> from the big indoor waterfall.
> Anyway, worth a look if you are in SW Connecticut.  Here there's a new
> one Hartford in the new Bushnell building, but I haven't seen that one
> yet.
>
> Dorothy
>
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Thu Dec 13 01:00:50 2001
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From: "Cheryl Parrott" <theglassparrott@hotmail.com>
To: mmam5@doorpi.net, glass@bungi.com
Content-Type: text/plain; format=flowed
Subject: Re: Chihuly chandelier
Date: Thu, 13 Dec 2001 00:58:08 -0800
Message-ID: <1970Jan1.000.0@hotmail.com>
Precedence: bulk

When Elisabeth was in Seattle on part of her tour to the U.S. in 1999 a few 
of us in the NorthWest delegation were invited to go to one of Chihuly's 
studio's.  He has five of them here in the Seattle-Tacoma area.

We were in the one that the clients go to see the pieces before they are 
shipped.   It is in a very large warehouse.  There is virtually no 
indication that it is a Chihuly building.

They actually build rooms duplicating the area in which the client will 
display the piece.  We saw a mock-up of the Disney cruise line.  
Interestingly the pieces for Disney were not glass, however you could not 
tell.  They were amazing!!!

It was a real thrill to see all the fabulous pieces throughout the studio.

Cheryl Parrott

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From owner-glass Thu Dec 13 03:01:07 2001
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From: "Cheryl Parrott" <theglassparrott@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain; format=flowed
Subject: wholesale 
Date: Thu, 13 Dec 2001 01:24:26 -0800
Message-ID: <1970Jan1.000.0@hotmail.com>
Precedence: bulk

I have found myself in an exciting position of possiblly having thousands of 
dollars worth of wholesale orders for stained glass items I have created.  A 
shop owner of a very elite store in the Fashion Show Mall in Las Vegas is 
interested in my pieces.  She will be calling me tomorrow.  My sister lives 
in Las Vegas and was talking to the shop owner last week and had mentioned 
my pieces and how well they had been selling in the Seattle area.  The shop 
owner asked to see some of my work so...today my sis took some of my work in 
for her to see.  Apparently the shop owner fell in love with everything.  
These are not cheap pieces.  I have a beautiful line of boxes with 
decorative solder work.  I have never seen anyone do the type of pieces I am 
selling.  In addition to that I have several very large snowflakes which I 
designed.  The pieces sell between $84 and $250.

I wholesaled 44 of the snowflakes to a Molbaks a local specialty shop here 
in the Seattle area.  In three weeks 41 of them sold.  It has been pretty 
exciting.  Especially considering that Maltby Stained Glass owned by   the 
author of the snowflake pattern books is only ten miles from Molbaks.

The owner of the Las Vegas store will be calling tomorrow.  She wants to 
have an exclusive for Las Vegas.  Has anyone dealt with wholesale orders and 
exclusives.  Typically how much should I ask for as a down payment?  What 
should the exclusive entail?

the next question... piece work.  I am going to need help.  How do you go 
about getting someone to help.  I would like someone to do all the copper 
foiling.  Someone to do the cleaning and polishing.. etc.

Also,  does anyone have a rep to help sell their pieces?  I'd love some 
input on that too!

This has been an exciting month watching my glass fly out of the store and 
now to have an exclusive shop with a lot of potential interested in my 
pieces.  I started to cry today when I got the call.

I'd love all your input and advice.

Thanks,
Cheryl Parrott
The Glass Parrott


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From owner-glass Thu Dec 13 06:43:37 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Chihuly chandelier
Date: Thu, 13 Dec 2001 08:47:00 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Cheryl Parrott"
>They actually build rooms duplicating the area in which the client will =

display the piece.  We saw a mock-up of the Disney cruise line.  =

Interestingly the pieces for Disney were not glass, however you could not=
 =

tell.  They were amazing!!!<

What were they?  Plastic?

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Thu Dec 13 07:01:29 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: wholesale
Date: Thu, 13 Dec 2001 08:47:01 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Cheryl Parrott"
>The owner of the Las Vegas store will be calling tomorrow.  She wants to=
 =

have an exclusive for Las Vegas.  Has anyone dealt with wholesale orders
and =

exclusives.  Typically how much should I ask for as a down payment?  What=
 =

should the exclusive entail?

the next question... piece work.  I am going to need help.  How do you go=
 =

about getting someone to help.  I would like someone to do all the copper=
 =

foiling.  Someone to do the cleaning and polishing.. etc.

Also,  does anyone have a rep to help sell their pieces?  I'd love some =

input on that too!<

Firstly, Cheryl, CONGRATULATIONS!  Well done, well done.

Next; to answer some of your questions.....I do wholesale orders, and
have done so for about 5 years now.  I do offer exclusivity in my wholesa=
le
order contracts.  There are a couple of "standard" ways to offer
exclusivity -
one is by zip code (that's the one I use); the other is by area code.
Whoever orders first from that zip code, get's exclusivity on selling you=
r
stuff, until such time as you determine they are not longer actively
promoting/selling your stuff (i.e. no reorders for one year), then you ca=
n
free up that selling area again.

Downpayments?  I don't ask for them for wholesale orders.  My terms
on wholesale orders are COD or credit card or Pro Forma for first
order, then Net 30 thereafter with credit list.  I use downpayments for
custom orders only (non-wholesale).

Piecework - yes, there are people out there looking for piecework
jobs.  I have a lady in Pennsylvania who does piecework for me.
She works out of her house and likes to do piecework.  She's
especially great at foiling!  If interested, contact me offline and I'll
give you her email address.

Sales rep?  Yes...I have had a sales rep for the last 2 years.  She
only reps American/Canadian glass artists and hand-made paper
artists (but mostly glass artists).  She is located in the Philadelphia
area and does the Philadelphia Gift Show, the Ocean City Gift Show
(NJ) and is thinking about branching out into the NYC and/or Atlanta
gift show markets.  Her territory is eastern PA, southern NJ, all of =

DE and MD.  She also has a sub-rep located in Houston, TX who
reps TX and LA.  If interested in having her be your rep, again, contact
me offline and I'll give you her contact info.

Best wishes and again, congratulations!

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Thu Dec 13 12:24:01 2001
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X-Path: hotmail.com!createglass
From: "Larry ." <createglass@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain; format=flowed
Subject: christmas ornament ideas
Date: Thu, 13 Dec 2001 20:10:48 +0000
Message-ID: <1970Jan1.000.0@hotmail.com>
Precedence: bulk

Hello all,

I just found out I am going to get to spend a few days of Christmas with my 
family... I'd love to have a little something to give them each, without 
going out and buying a gift.  (which was outlawed among our family many 
years ago)

I have made them holly leaves with glass bead berries... and I've made them 
Christmas balls from stained glass...

Does anyone have any really cute and fairly simple ornament patterns?

I'm thinking about doing a stocking, but I'm not all that happy with the 
design I made.

Any good ideas or better yet, patterns?

Larry

_________________________________________________________________
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From owner-glass Thu Dec 13 13:00:34 2001
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X-Path: doorpi.net!mmam5
From: mmam5@doorpi.net
To: glass@bungi.com
Content-Type: text/plain
Subject: Patterns
Date: Thu, 13 Dec 2001 13:44:14 EST
Message-ID: <200112131844.fBDIiJj94879@mail1.netacc.net>
Precedence: bulk

Hi Gang:

Hope everyone is having fun getting ready for the Holidays!

Here's a quick question for you:

How much should be charged for just a stained glass pattern? Does it go by
size? Intricacy? I realize that a full size version of a pattern would be
more $$ than a small sample pattern. But I'm not sure how much would be a
fair price.

Thanks!

Marci
Martin Designs

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From owner-glass Thu Dec 13 13:21:36 2001
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: "Larry ." <createglass@hotmail.com>, glass@bungi.com
Subject: Re: christmas ornament ideas
Date: Thu, 13 Dec 2001 12:56:31 PST
Message-ID: <m16Ecu9-0000LkC@daver.bungi.com>
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[In the message entitled "christmas ornament ideas" on Dec 13, 20:10, "Larry ." writes:]

> 
> I have made them holly leaves with glass bead berries... and I've made them 
> Christmas balls from stained glass...
> 
> Does anyone have any really cute and fairly simple ornament patterns?

I've seen slivers of glass made into hanging icicles for xmas trees.
They are real simple...

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Thu Dec 13 17:28:42 2001
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From: "Marci" <mmam5@doorpi.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Patterns
Date: Thu, 13 Dec 2001 18:09:25 -0600
Message-ID: <1970Jan1.000.0@doorpi.net>
References: <<200112131844.fBDIiJj94879@mail1.netacc.net>>
Precedence: bulk

ha ha  - -I guess I should be more specific -  I have someone who wants to
commission just a pattern for a full size window. I like sharing patterns
with others, but since this is an original design that I'm working on, my
client would like to pay for my time and energy to make the pattern.  I've
seen places on the net that charge $20-$30 for full size patterns.  Is this
the going rate?

Thanks!

Marci
Martin Designs


----- Original Message -----
From: <mmam5@doorpi.net>
To: <glass@bungi.com>
Sent: Thursday, December 13, 2001 12:44 PM
Subject: Patterns


> Hi Gang:
>
> Hope everyone is having fun getting ready for the Holidays!
>
> Here's a quick question for you:
>
> How much should be charged for just a stained glass pattern? Does it go by
> size? Intricacy? I realize that a full size version of a pattern would be
> more $$ than a small sample pattern. But I'm not sure how much would be a
> fair price.
>
> Thanks!
>
> Marci
> Martin Designs
>
> ----
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> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Thu Dec 13 18:00:34 2001
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From: "Kris" <kristc@home.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: christmas ornament ideas
Date: Thu, 13 Dec 2001 18:33:58 -0500
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Precedence: bulk

Sometimes children's coloring books are good for pattern ideas, especially
the simpler ones for the younger children.

Kris

-----Original Message-----
From: Larry . [mailto:createglass@hotmail.com]
Sent: Thursday, December 13, 2001 3:11 PM
To: glass@bungi.com
Subject: christmas ornament ideas


Hello all,

I just found out I am going to get to spend a few days of Christmas with my
family... I'd love to have a little something to give them each, without
going out and buying a gift.  (which was outlawed among our family many
years ago)

I have made them holly leaves with glass bead berries... and I've made them
Christmas balls from stained glass...

Does anyone have any really cute and fairly simple ornament patterns?

I'm thinking about doing a stocking, but I'm not all that happy with the
design I made.

Any good ideas or better yet, patterns?

Larry

_________________________________________________________________

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From owner-glass Fri Dec 14 00:35:23 2001
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X-Path: yahoo.com!texpenguin
From: Sherry Greer <texpenguin@yahoo.com>
To: createglass@hotmail.com, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: christmas ornament ideas
Date: Thu, 13 Dec 2001 18:59:08 -0800 (PST)
Message-ID: <1970Jan1.000.0@yahoo.com>
References: <<1970Jan1.000.0@hotmail.com>>
Precedence: bulk

I've been using irridescent clear crackle glass and freehanding icicle
ornaments.  You get a ton out of a craft size sheet of glass.  I've
just been grinding the edges smooth and leaving them unfoiled, and then
wrapping decorative jewelry wire around the top as the hanger (with a
spiral or curly q or two).  Very quick and cheap.  I plan to sell mine
at a craft sale Saturday.  Will let you all know how they go over!  At
least I finally found a use for that coated copper jewelry wire that
doesn't solder!
Sherry


=====
Sherry Greer
texpenguin@yahoo.com

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From owner-glass Fri Dec 14 02:02:10 2001
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Patterns
Date: Fri, 14 Dec 2001 09:18:30 +0000
Message-ID: <1970Jan1.000.0@stainedglass.co.uk>
Precedence: bulk

At 18:09 13/12/01 -0600, Marci wrote:
>ha ha  - -I guess I should be more specific -  I have someone who wants to
>commission just a pattern for a full size window. I like sharing patterns
>with others, but since this is an original design that I'm working on, my
>client would like to pay for my time and energy to make the pattern.  

Marci - you have really answered your own question here! :-)
Work out how long it takes to do by timing yourself and charge them your
usual hourly rate plus a 'profit' for the design idea.
Don't forget - the time you are spending working on this project is worth no
less than what you could charge for time spent making another panel.
Are you granting them unlimited use of your copyright or just a one-off?
Again this permission could be worth money if they want to repeat the panel.

Regards
EliZabeth in Bournemouth
Bournemouth Stained Glass
http://www.stainedglass.co.uk
UK Charter Member RAGS

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From owner-glass Fri Dec 14 03:47:34 2001
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From: micheal kabbah <mikekab2000@yahoo.com>
To: ausrail@railpage.org.au
Content-Type: text/plain; charset=us-ascii
Subject: URGENT BUSINESS PROPOSAL
Date: Fri, 14 Dec 2001 03:27:04 -0800 (PST)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

MICHEAL KABBAH 
 ATTN:THE CHAIRMAN/MD

                                                      
              FAMILY REQUEST

 I do recognise the surprise this urgent but
confidential letter brings to you, especially as it
came from a stranger,but consider this letter as a
request from a family in dare need of assistance.
Firstly,I must introduce my self to you. I am Micheal
Kabbah from the Repblic of Sierra Leon. I am the first
son of brigadier Victor Kabbah (Sr. I am presently
residing in South Africa.) However your contact was
made possible from a journal at the World Trade Centre
(WTC) in Johannesburg. After reading through your
profile,I bacame assured of your capability in
handling this transaction hence this letter. I decided
to solict for your assistance to transfer the sum of
US$17 Million (Seventeen Million United States Dollar)
inherited from my late father into your personal or
company's account. Before his death, he was a
brigadier in charge of arms and ammunition procurement
for Sierra Leoean armed forces. In his WILL, he
specifically drew my attention to US$17 Million
(Seventeen Million United State Dollars) which he
deposited, in safe boxes in a private security company
in Johaanesburg South Africa. 

 IN FACT, MY FATHER SAID IN HIS WILL AND I QUOTE
 My beloved son, I wish to draw your attention to
US$17 Million (Seventeen United Dollar). I deposited
the box containing the fund in a security company in
Johannesburg South Africa. During the war, I was
dedicated and committed to wining the war against the
rebel intill I found out that senior officers and
government functioners were busy helping themselves to
gonernment funds and propeties. Due to this,when I and
the former special adviser to the president where I
assigned by the president (Ahmed Tejan Kabbah) to
purchase arms in South Africa, after purchase of arms
and ammunition, we realised a surplus of US$32M from
over invoicing. However, I deposited the money in a
security company to avoid trace in case of a scadal.
In case of my absence on earth as a result of death or
any unforeseen circumstances,you should solicit for
assistance of a reliable and sincere partner to assist
you transfer this money out of South Africa for
investment purposes. I deposited the consigment and
told them that it is for my foreign parner to avoid
eyebrow and suspects but your name is stated as the
next of kin. Take good care of your brother. Don't
come back to Sierra Leone untill the war is over and
beware of enemies and family kindred that are related
to us in libido. From this statement,, you will
understand that the life and future of my brother and
me depends on this money.As such,I will be grateful if
you can assist us. We are living in South Africa as
political asylum seekers, and financial laws and
regulations of the republic of South Africa does not
permit us certain financial rights. In view of this, I
cannot invest this money in South Africa. Hence I am
asking for your assistance to transfer this money out
of South Africa for investment purposes. 

AND THE MONEY (US$17M) WILL BE SHARED AS FOLLOWS:
 (a) 20% of the total sum to you if you assist us in
transferring this money succesfully into any of your
overseas account. ( b) 5% of the total sum will be
aside to offset all bills and expenses incurred in the
process of this transaction (c) 75% of the total sum
will be for me and my brother for investment in any
country of your choice. Please note that this
transaction is risk free on your side as we have
concluded all modalities to aid this transfer. Should
this meet your utmost consideration, please give us
your earlist reply . And be kind to provide us with
your private telephone number and your e-mail address
if any, for easy communication and confidential link.
The confidentiality in this transaction cannot be over
emphasized as we trust and believe that you will
oblige us the needed security and attention it
demands. Please treat this transaction with absolute
confidentiality.
 Thanks.
 
 Yours Faithfully,

 Micheal  Kabbah. 



__________________________________________________
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your unique holiday gifts! Buy at http://shopping.yahoo.com
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From owner-glass Fri Dec 14 04:32:12 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Patterns
Date: Thu, 13 Dec 2001 23:11:40 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@doorpi.net>>
Organization: Grendel Studio
Precedence: bulk

Depends.  Do you intend to keep the copyright and rights to reuse the design?
Or are you selling them all rights to use the design not just one or more
windows but for them to turn around and sell the design?  You need to be
careful how you word the "sale".  If you intend to keep the rights to the
design, then you are charging them a fee for designing, you are not sellling
the design.  You can still keep the copyright and rights to the design but give
them exclusivity rights - in other words you will not create another window and
sell it to someone else.  You need to make it plain to them you still retain
the rights to the design.  Whether they intend to build the window or have
someone else do it, be certain they understand that that they can make only so
many copies, and if they have it done, that fabricator may not reuse the
design. - Cec

Marci wrote:

> ha ha  - -I guess I should be more specific -  I have someone who wants to
> commission just a pattern for a full size window. I like sharing patterns
> with others, but since this is an original design that I'm working on, my
> client would like to pay for my time and energy to make the pattern.  I've
> seen places on the net that charge $20-$30 for full size patterns.  Is this
> the going rate?
>
> Thanks!
>
> Marci
> Martin Designs
>
> ----- Original Message -----
> From: <mmam5@doorpi.net>
> To: <glass@bungi.com>
> Sent: Thursday, December 13, 2001 12:44 PM
> Subject: Patterns
>
> > Hi Gang:
> >
> > Hope everyone is having fun getting ready for the Holidays!
> >
> > Here's a quick question for you:
> >
> > How much should be charged for just a stained glass pattern? Does it go by
> > size? Intricacy? I realize that a full size version of a pattern would be
> > more $$ than a small sample pattern. But I'm not sure how much would be a
> > fair price.
> >
> > Thanks!
> >
> > Marci
> > Martin Designs
> >
> > ----
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> >
>
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From owner-glass Fri Dec 14 07:01:28 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Date: Fri, 14 Dec 2001 09:19:24 -0500
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Message text written by "Marci"
>ha ha  - -I guess I should be more specific -  I have someone who wants =
to
commission just a pattern for a full size window. I like sharing patterns=

with others, but since this is an original design that I'm working on, my=

client would like to pay for my time and energy to make the pattern.  I'v=
e
seen places on the net that charge $20-$30 for full size patterns.  Is th=
is
the going rate?<

Since this is a commissioned pattern, and someone else will be making the=

actual window (I assume), I would charge for my design time as well as th=
e
pattern creation.  Be very, very clear about who owns the copyright to yo=
ur
pattern.  You?  The client?  Get this in writing before they send it off =
to
China and it ends up as a cheap import item.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Fri Dec 14 07:17:14 2001
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Content-Type: text/plain;charset=iso-8859-1
Subject: Re: DTC-800 controller
Date: Thu, 13 Dec 2001 21:17:50 +0000
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In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>OK - now I've got it.  I was totally misunderstanding what it was doing.
>Tonite I told it to go 400 up to 400 and the time of 10 minutes and I
>watched it.  (Vented the first 30 min)  It did soak for 10 minutes and held
>it at almost 400 (got down to 388), and then I watched it kick into the long
>high segment, and I now know how high to go (1495) and told it to soak at 5
>minutes and then it should stop?  I figure that will take around 2 and a
>half hours to get up where I want it..  I've also discovered that flash
>venting at the top temperature has to be done 3 times to get it down around
>1000 (b ecause of the heat rebound after the air around the pyrometer get s
>cooled but then when I close it back , the heat from the walls reheats the
>air.)
>
        Why are you venting the kiln on the heat up?  Are you using
glues to hold the glass together?  If not, you probably don't need to
vent.  If, as some do, you are concerned about tin fumes, the tin
vaporises at much higher temperatures, possible even above fusing
temperatures.  I'm sure someone on the list knows about this.
        I'm not sure why you are flash venting on a glass kiln.  I don't
know what glass you are using, but if it is float glass the annealing
temperature must be in the region of 940 to 900 F  (540 t0 520 C).  In a
glass kiln you should get a rapid fall in temperature from 1495 to 1000
(about 15-20 mins).  But you must then stop the fall in temperature at
the annealing point, or the glass will have stresses in it that may not
be visible, but will eventually break the glass.

>Since I'm using such thick glass (5/8 "), it really does take a LOoooonnngg
>time to cool even when it gets down around 300 or less.  
        My front loading Paragon cools at a rate of about 200F/hour from
about 500F, and at about 100F/hour from 250F.  When this is too slow, I
prop the door open a little to speed the cooling at the programmed rate.
Of course the safety features built into the kiln turn off the power
when you open the door. This is why I don't programme down to a
temperature where the natural (un-powered) cooling rate is less than the
programme would request.

>On one unsuccessful
>run (left it too long and got full fuse) when it got back to around 200, I
>ran some very hot water in a pan and put one thing in it and it immediately
>cracked.  However I took the other two out and stacked them on top of one
>another on top of a pile of towels, and they were just fine.
        Very hot water is about 120F, so you gave the glass quite a
shock, changing the surface temperature from 200 to 120 in no time at
all!  Glass does not like rapid temperature changes.  It will stand up
to a lot of gradual temperature changes though.
        Well it should take a really long time for 5/8" of glass to
cool.  The following information  taken from Prof. Cummings' book on
fusing shows that a lot is time is needed to cool the glass.

12mm (1/2)
· Hold at AP +5 C.  for 30 mins.        +10F
· Reduce to SP -5 C. at 18 C/ hour      -10F
· Reduce next 50 C. at 36 C/ hour       100F at 72F
· Reduce to 60 C at 180 C/ hour         76F  at 360F
Ca. 7 hours

Now note how long it takes for something just twice as thick:

25mm (1 inch)
· Hold at AP +5 C.  for 90 mins.        +10F
· Reduce to SP -5 C. at 6 C/ hour       -10F
· Reduce next 50 C. at 12 C/ hour       100F at 24F
· Reduce to 60 C at 45 C/ hour          76F at 90F
Ca. 26 hours

What you are doing is between these two.  Generally, with each 1/8 inch
increase you double the time, so you have an exponential increase in
cooling time for linear increase in thickness.  In the data given here,
the thickness doubles but the annealing time and cooling times increase
by almost four times.  So for 5/8" glass I would hold at the annealing
point for 40 mins, and cool for the first segment at 30F per hour, and
the second at 60F / hour. The final cooling segment might go at 300F per
hour.  In all, the cooling will take about 8 or 9 hours.  The annealing
and cooling is the longest part of any fuse programme.

One thing you need with the cooling of glass is patience.  A long slow
cool is required, and cannot be too slow (within limits, of course).

I'm guessing here, so I may be wrong.  But I don't see any annealing or
cooling schedule in your comments.  I think your glass has a lot of
stress in it.  You can check with a couple of polarising light filters.
Put one down over a light source, place the glass on top.  Use the other
on top of the glass, and rotate it until there is almost no light
showing.  Any stress will show up as a glow of light around the stressed
part.


>
>Do you think people could put these in the dishwasher?  They are only float
>glass, not borosylicate (Pyrex), so I don't know how they'd take the rapid
>rise in temperature from the water.  Some are 6x6, and some 6x8 and 6x10,
>with feet made from the same glass.

        Try your freezer first. Glass becomes a little more brittle at
low temperatures.  If it breaks in the freezer, it is an easier clean up
than in the dishwasher.  I know from experience!  If it survives the
freezer, it will survive the dishwasher, unless you have super hot
cycles.
        If the resulting fused glass is still 5/8 inch rather than
closer to 1/4 inch, it will have a lot of strength and can stand up to a
lot of heat change, if it is gradual.
        Now I have the answer about one thing.  As you are using float
glass, you need to anneal it in the range 940F to 900F.  (some people
recommend the upper, some the lower part of this range.  You could be
safe and go for the middle)
        So you take the glass up to the fusing temperature, then set the
controller to let the temperature drop at 2000F per hour to 930F (I do
wish you all would go on to the Celsius measurement for temperatures!
Then I could put my calculator away.)  That is, 10 degrees above the
annealing point of 920F.  Hold at 930 for 40 mins, then reduce the
temperature at 30F per hour to 820F, no hold.  The next segment would
have the rate of advance at 60F per hour to 720F, no hold.  The final
segment would have the rate of advance at 300F per hour to 76F, no hold.
You will have seen my sample programme in the previous message showing
that although the rate of advance intuitively is up, it can also be a
negative rate of advance. So the above programme would take between 7 &
8 hours added to the heat up time.  Giving a 10-12 hour cycle for a
complete programme.

>
>OK - now another question.  About the alarm.  That is simply to tell you if
>the highest temperature is higher than what you've set the alarm to - either
>as a safety factor (the controller doesn't stop heating as it should) or to
>tell you you get down there RIGHT NOW to vent. ??
        I use the alarm to allow me to do other things until the kiln
has reached a temperature where I want to watch what is happening.  Once
I know what is happening with the glass, the mould, and the height of
the shelf, I no longer use the alarm for that set of conditions.
Watching what is happening is important when trying out something new,
like different glass, different moulds or different heating rates. etc.
So yes, you can use it as a safety measure, or as an indicator that you
need to do something now!
>
>And another question.  When I got it, they'd sent it with the shelf, of
>course, and the stilts were tall - a good 3 " so that the shelf was up quite
>a ways.  I went and got some 1" stilts so the shelf is now below the
>pyrameter (which is in the vent hole).  That's what I've been doing this run
>of glass with, since I thought the other would be way too close to the
>heating coils.  However, can you use the shelf that high?  Like for normal
>or thin layers, making jewelry or "panels" or some such?  Would it make much
>difference in how fast it fires - if you used all identical except the shelf
>height?
>
        Yes you can use the shelf at most heights that will keep the
glass at least a couple of inches away from the elements.  In one sense,
the closer the glass is to the elements, the greater the chance of
uneven heating, so the heating has to be slower.  
        In all cases the pyrometer has to be above the glass!  If the
pyrometer was below the shelf, it would read very cool temperatures,
although the area above the kiln was very hot.  The differential might
be as much as 400F or 500F.
        I am surprised that the manufacturer did not drill a hole
especially for the pyrometer.  It is useful to have it permanently
installed.  It is a delicate instrument and can be damaged by repeated
handling.  My pyrometer is about 1" down from the top (and only)
elements in the kiln.  Never, never fire the kiln with the pyrometer
below the shelf.  It will overheat, and over fire whatever you have put
into the kiln.  The pyrometer is intended to record the temp. in the
main part of the chamber.  If your pyrometer is really so low, get out
your drill.  Figure out how thick the bricks are (or how far down from
the top they are, add 1 or 1 and 1/2 inch and drill a hole centrally
placed in the side of the kiln. Through the metal and the brick.  Go
slowly through the brick though.  Check with the manufacturer about
invalidating warranties before doing this.
        You will get different results from the same programme, if you
change the height of the shelf.  The higher the shelf, the hotter it is,
but is more likely to give uneven heating.  The lower the shelf, the
cooler it will be.  So if you normally fire on 1" kiln posts, but for a
change put the shelf on the floor of the kiln, that inch will make quite
a difference to the result.  What formerly might have been a flat fuse,
might be only rounded or even just laminated.  The thickness of the
glass does not determine how high in the kiln the pieces should be
placed.
        There will be no difference in the speed of firing, just in the
results.
        Ideally, you want the shelf at a height where you can look into
the kiln through the peep hole in the door normally on front loading
kilns, and in the side for top opening kilns (I realise that I don't
know which yours is).  When you look through the peep hole, you should
be slightly above the shelf, so you can look on the glass as it is
heating.  In slumping you might need to adjust the shelf height a little
so you can see the full range of the slump from flat to fully formed.

>Thank you for all your help! - Cec
You are welcome.  I hope it is useful.

Steve


>
>Steve Richard wrote:
>
>> Cec,
>>         I understand you to have a DTC 800 controller.  I assume it is
>> the same as in the UK.  If so, you need to re-read the programming
>> instructions.
>>         My display shows rA 400 for the first rate of advance of 400
>> degrees per hour the target temperature is entered as 800.  This will
>> take about two hours.  The next entry is the time at which the
>> temperature is to be held at the target temperature - in your case 2
>> hours.  After two hours it will then go on to the rate of advance of 800
>> per hour until it reaches 1600, then it will hold (or soak) for three
>> hours.
>>
>>         Each segment has   elements:  rate of advance, target
>> temperature, hold (or soak) time.  The rate of advance can be negative
>> such as from 1600 to 800 by giving rate of advance as 2000 and the
>> target temp as 800.  The kiln will then attempt to go down from 1600 to
>> 800 at the rate of 2000 degrees per hour (i.e., as fast as possible)
>>
>> In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
>> <cecnralph@home.com> writes
>> >OK - now I'm really confused.  I entered a 2 segment program.
>> >
>> >Seg 1  at a rate of 400 for temp 800 in 2 hours  (vented 1st half hour)
>> >Seg 2  at a rate of 800 for temp 1600 in 3 hours
>> >
>> >At least, that's what I thought I'd told it.  What I expected was that
>> >after 1 hour the temp would be around 400, and after 2 hours it would be
>> >800.  If it hit 800 before the 2 hours were over, it would hold at that
>> >temp.
>> >
>> >Then it would heat 800 degrees on up to 1600 in however long it takes
>> >(which is actually probably close to 2 and a half hours), and if it
>> >reached that, it would soak till the 3 hrs was over.
>> The time the kiln would take to get from 800 to 1600 at 800 per hour is
>> an hour, if there were no heat sinks in the kiln (there are of course -
>> the bricks and material in the kiln)  The soak is the time at the target
>> temperature, however long it takes to get there.  So, in one sense you
>> are making this more difficult for yourself, by trying to calculate how
>> long it will take the kiln to achieve the target temperature.  You don'
>> need to the controller does it for you.
>> >
>> >What seemed to happen was that it heated (while I vented) and it was
>> >about 300 at the end of the half hour (doesn't seem to be able to heat
>> >any higher when venter).  I checked it after an hour and it was around
>> >500 and still going up.  However after another hour and a half I
>> >rechecked, and it had reached and was holding 800, - and showing there
>> >was an hour and a half to go!!!!
>> So this shows that the kiln heated to 800 in two hours, just as you
>> asked it to do.  And then it began to soak for the two hours.  If you
>> didn't want it to soak at 800 at all, you need to enter 0 minutes for
>> the soak.  This means that it will then go straight on to the next
>> segment.
>> >
>> >What I expected was that it would hold until the end of a total 2 hours
>> >and then kick into the 2nd segment.  Not so - It seemed to not count the
>> >time it took to ramp up to the 800, and then intended to soak at 800 for
>> >two hours.  ???   So I told it to skip and it went into the 2nd segment.
>> >
>> >So I guess I've totally misunderstood what the thing is doing?  I
>> >thought I was telling it to ramp at a rate of A per hour for X hours,
>> >and if it hit the upper bound B, to hold for the remaining time.
>> >Instead it seems to be ramping at a rate of A per hour and then soaking
>> >for X hours whenever it hits the upper bound B.
>> >
>> >Is this what really happens?  This makes a vast difference in the
>> >handling of the glass!!!  -- Perplexed Cec
>> >
>> Yes the controller controls the rate of heating (or cooling) to what you
>> determine.  You decide how long the glass is to be soaked at the target
>> temperature.
>>
>>         What you are trying to do with the ramping is to heat the glass
>> slowly (under 700 per hour) to the annealing point, and then faster to
>> the target fusing/slumping/painting temperature (possibly hold there for
>> a while), and then cool rapidly to the annealing temp., hold there a
>> while, and control the cooling from there to room temperature.
>>         So you might have a programme of the following sort:
>>         (temps in F)
>>
>> S1   rA=600     Target temp.=1100       soak=0
>> S2   rA=1000    Target temp.=1650       soak 10 mins
>> S3   rA=2000    Target temp.=1105       soak 15 mins
>> S4   rA=80      Target temp.=1000       soak=0
>> S5   rA=160     Target temp.=900        soak=0
>> S6   rA=600     Target temp.=400        soak=0
>> Alarm 3333
>> Delay=000
>>
>> Note: after 400F the kiln cools really slowly, so there is no reason to
>> run the controller, unless you are doing really big things, that require
>> much slower rates of cooling.
>> Most fusing will require about 6 segments.  Fusing larger pieces often
>> require more segments.  Sometimes I wish I had more than 8 possible.
>>
>> I don't know if I am helping here or making things more difficult.
>>
>> Steve
>>
>> --
>> Steve Richard
>> Verrier Art Glass Ltd
>> s.richard@verrier-scotland.demon.co.uk
>
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Dec 14 07:22:29 2001
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cheryl Parrott <theglassparrott@hotmail.com>
Subject: Re: wholesale
Date: Thu, 13 Dec 2001 21:25:32 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@hotmail.com>>
Precedence: bulk

This sounds very exciting, Cheryl.

One comment you make worries me. And you must check it out before
signing contracts, etc.  In this paragraph you mention the author of the
pattern.  If what you are doing is from the pattern book or in
significant ways is equivalent, you need to get the author's permission
to make a business out of the results of the patterns.  Perhaps, a
licence agreement between the author and your self could be negotiated.
In any case, any contract you sign will almost certainly have a clause
requiring you to certify that the work is entirely yours and free from
any copyright claims.
        Once you have checked this out - go for it!
>I wholesaled 44 of the snowflakes to a Molbaks a local specialty shop here 
>in the Seattle area.  In three weeks 41 of them sold.  It has been pretty 
>exciting.  Especially considering that Maltby Stained Glass owned by   the 
>author of the snowflake pattern books is only ten miles from Molbaks.


Steve

In message <1970Jan1.000.0@hotmail.com>, Cheryl Parrott
<theglassparrott@hotmail.com> writes
>I have found myself in an exciting position of possiblly having thousands of 
>dollars worth of wholesale orders for stained glass items I have created.  A 
>shop owner of a very elite store in the Fashion Show Mall in Las Vegas is 
>interested in my pieces.  She will be calling me tomorrow.  My sister lives 
>in Las Vegas and was talking to the shop owner last week and had mentioned 
>my pieces and how well they had been selling in the Seattle area.  The shop 
>owner asked to see some of my work so...today my sis took some of my work in 
>for her to see.  Apparently the shop owner fell in love with everything.  
>These are not cheap pieces.  I have a beautiful line of boxes with 
>decorative solder work.  I have never seen anyone do the type of pieces I am 
>selling.  In addition to that I have several very large snowflakes which I 
>designed.  The pieces sell between $84 and $250.
>
>I wholesaled 44 of the snowflakes to a Molbaks a local specialty shop here 
>in the Seattle area.  In three weeks 41 of them sold.  It has been pretty 
>exciting.  Especially considering that Maltby Stained Glass owned by   the 
>author of the snowflake pattern books is only ten miles from Molbaks.
>
>The owner of the Las Vegas store will be calling tomorrow.  She wants to 
>have an exclusive for Las Vegas.  Has anyone dealt with wholesale orders and 
>exclusives.  Typically how much should I ask for as a down payment?  What 
>should the exclusive entail?
>
>the next question... piece work.  I am going to need help.  How do you go 
>about getting someone to help.  I would like someone to do all the copper 
>foiling.  Someone to do the cleaning and polishing.. etc.
>
>Also,  does anyone have a rep to help sell their pieces?  I'd love some 
>input on that too!
>
>This has been an exciting month watching my glass fly out of the store and 
>now to have an exclusive shop with a lot of potential interested in my 
>pieces.  I started to cry today when I got the call.
>
>I'd love all your input and advice.
>
>Thanks,
>Cheryl Parrott
>The Glass Parrott
>
>
>_________________________________________________________________
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>
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Dec 14 07:31:33 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: christmas ornament ideas
Date: Fri, 14 Dec 2001 09:19:22 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by "Larry ."
>I have made them holly leaves with glass bead berries... and I've made
them =

Christmas balls from stained glass...
Does anyone have any really cute and fairly simple ornament patterns?<

Cut out small circles in various cathedral colored glass, and acid etch
angels into them.  Circle with wide copper foil.  Glue a jewelry cap on t=
op
& thread that with fishing line.  Voila...stained glass ornament.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Fri Dec 14 08:06:45 2001
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From: mmam5@doorpi.net
To: cecnralph@home.com
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Subject: Re: Patterns
Date: Fri, 14 Dec 2001 10:00:25 EST
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Ok - I see what you're saying. Thanks Cec and Elizabeth! This is a
pattern that someone else (studio) may/may not be making. It goes
along with the 3'x4' panel I was asking about shipping previously.
They're still building the home, so there is time to decide which way
they'd like to go. Locally made or far away and shipped. . .

I'm really enjoying this wonderful group of people and all your ideas
and input! Thanks bunches!

Marci
Martin Designs


<<< Marci - you have really answered your own question here! :-)
Work out how long it takes to do by timing yourself and charge them
your usual hourly rate plus a 'profit' for the design idea.  EliZabeth
in Bournemouth>>>>>

<<<< Cecily & Ralph Wood wrote:

Depends.  Do you intend to keep the copyright and rights to reuse the
design? Or are you selling them all rights to use the design not just
one or more windows but for them to turn around and sell the design? 
You need to be careful how you word the "sale".  If you intend to keep
the rights to the design, then you are charging them a fee for
designing, you are not sellling the design. . . - Cec>>>>


> Marci wrote:
> 
> > ha ha  - -I guess I should be more specific -  I have someone
> who wants to
> > commission just a pattern for a full size window. I like sharing
> patterns



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From owner-glass Fri Dec 14 12:31:25 2001
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From: "Cheryl Parrott" <theglassparrott@hotmail.com>
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Subject: wholesale
Date: Fri, 14 Dec 2001 10:01:50 -0800
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thank you all for your input regarding the wholesale orders plus all your 
kudos!

Christie,  I deleted my inbox by mistake.  Were you the one who has the rep? 
  I have questions regarding a rep and piece work.

Cheryl

_________________________________________________________________
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From owner-glass Fri Dec 14 19:56:28 2001
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From: "Marci" <mmam5@doorpi.net>
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Subject: Re: christmas ornament ideas
Date: Fri, 14 Dec 2001 21:27:08 -0600
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They sound really pretty! 

Marci

----- Original Message ----- 
From: "Sherry Greer" <texpenguin@yahoo.com>
To: <createglass@hotmail.com>; <glass@bungi.com>
Sent: Thursday, December 13, 2001 8:59 PM
Subject: Re: christmas ornament ideas


> I've been using irridescent clear crackle glass and freehanding icicle
> ornaments.  You get a ton out of a craft size sheet of glass.  I've
> just been grinding the edges smooth and leaving them unfoiled, and then
> wrapping decorative jewelry wire around the top as the hanger (with a
> spiral or curly q or two).  Very quick and cheap.  I plan to sell mine
> at a craft sale Saturday.  Will let you all know how they go over!  At
> least I finally found a use for that coated copper jewelry wire that
> doesn't solder!
> Sherry
> 
> 
> =====
> Sherry Greer
> texpenguin@yahoo.com
> 
> __________________________________________________
> Do You Yahoo!?
> Check out Yahoo! Shopping and Yahoo! Auctions for all of
> your unique holiday gifts! Buy at http://shopping.yahoo.com
> or bid at http://auctions.yahoo.com
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> 

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From owner-glass Mon Dec 17 01:32:18 2001
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From: Claire Fuller <ClaireF@writingmachine.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
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Date: Mon, 17 Dec 2001 09:06:03 -0000
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In a recent email about Christmas ornaments Christie mentioned acid etching.
Can anyone (or Christie) explain more about what that is and how to do it? 

Thanks

Claire

Claire Fuller
Writing Machine
Tel: 01962841250
Fax: 01962 870558
www.writingmachine.com


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From owner-glass Mon Dec 17 04:40:23 2001
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hi everyone
i have a minor torch with hoses and regulators for sale for $250

i have not used it very much ... and have to move into an apartment, so i
need to sell it

i will take check, money order, visa or mastercard ...

please let me know

thank
debbie
debbiejo@worldnet.att.net


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From owner-glass Mon Dec 17 09:52:34 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Acid etching
Date: Mon, 17 Dec 2001 10:15:07 -0500
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Message text written by Claire Fuller
>In a recent email about Christmas ornaments Christie mentioned acid
etching.
Can anyone (or Christie) explain more about what that is and how to do it=
?<

It's SOOOOO EASY.  Purchase a small bottle of
Acid-Etch or Etch-All cream from your local stained
glass retail supplier.  Print out a nice design onto
some sort of contact paper or label paper.  I use
full-page white label paper which can be used in
my deskjet printer.  Then remove the backing from
the paper, put it onto the glass, and carefully cut out
the design using a very sharp exacto-type knife.
Follow the instructions on the etching cream (except
I always leave it on for 3 minutes instead of the 1 in
order to ensure a good smooth etch).  When you
rinse off the etching cream, the water will soften up
the label paper, which will just peel off.  Voila!
Etched glass.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Dec 17 15:16:04 2001
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X-Path: doorpi.net!mmam5
From: mmam5@doorpi.net
To: Ensembles@compuserve.com
Content-Type: text/plain
Subject: Re: Acid etching
Date: Mon, 17 Dec 2001 16:16:25 EST
Message-ID: <200112172116.fBHLGUs03334@mail1.netacc.net>
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WOW - that is easy!!

On Mon, 17 Dec 2001 10:15:07 -0500 "Christie A. Wood" wrote:

> Message text written by Claire Fuller
> >In a recent email about Christmas ornaments Christie mentioned
> acid
> etching.
> Can anyone (or Christie) explain more about what that is and how
> to do it=
> ?<
> 
> It's SOOOOO EASY.  Purchase a small bottle of
> Acid-Etch or Etch-All cream from your local stained
> glass retail supplier.  Print out a nice design onto
> some sort of contact paper or label paper.  I use
> full-page white label paper which can be used in
> my deskjet printer.  Then remove the backing from
> the paper, put it onto the glass, and carefully cut out
> the design using a very sharp exacto-type knife.
> Follow the instructions on the etching cream (except
> I always leave it on for 3 minutes instead of the 1 in
> order to ensure a good smooth etch).	When you
> rinse off the etching cream, the water will soften up
> the label paper, which will just peel off.  Voila!
> Etched glass.
> 
> Christie A. Wood
> Art Glass Ensembles
> Denton, TX
> ----
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From owner-glass Mon Dec 17 20:32:12 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Acid etching
Date: Mon, 17 Dec 2001 18:57:20 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<200112172116.fBHLGUs03334@mail1.netacc.net>>
Organization: Grendel Studio
Precedence: bulk

But do be careful - they are made to be easy to use, but they are still
strong chemicals.  Protect yourself, and don't let kids play with it. -
Cec

mmam5@doorpi.net wrote:

> WOW - that is easy!!
>
> On Mon, 17 Dec 2001 10:15:07 -0500 "Christie A. Wood" wrote:
>
> > Message text written by Claire Fuller
> > >In a recent email about Christmas ornaments Christie mentioned
> > acid
> > etching.
> > Can anyone (or Christie) explain more about what that is and how
> > to do it=
> > ?<
> >
> > It's SOOOOO EASY.  Purchase a small bottle of
> > Acid-Etch or Etch-All cream from your local stained
> > glass retail supplier.  Print out a nice design onto
> > some sort of contact paper or label paper.  I use
> > full-page white label paper which can be used in
> > my deskjet printer.  Then remove the backing from
> > the paper, put it onto the glass, and carefully cut out
> > the design using a very sharp exacto-type knife.
> > Follow the instructions on the etching cream (except
> > I always leave it on for 3 minutes instead of the 1 in
> > order to ensure a good smooth etch).  When you
> > rinse off the etching cream, the water will soften up
> > the label paper, which will just peel off.  Voila!
> > Etched glass.
> >
> > Christie A. Wood
> > Art Glass Ensembles
> > Denton, TX
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
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From owner-glass Tue Dec 18 07:21:31 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Acid etching
Date: Tue, 18 Dec 2001 09:58:12 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by INTERNET:Bubstah@aol.com
>I too use acid etching cream but instead of washing it down the drain, I=
 =

scrape the excess off with an old credit card and put it back into the ja=
r,

then I wash off the rest that is left on the glass before removing the =

contact paper.  The etch cream is too expensive to wash away when it is =

perfectly reusable. Hope this is helpful to you.<

I do the same thing.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Tue Dec 18 11:31:10 2001
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X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: <ClaireF@writingmachine.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Acid etching
Date: Tue, 18 Dec 2001 14:12:07 EST
Message-ID: <1970Jan1.000.0@aol.com>
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Just one more thing about acid etching,DON'T expect great results you cannot get a deep etch by leaving the cream on longer and you will only get a very light surface etch if thats what you are looking for that's great if you are looking for deeper etch you'll have to go to sandblasting for a better result and shading and 3-d.
Stan 
Beveler's Glass Studio
Cinti Ohio
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From owner-glass Tue Dec 18 13:30:45 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Claire Fuller <ClaireF@writingmachine.com>
Subject: Re: Acid etching
Date: Tue, 18 Dec 2001 09:23:25 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@writingmachine.com>>
Precedence: bulk

There is an article in a past issue of IGGA Newsletter that tells you in
some detail of etching with liquid hydrofluoric acid
Acid paste is a little less dangerous, but follows the same principles.

Steve
In message <1970Jan1.000.0@writingmachine.com>, Claire Fuller
<ClaireF@writingmachine.com> writes
>In a recent email about Christmas ornaments Christie mentioned acid etching.
>Can anyone (or Christie) explain more about what that is and how to do it? 
>
>Thanks
>
>Claire
>
>Claire Fuller
>Writing Machine
>Tel: 01962841250
>Fax: 01962 870558
>www.writingmachine.com
>
>
>_____________________________________________________________________
>This message has been checked for all known viruses by Star Internet
>delivered through the MessageLabs Virus Scanning Service. For further
>information visit http://www.star.net.uk/stats.asp or alternatively call
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Dec 18 15:00:40 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: john & kay <john@horsfieldwatford.demon.co.uk>
Subject: Re: Light Boxes
Date: Tue, 18 Dec 2001 18:18:30 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@horsfieldwatford.demon.co.uk>>
Precedence: bulk

I don't know if anyone has replied to you directly, but I haven't seen
anything on the bungi list.
        Somewhere in the archives are a few good messages on building a
light box.  It will be difficult to find though.

The principles are simple.  
You want to confine the light in white space with a strong translucent
top.
You can make a box without a top, fasten the fluorescent tube holders
(as much wattage as you can get into the space) into base of the box
(which you should paint matt white) and cover with 60% obscuring perspex
topped with 4mm window glass.  These should be fastened so that you can
get into the box to change the tubes.  Oh yes, you need ventilation
holes in the box to allow any heat to escape.  The 4mm glass is needed
to provide an unyeilding surface for cutting, the white perspex ensures
an even distribution of light.
        You can make the box as large as you want, but 610 by 610mm is
probably a practical maximum.

Steve

In message <1970Jan1.000.0@horsfieldwatford.demon.co.uk>, john & kay
<john@horsfieldwatford.demon.co.uk> writes
>Hi
>Just to introduce myself.
>
>My name is john Horsfield from Watford UK and i have just joined the list.
>
>I want to make a light box and wonder if anyone has any advice,
>specifications or templates.
>
>Thanks
>
>----
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Dec 21 09:01:25 2001
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From: "Sarah" <arasai@woh.rr.com>
To: <glass@bungi.com>
Subject: NG: Nice Quote
Date: Fri, 21 Dec 2001 10:22:39 -0500
Message-ID: <1970Jan1.000.0@woh.rr.com>
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A friend sent this to me, and I wanted to share it. She didn't know who the
quote is from.

A man who works with his hands is a laborer,
A man who works with his hands and head is a craftsman,
A man who works with his hands, head, and heart is an artist!

Merry Christmas to all!
Sarah


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From owner-glass Fri Dec 21 10:00:53 2001
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From: UserDusty@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Quote
Date: Fri, 21 Dec 2001 12:13:21 EST
Message-ID: <1970Jan1.000.0@aol.com>
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Hi all,

I agree Sarah.  My wife and I just want to wish all of you a Merry Christmas 
and a Happy New Year.  

Thanks for all your help,

Ken O.
Decorative Glass
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From owner-glass Fri Dec 21 12:00:53 2001
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: glass@bungi.com
Subject: Christmas
Date: Fri, 21 Dec 2001 11:38:19 PST
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Aloha,

Mele Kalikimaka e Hau'oli Makahiki Hou!

(Merry Christmas and a Happy New Year!)


-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Sat Dec 22 11:22:25 2001
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From: Lorley Oneyear <lorley@home.com>
To: glass@bungi.com
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Subject: business card holder
Date: Sat, 22 Dec 2001 10:49:34 -0700
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Anyone out there that has made business card holders, how do you finish the 
bottom of the holder? Do you just leave it and flat solder the bottom glass 
or do you glue felt on it or put rubber bumpers in the corners??? Does the 
plain glass scratch desk tops?

--=======4B1A4C80=======--

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From owner-glass Sat Dec 22 12:22:37 2001
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From: "Larry ." <createglass@hotmail.com>
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Subject: Many Thanks!
Date: Sat, 22 Dec 2001 19:06:52 +0000
Message-ID: <1970Jan1.000.0@hotmail.com>
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I realized I was negligent in thanking ALL of you that provided me with so 
many great ideas for Holiday ornaments.  I'm spending the weekend with my 
family, and they love their annual holiday ornaments.  Thanks for the many 
great ideas... I'll have ornament ideas for many holidays to come!

Happy holidays, all!
Larry

_________________________________________________________________
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From owner-glass Sat Dec 22 13:26:17 2001
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From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Christmas
Date: Sat, 22 Dec 2001 08:51:06 -0600
Message-ID: <1970Jan1.000.0@attbi.com>
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Same back at ya Glenna... Hope everyone here has a safe and happy holiday
season...

Byron...
Wells Glassworks

----- Original Message -----
From: "Glenna Rand" <gjr@bungi.com>
To: <glass@bungi.com>
Sent: Friday, December 21, 2001 1:38 PM
Subject: Christmas


>
> Aloha,
>
> Mele Kalikimaka e Hau'oli Makahiki Hou!
>
> (Merry Christmas and a Happy New Year!)
>
>
> --
> Glenna Rand
> gjr@bungi.com
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Sat Dec 22 16:03:02 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Lorley Oneyear" <lorley@home.com>,
Content-Type: text/plain;
Subject: RE: business card holder
Date: Sat, 22 Dec 2001 16:46:56 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<5.1.0.14.2.20011222104720.00acf8e0@mail>>
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i will finish the bottom.

i'll use sticky felt. or perferably rubber. dots or sheets (sheets can be
found at home depot in the rope and wire section). the holder will slide
around a bit when people pick use it, the rubber should hold it in place.


---Mike Savad



-----Original Message-----
From: Lorley Oneyear [mailto:lorley@home.com]
Sent: Saturday, December 22, 2001 12:50 PM
To: glass@bungi.com
Subject: business card holder


Anyone out there that has made business card holders, how do you finish the
bottom of the holder? Do you just leave it and flat solder the bottom glass
or do you glue felt on it or put rubber bumpers in the corners??? Does the
plain glass scratch desk tops?

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From owner-glass Sat Dec 22 16:30:57 2001
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X-Path: home.com!bobfuses
From: "Bob Duchesneau" <bobfuses@home.com>
To: "Lorley Oneyear" <lorley@home.com>,
Content-Type: text/plain;
Subject: Re: business card holder
Date: Sat, 22 Dec 2001 13:04:27 -0800
Message-ID: <1970Jan1.000.0@home.com>
References: <<5.1.0.14.2.20011222104720.00acf8e0@mail>>
Precedence: bulk

>> Anyone out there that has made business card holders, how do you finish
the
bottom of the holder? Do you just leave it and flat solder the bottom glass
or do you glue felt on it or put rubber bumpers in the corners??? Does the
plain glass scratch desk tops?<<

Something is necessary to prevent scratching. I like rubber bumpers. Felt
would be OK but the rubber feet make it non slip.

Bob in 92026


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From owner-glass Sun Dec 23 04:02:11 2001
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Subject: Re: Business Card Holders
Date: Sun, 23 Dec 2001 06:39:41 EST
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Hi All,

When I make my business card holders I also use the rubber bumpers.  Felt 
slides around to much.  Another thing if I'm just butting the corners 
together I'll cut a piece of wire or use ball chain in the outside corners. 
Using the wire I require less solder or using the ball chain I get I get a 
decorative edge.

Have a Merry Christmas,

Ken O
Decorative Glass 
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From owner-glass Sun Dec 23 08:03:57 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
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Subject: Re: business card holder
Date: Sun, 23 Dec 2001 09:39:49 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<5.1.0.14.2.20011222104720.00acf8e0@mail>>
Organization: Grendel Studio
Precedence: bulk

The day will come when that thingy just HAS to be washed.  Soggy felt that
takes forever to dry - eeeaaaauuuuuuuuuwww. - Cec

Lorley Oneyear wrote:

> Anyone out there that has made business card holders, how do you finish the
> bottom of the holder? Do you just leave it and flat solder the bottom glass
> or do you glue felt on it or put rubber bumpers in the corners??? Does the
> plain glass scratch desk tops?

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From owner-glass Sun Dec 23 10:36:02 2001
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Subject: Re: Business Card Holders
Date: Sun, 23 Dec 2001 11:16:11 -0700
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Do you use any other glue than the self sticking glue that is already on 
the rubber bumbers? Lorley/Phoenix





At 06:39 AM 12/23/2001 -0500, UserDusty@aol.com wrote:

>Hi All,
>
>When I make my business card holders I also use the rubber bumpers.  Felt
>slides around to much.  Another thing if I'm just butting the corners
>together I'll cut a piece of wire or use ball chain in the outside corners.
>Using the wire I require less solder or using the ball chain I get I get a
>decorative edge.
>
>Have a Merry Christmas,
>
>Ken O
>Decorative Glass
>----
>For subscription changes, please mail to: glass-request@bungi.com
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>
>
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<html>
<font size=3>Do you use any other glue than the self sticking glue that
is already on the rubber bumbers? Lorley/Phoenix<br><br>
<br><br>
<br><br>
At 06:39 AM 12/23/2001 -0500, UserDusty@aol.com wrote:<br><br>
<blockquote type=cite class=cite cite>Hi All,<br><br>
When I make my business card holders I also use the rubber bumpers.&nbsp;
Felt <br>
slides around to much.&nbsp; Another thing if I'm just butting the
corners <br>
together I'll cut a piece of wire or use ball chain in the outside
corners. <br>
Using the wire I require less solder or using the ball chain I get I get
a <br>
decorative edge.<br><br>
Have a Merry Christmas,<br><br>
Ken O<br>
Decorative Glass <br>
----<br>
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X-Path: hotmail.com!glassharpgallery
From: "Susan Hood" <glassharpgallery@hotmail.com>
To: glass@bungi.com
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Date: Sun, 23 Dec 2001 18:08:20 -0400
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Has anyone got patterns for picture frames of stained glass?  Is there a 
book out on them?  I have a student who wants to make some.  Thanks,
Susan Hood



_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

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From owner-glass Wed Dec 26 08:59:58 2001
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Happy Holidays
Date: Wed, 26 Dec 2001 10:47:20 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_0022_01C18DFA.B1A05620
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I hope all of you had a fantastic holiday!

Not sure about the rest of you, but my fingers are so sore from putting =
together Lego Kits, Matchbox track and barbie stuff, that it's going to =
be a chore to get any foiling done today!

Have a happy New Year and we'll be chatting with ya'll soon!!

Marci
Martin Designs

------=_NextPart_000_0022_01C18DFA.B1A05620
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I hope all of you had a fantastic=20
holiday!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Not sure about the rest of you, but my =
fingers are=20
so sore from putting together Lego Kits, Matchbox track and barbie =
stuff, that=20
it's going to be a chore to get any foiling done today!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Have a happy New Year and we'll be =
chatting with=20
ya'll soon!!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Marci</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Martin =
Designs</FONT></DIV></BODY></HTML>

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From owner-glass Fri Jan  4 12:20:52 2002
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Subject: Re: Ghost Town
Date: Wed, 2 Jan 2002 19:19:26 EST
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Hi All,

Where are all the Bungi People at?  I feel like I'm in a ghost town.  I hope 
everyone had a happy and safe New Year.

Ken O.
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From owner-glass Fri Jan  4 16:29:08 2002
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Subject: does this site still exist?
Date: Thu, 3 Jan 2002 20:05:20 EST
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how come its been so quiet. no questions and answers since before the new 
year.
of well-happy new year
sheila

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>how come its been so quiet. no questions and answers since before the new year.
<BR>of well-happy new year
<BR>sheila</FONT></HTML>

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From owner-glass Fri Jan  4 16:30:34 2002
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From: Suzanne Gunn <gunnx4@home.com>
To: UserDusty@aol.com
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Subject: Re: Ghost Town
Date: Fri, 04 Jan 2002 14:37:55 -0600
Message-ID: <1970Jan1.000.0@home.com>
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Organization: glassdancer
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Trying to get motivated to clean up my studio and get some work done.
Happy New Year~! :o)

Suzanne

UserDusty@aol.com wrote:
> 
> Hi All,
> 
> Where are all the Bungi People at?  I feel like I'm in a ghost town.  I hope
> everyone had a happy and safe New Year.
> 
> Ken O.
> ----
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From owner-glass Fri Jan  4 18:02:40 2002
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X-Path: doorpi.net!mmam5
From: mmam5@doorpi.net
To: UserDusty@aol.com
Content-Type: text/plain
Subject: Re: Ghost Town
Date: Fri, 04 Jan 2002 17:49:10 EST
Message-ID: <200201042249.g04MnFa21550@mail2.netacc.net>
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Thanks Ken! I thought maybe it was just me!  Maybe we're all winding down
from the holidays. . . 

Our Holiday up here in Wisconsin was nice - just a bit of snow and not too
cold! Santa thought we were all very good kids!

Working on a couple of stained glass projects. . .but missing the banter
between the group!

Take care!

Marci
Martin Designs
www.mmartindesigns.com

On Wed, 2 Jan 2002 19:19:26 EST UserDusty@aol.com wrote:

> Hi All,
> 
> Where are all the Bungi People at?  I feel like I'm in a ghost
> town.  I hope 
> everyone had a happy and safe New Year.
> 
> Ken O.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,	    please mail to: glass@bungi.com
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From owner-glass Fri Jan  4 20:28:33 2002
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X-Path: yahoo.com!milana12351
From: milana12351@yahoo.com
To: glass@bungi.com
Content-Type: multipart/mixed; boundary=6014664.1009912159340.JavaMail.Default.cb464714-a
Subject: Furnished Office For Rent (close to O'Hare)
Date: Tue, 1 Jan 2002 13:09:19 -0600 (CST)
Message-ID: <1970Jan1.000.0@yahoo.com>
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--6014664.1009912159340.JavaMail.Default.cb464714-a
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Furnished office for rent.
Bensenville, IL, close to O'Hare, I-290.
Over 650 sq ft.
Professional building.
Main level access.
Plenty of free parking.
Centrail air and heating with indoor thermostat.
Large windows.
$675/month includes utilities (heating, water, A/C) except electricity for lighting and outlets. 
Fully wired and hooked up to the Internet (512 Kbps symmetrical). 


Please, schedule an appointment or contact us for a floor plan
fax: 253-663-3690
email: offices_for_rent@yahoo.com



--6014664.1009912159340.JavaMail.Default.cb464714-a--


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From owner-glass Sat Jan  5 00:31:59 2002
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Been working hard on new projects, hoping to place suncatchers in local =
mall.  Wish me luck. Miss C

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<HTML><HEAD>
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</HEAD>
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<DIV><FONT size=3D2>Been working hard on new projects, hoping to place =
suncatchers=20
in local mall.&nbsp; Wish me luck. Miss C</FONT></DIV></BODY></HTML>

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From owner-glass Sat Jan  5 02:00:51 2002
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X-Path: yahoo.com!agacic
From: Alex Gacic <agacic@yahoo.com>
To: glass@bungi.com
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Subject: Glass blowing
Date: Fri, 4 Jan 2002 18:48:43 -0800 (PST)
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Hi Everyone

I'm a stained glass hobbyist, and it seems the friends
I gave small copper foil gifts to, really appreciated
them.  It's nice to make something unique and specific
to a particular person.

I don't have a lot of money or time, but I sure would
like to try out and experiment with glass blowing.  Is
a local studio the only way to get started with glass
blowing?  Unfortunately there are no glass blowers
within my driving range.  Any advice would be
appreciated.

Thanks and hope everyone has a great year.

Alex Gacic
Shalimar, Florida

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From owner-glass Sat Jan  5 16:02:37 2002
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
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Subject: full spectrum lights
Date: Sat, 05 Jan 2002 16:07:44 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

Some time ago (years?) we had a discussion about light sources, and when
I suggested grow lights I was batted down good, and made to understand
they lacked quite a bit.  Ott lights were suggested.  You can now buy
Ott lights (JoAnn's shops and other crafts places) - especially the
desktop kinds, and I have one and it is nice - but expensive.  A floor
light from Ott costs around $150m but they are hard to find, as are the
long fluorescent ones for ordinary shop lights.

There is a new "full spectrum" light out that is being promoted fairly
heavily, and its floor light costs about $130.  Not a lot less money,
but maybe it will be easier to acquire.  The desk ones are about the
same price as the Ott.  Those of you who are really knowedgable about
lighting - is it comprable?  They are called Easy-Eye Lamps and the bulb
itself is sort of a 4 pronged fluorescent thingy, and they, too, promise
long life and cool bulbs (which I take it go together). - ever curious -
Cec

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From owner-glass Sat Jan  5 17:32:56 2002
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X-Path: home.com!bobfuses
From: "Bob Duchesneau" <bobfuses@home.com>
To: "Alex Gacic" <agacic@yahoo.com>,
Content-Type: text/plain;
Subject: Re: Glass blowing
Date: Sat, 5 Jan 2002 07:44:59 -0800
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@yahoo.com>>
Precedence: bulk

>>I don't have a lot of money or time, but I sure would
like to try out and experiment with glass blowing.  Is
a local studio the only way to get started with glass
blowing?  Unfortunately there are no glass blowers
within my driving range.  Any advice would be
appreciated.<<

You might try your hand at blowing small Pyrex glass pieces as sometimes seen at
fairs. The entry cost is small. Most libraries will have a book or three on the
subject.

Bob in 92026

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From owner-glass Sat Jan  5 17:49:03 2002
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From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
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Date: Sat, 5 Jan 2002 08:26:53 -0600
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Hey Sheila...

Things always get quiet this time of year on the lists... Everyone works =
so hard all year long they just fall out after xmas from exhaustion I =
think... I stay busy year round so I am never around much but others do =
a lot of gift type items and rush to get orders filled and are just wore =
out...

Byron...
Wells Glassworks

  ----- Original Message -----=20
  From: Shecharlie@aol.com=20
  To: glass@bungi.com=20
  Sent: Thursday, January 03, 2002 7:05 PM
  Subject: does this site still exist?


  how come its been so quiet. no questions and answers since before the =
new year.=20
  of well-happy new year=20
  sheila=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey Sheila...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Things always get quiet this time of =
year on the=20
lists... Everyone works so hard all year long they just fall out after =
xmas from=20
exhaustion I think... I stay busy year round so I am never around much =
but=20
others do a lot of gift type items and rush to get orders filled and are =
just=20
wore out...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Byron...<BR>Wells =
Glassworks</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:Shecharlie@aol.com"=20
  title=3DShecharlie@aol.com>Shecharlie@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
href=3D"mailto:glass@bungi.com"=20
  title=3Dglass@bungi.com>glass@bungi.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, January 03, =
2002 7:05=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> does this site still=20
exist?</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>how come =
its been so=20
  quiet. no questions and answers since before the new year. <BR>of =
well-happy=20
  new year <BR>sheila</FONT> </FONT></BLOCKQUOTE></BODY></HTML>

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From owner-glass Sun Jan  6 02:29:14 2002
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
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Subject: Does this site exist?
Date: Sun, 6 Jan 2002 09:52:57 +0000
Message-ID: <1970Jan1.000.0@stainedglass.co.uk>
Precedence: bulk

Surely the best way to 'resurrect' this mail list woould be to raise a glass
point or question rather than to just ask 'is anyone there?' or complain
there are no messages!!
Hope all members had a good Christmas/holiday and are now enjoying getting
started on all their new projects for this year.
Regards
EliZabeth in Bournemouth

Bournemouth Stained Glass
http://www.stainedglass.co.uk

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From owner-glass Sun Jan  6 03:30:28 2002
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From: UserDusty@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Glass Blowing
Date: Sun, 6 Jan 2002 06:01:47 EST
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Hi all,

Nice to see postings again on Bungi.  I hope everyone had a Merry Christmas 
and a Happy New Year.  In Delphi's catalog there is an item called the Murphy 
Fire Bucket.  It looks like a small glass blowing setup.  You might be able 
to see it on their online catalog.  The web address is www.delphiglass.com. 
You might also try the artglass World site.  That address is 
www.artglassworld.com.

Good luck,

Ken O.
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From owner-glass Sun Jan  6 10:01:12 2002
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X-Path: webtv.net!mim111
From: mim111@webtv.net
To: Glass@bungi.com
Content-Type: Text/Plain; Charset=US-ASCII
Subject: angles
Date: Sun, 6 Jan 2002 12:38:23 -0500 (EST)
Message-ID: <1970Jan1.000.0@webtv.net>
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Can I cut glass at a 45@ angle and then continue with a straight
vertical cut?  Can it be done in one piece or does it need to be two?

Made a design myself and now wonder if I "goofed"

Mary

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                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   From owner-glass Sun Jan  6 12:00:33 2002
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m16NIxL-0000Nka@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 11:27:43 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: northlights.co.uk!toby
From: "Toby" <toby@northlights.co.uk>
To: "Alex Gacic" <agacic@yahoo.com>
Content-Type: text/plain;
Subject: Re: Glass blowing
Date: Sun, 6 Jan 2002 19:16:28 -0000
Message-ID: <1970Jan1.000.0@northlights.co.uk>
References: <<1970Jan1.000.0@yahoo.com>>
Precedence: bulk

Try and do what I did.
I contacted  companies that manufacture laboratory glass, glass tubes etc
and asked if they run hobbyist's courses. One of them did; one day a week
for 6 weeks. I joined and had a great time.
We started by blowing pyrex glass, then experimented with all sorts of other
glass. It was good fun and not expensive.
I'm sure that some enterprising companies in USA do likewise. Have a go!
EliSabeth 'n Toby in UK



> Hi Everyone
>
> I'm a stained glass hobbyist, and it seems the friends
> I gave small copper foil gifts to, really appreciated
> them.  It's nice to make something unique and specific
> to a particular person.
>
> I don't have a lot of money or time, but I sure would
> like to try out and experiment with glass blowing.  Is
> a local studio the only way to get started with glass
> blowing?  Unfortunately there are no glass blowers
> within my driving range.  Any advice would be
> appreciated.
>
> Thanks and hope everyone has a great year.
>
> Alex Gacic
> Shalimar, Florida
>
> __________________________________________________
> Do You Yahoo!?
> Send FREE video emails in Yahoo! Mail!
> http://promo.yahoo.com/videomail/
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>
>

----
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From owner-glass Sun Jan  6 14:25:07 2002
Return-Path: <owner-glass>
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	id <m16NKv2-0000ERa@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 13:33:28 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: mim111@webtv.net, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: angles
Date: Sun, 06 Jan 2002 15:30:17 -0600
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@webtv.net>>
Organization: glassdancer
Precedence: bulk

You can do little tricks with lead to make it appear you have a sharper
angle than you really have.  You can cut the glass with a curve, then
lead it in such a way as to look like you have a sharp angle.

This way you have less chance of the glass breaking.

Suzanne

mim111@webtv.net wrote:
> 
> Can I cut glass at a 45@ angle and then continue with a straight
> vertical cut?  Can it be done in one piece or does it need to be two?
> 
> Made a design myself and now wonder if I "goofed"
> 
> Mary
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Sun Jan  6 15:30:45 2002
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m16NMfk-0000Mda@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 15:25:48 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: <mim111@webtv.net>,
Content-Type: text/plain;
Subject: RE: angles
Date: Sun, 6 Jan 2002 16:53:41 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@webtv.net>>
Precedence: bulk

it depends on how small a piece it is. the most likely result is that the
glass will not break were you want it. plus if it does, it would probably
break in the corner anyway... a band saw would work though.


---Mike Savad


-----Original Message-----
From: mim111@webtv.net [mailto:mim111@webtv.net]
Sent: Sunday, January 06, 2002 12:38 PM
To: Glass@bungi.com
Subject: angles



Can I cut glass at a 45@ angle and then continue with a straight
vertical cut?  Can it be done in one piece or does it need to be two?

Made a design myself and now wonder if I "goofed"

Mary

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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

----
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Archives available at http://www.bungi.com/glass

From owner-glass Sun Jan  6 16:30:34 2002
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m16NNXK-0000Mna@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 16:21:10 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: ct2.nai.net!shad
From: Family Account <shad@ct2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Ghost list
Date: Sun, 06 Jan 2002 19:19:24 -0500
Message-ID: <1970Jan1.000.0@ct2.nai.net>
Precedence: bulk

Heck, I've done my best to be comatose since Christmas...but it ain't
working.  I delivered two panels just before Christmas, have one to
finish, just sold something out of stock, am trying to get on
inventory....and my business computer just went down.  You know, the one
with the Access program I've been working on to handle inventory.  We
should know the damage on that by tomorrow.  (We know the hard drive is
okay, thank goodness!)  And yeah, the files are backed up as Excel
files, but Access queries, etc were still works-in-progress.

Ah, well....Anyone have any good ideas for on octagon window that I hope
to display at a little local art show?  I'm not feeling too creative
right now and I need to draw up an original design.

And yesterday was just a loss, since it was the day of the
UConn-Tennessee women's basketball game.  Regular life pretty much stops
around here on that day.

Dorothy in Connecticut


----
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From owner-glass Sun Jan  6 16:54:42 2002
Return-Path: <owner-glass>
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	via smail with stdio
	id <m16NNwI-0000O9a@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 16:46:58 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: northlights.co.uk!toby
From: "Toby" <toby@northlights.co.uk>
To: <UserDusty@aol.com>
Content-Type: text/plain;
Subject: Re: Ghost Town
Date: Sun, 6 Jan 2002 19:19:36 -0000
Message-ID: <1970Jan1.000.0@northlights.co.uk>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

.......working hard on commissions, getting the house back together again
(after a fire in the summer), cleaning smoke damaged books (7 crates left),
looking after Toby 'n Meric and teaching.....
EliSabeth 'n Toby in UK



> Hi All,
>
> Where are all the Bungi People at?  I feel like I'm in a ghost town.  I
hope
> everyone had a happy and safe New Year.
>
> Ken O.
> ----

>
>

----
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Archives available at http://www.bungi.com/glass

From owner-glass Sun Jan  6 17:30:37 2002
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	id <m16NOFy-0000PKa@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 17:07:18 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: neb.rr.com!Marilyn
From: "Marilyn Peterson" <Marilyn@neb.rr.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Assistance 
Date: Sun, 6 Jan 2002 11:40:36 -0600
Message-ID: <1970Jan1.000.0@neb.rr.com>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0014_01C196A6.F5334500
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

First I want to thank all of you for the valuable assistance I have =
gained from this group over the last two years.  I received a Worden =
form and pattern for a Christmas present.  This is something I've not =
tried before and am wondering if members can offer some advice and =
lessons learned.  Thank you. =20

------=_NextPart_000_0014_01C196A6.F5334500
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>First I want to thank all of you for =
the valuable=20
assistance I have gained from this group over the last two years.&nbsp; =
I=20
received a Worden form and pattern for a Christmas present.&nbsp; =
This&nbsp;is=20
something I've not tried before and am wondering if members can offer =
some=20
advice and lessons learned.&nbsp; Thank you.&nbsp; =
</FONT></DIV></BODY></HTML>

------=_NextPart_000_0014_01C196A6.F5334500--

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Sun Jan  6 19:44:50 2002
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m16NPe4-0000OFa@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 18:36:16 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: tsn.cc!pauls
From: paul s <pauls@tsn.cc>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Glass Grinders...
Date: Mon, 07 Jan 2002 13:32:15 +1100
Message-ID: <5.0.2.1.0.20020107132854.009f4cd0@mail.tsn.cc>
Precedence: bulk

Hi Everyone,

I am contemplating buying a glass grinder and down here in australia, they 
are quite expensive, average appears to be around $300......(bearing in 
mind that our aussie dollar is only worth 50 cents to your US$)

I found one on the internet  at an australian supplier at around $230, 
which I assume would be a very basic beginners one.

Do you think there is much difference between cheaper and average ones, 
sure I know you only get what you pay for, but as a beginner, would a 
cheaper one suffice...?

Regards
Paul, from Aus.......

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Sun Jan  6 22:03:11 2002
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m16NSlg-0000Eaa@daver.bungi.com>
	for rglass-42; Sun, 6 Jan 2002 21:56:20 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: Family Account <shad@mail2.nai.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Ghost list
Date: Sun, 06 Jan 2002 19:06:22 -0600
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@ct2.nai.net>>
Organization: glassdancer
Precedence: bulk

Dorothy, 

Sounds pretty motivated to me.  I *have* been comatose since Christmas.
I just walk around my studio thinking, "I should be generating some
revenue".  Or "tomorrow Im gonna clean up in here".
Wish the glass fairies would come clean it for me, and then I could find
some space to work.

Suzanne

Family Account wrote:
> 
> Heck, I've done my best to be comatose since Christmas...but it ain't
> working.  I delivered two panels just before Christmas, have one to
> finish, just sold something out of stock, am trying to get on
> inventory....and my business computer just went down.  You know, the one
> with the Access program I've been working on to handle inventory.  We
> should know the damage on that by tomorrow.  (We know the hard drive is
> okay, thank goodness!)  And yeah, the files are backed up as Excel
> files, but Access queries, etc were still works-in-progress.
> 
> Ah, well....Anyone have any good ideas for on octagon window that I hope
> to display at a little local art show?  I'm not feeling too creative
> right now and I need to draw up an original design.
> 
> And yesterday was just a loss, since it was the day of the
> UConn-Tennessee women's basketball game.  Regular life pretty much stops
> around here on that day.
> 
> Dorothy in Connecticut
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
For subscription changes, please mail to: glass-request@bungi.com
To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Sun Jan  6 22:26:09 2002
Return-Path: <owner-glass>
Received: by daver.bungi.com
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	for rglass-42; Sun, 6 Jan 2002 22:02:16 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Glass blowing
Date: Sun, 6 Jan 2002 18:46:50 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Alex Gacic
>I don't have a lot of money or time, but I sure would
like to try out and experiment with glass blowing.  Is
a local studio the only way to get started with glass
blowing?  Unfortunately there are no glass blowers
within my driving range.  Any advice would be
appreciated.<

Since a local glass-blowing experience is not in
the works for you, how about trying your hand at
it by attending a workshop?  Several places do
weekend or week-long workshops to give people
a chance to try it out.

Christie A. Wood
Art Glass Ensembles
Denton, TX
----
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From owner-glass Mon Jan  7 01:28:59 2002
Return-Path: <owner-glass>
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	via smail with stdio
	id <m16NVuZ-0000MMa@daver.bungi.com>
	for rglass-42; Mon, 7 Jan 2002 01:17:43 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "paul s" <pauls@tsn.cc>,
Content-Type: text/plain;
Subject: RE: Glass Grinders...
Date: Sun, 6 Jan 2002 23:24:51 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<5.0.2.1.0.20020107132854.009f4cd0@mail.tsn.cc>>
Precedence: bulk

the only real difference between models is the surface area and the toys
that it comes with it.

my Wiz grinder from inland has a surface that's about 6-7" wide. came with a
triangle, 3/4 and 1/4 bit, and that's about it.

my Wizard has a surface of about 12" or so. came with a saftey shield, a
useless magnifing shield, 1", 1/4, and i think a speed bit. along with a few
other toys.

the motor is the same as far as i know.


---Mike Savad


-----Original Message-----
From: paul s [mailto:pauls@tsn.cc]
Sent: Sunday, January 06, 2002 9:32 PM
To: glass@bungi.com
Subject: Glass Grinders...


Hi Everyone,

I am contemplating buying a glass grinder and down here in australia, they
are quite expensive, average appears to be around $300......(bearing in
mind that our aussie dollar is only worth 50 cents to your US$)

I found one on the internet  at an australian supplier at around $230,
which I assume would be a very basic beginners one.

Do you think there is much difference between cheaper and average ones,
sure I know you only get what you pay for, but as a beginner, would a
cheaper one suffice...?

Regards
Paul, from Aus.......

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Jan  7 05:00:56 2002
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: paul s <pauls@tsn.cc>, Bungi Glass <glass@bungi.com>
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Subject: Re: Glass Grinders...
Date: Mon, 07 Jan 2002 07:31:43 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<5.0.2.1.0.20020107132854.009f4cd0@mail.tsn.cc>>
Organization: Grendel Studio
Precedence: bulk

I'd avoid Inland.  A disk grinder is nice, but by no means necessary, and
most regular grinders will be fine and last a long time.  If you mostly use
came, it may last you a lifetime.  If you are relatively new to glass and
foiling, it will have a harder life, but my instructor has some grinders that
have been thru the classes for years and years - way longer than anyone would
expect. - Cec

paul s wrote:

> Hi Everyone,
>
> I am contemplating buying a glass grinder and down here in australia, they
> are quite expensive, average appears to be around $300......(bearing in
> mind that our aussie dollar is only worth 50 cents to your US$)
>
> I found one on the internet  at an australian supplier at around $230,
> which I assume would be a very basic beginners one.
>
> Do you think there is much difference between cheaper and average ones,
> sure I know you only get what you pay for, but as a beginner, would a
> cheaper one suffice...?
>
> Regards
> Paul, from Aus.......
>
> ----
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From owner-glass Mon Jan  7 07:31:55 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Glass Grinders...
Date: Mon, 7 Jan 2002 09:24:16 -0500
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Message text written by paul s
>I found one on the internet  at an australian supplier at around $230, =

which I assume would be a very basic beginners one.

Do you think there is much difference between cheaper and average ones, =

sure I know you only get what you pay for, but as a beginner, would a =

cheaper one suffice...?<

IMHO, starting out with a cheaper model is fine.  The more expensive ones=

feature faster/better motors (more RPMs) for smoother & faster grinding,
plus a larger work surface.  But you can do quite well on the cheaper
models.  Just be careful to not over-fill the water well.  Over-filling m=
ay
cause the water to leak out and down the drive shaft, and into the motor,=

causing electrical shorts and shocks when turning the on/off switch (voic=
e
of experience here).  Make sure you clean out your grinder frequently,
including cleaning out the inside of the grinder bits so that they go
on/off the drive shaft smoothly.  If you've been grinding for more than a=
n
hour, and the water is beginning to feel warm, STOP and change out the
water/glass debris.  Treat your grinder with respect and it will last a
long, long time and be trouble free.  Oh yes....just in case no one has
ever told you...that water/glass dust debris is NOT to be dumped down the=

drain.  It will clog up your pipes just like cement.  I keep a bucket
around and dump the waste water/glass debris into it and let the glass
debris settle into the bottom of the bucket before draining off the water=
. =

When the glass debris gets too much for the bucket, put the slurry into
coffee cans (with lids) and place in the solid waste trash.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Jan  7 08:02:21 2002
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From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: full spectrum lights
Date: Sun, 6 Jan 2002 09:39:56 -0600
Message-ID: <1970Jan1.000.0@attbi.com>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

The prob with grow lights is they give the type of light that's best for
growing plants but not the right spectrum for what we need..
Dunno about these Ott lights.. I use daylight and full spectrum tubes in my
shoplights.. LOTS of them! Seems the older I get the less I can see...

Byron...
Wells Glassworks

----- Original Message -----
From: "Cecily & Ralph Wood" <cecnralph@home.com>
To: "Bungi Glass" <glass@bungi.com>
Sent: Saturday, January 05, 2002 3:07 PM
Subject: full spectrum lights


> Some time ago (years?) we had a discussion about light sources, and when
> I suggested grow lights I was batted down good, and made to understand
> they lacked quite a bit.  Ott lights were suggested.  You can now buy
> Ott lights (JoAnn's shops and other crafts places) - especially the
> desktop kinds, and I have one and it is nice - but expensive.  A floor
> light from Ott costs around $150m but they are hard to find, as are the
> long fluorescent ones for ordinary shop lights.
>
> There is a new "full spectrum" light out that is being promoted fairly
> heavily, and its floor light costs about $130.  Not a lot less money,
> but maybe it will be easier to acquire.  The desk ones are about the
> same price as the Ott.  Those of you who are really knowedgable about
> lighting - is it comprable?  They are called Easy-Eye Lamps and the bulb
> itself is sort of a 4 pronged fluorescent thingy, and they, too, promise
> long life and cool bulbs (which I take it go together). - ever curious -
> Cec
>
> ----
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From owner-glass Mon Jan  7 08:19:57 2002
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From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Glastar
Date: Sun, 6 Jan 2002 09:36:10 -0600
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Hey all...

Anyone here using any Glastar upright polishers?   I just got a 12" model
and was wondering if I can turn the motor around so the wheels turn the
opposite way?  For years I've used an old Gemstone polisher and the wheels
rotate down towards the drip pan and most of the mess goes into the pans...
These glastar units rotate so all the mess goes upand all over the
place...Any thoughts? I've built a shield to catch some of it but am still
not real happy...

Byron...
Wells Glassworks

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From owner-glass Mon Jan  7 08:31:57 2002
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From: Dan Terrill <dterrill@Corpit.com>
To: glass@bungi.com
Content-Type: text/plain;
Subject: RE: Glastar
Date: Mon, 7 Jan 2002 11:25:59 -0500 
Message-ID: <1970Jan1.000.0@Corpit.com>
Precedence: bulk

umm, I'm a bit out of my depth here, but can't you just reverse the polarity
to the motor to change it's direction? 

> -----Original Message-----

> Anyone here using any Glastar upright polishers?   I just got 
> a 12" model
> and was wondering if I can turn the motor around so the 
> wheels turn the
> opposite way?  For years I've used an old Gemstone polisher 
> and the wheels
> rotate down towards the drip pan and most of the mess goes 
> into the pans...
> These glastar units rotate so all the mess goes upand all over the
> place...Any thoughts? I've built a shield to catch some of it 
> but am still
> not real happy...
> 
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From owner-glass Mon Jan  7 09:02:35 2002
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From: Cecily & Ralph Wood <cecnralph@home.com>
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Subject: sagging
Date: Sun, 06 Jan 2002 12:25:27 -0500
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Organization: Grendel Studio
Precedence: bulk

When sagging (glass, not me - I do that anyway), should I coat both
sides with devit (borax solution?)  Thanks - Cec

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From owner-glass Mon Jan  7 09:32:25 2002
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Subject: problem with glass pulling away from came
Date: Mon, 7 Jan 2002 12:02:35 EST
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--part1_28.2026133e.296b2eab_boundary
Content-Type: text/plain; charset="US-ASCII"
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im having a problem with glass thats pulling away from the came after it is 
hung for awhile. i have stretched the came and cannot figure out why this is 
happening and what to do about it.
thanks for any help
sheila

--part1_28.2026133e.296b2eab_boundary
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>im having a problem with glass thats pulling away from the came after it is hung for awhile. i have stretched the came and cannot figure out why this is happening and what to do about it.
<BR>thanks for any help
<BR>sheila</FONT></HTML>

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From owner-glass Mon Jan  7 10:36:49 2002
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Subject: problem with glass pulling away from came
Date: Mon, 7 Jan 2002 12:02:35 EST
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im having a problem with glass thats pulling away from the came after it is 
hung for awhile. i have stretched the came and cannot figure out why this is 
happening and what to do about it.
thanks for any help
sheila

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>im having a problem with glass thats pulling away from the came after it is hung for awhile. i have stretched the came and cannot figure out why this is happening and what to do about it.
<BR>thanks for any help
<BR>sheila</FONT></HTML>

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From owner-glass Mon Jan  7 12:01:25 2002
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Subject: Yes, it was surely quiet...
Date: Mon, 7 Jan 2002 13:12:18 EST
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I was wondering, too,  if I was not getting the right mail, or if Margery, 
Christy , Ernie.etc. were not on this carrier any longer.  I don't get into 
chat, in fact, I have lost the nights it is open.  Hope all is well..and 
Happy New Year to all...and of course Merry Christmas to those who have 
Christmas today...
Nancy

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>I was wondering, too, &nbsp;if I was not getting the right mail, or if Margery, Christy , Ernie.etc. were not on this carrier any longer. &nbsp;I don't get into chat, in fact, I have lost the nights it is open. &nbsp;Hope all is well..and Happy New Year to all...and of course Merry Christmas to those who have Christmas today...
<BR>Nancy</FONT></HTML>

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From owner-glass Mon Jan  7 13:02:56 2002
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Subject: Looking to relocate
Date: Mon, 7 Jan 2002 14:41:09 EST
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Hello every one!

I'm looking to relocate in the New Orleans area.  Is anyone familiar with the 
market there as far as glass is concerned?  I just got back from there from 
my honeymoon and noticed that there aren't many homes there without glass art 
somewhere in it's adornment.

Any feed back would be appreciated!
Thanks
Melissa in Little Rock
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From owner-glass Mon Jan  7 13:12:52 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Octagon window design
Date: Mon, 7 Jan 2002 09:24:05 -0500
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Message text written by Family Account
>Ah, well....Anyone have any good ideas for on octagon window that I hope=

to display at a little local art show?  I'm not feeling too creative
right now and I need to draw up an original design.<

Why octagon?  Is it to be installed somewhere specific, such as a bathroo=
m
or closet?
Most of my designs for independant hanging panels to be sold at galleries=

and/or art
shows are oval designs.

Anyway...bevel clusters of doves or hummingbirds surrounded by leaves &
flowers is
simple and easy to do.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Jan  7 13:30:51 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: sagging
Date: Mon, 7 Jan 2002 13:32:48 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Cecily & Ralph Wood
>When sagging (glass, not me - I do that anyway), should I coat both
sides with devit (borax solution?)  Thanks - Cec<

Only if it's important to have a non-hazy surface on
both sides of the sagged item.  If you don't really
care about one side, then you don't have to use
the devit there.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Jan  7 13:31:23 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: problem with glass pulling away from came
Date: Mon, 7 Jan 2002 13:32:49 -0500
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Message text written by INTERNET:Shecharlie@aol.com
>im having a problem with glass thats pulling away from the came after it=

is =

hung for awhile. i have stretched the came and cannot figure out why this=

is =

happening and what to do about it.<

Do you also putty your panel and let it cure for at least a week before
hanging it?

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Jan  7 15:14:25 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: problem with glass pulling away from came
Date: Mon, 7 Jan 2002 18:08:29 -0500
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Message text written by INTERNET:Shecharlie@aol.com
>christie i should have been more specific. i'm talking about a round
picture =

. i do the copper foil method. thanks for your help.
sheila<

If you're doing the copper foil method, then you are not using came at al=
l.
 Unless you are framing your round copper-foiled panel inside some came. =

If that's the case, my question is still the same.  Are you puttying the
came?  What type of "came" are you using?  Lead?  Zinc?  Brass?  How are
you attaching the hanging hardware to the panel/frame?  How heavy/large i=
s
the panel?

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Mon Jan  7 15:30:53 2002
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X-Path: gjr
From: gjr@bungi.com (Glenna Rand)
To: Cecily & Ralph Wood <cecnralph@home.com>, Bungi Glass <glass@bungi.com>
Subject: Re: sagging
Date: Mon, 7 Jan 2002 15:15:06 PST
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[In the message entitled "sagging" on Jan  6, 12:25, Cecily & Ralph Wood writes:]
> When sagging (glass, not me - I do that anyway), should I coat both
> sides with devit (borax solution?)  Thanks - Cec

I would like to know more about "devit" too.
Where do you buy it?

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Mon Jan  7 18:31:26 2002
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Subject: Stained Glass & Woodwork..!!
Date: Sun, 06 Jan 2002 16:58:55 +1100
Message-ID: <5.0.2.1.0.20020106165557.009f1d90@mail.tsn.cc>
Precedence: bulk

Hi everyone,

I joined this site a few months back and asked a question, and got a few 
nice replies.

Just thought I may recycle the question again for any new ideas.

I have been doing woodwork for years, making furniture or anything really, 
and just recently started to do a course in stained glass.

I am presently working on small cedar jewellery boxes to incorporate my two 
interests, but does anyone have any new ideas on small projects that could 
be sold at the markets, wherein I can use both hobbies.

Thanks everyone,

Paul, (from Aus)

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From owner-glass Mon Jan  7 19:17:50 2002
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Cecily & Ralph Wood <cecnralph@home.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: full spectrum lights
Date: Mon, 7 Jan 2002 15:55:48 -0800 (PST)
Message-ID: <1970Jan1.000.0@slonet.org>
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Ced:  Uncovered flourescent lights are a health hazard.  They cause rapid
skin aging, depression, and in some cases skin cancer.  The full spectrum
flourescent light bulbs are better but they still contain the UV rays
which do all the damage.  If you can find a floor model haleogen lamp you
may be better off.  Of course, you want to be sure that nothing touches
the bulb since the heat from the lamp is really strong.  

Unless the Ott lamp tells you the flourescent bult is free from emiting UV
rays I would suggest you try something else.  Several incandescent lamps
may be a better answer.  PJ

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From owner-glass Mon Jan  7 19:29:51 2002
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain
Subject: FW: problem with glass pulling away from came
Date: Mon, 7 Jan 2002 13:03:41 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

it's gravity that's causing this. just because the came is stretched doesn't
mean that it can't stretch some more. all lead will stretch until it
eventually breaks unless you support it in some manner. you may need to use
some sort of reinforcement, either rebar on the back, perhaps using
reinforced lead came, or putting the panel inside of some type of frame
(wood, zinc, chain, etc). any would solve the problem.

regards,
charlie
phx, az

-----Original Message-----
From: Shecharlie@aol.com [mailto:Shecharlie@aol.com]
Sent: Monday, January 07, 2002 10:03 AM
To: glass@bungi.com
Subject: problem with glass pulling away from came


im having a problem with glass thats pulling away from the came after it is
hung for awhile. i have stretched the came and cannot figure out why this is
happening and what to do about it. 
thanks for any help 
sheila 
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From owner-glass Mon Jan  7 19:32:01 2002
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Glastar
Date: Mon, 7 Jan 2002 11:44:36 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
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that doesn't work on an ac motor. it probably doesn't have a dc motor, which
would work.

you'd have to make some sort of pulley system so you could twist the belt.

regards,
charlie
phx, az

> -----Original Message-----
> From: Dan Terrill [mailto:dterrill@Corpit.com]
> Sent: Monday, January 07, 2002 9:26 AM
> To: glass@bungi.com
> Subject: RE: Glastar
> 
> 
> umm, I'm a bit out of my depth here, but can't you just 
> reverse the polarity
> to the motor to change it's direction? 
> 
> > -----Original Message-----
> 
> > Anyone here using any Glastar upright polishers?   I just got 
> > a 12" model
> > and was wondering if I can turn the motor around so the 
> > wheels turn the
> > opposite way?  For years I've used an old Gemstone polisher 
> > and the wheels
> > rotate down towards the drip pan and most of the mess goes 
> > into the pans...
> > These glastar units rotate so all the mess goes upand all over the
> > place...Any thoughts? I've built a shield to catch some of it 
> > but am still
> > not real happy...
> > 
> ----
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> 
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From owner-glass Mon Jan  7 22:32:52 2002
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From: "Karen K" <giapet@softhouse.com>
To: "paul s" <pauls@tsn.cc>, <glass@bungi.com>
Subject: Re: Stained Glass & Woodwork..!!
Date: Tue, 8 Jan 2002 01:22:33 -0500
Message-ID: <1970Jan1.000.0@softhouse.com>
References: <<5.0.2.1.0.20020106165557.009f1d90@mail.tsn.cc>>
Precedence: bulk


napkin holders, game tables (checkers/chess), coat racks, decorative
shelves, wall files for bills, bird feeders.

Karen
giapet@softhouse.com


> Hi everyone,
>
> I joined this site a few months back and asked a question, and got a
few
> nice replies.
>
> Just thought I may recycle the question again for any new ideas.
>
> I have been doing woodwork for years, making furniture or anything
really,
> and just recently started to do a course in stained glass.
>
> I am presently working on small cedar jewellery boxes to incorporate
my two
> interests, but does anyone have any new ideas on small projects that
could
> be sold at the markets, wherein I can use both hobbies.
>
> Thanks everyone,
>
> Paul, (from Aus)
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>


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From owner-glass Tue Jan  8 00:03:45 2002
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From: "pikachu6" <pikachu6@ptd.net>
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Content-Type: multipart/alternative;
Subject: Re: Yes, it was surely quiet...
Date: Mon, 7 Jan 2002 21:29:04 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_0008_01C197C2.54B54520
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	charset="iso-8859-1"
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Hi, my name is Claudia, fairly new to bungi. Only working in stained =
glass a year, but trying to make a go of it. Been eves-dropping for a =
few weeks. Learning a lot about many things that i haven't even come =
across yet. (Been sticking with copper foil, ...have the fear of the =
lead came, but who knows may get into it with time.)  Mainly work on =
suncatchers, handmirrors and fanlamps, but this summer plan to close in =
16x24 deck  and put all stained glass windows in., will i ever be busy.  =
 Hope to become part of the bungi family of stained glass.
  ----- Original Message -----=20
  From: NJDKJD@aol.com=20
  To: glass@bungi.com=20
  Sent: Monday, January 07, 2002 1:12 PM
  Subject: Yes, it was surely quiet...


  I was wondering, too,  if I was not getting the right mail, or if =
Margery, Christy , Ernie.etc. were not on this carrier any longer.  I =
don't get into chat, in fact, I have lost the nights it is open.  Hope =
all is well..and Happy New Year to all...and of course Merry Christmas =
to those who have Christmas today...=20
  Nancy=20

------=_NextPart_000_0008_01C197C2.54B54520
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Hi, my name is Claudia, fairly new to bungi. Only =
working in=20
stained glass a year, but trying to make a go of it. Been eves-dropping =
for a=20
few weeks. Learning a lot about many things that i haven't even come =
across=20
yet.&nbsp;(Been sticking with copper foil, ...have the fear of the lead =
came,=20
but who knows may get into it with time.)&nbsp; Mainly work on =
suncatchers,=20
handmirrors and fanlamps, but this summer plan to close in 16x24 =
deck&nbsp; and=20
put all stained glass windows in., will i ever be busy.&nbsp;&nbsp; Hope =
to=20
become part of the bungi family of stained glass.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:NJDKJD@aol.com" =
title=3DNJDKJD@aol.com>NJDKJD@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
href=3D"mailto:glass@bungi.com"=20
  title=3Dglass@bungi.com>glass@bungi.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, January 07, 2002 =
1:12=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Yes, it was surely=20
quiet...</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>I was =
wondering, too,=20
  &nbsp;if I was not getting the right mail, or if Margery, Christy , =
Ernie.etc.=20
  were not on this carrier any longer. &nbsp;I don't get into chat, in =
fact, I=20
  have lost the nights it is open. &nbsp;Hope all is well..and Happy New =
Year to=20
  all...and of course Merry Christmas to those who have Christmas =
today...=20
  <BR>Nancy</FONT> </FONT></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0008_01C197C2.54B54520--

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From owner-glass Tue Jan  8 01:35:14 2002
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X-Path: home.com!bobfuses
From: "Bob Duchesneau" <bobfuses@home.com>
To: "Cecily & Ralph Wood" <cecnralph@home.com>,
Content-Type: text/plain;
Subject: Re: sagging
Date: Mon, 7 Jan 2002 22:23:49 -0800
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

>>When sagging (glass, not me - I do that anyway), should I coat both
sides with devit (borax solution?)  Thanks - Cec<<

I never coat glass that is to be sagged and do not have any devit problems
with glasses like Spectrum due to the temperatures reached, <1200'F, being
below the devit range of the glass.

Glass on the mold side does not devit because there is little air to foster
it. Anti devit spray on the shelf side leads to sticking of the glass.

Most anti devit sprays do not mature until having reached temperatures well
above most sagging programs. So........ the short answer is, do not use anti
devit spray on the mold side and rarely on the upper side when sagging.

Bob in 92026



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From owner-glass Tue Jan  8 03:13:22 2002
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From: "Bob Duchesneau" <bobfuses@home.com>
To: "Byron Wells" <byronw26@attbi.com>,
Content-Type: text/plain;
Subject: Re: Glastar
Date: Mon, 7 Jan 2002 22:10:47 -0800
Message-ID: <1970Jan1.000.0@home.com>
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Precedence: bulk

>>Anyone here using any Glastar upright polishers?   I just got a 12" model
and was wondering if I can turn the motor around so the wheels turn the
opposite way? <<

I have a Denver Studio Beveler that is upright and rotates up and away from
the user as the Glastar does. Up and away is a good thing if a piece of
glass is thrown as happens once in a while. It also directs the polish and
glass particles away from the users face.

I built a wooden box for the sides and back of the beveler and use a piece
of plastic light grid for the top. This catches most of the thrown water,
polish and glass particles as well as any thrown glass. The transparent top
lets a spotlight shine through so as to light the area being beveled.

Bob in 92026

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From owner-glass Tue Jan  8 06:03:23 2002
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain
Subject: FW: sagging
Date: Tue, 8 Jan 2002 06:41:47 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

bob has it correct. devit is crystallization of the surface of glass when
taken about annealing temps. the type of glass and final top temperature is
the determining factors. it is exhibited by a cloudiness or grayish scum on
the surface, and doesn't appear on the bottom of pieces unless you're doing
something like a drop ring where the bottom is exposed.

to eliminate it, you have to use some sort of flux on the top. one can buy
sprays that usually contain some amount of lead in them, or a borax solution
can be used. the borax solution can be made by adding a couple cups of borax
(20 mule team from the supermarket) to a gallon of distilled water. spray on
with a mouth atomizer or airbrush.

regards,
charlie
phx, az

-----Original Message-----
From: gjr@bungi.com [mailto:gjr@bungi.com]
Sent: Monday, January 07, 2002 4:15 PM
To: Cecily & Ralph Wood; Bungi Glass
Subject: Re: sagging


[In the message entitled "sagging" on Jan  6, 12:25, Cecily & Ralph Wood
writes:]
> When sagging (glass, not me - I do that anyway), should I coat both
> sides with devit (borax solution?)  Thanks - Cec

I would like to know more about "devit" too.
Where do you buy it?

-- 
Glenna Rand
gjr@bungi.com
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From owner-glass Tue Jan  8 06:33:12 2002
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From: "brown_gregory" <brown_gregory@msn.com>
To: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>,
Content-Type: text/plain;
Subject: Re: Glastar
Date: Mon, 7 Jan 2002 23:02:03 -0500
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It would work on a 3 phase ac motor..Yes?
Greg
----- Original Message -----
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: <glass@bungi.com>
Sent: Monday, January 07, 2002 1:44 PM
Subject: RE: Glastar


> that doesn't work on an ac motor. it probably doesn't have a dc motor,
which
> would work.
>
> you'd have to make some sort of pulley system so you could twist the belt.
>
> regards,
> charlie
> phx, az
>
> > -----Original Message-----
> > From: Dan Terrill [mailto:dterrill@Corpit.com]
> > Sent: Monday, January 07, 2002 9:26 AM
> > To: glass@bungi.com
> > Subject: RE: Glastar
> >
> >
> > umm, I'm a bit out of my depth here, but can't you just
> > reverse the polarity
> > to the motor to change it's direction?
> >
> > > -----Original Message-----
> >
> > > Anyone here using any Glastar upright polishers?   I just got
> > > a 12" model
> > > and was wondering if I can turn the motor around so the
> > > wheels turn the
> > > opposite way?  For years I've used an old Gemstone polisher
> > > and the wheels
> > > rotate down towards the drip pan and most of the mess goes
> > > into the pans...
> > > These glastar units rotate so all the mess goes upand all over the
> > > place...Any thoughts? I've built a shield to catch some of it
> > > but am still
> > > not real happy...
> > >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> >
> ----
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>

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From owner-glass Tue Jan  8 08:03:47 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Devit
Date: Tue, 8 Jan 2002 09:37:08 -0500
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Message text written by Glenna Rand
>I would like to know more about "devit" too.
Where do you buy it?<

Devit solution can be ordered/purchased from most
stained glass retail suppliers.  Many will not have it in
stock, but can order it in their next wholesale purchase.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Tue Jan  8 09:31:25 2002
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To: pauls@tsn.cc, glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Stained Glass & Woodwork..!!
Date: Tue, 8 Jan 2002 11:57:18 EST
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Paul,

I was at a nice craft show awhile back and someone was selling oak? cabinets 
with attractive stained glass panels inserted in the doors.  These cabinets 
looked like they were intended to go in the bathroom.

Also, I have seen catalogues that offer to sell coffee or end tables with a 
space to add a mosaic on the surface.  Surely a nice panel inserted in the 
top of a table would look nice.  You would have to come up with strong 
reinforcement under the glass and most likely some protection above the 
glass, but I am sure it could be done.

I myself am trying to come up with nice wood frames for my panels.  I believe 
that any panel would be greatly enhanced by a beautiful, custom frame.  

Good luck.
Carolyn Gilinsky
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From owner-glass Tue Jan  8 10:04:56 2002
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Subject: Re: Stained Glass & Woodwork..!!
Date: Tue, 8 Jan 2002 11:51:01 CST 6CDT
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Organization: GSA-ORSP
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I am presently working on small cedar jewellery boxes to incorporate my two 
interests, but does anyone have any new ideas on small projects that could 
be sold at the markets, wherein I can use both hobbies.
----------------------------
Bookends?  Hand mirrors?  Lampshades with nice wood bases?  

Kaye 
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From owner-glass Tue Jan  8 15:04:14 2002
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From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Glastar
Date: Tue, 8 Jan 2002 16:54:29 -0600
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Precedence: bulk

Yes it would work on a 3 phase motor.. Swap any 2 of the hots  and the motor
will turn the other way..

----- Original Message -----
From: "brown_gregory" <brown_gregory@msn.com>
To: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
Sent: Monday, January 07, 2002 10:02 PM
Subject: Re: Glastar


> It would work on a 3 phase ac motor..Yes?
> Greg
> ----- Original Message -----
> From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
> To: <glass@bungi.com>
> Sent: Monday, January 07, 2002 1:44 PM
> Subject: RE: Glastar
>
>
> > that doesn't work on an ac motor. it probably doesn't have a dc motor,
> which
> > would work.
> >
> > you'd have to make some sort of pulley system so you could twist the
belt.
> >
> > regards,
> > charlie
> > phx, az
> >
> > > -----Original Message-----
> > > From: Dan Terrill [mailto:dterrill@Corpit.com]
> > > Sent: Monday, January 07, 2002 9:26 AM
> > > To: glass@bungi.com
> > > Subject: RE: Glastar
> > >
> > >
> > > umm, I'm a bit out of my depth here, but can't you just
> > > reverse the polarity
> > > to the motor to change it's direction?
> > >
> > > > -----Original Message-----
> > >
> > > > Anyone here using any Glastar upright polishers?   I just got
> > > > a 12" model
> > > > and was wondering if I can turn the motor around so the
> > > > wheels turn the
> > > > opposite way?  For years I've used an old Gemstone polisher
> > > > and the wheels
> > > > rotate down towards the drip pan and most of the mess goes
> > > > into the pans...
> > > > These glastar units rotate so all the mess goes upand all over the
> > > > place...Any thoughts? I've built a shield to catch some of it
> > > > but am still
> > > > not real happy...
> > > >
> > > ----
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> > >
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>
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From owner-glass Tue Jan  8 18:31:02 2002
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X-Path: holtenwood.bc.ca!studios
From: "Timothy Atwood" <studios@holtenwood.bc.ca>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: full spectrum lights
Date: Tue, 8 Jan 2002 15:04:43 -0800
Message-ID: <1970Jan1.000.0@holtenwood.bc.ca>
References: <<1970Jan1.000.0@slonet.org>>
Organization: Holtenwood Studios
Precedence: bulk

Not true. Or at least not true for many brands of fluorescent lights.

We run an art gallery and I have done a great deal of research into lighting
and the damage the UV can do to the art work. Halogen also generates a fair
amount of UV. Often much more than a decent quality wide spectrum
fluorescent. Any quality manufacturer of wide spectrum fluorescents will
have exact specifications.

We also live "off-grid" using solar panels for our electrical power so our
entire house is lit with compact fluorescents to save on energy usage.
Believe me, a hypochondriac such as myself has researched the health effects
of fluorescent lighting thoroughly. :-)

I am personally a fan of the Philips products for full size and full
spectrum fluorescents. Panasonic for compact fluorescents (they are more
efficient and the Panasonic light-capsule electronics give a better
life-span than many other compacts).

For many applications a CRI of 85 or above is considered to be excellent
colour balance. Philips has CRI 86 lamps in the ALTO environmental series of
lamps. These lamps have the advantage of very low mercury content and long
life resulting in a very low ecological footprint (i.e.: very low
environmental impact in the materials and land-fill waste over the life of
the lamp as compared to most other lighting types).

Or, if you really want great colour balance look at the Philips TL90 series
at:
http://www.lighting.philips.com/nam/prodinfo/fluorescent/p5037b.shtml
With a colour rendering index (CRI) of 95 for the 3000K lamp and 98 for the
5000K lamp, you can't get better. Heck - various atmospheric conditions
often drop sunlight below 95 CRI !
Even with the 5000K lamp the UV is comparable to standard incandescent and
better than most halogen. (There are of course museum and gallery grade
halogens that have less UV, but most halogens you could buy off the shelf
have more).
Only problem with the TL90 series is the low light output. You will need
almost twice as many bulbs for the same perceived brightness as the TL80
series.

Timothy Atwood - Glass and Wood
Holtenwood Studios
http://www.holtenwood.bc.ca/studios/

----- Original Message -----
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: "Cecily & Ralph Wood" <cecnralph@home.com>
Sent: Monday, January 07, 2002 3:55 PM
Subject: Re: full spectrum lights


> Ced:  Uncovered flourescent lights are a health hazard.  They cause rapid
> skin aging, depression, and in some cases skin cancer.  The full spectrum
> flourescent light bulbs are better but they still contain the UV rays
> which do all the damage.  If you can find a floor model haleogen lamp you
> may be better off.  Of course, you want to be sure that nothing touches
> the bulb since the heat from the lamp is really strong.
>
> Unless the Ott lamp tells you the flourescent bult is free from emiting UV
> rays I would suggest you try something else.  Several incandescent lamps
> may be a better answer.  PJ
>
> ----
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From owner-glass Tue Jan  8 21:36:39 2002
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
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Subject: Re: FW: sagging
Date: Tue, 08 Jan 2002 22:47:47 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@stratus.com>>
Organization: Grendel Studio
Precedence: bulk

Drop ring IS what I had in mind - and maybe puddled a bit on the bottom. - Cec

"Spitzer, Charlie" wrote:

> bob has it correct. devit is crystallization of the surface of glass when
> taken about annealing temps. the type of glass and final top temperature is
> the determining factors. it is exhibited by a cloudiness or grayish scum on
> the surface, and doesn't appear on the bottom of pieces unless you're doing
> something like a drop ring where the bottom is exposed.
>
> to eliminate it, you have to use some sort of flux on the top. one can buy
> sprays that usually contain some amount of lead in them, or a borax solution
> can be used. the borax solution can be made by adding a couple cups of borax
> (20 mule team from the supermarket) to a gallon of distilled water. spray on
> with a mouth atomizer or airbrush.
>
> regards,
> charlie
> phx, az
>
> -----Original Message-----
> From: gjr@bungi.com [mailto:gjr@bungi.com]
> Sent: Monday, January 07, 2002 4:15 PM
> To: Cecily & Ralph Wood; Bungi Glass
> Subject: Re: sagging
>
> [In the message entitled "sagging" on Jan  6, 12:25, Cecily & Ralph Wood
> writes:]
> > When sagging (glass, not me - I do that anyway), should I coat both
> > sides with devit (borax solution?)  Thanks - Cec
>
> I would like to know more about "devit" too.
> Where do you buy it?
>
> --
> Glenna Rand
> gjr@bungi.com
> ----
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From owner-glass Wed Jan  9 00:30:50 2002
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X-Path: holtenwood.bc.ca!tim
From: "Tim Atwood" <tim@holtenwood.bc.ca>
To: "Cecily & Ralph Wood" <cecnralph@home.com>,
Content-Type: text/plain;
Subject: Re: full spectrum lights
Date: Tue, 8 Jan 2002 17:18:58 -0800
Message-ID: <1970Jan1.000.0@holtenwood.bc.ca>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

And now a reply back to the original message. I always do things backwards
:-)

The Ott lights are amazing for some special applications. They have unusual
sizes, configurations, and I believe some that even run on batteries. A
friend has a tiny portable one on her portable loom.

But they are pretty pricey too. So far I have not found a case where I need
quite this specialized of a light. If you can get away with a more standard
configuration, you would be better off buying a standard size fixture and
putting good full spectrum fluorescents into it.

For my shop I use standard 4 foot fluorescent fixtures. I buy them from a
local wholesale lighting store. I prefer electronic ballasts because I hate
the flicker and buzz of standard transformer ballasts. Electronic ballasts
cost about 10% more, but they deliver more lumens from the same fluorescent
bulb. High frequency of an electronic ballast means the phosphors in the
fluorescent bulb never have a chance to go "dim" between cycles the way a 60
hertz transformer ballast does. No flickering, more light. They also do not
make that annoying buzz. Unfortunately places like Home Depot only sell
fixtures with transformer electro-mechanical ballasts. By going to a
wholesale lighting store I can order the fixture and the ballast separately
and get what I want.

For the bulbs in the four foot fixtures I use:
Philips Alto TL835 bulbs for general lighting and customer areas
Philips Alto TL850 bulbs for general lighting in design areas
http://www.lighting.philips.com/nam/prodinfo/fluorescent/p5338b.shtml
Philips TL950 bulbs for critical light comparison applications such as one
of my light tables.
http://www.lighting.philips.com/nam/prodinfo/fluorescent/p5037b.shtml

I also use a desk lamp with 18inch fluorescents for adjustable and close-in
work. Just a standard drafters lamp. The TL90 series does not come in an 18
inch, just 24, 36, and 48 inch. So I have TL850's in it. Also a TL850 has
more lumens (brighter) than a TL950 would be.

To understand what these bulbs and the numbers mean:

CRI = Colour Rendering Index = A measure of the colour balance in relation
to sunlight where theoretical "perfect" sunlight would be 100. Note: Actual
sunlight is in the 95 to 100 range depending on atmospheric conditions.
Perfect "indirect northern" sunlight may actually rate a bit higher than
100. In fluorescent lamps, 85 is considered excellent with most applications
looking very similar to sunlight. 95 is considered demanding design and
colour matching quality. A cheap "warm white" or "cool white" fluorescent is
generally poor at 55 to 65 CRI and sometimes as low as 30 CRI.

Colour temperature or degrees "Kelvin". A measure of the amount of "blue"
vs. "red" in the light's output spectrum. As a theoretical perfect filament
is heated to higher and higher temperatures, it glows with more light in the
higher frequencies such as blue (and violet / ultra-violet).
2800-3000 degrees - Standard incandescent bulb - "warm white". People look
good and friendly. Use for areas that you want to appear friendly and warm
and where you deal with customers. Colours with blue in them do not render
well. The TL835 is listed as 3000 degrees Kelvin
3500 degrees Kelvin - Halogen bulb. Still warm and friendly looking. Much
truer colour rendering than a standard incandescent bulb.
4500 degrees Kelvin - Direct sunlight.
5000 degrees Kelvin - Indirect sunlight. Considered by many people the
"truest" colour temperature for matching colours with the human eye.
6500 degrees Kelvin - Indirect reflected "Northern Sky" light. Many painters
feel a studio lit only with real sun "Northern Sky" is the perfect colour
rendering.

TL835 - CRI 86 - 3500 K - 2950 lumens (48 inch)
TL850 - CRI 86 - 5000 K - 2950 lumens (48 inch)
TL950 - CRI 98 - 5000 K (or actually they have downgraded it to 4400 K based
on recent test results). 1880 lumens for a 48 inch bulb.


----- Original Message -----
From: "Cecily & Ralph Wood" <cecnralph@home.com>
To: "Bungi Glass" <glass@bungi.com>
Sent: Saturday, January 05, 2002 1:07 PM
Subject: full spectrum lights


> Some time ago (years?) we had a discussion about light sources, and when
> I suggested grow lights I was batted down good, and made to understand
> they lacked quite a bit.  Ott lights were suggested.  You can now buy
> Ott lights (JoAnn's shops and other crafts places) - especially the
> desktop kinds, and I have one and it is nice - but expensive.  A floor
> light from Ott costs around $150m but they are hard to find, as are the
> long fluorescent ones for ordinary shop lights.
>
> There is a new "full spectrum" light out that is being promoted fairly
> heavily, and its floor light costs about $130.  Not a lot less money,
> but maybe it will be easier to acquire.  The desk ones are about the
> same price as the Ott.  Those of you who are really knowedgable about
> lighting - is it comprable?  They are called Easy-Eye Lamps and the bulb
> itself is sort of a 4 pronged fluorescent thingy, and they, too, promise
> long life and cool bulbs (which I take it go together). - ever curious -
> Cec
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Wed Jan  9 05:06:23 2002
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From: UserDusty@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Grinders
Date: Wed, 9 Jan 2002 07:33:25 EST
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Hi All,
Just putting my two cents worth on grinders.  When I first started doing 
glass I purchased on of the kits.  Grinder, soldering iron, foil and some 
glass.  The grinder was the Wizling.  A very basic unit. There was no 
eyeshield with it and I had to make my own.  It did come with two bits.  It 
lasted for about a year before it froze up.  I had problems with it 
overheating and it would just shut down.  I think it had a thermal cutout 
that if it got over heated it would open and shut the unit down. I didn't 
bother sending the unit in for repair because I tore it apart and found that 
it had plastic bushings in it.  Well, I got what I paid for.

The next grinder was the Glastar G-8.  It came with the second story, glass 
face shield, support, straight edge guide with extra parts and a square.  
It's now about four years old and still going strong. I agree with Christie, 
you get a bigger motor and a larger work surface. When this one bites the big 
one. You bet there will be another G-8 to replace it.

You can check out grinders on Delphi's web site at www.Delphiglass.com.  I 
know you're new to glass and things are expensive in your area.  Look at it 
this way if later you decide you don't like glass as a hobby you can always 
sell it and get back some of your money.

Have a good one,
Ken O.
Decorative Glass 
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From owner-glass Wed Jan  9 05:19:28 2002
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From: "Cube" <pipsplay@midwest.net>
To: "Bungi Glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: full spectrum lights
Date: Mon, 7 Jan 2002 12:18:18 -0600
Message-ID: <1970Jan1.000.0@midwest.net>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

Hi Cec,
	I am new to the group and don't really want to start off with a sales
pitch, but I think I can help with full-spectrum lighting.
	I have raised Love Birds indoors for several years, and we sell
full-spectrum lighting for the birds.  I carry the new floor lamp you asked
about, although I don't sell many.  A couple of quilting groups have also
gotten them from me.  Much cheaper are standard shop light fixtures with
just the 4' full-spectrum bulbs.  The only way to get true full-spectrum is
with flourescents.  They do last a long time, stay cool during use, and use
less electricity for the light output.  The tubes fit standard flourescent
fixtures and come in 2',3', or 4' lenghts.  It is important to me to have
them "fresh" (for the bird's health), so I change half of them every year.
For visual purposes, I believe they should last for several years.  Anyone
may E-mail me privately for prices, shipping, or more information (sorry our
website is currently down).
	Thanks, I hope I've contibuted to the discussion,

		Cube/Pip's Playhouse

-----Original Message-----
From: Cecily & Ralph Wood [mailto:cecnralph@home.com]
Sent: Saturday, January 05, 2002 3:08 PM
To: Bungi Glass
Subject: full spectrum lights


Some time ago (years?) we had a discussion about light sources, and when
I suggested grow lights I was batted down good, and made to understand
they lacked quite a bit.  Ott lights were suggested.  You can now buy
Ott lights (JoAnn's shops and other crafts places) - especially the
desktop kinds, and I have one and it is nice - but expensive.  A floor
light from Ott costs around $150m but they are hard to find, as are the
long fluorescent ones for ordinary shop lights.

There is a new "full spectrum" light out that is being promoted fairly
heavily, and its floor light costs about $130.  Not a lot less money,
but maybe it will be easier to acquire.  The desk ones are about the
same price as the Ott.  Those of you who are really knowedgable about
lighting - is it comprable?  They are called Easy-Eye Lamps and the bulb
itself is sort of a 4 pronged fluorescent thingy, and they, too, promise
long life and cool bulbs (which I take it go together). - ever curious -
Cec

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From owner-glass Wed Jan  9 05:35:14 2002
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From: Rebecca Wickline <r.wickline@att.net>
To: Glass <glass@bungi.com>
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Subject: subscribe
Date: Tue, 08 Jan 2002 19:01:36 -0500
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I've somehow gotten taken off your list.  Please put me back on.

Thanks- Becky 
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From owner-glass Wed Jan  9 08:36:23 2002
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From: Robin Jones <rjones@nysernet.org>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Reinforcement
Date: Wed, 09 Jan 2002 10:26:41 -0500
Message-ID: <5.1.0.14.0.20020109102427.00ab1140@msi.nysernet.org>
Precedence: bulk

Dear Group -

I'm looking for suggestions about reinforcing a foiled 16 inch diameter, 
celtic knot.  I haven't built it yet, this is my first try a something 
larger than a sun catcher.

Because I have read so much about reinforcing and sagging (there is much 
for me to learn) I decided to sign-up for a refresher course offered 
through my local high school.

The instructor told me because there will be so many intersecting solder 
lines (there's 60 pieces) that I may not need any reinforcement, or that I 
could consider framing it in came.  Of course, the instructor will help and 
show me how, but I'm still concerned about the strength of the piece over 
time.

Does any one have other suggestions that I should consider?

Thanks in advance for your help.

- Robin

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From owner-glass Wed Jan  9 10:06:06 2002
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From: Suzanne Gunn <gunnx4@home.com>
To: Robin Jones <rjones@nysernet.org>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Reinforcement
Date: Wed, 09 Jan 2002 11:21:55 -0600
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Organization: glassdancer
Precedence: bulk

Robin, for a 16" celtic knot, my opinion is that you will NOT need
reinforcement, however I would border it with either wire or ball chain
to strengthen the outside border.

Suzanne

Robin Jones wrote:
> 
> Dear Group -
> 
> I'm looking for suggestions about reinforcing a foiled 16 inch diameter,
> celtic knot.  I haven't built it yet, this is my first try a something
> larger than a sun catcher.
> 
> Because I have read so much about reinforcing and sagging (there is much
> for me to learn) I decided to sign-up for a refresher course offered
> through my local high school.
> 
> The instructor told me because there will be so many intersecting solder
> lines (there's 60 pieces) that I may not need any reinforcement, or that I
> could consider framing it in came.  Of course, the instructor will help and
> show me how, but I'm still concerned about the strength of the piece over
> time.
> 
> Does any one have other suggestions that I should consider?
> 
> Thanks in advance for your help.
> 
> - Robin
> 
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From owner-glass Wed Jan  9 10:37:02 2002
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: UserDusty@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Grinders
Date: Wed, 09 Jan 2002 11:20:36 -0600
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@aol.com>>
Organization: glassdancer
Precedence: bulk

I just wanted to mention that a person should *never* rely on the face
shield alone as eye protection.  The shields that come with grinders get
in the way IMHO anyway.  You should **always** were protective eye wear.

I cant tell you how many times Ive gotten glass in my eyes even with my
glasses on.

Suzanne

UserDusty@aol.com wrote:
> 
> Hi All,
> Just putting my two cents worth on grinders.  When I first started doing
> glass I purchased on of the kits.  Grinder, soldering iron, foil and some
> glass.  The grinder was the Wizling.  A very basic unit. There was no
> eyeshield with it and I had to make my own.  It did come with two bits.  It
> lasted for about a year before it froze up.  I had problems with it
> overheating and it would just shut down.  I think it had a thermal cutout
> that if it got over heated it would open and shut the unit down. I didn't
> bother sending the unit in for repair because I tore it apart and found that
> it had plastic bushings in it.  Well, I got what I paid for.
> 
> The next grinder was the Glastar G-8.  It came with the second story, glass
> face shield, support, straight edge guide with extra parts and a square.
> It's now about four years old and still going strong. I agree with Christie,
> you get a bigger motor and a larger work surface. When this one bites the big
> one. You bet there will be another G-8 to replace it.
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From owner-glass Wed Jan  9 10:43:49 2002
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Robin Jones" <rjones@nysernet.org>,
Content-Type: text/plain;
Subject: RE: Reinforcement
Date: Wed, 9 Jan 2002 12:44:50 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<5.1.0.14.0.20020109102427.00ab1140@msi.nysernet.org>>
Precedence: bulk

i'll assume it's in foil.

a celtic knot should be pretty strong. the teacher is right, many of the
pieces will often overlap each other, and it will be stronger. i might stick
wire or the like around the border when it's complete.


---Mike Savad


-----Original Message-----
From: Robin Jones [mailto:rjones@nysernet.org]
Sent: Wednesday, January 09, 2002 10:27 AM
To: glass@bungi.com
Subject: Reinforcement


Dear Group -

I'm looking for suggestions about reinforcing a foiled 16 inch diameter,
celtic knot.  I haven't built it yet, this is my first try a something
larger than a sun catcher.

Because I have read so much about reinforcing and sagging (there is much
for me to learn) I decided to sign-up for a refresher course offered
through my local high school.

The instructor told me because there will be so many intersecting solder
lines (there's 60 pieces) that I may not need any reinforcement, or that I
could consider framing it in came.  Of course, the instructor will help and
show me how, but I'm still concerned about the strength of the piece over
time.

Does any one have other suggestions that I should consider?

Thanks in advance for your help.

- Robin

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From owner-glass Wed Jan  9 13:01:54 2002
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Robin Jones <rjones@nysernet.org>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Reinforcement
Date: Wed, 9 Jan 2002 12:35:04 -0800 (PST)
Message-ID: <1970Jan1.000.0@slonet.org>
References: <<5.1.0.14.0.20020109102427.00ab1140@msi.nysernet.org>>
Precedence: bulk

Robin:  If you are concerned about using came around the edge of the
foiled project I will tell you what I do to prevent the sagging especially
if you have a lot of seams in the panel.  I go ahead and use u-came and
then on the back I solder each seam line to the came.  So far it works
really well.  Peggy

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From owner-glass Wed Jan  9 22:50:03 2002
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Content-Type: multipart/alternative; boundary="part1_85.15b19028.296e656c_boundary"
Subject: chain
Date: Wed, 9 Jan 2002 22:33:00 EST
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--part1_85.15b19028.296e656c_boundary
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hey guys, just started this great hobby of stained glass and i think i've 
found my nitch!  but there are no classes, etc in my area so i've learned 
with each piece and through you guys on this wonderful site.  here is my 
question:  what the heck is "ball chain"  i've read it on patterns and here 
but am not really sure what kind of chain it is.  thanks guys and glad you 
are all back up and posting!

Jules

--part1_85.15b19028.296e656c_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=3 FAMILY="SERIF" FACE="Times New Roman" LANG="0">hey guys, just started this great hobby of stained glass and i think i've found my nitch!&nbsp; but there are no classes, etc in my area so i've learned with each piece and through you guys on this wonderful site.&nbsp; here is my question:&nbsp; what the heck is "ball chain"&nbsp; i've read it on patterns and here but am not really sure what kind of chain it is.&nbsp; thanks guys and glad you are all back up and posting!<BR>
<BR>
Jules</FONT></HTML>

--part1_85.15b19028.296e656c_boundary--
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From owner-glass Wed Jan  9 23:02:40 2002
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: full spectrum lights
Date: Thu, 10 Jan 2002 00:10:15 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<Pine.GSO.3.95.1020109120343.11583A-100000@oso.slonet.org>>
Organization: Grendel Studio
Precedence: bulk

The halogen research was not about the heat.  However, I once mounted a spot
halogen light right where I wanted it to see when cutting with a Ring Saw,
and walked away with the light still on, and when I came back, my saw top
grid surface was somewhat deformed.  Expensive mistake!. - Cec

"Peggy W. Johnsen" wrote:

> Cec:  If the flourescent lighting is not covered I would strongly suggest
> you report this to your supervisor as a concern.  I worked for a major
> power and light company and they made it clear they were in the business
> to sell light not judge it.
>
> You are correct, any cover will disperse the harmful rays.  As I
> understand it the primary danger of the halogen lamps is in the excessive
> heat they generate not any UV perhaps sodium flare.  I haven't researched
> this as I did the flourescent lighting.  Peggy

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From owner-glass Wed Jan  9 23:12:04 2002
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: paul s <pauls@tsn.cc>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Stained Glass & Woodwork..!!
Date: Wed, 9 Jan 2002 12:12:09 -0800 (PST)
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Precedence: bulk

Paul:  You most certainly can combine your two favorite
hobbies...woodworking and stained glass.  Make your boxes in wood leaving
a cut out area for the top and fill it with a nice stained glass design.
Also use your talents to creat finished "light boxes" to display stained
glass panels on walls where there are no windows.

You probably received suggestions to make your own wooden frames.
Actually woodworking just goes with stained glass.  The possibilities are
unlimited just need creative ideas, i.e., combine woodworking to make
bases for glass lanterns, candel shelters, etc.
Peggy

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From owner-glass Wed Jan  9 23:12:37 2002
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From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: grinder info
Date: Wed, 09 Jan 2002 11:41:17 -0500
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

since were on grinders, here is what i did with mine.
http://www.autosalvageyards.com/glass.htm

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>



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From owner-glass Thu Jan 10 00:18:40 2002
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Reinforcement
Date: Thu, 10 Jan 2002 00:12:35 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@slonet.org>>
Organization: Grendel Studio
Precedence: bulk

Front AND back.  I also foil the edges before adding the copper came which
makes the fit really tight.  No need to use "cement" - Cec

"Peggy W. Johnsen" wrote:

> Robin:  If you are concerned about using came around the edge of the
> foiled project I will tell you what I do to prevent the sagging especially
> if you have a lot of seams in the panel.  I go ahead and use u-came and
> then on the back I solder each seam line to the came.  So far it works
> really well.  Peggy
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Thu Jan 10 02:02:35 2002
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Reinforcement
Date: Wed, 9 Jan 2002 22:21:01 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Robin Jones
>The instructor told me because there will be so many intersecting solder=
 =

lines (there's 60 pieces) that I may not need any reinforcement, or that =
I =

could consider framing it in came.  Of course, the instructor will help a=
nd

show me how, but I'm still concerned about the strength of the piece over=
 =

time.<

I think your instructor is absolutely correct.  Celtic knot with so many
intersecting lines?  Very, very interlocking too.  No additional
reinforcement needed for a 16" piece IMHO.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Thu Jan 10 02:18:17 2002
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From: paul s <pauls@tsn.cc>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Glass Etching...!
Date: Thu, 10 Jan 2002 21:04:11 +1100
Message-ID: <5.0.2.1.0.20020110205719.009f2a40@mail.tsn.cc>
Precedence: bulk

Hi,

In my new stained glass course I also learnt how to etch on glass with 
etching compound.  We use Etchall, down here.

The procedure I  learnt is to clean the glass with a cleaning fluid, then 
cover both sides of it with clear contact, sandwiching the glass inside.

Then place the picture underneath the glass and trace around it with a 
craft knife, remove the contact that you dont want, clean the glass again, 
then apply with etchall...etc...

But my question is, I am trying to do smallish intricate cutting on the 
clear contact, such as letters of a person's name on the glass.  And it is 
difficult to neatly remove the contact without taking off pieces that I 
want left there..!!

Any suggestions on a better method for intricate cutting....??

Paul.......from Aus......

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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Reinforcement
Date: Thu, 10 Jan 2002 00:04:56 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Organization: Grendel Studio
Precedence: bulk

Or I like the sol-called hobby came in copper.  Small lightweight U came makes a
super edge. - Cec

Suzanne Gunn wrote:

> Robin, for a 16" celtic knot, my opinion is that you will NOT need
> reinforcement, however I would border it with either wire or ball chain
> to strengthen the outside border.
>
> Suzanne
>
> Robin Jones wrote:
> >
> > Dear Group -
> >
> > I'm looking for suggestions about reinforcing a foiled 16 inch diameter,
> > celtic knot.  I haven't built it yet, this is my first try a something
> > larger than a sun catcher.
> >
> > Because I have read so much about reinforcing and sagging (there is much
> > for me to learn) I decided to sign-up for a refresher course offered
> > through my local high school.
> >
> > The instructor told me because there will be so many intersecting solder
> > lines (there's 60 pieces) that I may not need any reinforcement, or that I
> > could consider framing it in came.  Of course, the instructor will help and
> > show me how, but I'm still concerned about the strength of the piece over
> > time.
> >
> > Does any one have other suggestions that I should consider?
> >
> > Thanks in advance for your help.
> >
> > - Robin
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> ----
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> Archives available at http://www.bungi.com/glass

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From owner-glass Thu Jan 10 03:04:37 2002
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From: Dee Thompson <deethom@erols.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: full spectrum lights
Date: Tue, 08 Jan 2002 10:01:27 -0800
Message-ID: <E16Nxjm-0005DS-00@smtp01.mrf.mail.rcn.net>
Precedence: bulk

I've looked into lighting quite a bit since it is critical to the health of
the birds and reptiles I care for.
full spectrum in a misnomer..it isn't done...by anyone, no matter how much
you pay.  
All you need for glass is a broad range over the visible spectrum, through
the blue range and red range.  Fluorescent are generally in the blue side,
that is why your reds get browned out.  A cheap common shop light can be
improved by adding a pink tinted light bulb.  This is why they use this end
of the spectrum to enhance photos,,,have you seen the tv ad where the baby
gets pinked up, out of the sallow skin tones? (this was also a common fix
it for grow lights in the old days)
Ott is way over priced for it's function.  If you were sold on the
radiation shield, wrap a bit of kitchen aluminum foil around the last few
inches of the bulb and ballast.  No big deal.  There are better cheaper
ones on the market.
The lighting industry is not regulated by any government standards, so a
lot of the pitches are little more than ads for snake oil.  The only part
of the spectrum that is regulated is the UVB, because that is the tanning
range for humans, dangerous, and is used for cosmetic purposes.  You don't
really want that over head anyway.  The amount in Ott is negligible, they
advertise it, but it really is not even sufficient for animal health
maintenance (UVB mobilizes the calcium).
You might try one of the bulbs that advertises color enhancement.  Range
over the spectrum gives fuller color value for our vision, intensity or
wattage gives you brightness for actually seeing.. Boy do I need more of
that as time goes by too!
Dee Thompson
Parrot Rescue Maryland  

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From owner-glass Thu Jan 10 07:02:21 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: Glass Etching...!
Date: Thu, 10 Jan 2002 09:22:13 -0500
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Message text written by paul s
>But my question is, I am trying to do smallish intricate cutting on the =

clear contact, such as letters of a person's name on the glass.  And it i=
s =

difficult to neatly remove the contact without taking off pieces that I =

want left there..!!

Any suggestions on a better method for intricate cutting....??<

Nope.  Just patience, and using the edge of the knife to
gently lift off the contact to be remved.

Christie A. Wood
Art Glass Ensembles
Denton, TX

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From owner-glass Thu Jan 10 08:39:56 2002
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To: Bergju@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: chain
Date: Thu, 10 Jan 2002 08:14:35 -0600
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References: <<1970Jan1.000.0@aol.com>>
Organization: glassdancer
Precedence: bulk

Ball chain is what your fan pulls are on.  For stained glass use be sure
to use ball chain that is not laquered.

Suzanne

Bergju@aol.com wrote:
> 
> hey guys, just started this great hobby of stained glass and i think
> i've found my nitch!  but there are no classes, etc in my area so i've
> learned with each piece and through you guys on this wonderful site.
> here is my question:  what the heck is "ball chain"  i've read it on
> patterns and here but am not really sure what kind of chain it is.
> thanks guys and glad you are all back up and posting!
> 
> Jules
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain
Subject: RE: grinder info
Date: Thu, 10 Jan 2002 06:39:13 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

another way is to use 10 gallon fish tanks tipped on their side. really
cheap, or even free if it has a cracked panel.

regards,
charlie
phx, az

> -----Original Message-----
> From: Robin Ellison - Auto And Parts, LLC [mailto:robin@autop.com]
> Sent: Wednesday, January 09, 2002 9:41 AM
> To: glass@bungi.com
> Subject: grinder info
> 
> 
> since were on grinders, here is what i did with mine.
> http://www.autosalvageyards.com/glass.htm
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From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: grinder info
Date: Thu, 10 Jan 2002 09:44:55 CST 6CDT
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Precedence: bulk

Pretty slick, Robin.  I've done much the same except with a 
cardboard box.  When it gets too funky, I toss and replace it.  
Yours is certainly more attractive.  Hafta think about upgrading....

Kaye
-------------------------------------------
since were on grinders, here is what i did with mine.
http://www.autosalvageyards.com/glass.htm

A
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From: "Mike Savad" <esavad@home.com>
To: <Bergju@aol.com>,
Content-Type: multipart/alternative;
Subject: RE: chain
Date: Thu, 10 Jan 2002 10:24:44 -0500
Message-ID: <1970Jan1.000.0@home.com>
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This is a multi-part message in MIME format.

------=_NextPart_000_0006_01C199C1.05ADD220
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ball chain is the chain that hangs down from pull chains from lights or
fans. little balls attached to each other. commonly soldered around the
border and tinned/tacked in place.


---Mike Savad



 -----Original Message-----
From: Bergju@aol.com [mailto:Bergju@aol.com]
Sent: Wednesday, January 09, 2002 10:33 PM
To: glass@bungi.com
Subject: chain


  hey guys, just started this great hobby of stained glass and i think i've
found my nitch!  but there are no classes, etc in my area so i've learned
with each piece and through you guys on this wonderful site.  here is my
question:  what the heck is "ball chain"  i've read it on patterns and here
but am not really sure what kind of chain it is.  thanks guys and glad you
are all back up and posting!

  Jules

------=_NextPart_000_0006_01C199C1.05ADD220
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4912.300" name=3DGENERATOR></HEAD>
<BODY>
<P></P>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN =
class=3D260192315-10012002><FONT=20
face=3DArial color=3D#0000ff>ball chain is the chain that hangs down =
from pull=20
chains from lights or fans. little balls attached to each other. =
commonly=20
soldered around the border and tinned/tacked in=20
place.</FONT></SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D260192315-10012002></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D260192315-10012002></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D260192315-10012002>---Mike Savad</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT face=3DArial color=3D#0000ff =
size=3D2><SPAN=20
class=3D260192315-10012002></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D260192315-10012002></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D260192315-10012002>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DTahoma><FONT size=3D2><SPAN=20
class=3D260192315-10012002>&nbsp;</SPAN>-----Original =
Message-----<BR><B>From:</B>=20
Bergju@aol.com [mailto:Bergju@aol.com]<BR><B>Sent:</B> Wednesday, =
January 09,=20
2002 10:33 PM<BR><B>To:</B> glass@bungi.com<BR><B>Subject:</B>=20
chain<BR><BR></DIV></FONT></FONT>
<BLOCKQUOTE><FONT face=3Darial,helvetica><FONT lang=3D0 face=3D"Times =
New Roman"=20
  size=3D3 FAMILY=3D"SERIF">hey guys, just started this great hobby of =
stained glass=20
  and i think i've found my nitch!&nbsp; but there are no classes, etc =
in my=20
  area so i've learned with each piece and through you guys on this =
wonderful=20
  site.&nbsp; here is my question:&nbsp; what the heck is "ball =
chain"&nbsp;=20
  i've read it on patterns and here but am not really sure what kind of =
chain it=20
  is.&nbsp; thanks guys and glad you are all back up and=20
  posting!<BR><BR>Jules</FONT> </FONT></BLOCKQUOTE></BODY></HTML>

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<html><div style='background-color:'><DIV>
<P>I have full spectrum lights in my shop.&nbsp;&nbsp; I purchased a lamp a year ago to help with Seasonal Affective Disorder (S.A.D.)&nbsp; Living in the Pacific Northwest with our dreary long winters doesn't help with the disorder either.</P>
<P>I find the lamp very helpful.&nbsp; It is expensive though due to all the components that go into the lamp.</P>
<P>I decided to buy full spectrum lights bulbs for my shop light and my light box.&nbsp; I went to the Indoor Sun Shop in Seattle.&nbsp; They sell lamps and bulbs.&nbsp; </P>
<P>There were so many different bulbs to choose from depending upon the various colors in the light spectrum.&nbsp;&nbsp; Because I have a few plants in my shop area I wanted lights that would aid in the growth of the plants.&nbsp; I <BR><BR></P></DIV>
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<DIV><FONT face="Lucida Handwriting, Cursive" color=#0000cc>Cheryl Parrott</FONT></DIV>
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From owner-glass Thu Jan 10 15:14:39 2002
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
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Subject: RE: chain
Date: Thu, 10 Jan 2002 06:38:02 -0700
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change made out of little balls. look at pull chain for ceiling fans for
example.

regards,
charlie
phx, az

-----Original Message-----
From: Bergju@aol.com [mailto:Bergju@aol.com]
Sent: Wednesday, January 09, 2002 8:33 PM
To: glass@bungi.com
Subject: chain


hey guys, just started this great hobby of stained glass and i think i've
found my nitch!  but there are no classes, etc in my area so i've learned
with each piece and through you guys on this wonderful site.  here is my
question:  what the heck is "ball chain"  i've read it on patterns and here
but am not really sure what kind of chain it is.  thanks guys and glad you
are all back up and posting!

Jules 
----
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From owner-glass Thu Jan 10 21:05:24 2002
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Subject: Re: grinder info
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In a message dated 01/10/2002 2:14:23 AM Eastern Standard Time, 
robin@autop.com writes:


> 

Wow! what a great idea.  Have been in stained glass for a looooong time.  Was 
contemplating getting the used fish tank.....eventually..... but like this 
one better. Am going out tomorrow to "buy-the-bin"  Thank you.....

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 01/10/2002 2:14:23 AM Eastern Standard Time, robin@autop.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">http://www.autosalvageyards.com/glass.htm</BLOCKQUOTE>
<BR>
<BR>Wow! what a great idea. &nbsp;Have been in stained glass for a looooong time. &nbsp;Was contemplating getting the used fish tank.....eventually..... but like this one better. Am going out tomorrow to "buy-the-bin" &nbsp;Thank you.....</FONT></HTML>

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From owner-glass Thu Jan 10 21:38:12 2002
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From: mmam5@doorpi.net
To: kaye@GSA-ORSP.CROWN.NWU.EDU
Content-Type: text/plain
Subject: Re: grinder info
Date: Thu, 10 Jan 2002 17:06:00 EST
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Precedence: bulk

Yes - veeery Slick! I've been so far behind on my "space". I still
keep my scraps in thick paper envelopes! HA!  Target/Wal-mart here I
come!

Thanks!

Marci


On Thu, 10 Jan 2002 09:44:55 CST 6CDT "Kaye Sodt" wrote:

> Pretty slick, Robin.	I've done much the same except with a 
> cardboard box.  When it gets too funky, I toss and replace it.  
> Yours is certainly more attractive.  Hafta think about
> upgrading....
> 
> Kaye
> -------------------------------------------
> since were on grinders, here is what i did with mine.
> http://www.autosalvageyards.com/glass.htm
> 
> A
> ----
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From owner-glass Fri Jan 11 11:35:15 2002
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From: "Francis R. Vesey" <frvesey@mediaone.net>
To: "FUN - Stained Glass Forum" <glass@bungi.com>
Content-Type: text/plain;
Subject: Hello
Date: Fri, 11 Jan 2002 12:39:14 -0500
Message-ID: <1970Jan1.000.0@mediaone.net>
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Hello Everyone,

I am new to your list and returning to Stained Glass after several years of
absense.

I have a few questions.
What is the best way to prepare your glass for cutting?
Do you cut a pattern and draw the design on the glass?
OR
Do you trace the design with a pattern under the glass?

If you draw the design on the glass. What kind of pen do you use?

Last question. Has anyone used the Toyo Tap Wheel Cutter? And what was your
experience like?

Thanks in advance.

Frank

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From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: grinder info
Date: Fri, 11 Jan 2002 09:05:35 -0500
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

glad to here everyone thought it was a good idea. i  thought of it on my
first lesson, took it at
a shop and when they had me grind my pieces glass bits were stick to the
sheet rock on the
wall and everything else, it works great too when you put just a little
too much water and it
flows over.  i did not cut a hole in the back for my cord and now i am
glad since i think bits
of glass would have managed to get out of that hole also.  and if you
get the shoe boxes for
the scraps be sure they stack flat on each other some brands  have
rounded tops.
and buy alot. since next time you go back they may not have that kind.
best to everyone
robin

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>



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From owner-glass Fri Jan 11 13:08:44 2002
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From: GlassLites@aol.com
To: <glass@bungi.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Glass Etching...!
Date: Fri, 11 Jan 2002 13:07:13 EST
Message-ID: <1970Jan1.000.0@aol.com>
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Paul,


I can offer a suggestion. I have not done this, but have the equipment and it is on my to-do list of things to try.

If you are only doing a couple of projects this may be too expensive. However, if you are willing to spend about $125 the Riso Print Gocco screen printer is a way to go.

I first heard about this from one of my catalogs (can't recall which off the top of my head) that sells glass etching creams. I have since seen it mentioned in several web sites from around the world.

The Print Gocco is a small in-expensive silkscreen machine. You "print" your pattern onto the screen through a photo process (all equipment and a starter set of screens come with the kit). You then apply your screen to the glass and apply the etching cream. Remove the screen. Wash the glass and your job is done. With this system you can make some pretty small letters, lines, etc.

I originally got the Gocco to use as a printer, but when I saw it suggested for etching I was really glad I got the unit. Now I need time to try it!

If you get around to trying it before me, please let me know how it turns out. Seems to me it should work.

Cheryl Lowe in NJ
Glass Lites Studio



In a message dated Thu, 10 Jan 2002  5:20:20 AM Eastern Standard Time, paul s <pauls@tsn.cc> writes:

> Hi,
> 
> In my new stained glass course I also learnt how to etch on glass with 
> etching compound.  We use Etchall, down here.
> 
> The procedure I  learnt is to clean the glass with a cleaning fluid, then 
> cover both sides of it with clear contact, sandwiching the glass inside.
> 
> Then place the picture underneath the glass and trace around it with a 
> craft knife, remove the contact that you dont want, clean the glass again, 
> then apply with etchall...etc...
> 
> But my question is, I am trying to do smallish intricate cutting on the 
> clear contact, such as letters of a person's name on the glass.  And it is 
> difficult to neatly remove the contact without taking off pieces that I 
> want left there..!!
> 
> Any suggestions on a better method for intricate cutting....??
> 
> Paul.......from Aus......
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Fri Jan 11 13:12:33 2002
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From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: grinder info
Date: Fri, 11 Jan 2002 09:05:35 -0500
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

glad to here everyone thought it was a good idea. i  thought of it on my
first lesson, took it at
a shop and when they had me grind my pieces glass bits were stick to the
sheet rock on the
wall and everything else, it works great too when you put just a little
too much water and it
flows over.  i did not cut a hole in the back for my cord and now i am
glad since i think bits
of glass would have managed to get out of that hole also.  and if you
get the shoe boxes for
the scraps be sure they stack flat on each other some brands  have
rounded tops.
and buy alot. since next time you go back they may not have that kind.
best to everyone
robin

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>



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From: Suzanne Gunn <gunnx4@home.com>
To: "Francis R. Vesey" <frvesey@mediaone.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Hello
Date: Fri, 11 Jan 2002 14:15:49 -0600
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@mediaone.net>>
Organization: glassdancer
Precedence: bulk

Hiya Frank,

Welcome back to glass.

I wash my glass prior to cutting, cause my glass has a tendency to get
nasty dusty dirty.  

I use a toyo tc-21 the tap wheel cutter, and it is my favorite cutter.
It fits well in my hand (adjusted for me) and makes life much easier on
my hand.

Prior to that cutter, I used a brass toyo tc10, then had surgery from
cutting glass all day with it (developed carpul tunnel syndrome).

I lay my glass on top of my cartoon and cut that way.  I find it to be
the most accurate way for me to cut my glass.  If I cannot see the
pattern under the glass I will make a template for that only.  

Suzanne



"Francis R. Vesey" wrote:
> 
> Hello Everyone,
> 
> I am new to your list and returning to Stained Glass after several years of
> absense.
> 
> I have a few questions.
> What is the best way to prepare your glass for cutting?
> Do you cut a pattern and draw the design on the glass?
> OR
> Do you trace the design with a pattern under the glass?
> 
> If you draw the design on the glass. What kind of pen do you use?
> 
> Last question. Has anyone used the Toyo Tap Wheel Cutter? And what was your
> experience like?
> 
> Thanks in advance.
> 
> Frank
> 
> ----
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From owner-glass Fri Jan 11 14:35:10 2002
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Subject: instaltion
Date: Fri, 11 Jan 2002 16:51:26 EST
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I have been an instructor and make items for friends and family but have been 
asked to do  a couple sidelights for money.  They aren't the actual 
sidelights but panels to hang inside over the sidelights. The sidelights a 
clear and she wants to make it so no one can see in.  They are about 7" by 
35" and I  want to assemble using brass came.
There are only going to be 3 pieces on each side with 2 joints and surrounded 
by came. I have only worked with the foil method before. Do I need to putty 
something like this?  She wants them to hang  and not blow in the wind when 
the door is opened
but she also wants to be able to move them to look outside.  The mold around 
the sidelights is made out of plastic and I was told I couldn't screw 
anything in that ,that I would have to suspend them from above the molding 
where there is wood. How to I keep them from banging on the inside or in 
other words how would I fasten them at the bottom in such a way they could be 
moved when she wants to look out her window?  Hope I have made myself clear.
Thanks,  Maggie

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>I have been an instructor and make items for friends and family but have been asked to do &nbsp;a couple sidelights for money. &nbsp;They aren't the actual sidelights but panels to hang inside over the sidelights. The sidelights a clear and she wants to make it so no one can see in. &nbsp;They are about 7" by 35" and I &nbsp;want to assemble using brass came.
<BR>There are only going to be 3 pieces on each side with 2 joints and surrounded by came. I have only worked with the foil method before. Do I need to putty something like this? &nbsp;She wants them to hang &nbsp;and not blow in the wind when the door is opened
<BR>but she also wants to be able to move them to look outside. &nbsp;The mold around the sidelights is made out of plastic and I was told I couldn't screw anything in that ,that I would have to suspend them from above the molding where there is wood. How to I keep them from banging on the inside or in other words how would I fasten them at the bottom in such a way they could be moved when she wants to look out her window? &nbsp;Hope I have made myself clear.
<BR>Thanks, &nbsp;Maggie</FONT></HTML>

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From owner-glass Fri Jan 11 17:36:07 2002
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: instaltion
Date: Fri, 11 Jan 2002 20:25:03 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Well, well....here goes.....
I have installed, oh, I can't count up the number of sidelights.
Most of them are of this sort - plastic front and back "frames"
held together around the insullated glass "sandwich" in the
middle which fits between the door jamb and a stud.  They
are manufactured by a couple of USA companies, but the
majority I've worked with are Stanley Doors.

What I do is unscrew the sidelight.  Hopefully the builder
installed this sidelight correctly and put the screw side on
the inside of the building, and not the outside.  However, if
they (sorry 'bout the pun) screwed up, you can always
de-install the unit and flip it around so that the screws ARE
on the inside.  You will find them to always be 7" x 36"
measuring the existing insullated glass.  You can build
your stained glass sidelight so that it is also exactly 7" x
36".  Now install (i.e. glue) your sidelight to the inside
frame, and reinstall using the same screws.  BE CAREFUL
that you DO NOT over tighten the screws!  Remember,
you just increased the thickness of the overall sidelight
by the thickness of your panel!!!  If you overtighten the
screws, your stained glass panel will BREAK somewhere
(been there...done that....repaired it).

After you've rescrewed the plastic "frame" with your
sidelight back into place, you will have a gap running
around the inside perimeter of the sidelight.  Caulk or
putty or silicon (my favorite) this gap, and let the customer
paint it if they want.  None of my customers have ever
painted it, since they can't even tell there is an 1/8" gap
there.  You're done.

No swinging and swaying in the breeze.  But if your
client wants to use the sidelight as a peephole....you
will have to DESIGN in a clear peephole.  Done that too.

Message text written by INTERNET:TheWrightLight@aol.com
>I have been an instructor and make items for friends and family but have=

been =

asked to do  a couple sidelights for money.  They aren't the actual =

sidelights but panels to hang inside over the sidelights. The sidelights =
a =

clear and she wants to make it so no one can see in.  They are about 7" b=
y =

35" and I  want to assemble using brass came.
There are only going to be 3 pieces on each side with 2 joints and
surrounded =

by came. I have only worked with the foil method before. Do I need to put=
ty

something like this?  She wants them to hang  and not blow in the wind wh=
en

the door is opened
but she also wants to be able to move them to look outside.  The mold
around =

the sidelights is made out of plastic and I was told I couldn't screw =

anything in that ,that I would have to suspend them from above the moldin=
g =

where there is wood. How to I keep them from banging on the inside or in =

other words how would I fasten them at the bottom in such a way they coul=
d
be =

moved when she wants to look out her window?  Hope I have made myself
clear.
Thanks,  Maggie<
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From owner-glass Fri Jan 11 20:17:12 2002
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: "Francis R. Vesey" <frvesey@mediaone.net>,
Content-Type: text/plain;
Subject: Re: Hello
Date: Fri, 11 Jan 2002 20:12:52 -0600
Message-ID: <1970Jan1.000.0@doorpi.net>
References: <<1970Jan1.000.0@mediaone.net>>
Precedence: bulk

Hi Frank!

Welcome to the group. I usually clean up my glass to get the dust and finger
prints off. I've gotten into the habit of just drawing the pattern onto the
glass. Some jell pens work OK.  But I have the best luck with gold/silver
metallic markers - slim or fine tip. They usually cost a bit more, but the
pattern stays on well even thru grinding.  I just recently came across some
cool stuff called Mark Stay (http://www.stainedglasswarehouse.com/),
professional mark perserver.  You can use a felt tip marker for making your
pattern then apply a thin film of Mark Stay with your finger. It will keep
the pattern visible thru the grinding process. It washes off with soap and
water.

If you can get a light box (or make one) then you can trace the pattern thru
just about any glass.

Good Luck!

Marci
Martin Designs

----- Original Message -----
From: "Francis R. Vesey" <frvesey@mediaone.net>
To: "FUN - Stained Glass Forum" <glass@bungi.com>
Sent: Friday, January 11, 2002 11:39 AM
Subject: Hello


> Hello Everyone,
>
> I am new to your list and returning to Stained Glass after several years
of
> absense.
>
> I have a few questions.
> What is the best way to prepare your glass for cutting?
> Do you cut a pattern and draw the design on the glass?
> OR
> Do you trace the design with a pattern under the glass?
>
> If you draw the design on the glass. What kind of pen do you use?
>
> Last question. Has anyone used the Toyo Tap Wheel Cutter? And what was
your
> experience like?
>
> Thanks in advance.
>
> Frank
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>


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From owner-glass Fri Jan 11 23:25:01 2002
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Bergju@aol.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: chain
Date: Thu, 10 Jan 2002 19:19:33 -0800 (PST)
Message-ID: <1970Jan1.000.0@slonet.org>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

Jules, you probably know ball chain better as dogtag chain.  Ball chain is
made up of balls chained together.  PJ

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From owner-glass Sat Jan 12 01:06:46 2002
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Francis R. Vesey" <frvesey@mediaone.net>
Subject: Re: Hello
Date: Fri, 11 Jan 2002 22:45:32 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@mediaone.net>>
Precedence: bulk

Frank, I can answer only one part of your questions.
        I cut the glass directly on top of the cartoon.  If the glass is
too dark, I use a light box, if it is totally opaque (rarely) I cut the
pattern with a scalpel and draw around it with a permanent felt tip pen,
then cut on the inside of the line as with the cartoon.  
        Of course, I am doing leaded panels.
        But it works for copper foil too.

Steve


In message <1970Jan1.000.0@mediaone.net>, Francis R. Vesey
<frvesey@mediaone.net> writes
>Hello Everyone,
>
>I am new to your list and returning to Stained Glass after several years of
>absense.
>
>I have a few questions.
>What is the best way to prepare your glass for cutting?
>Do you cut a pattern and draw the design on the glass?
>OR
>Do you trace the design with a pattern under the glass?
>
>If you draw the design on the glass. What kind of pen do you use?
>
>Last question. Has anyone used the Toyo Tap Wheel Cutter? And what was your
>experience like?
>
>Thanks in advance.
>
>Frank
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Sat Jan 12 01:18:58 2002
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Christie A. Wood" <Ensembles@compuserve.com>
Subject: Re: Devit
Date: Fri, 11 Jan 2002 22:56:08 +0000
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@compuserve.com>>
Precedence: bulk

I, Of course, have a rather old fashioned view of the devitrification
issue.
        1.  If the glass is so sensitive, maybe we shouldn't be using it
        2.  Borax dissolved in water and sprayed on the glass works as
well as the expensive commercial stuff.  (it is a flux that reduces the
melting temperature of glass in sufficient quantities, and in paints and
enamels.  Too much though, makes the fired paint water soluble over a
period of about 5-6 decades.)
        3.  It is very difficult to get an exactly even or complete
cover of de-vit on the glass, giving in patchy results.
        4. Test every piece of glass before using it in the main
project.  Then you will know whether you need to take any precautions.

But that is just a cranky old man speaking.


Steve

In message <1970Jan1.000.0@compuserve.com>, Christie A. Wood
<Ensembles@compuserve.com> writes
>Message text written by Glenna Rand
>>I would like to know more about "devit" too.
>Where do you buy it?<
>
>Devit solution can be ordered/purchased from most
>stained glass retail suppliers.  Many will not have it in
>stock, but can order it in their next wholesale purchase.
>
>Christie A. Wood
>Art Glass Ensembles
>Denton, TX
>----
>For subscription changes, please mail to: glass-request@bungi.com
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Sat Jan 12 15:36:12 2002
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From: Joan <beadnik@yahoo.com>
To: GlassLites@aol.com, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Glass Etching...!
Date: Fri, 11 Jan 2002 17:16:04 -0800 (PST)
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References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk


Cheryl...

Thank you sooo much for posting this info.  I have one
of those Riso Gocco machines... even got extra
screens.  Never thought to use it to etch my glass,
though.  How do you get the screen to adhere tightly
enough to the glass to get nice crisp lines on the
images, though.

For those of you not familiar with this machine, you
can make a silk screen really easily using any image
(or letters, etc.) that have been done on a regular
black and white copier.  The screens are really easy
to make. I haven't used that machine in a couple of
years... guess I'll be dusting it off.

If anyone has used this to etch glass, I'd really love
to hear more!

Joan

--- GlassLites@aol.com wrote:
> Paul,
> 
> 
> I can offer a suggestion. I have not done this, but
> have the equipment and it is on my to-do list of
> things to try.
> 
> If you are only doing a couple of projects this may
> be too expensive. However, if you are willing to
> spend about $125 the Riso Print Gocco screen printer
> is a way to go.
> 
> I first heard about this from one of my catalogs
> (can't recall which off the top of my head) that
> sells glass etching creams. I have since seen it
> mentioned in several web sites from around the
> world.
> 
> The Print Gocco is a small in-expensive silkscreen
> machine. You "print" your pattern onto the screen
> through a photo process (all equipment and a starter
> set of screens come with the kit). You then apply
> your screen to the glass and apply the etching
> cream. Remove the screen. Wash the glass and your
> job is done. With this system you can make some
> pretty small letters, lines, etc.
> 
> I originally got the Gocco to use as a printer, but
> when I saw it suggested for etching I was really
> glad I got the unit. Now I need time to try it!
> 
> If you get around to trying it before me, please let
> me know how it turns out. Seems to me it should
> work.
> 
> Cheryl Lowe in NJ
> Glass Lites Studio
> 
> 
> 
> In a message dated Thu, 10 Jan 2002  5:20:20 AM
> Eastern Standard Time, paul s <pauls@tsn.cc> writes:
> 
> > Hi,
> > 
> > In my new stained glass course I also learnt how
> to etch on glass with 
> > etching compound.  We use Etchall, down here.
> > 
> > The procedure I  learnt is to clean the glass with
> a cleaning fluid, then 
> > cover both sides of it with clear contact,
> sandwiching the glass inside.
> > 
> > Then place the picture underneath the glass and
> trace around it with a 
> > craft knife, remove the contact that you dont
> want, clean the glass again, 
> > then apply with etchall...etc...
> > 
> > But my question is, I am trying to do smallish
> intricate cutting on the 
> > clear contact, such as letters of a person's name
> on the glass.  And it is 
> > difficult to neatly remove the contact without
> taking off pieces that I 
> > want left there..!!
> > 
> > Any suggestions on a better method for intricate
> cutting....??
> > 
> > Paul.......from Aus......
> > 
> > ----
> > For subscription changes, please mail to:
> glass-request@bungi.com
> > To send to the list,      please mail to:
> glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> 
> 
> ----
> For subscription changes, please mail to:
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From owner-glass Sat Jan 12 23:31:49 2002
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From: Gail Heinzemilne <heinze.g@ns.sympatico.ca>
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Subject: Pool Table Lamps
Date: Tue, 07 Jan 1997 20:01:07 -0400
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I am about to start a 32" pool table lamp and would like to add a bar
across the top for reinforcement. There will be three spiders /
openings. Where and how should this be placed and what type of  bar do
you recommend? Thanks guys!

Gail in Nova Scotia

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From owner-glass Sun Jan 13 15:04:14 2002
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Hi
I've been trying to track McKay International as a supplier of Jack =
Frost Glass Etching solution. Finally found their address/# thru bungi =
and called to get no number at this time> Been trying for months to find =
them. They were or are in NY city. Can u Help at all?=20
Jeff at Riverlily Glass=20

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<DIV><FONT face=3DArial size=3D2>I've been trying to track McKay =
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Please chnge my address immediately to csbdoyon@nni.com. Thank you. 

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From: "pikachu6" <pikachu6@ptd.net>
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Date: Tue, 15 Jan 2002 12:02:33 -0500
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Hi, am combining stained glass with  desk top size metal sculpture.Need =
advice on  metal cutting, been advised to purchase plasma =
cutter($1200.00) bottom of the line, been cutting metal by hand( needed =
recent surgery to repair damage done).It really is a nice combination. =
Any advice would be appreciated.              Thank you  Claudia

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<DIV><FONT size=3D2>Hi, am combining stained glass with&nbsp; desk top =
size metal=20
sculpture.Need advice on&nbsp; metal cutting, been advised to purchase =
plasma=20
cutter($1200.00) bottom of the line, been cutting metal by hand( needed =
recent=20
surgery to repair damage done).It really is a nice combination. Any =
advice would=20
be=20
appreciated.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;=20
 Thank you&nbsp; Claudia</FONT></DIV></BODY></HTML>

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From owner-glass Tue Jan 15 15:32:08 2002
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X-Path: ns.sympatico.ca!heinze.g
From: heinze.g@ns.sympatico.ca (Gail HeinzeMiline)
To: FuchsiaFan@aol.com, glass@bungi.com
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Subject: Re: Pool Table Lamps
Date: Thu, 09 Jan 1997 07:31:46 -0400
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Thanks , Mike. Where can I get those? Have you done this before?

Gail in Nova Scotia

FuchsiaFan@aol.com wrote:

> Gail,
>
> Brass welding rods work well for reinforcing.
>
> Mike in Spokane



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From owner-glass Tue Jan 15 16:17:37 2002
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Please change my email address to&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; csbdoyon@nni.com. Thank you</FONT></HTML>

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From owner-glass Tue Jan 15 17:02:06 2002
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I an active in stained glass in the Orlando area and would like to join
the group.
Ruth Dudley

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From owner-glass Tue Jan 15 17:49:28 2002
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From: "Mike Savad" <esavad@home.com>
To: "pikachu6" <pikachu6@ptd.net>,
Content-Type: text/plain;
Subject: RE: metal sculpture and stained glass
Date: Tue, 15 Jan 2002 20:34:04 -0500
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References: <<1970Jan1.000.0@ptd.net>>
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a plasma cutter is pretty messy and is really only good for exact cuts on
thick metal.

if your not planning on doing alot of metal work, i'd start with a
oxy-acetaline (sp) setup. you can blow through the metal pretty fast and
braze with it too.

plasma cutting is loud and blows hot metal and dust everywhere. and if your
not careful, it's real easy to damage the head.


---Mike Savad


-----Original Message-----
From: pikachu6 [mailto:pikachu6@ptd.net]
Sent: Tuesday, January 15, 2002 12:03 PM
To: glass@bungi.com
Subject: metal sculpture and stained glass


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Hi, am combining stained glass with  desk top size metal sculpture.Need =
advice on  metal cutting, been advised to purchase plasma =
cutter($1200.00) bottom of the line, been cutting metal by hand( needed =
recent surgery to repair damage done).It really is a nice combination. =
Any advice would be appreciated.              Thank you  Claudia

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Hi, am combining stained glass with&nbsp; desk top =
size metal=20
sculpture.Need advice on&nbsp; metal cutting, been advised to purchase =
plasma=20
cutter($1200.00) bottom of the line, been cutting metal by hand( needed =
recent=20
surgery to repair damage done).It really is a nice combination. Any =
advice would=20
be=20
appreciated.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;=20
 Thank you&nbsp; Claudia</FONT></DIV></BODY></HTML>

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From owner-glass Tue Jan 15 21:00:37 2002
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X-Path: one.net!gwood
From: "Gregg Wood" <gwood@one.net>
To: "pikachu6" <pikachu6@ptd.net>,
Content-Type: text/plain;
Subject: Re: metal sculpture and stained glass
Date: Tue, 15 Jan 2002 18:22:47 -0500
Message-ID: <1970Jan1.000.0@one.net>
References: <<1970Jan1.000.0@ptd.net>>
Precedence: bulk

What type of metal?
What thickness of metal?
What overall size?
What kind of shapes?


Plasmas is truly the way to go.
You can get a smallish one for less than $750
(requires external compressed air
Hobart Air Force 250)
(or $950 with internal compressor
Hobart Air Force 250A)

Other options are oxy-acetylene torch but
falls into the category high maintenance,
dangerous in novice or careless hands
but it IS much cheaper.

There is always metal cutting bandsaw.
Not much cheaper than plasma, slow to cut,
limited on overall size and greatly reduced
flexibility.

No easy AND inexpensive way to cut plate metal. :(

-G

----- Original Message -----
From: "pikachu6" <pikachu6@ptd.net>
To: <glass@bungi.com>
Sent: Tuesday, January 15, 2002 12:02 PM
Subject: metal sculpture and stained glass


> This is a multi-part message in MIME format.
>
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>
> Hi, am combining stained glass with  desk top size metal sculpture.Need =
> advice on  metal cutting, been advised to purchase plasma =
> cutter($1200.00) bottom of the line, been cutting metal by hand( needed =
> recent surgery to repair damage done).It really is a nice combination. =
> Any advice would be appreciated.              Thank you  Claudia
>
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> <DIV><FONT size=3D2>Hi, am combining stained glass with&nbsp; desk top =
> size metal=20
> sculpture.Need advice on&nbsp; metal cutting, been advised to purchase =
> plasma=20
> cutter($1200.00) bottom of the line, been cutting metal by hand( needed =
> recent=20
> surgery to repair damage done).It really is a nice combination. Any =
> advice would=20
> be=20
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> nbsp;&nbsp;=20
>  Thank you&nbsp; Claudia</FONT></DIV></BODY></HTML>
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From owner-glass Wed Jan 16 19:33:10 2002
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From: Richard Dudley <rhdudley@att.net>
To: glass@bungi.com
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Subject: Roy Quintal
Date: Wed, 16 Jan 2002 13:55:06 -0500
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Can anyone give us an address or email address for Mr. Roy Quintal?

Thanks,
R. Dudley

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cHJvYmxlbSB3aXRoIHRoZSB3ZWIgc2l0ZSBvciB0byByZXF1ZXN0IGluZm9y
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cyBzZW50IG9ubHkgdG8gZXN0YWJsaXNoZWQgbGlzdHMuPC9mb250PjwvcD4N
CjxwPiZuYnNwOzwvcD4NCjwvYm9keT4NCjwvaHRtbD4NCls2MjQ0QDRdDQo=

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From owner-glass Fri Jan 18 05:03:24 2002
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X-Path: discover.earthlink.net!leslye2
From: Leslye <leslye2@discover.earthlink.net>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: anyone there?
Date: Thu, 17 Jan 2002 18:56:24 -0500
Message-ID: <1970Jan1.000.0@discover.earthlink.net>
Organization: GlassWorks by Leslye
Precedence: bulk

Is anyone out there or have I been cut off of the list?
Leslye


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From owner-glass Fri Jan 18 07:25:16 2002
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Leslye" <leslye2@discover.earthlink.net>,
Content-Type: text/plain;
Subject: RE: anyone there?
Date: Fri, 18 Jan 2002 09:23:05 -0500
Message-ID: <1970Jan1.000.0@home.com>
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i'm here, i just don't really have anything to say....


---Mike Savad


-----Original Message-----
From: Leslye [mailto:leslye2@discover.earthlink.net]
Sent: Thursday, January 17, 2002 6:56 PM
To: Bungi
Subject: anyone there?


Is anyone out there or have I been cut off of the list?
Leslye


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From owner-glass Fri Jan 18 07:57:49 2002
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X-Path: doorpi.net!mmam5
From: mmam5@doorpi.net
To: leslye2@discover.earthlink.net
Content-Type: text/plain
Subject: Re: anyone there?
Date: Fri, 18 Jan 2002 9:28:47 EST
Message-ID: <200201181428.g0IESqw08656@mail1.netacc.net>
Precedence: bulk

Hi Leslye!

I think we're all busy working on projects - hmmmm we'll have to all post
our cool things and let everyone see what we've all been up to!  Myself,
been so busy I haven't had time to update my website yet!  Maybe next week!


Have to go for now.   :)

Marci
Martin Designs
www.mmartindesigns.com

On Thu, 17 Jan 2002 18:56:24 -0500 Leslye wrote:

> Is anyone out there or have I been cut off of the list?
> Leslye
> 
> 
> ----
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From owner-glass Sat Jan 19 00:30:49 2002
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X-Path: midwest.net!pipsplay
From: "Cube" <pipsplay@midwest.net>
To: "Bungi Glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: G-4 Grinder??!!
Date: Fri, 18 Jan 2002 21:55:59 -0600
Message-ID: <1970Jan1.000.0@midwest.net>
Precedence: bulk

Hi, I am still new at this.  as I've looked at grinders I've come across a
G-4 Diamond Glass Grinder with 1" head.  I couldn't find anything about it
at www.glastar.com.  Is anyone familiar with this model?  Is it old and
discontinued?  Or what?

	Thanks,

		Cube


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From owner-glass Sat Jan 19 09:31:04 2002
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	for rglass-42; Sat, 19 Jan 2002 09:12:27 -0800 (PST)
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: Cube <pipsplay@midwest.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: G-4 Grinder??!!
Date: Sat, 19 Jan 2002 08:09:11 -0600
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@midwest.net>>
Organization: glassdancer
Precedence: bulk

I'd recommend glastar grinders.  I use the G-8.  I didnt see a G-4, but
a G-14.  I'd recommend you go ahead and spend a few more dollars and get
the G-12 (the superstar 11).  You'll be glad you have the two different
grinding heads.

Suzanne

Cube wrote:
> 
> Hi, I am still new at this.  as I've looked at grinders I've come across a
> G-4 Diamond Glass Grinder with 1" head.  I couldn't find anything about it
> at www.glastar.com.  Is anyone familiar with this model?  Is it old and
> discontinued?  Or what?
> 
>         Thanks,
> 
>                 Cube
> 
> ----
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From owner-glass Sat Jan 19 19:03:04 2002
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From: "Cheryl Parrott" <theglassparrott@hotmail.com>
To: glass@bungi.com
Content-Type: text/html
Subject: solder  iron
Date: Sat, 19 Jan 2002 14:55:35 -0800
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<html><div style='background-color:'><DIV></DIV>
<DIV></DIV>
<P>Hi,</P>
<P>A friend of mine would like to purchase a used weller 100.&nbsp; Does anyone have an extra iron they would&nbsp; like to sell?&nbsp; If so, how much.&nbsp;&nbsp; you can email&nbsp; her at <A href="mailto:catsareme1@aol.com">catsareme1@aol.com</A>&nbsp;&nbsp; her name is Margie.</P>
<P>Thank you</P>
<P><FONT face="Lucida Handwriting, Cursive" color=#0000cc>Cheryl Parrott</FONT></P>
<DIV></DIV>
<DIV><FONT face="Verdana, Geneva, Arial, Sans-serif"><FONT color=#0000cc>The</FONT><FONT color=#009900> Glass</FONT><FONT color=#0033cc> Parrott </FONT></FONT></DIV>
<DIV></DIV>
<DIV><FONT face="Verdana, Geneva, Arial, Sans-serif" color=#0033cc><A href="mailto:theglassparrott@hotmail.com">theglassparrott@hotmail.com</A></FONT></DIV>
<DIV></DIV>
<DIV><FONT face="Verdana, Geneva, Arial, Sans-serif" color=#0033cc>425 776-8618</FONT></DIV>
<DIV></DIV>
<DIV><FONT face="Verdana, Geneva, Arial, Sans-serif"></FONT></DIV>
<DIV></DIV>
<P><FONT face="Verdana, Geneva, Arial, Sans-serif"></FONT>&nbsp;</P>
<DIV></DIV></div><br clear=all><hr>Get your FREE download of MSN Explorer at <a href='http://go.msn.com/bql/hmtag_etl_EN.asp'>http://explorer.msn.com</a>.<br></html>
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From owner-glass Wed Jan 23 02:52:57 2002
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X-Path: shaw.ca!henco
From: Darlene Hendler <henco@shaw.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: panel prices
Date: Tue, 22 Jan 2002 20:54:16 -0600
Message-ID: <1970Jan1.000.0@shaw.ca>
Precedence: bulk

Hi everyone,

I have been a long time lurker and I know this question has been asked
but I can't seem to access the archives.
How much is reasonable to charge per square foot for a stained glass
panel. Would there be an extra installation charge if it were to be
installed? A friend  has asked me to make a panel and I don't do this
for a living.
Thanks, in advance.
Darlene

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From owner-glass Wed Jan 23 08:02:17 2002
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X-Path: doorpi.net!mmam5
From: mmam5@doorpi.net
To: henco@shaw.ca
Content-Type: text/plain
Subject: Re: panel prices
Date: Wed, 23 Jan 2002 9:48:00 EST
Message-ID: <200201231448.g0NEm5W41631@mail2.netacc.net>
Precedence: bulk

Hi Darlene,

It depends on how much you want to charge. The stained glass Shop near my
home charges up to $150 a square foot. But they have to take into account
their vast overhead - store, stock, employees, etc.

I charge a bit on the cheaper side $85-$95 a square foot. I'm in it for the
love of the hobby and to make a few bucks for fun stuff. My overhead is low
and since I have a regular 8-5 job, 3 kids and a husband, I take up to 8
weeks to complete bigger projects.  I charge extra for wood framing and for
shipping. 

Many of my sales lately have been over the internet and in different
states, so I haven't had to install the windows myself. But I do let the
clients know different ways they can install them. My windows aren't
insulated, so they're put in front of an existing window and held in place
by hanging from hooks or trim work of some sort. . .which the client either
does on their own or has their favorite contractor friend do for them.

Hope this helps you out a bit. Good luck on the project!

Marci
Martin Designs
www.mmartindesigns.com



On Tue, 22 Jan 2002 20:54:16 -0600 Darlene Hendler wrote:

> Hi everyone,
> 
> I have been a long time lurker and I know this question has been
> asked
> but I can't seem to access the archives.
> How much is reasonable to charge per square foot for a stained
> glass
> panel. Would there be an extra installation charge if it were to
> be
> installed? A friend  has asked me to make a panel and I don't do
> this
> for a living.
> Thanks, in advance.
> Darlene
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,	    please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


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From owner-glass Wed Jan 23 17:17:28 2002
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X-Path: gte.net!rhpeltz
From: "Robert H. Peltz" <rhpeltz@gte.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Computer Programs
Date: Wed, 23 Jan 2002 09:18:29 -0800
Message-ID: <1970Jan1.000.0@gte.net>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0007_01C1A3EE.EBE3BFC0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi All:

    Does anyone know of a good, user friendly, computer design program? =
I ran accross a program called Glass 2000. Does anyone use this.  Thanks =
much

Bob Peltz

------=_NextPart_000_0007_01C1A3EE.EBE3BFC0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4207.2601" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi All:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; Does anyone know of =
a good, user=20
friendly, computer design program? I ran accross a program called Glass =
2000.=20
Does anyone use this.&nbsp; Thanks much</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bob Peltz</FONT></DIV></BODY></HTML>

------=_NextPart_000_0007_01C1A3EE.EBE3BFC0--

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From owner-glass Thu Jan 24 07:31:19 2002
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: "Robert H. Peltz" <rhpeltz@gte.net>, <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Re: Computer Programs
Date: Wed, 23 Jan 2002 20:29:24 -0600
Message-ID: <1970Jan1.000.0@doorpi.net>
References: <<1970Jan1.000.0@gte.net>>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_000C_01C1A44C.A5A4DF40
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi Bob,

There are a few different programs out there.  Two that I know of are =
"Pattern Wizard" from SGDesigns.com  http://sgdesigns.com/  and =
Dragonfly Software, http://www.dfly.com/   This might be the one you're =
thinking of  "Glass Eye 2000".  Both programs do the same thing and use =
similar concepts:

a.. Automatically numbers your glass pieces and can print out a numbered =
glass legend.=20
a.. Multi-level undo and redo=20
a.. Rulers and measurement=20
a.. State-of-the-art help system=20
a.. Alignment tools=20
a.. Glass selection=20
a.. Importing graphics, photos or scanned images to trace over
a.. Analysis to find design flaws=20
a.. Records how long a project has been worked on
a.. Materials usage=20
a.. Printing=20

The main difference I've noticed between the two programs is the price . =
.. DragonFly is about $99 for a basic version and $225 for the =
professional. It can be downloaded for a trial version for 30 days.=20

 Pattern Wizard is free for 24 hours of actual program use, and costs =
$39.95.  I've been using pattern wizard for a couple of years and have =
done simple patterns to intricate patterns.  Very easy to bring in =
photos or scanned artwork to make patterns. And the glass simulation is =
awesome. You can download thumbnails of sample glass from the glass =
companies and see how it looks in your finished pattern. Makes seeing =
how your finished product will look much easier and shopping for glass a =
cinch!

Good luck!

Marci
Martin Designs
www.mmartindesigns.com





----- Original Message -----=20
From: "Robert H. Peltz" <rhpeltz@gte.net>
To: <glass@bungi.com>
Sent: Wednesday, January 23, 2002 11:18 AM
Subject: Computer Programs


> This is a multi-part message in MIME format.
>=20
> ------=3D_NextPart_000_0007_01C1A3EE.EBE3BFC0
> Content-Type: text/plain;
> charset=3D"iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>=20
> Hi All:
>=20
>     Does anyone know of a good, user friendly, computer design =
program? =3D
> I ran accross a program called Glass 2000. Does anyone use this.  =
Thanks =3D
> much
>=20
> Bob Peltz
>=20
> ------=3D_NextPart_000_0007_01C1A3EE.EBE3BFC0
> Content-Type: text/html;
> charset=3D"iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>=20
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML><HEAD>
> <META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
> charset=3D3Diso-8859-1">
> <META content=3D3D"MSHTML 5.50.4207.2601" name=3D3DGENERATOR>
> <STYLE></STYLE>
> </HEAD>
> <BODY bgColor=3D3D#ffffff>
> <DIV><FONT face=3D3DArial size=3D3D2>Hi All:</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>&nbsp;&nbsp;&nbsp; Does anyone =
know of =3D
> a good, user=3D20
> friendly, computer design program? I ran accross a program called =
Glass =3D
> 2000.=3D20
> Does anyone use this.&nbsp; Thanks much</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2></FONT>&nbsp;</DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Bob =
Peltz</FONT></DIV></BODY></HTML>
>=20
> ------=3D_NextPart_000_0007_01C1A3EE.EBE3BFC0--
>=20
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>=20

------=_NextPart_000_000C_01C1A44C.A5A4DF40
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>Hi Bob,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>There are a few different programs out =
there.&nbsp;=20
Two that I know of are&nbsp;"Pattern Wizard" =
from&nbsp;SGDesigns.com&nbsp;=20
</FONT><A href=3D"http://sgdesigns.com/"><FONT face=3DArial=20
size=3D2>http://sgdesigns.com/</FONT></A><FONT face=3DArial><FONT =
size=3D2>&nbsp;=20
and&nbsp;</FONT><FONT size=3D2>Dragonfly Software, <A=20
href=3D"http://www.dfly.com/"><FONT face=3DArial=20
size=3D2>http://www.dfly.com/</FONT></A>&nbsp;&nbsp; This might be the =
one you're=20
thinking of&nbsp; "Glass Eye 2000". &nbsp;Both programs do the same =
thing and=20
use similar concepts:</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<LI><FONT face=3DArial>Automatically numbers your glass pieces and can =
print out a=20
numbered glass legend. </FONT>
<LI><FONT face=3DArial size=3D2>Multi-level undo and redo </FONT>
<LI><FONT face=3DArial size=3D2>Rulers and measurement </FONT>
<LI><FONT face=3DArial size=3D2>State-of-the-art help system </FONT>
<LI><FONT face=3DArial size=3D2>Alignment tools </FONT>
<LI><FONT face=3DArial size=3D2>Glass selection </FONT></LI></DIV>
<DIV>
<LI><FONT face=3DArial size=3D2>Importing graphics,&nbsp;photos or =
scanned=20
images&nbsp;to trace over</FONT>
<LI><FONT face=3DArial size=3D2>Analysis to find design flaws </FONT>
<LI><FONT face=3DArial size=3D2>Records how long a project has been =
worked on</FONT>
<LI><FONT face=3DArial size=3D2>Materials usage </FONT>
<LI><FONT face=3DArial size=3D2>Printing </FONT></LI></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The main difference I've noticed =
between the two=20
programs is the price . .. DragonFly is about $99 for a basic version =
and $225=20
for the professional.&nbsp;It can be downloaded for a trial version for =
30=20
days.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;Pattern Wizard is free for 24 =
hours of actual=20
program use, and&nbsp;costs $39.95.&nbsp; I've been using pattern wizard =
for a=20
couple of years and have done simple patterns to intricate =
patterns.&nbsp; Very=20
easy to bring in photos or scanned artwork to make patterns. And the =
glass=20
simulation is awesome. You can download thumbnails of sample glass from =
the=20
glass companies and see how it looks in your finished pattern. Makes =
seeing how=20
your finished product will look much easier and shopping for glass a=20
cinch!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Good luck!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Marci</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Martin Designs</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.mmartindesigns.com">www.mmartindesigns.com</A></FONT><=
/DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>----- Original Message ----- </FONT>
<DIV><FONT face=3DArial size=3D2>From: "Robert H. Peltz" &lt;</FONT><A=20
href=3D"mailto:rhpeltz@gte.net"><FONT face=3DArial=20
size=3D2>rhpeltz@gte.net</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>To: &lt;</FONT><A=20
href=3D"mailto:glass@bungi.com"><FONT face=3DArial=20
size=3D2>glass@bungi.com</FONT></A><FONT face=3DArial =
size=3D2>&gt;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sent: Wednesday, January 23, 2002 11:18 =

AM</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Subject: Computer =
Programs</FONT></DIV></DIV>
<DIV><FONT face=3DArial><BR><FONT size=3D2></FONT></FONT></DIV><FONT =
face=3DArial=20
size=3D2>&gt; This is a multi-part message in MIME format.<BR>&gt; =
<BR>&gt;=20
------=3D_NextPart_000_0007_01C1A3EE.EBE3BFC0<BR>&gt; Content-Type:=20
text/plain;<BR>&gt; charset=3D"iso-8859-1"<BR>&gt; =
Content-Transfer-Encoding:=20
quoted-printable<BR>&gt; <BR>&gt; Hi All:<BR>&gt; <BR>&gt; =
&nbsp;&nbsp;&nbsp;=20
Does anyone know of a good, user friendly, computer design program? =
=3D<BR>&gt; I=20
ran accross a program called Glass 2000. Does anyone use this.&nbsp; =
Thanks=20
=3D<BR>&gt; much<BR>&gt; <BR>&gt; Bob Peltz<BR>&gt; <BR>&gt;=20
------=3D_NextPart_000_0007_01C1A3EE.EBE3BFC0<BR>&gt; Content-Type:=20
text/html;<BR>&gt; charset=3D"iso-8859-1"<BR>&gt; =
Content-Transfer-Encoding:=20
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HTML 4.0=20
Transitional//EN"&gt;<BR>&gt; &lt;HTML&gt;&lt;HEAD&gt;<BR>&gt; &lt;META=20
http-equiv=3D3DContent-Type content=3D3D"text/html; =3D<BR>&gt;=20
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5.50.4207.2601"=20
name=3D3DGENERATOR&gt;<BR>&gt; &lt;STYLE&gt;&lt;/STYLE&gt;<BR>&gt;=20
&lt;/HEAD&gt;<BR>&gt; &lt;BODY bgColor=3D3D#ffffff&gt;<BR>&gt; =
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&lt;DIV&gt;&lt;FONT=20
face=3D3DArial size=3D3D2&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Does anyone =
know of=20
=3D<BR>&gt; a good, user=3D20<BR>&gt; friendly, computer design program? =
I ran=20
accross a program called Glass =3D<BR>&gt; 2000.=3D20<BR>&gt; Does =
anyone use=20
this.&amp;nbsp; Thanks much&lt;/FONT&gt;&lt;/DIV&gt;<BR>&gt; =
&lt;DIV&gt;&lt;FONT=20
face=3D3DArial size=3D3D2&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/DIV&gt;<BR>&gt; =

&lt;DIV&gt;&lt;FONT face=3D3DArial size=3D3D2&gt;Bob=20
Peltz&lt;/FONT&gt;&lt;/DIV&gt;&lt;/BODY&gt;&lt;/HTML&gt;<BR>&gt; =
<BR>&gt;=20
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From owner-glass Fri Jan 25 17:29:18 2002
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X-Path: aol.com!GlassLites
From: GlassLites@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: Computer Programs
Date: Fri, 25 Jan 2002 20:09:35 EST
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

In a message dated 1/23/02 8:18:30 PM Eastern Standard Time, rhpeltz@gte.net 
writes:

> 
>  Hi All:
>  
>      Does anyone know of a good, user friendly, computer design program? =
>  I ran accross a program called Glass 2000. Does anyone use this.  Thanks =
>  much
>  
>  Bob Peltz
>  

I have the professional version of GlassEye 2000. I previously had the 
original version of this program developed several years ago. I would not be 
without it.

If you are familiar with the use of CAD programs you can use it almost 
instantly. If drawing programs are new to you, follow the tutorial with 
GlassEye and be up and running with simple patterns in about 1/2 hour.

I love this program. But there are others out there. Pattern Wizard has been 
mentioned. American Bevel also makes a program. All can be downloaded as 
demos to try. I recommend taking them all for test drives and see which works 
best for you.

Cheryl Lowe
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From owner-glass Fri Jan 25 20:10:10 2002
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X-Path: attbi.com!byronw26
From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Computer Programs
Date: Wed, 23 Jan 2002 20:45:58 -0600
Message-ID: <1970Jan1.000.0@attbi.com>
References: <<1970Jan1.000.0@gte.net>>
Precedence: bulk

Hi Bob...

I've been using GE about 5 years now and love it...I do most of my drawing
on the desktop since I have it hooked to a 36" plotter printer but I also
take it right to the customer via my laptop...Customers are amazed at how
fast you can switch pieces,change colors etc... Try that with a pencil! I
would say its the easiest drawing program I ever learned... Corel draw and
others have their places but they are loaded down with so many features and
gobbldygook it's hard to get anything done...

Byron...
Wells Glassworks

----- Original Message -----
From: "Robert H. Peltz" <rhpeltz@gte.net>
To: <glass@bungi.com>
Sent: Wednesday, January 23, 2002 11:18 AM
Subject: Computer Programs


>
> Hi All:
>
>     Does anyone know of a good, user friendly, computer design program? =
> I ran accross a program called Glass 2000. Does anyone use this.  Thanks =
> much
>
> Bob Peltz


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From owner-glass Sat Jan 26 07:01:11 2002
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X-Path: sympatico.ca!tandg.higson
From: Gillian Higson <tandg.higson@sympatico.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii; format=flowed
Subject: Bluejay pattern
Date: Sat, 26 Jan 2002 09:54:35 -0600
Message-ID: <1970Jan1.000.0@sympatico.ca>
Precedence: bulk

Hello everyone
I hope someone can help me.  I want a copy of the cover panel on Down 
the Garden Path by Terra.  Actually I want the Blue jay .  If some one 
has the book and a scanner, I would  greatly appreciate a scan of just 
the jay.  Please remember to  send to me off list.  Thank you very much.
Regards
Gillian


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From owner-glass Sun Jan 27 13:01:50 2002
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X-Path: sympatico.ca!tandg.higson
From: Gillian Higson <tandg.higson@sympatico.ca>
To: Sue Reitmann <oddjob@scc.net>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii; format=flowed
Subject: Re: Bluejay pattern
Date: Sun, 27 Jan 2002 12:35:44 -0600
Message-ID: <1970Jan1.000.0@sympatico.ca>
References: <<01C1A696.01DC3B00@145-235.dialup.scc.net>>
Precedence: bulk

Hi Sue
Yes, Spectrum does have a Jay, but I think it looks more like a 
cardinal.  I have my heart set on the other one.  I live in Canada, and 
most  pattern books are now in the $25 -$30 range.  So I really have to 
watch what I buy .
Regards
Gillian

Sue Reitmann wrote:

>Weird coincidence.........I was just looking for a bluejay today. I don't 
>have the book you want but Spectrum has a great one in their free patterns 
>on their website. www.spectrumglass.com
>It is in set # 16.
>Good luck!
>Sue ( in Mpls.,MN)
>
>----------
>From: 	Gillian Higson[SMTP:tandg.higson@sympatico.ca]
>Sent: 	Saturday, January 26, 2002 9:54 AM
>To: 	glass@bungi.com
>Subject: 	Bluejay pattern
>
>Hello everyone
>I hope someone can help me.  I want a copy of the cover panel on Down
>the Garden Path by Terra.  Actually I want the Blue jay .  If some one
>has the book and a scanner, I would  greatly appreciate a scan of just
>the jay.  Please remember to  send to me off list.  Thank you very much.
>Regards
>Gillian
>
>
>----
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>Archives available at http://www.bungi.com/glass
>
>
>
>
>


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From owner-glass Sun Jan 27 19:20:06 2002
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From: Gillian Higson <tandg.higson@sympatico.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii; format=flowed
Subject: (no subject)
Date: Sun, 27 Jan 2002 12:41:11 -0600
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I understand what you're saying, Skip, but I live in Canada .  The book 
is closer to Thirty dollars up here, and the only thing in the whole 
book that I like is that Jay.  Just thought I'd save myself another
not really necessary purchase, that's all. Didn't expect to get shot at 
for it.
Regards
Gillian

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From owner-glass Tue Jan 29 06:05:24 2002
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: "Gillian Higson" <tandg.higson@sympatico.ca>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Bluejay pattern
Date: Tue, 29 Jan 2002 06:50:36 -0600
Message-ID: <1970Jan1.000.0@doorpi.net>
References: <<1970Jan1.000.0@sympatico.ca>>
Precedence: bulk

Hi Gillian,

I think some of us misundertsood you, I have a BlueJay pattern you might
like. Give me about a 1/2 hour and I'll scan it in and send it over to you.
It's not from the book you mentioned, but looks very much like a blueJay and
not a cardinal. You should be able to adapt it to the pattern you're looking
for!

Hang in there!

Marci
Martin Designs


----- Original Message -----
From: "Gillian Higson" <tandg.higson@sympatico.ca>
To: <glass@bungi.com>
Sent: Saturday, January 26, 2002 9:54 AM
Subject: Bluejay pattern


> Hello everyone
> I hope someone can help me.  I want a copy of the cover panel on Down
> the Garden Path by Terra.  Actually I want the Blue jay .  If some one
> has the book and a scanner, I would  greatly appreciate a scan of just
> the jay.  Please remember to  send to me off list.  Thank you very much.
> Regards
> Gillian
>
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>


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From owner-glass Tue Jan 29 16:03:43 2002
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From: "Lavrich, Carol" <LavrichC@usa.redcross.org>
To: glass@bungi.com
Content-Type: text/plain;
Subject: Stamping on Glass
Date: Tue, 29 Jan 2002 18:30:23 -0500
Message-ID: <1970Jan1.000.0@usa.redcross.org>
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RE:  Stamping on Glass

Has anyone in the group tried stamping on glass w/rubberstamps?  What
techniques do you use to make it permanent?  Thanks.  Carol
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From owner-glass Tue Jan 29 22:33:30 2002
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From: Suzanne Gunn <gunnx4@home.com>
To: glass@bungi.com
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Subject: new email address
Date: Tue, 29 Jan 2002 18:18:38 -0600
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Im in the hideous process of converting from @home to my new cable
account.

My new email address will be (hopefully soon) 

gunnx4@cox.net

Thanks

Suzanne
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From owner-glass Wed Jan 30 07:54:33 2002
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Non_Glass - Credit Card Fraud
Date: Mon, 28 Jan 2002 16:24:06 -0800 (PST)
Message-ID: <1970Jan1.000.0@slonet.org>
Precedence: bulk

Just wanted to tell folk to be extra careful about your credit cards.  I
had a call from my banker this morning asking if I had authorized a
certain individual to use my card.  When I said no, I was informed that
there had been over $2,000 charged for car rental and airline tickets.
Fortunately the car rental person contacted the bank and found the name
and address on the card did not match.  I was also told the charges
originated at hotwire.com on the Internet.  I was fortunate.  I just
wanted to share this bit of information as a reminder it could happen to
you.  I am still trying to understand where someone got hold of my credit
card number.  The bank has stopped charges and will now issue a new card.
Take care.  Peggy

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From owner-glass Wed Jan 30 10:02:24 2002
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Stamping on Glass
Date: Wed, 30 Jan 2002 06:54:25 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

use etching cream rather than ink. you can get that at a stained glass shop.

regards,
charlie
phx, az

> -----Original Message-----
> From: Lavrich, Carol [mailto:LavrichC@usa.redcross.org]
> Sent: Tuesday, January 29, 2002 4:30 PM
> To: glass@bungi.com
> Subject: Stamping on Glass
> 
> 
> RE:  Stamping on Glass
> 
> Has anyone in the group tried stamping on glass w/rubberstamps?  What
> techniques do you use to make it permanent?  Thanks.  Carol
> ----
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> Archives available at http://www.bungi.com/glass
> 
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From owner-glass Wed Jan 30 10:27:24 2002
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Peggy W. Johnsen" <edupjohn@slonet.org>,
Content-Type: text/plain;
Subject: RE: Non_Glass - Credit Card Fraud
Date: Wed, 30 Jan 2002 13:04:09 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@slonet.org>>
Precedence: bulk

they can get it from a number of sources. online with an unsecured site. on
a mailed statement. or someone who works for a store that takes the number.

i used to be a shipper, one of the things we did, was give rebates for a
store all we needed was the copy of a the reciept. you would'nt believe how
many people left their credit card number there. if i was a theiving kind of
person, it would have been so easy to scoop them all up and go on a spending
spree.


---Mike Savad

-----Original Message-----
From: Peggy W. Johnsen [mailto:edupjohn@slonet.org]
Sent: Monday, January 28, 2002 7:24 PM
To: glass@bungi.com
Subject: Non_Glass - Credit Card Fraud


Just wanted to tell folk to be extra careful about your credit cards.  I
had a call from my banker this morning asking if I had authorized a
certain individual to use my card.  When I said no, I was informed that
there had been over $2,000 charged for car rental and airline tickets.
Fortunately the car rental person contacted the bank and found the name
and address on the card did not match.  I was also told the charges
originated at hotwire.com on the Internet.  I was fortunate.  I just
wanted to share this bit of information as a reminder it could happen to
you.  I am still trying to understand where someone got hold of my credit
card number.  The bank has stopped charges and will now issue a new card.
Take care.  Peggy

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From owner-glass Thu Jan 31 13:34:11 2002
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X-Path: attbi.com!byronw26
From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Insulated glass
Date: Wed, 30 Jan 2002 20:40:22 -0600
Message-ID: <1970Jan1.000.0@attbi.com>
References: <<1970Jan1.000.0@slonet.org>>
Precedence: bulk

Hey all...

Anyone on here doing their insulated glass around their panels?? Dunno about
building codes in the rest of the country but here in the Dallas area of
Texas they are all starting to adopt some new code which says that all new
construction must use Low-E glass in all windows and doors.. They are
granting one exception per home for either a window of some sort or a leaded
glass front door.. Thats fine but most of the houses I work on do several
windows and the front doors... I do build windows to fit just inside of the
regular double pane windows but they dont always look that great from the
outside... To much reflection between all the layers of glass...

Byron...
Wells Glassworks

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From owner-glass Thu Jan 31 15:16:44 2002
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Insulated glass
Date: Thu, 31 Jan 2002 17:10:38 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by "Byron Wells"
>Anyone on here doing their insulated glass around their panels?? Dunno
about
building codes in the rest of the country but here in the Dallas area of
Texas they are all starting to adopt some new code which says that all ne=
w
construction must use Low-E glass in all windows and doors.. They are
granting one exception per home for either a window of some sort or a
leaded
glass front door.. Thats fine but most of the houses I work on do several=

windows and the front doors... I do build windows to fit just inside of t=
he
regular double pane windows but they dont always look that great from the=

outside... To much reflection between all the layers of glass...<

Yes, I've done stained glass panels which are then sandwitched
inbetween two layers of insulated and/or low-E glass.  There are
certain restrictions you have to follow in the stained glass window
construction in order for the insulated glass window assembler to
use your panel.  When you take the order from your client, immediately
call up a local regular window/mirror company and ask them to give
you a quote for construction of an insulated unit with stained glass
on the inside.  They will probably not do it themselves, but will then
call up a 3rd party insulated window assembler in the area.  You will
need to give them overall dimensions of the window (total - including
frame and how thick the insulated glass is to be).  They will then tell
YOU what size you need to construct your stained glass panel to...
and also if they want an exterior frame on the panel or not.  Most do
not want a zinc or lead frame put on the outside edge of the stained
glass panel.  Most will not have worked with a stained glass artist
before, so insist that you can talk directly with the insulated window
assembler in order to get the requirements fully defined and priced.
And don't be shocked if their price per insulated unit comes up to
3 times what you're quoting for making the stained glass panel.

Christie A. Wood
Art Glass Ensembles
Denton, TX
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From owner-glass Thu Jan 31 16:20:11 2002
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X-Path: doorpi.net!mmam5
From: "Marci" <mmam5@doorpi.net>
To: "Christie A. Wood" <Ensembles@compuserve.com>, "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Insulated glass
Date: Thu, 31 Jan 2002 18:06:07 -0600
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References: <<1970Jan1.000.0@compuserve.com>>
Precedence: bulk

Thanks for the information Christie! I've had customers ask about insulated
windows also. I figured they were on the costly side - but the window itself
would be preserved and protected greatly.

Marci
Martin Designs
www.mmartindesigns.com


----- Original Message -----
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: "Bungi" <glass@bungi.com>
Sent: Thursday, January 31, 2002 4:10 PM
Subject: Insulated glass


> Message text written by "Byron Wells"
> >Anyone on here doing their insulated glass around their panels?? Dunno
> about
> building codes in the rest of the country but here in the Dallas area of
> Texas they are all starting to adopt some new code which says that all ne=
> w
> construction must use Low-E glass in all windows and doors.. They are
> granting one exception per home for either a window of some sort or a
> leaded
> glass front door.. Thats fine but most of the houses I work on do several=
>
> windows and the front doors... I do build windows to fit just inside of t=
> he
> regular double pane windows but they dont always look that great from the=
>
> outside... To much reflection between all the layers of glass...<
>
> Yes, I've done stained glass panels which are then sandwitched
> inbetween two layers of insulated and/or low-E glass.  There are
> certain restrictions you have to follow in the stained glass window
> construction in order for the insulated glass window assembler to
> use your panel.  When you take the order from your client, immediately
> call up a local regular window/mirror company and ask them to give
> you a quote for construction of an insulated unit with stained glass
> on the inside.  They will probably not do it themselves, but will then
> call up a 3rd party insulated window assembler in the area.  You will
> need to give them overall dimensions of the window (total - including
> frame and how thick the insulated glass is to be).  They will then tell
> YOU what size you need to construct your stained glass panel to...
> and also if they want an exterior frame on the panel or not.  Most do
> not want a zinc or lead frame put on the outside edge of the stained
> glass panel.  Most will not have worked with a stained glass artist
> before, so insist that you can talk directly with the insulated window
> assembler in order to get the requirements fully defined and priced.
> And don't be shocked if their price per insulated unit comes up to
> 3 times what you're quoting for making the stained glass panel.
>
> Christie A. Wood
> Art Glass Ensembles
> Denton, TX
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>


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From owner-glass Thu Jan 31 16:31:08 2002
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Subject: Re: Insulated glass
Date: Thu, 31 Jan 2002 19:11:57 EST
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Precedence: bulk

Hello,

Regarding your questions of insulating stained glass.  We do this everyday at 
our shop.  We use 2 pieces of  anneal, low-e or tempered glass and sandwich 
the art glass inside.  If we are using art glass in a door, sidelights, 
transom,  it must be tempered it could be tempered and low e.
The channel  we usually use when we build the stained glass is  a Y channel, 
or a U  channel. This you can get at any stained glass supplier.  Although we 
do our own insulating here, I would suggest you check with a window 
manufacturer they will usually insulate this for you.  (example of cost  22 x 
64 art glass using 2 pieces of tempered glass- $ 50-60 (for the tempered 2 
pieces of  glass) and $ 75.00 to insulate it.  The thickness depends----- 
could be 5/8  to 1"  Keep in mind when you build the art piece if you are 
using big bevels or jewels you will need it at least 1".
The low-E glass goes on the outside only. 
I hope this has been helpful

Bob,  
Window & Door Art Glass Specialties Inc.
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From owner-glass Thu Jan 31 21:31:08 2002
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From: Cecily & Ralph Wood <cecnralph@comcast.net>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type=54455854;
Subject: Re: Hello
Date: Fri, 01 Feb 2002 00:22:36 -0500
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References: <<1970Jan1.000.0@doorpi.net>>
Organization: Grendel Studio
Precedence: bulk

Don't waste money on Mark Stay.. Buy a tube of Vasoline (petroleum jelly).
Does the same thing and it's cheaper and easier to use.  Mark Stay has bee's
wax and is just too hard. - Cec

Marci wrote:

> Hi Frank!
>
> Welcome to the group. I usually clean up my glass to get the dust and finger
> prints off. I've gotten into the habit of just drawing the pattern onto the
> glass. Some jell pens work OK.  But I have the best luck with gold/silver
> metallic markers - slim or fine tip. They usually cost a bit more, but the
> pattern stays on well even thru grinding.  I just recently came across some
> cool stuff called Mark Stay (http://www.stainedglasswarehouse.com/),
> professional mark perserver.  You can use a felt tip marker for making your
> pattern then apply a thin film of Mark Stay with your finger. It will keep
> the pattern visible thru the grinding process. It washes off with soap and
> water.
>
> If you can get a light box (or make one) then you can trace the pattern thru
> just about any glass.
>
> Good Luck!
>
> Marci
> Martin Designs
>
> ----- Original Message -----
> From: "Francis R. Vesey" <frvesey@mediaone.net>
> To: "FUN - Stained Glass Forum" <glass@bungi.com>
> Sent: Friday, January 11, 2002 11:39 AM
> Subject: Hello
>
> > Hello Everyone,
> >
> > I am new to your list and returning to Stained Glass after several years
> of
> > absense.
> >
> > I have a few questions.
> > What is the best way to prepare your glass for cutting?
> > Do you cut a pattern and draw the design on the glass?
> > OR
> > Do you trace the design with a pattern under the glass?
> >
> > If you draw the design on the glass. What kind of pen do you use?
> >
> > Last question. Has anyone used the Toyo Tap Wheel Cutter? And what was
> your
> > experience like?
> >
> > Thanks in advance.
> >
> > Frank
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> >
>
> ----
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> Archives available at http://www.bungi.com/glass

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From owner-glass Fri Feb  1 00:00:55 2002
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From: "Byron Wells" <byronw26@attbi.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Looking for wire mesh
Date: Thu, 31 Jan 2002 19:42:34 -0600
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This is a multi-part message in MIME format.

------=_NextPart_000_00AC_01C1AA8F.6DB4DF60
Content-Type: text/plain;
	charset="iso-8859-1"
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Hey all...

I'm looking for a nice wire mesh/screen (yes I know it's not glass)  I =
have a regular customer that wants some of that in a wine cabinet door =
instead of the usual Antique/seedy etc glass I usually put in...

Thanks in advance!
Byron...
Wells Glassworks

------=_NextPart_000_00AC_01C1AA8F.6DB4DF60
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey all...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm looking for a nice wire mesh/screen =
(yes I know=20
it's not glass)&nbsp; I have a regular customer that wants some of that =
in a=20
wine cabinet door instead of the usual Antique/seedy etc glass I usually =
put=20
in...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks in advance!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Byron...<BR>Wells=20
Glassworks</FONT></DIV></BODY></HTML>

------=_NextPart_000_00AC_01C1AA8F.6DB4DF60--

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