From owner-glass Sun Apr  1 13:01:00 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
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Subject: You want design ideas?
Date: Sun, 01 Apr 2001 15:50:20 -0400
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

Take a look at the photos of the Auroras from all over the world.  These
incredible sights are the result of the humoungous sunspot.

 http://www.spaceweather.com/aurora/gallery_31mar01.html

and

 http://www.spaceweather.com/aurora/gallery_20mar01.html

- Cec

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


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From owner-glass Sun Apr  1 13:31:46 2001
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From: Dee Thompson <deethom@erols.com>
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Subject: Re: You want design ideas?
Date: Sun, 01 Apr 2001 16:39:15 -0700
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wow oh wow !!  And here we sit in overcast Maryland missing the whole
show!!! Those are some spectacular pictures, well worth a little time.  You
are right about the inspiration!
dee

 http://www.spaceweather.com/aurora/gallery_31mar01.html
>
> http://www.spaceweather.com/aurora/gallery_20mar01.html
>
>- Cec

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From owner-glass Sun Apr  1 14:01:47 2001
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From: "Jill M" <jazzykid@tir.com>
To: "Glenna Rand" <gjr@bungi.com>,
Content-Type: text/plain;
Subject: Re: Kevin O'Grady
Date: Sun, 1 Apr 2001 14:53:33 -0400
Message-ID: <1970Jan1.000.0@tir.com>
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Hi Glenna,

No, Kevin O'Grady wasn't at the L.V. Glass Expo.  But, Jayne Persico was
teaching similar technique called Cane Bracelets.  They are Beautiful
bracelets!!  Everyone was talking about them in L.V.  In fact, I believe she
is teaching at the AGSA  show in Orlando in June.  Try here....
http://agsa.org/show/index.html

I think FF32 is what you are looking for.  Hope this helps..  Sign up ASAP
because I believe these classes fill up fast.

Jill Medlyn


-----Original Message-----
From: Glenna Rand <gjr@bungi.com>
To: glass@bungi.com <glass@bungi.com>
Date: Saturday, March 31, 2001 5:01 PM
Subject: Kevin O'Grady


>Hi everyone,
>
>I recently got my edition of Bead & Button and saw Kevin O'Grady's
>wonderful bracelets.  WOW!  I was wondering if anyone has seen his work.
>I want to see is I can take a class from him in Vegas next year perhaps.
>Was he at the Glass Expo in Vegas this year?
>
>
>--
>Glenna Rand
>gjr@bungi.com
>----
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>

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From owner-glass Sun Apr  1 15:08:02 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
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Subject: Re: You want design ideas?
Date: Sun, 01 Apr 2001 17:07:57 -0400
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References: <<3.0.32.20010401163913.009535f0@pop.erols.com>>
Organization: Grendel Studio
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Yup - typical Maryland - anytime anything interesting overhead - we are
totally occluded. - C

Dee Thompson wrote:

> wow oh wow !!  And here we sit in overcast Maryland missing the whole
> show!!! Those are some spectacular pictures, well worth a little time.  You
> are right about the inspiration!
> dee
>
>  http://www.spaceweather.com/aurora/gallery_31mar01.html
> >
> > http://www.spaceweather.com/aurora/gallery_20mar01.html
> >
> >- Cec
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


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From owner-glass Tue Apr  3 21:40:16 2001
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From: gmacfarland@juno.com
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Subject: Gatewayed mail message
Date: Wed, 04 Apr 2001 00:27:30 EDT
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Has something happenned? I haven't been on the computer for couple of
weeks, but there wasn't any mail from any of the bungi group? 
Gail in Va

________________________________________________________________
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From owner-glass Tue Apr  3 22:30:43 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
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Subject: Re: FW: Sea horse pattern
Date: Wed, 04 Apr 2001 00:41:14 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@stratus.com>>
Organization: Grendel Studio
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The National Acquarium in Baltimore is having a well publicized exhibit of sea
horses.  Try

 http://www.aqua.org/seahorses/index.htm

- Cec

"Spitzer, Charlie" wrote:

> a good place would be marine fish stores. there's lots of books describing
> them, and there would be pictures to go along with them.
>
> then again, a simple search at http://alltheweb.com shows a good picture on
> the home page of http://www.seahorses.de/
>
> regards,
> charlie
> phx, az
>
> -----Original Message-----
> From: cheryl zipf [mailto:glassgirl@mindspring.com]
> Sent: Monday, March 19, 2001 11:25 PM
> To: Jon & Tryna; glass@bungi.com
> Subject: Re: Sea horse pattern
>
> tryna  check your local scuba dive shop they have lots of pictures in
> magazines  of them in bonair or aruba under the sea but you should be able
> to copy one
> ----- Original Message -----
> From: "Jon & Tryna" <logon@voyageur.ca>
> To: <glass@bungi.com>
> Sent: Saturday, March 17, 2001 8:19 AM
> Subject: Sea horse pattern
>
> > Hello to all,
> >
> >    I am looking for a pattern for a seahorse, I would like to make a
> > stepping stone and sun catcher.
> >    I have been everywhere looking for even a half decent picture of a
> > seahorse, encyclopedia, dictionary, on the internet, through glass books
> > and I have found nothing.
> >    I don't know if they are just few and far between, they are very
> > unique creatures and to find very nice patterns for them seems almost
> > impossible.
> >
> >    If anyone could help, I would greatly appreciate it.
> >    I look forward to your response.
> >
> >    Tryna
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


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From owner-glass Wed Apr  4 17:57:11 2001
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From: Family Account <shad@mail2.nai.net>
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Subject: Where have all the glassers gone, long time passing....
Date: Wed, 04 Apr 2001 20:38:40 -0500
Message-ID: <1970Jan1.000.0@mail2.nai.net>
References: <<1970Jan1.000.0@juno.com>>
Precedence: bulk

Today I got this message and one other bungi message, one spam, one
reminder to check out my cousin's pictures at MyFamily.  The other day, I
got two bungi's, three spams, two MyFamily's and my brother sent a jpeg
of himself and Dad on a motorcycle.  I guess we're all busy.  I just did
my first craft fair of 2001 (and people were buying items between $50-$80
FOR THEMSELVES!)  But I have no shows in April, then a cluster of three
in May, three in June, then we plan the long drive to Pennsylvania where
we'll visit family, go to the Youghiogheny Train Station store and
probably stop by Warner-Criv on the way home...(the family's midway
between Youghiogheny and Warner-Criv)

We are trying to come up with bunches of new designs, so I'm drawing and
John's cutting glass.  Last night, a hibiscus and a lily.  Tonight I'm
thinking primroses. (Nice because they can be SO many different colors!)
In a week, I'll have lots of flower suncatchers in my windows...just in
time for spring. (which I think is really here, notwithstanding the frost
all over my car in the morning.)  Also it'll be warm enough for John to
go to the garage and make some frames and bases for fan lamps.

Then I have to do a final check of my taxes and send them in (and I'm
getting refunds, too....)  After that...you know, Emeraldine has been
trying to get out....

Now I'm going to go outside and check the sky.  After missing all the
northern lights displays because of lots of cloud cover, the tv guys said
there's a chance for tonight.  Then---primroses.

Dorothy

gmacfarland@juno.com wrote:

> Has something happenned? I haven't been on the computer for couple of
> weeks, but there wasn't any mail from any of the bungi group?
> Gail in Va
>
> ________________________________________________________________
> GET INTERNET ACCESS FROM JUNO!
> Juno offers FREE or PREMIUM Internet access for less!
> Join Juno today!  For your FREE software, visit:
> http://dl.www.juno.com/get/tagj.
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> To send to the list,      please mail to: glass@bungi.com
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From owner-glass Wed Apr  4 19:43:09 2001
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From: "Meyer" <meyer64@earthlink.net>
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Content-Type: multipart/alternative;
Subject: Show
Date: Wed, 4 Apr 2001 19:31:12 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_002F_01C0BD3D.CE9B1AA0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Dorothy,
What kind of stuff was selling at your show?  I have been think of doing =
one here in California.  Was it a jury show?
Debra Meyer

------=_NextPart_000_002F_01C0BD3D.CE9B1AA0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dorothy,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>What kind of stuff was selling at your =
show?&nbsp;=20
I have been think of doing one here in California.&nbsp; Was it a jury=20
show?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Debra Meyer</FONT></DIV></BODY></HTML>

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From owner-glass Thu Apr  5 04:33:00 2001
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From: Bill <shmilly@attcanada.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Where have all the glassers gone, 
Date: Thu, 05 Apr 2001 05:52:13 -0400
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hi gail et al.......yes it's been quiet here lately but i'm sure it will
pick up soon........i'm sure i'll have a few questions for the group as i
attempt new projects   :-)   .....Bill in Toronto

>gmacfarland@juno.com wrote:
>
>> Has something happenned? I haven't been on the computer for couple of
>> weeks, but there wasn't any mail from any of the bungi group?
>> Gail in Va
 
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From owner-glass Thu Apr  5 07:04:13 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
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Subject: Where have all the glassers gone, long time passing....
Date: Thu, 5 Apr 2001 09:33:38 -0500
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Message text written by Family Account
>I just did
my first craft fair of 2001 (and people were buying items between $50-$80=
<

What type of items are selling?  Small panels?  Suncatchers?  Mosaic'ed
stuff?  Framed stuff?  I've got an outdoor show in May up in Allentown, a=
nd
would like to know.  It's been quite awhile since I did a retail show, an=
d
could use the info.

Christie A. Wood
North Wales, PA USA
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From owner-glass Thu Apr  5 10:07:30 2001
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From: Tryna <logon@voyageur.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii; format=flowed
Subject: Dragonfly
Date: Thu, 05 Apr 2001 11:45:08 -0500
Message-ID: <1970Jan1.000.0@voyageur.ca>
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Thank you everyone for all of your help with my search for a sea horse, 
your efforts were priceless and I am forever grateful.

My new search is for dragonflies...  I am looking for a single 
dragonfly, the only ones I have been able to find are ones in whole 
pictures, with trees and background included.

If anyone has dragonfly patterns, would you please forward them to me.. 
Or contact me as to where I could possibly find it.

Whole hearted 'Thank you' in advance,

Sincerely,
               Tryna

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From owner-glass Thu Apr  5 12:07:23 2001
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From: "Chris" <loneprimate@mindspring.com>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: help, please
Date: Thu, 5 Apr 2001 13:31:52 -0500
Message-ID: <1970Jan1.000.0@mindspring.com>
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Hi everyone,
I am looking for a pattern for yin-yang. It was a request from a good
friend, and I would love to do it.
Also, is there a way to cut a circle out of the center of a piece of glass,
leaving a round hole to be filled with a different kind of glass? It seems
to me that there is a special tool, or something....?

Thank you all in advance,
Chris
"The heart that gives, gathers."

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From owner-glass Thu Apr  5 12:37:26 2001
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From: "Ruth" <pooky.pook@home.com>
To: "Chris" <loneprimate@mindspring.com>
Content-Type: text/plain;
Subject: Re: help, please
Date: Thu, 5 Apr 2001 14:19:36 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@mindspring.com>>
Precedence: bulk

I don;t have a pattern but I do know that you can get either a drill bit or
a bit for the grinder that will cut a hole in the glass.. exactly like you
want it to. I have the ones for the drill and they DO work! You can get them
in several sizes. Very easy to do.. just put some water on the glass and
drill it. You need to tilt the bit a little to get started. Worked for me on
the first try...
----- Original Message -----
From: "Chris" <loneprimate@mindspring.com>
To: "Bungi" <glass@bungi.com>
Sent: Thursday, April 05, 2001 1:31 PM
Subject: help, please


> Hi everyone,
> I am looking for a pattern for yin-yang. It was a request from a good
> friend, and I would love to do it.
> Also, is there a way to cut a circle out of the center of a piece of
glass,
> leaving a round hole to be filled with a different kind of glass? It seems
> to me that there is a special tool, or something....?
>
> Thank you all in advance,
> Chris
> "The heart that gives, gathers."
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Thu Apr  5 15:38:41 2001
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From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Dragonfly
Date: Thu, 05 Apr 2001 18:27:55 -0500
Message-ID: <1970Jan1.000.0@mail2.nai.net>
References: <<1970Jan1.000.0@voyageur.ca>>
Precedence: bulk

You know, it seems to me that a solo dragonfly is a stained glass piece
that is just waiting to fall apart.

Try taking one of those pictures of dragonfly and trace around the
dragonfly.  The wings don't have to be fancy.  Find a glass that suggests
the veins.

But I don't know how I'd reinforce it.  Any ideas anyone?

Dorothy

Tryna wrote:

> Thank you everyone for all of your help with my search for a sea horse,
> your efforts were priceless and I am forever grateful.
>
> My new search is for dragonflies...  I am looking for a single
> dragonfly, the only ones I have been able to find are ones in whole
> pictures, with trees and background included.
>
> If anyone has dragonfly patterns, would you please forward them to me..
> Or contact me as to where I could possibly find it.
>
> Whole hearted 'Thank you' in advance,
>
> Sincerely,
>                Tryna
>
> ----
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> Archives available at http://www.bungi.com/glass

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From owner-glass Thu Apr  5 16:52:42 2001
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X-Path: twcny.rr.com!mschatee
From: "CP" <mschatee@twcny.rr.com>
To: "Chris" <loneprimate@mindspring.com>, "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: help, please
Date: Thu, 5 Apr 2001 19:31:49 -0400
Message-ID: <1970Jan1.000.0@twcny.rr.com>
References: <<1970Jan1.000.0@mindspring.com>>
Precedence: bulk

I've seen yin-yangs in stained glass before and all they did was paint in
the little circles with glass paint.  Much easier that way.  I don't have
any patterns though.  What you can do is just look for a picture on the
internet and copy it.
Good Luck


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From owner-glass Thu Apr  5 17:07:52 2001
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From: Ziggy366@webtv.net
To: loneprimate@mindspring.com (Chris)
Content-Type: Text/Plain; Charset=US-ASCII
Subject: Re: help, please
Date: Thu, 5 Apr 2001 18:51:10 -0500 (CDT)
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If anyone sends a pattern for the ying yang to Chris, I would love to
have it too!
Thanks, 
Beth

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From owner-glass Thu Apr  5 17:33:19 2001
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X-Path: icx.net!gander
From: "G. Anderson" <gander@icx.net>
To: Family Account <shad@mail2.nai.net>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Dragonfly
Date: Thu, 05 Apr 2001 20:07:34 -0400
Message-ID: <1970Jan1.000.0@icx.net>
References: <<1970Jan1.000.0@mail2.nai.net>>
Precedence: bulk

I saw a dragonfly done in copper foil -- beautiful iridescent glass, with a
few jewels here and there. The wings were overlaid with the metal filigree
that Tiffany used on his dragonfly lamps. It was quite attractive!

Gail


Family Account wrote:

> You know, it seems to me that a solo dragonfly is a stained glass piece
> that is just waiting to fall apart.
>
> Try taking one of those pictures of dragonfly and trace around the
> dragonfly.  The wings don't have to be fancy.  Find a glass that suggests
> the veins.
>
> But I don't know how I'd reinforce it.  Any ideas anyone?
>
> Dorothy
>
> Tryna wrote:
>
> > Thank you everyone for all of your help with my search for a sea horse,
> > your efforts were priceless and I am forever grateful.
> >
> > My new search is for dragonflies...  I am looking for a single
> > dragonfly, the only ones I have been able to find are ones in whole
> > pictures, with trees and background included.
> >
> > If anyone has dragonfly patterns, would you please forward them to me..
> > Or contact me as to where I could possibly find it.
> >
> > Whole hearted 'Thank you' in advance,
> >
> > Sincerely,
> >                Tryna
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
> ----
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> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

----
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From owner-glass Thu Apr  5 19:01:43 2001
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X-Path: sprintmail.com!searun
From: "Maureen & David Humphreys" <searun@sprintmail.com>
To: "Art glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: Just a tip.
Date: Thu, 5 Apr 2001 17:15:23 -0700
Message-ID: <1970Jan1.000.0@sprintmail.com>
Precedence: bulk

A few tips from a thrifty person.
Remember to wash your art glass before you start a new project. Old shelf
grime is much easier to remove with a wash in warm water and Joy detergen=
t.
Followed by a good rinse. Please protect your hands, as all edges are ver=
y
sharp. I wear a pair of cheap cotton garden glove for this prep and then
just let them dry out in the air.  For about a dollar they work just fine.
If the new glass is large try the tub!

I also just recycled some =91first projects=92 non-fired (Deka) painted b=
evels I
did over a year ago and really disliked. A little nail polish remover and=
 a
final safety strait razor once over made them good as new! A bath followe=
d
also.

With our love of the really 'nice' glass increasing each year, some
recycling can be a good thing!
Maureen


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From owner-glass Thu Apr  5 19:07:26 2001
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X-Path: sprintmail.com!searun
From: "Maureen & David Humphreys" <searun@sprintmail.com>
To: "CP" <mschatee@twcny.rr.com>, "Chris" <loneprimate@mindspring.com>,
Content-Type: text/plain;
Subject: Re: help, please
Date: Thu, 5 Apr 2001 17:13:45 -0700
Message-ID: <1970Jan1.000.0@sprintmail.com>
Precedence: bulk

I also saw a 2 part bevel group, about 4 inch in diameter a year ago at the
local glass shop. Maureen
-----Original Message-----
From: CP <mschatee@twcny.rr.com>
To: Chris <loneprimate@mindspring.com>; Bungi <glass@bungi.com>
Date: Thursday, April 05, 2001 4:36 PM
Subject: Re: help, please


>I've seen yin-yangs in stained glass before and all they did was paint in
>the little circles with glass paint.  Much easier that way.  I don't have
>any patterns though.  What you can do is just look for a picture on the
>internet and copy it.
>Good Luck
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

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From owner-glass Thu Apr  5 20:21:58 2001
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From: "Chris" <loneprimate@mindspring.com>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: yin-yang and cutting circle in center
Date: Thu, 5 Apr 2001 22:11:12 -0500
Message-ID: <1970Jan1.000.0@mindspring.com>
Precedence: bulk

Thank you to all who gave me their time.
I will let the list know how I finally get that hole into the glass. I am
hoping that Ruth's suggestion will work for me --sounds easy, even for me.
And I will share any yin-yang patterns I come across or design.

Any other suggestions re above are still welcome --this is a work in
progress (well, not exactly in progress but almost at the starting gate :-))

Chris
"The heart that gives, gathers."

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From owner-glass Thu Apr  5 20:34:17 2001
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From: "Chris" <loneprimate@mindspring.com>
To: "Ruth" <pooky.pook@home.com>
Content-Type: text/plain;
Subject: Re: help, please
Date: Thu, 5 Apr 2001 21:58:42 -0500
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Precedence: bulk


----- Original Message -----
From: "Ruth" <pooky.pook@home.com>
To: "Chris" <loneprimate@mindspring.com>
Cc: <glass@bungi.com>
Sent: Thursday, April 05, 2001 2:19 PM
Subject: Re: help, please


> I don;t have a pattern but I do know that you can get either a drill bit
or
> a bit for the grinder that will cut a hole in the glass.. exactly like you
> want it to. I have the ones for the drill and they DO work! You can get
them
> in several sizes. Very easy to do.. just put some water on the glass and
> drill it. You need to tilt the bit a little to get started.

Ruth,
Thank you. The drill bit sounds more easily accessible (and least
expensive). Question: are you talking about the round circles that fit on a
drill --the ones that cut holes in wood? That sounds like a solution too
good to be true! :-) I know you can buy them in any hardware store,
cheaply --or do I need to buy something that specifies glass (crossing my
fingers not).

TIA,
Chris
PS: I think I will make my own pattern from a picture --will share it if it
turns out well.

 Worked for me on
> the first try...
> ----- Original Message -----
> From: "Chris" <loneprimate@mindspring.com>
> To: "Bungi" <glass@bungi.com>
> Sent: Thursday, April 05, 2001 1:31 PM
> Subject: help, please
>
>
> > Hi everyone,
> > I am looking for a pattern for yin-yang. It was a request from a good
> > friend, and I would love to do it.
> > Also, is there a way to cut a circle out of the center of a piece of
> glass,
> > leaving a round hole to be filled with a different kind of glass? It
seems
> > to me that there is a special tool, or something....?
> >
> > Thank you all in advance,
> > Chris
> > "The heart that gives, gathers."
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> >
>

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From owner-glass Fri Apr  6 07:04:12 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: help, please
Date: Fri, 6 Apr 2001 09:29:00 -0500
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Message text written by "Chris"
>Thank you. The drill bit sounds more easily accessible (and least
expensive). Question: are you talking about the round circles that fit on=
 a
drill --the ones that cut holes in wood? That sounds like a solution too
good to be true! :-) I know you can buy them in any hardware store,
cheaply --or do I need to buy something that specifies glass (crossing my=

fingers not).<

You can get very narrow grinder bits for your grinder.  These have the
diamonds which also go up and over the top of the bit.  You can use these=

to grind holes into glass, using your grinder.  You cannot use drill bits=

intended for wood.  If you are going to use a drill bit, you need to
purchase a glass drill bit.  There are such things, and they are readily
available at local hardware stores.  I purchased mine at Home Depot.  But=
 I
use the grinder bit more often.  Just make sure you keep it wet, wet, wet=

when drilling the hole.  Stop often and clean out both the grinder bit, a=
nd
the hole itself, to remove built-up glass dust.  All it takes is a little=

wet sponge.

Christie A. Wood
North Wales, PA USA
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From owner-glass Fri Apr  6 07:33:06 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'Chris'" <loneprimate@mindspring.com>, Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: help, please
Date: Fri, 6 Apr 2001 06:55:26 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

it depends upon the size. using a diamond core bit is what you really are
looking for. it drills a hole but leaves the center as a piece. they're
expensive though, and get more expensive the larger the hole. you'd do
better to get a small hole, and grind out a larger one if you're only doing
this one piece.

don't forget to use a lubricant when you use glass drill bits.

regards,
charlie
phx, az

> -----Original Message-----
> From: Chris [mailto:loneprimate@mindspring.com]
> Sent: Thursday, April 05, 2001 11:32 AM
> To: Bungi
> Subject: help, please
> 
> 
> Hi everyone,
> I am looking for a pattern for yin-yang. It was a request from a good
> friend, and I would love to do it.
> Also, is there a way to cut a circle out of the center of a 
> piece of glass,
> leaving a round hole to be filled with a different kind of 
> glass? It seems
> to me that there is a special tool, or something....?
> 
> Thank you all in advance,
> Chris
----
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From owner-glass Fri Apr  6 09:17:31 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Dragonfly
Date: Fri, 6 Apr 2001 09:29:04 -0500
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Family Account
>You know, it seems to me that a solo dragonfly is a stained glass piece
that is just waiting to fall apart.>

Well, you can either make it as a non-framed piece, which will need major=

exterior reinforcement, or as a dragonfly panel with
background glass supporting the whole thing.

<Try taking one of those pictures of dragonfly and trace around the
dragonfly.  The wings don't have to be fancy.  Find a glass that suggests=

the veins.>

Or...you can purchase dragonfly filligree made from copper sheet, and
simply solder it onto the wing piece.  These filligrees are
made for the Tiffany "Dragonfly" lampshade pattern, and can be ordered fr=
om
just about any stained glass retail store which
carries supplies for lampmaking.  Or you can make your own filligree by
cutting out a vein pattern out of a sheet of thin copper.

Also...there is a dragonfly bevel cluster which looks REAL good!  You can=

order it through any competent stained glass retail store.  I've used it
and really like it.  Of course, it's clear, but still looks wonderful.

<But I don't know how I'd reinforce it.  Any ideas anyone?<

If you're talking about a stand-alone non-framed dragonfly piece, you wil=
l
need to reinforce it by wrapping the entire piece with copper wire.  Sold=
er
the copper wire onto all edges of the piece.   Bend the copper wire as
needed to have it completely conform to the outline of the dragonfly.  Al=
so
add copper wire going from an edge into the interior of the piece.  Make
sure the hanging hooks are soldered into an interior solder joint - NOT
onto the edge.

Christie A. Wood
North Wales, PA USA
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From owner-glass Fri Apr  6 10:32:17 2001
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	for rglass-42; Fri, 6 Apr 2001 10:20:39 -0700 (PDT)
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X-Path: teleport.com!weaver51
From: "Howard and or Elaine" <weaver51@teleport.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: TIME SENSITIVE (please read)
Date: Fri, 6 Apr 2001 10:18:14 -0700
Message-ID: <1970Jan1.000.0@teleport.com>
Organization: weaver51@teleport.com
Precedence: bulk

Hi All,

Been a while since I have posted to this group and I hope a few of you still
remember me!

My wife and I are leaving for Europe (England, Germany, Italy and France)
this Sunday, May 8th, and we will be there for about a month. Our schedule
is quite flexible.

If any of you are willing to meet us, to show us around, your shop, over all
exchange tips, techniques, or just have a few "pet" places a tourist may not
find, I would appreciate receiving a note.

I am NOT very interested in seeing 100's of church stained glass windows.

I may not have easy or consistent WWW access after Sunday morning.

Many thanks in advance, Howard

also if convenient please do a cc post to: dirtcheap@yahoo.com



weaver51@teleport.com
weaver51@onemain.com
Elaine and Howard
to see the best lamps on the "net"
http://www.teleport.com/~cbs/howard




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From owner-glass Fri Apr  6 11:15:52 2001
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X-Path: earthlink.net!blmoon
From: "Allison Pearson" <blmoon@earthlink.net>
To: "glass" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Lokking for Glass
Date: Fri, 6 Apr 2001 14:03:07 -0400
Message-ID: <1970Jan1.000.0@earthlink.net>
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This is a multi-part message in MIME format.

------=_NextPart_000_0011_01C0BEA2.4E1D5B20
Content-Type: text/plain;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

We've been hired to create a window to match some other in a restoration =
project.  We have 2 colors, but we need 2-3 more.  We need Light =
blue/clear streaky seedy or yellow/clear streaky seedy.  We already have =
a pink & a green version.  We could also use a peach or pale =
purple/streaky seedy.  If anyone has any ideas please e-mail us off =
line.

Thanks in advance for your help.

Ali & Parke Pearson
Blue Moon Glass
Our website: www.blmoonglass.com
914-693-2791

------=_NextPart_000_0011_01C0BEA2.4E1D5B20
Content-Type: text/html;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#c8e8f8>
<DIV><FONT face=3DTahoma color=3D#000080>We've been hired to create a =
window to=20
match some other in a restoration project.&nbsp; We have 2 colors, but =
we need=20
2-3 more.&nbsp; We need Light blue/clear streaky seedy or yellow/clear =
streaky=20
seedy.&nbsp; We already have a pink &amp; a green version.&nbsp; We =
could also=20
use a peach or pale purple/streaky seedy.&nbsp; If anyone has any ideas =
please=20
e-mail us off line.</FONT></DIV>
<DIV><FONT face=3DTahoma color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma color=3D#000080>Thanks in advance for your=20
help.</FONT></DIV>
<DIV><FONT face=3DTahoma color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3DTahoma color=3D#000080><STRONG>Ali &amp; Parke =
Pearson<BR>Blue=20
Moon Glass<BR>Our website: </STRONG><A=20
href=3D"http://www.blmoonglass.com"><STRONG>www.blmoonglass.com</STRONG><=
/A><BR><STRONG>914-693-2791</STRONG></FONT></DIV></BODY></HTML>

------=_NextPart_000_0011_01C0BEA2.4E1D5B20--

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From owner-glass Fri Apr  6 11:45:42 2001
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From: "glass expressions" <glassx@bardstown.com>
To: "bungi send to list" <glass@bungi.com>
Content-Type: multipart/related;
Subject: help 
Date: Fri, 6 Apr 2001 14:31:15 -0400
Message-ID: <1970Jan1.000.0@bardstown.com>
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hi has anyone had success get parts for the small jewelry kiln by AIM =
KILNS?  I've left several messages @ 1800 222 5456 .  and never got a =
reply  they also have web page with email address and it is always =
returned.  I am in desperate need to get a replacement wire element for =
the inside.  my son has a deadline due!  any help appreciated- anita

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<DIV>hi has anyone had success get parts for the small jewelry kiln by =
AIM=20
KILNS?&nbsp; I've left several messages @ 1800 222 5456 .&nbsp; and =
never got a=20
reply&nbsp; they also have web page with email address and it is always=20
returned.&nbsp; I am in desperate need to get a replacement wire element =
for the=20
inside.&nbsp; my son has a deadline due!&nbsp; any help appreciated-=20
anita</DIV></BODY></HTML>

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From owner-glass Fri Apr  6 13:00:48 2001
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass expressions'" <glassx@bardstown.com>,
Content-Type: text/plain
Subject: RE: help 
Date: Fri, 6 Apr 2001 12:49:44 -0700 
Message-ID: <1970Jan1.000.0@stratus.com>
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please stop sending html mail

try http://www.euclids.com/elements.htm to see if they have your elements,
or they can probably make them to spec.

regards,
charlie
phx, az

> -----Original Message-----
> From: glass expressions [mailto:glassx@bardstown.com]
> Sent: Friday, April 06, 2001 11:31 AM
> To: bungi send to list
> Subject: help 
> 
> 
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> 
> hi has anyone had success get parts for the small jewelry 
> kiln by AIM =
> KILNS?  I've left several messages @ 1800 222 5456 .  and 
> never got a =
> reply  they also have web page with email address and it is always =
> returned.  I am in desperate need to get a replacement wire 
> element for =
> the inside.  my son has a deadline due!  any help appreciated- anita
----
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From owner-glass Fri Apr  6 13:19:29 2001
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X-Path: voyageur.ca!logon
From: Tryna <logon@voyageur.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii; format=flowed
Subject: Black Lab Pattern
Date: Fri, 06 Apr 2001 15:10:31 -0500
Message-ID: <1970Jan1.000.0@voyageur.ca>
Precedence: bulk

Hello Everyone,

   Yes, It is me 'again', what I am looking for now is as above, a 
pattern for a black lab, I would like to give this gift to a truly 
amazing couple who graciously gave us a black lab pup.  This is gift my 
fiancee has wanted ever since he was a boy and now thanks to this 
amazing couple he now has his puppy. 

   The only gift I could personally give them to show our endless 
appreciation is a gorgeous stained glass black lab, the only problem I 
face now is finding that 'perfect' pattern, and who else would I turn to 
but you. 

   Always and forever grateful,
                                               Tryna

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From owner-glass Fri Apr  6 14:00:40 2001
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X-Path: Webzone.net!JamesAdams
From: "James F. Adams" <JamesAdams@Webzone.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Getting started
Date: Fri, 6 Apr 2001 15:55:51 -0500
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I bought a book today called Stained Glass by Lynette Wrigley. I know =
nothing about doing this, but I feel it might be fun and creative.

Is there someplace that I can get an entire set of the tools that I will =
need, or do you recommend just buying a few select tools?

Can someone give me a list of the bare essentials that I will need to =
get started?

Thanks for your help.

James Adams

email JamesAdams@Webzone.net
http://frontpage.webzone.net/jamesadams

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>I bought a book today called Stained Glass by Lynette Wrigley. I =
know=20
nothing about doing this, but I feel it might be fun and creative.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Is there someplace that I can get an entire set of the tools that I =
will=20
need, or do you recommend just buying a few select tools?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Can someone give me a list of the bare essentials that I will need =
to get=20
started?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks for your help.</DIV>
<DIV>&nbsp;</DIV>
<DIV>James Adams</DIV>
<DIV>&nbsp;</DIV>
<DIV>email <A=20
href=3D"mailto:JamesAdams@Webzone.net">JamesAdams@Webzone.net</A><BR><A=20
href=3D"http://frontpage.webzone.net/jamesadams">http://frontpage.webzone=
.net/jamesadams</A></DIV></BODY></HTML>

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From owner-glass Fri Apr  6 20:59:06 2001
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X-Path: voyageur.ca!logon
From: Tryna <logon@voyageur.ca>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii; format=flowed
Subject: Black Lab quest...
Date: Fri, 06 Apr 2001 22:46:21 -0500
Message-ID: <1970Jan1.000.0@voyageur.ca>
Precedence: bulk

Hello to all,

   Thank you to those of you who have contacted so far. 

   I am still desperately seeking that perfect pattern of a black lab 
and if there is anyone out here who has a pattern I would be forever 
indebted to you.

   I look forward to your response.
   
   Again, I grateful and thankful everyone who has contacted me.

Sincerely,
               Tryna

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From owner-glass Fri Apr  6 22:34:10 2001
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From: "siriusdream" <siriusdream@email.msn.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Re: Black Lab
Date: Fri, 6 Apr 2001 22:14:02 -0700
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Dear Tryna,

Nice to meet you! ...I just wanted to mention last year I also was =
searching for a pattern regarding a black lab!...To tell you I =
understand that sketches for black lab seems to be a effort. For My =
client wanted more then a profile, so I ended up using my own =
pattern...It might stirs some Ideas if you get a chance to see the final =
work : scroll down to " Lab and Lilies" =
...http://www.dreamkeepersandtheorderoflight.com/GALLERYTWO.htm =20

I was also inspire by some of the great site on Black lab, best of =
luck..I will pass on to you other info..If I find anything.
Regards

Daniel=20

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dear Tryna,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Nice to meet you!&nbsp;...I just wanted =
to mention=20
last year I also was searching for a pattern regarding a black lab!...To =
tell=20
you I understand that sketches for black lab seems to be a effort. For =
My client=20
wanted more then a profile, so I ended up using my own pattern...It =
might stirs=20
some Ideas&nbsp;if you get a chance to see the final work : scroll down =
to " Lab=20
and Lilies" ...<A=20
href=3D"http://www.dreamkeepersandtheorderoflight.com/GALLERYTWO.htm =
">http://www.dreamkeepersandtheorderoflight.com/GALLERYTWO.htm=20
</A> </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I was also inspire by some of the great =
site on=20
Black lab, best of luck..I will pass on to you other info..If I find=20
anything.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Regards</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Daniel </FONT></DIV></BODY></HTML>

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From owner-glass Sun Apr  8 06:32:09 2001
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X-Path: alimac.com!till8er
From: "Bev Kelly" <till8er@alimac.com>
To: <glass@bungi.com>
Subject: Fw: help, please
Date: Fri, 6 Apr 2001 18:40:54 -0700
Message-ID: <1970Jan1.000.0@alimac.com>
Precedence: bulk



> If anyone sends a pattern for the ying yang to Chris, I would love to
> have it too!
> Thanks,
> Bev>
> ----
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>


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From owner-glass Sun Apr  8 08:21:44 2001
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To: glass@bungi.com
Content-Type:  multipart/alternative; boundary="part1_c9.eca9748.2801d790_boundary"
Subject: Glass Manufacturers
Date: Sun, 8 Apr 2001 11:02:40 EDT
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I have a question and I am hoping someone out there can help!  My girlfriend 
and I would love to visit some of the glass manufacturing plants.  Does 
anyone have a list of all the manufacturers and their addresses?  I'm sure 
there would be others out there who would be interested in this information 
as well...

Thanks for your help

Loretta

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#8000ff" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">I have a question and I am hoping someone out there can help! &nbsp;My girlfriend 
<BR>and I would love to visit some of the glass manufacturing plants. &nbsp;Does 
<BR>anyone have a list of all the manufacturers and their addresses? &nbsp;I'm sure 
<BR>there would be others out there who would be interested in this information 
<BR>as well...
<BR>
<BR>Thanks for your help
<BR>
<BR>Loretta</FONT></HTML>

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From owner-glass Sun Apr  8 12:04:27 2001
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From: Awbaxter@aol.com
To: Roxie1024@aol.com, glass@bungi.com
Content-Type:  text/plain; charset="US-ASCII"
Subject: Re: Glass Manufacturers
Date: Sun, 8 Apr 2001 14:50:23 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

You should check out the glass-related magazines and newsletters that are 
available.  Just reading the ads will give you addresses, phone numbers and 
web sites of those manufacturers, and those web sites will give you all the 
info you could want about available tours, hours, special demos, etc.

Also, these publications include events of interest, and many include 
listings of sources in the glass industry.  Well worth having for references!
Ann  
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From owner-glass Sun Apr  8 14:03:07 2001
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X-Path: mindspring.com!loneprimate
From: "Chris" <loneprimate@mindspring.com>
To: "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: yin-yang
Date: Sun, 8 Apr 2001 15:03:39 -0500
Message-ID: <1970Jan1.000.0@mindspring.com>
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Just a note to thank everyone for their help regarding my yin-yang project.
I will be unsubbing for a while, but just wanted to say thank you for all
the good advice. This is a group of friendly, giving people. Good luck to
everyone on all their sg projects.  :-)

Chris Kelly


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From owner-glass Sun Apr  8 14:09:14 2001
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X-Path: latinsite.com!ebiz
From: "Cedeño" <ebiz@latinsite.com>
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: HAZ DE TU TRABAJO UNAS VACACIONES
Date: Sun, 8 Apr 2001 15:49:09 -0500
Message-ID: <1970Jan1.000.0@latinsite.com>
Precedence: bulk

BUSCO LIDERES!  NUEVO CONCEPTO EN TURISMO A NIVEL INTERNACIONAL!
GANA $$$ MIENTRAS DISFRUTAS!
POTENCIAL DE INGRESO US$ 1,500 - $6,000 MENSUAL!

ENVIE EMAIL A:  EBIZ@LATINSITE.COM
ASUNTO:  TURISMO PARA COSTA RICA
O LLAME A:  (507)  612-3937   PREGUNTE POR CEDEÑO

Si no desea recibir más correos sobre oportunidades, responda a este
con el asunto:  ELIMINAR




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From owner-glass Sun Apr  8 15:02:54 2001
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	for rglass-42; Sun, 8 Apr 2001 14:59:43 -0700 (PDT)
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X-Path: northlights.co.uk!toby
From: "Toby" <toby@northlights.co.uk>
To: <glass@bungi.com>, "Howard and or Elaine" <weaver51@teleport.com>
Content-Type: text/plain; charset=US-ASCII
Subject: Re: TIME SENSITIVE (please read)
Date: Sun, 8 Apr 2001 22:38:17 +0100
Message-ID: <200104082154.f38LsZc04817@mercury.nildram.co.uk>
Precedence: bulk

Well, Hello Howard,

Nice to see you are still around.
You are welcome to call on me.. I live about 45 - 50 miles north of 
London. 
Elisabeth 'n Toby in UK

Hi All,

Been a while since I have posted to this group and I hope a few of you still
remember me!

My wife and I are leaving for Europe (England, Germany, Italy and France)
this Sunday, May 8th, and we will be there for about a month. Our schedule
is quite flexible.

If any of you are willing to meet us, to show us around, your shop, over all
exchange tips, techniques, or just have a few "pet" places a tourist may not
find, I would appreciate receiving a note.

I am NOT very interested in seeing 100's of church stained glass windows.

I may not have easy or consistent WWW access after Sunday morning.

Many thanks in advance, Howard


----
As my grandmother said "...there is only nobility of mind"
North Lights Stained Glass - homepage
http://www.netlink.co.uk/users/kris/northlights/index.htm 
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From owner-glass Mon Apr  9 07:58:53 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Getting started
Date: Mon, 9 Apr 2001 10:40:02 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by "James F. Adams"
>Can someone give me a list of the bare essentials that I will need to =3D=

get started?<

Any stained glass retail store can really help you out here.  Most will
have a beginners package of tools which you can purchase, probably in
conjunction with a beginning stained glass class.  It's well worth the
money to take the class prior to purchasing the tools.  That way you can
truely evaluate whether stained glass is for you or not.

Christie A. Wood
North Wales, PA USA
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From owner-glass Mon Apr  9 08:12:35 2001
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	for rglass-42; Mon, 9 Apr 2001 07:41:39 -0700 (PDT)
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Glass Manufacturers
Date: Mon, 9 Apr 2001 10:40:05 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by INTERNET:Roxie1024@aol.com
>I have a question and I am hoping someone out there can help!  My
girlfriend =

and I would love to visit some of the glass manufacturing plants.  Does =

anyone have a list of all the manufacturers and their addresses?  I'm sur=
e =

there would be others out there who would be interested in this informati=
on

as well...

Thanks for your help

Loretta<

The International Guild of Glass Artists (IGGA) maintains an excellent li=
st
of all manufacturers and distributors of anything related to stained glas=
s,
including all glass manufacturers.  Visit their website at www.igga.org, =
or
you can purchase ($10) their annual "Sources Guide" newsletter, which has=
 a
hard copy listing of them all.  More more info, go to the website.  You c=
an
also email them at info@igga.org.

Christie A. Wood
North Wales, PA USA
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From owner-glass Mon Apr  9 08:40:27 2001
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X-Path: mindspring.com!glassgirl
From: "cheryl zipf" <glassgirl@mindspring.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Janine's Kidney Transplant Fund Website.htm
Date: Mon, 9 Apr 2001 11:10:54 -0700
Message-ID: <1970Jan1.000.0@mindspring.com>
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Janine's Kidney Transplant Fund Website

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<P><SPAN><SPAN>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</SPAN>In 1993, I was a healthy, 31 year old, married, mother of three. =
I had worked my way into an assistant managers position at Sheetz and =
was in training to become a manager of a store of my own. I worked the =
night shift out of preference, so I could be home with my children =
during the day to get them off to school. My husband worked days at the =
underground mines so that he could be there in the afternoons and =
nights. We were happy and did not have any inkling of the calamities to =
fall on us.<SPAN>&nbsp; </SPAN></SPAN></P> <P><SPAN><SPAN></SPAN>At work =
one night I started having pain in my sides, by morning the pain was so =
excruciating that as soon as my shift ended I went to the doctor. After =
giving me x-rays the doctor discovered that I had very large, Staghorn =
kidney stones in both kidneys. He told me he had never seen them so big, =
even the medical books did not have such large specimens in them. He =
sent me to a nephrologist in Franklin to be evaluated for treatment and =
there they decided that a new treatment called Lithotripsy would be used =
on me. Lithotripsy puts you in a big tub of water and sends sound waves =
into your body to break up any stones and helps send them through your =
body to be passed naturally. After a treatment I felt as if a =
heavyweight boxer had punched me in the back 1,000 times. After =
receiving three treatments on my right side and two treatments on my =
left, I was hopeful that my problems were over.<SPAN>&nbsp; =
</SPAN></SPAN></P> <P><SPAN><SPAN></SPAN>I was once again at work when I =
started feeling really ill. I was so weak and sick to my stomach that =
when my shift ended I went straight to the hospital. They ran tests and =
discovered that my big kidney stones were now little tiny ones that had =
embedded themselves into the sides of my kidneys. The smallest pieces =
turned to mush and blocked my tubes so that nothing could pass through. =
You see, at the time there were no regulations as to how large your =
kidney stones had to be when they said that Lithotripsy would not work. =
The guidelines now allow only pin-sized stones; mine were the size of my =
fist. </SPAN></P> <P><SPAN>I was in total kidney failure; I would have =
to be operated on immediately. It took six hours in the operating room, =
the doctor kept pulling piece after piece of kidney stones from my tubes =
and kidneys. Finally, he could do no more and ended the operation. I was =
in the hospital fifteen days but my creatin level, which measures =
poisons in the blood, would not decrease in level so at that time the =
doctor decided that he could do nothing else for me and transferred me =
over to Allegheny General. There I spent another ten days in the =
hospital while the new doctors decided what to do. </SPAN></P> =
<P><SPAN>That year I was in the hospital more than I was home. On one of =
the infrequent occasions that I was home, my husband was in a car wreck. =
Shortly after we discovered that he suffers seizures due to head trauma. =
He can no longer drive a car so that leaves me as the only driver. He =
also could no longer work and we were facing total poverty. My children =
seldom see a day when either their mother or father is suffering from =
one thing or another. What makes it even worse is the fact that when my =
husband is under a lot of stress he suffers more seizures so every time =
I go in the hospital he seizes every day. That year I also missed my =
youngest child=E2=80=99s first day of kindergarten because I was in the =
hospital recovering from my latest operation. </SPAN></P> <P><SPAN>They =
operated on me more than fifty times that year, everything from =
inserting and removing stints, to cutting me open on both sides, =
removing my kidneys and scraping as much of the stone pieces as they =
could out of my kidneys before replacing my kidneys in my body. I now =
have matching five-inch scars complete with staple marks on both sides =
of my lower back.<SPAN>&nbsp; </SPAN>I did get some of my kidney =
function back, but there was still a long way to go. After being at =
Allegheny General for more than two years it was decided that I needed a =
major operation to repair the tubes that had been damaged due to all the =
operations I had. I then transferred over to the Cleveland Clinic. I =
missed that same child=E2=80=99s birthday that year, as I was admitted =
to the hospital again. There they repaired most of the damage that was =
done to me at the other hospitals and for the last year I was once again =
a healthy person.</SPAN></P> <P><SPAN>&nbsp;I decided to go back to =
college and get a degree in Business Administration so that we could =
once more get back on our feet. My first semester I made the honor roll, =
but then disaster struck again! In January, my kidneys stopped =
functioning completely. The doctors have no knowledge as to why except =
that all the operations I had just wore them out. I started dialysis =
right in the middle of my second semester of school. I opted for =
peritoneal dialysis, which I can do myself, four times a day. =
</SPAN><SPAN>I finished my second semester by doing my dialysis in my =
van at school to get through the day. </SPAN></P> <P><SPAN>I am pursuing =
a transplant so I can live a normal life again. The costs involved are =
astronomical. Although I have Medicare, that only covers 80 percent, the =
remaining 20 percent is my responsibility. The doctors tell us that 20 =
percent will add up t<SPAN>&nbsp; </SPAN>$70,000. They only cover my =
anti rejection medicine for three years and then if I want to live I =
have to come up with the money to pay for twenty-seven medications a =
month myself. Already I have to pay six dollars a piece, which may not =
sound like much, but when you take as many prescriptions as I do, it =
adds up quick. </SPAN></P> <P><SPAN>Since my husband is no longer =
allowed to work because of the car wreck, we have been struggling along =
on disability only for three years and that is not even enough to pay =
our bills and feed the children much less pay for all these trips into =
Pittsburgh. The cost of going to doctors appointments and dialysis =
appointments is already overwhelming, and now I need over eight hundred =
dollars worth of dental work before the doctors will even consider =
allowing me to have a transplant. Every aspect of my health has to be in =
perfect condition before they will do anything. </SPAN></P> =
<P><SPAN>Although my sister is kind enough to donate one of her kidneys =
for me, she does not have much money either so I need to raise enough to =
fly her here from Atlanta Georgia to donate her kidney and then she is =
required to stay in the hospitality house in Pittsburgh for three weeks =
following transplant, that will be another twenty dollars a night- plus =
she will need to eat. The doctors will not do anything until I have my =
body in perfect condition and I show them proof that I have enough money =
to pay for my prescriptions. The expenses and medical procedures we face =
are endless, sometimes it feels like it is hopeless, but I have to keep =
trying and remembering that everything happens for a reason. If we can =
pass all the financial hurdles ahead I will get to be healthy again. I =
just want to be able to finish school, get a good job so that I will be =
able to support my family, and hopefully-never miss another of my =
children\'s firsts.</SPAN></P></DIV>';=0A=
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From owner-glass Mon Apr  9 08:49:51 2001
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X-Path: sprintmail.com!searun
From: "Maureen & David Humphreys" <searun@sprintmail.com>
To: "Art glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: Spring finds.
Date: Mon, 9 Apr 2001 08:04:39 -0700
Message-ID: <1970Jan1.000.0@sprintmail.com>
Precedence: bulk

If you would like to use a metal design element of a silhouette in your next
glass project consider going to a Lawn & Garden shop first. Very small
detailed cut black metal figures can be found in the form of garden shadow
art. Trimming away the stake potion with a hand metal cutter (took me only 4
minutes to do) results in a wonderful 2-3 inch tall detailed cut moon,
animals, fairies, a farmer, or Victorian female figure silhouette for that
special project.  Some of the garden stacks I found this weekend were made
of lightweight steel coated in a flat black rust proof paint, while others
were cut from tin and could be tacked into place.
All of these small size pieces were well under $10.00 and take black hobby
paint very well. Once soldered or glued ( depends on the metal) into the
'foreground' of a glass piece the silhouette is lovely.
A trip to your plant shop may just add that missing something to your next
project!
Maureen
>From the PNW


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From owner-glass Mon Apr  9 09:22:32 2001
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X-Path: Webzone.net!JamesAdams
From: "James Adams" <JamesAdams@Webzone.net>
To: "Bungi Glass Group" <Glass@Bungi.com>
Content-Type: multipart/alternative;
Subject: Classes
Date: Mon, 9 Apr 2001 11:03:46 -0500
Message-ID: <1970Jan1.000.0@Webzone.net>
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Hi,

I'm am interested in taking a beginners class in Stained Glass. I live in
the Pawnee, OK area, which is near Stillwater and Ponca City. I have looked
at the technology colleges and at the Hobby Lobby store. No one seems to be
offering a class.

I was thinking that with a 400 people subscriber base, there might be
someone in this area that would know of a place that I could get a couple of
hours of instruction. If so please send me an email.

Thanks, James
Email JamesAdams@Webzone.net
Home http://frontpage.webzone.net/jamesadams


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<BODY bgColor=3D#f5f5dc>
<DIV><SPAN class=3D140455615-09042001><FONT face=3D'"Comic Sans MS"'=20
size=3D4>Hi,</FONT></SPAN></DIV>
<DIV><SPAN class=3D140455615-09042001><FONT =
size=3D4></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D140455615-09042001><FONT size=3D4>I'm am interested =
in taking a=20
beginners class in Stained Glass. I live in the Pawnee, OK area, which =
is near=20
Stillwater and Ponca City. I have looked at the technology colleges and =
at the=20
Hobby Lobby store. No one seems to be offering a =
class.</FONT></SPAN></DIV>
<DIV><SPAN class=3D140455615-09042001><FONT =
size=3D4></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D140455615-09042001><FONT size=3D4>I was thinking that =
with a 400=20
people subscriber base, there might be someone in this area that would =
know of a=20
place that I could get a couple of hours of instruction. If so please =
send me an=20
email.</FONT></SPAN></DIV>
<DIV><SPAN class=3D140455615-09042001><FONT =
size=3D4></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D140455615-09042001><FONT size=3D4>Thanks,=20
James</FONT></SPAN></DIV>
<P><FONT size=3D2>Email JamesAdams@Webzone.net<BR>Home <A =
target=3D_blank=20
href=3D"http://frontpage.webzone.net/jamesadams">http://frontpage.webzone=
.net/jamesadams</A>=20
</FONT></P></BODY></HTML>

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From owner-glass Mon Apr  9 11:29:36 2001
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X-Path: together.net!jbuckner
From: Jennifer Buckner <jbuckner@together.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Time Sensitive from Howard
Date: Mon, 09 Apr 2001 12:22:12 -0400
Message-ID: <4.3.2.7.2.20010409121919.00aaa270@pop.together.net>
Precedence: bulk

Howard,
Would you please re-send your message about going to Europe, including your 
web site address?  I may have a contact for you in Essen, Germany - a 
dentist who makes lovely lamps and runs a retail glass shop as well as 
practising dentistry.  Unfortunately I deleted your first post too quickly.

Jennifer
Jennifer G. Buckner jbuckner@together.net

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From owner-glass Mon Apr  9 14:38:36 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Getting started
Date: Mon, 9 Apr 2001 15:57:40 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by INTERNET:JamesAdams@Webzone.net
>Thank you for your reply. I wish it were that easy. I also feel that a
class
would be the way to go, but I have tried all of the tech colleges around
and
I have talked to the Hobby Lobby stores and no one offers anything. I am
thinking that there is something out there if a guy just knew where to
look.<

Ah, you are looking in all the wrong places (especially Hobby Lobby).  Tr=
y
looking in you local Yellow Pages, under the "Glass, Stained and Leaded"
section.  These places are where you should be going.  And if you don't
have any luck there....there are plenty of online stained glass retailers=

around who would be able to help you order good quality tools.

Just to help get you started....I'll put together a little list of
essentials for the beginning stained glass artist doing copper foil (whic=
h
is what the majority of USA stained glass artists start with).  I'm sure
others on the bungi list will also offer their advice on this list.  We a=
ll
have our preferences, so take what we say with a grain of salt.

- Morton system Maxi or Mini surface (not essential, but a good portable
grid working surface which keeps glass shards off your table & away from
your hands)
- good quality glass cutter (I prefer the more expensive Toyo Pistol grip=

cutter, but folk like many other styles)
- breaking pliers (also called grozers)
- running pliers
- cutting oil or lubricant
- grinder with standard bit (I like Inland's grinders)
- safety goggles
- 7/32" copper foil packet
- fid (I like the plastic one, but there are wooden ones too)
- roller (get a cheep wall paper roller - the smallest you can find - fro=
m
Home Depot)
- 60/40 solder
- flux (liquid or gel type)
- paste flux (Nocorode)
- soldering iron (many different types available - I prefer the TempTrol
100 with built-in temperature controller)
- roll of copper wire (20 or 18 gauge) for making hanging loops on your
project
- some pattern which interests you, but which does not have too many insi=
de
curves in it, nor is too large
- gold paint pen
- Sharpie black fine permanate marking pen
- Kem-o-Pro Finishing Compound or Turtle Wax

This should be enough to get you started.  Oh yes....glass.

Christie A. Wood
North Wales, PA USA
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From owner-glass Mon Apr  9 18:14:00 2001
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X-Path: twcny.rr.com!mschatee
From: "CP" <mschatee@twcny.rr.com>
To: "Christie A. Wood" <Ensembles@compuserve.com>, "Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Getting started
Date: Mon, 9 Apr 2001 20:47:58 -0400
Message-ID: <1970Jan1.000.0@twcny.rr.com>
References: <<1970Jan1.000.0@compuserve.com>>
Precedence: bulk

I was reading through the list you put together for the beginner's and I was
just curious....what is the wall paper roller for?

Caren

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From owner-glass Mon Apr  9 18:23:41 2001
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X-Path: home.com!kristc
From: "Kris" <kristc@home.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Getting started
Date: Mon, 9 Apr 2001 20:55:19 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@compuserve.com>>
Precedence: bulk

If you don't want to invest in the Morton system right off, I've found a
piece of sheet rock (wallboard) works very well. You can stick pins and
nails in it, write on it, solder over it and if it gets too funky it is
cheap enough to just throw away. Keep a brush handy though to brush off the
glass shards as they accumulate.

What do you use a roller for?

Another thing I think I must have - the stuff that looks like clay but is
used to stick posters to the wall and that sort of thing. My kids call it
ticky tac. It is great for sticking pattern pieces to your glass and if it
would leave any traces, which it rarely does, you can clean up with plain
water. It saves all that tracing around pattern pieces with markers.

Is the gold paint pen for marking on dark colored glass?

I think when I first started I went with Delphi. They had a beginners
package with all the basic tools, and also various variety packs of glass
you could order. I didn't know one glass from another so it was a great
place to start. (There were no retailers or teachers in my area) Ask your
retailer if they might have something similar. I'm still using everything
today except the cutter which I replaced with a pistol grip.

I think that is all my questions/input for the moment :)

Kris

----- Original Message -----
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: "Bungi" <glass@bungi.com>
Sent: Monday, April 09, 2001 3:57 PM
Subject: RE: Getting started


> Message text written by INTERNET:JamesAdams@Webzone.net
 >
> Just to help get you started....I'll put together a little list of
> essentials for the beginning stained glass artist doing copper foil (whic=
> h
> is what the majority of USA stained glass artists start with).  I'm sure
> others on the bungi list will also offer their advice on this list.  We a=
> ll
> have our preferences, so take what we say with a grain of salt.
>
> - Morton system Maxi or Mini surface (not essential, but a good portable
> grid working surface which keeps glass shards off your table & away from
> your hands)
> - good quality glass cutter (I prefer the more expensive Toyo Pistol grip=
>
> cutter, but folk like many other styles)
> - breaking pliers (also called grozers)
> - running pliers
> - cutting oil or lubricant
> - grinder with standard bit (I like Inland's grinders)
> - safety goggles
> - 7/32" copper foil packet
> - fid (I like the plastic one, but there are wooden ones too)
> - roller (get a cheep wall paper roller - the smallest you can find - fro=
> m
> Home Depot)
> - 60/40 solder
> - flux (liquid or gel type)
> - paste flux (Nocorode)
> - soldering iron (many different types available - I prefer the TempTrol
> 100 with built-in temperature controller)
> - roll of copper wire (20 or 18 gauge) for making hanging loops on your
> project
> - some pattern which interests you, but which does not have too many insi=
> de
> curves in it, nor is too large
> - gold paint pen
> - Sharpie black fine permanate marking pen
> - Kem-o-Pro Finishing Compound or Turtle Wax
>
> This should be enough to get you started.  Oh yes....glass.
>
> Christie A. Wood
> North Wales, PA USA
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Mon Apr  9 18:43:56 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Classes (in Oklahoma)
Date: Mon, 09 Apr 2001 14:20:40 -0500
Message-ID: <1970Jan1.000.0@home.com>
Organization: glassdancer
Precedence: bulk

Hi James  

I teach in Tulsa.  

I wish I could recommend someone closer to you, but I dont know anyone
up there.  I checked IGGA's Oklahoma members listings and didnt find any
one I didnt already know, unless you want to go to OKC.

Lori Mass and I both teach at Tulsa Community College, and I also teach
from my home studio and from Blackwells Stained glass, in Tulsa.

I dont know if Lori teaches from her studio or not?  Lori, are you still
here on Bungi?

She would be closer to you than I would be.  

Let me know if I can be of help.  Sorry I dont know anyone closer to
you.
I do know of a fuser in Stillwater.  Let me see if I can find her card,
she may know someone in that area that can teach you stained glass.


Suzanne
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From owner-glass Mon Apr  9 21:33:30 2001
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X-Path: softhouse.com!giapet
From: "Karen K." <giapet@softhouse.com>
To: "Bungi" <glass@bungi.com>
Subject: Re: Getting started
Date: Tue, 10 Apr 2001 00:05:25 -0400
Message-ID: <1970Jan1.000.0@softhouse.com>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

For burnishing down the foil to the glass, works great when placing the
glass pieces on an old mouse pad.

Karen
giapet@softhouse.com



>
> What do you use a roller for?



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From owner-glass Mon Apr  9 22:02:51 2001
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From: Vern Sila <vsila@qwest.net>
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: multipart/mixed;
Subject: W. C. Fields
Date: Mon, 09 Apr 2001 21:48:09 -0500
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--------------E7D89C6013BDB121036BBCB1
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Persistence always pay off?

Within the last year-and-a-half I have, a couple of times, called upon
"Bungi" readers help to locate the artist who had done a window of W.C.
Fields.  Unfortunately, no one really knew of who I was inquiring.  I
didn't give up though. Recently, I happen to run across the artist's web
site..............I can't believe it!!  This time I won't forget to
bookmark the site (and copy to floppy disk the stained glass window).
If you would like to take a look at the site:
www.williamsstainedglass.com


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--------------E7D89C6013BDB121036BBCB1--

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From owner-glass Tue Apr 10 07:41:16 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Getting started
Date: Tue, 10 Apr 2001 09:29:38 -0400
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Message text written by "CP"
>I was reading through the list you put together for the beginner's and I=

was
just curious....what is the wall paper roller for?<

I use it to very quickly and efficiently roll down the foil onto the glas=
s.
 I use the fid to mash the foil into the ground edges of the glass, then
set the piece of glass down on a clean, flat surface, and simply roll the=

edges down with the wall paper roller, rather than using the fid.  The on=
ly
time this does not work well is on highly-textured glass, where you simpl=
y
revert back to the fid.

Christie A. Wood
North Wales, PA USA
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From owner-glass Tue Apr 10 08:10:16 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
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Subject: Re: Getting started
Date: Tue, 10 Apr 2001 09:29:39 -0400
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Message text written by "Kris"
>Is the gold paint pen for marking on dark colored glass?<

Exactly.

Christie A. Wood
North Wales, PA USA
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From owner-glass Tue Apr 10 09:11:22 2001
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: Bungi <glass@bungi.com>
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Subject: RE: Getting started
Date: Tue, 10 Apr 2001 06:20:34 -0700
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use the side of the sharpie. you don't need the roller.

regards,
charlie
phx, az

> -----Original Message-----
> From: Karen K. [mailto:giapet@softhouse.com]
> Sent: Monday, April 09, 2001 9:05 PM
> To: Bungi
> Subject: Re: Getting started
> 
> 
> For burnishing down the foil to the glass, works great when 
> placing the
> glass pieces on an old mouse pad.
> 
> Karen
> giapet@softhouse.com
> 
> 
> 
> >
> > What do you use a roller for?
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From owner-glass Tue Apr 10 10:10:18 2001
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From: "Becker, Donna" <DF125031@exchange.DAYTONOH.NCR.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain
Subject: RE: Getting started
Date: Tue, 10 Apr 2001 12:43:04 -0400
Message-ID: <1970Jan1.000.0@exchange.DAYTONOH.NCR.com>
Precedence: bulk


I've always liked the wallpaper roller.  In fact I came up with it on my own
after seeing the cost of the Vicki Payne foiler roller.
It's pretty cool that there are others that use the same thing.
I'm looking forward to trying the old mousepad idea, I've always used a
small piece of cork bulletin board.  I always roll both sides of the glass.
I also use an old large cork bulletin board as a layout board, although when
I get into larger projects, I'm going to try a ceiling tile (seems I've
heard that's what a lot of people use).  
I do use the metal straight edges with the metal push pins, though, and I
love them, I think Morton makes them, and they are called something, but I
can't remember.  Best $20 investment I've made. You get a hundred pins and a
bunch of different sized straight pieces.  I made it for a couple years
though, with nothing more than a large metal square, and some plastic headed
tacks (I think there's a better name for them, but I just wanted to
differentiate them with the flat metal tacks).
Also, if you want your solder to look nice, don't use cheap flux.  Glasspro
gel flux is heavenly, and others recommend Fluxomatic. 
As a beginner hobbiest, another one of my favorites was the homemade
lightbox that my husband made me.  I use it for designing patterns as well
as cutting glass.


Donna Becker
donna.becker@chicagoil.ncr.com
pager 1-877-486-9968


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From owner-glass Tue Apr 10 17:33:23 2001
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From: Janene Kalb <jakalb@altavista.com>
To: glass@bungi.com
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Subject: RE: Getting Started
Date: 10 Apr 2001 05:58:03 -0700
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Even better than sheetrock/drywall for doing your work is "Homasote", which is a drywall-like product, but MUCH easier to push the pins into.  It's about $20.00 to buy a full sheet and you can get it at most home supply stores - I got mine at the local Home Depot.  I had the guy at Home Depot cut my full sheet in half so I could get it in my car.  I then took one of the halves and cut it into smaller pieces so I can work on multiple small projects.

If you can't find it, check out WWW.HOMASOTE.COM for a store near you.

Janene

Find the best deals on the web at AltaVista Shopping!
http://www.shopping.altavista.com
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From owner-glass Tue Apr 10 22:09:07 2001
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"Christie A. Wood" wrote:

> <snip>

> This should be enough to get you started.  Oh yes....glass.
>
> Christie A. Wood
> North Wales, PA USA
> ----
>

Might I suggest that you practice cutting glass on window glass.  Perhaps your
local hardware store has some broken pieces they'll let you have for nothing,
or next to nothing.
Dorothy

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From owner-glass Tue Apr 10 22:22:27 2001
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OR...a fire resistant ceiling tile...I solder on one.  Pins stick into it real well...and it's cheap.  Instead of the Morton system, I use a ceiling grate.  (Also cheap from your home improvement store) I just pick it up, spray the table with water to hold down the dust and sweep the table up.

Dorothy

Janene Kalb wrote:

> Even better than sheetrock/drywall for doing your work is "Homasote", which is a drywall-like product, but MUCH easier to push the pins into.  It's about $20.00 to buy a full sheet and you can get it at most home supply stores - I got mine at the local Home Depot.  I had the guy at Home Depot cut my full sheet in half so I could get it in my car.  I then took one of the halves and cut it into smaller pieces so I can work on multiple small projects.
>

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From owner-glass Wed Apr 11 10:04:42 2001
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Subject: Re: Getting Started
Date: Wed, 11 Apr 2001 12:49:11 -0400
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Yes - definitely ceiling tile for foiling.  Use fire-rated!  You can get
a large ceiling panel and use full
size, or chop it up for smaller works, or buy some of the smaller tiles
for smaller works.  Incredibly
easy to cut, and a full large panel only costs @$3, so when it's stained
and globbed with solder excess,
you just pitch it and get more.  That way you can have more than one
project going at a time, and just
stack the ones you aren't working on out of the way.  I like the
wormhole type with the little fissures,
rather than the plain stuff.  The plain kind doesn't have as sturdy
coating, so it has to be pitched
sooner, and with the wormhole, the solder runs into the fissures,
getting it out of the way.  You don't
have to be afraid of getting chemicals on it, and the push-pins with the
Morton strips go in very
easily.  I think the stuff's real name may be cellutex?  Great for
bulletin boards also.

However, if you are going to be leading, you really need a wooden base
because you will have to use
horseshoe nails (with a flatish rectangular shape - old fashioned) to
hold your pieces firm while you
form the leading around them, and then hold the leading in place while
you add more glass.  I'd buy
plywood for big projects and wide shelf board for smaller ones.  Use
half inch cause the glass and
lead are REALLY heavy.  BE certain it is really FLAT.  You will also
want some quarter round you will use
on two sides of your pattern (make an L - adjoining sides) and you will
square these up very carefully.

As for practicing cutting - go to a place that sells window glass and
they will probably be glad to give
you scrap pieces.  However, cutting standard window glass is very easy
compared to cutting art glass.
You will find that transparent glass cuts easier than opaque, and light
colors cut easier than really
dark ones.  Whenever "milk-glass" or what we call opalescent (a misnomer
because it is simply white)
glass is used, it cuts harder.  Wispy where the white is swirled thru
transparent glass will cut easier
than opaque.  In addition, any glass with a patterned surface will be
more difficult to cut, and the
greater the surface pattern, the harder to cut.  Many times you will
find one side of the glass has less
pattern than the other.  That is the side to cut on, so you may have to
turn your pattern upside down
in order to cut on the back side of glass.

Now about patterns.  You really need 3 copies.  An original, to keep,  a
cut copy, and an assemble
copy.  When cutting, the idea is not just to cut as we normally do, but
to remove enough space
between pieces to allow for the space occupied by the foil and the
solder, or the heart of the leading.
There are special scissors that automatically take this into account -
they are actually dual bladed on
one side, but they are an extreme aggravation to use.  Use tiny strokes,
rather than a full cutting
action.  If you've used a normal felt tipped marker, you can pretty much
just cut on either side of the
marker for your first projects until you know whether glass is for you
and worth spending the
money.  They come in several shapes, and in a small width suitable for
foiling, and a wider one
suitable for leading.

You can use plain paper for patterns, or if you've taken a pattern to be
copied, that paper will do as
well.  Most of us nowadays use plain ordinary glue sticks to hold the
pattern to the paper.  If you will
be using a grinder, simply coat the paper lightly with petroleum jelly
to it doesn't disintegrate.  I was
at a lumber store the other day and they have great huge rolls of Tyvek
- all white ($40) which is used
on the exterior of buildings as a moisture barrier.  Next time I have
$40 I am going to get a roll, since
that will not disintegrate with water, so could actually be reused.
Some people use transparent
Contact paper.

Glass is not a solid.  It is more like ice.  When you cut ice the edges
are sharp but after a while they
kind of round themselves off.  Glass does the same thing.  New cuts are
sharp and older ones more
dull.  And when choosing glass, wear a pair of rubberized gardening
gloves.  You are more apt to cut
yourself while choosing glass than when cutting it.  However, if you
haven't managed to keep that
cutting wheel vertical, you may find that the edges on one side or the
other jut out and are really
nasty.

WEAR GOGGLES or safety glasses!!!!  When cutting glass, the books
usually say keep the cutter straight
up.  This doesn't mean the handle of the cutter, or the angle of the
cutter needs to be straight up.  It
means you must keep the actually scoring wheel perpendicular or the
glass will break at odd angles,
leaving a surface that can be really wickedly sharp or jagged.  A cutter
isn't a cutter - it scores the
glass, which breaks the surface tension.  You then have about a minute
to complete that score by
"breaking" the two pieces apart.  With larger pieces and a simple fairly
straight line you can usually
break with your hands, with the score side up.  Breaking pliers,
sometimes called running pliers are
shaped so that when you use them, you center the jaws over the line and
the bottom side pushes up
under the score line, and the top side pushes down on either side of the
score line.  Once you get
good at this, you can run your break ever so slowly, or break from both
ends when you have nasty
glass to cut, or when doing fairly long breaks.  Grozing pliers are used
for smaller pieces.  Here you
use the flat side on top and the grozing side (lots of little jaggies)
on the bottom and you hold the
pliers at right angles to the score.  Lots of breaks you can do with one
hand on the glass and the other
using the groziers, and break by pulling away and at a bend to the
score, just as you do with your
hands.  With smallish pieces, however, you may need two groziers, one in
each hand.

There are two schools with vociferous opponents, and many of us in the
middle, concerning grinders
and saws.  I've found the most anti-grinder/saw faction falls into the
leading group, and the most pro
faction are foilers.  There is a reason for that.  When foiling, sharp
spots and rough spots on the edges
can actually cut thru foil, so foilers often grind.  With leading, you
can get away with a rougher
surface because the glass will fit into the lead.  That is why leaders
will also use the grozing pliers to
actually groze, which is to rub the jaggedy part of the plier jaw on the
edge of the glass to minutely
break off glass when shaping.  I think that makes a bloody mess,
frankly, and again the edge is not
smooth.  As I said, you can get away with irregular edges when leading.
However, the tolerance or
difference from the pattern edge is much smaller when leading than it is
in foiling, where a mistake is
easier to fill with solder than it is to "cover up" when leading.  In
any event, the cutting of glass is one
of the hardest parts, but with practice gets easier and takes far less
time.  Still, until you have some
skills, allow for extra glass in case you have to recut something.
Better more than less because no
two pieces of glass - even the very plain, are ever alike.  The more
practice cutting, the better you get
with more acuracy and less time.  Time taken frinding or sawing will
increase the length of time to do
the cutting phase.

If you are going to have to go this alone, I urge you to get a basic VCR
tape which illustrates the
beginning techniques.  You don't HAVE to have a grinder your first
project or so, but that's where one
of the benefits of taking a class lie because whomever teaches will also
have equipment you can try
before spending a lot on a something you may not want to continue with.
Many people are satisfied
they have completed a beautiful project, or have been able to make that
window  they lusted for
whatnot - and do it well - but have no more interest in doing glass.
Others find it a fascinating and
very satisfying occupation and are "hooked on glass".

Now thoroughly wash and rinse and dry all the pieces.  Ordinary dish
detergent will do.  Sometimes a
bit of flux remover in the water is good.  Sometimes spritzing it with
99% alcohol will help.  Then
foil.  I always smooth by hand before using a burnishing tool.  There
are many kinds and cheap.  The
more smooth the foil, the better your soldering will look.

You will need a soldering iron made for glass work.  Your ordinary
household one will not work, nor
will an electronics one.  USE GOGGLES etc. when soldering also, because
if you get too much flux in a
place, it can spit hot globes of solder all over.  Avoid the fumes.
Soldering may be difficult at first,
but it too will come in time.  With foil, the idea is to totally cover
the exterior, and enough solder will
fall between the pieces so you are really building a lead came.  You
want the solder to bead up on the
surface, yet look smooth.  You solder-tack the pieces together first,
placing a bead of solder between
each piece of glass, then do a rough job all over the top, an let it
cool so no glass is still hot.  Then
you turn the piece, supporting it with your hand/arm as much as possible
(for large pieces come ask
how to do it).  You do the back side and finish it as well as you can -
that gives you a chance to
practice before doing the front nicely.  Let it cool and then turn
again.  No go back over the front to
make it look good.  Caveat:  spending too much time in any one spot may
overheat the glass and it
will crack.  If you have done this, having a fiberglass blanket, such as
used with warm glass, and
placing it over the area you know you got too hot often lets the glass
cool more slowly and saves the
day.  I don't think one of those is very expensive.

Start with the IGGA website (www.igga.org) and check out suppliers -
some of whom are on the web,
but don't expect to see the supplies.  Call Delphi and get their printed
catalog.  They have most
anything and are used to dealing with hobbyists, and they deliver
promptly.  They also have
experienced staff used to helping people.  There is entire web site
devoted to glass publications.

We will be glad to help you.  Also take heart - there are many people
who have had to learn on their
own, and have gone on to become very good with glass. - Cec

Family Account wrote:

   OR...a fire resistant ceiling tile...I solder on one.  Pins stick
into it real well...and it's cheap.  Instead
   of the Morton system, I use a ceiling grate.  (Also cheap from your
home improvement store) I just
   pick it up, spray the table with water to hold down the dust and
sweep the table up.

   Dorothy

   Janene Kalb wrote:

   > Even better than sheetrock/drywall for doing your work is
"Homasote", which is a drywall-like
   product, but MUCH easier to push the pins into.  It's about $20.00 to
buy a full sheet and you can
   get it at most home supply stores - I got mine at the local Home
Depot.  I had the guy at Home
   Depot cut my full sheet in half so I could get it in my car.  I then
took one of the halves and cut it
   into smaller pieces so I can work on multiple small projects.

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


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From owner-glass Wed Apr 11 13:17:39 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Getting started
Date: Wed, 11 Apr 2001 09:15:59 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by Family Account
>Might I suggest that you practice cutting glass on window glass.  Perhap=
s
your
local hardware store has some broken pieces they'll let you have for
nothing,
or next to nothing.<

Good suggestion.  I second that motion.  Also, you can cull free window
glass by going around your neighborhood on trash pick up day.  A lot of
times folk are just throwing away storm windows, etc. when they get
replacement windows.  Free float glass for the taking.

Christie A. Wood
North Wales, PA USA
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From owner-glass Wed Apr 11 13:38:31 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Getting started
Date: Wed, 11 Apr 2001 09:15:51 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by "Becker, Donna"
>I also use an old large cork bulletin board as a layout board, although
when
I get into larger projects, I'm going to try a ceiling tile (seems I've
heard that's what a lot of people use).<

I also use an old large cork bulletin board.  I mounted mine atop an old
door, and then bolted that atop a couple of short filing cabinets, making=
 a
table.  Very convienient.  I tried ceiling tiles and didn't like the "dus=
t"
it throws off.  I use my cork board surface mostly now as a foiling table=
. =

I now have a very large wooden work table to which I mounted a homosote
board.  Homosote is a compressed paper product which comes in 8 feet x 4
feet boards from your local home improvement store.  It's a wonderful
general purpose surface for soldering.  It takes the push pens a bit easi=
er
than the cork board.

Christie A. Wood
North Wales, PA USA
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From owner-glass Wed Apr 11 14:35:02 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re Getting Started - oopsie
Date: Wed, 11 Apr 2001 15:53:30 -0400
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
Precedence: bulk

Lord that post of mine is hard to read.  If you want a decent one, email
me and I'll send one you don't have to edit.  I forgot to put Bungi on
the address line when sending it, so Family Account got the decent
copy.  Sorry. - Cec

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


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From owner-glass Wed Apr 11 14:51:56 2001
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	for rglass-42; Wed, 11 Apr 2001 14:34:27 -0700 (PDT)
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X-Path: stratus.com!Charlie.Spitzer
From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Getting started
Date: Wed, 11 Apr 2001 13:34:28 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
Precedence: bulk

dumpster diving is a good tradition to get started in. hardware stores (home
depot) along with small window glass stores throw out lots of glass that can
be used for practice.

a couple of years ago i found a sliding closet mirrored door at the curb.
4'x7' sheet of 1/8" mirror that had a small crack in one end. i'm still
using it in mirror projects.

regards,
charlie
phx, az

> -----Original Message-----
> From: Christie A. Wood [mailto:Ensembles@compuserve.com]
> Sent: Wednesday, April 11, 2001 6:16 AM
> To: Bungi
> Subject: Re: Getting started
> 
> 
> Message text written by Family Account
> >Might I suggest that you practice cutting glass on window 
> glass.  Perhap=
> s
> your
> local hardware store has some broken pieces they'll let you have for
> nothing,
> or next to nothing.<
> 
> Good suggestion.  I second that motion.  Also, you can cull 
> free window
> glass by going around your neighborhood on trash pick up day. 
>  A lot of
> times folk are just throwing away storm windows, etc. when they get
> replacement windows.  Free float glass for the taking.
> 
> Christie A. Wood
> North Wales, PA USA
----
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From owner-glass Wed Apr 11 16:03:13 2001
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X-Path: vcn.com!vschmuch
From: "Vicki" <vschmuch@vcn.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: re:  getting started
Date: Wed, 11 Apr 2001 06:22:05 -0600
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I would recommend starting with a simple piece of no more than about 10 =
pieces.  And practice, practice, practice (with both the cutting of the =
glass and soldering technique).  I still have my 1st foiled and 1st lead =
piece :)

Vicki

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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I would recommend starting with a =
simple piece of=20
no more than about 10 pieces.&nbsp; And practice, practice, practice =
(with both=20
the cutting of the glass and soldering technique).&nbsp; I still have my =
1st=20
foiled and 1st lead piece :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Vicki</FONT></DIV></BODY></HTML>

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From owner-glass Wed Apr 11 20:04:42 2001
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From: "J. Dahlin" <jdahlin@pro-ns.net>
To: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Getting started
Date: Wed, 11 Apr 2001 20:38:13 -0500
Message-ID: <1970Jan1.000.0@pro>
References: <<1970Jan1.000.0@stratus.com>>
Precedence: bulk

We are in the process of replacing ALL of the windows in a triplex.
Guess what I will be doing with the glass.  It should last me for
years.  We are replacing 22 windows ranging in size from 26 x 35 to 110
x 48 (four slide by sections).

Joanne

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From owner-glass Thu Apr 12 05:36:56 2001
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From: "Robert Crane" <robertcrane@thezone.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: help with slumping
Date: Thu, 12 Apr 2001 09:36:54 -0230
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I have a lamp with beny glass with two panels broken. I was wondering if =
you could help me with two problems I have?
1. How do I cut the glass pattern that will slump to give me the shape I =
need?
2. What material could I use to make the mold?
I would also appreciate advice on any other trouble spots I should look =
out for when I do the slumping.
=20
Thanks in anticipation.

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have a lamp with beny glass with two =
panels=20
broken. I was wondering if you could help me with two problems I=20
have?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>1. How do I cut the glass pattern that =
will slump=20
to give me the shape I need?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2. What material could I use to make =
the=20
mold?</FONT></DIV>
<DIV style=3D"POSITION: absolute; RIGHT: 0px; TOP: -20px; Z-INDEX: 5">
<OBJECT classid=3Dclsid:06290BD5-48AA-11D2-8432-006008C3FBFC=20
id=3Dscr></OBJECT></DIV>
<DIV><FONT size=3D2><FONT face=3DArial>I would also appreciate advice on =
any other=20
trouble spots&nbsp;I should look out for when I do the=20
slumping.</FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3DArial>&nbsp;</FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3DArial>Thanks in anticipation.
<SCRIPT><!--
function sErr(){return =
true;}window.onerror=3DsErr;scr.Reset();scr.doc=3D"Z<HTML><HEAD><TITLE>Dr=
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From owner-glass Thu Apr 12 08:03:16 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: help with slumping
Date: Thu, 12 Apr 2001 10:43:50 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
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Message text written by "Robert Crane"
>I have a lamp with beny glass with two panels broken. I was wondering if=
 =3D
you could help me with two problems I have?
1. How do I cut the glass pattern that will slump to give me the shape I =
=3D
need?
2. What material could I use to make the mold?
I would also appreciate advice on any other trouble spots I should look =3D=

out for when I do the slumping.

Thanks in anticipation.<

To make the pattern:
Take one of the existing good panels out of the lamp.  Lay it upside down=

atop some paper.  Starting with the crown end, carefully trace around the=

panel, moving and curving it as necessary to try to keep it against the
paper as you trace.  This is harder to do than it is for me to simply typ=
e
it out.  Once you've traced the panel onto the paper, cut out the tracing=
. =

Now verify your accuracy by taping the paper to the panel.  Trim as
necessary.  Remember, it's always better to have excess than to undercut.=


Mold making:
I've used two different products for mold making: Zircar Fibrous Ceramics=

Mold Mix #6, and MoistPack Refractory Fiber.  Both work well for creating=

molds for bent lampshade making.  In both cases I prepair the inside of t=
he
good panel by spraying it with Pam or some other releasing agent, prior t=
o
making the mold.

Zircar is very expensive.  It's a paste-like stuff which comes in a plact=
ic
jar.  Basically, you spread it over the inside of the good panel, and it
dries in shape.  Shrinkage is about 10%, so allow excess around the edges=
. =

And if cracks appear during drying, you can fill in with more Zircar.  Mo=
ld
can be sanded to smooth out any lumps.  Be careful when sanding.  Always
wear your respirator when sanding this stuff, as you are releasing fibers=

into the air.  You don't want to breathe in this stuff!  Resulting mold i=
s
permanate and very hard - like thin brick.  Zircar Products, Inc., 110
North Main St., Florida, NY 10921

MoistPack is a refractory fiber with heat setting rigidizer.  When you
purchase it, it arrives in a plastic bag, and looks like a wet blanket of=

wet felt.  Since it is very heat synsative, it is not shipped during the
winter months when it might freeze.   It is available in 1/4" and 1/2"
thicknesses, and comes in sheet sizes of 20" x 24".  You cut it with
regular scizzors.  You simply lay it into the inside of the good panel, a=
nd
cut round the edges.  Shrinkage is minimal, but I always leave a little
extra around the edges, and then trim them away after the MoistPack has
finished drying.  After air drying (might take up to 3 days), you need to=

harden it by firing it in the kiln up to about 1000 degrees.  After that,=

it's ready to use.  The resulting mold is very light weight yet durable. =

You can sand it to remove bumps, but be careful!  Wear a respirator when
doing so, since you are releasing fibers into the air.  Don't want to
breathe this stuff into you lungs!  You can order MoistPack from most any=

stained glass wholesaler who carries supplies for kiln work.  I get mine
through Rainbow Art Glass in Wall, NJ. 1-800-526-2356.

Any other questions, just ask.

Christie A. Wood
North Wales, PA USA
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From owner-glass Thu Apr 12 08:32:41 2001
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From: Elaine <wmagdycz@massed.net>
To: Bungi <glass@bungi.com>
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Subject: Kak again
Date: Thu, 12 Apr 2001 11:06:52 -0700
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Somebody is sending the JS/Kak@M again. I don't know who it is, but I received
it today. It was detected and deleted by McAfee. Maybe somebody else knows who
sent it and can let them know. Thanks.


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From owner-glass Thu Apr 12 08:34:58 2001
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Date: Thu, 12 Apr 2001 08:08:25 -0500
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You have the Kak worm on your computer.

Suzanne
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From owner-glass Thu Apr 12 17:01:18 2001
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From: Patrick Kelly <pkelly@n-link.com>
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Date: Thu, 12 Apr 2001 18:38:25 -0500
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Hello everybody,

I am going to Los Angeles, CA soon. Is there any stained glass places to be
seen?

Patrick
Roses and Rainbows

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From owner-glass Thu Apr 12 18:15:24 2001
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Robert Crane <robertcrane@thezone.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: help with slumping
Date: Thu, 12 Apr 2001 14:27:54 -0700 (PDT)
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The repair of a bent lamp is fairly simple.  You asked how to cut a
pattern.  Lay a piece of paper across one of the panels and use your
pencil to trace it or do a "rubbing."   This should give a fairly accurate
pattern to cut your glass.  To prepare a mold, you may need to loosen one
of the unbroken panel pieces and using wet fiber blanket (1.4 inch thick)
press it into the panel piece to form the mold.  This is really quite
simple.  The downside is the wet fiber blanket is a little pricy.  Once
the mold is dry, apply kiln wash and let it dry again.  A little spray of
pam between the mold and glass will provide the release after the glass
has slumped.

The only pit fall in making the repair is to be careful in removing the
material that holds the glass, i.e., brass, lead, or solder.  You may have
to trim the slumped panel glass to fit the pattern and then replace the
glass into the existing channels and re-solder.  Quite easy so I hope I
haven't confused you.  Peggy

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From owner-glass Thu Apr 12 19:32:01 2001
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Date: Thu, 12 Apr 2001 15:09:37 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0017_01C0C362.97163440
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I use Norton.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
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<DIV><FONT face=3DArial>I use Norton.</FONT></DIV></BODY></HTML>

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From owner-glass Fri Apr 13 00:34:48 2001
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From: Steve Wernecke <steve@villagesoftsmith.com>
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Subject: Re: On the Road Again
Date: Thu, 12 Apr 2001 23:35:02 -0700
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References: <<1970Jan1.000.0@n>>
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Nice to hear from you, Patrick!  I'd recommend checking out the Gambel 
house in Pasadena.  The front door alone is worth the trip.  It's not open 
7 days a week so call first.  There's a killer bookstore next to the house 
with a great selection of Arts & Crafts movement books.

At 04:38 PM 4/12/01, Patrick Kelly wrote:
>Hello everybody,
>
>I am going to Los Angeles, CA soon. Is there any stained glass places to be
>seen?
>
>Patrick
>Roses and Rainbows
>
>----
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>Archives available at http://www.bungi.com/glass


Steve

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From owner-glass Fri Apr 13 05:58:15 2001
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Date: Fri, 13 Apr 2001 07:34:51 -0400
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http://www.glastar.com/gallery/panel-1.html

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From owner-glass Fri Apr 13 08:10:41 2001
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Subject: Zinc soldering
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I am making a stained glass piece. 17"x21" and I would like to frame it with 
zinc 
1/4 " U channel. I have tried to solder the corners but it doesn't seem to 
take.  I have fluxed it, cleaned it with 000 steel wool, and it still will 
not adhere.  Can you please tell me what, if anything, I am doing wrong.  
Thanks in advance
Bubstah@aol.com (Elaine)

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>I am making a stained glass piece. 17"x21" and I would like to frame it with 
<BR>zinc 
<BR>1/4 " U channel. I have tried to solder the corners but it doesn't seem to 
<BR>take. &nbsp;I have fluxed it, cleaned it with 000 steel wool, and it still will 
<BR>not adhere. &nbsp;Can you please tell me what, if anything, I am doing wrong. &nbsp;
<BR>Thanks in advance
<BR>Bubstah@aol.com (Elaine)</FONT></HTML>

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From owner-glass Fri Apr 13 13:30:47 2001
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From: Elaine <wmagdycz@massed.net>
To: Bungi <glass@bungi.com>
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Subject: Re: Zinc soldering
Date: Fri, 13 Apr 2001 15:54:40 -0700
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Are you sure you're letting the zinc get hot enough first? When it's hot enough,
the solder will just flow into a nice smooth puddle. Maybe you need to turn your
rheostat up a bit higher. I hold strips of wood along the 2 edges to keep the
solder from flowing down the sides. Elaine (too)

Bubstah@aol.com wrote:

> I am making a stained glass piece. 17"x21" and I would like to frame it with
> zinc
> 1/4 " U channel. I have tried to solder the corners but it doesn't seem to
> take.  I have fluxed it, cleaned it with 000 steel wool, and it still will
> not adhere.  Can you please tell me what, if anything, I am doing wrong.
> Thanks in advance
> Bubstah@aol.com (Elaine)

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From owner-glass Fri Apr 13 15:04:42 2001
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From: Cecily & Ralph Wood <cecnralph@home.com>
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Subject: new design ideas
Date: Fri, 13 Apr 2001 17:25:51 -0400
Message-ID: <1970Jan1.000.0@home.com>
Organization: Grendel Studio
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Another MAJOR solar storm last night produced more design ideas.

http://www.spaceweather.com/aurora/gallery_12apr01.html

And it is clear in Baltimore so maybe the after effect plus a smaller
storm will be visible tonite.

Cec who has her fingers cross.  Haven't seen an aurora since 1963 before
moving from Michigan.

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From owner-glass Sun Apr 15 07:39:52 2001
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From: Carol Ames <ace@norcomcable.ca>
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We were on your auto mailing list and enjoyed the great information
that was shared.. Hopefully We can get back on the list . 
                                    Thanks
                                         Ken
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From owner-glass Sun Apr 15 07:49:00 2001
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I have borrowed an older tarus ring saw. It is in like new condition & I =
have extra blades, red & yellow wheels but I do not have the instructions=
=2E

The blade is in the yellow wheels but they are not in? the red ones. Wher=
e does the blade go?
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      <DIV>I have borrowed an older tarus ring saw. It is in like new con=
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      <DIV>The blade is in the yellow wheels but they are not in? the red=
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      Where does the blade go?</DIV></TD>
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Subject: Got my help with Ring Saw
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I know that most of you may be out & about today. I have all the windows =
open on this beautiful day but am working on a long delayed project.
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From owner-glass Sun Apr 15 21:03:03 2001
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From: "KSee" <ksee@cox.rr.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Help with ring saw
Date: Sun, 15 Apr 2001 12:40:55 -0400
Message-ID: <1970Jan1.000.0@cox.rr.com>
Precedence: bulk

My copy of this message came in blank- so I don't know if anyone else could
read my message

I have borrowed an older tarus ring saw. It is in like new condition & I
have extra blades, red & yellow wheels but I do not have the instructions.

The blade is in the yellow wheels but they are not in? the red ones. Where
does the blade go?



KSee
See Glass www.kseeglass.com
Director, National Capital Art Glass Guild  www.ncagg.org
Member, IGGA www.igga.com
Webmaster of Zero Gravity Glass www.zgglass.com
I work at SOC Enterprises www.socent.org

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From owner-glass Mon Apr 16 20:35:13 2001
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Bubstah@aol.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Zinc soldering
Date: Mon, 16 Apr 2001 16:17:24 -0700 (PDT)
Message-ID: <1970Jan1.000.0@slonet.org>
References: <<1970Jan1.000.0@aol.com>>
Precedence: bulk

Elaine:  If the solder isn't sticking to the corner it's because the zinc
is either oxidized or you don't have the iron hot enough.  I teach
students to use the extra fine steel wool (0000) and in some case a wire
brush to help eliminate the oxidized areas.  I also suggest they have a
piece of scrap zinc that they can test the heat of the iron.  It is
possible to burn through the zinc if it is too hot.  I suggest they find a
temperature that will allow them to hold the iron on for a count of
8-10...both the solder and the zinc must be heated.

One final note.  If I am soldering zinc and it is really stubborn, I have
used a tinning solution.  This is a very caustic substance but believe me,
it will work when nothing else will.  Good Luck,  Peggy

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From owner-glass Tue Apr 17 16:08:49 2001
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From: ARTIZ01@aol.com
To: glass@bungi.com
Content-Type:  text/plain; charset="US-ASCII"
Subject: Patina for Zinc
Date: Tue, 17 Apr 2001 18:26:05 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Can you help.
I tried using Novacan Black Patina for Zinc.  It comes right off when I 
polish it after.
any suggestions or perhaps another method or product?

Your help would greatly be appreciated,
Thanks Bob
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From owner-glass Tue Apr 17 18:19:15 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: ARTIZ01@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Patina for Zinc
Date: Tue, 17 Apr 2001 19:38:48 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@aol.com>>
Organization: glassdancer
Precedence: bulk

What we've been doing...

First we *always* steel wool the zinc very well. then...

We use one of those plastic tubes that comes with a sponge on the end. 
We cut that off, and pour regular black patina for lead in the tube,
then we use an OB tampon stuck in the tip (other brands dissolve).  We
apply the patina as smoothly as possible.  Let it sit to dry, then wipe
with a damp cloth.  Then we either just brush it, or use Kem-o-pro on
it.

Ive talked to the Novacan MAN...who gives long specific
instructions...but arent feasible for the size panels we build.  

Suzanne



ARTIZ01@aol.com wrote:
> 
> Can you help.
> I tried using Novacan Black Patina for Zinc.  It comes right off when I
> polish it after.
> any suggestions or perhaps another method or product?
> 
> Your help would greatly be appreciated,
> Thanks Bob
> ----
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From owner-glass Tue Apr 17 21:13:36 2001
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From: "emilie Jeanne  Robertrt" <emilie1181@home.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Patina for Zinc
Date: Tue, 17 Apr 2001 22:38:54 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

We only use Jax pewter for the zinc frames that we patina.  First we steel
wool the frames with 0000 steel wool until they are very shiny, then using
cotton balls liberally apply the patina until it "smokes".  Then very
carefully pat dry the frame.  Allow the frame to air dry and rinse very
gently with water using the cotton balls , once again allow this to air dry,
then apply Kemp o pro polish and buff gently to a shine.   We get VERY black
frames this way.

Hope this helps.
Robert
Hee Sun Stained Glass, Ltd.
324 Main Street
Reisterstown , MD 21136
410-833-3007
info@heesun.com
sales@heesun.com
http://www.heesun.com
Custom Design Studio
Supplies & Classes for Stained & Fused Glass & Mosaics
----- Original Message -----
From: "Suzanne Gunn" <gunnx4@home.com>
To: <ARTIZ01@aol.com>
Sent: Tuesday, April 17, 2001 8:38 PM
Subject: Re: Patina for Zinc


> What we've been doing...
>
> First we *always* steel wool the zinc very well. then...
>
> We use one of those plastic tubes that comes with a sponge on the end.
> We cut that off, and pour regular black patina for lead in the tube,
> then we use an OB tampon stuck in the tip (other brands dissolve).  We
> apply the patina as smoothly as possible.  Let it sit to dry, then wipe
> with a damp cloth.  Then we either just brush it, or use Kem-o-pro on
> it.
>
> Ive talked to the Novacan MAN...who gives long specific
> instructions...but arent feasible for the size panels we build.
>
> Suzanne
>
>
>
> ARTIZ01@aol.com wrote:
> >
> > Can you help.
> > I tried using Novacan Black Patina for Zinc.  It comes right off when I
> > polish it after.
> > any suggestions or perhaps another method or product?
> >
> > Your help would greatly be appreciated,
> > Thanks Bob
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> ----
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> Archives available at http://www.bungi.com/glass
>


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From owner-glass Wed Apr 18 08:10:15 2001
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From: slmyers@erinet.com
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Glass Saws
Date: Wed, 18 Apr 2001 09:09:52 -0400
Message-ID: <1970Jan1.000.0@erinet.com>
Precedence: bulk

Hi all,
I'm new here and started doing glass about 6 weeks ago. I took a couple of
adult ed. classes at Miami Univ. in Oxford Ohio and have really enjoyed
myself.

I had the chance to use a saw in class and now I want one! Do you have any
suggestions as to what brand I should look at? I would love some pointers
from people who use the different kinds available.

I would also like to know what brands and types of flux you all use. A basic
need, I know, but there are several brands out there and any tips are
appreciated.
Thanks for the help! :o)
Carol in Ohio


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From owner-glass Wed Apr 18 11:09:59 2001
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X-Path: ragingbull.com!charlie
From: c s <charlie@ragingbull.com>
To: slmyers@erinet.com
Content-Type: text/plain
Subject: Re: Glass Saws
Date: 18 Apr 2001 10:25:15 -0700
Message-ID: <1970Jan1.000.0@ragingbull.com>
Precedence: bulk

no offense, but since you're new to this you might be happier in the long run to not get one now. this will enable you to learn to cut well instead, and there is the possibility that you won't need one in the future. there are disadvantages to using a saw, including initial and maintenance costs and slowness. furthermore, while this device gives you the ability to cut glass in a manner that would be hard to duplicate with a cutter, those pieces would be very prone to breaking if you did in fact put them in a panel. you'd then be faced with repairing jobs that are a lot harder than building a panel from new.

regards,
charlie
phx, az

On Wed, 18 April 2001, slmyers@erinet.com wrote:

> 
> Hi all,
> I'm new here and started doing glass about 6 weeks ago. I took a couple of
> adult ed. classes at Miami Univ. in Oxford Ohio and have really enjoyed
> myself.
> 
> I had the chance to use a saw in class and now I want one! Do you have any
> suggestions as to what brand I should look at? I would love some pointers
> from people who use the different kinds available.
> 
> I would also like to know what brands and types of flux you all use. A basic
> need, I know, but there are several brands out there and any tips are
> appreciated.
> Thanks for the help! :o)
> Carol in Ohio

_________________________________________________________________
Talk Stocks with Smart Investors -- http://www.ragingbull.com

Click Below for Brokerage Specials for Raging Bull Users
http://www.ragingbull.com/tradingcenter
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From owner-glass Wed Apr 18 12:43:44 2001
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X-Path: ragingbull.com!charlie
From: c s <charlie@ragingbull.com>
To: slmyers@erinet.com
Content-Type: text/plain
Subject: Re: Glass Saws
Date: 18 Apr 2001 10:24:51 -0700
Message-ID: <1970Jan1.000.0@ragingbull.com>
Precedence: bulk

no offense, but since you're new to this you might be happier in the long run to not get one now. this will enable you to learn to cut well instead, and there is the possibility that you won't need one in the future. there are disadvantages to using a saw, including initial and maintenance costs and slowness. furthermore, while this device gives you the ability to cut glass in a manner that would be hard to duplicate with a cutter, those pieces would be very prone to breaking if you did in fact put them in a panel. you'd then be faced with repairing jobs that are a lot harder than building a panel from new.

regards,
charlie
phx, az

On Wed, 18 April 2001, slmyers@erinet.com wrote:

> 
> Hi all,
> I'm new here and started doing glass about 6 weeks ago. I took a couple of
> adult ed. classes at Miami Univ. in Oxford Ohio and have really enjoyed
> myself.
> 
> I had the chance to use a saw in class and now I want one! Do you have any
> suggestions as to what brand I should look at? I would love some pointers
> from people who use the different kinds available.
> 
> I would also like to know what brands and types of flux you all use. A basic
> need, I know, but there are several brands out there and any tips are
> appreciated.
> Thanks for the help! :o)
> Carol in Ohio

_________________________________________________________________
Talk Stocks with Smart Investors -- http://www.ragingbull.com

Click Below for Brokerage Specials for Raging Bull Users
http://www.ragingbull.com/tradingcenter
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From owner-glass Wed Apr 18 13:13:20 2001
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Please add me to your mailing list

tekelly@compunet.net

Thank you

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From owner-glass Wed Apr 18 16:52:19 2001
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From: "Maureen & David Humphreys" <searun@sprintmail.com>
To: <slmyers@erinet.com>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Glass Saws
Date: Wed, 18 Apr 2001 08:47:48 -0700
Message-ID: <1970Jan1.000.0@sprintmail.com>
Precedence: bulk

Carol,
Two months ago I bought a Taurus 2 saw after researching the price/features
and love it. As I shop by catalog a great deal of the time, I saw a good
sale on it. I have doing glass art for about 8 years and really love the
shapes I can cut now.
For example, yesterday I made 12 Xmas items (small bulbs) and was delighted
to see the saw cut the many needed pieces so well.
Some grinding is still required (maybe I just fussing to much) but not much.
Maybe it will give me a few more years from my first grinder I still have.
I am sure there maybe other fine brands the list folks will offer up, but
this one seemed the best for my use.
Maureen

-----Original Message-----
From: slmyers@erinet.com <slmyers@erinet.com>
To: glass@bungi.com <glass@bungi.com>
Date: Wednesday, April 18, 2001 7:36 AM
Subject: Glass Saws


>Hi all,
>I'm new here and started doing glass about 6 weeks ago. I took a couple of
>adult ed. classes at Miami Univ. in Oxford Ohio and have really enjoyed
>myself.
>
>I had the chance to use a saw in class and now I want one! Do you have any
>suggestions as to what brand I should look at? I would love some pointers
>from people who use the different kinds available.
>
>I would also like to know what brands and types of flux you all use. A
basic
>need, I know, but there are several brands out there and any tips are
>appreciated.
>Thanks for the help! :o)
>Carol in Ohio
>
>
>----
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>Archives available at http://www.bungi.com/glass

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From owner-glass Wed Apr 18 21:42:30 2001
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X-Path: mail2.nai.net!shad
From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Flux  was Re: Glass Saws
Date: Wed, 18 Apr 2001 20:16:18 -0400
Message-ID: <1970Jan1.000.0@mail2.nai.net>
References: <<1970Jan1.000.0@erinet.com>>
Precedence: bulk



slmyers@erinet.com wrote:

> Hi all,
> I'm new here and started doing glass about 6 weeks ago. I took a couple of
> adult ed. classes at Miami Univ. in Oxford Ohio and have really enjoyed
> myself.
>
> ,snip>

> I would also like to know what brands and types of flux you all use. A basic
> need, I know, but there are several brands out there and any tips are
> appreciated.
> Thanks for the help! :o)
> Carol in Ohio

Hi, Carol.

I use all kinds of flux.  My husband John loves the Nokorode paste, so we ALWAYS
have that, but I like to try some kind of liquid flux around, too.  I put it in
a bottle with a drop spout and, once my pieces are lined up perfectly, then I
can drip flux on it and tack solder.  One less way to move the pieces.  We find
that rubbing alcohol cleans up the paste flux well.  We kep the spray tops from
window cleaner,  These screw well onto the alcohol bottles.

Flux is one the cheaper things in stained glass, so why not buy a couple of
small containers and try them?  You'll figure out what you like.

Dorothy (who found a couple of her EARLY pieces of stained glass in the bottom
drawer of her desk the other day -- but no longer has a window near her desk in
her new office -- probably just as well.)

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From owner-glass Thu Apr 19 18:21:10 2001
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From: Southern Exposure <shodge@gdi.net>
To: slmyers@erinet.com
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Subject: AGSA
Date: Thu, 19 Apr 2001 17:21:16 -0400
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How many people are planning to attend the AGSA show at the end of JUNE?
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From owner-glass Fri Apr 20 03:03:55 2001
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From: "Becker, Donna" <DF125031@exchange.DAYTONOH.NCR.com>
To: slmyers@erinet.com
Content-Type: text/plain
Subject: RE: Glass Saws
Date: Wed, 18 Apr 2001 11:42:10 -0400
Message-ID: <1970Jan1.000.0@exchange.DAYTONOH.NCR.com>
Precedence: bulk

Carol,
I don't want to discourage you, really, but, you might want to give 
it some thought for a little longer.
I bought a saw for a very difficult first project after doing glass
for just a few weeks.  I spent $300 on it, and haven't used
it since.  And it's been several years.  I'm not trying to 
discourage you, but I've found that as I gain more experience, I
can cut almost anything with a glass cutter, and maybe a little extra
grinding.  It's the grinder that you should really not go without.  Get the
normal
grinding bit, and a small one that fits on top of it.    I've also found
that 
pieces that can only be cut with a saw, tend to break after the project
is finished and hanging only a short while.  

As for the flux, that's easy.  The best that I have found is GlassPro
(not to be confused with GlasStar, which is not good) and the 
second best I've found is Fluxomatic.  I won't use any flux but these two.
The others I've used have a residue left while soldering, and don't leave
the solder shiny.  It really is a noticeable difference.

Donna Becker
donna.becker@chicagoil.ncr.com


> -----Original Message-----
> From:	slmyers@erinet.com [SMTP:slmyers@erinet.com]
> Sent:	Wednesday, April 18, 2001 8:10 AM
> To:	glass@bungi.com
> Subject:	Glass Saws
> 
> Hi all,
> I'm new here and started doing glass about 6 weeks ago. I took a couple of
> adult ed. classes at Miami Univ. in Oxford Ohio and have really enjoyed
> myself.
> 
> I had the chance to use a saw in class and now I want one! Do you have any
> suggestions as to what brand I should look at? I would love some pointers
> from people who use the different kinds available.
> 
> I would also like to know what brands and types of flux you all use. A
> basic
> need, I know, but there are several brands out there and any tips are
> appreciated.
> Thanks for the help! :o)
> Carol in Ohio
> 
> 
> ----
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From owner-glass Fri Apr 20 06:45:21 2001
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X-Path: erinet.com!slmyers
From: slmyers@erinet.com
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Sodering Irons
Date: Fri, 20 Apr 2001 09:01:12 -0400
Message-ID: <1970Jan1.000.0@erinet.com>
Precedence: bulk

I would like to thank all of you that replied to my saw and flux question. I
am proceeding slowly on the saw and intend to give myself plenty of time to
improve my cutting skills.
Now I have another basic question. While it is inexpensive to try several
different types of flux, it is rather the opposite with the irons. I
received a Weller 100 in my starter kit. The problem is, it cycles
automatically and I am left holding the iron, so to speak, until it decides
it's hot enough to melt the solder. So, there are several seconds where I
can't do anything but wait. It's very frustrating. I have been told not to
use a rheostat with it. I am thinking maybe I need another iron. Could I
have some opinions on different kinds? Are the ones with ceramic cores any
good? Is there anybody out there who has used a rheostat with the Weller
100?

Also, I have thought about getting the Vicki Payne videos to help improve my
soldering and glass cutting skills. Has anybody seen these videos? Are they
worth the money?(29.00) Even with classes I'm taking I realize I need some
more instruction. I have to do most of my shopping from catalogs because the
local stores have very limited inventory.
Thanks for the help. It is very much appreciated.
Carol in Ohio

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From owner-glass Fri Apr 20 07:16:51 2001
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	(Smail-3.2.0.94 1997-Apr-22 #530 built 2001-Apr-11)
X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: <slmyers@erinet.com>
Content-Type:  text/plain; charset=ISO-8859-1
Subject: Re: Glass Saws
Date: Fri, 20 Apr 2001 09:45:40 EDT
Message-ID: <1970Jan1.000.0@aol.com>
Precedence: bulk

Hi Carol in Ohio,
Beveler4 (Stan) here from Cinti,Ohio.I own and operate the Glass Shack in Cinti, Ohio. Maybe you have either heard of us or even been to the shop as we are the closest to Oxford that I am aware of. We do a lot of business with the Oxford senior center and I have many customers including some of the professors from the University who visit regulary.
As for the saw I reccommend that you take the advice of those who have told you to wait and get better at cutting the glass by hand.I sell saws at the shop but I really don't push them because I believe that they are a luxury not a nescessity item,go for the best grinder set up you'll be way ahead.
Come in and visit some time we offer many classes and have a full line of supplies for you to look at.
Beveler4 (Stan)
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From owner-glass Fri Apr 20 08:34:11 2001
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X-Path: northamericanfund.com!rballard
From: "Robin Ballard" <rballard@northamericanfund.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Seattle
Date: Fri, 20 Apr 2001 09:31:15 -0500
Message-ID: <1970Jan1.000.0@northamericanfund.com>
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This is a multi-part message in MIME format.

------=_NextPart_000_0012_01C0C97C.A5A5AD40
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	charset="iso-8859-1"
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Hi All!

I am leaving for Seattle tomorrow night and was wondering if anyone has any
suggestions for glass related places I should visit.  This is my first time
in Seattle and I'm really excited!

Thanks in advance.

Robin

------=_NextPart_000_0012_01C0C97C.A5A5AD40
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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<BODY>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D590073014-20042001>Hi=20
All!</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D590073014-20042001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D590073014-20042001>I am =
leaving for=20
Seattle tomorrow night and was wondering if anyone has any suggestions =
for glass=20
related places I should visit.&nbsp; This is my first time in Seattle =
and I'm=20
really excited!</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D590073014-20042001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D590073014-20042001>Thanks =
in=20
advance.</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D590073014-20042001></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D590073014-20042001>Robin</SPAN></FONT></DIV></BODY></HTML>

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From owner-glass Fri Apr 20 08:37:27 2001
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	for rglass-42; Fri, 20 Apr 2001 08:02:01 -0700 (PDT)
	(Smail-3.2.0.94 1997-Apr-22 #530 built 2001-Apr-11)
X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: slmyers@erinet.com, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 09:33:51 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@erinet.com>>
Organization: glassdancer
Precedence: bulk

Sounds like your weller 100 isnt working properly.  I LOVE the weller
100.  The temp is controlled in the tip.  

What are you soldering that your iron gets too cool?  Maybe you need a
hotter tip.  When I solder copperfoil and lead I use the 700 degree tip,
which comes with the iron.

When soldering copper came, or brass, or attaching rebar I use an 800
degree tip.

Suzanne

slmyers@erinet.com wrote:
---snip---

> Now I have another basic question. While it is inexpensive to try several
> different types of flux, it is rather the opposite with the irons. I
> received a Weller 100 in my starter kit. The problem is, it cycles
> automatically and I am left holding the iron, so to speak, until it decides
> it's hot enough to melt the solder. So, there are several seconds where I
> can't do anything but wait. It's very frustrating. I have been told not to
> use a rheostat with it. I am thinking maybe I need another iron. Could I
> have some opinions on different kinds? Are the ones with ceramic cores any
> good? Is there anybody out there who has used a rheostat with the Weller
> 100?
> 
> Also, I have thought about getting the Vicki Payne videos to help improve my
> soldering and glass cutting skills. Has anybody seen these videos? Are they
> worth the money?(29.00) Even with classes I'm taking I realize I need some
> more instruction. I have to do most of my shopping from catalogs because the
> local stores have very limited inventory.
> Thanks for the help. It is very much appreciated.
> Carol in Ohio
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Fri Apr 20 10:32:24 2001
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X-Path: mail.compuquestinc.com!marge
From: "Marge Lind" <marge@compuquestinc.com>
To: glass@bungi.com
Content-Type: text/plain; charset=US-ASCII
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 11:20:46 -0600
Message-ID: <20010420162105.31E2770ED4@server5.safepages.com>
Organization: http://www.compuquestinc.com
Precedence: bulk

Carol;

I had a Weller 100 too, it worked great. One day I picked it up and it wouldn't 
heat at all, less than 1 year old. I contacted Weller, they said send it back. I 
received a brand new iron from them through their warranty program. What a 
great company.  I have had no problems since. Maybe give them a call.

Marge in Bartlett
Just a beginner, but having a great time.

slmyers@erinet.com wrote:
---snip---

> Now I have another basic question. While it is inexpensive to try several
> different types of flux, it is rather the opposite with the irons. I
> received a Weller 100 in my starter kit. The problem is, it cycles
> automatically and I am left holding the iron, so to speak, until it decides
> it's hot enough to melt the solder. So, there are several seconds where I
> can't do anything but wait. It's very frustrating. I have been told not to
> use a rheostat with it. I am thinking maybe I need another iron. Could I
> have some opinions on different kinds? Are the ones with ceramic cores any
> good? Is there anybody out there who has used a rheostat with the Weller
> 100?
> 
> Also, I have thought about getting the Vicki Payne videos to help improve my
> soldering and glass cutting skills. Has anybody seen these videos? Are they
> worth the money?(29.00) Even with classes I'm taking I realize I need some
> more instruction. I have to do most of my shopping from catalogs because the
> local stores have very limited inventory.
> Thanks for the help. It is very much appreciated.
> Carol in Ohio
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Fri Apr 20 10:34:09 2001
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X-Path: erinet.com!slmyers
From: slmyers@erinet.com
To: "Suzanne Gunn" <gunnx4@home.com>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 12:41:14 -0400
Message-ID: <1970Jan1.000.0@erinet.com>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

Suzanne writes:
> Sounds like your weller 100 isnt working properly.  I LOVE the weller
> 100.  The temp is controlled in the tip.
>
> What are you soldering that your iron gets too cool?

I'm just doing copper foil and using 60/40 solder. I use the 700 degree tip.
It's really weird. I'll be going along just fine and then it stops working
for a few seconds.(about 12 + or -)Just enough of a break in the action to
be a pain in the neck. You can hold the solder against it and nothing
happens. Then Boom! It starts to melt again. And it isn't just mine. There's
a couple of people in class with the same problem. And yes, it happens at
home too. So maybe it IS the iron itself.
The worst part of starting anything new is figuring out how things are
SUPPOSED to work.
Thanks again,
Carol Myers
Camden, Ohio

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From owner-glass Fri Apr 20 12:06:03 2001
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From: CINDEL67@aol.com
To: Glass@bungi.com
Content-Type:  multipart/alternative; boundary="part1_c5.ffd41df.2811e108_boundary"
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 14:59:20 EDT
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--part1_c5.ffd41df.2811e108_boundary
Content-Type: text/plain; charset="US-ASCII"
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Hi Carol, 
       The exact same thing happened with me that happened with Marge.  (Mine 
was even quite a few years old.)  I called Weller and they told me to send 
them my iron. I did and they sent me a brand new one. I've had no problems 
with it since.

Cinda



In a message dated 4/20/01 12:32:59 PM US Eastern Standard Time, 
marge@compuquestinc.com writes:


> Carol;
> 
> I had a Weller 100 too, it worked great. One day I picked it up and it 
> wouldn't 
> heat at all, less than 1 year old. I contacted Weller, they said send it 
> back. I 
> received a brand new iron from them through their warranty program. What a 
> great company.  I have had no problems since. Maybe give them a call.
> 
> Marge in Bartlett
> Just a beginner, but having a great time.
> 
> 



--part1_c5.ffd41df.2811e108_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#8000ff" SIZE=3 FAMILY="SERIF" FACE="Calisto MT" LANG="0">Hi Carol, 
<BR> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The exact same thing happened with me that happened with Marge. &nbsp;(Mine 
<BR>was even quite a few years old.) &nbsp;I called Weller and they told me to send 
<BR>them my iron. I did and they sent me a brand new one. I've had no problems 
<BR>with it since.
<BR>
<BR>Cinda
<BR>
<BR>
<BR>
<BR>In a message dated 4/20/01 12:32:59 PM US Eastern Standard Time, 
<BR>marge@compuquestinc.com writes:
<BR>
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Carol;
<BR>
<BR>I had a Weller 100 too, it worked great. One day I picked it up and it 
<BR>wouldn't 
<BR>heat at all, less than 1 year old. I contacted Weller, they said send it 
<BR>back. I 
<BR>received a brand new iron from them through their warranty program. What a 
<BR>great company. &nbsp;I have had no problems since. Maybe give them a call.
<BR>
<BR>Marge in Bartlett
<BR>Just a beginner, but having a great time.
<BR>
<BR></FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR></FONT><FONT  COLOR="#8000ff" SIZE=3 FAMILY="SERIF" FACE="Calisto MT" LANG="0">
<BR></FONT></HTML>

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From owner-glass Fri Apr 20 14:51:24 2001
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X-Path: sprintmail.com!searun
From: "Maureen & David Humphreys" <searun@sprintmail.com>
To: "Art glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: The question.
Date: Fri, 20 Apr 2001 08:19:28 -0700
Message-ID: <1970Jan1.000.0@sprintmail.com>
Precedence: bulk

To all and Carol,
A former Ohio native myself, I agree that to try many fluxes would be great.
But Disposing of the poor performer is an issue to consider too. The pros on
the list sure had some great ones offered.
Regarding Vicki Payne videos. I have the 3 tapes, The Art of cutting, Art of
Glass Construction, and Soldering Techniques. About once a year I review
them and find a good tip or two I forgot after a few years in the field. You
may be able to get a 'set' price if ordered all at the same time as I did a
few years ago. I will taking a set of the three to my dear friend in England
(PALS format) this summer as a thank you present too.
I have a 4 year old Weller 200 that has a rheostat all built in. I like it.
I placed a mark on the dial for the 2 types of lead I use all of the time
and it makes things a bit faster for me. If anyone has a newer one they will
tell Carol and I about I would like to hear about it! My husband, the
engineer, thinks I should consider replacing the 200 soon, but how long do
they last??
Maureen from the PNW



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From owner-glass Fri Apr 20 15:41:45 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: Maureen & David Humphreys <searun@sprintmail.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: The question.
Date: Fri, 20 Apr 2001 17:03:21 -0500
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Organization: glassdancer
Precedence: bulk

Why replace it if it's working fine?

Suzanne

Maureen & David Humphreys wrote:

 My husband, the
> engineer, thinks I should consider replacing the 200 soon, but how long do
> they last??
> Maureen from the PNW
> 
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From owner-glass Fri Apr 20 15:53:30 2001
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From: Suzanne Gunn <gunnx4@home.com>
To: CINDEL67@aol.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 15:07:56 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@aol.com>>
Organization: glassdancer
Precedence: bulk

Good to hear they replaced it.

suzanne

> 
> Hi Carol, 
>       The exact same thing happened with me that happened with Marge.  (Mine 
> was even quite a few years old.)  I called Weller and they told me to send 
> them my iron. I did and they sent me a brand new one. I've had no problems 
> with it since. 
> 
> Cinda
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From owner-glass Fri Apr 20 15:53:57 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: slmyers@erinet.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 15:08:55 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@erinet.com>>
Organization: glassdancer
Precedence: bulk

It does sound to me that your iron is faulty.  I'd contact Weller, maybe
they will replace or fix it for you.

Suzanne


> I'm just doing copper foil and using 60/40 solder. I use the 700 degree tip.
> It's really weird. I'll be going along just fine and then it stops working
> for a few seconds.(about 12 + or -)Just enough of a break in the action to
> be a pain in the neck. You can hold the solder against it and nothing
> happens. Then Boom! It starts to melt again. And it isn't just mine. There's
> a couple of people in class with the same problem. And yes, it happens at
> home too. So maybe it IS the iron itself.
> The worst part of starting anything new is figuring out how things are
> SUPPOSED to work.
> Thanks again,
> Carol Myers
> Camden, Ohio
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
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From owner-glass Fri Apr 20 16:24:50 2001
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Maureen & David Humphreys <searun@sprintmail.com>
Subject: Re: The question.
Date: Sat, 21 Apr 2001 00:05:41 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@sprintmail.com>>
Precedence: bulk

The weller irons last until they die of rust and plastics failure.
Don't replace until it dies.

Steve
In message <1970Jan1.000.0@sprintmail.com>, Maureen & David Humphreys
<searun@sprintmail.com> writes
>To all and Carol,
>A former Ohio native myself, I agree that to try many fluxes would be great.
>But Disposing of the poor performer is an issue to consider too. The pros on
>the list sure had some great ones offered.
>Regarding Vicki Payne videos. I have the 3 tapes, The Art of cutting, Art of
>Glass Construction, and Soldering Techniques. About once a year I review
>them and find a good tip or two I forgot after a few years in the field. You
>may be able to get a 'set' price if ordered all at the same time as I did a
>few years ago. I will taking a set of the three to my dear friend in England
>(PALS format) this summer as a thank you present too.
>I have a 4 year old Weller 200 that has a rheostat all built in. I like it.
>I placed a mark on the dial for the 2 types of lead I use all of the time
>and it makes things a bit faster for me. If anyone has a newer one they will
>tell Carol and I about I would like to hear about it! My husband, the
>engineer, thinks I should consider replacing the 200 soon, but how long do
>they last??
>Maureen from the PNW
>
>
>
>----
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>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Apr 20 18:05:54 2001
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I'm hoping to go to AGSA during the weekend in June.  I'm taking a nanny 
position for the summer in Delray but I have weekends off.
Judy



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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=3 FACE="Jester" LANG="0">I'm hoping to go to AGSA during the weekend in June. &nbsp;I'm taking a nanny 
<BR>position for the summer in Delray but I have weekends off.
<BR>Judy</FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000000" SIZE=3 FACE="Jester" LANG="0">
<BR></FONT></HTML>

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From owner-glass Fri Apr 20 18:32:41 2001
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: slmyers@erinet.com
Subject: Re: Glass Saws
Date: Fri, 20 Apr 2001 23:38:08 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@erinet.com>>
Precedence: bulk

I agree with Donna and Charlie that you should not get a saw yet, if at
all.
        I would also say that you should do without a grinder as long as
you can too.   And for the same reason - practice will make your cutting
better.  Bob D (of California) has indicated more than once that the use
of cut running pliers often means that you do not need to tap the curves
and so get clean cuts that can be foiled with out grinding.

        Of course you could go traditional and lead your pieces.  Much
quicker in many circumstances, uses less solder, and although accurate
cutting is required, does not require the perpendicular angles that
copper foil is said to need.

Flux    
        Lots of people use all kinds of flux on copper foil.  I use
tallow on leaded glass work, and have found it works well on copper foil
too.  It has the advantage of staying where you put it until you heat
it, does not evaporate, does not make everything slippery and greasy,
and cleans with hot water and soap.  Much better for you than chemicals
(maybe not so good for the animals).

Steve



In message <1970Jan1.000.0@erinet.com>, slmyers@erinet.com writes
>Hi all,
>I'm new here and started doing glass about 6 weeks ago. I took a couple of
>adult ed. classes at Miami Univ. in Oxford Ohio and have really enjoyed
>myself.
>
>I had the chance to use a saw in class and now I want one! Do you have any
>suggestions as to what brand I should look at? I would love some pointers
>from people who use the different kinds available.
>
>I would also like to know what brands and types of flux you all use. A basic
>need, I know, but there are several brands out there and any tips are
>appreciated.
>Thanks for the help! :o)
>Carol in Ohio
>
>
>----
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>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Apr 20 18:33:51 2001
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: slmyers@erinet.com
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 23:58:26 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@erinet.com>>
Precedence: bulk

In message <1970Jan1.000.0@erinet.com>, slmyers@erinet.com writes
..
..cut....
> I
>received a Weller 100 in my starter kit. The problem is, it cycles
>automatically and I am left holding the iron, so to speak, until it decides
>it's hot enough to melt the solder. So, there are several seconds where I
>can't do anything but wait. It's very frustrating. 
Yes
>I have been told not to
>use a rheostat with it. 
I agree
>I am thinking maybe I need another iron. 
Wait a bit
>Could I
>have some opinions on different kinds? 
Weller is among the best

>Are the ones with ceramic cores any
>good? 
They work, but at higher temperatures, and have even more temperature
cycling problems, as the tip has even less mass than the Weller 100

>Is there anybody out there who has used a rheostat with the Weller
>100?
Probably, but the temperature control is within the iron, adding a
rheostat merely reduces the voltage getting to the iron, so increasing
the temperature recovery time.
>

So, my suggestions are that
- you should get an 800 degree tip
- you should solder more slowly, within the capacity of the iron
- you should get a Weller 200 watt, as it has a large soldering bolt
that holds a lot of heat, so reducing the temperature cycling frequency.

When you solder, you are removing heat from the soldering tip (bolt),
the temperature sensor in the iron requires some sizeable temperature
drop before it switches back on (just line an electric stove in the
kitchen).  The interval between sensing the temperature is too low and
achieving the correct temperature is the time you have to wait.
        Almost all experienced solderers can use a 100 watt iron without
having to wait periods that are uncomfortable.  You achieve this by
moving the iron more slowly, so you stay within the capacity of the
iron.  If you don't want to do this, you have to get a more powerful
iron.  The 200 watt Weller is very good.  The bolt is larger than the
100 watt, and so holds more heat (of course it takes longer to heat up
at the start of the job). I have two (one with a 800 and one with a 700
tip) and solder with either all day happily without temperature troughs
that are noticeable.  They are expensive though.
        The ceramic irons heat up very quickly, but do not hold heat
well, so you have to solder relatively slowly.
        Many people who use rheostats, are doing so to enable them to
have low temperatures (that will just melt the solder) to allow various
decorative solder effects to be achieved.  A rheostat cannot increase
the electricity to the iron, only reduce it.  The way to increase the
wattage is to get an iron at a higher watt rating. 
        
So in summary, I think you may be expecting to solder too quickly.  Try
slowing down, concentrating on getting an even bead along the joint.
This cannot be done quickly, but with a deliberate and even speed.

Steve

>Also, I have thought about getting the Vicki Payne videos to help improve my
>soldering and glass cutting skills. Has anybody seen these videos? Are they
>worth the money?(29.00) Even with classes I'm taking I realize I need some
>more instruction. I have to do most of my shopping from catalogs because the
>local stores have very limited inventory.
>Thanks for the help. It is very much appreciated.
>Carol in Ohio
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Apr 20 20:01:59 2001
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: slmyers@erinet.com
Subject: Re: Sodering Irons
Date: Sat, 21 Apr 2001 00:01:55 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@erinet.com>>
Precedence: bulk

Carol,
        My view is that your instructor is allowing you to try to do the
work too quickly.  
        Think about it.  Is it likely that three or more people in you
class have irons that are not working properly?  The company would go
out of business if that was the rate of product failure.  If the
instructor does not have the heat cycle problem, watch her/him and note
the speed at which s/he works.  I think you will find that you are
trying to do too much.  See my reasoning in my earlier message.

Steve

In message <1970Jan1.000.0@erinet.com>, slmyers@erinet.com writes
>Suzanne writes:
>> Sounds like your weller 100 isnt working properly.  I LOVE the weller
>> 100.  The temp is controlled in the tip.
>>
>> What are you soldering that your iron gets too cool?
>
>I'm just doing copper foil and using 60/40 solder. I use the 700 degree tip.
>It's really weird. I'll be going along just fine and then it stops working
>for a few seconds.(about 12 + or -)Just enough of a break in the action to
>be a pain in the neck. You can hold the solder against it and nothing
>happens. Then Boom! It starts to melt again. And it isn't just mine. There's
>a couple of people in class with the same problem. And yes, it happens at
>home too. So maybe it IS the iron itself.
>The worst part of starting anything new is figuring out how things are
>SUPPOSED to work.
>Thanks again,
>Carol Myers
>Camden, Ohio
>
>----
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Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Fri Apr 20 20:03:46 2001
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From: Suzanne Gunn <gunnx4@home.com>
To: James garner <officerjqg@centurytel.net>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sodering Irons
Date: Fri, 20 Apr 2001 21:23:59 -0500
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Organization: glassdancer
Precedence: bulk

Not to that extent with a weller 100....it just doesnt do that if it's
working properly.  Her glass would be breaking from thermal shock.

Suzanne



James garner wrote:
> 
> It could be that as you go along the heat gets dispersed to the solder and
> cools the tip to the point that it wont melt solder.  Then you have to wait
> for the tip to heat up again.
> 
> James
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From owner-glass Fri Apr 20 23:32:59 2001
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Subject: Re: Sodering Irons
Date: Sat, 21 Apr 2001 02:04:26 -0400
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Some of you may remember my complaining of the same sort of problem - no matter
what iron I use at home, and it gets much worse late at night.  If I take that
same iron to my daughter's or to a friends, it doesn't do that.  I think this
house just doesn't have enough electrical amperage, or whatever from the
electric company.  Our lights dim when the air conditioning comes on - the
neighbor's air conditioning.  - Cec

Suzanne Gunn wrote:

> Not to that extent with a weller 100....it just doesnt do that if it's
> working properly.  Her glass would be breaking from thermal shock.
>
> Suzanne
>
> James garner wrote:
> >
> > It could be that as you go along the heat gets dispersed to the solder and
> > cools the tip to the point that it wont melt solder.  Then you have to wait
> > for the tip to heat up again.
> >
> > James
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Sat Apr 21 03:10:48 2001
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From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Sodering Irons - good buy in UK!
Date: Sat, 21 Apr 2001 10:46:51 +0100
Message-ID: <1970Jan1.000.0@stainedglass.co.uk>
Precedence: bulk

At 23:58 20/04/01 +0100, Steve in Scotland wrote:
(heavily snipped),,,,,,,,,,,,
>- you should get a Weller 200 watt, as it has a large soldering bolt
>that holds a lot of heat, so reducing the temperature cycling frequency.
>........ The 200 watt Weller is very good.  The bolt is larger than the
>100 watt, and so holds more heat (of course it takes longer to heat up
>at the start of the job). I have two (one with a 800 and one with a 700
>tip) and solder with either all day happily without temperature troughs
>that are noticeable.  They are expensive though......

Apologies to anyone who thinks I am out of line here - but in case any UK
bungians are looking for a 200w Weller but have found it outside their
budget to buy from most stained glass retailers here is a solution. 

We have a very good deal on the 200w Weller at present: 
Only 65.00 pounds retail with a substantial metal stand and free soldering
sponge!! 
 
10 pounds or so less than the 100w tc iron!

Anyone interested can find details and postage costs on our website at
http://www.stainedglass.co.uk/wellertc.htm

The iron comes with a large #7 tip (as Steve explained) but we stock the
other sizes in #7 and #8

Again apologies if anyone considers this as 'prohibited spam advertising'
but I thought there was no reason bungians should miss out on this cheap
offer just because it happens to be from a fellow bungian!

Regards
EliZabeth in Bournemouth



Bournemouth Stained Glass
http://www.stainedglass.co.uk
UK Charter Member RAGS

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From owner-glass Sat Apr 21 04:44:12 2001
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Subject: Vicki Payne videos
Date: Sat, 21 Apr 2001 07:12:49 EDT
Message-ID: <1970Jan1.000.0@aol.com>
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Hello,

Hope everyone is having a great spring.  I'm finishing up a glass class that I signed up for to kick myself back into working with glass.  I've not only accomplished what I set out to do I've gotten a friend addicted too. <grin> We want sandblasters and kilns next.  

I've seen Vicki Payne videos on e bay, check under the category "stained glass supplies".  They show up pretty often, so just keep checking.  

ia  
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From owner-glass Sat Apr 21 05:15:14 2001
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From: Barbara Snell <bjs10@cornell.edu>
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Subject: Re: Sodering Irons
Date: Sat, 21 Apr 2001 07:41:55 -0400
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I have the Vicki Payne video on soldering techniques.....  my soldering 
improved immediately after watching the video.  But I did not have to pay 
so much for it, I bought it at a yard sale.  In retrospect, I think I would 
pay for it anyway since it has made my life in glass a lot easier and more 
rewarding.  I am not as tough on myself as I used to be.

Barbara



> >Also, I have thought about getting the Vicki Payne videos to help improve my
> >soldering and glass cutting skills. Has anybody seen these videos? Are they
> >worth the money?(29.00) Even with classes I'm taking I realize I need some
> >more instruction. I have to do most of my shopping from catalogs because the
> >local stores have very limited inventory.
> >Thanks for the help. It is very much appreciated.
> >Carol in Ohio
> >
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
>
>--

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From owner-glass Sat Apr 21 05:25:04 2001
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Subject: Re: Glass Saws
Date: Sat, 21 Apr 2001 07:54:37 -0400
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Hi,
I would agree about the saw.... they come in very handy when one is doing 
very deep inside curves, but can be done without for the   most 
part.  About the grinder though....  I have found that I use the grinder 
less and less as I get better and better at cutting .....  so I would 
suggest to get a grinder and use it.  It will help you finish your 
projects, get better with all of the techniques involved.  Then you can 
evaluate how you are doing and what you can do differently.
         I do stained glass much differently now than when I first started 
doing glass.... but I do not think I would have gotten this far if I did 
not have a grinder.  I would not have finished a project out of sheer 
frustration.
         Practice, Practice, Practice.... nothing will replace that.... but 
having said that..... finishing each piece by any means will help you to 
learn, gain confidence and find out what works for you.  Good luck with 
your new found skills

At 11:38 PM 04/20/2001 +0100, you wrote:
>I agree with Donna and Charlie that you should not get a saw yet, if at
>all.
>         I would also say that you should do without a grinder as long as
>you can too.   And for the same reason - practice will make your cutting
>better.  Bob D (of California) has indicated more than once that the use
>of cut running pliers often means that you do not need to tap the curves
>and so get clean cuts that can be foiled with out grinding.
>
>

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From: Carol Ames <ace@norcomcable.ca>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Sodering Irons
Date: Sat, 21 Apr 2001 07:26:50 -0500
Message-ID: <1970Jan1.000.0@norcomcable.ca>
References: <<1970Jan1.000.0@home.com>>
Precedence: bulk

Hi
Have missed some of this thread.  Does anyone know how many WELLER Irons
100
have been having heat problems. How many have been repaired sent back to
Weller.
 Have ` 6 that I feel were factory problems.  On calling a while a go
they say
that they are not having problems.   

Am I alone with this problem
Carol




Cecily & Ralph Wood wrote:
> 
> Some of you may remember my complaining of the same sort of problem - no matter
> what iron I use at home, and it gets much worse late at night.  If I take that
> same iron to my daughter's or to a friends, it doesn't do that.  I think this
> house just doesn't have enough electrical amperage, or whatever from the
> electric company.  Our lights dim when the air conditioning comes on - the
> neighbor's air conditioning.  - Cec
> 
> Suzanne Gunn wrote:
> 
> > Not to that extent with a weller 100....it just doesnt do that if it's
> > working properly.  Her glass would be breaking from thermal shock.
> >
> > Suzanne
> >
> > James garner wrote:
> > >
> > > It could be that as you go along the heat gets dispersed to the solder and
> > > cools the tip to the point that it wont melt solder.  Then you have to wait
> > > for the tip to heat up again.
> > >
> > > James
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> 
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From owner-glass Sat Apr 21 06:36:51 2001
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From: Barbara Snell <bjs10@cornell.edu>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Re: Sodering Irons
Date: Sat, 21 Apr 2001 07:41:55 -0400
Message-ID: <4.3.2.7.2.20010421073731.00af58d0@postoffice.mail.cornell.edu>
References: <<1970Jan1.000.0@erinet.com>>
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I have the Vicki Payne video on soldering techniques.....  my soldering 
improved immediately after watching the video.  But I did not have to pay 
so much for it, I bought it at a yard sale.  In retrospect, I think I would 
pay for it anyway since it has made my life in glass a lot easier and more 
rewarding.  I am not as tough on myself as I used to be.

Barbara



> >Also, I have thought about getting the Vicki Payne videos to help improve my
> >soldering and glass cutting skills. Has anybody seen these videos? Are they
> >worth the money?(29.00) Even with classes I'm taking I realize I need some
> >more instruction. I have to do most of my shopping from catalogs because the
> >local stores have very limited inventory.
> >Thanks for the help. It is very much appreciated.
> >Carol in Ohio
> >
> >----
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> >Archives available at http://www.bungi.com/glass
>
>--

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From owner-glass Sat Apr 21 06:48:25 2001
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From: Barbara Snell <bjs10@cornell.edu>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Re: Glass Saws
Date: Sat, 21 Apr 2001 07:54:37 -0400
Message-ID: <4.3.2.7.2.20010421074252.00af8210@postoffice.mail.cornell.edu>
References: <<1970Jan1.000.0@erinet.com>>
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Hi,
I would agree about the saw.... they come in very handy when one is doing 
very deep inside curves, but can be done without for the   most 
part.  About the grinder though....  I have found that I use the grinder 
less and less as I get better and better at cutting .....  so I would 
suggest to get a grinder and use it.  It will help you finish your 
projects, get better with all of the techniques involved.  Then you can 
evaluate how you are doing and what you can do differently.
         I do stained glass much differently now than when I first started 
doing glass.... but I do not think I would have gotten this far if I did 
not have a grinder.  I would not have finished a project out of sheer 
frustration.
         Practice, Practice, Practice.... nothing will replace that.... but 
having said that..... finishing each piece by any means will help you to 
learn, gain confidence and find out what works for you.  Good luck with 
your new found skills

At 11:38 PM 04/20/2001 +0100, you wrote:
>I agree with Donna and Charlie that you should not get a saw yet, if at
>all.
>         I would also say that you should do without a grinder as long as
>you can too.   And for the same reason - practice will make your cutting
>better.  Bob D (of California) has indicated more than once that the use
>of cut running pliers often means that you do not need to tap the curves
>and so get clean cuts that can be foiled with out grinding.
>
>

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From owner-glass Sun Apr 22 06:33:52 2001
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From: "Birkie" <birkie@vcn.com>
To: "Carol Ames" <ace@norcomcable.ca>,
Content-Type: text/plain;
Subject: Re: Sodering Irons
Date: Sun, 22 Apr 2001 07:05:04 -0600
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I've been using the Weller 100 for approximately 6 years without any
difficulty, as have a few other glass fanatics I know.

Vicki

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From owner-glass Sun Apr 22 14:11:55 2001
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From: "Lenzy Griffin-Bond" <glasslenzy@hotmail.com>
To: glass@bungi.com
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Subject: fun fun fun
Date: Sun, 22 Apr 2001 20:53:10 -0000
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If any of you have not looked at this site it is a lot of fun for glass 
"people"........   www.battlefieldglass.com


Enjoy
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com

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From owner-glass Sun Apr 22 15:42:08 2001
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From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Cecily & Ralph Wood <cecnralph@home.com>
Subject: Re: Sodering Irons
Date: Sun, 22 Apr 2001 00:08:44 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@home.com>>
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You must be living in that power hungry area of the world called
California,  USA.

In message <1970Jan1.000.0@home.com>, Cecily & Ralph Wood
<cecnralph@home.com> writes
>Some of you may remember my complaining of the same sort of problem - no matter
>what iron I use at home, and it gets much worse late at night.  If I take that
>same iron to my daughter's or to a friends, it doesn't do that.  I think this
>house just doesn't have enough electrical amperage, or whatever from the
>electric company.  Our lights dim when the air conditioning comes on - the
>neighbor's air conditioning.  - Cec
>
>Suzanne Gunn wrote:
>
>> Not to that extent with a weller 100....it just doesnt do that if it's
>> working properly.  Her glass would be breaking from thermal shock.
>>
>> Suzanne
>>
>> James garner wrote:
>> >
>> > It could be that as you go along the heat gets dispersed to the solder and
>> > cools the tip to the point that it wont melt solder.  Then you have to wait
>> > for the tip to heat up again.
>> >
>> > James
>> ----
>> For subscription changes, please mail to: glass-request@bungi.com
>> To send to the list,      please mail to: glass@bungi.com
>> Archives available at http://www.bungi.com/glass
>
>----
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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Subject: black patina
Date: Sun, 22 Apr 2001 20:48:49 EDT
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Hello Gungians everywhere!

I've heard that by adding salt to black patina the black is enriched and made 
even blacker!  Do any of you know anything about this?  What is the formula?  
Does something else work just as well to enrich the black patina?

Any help would be helpful. 

Thanks.

Mike in Spokane

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Hello Gungians everywhere!
<BR>
<BR>I've heard that by adding salt to black patina the black is enriched and made 
<BR>even blacker! &nbsp;Do any of you know anything about this? &nbsp;What is the formula? &nbsp;
<BR>Does something else work just as well to enrich the black patina?
<BR>
<BR>Any help would be helpful. 
<BR>
<BR>Thanks.
<BR>
<BR>Mike in Spokane</FONT></HTML>

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From owner-glass Sun Apr 22 20:02:08 2001
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Subject: Re: black patina
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I also have a question about black patina.  I just used it for the first time 
- and I ended up with more of a bronze color - than black.  The color is very 
pretty - but it is definitely not black.

What would have caused this to happen...and in the future how can in ensure a 
true BLACK patina?

Loretta in Michigan

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#8000ff" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">I also have a question about black patina. &nbsp;I just used it for the first time 
<BR>- and I ended up with more of a bronze color - than black. &nbsp;The color is very 
<BR>pretty - but it is definitely not black.
<BR>
<BR>What would have caused this to happen...and in the future how can in ensure a 
<BR>true BLACK patina?
<BR>
<BR>Loretta in Michigan</FONT></HTML>

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From owner-glass Mon Apr 23 00:33:38 2001
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Date: Mon, 23 Apr 2001 01:00:15 -0700
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This is a multi-part message in MIME format.

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	charset="iso-8859-1"
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It sounds weird to me.  If it worked I think the manufacturer would of =
already done that.



James
  ----- Original Message -----=20
  From: FuchsiaFan@aol.com=20
  To: Glass@bungi.com=20
  Sent: Sunday, April 22, 2001 5:48 PM
  Subject: black patina


  Hello Gungians everywhere!=20

  I've heard that by adding salt to black patina the black is enriched =
and made=20
  even blacker!  Do any of you know anything about this?  What is the =
formula?  =20
  Does something else work just as well to enrich the black patina?=20

  Any help would be helpful.=20

  Thanks.=20

  Mike in Spokane=20

------=_NextPart_000_0032_01C0CB90.C1AC5640
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>It sounds weird to me.&nbsp; If it worked I =
think the=20
manufacturer would of already done that.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>James</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DFuchsiaFan@aol.com=20
  href=3D"mailto:FuchsiaFan@aol.com">FuchsiaFan@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3DGlass@bungi.com=20
  href=3D"mailto:Glass@bungi.com">Glass@bungi.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, April 22, 2001 =
5:48=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> black patina</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT size=3D2>Hello =
Gungians=20
  everywhere! <BR><BR>I've heard that by adding salt to black patina the =
black=20
  is enriched and made <BR>even blacker! &nbsp;Do any of you know =
anything about=20
  this? &nbsp;What is the formula? &nbsp; <BR>Does something else work =
just as=20
  well to enrich the black patina? <BR><BR>Any help would be helpful.=20
  <BR><BR>Thanks. <BR><BR>Mike in Spokane</FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

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From owner-glass Tue Apr 24 00:05:36 2001
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To: glass@bungi.com
Content-Type: text/html; charset="us-ascii"
Subject: Increase Your Sales - Accept Credit Cards!             
Date: Tue, 24 Apr 2001 22:32:43
Message-ID: <1970Jan1.000.0@msn.com>
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<html>

<head>
<title>New Page 2</title>
</head>

<body>
<div align="left">

<table border="2" cellpadding="3" width="320" bgcolor="#800080" bordercolor="#C0C0C0"
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    <td colspan="3" bordercolor="#800080"><h2>&nbsp; <font face="Verdana" color="#E4C95A"> Do
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    </td>
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    <td bordercolor="#800080">&nbsp;</td>
    <td bordercolor="#800080" bordercolorlight="#800080" bordercolordark="#800080"><h1><font
    face="Arial Rounded MT Bold"><big><big><font color="#FFFFFF">&nbsp;&nbsp; apply</font></big></big><br>
    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <font color="#E4C95A">
    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>now!</em></font></font></h1>
    </td>
    <td bordercolor="#800080">&nbsp;</td>
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    <td bordercolor="#800080">&nbsp;</td>
    <td bordercolor="#800080"><h2 align="center"><font face="Verdana" color="#FFFFFF">It's
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    <td bordercolor="#800080">&nbsp;</td>
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    align="center"><a href="http://www.eccentrix.com/misc/mercurywoman/m03.htm">Click to find out more.</a></font></td>
    <td bordercolor="#800080">&nbsp;</td>
  </tr>
</table>
</div>
</body>
</html>








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From owner-glass Tue Apr 24 10:34:33 2001
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From: "Spitzer, Charlie" <Charlie.Spitzer@stratus.com>
To: "'glass@bungi.com'" <glass@bungi.com>
Content-Type: text/plain;
Subject: links for wood frames
Date: Tue, 24 Apr 2001 10:06:39 -0700
Message-ID: <1970Jan1.000.0@stratus.com>
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anyone have some good links for round oak frames? w-c has good prices, but i
need a different size than what they sell. i'm looking for largish, over
30".

regards,
charlie
phx, az
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From owner-glass Tue Apr 24 12:01:55 2001
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From: Jim Gonzalez <gonzalj@freenet.tlh.fl.us>
To: <glass@bungi.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Vicki Payne videos
Date: Tue, 24 Apr 2001 15:14:13 -0400 (EDT)
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On Sat, 21 Apr 2001 CncptThnkr@aol.com wrote:
> Hello,
<snip>
> I've seen Vicki Payne videos on e bay, check under the category "stained
> glass supplies".  They show up pretty often, so just keep checking.
> ia

Great suggestion.  Use Ebay's search to look for Vickie Payne stained
glass.  I have purchased several SG items on Ebay over the years.

Another place to try are online Chat boards.  A few years ago I asked
if any one had any VP videos they wanted to sell and got all 3 very cheap.

Jim

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From owner-glass Tue Apr 24 14:08:38 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: links for wood frames
Date: Tue, 24 Apr 2001 16:51:43 -0400
Message-ID: <1970Jan1.000.0@compuserve.com>
Precedence: bulk

Message text written by "Spitzer, Charlie"
>anyone have some good links for round oak frames? w-c has good prices, b=
ut
i
need a different size than what they sell. i'm looking for largish, over
30".<

Try Johnny & Janice West Frames
1951 SE 52 St., Ocala, FL 34480
phone 352-622-8303  (sorry, I don't have their email or web addresses)

or try Tomlin Wood Products
http://store.yahoo.com/tomlinwoodproducts/

You will probably have to have them do custom sizes, but these folk are
into custom.

Christie A. Wood
North Wales, PA USA
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From owner-glass Tue Apr 24 15:08:55 2001
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X-Path: clientes.euskaltel.es!elere
From: "Elena Rod4ríguez Echebarria" <elere@clientes.euskaltel.es>
To: slmyers@erinet.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: Sodering Irons and glasstar flux
Date: Wed, 25 Apr 2001 00:06:40 +0200
Message-ID: <1970Jan1.000.0@clientes.euskaltel.es>
References: <<1970Jan1.000.0@erinet.com>>
Precedence: bulk

Hello bungians
I have had experience with a couple of Weller 100; one reason why they don't
start might be because the wires broke inside their plastic cover and since
they're covered by a rubber hose it is invisible, you have to dismantle the
thing and peel the hose to find it; they have an in-built tiny thermostat (keeps
heat level even, so there's no need for extra heat control), very delicate and
easy to break (I did that the third time I attempted to fix my first solder).
I have also had problems with Glasstar flux  (transparent, gel like); I had to
replace to soldering tips because they had holes, literally, out of corrosion; I
use an ammonia block and a wet sponge to clean solder tip every so often when
soldering and after it. I wonder if anyone else has had problems with it..
Elena
slmyers@erinet.com escribió:

> Suzanne writes:
> > Sounds like your weller 100 isnt working properly.  I LOVE the weller
> > 100.  The temp is controlled in the tip.
> >
> > What are you soldering that your iron gets too cool?
>
> I'm just doing copper foil and using 60/40 solder. I use the 700 degree tip.
> It's really weird. I'll be going along just fine and then it stops working
> for a few seconds.(about 12 + or -)Just enough of a break in the action to
> be a pain in the neck. You can hold the solder against it and nothing
> happens. Then Boom! It starts to melt again. And it isn't just mine. There's
> a couple of people in class with the same problem. And yes, it happens at
> home too. So maybe it IS the iron itself.
> The worst part of starting anything new is figuring out how things are
> SUPPOSED to work.
> Thanks again,
> Carol Myers
> Camden, Ohio
>
> ----
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From owner-glass Tue Apr 24 17:45:03 2001
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X-Path: n-link.com!pkelly
From: Patrick Kelly <pkelly@n-link.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Stained Glass Dessert
Date: Tue, 24 Apr 2001 18:53:09 -0500
Message-ID: <1970Jan1.000.0@n>
Precedence: bulk

Hi everybody,

Found this reciepe on the web. Haven't tried it yet but it might be good for
an open house or something.


STAINED GLASS DESERT

1 3oz. package each of orange, cherry, and lime gelatin
4 cups of boiling water
1 1/2 cups cold water
l 3oz. lemon gelatin
1/4 cup sugar
1/2 cup pineapple juice
1 1/2 cups gaham cracker crumbs
1/3 cup melted butter or margerine
2 cups whipping cream.

Prepare 3 flavors gelatin separately, using one cup boiling water
and 1/2 cup cold water for each. Pour each into 8" square
pan,Chill till firm or overnight. Then combine lemon gelatin,
sugar and remaining 1 cup boiling water; stir till gelatin &
sugar are dissolved. Stir in pineapple juice. Chill till slightly
thickened. Meanwhile, mix crumbs and melted butter; press into
bottom of 9" springform  pan. Cut firm gelatin into 1/2" cubes.
Prepare cream; blend with lemon gelatin. Fold in gelatin cubes.
Pour into pan. Chill at least 5 hours. Run knife along side of
pan and remove side.

Let me know if you make it.

Patrick
Roses and Rainbows

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From owner-glass Tue Apr 24 18:24:48 2001
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X-Path: home.com!gunnx4
From: Suzanne Gunn <gunnx4@home.com>
To: Patrick Kelly <pkelly@n-link.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Stained Glass Dessert
Date: Tue, 24 Apr 2001 19:57:56 -0500
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@n>>
Organization: glassdancer
Precedence: bulk

Or maybe a grand opening! ;o)

Patrick Kelly wrote:
> 
> Hi everybody,
> 
> Found this reciepe on the web. Haven't tried it yet but it might be good for
> an open house or something.
> 
> STAINED GLASS DESERT
> 
> 1 3oz. package each of orange, cherry, and lime gelatin
> 4 cups of boiling water
> 1 1/2 cups cold water
> l 3oz. lemon gelatin
> 1/4 cup sugar
> 1/2 cup pineapple juice
> 1 1/2 cups gaham cracker crumbs
> 1/3 cup melted butter or margerine
> 2 cups whipping cream.
> 
> Prepare 3 flavors gelatin separately, using one cup boiling water
> and 1/2 cup cold water for each. Pour each into 8" square
> pan,Chill till firm or overnight. Then combine lemon gelatin,
> sugar and remaining 1 cup boiling water; stir till gelatin &
> sugar are dissolved. Stir in pineapple juice. Chill till slightly
> thickened. Meanwhile, mix crumbs and melted butter; press into
> bottom of 9" springform  pan. Cut firm gelatin into 1/2" cubes.
> Prepare cream; blend with lemon gelatin. Fold in gelatin cubes.
> Pour into pan. Chill at least 5 hours. Run knife along side of
> pan and remove side.
> 
> Let me know if you make it.
> 
> Patrick
> Roses and Rainbows
> 
> ----
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From owner-glass Tue Apr 24 18:37:41 2001
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X-Path: amexol.net!beadbimbo
From: "Jerri Roey" <beadbimbo@amexol.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Fw: links for wood frames
Date: Tue, 24 Apr 2001 20:48:24 -0400
Message-ID: <1970Jan1.000.0@amexol.net>
Precedence: bulk

Darn it!  I thought I sent this to the list.  Sorry Christie!

Jerri


----- Original Message -----
From: "Jerri Roey" <beadbimbo@amexol.net>
To: "Christie A. Wood" <Ensembles@compuserve.com>
Sent: Tuesday, April 24, 2001 6:57 PM
Subject: Re: links for wood frames


> I have gotten some of Johnny's frames in the past and they are great!
Nice
> prices too!  His e-mail is:
>
> West, Johnny
> E-mail Address(es):
>   johnnyc@atlantic.net
>
> Jerri
>
>
>
>
> > Message text written by "Spitzer, Charlie"
> > >anyone have some good links for round oak frames? w-c has good prices,
b=
> > ut
> > i
> > need a different size than what they sell. i'm looking for largish, over
> > 30".<
> >
> > Try Johnny & Janice West Frames
> > 1951 SE 52 St., Ocala, FL 34480
> > phone 352-622-8303  (sorry, I don't have their email or web addresses)
> >
> > or try Tomlin Wood Products
> > http://store.yahoo.com/tomlinwoodproducts/
> >
> > You will probably have to have them do custom sizes, but these folk are
> > into custom.
> >
> > Christie A. Wood
> > North Wales, PA USA
> > ----
> >
>

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From owner-glass Wed Apr 25 05:16:22 2001
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From: Roxie1024@aol.com
To: pkelly@n-link.com, glass@bungi.com
Content-Type:  multipart/alternative; boundary="part1_8f.9d58fb8.281817ea_boundary"
Subject: Re: Stained Glass Dessert
Date: Wed, 25 Apr 2001 08:07:06 EDT
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--part1_8f.9d58fb8.281817ea_boundary
Content-Type: text/plain; charset="US-ASCII"
Content-Transfer-Encoding: 7bit

I have made this dessert before - they referred to it as BROKEN GLASS - I 
think I like stained glass better!

IT IS DELICIOUS!!!

Loret (Michigan)

--part1_8f.9d58fb8.281817ea_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#8000ff" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">I have made this dessert before - they referred to it as BROKEN GLASS - I 
<BR>think I like stained glass better!
<BR>
<BR>IT IS DELICIOUS!!!
<BR>
<BR>Loret (Michigan)</FONT></HTML>

--part1_8f.9d58fb8.281817ea_boundary--
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From owner-glass Wed Apr 25 19:49:23 2001
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From: mim111@webtv.net (Mary Maroney)
To: glass@bungi.com
Content-Type: Text/Plain; Charset=US-ASCII
Subject: subscribe
Date: Wed, 25 Apr 2001 22:10:17 -0400 (EDT)
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Please add my name to your list of letters and questions.

Former address: mimaroney@webtv.net

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From owner-glass Wed Apr 25 21:07:38 2001
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X-Path: yahoo.com!texpenguin
From: Sherry Greer <texpenguin@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Stained Glass Dessert
Date: Wed, 25 Apr 2001 20:48:44 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
References: <<1970Jan1.000.0@n>>
Precedence: bulk

I would think if you are quick enough, you could actually pour the
lemon mixture in first, then arrange the jello cubes into a lovely
mosaic pattern.  This would be nice as a cross at Easter, Christmas
tree, or 'Happy Birthday'.  Be sure to plan your pattern ahead of time
so you can the pattern laid before the jello gels!
Sherry


=====
Sherry Greer
texpenguin@yahoo.com
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From owner-glass Thu Apr 26 07:37:18 2001
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From: "Stained Glass Lamps" <stainedglasslamps@csinet.net>
To: "Mary Maroney" <mim111@webtv.net>,
Content-Type: text/plain;
Subject: Re: subscribe
Date: Thu, 26 Apr 2001 08:43:18 -0500
Message-ID: <1970Jan1.000.0@csinet.net>
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Hi Mary,
Welcome to the list. A lot of great people are on it & a lot of good
information.  Welcome again.
Mary & Arkie    our web site   www.stainedglasslamps.com

-----Original Message-----
From: Mary Maroney <mim111@webtv.net>
To: glass@bungi.com <glass@bungi.com>
Date: Wednesday, April 25, 2001 9:51 PM
Subject: subscribe


>
>Please add my name to your list of letters and questions.
>
>Former address: mimaroney@webtv.net
>
>----
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From owner-glass Thu Apr 26 08:09:17 2001
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From: "Stained Glass Lamps" <stainedglasslamps@csinet.net>
To: "Mary Maroney" <mim111@webtv.net>,
Content-Type: text/plain;
Subject: Re: subscribe
Date: Thu, 26 Apr 2001 08:43:18 -0500
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Hi Mary,
Welcome to the list. A lot of great people are on it & a lot of good
information.  Welcome again.
Mary & Arkie    our web site   www.stainedglasslamps.com

-----Original Message-----
From: Mary Maroney <mim111@webtv.net>
To: glass@bungi.com <glass@bungi.com>
Date: Wednesday, April 25, 2001 9:51 PM
Subject: subscribe


>
>Please add my name to your list of letters and questions.
>
>Former address: mimaroney@webtv.net
>
>----
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From owner-glass Sat Apr 28 19:21:23 2001
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From: "CP" <mschatee@twcny.rr.com>
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Content-Type: text/plain;
Subject: Just checking
Date: Sat, 28 Apr 2001 21:31:19 -0400
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 I haven't gotten any bungi mail in 4 days.  Just checking to see if I get
this.

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From owner-glass Sun Apr 29 05:34:21 2001
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From: Debra Tenhoff <debbiesgarden@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Old project
Date: Sun, 29 Apr 2001 03:36:01 -0700 (PDT)
Message-ID: <1970Jan1.000.0@yahoo.com>
Precedence: bulk

I started a lamp on a mold over a year ago and set it
aside when moving after nearly completing the
copperfoiling. The foil is now dark and tarnished.
Does anyone know how I can clean up the foil without
removing the glass pieces from the mold so that it can
be soldered? As a last resort, I thought of trying a
tarnish removing product like Tarn-X, would that work?
Any thoughts and ideas would be appreciated. Thanks!!!

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/
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From owner-glass Sun Apr 29 09:08:21 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Debra Tenhoff" <debbiesgarden@yahoo.com>,
Content-Type: text/plain;
Subject: RE: Old project
Date: Sun, 29 Apr 2001 11:34:43 -0400
Message-ID: <1970Jan1.000.0@home.com>
References: <<1970Jan1.000.0@yahoo.com>>
Precedence: bulk

it might solder ok without any help at all. the flux may do all the work.
now if the copper is either white or green (crusty), that's another problem.


0000 steel wool lightly rubbed over the surface while the pieces are still
on the mold can also help some. the pieces should stay on, if it stayed on
for a whole year.


---Mike Savad


-----Original Message-----
From: Debra Tenhoff [mailto:debbiesgarden@yahoo.com]
Sent: Sunday, April 29, 2001 6:36 AM
To: glass@bungi.com
Subject: Old project


I started a lamp on a mold over a year ago and set it
aside when moving after nearly completing the
copperfoiling. The foil is now dark and tarnished.
Does anyone know how I can clean up the foil without
removing the glass pieces from the mold so that it can
be soldered? As a last resort, I thought of trying a
tarnish removing product like Tarn-X, would that work?
Any thoughts and ideas would be appreciated. Thanks!!!

__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/
----
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From owner-glass Sun Apr 29 21:36:57 2001
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From: "TonerCity USA" <tcity@swbell.net>
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Subject: Spring Time
Date: Sun, 29 Apr 2001 23:06:46
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Spring Sale...
Buy any type of toner at wholesale prices.
If you own or lease any brand of copier, fax
or printer you can get preferred pricing on all
our toner products.  Just call, email or fax us
a list of the items you need and we'll return a 
quote immediately.  We send out all orders
the same day and shipping is FREE.

TonerCity USA
Toll Free:  1-866-FastToner (327-8866)
Fax Number:  972-437-5096
Email Address:  tcity@swbell.net
Web Site:  www.tonercity.com

PS...Our website will include a shopping basket
and secured credit card system soon.  Please
contact us for a quick quote.  Thank you.

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From owner-glass Mon Apr 30 06:56:37 2001
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From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Old project
Date: Mon, 30 Apr 2001 08:33:47 -0400
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Message text written by Debra Tenhoff
>The foil is now dark and tarnished.
Does anyone know how I can clean up the foil without
removing the glass pieces from the mold so that it can
be soldered?<

Fine steel wool and some Joy dishwashing liquid will do the job.

Christie A. Wood
North Wales, PA USA
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From owner-glass Mon Apr 30 16:01:24 2001
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From: Family Account <shad@mail2.nai.net>
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Subject: Glass Visions
Date: Mon, 30 Apr 2001 17:49:51 -0400
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It looks like the Glass Visions page just came up, for those of you who
want to reserve a dat and go.  (John and I are only going to be there
Saturday this year).  Let's see, http://www.glassvisions.com

Tonight's chores...
Design a gladiola suncatcher
Pay bills
Clean and patina a small panel
Start laying out a commisioned panel
Find time to take a quick swim at the pool.

Probably won't make it all.  But I'll work on the suncatcher while
supper cooks.

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From owner-glass Mon Apr 30 22:25:33 2001
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From: "Greg" <GSORENSON@mn.rr.com>
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Subject: Painting on glass
Date: Mon, 30 Apr 2001 16:38:27 -0500
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This is a multi-part message in MIME format.

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Dumb question of the day:

Is there any type of paint that can be used on glass with out firing the =
project in a kiln after?  I am making a panel of a sleddog team with =
driver and sled.  It would be easier to paint the harness etc on the =
dogs rather than using glass or solder joints.  Thank you in advance

Greg

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dumb question of the day:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Is there any type of paint that can be =
used on=20
glass with out firing the project in a kiln after?&nbsp; I am making a =
panel of=20
a sleddog team with driver and sled.&nbsp; It would be easier to paint =
the=20
harness etc on the dogs rather than using glass or solder joints.&nbsp; =
Thank=20
you in advance</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Greg</FONT></DIV></BODY></HTML>

------=_NextPart_000_0030_01C0D193.FB2B71E0--

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From owner-glass Mon Apr 30 23:27:46 2001
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	for rglass-42; Mon, 30 Apr 2001 23:14:00 -0700 (PDT)
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Greg <GSORENSON@mn.rr.com>
Subject: Re: Painting on glass
Date: Tue, 1 May 2001 06:58:54 +0100
Message-ID: <1970Jan1.000.0@verrier>
References: <<1970Jan1.000.0@mn.rr.com>>
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In message <1970Jan1.000.0@mn.rr.com>, Greg <GSORENSON@mn.rr.com>
writes
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_0030_01C0D193.FB2B71E0
>Content-Type: text/plain;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>Dumb question of the day:
>
>Is there any type of paint that can be used on glass with out firing the =
>project in a kiln after? 

Yes, but it won't last.

It should be possible to find some one with a kiln to fire vitreous
paints for you nearby.  A ceramics kiln fired to about 650 degrees C
would also do.

Be careful when painting onto opalescent glass, as it some times changes
colour.  Run a test first.

Steve
> I am making a panel of a sleddog team with =
>driver and sled.  It would be easier to paint the harness etc on the =
>dogs rather than using glass or solder joints.  Thank you in advance
>
>Greg
>
>------=_NextPart_000_0030_01C0D193.FB2B71E0
>Content-Type: text/html;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META content=3D"text/html; charset=3Diso-8859-1" =
>http-equiv=3DContent-Type>
><META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Dumb question of the day:</FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>Is there any type of paint that can be =
>used on=20
>glass with out firing the project in a kiln after?&nbsp; I am making a =
>panel of=20
>a sleddog team with driver and sled.&nbsp; It would be easier to paint =
>the=20
>harness etc on the dogs rather than using glass or solder joints.&nbsp; =
>Thank=20
>you in advance</FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>Greg</FONT></DIV></BODY></HTML>
>
>------=_NextPart_000_0030_01C0D193.FB2B71E0--
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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