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From: "George E. Byrnes" <tbyrnes@iconn.net>
To: Bungi Glasslist <glass@bungi.com>
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Subject: Remove me
Date: Wed, 01 Aug 2001 10:02:54 -0400
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Glenna,
PLease remove me from your list until further notice.
Thank you,
Tim Byrnes

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From owner-glass Wed Aug  1 10:01:38 2001
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From: "Finasta Travel & Tour Pvt. Ltd" <saifee@bom3.vsnl.net.in>
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Subject: Hi Bungi Members
Date: Tue, 31 Jul 2001 16:46:46 +0530
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Does anyone know what type of Machine is used for "Profile Cutting" of glass
for thickeness 10-12 mm, in  shapes and sizes as desired.Could anyone throw
light on the make of the machine .

Fina

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From owner-glass Wed Aug  1 10:34:26 2001
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From: Mary Austin <diamonds2@ameritech.net>
To: diamonds2@ameritech.net, Arvie R McClish <ARMCCLISH@prodigy.net>,
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Subject: Fwd: MADD-Please  read and sign
Date: Tue, 31 Jul 2001 14:34:51 -0500
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488. Sami  Luscas
489. Mary Austin
499. Brandy Allred
500. Shane Allred
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Subject: MADD-Please  read and sign
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<< PLEASE READ TO THE END AND SIGN!!! thank you! ***MADD (What a touching=20
 poem!)=20
 "I Went To A Party, Mom"=20
 I went to a party,=20
 And remembered what you said.=20
 You told me not to drink, Mom=20
 So I had a sprite instead.=20
 =20
 I felt proud of myself,=20
 The way you said I would,=20
 That I didn't drink and drive,=20
 Though some friends said I should.=20
 =20
 I made a healthy choice,=20
 And your advice to me was right,=20
 The party finally ended,=20
 And the kids drove out of sight.=20
 =20
 I got into my car,=20
 Sure to get home in one piece,=20
 I never knew what was coming, Mom=20
 Something I expected least.=20
 =20
 Now I'm lying on the pavement,=20
 And I hear the policeman say,=20
 "The kid that caused this wreck was drunk,"=20
 Mom, his voice seems far away.=20
 =20
 My own blood's all around me,=20
 As I try hard not to cry.=20
 I can hear the paramedic say,=20
 This girl is going to die."=20
 =20
 I'm sure the guy had no idea,=20
 While he was flying high,=20
 ! Because he chose to drink and drive,=20
 Now I would have to die.=20
 =20
 So why do people do it, Mom=20
 Knowing that it ruins lives?=20
 And now the pain is cutting me,=20
 Like a hundred stabbing knives.=20
 =20
 Tell sister not to be afraid, Mom=20
 Tell daddy to be brave,=20
 And when I go to heaven,=20
 Put "Daddy's Girl" on my grave.=20
 =20
 Someone should have taught him,=20
 That it's wrong to drink and drive.=20
 Maybe if his parents had,=20
 I'd still be alive.=20
 =20
 My breath is getting shorter, Mom=20
 I'm getting really scared.=20
 These are my final moments,=20
 And I'm so unprepared.=20
 =20
 I wish that you could hold me Mom,=20
 As I lie here and die.=20
 I wish that I could say I love you, Mom=20
 So I love you and good-bye.=20
 =20
 WE ARE HOPING TO GET 5,000 SIGNATURES ON THIS, THEN PASS IT ON TO THE=20
 PRESIDENT.=20
 PLEASE SIGN. When this petition has reached 5,000, please return it to:=20
 MADD=20
 P.O. Box 541688=20
 Dallas, TX 75354-1688=20
 info@madd.org <mailto:info@madd.org>=20
 1-800-GET-MADD=20
 =20
 IF YOU GET THIS PETITION AND JUST DELETE IT, YOUR SELFISHNESS KNOWS NO=20
 BOUNDS... SIGNING IS SUCH A SMALL EFFORT TO MAKE.  AFTER YOU'VE READ THE=20
 POEM, PLEASE ADD YOUR NAME AT THE BOTTOM.  AND NEVER FORGET ... DON'T DRINK=
=20
 AND DRIVE. EVER. NOT EVEN ONCE, THINKING IT WON'T MATTER - IT WILL MATTER.=20
 How to set it up!=20
 1. Copy the entire e-mail.=20
 2. Paste it into a new e-mail.=20
 3. SIGN YOUR NAME AT THE BOTTOM.=20
 4. Then send it to everyone you know.=20
 =20
 THE NAMES:=20
 1. Adam Ross Kalesperis=20
 2. Deanne Perozzi=20
 3. Rafael Nash=20
 4. Courtney Easter=20
 5. James Chandler.=20
 6. Tracy Lamont=20
 7. Trace Arbisi=20
 8. Faye Hollenbeck=20
 9. Devin E. Davis=20
 10.    Starla Shaver=20
 11.    Theresa Brehm=20
 12.    Lisa Brehm=20
 13.    Courtney Barnett=20
 14.    Erika Hurst=20
 15.    Kym Moschgat=20
 16.    Michael Hansen=20
 17.    Matt Weston=20
 18.    Laura Bunch=20
 19.    Daniel Lawson=20
 20.    Ashley Byrd=20
 21.    Brian Chadwell=20
 22.    Bonnie Morrical=20
 23.    Susan S=20
 24.    Michele Zader.=20
 25.    Denise Marie Haines=20
 26.    Keshia Marie Siders=20
 27.    Amy Sue Tresenrider=20
 28.    Tracie Balthaser=20
 29.    Diana Kaufman=20
 30.    Brooke Newkirk=20
 31.    AARON BLACKBURN=20
 32.    Christina M.B.=20
 33.    Crystal Mckenzie=20
 34.    Kate Laroche=20
 35.    Callie Firman=20
 36.    Christy Turner=20
 37.    Rebecca Turner=20
 38.    Elena Thomas=20
 39.    Missy Burke=20
 40.    Erin McCalla=20
 41.    Lindsay Potrafke=20
 42.    Jenny Eckel=20
 43.    Cassandra Duggan=20
 44.    Amy Liebisch=20
 45.    Eric Widmeyer=20
 46.    Alisa Huth=20
 47.    Pam Augustine=20
 48.    Leanne Trdinich=20
 49.    Megan LeDonne=20
 50.    Kristen Kennedy=20
 51.    Maura Bennardo=20
 52.    Lisa Wilt=20
 53.    Amanda Pietz=20
 54.    David DiCosol=20
 55.    Connie Carozza=20
 56.    Jaime Jacoby=20
 57.    Erin Edmunds=20
 58.    Erin Berecek=20
 59.    Becky Porter=20
 60.    Alana Miller=20
 61.    Carrie Vermillion=20
 62.    Susan Spearing=20
 63.    Gaye Sougstad=20
 64.    Lynn Snider=20
 65.    David Shores=20
 66.    Carol Conway=20
 67.    Natalie Fair=20
 68.    Alissa Lloyd=20
 69.    Rebecca Wheeler=20
 70.    Lisa Riedel=20
 71.    Eric Vaughan=20
 72.    Danielle Seaman=20
 73.    Elizabeth Ambrose=20
 74.    Katy Mahannah=20
 75.    Susan Hall=20
 76.    MIRANDA CUNDY!!=20
 77.    Meg Kells-Murphy=20
 78.    Samantha Kaiser=20
 79.    Travis Lincoln=20
 80.    Randy=20
 81.    Chris Virgate=20
 82.    Matthew Burbles=20
 83.    Crystal Dambowsky=20
 84.    Kyle freaken McEneany=20
 85.    Krystal Scharn=20
 86.    Lau!ra Rothrock=20
 87.    Bethany Bucci=20
 88.    Amy Satkevich=20
 89.    Christine Rich (ween=20
 90.    Courtney Reilly=20
 91.    Lauren Tighe=20
 92.    Jackie White=20
 93.    Liz Farrell=20
 94.    Kathryn M.=20
 95.    Heather Anne Lowery=20
 96.    Katie Jo=20
 97.    Cara Brenner=20
 98.    Emily Green=20
 99.    Emily Harris=20
 100.   Emily Chen=20
 101.   Sarah Schererm=20
 102.   Eric Eisenberg=20
 104.   SlickDan Goldstein=20
 105.   Abby Kimmelman=20
 106.   Alyssa Lee=20
 107.   David Hoffman=20
 108.   Celia Kather=20
 109.   Susan Ginn=20
 110.   Carly Smith=20
 111.   Anna Karis=20
 112.   Alison Deffenbaugh=20
 113.   Litzi Paredes=20
 114.   Teresa Eldridge=20
 115.   Stephanie Reese=20
 116.   Jamie Turner=20
 117.   Jenny Showalter=20
 118.   Meg Wooldridge=20
 119.   Kevin T$chai=20
 120.   Loan Ng! uyen=20
 121.   Elizabeth Yorns=20
 122.   Katie McGowan=20
 123.   Angie Henderson=20
 124.   The Troyfish of VT=20
 125.   Natalie Corrigan of VT=20
 126.   Dyanis Conrad=20
 127.   Vasil Popov=20
 128.   Marie Huitt=20
 129.   Jessi McMahan=20
 130.   Courtney Kelly=20
 131.   Tracy Smith=20
 132.   Jenny Fisher=20
 133.   Sally J. James-in memory of=20
 134.   Rachael Harness=20
 135.   Jan E. Conley=20
 136.   Kari M.Fellers=20
 137.   Dawn Love=20
 138.   Staci Smith=20
 139.   Douglas Blair=20
 140.   Brooke Rhea=20
 141.   Rachel Hammons=20
 142.   Brian Gallion=20
 143.   Ben Morrow=20
 144.   William Burden=20
 145.   Erica M. Smothers=20
 146.   Jason Wilchie=20
 147.   Frank Smith=20
 148.   Kevin Rider=20
 149.   Matt Masley-In memory of Alison, killed by a drunk driver 1/9/1998.=20
 150.   Deepak Deean=20
 151.   Liz Dedrick=20
 152.   Jessa=20
 153.   Maureen (MO=20
 154.   Dawn O.=20
 155.   Paul M.~Peewee=20
 156.   Vanessa R.~Venus=20
 157.   Ryan Cabral (stangman)=20
 158.   Rachel Miller=20
 159.   Christy Fairlie=20
 160.   Julie Snyder=20
 161.   Alex La=20
 162.   Mariah Reyes=20
 164.   Brandon Castrejon=20
 165.   Ashley L=20
 166.   Jeffrey Yamauchi=20
 167.   Lois Kuo=20
 168.   Priscilla Kuo=20
 169.   Mei W.W=20
 170.   Gennie W. Alasagas=20
 171.   P.J. R. Alasagas=20
 172.   Charina Gonzales=20
 173.   Nieves M. Ague=20
 174.   Calley Redd=20
 175.   Alexandra Hart=20
 176.   Lisa Peterson=20
 177.   Amber Neil=20
 178.   Mandy Cox=20
 179.   MICHELLE REQUA=20
 180.   Meghan Anne Meyer --- In memory of James & Kendall died from a drunk=
=20
 driver 1/1/96.=20
 181.   LAUREN BUTTLAR=20
 183.   Brandie Thomas=20
 184.   Lorianna Moreno=20
 185.   Kris Jensen-In memory of Pat Byrd, killed by a drunk driver on=20
 1/1/99.=20
 186.   Katie Essig=20
 187.   Jenny Haney-In memory of Shane Moore & Anthony Saucedo killed-July=20
 9,2000 when they were driving drunk.=20
 188.   Kim Jones=20
 189.   Sarah Bella! my=20
 190.   Jon McInturff=20
 191.   Elizabeth Price=20
 192.   Lesley Kuras=20
 193.   Kellyn Blossom=20
 194.   Jenna Cullinane=20
 195.   Katherine Gritter=20
 196.   Ben Thompson 197.    Andrea Durell - In memory of the choad=20
 car...198.    Erin Rae Lengkeek....ditto " " "=20
    199.    Tiffany Megan Lott=20
    200.    Carrie Deathriage=20
    201.    Melissa Mao=20
    202.    Emily Leong=20
    203.    Jill Burkholder=20
    204.    Meghan Cloud=20
    205.    SLS=20
    206.    Karen Roy=20
    207.    Kasey Kniffin=20
    209.    Tom Miyashiro this is for u joe...=20
    210.    Jesse Jet Bellefleur=20
    211.    Pamichic=20
    212.    Fionaap=20
    213.    Ann McDermott=20
    214.    Gina C! errito=20
    215.    Johnny Horn=20
    216.    Melissa Coleman=20
    217.    Morgan Saltsgiver=20
    218.    Erin Warrner=20
    219.    Jennifer Warrner=20
    220.    Kayla JOY McKenzie=20
    221.    Alison L.=20
    222.    Denise M. Malagari=20
    223.    Amber Lynn Chesebrough=20
    224.    Holly Chesebrough=20
    225.    Daryl DuLong=20
    226.    Diana Lupa=20
    227.    Todd J. Pipitone=20
    228.    Eric W. Davies=20
    229.    Kristin Landis=20
    230.    Dave Woods=20
    231.    S.Whitney=20
    232.    Christina Sweeder=20
    233.    Sanam de Lorme=20
    234.    Lindsey Eigenbrode=20
    235.    Meredith Keller=20
    236.    Candice Roubin=20
    237.    ANGEL**=20
    238.    Kathleen=20
    239.    A! lex Rowe=20
    240.    Rachel "T" Thompson=20
    241.    Abe Thompson=20
    243.    David Dare=20
    244.    Sarah Gullemette=20
    245.    Ben Cormier=20
    246.    Devon Smith=20
    247.    Ashley=20
    248.    Amy=20
    249.    Nicole Thibodeau=20
    250.    Katie Wallace=20
    251.    Jessica Shanahan=20
    252.    Brianna Harmer=20
    253.    Mary E. Sundberg=20
    254.    Kristen Sundberg=20
    255.    Lindsay Chandler=20
    256.    Heather King=20
    257.    Nyleen Veigas=20
    258.    Catrina Basset=20
    259.    Melissa Ford=20
    260.    Ashlie Johnson-In memory of my beloved John Doe-=20
    261.    Ashley Jackson=20
    262.    Mark Pepperdine=20
    263.    Colleen Pepperdine=20
    264.    Monica Waldrop=20
    265.    Rebekah Martinez=20
    266.    Heather VonKahle - my brother was killed by a drunk driver=20
    267.    Cortney Minnix=20
    268.    April L. Pepperdine=20
    269.    Kelly Conlon=20
    270.    Maura Marsico ~~ May The Work That I've Done Speak For Me=20
 Now,=20
        I'll=20
        never forget you Chris=20
    271.    Nikki K.=20
    272.    Jeff D " DUBS=20
    273.    Carli Gilbride=20
    274.    Renee' Moore=20
    275.    Tracy Bunting - in memory of Shawn Johnson killed on his=20
 birthday while driving drunk.=20
    276.    B.=20
    277.    Debi Kennedy=20
    278.    D BONAMI (For my brother-in-law firefighter dedicated to=20
 helping others who have a permanent back injury from a drunk driver)=20
 279.    Judy Moore280.    Laurie Eames=20
 281.   Jackie White=20
 282.   Amy R Sheets=20
 283.   Andy Crosier=20
 284.   Rodney Crosier & family=20
 285.   Bonnie Aylor=20
 286.   Dean Crosier=20
 287.   Brenda Billings=20
 288.   Lisa Davis=20
 289.   Melissa Strange=20
 290.   Jennifer Braddy=20
 291.   Nancy M. Yarley=20
 292.   Wilhemenia Ford-Farrow=20
 293.   Heide Aicher=20
 294.   Melissa Chapp=20
 295.   Deborah Scobie=20
 296.   Gwen Willis=20
 297.   Dennis Willis=20
 298.   Jill Graham=20
 299.   Karen Beamon=20
 300.   Judith Becker=20
 301.   Marion Hughes=20
 302.   denise thompson=20
 303.   Lily L. Horsley=20
 304.   Margaret Schupe=20
 305.   Ginny Ploch=20
 306.   Sally H.=20
 307.   Mary Mcfarland=20
 308.   Gina Guardiola=20
 309.   D. Guar=20
 310.   Patrick Carroll=20
 311.   Rain Catanese=20
 312.   Yvonne Selden=20
 313.   Cary Selden=20
 314.   M. E. Smalls=20
 315.   Vanessa Charles=20
 316.   Teri Tindall=20
 317.   Edith McGowan=20
 318.   Rae Lene Garcia=20
 319.   Paula Vogt=20
 320.   Diane Tietz=20
 321.   Kathy Blades=20
 322.   Terri Hood=20
 323.   Retha Herman=20
 324.   Sharon Stuart=20
 325.   Michelle Ferestad=20
 326.   Virginia Preuss=20
 327.   Kim Loneman=20
 328.   Judy Bonafilia=20
 329.   Stephanie Gates=20
 330.   Tammy Roy=20
 331.   Sandra McNatt=20
 332.   Ginger Savage=20
 333.   Michell Gray=20
 334.   Jo Sizemore=20
 335.   Angie Bishop=20
 336.   Don Machart=20
 337.   Teresa van de Putte-Machart=20
 338.   Jodie van Arkel-Greenlee=20
 339.   Jill Greenlee=20
 340.   Magaret Buza=20
 341.   Glenn M. Bennett=20
 342.   Richard C. Hagerty=20
 343.   Charlye Cook=20
 344.   Danny Shaw=20
 345.   William Nance=20
 346.   Johnette Kelly=20
 347.   Charles Kelly=20
 348.   Jan Kelly=20
 349.   Jackie Kelly=20
 350.   Kathy Norman=20
 351.   Carolyn Bivens=20
 352.   Forrest Bivens=20
 353.   Amb! er Taylor and Family=20
 354.   The Groschick Family=20
 355.   Charlotte Wiedemann=20
 356.   Brandi Beavers in memory of Chris"You know I could never forget=20
    "you"=20
 357.   MICHELLE SPALDING=20
 358.   Sue Weese Ford=20
 359.   Lori Ford=20
 360.   June Langley=20
 361.   Olan D. Langley=20
 362.   Paul & Sharon Jeffers=20
 363.   David & Rebecca & Michelle & Elizabeth Hutto=20
 364.   Tiffany J. Ellis ~ in memory of Kady Wilt pedestrian, 5 houses=20
    from=20
    home=20
 365.   Lauri R. Tutwiler=20
 366.   Jorja Diane Sullivan ~ Tutwiler=20
 367.   Katrina Perkins=20
 368.   Jenny Giering=20
 369.   Ricky Hawkins=20
 370.   Terry Morrison=20
 371.   Jim Morrison=20
 372.   Catheryn Thurman best friend kil! led in a crash by a drunk=20
 teenager..he left two small children behind without a mother.=20
 373.   Florence Workman=20
 374.   Paul Workman=20
 375.   Kimberley Perry=20
 376.   John Perry=20
 377.   Karen S. Booth=20
 378.   Helen Harriman=20
 379.   Bonnie OLiver=20
 380.   Libby Graham=20
 381.   Janice Byers=20
 382.   Debbie Ridgway=20
 383.   Rhonda Carrier=20
 384.   Donna Johnson- In memory of my brother Matt Lindsey, who was struck=20
 and killed August 8, 2000 by a drunk driver        while stopping to help=20
 people that had already been in a car accident.  This one's for you,=20
 Bubba!!!=20
 385.   Christi Baker - In memory of Matt Lindsey! .=20
 386.   Craig,Terri and Judson Brown=20
 387.   Paula Green=20
 388.   Jack Hershey, grateful to all those who helped Kirk survive an=20
 accident caused by a teenage drunk.=20
 389.   Judith Harper=20
 390.   John M. Schuderer=20
 391.   Michelle A.=20
 392.   Joyce LeClair=20
 393.   Sandy Nelson=20
 394.   Michele Cochrane - in memory of my Aunt Maxine Leyva her daughter=20
    Brenda 6 mos, and husband John all killed by a drunk driver.=20
 395.   Brenda Hintzman=20
 396.   Marge Fletcher=20
 397.   Doug, Barb, & Mark Omlor=20
 398.   The Pierce's... upstate NY=20
 399.   The Gashi's....in memory of my friend Billy Lanphere and every=20
 single person killed by a drunk driver......=20
 400.   Katie and Paul Dietz=20
 401.   Christi Hopkins=20
 402.   Mireille=20
 403.   Pamela Clark=20
 404.   Marcia Witteman=20
 405.   Mike Witteman=20
 406.   Elizabeth Witteman=20
 407.   Hannah Witteman=20
 408.   Ange Davis=20
 409.   Julie Baril=20
 410.   John Baril=20
 411.   Brandon Baril=20
 412.   Eric Larson=20
 413.   Wendy Larson=20
 414.   Stephanie Larson=20
 415.   Karen Rausch=20
 416.   Chris Rausch=20
 417.   Bill Thurman=20
 418.   Ruth Thurman=20
 419.   Jennifer Staples=20
 420.   Barry Giesemann=20
 421.   Yvette Morelli Giesemann=20
 422.   Giovanna Morelli=20
 423.   M. Visconti=20
 424.   J. Visconti=20
 425.   Dolly Hoffman=20
 426.   Kenn=20
 427.   John Thompson=20
 428.   Marni Tambling - In memory of Sara, 8 years old, killed September=20
    1999 by a drunk driver.=20
 429.   David Tambling=20
 430.   Brenda Jones - thank God for delivering my father from alcohol=20
 before he killed anyone by driving while drunk.=20
 431.   Ann G. Fowler- in memory of my dad who was killed in 1963=20
 432.   Cheryl M. Matthews- in memory of my friend and mother-in- law,=20
    Betty=20
    Matthews, killed by a drunk driver May 1990.=20
 433.   Jenny Palazio=20
 434.   Jim, Sharon, and Margaret Bailey=20
 435.   Paula Burton=20
 436.   Eva Igbodo-In loving memory of my brother Howard Goodwyn, Jr who=20
    was=20
    killed by a drunk driver 11-17-00=20
 437.   Katie Gillon-In memory of Maraina, killed by a drunk driver October=20
    2000.=20
 438.   Janet Boger=20
 439.   Cindy Kendall=20
 440.   Catherine, Rod, Andrew, and Christine Strong=20
 441.   Cindy Brown=20
 442.   Sally Snow, Fort Worth, Texas=20
 443.   Dana Minor=20
 444.   Tiffany Barnes=20
 445.   S.B.Gubser and R.A.Gubser=20
 446.   Myrna Arvizo=20
 447.   LISA M. ESTRADA=20
 448.   ANGIE C. MADERA=20
 449.   Lance Redfearn=20
 450.   Candice Hughes....Hopes this helps to end Drunk Driving!!!!=20
 451.   Eric Perez=20
 452.   Rita Regua=20
 453.   Elva Scott=20
 454.   Margaret Salter=20
 455.   Helen Risdon=20
 456.   Margaret Souza=20
 457.   Lorraine Souza=20
 458.   Denise Mehler=20
 459.   Rosa Valeri=20
 460.   Connie Barrera Gonzalez=20
 461.   Jeanette Caballero=20
 462.   Monica Falcon=20
    465.    Janna Cochran=20
    466.    Lisa Carpenter=20
    467.    Tammy Kessner=20
    468.    carolina zevallos=20
 469.   Tara Taylor=20
 470.   Teresa Maxey=20
 471.  Dawn Blewitt=20
472. Lindsay Harter=20
473. Barbara Burns=20
474. Jennie Dockery=20
475.Trish Johnson=20
476. Diana Barton=20
477. Dave Barton=20
478 cathey barton=20
479. Veronica Pratt
480. Brendan Gethin
481. Marie Pratt
482. Frank Pratt
483. Kathleen Borden
484. Eileen Swanson
485. Martha I. Blaxton
486. Brenna Dowd
487. Carrol Dowd
488. Pamela Dowd
488.=20

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<DIV>&nbsp;</DIV></DIV>
<DIV><FONT face=3Darial,helvetica><FONT size=3D2>&lt;&lt; PLEASE READ TO THE=
 END AND=20
SIGN!!! thank you! ***MADD (What a touching <BR>&nbsp;poem!) <BR>&nbsp;"I We=
nt=20
To A Party, Mom" <BR>&nbsp;I went to a party, <BR>&nbsp;And remembered what=20=
you=20
said. <BR>&nbsp;You told me not to drink, Mom <BR>&nbsp;So I had a sprite=20
instead. <BR>&nbsp; <BR>&nbsp;I felt proud of myself, <BR>&nbsp;The way you=20=
said=20
I would, <BR>&nbsp;That I didn't drink and drive, <BR>&nbsp;Though some frie=
nds=20
said I should. <BR>&nbsp; <BR>&nbsp;I made a healthy choice, <BR>&nbsp;And y=
our=20
advice to me was right, <BR>&nbsp;The party finally ended, <BR>&nbsp;And the=
=20
kids drove out of sight. <BR>&nbsp; <BR>&nbsp;I got into my car, <BR>&nbsp;S=
ure=20
to get home in one piece, <BR>&nbsp;I never knew what was coming, Mom=20
<BR>&nbsp;Something I expected least. <BR>&nbsp; <BR>&nbsp;Now I'm lying on=20=
the=20
pavement, <BR>&nbsp;And I hear the policeman say, <BR>&nbsp;"The kid that ca=
used=20
this wreck was drunk," <BR>&nbsp;Mom, his voice seems far away. <BR>&nbsp;=20
<BR>&nbsp;My own blood's all around me, <BR>&nbsp;As I try hard not to cry.=20
<BR>&nbsp;I can hear the paramedic say, <BR>&nbsp;This girl is going to die.=
"=20
<BR>&nbsp; <BR>&nbsp;I'm sure the guy had no idea, <BR>&nbsp;While he was fl=
ying=20
high, <BR>&nbsp;! Because he chose to drink and drive, <BR>&nbsp;Now I would=
=20
have to die. <BR>&nbsp; <BR>&nbsp;So why do people do it, Mom <BR>&nbsp;Know=
ing=20
that it ruins lives? <BR>&nbsp;And now the pain is cutting me, <BR>&nbsp;Lik=
e a=20
hundred stabbing knives. <BR>&nbsp; <BR>&nbsp;Tell sister not to be afraid,=20=
Mom=20
<BR>&nbsp;Tell daddy to be brave, <BR>&nbsp;And when I go to heaven,=20
<BR>&nbsp;Put "Daddy's Girl" on my grave. <BR>&nbsp; <BR>&nbsp;Someone shoul=
d=20
have taught him, <BR>&nbsp;That it's wrong to drink and drive. <BR>&nbsp;May=
be=20
if his parents had, <BR>&nbsp;I'd still be alive. <BR>&nbsp; <BR>&nbsp;My br=
eath=20
is getting shorter, Mom <BR>&nbsp;I'm getting really scared. <BR>&nbsp;These=
 are=20
my final moments, <BR>&nbsp;And I'm so unprepared. <BR>&nbsp; <BR>&nbsp;I wi=
sh=20
that you could hold me Mom, <BR>&nbsp;As I lie here and die. <BR>&nbsp;I wis=
h=20
that I could say I love you, Mom <BR>&nbsp;So I love you and good-bye.=20
<BR>&nbsp; <BR>&nbsp;WE ARE HOPING TO GET 5,000 SIGNATURES ON THIS, THEN PAS=
S IT=20
ON TO THE <BR>&nbsp;PRESIDENT. <BR>&nbsp;PLEASE SIGN. When this petition has=
=20
reached 5,000, please return it to: <BR>&nbsp;MADD <BR>&nbsp;P.O. Box 541688=
=20
<BR>&nbsp;Dallas, TX 75354-1688 <BR>&nbsp;<A   href=3D"mailto:info@madd.org"=
>info@madd.org</A> &lt;<A   href=3D"mailto:info@madd.org">mailto:info@madd.o=
rg</A>&gt;=20
<BR>&nbsp;1-800-GET-MADD <BR>&nbsp; <BR>&nbsp;IF YOU GET THIS PETITION AND J=
UST=20
DELETE IT, YOUR SELFISHNESS KNOWS NO <BR>&nbsp;BOUNDS... SIGNING IS SUCH A S=
MALL=20
EFFORT TO MAKE.&nbsp; AFTER YOU'VE READ THE <BR>&nbsp;POEM, PLEASE ADD YOUR=20=
NAME=20
AT THE BOTTOM.&nbsp; AND NEVER FORGET ... DON'T DRINK <BR>&nbsp;AND DRIVE. E=
VER.=20
NOT EVEN ONCE, THINKING IT WON'T MATTER - IT WILL MATTER. <BR>&nbsp;How to s=
et=20
it up! <BR>&nbsp;1. Copy the entire e-mail. <BR>&nbsp;2. Paste it into a new=
=20
e-mail. <BR>&nbsp;3. SIGN YOUR NAME AT THE BOTTOM. <BR>&nbsp;4. Then send it=
 to=20
everyone you know. <BR>&nbsp; <BR>&nbsp;THE NAMES: <BR>&nbsp;1. Adam Ross=20
Kalesperis <BR>&nbsp;2. Deanne Perozzi <BR>&nbsp;3. Rafael Nash <BR>&nbsp;4.=
=20
Courtney Easter <BR>&nbsp;5. James Chandler. <BR>&nbsp;6. Tracy Lamont=20
<BR>&nbsp;7. Trace Arbisi <BR>&nbsp;8. Faye Hollenbeck <BR>&nbsp;9. Devin E.=
=20
Davis <BR>&nbsp;10.&nbsp;&nbsp;&nbsp; Starla Shaver=20
<BR>&nbsp;11.&nbsp;&nbsp;&nbsp; Theresa Brehm <BR>&nbsp;12.&nbsp;&nbsp;&nbsp=
;=20
Lisa Brehm <BR>&nbsp;13.&nbsp;&nbsp;&nbsp; Courtney Barnett=20
<BR>&nbsp;14.&nbsp;&nbsp;&nbsp; Erika Hurst <BR>&nbsp;15.&nbsp;&nbsp;&nbsp;=20=
Kym=20
Moschgat <BR>&nbsp;16.&nbsp;&nbsp;&nbsp; Michael Hansen=20
<BR>&nbsp;17.&nbsp;&nbsp;&nbsp; Matt Weston <BR>&nbsp;18.&nbsp;&nbsp;&nbsp;=20
Laura Bunch <BR>&nbsp;19.&nbsp;&nbsp;&nbsp; Daniel Lawson=20
<BR>&nbsp;20.&nbsp;&nbsp;&nbsp; Ashley Byrd <BR>&nbsp;21.&nbsp;&nbsp;&nbsp;=20
Brian Chadwell <BR>&nbsp;22.&nbsp;&nbsp;&nbsp; Bonnie Morrical=20
<BR>&nbsp;23.&nbsp;&nbsp;&nbsp; Susan S <BR>&nbsp;24.&nbsp;&nbsp;&nbsp; Mich=
ele=20
Zader. <BR>&nbsp;25.&nbsp;&nbsp;&nbsp; Denise Marie Haines=20
<BR>&nbsp;26.&nbsp;&nbsp;&nbsp; Keshia Marie Siders=20
<BR>&nbsp;27.&nbsp;&nbsp;&nbsp; Amy Sue Tresenrider=20
<BR>&nbsp;28.&nbsp;&nbsp;&nbsp; Tracie Balthaser <BR>&nbsp;29.&nbsp;&nbsp;&n=
bsp;=20
Diana Kaufman <BR>&nbsp;30.&nbsp;&nbsp;&nbsp; Brooke Newkirk=20
<BR>&nbsp;31.&nbsp;&nbsp;&nbsp; AARON BLACKBURN <BR>&nbsp;32.&nbsp;&nbsp;&nb=
sp;=20
Christina M.B. <BR>&nbsp;33.&nbsp;&nbsp;&nbsp; Crystal Mckenzie=20
<BR>&nbsp;34.&nbsp;&nbsp;&nbsp; Kate Laroche <BR>&nbsp;35.&nbsp;&nbsp;&nbsp;=
=20
Callie Firman <BR>&nbsp;36.&nbsp;&nbsp;&nbsp; Christy Turner=20
<BR>&nbsp;37.&nbsp;&nbsp;&nbsp; Rebecca Turner <BR>&nbsp;38.&nbsp;&nbsp;&nbs=
p;=20
Elena Thomas <BR>&nbsp;39.&nbsp;&nbsp;&nbsp; Missy Burke=20
<BR>&nbsp;40.&nbsp;&nbsp;&nbsp; Erin McCalla <BR>&nbsp;41.&nbsp;&nbsp;&nbsp;=
=20
Lindsay Potrafke <BR>&nbsp;42.&nbsp;&nbsp;&nbsp; Jenny Eckel=20
<BR>&nbsp;43.&nbsp;&nbsp;&nbsp; Cassandra Duggan <BR>&nbsp;44.&nbsp;&nbsp;&n=
bsp;=20
Amy Liebisch <BR>&nbsp;45.&nbsp;&nbsp;&nbsp; Eric Widmeyer=20
<BR>&nbsp;46.&nbsp;&nbsp;&nbsp; Alisa Huth <BR>&nbsp;47.&nbsp;&nbsp;&nbsp; P=
am=20
Augustine <BR>&nbsp;48.&nbsp;&nbsp;&nbsp; Leanne Trdinich=20
<BR>&nbsp;49.&nbsp;&nbsp;&nbsp; Megan LeDonne <BR>&nbsp;50.&nbsp;&nbsp;&nbsp=
;=20
Kristen Kennedy <BR>&nbsp;51.&nbsp;&nbsp;&nbsp; Maura Bennardo=20
<BR>&nbsp;52.&nbsp;&nbsp;&nbsp; Lisa Wilt <BR>&nbsp;53.&nbsp;&nbsp;&nbsp; Am=
anda=20
Pietz <BR>&nbsp;54.&nbsp;&nbsp;&nbsp; David DiCosol=20
<BR>&nbsp;55.&nbsp;&nbsp;&nbsp; Connie Carozza <BR>&nbsp;56.&nbsp;&nbsp;&nbs=
p;=20
Jaime Jacoby <BR>&nbsp;57.&nbsp;&nbsp;&nbsp; Erin Edmunds=20
<BR>&nbsp;58.&nbsp;&nbsp;&nbsp; Erin Berecek <BR>&nbsp;59.&nbsp;&nbsp;&nbsp;=
=20
Becky Porter <BR>&nbsp;60.&nbsp;&nbsp;&nbsp; Alana Miller=20
<BR>&nbsp;61.&nbsp;&nbsp;&nbsp; Carrie Vermillion=20
<BR>&nbsp;62.&nbsp;&nbsp;&nbsp; Susan Spearing <BR>&nbsp;63.&nbsp;&nbsp;&nbs=
p;=20
Gaye Sougstad <BR>&nbsp;64.&nbsp;&nbsp;&nbsp; Lynn Snider=20
<BR>&nbsp;65.&nbsp;&nbsp;&nbsp; David Shores <BR>&nbsp;66.&nbsp;&nbsp;&nbsp;=
=20
Carol Conway <BR>&nbsp;67.&nbsp;&nbsp;&nbsp; Natalie Fair=20
<BR>&nbsp;68.&nbsp;&nbsp;&nbsp; Alissa Lloyd <BR>&nbsp;69.&nbsp;&nbsp;&nbsp;=
=20
Rebecca Wheeler <BR>&nbsp;70.&nbsp;&nbsp;&nbsp; Lisa Riedel=20
<BR>&nbsp;71.&nbsp;&nbsp;&nbsp; Eric Vaughan <BR>&nbsp;72.&nbsp;&nbsp;&nbsp;=
=20
Danielle Seaman <BR>&nbsp;73.&nbsp;&nbsp;&nbsp; Elizabeth Ambrose=20
<BR>&nbsp;74.&nbsp;&nbsp;&nbsp; Katy Mahannah <BR>&nbsp;75.&nbsp;&nbsp;&nbsp=
;=20
Susan Hall <BR>&nbsp;76.&nbsp;&nbsp;&nbsp; MIRANDA CUNDY!!=20
<BR>&nbsp;77.&nbsp;&nbsp;&nbsp; Meg Kells-Murphy <BR>&nbsp;78.&nbsp;&nbsp;&n=
bsp;=20
Samantha Kaiser <BR>&nbsp;79.&nbsp;&nbsp;&nbsp; Travis Lincoln=20
<BR>&nbsp;80.&nbsp;&nbsp;&nbsp; Randy <BR>&nbsp;81.&nbsp;&nbsp;&nbsp; Chris=20
Virgate <BR>&nbsp;82.&nbsp;&nbsp;&nbsp; Matthew Burbles=20
<BR>&nbsp;83.&nbsp;&nbsp;&nbsp; Crystal Dambowsky=20
<BR>&nbsp;84.&nbsp;&nbsp;&nbsp; Kyle freaken McEneany=20
<BR>&nbsp;85.&nbsp;&nbsp;&nbsp; Krystal Scharn <BR>&nbsp;86.&nbsp;&nbsp;&nbs=
p;=20
Lau!ra Rothrock <BR>&nbsp;87.&nbsp;&nbsp;&nbsp; Bethany Bucci=20
<BR>&nbsp;88.&nbsp;&nbsp;&nbsp; Amy Satkevich <BR>&nbsp;89.&nbsp;&nbsp;&nbsp=
;=20
Christine Rich (ween <BR>&nbsp;90.&nbsp;&nbsp;&nbsp; Courtney Reilly=20
<BR>&nbsp;91.&nbsp;&nbsp;&nbsp; Lauren Tighe <BR>&nbsp;92.&nbsp;&nbsp;&nbsp;=
=20
Jackie White <BR>&nbsp;93.&nbsp;&nbsp;&nbsp; Liz Farrell=20
<BR>&nbsp;94.&nbsp;&nbsp;&nbsp; Kathryn M. <BR>&nbsp;95.&nbsp;&nbsp;&nbsp;=20
Heather Anne Lowery <BR>&nbsp;96.&nbsp;&nbsp;&nbsp; Katie Jo=20
<BR>&nbsp;97.&nbsp;&nbsp;&nbsp; Cara Brenner <BR>&nbsp;98.&nbsp;&nbsp;&nbsp;=
=20
Emily Green <BR>&nbsp;99.&nbsp;&nbsp;&nbsp; Emily Harris=20
<BR>&nbsp;100.&nbsp;&nbsp; Emily Chen <BR>&nbsp;101.&nbsp;&nbsp; Sarah Scher=
erm=20
<BR>&nbsp;102.&nbsp;&nbsp; Eric Eisenberg <BR>&nbsp;104.&nbsp;&nbsp; SlickDa=
n=20
Goldstein <BR>&nbsp;105.&nbsp;&nbsp; Abby Kimmelman <BR>&nbsp;106.&nbsp;&nbs=
p;=20
Alyssa Lee <BR>&nbsp;107.&nbsp;&nbsp; David Hoffman <BR>&nbsp;108.&nbsp;&nbs=
p;=20
Celia Kather <BR>&nbsp;109.&nbsp;&nbsp; Susan Ginn <BR>&nbsp;110.&nbsp;&nbsp=
;=20
Carly Smith <BR>&nbsp;111.&nbsp;&nbsp; Anna Karis <BR>&nbsp;112.&nbsp;&nbsp;=
=20
Alison Deffenbaugh <BR>&nbsp;113.&nbsp;&nbsp; Litzi Paredes=20
<BR>&nbsp;114.&nbsp;&nbsp; Teresa Eldridge <BR>&nbsp;115.&nbsp;&nbsp; Stepha=
nie=20
Reese <BR>&nbsp;116.&nbsp;&nbsp; Jamie Turner <BR>&nbsp;117.&nbsp;&nbsp; Jen=
ny=20
Showalter <BR>&nbsp;118.&nbsp;&nbsp; Meg Wooldridge <BR>&nbsp;119.&nbsp;&nbs=
p;=20
Kevin T$chai <BR>&nbsp;120.&nbsp;&nbsp; Loan Ng! uyen <BR>&nbsp;121.&nbsp;&n=
bsp;=20
Elizabeth Yorns <BR>&nbsp;122.&nbsp;&nbsp; Katie McGowan=20
<BR>&nbsp;123.&nbsp;&nbsp; Angie Henderson <BR>&nbsp;124.&nbsp;&nbsp; The=20
Troyfish of VT <BR>&nbsp;125.&nbsp;&nbsp; Natalie Corrigan of VT=20
<BR>&nbsp;126.&nbsp;&nbsp; Dyanis Conrad <BR>&nbsp;127.&nbsp;&nbsp; Vasil Po=
pov=20
<BR>&nbsp;128.&nbsp;&nbsp; Marie Huitt <BR>&nbsp;129.&nbsp;&nbsp; Jessi McMa=
han=20
<BR>&nbsp;130.&nbsp;&nbsp; Courtney Kelly <BR>&nbsp;131.&nbsp;&nbsp; Tracy S=
mith=20
<BR>&nbsp;132.&nbsp;&nbsp; Jenny Fisher <BR>&nbsp;133.&nbsp;&nbsp; Sally J.=20
James-in memory of <BR>&nbsp;134.&nbsp;&nbsp; Rachael Harness=20
<BR>&nbsp;135.&nbsp;&nbsp; Jan E. Conley <BR>&nbsp;136.&nbsp;&nbsp; Kari=20
M.Fellers <BR>&nbsp;137.&nbsp;&nbsp; Dawn Love <BR>&nbsp;138.&nbsp;&nbsp; St=
aci=20
Smith <BR>&nbsp;139.&nbsp;&nbsp; Douglas Blair <BR>&nbsp;140.&nbsp;&nbsp; Br=
ooke=20
Rhea <BR>&nbsp;141.&nbsp;&nbsp; Rachel Hammons <BR>&nbsp;142.&nbsp;&nbsp; Br=
ian=20
Gallion <BR>&nbsp;143.&nbsp;&nbsp; Ben Morrow <BR>&nbsp;144.&nbsp;&nbsp; Wil=
liam=20
Burden <BR>&nbsp;145.&nbsp;&nbsp; Erica M. Smothers <BR>&nbsp;146.&nbsp;&nbs=
p;=20
Jason Wilchie <BR>&nbsp;147.&nbsp;&nbsp; Frank Smith <BR>&nbsp;148.&nbsp;&nb=
sp;=20
Kevin Rider <BR>&nbsp;149.&nbsp;&nbsp; Matt Masley-In memory of Alison, kill=
ed=20
by a drunk driver 1/9/1998. <BR>&nbsp;150.&nbsp;&nbsp; Deepak Deean=20
<BR>&nbsp;151.&nbsp;&nbsp; Liz Dedrick <BR>&nbsp;152.&nbsp;&nbsp; Jessa=20
<BR>&nbsp;153.&nbsp;&nbsp; Maureen (MO <BR>&nbsp;154.&nbsp;&nbsp; Dawn O.=20
<BR>&nbsp;155.&nbsp;&nbsp; Paul M.~Peewee <BR>&nbsp;156.&nbsp;&nbsp; Vanessa=
=20
R.~Venus <BR>&nbsp;157.&nbsp;&nbsp; Ryan Cabral (stangman)=20
<BR>&nbsp;158.&nbsp;&nbsp; Rachel Miller <BR>&nbsp;159.&nbsp;&nbsp; Christy=20
Fairlie <BR>&nbsp;160.&nbsp;&nbsp; Julie Snyder <BR>&nbsp;161.&nbsp;&nbsp; A=
lex=20
La <BR>&nbsp;162.&nbsp;&nbsp; Mariah Reyes <BR>&nbsp;164.&nbsp;&nbsp; Brando=
n=20
Castrejon <BR>&nbsp;165.&nbsp;&nbsp; Ashley L <BR>&nbsp;166.&nbsp;&nbsp; Jef=
frey=20
Yamauchi <BR>&nbsp;167.&nbsp;&nbsp; Lois Kuo <BR>&nbsp;168.&nbsp;&nbsp;=20
Priscilla Kuo <BR>&nbsp;169.&nbsp;&nbsp; Mei W.W <BR>&nbsp;170.&nbsp;&nbsp;=20
Gennie W. Alasagas <BR>&nbsp;171.&nbsp;&nbsp; P.J. R. Alasagas=20
<BR>&nbsp;172.&nbsp;&nbsp; Charina Gonzales <BR>&nbsp;173.&nbsp;&nbsp; Nieve=
s M.=20
Ague <BR>&nbsp;174.&nbsp;&nbsp; Calley Redd <BR>&nbsp;175.&nbsp;&nbsp; Alexa=
ndra=20
Hart <BR>&nbsp;176.&nbsp;&nbsp; Lisa Peterson <BR>&nbsp;177.&nbsp;&nbsp; Amb=
er=20
Neil <BR>&nbsp;178.&nbsp;&nbsp; Mandy Cox <BR>&nbsp;179.&nbsp;&nbsp; MICHELL=
E=20
REQUA <BR>&nbsp;180.&nbsp;&nbsp; Meghan Anne Meyer --- In memory of James &a=
mp;=20
Kendall died from a drunk <BR>&nbsp;driver 1/1/96. <BR>&nbsp;181.&nbsp;&nbsp=
;=20
LAUREN BUTTLAR <BR>&nbsp;183.&nbsp;&nbsp; Brandie Thomas=20
<BR>&nbsp;184.&nbsp;&nbsp; Lorianna Moreno <BR>&nbsp;185.&nbsp;&nbsp; Kris=20
Jensen-In memory of Pat Byrd, killed by a drunk driver on <BR>&nbsp;1/1/99.=20
<BR>&nbsp;186.&nbsp;&nbsp; Katie Essig <BR>&nbsp;187.&nbsp;&nbsp; Jenny Hane=
y-In=20
memory of Shane Moore &amp; Anthony Saucedo killed-July <BR>&nbsp;9,2000 whe=
n=20
they were driving drunk. <BR>&nbsp;188.&nbsp;&nbsp; Kim Jones=20
<BR>&nbsp;189.&nbsp;&nbsp; Sarah Bella! my <BR>&nbsp;190.&nbsp;&nbsp; Jon=20
McInturff <BR>&nbsp;191.&nbsp;&nbsp; Elizabeth Price <BR>&nbsp;192.&nbsp;&nb=
sp;=20
Lesley Kuras <BR>&nbsp;193.&nbsp;&nbsp; Kellyn Blossom=20
<BR>&nbsp;194.&nbsp;&nbsp; Jenna Cullinane <BR>&nbsp;195.&nbsp;&nbsp; Kather=
ine=20
Gritter <BR>&nbsp;196.&nbsp;&nbsp; Ben Thompson 197.&nbsp;&nbsp;&nbsp; Andre=
a=20
Durell - In memory of the choad <BR>&nbsp;car...198.&nbsp;&nbsp;&nbsp; Erin=20=
Rae=20
Lengkeek....ditto " " " <BR>&nbsp;&nbsp;&nbsp; 199.&nbsp;&nbsp;&nbsp; Tiffan=
y=20
Megan Lott <BR>&nbsp;&nbsp;&nbsp; 200.&nbsp;&nbsp;&nbsp; Carrie Deathriage=20
<BR>&nbsp;&nbsp;&nbsp; 201.&nbsp;&nbsp;&nbsp; Melissa Mao <BR>&nbsp;&nbsp;&n=
bsp;=20
202.&nbsp;&nbsp;&nbsp; Emily Leong <BR>&nbsp;&nbsp;&nbsp; 203.&nbsp;&nbsp;&n=
bsp;=20
Jill Burkholder <BR>&nbsp;&nbsp;&nbsp; 204.&nbsp;&nbsp;&nbsp; Meghan Cloud=20
<BR>&nbsp;&nbsp;&nbsp; 205.&nbsp;&nbsp;&nbsp; SLS <BR>&nbsp;&nbsp;&nbsp;=20
206.&nbsp;&nbsp;&nbsp; Karen Roy <BR>&nbsp;&nbsp;&nbsp; 207.&nbsp;&nbsp;&nbs=
p;=20
Kasey Kniffin <BR>&nbsp;&nbsp;&nbsp; 209.&nbsp;&nbsp;&nbsp; Tom Miyashiro th=
is=20
is for u joe... <BR>&nbsp;&nbsp;&nbsp; 210.&nbsp;&nbsp;&nbsp; Jesse Jet=20
Bellefleur <BR>&nbsp;&nbsp;&nbsp; 211.&nbsp;&nbsp;&nbsp; Pamichic=20
<BR>&nbsp;&nbsp;&nbsp; 212.&nbsp;&nbsp;&nbsp; Fionaap <BR>&nbsp;&nbsp;&nbsp;=
=20
213.&nbsp;&nbsp;&nbsp; Ann McDermott <BR>&nbsp;&nbsp;&nbsp;=20
214.&nbsp;&nbsp;&nbsp; Gina C! errito <BR>&nbsp;&nbsp;&nbsp;=20
215.&nbsp;&nbsp;&nbsp; Johnny Horn <BR>&nbsp;&nbsp;&nbsp; 216.&nbsp;&nbsp;&n=
bsp;=20
Melissa Coleman <BR>&nbsp;&nbsp;&nbsp; 217.&nbsp;&nbsp;&nbsp; Morgan Saltsgi=
ver=20
<BR>&nbsp;&nbsp;&nbsp; 218.&nbsp;&nbsp;&nbsp; Erin Warrner=20
<BR>&nbsp;&nbsp;&nbsp; 219.&nbsp;&nbsp;&nbsp; Jennifer Warrner=20
<BR>&nbsp;&nbsp;&nbsp; 220.&nbsp;&nbsp;&nbsp; Kayla JOY McKenzie=20
<BR>&nbsp;&nbsp;&nbsp; 221.&nbsp;&nbsp;&nbsp; Alison L. <BR>&nbsp;&nbsp;&nbs=
p;=20
222.&nbsp;&nbsp;&nbsp; Denise M. Malagari <BR>&nbsp;&nbsp;&nbsp;=20
223.&nbsp;&nbsp;&nbsp; Amber Lynn Chesebrough <BR>&nbsp;&nbsp;&nbsp;=20
224.&nbsp;&nbsp;&nbsp; Holly Chesebrough <BR>&nbsp;&nbsp;&nbsp;=20
225.&nbsp;&nbsp;&nbsp; Daryl DuLong <BR>&nbsp;&nbsp;&nbsp;=20
226.&nbsp;&nbsp;&nbsp; Diana Lupa <BR>&nbsp;&nbsp;&nbsp; 227.&nbsp;&nbsp;&nb=
sp;=20
Todd J. Pipitone <BR>&nbsp;&nbsp;&nbsp; 228.&nbsp;&nbsp;&nbsp; Eric W. Davie=
s=20
<BR>&nbsp;&nbsp;&nbsp; 229.&nbsp;&nbsp;&nbsp; Kristin Landis=20
<BR>&nbsp;&nbsp;&nbsp; 230.&nbsp;&nbsp;&nbsp; Dave Woods <BR>&nbsp;&nbsp;&nb=
sp;=20
231.&nbsp;&nbsp;&nbsp; S.Whitney <BR>&nbsp;&nbsp;&nbsp; 232.&nbsp;&nbsp;&nbs=
p;=20
Christina Sweeder <BR>&nbsp;&nbsp;&nbsp; 233.&nbsp;&nbsp;&nbsp; Sanam de Lor=
me=20
<BR>&nbsp;&nbsp;&nbsp; 234.&nbsp;&nbsp;&nbsp; Lindsey Eigenbrode=20
<BR>&nbsp;&nbsp;&nbsp; 235.&nbsp;&nbsp;&nbsp; Meredith Keller=20
<BR>&nbsp;&nbsp;&nbsp; 236.&nbsp;&nbsp;&nbsp; Candice Roubin=20
<BR>&nbsp;&nbsp;&nbsp; 237.&nbsp;&nbsp;&nbsp; ANGEL** <BR>&nbsp;&nbsp;&nbsp;=
=20
238.&nbsp;&nbsp;&nbsp; Kathleen <BR>&nbsp;&nbsp;&nbsp; 239.&nbsp;&nbsp;&nbsp=
; A!=20
lex Rowe <BR>&nbsp;&nbsp;&nbsp; 240.&nbsp;&nbsp;&nbsp; Rachel "T" Thompson=20
<BR>&nbsp;&nbsp;&nbsp; 241.&nbsp;&nbsp;&nbsp; Abe Thompson=20
<BR>&nbsp;&nbsp;&nbsp; 243.&nbsp;&nbsp;&nbsp; David Dare <BR>&nbsp;&nbsp;&nb=
sp;=20
244.&nbsp;&nbsp;&nbsp; Sarah Gullemette <BR>&nbsp;&nbsp;&nbsp;=20
245.&nbsp;&nbsp;&nbsp; Ben Cormier <BR>&nbsp;&nbsp;&nbsp; 246.&nbsp;&nbsp;&n=
bsp;=20
Devon Smith <BR>&nbsp;&nbsp;&nbsp; 247.&nbsp;&nbsp;&nbsp; Ashley=20
<BR>&nbsp;&nbsp;&nbsp; 248.&nbsp;&nbsp;&nbsp; Amy <BR>&nbsp;&nbsp;&nbsp;=20
249.&nbsp;&nbsp;&nbsp; Nicole Thibodeau <BR>&nbsp;&nbsp;&nbsp;=20
250.&nbsp;&nbsp;&nbsp; Katie Wallace <BR>&nbsp;&nbsp;&nbsp;=20
251.&nbsp;&nbsp;&nbsp; Jessica Shanahan <BR>&nbsp;&nbsp;&nbsp;=20
252.&nbsp;&nbsp;&nbsp; Brianna Harmer <BR>&nbsp;&nbsp;&nbsp;=20
253.&nbsp;&nbsp;&nbsp; Mary E. Sundberg <BR>&nbsp;&nbsp;&nbsp;=20
254.&nbsp;&nbsp;&nbsp; Kristen Sundberg <BR>&nbsp;&nbsp;&nbsp;=20
255.&nbsp;&nbsp;&nbsp; Lindsay Chandler <BR>&nbsp;&nbsp;&nbsp;=20
256.&nbsp;&nbsp;&nbsp; Heather King <BR>&nbsp;&nbsp;&nbsp;=20
257.&nbsp;&nbsp;&nbsp; Nyleen Veigas <BR>&nbsp;&nbsp;&nbsp;=20
258.&nbsp;&nbsp;&nbsp; Catrina Basset <BR>&nbsp;&nbsp;&nbsp;=20
259.&nbsp;&nbsp;&nbsp; Melissa Ford <BR>&nbsp;&nbsp;&nbsp;=20
260.&nbsp;&nbsp;&nbsp; Ashlie Johnson-In memory of my beloved John Doe-=20
<BR>&nbsp;&nbsp;&nbsp; 261.&nbsp;&nbsp;&nbsp; Ashley Jackson=20
<BR>&nbsp;&nbsp;&nbsp; 262.&nbsp;&nbsp;&nbsp; Mark Pepperdine=20
<BR>&nbsp;&nbsp;&nbsp; 263.&nbsp;&nbsp;&nbsp; Colleen Pepperdine=20
<BR>&nbsp;&nbsp;&nbsp; 264.&nbsp;&nbsp;&nbsp; Monica Waldrop=20
<BR>&nbsp;&nbsp;&nbsp; 265.&nbsp;&nbsp;&nbsp; Rebekah Martinez=20
<BR>&nbsp;&nbsp;&nbsp; 266.&nbsp;&nbsp;&nbsp; Heather VonKahle - my brother=20=
was=20
killed by a drunk driver <BR>&nbsp;&nbsp;&nbsp; 267.&nbsp;&nbsp;&nbsp; Cortn=
ey=20
Minnix <BR>&nbsp;&nbsp;&nbsp; 268.&nbsp;&nbsp;&nbsp; April L. Pepperdine=20
<BR>&nbsp;&nbsp;&nbsp; 269.&nbsp;&nbsp;&nbsp; Kelly Conlon=20
<BR>&nbsp;&nbsp;&nbsp; 270.&nbsp;&nbsp;&nbsp; Maura Marsico ~~ May The Work=20=
That=20
I've Done Speak For Me <BR>&nbsp;Now,=20
<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I'll=20
<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; never forget you Chris=20
<BR>&nbsp;&nbsp;&nbsp; 271.&nbsp;&nbsp;&nbsp; Nikki K. <BR>&nbsp;&nbsp;&nbsp=
;=20
272.&nbsp;&nbsp;&nbsp; Jeff D " DUBS <BR>&nbsp;&nbsp;&nbsp;=20
273.&nbsp;&nbsp;&nbsp; Carli Gilbride <BR>&nbsp;&nbsp;&nbsp;=20
274.&nbsp;&nbsp;&nbsp; Renee' Moore <BR>&nbsp;&nbsp;&nbsp;=20
275.&nbsp;&nbsp;&nbsp; Tracy Bunting - in memory of Shawn Johnson killed on=20=
his=20
<BR>&nbsp;birthday while driving drunk. <BR>&nbsp;&nbsp;&nbsp;=20
276.&nbsp;&nbsp;&nbsp; B. <BR>&nbsp;&nbsp;&nbsp; 277.&nbsp;&nbsp;&nbsp; Debi=
=20
Kennedy <BR>&nbsp;&nbsp;&nbsp; 278.&nbsp;&nbsp;&nbsp; D BONAMI (For my=20
brother-in-law firefighter dedicated to <BR>&nbsp;helping others who have a=20
permanent back injury from a drunk driver) <BR>&nbsp;279.&nbsp;&nbsp;&nbsp;=20=
Judy=20
Moore280.&nbsp;&nbsp;&nbsp; Laurie Eames <BR>&nbsp;281.&nbsp;&nbsp; Jackie W=
hite=20
<BR>&nbsp;282.&nbsp;&nbsp; Amy R Sheets <BR>&nbsp;283.&nbsp;&nbsp; Andy Cros=
ier=20
<BR>&nbsp;284.&nbsp;&nbsp; Rodney Crosier &amp; family=20
<BR>&nbsp;285.&nbsp;&nbsp; Bonnie Aylor <BR>&nbsp;286.&nbsp;&nbsp; Dean Cros=
ier=20
<BR>&nbsp;287.&nbsp;&nbsp; Brenda Billings <BR>&nbsp;288.&nbsp;&nbsp; Lisa D=
avis=20
<BR>&nbsp;289.&nbsp;&nbsp; Melissa Strange <BR>&nbsp;290.&nbsp;&nbsp; Jennif=
er=20
Braddy <BR>&nbsp;291.&nbsp;&nbsp; Nancy M. Yarley <BR>&nbsp;292.&nbsp;&nbsp;=
=20
Wilhemenia Ford-Farrow <BR>&nbsp;293.&nbsp;&nbsp; Heide Aicher=20
<BR>&nbsp;294.&nbsp;&nbsp; Melissa Chapp <BR>&nbsp;295.&nbsp;&nbsp; Deborah=20
Scobie <BR>&nbsp;296.&nbsp;&nbsp; Gwen Willis <BR>&nbsp;297.&nbsp;&nbsp; Den=
nis=20
Willis <BR>&nbsp;298.&nbsp;&nbsp; Jill Graham <BR>&nbsp;299.&nbsp;&nbsp; Kar=
en=20
Beamon <BR>&nbsp;300.&nbsp;&nbsp; Judith Becker <BR>&nbsp;301.&nbsp;&nbsp;=20
Marion Hughes <BR>&nbsp;302.&nbsp;&nbsp; denise thompson=20
<BR>&nbsp;303.&nbsp;&nbsp; Lily L. Horsley <BR>&nbsp;304.&nbsp;&nbsp; Margar=
et=20
Schupe <BR>&nbsp;305.&nbsp;&nbsp; Ginny Ploch <BR>&nbsp;306.&nbsp;&nbsp; Sal=
ly=20
H. <BR>&nbsp;307.&nbsp;&nbsp; Mary Mcfarland <BR>&nbsp;308.&nbsp;&nbsp; Gina=
=20
Guardiola <BR>&nbsp;309.&nbsp;&nbsp; D. Guar <BR>&nbsp;310.&nbsp;&nbsp; Patr=
ick=20
Carroll <BR>&nbsp;311.&nbsp;&nbsp; Rain Catanese <BR>&nbsp;312.&nbsp;&nbsp;=20
Yvonne Selden <BR>&nbsp;313.&nbsp;&nbsp; Cary Selden <BR>&nbsp;314.&nbsp;&nb=
sp;=20
M. E. Smalls <BR>&nbsp;315.&nbsp;&nbsp; Vanessa Charles=20
<BR>&nbsp;316.&nbsp;&nbsp; Teri Tindall <BR>&nbsp;317.&nbsp;&nbsp; Edith McG=
owan=20
<BR>&nbsp;318.&nbsp;&nbsp; Rae Lene Garcia <BR>&nbsp;319.&nbsp;&nbsp; Paula=20=
Vogt=20
<BR>&nbsp;320.&nbsp;&nbsp; Diane Tietz <BR>&nbsp;321.&nbsp;&nbsp; Kathy Blad=
es=20
<BR>&nbsp;322.&nbsp;&nbsp; Terri Hood <BR>&nbsp;323.&nbsp;&nbsp; Retha Herma=
n=20
<BR>&nbsp;324.&nbsp;&nbsp; Sharon Stuart <BR>&nbsp;325.&nbsp;&nbsp; Michelle=
=20
Ferestad <BR>&nbsp;326.&nbsp;&nbsp; Virginia Preuss <BR>&nbsp;327.&nbsp;&nbs=
p;=20
Kim Loneman <BR>&nbsp;328.&nbsp;&nbsp; Judy Bonafilia <BR>&nbsp;329.&nbsp;&n=
bsp;=20
Stephanie Gates <BR>&nbsp;330.&nbsp;&nbsp; Tammy Roy <BR>&nbsp;331.&nbsp;&nb=
sp;=20
Sandra McNatt <BR>&nbsp;332.&nbsp;&nbsp; Ginger Savage=20
<BR>&nbsp;333.&nbsp;&nbsp; Michell Gray <BR>&nbsp;334.&nbsp;&nbsp; Jo Sizemo=
re=20
<BR>&nbsp;335.&nbsp;&nbsp; Angie Bishop <BR>&nbsp;336.&nbsp;&nbsp; Don Macha=
rt=20
<BR>&nbsp;337.&nbsp;&nbsp; Teresa van de Putte-Machart=20
<BR>&nbsp;338.&nbsp;&nbsp; Jodie van Arkel-Greenlee <BR>&nbsp;339.&nbsp;&nbs=
p;=20
Jill Greenlee <BR>&nbsp;340.&nbsp;&nbsp; Magaret Buza <BR>&nbsp;341.&nbsp;&n=
bsp;=20
Glenn M. Bennett <BR>&nbsp;342.&nbsp;&nbsp; Richard C. Hagerty=20
<BR>&nbsp;343.&nbsp;&nbsp; Charlye Cook <BR>&nbsp;344.&nbsp;&nbsp; Danny Sha=
w=20
<BR>&nbsp;345.&nbsp;&nbsp; William Nance <BR>&nbsp;346.&nbsp;&nbsp; Johnette=
=20
Kelly <BR>&nbsp;347.&nbsp;&nbsp; Charles Kelly <BR>&nbsp;348.&nbsp;&nbsp; Ja=
n=20
Kelly <BR>&nbsp;349.&nbsp;&nbsp; Jackie Kelly <BR>&nbsp;350.&nbsp;&nbsp; Kat=
hy=20
Norman <BR>&nbsp;351.&nbsp;&nbsp; Carolyn Bivens <BR>&nbsp;352.&nbsp;&nbsp;=20
Forrest Bivens <BR>&nbsp;353.&nbsp;&nbsp; Amb! er Taylor and Family=20
<BR>&nbsp;354.&nbsp;&nbsp; The Groschick Family <BR>&nbsp;355.&nbsp;&nbsp;=20
Charlotte Wiedemann <BR>&nbsp;356.&nbsp;&nbsp; Brandi Beavers in memory of=20
Chris"You know I could never forget <BR>&nbsp;&nbsp;&nbsp; "you"=20
<BR>&nbsp;357.&nbsp;&nbsp; MICHELLE SPALDING <BR>&nbsp;358.&nbsp;&nbsp; Sue=20
Weese Ford <BR>&nbsp;359.&nbsp;&nbsp; Lori Ford <BR>&nbsp;360.&nbsp;&nbsp; J=
une=20
Langley <BR>&nbsp;361.&nbsp;&nbsp; Olan D. Langley <BR>&nbsp;362.&nbsp;&nbsp=
;=20
Paul &amp; Sharon Jeffers <BR>&nbsp;363.&nbsp;&nbsp; David &amp; Rebecca &am=
p;=20
Michelle &amp; Elizabeth Hutto <BR>&nbsp;364.&nbsp;&nbsp; Tiffany J. Ellis ~=
 in=20
memory of Kady Wilt pedestrian, 5 houses <BR>&nbsp;&nbsp;&nbsp; from=20
<BR>&nbsp;&nbsp;&nbsp; home <BR>&nbsp;365.&nbsp;&nbsp; Lauri R. Tutwiler=20
<BR>&nbsp;366.&nbsp;&nbsp; Jorja Diane Sullivan ~ Tutwiler=20
<BR>&nbsp;367.&nbsp;&nbsp; Katrina Perkins <BR>&nbsp;368.&nbsp;&nbsp; Jenny=20
Giering <BR>&nbsp;369.&nbsp;&nbsp; Ricky Hawkins <BR>&nbsp;370.&nbsp;&nbsp;=20
Terry Morrison <BR>&nbsp;371.&nbsp;&nbsp; Jim Morrison=20
<BR>&nbsp;372.&nbsp;&nbsp; Catheryn Thurman best friend kil! led in a crash=20=
by a=20
drunk <BR>&nbsp;teenager..he left two small children behind without a mother=
.=20
<BR>&nbsp;373.&nbsp;&nbsp; Florence Workman <BR>&nbsp;374.&nbsp;&nbsp; Paul=20
Workman <BR>&nbsp;375.&nbsp;&nbsp; Kimberley Perry <BR>&nbsp;376.&nbsp;&nbsp=
;=20
John Perry <BR>&nbsp;377.&nbsp;&nbsp; Karen S. Booth <BR>&nbsp;378.&nbsp;&nb=
sp;=20
Helen Harriman <BR>&nbsp;379.&nbsp;&nbsp; Bonnie OLiver=20
<BR>&nbsp;380.&nbsp;&nbsp; Libby Graham <BR>&nbsp;381.&nbsp;&nbsp; Janice By=
ers=20
<BR>&nbsp;382.&nbsp;&nbsp; Debbie Ridgway <BR>&nbsp;383.&nbsp;&nbsp; Rhonda=20
Carrier <BR>&nbsp;384.&nbsp;&nbsp; Donna Johnson- In memory of my brother Ma=
tt=20
Lindsey, who was struck <BR>&nbsp;and killed August 8, 2000 by a drunk=20
driver&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; while stopping to help=20
<BR>&nbsp;people that had already been in a car accident.&nbsp; This one's f=
or=20
you, <BR>&nbsp;Bubba!!! <BR>&nbsp;385.&nbsp;&nbsp; Christi Baker - In memory=
 of=20
Matt Lindsey! . <BR>&nbsp;386.&nbsp;&nbsp; Craig,Terri and Judson Brown=20
<BR>&nbsp;387.&nbsp;&nbsp; Paula Green <BR>&nbsp;388.&nbsp;&nbsp; Jack Hersh=
ey,=20
grateful to all those who helped Kirk survive an <BR>&nbsp;accident caused b=
y a=20
teenage drunk. <BR>&nbsp;389.&nbsp;&nbsp; Judith Harper=20
<BR>&nbsp;390.&nbsp;&nbsp; John M. Schuderer <BR>&nbsp;391.&nbsp;&nbsp; Mich=
elle=20
A. <BR>&nbsp;392.&nbsp;&nbsp; Joyce LeClair <BR>&nbsp;393.&nbsp;&nbsp; Sandy=
=20
Nelson <BR>&nbsp;394.&nbsp;&nbsp; Michele Cochrane - in memory of my Aunt Ma=
xine=20
Leyva her daughter <BR>&nbsp;&nbsp;&nbsp; Brenda 6 mos, and husband John all=
=20
killed by a drunk driver. <BR>&nbsp;395.&nbsp;&nbsp; Brenda Hintzman=20
<BR>&nbsp;396.&nbsp;&nbsp; Marge Fletcher <BR>&nbsp;397.&nbsp;&nbsp; Doug, B=
arb,=20
&amp; Mark Omlor <BR>&nbsp;398.&nbsp;&nbsp; The Pierce's... upstate NY=20
<BR>&nbsp;399.&nbsp;&nbsp; The Gashi's....in memory of my friend Billy Lanph=
ere=20
and every <BR>&nbsp;single person killed by a drunk driver......=20
<BR>&nbsp;400.&nbsp;&nbsp; Katie and Paul Dietz <BR>&nbsp;401.&nbsp;&nbsp;=20
Christi Hopkins <BR>&nbsp;402.&nbsp;&nbsp; Mireille <BR>&nbsp;403.&nbsp;&nbs=
p;=20
Pamela Clark <BR>&nbsp;404.&nbsp;&nbsp; Marcia Witteman=20
<BR>&nbsp;405.&nbsp;&nbsp; Mike Witteman <BR>&nbsp;406.&nbsp;&nbsp; Elizabet=
h=20
Witteman <BR>&nbsp;407.&nbsp;&nbsp; Hannah Witteman <BR>&nbsp;408.&nbsp;&nbs=
p;=20
Ange Davis <BR>&nbsp;409.&nbsp;&nbsp; Julie Baril <BR>&nbsp;410.&nbsp;&nbsp;=
=20
John Baril <BR>&nbsp;411.&nbsp;&nbsp; Brandon Baril <BR>&nbsp;412.&nbsp;&nbs=
p;=20
Eric Larson <BR>&nbsp;413.&nbsp;&nbsp; Wendy Larson <BR>&nbsp;414.&nbsp;&nbs=
p;=20
Stephanie Larson <BR>&nbsp;415.&nbsp;&nbsp; Karen Rausch=20
<BR>&nbsp;416.&nbsp;&nbsp; Chris Rausch <BR>&nbsp;417.&nbsp;&nbsp; Bill Thur=
man=20
<BR>&nbsp;418.&nbsp;&nbsp; Ruth Thurman <BR>&nbsp;419.&nbsp;&nbsp; Jennifer=20
Staples <BR>&nbsp;420.&nbsp;&nbsp; Barry Giesemann <BR>&nbsp;421.&nbsp;&nbsp=
;=20
Yvette Morelli Giesemann <BR>&nbsp;422.&nbsp;&nbsp; Giovanna Morelli=20
<BR>&nbsp;423.&nbsp;&nbsp; M. Visconti <BR>&nbsp;424.&nbsp;&nbsp; J. Viscont=
i=20
<BR>&nbsp;425.&nbsp;&nbsp; Dolly Hoffman <BR>&nbsp;426.&nbsp;&nbsp; Kenn=20
<BR>&nbsp;427.&nbsp;&nbsp; John Thompson <BR>&nbsp;428.&nbsp;&nbsp; Marni=20
Tambling - In memory of Sara, 8 years old, killed September=20
<BR>&nbsp;&nbsp;&nbsp; 1999 by a drunk driver. <BR>&nbsp;429.&nbsp;&nbsp; Da=
vid=20
Tambling <BR>&nbsp;430.&nbsp;&nbsp; Brenda Jones - thank God for delivering=20=
my=20
father from alcohol <BR>&nbsp;before he killed anyone by driving while drunk=
.=20
<BR>&nbsp;431.&nbsp;&nbsp; Ann G. Fowler- in memory of my dad who was killed=
 in=20
1963 <BR>&nbsp;432.&nbsp;&nbsp; Cheryl M. Matthews- in memory of my friend a=
nd=20
mother-in- law, <BR>&nbsp;&nbsp;&nbsp; Betty <BR>&nbsp;&nbsp;&nbsp; Matthews=
,=20
killed by a drunk driver May 1990. <BR>&nbsp;433.&nbsp;&nbsp; Jenny Palazio=20
<BR>&nbsp;434.&nbsp;&nbsp; Jim, Sharon, and Margaret Bailey=20
<BR>&nbsp;435.&nbsp;&nbsp; Paula Burton <BR>&nbsp;436.&nbsp;&nbsp; Eva Igbod=
o-In=20
loving memory of my brother Howard Goodwyn, Jr who <BR>&nbsp;&nbsp;&nbsp; wa=
s=20
<BR>&nbsp;&nbsp;&nbsp; killed by a drunk driver 11-17-00=20
<BR>&nbsp;437.&nbsp;&nbsp; Katie Gillon-In memory of Maraina, killed by a dr=
unk=20
driver October <BR>&nbsp;&nbsp;&nbsp; 2000. <BR>&nbsp;438.&nbsp;&nbsp; Janet=
=20
Boger <BR>&nbsp;439.&nbsp;&nbsp; Cindy Kendall <BR>&nbsp;440.&nbsp;&nbsp;=20
Catherine, Rod, Andrew, and Christine Strong <BR>&nbsp;441.&nbsp;&nbsp; Cind=
y=20
Brown <BR>&nbsp;442.&nbsp;&nbsp; Sally Snow, Fort Worth, Texas=20
<BR>&nbsp;443.&nbsp;&nbsp; Dana Minor <BR>&nbsp;444.&nbsp;&nbsp; Tiffany Bar=
nes=20
<BR>&nbsp;445.&nbsp;&nbsp; S.B.Gubser and R.A.Gubser <BR>&nbsp;446.&nbsp;&nb=
sp;=20
Myrna Arvizo <BR>&nbsp;447.&nbsp;&nbsp; LISA M. ESTRADA=20
<BR>&nbsp;448.&nbsp;&nbsp; ANGIE C. MADERA <BR>&nbsp;449.&nbsp;&nbsp; Lance=20
Redfearn <BR>&nbsp;450.&nbsp;&nbsp; Candice Hughes....Hopes this helps to en=
d=20
Drunk Driving!!!! <BR>&nbsp;451.&nbsp;&nbsp; Eric Perez=20
<BR>&nbsp;452.&nbsp;&nbsp; Rita Regua <BR>&nbsp;453.&nbsp;&nbsp; Elva Scott=20
<BR>&nbsp;454.&nbsp;&nbsp; Margaret Salter <BR>&nbsp;455.&nbsp;&nbsp; Helen=20
Risdon <BR>&nbsp;456.&nbsp;&nbsp; Margaret Souza <BR>&nbsp;457.&nbsp;&nbsp;=20
Lorraine Souza <BR>&nbsp;458.&nbsp;&nbsp; Denise Mehler=20
<BR>&nbsp;459.&nbsp;&nbsp; Rosa Valeri <BR>&nbsp;460.&nbsp;&nbsp; Connie Bar=
rera=20
Gonzalez <BR>&nbsp;461.&nbsp;&nbsp; Jeanette Caballero=20
<BR>&nbsp;462.&nbsp;&nbsp; Monica Falcon <BR>&nbsp;&nbsp;&nbsp;=20
465.&nbsp;&nbsp;&nbsp; Janna Cochran <BR>&nbsp;&nbsp;&nbsp;=20
466.&nbsp;&nbsp;&nbsp; Lisa Carpenter <BR>&nbsp;&nbsp;&nbsp;=20
467.&nbsp;&nbsp;&nbsp; Tammy Kessner <BR>&nbsp;&nbsp;&nbsp;=20
468.&nbsp;&nbsp;&nbsp; carolina zevallos <BR>&nbsp;469.&nbsp;&nbsp; Tara Tay=
lor=20
<BR>&nbsp;470.&nbsp;&nbsp; Teresa Maxey <BR>&nbsp;471.&nbsp; Dawn Blewitt=20
<BR>472. Lindsay Harter <BR>473. Barbara Burns <BR>474. Jennie Dockery=20
<BR>475.Trish Johnson <BR>476. </FONT><FONT lang=3D0 face=3DArial color=3D#f=
f00ff   size=3D2 FAMILY=3D"SANSSERIF"><B>Diana Barton</FONT><FONT lang=3D0 f=
ace=3DArial   color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"></B> <BR>477. </=
FONT><FONT lang=3D0   face=3DArial color=3D#0000ff size=3D2 FAMILY=3D"SANSSE=
RIF">Dave Barton</FONT><FONT   lang=3D0 face=3DArial color=3D#000000 size=
=3D2 FAMILY=3D"SANSSERIF"> <BR>478 cathey=20
barton</FONT></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>479. Veronica Pratt</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>480. Brendan Gethin</FONT></DIV>
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<DIV><FONT face=3DArial size=3D2>482. Frank Pratt</FONT></DIV>
<DIV>483. Kathleen Borden</DIV>
<DIV>484. Eileen Swanson</DIV>
<DIV>485. Martha I. Blaxton</DIV>
<DIV>486. Brenna Dowd</DIV>
<DIV>487. Carrol Dowd</DIV>
<DIV>488. Pamela Dowd</DIV>
<DIV>488. </DIV></FONT></DIV></FONT></STRONG></DIV></BODY></HTML>

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From: Suzanne Gunn <gunnx4@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: biggest challenge
Date: Wed, 01 Aug 2001 14:56:05 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: glassdancer
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Im curious...

What is or has been your biggest challenge with glass?

Personally, my biggest challenge is learning lampwork.  Controlling
where the glass goes once I melt it!

At work..my biggest challenge is getting FASTER FASTER FASTER!!!

Oh...and my daughter just walked in and gave me a message.  There is a
small new gallery/giftshop that carries some of my work, they opened a
couple of weeks ago, and I have a check in the mail!
YEeeeeeeeeeeeeeehaaa!! :o)  Im always really thrilled when something I
made (because I wanted to) sells!!  (as opposed to what *they* want me
to make)

Suzanne
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From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
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Subject: Re: biggest challenge
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I think repairs present the biggest challenge to me, although once I 
psych myself up to do it, it's usually not as bad as I dreaded.  The 
challenge is 75% psychological--just getting over whatever stupidity 
made the repair necessary and then forcing myself to tackle it.

Kaye

What is or has been your biggest challenge with glass?

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From: "Byron Wells" <byronw26@home.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: biggest challenge
Date: Wed, 1 Aug 2001 20:05:02 -0500
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Hey Suzanne...

My 2 biggest challenges are constantly coming up with fresh ideas/drawings
and having enough time to explore other areas of glass I'd like to check
out... I've got a brand new 24" Jen-Ken kiln I bought last December along
with everything I need to get started and it's never been fired yet... The
warrantee will be up before I get time to try it!!!

Yup there is a huge difference in yer attitude when you get to make what
'you' want and not what some customer wants that you do just to pay the
bills...

Byron...
Wells Glassworks

----- Original Message -----
From: "Suzanne Gunn" <gunnx4@home.com>
To: <glass@bungi.com>
Sent: Wednesday, August 01, 2001 2:56 PM
Subject: biggest challenge


> Im curious...
>
> What is or has been your biggest challenge with glass?
>
> Personally, my biggest challenge is learning lampwork.  Controlling
> where the glass goes once I melt it!
>
> At work..my biggest challenge is getting FASTER FASTER FASTER!!!
>
> Oh...and my daughter just walked in and gave me a message.  There is a
> small new gallery/giftshop that carries some of my work, they opened a
> couple of weeks ago, and I have a check in the mail!
> YEeeeeeeeeeeeeeehaaa!! :o)  Im always really thrilled when something I
> made (because I wanted to) sells!!  (as opposed to what *they* want me
> to make)
>
> Suzanne
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: biggest challenge
Date: Thu, 2 Aug 2001 09:32:11 -0400
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Message text written by Suzanne Gunn
>What is or has been your biggest challenge with glass?<

Staying creative rather than getting bogged down into the day-to-day
production work.

Christie A. Wood
Art Glass Ensembles
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From: Suzanne Gunn <gunnx4@home.com>
To: Byron Wells <byronw26@home.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: biggest challenge
Date: Thu, 02 Aug 2001 14:25:33 -0500
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Organization: glassdancer
Precedence: bulk

I think you're gonna have to work late Byron, and fire that puppy up!
;o)
I've got a new kiln too, but a mite smaller than yours.
So far Ive only annealed my beads in it, but Im gonna slump something
soon! :o)

Im glad to know you are still on bungi, Byron.


Suzanne



Byron Wells wrote:
> 
> Hey Suzanne...
> 
> My 2 biggest challenges are constantly coming up with fresh ideas/drawings
> and having enough time to explore other areas of glass I'd like to check
> out... I've got a brand new 24" Jen-Ken kiln I bought last December along
> with everything I need to get started and it's never been fired yet... The
> warrantee will be up before I get time to try it!!!
> 
> Yup there is a huge difference in yer attitude when you get to make what
> 'you' want and not what some customer wants that you do just to pay the
> bills...
> 
> Byron...
> Wells Glassworks
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From: Suzanne Gunn <gunnx4@home.com>
To: glass@bungi.com
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Subject: The door panel from He double hockey sticks
Date: Thu, 02 Aug 2001 14:48:28 -0500
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I took a picture of it today, if anyone wants to see it.
It did turn out to be pretty.

Suzanne
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From owner-glass Thu Aug  2 18:56:21 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Subject: Re: natural brush
Date: Thu, 2 Aug 2001 19:54:44 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

Thanks Cec for digging out the lead light cement recipe.  I would add
for you all that I do not recommend *any* plaster of Paris at all.
Otherwise, this recipe has worked well for me for a long time.  I
emphasise that adding mineral spirits will thin the mix, but hardly
extend the setting time at all.  Linseed oil extends the setting time a
lot.

When I get a little more time I intend to respond to the whole thread on
cementing and brushes and finishing panels.

Thanks again Cec.

Steve


In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>Here is Steve Richard's recipe - or Steve somebody - which I had saved from the
>earlier discussion. - Cec
>
>I've now found the recipe for lead light cement on my computer files.
>As the original enquirer has all the tools for mixing hardened putty,
>she also has the tools for making her own cement at a fraction of the
>cost of buying it in.  The recipe follows:
>
>7 parts whiting  (or 6 parts whiting and 1 part plaster of Paris)
>1 part boiled linseed oil
>1 part mineral spirits (turpentine or other)
>1-2 Tablespoons lamp black or other colorant
>
>Mix the dry parts reserving i/2 part for adjusting final consistency of
>mixture. Add the wet parts and mix together. After 5 minutes or even
>less, the whole will be mixed and of a barely pourable consistency.  If
>it is too runny, add some of the reserved dry part to thicken; re-mix.
>
>Never, ever use Portland cement in your cement.
>
>Steve
>
>PS, I find mixing linseed oil with lead light cement, just extends the
>setting time; mineral spirits works better, in the cases where the
>whiting and linseed oil have separated.  But if it is like a rock at the
>bottom, throw it away.  It does not cost enough to be worth the effort
>of re-mixing.
>S
>
>"Larry ." wrote:
>
>> I would be interested in getting that putty recipe if it's still available.
>>
>> I haven't done much came work, but I have been trying to make myself conquer
>> the craft.  I finished a came panel a few months ago and didn't putty
>> because I've never done it before, and am a little leary of the mess.  From
>> what I'm reading the fear is well warrented.
>>
>> L.
>>
>> >From: "Christie A. Wood" <Ensembles@compuserve.com>
>> >To: Bungi <glass@bungi.com>
>> >Subject: re:  natural brush
>> >Date: Mon, 30 Jul 2001 10:36:01 -0400
>> >
>> >Message text written by Sherry Greer
>> > >However, when I finished the other side in the
>> >same manner, the force of puttying had pushed more putty out of the
>> >leading on the first side, so I'd go back and clean it up again, and
>> >you guessed, putty squished on side two.  I went back and forth 3-4
>> >times, and even tried standing it up on edge to clean both sides at
>> >once (gravity pushed excess putty out of the bottom half).  Eventually
>> >I gave up let it dry with putty squished out, then went back after it
>> >was very set (2+ weeks), and scraped it away with a fid or a craft
>> >knife.  Very painstaking and annoying.  Any suggestions from the pros
>> >out there?  I haven't done a lead project since, for this reason!<
>> >
>> >Your putty is way too soft.  Add more whiting to the putty mixture to
>> >stiffen it up.  I make my own putty (thanks to Dani Greer's putty recipe
>> >posted on bungi a year ago).  The putty is stiff enough to not squish
>> >through to the other side, except occassionally when I've got a gap or
>> >something.  Yet the putty is pliable enough to be pushed under the lead. =
>> >
>> >Some whiting....two sessions with two different types of brushes (first o=
>> >ne
>> >stiff bristled, the second one soft bristled), buff it down with clean
>> >rags, and voila!  I can ship leaded panels the same day I putty them if
>> >push comes to shove.  However I do like to allow 24 hours for the putty t=
>> >o
>> >set up nicely before shipment.  Two + weeks is excessive in my book.  I
>> >would be out of business that way.
>> >
>> >Christie A. Wood
>> >Art Glass Ensembles
>> >----
>> >For subscription changes, please mail to: glass-request@bungi.com
>> >To send to the list,      please mail to: glass@bungi.com
>> >Archives available at http://www.bungi.com/glass
>>
>> _________________________________________________________________
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>>
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
For subscription changes, please mail to: glass-request@bungi.com
To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

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>From: "Shirley T. Clark" <sclark@naxs.net>
>To: "Theresa Kelly" <just4uladybug@hotmail.com>
>CC: "Linda Remines" <lkmr@naxs.net>, "Debbie Woods" <dndwoods@naxs.net>,   
>"amanda odum" <aodum@hotmail.com>, "Sandy Sullivan" <ssullivan@naxs.net>,   
>"Kisers" <jlkiser@naxs.net>, "chuck harris" <chuckharris89@yahoo.com>,   
>"steve Lowe" <stclowe1@hotmail.com>, "Nyra Ingram" <nci55@home.com>,   
>"Bobby Odum" <bobbyo.naxs.com@naxs.com>, "Margie colley" 
><mcolley@jmha.org>,   "scarlet cox" <scox@jmha.org>
>Subject: Fw: Fw: Fw: PLEASE LOOK AT PICTURE THEN FORWARD
>Date: Mon, 30 Jul 2001 22:01:14 -0400
>
>
>----- Original Message -----
>From: "kbrown" <kbrown1@naxs.net>
>To: "shirley clark" <sclark@naxs.net>
>Sent: Sunday, July 29, 2001 12:23 AM
>Subject: Fw: Fw: Fw: PLEASE LOOK AT PICTURE THEN FORWARD
>
>
> >
> > ----- Original Message -----
> > From: "Sharon J Lester" <slester@preferred.com>
> > To: "Janice Durham" <mdurham@hotmail.com>; "Janie Corvin"
> > <jecorvin@preferred.com>; "Naomi Tate" <tate3@naxs.net>; "Peggy Thomas"
> > <pthomas@naxs.net>; "Renee Bumgarner" <bum1@preferred.com>; "Nikki 
>White"
> > <nikkiwhite@prodigy.net>; "Dr. Melvin Heiman" <mheiman@naxs.com>; "Donna
> > Roberts" <dminnick@preferred.com>; "Karen Brown" <kbrown1@naxs.net>; 
>"Lynn
> > Browning" <browningfarm@naxs.net>
> > Sent: Sunday, July 15, 2001 4:21 PM
> > Subject: Fw: Fw: Fw: PLEASE LOOK AT PICTURE THEN FORWARD
> >
> >
> > >
> > > ----- Original Message -----
> > > From: "Tammy Meyers" <meytam@sk.sympatico.ca>
> > > To: "Deirdre" <shadow4@telusplanet.net>; 
><Curlport@worldaccessnet.com>;
>"C
> > &
> > > R DUNN" <rcdunn@cableweyburn.com>
> > > Sent: Wednesday, July 04, 2001 9:40 AM
> > > Subject: Fw: Fw: Fw: PLEASE LOOK AT PICTURE THEN FORWARD
> > >
> > >
> > > >
> > > > ----- Original Message -----
> > > > From: "Eric & Roberta Christensen" <ericbert@attcanada.ca>
> > > > To: "Vivian Adams" <rvtadams@sk.sympatico.ca>; "Trevor Gowen"
> > > > <XNTRICBLAZERGUY@Hotmail.com>; "Ted Vicary" 
><tvicary@sk.sympatico.ca>;
> > > > "tammy meyers" <meytam@sk.sympatico.ca>; "Tamara Gheyssen"
> > > > <gheyssen@telusplanet.net>; "Scott Hewitt"
> > > > <south.carlyle.angus@sk.sympatico.ca>; "Robin/Rob Labensky"
> > > > <rlabensky@home.com>; "norm meyers" <n.e.meyers@sk.sympatico.ca>;
>"Neil
> > > > Trembly" <nst.estevan@sk.sympatico.ca>; "lori schlemko"
> > > > <schlemko@cableestevan.com>; "Len Solberg" <tayzak@home.com>; "Kerry
> > > > Cunningham" <darker5@telusplanet.net>; "Janine Carlisle"
> > > > <jcarlisle@sk.sympatico.ca>; "Hugs/glitter"
> > <hugs&glitter@accesscomm.ca>;
> > > > "Gwen Donais" <r.donais@sk.sympatico.ca>; "Gord Buck"
> > <gordbuck@home.com>;
> > > > "Eric Christensen" <echristensen@alberta-cu.com>; "Doug and Tallie
> > Baker"
> > > > <d.tbaker@home.com>; "Connie Mickel" <cmickel@cableregina.com>;
> > > "Brenda/Stu
> > > > Morton" <bs.morton@home.com>; "audrey" <samac@sk.sympatico.ca>; "All
> > > Meyers"
> > > > <themeyers@sk.sympatico.ca>
> > > > Sent: Tuesday, July 03, 2001 12:45 PM
> > > > Subject: Fw: Fw: Fw: PLEASE LOOK AT PICTURE THEN FORWARD
> > > >
> > > >
> > > > >
> > > > > > Sent: Wednesday, June 13, 2001 1:05 PM
> > > > > > Subject: Fw: Fw: Fw: PLEASE LOOK AT PICTURE THEN FORWARD
> > > > > >
> > > > > >
> > > > > > >
> > > > > > > > > >  I am asking you all, begging you to please, forward 
>this
> > > email
> > > > on
> > > > > > to
> > > > > > > > > anyone
> > > > > > > > > > and everyone you know, PLEASE.
> > > > > > > > > >
> > > > > > > > > > I have a 5 year old son named Christopher John Mineo Jr,
> > Knick
> > > > > name
> > > > > > > C.J.
> > > > > > > > I
> > > > > > > > > > am from Brooklyn N.Y.
> > > > > > > > > >
> > > > > > > > > >  He has been missing since November of 98. If anyone
> > anywhere
> > > > > knows
> > > > > > > > > > anything, sees anything, please contact the original
>screen
> > > name
> > > > > > that
> > > > > > > > sent
> > > > > > > > > > this. Which is CMINEO0295@aol.com I am including a 
>picture
> > of
> > > > > > > > > > him.  All prayers are appreciated!! It only takes 2
>seconds
> > to
> > > > > > forward
> > > > > > > > > this
> > > > > > > > > > on, if it was your child, you would want all the help 
>you
> > > could
> > > > > get.
> > > > > > > > > >
> > > > > > > > > >
> > > > > > > > > >
> > > > > > > > > >  Please.
> > > > > > > > > >
> > > > > > > > > >  Christopher John Mineo Sr
> > > > > > > > > >
> > > > > > > > > >
> > > > > > > > > >
> > > > > > > > >
> > > > > > > >
> > > > > > >
> > > > > > >
> > > > > > >
> > > > > >
> > > > >
> > > >
> > >
> >


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------=_NextPart_000_d42_6b5_7454--


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From owner-glass Thu Aug  2 20:27:48 2001
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	id <m15SVTC-0000UMa@daver.bungi.com>
	for rglass-42; Thu, 2 Aug 2001 20:17:50 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: don't look at the picture
Date: Thu, 02 Aug 2001 23:15:02 -0400
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

I think the re: re: re: message is a virus.  If you use Outlook Express
on a PC (not Mac) and open the "picture" you then get the virus.  No, it
isn't that new Red something or other, but an old one coming back around
again. - Cec

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From owner-glass Fri Aug  3 01:00:51 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
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Subject: Re: don't look at the picture OT
Date: Fri, 03 Aug 2001 00:39:08 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Organization: Grendel Studio
Precedence: bulk

Well, not in this case - the sender says it is a lost child.  Chances are
she's fallen for one of the gazillian computer hoaxes.

Cecily & Ralph Wood wrote:

> I think the re: re: re: message is a virus.  If you use Outlook Express
> on a PC (not Mac) and open the "picture" you then get the virus.  No, it
> isn't that new Red something or other, but an old one coming back around
> again. - Cec
>
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From owner-glass Fri Aug  3 16:19:29 2001
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From: "Daniel M. German" <dmgerman@csr.csc.UVic.CA>
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Subject: Re: biggest challenge
Date: Fri, 3 Aug 2001 11:03:32 -0700
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I have to say that, by far, my biggest challenge is the design of
three dimensional objects, particularly spherical lamps. They are
difficult to design and then to create patterns for them. So far, I
have not been able to succeed. When I tried the first time, I had to
settle with a pattern that I copied.

I find it also very difficult to create a design on my own. I guess
that, if I was was more artsy oriented, that would come easier. I
suppose that, if was able to design something I'd be happy with, it
will be easy to create the pattern.


dmg

--
Daniel M. German                  "Diminutive as a mote of dust,
                                   a mere peck of the pen, a crumb on the
                                   keyboard, the full stop --the period--
                                   is the unsung legislator of our
    Alberto Manguel ->             writing systems"
http://turingmachine.org/
dmgerman@acm.org

 
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From owner-glass Sat Aug  4 02:33:47 2001
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From: "tl sanders" <glasshut@hotmail.com>
To: glass@bungi.com
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Subject: Thanks and Biggest Challenge
Date: Sat, 04 Aug 2001 03:43:19 +0000
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Precedence: bulk

Thanks to everyone who responded (I can't believe I received so many emails) 
to my quest for information on stained glass boxes.  I visited several 
websites and was very impressed.  Got a lot of great ideas and have made two 
boxes already.  Actually they are candle holders (just don't have lids or 
hinges YIKES!!).

HOWEVER.....since I am new to this my biggest challenge is still

SOLDERING.

Patience is a virtue, I know.  So I will continue to practice and hone the 
skill.

Thanks and any tips you have on soldering would be appreciated.

Tricia

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From owner-glass Sat Aug  4 10:06:20 2001
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From: "Kris" <kristc@home.com>
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Content-Type: text/plain;
Subject: Re: Thanks and Biggest Challenge
Date: Sat, 4 Aug 2001 07:43:35 -0400
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Use a hot iron. When I was new I was afraid to turn up my iron too much.
Later when I started running it hotter, things got a bit easier and the
solder flowed better. It still isn't ever as good as I would like, though no
else seems to notice. You are probably your own worst critic too.

Kris

----- Original Message -----
From: "tl sanders" <glasshut@hotmail.com>
To: <glass@bungi.com>
Sent: Friday, August 03, 2001 11:43 PM
Subject: Thanks and Biggest Challenge


> SOLDERING.
>
> Patience is a virtue, I know.  So I will continue to practice and hone the
> skill.
>
> Thanks and any tips you have on soldering would be appreciated.
>
> Tricia
>
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
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From owner-glass Sat Aug  4 11:29:47 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: Re: biggest challenge
Date: Sat, 4 Aug 2001 11:22:31 -0400
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Message text written by "Daniel M. German"
>I have to say that, by far, my biggest challenge is the design of
three dimensional objects, particularly spherical lamps. They are
difficult to design and then to create patterns for them. So far, I
have not been able to succeed. When I tried the first time, I had to
settle with a pattern that I copied.<

Have you read "The Lampmaking Handbook" by Joe Porcelli?  It is the best
source of information about making lampshades.  It has a great section in=

it about how to make your own design for a lampshade.  I used his
instructions to make a custom lampshade, and it worked!  Published by The=

Glass Press in Richboro, PA (215) 579-2720.

Christie A. Wood
Art Glass Ensembles
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From owner-glass Sun Aug  5 00:30:04 2001
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From: Family Account <shad@mail2.nai.net>
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Subject: Re: biggest challenge
Date: Sat, 04 Aug 2001 17:57:23 -0400
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Keeping my energy up come November!  It gets hard soldering the umpteenth
angel that you can make in your sleep, but you know will sell, sell, sell.

Of course, I had planned the get a lot of that done ahead of time, but
haven't, of course.  Well, there was the 3-week summer cold from hell, plus
the one-week visit of parents (whom I love to see, by the way, but I don't
really get much work done while we're out looking at used books or hiking on
Block Island.)  And  coming soon is my vacation for me - Saratoga Springs,
then several days on the North Shore of Massachusetts.

John has some scrap wood he's going to make into frames.  I won't know what
size they will be until they are done, then I'll have to design something to
fill them.  That's one of the fun parts!

Dorothy

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From owner-glass Sun Aug  5 00:58:28 2001
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I have noticed more and more craft fair applications requesting e-mail
addresses.  Today I received my first e-mail acceptance.

And gee, it's in November!

Dorothy

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From owner-glass Sun Aug  5 13:06:37 2001
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From: Suzanne Gunn <gunnx4@home.com>
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Date: Sat, 04 Aug 2001 12:27:24 -0500
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Dont let your glass get too hot. Small pieces get hottest fastest.
Clean off old flux, and reapply flux before going over again.


tl sanders wrote:
> 
> Thanks to everyone who responded (I can't believe I received so many emails)
> to my quest for information on stained glass boxes.  I visited several
> websites and was very impressed.  Got a lot of great ideas and have made two
> boxes already.  Actually they are candle holders (just don't have lids or
> hinges YIKES!!).
> 
> HOWEVER.....since I am new to this my biggest challenge is still
> 
> SOLDERING.
> 
> Patience is a virtue, I know.  So I will continue to practice and hone the
> skill.
> 
> Thanks and any tips you have on soldering would be appreciated.
> 
> Tricia
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From owner-glass Sun Aug  5 19:18:56 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Lorley Oneyear <lorley@home.com>
Content-Type: text/plain;charset=iso-8859-1
Subject: Banish the fear of lead light cementing!
Date: Sun, 5 Aug 2001 22:22:33 +0100
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Lorley et.al.
        I promised (threatened?) you all with a more complete response
relating to various issues raised on lead light cementing.  The response
has gotten rather long!  It contains some of my thoughts on the subject,
passes on things I have learned from others, and it may even answer some
of the questions put to the group in this thread.
        Please disagree, add, or amend to any part or the whole of this.

Steve
------------------------

Banish the fear of lead light cementing!

Here is my attempt to re-assure people that cementing leaded panels is a
straightforward process.  It can be messy and dusty, so an apron and a
dust mask are a good idea.  Cementing panels is as old as leaded glass -
about 1,000 years - so it is a time proven process using simple
materials.

The object of cementing is to make panel weather and water tight and
stiff.  Much of the stiffness of a leaded panel is given by the cured
lead light cement.

My suggestions on finishing a panel run along these lines.

Start on the side that is already up after soldering.  This normally
will be the rough side. This way you do not have to move the panel much
until it has stiffened with the addition of the cement. One tip is to
cover all open bubbles, rough glass (waffle, ice, etc. textures), and
all painted glass with masking tape.  This will keep the clean up of the
glass to a minimum after cementing.  Put down the masking tape over all
the relevant areas of the panel.  Then use a sharp knife, such as a
scalpel to cut the tape at the edges of the calme.  The cement will go
under the calme, but not into the texture of the glass.

Now that the panel is on the bench, put a dollop of cement on the panel
and rub it in all directions with a stiff, but not hard bristle brush to
force it under the lead calme.  When the cement has been pushed under
all the calmes, but with a slope of cement showing, spread a little
fresh whiting and gently push it against the cement under the leads.
This whiting begins the setting process and keeps the spreading cement
from sticking hard to the bench or board.

Turn over the panel to cement the second side in the same way as the
first.  If the panel is a large one, you may want to use a board to
support it in these early turning stages. No gaps can be tolerated in
the cementing.  Cement leaking out the other side is good evidence that
all the gaps between the glass and the calme are filled.  Again sprinkle
new whiting over the second cemented side and rub it gently into the
exposed cement.  By the way, one guide to the amount of work required is
the statement "if you are not sweating while cementing, you are not
doing it right".

Flip the panel over and begin a firm rubbing to push cement firmly into
the gaps between the lead and glass.  I sprinkle the used dust from the
bench top over the panel and rub in all directions.  This begins to set
up the cement by helping to provide a stiff skin over the more fluid
cement.  Brush until the whiting is largely off the panel.  Turn the
panel and do the same for the second side.  Several applications of
whiting are required to give a sufficiently thick skin to reduce the
amount of spreading, leaking or weeping of the cement.

Once both sides have been done a couple of times, continue to add the
used whiting.  But now begin emphasise the brush strokes along the lead
lines.  This will begin the cleaning phase and also begin to darken the
calme (but not the solder joints yet). Repeat this on the other side.  

After about four turnings, most of the cement should be cleaned from
around the leads. Don't try to get all of it away.  You will need that
colour later. The glass will be shining, and any marks you made on the
glass will have gone too.  Clean up the dust from the panel and bench in
preparation for polishing.

This is the point at which you may dress the calmes.  Nowadays we have
both flat and round calme, but in both cases, it can be beneficial to
close the calme toward the glass.  It provides a neat rounded appearance
to the lines, traps the cement you have already added, and presents less
area for the rainwater to collect, and makes polishing easier.  It is
also the time when you may break the glass by putting pressure onto the
glass.  Dressing the calmes is done with an oyster knife or fid.  The
best is to avoid metal and use wood or plastic sticks or tools.  The
pressure is on the calme rather than the glass.  Run the fid lightly at
a shallow angle along each flange of the calme.  You may want to do this
several times as repeated light pressure will cause the flanges of the
calme to move gently toward the glass.  This can only be done while the
cement is pliable.  If it is done after polishing, you will need to re-
do the polishing, as it will brighten the edges of the calme.

Change to soft brush and begin polishing. Don't pick out the cement
until the polishing is done, as it provides the colour for darkening and
polishing the lead and solder joints.  The action with the polishing
brush should be gentle and rapid, much like polishing shoes.  Before
turning the panel a final time, put down paper or cloth, to avoid
scratching the solder joints while polishing the other side.  The result
should be shiny a black calme and solder joints that does not come off
like a final buffing with stove blackening does.

Finally, pick out any remaining cement to give crisp line along the
calme.

Rest horizontally with weather side down for traditional installations.
If the panel is going into a double or secondary glazed unit you may
want to reverse this.  The reason for having the smallest exposed cement
line on the outside is to allow the water to run off the window with the
minimum area to collect.  In a sealed unit or for secondary glazing, you
may want to have the smallest amount of cement showing for appearances,
as there is no weathering reason for the traditional method.  Rest for a
day for a day. Pick out the cement again.  If the cement was stiff
enough, there should be no need to do any more picking at the cement.

Brushes
        Use stiff, but not hard bristle brushes.  Nylon scrubbing
brushes have a good stiffness without being too hard.  Some natural
bristle brushes are very hard and scratch the calme excessively.  Some
people use paint brushes. They have some limitations, often being too
soft to push stiff cement, or to polish the glass in the later stages of
finishing. In general, moderately stiff brushes with about one and a
half inch long bristle are fine for cementing.  As they do not last very
long, they should be cheap, but with firmly attached bristle bunches.
        Cleaning brushes can be very simple.  The action of rubbing the
cement under the leads with whiting causes a natural cleaning action to
take place.  As the bristles flex back and forward over the calme, the
cement is forced upward toward the handle.  It then flows outward
between the bristle bunches.  Only a little more work is required at the
end of the cementing process to finish the cleaning.  Push a rounded
stick between the bristle bunches and pull out any remaining cement and
you have a clean brush to do the next cementing job with.
        Keeping the brush in water has the problem of getting rid of the
water (oil and water do not mix) before beginning to cement.  As the
water will emulsify with the linseed oil, it will be carried into the
putty, leaving gaps in the cement when the water eventually evaporates.
The cement will eventually harden, even though in water, as linseed oil
cures by creating an organic polymer.  It also rots any wood handles.
Keeping the brush in mineral spirits does keep the brush flexible but
requires drying/evaporating the spirit before beginning the cementing to
avoid the residue of the spirit creating a too liquid cement at the
start.  Believe me this is a problem!  The clean up is lengthy.
The polishing brush should be of a soft bristle, like a shoe polishing
brush. This should be used with light pressure and quickly to give a
shine.  If the shine does not come, you can use a very little stove
blackening (carbon black mixed with a little oil) If you use a lot, you
will have a big clean up job.  A little of stove blackening spreads a
very long way
        It is important to keep both kinds of brushes free of hardened
cement as it will scratch the leads badly even if not the glass.  A
polishing brush with hardened cement will merely clean the solder
joints, rather than polish them black. Most brushes will only last 5-10
uses, so they should not be expensive and easy to throw away.

Cement
        The recipe that is widely used is:
7 parts whiting1 part boiled linseed oil1 part mineral spirits
(turpentine or other)
All of the above measured by volume.1-2 Tablespoons lamp black or other
colorant

Add the whiting (reserving about one half part) to the linseed oil and
mineral spirit.  Mix this well with a paint mixer, or an old food mixer
(not food processor).  When these are mixed thoroughly, check the
consistency.  It should be like molasses on a cold morning, barely
fluid.  If anyone has been watching the lava flow from Mount Etna, you
will see the consistency required.  Add more whiting as required to get
the consistency you want.  Experiment a little to find what suits you
best.  If you have to deliver the panel quickly, for example, you need
to increase the proportion of mineral spirit a little.  The mineral
spirit evaporates relatively quickly, leaving a more rapidly stiff
cement.
        You should make only what you will be using in the next day or
two, as the whiting separates from the linseed oil and spirit relatively
quickly. The commercial cements have emulsifiers to keep the whiting
from settling and so extend the life of the product.  Since it is cheap
and easy to make your own, there is no saving in making a lot.
        
Picks should be wooden, plastic or other materials that cannot scratch
the glass, especially if painted.  If you should find any gaps in your
cementing, you can make up a stiff bunch of cement by taking a little of
your cement, adding whiting and mixing by hand until you have a ball of
cement of the consistency of modelling clay.  This can then be forced
into the gap without fear of it leaking later.

Fids are multiple use tools either manufactured (such as the All Nova
tool) or made by the user. (Known in Glasgow as a "doofer" - as in "that
will do fer [for] this job").  These can be used to open calme, to dress
the flanges, to push the glass and do multiple things that would
otherwise hurt your fingers.  They are normally made from wood, but can
be found plastic items too.

None of the processes involved in cementing and finishing leaded glass
panels is difficult.  They merely require some practice, patience and
effort.  The number of tools required is minimal and they are simple.
The time required to cement and finish panels is relatively small.  In
the three hours it has taken me to write this article, I could have
cemented about one and half square metres (about 16 square feet) of
panels. 

If any of this description of cementing and finishing isn't clear or you
have differences, additions, experiences you want to share, you can
contact me at:
s.richard@verrier-scotland.demon.co.uk

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Aug  6 09:31:03 2001
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From: Peggy L Kinnetz <pkinnetz@juno.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: putty recipe
Date: Tue, 31 Jul 2001 22:09:36 -0400
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I too would like the recipe for putty. I've been gettin ga few blank
screens: I hope that the recipe wasn't one of these.

Peggy K.

"Larry ." wrote:
> 
> I would be interested in getting that putty recipe if it's still
available.
> 
> I haven't done much came work, but I have been trying to make myself
conquer
> the craft.  I finished a came panel a few months ago and didn't putty
> because I've never done it before, and am a little leary of the mess. 
From
> what I'm reading the fear is well warren
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From owner-glass Thu Aug  9 09:01:32 2001
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From: "Larry ." <createglass@hotmail.com>
To: glass@bungi.com
Content-Type: text/plain; format=flowed
Subject: whiting
Date: Thu, 09 Aug 2001 15:05:15 +0000
Message-ID: <1970Jan1.000.0@hotmail.com>
Precedence: bulk

Where does one find whiting?
Is that something that you have to buy at a glass hobby shop, or should I be 
able to find it at the hardware store or a supercenter?  I found the boiled 
lindseed oil, no problem.




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From owner-glass Thu Aug  9 09:30:48 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: glass@bungi.com
Content-Type: text/plain;
Subject: RE: whiting
Date: Thu, 9 Aug 2001 09:09:20 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

calcium carbonate. you can find it in feed stores.

regards,
charlie
phx, az

> -----Original Message-----
> From: Larry . [mailto:createglass@hotmail.com]
> Sent: Thursday, August 09, 2001 8:05 AM
> To: glass@bungi.com
> Subject: whiting
> 
> 
> Where does one find whiting?
> Is that something that you have to buy at a glass hobby shop, 
> or should I be 
> able to find it at the hardware store or a supercenter?  I 
> found the boiled 
> lindseed oil, no problem.
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From owner-glass Thu Aug  9 10:10:41 2001
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X-Path: autop.com!robin
From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: whiting
Date: Thu, 09 Aug 2001 12:50:23 -0400
Message-ID: <1970Jan1.000.0@autop.com>
References: <<1970Jan1.000.0@stratus.com>>
Organization: Auto and Parts.Com
Precedence: bulk

Charlie,
i use 4 parts plaster of paris and one part baking soda. works great!
robin

"Spitzer, Charlie" wrote:

> calcium carbonate. you can find it in feed stores.
>
> regards,
> charlie
> phx, az
>
> > -----Original Message-----
> > From: Larry . [mailto:createglass@hotmail.com]
> > Sent: Thursday, August 09, 2001 8:05 AM
> > To: glass@bungi.com
> > Subject: whiting
> >
> >
> > Where does one find whiting?
> > Is that something that you have to buy at a glass hobby shop,
> > or should I be
> > able to find it at the hardware store or a supercenter?  I
> > found the boiled
> > lindseed oil, no problem.
> ----
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********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
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From owner-glass Thu Aug  9 11:31:45 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'robin@autop.com'" <robin@autop.com>
Content-Type: text/plain;
Subject: RE: whiting
Date: Thu, 9 Aug 2001 10:28:06 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

imho, you should use neither plaster of paris nor portland cement. it sets
up too hard, and makes it a bear to ever fix.

regards,
charlie
phx, az

> -----Original Message-----
> From: Robin Ellison - Auto And Parts, LLC [mailto:robin@autop.com]
> Sent: Thursday, August 09, 2001 9:50 AM
> To: Spitzer, Charlie
> Cc: glass@bungi.com
> Subject: Re: whiting
> 
> 
> Charlie,
> i use 4 parts plaster of paris and one part baking soda. works great!
> robin
> 
> "Spitzer, Charlie" wrote:
> 
> > calcium carbonate. you can find it in feed stores.
> >
> > regards,
> > charlie
> > phx, az
> >
> > > -----Original Message-----
> > > From: Larry . [mailto:createglass@hotmail.com]
> > > Sent: Thursday, August 09, 2001 8:05 AM
> > > To: glass@bungi.com
> > > Subject: whiting
> > >
> > >
> > > Where does one find whiting?
> > > Is that something that you have to buy at a glass hobby shop,
> > > or should I be
> > > able to find it at the hardware store or a supercenter?  I
> > > found the boiled
> > > lindseed oil, no problem.
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> 
> --
> ********************************************************
> Thank You
> Robin Ellison
> Auto & Parts... http://www.autoandparts.com
> 1-888-977-1999
> Automotive Internet Services that get RESULTS !!
> Auto & Parts provides internet solutions exclusively for
> the Auto Recycling Industry. Offering used part locating
> systems for buying & selling , web site design, hosting
> and maintenance at a reasonable cost.
> AOL FRIENDLY LINK
> <a href="http://autoandparts.com">Auto And Parts</a>
> 
> 
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From owner-glass Thu Aug  9 12:46:13 2001
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X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: <robin@autop.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: whiting
Date: Thu, 09 Aug 2001 15:33:30 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Hi Robin,
You should not use any plaster of paris in a cement mix for SG windows it may look good now but in the near future it will start to flower,by this I mean the plaster of paris expands and forms what is known as a flower along the lead lines,whiting is the answer and should be the only substance used along with the boiled linseed oil and a drying agent such as mineral spirits or japanese drier.
Beveler4 Stan
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From owner-glass Thu Aug  9 23:33:54 2001
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: whiting
Date: Thu, 9 Aug 2001 22:37:29 +0100
Message-ID: <1970Jan1.000.0@stainedglass.co.uk>
Precedence: bulk

Larry wrote 
>> > Where does one find whiting?

Not sure about in the USA but over here in the UK a company called Artex
markets 25 kgs bags.
It is an ingredient of their product Artex - a decorative plaster for
ceilings and walls.
We get ours from a painters/decorators supplier - it has to be ordered as it
isnt something they sell a lot of.
Maybe some USA bungian knows of a similar company if it isnt an
international one?

Regards
EliZabeth in Bournemouth
Bournemouth Stained Glass
http://www.stainedglass.co.uk
UK Charter Member RAGS

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From owner-glass Fri Aug 10 05:31:00 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Carol Ames <ace@norcomcable.ca>, glass@bungi.com
Subject: Re: Banish the fear of lead light cementing!
Date: Thu, 9 Aug 2001 22:32:30 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<3B7298FD.AE2581EE@norcomcable.ca>>
Precedence: bulk

Carol,
        Another time you can use a fid (all nova tool or similar) to
open out the came to allow the glass to fit.  It saves a huge amount of
time and is easier too.
        After straightening the calme, I run the oyster knife along each
flange pressing it to the bench top.  This opens the lead slightly, and
makes it much easier to slip the glass into the calme, without it
catching on the raised edge.
        Most stained glass shops have various books with patterns.  If
you can only find copper foil ones, just enlarge them by about 2 times.
This will make the cut lines about the right size and by having larger
pieces will make the leading easier.  Although, tight curves are
possible with thin calme.  Round calme can make a tighter curve than
flat for the same size, and it looks thinner too.

Steve

In message <3B7298FD.AE2581EE@norcomcable.ca>, Carol Ames
<ace@norcomcable.ca> writes
>
>
>Steve 
>
>Thanks so much for this information.  I have only done one panel in
>lead.
>Size 24 inches x 15 3/4 inches.  I thought it turned out beautiful.  Had
>difficulty
>with "c" type angles for came.  Found out half way into the panel that
>the pattern was for foil.  Where do you find patterns for leaded
>windows?  does not seem to be abundance of them in Canada. The second
>thing I did was made this difficult was the the clear glass had raised
>bubbles like tiny beads  had to grind all the edges to fit under the
>came.  Used clear contact paper to cover the entire glass surface cut
>the contact paper along all the came lines.  Used dried purchased
>putty.  Very difficult.
>Did save me from filling all the indentations.   Short story  contact to
>cover appeared to save me time.
>From a extreme novice.
>
>Thanks again
>Carol Ames
>ace@norcomcable.ca

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Aug 10 05:32:56 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Larry ." <createglass@hotmail.com>
Subject: Re: whiting
Date: Thu, 9 Aug 2001 22:33:32 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@hotmail.com>>
Precedence: bulk

Whiting is chalk.
You can also use fine casting plaster (but not plaster of Paris)

Steve
In message <1970Jan1.000.0@hotmail.com>, Larry .
<createglass@hotmail.com> writes
>Where does one find whiting?
>Is that something that you have to buy at a glass hobby shop, or should I be 
>able to find it at the hardware store or a supercenter?  I found the boiled 
>lindseed oil, no problem.
>
>
>
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
>
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Aug 10 06:30:37 2001
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From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: size lead question
Date: Fri, 10 Aug 2001 08:56:29 -0400
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

hi, i am a beginner and so far love lead came, i have taken lessons from
two different places.
for small panels like 24 or 32 about 20 deep. should i use 3/16 or 1/4
round H on the inside?
i am using 1/4 flat U on the boarder? and feed back would be
greatlyappreciated.
thanks a bunch
robin


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From owner-glass Fri Aug 10 07:38:40 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: size lead question
Date: Fri, 10 Aug 2001 06:33:22 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

you can use anything that YOU think looks good, including mixing different
sized lead in the same piece.

i like to use 1/2" flat lead for the border, but i usually put it into a
frame. it's lots easier to trim the lead leaves if the frame doesn't fit
exactly, than to attempt to fix a zinc border.

regards,
charlie
phx, az

> -----Original Message-----
> From: Robin Ellison - Auto And Parts, LLC [mailto:robin@autop.com]
> Sent: Friday, August 10, 2001 5:56 AM
> To: glass@bungi.com
> Subject: size lead question
> 
> 
> hi, i am a beginner and so far love lead came, i have taken 
> lessons from
> two different places.
> for small panels like 24 or 32 about 20 deep. should i use 3/16 or 1/4
> round H on the inside?
> i am using 1/4 flat U on the boarder? and feed back would be
> greatlyappreciated.
> thanks a bunch
> robin
> 
> 
> ----
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> 
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From owner-glass Fri Aug 10 10:17:10 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: whiting
Date: Fri, 10 Aug 2001 10:59:58 -0400
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Precedence: bulk

Message text written by "Larry ."
>Where does one find whiting?<

You purchase whiting at a stained glass retail store.  If they don't have=

any onhand, shame on them.  You will not find it at a home improvement
store.

Christie A. Wood
Art Glass Ensembles
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From owner-glass Fri Aug 10 18:45:10 2001
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: size lead question
Date: Fri, 10 Aug 2001 15:44:08 +0100
Message-ID: <1970Jan1.000.0@stainedglass.co.uk>
Precedence: bulk

At 08:56 10/08/01 -0400, robin wrote:
>hi, i am a beginner and so far love lead came, i have taken lessons from
>two different places.
>for small panels like 24 or 32 about 20 deep. should i use 3/16 or 1/4
>round H on the inside?
>i am using 1/4 flat U on the boarder? and feed back would be
>greatlyappreciated.
>thanks a bunch


Are these hanging display panels or 'proper' windows?
If they are to be installed in a rebate it is more usual (dare I say
'professional' without starting a flame war?) to use flat H came around the
edges - sized to show just a bit around the edges when beaded or puttied in.
Same if to be framed in wood and hung.
For display panels you can use a stronger edging came such as zinc which is
better if you are going to attach hooks to hang it.
We wouldnt use U at all even if they are not to be installed but hung!  If
you use a flat H lead instead you can incorporate a hanging wire all round
inside the 'empty' leaf which will support from the bottom better than a
couple of hooks on the edges.
As to the 'pattern' lead size - use whatever you think will look good!  If
you draw a traditional cartoon with the lead widths drawn in black you will
be able to judge which looks best - you may find for some designs you will
use 5/16 or even 3/8 lead lines for emphasis.  It is fine to mix different
sizes according to the design needs too.

Regards
EliZabeth in Bournemouth
Bournemouth Stained Glass
http://www.stainedglass.co.uk
UK Charter Member RAGS

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From owner-glass Fri Aug 10 19:32:05 2001
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From: Shecharlie@aol.com
To: glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_45.a7aeae2.28a5e5ec_boundary"
Subject: signing stained glass
Date: Fri, 10 Aug 2001 21:35:40 EDT
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--part1_45.a7aeae2.28a5e5ec_boundary
Content-Type: text/plain; charset="US-ASCII"
Content-Transfer-Encoding: 7bit

i would like to have some of your ideas for signing stained glass. Has anyone 
used the small copper plates and if so where did you buy them. any thoughts 
on this subject would be greatly appreciated.
sheila

--part1_45.a7aeae2.28a5e5ec_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>i would like to have some of your ideas for signing stained glass. Has anyone 
<BR>used the small copper plates and if so where did you buy them. any thoughts 
<BR>on this subject would be greatly appreciated.
<BR>sheila</FONT></HTML>

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From owner-glass Fri Aug 10 20:32:29 2001
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From: "donald leedy" <donaldleedy@hotmail.com>
To: glass@bungi.com
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Subject: Sandburg dichroic
Date: Fri, 10 Aug 2001 19:50:56 -0700
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Can any of you give me an online source for Sandburg dichroic?  I have sent 
them an email and have received no answer...looking for a small quantity of 
a large variety of their glass....thanks for the hints and the help...the 
commmunity is really great.   Don Leedy, Broken Glass, Portland, Ore.

_________________________________________________________________
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From owner-glass Sat Aug 11 00:32:17 2001
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From: CWicks6159@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Supplies
Date: Sat, 11 Aug 2001 01:38:28 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Hi everyone,

As I'm sure I've probably mentioned before, here in Hawaii it is difficult to 
get SG supplies, especially at a fair price.

Does anyone out there have a good supplier for common size bevels, and 
various types of foil and lastly solder which is heavy to ship.

I'm looking to order directly from the mainland at wholesale prices if 
possible.  The one place I will definitely never do business again with is 
the Stain Glass Warehouse.  The one and only order of glass arrived in pieces 
due to they don't know how to pack glass for shipping.  I don't consider 
placing a dozen half sheets in a box with only a few pieces of newspaper for 
padding a smart idea.

So, on that note I will patiently wait for your responses.

Thank you,

Cyndie
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From owner-glass Sat Aug 11 06:03:59 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
Subject: Re: size lead question
Date: Fri, 10 Aug 2001 22:12:14 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@autop.com>>
Precedence: bulk

Robin,
        Welcome to the wonderful world of leaded glass.

        The best thing about lead calme (the old spelling) is that you
can combine different widths of calme in one panel to give emphasis to
various lines in the composition, much like a line in a pencil drawing.
So where you want an emphasis, put in a 3/8 flat, move to a subtle
change by using 3/8 round (as it looks smaller) and for detail move to
3/16 or 1/8.
        So, OK, 1/4 is pretty much the standard width of lead to use
internally, but think about the emphasis and the rhythm you can set up
with different widths.  You can also carve or taper the leads.
        For the perimeter, I never use less than 3/8, most often use 1/2
and occasionally 3/4.  With 3/8 you can fold the outside leads to meet
and so give a neat edge.  This is much easier with 1/2, and I think
gives a frame to the panel by blocking the light at the edge of the
panel.
        If you really want to use "U" on the border, I would put it over
the folded 3/8 calme, but I wouldn't use it on its own, as I don't think
it gives enough definition for the edge of the panel.  You are making a
picture after all, and most pictures have a frame (as well as a
mounting).
        These, of course, are only my thoughts.

Steve


In message <1970Jan1.000.0@autop.com>, Robin Ellison - Auto And Parts,
LLC <robin@autop.com> writes
>hi, i am a beginner and so far love lead came, i have taken lessons from
>two different places.
>for small panels like 24 or 32 about 20 deep. should i use 3/16 or 1/4
>round H on the inside?
>i am using 1/4 flat U on the boarder? and feed back would be
>greatlyappreciated.
>thanks a bunch
>robin
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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X-Path: msn.com!blue_heron59
From: "Connie Bartel" <blue_heron59@msn.com>
To: "Bungi" <glass@bungi.com>
Content-Type: multipart/alternative; boundary="----=_NextPart_001_0000_01C12243.0E953FE0"
Subject: Picture encorporated into Glass window piece
Date: Sat, 11 Aug 2001 08:53:14 -0400
Message-ID: <1970Jan1.000.0@msn.com>
Precedence: bulk


------=_NextPart_001_0000_01C12243.0E953FE0
Content-Type: text/plain; charset="iso-8859-1"

Somewhere I saw , read, or heard about encorporating a 
photograph into a stained glass window and all the things to do and
be careful of. I just got a request for it and can't find 
where I found the material. Here are my thoughts and
please help me further. It will be a regular size small
 photo and I thought if I sandwich it with black glass
behind it(prevent fading) and thin clear glass in front. 
I was figuring 1/4 inch foil around it. How do I prevent
any flux gunk getting to the picture? Help me folks-
what else?? Also has anybody been putting pictures
into stepping stones? What are the problems there?
Connie (blue_heron59@msn.com)
PS My email address might show up ????? but if you re:
or send it to bungi I will get it.
------=_NextPart_001_0000_01C12243.0E953FE0
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><BODY STYLE=3D"font:10pt verdana; border:none;"><DIV>Somewhere I sa=
w , read, or heard about encorporating a </DIV> <DIV>photograph into a st=
ained glass&nbsp;window and all the things to do and</DIV> <DIV>be carefu=
l of. I just got a request for it and can't find </DIV> <DIV>where I foun=
d the material. Here are my thoughts and</DIV> <DIV>please help me furthe=
r. It will be a regular size small</DIV> <DIV>&nbsp;photo and I thought i=
f I sandwich it with black glass</DIV> <DIV>behind it(prevent fading) and=
 thin clear glass in front. </DIV> <DIV>I was figuring 1/4 inch foil arou=
nd it. How do I prevent</DIV> <DIV>any flux gunk getting to the picture? =
Help me folks-</DIV> <DIV>what else?? Also has anybody been putting pictu=
res</DIV> <DIV>into stepping stones? What are the problems there?</DIV> <=
DIV>Connie (blue_heron59@msn.com)</DIV> <DIV>PS My email address might sh=
ow up ????? but if you re:</DIV> <DIV>or send it to bungi I will get it.<=
BR><BR></DIV></BODY></HTML>

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From owner-glass Sat Aug 11 08:34:31 2001
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X-Path: autop.com!robin
From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: CWicks6159@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Supplies
Date: Sat, 11 Aug 2001 08:13:19 -0400
Message-ID: <1970Jan1.000.0@autop.com>
References: <<1970Jan1.000.0@aol.com>>
Organization: Auto and Parts.Com
Precedence: bulk

hi,
i buy all my supplies from http://www.yglass.com and you can email him at
batuk@yglass.com
i have bought everything from him, solder,foil, tons of glass, which is awesome,
lamp base, bevels,
the service and shipping is GREAT!!!. not everything is listed on his site so you
have to ask.
i got 48 sheet glass pack from him and not one was broken. here is his link from
ebay also
i buy alot from ebay form him and then just order cement, solder and other things
too. his
prices are great compared to here in SC. all the stores are around an hour from
me. and i work
all week, so i do not want to shop on my day off, i want to cut, grind, cement
and have fun.

http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=batuk&include=0&since=-1&sort=2&rows=25

have a great day ps. tell him robin sent you!
robin

CWicks6159@aol.com wrote:

> Hi everyone,
>
> As I'm sure I've probably mentioned before, here in Hawaii it is difficult to
> get SG supplies, especially at a fair price.
>
> Does anyone out there have a good supplier for common size bevels, and
> various types of foil and lastly solder which is heavy to ship.
>
> I'm looking to order directly from the mainland at wholesale prices if
> possible.  The one place I will definitely never do business again with is
> the Stain Glass Warehouse.  The one and only order of glass arrived in pieces
> due to they don't know how to pack glass for shipping.  I don't consider
> placing a dozen half sheets in a box with only a few pieces of newspaper for
> padding a smart idea.
>
> So, on that note I will patiently wait for your responses.
>
> Thank you,
>
> Cyndie
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>


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From owner-glass Sat Aug 11 09:33:19 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Picture encorporated into Glass window piece
Date: Sat, 11 Aug 2001 12:17:12 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Connie Bartel"
>I was figuring 1/4 inch foil around it. How do I prevent
any flux gunk getting to the picture? Help me folks-
what else?? Also has anybody been putting pictures
into stepping stones? What are the problems there?<

You MUST burnish the foil to the glass totally, so that no flux or anythi=
ng
else can get into the photo sandwitch.  I've not heard of anyone putting
pictures into stepping stones.  Some problems I can think of right off th=
e
top of my head:
- cement curing produces heat, which can damage the photograph
- cement curing is wet.  If you didn't properly seal the photo sandwitch,=

you will ruin the photo with the moisture.
- who wants to step on a photo?  I mean, it's like stepping on someone.
(sorry -just MHO)

If you really want to incorporate photos into stepping stones, please try=

out one first with a photo you don't mind getting destroyed.

Christie A. Wood
Art Glass Ensembles
----
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From owner-glass Sat Aug 11 09:45:22 2001
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X-Path: home.com!kristc
From: "Kris" <kristc@home.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Re: signing stained glass
Date: Sat, 11 Aug 2001 12:37:10 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0188_01C12262.56F4AEA0
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	charset="iso-8859-1"
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I have a dremel tool with an etching bit (think that is what it is =
called?) and I use it to etch my name on the glass in some corner or out =
of the way place. If you get any cool ideas that don't go to the list =
could you share them on the list? I would be interested to hear what =
others do too. =20

Kris

PS What happened to the lines at the bottom of the posts with the =
addresses for the list?=20
  ----- Original Message -----=20
  From: Shecharlie@aol.com=20
  To: glass@bungi.com=20
  Sent: Friday, August 10, 2001 9:35 PM
  Subject: signing stained glass


  i would like to have some of your ideas for signing stained glass. Has =
anyone=20
  used the small copper plates and if so where did you buy them. any =
thoughts=20
  on this subject would be greatly appreciated.=20
  sheila=20

------=_NextPart_000_0188_01C12262.56F4AEA0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2722.2800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D3>I have a dremel tool with an etching bit (think that =
is what=20
it is called?) and I use it to etch my name on the glass in some corner =
or out=20
of the way place. If you get any cool ideas that don't go to the list =
could you=20
share them on the list? I would be interested to hear what others do =
too.&nbsp;=20
</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D3>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D3>PS What happened to the lines at the bottom of the =
posts with=20
the addresses for the list? </FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:Shecharlie@aol.com"=20
  title=3DShecharlie@aol.com>Shecharlie@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
href=3D"mailto:glass@bungi.com"=20
  title=3Dglass@bungi.com>glass@bungi.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, August 10, 2001 =
9:35=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> signing stained =
glass</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>i would =
like to have=20
  some of your ideas for signing stained glass. Has anyone <BR>used the =
small=20
  copper plates and if so where did you buy them. any thoughts <BR>on =
this=20
  subject would be greatly appreciated. <BR>sheila</FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

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From owner-glass Sat Aug 11 14:06:48 2001
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X-Path: yahoo.com!texpenguin
From: Sherry Greer <texpenguin@yahoo.com>
To: GlassList <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: photo in glass
Date: Sat, 11 Aug 2001 09:56:42 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

Another thought, I read once about someone having a photo reproduced on
an overhead sheet (clear acetate), such that when light shown through
it, it would have the effect of looking at a slide or film (glowing). 
That would be especially nice in a window panel.
Sherry

=====
Sherry Greer
texpenguin@yahoo.com
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From owner-glass Sat Aug 11 14:45:04 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: signing stained glass
Date: Sat, 11 Aug 2001 12:17:08 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by INTERNET:Shecharlie@aol.com
>i would like to have some of your ideas for signing stained glass. Has
anyone =

used the small copper plates and if so where did you buy them. any though=
ts

on this subject would be greatly appreciated.<

I sign mine by inscribing my name & the date into a piece of the glass
using an Inland inscriber.

Christie A. Wood
Art Glass Ensembles
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From owner-glass Sat Aug 11 15:34:05 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Connie Bartel <blue_heron59@msn.com>,
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Picture encorporated into Glass window piece
Date: Sat, 11 Aug 2001 11:28:56 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@msn.com>>
Organization: Grendel Studio
Precedence: bulk

The primary problem with incorporating print materials is that they
fade.  So if you will be doing that, be certain that the materials are
printed on archival paper with archival inks.  If you are using a
printer, make sure you use the paper the manufacturer rates archival
(probably sold under the manufacturers label) and the inks as well.  I
thought this was a bunch of hooey, but was re-educated because I
belonged to a listserv devoted to Epson printers, when I had one, and
most of the people were high end graphics people.  I found it really
makes an enormous difference.  If using commercial photos, make certain
that Kodak materials were used.

Then also make certain you are using the UV blocking art glass that is
used in framing as your see-thru layer.

As far as preventing flux or water etc. from getting behind the glass
and damaging the paper, be certain to let the glass dry thoroughly after
cleaning and before using.  Working in an air-conditioned space, or
waiting until the humitidy is low will also help.  You need to sandwich
the backing glass, the paper, and then the see-thru glass together just
right and then copper foil all three layers together, making a
moisture-free barrior around the entire thing.   Here is a perfect place
to have either ground the edges, or used a file to smooth the glass
edges.  That way no sharp part of the glass can puncture the foil.  You
can get (with difficulty) half inch foil, or layer narrower foil so it
seals all three layers, and burnish well. Only then should you flux and
solder.

I have also seen for sale cheapy little what-nots with paper sandwiched
between 2 layers of glass (can't exactly call them sun catchers because
they are opaque), foiled with a slightly heavier foil with a wide width,
in which the only solder involved was where they attached a wire hook.
You can be certain they didn't use archival paper or glass, because they
are so cheap.

Because of the moisture involved in mosaics, I suspect you should
actually use foil and do the same thing if you are to embed it into
cement.  Or, perhaps using a high grade transparent mailing tape would
be appropriate to seal all three layers if the object will be outside in
the weather.  I have actually seen gravestones with photos of the person
in them.  And a button you can push and you hear the recorded voice of
the dead person.  Can't say I was thrilled with either, but to each his
own...  :-)

Cec

Connie Bartel wrote:

> Somewhere I saw , read, or heard about encorporating aphotograph into
> a stained glass window and all the things to do andbe careful of. I
> just got a request for it and can't findwhere I found the material.
> Here are my thoughts andplease help me further. It will be a regular
> size small photo and I thought if I sandwich it with black glassbehind
> it(prevent fading) and thin clear glass in front.I was figuring 1/4
> inch foil around it. How do I preventany flux gunk getting to the
> picture? Help me folks-what else?? Also has anybody been putting
> picturesinto stepping stones? What are the problems there?Connie
> (blue_heron59@msn.com)PS My email address might show up ????? but if
> you re:or send it to bungi I will get it.
>

--
**********************************************************
*  Cecily Taylor Cummings Wood and/or Ralph Bernard Wood *
*  Grendel Studio  (Glass, Graphics, Gardens, Genealogy) *
**********************************************************


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From: Sherry Greer <texpenguin@yahoo.com>
To: GlassList <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: photo in glass
Date: Sat, 11 Aug 2001 09:54:45 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

How about getting the photo professionally laminated at a copy shop
first? That would greatly reduce the chances of moisture getting in and
ruining it.  Also you might be able to seal the the glass sandwich
together with a thin line of clear silicon sealer around the edge
(between the sheets, not on the edge itself), to be covered by the 1/4
inch foil.  That should keep out moisture and flux, but you'd have to
be very neat in your application.  
Sherry

=====
Sherry Greer
texpenguin@yahoo.com
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From owner-glass Sat Aug 11 18:08:23 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Shecharlie@aol.com
Subject: Re: signing stained glass
Date: Sat, 11 Aug 2001 18:07:49 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

Why not sign on the glass direct?
        etch
        engrave
        paint
are some possibilities

Steve

In message <1970Jan1.000.0@aol.com>, Shecharlie@aol.com writes
>    i would like to have some of your ideas for signing stained glass. 
>    Has anyone 
>    used the small copper plates and if so where did you buy them. any 
>    thoughts 
>    on this subject would be greatly appreciated. 
>    sheila 

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From: Lorley Oneyear <lorley@home.com>
To: glass@bungi.com
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Subject: installation
Date: Sat, 11 Aug 2001 16:05:20 -0700
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Just looking ahead to installing my flowered panel for above the bathtub. 
It's apprx 10 inches high and 46" wide. The window is recessed into the 
wall. How does one place the window in that space if there is not enough 
finger room to grab the sides of the window in order to move it back 
towards the original window?  Lorley

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From owner-glass Sun Aug 12 11:42:18 2001
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From: "Connie Bartel" <blue_heron59@msn.com>
To: "Bungi" <glass@bungi.com>
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Subject: Rock tumbler???
Date: Sun, 12 Aug 2001 08:48:36 -0400
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I have a friends in the arts council that says "glass scraps can and shou=
ld be tumbled in a rock
tumbler before using it with kids in teaching mosaic classes". I had neve=
r heard of this but it sounded reasonable.
I went and purchased a small one from Michaels to try it. Well you get 3 =
different grits to tumble with and for glass
I was not sure what to use. Then I saw that the grit was 2.00 for a very =
small amount. I looked up more
"professional tumblers" and the grit was still spendy. Does anybody have =
any experience with this to add?
Can I just use sand to tumble the glass with? Connie

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<HTML><BODY STYLE=3D"font:10pt verdana; border:none;"><DIV>I have a frien=
ds in the arts council that says "glass scraps&nbsp;can and should&nbsp;b=
e tumbled in a rock</DIV> <DIV>tumbler before using it with kids in teach=
ing mosaic classes". I had never heard of this but it sounded reasonable.=
</DIV> <DIV>I went and purchased a small one from Michaels to try it. Wel=
l you get 3 different grits to tumble with and for glass</DIV> <DIV>I was=
 not sure what to use. Then I saw that the grit was 2.00 for a very small=
 amount. I looked up more</DIV> <DIV>"professional tumblers" and the grit=
 was still spendy. Does anybody have any experience with this to add?</DI=
V> <DIV>Can I just use sand to tumble the glass with? Connie<BR><BR></DIV=
></BODY></HTML>

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From owner-glass Sun Aug 12 13:02:19 2001
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From: "Bob Duchesneau" <bobfuses@home.com>
To: "Connie Bartel" <blue_heron59@msn.com>,
Content-Type: multipart/alternative;
Subject: Re: Rock tumbler???
Date: Sun, 12 Aug 2001 11:03:59 -0700
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>>Can I just use sand to tumble the glass with? Connie<<

You can but the glass will be rough in texture as if you had rubbed it =
on a stone. To reshape glass and end up with a high polish it is =
necessary to tumble it using several grades of grit. Total tumbling time =
may be about two weeks. Normal 1/8th inch thick art glass is not a good =
choice for tumbling as it gets thinner all over.

Bob in 92026

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<DIV><FONT face=3DArial size=3D2>&gt;&gt;<FONT face=3D"Times New Roman" =
size=3D3>Can I=20
just use sand to tumble the glass with? =
Connie&lt;&lt;</FONT></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>You can but the glass will be rough in =
texture as=20
if you had rubbed it on a stone. To reshape glass and end up with a high =
polish=20
it is necessary to tumble it using several grades of grit. Total =
tumbling time=20
may be about two weeks. Normal 1/8th inch thick art glass is not a good =
choice=20
for tumbling as it gets thinner all over.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bob in 92026</FONT></DIV></BODY></HTML>

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From owner-glass Sun Aug 12 19:05:06 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Connie Bartel <blue_heron59@msn.com>,
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Subject: Re: Rock tumbler???
Date: Sun, 12 Aug 2001 19:44:35 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@msn.com>>
Organization: Grendel Studio
Precedence: bulk

About how much is a cheap rock tumbler?  I've heard that's how they make
"beach" glass, which I like the looks of.  However it is pretty pricy
for very little actual glass and you get no control over the colors or
the sizes that come in a bag.  What kind of grit is used for that?  And
surely not 2 weeks worth of tumbling? - Curious but penny pinching Cec

Connie Bartel wrote:

> I have a friends in the arts council that says "glass scraps can and
> should be tumbled in a rocktumbler before using it with kids in
> teaching mosaic classes". I had never heard of this but it sounded
> reasonable.I went and purchased a small one from Michaels to try it.
> Well you get 3 different grits to tumble with and for glassI was not
> sure what to use. Then I saw that the grit was 2.00 for a very small
> amount. I looked up more"professional tumblers" and the grit was still
> spendy. Does anybody have any experience with this to add?Can I just
> use sand to tumble the glass with? Connie
>

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From owner-glass Mon Aug 13 11:05:34 2001
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X-Path: csr.csc.UVic.CA!dmgerman
From: "Daniel M. German" <dmgerman@csr.csc.UVic.CA>
To: glass@bungi.com
Subject: Liquid Light
Date: Mon, 13 Aug 2001 09:33:20 -0700
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| Date: Sat, 11 Aug 2001 08:53:14 -0400
| From: "Connie Bartel" <blue_heron59@msn.com>
| Subject: Picture encorporated into Glass window piece
| 
| - ------=_NextPart_001_0000_01C12243.0E953FE0
| Content-Type: text/plain; charset="iso-8859-1"

I don't know if this is what you're looking for.

There is a photographic process based on a liquid photo emulsion.
It is a photo emulsion that you can apply to _any_ material
and then print a photograph on it. It basically converts any material
into photo sensitive "paper" in which you can print a black and white
photo. I have not used it. From what I know, it is not difficult to
use. You apply the emulsion to your object (in a dark room), let it
dry, then use it and develop like paper. 

There are several in the market: Rockland's Liquid Light and Luminos
Silver Print.

| Somewhere I saw , read, or heard about encorporating a 
| photograph into a stained glass window and all the things to do and
| be careful of. I just got a request for it and can't find 
| where I found the material. Here are my thoughts and
| please help me further. It will be a regular size small
|  photo and I thought if I sandwich it with black glass
| behind it(prevent fading) and thin clear glass in front. 
| I was figuring 1/4 inch foil around it. How do I prevent
| any flux gunk getting to the picture? Help me folks-
| what else?? Also has anybody been putting pictures
| into stepping stones? What are the problems there?
| Connie (blue_heron59@msn.com)
| PS My email address might show up ????? but if you re:
| or send it to bungi I will get it.
| 


--
Daniel M. German                  "To read is to travel without all the hassles of luggage."
                                   Emilio Salgari
http://turingmachine.org/
dmgerman@csr.uvic.ca

 
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From owner-glass Mon Aug 13 16:35:07 2001
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To: "Bungi" <glass@bungi.com>
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Subject: Rock Tumbler Update
Date: Mon, 13 Aug 2001 17:47:46 -0400
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Bob was right. Just take ordinary sand and water and glass and put it in =
the tumbler for a little less than
24 hours and you get glass that the edges are smoother over and no glass =
scratches on the surface (beach glass).
The tumbler I bought was just the small "kids" plastic version.  I just w=
anted to try it and see what
effects I could get. I paid 18$ for it at Michaels with a coupon. I looke=
d on the net and there are
much larger professional ones as well. I think if you were making a mosai=
c and grouting you could get
a smoother look if you did this to the glass first. If you had a larger t=
umbler it would be much easier and less
hassle.  Connie

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<HTML><BODY STYLE=3D"font:10pt verdana; border:none;"><DIV>Bob was right.=
 Just take ordinary sand and water and glass and put it in the tumbler fo=
r a little less than</DIV> <DIV>24 hours and you get glass that the edges=
 are smoother over and no glass scratches on the surface (beach glass).</=
DIV> <DIV>The tumbler I bought was just the small "kids" plastic version.=
&nbsp; I just wanted to try it and see what</DIV> <DIV>effects I could ge=
t. I paid 18$ for it at Michaels with a coupon. I looked on the net and t=
here are</DIV> <DIV>much larger professional ones as well. I think if you=
 were making a mosaic and grouting you could get</DIV> <DIV>a smoother lo=
ok if you did this to the glass first. If you had a larger&nbsp;tumbler i=
t would be much easier and less</DIV> <DIV>hassle.&nbsp; Connie<BR><BR></=
DIV></BODY></HTML>

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From owner-glass Mon Aug 13 17:32:59 2001
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Date: Mon, 13 Aug 2001 15:57:20 -0400
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There is one method that you can use and not have to worry about flux. =
It involves taking your photo to a print shop and getting a photostat =
made. This will make the black areas darker and the white areas lighter. =
Apply your resist on the glass and trace the the pattern from the =
photostat and then very carefully cut away the areas to be sandblasted =
or etched. Depending on the care you take in cutting the mask you should =
be able to get a good reproduction of your picture. Just another idea =
someone may want to use.=20

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<DIV><FONT size=3D2>There is one method that you can use and not have to =
worry=20
about flux. It involves taking your photo to a print shop and getting a=20
photostat made. This will make the black areas darker and the white =
areas=20
lighter. Apply your resist on the glass and trace the the pattern from =
the=20
photostat and then very carefully cut away the areas to be sandblasted =
or=20
etched. Depending on the care you take in cutting the mask you should be =
able to=20
get a good reproduction of your picture. Just another idea someone may =
want to=20
use. </FONT></DIV></BODY></HTML>

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From owner-glass Tue Aug 14 09:26:31 2001
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From: Lorley Oneyear <lorley@home.com>
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Subject: installation
Date: Tue, 14 Aug 2001 08:58:35 -0700
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Steve, The panel will be a bit smaller than the opening so I'm not worried 
about ventillation or condensation. But I hadn't really thought about 
making it flush with the interior wall?? That is an idea. What do you mean 
by "support it top and bottom" and how would you accomplish this? Lorley





>Date: Mon, 13 Aug 2001 23:29:04 +0100
>To: Lorley Oneyear <lorley@home.com>
>Cc: glass@bungi.com
>From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
>Subject: Re: installation
>X-Mailer: Turnpike Integrated Version 4.02 U <vEE7njSvlYZpzagWb30OpfSf0U>
>
>
>Do you need the panel to be against the outer window?
>Could it be flush with the interior wall?
>In this damp atmosphere, how do you propose to ventilate the space
>between the window and the panel to avoid condensation?  This is the
>main problem of the installation, I think.
>I think you need to make the panel about 25mm smaller all around than
>the opening and support it top and bottom, and perhaps at a few
>intervals along the sides.
>
>Steve
>
>In message <5.1.0.14.2.20010811160218.00a14780@mail>, Lorley Oneyear
><lorley@home.com> writes
> >Just looking ahead to installing my flowered panel for above the bathtub.
> >It's apprx 10 inches high and 46" wide. The window is recessed into the
> >wall. How does one place the window in that space if there is not enough
> >finger room to grab the sides of the window in order to move it back
> >towards the original window?  Lorley
>
>--
>Steve Richard
>Verrier Art Glass Ltd
>s.richard@verrier-scotland.demon.co.uk
>
>
>---
>Incoming mail is certified Virus Free.
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<html>
<font size=3>Steve, The panel will be a bit smaller than the opening so
I'm not worried about ventillation or condensation. But I hadn't really
thought about making it flush with the interior wall?? That is an idea.
What do you mean by &quot;support it top and bottom&quot; and how would
you accomplish this? Lorley<br><br>
<br><br>
<br><br>
<blockquote type=cite class=cite cite>Date: Mon, 13 Aug 2001 23:29:04
+0100<br>
To: Lorley Oneyear &lt;lorley@home.com&gt;<br>
Cc: glass@bungi.com<br>
From: Steve Richard &lt;s.richard@verrier-scotland.demon.co.uk&gt;<br>
Subject: Re: installation<br>
X-Mailer: Turnpike Integrated Version 4.02 U
&lt;vEE7njSvlYZpzagWb30OpfSf0U&gt;<br><br>
<br>
Do you need the panel to be against the outer window?<br>
Could it be flush with the interior wall?<br>
In this damp atmosphere, how do you propose to ventilate the space<br>
between the window and the panel to avoid condensation?&nbsp; This is
the<br>
main problem of the installation, I think.<br>
I think you need to make the panel about 25mm smaller all around
than<br>
the opening and support it top and bottom, and perhaps at a few<br>
intervals along the sides.<br><br>
Steve<br><br>
In message &lt;5.1.0.14.2.20010811160218.00a14780@mail&gt;, Lorley
Oneyear<br>
&lt;lorley@home.com&gt; writes<br>
&gt;Just looking ahead to installing my flowered panel for above the
bathtub. <br>
&gt;It's apprx 10 inches high and 46&quot; wide. The window is recessed
into the <br>
&gt;wall. How does one place the window in that space if there is not
enough <br>
&gt;finger room to grab the sides of the window in order to move it back
<br>
&gt;towards the original window?&nbsp; Lorley<br><br>
-- <br>
Steve Richard<br>
Verrier Art Glass Ltd<br>
s.richard@verrier-scotland.demon.co.uk<br><br>
<br>
---<br>
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</html>


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From owner-glass Tue Aug 14 21:34:39 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Connie Bartel <blue_heron59@msn.com>
Content-Type: text/plain;charset=iso-8859-1
Subject: Re: Rock tumbler???
Date: Mon, 13 Aug 2001 23:32:57 +0100
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References: <<1970Jan1.000.0@msn.com>>
Precedence: bulk

Connie,
        This sounds like a dumb suggestion to me.
If you have wiped the glass edges after cutting, and taken off the
points, there is little that respectful handling can damage.  How sharp
are the tessarae when broken with the pliers?

Steve

In message <1970Jan1.000.0@msn.com>, Connie Bartel
<blue_heron59@msn.com> writes
>    I have a friends in the arts council that says "glass scraps can 
>    and should be tumbled in a rock
>    tumbler before using it with kids in teaching mosaic classes". I 
>    had never heard of this but it sounded reasonable.
>    I went and purchased a small one from Michaels to try it. Well you 
>    get 3 different grits to tumble with and for glass
>    I was not sure what to use. Then I saw that the grit was 2.00 for a 
>    very small amount. I looked up more
>    "professional tumblers" and the grit was still spendy. Does anybody 
>    have any experience with this to add?
>    Can I just use sand to tumble the glass with? Connie

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Aug 14 21:47:15 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Lorley Oneyear <lorley@home.com>
Subject: Re: installation
Date: Mon, 13 Aug 2001 23:29:04 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<5.1.0.14.2.20010811160218.00a14780@mail>>
Precedence: bulk

Do you need the panel to be against the outer window?
Could it be flush with the interior wall?
In this damp atmosphere, how do you propose to ventilate the space
between the window and the panel to avoid condensation?  This is the
main problem of the installation, I think.
I think you need to make the panel about 25mm smaller all around than
the opening and support it top and bottom, and perhaps at a few
intervals along the sides.

Steve

In message <5.1.0.14.2.20010811160218.00a14780@mail>, Lorley Oneyear
<lorley@home.com> writes
>Just looking ahead to installing my flowered panel for above the bathtub. 
>It's apprx 10 inches high and 46" wide. The window is recessed into the 
>wall. How does one place the window in that space if there is not enough 
>finger room to grab the sides of the window in order to move it back 
>towards the original window?  Lorley

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Wed Aug 15 23:35:48 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Lorley Oneyear <lorley@home.com>
Content-Type: text/plain;charset=iso-8859-1
Subject: Re: installation
Date: Tue, 14 Aug 2001 23:27:24 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<5.1.0.14.2.20010814085557.009f3270@mail>>
Precedence: bulk

Lorley,
        I would be thinking of wooden blocks with a check at the back so
you could locate the panel against the back of the check.  The blocks
would need to be anchored to the sides, top and bottom of the opening,
but would not be continuous.  They could be right angle blocks at the
four corners of the opening.  Lots of other variations possible.

Steve
In message <5.1.0.14.2.20010814085557.009f3270@mail>, Lorley Oneyear
<lorley@home.com> writes
>    Steve, The panel will be a bit smaller than the opening so I'm not 
>    worried about ventillation or condensation. But I hadn't really 
>    thought about making it flush with the interior wall?? That is an 
>    idea. What do you mean by "support it top and bottom" and how would 
>    you accomplish this? Lorley
>
>
>
>
>
>>       Date: Mon, 13 Aug 2001 23:29:04 +0100
>>       To: Lorley Oneyear <lorley@home.com>
>>       Cc: glass@bungi.com
>>       From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
>>       Subject: Re: installation
>>       X-Mailer: Turnpike Integrated Version 4.02 U 
>>       <vEE7njSvlYZpzagWb30OpfSf0U>
>
>
>>       Do you need the panel to be against the outer window?
>>       Could it be flush with the interior wall?
>>       In this damp atmosphere, how do you propose to ventilate the 
>>       space
>>       between the window and the panel to avoid condensation?  This is 
>>       the
>>       main problem of the installation, I think.
>>       I think you need to make the panel about 25mm smaller all around 
>>       than
>>       the opening and support it top and bottom, and perhaps at a few
>>       intervals along the sides.
>
>>       Steve
>
>>       In message <5.1.0.14.2.20010811160218.00a14780@mail>, Lorley 
>>       Oneyear
>>       <lorley@home.com> writes
>>       >Just looking ahead to installing my flowered panel for above 
>>       the bathtub. 
>>       >It's apprx 10 inches high and 46" wide. The window is recessed 
>>       into the 
>>       >wall. How does one place the window in that space if there is 
>>       not enough 
>>       >finger room to grab the sides of the window in order to move it 
>>       back 
>>       >towards the original window?  Lorley
>

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Thu Aug 16 15:43:48 2001
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X-Path: aol.com!Shecharlie
From: Shecharlie@aol.com
To: glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_15.192078b3.28ad8d36_boundary"
Subject: craft shows
Date: Thu, 16 Aug 2001 16:55:18 EDT
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i have commitments made for outdoor craft shows and intend to get a credit 
card machine. i know these shows have no electricity so i will need a cell 
phone . does anyone have any ideas what machine i will need. have talked to 
one of these companies and have been quoted 1400.00  for a machine that will 
be able to accept credit cards using a cell phone and not worrying about 
electricity. I know there must be cheaper ones on the market. anyone with any 
ideas.
thanks
sheila

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>i have commitments made for outdoor craft shows and intend to get a credit 
<BR>card machine. i know these shows have no electricity so i will need a cell 
<BR>phone . does anyone have any ideas what machine i will need. have talked to 
<BR>one of these companies and have been quoted 1400.00 &nbsp;for a machine that will 
<BR>be able to accept credit cards using a cell phone and not worrying about 
<BR>electricity. I know there must be cheaper ones on the market. anyone with any 
<BR>ideas.
<BR>thanks
<BR>sheila</FONT></HTML>

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From owner-glass Thu Aug 16 20:07:14 2001
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X-Path: quixnet.net!carolmac
From: "Carol McEvoy" <carolmac@quixnet.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Perimeter Support for large items
Date: Thu, 16 Aug 2001 07:24:31 -0400
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On the Warner Crivellaro gallery website (www.warner-criv.com/gallery) =
there is a large sailfish by Lori Amos (Palm City, Florida).  I've tried =
making smaller items out of various pattern books (larger than =
suncatchers - larger than 8"X10") and been unable to get the stability =
of the entire unit I desire.  I've tried: 1. foiling the exterior edge, =
then tacking on a wire and beading.  2. Hobby came (did not cement) but =
it still felt too loose and  3. H channel came and beading in the =
exterior channel.  If I can't get the stability in a small piece how in =
the world do you get that stability in a 5-6 foot long sailfish or that =
angel (that appears to be 3X5 foot by Michael and Donna Golden)?  Use a =
jig and bend zinc?  Then make the piece the fit the zinc curves?  Any =
suggestions from anyone?  Thanks. Carol

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charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.100" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>On the Warner Crivellaro gallery =
website (<A=20
href=3D"http://www.warner-criv.com/gallery">www.warner-criv.com/gallery</=
A>) there=20
is a large sailfish by Lori Amos (Palm City, Florida).&nbsp; I've tried =
making=20
smaller items out of various pattern books (larger than suncatchers - =
larger=20
than 8"X10") and been unable to get the stability of the entire unit I=20
desire.&nbsp; I've tried: 1. foiling the exterior edge, then tacking on =
a wire=20
and beading.&nbsp; 2. Hobby came (did not cement) but it still felt too =
loose=20
and&nbsp; 3. H channel came and beading in the exterior channel.&nbsp; =
If I=20
can't get the stability in a small piece how in the world do you get =
that=20
stability in a 5-6 foot long sailfish or that angel (that appears to be =
3X5 foot=20
by Michael and Donna Golden)?&nbsp; Use a jig and bend zinc?&nbsp; Then =
make the=20
piece the fit the zinc curves?&nbsp; Any suggestions from anyone?&nbsp; =
Thanks.=20
Carol</FONT></DIV></BODY></HTML>

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From owner-glass Fri Aug 17 10:31:23 2001
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X-Path: msn.com!blue_heron59
From: "Connie Bartel" <blue_heron59@msn.com>
To: "Bungi" <glass@bungi.com>
Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C12707.6E17EA80"
Subject: Fw: craft shows
Date: Fri, 17 Aug 2001 10:29:00 -0400
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 =20
 =20
----- Original Message -----
From: Connie Bartel
Sent: Friday, August 17, 2001 10:25 AM
To: Shecharlie@aol.com
Subject: Re: craft shows
 =20
Sheila,
Glad you mentioned this. I recently looked into it myself and was quoted =
the same besides 6% commission
fees and also besides having to show 1500$ worth of consistent sales ever=
y month.
No way I can do that in this kind of economy and just getting started.  L=
et me know what you here or
find out from the group. I would appreciate if the group would post to gl=
ass@bungi.com on this one =20
and not just Sheila.  Thanks. Connie
 =20
----- Original Message -----
From: Shecharlie@aol.com
Sent: Thursday, August 16, 2001 6:50 PM
To: glass@bungi.com
Subject: craft shows
 =20
i have commitments made for outdoor craft shows and intend to get a credi=
t =20
card machine. i know these shows have no electricity so i will need a cel=
l =20
phone . does anyone have any ideas what machine i will need. have talked =
to =20
one of these companies and have been quoted 1400.00  for a machine that w=
ill =20
be able to accept credit cards using a cell phone and not worrying about =20
electricity. I know there must be cheaper ones on the market. anyone with=
 any =20
ideas. =20
thanks =20
sheila =20

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<HTML><BODY STYLE=3D"font:10pt verdana; border:none;"><DIV>&nbsp;</DIV> <=
DIV>&nbsp;</DIV> <BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">=
 <DIV style=3D"FONT: 10pt Arial">----- Original Message -----</DIV> <DIV =
style=3D"BACKGROUND: #e4e4e4; FONT: 10pt Arial; COLOR: black"><B>From:</B=
> Connie Bartel</DIV> <DIV style=3D"FONT: 10pt Arial"><B>Sent:</B> Friday=
, August 17, 2001 10:25 AM</DIV> <DIV style=3D"FONT: 10pt Arial"><B>To:</=
B> Shecharlie@aol.com</DIV> <DIV style=3D"FONT: 10pt Arial"><B>Subject:</=
B> Re: craft shows</DIV> <DIV>&nbsp;</DIV> <DIV>Sheila,</DIV> <DIV>Glad y=
ou mentioned this. I recently looked into it myself and was quoted the sa=
me besides 6% commission</DIV> <DIV>fees and also besides having to show =
1500$ worth of consistent sales every month.</DIV> <DIV>No way I can do t=
hat in this kind of economy and just getting started.&nbsp; Let me know w=
hat you here or</DIV> <DIV>find out from the group.&nbsp;I would apprecia=
te if the group would post to glass@bungi.com on this one&nbsp;</DIV> <DI=
V>and not just Sheila.&nbsp; Thanks. Connie</DIV> <DIV>&nbsp;</DIV> <BLOC=
KQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style=3D"FONT: 1=
0pt Arial">----- Original Message -----</DIV> <DIV style=3D"BACKGROUND: #=
e4e4e4; FONT: 10pt Arial; COLOR: black"><B>From:</B> Shecharlie@aol.com</=
DIV> <DIV style=3D"FONT: 10pt Arial"><B>Sent:</B> Thursday, August 16, 20=
01 6:50 PM</DIV> <DIV style=3D"FONT: 10pt Arial"><B>To:</B> glass@bungi.c=
om</DIV> <DIV style=3D"FONT: 10pt Arial"><B>Subject:</B> craft shows</DIV=
> <DIV>&nbsp;</DIV><FONT face=3Darial,helvetica><FONT size=3D2>i have com=
mitments made for outdoor craft shows and intend to get a credit <BR>card=
 machine. i know these shows have no electricity so i will need a cell <B=
R>phone . does anyone have any ideas what machine i will need. have talke=
d to <BR>one of these companies and have been quoted 1400.00 &nbsp;for a =
machine that will <BR>be able to accept credit cards using a cell phone a=
nd not worrying about <BR>electricity. I know there must be cheaper ones =
on the market. anyone with any <BR>ideas. <BR>thanks <BR>sheila</FONT> </=
BLOCKQUOTE></FONT></BLOCKQUOTE></BODY></HTML>

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From owner-glass Fri Aug 17 10:52:31 2001
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X-Path: scjd.state.sc.us!KPalmer
From: Karen Palmer <KPalmer@scjd.state.sc.us>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
Subject: credit card sales
Date: Fri, 17 Aug 2001 13:38:16 -0400
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Precedence: bulk

Couldn't you get one of the old, manual credit card sliders that have a
handle?  I used one years ago when I worked at Woolco and noticed that they
were using one at Ghost Town in the Sky at Maggie Valley.
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From owner-glass Fri Aug 17 11:27:29 2001
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X-Path: gr-lakes.com!donster
From: "Don Robinson" <donster@gr-lakes.com>
To: "'Connie Bartel'" <blue_heron59@msn.com>, "'Bungi'" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: RE: craft shows
Date: Fri, 17 Aug 2001 13:54:41 -0400
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the rube goldberg solution might apply. credit card machine. a 12 to 120
volt power converter. (availible at circuit city for about 65.00) and a
cellular modem. ..this way you would use a car battery or rv deep cell.
or 12v source to supply power to the converter. this being the power
source for the credit card machine and its plug in. (wonder if someone
resourceful couldnt  rig up some solar cells at the proper voltage and
amperage etc) 
rather than use the plug adapter that comes with it. 
 
one could use a old style slider and forms. and just dial in
authorizations over a cell phone..
 
 
just rough ideas. but who knows! lol let me know what you guys come up
with. now, the financial details. *shudder* i have no idea there. lol
 
i did a quick check on the web. here are three links that might be
helpful fo those wanting to do wireless transactions.. mind you i vouch
not for the quality or reputability of any of these ...(thus the danger
inherent in the web) 
 
 
http://www.naia-artists.org/resources/cc_equipment.htm
 
http://www.artandcrafts.com/bbs/messages/31.html
 
http://st4.yahoo.com/cgi-bin/nsearch?catalog=1800mobiles
<http://st4.yahoo.com/cgi-bin/nsearch?catalog=1800mobiles&query=cellular
+modems&.autodone=http%3A%2F%2Fwww.1800mobiles.com%2Fnsearch.html>
&query=cellular+modems&.autodone=http%3A%2F%2Fwww.1800mobiles.com%2Fnsea
rch.html
 
best to all
Don R. 
(NE Ohio)

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<TITLE>Message</TITLE>

<META content=3D"MSHTML 5.50.4616.200" name=3DGENERATOR></HEAD>
<BODY=20
style=3D"BORDER-RIGHT: medium none; BORDER-TOP: medium none; FONT: 10pt =
verdana; BORDER-LEFT: medium none; BORDER-BOTTOM: medium none">
<DIV><SPAN class=3D510413317-17082001>the rube goldberg solution might =
apply.=20
credit card machine. a 12 to 120 volt power converter. (availible at =
circuit=20
city for about 65.00) and a cellular modem. ..this way you would use a =
car=20
battery or rv deep cell. &nbsp;or 12v source to supply power to the =
converter.=20
this being the power source for the credit card machine and its plug in. =
(wonder=20
if someone resourceful couldnt&nbsp; rig up some solar cells at the =
proper=20
voltage and amperage etc) </SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001>rather than use the plug adapter =
that comes=20
with it. </SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001><FONT face=3Dverdana>one could use =
a old style=20
slider and forms. and just dial in authorizations over a cell=20
phone..</FONT></SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001><FONT=20
face=3Dverdana></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001>just rough ideas. but who knows! =
lol let me=20
know what you guys come up with. now, the financial details. *shudder* i =
have no=20
idea there. lol</SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001>i did a quick check on the web. =
here are=20
three links that might be helpful fo those wanting to do wireless =
transactions..=20
mind you i vouch not for the quality or reputability of any of these =
...(thus=20
the danger inherent in the web) </SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001><A=20
href=3D"http://www.naia-artists.org/resources/cc_equipment.htm">http://ww=
w.naia-artists.org/resources/cc_equipment.htm</A></SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001><A=20
href=3D"http://www.artandcrafts.com/bbs/messages/31.html">http://www.arta=
ndcrafts.com/bbs/messages/31.html</A></SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001><FONT face=3Dverdana><A=20
href=3D"http://st4.yahoo.com/cgi-bin/nsearch?catalog=3D1800mobiles&amp;qu=
ery=3Dcellular+modems&amp;.autodone=3Dhttp%3A%2F%2Fwww.1800mobiles.com%2F=
nsearch.html">http://st4.yahoo.com/cgi-bin/nsearch?catalog=3D1800mobiles&=
amp;query=3Dcellular+modems&amp;.autodone=3Dhttp%3A%2F%2Fwww.1800mobiles.=
com%2Fnsearch.html</A></FONT></SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D510413317-17082001>best to all</SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001>Don R. </SPAN></DIV>
<DIV><SPAN class=3D510413317-17082001>(NE Ohi<SPAN=20
class=3D510413317-17082001>o)</SPAN></SPAN></DIV></BODY></HTML>

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From owner-glass Fri Aug 17 12:02:56 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: craft shows
Date: Fri, 17 Aug 2001 14:56:25 -0400
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Message text written by INTERNET:Shecharlie@aol.com
>i have commitments made for outdoor craft shows and intend to get a cred=
it

card machine. i know these shows have no electricity so i will need a cel=
l =

phone . does anyone have any ideas what machine i will need. have talked =
to

one of these companies and have been quoted 1400.00  for a machine that
will =

be able to accept credit cards using a cell phone and not worrying about =

electricity. I know there must be cheaper ones on the market. anyone with=

any =

ideas.
thanks
sheila<

I occassionally do outdoor craft shows.  I have never taken an electronic=

machine with me.  Instead, I just take the zip-zapper (the machine with
makes the impression of the card).  When a person makes a purchase, I
zip-zap the card, fill in everything except the authorization, get their
phone number, and give them a copy.  When I go home for the evening, I di=
al
in the transaction using my credit card machine's key pad, and get the
authorization.  Whilst this is a tad bit risky...they might have a credit=

card which is declined...I've never had that happen.  And it's sure cheep=
er
than $1400 for a machine.

Christie A. Wood
Art Glass Ensembles
----
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From owner-glass Fri Aug 17 12:27:39 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Perimeter Support for large items
Date: Fri, 17 Aug 2001 14:56:31 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Carol McEvoy"
>On the Warner Crivellaro gallery website (www.warner-criv.com/gallery) =3D=

there is a large sailfish by Lori Amos (Palm City, Florida).  I've tried =
=3D
making smaller items out of various pattern books (larger than =3D
suncatchers - larger than 8"X10") and been unable to get the stability =3D=

of the entire unit I desire.  I've tried: 1. foiling the exterior edge, =3D=

then tacking on a wire and beading.  2. Hobby came (did not cement) but =3D=

it still felt too loose and  3. H channel came and beading in the =3D
exterior channel.  If I can't get the stability in a small piece how in =3D=

the world do you get that stability in a 5-6 foot long sailfish or that =3D=

angel (that appears to be 3X5 foot by Michael and Donna Golden)?  Use a =3D=

jig and bend zinc?  Then make the piece the fit the zinc curves?  Any =3D=

suggestions from anyone?  Thanks. Carol<

There are lots of ways to impart stability to stained glass panels.  For
copper
foil project, you can use re-strip (flexible thin brass which is soldered=

between
pieces) or Morton's StrongLine (semi-flexible steel coated with brass whi=
ch
is
also soldered between pieces).  With these you run a solid line of the
res-strip
or StrongLine from one side of the panel to the other, bending it as
necessary
to follow the pattern.  The larger the panel, the more of these interior
support
lines you need.

Another method is re-bar, which is an external bar with its ends embedded=

into the wooden/metal framing material.  You solder copper tie wires to
strategic places along the pattern, and tie the panel to the rebar.

When you are using the came as framing, are you soldering each and
every joint to the came?  For any type of metal framing, you need to sold=
er
to the frame each & every solder line which runs into the frame.  I usual=
ly
only
do this on the back of the panel, but if you want even more panel
stability,
solder it front and back.

Zinc framing will be much stiffer than lead framing.  Wood framing is mor=
e
stable than metal framing.

For very large panels, we usually divide the panel into multiple smaller
panels - each with its own framing and support.  In one large copper foil=

commission I did (6 feet wide x 7 feet high) I divided it into three
smaller
rectangles, and built the framing using H and Y lead.  Then slid the Y
came into the exterior channel of the H to create only one visual seam.

Like I said, there is chapter after chapter on proper framing techniques.=
 =

I'm
just listing some suggestions for you to try in stiffening up your
projects.

Christie A. Wood
Art Glass Ensembles
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From owner-glass Fri Aug 17 12:59:52 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Perimeter Support for large items
Date: Fri, 17 Aug 2001 12:21:49 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

if i had to guess, i'd say that it was done with lead. you can solder metal
rods into the outer portion of H came which would make it a great deal
stronger. there might also be rebar on the back that you can't see, which is
tied to the hanging chains, so the piece really only has to be
self-supported in a few places.

regards,
charlie
phx, az

-----Original Message-----
From: Carol McEvoy [mailto:carolmac@quixnet.net] 
Sent: Thursday, August 16, 2001 4:25 AM
To: glass@bungi.com
Subject: Perimeter Support for large items

On the Warner Crivellaro gallery website (www.warner-criv.com/gallery) =
there is a large sailfish by Lori Amos (Palm City, Florida).  I've tried =
making smaller items out of various pattern books (larger than =
suncatchers - larger than 8"X10") and been unable to get the stability =
of the entire unit I desire.  I've tried: 1. foiling the exterior edge, =
then tacking on a wire and beading.  2. Hobby came (did not cement) but =
it still felt too loose and  3. H channel came and beading in the =
exterior channel.  If I can't get the stability in a small piece how in =
the world do you get that stability in a 5-6 foot long sailfish or that =
angel (that appears to be 3X5 foot by Michael and Donna Golden)?  Use a =
jig and bend zinc?  Then make the piece the fit the zinc curves?  Any =
suggestions from anyone?  Thanks. Carol
----
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From owner-glass Fri Aug 17 13:03:20 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: craft shows
Date: Fri, 17 Aug 2001 12:28:52 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

i believe you can, for an additional fee of course, call and get the
authorization from a cell at the show whilst they are still in front of you
(and the merchandise is still in your possession).

regards,
charlie
phx, az

> -----Original Message-----
> From: Christie A. Wood [mailto:Ensembles@compuserve.com]
> Sent: Friday, August 17, 2001 11:56 AM
> To: Bungi
> Subject: craft shows
> 
> 
> Message text written by INTERNET:Shecharlie@aol.com
> >i have commitments made for outdoor craft shows and intend 
> to get a cred=
> it
> 
> card machine. i know these shows have no electricity so i 
> will need a cel=
> l =
> 
> phone . does anyone have any ideas what machine i will need. 
> have talked =
> to
> 
> one of these companies and have been quoted 1400.00  for a 
> machine that
> will =
> 
> be able to accept credit cards using a cell phone and not 
> worrying about =
> 
> electricity. I know there must be cheaper ones on the market. 
> anyone with=
> 
> any =
> 
> ideas.
> thanks
> sheila<
> 
> I occassionally do outdoor craft shows.  I have never taken 
> an electronic=
> 
> machine with me.  Instead, I just take the zip-zapper (the 
> machine with
> makes the impression of the card).  When a person makes a purchase, I
> zip-zap the card, fill in everything except the 
> authorization, get their
> phone number, and give them a copy.  When I go home for the 
> evening, I di=
> al
> in the transaction using my credit card machine's key pad, and get the
> authorization.  Whilst this is a tad bit risky...they might 
> have a credit=
> 
> card which is declined...I've never had that happen.  And 
> it's sure cheep=
> er
> than $1400 for a machine.
> 
> Christie A. Wood
> Art Glass Ensembles
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
> 
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From owner-glass Fri Aug 17 19:39:37 2001
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From: "shurina" <jmshct@salsgiver.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: etching glass
Date: Fri, 17 Aug 2001 21:56:22 -0400
Message-ID: <1970Jan1.000.0@salsgiver.com>
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Hello, I am looking for stencils. None of the craft stores in my area have
the kind I am looking for. I am looking for dragons for my son's room. He
wants to etch dragons in his mirrors. Can you please help me in this matter?
Thank you,
Charlet

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From owner-glass Sat Aug 18 20:49:01 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
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Subject: IGGA FLW Lightscreens traveling exhibit article
Date: Sat, 18 Aug 2001 23:28:51 -0400
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

If any of you are planning to go to Grand Rapids this fall to see the
exhibit, don't miss going through the Meyer (pronounced Myer) May House,
built 1908, and restored by Steelcase, the office furniture company that
owns it.  (Steelcase collaborated with FLW on a number of projects, the
most well known of which were the office desks and chairs designed by
Wright for the Johnson Wax Building.  I have not seen all of his homes
which are open for viewing, but of the ones I have seen, only his Oak
Park home and the State of Illinois owned and restored Dana House in
Springfield even come close, because of the meticulus and
spare-no-expense restoration.  Going through this house is a high
treat.  Unfortunately, the hours it is open are limited, but the price
is right.  Maybe, during the Lightscreens exhibit, there will be special
tours offered.  The people who know about the house cannot tell you what
the inspiration was for the design of the house windows.  My own theory
is that he used an abstract amalgamation of the day lily and the taller
tiger lily.

I grew up in a small town only about 30 miles from Grand Rapids, and any
trip to the city had to include driving by the May house and the other
Frank Lloyd Wright house which is just up the street on the next
corner.  Since my sisters and I took music lessons in the Wealthy,
Cherry, Heritage Hill area, that amounted to at least once a week for
years!  The other house is not open to the public - and I'm dying to see
the inside.

Meyer May House
450 Madison Ave. SE
Grand Rapids, MI 49503
(616) 246-4821
Fax: (616) 451-9690

This 1908 masterpiece of the prairie-style design is one of the most
complete restorations of a Frank Lloyd Wright house in
existence.

Admission:free.
Hours: Tuesday and Thursday 10:00 a.m. to 1:00 p.m., Sunday 1:00 to 4:00
p.m. The last tour each day begins one hour prior to
closing. Closed Monday, Wednesday, Friday, Saturday and all major
holidays.

http://www.telepath.com/pchelp/meyermay/index.htm

Make a further experience of it, and trot through a Meijer's (pronounced
Myer's)  Store.  Founded in my home town of Greenville after WWII, old
Hendrik Meijer had baskets and carts made so that customers could serve
themselves, so it was one of the first modern "self serve" gracery
stores and has grown way beyond "grocery".  His son Fred has started a
fancy educational garden, and a trip to Meijer's Garden is also
rewarding.  You can also see that collossal stature of a horse which was
designed by Leonardo da Vinci, as well as well as other sculptures,
including those of Gary Price and Marshall Fredericks.  It includes one
of Fred, sitting on a bench, just meant for someone sitting beside him
for a photo.

Frederik Meijer Gardens & Sculpture Park
1000 East Beltline NE
Grand Rapids, MI 49525
(616) 957-1580 or (888) 957-1580
Fax: (616) 957-5792

The 125-acre Gardens and Sculpture Park features the monumental Leonardo
da Vinci's Horse, indoor and outdoor gardens;
Michigan's largest tropical conservatory; nature trails; sculpture
galleries; and over 100 world-class sculptures.

Admission: $6.00, Seniors $5.00, Children (5 - 13) $2.50, 4 and under
are free, Students (14 & up) $4.00 Hours: Monday -
Saturday 9:00 a.m. to 5:00 p.m., Sunday noon to 5:00 p.m.

The Gerald R Ford presidential library is also in Grand Rapids.

>From Cec - an ex Michigander who now lives in Merlin (Maryland).

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From: Gail Heinzemilne <heinze.g@ns.sympatico.ca>
To: Karen Palmer <KPalmer@scjd.state.sc.us>,
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Subject: Re: credit card sales
Date: Sun, 19 Aug 2001 20:13:54 -0300
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Manual imprinters are cheap ($12 /yr) and easy to take and use. We also get a
discount here if you are a member of the provincial craft Council on Visa sales
through the TD bank. They only charge 2%, or a minimum monthly fee of $3.00.  I
also do my authorizations at home via phone, but a cell phone would work too.
In fact I saw an ad not long ago  promoting the portable "cordless" imprinter,
which is in fact the old "zapper".

Gail in Nova Scotia

Karen Palmer wrote:

> Couldn't you get one of the old, manual credit card sliders that have a
> handle?  I used one years ago when I worked at Woolco and noticed that they
> were using one at Ghost Town in the Sky at Maggie Valley.
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Sun Aug 19 20:27:09 2001
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Subject: Supplies
Date: Sun, 19 Aug 2001 23:15:21 EDT
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Many thanks to all of you that have given me the names of your suppliers.  I 
have made note of all of them so that way if one doesn't carry what I'm 
looking for I'm sure one of the other ones will.

Mahalo from Hawaii

    Cyndie
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From owner-glass Mon Aug 20 05:09:20 2001
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You can make patterns from almost any source.  WWW. Spectrum.com has free 
patterns on their site.  I thought I saw a dragon there at one time.  I have 
made my own patterns from children's coloring books also.  You can make 
picture as large as you want. I try to use the thinnest paper I can find for 
the final pattern.  I did mine with etch all.  I cleaned the glass with 
Windex then with pure Isopropyl alcohol not rubbing alcohol. Mount you 
contact paper to the mirror.  Then your carbon paper.  Then your pattern.  If 
I want a thin line I use a thin lead pencil. A wide line a wide lead pencil.  
Remove the paper and the carbon and cut your stencil.  When done. Reclean 
with Isopropyl to remove any excess glue from the parts you want to etch.  
Apply etching to manufacture's instructions.  Then flush with water. This 
chemical works very fast.  You may want to remove the mirror from the frame.  
Cover the entire mirror with your resist and roll a small amount over the 
edge To protect them from being etched when doing the flushing process
good luck,

Ken O  

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>You can make patterns from almost any source. &nbsp;WWW. Spectrum.com has free 
<BR>patterns on their site. &nbsp;I thought I saw a dragon there at one time. &nbsp;I have 
<BR>made my own patterns from children's coloring books also. &nbsp;You can make 
<BR>picture as large as you want. I try to use the thinnest paper I can find for 
<BR>the final pattern. &nbsp;I did mine with etch all. &nbsp;I cleaned the glass with 
<BR>Windex then with pure Isopropyl alcohol not rubbing alcohol. Mount you 
<BR>contact paper to the mirror. &nbsp;Then your carbon paper. &nbsp;Then your pattern. &nbsp;If 
<BR>I want a thin line I use a thin lead pencil. A wide line a wide lead pencil. &nbsp;
<BR>Remove the paper and the carbon and cut your stencil. &nbsp;When done. Reclean 
<BR>with Isopropyl to remove any excess glue from the parts you want to etch. &nbsp;
<BR>Apply etching to manufacture's instructions. &nbsp;Then flush with water. This 
<BR>chemical works very fast. &nbsp;You may want to remove the mirror from the frame. &nbsp;
<BR>Cover the entire mirror with your resist and roll a small amount over the 
<BR>edge To protect them from being etched when doing the flushing process
<BR>good luck,
<BR>
<BR>Ken O &nbsp;</FONT></HTML>

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From owner-glass Mon Aug 20 05:31:34 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>,
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Subject: Stained Glass Rustling
Date: Mon, 20 Aug 2001 08:06:51 -0400
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Organization: Grendel Studio
Precedence: bulk

Here is a sad commentary on our art:

http://www.sunspot.net/news/local/bal-te.md.glass20aug20.story?coll=bal%2Dhome%2Dheadlines

Cec

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Subject: Re: Stained Glass Rustling
Date: Mon, 20 Aug 2001 09:41:51 -0400
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Organization: Grendel Studio
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I'm afraid not much.  Most churches haven't even taken good photos of their windows so they
could identify them, if by some small chance they were recovered, or replace them if not.  Most
don't have them specially insured.  Many have no records of who produced them in the first
place, or when they were repaired, and by whom.  And any number of churches 20 years ago had
them faced on the outside with plexiglass or real glass, but without proper air circulation,
and are now in the process of destroying them - cooking them to death.

In Michigan there is a Stained Glass Registry, and there has been a concerted effort to list
all kinds of stained glass windows in it - from small house ones to fancy church ones all over
the state.  I've never heard of anything similar here in Maryland.  If there is such a thing,
I'd like to know about it.  I don't know who runs the Michigan one - the state, or a historical
society, or what.  If we don't have one, maybe we should. - Cec

Robert Jones wrote:

> I live in Baltimore and there are churches here with actual original
> Tiffany windows in them.  I wonder what precautions they are taking.
> One of those churches is not too far from the one in the article.
>
> Bob
>
> Cecily & Ralph Wood wrote:
> >
> > Here is a sad commentary on our art:
> >
> > http://www.sunspot.net/news/local/bal-te.md.glass20aug20.story?coll=bal%2Dhome%2Dheadlines
> >
> > Cec
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass

----
For subscription changes, please mail to: glass-request@bungi.com
To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Mon Aug 20 08:36:03 2001
Return-Path: <owner-glass>
Received: by daver.bungi.com
	via smail with stdio
	id <m15YqlJ-0000r7a@daver.bungi.com>
	for rglass-42; Mon, 20 Aug 2001 08:14:45 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: aol.com!Gcanvas
From: Gcanvas@aol.com
To: cecnralph@home.com, glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_fb.189b5214.28b282a9_boundary"
Subject: Re: Stained Glass Rustling
Date: Mon, 20 Aug 2001 11:11:37 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk


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Try this link for Stained Glass registry in 
Michigan---http://museum.cl.msu.edu/museum/msgc/index.htm

It's called the Michigan Stained Glass Census and is sponsored by the 
Michigan State University Museum.

Jim Kelly
Gcanvas @aol.com

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Try this link for Stained Glass registry in 
<BR>Michigan---http://museum.cl.msu.edu/museum/msgc/index.htm
<BR>
<BR>It's called the Michigan Stained Glass Census and is sponsored by the 
<BR>Michigan State University Museum.
<BR>
<BR>Jim Kelly
<BR>Gcanvas @aol.com</FONT></HTML>

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----
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From owner-glass Mon Aug 20 13:39:49 2001
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	for rglass-42; Mon, 20 Aug 2001 13:19:43 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: autop.com!robin
From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: glass@bungi.com
Content-Type: multipart/mixed;
Subject: grinder idea
Date: Mon, 20 Aug 2001 16:10:00 -0400
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

This is a multi-part message in MIME format.
--------------6362D6B4296F69536A3441E5
Content-Type: text/plain; charset=us-ascii
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just thought i would share this.

i bought a clear file box at target or walmart and cut one side out.
used a hacksaw to cut it out, very easy.
cost 4.98 and its wonderful no more mess

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>


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From owner-glass Mon Aug 20 14:09:33 2001
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	id <m15YvuL-0001Xfa@daver.bungi.com>
	for rglass-42; Mon, 20 Aug 2001 13:44:25 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: GSA-ORSP.CROWN.NWU.EDU!kaye
From: "Kaye Sodt" <kaye@GSA-ORSP.CROWN.NWU.EDU>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Tags for Glass Visions
Date: Mon, 20 Aug 2001 15:17:14 CST 6CDT
Message-ID: <1970Jan1.000.0@GSA>
Organization: GSA-ORSP
Precedence: bulk

Is this the plan?  

Kaye
----------------------------------
How about we make our own tags about the same size as a business 
card on yellow card stock with the word Bungi written on it.  
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From owner-glass Mon Aug 20 14:17:09 2001
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X-Path: autop.com!robin
From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: glass@bungi.com
Content-Type: multipart/alternative;
Subject: grinder idea
Date: Mon, 20 Aug 2001 17:01:06 -0400
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk


--------------DD893ED92626404BF776D477
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit


[Image]
--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>


--------------DD893ED92626404BF776D477
Content-Type: multipart/related;
 boundary="------------8A00D1A14AB7F28C1A8366E5"


--------------8A00D1A14AB7F28C1A8366E5
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
&nbsp;
<br><img SRC="cid:part1.3B817A91.CDB40019@autop.com" height=201 width=300>
<br>--
<br>********************************************************
<br>Thank You
<br>Robin Ellison
<br>Auto &amp; Parts... <A HREF="http://www.autoandparts.com">http://www.autoandparts.com</A>
<br>1-888-977-1999
<br>Automotive Internet Services that get RESULTS !!
<br>Auto &amp; Parts provides internet solutions exclusively for
<br>the Auto Recycling Industry. Offering used part locating
<br>systems for buying &amp; selling , web site design, hosting
<br>and maintenance at a reasonable cost.
<br>AOL FRIENDLY LINK
<br>&lt;a href="<A HREF="http://autoandparts.com">http://autoandparts.com</A>">Auto And Parts&lt;/a>
<br>&nbsp;</html>

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--------------8A00D1A14AB7F28C1A8366E5--

--------------DD893ED92626404BF776D477--

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From owner-glass Mon Aug 20 14:40:37 2001
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	id <m15YwP8-0001bUa@daver.bungi.com>
	for rglass-42; Mon, 20 Aug 2001 14:16:14 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: shurina <jmshct@salsgiver.com>, Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: etching glass
Date: Mon, 20 Aug 2001 09:47:03 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@salsgiver.com>>
Organization: Grendel Studio
Precedence: bulk

And please don't forget that an acid strong enough to etch glass is dangerous.
If your son is young, you don't want him doing this.  And if you do it, please
take proper precautions. - Cec

shurina wrote:

> Hello, I am looking for stencils. None of the craft stores in my area have
> the kind I am looking for. I am looking for dragons for my son's room. He
> wants to etch dragons in his mirrors. Can you please help me in this matter?
> Thank you,
> Charlet
>
> ----
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From owner-glass Mon Aug 20 15:09:36 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: cognac/topaz bevels or beveling glass
Date: Mon, 20 Aug 2001 14:46:27 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: glassdancer
Precedence: bulk

Does anyone have a source of cognac or topaz bevels or that color
beveling glass?  We need 2 1/2 x10's.

TIA

Suzanne
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From owner-glass Mon Aug 20 16:55:52 2001
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X-Path: autop.com!robin
From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: glass@bungi.com
Content-Type: multipart/mixed;
Subject: scrap idea
Date: Mon, 20 Aug 2001 16:11:25 -0400
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

This is a multi-part message in MIME format.
--------------465582DA08EBAA4AD6BF2B87
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

ok just one more idea. bought 99 cents clear shoe boxes at
target, wrote colors on each end.

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>


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From owner-glass Mon Aug 20 21:53:09 2001
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From: "CP" <mschatee@twcny.rr.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Unsubscribe
Date: Mon, 20 Aug 2001 22:02:14 -0400
Message-ID: <1970Jan1.000.0@twcny.rr.com>
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Hi all I have been lurking for a very long time because I have been in the
process of selling, buying and moving.  It's finally here and I can't get
cable installed till Sept. 7th so I will be computerless and will have a new
email address when I get back on.
So please unsubscribe me for now and I'll be back in Mid Sept.

Happy Glassing,

Caren

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From owner-glass Mon Aug 20 23:34:37 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>,
Content-Type: text/plain; charset=us-ascii
Subject: Re: scrap idea
Date: Mon, 20 Aug 2001 20:15:44 -0500
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Robin and others on bungi.

Please dont post photo's to the list.
It's better to post a url where the photo can be viewed.
Some people on bungi are in other countries and it can be very expensive
for them with their ISP's if photo's come in.
I have high speed access and dont mind if anyone wants to show me
pictures, but it isnt the same for all.


Suzanne
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From owner-glass Tue Aug 21 06:04:07 2001
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From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: cutting lead came?
Date: Tue, 21 Aug 2001 08:24:04 -0400
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

hi, i am a beginner and is ther some rule of thumb on which way to miter

the lead came around squares, diamonds, etc. is there a book that shows
which way to do the cuts?
thanks
robin

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>


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From owner-glass Tue Aug 21 06:04:40 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Gcanvas@aol.com, Bungi Glass <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Re: Stained Glass Rustling
Date: Mon, 20 Aug 2001 23:43:36 -0400
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--------------5E3582C4F3AC8E1EEFA995D4
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
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There is also a national group:
http://college.holycross.edu/organizations/csga/

Census of Stained Glass in America.  They produce a small booklet that
anyone working with older windows, etc. should offer to your clients:
Conservation and Restoration of Stained Glass: an owner's guide.  I
picked one up at the Morse Museum in Florida (lots of Tiffany).  I
already belong to the National Trust so I think I'll send for their New
Stained Glass Survey Guide.  Should tell if there is any group doing
this in Maryland, and also tells how to go about forming a
community-based local census.  This seems like a worthwhile activity
that the IGGA could help participate in - not monitarily, but certainly
as knowledgable volunteers.  And it shouldn't be limited to America, but
to any state, province, county, church group, etc.  And, who knows, a
small plaque on a home or church saying the glass is listed, catalogued,
and photographed might discourage thefts, since the thieves would know
anything they took could be readily identified.

Gcanvas@aol.com wrote:

> Try this link for Stained Glass registry in
> Michigan---http://museum.cl.msu.edu/museum/msgc/index.htm
>
> It's called the Michigan Stained Glass Census and is sponsored by the
> Michigan State University Museum.
>
> Jim Kelly
> Gcanvas @aol.com

--------------5E3582C4F3AC8E1EEFA995D4
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
There is also a national group:&nbsp; <A HREF="http://college.holycross.edu/organizations/csga/">http://college.holycross.edu/organizations/csga/</A>
<p>Census of Stained Glass in America.&nbsp; They produce a small booklet
that anyone working with older windows, etc. should offer to your clients:&nbsp;
Conservation and Restoration of Stained Glass: an owner's guide.&nbsp;
I picked one up at the Morse Museum in Florida (lots of Tiffany).&nbsp;
I already belong to the National Trust so I think I'll send for their New
Stained Glass Survey Guide.&nbsp; Should tell if there is any group doing
this in Maryland, and also tells how to go about forming a community-based
local census.&nbsp; This seems like a worthwhile activity that the IGGA
could help participate in - not monitarily, but certainly as knowledgable
volunteers.&nbsp; And it shouldn't be limited to America, but to any state,
province, county, church group, etc.&nbsp; And, who knows, a small plaque
on a home or church saying the glass is listed, catalogued, and photographed
might discourage thefts, since the thieves would know anything they took
could be readily identified.
<p>Gcanvas@aol.com wrote:
<blockquote TYPE=CITE><font face="arial,helvetica"><font size=-1>Try this
link for Stained Glass registry in</font></font>
<br><font face="arial,helvetica"><font size=-1>Michigan---<A HREF="http://museum.cl.msu.edu/museum/msgc/index.htm">http://museum.cl.msu.edu/museum/msgc/index.htm</A></font></font>
<p><font face="arial,helvetica"><font size=-1>It's called the Michigan
Stained Glass Census and is sponsored by the</font></font>
<br><font face="arial,helvetica"><font size=-1>Michigan State University
Museum.</font></font>
<p><font face="arial,helvetica"><font size=-1>Jim Kelly</font></font>
<br><font face="arial,helvetica"><font size=-1>Gcanvas @aol.com</font></font></blockquote>
</html>

--------------5E3582C4F3AC8E1EEFA995D4--

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From owner-glass Tue Aug 21 14:03:40 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: cutting lead came?
Date: Tue, 21 Aug 2001 12:56:27 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Robin Ellison - Auto And Parts, LLC"
>hi, i am a beginner and is ther some rule of thumb on which way to miter=

the lead came around squares, diamonds, etc. is there a book that shows
which way to do the cuts?
thanks
robin<

Firstly, do you have a lead dyke?  It looks like a wire cutter, but does
not have the beveled back edge.  If you don't have one,
you should get one.  To cut a mitered edge in lead, first place the came =
up
against the other came to which it will abut.  Then mark the angle you ne=
ed
into the lead by gently scratching it with your thumbnail.  Now remove a
small part of the heart of the came where your mark is.  Then cut the lea=
d,
using the lead dyke, along the thumbnail mark.  Cut one side, then the
other, until you have the angle you need.  If you need to cut out more
heart of the lead in order to create the angle, do so.

Christie A. Wood
Art Glass Ensembles
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From owner-glass Tue Aug 21 15:01:58 2001
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From: Lorley Oneyear <lorley@home.com>
To: glass@bungi.com
Content-Type: multipart/mixed; x-avg-checked=avg-ok-15BA2512; boundary="=======11627976======="
Subject: reinforcement strip
Date: Tue, 21 Aug 2001 09:55:31 -0700
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--=======11627976=======
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I am just finishing a panel that is approximately 10" high by 46" wide. The 
background is basically 3" X 5" rectangular glue chip glass with a grouping 
of flowers at either end of the panel. I have a 25 ft roll of "Re-Strip". 
Do I stretch this?  Is there a rule of thumb as to how I should incorporate 
this into my panel? Also how do I get nice 45 degree angles on my 3"x5" if 
I wrap it around those pieces?
Lorley

--=======11627976=======--

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From owner-glass Tue Aug 21 15:54:48 2001
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: glass@bungi.com
Content-Type: text/plain;
Subject: RE: cutting lead came?
Date: Tue, 21 Aug 2001 08:25:05 -0700
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cut it at the angle so that it forms the smallest joint. if that's too
sharp, cut the heart out of the very end of the came, then trim each leaf to
the correct angle.

regards,
charlie
phx, az

> -----Original Message-----
> From: Robin Ellison - Auto And Parts, LLC [mailto:robin@autop.com]
> Sent: Tuesday, August 21, 2001 5:24 AM
> To: glass@bungi.com
> Subject: cutting lead came?
> 
> 
> hi, i am a beginner and is ther some rule of thumb on which 
> way to miter
> 
> the lead came around squares, diamonds, etc. is there a book 
> that shows
> which way to do the cuts?
> thanks
> robin
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From owner-glass Tue Aug 21 18:00:53 2001
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From: Suzanne Gunn <gunnx4@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Circo, by Vegla glass
Date: Tue, 21 Aug 2001 18:04:13 -0500
Message-ID: <1970Jan1.000.0@home.com>
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Precedence: bulk

Does any one still have any "Circo" textured glass, made by Vegla Glass
that would be willing to sell it?

Thanks

Suzanne
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From owner-glass Wed Aug 22 03:28:42 2001
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
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Subject: Cutting lead came
Date: Wed, 22 Aug 2001 08:52:45 +0100
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At 12:56 21/08/01 -0400, Christie wrote:
(I paraphrase)
>...a comprehensive description of how to use a lead dyke to cut lead came
in angles by cutting out the heart and trimming the leaf.

We have always only used and sold the traditional curved blade 'pro-tool'
knife up to six months ago but now we use (and sell) lead came shears which
work just like scissors to cut lead came of all widths square and in angles
without crushing the leaf or twisting the heart over (as often happens with
narrower lead profiles).  
I am looking forward to teaching our lead classes this year as they will
make the 'learning curve' of cutting lead neatly sooo short - even complete
beginners can get a good clean cut straight away!!  And no bruises on the
palm as often experienced by people with not-so-strong hands using the knife.
I am sure they are on sale in other countries too but we have them on our
website at http://www.stainedglass.co.uk/camesher.htm if anyone wants to see
what they look like.

As for the original question on how to cut lead around a square neatly as
when putting a square bevel or jewel into a panel with diagonal cut lines in
the 'background glass' I suggest the following method of cutting to my
students for one design they make on my courses:

For the diagonals going into the square at the corners - cut straight across
For the two upright sides of the square - cut straight across and to the
inner measurement of the 'visible glass' of the square
For the two horizontal leads (top and bottom edges) of the square - cut both
ends to a 45% angle facing outwards, length so they overlap the vertical leads

If using wider lead came for the diagonals than around the square this makes
a perfect joining, if using the same width it still looks neat - and only
four angled cuts to make in the leads!!

This is much easier to show than to describe so if anyone wants a diagram I
can email it privately if they like to email me off-list.

Regards
EliZabeth in Bournemouth
  
 
Bournemouth Stained Glass
http://www.stainedglass.co.uk
UK Charter Member RAGS

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From: Community ConneXion Online <publisher@communityconnexion.com>
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Community ConneXion Online - Newsletter
________________________________________________________________
 
This is a TEST of our new listserve automated newsletter system. You can
now subscribe and unsubscribe at http://www.CommunityConneXion.com
-------------------------------------------------------------------------------

* Here is a list of special "Portland, OR" events coming up in the near
future *
-------------------------------------------------------------------------------

1 - Qigong/Shengong
2 - Tibet's Greatest Living Masters coming to Portland
3 - Susan Luning's Sunday Celebration and candle lighting ceremony!
--------------------------------------------------------------------------------

Master Ou, Wenwei
2001 Qigong Master of the Year
4th World Qigong Congress

August 24-30, 2001

Qigong Grandmaster, Ou, Wenwei, creater of Pan Gu Shengong, will present a
free lecture, a series of workshops and private qi healing in the Portland
area, August 24th to 30th.

“All life lives in mutual opposition and mutual balance of the Heaven,
Earth, Sun and Moon’  says Ou.  ‘When the relationship between the four
elements lose balance with one another, existence of mankind is directly
influenced.  The main cause of disease is because of fatigue and wear due to
overwork.”

Ou believes by exercising his form of qigong, people will benefit by
absorbing directly the material elements of nature which are beneficial to
the human body.

EVENTS CALENDAR:

August 24th
FREE INTRODUCTION: PAN GU SHENGONG
7:00 pm to 9:00 pm
Nature's  (Wellness Center)
3535 NE 15th & Freemont

August 25th
PAN GU SHENGONG 'Moving' Form
3:00 pm to 6:00 pm
Nature's  (Wellness Center)
3535 NE 15th & Freemont
Fee:  $80
*Basic Theory/Hands On Training

August 26th
PAN GU SHENGONG 'Non-Moving' Form
12:30 pm - 2:30 pm
Nature's  (Wellness Center)
3535 NE 15th & Freemont
Fee:  $80

August 26th
PAN GU QI HEALING
3:00 pm to 5:30 pm
Nature's  (Wellness Center)
3535 NE 15th & Freemont
Fee:  $60
*Learn how to help others with qigong healing

August 27th to 30th
PRIVATE QI HEALING
9:00 am to 7:00 pm
Call for appointment & location
Fee $30 for Pan Gu Practitioners
$50 for General Public

FOR MORE INFORMATION CALL:
503 - 675-9809

*Please help us to welcome Master Ou by emailing this information to your
family, friends, and community.

Pan Gu Practitoners:  There is no cost for those who have already taken the
'Moving' or Non-moving' form.  It is an extra benefit to attend because as
Master Ou speaks, he sends out healing Qi to all in attendance.  Some people
may experience a feeling of being sleepy during this time.

Blessings,
Donna Selby

MORE INFORMATION ABOUT PAN GU'S FOUNDER:

Master Ou  is Founder of Pan Gu Shengong International Research Institue
based in San Francisco, CA. and Council Member of the World Academic Society
of Medical Qigong.  Master Ou has written many books, which include The Path
of Life, Farewell My Soul, and Pan Gu Mystical Qigong.  He is past Director
of the Research Institute of Qigong Science at Guangzhou University in
China.  His articles have won recognition and awards at many International
Qigong Conferences

----------------------------------------------------------------------------
----------------------------------------------------------------------------


Press Release:

Announcing the arrival of "the Khenpos," two of Tibet's greatest living
Buddhist Masters to Portland.

Khenchen Palden Sherab Rinpoche and his brother, Khenpo Tsewang Dongyal
Rinpoche, are giving teachings, transmissions and an empowerment (blessing
ceremony) on September 27-29th at the Unity Church, 4525 SE Stark.
    Khenchen Palden Sherab Rinpoche is one of the most highly qualified
scholars and meditation masters of the Tibetan Buddhist tradition. He is
considered a master of Dzogchen, the most highly developed tradition of
spiritual practice in the Nyingma lineage of Tibetan Buddhism.  Khenpo
Tsewang Dongyal Rinpoche will be translating.

· DREAMS, BLESSINGS AND A TRANSMISSION
Thursday, September 27, 7:30 pm, $15
During this special evening, the Khenpos will discuss the dreamlike nature of
reality, as well as bestowing the blessing and transmission of PadmaSambhava,
who is considered the Buddha of our age.

· VAJRASARASVATI EMPOWERMENT
Friday, Sept. 28, 7pm, $15
VAJRASARASVATI is an emanation of Tara, the mother of all the Buddhas.
Vajrasarasvati is both a Buddhist and Hindu Goddess of ART, MUSIC, POETRY and
BEAUTY, and this empowerment (blessing ceremony)  will increase CREATIVITY
and INSPIRATION, dispelling ignorance and giving birth to wisdom.

· THE HEART SUTRA FROM THE DZOGCHEN POINT OF VIEW: Teachings and Transmission
Saturday, September 29, 10-4pm, $60
One of the most profound and famous of all the Buddhist teachings, the Heart
Sutra contains, in its few lines, the essence, or condensed meaning, of the
nature of ultimate reality. Dzogchen is the ultimate teaching of all the
enlightened ones; it is regarded as the culmination of all spiritual
paths.

All events at Unity Church, 4525 SE Stark
For info, call (503) 230-4841

-------------------------------------------------------------------------------
-------------------------------------------------------------------------------


        Sunday Celebration: IN THE SPIRIT OF ALOHA
   From:
        "Susan Luning" <sluning@hotmail.com>
     To:
        jpoling@connexion.org

Dear John, how wonderful to speak with you once again. Coming back home
to Portland is always such a dear and wonderful treat.  OK, so let's do a
Sunday celebration.

                       When:  Sunday, September 30, 2001
                       Where:  Cascade Community  - see map at
                           http://www.conneXion.org/GARDENS
                       Time: 6:00 pm
                           Potluck, special music, rhythm instruments
                           Candle lighting ceremony

We can call the evening "IN THE SPIRIT OF ALOHA"

With so much love and aloha from my heart, my home to yours.
Susan Luning
________________________________________________________________
At any time that you wish to cancel your FREE newsletter subscription, go to http://www.connexion.org and click "unsubscribe" in the newsletter box.
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From owner-glass Wed Aug 22 11:01:47 2001
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From: "howard rubin" <hhowarda@hotmail.com>
To: glass@bungi.com
Content-Type: text/html
Subject: FA: Bullseye Pressed Glass ROSE
Date: Wed, 22 Aug 2001 10:55:22 -0700
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<html><div style='background-color:'><DIV></DIV>
<DIV></DIV>
<P>Take a look at:&nbsp; <A href="http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&amp;item=1267608680">http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&amp;item=1267608680</A></P>
<P>&nbsp;</P>
<P>Have about 15 more not listed.....email me</P>
<P>Howard</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P>+++++++++++++++++++++++++++++++++++++++++++++++++++ </P>
<DIV></DIV>I use this address to filter SPAM and unwanted mail 
<DIV></DIV>If you get no reply from me it is intentional 
<DIV></DIV>************************************************ 
<DIV></DIV>GLASS GROUP EXCEPTED, I do READ that!!!!!!! 
<DIV></DIV>**************************** 
<DIV></DIV>RE-ELECT AL GORE IN 2004 
<DIV></DIV></div><br clear=all><hr>Get your FREE download of MSN Explorer at <a href='http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html>
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From: Mcdeltalum@aol.com
To: glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_13c.23e033.28b549ea_boundary"
Subject: Monster Metals
Date: Wed, 22 Aug 2001 13:46:18 EDT
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--part1_13c.23e033.28b549ea_boundary
Content-Type: text/plain; charset="US-ASCII"
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Does anyone have any tips about painting Monster Metal figures.

In the past, I've painted some of their dragons using model paint.

On this project, I would like to go for a "glazed" , hi luster effect.

Are their specific paints that work better than others?

Can you thin/mix the paint with some sort of glaze/varnish?

Should I sand or uses steel wool between coats?

Any general tips for success?








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Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica>
<BR>Does anyone have any tips about painting Monster Metal figures.
<BR>
<BR>In the past, I've painted some of their dragons using model paint.
<BR>
<BR>On this project, I would like to go for a "glazed" , hi luster effect.
<BR>
<BR>Are their specific paints that work better than others?
<BR>
<BR>Can you thin/mix the paint with some sort of glaze/varnish?
<BR>
<BR>Should I sand or uses steel wool between coats?
<BR>
<BR>Any general tips for success?
<BR>
<BR><FONT  SIZE=2>
<BR>
<BR></FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>
<BR></FONT></HTML>

--part1_13c.23e033.28b549ea_boundary--
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From owner-glass Wed Aug 22 12:31:47 2001
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From: "Craig Holloway" <hway@bellsouth.net>
To: <Glass@Bungi.com>
Content-Type: multipart/alternative;
Subject: Gatewayed mail message
Date: Wed, 22 Aug 2001 12:09:20 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0006_01C12B03.465BC480
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Craig Holloway passed away suddenly in February. Please remove his name =
from your e-mail list.
Thank you.



------=_NextPart_000_0006_01C12B03.465BC480
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Craig Holloway passed away suddenly in =
February.=20
Please remove his name from your e-mail list.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thank you.</FONT></DIV>
<DIV>&nbsp;</DIV>
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From owner-glass Wed Aug 22 16:32:05 2001
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X-Path: home.com!lorley
From: Lorley Oneyear <lorley@home.com>
To: glass@bungi.com
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Subject: reinforcement
Date: Wed, 22 Aug 2001 13:32:22 -0700
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--=====================_18218137==_.ALT
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Christie.. Thanks for your reply. It must have been late when I sent that 
email because of course 3"X5" rectangles have 90 degree angles (not 45 
degree). duh.  My panel is made out of foil with a zinc frame.  Do I run 
the restrip up and down along the 3X5 squares? Do I just run this along the 
interior lines and bring it up to the edge (where the zinc is) and then 
bring it back into the pattern? Lorley




  You wrote:
t me ask a rather straight-forward question: What is the panel made from?
Lead? Copper Foil? Telling you how to use Restrip will depend on whether
your panel is lead or copper foil. And what do you mean by getting a nice
45 degree angle on a 3"x5" rectangle? Rectangles are all 90 degree angles.
Christie



--=====================_18218137==_.ALT
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<html>
<font size=3>Christie.. Thanks for your reply. It must have been late
when I sent that email because of course 3&quot;X5&quot; rectangles have
90 degree angles (not 45 degree). duh.&nbsp; My panel is made out of foil
with a zinc frame.&nbsp; Do I run the restrip up and down along the 3X5
squares? Do I just run this along the interior lines and bring it up to
the edge (where the zinc is) and then bring it back into the pattern?
Lorley<br><br>
<br><br>
<br>
&nbsp;You wrote:<br>
t me ask a rather straight-forward question: What is the panel made from?
<br>
Lead? Copper Foil? Telling you how to use Restrip will depend on whether
<br>
your panel is lead or copper foil. And what do you mean by getting a nice
<br>
45 degree angle on a 3&quot;x5&quot; rectangle? Rectangles are all 90
degree angles.<br>
Christie <br>
</font><br>
</html>


--=====================_18218137==_.ALT--

--=======43365C9B=======--

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From owner-glass Fri Aug 24 06:20:43 2001
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Elisabeth & Toby
Date: Thu, 23 Aug 2001 13:28:05 -0700 (PDT)
Message-ID: <1970Jan1.000.0@slonet.org>
Precedence: bulk

Elisabeth Roberg from England called me this morning and asked if I would
post a note to everyone to explain why she has not replied to the many
e-mails she has received and why she has been so quiet on bungi.

In June of this year she had a major house fire (apparently electrical in
nature) and has not had access to her computer or e-mail.  Currently she
is living in her garden shed that she had turned into a workshop area.
She is okay and hopes to be back on-line soon.  

Toby is in the hospital with a serious hip displasia or nerve damage.
Hopefully Toby will be well soon.  Meric was not mentioned in the
conversation.

Elisabeth said she had just finished a weekend kiln fusing workshop with
five people for three days.  (Totally unrelated to the fire).  

Well, that about sums up what was said.  She was primarily concerned that
everyone know the reason for her silence.

Peggy

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From owner-glass Sun Aug 26 09:54:02 2001
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X-Path: autop.com!robin
From: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: lead hand soap
Date: Fri, 24 Aug 2001 11:56:10 -0400
Message-ID: <1970Jan1.000.0@autop.com>
Organization: Auto and Parts.Com
Precedence: bulk

I ordered a couple bottles of this soap and it seems great. 15.20 for 2
16oz. bottles.
they ship it and you send them a check. great service.

http://www.sashas.net/soap_new.htm

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>


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From owner-glass Sun Aug 26 17:31:50 2001
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From: Suzanne Gunn <gunnx4@home.com>
To: "Peggy W. Johnsen" <edupjohn@slonet.org>
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Subject: Re: Elisabeth & Toby
Date: Sun, 26 Aug 2001 12:19:37 -0500
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Precedence: bulk

Thanks Peggy for passing that on! :o(  Im so sorry to hear that.  Im
glad no one was hurt.

Suzanne


"Peggy W. Johnsen" wrote:
> 
> Elisabeth Roberg from England called me this morning and asked if I would
> post a note to everyone to explain why she has not replied to the many
> e-mails she has received and why she has been so quiet on bungi.
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From owner-glass Mon Aug 27 13:29:07 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: "Robin Ellison - Auto And Parts, LLC" <robin@autop.com>,
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: lead hand soap
Date: Sun, 26 Aug 2001 14:46:35 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@autop.com>>
Organization: Grendel Studio
Precedence: bulk

I've used it for years and like it.  There is also a new one - Shepherd's
- but it has hand softeners, etc. which is fine if you only use it for
hands, but I use Sasha's on the glass itself - even clean my eyeglasses
with it. - Cec

"Robin Ellison - Auto And Parts, LLC" wrote:

> I ordered a couple bottles of this soap and it seems great. 15.20 for 2
> 16oz. bottles.
> they ship it and you send them a check. great service.
>
> http://www.sashas.net/soap_new.htm
>
> --
> ********************************************************
> Thank You
> Robin Ellison
> Auto & Parts... http://www.autoandparts.com
> 1-888-977-1999
> Automotive Internet Services that get RESULTS !!
> Auto & Parts provides internet solutions exclusively for
> the Auto Recycling Industry. Offering used part locating
> systems for buying & selling , web site design, hosting
> and maintenance at a reasonable cost.
> AOL FRIENDLY LINK
> <a href="http://autoandparts.com">Auto And Parts</a>
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Mon Aug 27 13:30:50 2001
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From: MMMCAM@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Hello to everyone
Date: Mon, 27 Aug 2001 15:56:55 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Hi fellow bungi readers,

I've been reading posts for sometime now and have just now decided to write 
for some much needed advice.

I've been crafting stained glass for over 3 years now and have just about 
decided to start trying to find a market for the pieces I've created and are 
now in the process of creating.  I've never sold my crafts before except for 
an occasional commission and was wondering if some of you who have dealt with 
retailing your creations, would be willing to part with some advice.

I live in North Little Rock AR and my specialty is tiffany styled lamps and 
novelty items such as votives, stained glass picture frames and night lights. 
 I love this craft so much!  I've given my creations as birthday and 
anniversary gifts and have been asked to do "special" projects for a 
commission.  Now,  I think I'm ready to start getting serious and go to 
market.

So please...any advice from any of you would be a huge benefit to me and help 
me start making those baby steps into a new field.

Melissa
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From owner-glass Mon Aug 27 19:01:38 2001
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Well, not a lot of bungi people there on Saturday.  John and I showed up
and just started shopping.  We were checked out before 1 pm and spent a
good part of the afternoon talking with vendors and admiring the
Battlefield Glass creations on exhibit.  People in Battlefield Glass, I
don't know HOW you managed to find time to make some of those
creations!  The piggy bar was there, the mantis airplane (or was it a
spaceship?), and many, many more.  And trust me, the online pictures do
not do justice to either of the finalists.

Venture has a new formula for the sticky past of their silver back tape,
which I know will make many of you dance with joy.  Much better, they
promise.  I think it was Youghiogheny who said they were buying Oceana
and produce their glass.  (Wow, even more glass at the train station!!!
I hope.)  The guy from Armstrong looked ready to duck and cover by
mid-afternoon.  The Canfield guy looked stunned at the rate his samples
disappeared.  I hope he and the Venture lady had supplies overnighted
for you Sunday goers.

We camped overnight in a nice place north of Allentown.  It had indoor
and outdoor pools, and a TV room with cable.  (We tent, so don't
generally bring a TV).  John got to see the first half of the Giants
Jets exhibition, and I got to see the Travers Stakes (If it weren't for
Glass Visions, I'd of been at Saratogra Springs, for sure.  Sadly, I
have a craft fair the day of the Breeders Cup, too.  Poor planning,
since it's in NYC this year!)  It was lovely in the evening, swimming in
the pool with the bats swooping around.

We stopped at a craft show in Shawnee PA on the way home. Sort of like a
busman's holiday.  (In fact, on my real vacation, the highlight of which
was whale watching with lots of whales, we wandered through lots of gift
stores in Rockport, seeking inspiration.

You know, I didn't see much new, but some somehow I am bubbling with
ideas anyway!  We'll see if they can easily be implimented!  Or not
easily, but salable at a good price!

Dorothy

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From owner-glass Tue Aug 28 05:30:52 2001
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Subject: Cement for stepping stones
Date: Tue, 28 Aug 2001 07:35:55 EDT
Message-ID: <1970Jan1.000.0@aol.com>
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Hello, Hope everyone is having a good end of summer. 

I have a question regarding stepping/patio stones.  When I fisrt learned to make them you had to sift ready mix cement with a screen and use it for the first half inch of the pour then use the unsifted cement for the rest of the pour with chicken wire inserted for strength. Since those days Dimoncrete and Flashcrete have been formulated and things are much easier...however also much more expensive.  

Does anyone have a less expensive alternative?    Of course I want it all, nice colors, smooth surface and a good price <grin>

Thanks in advance for any ideas you have.

ia
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From owner-glass Tue Aug 28 12:32:38 2001
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X-Path: aol.com!CWicks6159
From: CWicks6159@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Dragon Patterns
Date: Tue, 28 Aug 2001 15:24:47 EDT
Message-ID: <1970Jan1.000.0@aol.com>
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Hi everyone,

I was introduced to a couple people that are dragon fanatics and wanted to 
know if I had ever done any in SG.  Naturally I had to be honest and said no 
but I would work on getting a couple of ideas for dragons in different and 
fierce looking poses.

Do any of you have or know of a pattern book of dragon patterns already 
designed for me.  To me this creature can be quite detailed and beyond my 
skill of designing.

Any help would be greatly appreciated.

Cyndie
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From owner-glass Tue Aug 28 13:23:43 2001
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Subject: Re: Back from Glass Visions
Date: Tue, 28 Aug 2001 15:16:12 EDT
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Dorothy..
Read you note of Glass visions.  DH and I were there as well, and forgot to 
at least put a "bungi" cord on my tag.  Did not know for sure what idea you 
all came up with for identification.  Did see Ernie of course, but did not 
have time to talk with him.
Did not go to any of the workshops, but did enjoy the three talks that were 
put on, even though they were really repeats of last year..almost word for 
word, it seemed.
Alas, we do go though for the sale, and ideas and inspiration, like yourself.
Since we are from Northeast Pa., we did go past Stroudsburg, and wondered if 
we wanted to head for Shawnee craft fair, but five hours at W/C was enough 
for us old folk.
Lots and Lots of  people there though, weren't there?  If only 15 % of W/C 
sales come from walk-ins, as I was told by MaryAnn, I wonder how much really 
gets sold out of that place....It must be astronomical amount of glass and 
"stuff".  Ahh, what an obsession we all have.  Lots of us put our hand up, 
when Joe P. asked how many people do not make money on stained glass items 
they made.  Yea, Ernie, I saw your hand stay down. LOL.
You all have a nice one...I must put my order away, somewhere....
Nancy

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Dorothy..
<BR>Read you note of Glass visions. &nbsp;DH and I were there as well, and forgot to 
<BR>at least put a "bungi" cord on my tag. &nbsp;Did not know for sure what idea you 
<BR>all came up with for identification. &nbsp;Did see Ernie of course, but did not 
<BR>have time to talk with him.
<BR>Did not go to any of the workshops, but did enjoy the three talks that were 
<BR>put on, even though they were really repeats of last year..almost word for 
<BR>word, it seemed.
<BR>Alas, we do go though for the sale, and ideas and inspiration, like yourself.
<BR>Since we are from Northeast Pa., we did go past Stroudsburg, and wondered if 
<BR>we wanted to head for Shawnee craft fair, but five hours at W/C was enough 
<BR>for us old folk.
<BR>Lots and Lots of &nbsp;people there though, weren't there? &nbsp;If only 15 % of W/C 
<BR>sales come from walk-ins, as I was told by MaryAnn, I wonder how much really 
<BR>gets sold out of that place....It must be astronomical amount of glass and 
<BR>"stuff". &nbsp;Ahh, what an obsession we all have. &nbsp;Lots of us put our hand up, 
<BR>when Joe P. asked how many people do not make money on stained glass items 
<BR>they made. &nbsp;Yea, Ernie, I saw your hand stay down. LOL.
<BR>You all have a nice one...I must put my order away, somewhere....
<BR>Nancy</FONT></HTML>

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From owner-glass Tue Aug 28 13:53:06 2001
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X-Path: sympatico.ca!tandg.higson
From: Gillian Higson <tandg.higson@sympatico.ca>
To: CWicks6159@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Dragon Patterns
Date: Tue, 28 Aug 2001 16:37:18 -0500
Message-ID: <1970Jan1.000.0@sympatico.ca>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

Hi
There is a dragon pattern on the Spectrum website.In the patterns section but I
can't remember which set.
Regards
Gillian

CWicks6159@aol.com wrote:

> Hi everyone,
>
> I was introduced to a couple people that are dragon fanatics and wanted to
> know if I had ever done any in SG.  Naturally I had to be honest and said no
> but I would work on getting a couple of ideas for dragons in different and
> fierce looking poses.
>
> Do any of you have or know of a pattern book of dragon patterns already
> designed for me.  To me this creature can be quite detailed and beyond my
> skill of designing.
>
> Any help would be greatly appreciated.
>
> Cyndie
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

----
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From owner-glass Tue Aug 28 14:01:49 2001
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Dragon Patterns
Date: Tue, 28 Aug 2001 12:37:15 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

kids coloring books. use http://google.com to find dragon pictures and just
trace them. library books of drawings or paintings.

regards,
charlie
phx, az

> -----Original Message-----
> From: CWicks6159@aol.com [mailto:CWicks6159@aol.com]
> Sent: Tuesday, August 28, 2001 12:25 PM
> To: glass@bungi.com
> Subject: Dragon Patterns
> 
> 
> Hi everyone,
> 
> I was introduced to a couple people that are dragon fanatics 
> and wanted to 
> know if I had ever done any in SG.  Naturally I had to be 
> honest and said no 
> but I would work on getting a couple of ideas for dragons in 
> different and 
> fierce looking poses.
> 
> Do any of you have or know of a pattern book of dragon 
> patterns already 
> designed for me.  To me this creature can be quite detailed 
> and beyond my 
> skill of designing.
> 
> Any help would be greatly appreciated.
> 
> Cyndie
----
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From owner-glass Tue Aug 28 16:31:52 2001
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From: Sherry Greer <texpenguin@yahoo.com>
To: GlassList <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: frames
Date: Mon, 27 Aug 2001 18:20:02 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

My mom wants me to make my grandmother a stained glass pic frame for
Christmas.  The frame itself is no problem, but how do you work the
picture area?  2 pieces of picture glass sandwiched and foiled together
on only 3 sides?  If so, how do you attach the top of the frame to the
central area?  Or are there ready mady frame kits for such things? 
Thanks for your help!
Sherry


=====
Sherry Greer
texpenguin@yahoo.com
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From owner-glass Tue Aug 28 17:01:02 2001
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Subject: Remove
Date: Tue, 28 Aug 2001 19:46:09 EDT
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Please remove my address from this list.

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<HTML><FONT FACE=arial,helvetica><BODY BGCOLOR="#ffffff"><FONT  SIZE=3 FAMILY="SERIF" FACE="CaslonOldFace BT" LANG="0">Please remove my address from this list.</FONT></HTML>

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From owner-glass Tue Aug 28 18:01:22 2001
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From: Suzanne Gunn <gunnx4@home.com>
To: Sherry Greer <texpenguin@yahoo.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: frames
Date: Tue, 28 Aug 2001 18:42:22 -0500
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References: <<1970Jan1.000.0@yahoo.com>>
Organization: glassdancer
Precedence: bulk

Hi Sherry, 

There are probably several ways to do it.  What I've done is to use U
came around the back of three sides of the clear glass. Just tack it on.
 Slide your picture in, and some cardboard to hold the picture tighter.

Then for feet of the frame,  used some heavy gauge copper wire and
attached to the outside of the to outside cames.  bent it, and added
solder balls fat enough to support hold it up.

Hope this makes sense.  

Suzanne

Sherry Greer wrote:
> 
> My mom wants me to make my grandmother a stained glass pic frame for
> Christmas.  The frame itself is no problem, but how do you work the
> picture area?  2 pieces of picture glass sandwiched and foiled together
> on only 3 sides?  If so, how do you attach the top of the frame to the
> central area?  Or are there ready mady frame kits for such things?
> Thanks for your help!
> Sherry
> 
> =====
> Sherry Greer
> texpenguin@yahoo.com
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
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From owner-glass Wed Aug 29 23:36:38 2001
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From: <chunpai@public.glptt.gx.cn>
To: <info@studioinsite.com>
Content-Type: multipart/mixed;
Subject: Competitive wood/bamboo flooring
Date: Wed, 29 Aug 2001 21:05:43 +0800 (CST)
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From owner-glass Thu Aug 30 10:07:56 2001
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	for rglass-42; Thu, 30 Aug 2001 09:57:26 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Suzanne Gunn <gunnx4@home.com>, Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: frames
Date: Wed, 29 Aug 2001 02:37:51 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Organization: Grendel Studio
Precedence: bulk

Yes - I use the hobby came which is just right for the cardboard backs with
the swing-out "leg".  And you bend the wire down flat to put the picture in,
and then bend it back up to hold the picture in.  If you are going to use
good photos, use the UV resistant glass - or archival glass, as it sometimes
called - for the see-thru area.

Suzanne Gunn wrote:

> Hi Sherry,
>
> There are probably several ways to do it.  What I've done is to use U
> came around the back of three sides of the clear glass. Just tack it on.
>  Slide your picture in, and some cardboard to hold the picture tighter.
>
> Then for feet of the frame,  used some heavy gauge copper wire and
> attached to the outside of the to outside cames.  bent it, and added
> solder balls fat enough to support hold it up.
>
> Hope this makes sense.
>
> Suzanne
>
> Sherry Greer wrote:
> >
> > My mom wants me to make my grandmother a stained glass pic frame for
> > Christmas.  The frame itself is no problem, but how do you work the
> > picture area?  2 pieces of picture glass sandwiched and foiled together
> > on only 3 sides?  If so, how do you attach the top of the frame to the
> > central area?  Or are there ready mady frame kits for such things?
> > Thanks for your help!
> > Sherry
> >
> > =====
> > Sherry Greer
> > texpenguin@yahoo.com
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> ----
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From owner-glass Thu Aug 30 17:24:48 2001
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	(Smail-3.2.0.94 1997-Apr-22 #534 built 2001-Jul-23)
X-Path: yahoo.com!emailworldwide
From: emailworldwide@yahoo.com
To: glass@bungi.com
Subject: promoting your business, or just simply want to reach
Date: Wed, 29 Aug 2001 23:05:38 -0400
Message-ID: <200108290444.XAA14729@cooter.ctswired.com>
Precedence: bulk


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      FOR  HAVING A SUCCESSFUL ONLINE BUSINESS!!

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#1 ONLINE SOFTWARE IS THE " WELL KEPT SECRET "

      FOR  HAVING A SUCCESSFUL ONLINE BUSINESS!!





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From owner-glass Fri Aug 31 05:09:22 2001
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X-Path: yahoo.com!sparkylynne
From: Lynne Black <sparkylynne@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: bowling pattern
Date: Fri, 31 Aug 2001 04:42:36 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

Does anyone have or know of any patterns for some sort
of bowling theme?  I really want to make something for
my bowling team mates but am having trouble coming up
with a pattern.  

Thanks.

Lynne


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From owner-glass Fri Aug 31 08:04:31 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: glass@bungi.com
Content-Type: text/plain;
Subject: RE: bowling pattern
Date: Fri, 31 Aug 2001 07:13:33 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

http://www.warner-criv.com/search/pat_search.asp?mscssid=&ct=wc_patterns&q1=
bowling

regards,
charlie
phx, az

> -----Original Message-----
> From: Lynne Black [mailto:sparkylynne@yahoo.com]
> Sent: Friday, August 31, 2001 4:43 AM
> To: glass@bungi.com
> Subject: bowling pattern
> 
> 
> Does anyone have or know of any patterns for some sort
> of bowling theme?  I really want to make something for
> my bowling team mates but am having trouble coming up
> with a pattern.  
> 
> Thanks.
> 
> Lynne
----
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From owner-glass Fri Aug 31 09:28:07 2001
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	for rglass-42; Fri, 31 Aug 2001 09:13:04 -0700 (PDT)
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X-Path: auto.com!robin
From: "Robin Ellison - Auto And Parts, LLC" <robin@auto.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: light box question
Date: Fri, 31 Aug 2001 11:11:19 -0400
Message-ID: <1970Jan1.000.0@auto.com>
Organization: Auto and Parts.Com
Precedence: bulk

is having a light box a good idea, and is it used for tracing, etc.
thanks
robin

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<a href="http://autoandparts.com">Auto And Parts</a>



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From owner-glass Fri Aug 31 11:01:03 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
Subject: re: light box question
Date: Fri, 31 Aug 2001 09:38:52 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

oh yes. you save time not having to cut out patterns, gluing them on,
tracing, etc. you can cut right on top of the light box for transparent
glass, then go to tracing for most all other glasses. you have to use
pattern pieces for black, for instance.

regards,
charlie
phx, az

> -----Original Message-----
> From: Robin Ellison - Auto And Parts, LLC [mailto:robin@auto.com]
> Sent: Friday, August 31, 2001 8:11 AM
> To: glass@bungi.com
> Subject: light box question
> 
> 
> is having a light box a good idea, and is it used for tracing, etc.
> thanks
> robin
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From owner-glass Fri Aug 31 12:31:14 2001
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X-Path: digital.net!dti
From: "Rita LeVine" <dti@digital.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Bowling Pattern
Date: Fri, 31 Aug 2001 13:04:49 -0700
Message-ID: <1970Jan1.000.0@digital.net>
Precedence: bulk

This is a multi-part message in MIME format.

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http://www.warner-criv.com/search/pat_search.asp?mscssid=3D&ct=3Dwc_patte=
rns&q1=3D
bowling

regards,
charlie
phx, az

> -----Original Message-----
> From: Lynne Black [mailto:sparkylynne@yahoo.com]
> Sent: Friday, August 31, 2001 4:43 AM
> To: glass@bungi.com
> Subject: bowling pattern
>=20
>=20
> Does anyone have or know of any patterns for some sort
> of bowling theme?  I really want to make something for
> my bowling team mates but am having trouble coming up
> with a pattern. =20
>=20
> Thanks.
>=20
> Lynne
----
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.warner-criv.com/search/pat_search.asp?mscssid=3D&amp;c=
t=3Dwc_patterns&amp;q1"><FONT=20
face=3D"Times New Roman"=20
size=3D3>http://www.warner-criv.com/search/pat_search.asp?mscssid=3D&amp;=
ct=3Dwc_patterns&amp;q1</FONT></A><FONT=20
face=3D"Times New Roman" =
size=3D3>=3D<BR>bowling<BR><BR>regards,<BR>charlie<BR>phx,=20
az<BR><BR>&gt; -----Original Message-----<BR>&gt; From: Lynne Black=20
[mailto:sparkylynne@yahoo.com]<BR>&gt; Sent: Friday, August 31, 2001 =
4:43=20
AM<BR>&gt; To: </FONT><A href=3D"mailto:glass@bungi.com"><FONT=20
face=3D"Times New Roman" size=3D3>glass@bungi.com</FONT></A><BR><FONT=20
face=3D"Times New Roman" size=3D3>&gt; Subject: bowling pattern<BR>&gt; =
<BR>&gt;=20
<BR>&gt; Does anyone have or know of any patterns for some sort<BR>&gt; =
of=20
bowling theme?&nbsp; I really want to make something for<BR>&gt; my =
bowling team=20
mates but am having trouble coming up<BR>&gt; with a pattern.&nbsp; =
<BR>&gt;=20
<BR>&gt; Thanks.<BR>&gt; <BR>&gt; Lynne<BR>----<BR>For subscription =
changes,=20
please mail to: </FONT><A href=3D"mailto:glass-request@bungi.com"><FONT=20
face=3D"Times New Roman" =
size=3D3>glass-request@bungi.com</FONT></A><BR><FONT=20
face=3D"Times New Roman" size=3D3>To send to the =
list,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
please mail to: </FONT><A href=3D"mailto:glass@bungi.com"><FONT=20
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From owner-glass Fri Aug 31 14:04:10 2001
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From: Suzanne Gunn <gunnx4@home.com>
To: "Robin Ellison - Auto And Parts, LLC" <robin@auto.com>,
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Subject: Re: light box question
Date: Fri, 31 Aug 2001 13:45:19 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@auto.com>>
Organization: glassdancer
Precedence: bulk

A light box is a wonderful thing to have.
It aids in drawing your patterns, and cutting your glass.

Suzanne

"Robin Ellison - Auto And Parts, LLC" wrote:
> 
> is having a light box a good idea, and is it used for tracing, etc.
> thanks
> robin
> 
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> Robin Ellison
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From owner-glass Fri Aug 31 15:37:50 2001
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Subject: Re: light box question
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In a message dated 8/31/01 9:29:10 AM Pacific Daylight Time, robin@auto.com 
writes:


> is having a light box a good idea, and is it used for tracing, etc.
> 

Yes, I switched to cutting glass using a light box several years ago, it's 
much better.
I trace the pattern on the glass, but if you're braver you can cut the glass 
directly over the pattern.

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 8/31/01 9:29:10 AM Pacific Daylight Time, robin@auto.com 
<BR>writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">is having a light box a good idea, and is it used for tracing, etc.
<BR></BLOCKQUOTE>
<BR>
<BR>Yes, I switched to cutting glass using a light box several years ago, it's 
<BR>much better.
<BR>I trace the pattern on the glass, but if you're braver you can cut the glass 
<BR>directly over the pattern.</FONT></HTML>

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From owner-glass Fri Aug 31 17:22:54 2001
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From: sonyaamt@mindspring.com
To: glass@bungi.com
Subject: Re: light box question
Date: Fri, 31 Aug 2001 18:53:23 -0400
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Precedence: bulk

I started using a light box a couple months ago.  I find it to be essential in composing a piece.  Nothing is better than seeing how different glass work together when light.  It gives me a chance to be even more artistic.  

sonya
"Robin Ellison - Auto And Parts, LLC" <robin@auto.com> wrote:
> is having a light box a good idea, and is it used for tracing, etc.
thanks
robin

--
********************************************************
Thank You
Robin Ellison
Auto & Parts... http://www.autoandparts.com
1-888-977-1999
Automotive Internet Services that get RESULTS !!
Auto & Parts provides internet solutions exclusively for
the Auto Recycling Industry. Offering used part locating
systems for buying & selling , web site design, hosting
and maintenance at a reasonable cost.
AOL FRIENDLY LINK
<A TARGET="Link" href="http://autoandparts.com">Auto And Parts</A>



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From owner-glass Fri Aug 31 21:30:47 2001
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From: "Becker, Donna" <DF125031@exchange.DAYTONOH.NCR.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain
Subject: RE: light box question
Date: Fri, 31 Aug 2001 14:14:30 -0400
Message-ID: <1970Jan1.000.0@exchange.DAYTONOH.NCR.com>
Precedence: bulk

I LOVE my light box!  I couldn't do without it. If you are going to make
one, which is very easy, I would suggest using a clear Plexiglas.  Make sure
it's thick enough though.  If you don't, larger pieces that you are cutting
tend to break when you are cutting them because the Plexiglas boughs with
the pressure of your cutting.  I know some people like the Morton-like top,
to catch there glass shards, but I can see through more types of class if
using something clear.  Then if I decide that the light is too bright, I lay
a sheet of freezer paper over it, and then it's not so bright.  Yipes! I'm
really not very good at explaining things, am I?  Have a great day!

Donna Becker
donna.becker@chicagoil.ncr.com




-----Original Message-----
From: Spitzer, Charlie [mailto:Charlie.Spitzer@stratus.com]
Sent: Friday, August 31, 2001 11:39 AM
To: 'glass@bungi.com'
Subject: re: light box question


oh yes. you save time not having to cut out patterns, gluing them on,
tracing, etc. you can cut right on top of the light box for transparent
glass, then go to tracing for most all other glasses. you have to use
pattern pieces for black, for instance.

regards,
charlie
phx, az

> -----Original Message-----
> From: Robin Ellison - Auto And Parts, LLC [mailto:robin@auto.com]
> Sent: Friday, August 31, 2001 8:11 AM
> To: glass@bungi.com
> Subject: light box question
> 
> 
> is having a light box a good idea, and is it used for tracing, etc.
> thanks
> robin
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