From owner-glass Mon Jan  1 07:16:48 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Lynda Burleigh <bei@ime.net>
Subject: Re: Cleaning old glass
Date: Mon, 1 Jan 2001 13:29:25 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

Lynda,
        I am assuming that there is no staining or painting on this
glass that you write about.
        Soak the glass in warm water.  After ca 30 mins scrub with plain
clean water and fiber brush (like a nail brush, maybe).  See what
residue is left.  If you have the residue of cement around the edges,
put back into clean warm water for up to a day.  Then you can try first,
the previous process; second, cream cleaners, like you use on the
fibreglass bath, and a fibre brush; third, use a brass wire brush (never
steel) on these edges; fourth, use a blade held almost parallel to the
glass, with the glass on a hard clean and smooth surface  (This is last,
as it is most likely to break the glass).

Best wishes 
Steve
In message <1970Jan1.000.0@?>, Lynda Burleigh <bei@ime.net> writes
>Hi All..
>
>I hope I'm doing this right as it's my first time writing to the group.
>
>I have been given pieces of used stained glass that has been removed
>from it's original window.
>The lead came had been removed....Is there something someone could
>suggest for cleaning off the built up residue from element exposure?
>The color is a very unusual grape-amythyst colored cathedral that I
>would love to reuse.  Is this a no-no?
>
>Thanks,
>
>Lynda
>
>
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Jan  1 13:31:57 2001
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From: <lsg@technology21.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: glass painting
Date: Mon, 1 Jan 2001 16:13:37 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_0022_01C0740D.CC2EF440
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I am looking for someone to do some piece work. I need the head and =
hands of Jesus to be painted. I will supply templates for each with a =
general sketch of what I am looking for.

Is there anyone out there doing this work?
Do you have someone you would recommend?

Not that it really matters now a days but I am located in New Jersey, =
USA.

Thanks

Michael from LSG Creations


------=_NextPart_000_0022_01C0740D.CC2EF440
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>I am looking for someone to do some piece work. I =
need the=20
head and hands of Jesus to be painted. I will supply templates for each =
with a=20
general sketch of what I am looking for.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Is there anyone out there doing this =
work?</FONT></DIV>
<DIV><FONT size=3D2>Do you have someone you would =
recommend?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Not that it really matters now a days but I am =
located in New=20
Jersey, USA.</FONT></DIV>
<DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Thanks</FONT></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV><FONT size=3D2>Michael from LSG Creations</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0022_01C0740D.CC2EF440--

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From owner-glass Mon Jan  1 18:32:05 2001
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X-Path: mail2.nai.net!shad
From: Family Account <shad@mail2.nai.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: New in craft stores
Date: Mon, 01 Jan 2001 20:34:02 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Bags of glass chunks, maybe tumbled for a day in a rock tumbler, to be
used for making your own garden stores!  About enough to fill a sandwich
bag, for only $6.95!

Think of the scrap you've all made...didn't know it was worth that much,
did you?

Off to install a new scanner.

Happy New millenium, everyone.

Dorothy

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From owner-glass Wed Jan  3 10:01:47 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: Glass Art Society 2001 Conference
Date: Wed, 3 Jan 2001 12:46:03 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

IGGA Press release.

Christie A. Wood
North Wales, PA USA
-------------Forwarded Message-----------------
From:	Glass Art Society, INTERNET:CommCoord@glassart.org
To:	[unknown], INTERNET:members@igga.org
Date:	01/02/2001  3:55 PM
RE:	Glass Art Society 2001 Conference
 =


Contact: Penny Berk, Executive Director
Tamara Gill, Communications Coordinator, 206-382-1305, email:info@glassar=
t.org

December 20, 2000
FOR IMMEDIATE RELEASE

Glass Art Society to hold its 31st Annual Conference
At the Crossroads of Art, History, and Technology
June 13-17, 2001
Corning, New York

Conference Brochure, with program and registration information, is =

now available from the Glass Art Society. Registration begins January =

15, 2001.

The Glass Art Society's 31st annual conference will be held in =

Corning, New York, home of The Corning Museum of Glass (CMOG), which =

houses the world's premier glass collection-over 35,000 pieces =

spanning 3,500 years. Appropriately dubbed "The Crystal City," =

Corning is the perfect location for the four days of glass art =

demonstrations, lectures, and other events that the conference will =

provide.

THE CONFERENCE PROGRAM
Glassworking demonstrations, lectures, panel discussions, Technical =

Display, the Resource Center, and more will take place at The Corning =

Museum of Glass.  Lectures include topics such as Glassroots =

Architecture Trilogy (1970-2001), Mosaic Matters-An Artist's View, =

and Sculptural Flameworking.  Panel discussions include Art and/or =

Glass: Museums and Collecting, Furnace Builders, Color Bars, and =

Emerging Artists; while demonstrations cover glassworking techniques =

such as glass carving, flameworking, casting and blowing.

AWARD RECIPIENTS AND KEYNOTE LECTURER
Lifetime Achievement Award: Thomas Buechner
Honorary Lifetime Membership: Marc Peiser
Keynote Speaker: Barbara Maria Stafford: Leibniz's Cosmology: =

Reflections in a Kircherian Mirror

ARTISTS AND LECTURERS

Demonstrating Artists as of 12/20/00
Bennett Battaile
Anna Boothe
Robin Cass
Richard Clements
Rene Culler
Irene Frolic
Dudley Giberson
Bill Gudenrath
Jiri Harcuba
Judy Hill
Eric Hilton
Peter Ivy
Frantisek Janak
Edward Kish
Lou Lynn
Dante Marioni
Iwao Matsushima
Ralph Mossman
Mary Mullaney
Mica Okuno
Marc Petrovic
Susan Plum
Colin Reid
Rene Roberts
Kari Russell-Poole
Emilio Santini
Jeffrey Spencer
Sam Stang
Denise Stillwaggon Leone
Loren Stump
Lino Tagliapietra
Takio Takemasa
Cesare Toffolo
Gianni Toso
Milon Townsend
Richard Whiteley

Lecturers and Panelists as of 12/20/00
Scott Benefield
Thomas S. Buechner
John Chiles
Charlie Correll
John Croucher
Erwin Eisch
Dudley Giberson
Henry Halem
Jiri Harcuba
Richard Harned
Edward Kish
Stephen Koob
Warren Langley
John Leighton
Joseph Maio
Gabriel Mayer
Richard Meitner
Tina Oldknow
Mark Peiser
Flo Perkins
Richard Posner
Michael Schunke
Josh Simpson
Cady Coleman Simpson
Stephen Sinotte
Rick Snyderman
Ruth Snyderman
Vanessa Somers Vreeland
Dr. Barbara Maria Stafford
Joanne Stuhr
Lino Tagliapietra
Takio Takemasa
Cappy Thompson
Gianni Toso
Milon Townsend
Durk Valkema
Peter VanderLaan
Dick Weiss
David Whitehouse
Nicholas Williams
Frank Woolley

TECHNICAL DISPLAY
The Technical Display, with booths from 49 vendors, offers attendees =

the chance to purchase glass-related materials, supplies, and =

services.

EXHIBITIONS
The Corning Museum of Glass will be showing Glass of the Sultans; The =

Studio of The Corning Museum of Glass will be presenting work of =

artists from The Studio and the Carder-Steuben Glass Collection; and =

several other galleries will be hosting exhibitions in Corning. =

Exhibitions in the Corning vicinity include The Everson Museum in =

Syracuse with Gustav Stickley and His Era; the Herbert F. Johnson =

Museum of Art at Cornell University housing Tiffany Glass; Arno Art =

Museum in Elmira with recent work by Josh Simpson; and Gallery R in =

Rochester with the work of emerging artists from the RIT Glass =

Department.

G.A.S. AUCTIONS
The Annual Auction and the Goblet Grab allow conference participants =

the opportunity to purchase works of art while supporting the Glass =

Art Society.  A portion of the proceeds from the Goblet Grab go to =

the Craft Emergency Relief Fund.  The Annual Auction is open to the =

public and will take place Saturday, June 16, at 6pm at the Radisson =

Hotel Ballroom.

GLASS FASHION SHOW
Outfits created using any form of glass will be modeled during =

opening ceremonies. To participate in this event contact Laura =

Donefer at 613-372-0377, hickie@kos.net, by February 15, 2001.

TOURS
A kick-off dinner and private tour will include an elegant dinner and =

exclusive tour of eleven large-scale glass installations commissioned =

for the atria of the East and West wings of the Headquarters, Corning =

Incorporated.  Featured artists are Peter Aldridge, Dale Chihuly, =

Erwin Eisch, Rury Iwata, Stanislav Libensky and Jaroslava Brychtova, =

Donald Lipski, William Morris, Therman Statom, Bertil Vallien, Harumi =

Yukutake, and Dana Zamecnikova. These works are not normally offered =

for public view.

Attendees will also have the opportunity to tour the Sullivan Park =

Research Center, Fall Brook Manufacturing Plant, and the Steuben =

Factory. A guided tour of The Corning Museum of Glass will be =

offered, as well as a tour of the glass installations at the =

Headquarters, Corning Incorporated.

WORKSHOPS
Conference attendees can make the most of their trip to New York by =

attending Pre- and Post-Conference Workshops offered by a variety of =

locations in and outside of Corning. Workshops and contact =

information are listed in the Conference Brochure.

NEW THIS YEAR
The Murrini Project offers glass artists a chance to create a piece =

of Glass Art Society history. Each Murrini has the words "G.A.S. =

1971-2001" in honor of G.A.S.'s 30th anniversary.  Artists can =

purchase a Murrini, use it in a piece of artwork, and donate the =

artwork to G.A.S. for exhibition and auction at the 2001 conference. =

All proceeds from the Murrini Project will support the continued =

growth and development of the Glass Art Society.

For photos or more information, contact the Glass Art Society at =

206-382-1305; fax 206-382-2630;
E-mail: info@glassart.org, Web: www.glassart.org, 1305 Fourth Ave. =

#711, Seattle, WA  98101-2401 USA.

The Glass Art Society (G.A.S.) is a non-profit organization of =

artists, educators, historians, students, collectors, critics, =

manufacturers and others interested and involved in the production, =

technology and aesthetics of glass. Founded in 1971 by a small group =

of artist/educators who wanted to exchange information and ideas =

about the new technologies available, G.A.S. membership has grown to =

over 2,500 and includes members from 46 countries. Each year G.A.S. =

holds an Annual Conference, publishes the annual G.A.S. Journal, =

bi-monthly G.A.S. Newsletter, annual Membership and Education Roster, =

and Resource Guide. An active web site, www.glassart.org, provides =

ongoing information and links to members' web sites.
----
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From owner-glass Thu Jan  4 05:38:05 2001
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X-Path: together.net!jbuckner
From: Jennifer Buckner <jbuckner@together.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Theft in Billings, MT
Date: Thu, 04 Jan 2001 08:19:06 -0500
Message-ID: <4.3.2.7.2.20010104081204.00aad450@pop.together.net>
Precedence: bulk

On Dec. 27th a glass artist by the name of Dione Roberts had several large 
pieces of her work stolen from her studio.  The following web sites show 
photos of some of those pieces.  If anyone sees any one of the pieces, 
please contact the police.

<http://www.stainedglassretailers.com/Lotus%20Lamp.jpg>
<http://www.stainedglassretailers.com/dandiesfull.jpg>
<http://www.asgla.com/2000/jan/jan.html>

Jennifer





Jennifer G. Buckner jbuckner@together.net

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From owner-glass Thu Jan  4 07:24:30 2001
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X-Path: mindspring.com!pigznpawz
From: "Jerri" <pigznpawz@mindspring.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Atlanta Glass Art Guild
Date: Thu, 4 Jan 2001 09:28:47 -0500
Message-ID: <1970Jan1.000.0>
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I know there were a couple of people on the list who were interested in
coming to the next Guild meeting here in Atlanta.  A meeting is now being
planned for Jan. 21 at 2:00.  If anyone is interested, please e-mail me
privately and I'll get you more information.

Jerri
www.beadbimbo.com

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From owner-glass Sat Jan  6 20:31:27 2001
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X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: hello??!!??
Date: Sat, 6 Jan 2001 21:27:14 -0600
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Havent gotten any bungi mail at all in a few days... Anyone still alive out
there?

Byron...
Wells Glassworks

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From owner-glass Sat Jan  6 20:58:17 2001
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X-Path: ilnk.com!andor
From: "Linda Jo Letscher" <andor@ilnk.com>
To: "Byron Wells" <byronw@fastlane.net>,
Subject: Re: hello??!!??
Date: Sat, 6 Jan 2001 23:36:18 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Byron,
You took the words right out of my mouth.  I guess everyone is recouperating
from the holidays.
Happy Glassing,
Linda Jo

----- Original Message -----
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Sent: Saturday, January 06, 2001 10:27 PM
Subject: hello??!!??


> Havent gotten any bungi mail at all in a few days... Anyone still alive
out
> there?
>
> Byron...
> Wells Glassworks
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


----
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From owner-glass Sat Jan  6 22:30:41 2001
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X-Path: erols.com!deethom
From: Dee Thompson <deethom@erols.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: hello??!!??
Date: Sun, 07 Jan 2001 00:09:37 -0500
Message-ID: <3.0.32.20010107000935.00d82208@pop.erols.com>
Precedence: bulk

post holiday rest period.  It's bitter cold, and I've got a bit of the
winter blahs, myself.  Just got a new glass magazine to try to stir the
creative ambition a bit.  Think I'll dust off the torch and make a few
beads, for a change of pace.
dee


 At 09:27 PM 1/6/01 -0600, you wrote:
>Havent gotten any bungi mail at all in a few days... Anyone still alive out
>there?
>
>Byron...
>Wells Glassworks
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>
----
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From owner-glass Sun Jan  7 00:30:44 2001
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X-Path: ix.netcom.com!gunnx4
From: Suzanne Gunn <gunnx4@ix.netcom.com>
To: Byron Wells <byronw@fastlane.net>
Content-Type: text/plain; charset=x-user-defined
Subject: Re: hello??!!??
Date: Sun, 07 Jan 2001 00:41:42 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: glassdancer
Precedence: bulk

Working long days this weekend, between the studio and a home show.
I had an unexpected meeting when a woman approached me at the show and
said "could you be Suzanne by any chance?"  I thought I must have talked
to her on the phone at the studio, but it turns out I talked her her on
Warner Criv's live Glass Visions Glass Chat! ;o)
It was a fun surprise!

Suzanne

Was really 

Byron Wells wrote:
> 
> Havent gotten any bungi mail at all in a few days... Anyone still alive out
> there?
> 
> Byron...
> Wells Glassworks
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Sun Jan  7 12:07:44 2001
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From: "ELLA" <ella@zoomnet.net>
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Date: Sun, 7 Jan 2001 14:59:29 -0500
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This is a multi-part message in MIME format.

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Hi, I also have missed all the info I learn from this sight.  I have =
signed up for 4 class at the Las Vegas Glass Expo in March.  So =
excited""  Has anyone we know gone and do they have any hints for a =
beginner.  ella

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi, I also have missed all the info I =
learn from=20
this sight.&nbsp; I have signed up for 4 class at the Las Vegas Glass =
Expo in=20
March.&nbsp; So excited""&nbsp; Has anyone we know gone and do they have =
any=20
hints for a beginner.&nbsp; ella</FONT></DIV></BODY></HTML>

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From owner-glass Sun Jan  7 12:39:03 2001
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From: "J. Dahlin" <jdahlin@pro-ns.net>
To: Byron Wells <byronw@fastlane.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: hello??!!??
Date: Sun, 07 Jan 2001 13:38:57 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

I haven't sent any messages until today from my computer since Christmas
Day when I received a virus with a bungi message.  After much messing
around I finally believe I am virus free and won't infect anyone else.
I have taken about a month off from doing any stained glass and am
trying to completely reorganize my work area.

----
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From owner-glass Sun Jan  7 14:10:16 2001
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X-Path: aol.com!Awbaxter
From: Awbaxter@aol.com
To: ella@zoomnet.net, glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Re: no e-mail
Date: Sun, 7 Jan 2001 16:33:43 EST
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hi Ella,
I went last year, and it was great. The classes I took were well worth the 
time and money, and I will go again if time permits. 

As far as advice, take clothes for cooler weather than you would expect for 
Las Vegas - the classrooms in the convention center are COLD!  Shorts and 
Tshirts were not enough, some of us were layering sweaters and jackets, so 
bring a mix.

Everyone was very friendly, the exhibits were great, plenty to see and do 
outside of the glass event - you'll have a great time!
Ann
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From owner-glass Sun Jan  7 14:25:22 2001
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X-Path: netcom.ca!shmilly
From: Bill <shmilly@attcanada.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: hello??!!??
Date: Sun, 07 Jan 2001 16:08:16 -0500
Message-ID: <3.0.6.32.20010107160816.0079a8c0@popd.netcom.ca>
References: <<1970Jan1.000.0>>
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pretty quiet up here in canada also!.......still getting over all the
turkey i guess....  ;-)            ...bill
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From owner-glass Sun Jan  7 19:00:41 2001
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X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: hello??!!??
Date: Sun, 7 Jan 2001 20:50:21 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Yea I kept getting that kak thing myself and a few others lately. Went out
and got Norton Antivirus and fried the critters..
Byron...
Wells Glassworks

----- Original Message -----
From: J. Dahlin <jdahlin@pro-ns.net>
To: Byron Wells <byronw@fastlane.net>
Sent: Sunday, January 07, 2001 1:38 PM
Subject: Re: hello??!!??


> I haven't sent any messages until today from my computer since Christmas
> Day when I received a virus with a bungi message.  After much messing
> around I finally believe I am virus free and won't infect anyone else.
> I have taken about a month off from doing any stained glass and am
> trying to completely reorganize my work area.
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Sun Jan  7 20:31:46 2001
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X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: hello??!!??
Date: Sun, 7 Jan 2001 20:53:13 -0600
Message-ID: <1970Jan1.000.0>
References: <<000501c07863$62ebf460$203e493f@ilnk.com>>
Precedence: bulk

Must be nice to actually take the holidays off! I worked straight through em
all...Barely keeping ahead of my orders lately..

Byron...
Wells Glassworks

----- Original Message -----
From: Linda Jo Letscher <andor@ilnk.com>
To: Byron Wells <byronw@fastlane.net>; <glass@bungi.com>
Sent: Saturday, January 06, 2001 10:36 PM
Subject: Re: hello??!!??


> Byron,
> You took the words right out of my mouth.  I guess everyone is
recouperating
> from the holidays.
> Happy Glassing,
> Linda Jo
>
> ----- Original Message -----
> From: "Byron Wells" <byronw@fastlane.net>
> To: <glass@bungi.com>
> Sent: Saturday, January 06, 2001 10:27 PM
> Subject: hello??!!??
>
>
> > Havent gotten any bungi mail at all in a few days... Anyone still alive
> out
> > there?
> >
> > Byron...
> > Wells Glassworks
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
>
>

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From owner-glass Sun Jan  7 20:59:03 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Patrick Dirks" <buymypipes@hotmail.com>,
Content-Type: text/plain;
Subject: RE: do I know you? or you me?
Date: Thu, 21 Dec 2000 17:22:38 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

your on a list serv, it means that you get your questions answered, but
you'll also get everyone else's answer as well.


---Mike Savad


---
Mike's Stained Glass - http://www.geocities.com/Paris/1141/
Contains a wealth of stained glass information, stained glass tips, stained
glass instruction, and many, many stained glass links.
---
11-7-00 - New Stuff Added: How to solder a nice bead, and several new
projects. You can now search my site with a built in engine.

> -----Original Message-----
> From: Patrick Dirks [mailto:buymypipes@hotmail.com]
> Sent: Thursday, December 21, 2000 12:36 PM
> To: glass@bungi.com
> Subject: do I know you? or you me?
>
>
> Hi,
> I've been getting emails from people not derected to me but to you:
> glass@bungi.
> I don't mind but if you didn't know about it yet I'll help solve the
> 'problem'(?).
>
> Bye,
> Patrick
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

----
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From owner-glass Sun Jan  7 23:30:43 2001
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X-Path: earthlink.net!meyer64
From: "Meyer" <meyer64@earthlink.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Las Vegas Classes
Date: Sun, 7 Jan 2001 15:29:04 -0800
Message-ID: <1970Jan1.000.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0013_01C078BE.9164DE00
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Ella, I have also singed up for four classes in Vegas.  Which ones are =
you taking?  I am going on Wednesday and taking classes on Thursday and =
Friday.
Thursday I have the Sandblasting and Etching class and the Hot & Wired =
class.  Friday I have the Fusing Dichroc Glass and The Difference =
between doing business & making money classes.  Has anyone taken any of =
these classes before?  This is my first time going.  I am real excited.
Oh by the way I have a posted new free patterns on my website.  Check it =
out if your interested.  http://www.geocities.com\dmeyer64

Debra Meyer

------=_NextPart_000_0013_01C078BE.9164DE00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Ella, I have also singed up for four =
classes in=20
Vegas.&nbsp; Which ones are you taking?&nbsp; I am going on Wednesday =
and taking=20
classes on Thursday and Friday.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thursday&nbsp;I have the Sandblasting =
and Etching=20
class and the Hot &amp; Wired class.&nbsp; Friday I have the Fusing =
Dichroc=20
Glass and The Difference between doing business &amp; making money=20
classes.&nbsp; Has anyone taken any of these classes before?&nbsp; This =
is my=20
first time going.&nbsp; I am real excited.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Oh by the way I have a posted new free =
patterns on=20
my website.&nbsp; Check it out if your interested.&nbsp; <A=20
href=3D"http://www.geocities.com\dmeyer64">http://www.geocities.com\dmeye=
r64</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Debra Meyer</FONT></DIV></BODY></HTML>

------=_NextPart_000_0013_01C078BE.9164DE00--

----
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From owner-glass Mon Jan  8 03:30:35 2001
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	for rglass-42; Mon, 8 Jan 2001 03:25:33 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #527 built 2000-Nov-28)
X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Richard LaVal" <rlaval@sol.racsa.co.cr>,
Content-Type: text/plain;
Subject: RE: Psychological effects of color
Date: Sun, 24 Dec 2000 21:42:39 -0500
Message-ID: <1970Jan1.000.0>
References: <<3.0.6.32.20001224064912.0080e160@127.0.0.1>>
Precedence: bulk

though i havn't checked the whole site yet... that site's intro made me a
bit sick...


---Mike Savad


---
Mike's Stained Glass - http://www.geocities.com/Paris/1141/
Contains a wealth of stained glass information, stained glass tips, stained
glass instruction, and many, many stained glass links.
---
11-7-00 - New Stuff Added: How to solder a nice bead, and several new
projects. You can now search my site with a built in engine.

> -----Original Message-----
> From: Richard LaVal [mailto:rlaval@sol.racsa.co.cr]
> Sent: Sunday, December 24, 2000 7:49 AM
> To: glass@bungi.com
> Subject: Re: Psychological effects of color
>
>
> >
> >Color is a very complex issue-- sonetimes we love a color, but in a
> >certain context (say, just a little box on a desk) and other times we
> >love to be immersed in a color, like wearing it, but that is even
> >different than being in a room painted that color.=20
> >
>  =20
>
> A whole other issue is something called Irlen Syndrome... and I
> bet some of
> you have it without even knowing it.... Hate sunlight?  learning problems?
> migraines?  etc... these are only a few of the symptoms...  They think it
> is a disability of the brain to process certain portions of the
> spectrum of
> light, so your brain short circuits and causes problems.  Anyone
> interested
> in more info can check out www.Irlen.com   I am a screener, and
> part of the
> screening process is using colored overlays to see if some of the symptoms
> can be stopped... it is very interesting the reactions people have to some
> of the colors.. some they love, and some actually make them
> instantly sick!
>  By the way... most people can be "cured" by wearing a colored lens, made
> especially for them of the unique color which they need.  Meg
> =BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA
> =BA=BA=BA=
> =BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA
> =BA=BA=BA=
> =BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA
> =BA=BA=BA=
> =BA
> =BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA
> RICHARD AND MEG LAVAL
> Apdo 24-5655
> Monteverde
> COSTA RICA
>
> PHONE 645-5052 or 645-5419
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

----
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From owner-glass Mon Jan  8 04:26:29 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "David Cogen" <cogen@ll.mit.edu>,
Content-Type: text/plain;
Subject: RE: parallel mashers
Date: Tue, 19 Dec 2000 17:13:41 -0500
Message-ID: <1970Jan1.000.0>
References: <<200012191358.IAA12470@poblano.llan.ll.mit.edu>>
Precedence: bulk

i wonder if there's anything related to the HVAC field. i know they make
various duct crimpers, though i don't know how powerful they are, nor if
they are parallel or not.


---Mike Savad


---
Mike's Stained Glass - http://www.geocities.com/Paris/1141/
Contains a wealth of stained glass information, stained glass tips, stained
glass instruction, and many, many stained glass links.
---
11-7-00 - New Stuff Added: How to solder a nice bead, and several new
projects. You can now search my site with a built in engine.

> -----Original Message-----
> From: David Cogen [mailto:cogen@ll.mit.edu]
> Sent: Tuesday, December 19, 2000 8:59 AM
> To: glass@bungi.com
> Subject: parallel mashers
>
>
> Can anyone recommend a true parallel-action mashing plier? We have the
> "clothspin masher" sold by Frantz and probably elsewhere which was
> misleadingly advertised as parallel-action but it is not. I don't remember
> Wale or Frantz having anything suitable. The plates must be at least 1.5x2
> inches.
>
> If nothing for glass work exists, I am considering having
> something fabricated
> by welding plates onto an automotive parallel-action plier, but
> cannot even
> find such a plier! These used to be common many years ago. I have checked
> Sears and automotive stored but nothing has turned up. Any
> recommendations for
> this, too?
>
> Thanks for any leads.
>
> --DavidC
> ----
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> Archives available at http://www.bungi.com/glass
>

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From owner-glass Mon Jan  8 18:02:37 2001
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X-Path: tekstar.com!lmm
From: "Lowell & Mary Moser" <lmm@tekstar.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: mailing list
Date: Mon, 8 Jan 2001 19:58:24 -0600
Message-ID: <1970Jan1.000.0>
References: <<m14F3NB-0002bdC@daver.bungi.com>>
Precedence: bulk


----- Original Message -----
From: "Glenna Rand" <gjr@bungi.com>
To: <lmm@tekstar.com>
Sent: Saturday, January 06, 2001 6:07 PM
Subject: mailing list


> Hi
>
> You are on the stained glass email mailing list.  There have been
> some technical changes.
>
> As a reminder to all, the stained glass list is intended to be a resource
> that people can use to discuss issues related to glass work.  It is not
for
> discussing the personal habits of people, or their probably parentage.  We
> *do not* want to moderate this list.  We feel that people should have the
> ability to express their ideas openly.
>
> Please; this list goes to over 400 people, all around the world.  There
> *will* be differences of opinion.  If so, please take it offline.  To that
> end, I have made a technical change in how the list works.  Before,
replying
> would automatically send to the stained glass list.  Now, replying will
send
> the message back only to the originator.  If your reply is meant for the
> list as well, you will need to change the To: address to glass@bungi.com.
>
> Hopefully, this minor change will both help avoid the recent flame-fests,
> and help people stay in a positive frame of mind.
>
> Let us know if you have any questions.
>
> Dave & Glenna Rand
>
>
> --
> Glenna Rand
> gjr@bungi.com
>

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From owner-glass Mon Jan  8 18:17:39 2001
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	(Smail-3.2.0.94 1997-Apr-22 #527 built 2000-Nov-28)
X-Path: n-link.com!pkelly
From: Patrick Kelly <pkelly@n-link.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: parallel mashers
Date: Mon, 8 Jan 2001 20:14:51 -0600
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Sounds like a pair of sheet metal tools. Like vise grips but with a large
flat bill on either side.

my two cents worth...

Patrick
Roses and Rainbows

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From owner-glass Mon Jan  8 18:49:44 2001
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X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: mailing list
Date: Mon, 8 Jan 2001 20:46:05 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Ahh.. This would explain the lack of mail... Most people must not be
changing the TO: to bungi and all the mail is going to individuals instead
of the list...

----- Original Message -----
From: Lowell & Mary Moser <lmm@tekstar.com>
To: <glass@bungi.com>
Sent: Monday, January 08, 2001 7:58 PM
Subject: Re: mailing list


>
> ----- Original Message -----
> From: "Glenna Rand" <gjr@bungi.com>
> To: <lmm@tekstar.com>
> Sent: Saturday, January 06, 2001 6:07 PM
> Subject: mailing list
>
>
> > Hi
> >
> > You are on the stained glass email mailing list.  There have been
> > some technical changes.
> >
> > As a reminder to all, the stained glass list is intended to be a
resource
> > that people can use to discuss issues related to glass work.  It is not
> for
> > discussing the personal habits of people, or their probably parentage.
We
> > *do not* want to moderate this list.  We feel that people should have
the
> > ability to express their ideas openly.
> >
> > Please; this list goes to over 400 people, all around the world.  There
> > *will* be differences of opinion.  If so, please take it offline.  To
that
> > end, I have made a technical change in how the list works.  Before,
> replying
> > would automatically send to the stained glass list.  Now, replying will
> send
> > the message back only to the originator.  If your reply is meant for the
> > list as well, you will need to change the To: address to
glass@bungi.com.
> >
> > Hopefully, this minor change will both help avoid the recent
flame-fests,
> > and help people stay in a positive frame of mind.
> >
> > Let us know if you have any questions.
> >
> > Dave & Glenna Rand
> >
> >
> > --
> > Glenna Rand
> > gjr@bungi.com
> >
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Mon Jan  8 23:29:07 2001
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From: "sansu@sunrise-sunset.com" <sansu@sunrise-sunset.com>
To: glass@bungi.com.
Content-Type: text/plain; charset=US-ASCII
Subject: [no subject]
Date: Mon, 8 Jan 2001 22:28:48 -0600
Message-ID: <1970Jan1.000.0>
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I am interested in hearing from glass artists who use or have used a glass
saw in their work.  I am considering purchasing a Gryphon Wire Saw and
would like any feedback, experiences, suggestions, etc.  Thanks for you
help!

_____________________________________________
Free email with personality! Over 200 domains!
http://www.MyOwnEmail.com

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From owner-glass Tue Jan  9 03:02:17 2001
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X-Path: clientes.euskaltel.es!elere
From: "Elena Rod4ríguez Echebarria" <elere@clientes.euskaltel.es>
To: Bungi List <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: anybody there?
Date: Tue, 09 Jan 2001 11:29:48 +0100
Message-ID: <1970Jan1.000.0>
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Hello bungians
And happy new year to all; I haven't received any message from this list
for ages and wondered whether everyone is on holidays or there's
something wrong with my mail service/system. I have just finished my
first ever craft fair without lossing money, even made some after
expenses. Do you think it is worth making small cheap articles for this
sort of event, even if such articles hardly (or not at all) give
profits? I have sold just one lamp (which is what I mainly make) and 105
pendants (quite cheap, just 1700 pesetas each).
I wonder how hard were studio owners beginnings and how did you manage
to keep your chin up when you were down.  Any advice appreciated.

Best regards
Elena in Spain

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From owner-glass Tue Jan  9 06:30:48 2001
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X-Path: ilnk.com!andor
From: "Linda Jo Letscher" <andor@ilnk.com>
To: "Elena Rod4ríguez Echebarria" <elere@clientes.euskaltel.es>,
Subject: Re: anybody there?
Date: Tue, 9 Jan 2001 08:52:37 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Re; Gryphon Saw
I have one like it, worked for 11 years without one, but it is a nice
addition to a studio.

Re:anybody there
I don't do the little stuff, but there are folks that spend a lot of time
making suncatchers and stuff and do make money going to craft shows.  Do
what you feel is right for you.

Re: mail
I am getting my mail back when I try to send it to bungi, being rejected at
their server for some reason.  So this is sort of a test.

Linda Jo
----- Original Message -----
From: "Elena Rod4ríguez Echebarria" <elere@clientes.euskaltel.es>
To: "Bungi List" <glass@bungi.com>
Sent: Tuesday, January 09, 2001 5:29 AM
Subject: anybody there?


> Hello bungians
> And happy new year to all; I haven't received any message from this list
> for ages and wondered whether everyone is on holidays or there's
> something wrong with my mail service/system. I have just finished my
> first ever craft fair without lossing money, even made some after
> expenses. Do you think it is worth making small cheap articles for this
> sort of event, even if such articles hardly (or not at all) give
> profits? I have sold just one lamp (which is what I mainly make) and 105
> pendants (quite cheap, just 1700 pesetas each).
> I wonder how hard were studio owners beginnings and how did you manage
> to keep your chin up when you were down.  Any advice appreciated.
>
> Best regards
> Elena in Spain
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


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From owner-glass Tue Jan  9 09:09:48 2001
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X-Path: tir.com!jazzykid
From: "Jill M" <jazzykid@tir.com>
To: "Meyer" <meyer64@earthlink.net>,
Content-Type: text/plain;
Subject: Re: Las Vegas Classes
Date: Fri, 9 Mar 2001 11:59:56 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Debra,

I have took the Sandblasting and Etching class and Hot and Wired last year
in Las Vegas.  You will enjoy both classes.  Dobbins are great teachers and
I took the carving class the next day and it gives you an overall view of
blasting.  Linda Abbott is a hoot for Hot and Wired!  You have FUN!!

Jill Medlyn




>Ella, I have also singed up for four classes in Vegas.  Which ones are =
>you taking?  I am going on Wednesday and taking classes on Thursday and =
>Friday.
>Thursday I have the Sandblasting and Etching class and the Hot & Wired =
>class.  Friday I have the Fusing Dichroc Glass and The Difference =
>between doing business & making money classes.  Has anyone taken any of =
>these classes before?  This is my first time going.  I am real excited.
>Oh by the way I have a posted new free patterns on my website.  Check it =
>out if your interested.  http://www.geocities.com\dmeyer64
>
>Debra Meyer
>
>------=_NextPart_000_0013_01C078BE.9164DE00
>Content-Type: text/html;
> charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META content=3D"text/html; charset=3Diso-8859-1" =
>http-equiv=3DContent-Type>
><META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Ella, I have also singed up for four =
>classes in=20
>Vegas.&nbsp; Which ones are you taking?&nbsp; I am going on Wednesday =
>and taking=20
>classes on Thursday and Friday.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Thursday&nbsp;I have the Sandblasting =
>and Etching=20
>class and the Hot &amp; Wired class.&nbsp; Friday I have the Fusing =
>Dichroc=20
>Glass and The Difference between doing business &amp; making money=20
>classes.&nbsp; Has anyone taken any of these classes before?&nbsp; This =
>is my=20
>first time going.&nbsp; I am real excited.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Oh by the way I have a posted new free =
>patterns on=20
>my website.&nbsp; Check it out if your interested.&nbsp; <A=20
>href=3D"http://www.geocities.com\dmeyer64">http://www.geocities.com\dmeye=
>r64</A></FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT face=3DArial size=3D2>Debra Meyer</FONT></DIV></BODY></HTML>
>
>------=_NextPart_000_0013_01C078BE.9164DE00--
>
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From owner-glass Tue Jan  9 09:31:37 2001
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From: Bobfuses@aol.com
To: elere@clientes.euskaltel.es, glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_d6.be43d3.278c9bf2_boundary"
Subject: Re: anybody there?
Date: Tue, 9 Jan 2001 11:53:06 EST
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--part1_d6.be43d3.278c9bf2_boundary
Content-Type: text/plain; charset="US-ASCII"
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In a message dated 1/9/01 3:02:47 AM Pacific Standard Time, 
elere@clientes.euskaltel.es writes:

> I have just finished my
> first ever craft fair without lossing money, even made some after
> expenses. Do you think it is worth making small cheap articles for this
> sort of event, even if such articles hardly (or not at all) give
> profits? I have sold just one lamp (which is what I mainly make) and 105
> pendants (quite cheap, just 1700 pesetas each).

Sometimes orders for large items can put you over the top for a good show. 
Try to display a couple of larger items and have a portfolio of works you 
have done. The small items for direct sale then are just a come on.





Bob in 9 2 0 2 6
Don't forget to punch out the candidate of your choice.

--part1_d6.be43d3.278c9bf2_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 1/9/01 3:02:47 AM Pacific Standard Time, <BR>elere@clientes.euskaltel.es writes:
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I have just finished my
<BR>first ever craft fair without lossing money, even made some after
<BR>expenses. Do you think it is worth making small cheap articles for this
<BR>sort of event, even if such articles hardly (or not at all) give
<BR>profits? I have sold just one lamp (which is what I mainly make) and 105
<BR>pendants (quite cheap, just 1700 pesetas each).</FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>Sometimes orders for large items can put you over the top for a good show. <BR>Try to display a couple of larger items and have a portfolio of works you <BR>have done. The small items for direct sale then are just a come on.
<BR></FONT><FONT  COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>
<BR>
<BR>
<BR><B>Bob in 9 2 0 2 6</B>
<BR><B>Don't forget to punch out the candidate of your choice.</B></FONT></HTML>

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From owner-glass Tue Jan  9 14:30:56 2001
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Date: Tue, 09 Jan 2001 17:27:13 -0500
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I've been busy with some family stuff, but have designs to do, so will be
starting those.  Got a new scanner just before Christmas and finally have
that hooked up and ready to play with.

We had a good year last year and there were itmes we could have sold LOTS
of, if only we had....We make little angels out of scrap and never had
enough in November and December, so John is making some now, during our
slow time, so we can just pull 'em out of a box this fall.  We're also
putting together our spring craft fair schedule...ie, getting the
applications together.  Plus working on taxes, etc..
Busy still.

Dorothy

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Mail $5.00 Cash, Check Or Money Order Along With Your Email Address, 
                   
                          To:

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                           Shawnee Mission Ks 66215


Visa and MasterCard, click here: 
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From owner-glass Tue Jan  9 19:32:06 2001
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: "sansu@sunrise-sunset.com" <sansu@sunrise-sunset.com>
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It is my understanding that the Tarus II saw is outselling the Gryphon
saws by a large margin.  If I were you I would try both out before
purchasing.  Go to the shop where you expect to buy the saw or go to a
stained glass trade show such as the one forthcoming in Las Vegas in
March.  The Tarus II is so easy and takes a lot more abuse than the
Gryphon saw will take.  But the final answer has to be your own preference
after using both saws.  PJ

On Mon, 8 Jan 2001, sansu@sunrise-sunset.com wrote:

> I am interested in hearing from glass artists who use or have used a glass
> saw in their work.  I am considering purchasing a Gryphon Wire Saw and
> would like any feedback, experiences, suggestions, etc.  Thanks for you
> help!
> 
> _____________________________________________
> Free email with personality! Over 200 domains!
> http://www.MyOwnEmail.com
> 
> ----
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> 

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From: "D. ONeal" <Moya-Don@worldnet.att.net>
To: <Glass @Bungi.com>
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Date: Tue, 9 Jan 2001 22:34:58 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_000A_01C07A8C.65F8FB00
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Sansu,
I have not tried the new Gryphon saw.  I have an old one and have not =
used it since I got my new Gemini (Taurus?)Ring Saw.  I love the ring =
saw and attachments.
Moya

------=_NextPart_000_000A_01C07A8C.65F8FB00
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</HEAD>
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<DIV>Sansu,</DIV>
<DIV>I have not tried the new Gryphon saw.&nbsp; I have an old one and =
have not=20
used it since I got my new Gemini (Taurus?)Ring Saw.&nbsp; I love the =
ring saw=20
and attachments.</DIV>
<DIV>Moya</DIV></BODY></HTML>

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To: "sansu@sunrise-sunset.com" <sansu@sunrise-sunset.com>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: [no subject]
Date: Tue, 9 Jan 2001 20:43:56 -0800 (PST)
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Check the newsgroup rec.crafts.glass.  There is an
interesting thread on this very subject right now.

Joan
---
--- "sansu@sunrise-sunset.com"
<sansu@sunrise-sunset.com> wrote:
> I am interested in hearing from glass artists who
> use or have used a glass
> saw in their work.  I am considering purchasing a
> Gryphon Wire Saw and
> would like any feedback, experiences, suggestions,
> etc.  Thanks for you
> help!
> 
> _____________________________________________
> Free email with personality! Over 200 domains!
> http://www.MyOwnEmail.com
> 
> ----
> For subscription changes, please mail to:
> glass-request@bungi.com
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Date: Tue, 9 Jan 2001 20:43:56 -0800 (PST)
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Check the newsgroup rec.crafts.glass.  There is an
interesting thread on this very subject right now.

Joan
---
--- "sansu@sunrise-sunset.com"
<sansu@sunrise-sunset.com> wrote:
> I am interested in hearing from glass artists who
> use or have used a glass
> saw in their work.  I am considering purchasing a
> Gryphon Wire Saw and
> would like any feedback, experiences, suggestions,
> etc.  Thanks for you
> help!
> 
> _____________________________________________
> Free email with personality! Over 200 domains!
> http://www.MyOwnEmail.com
> 
> ----
> For subscription changes, please mail to:
> glass-request@bungi.com
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X-Path: ilnk.com!andor
From: "Linda Jo Letscher" <andor@ilnk.com>
To: "Bungi" <glass@bungi.com>
Subject: Said wrong saw
Date: Wed, 10 Jan 2001 00:08:53 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I have a Taurus 2.2 not a Gryphon, don't know why I wrote that, I was out
today and it dawned on me I said the wrong one.  The only saw I have ever
used is the Taurus, it is fine, don't use it a lot but no complaints.
Linda Jo


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From owner-glass Thu Jan 11 08:01:32 2001
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From: "Sarah" <arasai@bright.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: NG: Business Checks
Date: Thu, 11 Jan 2001 10:21:31 -0500
Message-ID: <1970Jan1.000.0>
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Clear DaySome time ago, someone asked if anyone knew a company that prints
checks with stained glass themes. I would like to know if anyone has found
such a company?
May your day be as beautiful as you are...!

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From owner-glass Thu Jan 11 09:06:51 2001
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From: heinze.g@ns.sympatico.ca (Gail HeinzeMiline)
To: glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Ceiling panels
Date: Thu, 11 Jan 2001 13:15:47 -0400
Message-ID: <1970Jan1.000.0>
Organization: Glass with Class
Precedence: bulk

I am working on a commission involving 6 ceiling panels to go over a
kitchen island and be backlit with flourescent tubes. Each panel is
about 20" by 20". They will have to be removable so the client can
change the tubes. Any ideas on how to go about reinforcing something
like this? The framing is already in place ( holding plexiglass right
now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
the panel will sit. Thanks for any ideas.

Gail in Nova Scotia

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From owner-glass Thu Jan 11 09:43:03 2001
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From: <tuka@attcanada.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Ceiling panels
Date: Thu, 11 Jan 2001 09:13:50 -0800
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
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I too would appreciate receiving the responses to this question... 

Thank you

Shiela 
tuka@attcanada.net



I am working on a commission involving 6 ceiling panels to go over a
kitchen island and be backlit with flourescent tubes. Each panel is
about 20" by 20". They will have to be removable so the client can
change the tubes. Any ideas on how to go about reinforcing something
like this? The framing is already in place ( holding plexiglass right
now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
the panel will sit. Thanks for any ideas.

Gail in Nova Scotia

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From owner-glass Thu Jan 11 10:40:57 2001
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X-Path: yahoo.com!beadnik
From: Joan <beadnik@yahoo.com>
To: lin payton <paylin@msn.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: [no subject]
Date: Thu, 11 Jan 2001 10:32:34 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I know you can read it, and most other newsgroups, at
www.deja.com.  Click on "rec", then click on "crafts"
and find rec.crafts.glass.  You can also search the
archives for old posts there.

Joan

--- lin payton <paylin@msn.com> wrote:
> how do you get to rec.crafts.glass?  I used to keep
> up with that newsgroup but haven't been able to
> "join" since i changed over to MSN as my server. 
> Any help would be appreciated in finding the
> newsgroup.
> TIA
> 
> 
> 
> ----- Original Message -----
> From: Joan
> Sent: Tuesday, January 09, 2001 9:16 PM
> To: sansu@sunrise-sunset.com; glass@bungi.com
> Subject: Re: [no subject]
> 
> 
> 
> Check the newsgroup rec.crafts.glass.  There is an
> interesting thread on this very subject right now.
> 
> Joan
> ---
> --- "sansu@sunrise-sunset.com"
> <sansu@sunrise-sunset.com> wrote:
> > I am interested in hearing from glass artists who
> > use or have used a glass
> > saw in their work.  I am considering purchasing a
> > Gryphon Wire Saw and
> > would like any feedback, experiences, suggestions,
> > etc.  Thanks for you
> > help!
> >
> > _____________________________________________
> > Free email with personality! Over 200 domains!
> > http://www.MyOwnEmail.com
> >
> > ----
> > For subscription changes, please mail to:
> > glass-request@bungi.com
> > To send to the list,      please mail to:
> > glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> 
> 
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href="http://explorer.msn.com">http://explorer.msn.com</a><br></p>
> 
 

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From owner-glass Thu Jan 11 11:39:05 2001
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X-Path: exchange.DAYTONOH.NCR.com!DF125031
From: "Becker, Donna" <DF125031@exchange.DAYTONOH.NCR.com>
To: glass <glass@bungi.com>
Content-Type: text/plain
Subject: RE: Ceiling panels
Date: Thu, 11 Jan 2001 14:18:56 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I would like to receive the responses to this as well.

Thanks!

Donna Becker
donna.becker@chicagoil.ncr.com



> -----Original Message-----
> From:	heinze.g@ns.sympatico.ca [SMTP:heinze.g@ns.sympatico.ca]
> Sent:	Thursday, January 11, 2001 11:16 AM
> To:	glass
> Subject:	Ceiling panels
> 
> I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> the panel will sit. Thanks for any ideas.
> 
> Gail in Nova Scotia
> 
> --
> -----------------------------------------------------
> Click here for Free Video!!
> http://www.gohip.com/free_video/
> 
> 
> ----
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From owner-glass Thu Jan 11 12:52:08 2001
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From: "marcia schuette" <mgschuette@email.msn.com>
To: "glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Ceiling panels
Date: Thu, 11 Jan 2001 14:17:02 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

ditto,i'd like to receive the responses to the ceiling panels also. thank
you marcia
----- Original Message -----
From: "Becker, Donna" <DF125031@exchange.DAYTONOH.NCR.com>
to receive the responses to this as well.
>
> Thanks!
" by 20". They will have to be removable so the client can
> > change the tubes. Any ideas on how to go about reinforcing something





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From owner-glass Thu Jan 11 12:53:05 2001
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X-Path: fbol.com!Patty.McMaster
From: Patty.McMaster@fbol.com
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: RE: Ceiling panels
Date: Thu, 11 Jan 2001 13:54:40 -0600
Message-ID: <1970Jan1.000.0>
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I would like to receive the response(s)  to this as well.
& would like to know what design(s) Gail is using
Obviously, this is in lead , correct?



Thank You,
Patricia McMaster
pattymcmaster@fbol.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



> -----Original Message-----
> From:   heinze.g@ns.sympatico.ca [SMTP:heinze.g@ns.sympatico.ca]
> Sent:   Thursday, January 11, 2001 11:16 AM
> To:     glass
> Subject:     Ceiling panels
>
> I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> the panel will sit. Thanks for any ideas.
>
> Gail in Nova Scotia
>
> --
> -----------------------------------------------------
> Click here for Free Video!!
> http://www.gohip.com/free_video/
>
>
> ----
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From owner-glass Thu Jan 11 13:14:11 2001
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X-Path: fsg.prusec.com!cava
From: cava@fsg.prusec.com
To: glass@bungi.com
Subject: Re: Ceiling panels
Date: Thu, 11 Jan 2001 14:51:07 -0500
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Precedence: bulk

   I would like to receive the info on this 
   subject as well.
 
   Thanks in advance.

   Lucille

From:	SMTP%"DF125031@exchange.DAYTONOH.NCR.com" 11-JAN-2001 14:49:31.81
To:	CAVA
CC:	
Subj:	RE: Ceiling panels

X-Path: exchange.DAYTONOH.NCR.com!DF125031
From: DF125031@exchange.DAYTONOH.NCR.com
To: glass@bungi.com
Content-Type: text/plain
Subject: RE: Ceiling panels
Date: Thu, 11 Jan 2001 14:18:56 -0500
Message-Id: <1970Jan1.000.0>
Precedence: bulk

I would like to receive the responses to this as well.

Thanks!

Donna Becker
donna.becker@chicagoil.ncr.com



> -----Original Message-----
> From:	heinze.g@ns.sympatico.ca [SMTP:heinze.g@ns.sympatico.ca]
> Sent:	Thursday, January 11, 2001 11:16 AM
> To:	glass
> Subject:	Ceiling panels
> 
> I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> the panel will sit. Thanks for any ideas.
> 
> Gail in Nova Scotia
> 
> --
> -----------------------------------------------------
> Click here for Free Video!!
> http://www.gohip.com/free_video/
> 
> 
> ----
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From owner-glass Thu Jan 11 13:54:31 2001
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X-Path: POBox.com!nadinesfolly
From: "Nadine BethSchneider" <nadinesfolly@POBox.com>
To: "Becker, Donna" <DF125031@exchange.DAYTONOH.NCR.com>,
Content-Type: text/plain;
Subject: RE: Ceiling panels
Date: Thu, 11 Jan 2001 16:20:49 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

I would like them also.  Thanks!

Nadine Beth Schneider
Nadine's Folly, Ltd
www.nadinesfolly.com


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From owner-glass Thu Jan 11 14:00:32 2001
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X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Ceiling panels
Date: Thu, 11 Jan 2001 15:51:58 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Hi Gail

I would think that 1 piece if 3/8 steel rebar somewhere near the center
would be more than enough..I assume your using lead came. I do a lot of
double doors for front entries that are usually 24x50 and if their kids can
destroy the doors slamming em with 1 piece of 3/8 steel then it oughta hold
a static panel just fine...

Byron...
Wells Glassworks

----- Original Message -----
From: Gail HeinzeMiline <heinze.g@ns.sympatico.ca>
To: glass <glass@bungi.com>
Sent: Thursday, January 11, 2001 11:15 AM
Subject: Ceiling panels


> I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> the panel will sit. Thanks for any ideas.
>
> Gail in Nova Scotia
>
> --
> -----------------------------------------------------
> Click here for Free Video!!
> http://www.gohip.com/free_video/
>
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Thu Jan 11 14:02:12 2001
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From: Lindsey Edwards <lindsey1713@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: REMOVE
Date: Thu, 11 Jan 2001 13:35:05 -0800 (PST)
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Please remove lindsey1713@yahoo.com from your mailing list.

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From owner-glass Thu Jan 11 14:15:32 2001
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X-Path: ix.netcom.com!gunnx4
From: Suzanne Gunn <gunnx4@ix.netcom.com>
To: Gail HeinzeMiline <heinze.g@ns.sympatico.ca>, glass@bungi.com
Content-Type: text/plain; charset=x-user-defined
Subject: Re: Ceiling panels
Date: Thu, 11 Jan 2001 15:34:24 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: glassdancer
Precedence: bulk

I'd reinforce the back side of the panel with rebar which would then go
into the wood frame. You'll have to cut notches into the wood frame for
the rebar to sit into.

Suzanne

Gail HeinzeMiline wrote:
> 
> I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> the panel will sit. Thanks for any ideas.
> 
> Gail in Nova Scotia
> 
> --
> -----------------------------------------------------
> Click here for Free Video!!
> http://www.gohip.com/free_video/
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Thu Jan 11 14:35:37 2001
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X-Path: ix.netcom.com!gunnx4
From: Suzanne Gunn <gunnx4@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=x-user-defined
Subject: Newsgroups
Date: Thu, 11 Jan 2001 15:32:15 -0600
Message-ID: <1970Jan1.000.0>
Organization: glassdancer
Precedence: bulk

I had a similar problem because I upgraded my browser.  You probably
need to contact your isp's tech support to get the correct address to
type into your newsgroup preferences.
Suzanne

> --- lin payton <paylin@msn.com> wrote:
> > how do you get to rec.crafts.glass?  I used to keep
> > up with that newsgroup but haven't been able to
> > "join" since i changed over to MSN as my server. 
> > Any help would be appreciated in finding the
> > newsgroup.
> > TIA
> >
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From owner-glass Thu Jan 11 15:00:23 2001
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From: Suzanne Gunn <gunnx4@ix.netcom.com>
To: glass@bungi.com
Content-Type: text/plain; charset=x-user-defined
Subject: Ceiling panel
Date: Thu, 11 Jan 2001 16:25:54 -0600
Message-ID: <1970Jan1.000.0>
Organization: glassdancer
Precedence: bulk

Gail, 

On thinking some more re your ceiling panels...you wont need to notch
the wood as it will be on the front side of your panel, not the back
where the rebar would be. 

Suzanne
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From owner-glass Thu Jan 11 15:18:42 2001
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Please remove shoeyles@aol.com from your mailing list for the present time.  
Thank you.

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Please remove shoeyles@aol.com from your mailing list for the present time. &nbsp;<BR>Thank you.</FONT></HTML>

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From owner-glass Thu Jan 11 15:33:58 2001
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X-Path: yahoo.com!barbaraelmore
From: barbara elmore <barbaraelmore@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Ceiling panels
Date: Thu, 11 Jan 2001 15:15:01 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Me, too.  I have a panel that needs reinforcing now
for an 18" square ceiling pantel!


--- cava@fsg.prusec.com wrote:
>    I would like to receive the info on this 
>    subject as well.
>  
>    Thanks in advance.
> 
>    Lucille
> 
> From:	SMTP%"DF125031@exchange.DAYTONOH.NCR.com"
> 11-JAN-2001 14:49:31.81
> To:	CAVA
> CC:	
> Subj:	RE: Ceiling panels
> 
> X-Path: exchange.DAYTONOH.NCR.com!DF125031
> From: DF125031@exchange.DAYTONOH.NCR.com
> To: glass@bungi.com
> Content-Type: text/plain
> Subject: RE: Ceiling panels
> Date: Thu, 11 Jan 2001 14:18:56 -0500
> Message-Id: <1970Jan1.000.0>
> Precedence: bulk
> 
> I would like to receive the responses to this as
> well.
> 
> Thanks!
> 
> Donna Becker
> donna.becker@chicagoil.ncr.com
> 
> 
> 
> > -----Original Message-----
> > From:	heinze.g@ns.sympatico.ca
> [SMTP:heinze.g@ns.sympatico.ca]
> > Sent:	Thursday, January 11, 2001 11:16 AM
> > To:	glass
> > Subject:	Ceiling panels
> > 
> > I am working on a commission involving 6 ceiling
> panels to go over a
> > kitchen island and be backlit with flourescent
> tubes. Each panel is
> > about 20" by 20". They will have to be removable
> so the client can
> > change the tubes. Any ideas on how to go about
> reinforcing something
> > like this? The framing is already in place (
> holding plexiglass right
> > now) and each panel is surrounded by 2 1/2" oak
> with a 1/4" lip where
> > the panel will sit. Thanks for any ideas.
> > 
> > Gail in Nova Scotia
> > 
> > --
> >
>
-----------------------------------------------------
> > Click here for Free Video!!
> > http://www.gohip.com/free_video/
> > 
> > 
> > ----
> > For subscription changes, please mail to:
> glass-request@bungi.com
> > To send to the list,      please mail to:
> glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> ----
> For subscription changes, please mail to:
> glass-request@bungi.com
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> glass@bungi.com
> Archives available at http://www.bungi.com/glass
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> glass@bungi.com
> Archives available at http://www.bungi.com/glass


=====
Thank you,
Barbara Elmore

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From owner-glass Thu Jan 11 15:34:14 2001
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X-Path: yahoo.com!barbaraelmore
From: barbara elmore <barbaraelmore@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Newsgroups
Date: Thu, 11 Jan 2001 15:21:03 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Try www.deja.com/group/rec.crafts.glass
I am totally a computer dummy so don't even know how
to
make that a whatchacallit blue thingie so that you can
go directly.

My problem, as may be yours, is my ISP doesn't
subscribe to this newsgroup.  So, this seems to be a
way around it, but it is filled with advertising.


--- Suzanne Gunn <gunnx4@ix.netcom.com> wrote:
> I had a similar problem because I upgraded my
> browser.  You probably
> need to contact your isp's tech support to get the
> correct address to
> type into your newsgroup preferences.
> Suzanne
> 
> > --- lin payton <paylin@msn.com> wrote:
> > > how do you get to rec.crafts.glass?  I used to
> keep
> > > up with that newsgroup but haven't been able to
> > > "join" since i changed over to MSN as my server.
> 
> > > Any help would be appreciated in finding the
> > > newsgroup.
> > > TIA
> > >
> ----
> For subscription changes, please mail to:
> glass-request@bungi.com
> To send to the list,      please mail to:
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> Archives available at http://www.bungi.com/glass


=====
Thank you,
Barbara Elmore

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Yahoo! Photos - Share your holiday photos online!
http://photos.yahoo.com/
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From owner-glass Thu Jan 11 16:19:51 2001
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X-Path: juno.com!himest
From: himest@juno.com
To: glass@bungi.com
Content-Type: text/plain
Subject: solder iron
Date: Thu, 11 Jan 2001 15:29:25 -0600
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Question, I am a beginner glass person, and want to buy a good solder
iron.  

Does everyone suggest a standard iron w/ a temperature control added to
it
				OR
A solder iron with a built-in temperature controller.


I have used an iron that was plugged into a temp control box and had hard
time controlling the heat (too hot too cold) - so are the built in temp
controls better to contro temps?
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From owner-glass Thu Jan 11 17:00:36 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: <himest@juno.com>,
Content-Type: text/plain;
Subject: RE: solder iron
Date: Thu, 11 Jan 2001 19:44:07 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

get a regular iron, and add the reostat to it. i heard that the built in
controllers, aren't as sensitve, and can break.


---Mike Savad


---
Mike's Stained Glass - http://www.geocities.com/Paris/1141/
Contains a wealth of stained glass information, stained glass tips, stained
glass instruction, and many, many stained glass links.
---
11-7-00 - New Stuff Added: How to solder a nice bead, and several new
projects. You can now search my site with a built in engine.

> -----Original Message-----
> From: himest@juno.com [mailto:himest@juno.com]
> Sent: Thursday, January 11, 2001 4:29 PM
> To: glass@bungi.com
> Subject: solder iron
>
>
> Question, I am a beginner glass person, and want to buy a good solder
> iron.
>
> Does everyone suggest a standard iron w/ a temperature control added to
> it
> 				OR
> A solder iron with a built-in temperature controller.
>
>
> I have used an iron that was plugged into a temp control box and had hard
> time controlling the heat (too hot too cold) - so are the built in temp
> controls better to contro temps?
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Thu Jan 11 18:38:49 2001
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X-Path: one.net!gwood
From: one.net!gwood
To: glass@bungi.com
Content-Type: text/plain;
Subject: Re: Ceiling panels
Date: Thu Jan 11 18:17:33 2001
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Something to consider in these types of panels in existing
openings is the over all weight.  The 'thickness' and means of
attachment of the 'lip' on the frame, while holding Plexiglas
quit well, may not be substantial enough to hold the weight
of the panel, especially a leaded one.  Make sure the existing
lighting fixture can tolerate the increase in weight.  Also, make
sure there is clearance inside the fixture to allow for reinforcement
as most commercial fixtures are 'thickness sensitive'.

Also, in panels in 'non-vertical' situations, especially leaded,
simple reinforcing down the center will not be enough.
Reinforced panels in doors & such, while withstanding the transient
forces of opening, closing & slamming, are strongest in the direction
of gravity with each piece, along with the came, lending strength
to the unit.  Non-horizontal panels have to withstand the force
of gravity where each piece can not rely on its neighbor for strength
and most importantly fights _against_ the came.  Solder is less prone
to stretching but is more brittle and subject to 'sudden' failure.

Over time each and every piece will want to stretch the came on which
it rests.  I've run across non-vertical panels just a few years old that
look
more like soup bowls than panels.  The closer to horizontal the panel is
hung,
the quicker the degradation.

The bottom line is to keep in mind the reinforcing when designing the panel
so that it does not detract from the design.  Simple cross bracing down the
two centers is a good start but consider areas where reinforcing can be bent
to match the panel.  Depending on the numbers of pieces, try not to leave an
area more than 7 inches square with out some support from its friends.

When doing leaded panels remember that the more pieces of glass, the
more pieces of lead, the heavier the panel, the more stress placed on the
came, the more it's prone to stretch, the more it's...  ...well you get the
picture.

Good luck and would love to see what you create.

-G


----- Original Message -----
From: Gail HeinzeMiline <heinze.g@ns.sympatico.ca>
> I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> the panel will sit. Thanks for any ideas.
>
> Gail in Nova Scotia


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From owner-glass Thu Jan 11 19:00:28 2001
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X-Path: ns.sympatico.ca!heinze.g
From: heinze.g@ns.sympatico.ca (Gail HeinzeMiline)
To: Suzanne Gunn <gunnx4@ix.netcom.com>, glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Ceiling panel
Date: Thu, 11 Jan 2001 22:52:55 -0400
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: Glass with Class
Precedence: bulk

I took a workshop with Bill Klopsch last year in Vegas, and I seem to
recall he suggested putting rebar for skylights so the window rested on
top, which would provide better reinforcement against gravity, but I
can't find it in my notes. I have emailed him and will let everyone know
what he says.

Suzanne Gunn wrote:

> Gail,
>
> On thinking some more re your ceiling panels...you wont need to notch
> the wood as it will be on the front side of your panel, not the back
> where the rebar would be.
>
> Suzanne
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass



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From owner-glass Thu Jan 11 20:17:32 2001
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X-Path: ime.net!bei
From: Lynda Burleigh <bei@ime.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Kaleidoscope pattern
Date: Thu, 11 Jan 2001 22:47:18 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hi Everyone:

Has anyone out there come across a good pattern book for Kaleidoscopes?

Thanks....

Lynda

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From owner-glass Thu Jan 11 20:45:13 2001
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X-Path: n-link.com!pkelly
From: Patrick Kelly <pkelly@n-link.com>
To: "Gail HeinzeMiline" <heinze.g@ns.sympatico.ca>, "glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: RE: Ceiling panels
Date: Thu, 11 Jan 2001 22:12:29 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

You might think about a sandwich of glass with the pane glass on the bottom.
I have never done one but the concept seems correct. I did it to an interior
door about 10 years ago and it hasn't sagged yet......

Patrick
roses and rainbows

> -----Original Message-----
> From: Gail HeinzeMiline [mailto:heinze.g@ns.sympatico.ca]
> Sent: Thursday, January 11, 2001 11:16 AM
> To: glass
> Subject: Ceiling panels
>
>
> I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> the panel will sit. Thanks for any ideas.
>
> Gail in Nova Scotia
>
> --
> -----------------------------------------------------
> Click here for Free Video!!
> http://www.gohip.com/free_video/
>
>
> ----
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> Archives available at http://www.bungi.com/glass
>

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From owner-glass Fri Jan 12 03:30:43 2001
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X-Path: netcom.ca!shmilly
From: Bill <shmilly@attcanada.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Ceiling panels
Date: Fri, 12 Jan 2001 06:28:51 -0500
Message-ID: <3.0.6.32.20010112062851.0079d7a0@popd.netcom.ca>
References: <<01011114510747@fsg.prusec.com>>
Precedence: bulk

this subject has peaked my interest also  :-)   ......please include me to
the list of people who would like info on this project.......thanks....bill



At 02:51 PM 11/01/2001 -0500, you wrote:
>   I would like to receive the info on this 
>   subject as well.
> 
>   Thanks in advance.
>
>   Lucille
 
>
>I would like to receive the responses to this as well.
>
>Thanks!
>
>Donna Becker
>donna.becker@chicagoil.ncr.com
>
>
>
>> -----Original Message-----
>> From:	heinze.g@ns.sympatico.ca [SMTP:heinze.g@ns.sympatico.ca]
>> Sent:	Thursday, January 11, 2001 11:16 AM
>> To:	glass
>> Subject:	Ceiling panels
>> 
>> I am working on a commission involving 6 ceiling panels to go over a
>> kitchen island and be backlit with flourescent tubes. Each panel is
>> about 20" by 20". They will have to be removable so the client can
>> change the tubes. Any ideas on how to go about reinforcing something
>> like this? The framing is already in place ( holding plexiglass right
>> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
>> the panel will sit. Thanks for any ideas.
>> 
>> Gail in Nova Scotia
 
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From owner-glass Fri Jan 12 04:54:53 2001
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X-Path: ns.sympatico.ca!heinze.g
From: heinze.g@ns.sympatico.ca (Gail HeinzeMiline)
To: daver!one.net!gwood
Content-Type: text/plain; charset=us-ascii
Subject: Re: Ceiling panels
Date: Fri, 12 Jan 2001 09:00:29 -0400
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: Glass with Class
Precedence: bulk

This is great info. Thanks!
I will be checking the structural integrity of the framing on my next visit to
the site. I am hoping it will be strong enough to support a pane of clear float
with the copper foil panel resting on that , but we will see.

daver!one.net!gwood wrote:

> Something to consider in these types of panels in existing
> openings is the over all weight.  The 'thickness' and means of
> attachment of the 'lip' on the frame, while holding Plexiglas
> quit well, may not be substantial enough to hold the weight
> of the panel, especially a leaded one.  Make sure the existing
> lighting fixture can tolerate the increase in weight.  Also, make
> sure there is clearance inside the fixture to allow for reinforcement
> as most commercial fixtures are 'thickness sensitive'.
>
> Also, in panels in 'non-vertical' situations, especially leaded,
> simple reinforcing down the center will not be enough.
> Reinforced panels in doors & such, while withstanding the transient
> forces of opening, closing & slamming, are strongest in the direction
> of gravity with each piece, along with the came, lending strength
> to the unit.  Non-horizontal panels have to withstand the force
> of gravity where each piece can not rely on its neighbor for strength
> and most importantly fights _against_ the came.  Solder is less prone
> to stretching but is more brittle and subject to 'sudden' failure.
>
> Over time each and every piece will want to stretch the came on which
> it rests.  I've run across non-vertical panels just a few years old that
> look
> more like soup bowls than panels.  The closer to horizontal the panel is
> hung,
> the quicker the degradation.
>
> The bottom line is to keep in mind the reinforcing when designing the panel
> so that it does not detract from the design.  Simple cross bracing down the
> two centers is a good start but consider areas where reinforcing can be bent
> to match the panel.  Depending on the numbers of pieces, try not to leave an
> area more than 7 inches square with out some support from its friends.
>
> When doing leaded panels remember that the more pieces of glass, the
> more pieces of lead, the heavier the panel, the more stress placed on the
> came, the more it's prone to stretch, the more it's...  ...well you get the
> picture.
>
> Good luck and would love to see what you create.
>
> -G
>
> ----- Original Message -----
> From: Gail HeinzeMiline <heinze.g@ns.sympatico.ca>
> > I am working on a commission involving 6 ceiling panels to go over a
> > kitchen island and be backlit with flourescent tubes. Each panel is
> > about 20" by 20". They will have to be removable so the client can
> > change the tubes. Any ideas on how to go about reinforcing something
> > like this? The framing is already in place ( holding plexiglass right
> > now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> > the panel will sit. Thanks for any ideas.
> >
> > Gail in Nova Scotia
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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From owner-glass Fri Jan 12 06:54:45 2001
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X-Path: one.net!gwood
From: "Gregg Wood" <gwood@one.net>
To: "Glass @ Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Ceiling panels
Date: Fri, 12 Jan 2001 09:40:06 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Float glass supporting the whole panel is by far the
strongest solution for a smaller panel like 20 inches square.
Pose the idea to the customer and perhaps take a sample
panel over glass to make sure they have no objections to the
aesthetics as the float glass _will_ detract slightly from the overall
'textureness' effect of the panel.  (Some don't care, some are
particular.)

-G

----- Original Message -----
From: Gail HeinzeMiline <heinze.g@ns.sympatico.ca>
To: <daver!one.net!gwood>
Sent: Friday, January 12, 2001 8:11 AM
Subject: Re: Ceiling panels


> This is great info. Thanks!
> I will be checking the structural integrity of the framing on my next
visit to
> the site. I am hoping it will be strong enough to support a pane of clear
float
> with the copper foil panel resting on that , but we will see.
>
> daver!one.net!gwood wrote:
>
> > Something to consider in these types of panels in existing
> > openings is the over all weight.  The 'thickness' and means of
> > attachment of the 'lip' on the frame, while holding Plexiglas
> > quit well, may not be substantial enough to hold the weight
> > of the panel, especially a leaded one.  Make sure the existing
> > lighting fixture can tolerate the increase in weight.  Also, make
> > sure there is clearance inside the fixture to allow for reinforcement
> > as most commercial fixtures are 'thickness sensitive'.
> >
> > Also, in panels in 'non-vertical' situations, especially leaded,
> > simple reinforcing down the center will not be enough.
> > Reinforced panels in doors & such, while withstanding the transient
> > forces of opening, closing & slamming, are strongest in the direction
> > of gravity with each piece, along with the came, lending strength
> > to the unit.  Non-horizontal panels have to withstand the force
> > of gravity where each piece can not rely on its neighbor for strength
> > and most importantly fights _against_ the came.  Solder is less prone
> > to stretching but is more brittle and subject to 'sudden' failure.
> >
> > Over time each and every piece will want to stretch the came on which
> > it rests.  I've run across non-vertical panels just a few years old that
> > look
> > more like soup bowls than panels.  The closer to horizontal the panel is
> > hung,
> > the quicker the degradation.
> >
> > The bottom line is to keep in mind the reinforcing when designing the
panel
> > so that it does not detract from the design.  Simple cross bracing down
the
> > two centers is a good start but consider areas where reinforcing can be
bent
> > to match the panel.  Depending on the numbers of pieces, try not to
leave an
> > area more than 7 inches square with out some support from its friends.
> >
> > When doing leaded panels remember that the more pieces of glass, the
> > more pieces of lead, the heavier the panel, the more stress placed on
the
> > came, the more it's prone to stretch, the more it's...  ...well you get
the
> > picture.
> >
> > Good luck and would love to see what you create.
> >
> > -G
> >
> > ----- Original Message -----
> > From: Gail HeinzeMiline <heinze.g@ns.sympatico.ca>
> > > I am working on a commission involving 6 ceiling panels to go over a
> > > kitchen island and be backlit with flourescent tubes. Each panel is
> > > about 20" by 20". They will have to be removable so the client can
> > > change the tubes. Any ideas on how to go about reinforcing something
> > > like this? The framing is already in place ( holding plexiglass right
> > > now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
> > > the panel will sit. Thanks for any ideas.
> > >
> > > Gail in Nova Scotia
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
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> > Archives available at http://www.bungi.com/glass
>
>
>
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>

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From owner-glass Fri Jan 12 07:00:32 2001
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X-Path: juno.com!pkinnetz
From: Peggy L Kinnetz <pkinnetz@juno.com>
To: glass@bungi.com
Content-Type: text/plain
Subject: Re: Ceiling panels
Date: Fri, 12 Jan 2001 09:07:06 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I don't have any experience with doing ceiling panels, but one thing
comes to mind as I read your post, is that you have to make sure that the
framing already in place can withstand the additional weight of the
stained glass. Plexiglass is much lighter than a same size panel of glass
and lead or copper foil panel. 

Also, (and this is where I'm most unsure) is that the weight of a hanging
panel is from top to bottom, whereas the weight from a panel that is hung
flat, would be bearing just the immediate or surrounding area. It would
seem to me that reinforcement if it si needed would be the same as for a
hanging panel. Please correct me if I'm wrong, fellow Bungians.

Peggy K.



> > I am working on a commission involving 6 ceiling panels to go over a
> kitchen island and be backlit with flourescent tubes. Each panel is
> about 20" by 20". They will have to be removable so the client can
> change the tubes. Any ideas on how to go about reinforcing something
> like this? The framing is already in place ( holding plexiglass 
> right
> now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip 
> where
> the panel will sit. Thanks for any ideas.
> 
> Gail in Nova Scotia
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From owner-glass Fri Jan 12 23:01:09 2001
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X-Path: worldnet.att.net!Moya-Don
From: "D. ONeal" <Moya-Don@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: RE:Kaleidoscope Pattern Book
Date: Fri, 12 Jan 2001 23:13:08 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_003F_01C07CED.39F7AC00
Content-Type: text/plain;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

Lynda,
I am interested in a good kaleidoscope book as well.  Let me know if you =
find something, please.
It must be the little kid in me, but I have always loved them.
Thanks,
Moya

------=_NextPart_000_003F_01C07CED.39F7AC00
Content-Type: text/html;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Dwindows-1252" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3018.900" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Lynda,</DIV>
<DIV>I am interested in a good kaleidoscope book as well.&nbsp; Let me =
know if=20
you find something, please.</DIV>
<DIV>It must be the little kid in me, but I have always loved =
them.</DIV>
<DIV>Thanks,</DIV>
<DIV>Moya</DIV></BODY></HTML>

------=_NextPart_000_003F_01C07CED.39F7AC00--

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From owner-glass Sat Jan 13 03:31:17 2001
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X-Path: apex.net!mafe
From: "Rick Simmons" <mafe@apex.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: A New Field !
Date: Sat, 13 Jan 2001 05:26:26 -0600
Message-ID: <1970Jan1.000.0>
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------=_NextPart_000_0409_01C07D21.601733E0
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	charset="iso-8859-1"
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Good Morning All:
Working with glass is a new area 4 me. I have a set of oxy-acetylene =
torches am trying 2 decide which Grinder 2 purchase. Am mainly =
interested in working with windows but may decide to do a lamp or 2. =
Should I get the model that has a disc 4 bevels as well as a grinder and =
will the DiamondTech Diamond Max II be a better choice or the Inland =
TwinSpin Disc Grinder (There is 10 bucks difference between the two)?=20
    Any other advice, suggestions and guidance will be greatly =
appreciated as time and money are both commodities that I don't ever =
seem to have enough of. TIA
                                                    Sincerely,
                                                    DeUno

------=_NextPart_000_0409_01C07D21.601733E0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Good Morning All:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Working with glass is a new area 4 me. =
I have a set=20
of oxy-acetylene torches am trying 2 decide which Grinder 2 purchase. Am =
mainly=20
interested in working with windows but may decide to do a lamp or 2. =
Should I=20
get the model that has a disc 4 bevels&nbsp;as well as a grinder and =
will the=20
DiamondTech Diamond Max II be a better choice or the Inland TwinSpin =
Disc=20
Grinder (There is 10 bucks difference between the two)? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; Any other advice, =
suggestions=20
and guidance will be greatly appreciated as time and money are both =
commodities=20
that I don't ever seem to have enough of. TIA</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
Sincerely,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
DeUno</FONT></DIV></BODY></HTML>

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From owner-glass Sat Jan 13 06:26:06 2001
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X-Path: yahoo.com!agacic
From: Alex Gacic <agacic@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Replacing broken glass in copper foil panel
Date: Sat, 13 Jan 2001 06:06:58 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hi Everyone

I just finished a copper foil panel, as I was cleaning
it a found a small crack in piece in the middle of the
panel.

What is the best and easiest way to replace this piece
of glass?

Thanks

Alex Gacic
Shalimar Florida

__________________________________________________
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From owner-glass Sat Jan 13 10:39:13 2001
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X-Path: yahoo.com!beadnik
From: Joan <beadnik@yahoo.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Blank Messages
Date: Sat, 13 Jan 2001 10:05:54 -0800 (PST)
Message-ID: <1970Jan1.000.0>
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I seem to be getting a great many blank messages on
this list lately.  Is this happening to anyone else?

I am on several e-mail lists, and this is the only one
from which I consistently receive blank messages.

Does anyone know the cause.... or a cure???

Joan

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From owner-glass Sat Jan 13 11:09:40 2001
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To: mafe@apex.net, glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_88.101f928.2791f974_boundary"
Subject: Re: A New Field !
Date: Sat, 13 Jan 2001 13:33:24 EST
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In a message dated 1/13/01 3:32:04 AM Pacific Standard Time, mafe@apex.net 
writes:


> Working with glass is a new area 4 me. I have a set of oxy-acetylene =
> 

Inland and Glastar both have three models of grinder. The bottom of each line 
is plenty of grinder for starters and costs about US$75.00. I like the 
Glastar line best.


Cheers, Bob in 9 2 0 2 6

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2><B>In a message dated 1/13/01 3:32:04 AM Pacific Standard Time, mafe@apex.net 
<BR>writes:
<BR>
<BR></B>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Working with glass is a new area 4 me. I have a set of oxy-acetylene =
<BR>torches am trying 2 decide which Grinder 2 purchase. </BLOCKQUOTE>
<BR><B>
<BR>Inland and Glastar both have three models of grinder. The bottom of each line 
<BR>is plenty of grinder for starters and costs about US$75.00. I like the 
<BR>Glastar line best.
<BR>
<BR>
<BR>Cheers, Bob in 9 2 0 2 6</B></FONT></HTML>

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From owner-glass Sat Jan 13 13:30:39 2001
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X-Path: sympatico.ca!tandg.higson
From: Gillian Higson <tandg.higson@sympatico.ca>
To: Alex Gacic <agacic@yahoo.com>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Replacing broken glass in copper foil panel
Date: Sat, 13 Jan 2001 15:30:18 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

The only way  I know is to finely score the piece , tap it out with a
ball end cutter. Then heat up the old soldering iron and remove the foil
and solder. Make a pattern from the hole , cut out another piece of
glass .  Foil it and then solder back into place.
Regards
Gillian

Alex Gacic wrote:

> Hi Everyone
>
> I just finished a copper foil panel, as I was cleaning
> it a found a small crack in piece in the middle of the
> panel.
>
> What is the best and easiest way to replace this piece
> of glass?
>
> Thanks
>
> Alex Gacic
> Shalimar Florida
>
> __________________________________________________
> Do You Yahoo!?
> Get email at your own domain with Yahoo! Mail.
> http://personal.mail.yahoo.com/
> ----
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From owner-glass Sat Jan 13 18:00:47 2001
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Content-Type: text/plain; charset="US-ASCII"
Subject: remove
Date: Sat, 13 Jan 2001 18:40:30 EST
Message-ID: <1970Jan1.000.0>
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Please remove. I will re-sign on after I move in a few months. I still have 
no permanent work area and it is getting too hard to set up and tear down 
every time I want to make a little something. I will write when I have any 
questions. 
Take care for now everyone.
Kim Breyette
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From owner-glass Sat Jan 13 19:21:28 2001
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X-Path: go.com!officerjqg
From: James Garner <officerjqg@go.com>
To: Sarah <arasai@bright.net>
Content-Type: text/plain; charset=iso-8859-1
Subject: Re: NG: Business Checks
Date: Sat, 13 Jan 2001 19:10:25 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I did find some last year.  There theme was something like Church Windows.  You could get bible verses on them if you wanted.  I am at work so if that interest you e-mail my and I will did out the checks for you.


James 
officerjqg@go.com

-----Original Message-----
From: "Sarah"<arasai@bright.net>
To: glass@bungi.com
Date: Thu Jan 11 07:21:31 PST 2001
Subject: NG: Business Checks

>Clear DaySome time ago, someone asked if anyone knew a company that prints
>checks with stained glass themes. I would like to know if anyone has found
>such a company?
>May your day be as beautiful as you are...!
>
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James Garner
___________________________________________________
GO.com Mail                                    
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From owner-glass Sat Jan 13 19:30:26 2001
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From: "J. Dahlin" <jdahlin@pro-ns.net>
To: Sarah <arasai@bright.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: NG: Business Checks
Date: Sat, 13 Jan 2001 21:04:09 -0600
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I have been using checks with stained glass designs for a couple of
years now.  I got them through Designer Checks, P.O. Box 9000, Anniston,
AL 36202-9000.  They are on the internet at designerchecks.com or you
can reach them by phone at 1(800) 239-4770.

The checks I use I think are called Chapel Windows or something like
that.  There are four different designs on pastel checks.

Joanne Dahlin

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From owner-glass Sun Jan 14 01:02:49 2001
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From: "D. ONeal" <Moya-Don@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: RE: Replacing broken piece of glass in finished piece
Date: Sat, 13 Jan 2001 23:30:01 -0500
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Hi,
As Gillian said, break out you broken piece and remove the foil.  A =
trick I learned is to cut a strip out of an empty Coke can and as you =
heat the solder to remove the foil, place the strip between the 2 pieces =
of foil and follow the iron around with the strip.  This will separate =
the foil from the broken piece from the attached pieces.  Clean the foil =
on the pieces left and slip the newly cut and foiled piece back in and =
resolder.
Good Luck,
Moya

------=_NextPart_000_002C_01C07DB8.C0330F00
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<HTML><HEAD>
<META content=3D"text/html; charset=3Dwindows-1252" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3018.900" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Hi,</DIV>
<DIV>As Gillian said, break out you broken piece and remove the =
foil.&nbsp; A=20
trick I learned is to cut&nbsp;a strip out of an empty Coke can and as =
you heat=20
the solder to remove the foil, place the strip between the 2 pieces of =
foil and=20
follow the iron around with the strip.&nbsp; This will separate the foil =
from=20
the broken piece from the attached pieces.&nbsp; Clean the foil on the =
pieces=20
left and slip the newly cut and foiled piece back in and resolder.</DIV>
<DIV>Good Luck,</DIV>
<DIV>Moya</DIV></BODY></HTML>

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From owner-glass Sun Jan 14 06:56:48 2001
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X-Path: sprintmail.com!MollysGlass
From: "Molly Keys" <MollysGlass@sprintmail.com>
To: "D. ONeal" <Moya-Don@worldnet.att.net>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Replacing broken piece of glass in finished piece
Date: Sun, 14 Jan 2001 08:43:35 -0600
Message-ID: <1970Jan1.000.0>
Precedence: bulk

The coke can is a great idea.  Since aluminum won't solder you don't have to
worry about it sticking.  Be sure to use an old pair of groziers or pliers
to hold the strip with so that you don't get burned.  I have a very thin
knife that I have used for years but am going to try the coke strip idea.
Thanks for the idea.
Molly
-----Original Message-----
From: D. ONeal <Moya-Don@worldnet.att.net>
To: glass@bungi.com <glass@bungi.com>
Date: Sunday, January 14, 2001 3:15 AM
Subject: RE: Replacing broken piece of glass in finished piece


>This is a multi-part message in MIME format.
>
>------=_NextPart_000_002C_01C07DB8.C0330F00
>Content-Type: text/plain;
> charset="Windows-1252"
>Content-Transfer-Encoding: quoted-printable
>
>Hi,
>As Gillian said, break out you broken piece and remove the foil.  A =
>trick I learned is to cut a strip out of an empty Coke can and as you =
>heat the solder to remove the foil, place the strip between the 2 pieces =
>of foil and follow the iron around with the strip.  This will separate =
>the foil from the broken piece from the attached pieces.  Clean the foil =
>on the pieces left and slip the newly cut and foiled piece back in and =
>resolder.
>Good Luck,
>Moya
>
>------=_NextPart_000_002C_01C07DB8.C0330F00
>Content-Type: text/html;
> charset="Windows-1252"
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><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV>Hi,</DIV>
><DIV>As Gillian said, break out you broken piece and remove the =
>foil.&nbsp; A=20
>trick I learned is to cut&nbsp;a strip out of an empty Coke can and as =
>you heat=20
>the solder to remove the foil, place the strip between the 2 pieces of =
>foil and=20
>follow the iron around with the strip.&nbsp; This will separate the foil =
>from=20
>the broken piece from the attached pieces.&nbsp; Clean the foil on the =
>pieces=20
>left and slip the newly cut and foiled piece back in and resolder.</DIV>
><DIV>Good Luck,</DIV>
><DIV>Moya</DIV></BODY></HTML>
>
>------=_NextPart_000_002C_01C07DB8.C0330F00--
>
>----
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>

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From owner-glass Sun Jan 14 07:44:31 2001
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X-Path: bright.net!arasai
From: "Sarah" <arasai@bright.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Chandelier Repair
Date: Sun, 14 Jan 2001 10:25:14 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Clear DayFirst of all, a BIG Thank You to all who responded to my question
about the business checks! I found them on the Designer check web-site, and
they are beautiful! Now here's another request for help! I have a request to
repair a chandelier that is over 100 years old. The crystals are dropping
off, and all need to be re-attached with new hardware. Does anyone know
where I can find the fasteners for the crystal tops? What type of wire do I
need? Also, the crystals are 3" dark amber, I have only been able to find
clear crystals. Any source for colored ones? Thanks in advance, I always get
the best help from this wonderful group!
Sarah
May your day be as beautiful as you are...!

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From owner-glass Sun Jan 14 08:06:56 2001
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Content-Type: multipart/alternative; boundary="part1_44.a6ec6b1.279325d4_boundary"
Subject: Mica sheet use in place of some glass??
Date: Sun, 14 Jan 2001 10:55:00 EST
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Does anyone know what kind etc of mica sheet is used instead of glass as 
accent in "tiffany" ???? type of work.  Are ther colors or is it a texture 
thing etc etc

Thanks

Jack


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>
<BR>Does anyone know what kind etc of mica sheet is used instead of glass as 
<BR>accent in "tiffany" ???? type of work. &nbsp;Are ther colors or is it a texture 
<BR>thing etc etc
<BR>
<BR>Thanks
<BR>
<BR>Jack
<BR></FONT></HTML>

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From owner-glass Sun Jan 14 13:29:38 2001
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X-Path: netcom.ca!shmilly
From: Bill <shmilly@attcanada.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: copper foil blues
Date: Sun, 14 Jan 2001 14:24:05 -0500
Message-ID: <3.0.6.32.20010114142405.0079a4e0@popd.netcom.ca>
Precedence: bulk

hi all.........i'm having a bit of a day today with copper foiling....the
main problem is centering the foil on long pieces (6 inches or more).....any
helpful hints?.......i'm using 7/32" black coated foil and am having quite a
time foiling my pieces...any handy hints or gadgets to get me through this?
...........all suggestions , within reason of course    ;-)        will be
welcomed!...............thanks in advance....bill
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From owner-glass Sun Jan 14 14:07:27 2001
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From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: Bill <shmilly@attcanada.ca>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: copper foil blues
Date: Sun, 14 Jan 2001 13:43:34 -0800 (PST)
Message-ID: <1970Jan1.000.0>
References: <<3.0.6.32.20010114142405.0079a4e0@popd.netcom.ca>>
Precedence: bulk

I'm sure others will write you on how to keep your foil centered but I
recommend two ways:  (1)  Visualize the distance of the foil against
either the front or back and try to maintain the same distance all around;
or (2) if you really have problems you might want to try a hand foiler
(about $7) which will help you center the foil.  There are other tools
available to help you center the foil but they are more expensive and I
don't believe help anymore than either by eye or by the hand foiler.
Even these methods are not sure fire.  PJ

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From owner-glass Sun Jan 14 15:08:51 2001
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From: glasscc <joyce@bright.net>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Re: copper foil blues
Date: Sun, 14 Jan 2001 17:58:09 -0500
Message-ID: <5.0.2.1.0.20010114172657.00a175d0@mail.bright.net>
References: <<3.0.6.32.20010114142405.0079a4e0@popd.netcom.ca>>
Precedence: bulk

At 02:24 PM 1/14/01 -0500, Bill wrote:
>hi all.........i'm having a bit of a day today with copper foiling....the
>main problem is centering the foil on long pieces (6 inches or more).....any
>helpful hints?.......i'm using 7/32" black coated foil and am having quite a
>time foiling my pieces...any handy hints or gadgets to get me through this?
>...........all suggestions , within reason of course    ;-)        will be
>welcomed!...............thanks in advance....bill


Instead of trying to do the entire 6" in one swoop, try to center an inch 
or so at a time. Yes it takes longer but you haven't messed up much if you 
get it off center.

Joyce

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From owner-glass Sun Jan 14 21:05:47 2001
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X-Path: earthlink.net!cravenna
From: "Cindy Ravenna" <cravenna@earthlink.net>
To: "Glass" <glass@bungi.com>
Content-Type: text/plain;
Subject: Working with Chicago Lustre Glass
Date: Sun, 14 Jan 2001 19:23:30 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hello all!
Has anyone used Chicago Lustre glass with the metallic coating?  I am
working on two beautiful cabinet panels with a sun at the top.  The sun uses
gold Chicago Lustre.  I'm concerned about how to flux and solder the panels.
Supposedly I'm to "protect" the finish before soldering but I don't know how
I should protect it.  Does anyone have any ideas?

Thanks,
Cindy

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From owner-glass Sun Jan 14 21:31:42 2001
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X-Path: ix.netcom.com!gunnx4
From: Suzanne Gunn <gunnx4@ix.netcom.com>
To: Cindy Ravenna <cravenna@earthlink.net>, glass@bungi.com
Content-Type: text/plain; charset=x-user-defined
Subject: Re: Working with Chicago Lustre Glass
Date: Sun, 14 Jan 2001 23:14:27 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: glassdancer
Precedence: bulk

you could put little bits of tape between the lead and glass at the
joints and use paste flux.

I havent used that glass, btw.

Suzanne

Cindy Ravenna wrote:
> 
> Hello all!
> Has anyone used Chicago Lustre glass with the metallic coating?  I am
> working on two beautiful cabinet panels with a sun at the top.  The sun uses
> gold Chicago Lustre.  I'm concerned about how to flux and solder the panels.
> Supposedly I'm to "protect" the finish before soldering but I don't know how
> I should protect it.  Does anyone have any ideas?
> 
> Thanks,
> Cindy
> 
> ----
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From owner-glass Mon Jan 15 01:17:39 2001
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X-Path: legacyhotels.co.za!skunneke
From: S Kunneke <skunneke@legacyhotels.co.za>
To: 'Stained Glass Mailing' <glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Lead window NIGHTMARE
Date: Mon, 15 Jan 2001 09:17:06 +0200
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Dear All

As this is my first posting of the year - compliments of the season to =
one and all alike, and may your year be 100 fold better than your =
highest hope.

I have just finished making a lead window for my husband's aunt.  They =
were kind enough to give us accommodation when we went away and as a =
thank you I promised to make a lead window for their back door.  The =
problem is that I haven't done much lead work before and (Murphy's law) =
as I was finishing off the panel and giving it a polish, I carefully put =
the panel back on the table only to find that my 16mnth son had placed =
his toy car on the table and as I placed the panel on it, it broke one =
of the pieces in the middle.  HOW DO I FIX IT????!!!! It has been =
cemented and everything. =20

Thanks in advance for any advise, help or comments.

Kind regards

Sarah K
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From owner-glass Mon Jan 15 12:58:27 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Bill <shmilly@attcanada.ca>
Subject: Centering foil on glass edge (WAS: copper foil blues
Date: Mon, 15 Jan 2001 18:42:27 +0000
Message-ID: <1970Jan1.000.0>
References: <<3.0.6.32.20010114142405.0079a4e0@popd.netcom.ca>>
Precedence: bulk

Bill,
        If you don't have one eye that is completely dominate over the
other, you can look down both sides of the glass at the same time and
see how much foil extends beyond each side of the glass.  Alternatively,
a little experience shows how much foil should extend beyond the glass
on one side to get an equal amount on the other.
        Oddly, I find centring foil on long straight pieces relatively
straight forward.  I will try to describe.  I am right handed, so all
this applies to rh people  (Left handed people please make adjustments
for my infirmities).  I hold the glass piece in the left hand.  The
outside of the foil, once started, lies against the side of my index
finger.  The backing tape is between my thumb and second (or ring)
finger, and is pulled off by using those fingers.  On curves, I apply
the foil to the glass continuously, pulling little amounts of the tape
off as I go.  On straight edges, I start the foil at the far side, pull
off enough tape to expose the foil for the whole length of the edge, and
place my index finger against the foil at the near edge. Then I slowly
bring my index finger (still on the outside of the foil) toward the
glass at the near corner.  This allows me to observe that I am keeping
the same amount of foil extended beyond the glass at both the far and
near corners.

Steve

In message <3.0.6.32.20010114142405.0079a4e0@popd.netcom.ca>, Bill
<shmilly@attcanada.ca> writes
>hi all.........i'm having a bit of a day today with copper foiling....the
>main problem is centering the foil on long pieces (6 inches or more).....any
>helpful hints?.......i'm using 7/32" black coated foil and am having quite a
>time foiling my pieces...any handy hints or gadgets to get me through this?
>...........all suggestions , within reason of course    ;-)        will be
>welcomed!...............thanks in advance....bill
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Jan 15 13:01:47 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Rick Simmons <mafe@apex.net>
Subject: Grinders (was: A New Field !
Date: Mon, 15 Jan 2001 18:08:34 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

Rick,
        You will quickly find that there are two camps about grinders.
If you feel the need for machines, then go ahead and get one, but you
are unlikely to ever develop excellent cutting skills, as you will rely
on the grinder to deal with the inaccuracies in your cutting.  I'd say
"buy glass first, work at getting the cutting skills to a high level"
then consider a grinder.
        You usually get what you pay for.  So a grinder that does 101
things will not do the one or two things you want to do as well as
machines specially designed for the tasks.
        This is me in my "off the soap box" mo;de.

Steve

In message <1970Jan1.000.0@?>, Rick Simmons <mafe@apex.net> writes
>This is a multi-part message in MIME format.
>
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>Content-Type: text/plain;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>Good Morning All:
>Working with glass is a new area 4 me. I have a set of oxy-acetylene =
>torches am trying 2 decide which Grinder 2 purchase. Am mainly =
>interested in working with windows but may decide to do a lamp or 2. =
>Should I get the model that has a disc 4 bevels as well as a grinder and =
>will the DiamondTech Diamond Max II be a better choice or the Inland =
>TwinSpin Disc Grinder (There is 10 bucks difference between the two)?=20
>    Any other advice, suggestions and guidance will be greatly =
>appreciated as time and money are both commodities that I don't ever =
>seem to have enough of. TIA
>                                                    Sincerely,
>                                                    DeUno
>
>------=_NextPart_000_0409_01C07D21.601733E0
>Content-Type: text/html;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Good Morning All:</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Working with glass is a new area 4 me. =
>I have a set=20
>of oxy-acetylene torches am trying 2 decide which Grinder 2 purchase. Am =
>mainly=20
>interested in working with windows but may decide to do a lamp or 2. =
>Should I=20
>get the model that has a disc 4 bevels&nbsp;as well as a grinder and =
>will the=20
>DiamondTech Diamond Max II be a better choice or the Inland TwinSpin =
>Disc=20
>Grinder (There is 10 bucks difference between the two)? </FONT></DIV>
><DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; Any other advice, =
>suggestions=20
>and guidance will be greatly appreciated as time and money are both =
>commodities=20
>that I don't ever seem to have enough of. TIA</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
>&nbsp;&nbsp;&nbsp;=20
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
>&nbsp;&nbsp;&nbsp;=20
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
>Sincerely,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
>&nbsp;&nbsp;&nbsp;=20
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
>&nbsp;&nbsp;&nbsp;=20
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=20
>DeUno</FONT></DIV></BODY></HTML>
>
>------=_NextPart_000_0409_01C07D21.601733E0--
>
>----
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Jan 15 14:30:20 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Gail HeinzeMiline <heinze.g@ns.sympatico.ca>
Subject: Re: Ceiling panels
Date: Mon, 15 Jan 2001 20:36:38 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

Gail,
        there are a few elements missing in your description, so I will
have to make some assumptions.  I hope I remember to note all of them.
        Is the run of panels in a line or a rectangle?, what is the
dimensions of the area these 6 panels are occupying?
        The 2 and a half inch oak strips:  are they 2&1/2 wide?  how
high are they, as much of the strength will come from the height rather
than the width.  I calculate that the weight will be about 52 lbs, but
you will want to check that against the actual weight to determine that
the structure will be able to hold the weight of the glass.  If you
decide to use tempered glass beneath the leaded glass, you will need to
add about another 2 lbs per square foot to the weight calculations.
        How thick is the timber at the 1/4 inch rebate?, as a lot of the
weight of the glass will be immediately carried by this part of the
timber support.  
        Now, because of the safety and legal implications of a piece of
glass falling out of the ceiling, I think the only way to go is to put a
piece of 4mm tempered glass beneath each leaded panel.  tempered glass
is very strong (7 times more than the equivalent size of untempered
glass).  Also see a large supplier of glass and ask for their
recommendations for exactly the installation you are considering.
Include all the activities that will happen below, and all the risks.
They will be able to give you information from the industry handbooks on
the thickness of tempered glass that you will need.  It is only my guess
that 4mm will do.
        Having said all of that, I have seen leaded glass installed in
1900 that still is there, with little bowing.  These panels are
sometimes two and a half feet by one and a half feet.  They have at
least two supporting bars for this length.  The key is to have strongly
attached copper ties of sufficient thickness to tie to the supporting
bars.  
        Don't be put off.  I have done two large commissions in fused
glass one 3metres by 3metres and another 4 metres by 3 metres.  Both of
these were framed in mild steel.  the larger weighs about 1/2 ton in
addition to the steel frame.  Go for it.

Steve

In message <1970Jan1.000.0@?>, Gail HeinzeMiline
<heinze.g@ns.sympatico.ca> writes
>I am working on a commission involving 6 ceiling panels to go over a
>kitchen island and be backlit with flourescent tubes. Each panel is
>about 20" by 20". They will have to be removable so the client can
>change the tubes. Any ideas on how to go about reinforcing something
>like this? The framing is already in place ( holding plexiglass right
>now) and each panel is surrounded by 2 1/2" oak with a 1/4" lip where
>the panel will sit. Thanks for any ideas.
>
>Gail in Nova Scotia
>
>--
>-----------------------------------------------------
>Click here for Free Video!!
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Mon Jan 15 14:31:39 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: S Kunneke <skunneke@legacyhotels.co.za>
Subject: Leaded panel repairs (was: Lead window NIGHTMARE
Date: Mon, 15 Jan 2001 20:14:33 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

Sarah,
        This is the time when the oyster knife is really useful.  It is
a strong blade that is turned up just about 3/8 inch before the end.
You use this or you can (with more difficulty) use a straight blade to
remove the cement (which should be easy, as it will not yet be hard).
You then work from the side that will be the inside when installed to
gently and progressively lift the leaf of the lead all around the piece
of glass. 
        At the solder joints you can either use your lead knife to cut
into them, or use the soldering iron to melt the solder and keep it from
reforming, by placing the lead knife between the pieces of lead.  These
can then be opened up too, until all the lead leaf over the broken glass
is standing vertical.  
        All this work needs to be done parallel to the surface of the
glass, to avoid breaking other pieces of glass.  You also must be sure
to keep you hands behind the blade.  Cut, push, lift, etc. away from
your limbs and body.  To secure the panel, nail a wood batten on the
bench so the panel is pushed against it. (Make sure the batten is really
well secured!)
        Now you should be able to lift/push the broken piece out.  As
you will still have the cartoon from which you made this (don't you),
you will be able to cut another piece just as before.  It may need to be
very slightly smaller to fit back in.
        Then you gently fold the lead leaf back down.  do it
progressively, a little at a time all along the leaf, so you don't kink
it.  If done carefully in both lifting and folding down, it will be
difficult to see the lead has been disturbed.  Cement as usual and you
are finished.

Steve
        
In message <1970Jan1.000.0@?>, S Kunneke <skunneke@legacyhotels.co.za>
writes
..
....cut.....
> only to find that my 16mnth son had placed =
>his toy car on the table and as I placed the panel on it, it broke one =
>of the pieces in the middle.  HOW DO I FIX IT????!!!! It has been =
>cemented and everything. 
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Mon Jan 15 14:43:48 2001
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X-Path: aol.com!Gailchat1
From: Gailchat1@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Rebar
Date: Mon, 15 Jan 2001 17:15:45 EST
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I have seen many references to adding rebar. How does one acutally add rebar 
to a copper foil panel? 
Thanks...
Ronda
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From owner-glass Mon Jan 15 17:01:53 2001
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X-Path: netcom.ca!shmilly
From: Bill <shmilly@attcanada.ca>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: thanks all! Re: copper foil blues
Date: Mon, 15 Jan 2001 14:25:49 -0500
Message-ID: <3.0.6.32.20010115142549.007aae70@popd.netcom.ca>
References: <<3.0.6.32.20010114142405.0079a4e0@popd.netcom.ca>>
Precedence: bulk

thanks to all who have replied to my request....like everything else i
guess it will just take time and practice as well as checking out
alternatives to my dilemma......my frustration is also tied in with my
upper back problems......for this reason i may have to seek out any gadgets
on the market to help me to make the job "physically" less tolling as well
as consistent.....i know we all have our own opinions about these items,
but for a lot of us with certain physical limitations they can only help in
keeping our interest in stained glass......once again, thanks to all and
any more tips will be greatly appreciated....bill.......



P.S.(if anyone is considering throwing out any of their dusty old
"helpers", please feel free to throw them my way) hahaha   ;-)     
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From owner-glass Mon Jan 15 20:09:12 2001
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X-Path: aol.com!Marilbob
From: Marilbob@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Glass show
Date: Mon, 15 Jan 2001 22:27:12 EST
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I joined this list serve months ago and have learned a great deal from just 
reading all the good advice.  I have been working with glass for just about a 
year and really enjoy it.  I've read references to a glass show in Las Vegas 
in March.  Could someone provide the dates and more information?  Thanks.
----
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From owner-glass Tue Jan 16 00:18:17 2001
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From: "Jill M" <jazzykid@tir.com>
To: <Marilbob@aol.com>,
Content-Type: text/plain;
Subject: Re: Glass show
Date: Fri, 16 Mar 2001 01:17:39 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

www.glasscraftexpo.com

Should provide you with all the information you need for Las Vegas

Jill M.

-----Original Message-----
From: Marilbob@aol.com <Marilbob@aol.com>
To: glass@bungi.com <glass@bungi.com>
Date: Monday, January 15, 2001 11:21 PM
Subject: Glass show


>I joined this list serve months ago and have learned a great deal from just
>reading all the good advice.  I have been working with glass for just about
a
>year and really enjoy it.  I've read references to a glass show in Las
Vegas
>in March.  Could someone provide the dates and more information?  Thanks.
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass
>

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From owner-glass Tue Jan 16 11:58:23 2001
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From: "RLean" <rlean@cinci.rr.com>
To: <Glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Re: copper foil blues
Date: Tue, 16 Jan 2001 14:40:55 -0500
Message-ID: <1970Jan1.000.0>
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This is a multi-part message in MIME format.

------=_NextPart_000_0091_01C07FCA.55379040
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Bob,

I hope this doesn't sound too lame.  When I first starting using copper =
foil I would have to bend forward which would hurt my upper back, and I =
had trouble centering the foil too.  Then I had an eye exam and found I =
needed a slight adjustment with my lens prescription.  It really made a =
big difference.  I didn't even realize that I was having trouble seeing =
the close-up work because I was still able to read ok.

Best of Luck,
Robin

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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Joan <beadnik@yahoo.com>, Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Blank Messages
Date: Tue, 16 Jan 2001 11:05:55 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: Grendel Studio
Precedence: bulk

The Bungi server is extremely allergic to HTML or hypertext - that which
gives text formatting and color, etc.

Joan wrote:

> I seem to be getting a great many blank messages on
> this list lately.  Is this happening to anyone else?
>
> I am on several e-mail lists, and this is the only one
> from which I consistently receive blank messages.
>
> Does anyone know the cause.... or a cure???
>
> Joan
>
> __________________________________________________
> Do You Yahoo!?
> Get email at your own domain with Yahoo! Mail.
> http://personal.mail.yahoo.com/
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


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From owner-glass Tue Jan 16 12:35:25 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Cindy Ravenna <cravenna@earthlink.net>,
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Working with Chicago Lustre Glass
Date: Tue, 16 Jan 2001 10:50:48 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: Grendel Studio
Precedence: bulk

I was lucky enough to get some good lustre scraps and so I have played with it
a bit.  The metallic lustre is quite vulnerable to friction - as is some
iridized glass, and the  backing on mirrored crystals (and mirrors), so you
need to be very careful about doing anything that requires washing/scrubbing,
or just too much handling.  Rinsing, or submersing in a water/soap solution
seems to be ok.  Be careful you only dab when drying, though.  Don't rub.

Incidentally, you can see the results of this vulneribility in looking at
Tiffany glass that was used outside, or was much washed inside, and you can
also see the same thing in Frank Lloyd Wright windows.  As a matter of fact,
with the FLW windows, it is impossible to tell that some of the glass was
iridized, and even more difficult to tell what color it might have been
originally.  I assume on some of the restorations, the original drawings, or
notes of the window makers were used so the restorer knew what to use.  Perhaps
there were photos which gave clues.  Otherwise, scrutiny of similar windows for
a site would have to be your only method of knowing.

This is something that you might include in your care and feeding tips for the
owners of glass projects you have made.  It will never have occurred to them
that they can remove the iridization or lustre, or fired paint, let alone cold
paint, with their normal window care.

Did you know that FLW's iridized pieces of glass were deliberately set at tiny
angles, each different, so the play of light would be more interesting?  Cec's
Factoid #357  :-)  And some of those pieces were incredibly tiny!  Amazing! -
Cec

Cindy Ravenna wrote:

> Hello all!
> Has anyone used Chicago Lustre glass with the metallic coating?  I am
> working on two beautiful cabinet panels with a sun at the top.  The sun uses
> gold Chicago Lustre.  I'm concerned about how to flux and solder the panels.
> Supposedly I'm to "protect" the finish before soldering but I don't know how
> I should protect it.  Does anyone have any ideas?
>
> Thanks,
> Cindy
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


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From owner-glass Tue Jan 16 12:42:05 2001
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	(Smail-3.2.0.94 1997-Apr-22 #527 built 2000-Nov-28)
X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bill <shmilly@attcanada.ca>, Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: thanks all! Re: copper foil blues
Date: Tue, 16 Jan 2001 10:58:43 -0500
Message-ID: <1970Jan1.000.0>
References: <<3.0.6.32.20010115142549.007aae70@popd.netcom.ca>>
Organization: Grendel Studio
Precedence: bulk

I have found the little hand-held foilers more trouble than they are worth,
and the one meant for the 7/32 is actually manufactured off-center.  I like
the DiGel (sp?) one best - I can speed up foiling a lot, although the quality
is no better or worse.  However, when my husband volunteers to foil (bless his
heart) when he does it by hand I have to redo a lot of it, but he can do a
decent job with a foiler.  If you get an opportunity to buy the Inland one,
don't.  It is no longer made and there is a good reason for that. - Cec

Bill wrote:

> thanks to all who have replied to my request....like everything else i
> guess it will just take time and practice as well as checking out
> alternatives to my dilemma......my frustration is also tied in with my
> upper back problems......for this reason i may have to seek out any gadgets
> on the market to help me to make the job "physically" less tolling as well
> as consistent.....i know we all have our own opinions about these items,
> but for a lot of us with certain physical limitations they can only help in
> keeping our interest in stained glass......once again, thanks to all and
> any more tips will be greatly appreciated....bill.......
>
> P.S.(if anyone is considering throwing out any of their dusty old
> "helpers", please feel free to throw them my way) hahaha   ;-)
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


----
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From owner-glass Wed Jan 17 07:36:56 2001
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X-Path: fn3.freenet.tlh.fl.us!gonzalj
From: Jim Gonzalez <gonzalj@freenet.tlh.fl.us>
To: <glass@bungi.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Re: Blank Messages
Date: Wed, 17 Jan 2001 10:16:07 -0500 (EST)
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

On Tue, 16 Jan 2001, Cecily & Ralph Wood wrote:
> The Bungi server is extremely allergic to HTML or hypertext - that which
> gives text formatting and color, etc.
>

I do not think that is true.  I think it is more a function of the mail
software people use to read mail.  I use an ancient unix mail
reader (pine) and all the HTML comes through just fine as text.  I think
the problem is that mail readers have gotten to sophisticated.

The solution is for everyone to turn off HTML when they send mail to
Bungi.  Bungi mail is read by many, many people using different mail
software.  If everyone reviewed the settings they use when they send email to
bungi and just sent plain text I think it would eliminate the problem of blank
messages.

If you want to "see" those blank messages go to the bungi archives and
look at the digest-current for the current months messages.  You will see
the HTML right after the plain text message.

Jim

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From owner-glass Wed Jan 17 08:08:33 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: ATFSI@aol.com
Content-Type: text/plain;charset=iso-8859-1
Subject: Re: Mica sheet use in place of some glass??
Date: Tue, 16 Jan 2001 23:13:29 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

As I don't see any replies yet Jack, I will put my two cents worth in.
        Mica can be coloured, and there is a USA patent on doing so.  I
don't know if it is done for large pieces or only for small particles.
There are also shells used in some of the lamp shades that come from the
Philippines.  Check on the internet for mica companies (there are
several) and they can give you information on sizes and thicknesses of
the material, and what if any colours they can provide.

Steve

In message <1970Jan1.000.0@?>, ATFSI@aol.com writes
>
>    Does anyone know what kind etc of mica sheet is used instead of 
>    glass as 
>    accent in "tiffany" ???? type of work.  Are ther colors or is it a 
>    texture 
>    thing etc etc 
>
>    Thanks 
>
>    Jack 

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Wed Jan 17 12:23:25 2001
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X-Path: postoffice.pacbell.net!meryder
From: meryder@postoffice.pacbell.net
To: Bungi Board <Glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Las Vegas Glass Crafters Expo
Date: Wed, 17 Jan 2001 10:42:43 -0800
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hi all,

We're looking forward to meeting any Bungians that go to the Las Vegas
Show.  This will be our first time there.  We're really so exicted!

I'm signed up for a whole bunch of classes.  I feel like I'm making up
for all years that I couldn't get there.

Thursday:  Slab Glass, Hot & Wired
Friday, Sculpted Solder, Uroboros Fusion FX
Saturday, Stack/Block Fusing
Sunday, Fused Dichroic Jewelry

After Las Vegas we're heading on east to Albuquerque for a week or so of
pure vacationing, which will include a visit to the Stained Glass Center
there.   We'll be bringing our photos and would love to meet up with,
have coffee or dinner, and share
with any Bungians that are there.  We're going to move to the
Albuquerque area within the next 18 months.

See you in 'Vegas soon!
Best regards,
Cheryl and Marty Ryder





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From owner-glass Wed Jan 17 14:34:16 2001
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X-Path: warmglass.com!mbwalker
From: "Brad Walker" <mbwalker@warmglass.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Fw: Glass Etching
Date: Wed, 17 Jan 2001 13:12:06 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Anyone have the ability to do this?

(Or know someone who does?)

> Dear Sir or Madam,
> 
> I am currently searching for someone who has the ability to etch 1 mm
> wide channels with a depth of 300 micrometers into glass slides. The
> slides will be used for liver research and must be very precise. If you
> are able to perform this process or know of anyone who may be able to, I
> would greatly appreciate any feedback.
> 
> Thankyou,
> 
> John H. Slater
> jhslater@uncc.edu
> (704)687-2833

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From owner-glass Wed Jan 17 15:04:29 2001
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	for rglass-42; Wed, 17 Jan 2001 14:35:01 -0800 (PST)
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X-Path: twcny.rr.com!mschatee
From: "CP" <mschatee@twcny.rr.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Irish Claddaugh Pattern Needed
Date: Wed, 17 Jan 2001 17:12:31 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0015_01C080A8.ACEF5140
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Would anyone happen to have or know where I could find a pattern for the =
Irish Claddaugh, the 2 hands clasped I think.  I had someone ask me to =
make something for them with this in the center.

Thanks in advance,

Caren

------=_NextPart_000_0015_01C080A8.ACEF5140
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Would anyone happen to have or know =
where I could=20
find a pattern for the Irish Claddaugh, the 2 hands clasped I =
think.&nbsp; I had=20
someone ask me to make something for them with this in the =
center.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks in advance,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Caren</FONT></DIV></BODY></HTML>

------=_NextPart_000_0015_01C080A8.ACEF5140--

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From owner-glass Wed Jan 17 17:08:05 2001
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From: "CP" <mschatee@twcny.rr.com>
To: <k-sodt@nwu.edu>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Irish Claddaugh Pattern Needed
Date: Wed, 17 Jan 2001 19:30:55 -0500
Message-ID: <1970Jan1.000.0>
References: <<3A65D766.26065.54593CD@localhost>>
Precedence: bulk

Thanks Kaye, I definately won't be using a bevel cluster for it but it
certainly would help to see the outline of the pieces and I can design my
own pattern.  Thanks for taking the time to look for me.

Caren

----
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From owner-glass Wed Jan 17 18:07:44 2001
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X-Path: home.com!cecnralph
From: Cecily & Ralph Wood <cecnralph@home.com>
To: Bungi Glass <glass@bungi.com>
Content-Type: text/plain; charset=iso-8859-1; x-mac-type="54455854"; x-mac-creator="4D4F5353"
Subject: Re: Mica sheet use in place of some glass??
Date: Wed, 17 Jan 2001 20:50:06 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: Grendel Studio
Precedence: bulk

Those shells are Capiz shells, very thin and translucent.  As a matter of
fact, any time you see anything made with Capiz shells, the product was
made in the Philippines. - Cec

Steve Richard wrote:

> As I don't see any replies yet Jack, I will put my two cents worth in.
>         Mica can be coloured, and there is a USA patent on doing so.  I
> don't know if it is done for large pieces or only for small particles.
> There are also shells used in some of the lamp shades that come from the
> Philippines.  Check on the internet for mica companies (there are
> several) and they can give you information on sizes and thicknesses of
> the material, and what if any colours they can provide.
>
> Steve
>
> In message <1970Jan1.000.0@?>, ATFSI@aol.com writes
> >
> >    Does anyone know what kind etc of mica sheet is used instead of
> >    glass as
> >    accent in "tiffany" ???? type of work.  Are ther colors or is it a
> >    texture
> >    thing etc etc
> >
> >    Thanks
> >
> >    Jack
>
> --
> Steve Richard
> Verrier Art Glass Ltd
> s.richard@verrier-scotland.demon.co.uk
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

--
*********************************************************************
*  Cecily Taylor Cummings Wood  and/or  Ralph Bernard Wood
*  Grendel Studio (Glass, Graphics, Gardens, Genealogy)
*********************************************************************


----
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From owner-glass Wed Jan 17 18:14:30 2001
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X-Path: erols.com!deethom
From: Dee Thompson <deethom@erols.com>
To: "Brad Walker" <mbwalker@warmglass.com>,<glass@bungi.com>
Content-Type: text/plain; charset="us-ascii"
Subject: Re: Fw: Glass Etching
Date: Wed, 17 Jan 2001 20:51:03 -0500
Message-ID: <3.0.32.20010117204956.0075b37c@pop.erols.com>
Precedence: bulk

In the labratory supply catalogs there are an array of specific glass
pieces for lab work by quite a few manufacturers,  He needs to go there and
talk to the manufacturers and if they don't have it, or know who does, they
can refer to companies that design shpecialty glassware for labs.  Talk to
the sales rep that is hungriest for your university business! The specialty
glass makers are expensive, but a lot of etched slides are already
available, and these manufacturers would probably be the best to ask.
Dee 

At 01:12 PM 1/17/01 -0500, Brad Walker wrote:
>Anyone have the ability to do this?
>
>(Or know someone who does?)
>
----
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From owner-glass Wed Jan 17 20:19:49 2001
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X-Path: yahoo.com!beadnik
From: Joan <beadnik@yahoo.com>
To: meryder@postoffice.pacbell.net
Content-Type: text/plain; charset=us-ascii
Subject: Re: Las Vegas Glass Crafters Expo
Date: Wed, 17 Jan 2001 20:02:20 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk


Hi!

I am signed up to attend the Vegas Glass Expo as well.
 I'll be taking the fused dichroic glass jewelry, but
not on Sunday.

It would be fun to have a bungi get together.

Joan

--- meryder@postoffice.pacbell.net wrote:
> Hi all,
> 
> We're looking forward to meeting any Bungians that
> go to the Las Vegas
> Show.  This will be our first time there.  We're
> really so exicted!
> 
> I'm signed up for a whole bunch of classes.  I feel
> like I'm making up
> for all years that I couldn't get there.
> 
> Thursday:  Slab Glass, Hot & Wired
> Friday, Sculpted Solder, Uroboros Fusion FX
> Saturday, Stack/Block Fusing
> Sunday, Fused Dichroic Jewelry
> 
> After Las Vegas we're heading on east to Albuquerque
> for a week or so of
> pure vacationing, which will include a visit to the
> Stained Glass Center
> there.   We'll be bringing our photos and would love
> to meet up with,
> have coffee or dinner, and share
> with any Bungians that are there.  We're going to
> move to the
> Albuquerque area within the next 18 months.
> 
> See you in 'Vegas soon!
> Best regards,
> Cheryl and Marty Ryder
> 
> 
> 
> 
> 
> ----
> For subscription changes, please mail to:
> glass-request@bungi.com
> To send to the list,      please mail to:
> glass@bungi.com
> Archives available at http://www.bungi.com/glass
 

__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
http://personal.mail.yahoo.com/
----
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From owner-glass Wed Jan 17 21:07:48 2001
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X-Path: slonet.org!edupjohn
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Lampworking Equipment
Date: Wed, 17 Jan 2001 18:49:37 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

My interest is turning to bead making and since I haven't paid any
attention to what those of you working in beads have said, I am now asking
what is the basic lampworking equipment?  Any help or advice you might
have would certainly be appreciated.  Peggy

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From owner-glass Thu Jan 18 05:55:56 2001
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From: "Jerri" <pigznpawz@mindspring.com>
To: "Peggy W. Johnsen" <edupjohn@slonet.org>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Lampworking Equipment
Date: Thu, 18 Jan 2001 08:46:17 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Hi Peggy,

    I'm a lampwork addict, er beadmaker.

    The book, "Making Glass Beads" covers everything you need to start, and
goes over a lot of techniques.  I know I've heard several people say they
taught themselves with this book.  This book also has great photos, and once
you start bead making, it's fun to study the photos and figure out how the
beads were made.

    Basically you need a torch, compatible glass rods (You can even used
stained glass scraps, if you use hemostats to hold the glass), mandrells, a
marver, bead hole cleaners.  A tungsten pick is great for poking and making
bubbles.

    Let me know if I can answer any more questions.

Jerri
www.beadbimbo.com



----- Original Message -----
From: "Peggy W. Johnsen" <edupjohn@slonet.org>
To: <glass@bungi.com>
Sent: Wednesday, January 17, 2001 9:49 PM
Subject: Lampworking Equipment


> My interest is turning to bead making and since I haven't paid any
> attention to what those of you working in beads have said, I am now asking
> what is the basic lampworking equipment?  Any help or advice you might
> have would certainly be appreciated.  Peggy
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>

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From owner-glass Thu Jan 18 10:12:20 2001
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From: "Meyer" <meyer64@earthlink.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Las Vegas Glass Crafters Expo
Date: Thu, 18 Jan 2001 06:06:36 -0800
Message-ID: <1970Jan1.000.0>
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Are you taking the fused dichroic glass  class on Friday?  That is when I am
taking it.  If so, see ya there!
Debra Meyer
----- Original Message -----
From: Joan <beadnik@yahoo.com>
To: <meryder@pacbell.net>
Sent: Wednesday, January 17, 2001 8:02 PM
Subject: Re: Las Vegas Glass Crafters Expo


>
> Hi!
>
> I am signed up to attend the Vegas Glass Expo as well.
>  I'll be taking the fused dichroic glass jewelry, but
> not on Sunday.
>
> It would be fun to have a bungi get together.
>
> Joan
>
> --- meryder@postoffice.pacbell.net wrote:
> > Hi all,
> >
> > We're looking forward to meeting any Bungians that
> > go to the Las Vegas
> > Show.  This will be our first time there.  We're
> > really so exicted!
> >
> > I'm signed up for a whole bunch of classes.  I feel
> > like I'm making up
> > for all years that I couldn't get there.
> >
> > Thursday:  Slab Glass, Hot & Wired
> > Friday, Sculpted Solder, Uroboros Fusion FX
> > Saturday, Stack/Block Fusing
> > Sunday, Fused Dichroic Jewelry
> >
> > After Las Vegas we're heading on east to Albuquerque
> > for a week or so of
> > pure vacationing, which will include a visit to the
> > Stained Glass Center
> > there.   We'll be bringing our photos and would love
> > to meet up with,
> > have coffee or dinner, and share
> > with any Bungians that are there.  We're going to
> > move to the
> > Albuquerque area within the next 18 months.
> >
> > See you in 'Vegas soon!
> > Best regards,
> > Cheryl and Marty Ryder
> >
> >
> >
> >
> >
> > ----
> > For subscription changes, please mail to:
> > glass-request@bungi.com
> > To send to the list,      please mail to:
> > glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
>
> __________________________________________________
> Do You Yahoo!?
> Get email at your own domain with Yahoo! Mail.
> http://personal.mail.yahoo.com/
> ----
> For subscription changes, please mail to: glass-request@bungi.com
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> Archives available at http://www.bungi.com/glass
>

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From owner-glass Thu Jan 18 11:57:14 2001
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From: "R. Daniel Karney" <dankarney@att.net>
To: "Doris Yorysh" <doris@tradesvc.com>,
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Subject: Virus alert!!
Date: Thu, 18 Jan 2001 14:31:45 -0800
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Hi =97 I got a virus today. I got it by opening an attachment from a =
trusted computer guy. If you get a message from me or anyone else with =
an attachment called emanuel.exe do not open it! Delete the message and =
then delete it from your "deleted messages" folder if you have one, and =
then delete it from your recycle bin or whatever you have that's =
comparable.

One thing this virus does is send itself to people in your address book =
without your knowing it is happening.

I hope this has not happened to any of you because you're in my address =
book. My apologies if it has.

dan karney

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charset=3Dwindows-1252"><BASE=20
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Shared\Stationery\">
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<BODY bgColor=3D#00ff00 =
background=3Dcid:000801c0819e$70797dc0$0100007f@w25pr>
<DIV>Hi =97 I got a virus today. I got it by opening an attachment from =
a trusted=20
computer guy. If you get a message from me or anyone else with an=20
attachment&nbsp;called emanuel.exe do not open it! Delete the message =
and then=20
delete it from your "deleted messages" folder if you have one, and then =
delete=20
it from your recycle bin or whatever you have that's comparable.</DIV>
<DIV>&nbsp;</DIV>
<DIV>One thing this virus does is send itself to people in your address =
book=20
without your knowing it is happening.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I hope this has not happened to any of you because you're in my =
address=20
book. My apologies if it has.</DIV>
<DIV>&nbsp;</DIV>
<DIV>dan karney</DIV></BODY></HTML>

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From owner-glass Thu Jan 18 15:12:48 2001
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X-Path: ix.netcom.com!gunnx4
From: Suzanne Gunn <gunnx4@ix.netcom.com>
To: "Peggy W. Johnsen" <edupjohn@slonet.org>, glass@bungi.com
Content-Type: text/plain; charset=x-user-defined
Subject: Re: Lampworking Equipment
Date: Thu, 18 Jan 2001 15:32:46 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: glassdancer
Precedence: bulk

Hi Peggy.

I just started doing beads about a month ago.  What you get depends on
how much money you can spend, etc...

I had to go the lowest $$ options available.  I have a hot head torch
and use mapp gas.  I recently joined the hotglass list and am learning
as a lurker at this point.  Some knowledgeable folks there.

hotglass@hotglass.com

My equipment *want* list grows by the day.  I got a good sampler set of
Moretti glass rods for under $100 from Frantz bead company.

Various friends set me up with my first mandrels.  

Ive ready Cindy Jenkins books, borrowed Bandu Scott Dunhams book from
the university library, lurk the hot glass list, and practice a lot. 

I really need a better/hotter torch...but have to save toward it.

As I find info, I'd be happy to forward it to you, if you'd like.

Suzanne




"Peggy W. Johnsen" wrote:
> 
> My interest is turning to bead making and since I haven't paid any
> attention to what those of you working in beads have said, I am now asking
> what is the basic lampworking equipment?  Any help or advice you might
> have would certainly be appreciated.  Peggy
> 
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
----
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From owner-glass Thu Jan 18 18:55:48 2001
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From: "CP" <mschatee@twcny.rr.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Clauddagh Thanks
Date: Thu, 18 Jan 2001 20:15:15 -0500
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Thank you everyone who responded to my request for a Clauddagh pattern.  =
I wound up looking at a bunch of pictures from the internet and just =
drew my own.  My co-worker wanted it inside of a star and it was much =
easier to draw than a originally anticipated.  It's 8" x 8", if anyone =
wants the pattern just let me know I'd be happy to send it to you.

Caren

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thank you everyone who responded to my =
request for=20
a Clauddagh pattern.&nbsp; I wound up looking at a bunch of pictures =
from the=20
internet and just drew my own.&nbsp; My co-worker wanted it inside of a =
star and=20
it was much easier to draw than a originally anticipated.&nbsp; It's 8" =
x 8", if=20
anyone wants the pattern just let me know I'd be happy to send it to=20
you.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Caren</FONT></DIV></BODY></HTML>

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From owner-glass Thu Jan 18 21:08:10 2001
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From: CINDEL67@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: re: Claddagh pattern
Date: Thu, 18 Jan 2001 22:39:22 EST
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Caren,
    I've also been looking everywhere for a Clauddagh pattern. I would really 
like the pattern if you don't mind sending it.
Thank you very much.
Cinda
cindel67@aol.com
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From owner-glass Thu Jan 18 22:38:06 2001
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From: "glass expressions" <glassx@bardstown.com>
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Subject: electronic credit card machine
Date: Fri, 19 Jan 2001 01:10:41 -0500
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hello we have and electric credit card machine that you just swipe card =
and it print out a tape for customer to sign and one for business to =
keep.  we had to close our shop due to illness in family.  anyone =
interested please email us at glassx@bardstown.com  thanks for all the =
wonder advice in the past.  Ricky  Ps machine only 6 months old and in =
great shape!  hope this was ok to send to list if not please let me know =
and I apologize up front.

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<DIV><FONT face=3DArial size=3D2>hello we have and electric credit card =
machine that=20
you just swipe card and it print out a tape for customer to sign and one =
for=20
business to keep.&nbsp; we had to close our shop due to illness in =
family.&nbsp;=20
anyone interested please email us at <A=20
href=3D"mailto:glassx@bardstown.com">glassx@bardstown.com</A>&nbsp; =
thanks for all=20
the wonder advice in the past.&nbsp; Ricky&nbsp; Ps machine only 6 =
months old=20
and in great shape!&nbsp; hope this was ok to send to list if not please =
let me=20
know and I apologize up front.</FONT></DIV></BODY></HTML>

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From owner-glass Fri Jan 19 19:05:26 2001
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From: "Ginny Gerner" <ggerner@adelphiacom.com>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Jack Hastings patterns
Date: Fri, 19 Jan 2001 21:28:25 -0500
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I am lookimg for an artist that I have one pattern from.  It is Gandalf =
and it is from the Jack Hastings Canadian collection from 1984.  I was =
wondering if anyone had every heard of him or have more patterns from =
him.
Ginny Gerner
ggerner@adelphia.net

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<DIV><FONT face=3DArial size=3D2>I am lookimg for an artist that I have =
one pattern=20
from.&nbsp; It is Gandalf and it is from the Jack Hastings Canadian =
collection=20
from 1984.&nbsp; I was wondering if anyone had every heard of him or =
have more=20
patterns from him.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Ginny Gerner</FONT></DIV>
<DIV><FONT face=3DArial =
size=3D2>ggerner@adelphia.net</FONT></DIV></BODY></HTML>

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From owner-glass Fri Jan 19 22:04:41 2001
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From: "D. ONeal" <Moya-Don@worldnet.att.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Claddagn Pattern
Date: Fri, 19 Jan 2001 22:14:26 -0500
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Cinda,
I just saw a Claddagh bevel cluster in "Anything in Stained Glass".  =
They are in New Jersey, 1-800-462-1209
Moya

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Cinda,</DIV>
<DIV>I just saw a Claddagh bevel cluster in "Anything in Stained =
Glass".&nbsp;=20
They are in New Jersey, 1-800-462-1209</DIV>
<DIV>Moya</DIV></BODY></HTML>

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From owner-glass Sat Jan 20 07:07:55 2001
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X-Path: adelphiacom.com!ggerner
From: "Ginny Gerner" <ggerner@adelphiacom.com>
To: "Glass at Bungi" <glass@bungi.com>
Content-Type: text/plain;
Subject: Fw: Jack Hastings patterns
Date: Sat, 20 Jan 2001 09:41:04 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk


 I am lookimg for an artist that I have one pattern from.  It is Gandalf
and it is from the Jack Hastings Canadian collection from 1984.  I was
wondering if anyone had every heard of him or have more patterns from  him.
 Ginny Gerner
 ggerner@adelphia.net

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From owner-glass Sun Jan 21 06:39:27 2001
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X-Path: aol.com!Fsagg
From: Fsagg@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="ISO-8859-1"
Subject: HELP! - copyright information needed
Date: Sun, 21 Jan 2001 09:26:13 EST
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Dear Bungi folk,
I received a distraught phone call from my sister last night and thought=20
maybe some of you folks who have been in the business for a number of years=20
might be able to help with some advice. I told her I would post her problem=20
here. My sister doesn't make stained glass but does other types of arts and=20
crafts and has been making stepping stones with mosaics (the broken china=20
type) among other things for a few years now (about 5). She doesn't have a=20
shop but sells at art & craft shows and online on ebay and other auction=20
sites. Her work is very unique and even sometines sort of "out there," if yo=
u=20
know what I mean (very original ideas, some strange stuff, etc). She does=20
pretty well with her things.

Well she called VERY upset and said that a few people have been seeing her=20
stuff (this is on ebay she said) and making copies of her work and selling=20
them, basiclly, "right next to hers" on the auction site, and even copying=20
her descriptions that she writes out and copying her titles/names of her=20
items - one person in particular is doing this on a regular basis.  We both=20
have basic copyright knowledge and know that a work is protected when it is=20
created and that you do not have to put the "=A9" symbol on your photos or o=
n=20
your items for them to be copyrighted. She also puts a note in her auctions=20
that her items are original, one of a kind, etc.

Here is the problem: Yesterday one of her regular customers emailed her and=20
told her that they saw someone making copies of her stuff - I mean EXACT=20
copies - there was a mosaic made with old china, but the thing of it is, thi=
s=20
copier went as far as to read my sister's description of her original item=20
(my sister writes the names/brands of the china that are in her project in=20
her description), and this copier went and found the exact china and made an=
=20
exact copy! At a glance you would think the "fake" item was my sister's -=20
that is how close they were. When you looked closer at the copy you could=20
tell it was sort of sloppy and not really professional, but at first glance=20
you would have thought they were made by the same person. There was a ribbon=
=20
attached in the exact way my sister puts hers, same type of ribbon, etc.=20
(this was a mosaic thing that you hang on a wall) I mean, my sister drills=20
holes in the wooden base of the item in a certain way and this person totall=
y=20
copied every detail!

Well, needless to say sis was outraged, emailed the "infringer" with a polit=
e=20
but to the point email saying that their item was infringing on her original=
=20
artwork, and that they not reproduce her items again, and that they should=20
remove the copy from ebay.  It turns out that sis had seen this person's=20
copies of her work before, (this person being a cerial copier) but she blew=20
it off since the copies she saw in the past were a bit "changed" by the=20
infringer and the work didn't compare to sis's. But she knew this person=20
"stalked" her auctions, watching for sis's new creations each week because=20
each week it was the same thing: if my sister make a mosaic teapot, then a=20
few days later the infringer made a mosaic teapot, etc. =20

THEN sis emailed ebay, who told her that she could join a program they have=20
called VERO that protects folks from infringement for copyrights and=20
trademarks, etc. Well she did join, she had to fax a paper to ebay, that sai=
d=20
she swore under penalty of purgery that the info she was sending was true,=20
etc. and ebay removed the infringing item!! In just a few hours the auction=20
"copy" was gone.=20

Now here is the problem: the "infringer" emailed sis and is really mad,=20
claiming that theirs is original since they made it (their own=20
interpretation) and that you can't copyright an idea and that she is going t=
o=20
talk to her lawyer. Well we know you can't copyright an idea or concept - bu=
t=20
I say my sister's "idea" was put into "fixed form", making it a tangible wor=
k=20
of art - and that is what was copied!

My sister said that if she chooses, sis can email ebay to let the person put=
=20
their item on the site again, sort of like my sister has to give them=20
permission to sell the item, and if not, the infringer can "contest" that he=
r=20
item was removed illegally - she'd probably have to get a lawyer to do this.=
=20

Anyway, the infringer also said that she never saw my sister's stuff before.=
=20
Well, my sister reported this person basiclly because it was sort of the las=
t=20
straw for her - she knew the copier was a "fan", and she said the last=20
infringing item was "too close for comfort" - too close to her original, and=
=20
that she felt violated because of the copy, as sis said, "it is like a slap=20
in the face".=20

 Well the woman's (infringer's) name that she signed on her email to sis=20
looked familiar, and on closer examination of her sales records, sis found=20
that this infringer was a past customer months ago who bought one of her=20
mosaic items (but not the same thing as she copied).

Please let us know what you think of this situation. All comments are=20
welcome, but we'd especially like to hear from folks who can relate to this=20
situation and folks who have registered copyrights. Sis doesn't have all of=20
her originals registered with the copyright office (at $30 a copyright) but=20
feels like she should do it right away. Would you? She printed out the=20
copyright regisration forms from the US copyright office website. Does anyon=
e=20
know about registering more than one work (as a collection)? We would like=20
information on this if anyone has experience with this. Sis also can't affor=
d=20
expensive lawyer fees and is worried that this infringer isn't going to let=20
up and that the infringer is going to get a lawyer. This whole situation is=20
so awful, but as my sister puts it, "what good is putting "=A9" on all of my=
=20
items if I am not going to stand behind it?"
 =20
----
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From owner-glass Sun Jan 21 09:38:10 2001
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X-Path: villagesoftsmith.com!steve
From: Steve Wernecke <steve@villagesoftsmith.com>
To: Fsagg@aol.com,glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Re: HELP! - copyright information needed
Date: Sun, 21 Jan 2001 09:03:53 -0800
Message-ID: <4.3.2.7.2.20010121085103.00b7be80@mail.villagesoftsmith.com>
References: <<1970Jan1.000.0>>
Precedence: bulk

That's an awful situation to be sure, but your sister summed it up 
correctly but noting that a copyright by itself offers no protection if you 
don't intend to stand up for your rights.  Unfortunately these days, some 
"businesses" exist because of the strength of their lawyers rather than the 
legitimacy of their products.

I recommend buying (or checking a library) for a recent Nolo Press book on 
copyrights.  They're pretty readable and, even at a few 10s of dollars, 
cheaper than hiring a lawyer.  I think you'll find that the horse has 
already left the barn as far as the legal effect registering her copyrights 
would have on this particular infringement.  But for the future she needs 
to learn the advantages that registration provides so she can make a 
informed decision about whether or not the cost is worth it.

Given the past "relationship" between your sister and the infringer, I'd 
guess the infringer is a paper tiger who would be subdued if she received a 
single demand note written on some attorney's letterhead.  Got any lawyer 
friends that might be willing to do that for her?  But if the infringer 
wants to slug it out through the legal system, that's her right and your 
sister will have to decide if she's got the stomach and financial resources 
to do that.  I don't know if her legal costs might be recovered as part of 
a favorable judgment.

At 06:26 AM 1/21/01, Fsagg@aol.com wrote:
>Dear Bungi folk,
>I received a distraught phone call from my sister last night and thought=20
>maybe some of you folks who have been in the business for a number of years=20
>might be able to help with some advice. I told her I would post her problem=20
>here. My sister doesn't make stained glass but does other types of arts and=20
>crafts and has been making stepping stones with mosaics (the broken china=20
>type) among other things for a few years now (about 5). She doesn't have a=20
>shop but sells at art & craft shows and online on ebay and other auction=20
>sites. Her work is very unique and even sometines sort of "out there," if yo=
>u=20
>know what I mean (very original ideas, some strange stuff, etc). She does=20
>pretty well with her things.
>
>Well she called VERY upset and said that a few people have been seeing her=20
>stuff (this is on ebay she said) and making copies of her work and selling=20
>them, basiclly, "right next to hers" on the auction site, and even copying=20
>her descriptions that she writes out and copying her titles/names of her=20
>items - one person in particular is doing this on a regular basis.  We both=20
>have basic copyright knowledge and know that a work is protected when it is=20
>created and that you do not have to put the "=A9" symbol on your photos or o=
>n=20
>your items for them to be copyrighted. She also puts a note in her auctions=20
>that her items are original, one of a kind, etc.
>
>Here is the problem: Yesterday one of her regular customers emailed her and=20
>told her that they saw someone making copies of her stuff - I mean EXACT=20
>copies - there was a mosaic made with old china, but the thing of it is, thi=
>s=20
>copier went as far as to read my sister's description of her original item=20
>(my sister writes the names/brands of the china that are in her project in=20
>her description), and this copier went and found the exact china and made an=
>=20
>exact copy! At a glance you would think the "fake" item was my sister's -=20
>that is how close they were. When you looked closer at the copy you could=20
>tell it was sort of sloppy and not really professional, but at first glance=20
>you would have thought they were made by the same person. There was a ribbon=
>=20
>attached in the exact way my sister puts hers, same type of ribbon, etc.=20
>(this was a mosaic thing that you hang on a wall) I mean, my sister drills=20
>holes in the wooden base of the item in a certain way and this person totall=
>y=20
>copied every detail!
>
>Well, needless to say sis was outraged, emailed the "infringer" with a polit=
>e=20
>but to the point email saying that their item was infringing on her original=
>=20
>artwork, and that they not reproduce her items again, and that they should=20
>remove the copy from ebay.  It turns out that sis had seen this person's=20
>copies of her work before, (this person being a cerial copier) but she blew=20
>it off since the copies she saw in the past were a bit "changed" by the=20
>infringer and the work didn't compare to sis's. But she knew this person=20
>"stalked" her auctions, watching for sis's new creations each week because=20
>each week it was the same thing: if my sister make a mosaic teapot, then a=20
>few days later the infringer made a mosaic teapot, etc. =20
>
>THEN sis emailed ebay, who told her that she could join a program they have=20
>called VERO that protects folks from infringement for copyrights and=20
>trademarks, etc. Well she did join, she had to fax a paper to ebay, that sai=
>d=20
>she swore under penalty of purgery that the info she was sending was true,=20
>etc. and ebay removed the infringing item!! In just a few hours the auction=20
>"copy" was gone.=20
>
>Now here is the problem: the "infringer" emailed sis and is really mad,=20
>claiming that theirs is original since they made it (their own=20
>interpretation) and that you can't copyright an idea and that she is going t=
>o=20
>talk to her lawyer. Well we know you can't copyright an idea or concept - bu=
>t=20
>I say my sister's "idea" was put into "fixed form", making it a tangible wor=
>k=20
>of art - and that is what was copied!
>
>My sister said that if she chooses, sis can email ebay to let the person put=
>=20
>their item on the site again, sort of like my sister has to give them=20
>permission to sell the item, and if not, the infringer can "contest" that he=
>r=20
>item was removed illegally - she'd probably have to get a lawyer to do this.=
>=20
>
>Anyway, the infringer also said that she never saw my sister's stuff before.=
>=20
>Well, my sister reported this person basiclly because it was sort of the las=
>t=20
>straw for her - she knew the copier was a "fan", and she said the last=20
>infringing item was "too close for comfort" - too close to her original, and=
>=20
>that she felt violated because of the copy, as sis said, "it is like a slap=20
>in the face".=20
>
>  Well the woman's (infringer's) name that she signed on her email to sis=20
>looked familiar, and on closer examination of her sales records, sis found=20
>that this infringer was a past customer months ago who bought one of her=20
>mosaic items (but not the same thing as she copied).
>
>Please let us know what you think of this situation. All comments are=20
>welcome, but we'd especially like to hear from folks who can relate to this=20
>situation and folks who have registered copyrights. Sis doesn't have all of=20
>her originals registered with the copyright office (at $30 a copyright) but=20
>feels like she should do it right away. Would you? She printed out the=20
>copyright regisration forms from the US copyright office website. Does anyon=
>e=20
>know about registering more than one work (as a collection)? We would like=20
>information on this if anyone has experience with this. Sis also can't affor=
>d=20
>expensive lawyer fees and is worried that this infringer isn't going to let=20
>up and that the infringer is going to get a lawyer. This whole situation is=20
>so awful, but as my sister puts it, "what good is putting "=A9" on all of my=
>=20
>items if I am not going to stand behind it?"
>  =20
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

----
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From owner-glass Sun Jan 21 09:38:37 2001
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	for rglass-42; Sun, 21 Jan 2001 09:27:46 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #527 built 2000-Nov-28)
X-Path: ilnk.com!andor
From: "Linda Jo Letscher" <andor@ilnk.com>
To: "Bungi" <glass@bungi.com>
Subject: HELP! - copyright information needed
Date: Sun, 21 Jan 2001 12:20:19 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Very interesting, I can't wait to see the response here on  bungi.

But I have a feeling your sister is sunk, and she has to decide if expensive
litigation will be worth it for her stepping stones.

Crafts are copied all the time, it will never stop.  What I would do to yank
the copiers chain is to file a civil suit.  (to jump into the fray you have
to be willing to spend some bucks on legal stuff which often times folks
can't afford to do)  She is copying and then gets mad when ebay pulls her
stuff.  Amazing isn't it..??  Always the way.

I hope your sister comes out of this ok, but as with all things good guys
finish last a lot of the time.

Tell here to contact a attorney (patent/copyright) if she wants legal
advice.

Regards,
Linda Jo
Jacksonville, Fl.


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From owner-glass Sun Jan 21 10:34:26 2001
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	(Smail-3.2.0.94 1997-Apr-22 #527 built 2000-Nov-28)
X-Path: aol.com!DW3car
From: DW3car@aol.com
To: Glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: Stained Glass And Art Glass
Date: Sun, 21 Jan 2001 13:13:43 EST
Message-ID: <1970Jan1.000.0>
Precedence: bulk

To Whom it May Concern:

I am very interested in learning how to determine the value of stained, art, 
and leaded glass. If there is anyone out there that can steer me in the right 
direction, any help would be greatly appreciated.

Thanks in Advance,

D.W. Smith
DW 3car @AOL
----
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From owner-glass Sun Jan 21 10:38:54 2001
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	(Smail-3.2.0.94 1997-Apr-22 #527 built 2000-Nov-28)
X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Steve Wernecke <steve@villagesoftsmith.com>
Subject: Re: HELP! - copyright information needed
Date: Sun, 21 Jan 2001 18:24:25 +0000
Message-ID: <1970Jan1.000.0>
References: <<4.3.2.7.2.20010121085103.00b7be80@mail.villagesoftsmith.com>>
Precedence: bulk

        OK, I'm outside the USofA, but discussions on this list in the
past have indicated it is not necessary to register to prove copyright.
It makes it easier, but copyright still resides in the work once
created.  The design for the object should be dated exactly to prove
precedence.  The object should be dated and numbered too.
        Minor changes to a design do not constitute a new one. The only
defence for a copier would be to have included that the object was
"after ...., by ......"
        Steve
 In message <4.3.2.7.2.20010121085103.00b7be80@mail.villagesoftsmith.com
>, Steve Wernecke <steve@villagesoftsmith.com> writes
>That's an awful situation to be sure, but your sister summed it up 
>correctly but noting that a copyright by itself offers no protection if you 
>don't intend to stand up for your rights.  Unfortunately these days, some 
>"businesses" exist because of the strength of their lawyers rather than the 
>legitimacy of their products.
>
>I recommend buying (or checking a library) for a recent Nolo Press book on 
>copyrights.  They're pretty readable and, even at a few 10s of dollars, 
>cheaper than hiring a lawyer.  I think you'll find that the horse has 
>already left the barn as far as the legal effect registering her copyrights 
>would have on this particular infringement.  But for the future she needs 
>to learn the advantages that registration provides so she can make a 
>informed decision about whether or not the cost is worth it.
>
>Given the past "relationship" between your sister and the infringer, I'd 
>guess the infringer is a paper tiger who would be subdued if she received a 
>single demand note written on some attorney's letterhead.  Got any lawyer 
>friends that might be willing to do that for her?  But if the infringer 
>wants to slug it out through the legal system, that's her right and your 
>sister will have to decide if she's got the stomach and financial resources 
>to do that.  I don't know if her legal costs might be recovered as part of 
>a favorable judgment.
>
>At 06:26 AM 1/21/01, Fsagg@aol.com wrote:
>>Dear Bungi folk,
>>I received a distraught phone call from my sister last night and thought=20
>>maybe some of you folks who have been in the business for a number of years=20
>>might be able to help with some advice. I told her I would post her problem=20
>>here. My sister doesn't make stained glass but does other types of arts and=20
>>crafts and has been making stepping stones with mosaics (the broken china=20
>>type) among other things for a few years now (about 5). She doesn't have a=20
>>shop but sells at art & craft shows and online on ebay and other auction=20
>>sites. Her work is very unique and even sometines sort of "out there," if yo=
>>u=20
>>know what I mean (very original ideas, some strange stuff, etc). She does=20
>>pretty well with her things.
>>
>>Well she called VERY upset and said that a few people have been seeing her=20
>>stuff (this is on ebay she said) and making copies of her work and selling=20
>>them, basiclly, "right next to hers" on the auction site, and even copying=20
>>her descriptions that she writes out and copying her titles/names of her=20
>>items - one person in particular is doing this on a regular basis.  We both=20
>>have basic copyright knowledge and know that a work is protected when it is=20
>>created and that you do not have to put the "=A9" symbol on your photos or o=
>>n=20
>>your items for them to be copyrighted. She also puts a note in her auctions=20
>>that her items are original, one of a kind, etc.
>>
>>Here is the problem: Yesterday one of her regular customers emailed her and=20
>>told her that they saw someone making copies of her stuff - I mean EXACT=20
>>copies - there was a mosaic made with old china, but the thing of it is, thi=
>>s=20
>>copier went as far as to read my sister's description of her original item=20
>>(my sister writes the names/brands of the china that are in her project in=20
>>her description), and this copier went and found the exact china and made an=
>>=20
>>exact copy! At a glance you would think the "fake" item was my sister's -=20
>>that is how close they were. When you looked closer at the copy you could=20
>>tell it was sort of sloppy and not really professional, but at first glance=20
>>you would have thought they were made by the same person. There was a ribbon=
>>=20
>>attached in the exact way my sister puts hers, same type of ribbon, etc.=20
>>(this was a mosaic thing that you hang on a wall) I mean, my sister drills=20
>>holes in the wooden base of the item in a certain way and this person totall=
>>y=20
>>copied every detail!
>>
>>Well, needless to say sis was outraged, emailed the "infringer" with a polit=
>>e=20
>>but to the point email saying that their item was infringing on her original=
>>=20
>>artwork, and that they not reproduce her items again, and that they should=20
>>remove the copy from ebay.  It turns out that sis had seen this person's=20
>>copies of her work before, (this person being a cerial copier) but she blew=20
>>it off since the copies she saw in the past were a bit "changed" by the=20
>>infringer and the work didn't compare to sis's. But she knew this person=20
>>"stalked" her auctions, watching for sis's new creations each week because=20
>>each week it was the same thing: if my sister make a mosaic teapot, then a=20
>>few days later the infringer made a mosaic teapot, etc. =20
>>
>>THEN sis emailed ebay, who told her that she could join a program they have=20
>>called VERO that protects folks from infringement for copyrights and=20
>>trademarks, etc. Well she did join, she had to fax a paper to ebay, that sai=
>>d=20
>>she swore under penalty of purgery that the info she was sending was true,=20
>>etc. and ebay removed the infringing item!! In just a few hours the auction=20
>>"copy" was gone.=20
>>
>>Now here is the problem: the "infringer" emailed sis and is really mad,=20
>>claiming that theirs is original since they made it (their own=20
>>interpretation) and that you can't copyright an idea and that she is going t=
>>o=20
>>talk to her lawyer. Well we know you can't copyright an idea or concept - bu=
>>t=20
>>I say my sister's "idea" was put into "fixed form", making it a tangible wor=
>>k=20
>>of art - and that is what was copied!
>>
>>My sister said that if she chooses, sis can email ebay to let the person put=
>>=20
>>their item on the site again, sort of like my sister has to give them=20
>>permission to sell the item, and if not, the infringer can "contest" that he=
>>r=20
>>item was removed illegally - she'd probably have to get a lawyer to do this.=
>>=20
>>
>>Anyway, the infringer also said that she never saw my sister's stuff before.=
>>=20
>>Well, my sister reported this person basiclly because it was sort of the las=
>>t=20
>>straw for her - she knew the copier was a "fan", and she said the last=20
>>infringing item was "too close for comfort" - too close to her original, and=
>>=20
>>that she felt violated because of the copy, as sis said, "it is like a slap=20
>>in the face".=20
>>
>>  Well the woman's (infringer's) name that she signed on her email to sis=20
>>looked familiar, and on closer examination of her sales records, sis found=20
>>that this infringer was a past customer months ago who bought one of her=20
>>mosaic items (but not the same thing as she copied).
>>
>>Please let us know what you think of this situation. All comments are=20
>>welcome, but we'd especially like to hear from folks who can relate to this=20
>>situation and folks who have registered copyrights. Sis doesn't have all of=20
>>her originals registered with the copyright office (at $30 a copyright) but=20
>>feels like she should do it right away. Would you? She printed out the=20
>>copyright regisration forms from the US copyright office website. Does anyon=
>>e=20
>>know about registering more than one work (as a collection)? We would like=20
>>information on this if anyone has experience with this. Sis also can't affor=
>>d=20
>>expensive lawyer fees and is worried that this infringer isn't going to let=20
>>up and that the infringer is going to get a lawyer. This whole situation is=20
>>so awful, but as my sister puts it, "what good is putting "=A9" on all of my=
>>=20
>>items if I am not going to stand behind it?"
>>  =20
>>----
>>For subscription changes, please mail to: glass-request@bungi.com
>>To send to the list,      please mail to: glass@bungi.com
>>Archives available at http://www.bungi.com/glass
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Sun Jan 21 11:08:15 2001
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To: <glass@bungi.com>
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Date: Sun, 21 Jan 2001 13:29:23 -0500
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If someone sees something they like and copy it but don't sell it, is =
that legal?  Just wondering since we all share photos and patterns and =
stuff.

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<DIV><FONT face=3DArial size=3D2>If someone sees something they like and =
copy it but=20
don't sell it, is that legal?&nbsp; Just wondering since we all share =
photos and=20
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From owner-glass Sun Jan 21 11:08:41 2001
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X-Path: villagesoftsmith.com!steve
From: Steve Wernecke <steve@villagesoftsmith.com>
To: Fsagg@aol.com,
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: Re: HELP! - copyright information needed
Date: Sun, 21 Jan 2001 10:48:01 -0800
Message-ID: <4.3.2.7.2.20010121104542.00b52ef0@mail.villagesoftsmith.com>
References: <<4.3.2.7.2.20010121085103.00b7be80@mail.villagesoftsmith.com>>
Precedence: bulk

My words might have misled...registration is definitely *not* required to 
claim copyright, but registration prior to infringement does affect what 
kind of damages the copyright holder can go after.  At least that's the way 
it was last time I looked into this stuff...pre-Internet days so I know 
things have changed.

At 10:24 AM 1/21/01, Steve Richard wrote:
>         OK, I'm outside the USofA, but discussions on this list in the
>past have indicated it is not necessary to register to prove copyright.
>It makes it easier, but copyright still resides in the work once
>created.  The design for the object should be dated exactly to prove
>precedence.  The object should be dated and numbered too.
>         Minor changes to a design do not constitute a new one. The only
>defence for a copier would be to have included that the object was
>"after ...., by ......"
>         Steve
>  In message <4.3.2.7.2.20010121085103.00b7be80@mail.villagesoftsmith.com
> >, Steve Wernecke <steve@villagesoftsmith.com> writes
> >That's an awful situation to be sure, but your sister summed it up
> >correctly but noting that a copyright by itself offers no protection if you
> >don't intend to stand up for your rights.  Unfortunately these days, some
> >"businesses" exist because of the strength of their lawyers rather than the
> >legitimacy of their products.
> >
> >I recommend buying (or checking a library) for a recent Nolo Press book on
> >copyrights.  They're pretty readable and, even at a few 10s of dollars,
> >cheaper than hiring a lawyer.  I think you'll find that the horse has
> >already left the barn as far as the legal effect registering her copyrights
> >would have on this particular infringement.  But for the future she needs
> >to learn the advantages that registration provides so she can make a
> >informed decision about whether or not the cost is worth it.
> >
> >Given the past "relationship" between your sister and the infringer, I'd
> >guess the infringer is a paper tiger who would be subdued if she received a
> >single demand note written on some attorney's letterhead.  Got any lawyer
> >friends that might be willing to do that for her?  But if the infringer
> >wants to slug it out through the legal system, that's her right and your
> >sister will have to decide if she's got the stomach and financial resources
> >to do that.  I don't know if her legal costs might be recovered as part of
> >a favorable judgment.
> >
> >At 06:26 AM 1/21/01, Fsagg@aol.com wrote:
> >>Dear Bungi folk,
> >>I received a distraught phone call from my sister last night and thought=20
> >>maybe some of you folks who have been in the business for a number of 
> years=20
> >>might be able to help with some advice. I told her I would post her 
> problem=20
> >>here. My sister doesn't make stained glass but does other types of arts 
> and=20
> >>crafts and has been making stepping stones with mosaics (the broken 
> china=20
> >>type) among other things for a few years now (about 5). She doesn't 
> have a=20
> >>shop but sells at art & craft shows and online on ebay and other auction=20
> >>sites. Her work is very unique and even sometines sort of "out there," 
> if yo=
> >>u=20
> >>know what I mean (very original ideas, some strange stuff, etc). She 
> does=20
> >>pretty well with her things.
> >>
> >>Well she called VERY upset and said that a few people have been seeing 
> her=20
> >>stuff (this is on ebay she said) and making copies of her work and 
> selling=20
> >>them, basiclly, "right next to hers" on the auction site, and even 
> copying=20
> >>her descriptions that she writes out and copying her titles/names of her=20
> >>items - one person in particular is doing this on a regular basis.  We 
> both=20
> >>have basic copyright knowledge and know that a work is protected when 
> it is=20
> >>created and that you do not have to put the "=A9" symbol on your photos 
> or o=
> >>n=20
> >>your items for them to be copyrighted. She also puts a note in her 
> auctions=20
> >>that her items are original, one of a kind, etc.
> >>
> >>Here is the problem: Yesterday one of her regular customers emailed her 
> and=20
> >>told her that they saw someone making copies of her stuff - I mean EXACT=20
> >>copies - there was a mosaic made with old china, but the thing of it 
> is, thi=
> >>s=20
> >>copier went as far as to read my sister's description of her original 
> item=20
> >>(my sister writes the names/brands of the china that are in her project 
> in=20
> >>her description), and this copier went and found the exact china and 
> made an=
> >>=20
> >>exact copy! At a glance you would think the "fake" item was my sister's 
> -=20
> >>that is how close they were. When you looked closer at the copy you 
> could=20
> >>tell it was sort of sloppy and not really professional, but at first 
> glance=20
> >>you would have thought they were made by the same person. There was a 
> ribbon=
> >>=20
> >>attached in the exact way my sister puts hers, same type of ribbon, etc.=20
> >>(this was a mosaic thing that you hang on a wall) I mean, my sister 
> drills=20
> >>holes in the wooden base of the item in a certain way and this person 
> totall=
> >>y=20
> >>copied every detail!
> >>
> >>Well, needless to say sis was outraged, emailed the "infringer" with a 
> polit=
> >>e=20
> >>but to the point email saying that their item was infringing on her 
> original=
> >>=20
> >>artwork, and that they not reproduce her items again, and that they 
> should=20
> >>remove the copy from ebay.  It turns out that sis had seen this person's=20
> >>copies of her work before, (this person being a cerial copier) but she 
> blew=20
> >>it off since the copies she saw in the past were a bit "changed" by the=20
> >>infringer and the work didn't compare to sis's. But she knew this person=20
> >>"stalked" her auctions, watching for sis's new creations each week 
> because=20
> >>each week it was the same thing: if my sister make a mosaic teapot, 
> then a=20
> >>few days later the infringer made a mosaic teapot, etc. =20
> >>
> >>THEN sis emailed ebay, who told her that she could join a program they 
> have=20
> >>called VERO that protects folks from infringement for copyrights and=20
> >>trademarks, etc. Well she did join, she had to fax a paper to ebay, 
> that sai=
> >>d=20
> >>she swore under penalty of purgery that the info she was sending was 
> true,=20
> >>etc. and ebay removed the infringing item!! In just a few hours the 
> auction=20
> >>"copy" was gone.=20
> >>
> >>Now here is the problem: the "infringer" emailed sis and is really mad,=20
> >>claiming that theirs is original since they made it (their own=20
> >>interpretation) and that you can't copyright an idea and that she is 
> going t=
> >>o=20
> >>talk to her lawyer. Well we know you can't copyright an idea or concept 
> - bu=
> >>t=20
> >>I say my sister's "idea" was put into "fixed form", making it a 
> tangible wor=
> >>k=20
> >>of art - and that is what was copied!
> >>
> >>My sister said that if she chooses, sis can email ebay to let the 
> person put=
> >>=20
> >>their item on the site again, sort of like my sister has to give them=20
> >>permission to sell the item, and if not, the infringer can "contest" 
> that he=
> >>r=20
> >>item was removed illegally - she'd probably have to get a lawyer to do 
> this.=
> >>=20
> >>
> >>Anyway, the infringer also said that she never saw my sister's stuff 
> before.=
> >>=20
> >>Well, my sister reported this person basiclly because it was sort of 
> the las=
> >>t=20
> >>straw for her - she knew the copier was a "fan", and she said the last=20
> >>infringing item was "too close for comfort" - too close to her 
> original, and=
> >>=20
> >>that she felt violated because of the copy, as sis said, "it is like a 
> slap=20
> >>in the face".=20
> >>
> >>  Well the woman's (infringer's) name that she signed on her email to 
> sis=20
> >>looked familiar, and on closer examination of her sales records, sis 
> found=20
> >>that this infringer was a past customer months ago who bought one of her=20
> >>mosaic items (but not the same thing as she copied).
> >>
> >>Please let us know what you think of this situation. All comments are=20
> >>welcome, but we'd especially like to hear from folks who can relate to 
> this=20
> >>situation and folks who have registered copyrights. Sis doesn't have 
> all of=20
> >>her originals registered with the copyright office (at $30 a copyright) 
> but=20
> >>feels like she should do it right away. Would you? She printed out the=20
> >>copyright regisration forms from the US copyright office website. Does 
> anyon=
> >>e=20
> >>know about registering more than one work (as a collection)? We would 
> like=20
> >>information on this if anyone has experience with this. Sis also can't 
> affor=
> >>d=20
> >>expensive lawyer fees and is worried that this infringer isn't going to 
> let=20
> >>up and that the infringer is going to get a lawyer. This whole 
> situation is=20
> >>so awful, but as my sister puts it, "what good is putting "=A9" on all 
> of my=
> >>=20
> >>items if I am not going to stand behind it?"
> >>  =20
> >>----
> >>For subscription changes, please mail to: glass-request@bungi.com
> >>To send to the list,      please mail to: glass@bungi.com
> >>Archives available at http://www.bungi.com/glass
> >
> >----
> >For subscription changes, please mail to: glass-request@bungi.com
> >To send to the list,      please mail to: glass@bungi.com
> >Archives available at http://www.bungi.com/glass
>
>--
>Steve Richard
>Verrier Art Glass Ltd
>s.richard@verrier-scotland.demon.co.uk

----
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From owner-glass Sun Jan 21 11:33:50 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: DW3car@aol.com
Subject: Re: Stained Glass And Art Glass
Date: Sun, 21 Jan 2001 19:04:21 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

Value is (or can be) very different from price.
Please clarify whether you want to know about methods of pricing or how
to determine the value of an already existing piece of work.

Steve
In message <1970Jan1.000.0@?>, DW3car@aol.com writes
>To Whom it May Concern:
>
>I am very interested in learning how to determine the value of stained, art, 
>and leaded glass. If there is anyone out there that can steer me in the right 
>direction, any help would be greatly appreciated.
>
>Thanks in Advance,
>
>D.W. Smith
>DW 3car @AOL
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Sun Jan 21 11:35:30 2001
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From: Bobfuses@aol.com
To: DW3car@aol.com, glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_9f.101fed6f.279c8f06_boundary"
Subject: Re: Stained Glass And Art Glass
Date: Sun, 21 Jan 2001 14:14:14 EST
Message-ID: <1970Jan1.000.0>
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In a message dated 1/21/01 10:35:14 AM Pacific Standard Time, DW3car@aol.com 
writes:


> I am very interested in learning how to determine the value of stained, art, 
> and leaded glass. If there is anyone out there that can steer me in the 
> right 
> direction, any help would be greatly appreciated.
> 
> 

I do not know of a book or anything like that that will help you. Having 
three experienced stained glass artisans appraise the piece may be the best 
way to get a fair idea. They should know what they would charge to duplicate 
a stained glass piece.

REAL works of art by famous studios will command a premium based on what the 
seller will accept and the buyer will pay. Of course this is true with any 
exchange.

Cheers, Bob in 9 2 0 2 6

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Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2><B>In a message dated 1/21/01 10:35:14 AM Pacific Standard Time, DW3car@aol.com 
<BR>writes:
<BR>
<BR></B>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I am very interested in learning how to determine the value of stained, art, 
<BR>and leaded glass. If there is anyone out there that can steer me in the 
<BR>right 
<BR>direction, any help would be greatly appreciated.
<BR>
<BR></BLOCKQUOTE>
<BR><B>
<BR>I do not know of a book or anything like that that will help you. Having 
<BR>three experienced stained glass artisans appraise the piece may be the best 
<BR>way to get a fair idea. They should know what they would charge to duplicate 
<BR>a stained glass piece.
<BR>
<BR>REAL works of art by famous studios will command a premium based on what the 
<BR>seller will accept and the buyer will pay. Of course this is true with any 
<BR>exchange.
<BR>
<BR>Cheers, Bob in 9 2 0 2 6</B></FONT></HTML>

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From owner-glass Sun Jan 21 13:39:24 2001
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From: FuchsiaFan@aol.com
To: Glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_12.7b6a035.279ca720_boundary"
Subject: Coca Cola pattern
Date: Sun, 21 Jan 2001 15:57:04 EST
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Glass Bungians everywhere!

My friend and stained glass mentor still has not located a copy of the Warden 
Coca Cola pattern.  Anyone out there have one or know of anyone who has one?  
He would be eternally grateful.

His email address is: JLKeltner@techline.com

Thank you for any help you can give him.

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>Glass Bungians everywhere!
<BR>
<BR>My friend and stained glass mentor still has not located a copy of the Warden 
<BR>Coca Cola pattern. &nbsp;Anyone out there have one or know of anyone who has one? &nbsp;
<BR>He would be eternally grateful.
<BR>
<BR>His email address is: JLKeltner@techline.com
<BR>
<BR>Thank you for any help you can give him.</FONT></HTML>

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From owner-glass Sun Jan 21 15:09:15 2001
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From: Ania Bartholdi <rencontre.france@free.fr>
To: glass@daver.bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Lettre "U N I O N S   E T   M A R I A G E S   I N T E R N A T I O N A U X". Janvier 2001.
Date: Sun, 21 Jan 2001 23:42:54 +0100
Message-ID: <20010121223602.9E25A102A11@postfix1-2.free.fr>
Organization: Ania Bartholdi
Precedence: bulk

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charme, leur loyauté et ont généralement des aptitudes ŕ parler le
Français ou l'Anglais.

LIRE LA SUITE DE L'ARTICLE >>
<http://www.eurochallenges.com/asie.htm>
============================================================

3) Ils sont heureux aujourd'hui et nous en font part...

" Comme vous me l'aviez annoncé, les femmes de l'Est ont une toute
autre mentalité que nos femmes françaises, j'ai pu le constater ... Je
tiens ŕ vous remercier pour le sérieux de votre agence
matrimoniale."

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<http://www.eurochallenges.com/temoign_1.htm>

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4) Chronologie de votre rencontre amoureuse.

Vous aimeriez en savoir un peu plus sur le déroulement de votre future
adhésion et les différentes étapes qui vont rythmer votre "nouvelle vie".
1° Etape : Un entretien confidentiel avec votre conseillčre personnelle va
permettre ŕ EUROCHALLENGES de constituer votre portrait moral.

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From: Ania Bartholdi <rencontre.france@free.fr>
To: glass@bungi.com
Content-Type: text/plain; charset=iso-8859-1
Subject: Lettre "U N I O N S   E T   M A R I A G E S   I N T E R N A T I O N A U X". Janvier 2001.
Date: Sun, 21 Jan 2001 23:41:33 +0100
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U N I O N S   E T   M A R I A G E S   I N T E R N A T I O N A U X

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Toute l'équipe d'EUROCHALLENGES vous souhaite ses meilleurs voeux de
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2) Le mythe des PERLES asiatiques.
3) Ils sont heureux aujourd'hui et nous en font part...
4) Chronologie de votre rencontre amoureuse.
============================================================

1) L'homme français et le charme slave.

Nous sommes ŕ un moment privilégié d'attirance mutuelle entre nos deux
cultures...Depuis la chute du Mur de Berlin, les liens ne cessent de se
tisser entre l'ancien " bloc communiste " et la France. Liens économiques,
scientifiques, culturels, mais aussi liens personnels et sentimentaux...

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2) Le mythe des PERLES Asiatiques.

De nombreuses adhérentes d' EUROCHALLENGES sont originaires des
Philippines, Vietnam, Hong-Kong, Singapour, Indonésie, Malaisie, Thaďlande
et Japon... Ces "perles d'Asie" sont bien connues pour leur beauté, leur
charme, leur loyauté et ont généralement des aptitudes ŕ parler le
Français ou l'Anglais.

LIRE LA SUITE DE L'ARTICLE >>
<http://www.eurochallenges.com/asie.htm>
============================================================

3) Ils sont heureux aujourd'hui et nous en font part...

" Comme vous me l'aviez annoncé, les femmes de l'Est ont une toute
autre mentalité que nos femmes françaises, j'ai pu le constater ... Je
tiens ŕ vous remercier pour le sérieux de votre agence
matrimoniale."

LIRE LA SUITE DE L'ARTICLE >>
<http://www.eurochallenges.com/temoign_1.htm>

=====================<SPONSOR>==============================
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GOOGLE, Webcrawler, FastSearch et bien d'autres...(Sans publicité)
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=====================<SPONSOR>==============================

4) Chronologie de votre rencontre amoureuse.

Vous aimeriez en savoir un peu plus sur le déroulement de votre future
adhésion et les différentes étapes qui vont rythmer votre "nouvelle vie".
1° Etape : Un entretien confidentiel avec votre conseillčre personnelle va
permettre ŕ EUROCHALLENGES de constituer votre portrait moral.

LIRE LA SUITE DE L'ARTICLE >>
<http://www.eurochallenges.com/ccm.htm>
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From owner-glass Sun Jan 21 16:38:49 2001
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X-Path: warmglass.com!mbwalker
From: "Brad Walker" <mbwalker@warmglass.com>
To: <DW3car@aol.com>, <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Stained Glass And Art Glass
Date: Sun, 21 Jan 2001 16:18:52 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

If it's appraisals you want (and you live in the US) contact the Appraiser's
Association of America.  They have members that can appraise virtually
anything except real estate, and they also offer courses on becoming an
appriaser.  Try this url:  http://www.appraisersassoc.org/index.htm

Brad Walker
--------------------------------------------------------------
For information about warm glass techniques and processes
such as fusing, slumping, and kiln forming, please visit
the Warm Glass website at http://www.warmglass.com
----- Original Message -----
From: <DW3car@aol.com>
To: <Glass@bungi.com>
Sent: Sunday, January 21, 2001 1:13 PM
Subject: Stained Glass And Art Glass


> To Whom it May Concern:
>
> I am very interested in learning how to determine the value of stained,
art,
> and leaded glass. If there is anyone out there that can steer me in the
right
> direction, any help would be greatly appreciated.
>
> Thanks in Advance,
>
> D.W. Smith
> DW 3car @AOL
> ----
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From owner-glass Sun Jan 21 17:10:04 2001
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X-Path: ltdarkpoet.junglelink.co.uk!charliehodge
From: "steve" <charliehodge@ltdarkpoet.junglelink.co.uk>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: qualifications
Date: Mon, 22 Jan 2001 00:59:11 -0000
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This is a multi-part message in MIME format.

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a question for the uk here. i applied to enrol in a course at college =
(C&G 730). AND WAS ASKED FOR MY QUALIFICATION IN STAINED GLASS IS THERE =
SUCH A THING AND HOW RELEVENT IS IT TO TEACHING

------=_NextPart_000_001F_01C0840E.87F89E00
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.100" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>a question for the uk here. i applied =
to enrol in a=20
course at college (C&amp;G 730). AND WAS ASKED FOR MY QUALIFICATION IN =
STAINED=20
GLASS IS THERE SUCH A THING AND HOW RELEVENT IS IT TO=20
TEACHING</FONT></DIV></BODY></HTML>

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From owner-glass Sun Jan 21 21:06:20 2001
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X-Path: yahoo.com!bob8954
From: robert cutler <bob8954@yahoo.com>
To: steve <charliehodge@ltdarkpoet.junglelink.co.uk>, glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: qualifications
Date: Sun, 21 Jan 2001 20:35:18 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

People complained recently about getting only headers
of messges. It is happening to me.  anybody else?

__________________________________________________
Do You Yahoo!?
Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free!
http://photos.yahoo.com/
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From owner-glass Sun Jan 21 22:34:57 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: <Fsagg@aol.com>,
Content-Type: text/plain;
Subject: RE: HELP! - copyright information needed
Date: Sun, 21 Jan 2001 12:03:39 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

art work is hard to put a copyright on. a court would need proof of
existance. a record of past works that were not on ebay or before it
exisited. like somone claiming they invented something, if they don't have
the concept on a napkin or some kind of thought process it makes 'em look
real bad.

i suppose you might be able to use a lawyer from a lawyer school (don't know
if that would work or not). or make up a very official looking document and
mail or fax it to that person, and put some fear into it. intel and other's
like to do this, over very little things like the intel inside circle, many
people have been threatened by this.

or i suppose she can stop selling on e-bay. she can set up a web site
instead, and have them made to order. e-bay tends to cheapen art (in my
opinion).


---Mike Savad


---
Mike's Stained Glass - http://www.geocities.com/Paris/1141/
Contains a wealth of stained glass information, stained glass tips, stained
glass instruction, and many, many stained glass links.
---
11-7-00 - New Stuff Added: How to solder a nice bead, and several new
projects. You can now search my site with a built in engine.

> -----Original Message-----
> From: Fsagg@aol.com [mailto:Fsagg@aol.com]
> Sent: Sunday, January 21, 2001 9:26 AM
> To: glass@bungi.com
> Subject: HELP! - copyright information needed
>
>
> Dear Bungi folk,
> I received a distraught phone call from my sister last night and
> thought=20
> maybe some of you folks who have been in the business for a
> number of years=20
> might be able to help with some advice. I told her I would post
> her problem=20
> here. My sister doesn't make stained glass but does other types
> of arts and=20
> crafts and has been making stepping stones with mosaics (the
> broken china=20
> type) among other things for a few years now (about 5). She
> doesn't have a=20
> shop but sells at art & craft shows and online on ebay and other
> auction=20
> sites. Her work is very unique and even sometines sort of "out
> there," if yo=
> u=20
> know what I mean (very original ideas, some strange stuff, etc).
> She does=20
> pretty well with her things.
>
> Well she called VERY upset and said that a few people have been
> seeing her=20
> stuff (this is on ebay she said) and making copies of her work
> and selling=20
> them, basiclly, "right next to hers" on the auction site, and
> even copying=20
> her descriptions that she writes out and copying her titles/names
> of her=20
> items - one person in particular is doing this on a regular
> basis.  We both=20
> have basic copyright knowledge and know that a work is protected
> when it is=20
> created and that you do not have to put the "=A9" symbol on your
> photos or o=
> n=20
> your items for them to be copyrighted. She also puts a note in
> her auctions=20
> that her items are original, one of a kind, etc.
>
> Here is the problem: Yesterday one of her regular customers
> emailed her and=20
> told her that they saw someone making copies of her stuff - I
> mean EXACT=20
> copies - there was a mosaic made with old china, but the thing of
> it is, thi=
> s=20
> copier went as far as to read my sister's description of her
> original item=20
> (my sister writes the names/brands of the china that are in her
> project in=20
> her description), and this copier went and found the exact china
> and made an=
> =20
> exact copy! At a glance you would think the "fake" item was my
> sister's -=20
> that is how close they were. When you looked closer at the copy
> you could=20
> tell it was sort of sloppy and not really professional, but at
> first glance=20
> you would have thought they were made by the same person. There
> was a ribbon=
> =20
> attached in the exact way my sister puts hers, same type of
> ribbon, etc.=20
> (this was a mosaic thing that you hang on a wall) I mean, my
> sister drills=20
> holes in the wooden base of the item in a certain way and this
> person totall=
> y=20
> copied every detail!
>
> Well, needless to say sis was outraged, emailed the "infringer"
> with a polit=
> e=20
> but to the point email saying that their item was infringing on
> her original=
> =20
> artwork, and that they not reproduce her items again, and that
> they should=20
> remove the copy from ebay.  It turns out that sis had seen this
> person's=20
> copies of her work before, (this person being a cerial copier)
> but she blew=20
> it off since the copies she saw in the past were a bit "changed" by the=20
> infringer and the work didn't compare to sis's. But she knew this
> person=20
> "stalked" her auctions, watching for sis's new creations each
> week because=20
> each week it was the same thing: if my sister make a mosaic
> teapot, then a=20
> few days later the infringer made a mosaic teapot, etc. =20
>
> THEN sis emailed ebay, who told her that she could join a program
> they have=20
> called VERO that protects folks from infringement for copyrights and=20
> trademarks, etc. Well she did join, she had to fax a paper to
> ebay, that sai=
> d=20
> she swore under penalty of purgery that the info she was sending
> was true,=20
> etc. and ebay removed the infringing item!! In just a few hours
> the auction=20
> "copy" was gone.=20
>
> Now here is the problem: the "infringer" emailed sis and is really mad,=20
> claiming that theirs is original since they made it (their own=20
> interpretation) and that you can't copyright an idea and that she
> is going t=
> o=20
> talk to her lawyer. Well we know you can't copyright an idea or
> concept - bu=
> t=20
> I say my sister's "idea" was put into "fixed form", making it a
> tangible wor=
> k=20
> of art - and that is what was copied!
>
> My sister said that if she chooses, sis can email ebay to let the
> person put=
> =20
> their item on the site again, sort of like my sister has to give them=20
> permission to sell the item, and if not, the infringer can
> "contest" that he=
> r=20
> item was removed illegally - she'd probably have to get a lawyer
> to do this.=
> =20
>
> Anyway, the infringer also said that she never saw my sister's
> stuff before.=
> =20
> Well, my sister reported this person basiclly because it was sort
> of the las=
> t=20
> straw for her - she knew the copier was a "fan", and she said the last=20
> infringing item was "too close for comfort" - too close to her
> original, and=
> =20
> that she felt violated because of the copy, as sis said, "it is
> like a slap=20
> in the face".=20
>
>  Well the woman's (infringer's) name that she signed on her email
> to sis=20
> looked familiar, and on closer examination of her sales records,
> sis found=20
> that this infringer was a past customer months ago who bought one
> of her=20
> mosaic items (but not the same thing as she copied).
>
> Please let us know what you think of this situation. All comments are=20
> welcome, but we'd especially like to hear from folks who can
> relate to this=20
> situation and folks who have registered copyrights. Sis doesn't
> have all of=20
> her originals registered with the copyright office (at $30 a
> copyright) but=20
> feels like she should do it right away. Would you? She printed out the=20
> copyright regisration forms from the US copyright office website.
> Does anyon=
> e=20
> know about registering more than one work (as a collection)? We
> would like=20
> information on this if anyone has experience with this. Sis also
> can't affor=
> d=20
> expensive lawyer fees and is worried that this infringer isn't
> going to let=20
> up and that the infringer is going to get a lawyer. This whole
> situation is=20
> so awful, but as my sister puts it, "what good is putting "=A9"
> on all of my=
> =20
> items if I am not going to stand behind it?"
>  =20
> ----
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From owner-glass Mon Jan 22 07:54:56 2001
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X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: subscribe
Date: Mon, 22 Jan 2001 09:07:28 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk



Christie A. Wood
North Wales, PA USA
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From owner-glass Mon Jan 22 12:05:04 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: CP <mschatee@twcny.rr.com>
Subject: Re: Copyright question
Date: Sun, 21 Jan 2001 19:28:25 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

International copyright law gives the provision of fair use.  This means
personal use - not for profit, nor for giving away to another.


Steve

In message <1970Jan1.000.0@?>, CP <mschatee@twcny.rr.com> writes
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_0029_01C083AE.2B395660
>Content-Type: text/plain;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>If someone sees something they like and copy it but don't sell it, is =
>that legal?  Just wondering since we all share photos and patterns and =
>stuff.
>
>------=_NextPart_000_0029_01C083AE.2B395660
>Content-Type: text/html;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 5.50.4611.1300" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>If someone sees something they like and =
>copy it but=20
>don't sell it, is that legal?&nbsp; Just wondering since we all share =
>photos and=20
>patterns and stuff.</FONT></DIV></BODY></HTML>
>
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Mon Jan 22 14:38:20 2001
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Subject: try again (qualifications)
Date: Mon, 22 Jan 2001 16:53:01 -0000
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to any uk people. i applied for a college course (C&G 730 basic teaching)
and was asked for my qualification in stained glass. Is there one and how
relevent is it to teaching.

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Date: Mon, 22 Jan 2001 16:53:01 -0000
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to any uk people. i applied for a college course (C&G 730 basic teaching)
and was asked for my qualification in stained glass. Is there one and how
relevent is it to teaching.

----
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From owner-glass Mon Jan 22 22:59:46 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: steve <charliehodge@ltdarkpoet.junglelink.co.uk>
Subject: Re: qualifications
Date: Mon, 22 Jan 2001 22:39:26 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
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Steve,
        I don't know what college you are applying to, but the City and
Guilds 730 is a standard curriculum, but I don't know what its subject
may be.  If it is for stained glass, the college may be wanting to know
if you have any experience in stained glass.  If it is teaching as a
subject, they may be wanting you to explain how you see craft
qualification as being relevant to teaching.  It may be a mistake on the
college's part.

Yes there are NVQ and SNVQ units leading to National, Higher National
Certificates and Higher National Degrees in decorative glass.

Steve
In message <1970Jan1.000.0@?>, steve <charliehodge@ltdarkpoet.junglelink
.co.uk> writes
>This is a multi-part message in MIME format.
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>
>a question for the uk here. i applied to enrol in a course at college =
>(C&G 730). AND WAS ASKED FOR MY QUALIFICATION IN STAINED GLASS IS THERE =
>SUCH A THING AND HOW RELEVENT IS IT TO TEACHING
>
>------=_NextPart_000_001F_01C0840E.87F89E00
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><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>a question for the uk here. i applied =
>to enrol in a=20
>course at college (C&amp;G 730). AND WAS ASKED FOR MY QUALIFICATION IN =
>STAINED=20
>GLASS IS THERE SUCH A THING AND HOW RELEVENT IS IT TO=20
>TEACHING</FONT></DIV></BODY></HTML>
>
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-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
----
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From owner-glass Tue Jan 23 07:08:02 2001
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X-Path: attcanada.ca!mschut
From: "The Schut Family" <mschut@attcanada.ca>
To: "glass" <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: Stepping Stones
Date: Tue, 23 Jan 2001 07:20:09 -0400
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Hello there.  I am wondering if someone out there would have some =
suggestions for me.

I have been pouring stepping stones for about 2 years now.  The majority =
of them are the ones that are for looks in flower bed and gardens and =
also some table tops.  I use the method where I place the glass in the =
bottom of the mold and pour the concrete over top.

Here is the problem.  I live in a very cold climate in the winter.  =
Using the method I do, the tops of the stones get extremely slippery for =
walking on (as bad as ice).  I would like to pour a complete sidewalk =
for the front of my house, but I am unsure how to create an anti slip =
tread on the top of the stone. =20

Anyone with suggestions or ideas would be greatly appreciated.

Thanks.


-------------------------------------------------------------------------=
-------


Stained Glass by Mike & Pam=20

Mike, Pam, Jonathan, Kayla & Devin Schut

Cornwall, Prince Edward Island

Email Jonathan @ jonathan_schut@mapleleafsfan.com


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff size=3D2>Hello =
there.&nbsp; I am=20
wondering if someone out there would have some suggestions for =
me.</FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff size=3D2>I have been =
pouring=20
stepping stones for about 2 years now.&nbsp; The majority of them are =
the ones=20
that are for looks in flower bed and gardens and also some table =
tops.&nbsp; I=20
use the method where I place the glass in the bottom of the mold and =
pour the=20
concrete over top.</FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff size=3D2>Here is the =
problem.&nbsp;=20
I live in a very cold climate in the winter.&nbsp; Using the method I =
do, the=20
tops of the stones get extremely slippery for walking on (as bad as =
ice).&nbsp;=20
I would like to pour a complete sidewalk for the front of my house, but =
I am=20
unsure how to create an anti slip tread on the top of the stone.&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff size=3D2>Anyone with =
suggestions or=20
ideas would be greatly appreciated.</FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Comic Sans MS" color=3D#0000ff =
size=3D2>Thanks.</FONT></DIV>
<DIV>
<P>
<HR align=3Dleft width=3D"90%">

<P></P><FONT face=3D"English111 Vivace BT" color=3D#ff0000 size=3D5>
<P>Stained Glass by Mike &amp; Pam</FONT> </P><FONT face=3D"Comic Sans =
MS" size=3D2>
<P>Mike, Pam, Jonathan, Kayla &amp; Devin Schut</P>
<P>Cornwall, Prince Edward Island</P>
<P>Email Jonathan @ </FONT><A=20
href=3D"mailto:jonathan_schut@mapleleafsfan.com">jonathan_schut@mapleleaf=
sfan.com</A></P><FONT=20
face=3D"Comic Sans MS" size=3D2></FONT></DIV></BODY></HTML>

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From owner-glass Tue Jan 23 07:37:44 2001
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X-Path: stainedglass.co.uk!studio
From: "studio@stainedglass.co.uk" <studio@stainedglass.co.uk>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"
Subject: Re: try again (qualifications)
Date: Tue, 23 Jan 2001 14:57:00 +0000
Message-ID: <1970Jan1.000.0>
Precedence: bulk

At 16:53 22/01/01 -0000, steve wrote:
>to any uk people. i applied for a college course (C&G 730 basic teaching)
>and was asked for my qualification in stained glass. Is there one and how
>relevent is it to teaching.
>
>----

The City and Guilds 7307 is a qualification to teach adult learners - and is
gradually becoming compulsory as a minumum qualification by FE and Adult
Education centres - all a matter of getting their funding I gather as the
'system' is starting to insist on paper qualifications more and more.
Any specific stained glass certificates and diplomas as far as I know have
nothing to do with teaching the craft - but depending on the course itself
may prove some level of skill and experience. From experience we are fairly
sceptical as to their value to any potential employer - whether stained
glass studio or teaching centre.
We have met some who have earned their HND in decorative stained glass but
do not appear to have much practical experience of making 'real' stained
glass window and door panels, although they might have been around an
experienced craftsperson and watched what they do!  
The FEFC and City and Guilds certification bodies for stained glass do not
seem to judge the practical skill levels of those who have achieved the
'qualification' that we have met in our retail shop, as for example they
have 'been taught' stained glass painting and firing by using the materials
under instruction but never seen a kiln in action and have no experience of
any firing problems/solutions!
Most of the courses being offered in Adult Education seem to be just
'taster' courses - offering the students a certificate proving that they
have made in the course of a year several stained glass items using at least
three techniques - without being able to learn any of the methods in depth.  
With the current insistence of at least 12 students in a class and having to
cover so many techniques in one year it is understandable that the expected
level of skill achievement is fairly low, but it is a shame that there seems
to be no system of graduated certificates that a stained glass studio
looking for proof of skills can rely on yet!  But when you consider that it
hasnt been all that long for stained glass as a hobby in the UK it is not
surprising - maybe we will get there someday!
As to your particular problem in getting accepted on a teaching course
without written proof of craft skills attained in the absence of the
existence of any serious accepted certification for stained glass you will
have to convince them in other ways.  
Unfortunately with stained glass being such a 'glamorous' craft with its
mistique of centuries of secretive guilds etc many education providers are
so keen to include it in their schedules that they often in the past
overlooked any procedures for checking if potential tutors really are as
good at their craft as they make out, so there are many inexperienced people
attempting to teach it across the country who have the correct teaching
qualifications but little practical experience except having attended a one
year evening class themselves.
So if you have a portfolio of your past work, or can show that you have made
lots of actual windows/lampshades by giving them contact names/locations of
stuff you have sold or installed this might convince them that you have a
reasonable level of skills that you can pass on to students in the future
and make it worth them helping you attain the 7307.
Good luck

Regards
Elizabeth in Bournemouth
http://www.stainedglass.co.uk

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From owner-glass Wed Jan 24 08:25:24 2001
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X-Path: fn3.freenet.tlh.fl.us!gonzalj
From: Jim Gonzalez <gonzalj@freenet.tlh.fl.us>
To: <glass@bungi.com>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: Odyssey Wild Rose
Date: Wed, 24 Jan 2001 10:30:54 -0500 (EST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

I've decided to try my hand at making a lamp shade and have settled on the
Wild Rose (Ody T1997).  I've already selected Youg 1107 for the roses to
match the room.  I would welcome any input for other glass selection or
construction hints.  How does one keep all the pattern and glass pieces
organized while cutting, shaping and foiling?

TIA
Jim

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From owner-glass Wed Jan 24 10:06:42 2001
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X-Path: mtcon.net!shigbee
From: "Shari" <shigbee@mtcon.net>
To: "Bungi" <glass@bungi.com>,
Subject: Re: Odyssey Wild Rose
Date: Wed, 24 Jan 2001 10:26:02 -0700
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Hi Jim! I took a lamp class from Joe Porcelli last year in Vegas. He lays
the entire lamp pattern down flat on the table and fits pieces to each other
on the pattern. Not until the entire thing is done and fits together flat
does he start putting pieces up on the lamp form itself. Seemed to work
well--and takes away the need for pins, tacky wax and all that other stuff
you use when you try to fit your pieces on the form.

Shari in SLC


----- Original Message -----
From: Jim Gonzalez <gonzalj@freenet.tlh.fl.us>
To: <glass@bungi.com>
Sent: Wednesday, January 24, 2001 8:30 AM
Subject: Odyssey Wild Rose


> I've decided to try my hand at making a lamp shade and have settled on the
> Wild Rose (Ody T1997).  I've already selected Youg 1107 for the roses to
> match the room.  I would welcome any input for other glass selection or
> construction hints.  How does one keep all the pattern and glass pieces
> organized while cutting, shaping and foiling?
>
> TIA
> Jim
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
>




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From owner-glass Wed Jan 24 14:39:42 2001
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X-Path: ltdarkpoet.junglelink.co.uk!charliehodge
From: "steve" <charliehodge@ltdarkpoet.junglelink.co.uk>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: thanks
Date: Wed, 24 Jan 2001 22:29:59 -0000
Message-ID: <1970Jan1.000.0>
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i talked to the head of dept at the college. told her that i had 9 years
experience including teaching and sending me an enrolment form . so thanks
for the help
steve

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From owner-glass Wed Jan 24 22:00:56 2001
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From: Grant Schultz <Fortschultz@centurytel.net>
To: Jim Gonzalez <gonzalj@freenet.tlh.fl.us>,
Content-Type: text/plain; charset=us-ascii
Subject: Re: Odyssey Wild Rose
Date: Wed, 24 Jan 2001 23:46:44 -0600
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: Sentury Insurance
Precedence: bulk

Hi Jim and Group,
I have just fininshed my first lamp shade and it turned out beautifully. It
was an 8 sided lamp and about 80 pieces. I used dark blues, golds, reds,
greens, some iridized glass globs. I did not take a class on how to do it just
used my skills at creating panels and Bungi info past fellow glass artists
have posted. It was'nt easy but I placed the panels (after taping it together
with electric wireing tape (black stuff)   in a box stuffed with newspapers. I
soldered it while is sat in the box. Using crumpled paper for support
underneath it. It was hard for me to get neat solder lines but I just kept
working at it.I lifted it and tried to keep it level as I finish soldered it.

I keep my pieces in envelopes, label with a pencil so I can change names of
glass colors for each project and just re -use envelopes. I use long business
envelopes so they can hold quite a few pieces.
Lamps are kind of tricky but they sure are great to turn on an gaze in
amazement when you finish them.  Check what other more experienced lamp makers
did and discussed in the Bungi archives. I have been creating stained glass
for about 7 months now and each project gets better and easier through
experience as I am sure you well know.  I thought maybe it would be nice to
hear from someone who has just finished their first lamp, good luck and I am
sure it will be awesome!
Christy

Jim Gonzalez wrote:

> I've decided to try my hand at making a lamp shade and have settled on the
> Wild Rose (Ody T1997).  I've already selected Youg 1107 for the roses to
> match the room.  I would welcome any input for other glass selection or
> construction hints.  How does one keep all the pattern and glass pieces
> organized while cutting, shaping and foiling?
>
> TIA
> Jim
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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From owner-glass Wed Jan 24 23:05:00 2001
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From: "Randy Gloden" <randy@gloden.com>
To: <glass@bungi.com>
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Does DenverGlass.com have a competitor?  I get the feeling I would never =
be able to afford any of their bevel machines.  I've requested a catalog =
but am not very hopeful.  I've also seen some bevel kits for the =
traditional griders but it sounds like they only bevel at 45  or 30 =
degrees and aren't really  intended for an asthetic bevel.  Maybe I =
should just leave these jobs to the big shops.

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<DIV><FONT size=3D2>Does DenverGlass.com have a competitor?&nbsp; I get =
the=20
feeling I would never be able to afford any of their bevel =
machines.&nbsp; I've=20
requested a catalog but am not very hopeful.&nbsp; I've also seen some =
bevel=20
kits for the traditional griders but it sounds like they only bevel at =
45&nbsp;=20
or 30 degrees and aren't really&nbsp; intended for an asthetic =
bevel.&nbsp;=20
Maybe I should just leave these jobs to the big=20
shops.</FONT></DIV></BODY></HTML>

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From owner-glass Thu Jan 25 08:00:56 2001
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X-Path: compunet.net!tekelly
From: tekelly@compunet.net
To: glass@bungi.com
Content-Type: TEXT/PLAIN; charset=US-ASCII
Subject: claddaugh pattern
Date: Thu, 25 Jan 2001 07:54:37 -0800
Message-ID: <25010125.28369@216.98.90.39>
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downeaststainedglass.com  had a couple  dont know if its what
you are looking for

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From owner-glass Thu Jan 25 19:02:29 2001
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From: Fsagg@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: update copyright infringement
Date: Thu, 25 Jan 2001 21:53:47 EST
Message-ID: <1970Jan1.000.0>
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Thanks to all who answered our email about infringement. As it so turns out, 
this "infringer" was, as one of you wrote, a "paper tiger" I guess it just 
goes to show the kind of person they are - with nerve enough to blatantly 
copy and then nerve enough to sell an infringing copy right next to the 
original, they also have nerve enough to feign innocence and scream injustice 
when caught! We came to the conclusion that they were indeed bullying Rebecca 
(sis) into giving away her rights to reproduce her item by threatening her 
with getting a lawyer, etc. After more cafeful consideration of the law, we 
pretty much had a family meeting, and came to the conclusion that this person 
was just that - defensive because she got caught. Thanks again for your 
replies and help. There were a lot of great suggestions. Sis also learned 
that is a good idea to have a stamp of her name made (with the year) and 
this, on each item she produces is not only her copyright (her lawyer is 
registering it for her), but it is proof of date made.
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From owner-glass Thu Jan 25 21:25:27 2001
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From: sharifa@netrover.com
To: "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: Looking for Tina - teacher, stained glass
Date: Fri, 26 Jan 2001 00:33:57 -0500
Message-ID: <1970Jan1.000.0>
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Hello, Not Sure to whom I am writing.  I have had two  sets of classes
learning  stained glass and actually finished a lamp at the second one.
I want to make a window panel, need some help.  My last teacher was
great, name  - Tina , Italian with a little baby ( a year ago)  She no
longer works where I met her.  Could anyone help.  If not I live in
Mississauga, so Oakville to Toronto is O.K.   Someone  professional
-meaning knows what he/she is doing and has patience yo teach.  Thanks
for any help.  W

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From owner-glass Thu Jan 25 22:32:11 2001
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X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: re: bevelers
Date: Thu, 25 Jan 2001 19:39:12 -0600
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hi Randy..

I use a Glastar beveler.. Cost me about $1200 last year if I remember right.
It is an upright beveler with 8" wheels.. I'll be buying the 12" horzintal
disk beveler from them this year and it runs about $1600.. I do no custom
beveling. I only use it to modify stock bevels or make pieces for repair
jobs.If you don't wanna  spend that kind of money either pass on the jobs or
subcontract out the work.. When I need large pieces beveled like for
multipanel door inserts I get the measurements and/or patterns and go to the
local glass co that does mirror,table beveling etc.. They have a 300,000
beveling machine and get it done turbo speed.. Another option is to just cut
the pieces to size and have another SG company that does a lot of beveling
do it for you.. Most charge per inch..
Oh and don't waste yer money on the beveling adaptor gizmo for the Inland
Twin Spin... It's junk.. Threw mine away when I got the Glastar... They have
a site at www.glastar.com

Byron...
Wells Glassworks

----- Original Message -----
From: Randy Golden <randy@gloden.com>
To: <glass@bungi.com>
Sent: Thursday, January 25, 2001 12:37 AM
Subject: Bevel Machines
>
> Does DenverGlass.com have a competitor?  I get the feeling I would never =
> be able to afford any of their bevel machines.  I've requested a catalog =
> but am not very hopeful.  I've also seen some bevel kits for the =
> traditional griders but it sounds like they only bevel at 45  or 30 =
> degrees and aren't really  intended for an asthetic bevel.  Maybe I =
> should just leave these jobs to the big shops.
>



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From owner-glass Thu Jan 25 23:30:23 2001
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From: Bobfuses@aol.com
To: byronw@fastlane.net, glass@bungi.com
Content-Type: multipart/alternative; boundary="part1_9c.b169193.27a27a50_boundary"
Subject: Re: bevelers
Date: Fri, 26 Jan 2001 01:59:28 EST
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In a message dated 1/25/01 10:34:16 PM Pacific Standard Time, 
byronw@fastlane.net writes:


> > Does DenverGlass.com have a competitor?  I get the feeling I would never =
> > be able to afford any of their bevel machines.  

I have a Denver Studio Beveler. Cost about US$ 2400.00 new. I converted mine 
to all diamond grinding wheels for several hundred dollars more. IMO the only 
advantage of this machine is its ability to do tight inside curves.

Having learned on the Denver upright, I purchased a Glastar B12 disk beveler 
when they came out a few years ago. Liked it so much that I bought a second 
one and would like a third to avoid changing disks. The machine with a set of 
disks costs about US$ 1600.00. I find it much easier to use than the Denver 
upright.

The B12 is designed for straight beveling and outside curves. With practice 
it is possible to do straight bevels to about 24 inches on the 12 inch 
diameter disk. It is possible to "work over the edge" and do inside curves 
down to about four inch radius. Glass more than about one square foot gets 
hard to hold to the disk with accuracy.

My machines have paid for themselves many times over. About 80% of my 
beveling is for other studios in my area.

Cheers, Bob in 9 2 0 2 6

--part1_9c.b169193.27a27a50_boundary
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2><B>In a message dated 1/25/01 10:34:16 PM Pacific Standard Time, 
<BR>byronw@fastlane.net writes:
<BR>
<BR></B>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">&gt; Does DenverGlass.com have a competitor? &nbsp;I get the feeling I would never =
<BR>&gt; be able to afford any of their bevel machines. &nbsp;</BLOCKQUOTE>
<BR><B>
<BR>I have a Denver Studio Beveler. Cost about US$ 2400.00 new. I converted mine 
<BR>to all diamond grinding wheels for several hundred dollars more. IMO the only 
<BR>advantage of this machine is its ability to do tight inside curves.
<BR>
<BR>Having learned on the Denver upright, I purchased a Glastar B12 disk beveler 
<BR>when they came out a few years ago. Liked it so much that I bought a second 
<BR>one and would like a third to avoid changing disks. The machine with a set of 
<BR>disks costs about US$ 1600.00. I find it much easier to use than the Denver 
<BR>upright.
<BR>
<BR>The B12 is designed for straight beveling and outside curves. With practice 
<BR>it is possible to do straight bevels to about 24 inches on the 12 inch 
<BR>diameter disk. It is possible to "work over the edge" and do inside curves 
<BR>down to about four inch radius. Glass more than about one square foot gets 
<BR>hard to hold to the disk with accuracy.
<BR>
<BR>My machines have paid for themselves many times over. About 80% of my 
<BR>beveling is for other studios in my area.
<BR>
<BR>Cheers, Bob in 9 2 0 2 6</B></FONT></HTML>

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From owner-glass Fri Jan 26 09:26:36 2001
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X-Path: aol.com!Beveler4
From: Beveler4@aol.com
To: <randy@gloden.com>
Content-Type: text/plain; charset=ISO-8859-1
Subject: Re: Bevel Machines
Date: Fri, 26 Jan 2001 11:53:10 EST
Message-ID: <1970Jan1.000.0>
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Hi Randy,
I'm afraid that what everyone is telling you is the case with most beveling equipment. I made my own about 18 years ago and have bought a second set just five years ago and like Bob I do a lot of beveling for other studios in the area.I am thinking about the Glastar system for a third set to compliment what I have with the diamond wheels right now I use silicon carbide on a 30"steel wheel and I have a smoothing stone that came from England love it!! The little machines don't do much more than a 1" cut off and then you have trouble polishing them with the pads that they give you,because they spin so fast they won't hold the cerium oxide on the wheel they just fling it all over the place.If you are really interested in beveling look into some good equipment or you are just plain wasting your time, and will be frustrated before you even get started.
Beveler4 (Stan)  
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From owner-glass Sat Jan 27 17:05:48 2001
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From: Zeynep Akgunay <zakgunay@yahoo.com>
To: glass@Bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Stained Glass co. UK
Date: Sat, 27 Jan 2001 07:32:20 -0800 (PST)
Message-ID: <1970Jan1.000.0>
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  Hi,
I just wanted to find out if any of you knew a stained
glass mail order company at the UK?The reason for UK
is that I have an American soldering iron which is a
110 and I'd like to order a 220 one as I know live in
China.I wasn't able to find a place that sells stained
glass stuff in Beijing.Thanks.Zeynep

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From owner-glass Sat Jan 27 17:19:10 2001
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From: "steve" <charliehodge@ltdarkpoet.junglelink.co.uk>
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Content-Type: text/plain;
Subject: glue chip
Date: Sat, 27 Jan 2001 13:48:05 -0000
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a simple question but a complex answer i guess.
i need 4 mm glue chip any uk stockists or how do you make it.


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From owner-glass Sun Jan 28 00:37:24 2001
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From owner-glass Sun Jan 28 02:42:56 2001
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From: Suzanne Gunn <gunnx4@dellepro.com>
To: glass@bungi.com
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Date: Sat, 27 Jan 2001 20:22:52 -0600
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Please note my new email address.
This was completely unexpected, so if I dont know your email address by
heart, (I dont) I dont have it any more.  If you'd like me to have your
email address, please email me! 

I still have my address book on my other computer, but Im not sure when
I'll have access to that.

Thanks.

Suzanne in Tulsa
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From owner-glass Sun Jan 28 03:08:17 2001
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Date: Sat, 27 Jan 2001 03:33:28 -0800
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We are www.request-a-loan.com, a full service provider for home loans, and we 
are following up on your request for information.  We are a company who assists 
individuals in finding the best home loans, both for purchase and refinance.  From 
time to time, we also assist with supplying homeowners with other important and 
relevant information.  We will be sending you this valuable information in the near 
future.  If you have decided you are no longer interested in any home loan 
information or if you have received this email in error, please click below and 
your address will be removed.

http://www.request-a-loan.com/remove.asp?id=453943633&em=OO1







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From owner-glass Sun Jan 28 07:08:20 2001
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Date: Sat, 27 Jan 2001 17:24:43 -0800 (PST)
Message-ID: <1970Jan1.000.0>
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Please remove me from your mailing list at this time. 
Thanks    Toonce222@cs.com

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From owner-glass Sun Jan 28 12:32:49 2001
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Margaret C wrote:
> 
> 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - Buy the things you want at great prices.
> http://auctions.yahoo.com/
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From owner-glass Sun Jan 28 18:56:50 2001
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From: Susana Gomez <sugole@yahoo.com>
To: sharifa@netrover.com, "glass@bungi.com" <glass@bungi.com>
Content-Type: text/plain; charset=us-ascii
Subject: From Mexico city
Date: Sun, 28 Jan 2001 16:45:22 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hi:  My name is Susana and I live in Mexico city I
born in 1960. and I love to work with glass.

I learned it about 3 or 4 year ago when I bought an
american book.

Now if you want, I can help you in almost anything
about glass that you want to do.  
The only thing that I have never did is
Caleydouscoupe?

This is one of my hobbies to make glass crafts
(mirrors, crafts, windows, lamps).  If you want to ask
me something, with pleasure if I can I would tell you.

I have scanner if you need a picture or draw.

Tell me more about you.

Tks.

-- sharifa@netrover.com wrote:
> Hello, Not Sure to whom I am writing.  I have had
> two  sets of classes
> learning  stained glass and actually finished a lamp
> at the second one.
> I want to make a window panel, need some help.  My
> last teacher was
> great, name  - Tina , Italian with a little baby ( a
> year ago)  She no
> longer works where I met her.  Could anyone help. 
> If not I live in
> Mississauga, so Oakville to Toronto is O.K.  
> Someone  professional
> -meaning knows what he/she is doing and has patience
> yo teach.  Thanks
> for any help.  W
> 
> ----
> For subscription changes, please mail to:
> glass-request@bungi.com
> To send to the list,      please mail to:
> glass@bungi.com
> Archives available at http://www.bungi.com/glass


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From owner-glass Sun Jan 28 19:29:22 2001
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From: "laurielan" <laurielan@uswest.net>
To: glass@bungi.com
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Subject: [Fwd: NG~ new email address]
Date: Sun, 28 Jan 2001 13:04:18 -0700
Message-ID: <1970Jan1.000.0>
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I don't know why your email has been directed to me.

Suzanne Gunn wrote:
> 
> Please note my new email address.
> This was completely unexpected, so if I dont know your email address by
> heart, (I dont) I dont have it any more.  If you'd like me to have your
> email address, please email me!
> 
> I still have my address book on my other computer, but Im not sure when
> I'll have access to that.
> 
> Thanks.
> 
> Suzanne in Tulsa
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From owner-glass Sun Jan 28 20:30:02 2001
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X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Source
Date: Sun, 28 Jan 2001 20:44:11 -0600
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Hey all..

Looking for a source for Dremel bits... I use a lot of the wire brush ones
and don't mind buying bulk packs if they are available. Most of what ya pay
for in the store is the fancy package...

Thanks in advance!

Byron...
Wells Glassworks

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From owner-glass Mon Jan 29 01:33:36 2001
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X-Path: junglejungle.com!garden
From: "2-Books Used Books For $5.99" <garden@junglejungle.com>
To: <glashtin@kcitner.net>
Content-Type: text/plain; charset="us-ascii"
Subject: Two Used Books for $5.99 including postage (WE ARE NOT A CLUB)
Date: Mon, 29 Jan 2001 01:20:17 -0800 (PST)
Message-ID: <18161.236920.17881481 glassartsoc@earthlink.net>
Precedence: bulk

Page (URL) will be opening on the the Third of February 2001

We are, "2 Used Books for $5.99"

NO ADULT MATERIAL SOLD BY US!!!

Please let us send you the URL ........we will be adding more books every day!

ALL BOOKS INCLUDE POSTAGE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

TO RECEIVE THE URL PLEAESE PLACE ( 599) IN THE SUBJECT LINE OF THIS 
EMAIL  garden@junglejungle.com  NOTE: Please place your email address in the 
body of email. Thank you! Or> Send your name and address to>>
5.99 For 2
4724 Murphy Road 25
Franklin, NC 28734 
U.S.A.                                PLACE 5.99 WITH YOUR EMAIL ADDRESS IN LETTER


Thank you so much!
David Hurwitz & Jodi Foster
 E-mail us we would love to hear from you!!!!
2-Used Books for $5.99
rwdwd@micron.net

Romance
Westerns
Action
Fiction
etc.......
"Please support literacy in your community."


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From owner-glass Mon Jan 29 01:39:31 2001
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X-Path: junglejungle.com!garden
From: "2-Books Used Books For $5.99" <garden@junglejungle.com>
To: <glashtin@kcitner.net>
Content-Type: text/plain; charset="us-ascii"
Subject: Two Used Books for $5.99 including postage (WE ARE NOT A CLUB)
Date: Mon, 29 Jan 2001 01:20:15 -0800 (PST)
Message-ID: <18161.236920.17881481 glassartsoc@earthlink.net>
Precedence: bulk

Page (URL) will be opening on the the Third of February 2001

We are, "2 Used Books for $5.99"

NO ADULT MATERIAL SOLD BY US!!!

Please let us send you the URL ........we will be adding more books every day!

ALL BOOKS INCLUDE POSTAGE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

TO RECEIVE THE URL PLEAESE PLACE ( 599) IN THE SUBJECT LINE OF THIS 
EMAIL  garden@junglejungle.com  NOTE: Please place your email address in the 
body of email. Thank you! Or> Send your name and address to>>
5.99 For 2
4724 Murphy Road 25
Franklin, NC 28734 
U.S.A.                                PLACE 5.99 WITH YOUR EMAIL ADDRESS IN LETTER


Thank you so much!
David Hurwitz & Jodi Foster
 E-mail us we would love to hear from you!!!!
2-Used Books for $5.99
rwdwd@micron.net

Romance
Westerns
Action
Fiction
etc.......
"Please support literacy in your community."


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From owner-glass Mon Jan 29 04:34:36 2001
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X-Path: uswest.net!laurielan
From: "laurielan" <laurielan@uswest.net>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: [Fwd: REMOVE]
Date: Sun, 28 Jan 2001 13:05:28 -0700
Message-ID: <1970Jan1.000.0>
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Margaret C wrote:
> 
> Please remove me from your mailing list at this time.
> Thanks    Toonce222@cs.com
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Auctions - Buy the things you want at great prices.
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From owner-glass Tue Jan 30 09:59:35 2001
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X-Path: nls.net!titus
From: "Bob Titus" <titus@nls.net>
To: <glass@bungi.com>
Content-Type: multipart/alternative;
Subject: light table
Date: Tue, 30 Jan 2001 11:55:01 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

This is a multi-part message in MIME format.

------=_NextPart_000_0005_01C08AB3.79FEE1A0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Sir:
     Was looking on the Internet for plans for a light table, and came =
across your website. Problem is, can't find any mention of the light =
table.....can you help me locate this?  Thanks
                                        Bob

------=_NextPart_000_0005_01C08AB3.79FEE1A0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Sir:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; Was looking on =
the=20
Internet for plans for a light table, and came across your website. =
Problem is,=20
can't find any mention of the light table.....can you help me locate =
this?&nbsp;=20
Thanks</FONT></DIV>
<DIV><FONT face=3DArial=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;=20
Bob</FONT></DIV></BODY></HTML>

------=_NextPart_000_0005_01C08AB3.79FEE1A0--

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From owner-glass Tue Jan 30 11:31:30 2001
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X-Path: stratus.com!Charlie_Spitzer
From: "Spitzer, Charlie" <Charlie_Spitzer@stratus.com>
To: "'Bob Titus'" <titus@nls.net>, glass@bungi.com
Content-Type: text/plain;
Subject: RE: light table
Date: Tue, 30 Jan 2001 11:15:55 -0700
Message-ID: <1970Jan1.000.0>
Precedence: bulk

2 2x4's. cut and screw into a 2x4.5' rectangle. cover with 1/4" glass.
suspend a 4' florescent shoplight underneath shining upwards.

please turn off the mime format of your mail to this list.

regards,
charlie
phx, az

> -----Original Message-----
> From: Bob Titus [mailto:titus@nls.net]
> Sent: Tuesday, January 30, 2001 9:55 AM
> To: glass@bungi.com
> Subject: light table
> 
> 
> This is a multi-part message in MIME format.
> 
> ------=_NextPart_000_0005_01C08AB3.79FEE1A0
> Content-Type: text/plain;
> 	charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
> 
> Sir:
>      Was looking on the Internet for plans for a light table, 
> and came =
> across your website. Problem is, can't find any mention of the light =
> table.....can you help me locate this?  Thanks
>                                         Bob
<snip>
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From owner-glass Tue Jan 30 13:04:04 2001
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X-Path: yahoo.com!barbaraelmore
From: barbara elmore <barbaraelmore@yahoo.com>
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: sun's rays, clear glass door
Date: Tue, 30 Jan 2001 12:59:05 -0800 (PST)
Message-ID: <1970Jan1.000.0>
Precedence: bulk

We have a customer that bought a door from
HomeDepot/Lowes, the kind everyone sees everywhere.
She doesn't like it because it lets too much sunshine
through and it may bleach out her hardwood floors.

Are there any easy answers here?

=====
Thank you,
Barbara Elmore

__________________________________________________
Get personalized email addresses from Yahoo! Mail - only $35 
a year!  http://personal.mail.yahoo.com/
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From owner-glass Tue Jan 30 15:03:24 2001
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X-Path: cinci.rr.com!rlean
From: "RLean" <rlean@cinci.rr.com>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: sun's rays, clear glass door
Date: Tue, 30 Jan 2001 17:46:09 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

I recently purchased a new front door with windows in it.  So I already
asked the question when I was shopping.

She could go back to where she bought it or find out who manufactured it and
ask it the glass has any UV protection.  Sometimes it called low "e" glass.
Many of the newer doors come with this protection.  I don't believe that the
old door had any protection.  I would get afternoon direct  sun shinning on
my hardwood floor and it didn't harm it either.


Don't know if this helps much...Robin

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From owner-glass Tue Jan 30 19:33:55 2001
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X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Byron Wells <byronw@fastlane.net>
Subject: Re: Source
Date: Tue, 30 Jan 2001 22:53:33 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

If you are in the UK, B&Q now supply them.

Steve

In message <1970Jan1.000.0@?>, Byron Wells <byronw@fastlane.net> writes
>Hey all..
>
>Looking for a source for Dremel bits... I use a lot of the wire brush ones
>and don't mind buying bulk packs if they are available. Most of what ya pay
>for in the store is the fancy package...
>
>Thanks in advance!
>
>Byron...
>Wells Glassworks
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Jan 30 19:44:23 2001
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	for rglass-42; Tue, 30 Jan 2001 19:18:12 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: barbara elmore <barbaraelmore@yahoo.com>
Subject: Re: sun's rays, clear glass door
Date: Tue, 30 Jan 2001 23:27:55 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

In message <1970Jan1.000.0@?>, barbara elmore <barbaraelmore@yahoo.com>
writes
>We have a customer that bought a door from
>HomeDepot/Lowes, the kind everyone sees everywhere.
>She doesn't like it because it lets too much sunshine
>through and it may bleach out her hardwood floors.
>
>Are there any easy answers here?
>
>=====
>Thank you,
>Barbara Elmore

How about, 
Ultra violet light filters
Strongly coloured glass
Blinds
Curtains
An overhanging roof to shade the door
A different door with your glass in it
A solid door
Accept that hardwood floors will bleach in strong sunlight if they are
stained rather than natural.  If they are just varnished, then they will
actually get darker - look at all those varnished paintings and how dark
they have become.

Nope.  I don't know any easy solutions

Steve
-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Jan 30 19:51:55 2001
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	for rglass-42; Tue, 30 Jan 2001 19:20:13 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: verrier-scotland.demon.co.uk!s.richard
From: Steve Richard <s.richard@verrier-scotland.demon.co.uk>
To: Bob Titus <titus@nls.net>
Subject: Re: light table
Date: Tue, 30 Jan 2001 23:05:45 +0000
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0@?>>
Precedence: bulk

This is one of the wonders of the internet search engines.  They will
give you everything, but what you want.
The reference you had picked up is to a light box.  That is one which
illuminates a stained glass panel and is fixed to it as in a piece of
furniture or painting hung on a wall.

I do wish the search engines would improve.  There are a large number of
commercial ones used by researchers that give accurate responses rather
than the millions of references given by these antiquated, highly
promoted dinosaurs of information technology.  There are even systems
that can learn from the data you put in and the responses you give in
relation to the data returned.  These would give much more specific
responses to enquiries, but then they wouldn't give the sites so many
hits.

Steve

 
In message <1970Jan1.000.0@?>, Bob Titus <titus@nls.net> writes
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_0005_01C08AB3.79FEE1A0
>Content-Type: text/plain;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>Sir:
>     Was looking on the Internet for plans for a light table, and came =
>across your website. Problem is, can't find any mention of the light =
>table.....can you help me locate this?  Thanks
>                                        Bob
>
>------=_NextPart_000_0005_01C08AB3.79FEE1A0
>Content-Type: text/html;
>       charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META content=3D"text/html; charset=3Diso-8859-1" =
>http-equiv=3DContent-Type>
><META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Sir:</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>&nbsp;&nbsp;&nbsp;&nbsp; Was looking on =
>the=20
>Internet for plans for a light table, and came across your website. =
>Problem is,=20
>can't find any mention of the light table.....can you help me locate =
>this?&nbsp;=20
>Thanks</FONT></DIV>
><DIV><FONT face=3DArial=20
>size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
>p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
>;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
>&nbsp;&nbsp;&nbsp;&nbsp;=20
>Bob</FONT></DIV></BODY></HTML>
>
>------=_NextPart_000_0005_01C08AB3.79FEE1A0--
>
>----
>For subscription changes, please mail to: glass-request@bungi.com
>To send to the list,      please mail to: glass@bungi.com
>Archives available at http://www.bungi.com/glass

-- 
Steve Richard
Verrier Art Glass Ltd
s.richard@verrier-scotland.demon.co.uk
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From owner-glass Tue Jan 30 19:59:10 2001
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X-Path: ragingbull.com!charlie
From: c s <charlie@ragingbull.com>
To: charliehodge@ltdarkpoet.junglelink.co.uk
Content-Type: text/plain
Subject: Re: glue chip
Date: 30 Jan 2001 15:21:40 -0800
Message-ID: <1970Jan1.000.0>
Precedence: bulk

On Sat, 27 January 2001, "steve" wrote:

> 
> a simple question but a complex answer i guess.
> i need 4 mm glue chip any uk stockists or how do you make it.
> 
> 

see http://www.glassmart.com/gluechip.html

regards,
charlie
phx, az


_________________________________________________________________
Talk Stocks with Smart Investors -- http://www.ragingbull.com

Click Below for Brokerage Specials for Raging Bull Users
http://www.ragingbull.com/tradingcenter
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From owner-glass Wed Jan 31 00:31:34 2001
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X-Path: ns.sympatico.ca!irwin.judson
From: irwin.judson@ns.sympatico.ca (Irwin Judson)
To: "Spitzer, Charlie" <Charlie_Spitzer@stratus.com>
Content-Type: multipart/mixed;
Subject: Re: light table
Date: Tue, 30 Jan 2001 23:49:41 -0400
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

This is a multi-part message in MIME format.
--------------0CD9CBA51D7CEC8D60C3BABD
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

What and where is MIME? How do I turn it off?  Why should I turn it on
or off, 'cause I don't know what it is or does.  Is this why we
sometimes see no body in many messages to bungi, or a message comes
through as gibberish?
Irwin

"Spitzer, Charlie" wrote:
> 
> 2 2x4's. cut and screw into a 2x4.5' rectangle. cover with 1/4" glass.
> suspend a 4' florescent shoplight underneath shining upwards.
> 
> please turn off the mime format of your mail to this list.
> 
> regards,
> charlie
> phx, az
> 
> > -----Original Message-----
> > From: Bob Titus [mailto:titus@nls.net]
> > Sent: Tuesday, January 30, 2001 9:55 AM
> > To: glass@bungi.com
> > Subject: light table
> >
> >
> > This is a multi-part message in MIME format.
> >
> > ------=_NextPart_000_0005_01C08AB3.79FEE1A0
> > Content-Type: text/plain;
> >       charset="iso-8859-1"
> > Content-Transfer-Encoding: quoted-printable
> >
> > Sir:
> >      Was looking on the Internet for plans for a light table,
> > and came =
> > across your website. Problem is, can't find any mention of the light =
> > table.....can you help me locate this?  Thanks
> >                                         Bob
> <snip>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass
--------------0CD9CBA51D7CEC8D60C3BABD
Content-Type: text/x-vcard; charset=us-ascii;
 name="irwin.judson.vcf"
Content-Transfer-Encoding: 7bit
Content-Description: Card for Irwin
Content-Disposition: attachment;
 filename="irwin.judson.vcf"

begin:vcard 
n:Judson;Irwin
tel;cell:(902) 478 3570
tel;fax:(902) 464 1282
tel;home:(902) 461 4593
x-mozilla-html:FALSE
adr:;;27 Celtic Drive;Dartmouth;Nova Scotia;B2Y 3G5;CANADA
version:2.1
email;internet:irwin.judson@ns.sympatico.ca
fn:Irwin Judson
end:vcard

--------------0CD9CBA51D7CEC8D60C3BABD--

----
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From owner-glass Wed Jan 31 01:31:22 2001
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	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: FASTLANE.NET!byronw
From: "Byron Wells" <byronw@FASTLANE.NET>
To: <glass@bungi.com>
Content-Type: text/plain;
Subject: Re: Source
Date: Tue, 30 Jan 2001 19:28:23 -0600
Message-ID: <1970Jan1.000.0>
References: <<3A74FEA9.4AD39FAC@dellepro.com>>
Precedence: bulk

Mainly need the wire brush ones... If he sells them by the doz cheap thats
what I'm looking for...

----- Original Message -----
From: Suzanne Gunn <gunnx4@dellepro.com>
To: Byron Wells <byronw@fastlane.net>
Sent: Sunday, January 28, 2001 11:24 PM
Subject: Re: Source


> Hi Byron.
>
> There is a guy that occasionally goes to the flea market here in Tulsa.
> I bought a diamond bit from him for $2.oo, I think.  I went looking for
> him last Saturday and he wasnt there.  I know he had lots of dremel type
> bits before.
> Is there something specific you want?  If I ever manage to find him
> again, I'll get contact info for him and get a better idea of what he's
> got and his prices.
>
> Suzanne
>
> Byron Wells wrote:
> >
> > Hey all..
> >
> > Looking for a source for Dremel bits... I use a lot of the wire brush
ones
> > and don't mind buying bulk packs if they are available. Most of what ya
pay
> > for in the store is the fancy package...
> >
> > Thanks in advance!
> >
> > Byron...
> > Wells Glassworks
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
>

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From owner-glass Wed Jan 31 06:31:47 2001
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	for rglass-42; Wed, 31 Jan 2001 06:27:43 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: compuserve.com!Ensembles
From: "Christie A. Wood" <Ensembles@compuserve.com>
To: Bungi <glass@bungi.com>
Content-Type: text/plain;
Subject: sun's rays, clear glass door
Date: Wed, 31 Jan 2001 09:07:46 -0500
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Message text written by barbara elmore
>We have a customer that bought a door from
HomeDepot/Lowes, the kind everyone sees everywhere.
She doesn't like it because it lets too much sunshine
through and it may bleach out her hardwood floors.

Are there any easy answers here?<

Inexpensive contact paper - get the kind that is clear but has a texture =
in
it.  This will diffuse/soften the light, is easy to apply, and
is reversible should she ever want to go back to the original door.  Plus=

it can be applied to a verticle surface.  Does not provide UV protection
though.

Christie A. Wood
North Wales, PA USA
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From owner-glass Wed Jan 31 08:15:18 2001
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	for rglass-42; Wed, 31 Jan 2001 08:06:25 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: warmglass.com!mbwalker
From: "Brad Walker" <mbwalker@warmglass.com>
To: "Irwin Judson" <irwin.judson@ns.sympatico.ca>,
Content-Type: text/plain;
Subject: Re: MIME format
Date: Wed, 31 Jan 2001 11:06:59 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

MIME stands for "Multipurpose Internet Mail Extensions." This is a fancy way
of saying that emails can be displayed with color, different fonts, graphics
and such.  Some email programs and the Bungi server do not support MIME.
Because of this, formatted emails are displayed funny (or not at all) in
Bungi.  That's because they were sent using rich text (formated, HTML
containing, MIME, etc.), instead of plain text.  This happened
automatically, based on the default values of a person's email program.

The easy way to take care of this problem is to send your emails to Bungi
using plain text -- this makes sure that you email does not contain
formatting that is difficult for others to read.  To make this change,
simply type your email as normal.  Then, prior to hitting Send, change the
format of your emails to "Plain Text."  In Outlook Express, this is done by
clicking on Format/Plain Text; other email programs have similar ways to
change the format.

Hope this helps.

Brad Walker
----------------------------------------------------------------------------
-----
For information about warm glass techniques and processes
such as fusing, slumping, and kiln forming, please visit
the Warm Glass website at http://www.warmglass.com

----- Original Message -----
From: Irwin Judson <irwin.judson@ns.sympatico.ca>
To: Spitzer, Charlie <Charlie_Spitzer@stratus.com>
Sent: Tuesday, January 30, 2001 10:49 PM
Subject: Re: light table


> This is a multi-part message in MIME format.
> --------------0CD9CBA51D7CEC8D60C3BABD
> Content-Type: text/plain; charset=us-ascii
> Content-Transfer-Encoding: 7bit
>
> What and where is MIME? How do I turn it off?  Why should I turn it on
> or off, 'cause I don't know what it is or does.  Is this why we
> sometimes see no body in many messages to bungi, or a message comes
> through as gibberish?
> Irwin
>
> "Spitzer, Charlie" wrote:
> >
> > 2 2x4's. cut and screw into a 2x4.5' rectangle. cover with 1/4" glass.
> > suspend a 4' florescent shoplight underneath shining upwards.
> >
> > please turn off the mime format of your mail to this list.
> >
> > regards,
> > charlie
> > phx, az
> >
> > > -----Original Message-----
> > > From: Bob Titus [mailto:titus@nls.net]
> > > Sent: Tuesday, January 30, 2001 9:55 AM
> > > To: glass@bungi.com
> > > Subject: light table
> > >
> > >
> > > This is a multi-part message in MIME format.
> > >
> > > ------=_NextPart_000_0005_01C08AB3.79FEE1A0
> > > Content-Type: text/plain;
> > >       charset="iso-8859-1"
> > > Content-Transfer-Encoding: quoted-printable
> > >
> > > Sir:
> > >      Was looking on the Internet for plans for a light table,
> > > and came =
> > > across your website. Problem is, can't find any mention of the light =
> > > table.....can you help me locate this?  Thanks
> > >                                         Bob
> > <snip>
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
> --------------0CD9CBA51D7CEC8D60C3BABD
> Content-Type: text/x-vcard; charset=us-ascii;
>  name="irwin.judson.vcf"
> Content-Transfer-Encoding: 7bit
> Content-Description: Card for Irwin
> Content-Disposition: attachment;
>  filename="irwin.judson.vcf"
>
> begin:vcard
> n:Judson;Irwin
> tel;cell:(902) 478 3570
> tel;fax:(902) 464 1282
> tel;home:(902) 461 4593
> x-mozilla-html:FALSE
> adr:;;27 Celtic Drive;Dartmouth;Nova Scotia;B2Y 3G5;CANADA
> version:2.1
> email;internet:irwin.judson@ns.sympatico.ca
> fn:Irwin Judson
> end:vcard
>
> --------------0CD9CBA51D7CEC8D60C3BABD--
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

----
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From owner-glass Wed Jan 31 14:17:15 2001
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	for rglass-42; Wed, 31 Jan 2001 13:32:39 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: aol.com!Fsagg
From: Fsagg@aol.com
To: glass@bungi.com
Content-Type: text/plain; charset="US-ASCII"
Subject: stained glass contest
Date: Wed, 31 Jan 2001 16:30:23 EST
Message-ID: <1970Jan1.000.0>
Precedence: bulk

Has anyone seen this contest? It is really neat!
 <A HREF="http://www.battlefieldglass.com/">Battlefield:Glass</A> 
www.battlefieldglass.com
----
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From owner-glass Wed Jan 31 15:50:54 2001
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	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: softhouse.com!giapet
From: "Karen K." <giapet@softhouse.com>
To: "Irwin Judson" <irwin.judson@ns.sympatico.ca>
Subject: Re: MIME format
Date: Wed, 31 Jan 2001 17:18:56 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Changing this MIME setting in Outlook Express can also be done by going
to.....   Tools/Options/Send  then checking *plain text* under *Mail
sending format*.   *Plain Text Settings* should also be set to
*unencode*.   Changing it here will send all your mail out in plain
text, you will not have to check each email for it's format before
sending.

Karen
giapet@softhouse.com





----
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From owner-glass Wed Jan 31 16:53:49 2001
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X-Path: aol.com!houevents
From: "Weekly Event Calander" <houevents@aol.com>
To: <glass@daver.bungi.com>
Content-Type: text/plain; charset="iso-8859-1"
Subject:  HOUSTON  WEEKLY EVENT CALANDER       WIN TICKETS
Date: Wed, 31 Jan 2001 19:00:51
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Precedence: bulk

      NORTHSIDE TICKETS
11435 NORTH FRWY.   I - 45 @ ALDINE BENDER                                                           WIN  2 TICKETS  IN GIVE AWAY FOR 
                                                                                                                                              HOUSTON EVENTS  JUST EMAIL US TO ENTER
    WEEKLY HOUSTON EVENT CALENDAR                                                                       HOUEVENTS@AOL.COM   HIT REPLY AND 
                                                                                                                                               TYPE ADD ME TO WEEKLY EVENT CALANDER
   RODEO  RODEO RODEO RODEO RODEO 281-447-8833    281-447-8833

 GREAT SEATS AVAILABLE FOR ALL RODEO EVENTS FREE DELIVERY WITH ANY PURCHASE CALL 281-447-8833 OR 
 SEE OUR WEBSITE AT           WWW .NORTHSIDETICKETS.NET       WWW.NORTHSIDETICKETS.NET 

GREAT SEATS FOR RODEO   GREAT SEATS FOR RODEO  GREATS SEATS FOR RODEO  AND WWF WRESTLING


CONCERTS  281-447-8833 CALL FOR GREAT SEATS

2/14   CELIA CRUZ  
2/13   JIMMY BUFFET
2/21   RODNEY CROWELL & GUY CLARK
2/22   WEEZER
3/01   JEFF BECK
3/04   ERYKAH BADU
3/04   EA SUPERCROSS
4/01   WRESTLEMANIA 2001
4/02   US W/ PJ HARVY


RODEO  TICKETS IN ALL LEVELS AVAILABLE NOW CALL 281-447-8833

2/13   CLAY WALKER @ 7:00  
2/14   ALAN JACKSON @ 7:00
2/15   HANK WILLIAMS JR. @ 7:00 
2/16   DIANA ROSS @ 7:00
2/17   ALABAMA @ 4:00
2/18   DESTINY'S CHILD @ 3:35
2/19   LYLE LOVETT & ROBERT EARL KEEN @ 7:00
2/20   NEAL MCCOY & RASCALL FLATTS @ 7:00
2/21   98 DEGREES @ 7:00
2/22   BRAD PAISLEY & LONESTAR @ 7:00
2/23   GLADYS KNIGHT & PATTI LABELLE @ 7:00
2/24   KENNY CHESNEY & PHIL VASSAR @ 4:00
2/25   INTOCABLE & CONTROL @ 3:30
2/26   BROOKS & DUNN @ 7:00 
2/27   DURAN DURAN   @ 7:00
2/28   JO DEE MESSINA @ 7:00
3/01   DEF LEPPARD @ 7:00
3/02   MARTINA MCBRIDE & LEE ANN WOMACK @ 7:00
3/03   BARRY MANILOW @ 4:00
3/04   LEE ANN RIMES & BILLY GILLMAN @ 3:30
----
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From owner-glass Wed Jan 31 16:55:22 2001
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X-Path: aol.com!houevents
From: "Weekly Event Calander" <houevents@aol.com>
To: <glass@bungi.com>
Content-Type: text/plain; charset="iso-8859-1"
Subject:  HOUSTON  WEEKLY EVENT CALANDER       WIN TICKETS
Date: Wed, 31 Jan 2001 19:00:51
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Precedence: bulk

      NORTHSIDE TICKETS
11435 NORTH FRWY.   I - 45 @ ALDINE BENDER                                                           WIN  2 TICKETS  IN GIVE AWAY FOR 
                                                                                                                                              HOUSTON EVENTS  JUST EMAIL US TO ENTER
    WEEKLY HOUSTON EVENT CALENDAR                                                                       HOUEVENTS@AOL.COM   HIT REPLY AND 
                                                                                                                                               TYPE ADD ME TO WEEKLY EVENT CALANDER
   RODEO  RODEO RODEO RODEO RODEO 281-447-8833    281-447-8833

 GREAT SEATS AVAILABLE FOR ALL RODEO EVENTS FREE DELIVERY WITH ANY PURCHASE CALL 281-447-8833 OR 
 SEE OUR WEBSITE AT           WWW .NORTHSIDETICKETS.NET       WWW.NORTHSIDETICKETS.NET 

GREAT SEATS FOR RODEO   GREAT SEATS FOR RODEO  GREATS SEATS FOR RODEO  AND WWF WRESTLING


CONCERTS  281-447-8833 CALL FOR GREAT SEATS

2/14   CELIA CRUZ  
2/13   JIMMY BUFFET
2/21   RODNEY CROWELL & GUY CLARK
2/22   WEEZER
3/01   JEFF BECK
3/04   ERYKAH BADU
3/04   EA SUPERCROSS
4/01   WRESTLEMANIA 2001
4/02   US W/ PJ HARVY


RODEO  TICKETS IN ALL LEVELS AVAILABLE NOW CALL 281-447-8833

2/13   CLAY WALKER @ 7:00  
2/14   ALAN JACKSON @ 7:00
2/15   HANK WILLIAMS JR. @ 7:00 
2/16   DIANA ROSS @ 7:00
2/17   ALABAMA @ 4:00
2/18   DESTINY'S CHILD @ 3:35
2/19   LYLE LOVETT & ROBERT EARL KEEN @ 7:00
2/20   NEAL MCCOY & RASCALL FLATTS @ 7:00
2/21   98 DEGREES @ 7:00
2/22   BRAD PAISLEY & LONESTAR @ 7:00
2/23   GLADYS KNIGHT & PATTI LABELLE @ 7:00
2/24   KENNY CHESNEY & PHIL VASSAR @ 4:00
2/25   INTOCABLE & CONTROL @ 3:30
2/26   BROOKS & DUNN @ 7:00 
2/27   DURAN DURAN   @ 7:00
2/28   JO DEE MESSINA @ 7:00
3/01   DEF LEPPARD @ 7:00
3/02   MARTINA MCBRIDE & LEE ANN WOMACK @ 7:00
3/03   BARRY MANILOW @ 4:00
3/04   LEE ANN RIMES & BILLY GILLMAN @ 3:30
----
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From owner-glass Wed Jan 31 17:12:45 2001
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	for rglass-42; Wed, 31 Jan 2001 16:23:23 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: home.com!lorley
From: Lorley Oneyear <lorley@home.com>
To: glass@bungi.com
Content-Type: text/plain; charset="us-ascii"; format=flowed
Subject: is clear a color?
Date: Wed, 31 Jan 2001 17:12:05 -0700
Message-ID: <5.0.0.25.2.20010131165111.00a41160@mail.rdc1.az.home.com>
Precedence: bulk

Hello all, I am making a panel with a background using clear oceana glue 
chip glass. I had a large panel of the glass and as some of you may 
remember my dog bumped the glass and it broke and cracked in places. I was 
able to salvage a large piece but was nervous about some smaller pieces 
(not knowing if the cracks were cracks or glue chips). But I felt I still 
had enough to finish my panel.  And then, one dark night, I accidentally 
stepped on the larger piece. (Don't ask)  So I went to my stained glass 
dealer and got another piece of Oceana. I made a few pieces with the new 
glass and I swear that there is the slightest green tint to it. If I hold 
the old and new glass up to the light or on my light box I can't tell the 
difference. My question is:  will anyone be able to tell the difference in 
the clear glass once it's hung in the window? It appears the green tint is 
only noticeable if there is white directly behind the glass. Thanks 
Lorley/Phoenix

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From owner-glass Wed Jan 31 17:25:25 2001
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X-Path: discover.earthlink.net!leslye2
From: Leslye <leslye2@discover.earthlink.net>
To: Byron Wells <byronw@fastlane.net>
Content-Type: text/plain; charset=us-ascii
Subject: Re: Source
Date: Wed, 31 Jan 2001 19:25:47 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Organization: GlassWorks by Leslye
Precedence: bulk

Byron Wells wrote:

> Hey all..
>
> Looking for a source for Dremel bits... I use a lot of the wire brush ones
> and don't mind buying bulk packs if they are available. Most of what ya pay
> for in the store is the fancy package...
>
> Thanks in advance!
>
> Byron...
> Wells Glassworks

It took a while to locate the info for you Byron but I finally found my
source.  I was very happy with them.  Here is the URL for what I ordered.

http://www.mytoolstore.com/dremel/brshwhls.html

Hope this helps,
Leslye Nelson
GlassWorks by Leslye


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From owner-glass Wed Jan 31 18:55:47 2001
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X-Path: home.com!esavad
From: "Mike Savad" <esavad@home.com>
To: "Lorley Oneyear" <lorley@home.com>,
Content-Type: text/plain;
Subject: RE: is clear a color?
Date: Wed, 31 Jan 2001 21:07:55 -0500
Message-ID: <1970Jan1.000.0>
References: <<5.0.0.25.2.20010131165111.00a41160@mail.rdc1.az.home.com>>
Precedence: bulk

i guess it would depend on where it hangs. sunlight may wash it out. and
green in the background always helps. i guess you can always blame it on the
angle you/they are standing at. newer clears tend to tinge green when
looking at them edge on, the glass is textured. maybe that would work.


---Mike Savad


oh and technically speaking clear isn't a color it's colorless. however you
have very light green, which is a color.... :)



---
Mike's Stained Glass - http://www.geocities.com/Paris/1141/
Contains a wealth of stained glass information, stained glass tips, stained
glass instruction, and many, many stained glass links.
---
11-7-00 - New Stuff Added: How to solder a nice bead, and several new
projects. You can now search my site with a built in engine.

> -----Original Message-----
> From: Lorley Oneyear [mailto:lorley@home.com]
> Sent: Wednesday, January 31, 2001 7:12 PM
> To: glass@bungi.com
> Subject: is clear a color?
>
>
> Hello all, I am making a panel with a background using clear oceana glue
> chip glass. I had a large panel of the glass and as some of you may
> remember my dog bumped the glass and it broke and cracked in
> places. I was
> able to salvage a large piece but was nervous about some smaller pieces
> (not knowing if the cracks were cracks or glue chips). But I felt I still
> had enough to finish my panel.  And then, one dark night, I accidentally
> stepped on the larger piece. (Don't ask)  So I went to my stained glass
> dealer and got another piece of Oceana. I made a few pieces with the new
> glass and I swear that there is the slightest green tint to it. If I hold
> the old and new glass up to the light or on my light box I can't tell the
> difference. My question is:  will anyone be able to tell the
> difference in
> the clear glass once it's hung in the window? It appears the
> green tint is
> only noticeable if there is white directly behind the glass. Thanks
> Lorley/Phoenix
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

----
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From owner-glass Wed Jan 31 19:25:33 2001
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	for rglass-42; Wed, 31 Jan 2001 18:55:14 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: fastlane.net!byronw
From: "Byron Wells" <byronw@fastlane.net>
To: "Leslye" <leslye2@discover.earthlink.net>
Content-Type: text/plain;
Subject: Re: Source
Date: Wed, 31 Jan 2001 19:58:15 -0600
Message-ID: <1970Jan1.000.0>
References: <<3A78AD0A.6C8BF901@discover.earthlink.net>>
Precedence: bulk

Thanks Leslye! I'll check them out..

Byron...
Wells Glassworks
----- Original Message -----
From: Leslye <leslye2@discover.earthlink.net>
To: Byron Wells <byronw@fastlane.net>
Cc: <glass@bungi.com>
Sent: Wednesday, January 31, 2001 6:25 PM
Subject: Re: Source


> Byron Wells wrote:
>
> > Hey all..
> >
> > Looking for a source for Dremel bits... I use a lot of the wire brush
ones
> > and don't mind buying bulk packs if they are available. Most of what ya
pay
> > for in the store is the fancy package...
> >
> > Thanks in advance!
> >
> > Byron...
> > Wells Glassworks
>
> It took a while to locate the info for you Byron but I finally found my
> source.  I was very happy with them.  Here is the URL for what I ordered.
>
> http://www.mytoolstore.com/dremel/brshwhls.html
>
> Hope this helps,
> Leslye Nelson
> GlassWorks by Leslye
>
>
>

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From owner-glass Wed Jan 31 20:56:08 2001
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	for rglass-42; Wed, 31 Jan 2001 20:24:46 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: ilnk.com!andor
From: "Linda Jo Letscher" <andor@ilnk.com>
To: "Bungi" <glass@bungi.com>
Subject: Re: Source
Date: Wed, 31 Jan 2001 20:59:16 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Leslye:
Thanks for finding that for Byron, it is a great source and I am going to
bookmark the page myself for when I need Dremel bits.
Linda Jo

----- Original Message -----
From: "Leslye" <leslye2@discover.earthlink.net>
To: "Byron Wells" <byronw@fastlane.net>
Sent: Wednesday, January 31, 2001 7:25 PM
Subject: Re: Source


> Byron Wells wrote:
>
> > Hey all..
> >
> > Looking for a source for Dremel bits... I use a lot of the wire brush
ones
> > and don't mind buying bulk packs if they are available. Most of what ya
pay
> > for in the store is the fancy package...
> >
> > Thanks in advance!
> >
> > Byron...
> > Wells Glassworks
>
> It took a while to locate the info for you Byron but I finally found my
> source.  I was very happy with them.  Here is the URL for what I ordered.
>
> http://www.mytoolstore.com/dremel/brshwhls.html
>
> Hope this helps,
> Leslye Nelson
> GlassWorks by Leslye
>
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass


----
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To send to the list,      please mail to: glass@bungi.com
Archives available at http://www.bungi.com/glass

From owner-glass Wed Jan 31 22:55:35 2001
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	id <m14OD8B-00048Ha@daver.bungi.com>
	for rglass-42; Wed, 31 Jan 2001 22:22:07 -0800 (PST)
	(Smail-3.2.0.94 1997-Apr-22 #528 built 2001-Jan-24)
X-Path: compunet.net!tekelly
From: tekelly@compunet.net (Theresa Kelly)
To: glass@bungi.com
Content-Type: text/plain; charset=us-ascii
Subject: Re: Source
Date: Wed, 31 Jan 2001 23:49:58 -0500
Message-ID: <1970Jan1.000.0>
References: <<1970Jan1.000.0>>
Precedence: bulk

Hey I'm  a newbie and I need all the help I can get. I'm curious  what do you
all use the   dremel bits (brush) for?   I have the dremel tool  so  you use it
in your stained glass work????

Linda Jo Letscher wrote:

> Leslye:
> Thanks for finding that for Byron, it is a great source and I am going to
> bookmark the page myself for when I need Dremel bits.
> Linda Jo
>
> ----- Original Message -----
> From: "Leslye" <leslye2@discover.earthlink.net>
> To: "Byron Wells" <byronw@fastlane.net>
> Sent: Wednesday, January 31, 2001 7:25 PM
> Subject: Re: Source
>
> > Byron Wells wrote:
> >
> > > Hey all..
> > >
> > > Looking for a source for Dremel bits... I use a lot of the wire brush
> ones
> > > and don't mind buying bulk packs if they are available. Most of what ya
> pay
> > > for in the store is the fancy package...
> > >
> > > Thanks in advance!
> > >
> > > Byron...
> > > Wells Glassworks
> >
> > It took a while to locate the info for you Byron but I finally found my
> > source.  I was very happy with them.  Here is the URL for what I ordered.
> >
> > http://www.mytoolstore.com/dremel/brshwhls.html
> >
> > Hope this helps,
> > Leslye Nelson
> > GlassWorks by Leslye
> >
> >
> > ----
> > For subscription changes, please mail to: glass-request@bungi.com
> > To send to the list,      please mail to: glass@bungi.com
> > Archives available at http://www.bungi.com/glass
>
> ----
> For subscription changes, please mail to: glass-request@bungi.com
> To send to the list,      please mail to: glass@bungi.com
> Archives available at http://www.bungi.com/glass

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